Soundtracks Vinyl 382 Items

“Thomas” is an Italian Soundtrack milestone and pure masterpiece of Italian Giallo Thriller exploitation. It’s the infamous and legendary score for the film directed by cult Italian director Pupi Avati and originally released on Gemelli label in 1970. Check out he mind-blowing scary Giallo vibes, stunning cinematic sinister beats with the participation of Edda Dell'Orso who gives some astonishing frightful vocals with dope thrilling vibes allover. “Thomas” aka “Thomas E Gli Indemoniati” is a horror-thriller, fantasy-drama and grotesque film cult from 1969, originally not distributed due to the bankrupt of film publisher. Mythical item for record collectors and fundamental piece for any Italian Giallo thriller enthusiast. This release is limited to 500 copies!

Transversales is a French label based in Paris founded by Sebastien Rosat & Jonathan Fitoussi. Transversales is specialised in the reissues of long lost tapes, rare original soundtracks and library.
Jonathan Fitoussi is a French composer residing in Paris. He works on minimalist and contemporary musical forms. He's also audio restoration engineer at INA & INA GRM. Sebastien Rosat is a French Music Supervisor working for Films, TV and Advertising. He's also a member of French electronic duo Sommet.
First ever LP reissue of this timeless masterpiece by Philippe Sarde, the most versatile and talented French film composer. Les choses de la vie, an outstanding score which offers both the wonderful “Chanson d'Hélène” and most of the musical features which appeared later in Philippe Sarde's musical career : Nostalgia, melancholy, experiment and sound discord.
Les choses de la vie is the film which confirms Sautet as a genuine author and Philippe Sarde as a rising composer. This is also the start of a long partnership that spanned twenty-five years and eleven films.
Including the previously unreleased versions of “La Chanson d’Hélène” performed by Romy Schneider and Michel Piccoli in Italian and German. Also Includes Stéphane Belmondo’s version of “La Chanson d’Hélène”.

Dario Argento’s ‘opera prima’ ‘L’uccello dalle piume di cristallo’ was premiered in 1970 and marked an historical and revolutionary debut, being a truly original and innovative thriller. The stylistic choices of Argento mark a clear step forward from the thrillers of that era and even the soundtrack was something utterly special.

Argento assigned the score to Ennio Morricone, composer of the soundtracks for ‘Comandamenti per un gangster’, ‘C’era una volta il west’, ‘Metti, una sera a cena’ ‘Un esercito di 5 uomini’ and ‘La stagione dei sensi’, which Argento had already written the screenplay of. For this movie the maestro adopted a particular style that draws heavily on contemporary music and on the studies of his Gruppo di Improvvisazione Nuova Consonanza. With ‘L’uccello dalle piume di cristallo’ Morricone develops this approach and defines a 'formula': he alternates traditional songs, built around an easy and immediate melody used as a leitmotiv, with avant-garde and abstract tracks that amplify the state of uneasiness and fear of the viewers of tension and violence sequences.

Cinevox released this soundtrack on an LP with 10 tracks in the spring of 1971 when ‘Il gatto a nove code’ was already a big hit in the Italian cinemas. The record was originally issued in mono, with different tracks from the Stereo US version. This is the first vinyl reissue featuring the original score in Stereo, enclosed in a brand new artwork made by Adventprod studios!

Limited Edition of 250 copies ONLY – Super Deluxe / Expanded BOX-Edition, containing:

Regular LP as above, but on Exclusive YELLOW SMOKE VINYL
Exclusive BONUS SILVER MARBLE VINYL with unreleased tracks (for the first time ever on Vinyl!), incl. ‘Il Gatto a nove Code (movie takes suite) of 12:33 minutes!

2 Full Colour Movie Posters
Special Insert
Exclusive Gatefold Photo Book.

“Musiche per un Telefilm” by A.R. Luciani and Paolo Renosto is an exclusive release by Redi Edizioni Musicali, an historical company from Milan that, in addition to curating the digital catalogue of Edizioni Leonardi’s library music and sonorizzazioni, is also re-printing faithful vinyl reproductions of the most prestigious titles from Leonardi’s catalogue. These records were originally released in very limited editions, often as not-for-sale promotional material, and many of the original LP’s are now very rare and collectibles almost impossible to find!

