Soundtracks Vinyl 447 Items

“Questo sporco mondo meraviglioso” is one of the numerous collaborations between the director Luigi Scattini and
Piero Umiliani, and one of the most interesting and varied soundtracks within the composer’s repertoire. A work full of
influences and musical quotes, with guests and valuable collaborators such as Edda Dell’Orso and I Cantori Moderni di
Alessandro Alessandroni. Some of the songs presented in this album are among his best works.

Cinedelic Records never ceases to amaze us and they are back again with the rediscovery of these two amazing and mind-blowing unrecognized gems (originally released individually in 1971 in ultra-limited edition), by the American transplanted to Florence, David H. Kimball (also known by the pseudonym Peymont) and Riccardo A. Luciani (who, for contractual reasons, could not use his name). Another two tracks are composed by Serena Marega.

Abstract, mysterious, evocative, experimental, futuristic and avant-psychedelic, ATMOSFERE is a fascinating electro-acoustic, industrial, dreamy journey that stands out in the panorama of Italian discography as one of the most original and unusual examples of psychedelia.

Ike's all time classic score "Shaft" is finally back in print!

L’istruttoria E’Chiusa Dimentichi (internationally released as The Case Is Closed, Forget It) is a 1971 Italian crime drama film directed by Damiano Damiani. It is based on the novel Tante Sbarre (Many Bars), written by Leros Pitton and was awarded at the Tehran Film Festival. The film centres around the architect Vanzi, whom ends up in prison and ends up involved in a plot against an inconvenient witness to organised crime, passed off as a suicide, with the complicity of the security guards. Renowned composer Ennio Morricone created an obscure, yet globally beloved, score to the thriller. Tracks B2 and B3 (“Disordini (Titoli Versione Film)” and “Ordini (Versione Alternativa)” were part of the original recordings but not used for the movie final cut. Available as a limited edition of 1000 individually numbered copies on orange marbled vinyl.

America's Italian immigrants have had a disproportionate effect on the country's culture, and especially music. The likes of Frank Sinatra, Dean Martin, Perry Como and Al Martino lit up the airwaves with their cultured crooning and are still revered in the current century. Mario Lanza is another name to rank up there with the greats. His story ended in 1959 at the age of only 38 yet, for one golden postwar decade, his was the name on everyone's lips. He was also one of Hollywood's biggest stars, and from the moment he burst onto the screen in That Midnight Kiss in 1949 through to his last film, Lanza's good looks and exuberant personality made him a big-screen natural.

Daughters of Darkness is a 1971 English-spoken Belgian horror film. Directed by Harry Kümel, this cult erotic vampire film stars Delphine Seyrig, Danielle Ouimet, John Karlen, and Andrea Rau. The story features a newlywed couple that stops at a posh French hotel on their way to England. They meet a beautiful, red-lipped woman whom the hotel owner swears had been there 40 years ago, even though she hasn't aged. She introduces herself as Countess of Bathory and folks begin to wonder.It's score was created by multiple award-winning composer François de Roubaix, who is seen as a precursor of the French electronic music next to his jazz expertise. Years after it's original release, the music was picked up and sampled by several hip hop artists, such as Ice-T, Ab-Soul and Lil Wayne. Critics, actors, and directors call it one of the best horror movies ever made. A retrospective poll by Time Out in the early 2010s placed the film at number 90 in their top 100 horror films.In 2021, we celebrate the movie's 50th anniversary. Filmfestival Gent will show the movie in it's entity with an orchestra playing the score. With the help of director Harry Kümel and Patricia and Benjamin de Roubaix, the Original Soundtrack of Daughters of Darkness is available on black vinyl and contains an exclusive poster and printed innersleeves.

Limited edition for Black Friday Records Store Day 2022. First time ever LP reissue.

Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 50th anniversary release celebrating the John Wayne western with a score composed by the living legend, John Williams. The Cowboys was the maestro’s biggest pre-Star Wars score. A much needed restoration job featuring a complete rebuild, remix and remaster was done for a 3000 unit limited edition CD re-issue that came out in 2018 and sold out. This double LP is the first ever official LP release and is pressed on gold vinyl exclusively for Black Friday 2022

Behold! Yes, Blue Butterfly, one of the absolute stunners on the revered Selected Sound, is finally available for all the beat-heads. Heavyweight library funk with a psychedelic touch, the super in-demand Blue Butterfly from *deep breath* Hardy's Jet Band, Orchestra Klaus Wuesthoff, Jan Troysen Band and Orchestra Gary Pacific - was originally released in 1971. Incredibly ahead of its time, it's been rare and sought-after for decades.