“Musiche per un Telefilm” is the second title in the Redi Edizioni library music LP reissue series. Originally released in 1970 on Leo Records label, this musical masterpiece consisting of 19 tracks for 19 different musical themes, completely immerses the listeners in an ambience of both tension and anguish but also fun and relaxation, just as if they were in their very own television show! Antonio Riccardo Luciani, composer and keyboard player, was one of the most prolific artists in the Italian television and soundtrack world. His “Chanson Balladée” written in 1976 was the theme song for “L’Almanacco del Giorno” (rai) for 15 years. He is best known and remembered for “Tecnica di un Colpo di Stato” (1978). Paolo Renosto, composer, maestro, lyricist and pianist, wrote and released synchronization records under the pseudonym of Lesiman. He was a pioneer and one of the best interpreters of library music.

Back cover is slightly yellowed.

1976 Japanese reissue. OBI is missing. With insert. Vinyl is Close to VG+.

small Writing on cover.

Minor foxing inside gatefold.

Still sealed with hype sticker. 2021 reissue.

Ex condition.

Shelley pressing. Tear in spine.

incl. the famous break 't plays it cool' ... sampled by everybody and their moms

Originally only officially available on a ultra-rare Japanese pressing, Mirurmir is incredibly pleased to announce the first issue of the groundbreaking and mindblowing soundtrack to Tarkovsky’s masterpiece, Solaris, in 20+ years. Composed by the electronic music pioneer, Edward Artemiev, Solaris was the first project in what proved to be a fruitful collaboration between director and composer. An absolutely essential piece of electronic music and Russian cinema history, lovingly reissued in a gorgeous package including rarely seen photos and a cover pulled from the Italian poster for the film, 180 gram vinyl.

Reprint of the rare 1972 library LP by Maestro Giuliano Sorgini under the pseudonyms of Raskovich and The Bid-On. Originally released in just a few copies for a small label owned by a friend of Maestro Sorgini, this LP includes 12 really beautiful tracks with positive vibes. From Jazz Dance, Bossa Nova, Funk, and some Killer BreakBeat, with lots of percussion, growling flute and honking sax. Reissued with the original minimal artwork designed by Giuliano Sorgini drawn with chalk on a black sheet. Glossy Cinedelic cover. Limited to 600 copies.

Edmondo Giuliani - "IL MARE: Musica Con Strumenti Elettronici", originally released in 1972 on the micro-label Dischi Egede. A Mega-Rare Italian Electronic Underwater music Library production - recorded for an obscure documentary on sea from the early '70s. Infectious and trippy Abstract Experimental music that plumbs in the sea depths with abyssal echoes, sound iridescences and marine electronic themes. Addictive record out for our Underwater Library tryptych release. Another great vinyl obscurity is filed and published on our label with amazing renewed artwork.
Limited edition of 500 copies on 180 gram vinyl.

Another master of the soundtrack is Francesco De Masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like Vado l’ammazzo e torno) comedies, and action movies like La Macchina della violenza (The Big Game), by Robert Day. A soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

The world of Italian Library music surprises us again with an extremely evocative record. Released with the name of Maria Teresa Luciani but really produced and composed by her brother Maestro Antonino Riccardo, Situazioni del Terzo Mondo ranks among the most important abstract soundscape records. Spontaneous tribalisms tainted with concrete sounds support the looming psychedelic vein, with different solutions from track to track. Recorded in 1972 it is reissued in a limited edition by Cinedelic Records.

After Les choses de la vie, Transversales proudly presents the first ever LP reissue of this classic Philippe Sarde soundtrack: César et Rosalie. « As it happens, Philippe is less interested in his natural function which is to write music sheets... than in the film itself. And I, somehow, am as much, and perhaps more interested in the music than in the film itself. Therein lies the deep reason for our paradoxical relationship.” These are the words French film director Claude Sautet used to define his collaboration with the prodigious French composer. The « Cesar et Rosalie » score is like a magical bridge linking baroque and electronic music, mixing Moog synthesizer sequences with acoustic instruments. Compared to the original CAM LP, this reissue contains 6 unreleased tracks that were removed from the original tracklisting. Among them a Mariage 72 in Bacharach style and a beautiful piano version of the theme performed by Philippe Sarde himself. It obviously contains Romy Schneider’s famous voice-over in the unforgettable track La lettre de Rosalie.