For many aficionados, this is the best Selected Sound release. Loaded with fuzzy wah-wah guitar, deep flute-lines atop soulful psych-rock breakbeats and huge organ action, its uncompromising funk will blow you away. Sampled for many hip hop beats and dropped by well known rare groove DJs around the world, one jewel in particular from this glorious German vault needs little introduction. The intro to Orchestra Gary Pacific's mesmeric "Soft Wind" rides the illest, crispest drum break you've perhaps never heard - like, the drum break to end them all - alongside a smooth, deep bass line from the heavens. It featured notoriously on the beloved Dusty Fingers comps of the 90s and was brilliantly sampled by Pacewon for his eternal "Sunroof Top". Just listen and be dazzled.

Beyond this mini-masterpiece, the other killer tracks offer brilliance in abundance. Hardy's Jet Band take control of the full A side, and it's full of dynamic psych-funk bombs. Hard, "big city" industrial groovers. In particular, the initial one-two of "Sorry, Doc!" and "Wind It Up" provide thrilling funky-blues rock instrumentals showcasing relentless guitars, flutes, sax and organ, the latter containing gorgeous, hypnotic breakdowns; these tracks just slay. The title track, "Blue Butterfly" is a real deep strut of a track with fantastic soloing from guitar and flute over crisp drums whilst the highway banger "What You Call To Be Free" certainly sounds a lot like unbridled, rhythmical liberty.

On the flip, the ghost-riding "Lady In Space" is a string-drenched acid-western foxtrot. Yep. “Pop Happening” by Jan Troysen Band is a heavy, druggy psych-fuzz organ groover whilst their slow beat-organ-flute gem "A Blue Message" is a gorgeous psych floater conjuring deeply strange frontier lands. Preceding their monster "Soft Wind", the soulful, uptempo groover “Ghetto Gap” by Orchestra Gary Pacific contains solo piano and flute whilst closing out the set is the free-and-easy samba beat of "So Far".

Founded in the late 60s by German composer and musician Klaus Netzle (who recorded under the alias Claude Larson for Sonoton) Selected Sound began as a production music company specialising in jazz, orchestral and electronic recordings. You can’t miss those early LPs in their iconic glossy metallic copper sleeves with minimal German typography. Serious, classy stuff.

The audio for Blue Butterfly has been remastered for vinyl by Be With regular Simon Francis whilst Richard Robinson has handled reproducing the glossy metallic (iconic) original Selected Sound sleeve. Essential.

Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.

“La Califfa” (1970) is a very rare example in which the director and author of the book on which the film is inspired coincide; we’re talking about Alberto Bevilacqua, who won the Nastro D’Argento prize as Best New Director with this film. The film deals with the issue of the class struggle, and in particular the love-hate relationship between a businessman (Ugo Tognazzi) and a female worker (Romy Schneider, almost too sensual here) who lost her fiancé at the working place. A romantic and dramatic work, as the music written and orchestrated by Ennio Morricone, here often surrounded by an impressive aura of sacredness. This LP also features, as guests on voices and choirs, Edda Dell’Orso and I Cantori Moderni di Alessandro Alessandroni. Surprisingly, despite the success of the film and its soundtrack received at the time, “La Califfa” has never been reissued on LP since the early ’70s. This new edition on Vinyl Magic record label eventually fills this gap and, except for the front cover image, the artwork has been completely renewed: the inner sleeve contains in fact many reproductions of posters and lobby cards of the film. Various tracks, never released on LP until today, have also been added to the final tracklist.

Japanese pressing without OBI. Cover with stains. Vinyl with a couple of light scuffs

Slightly warped. Price tag.

Cover has seam splt at the bottom. Comes with OBI

1971 soundtrack from Ennio Morricone Pressed on Transparent Clear Vinyl & includes a 30x30cm insert Liner notes and audio remastered by Claudio Fuiano “Sacco e Vanzetti” is a 1971 dramatic movie directed by Giuliano Montaldo and masterfully starred by the two lead actors Gian Maria Volonté and Riccardo Cucciolla; the film deals with the everpopular topic of the death penalty by recounting a real event that caused quite a stir at the time: the sentencing to the electric chair of two Italian immigrants who were executed in 1927 after a sevenyear trial.

For “Sacco & Vanzetti” Ennio Morricone composed one of the most intense scores of his long and successful career, starting with the mostly romantic and extremely sad theme for oboe and orchestra “Speranze di libertà”. Joan Baez’s charming voice interprets “La ballata di Sacco e Vanzetti”, divided into three parts alternating with the macabre theme of “Nel carcere” provided by electronic effects and ripping strings that would fit well in a giallo movie. The ballad motif is then reprised and played by liturgical organ and orchestra in “Sacco e il figlio”, while “La sedia elettrica” is an experimental electronic music cut. The closing song “Here’s to You”, sung by Joan Baez, has become a sort of anthem worldwide.

On the occasion of Record Store Day 2024, this legendary soundtrack is exclusively reissued on clear vinyl, with new artwork and a 30x30cm insert. Liner notes and audio remastered by Claudio Fuiano.

Japanese pressing. OBI is missing.

No Obi, no insert. Cover has strong foxing inside gatefold.