We proudly announce the first ever reissue of this quintessential, oustanding Italian Library grail, originally released on Sermi label in 1972. Highly-regarded album and considered a masterpiece of the genre, "Nel Mondo Del Lavoro" (also released at the time with the title "World At Work" on Conroy) is one of the most precious and beatiful works conceived by the Italian maestro Rino De Filippi, and originally used for the soundtrack of the Rai-TV documentary series "sapere: IL Petrolio". Music is written and composed by the maestro backed by the great I Marc 4 studio ensemble and accompained by I Cantori Moderni di A.Alessandroni with breathless scats, insane arrangements and unbelievable, unique and complex mood music from Jazz to Lounge, Bossa Nova and more. A real monster of record that best catches the library music job in adding music to films and documentaries! Edition of 800 copies

* The soundtrack to Wes Craven’s cult classic from 1972
* Composed & Performed by David Hess (Elvis, Sal Mineo)
* Seventeen tracks of psychedelic Manson-style folk music & soundscapes
* Comes with insert containing EXCLUSIVE liner notes and pictures
* Available on black vinyl and as a limited color variant (300 copies solid BROWN vinyl)
* Also available as a Digipack CD edition with bonus tracks and 12 page booklet

Born in 1936 in New York City, David Hess began his career recording million-dollar chart toppers for the likes of Elvis Presley, Sal Mineo & Andy Williams in the 50ies & 60ies. His biggest hit is probably ‘Speedy Gonzales’ which ended up selling more than eight million copies worldwide. After a career as a record company executive the 1970s, Hess took on the role of actor, writer, director and producer in the movie industry. Writing and working with directors as Rainer Werner Fassbinder and directing the 1980 slasher “To All A Good Night” were only a few of his many accomplishments.

Most of us will remember him as Krug Stillo, the leader of a gang in Wes Craven’s classic 1972 cult shocker “The Last House On The Left” as well as portraying the villains in Ruggero Deodato’s “House on the Edge of the Park” (1980) and Wes Craven’s “Swamp Thing” (1982). Other movie roles include ’21 Hours At Munich’, ‘Hitch-Hike’, ‘Body Count’ and ‘Zodiac Killer’. David Hess also appeared regularly on the TV screen with appearances in shows such as ‘Knight Rider’, ‘The A-Team’, ‘The Fall Guy’ & ‘Royal Pains’.

Throughout his film career Hess’ love for music never waned. He continued to produce music, including several albums (“Caught Up In The Moment” and “Live & Unplugged in Hollywood, 2002.”). Some of his music can also be heard on more recent soundtracks, such as ‘Cabin Fever’ (2002) and ‘Manhunt’ (2008). On October 7, 2004 just two years after his role in the 2009 horror epic “Smash Cut” starring Sasha Grey, David Hess sadly passed away at the age of 75. He will forever be in our hearts.

David Hess composed the soundtrack for ‘Last House on the Left’ & his work here contains some truly beautiful songs, the discovery of which, for some, may be in stark contrast to the brutal displays of sadism and violence for which he was known to purvey onscreen. The fact that Hess could perform as both the poet, and the monster, is a testament to his skill as an artist. The soundtrack to Last House On The Left is a brilliantly unique and diverse mixture of farcical comedy, poignant, reflective folk music and instrumental experimentalism. Hess constructed a wonderful counterbalancing entity, which serves only to accentuate the impact of the movie.

One Way Static Records now proudly presents the complete 1972 soundtrack to Wes Craven’s ‘THE LAST HOUSE ON THE LEFT’ composed by David Alexander Hess. Available as a deluxe limited Black vinyl edition complete with insert containing rare pictures and exclusive liner notes. Also available as a limited color vinyl variant (300 copies solid BROWN vinyl).

Ominous drums, obscure cellos, fuzzy and distorted guitars, psychedelic piano sequences: legendary Italian composer Alessandro Alessandroni creates a sombre and gritty war atmosphere on this classic library album "Storie Di Guerra". Originally released on the Octopus Records imprint by Flipper Music in 1972, this obscure and spooky library has been long out of print — 50 years past its release we are happy to bring this back on vinyl in collaboration with Flipper Music as a limited edition of 500 copies!

Joel Vandroogenbroeck was an arranger, conductor, producer and, above all, a unique multi-instrumentalist in the world of music. The Belgian artist was also famous for being the only permanent member of the group Brainticket and the main promoter of its creativity, often renewed with the contribution of exotic instruments. At the dawn of the Seventies, this versatile musician began a parallel life as a composer of singular music libraries tailored to comment documentary images. “L'Immagine Del Suono” was one of them, originally released by Italy's Flirt Records and now repressed on vinyl by Musica Per Immagini for the first time. This album circulated, however, unnoticed in a limited number of copies among insiders, only rediscovered later by fans, thus raising Joel Vandroogenbroeck as a real pioneer of ambient and new age music. It is appropriate to consider the twelve short-lived pieces of “L'Immagine Del Suono” as a sort of continuous and visionary experiment, with the addition of electronic gasps, a strong dose of inevitable psychedelia, fragments of synthesized jazz, all coming from experiences both internal and external, hallucinatory and hedonistic. All of this combined creates a mysterious and abstract hybrid. Sonic raw material is sculpted with artisanal care, at times twisted and cryptic, characterized by a transversal irony, to the point that the interference of rock elements in the course of the set divert the listener's attention and momentarily interrupt the flow of consciousness. “L'Immagine Del Suono” is a concentrated example of the avant-garde, free from categorisation of any kind, developed in a non-commercial key and, equally, is drawn from a direct line via what was previously expressed within the folds of the then contemporary works of Brainticket.

"Rivelazioni di un maniaco sessuale al capo della squadra mobile" (best known internationally as “So sweet, so dead”) is a 1972 giallo film by Roberto Bianchi Montero, director of various other movies mainly belonging to the western and erotic genres; the latter is here mixed with thriller and noir, for a very good final result. The soundtrack is here entrusted to the well-known pianist, arranger and composer Giorgio Gaslini (1929-2014); among the most important Italian jazz musicians of all time, he’s been quite prolific during his whole career, also in the vast field of soundtracks. In this case, he creates a memorable theme with a handful of notes and enriches it with typical 70s orchestral pop arrangements, adding an elegant touch with easy-listening jazz and lounge atmospheres. Overall, “Rivelazioni…” is a multi-genre music work in which mellow and romantic sounds coexist with more obscure and abstract ones, made with only string instruments and percussion. Originally released in 1972, this soundtrack is now reissued on LP for the first time in over 50 years, in a yellow-coloured edition with audio remastered by Claudio Fuiano and five bonus tracks here released on vinyl for the first time ever!

This soundtrack is one of many Cinevox Record rarities, this time brought forth over 50 years ago by the genius of Ennio Morricone, in the heyday of Italian underground cinema, years when true masterpieces were made, often innovative from various points of view (plot, photography, colors, settings, screenplay...). "4 Mosche di Velluto Grigio" (4 Flies on Grey Velvet) ends the so-called 'animal trilogy' by Dario Argento, and sees the director in an absolutely inspired moment, yet probably unconscious that he'll leave an indelible mark in the history of world cinema with his following works. This movie, for some reasons, was never officially released on videotape - apart, perhaps, in an obscure French edition - and only recently has finally been issued on optical disc, while from the soundtrack only released a 45rpm single was pressed at the time, before it was fully recovered in the '90s. In "4 Flies ..." Morricone wrote one of his most 'rock-oriented' soundtracks - without of course neglecting his indelible touch - also thanks to the fact that the protagonist of the film is a rock drummer. You hear echoes of Deep Purple, not surprisingly given that Argento wanted them as the first authors of the movie score, and it is no coincidence that his most famous film is titled... Deep Red!

With OBI. Vinyl seems unplayed. Cover is close to NM.

No OBI, with booklet. Cover has foxing.

Cover close to VG+

Japanese pressing.