Soundtracks Vinyl 461 Items

Limited to 200 copies worldwide on transparent blue Vinyl.

Timeless atmospheres, hypnotic sororities, minimal arrangements. And a composer gifted with a never ending passion for music, experimenter in his genetic code, innovator by vocation, at ease with various instruments in order to forge avant-garde themes. Piero Umiliani was already forward in building completely new sounds in the late Seventies. “Tra Scienza E Fantascienza” finds his alter ego Moggi experimenting with alternative grooves, electronic music, jazz tunes and soundtrack motifs. One of the most interesting music libraries in the Italian composer's discography, reissued with a new remastering by Musica Per Immagini, is in full harmony with its title.
Science fiction has opened up our eyes to a variety of scenarios, possible or impossible, sometimes with a happy ending, sometimes apocalyptic, at times familiarly near, more often disarmingly far away, and always capable of inspiring our imagination. For the histrionic artist, it took, perhaps, less of a cosmic leap to create this masterpiece. Centred on the cover, a strange creature with only one eye, its hands on a beaker containing a mysterious red liquid. To its right, a symbolic circle is imprinted on a sandy surface, and three bizarre constructions, similar to the volumetric flasks found in a laboratory, of differing heights and shapes. There is a strange blue planet in the distance.

(Notes and images of a dystopian future according to Piero Umiliani)

In 1968, the future composer of The Things of Life (Les Choses de la Vie) seriously considered becoming a director. He wrote and shot Florence, a short film influenced by the New Wave and composed its soundtrack, under the benevolent eye of Vladimir Cosma. The first spectators of the film are unanimous: failing to have seen a visionary cinematographic opus, they have discovered a real movie musician. From this first attempt, Philippe Sarde imposes his melodic talent on the picture and initiates his sense of counterpoint. This founding soundtrack, however, remained in the boxes for more than 50 years, before finding a place of choice on the B side of our album. To open the ball, we offer you another forgotten score: the almost unused score of Loulou, Maurice Pialatís cult classic. In 1980, the naturalist director planned to use original music to accompany the wanderings of his sublime love duo, played by Gerard Depardieu and Isabelle Huppert. He commissioned a bare, impressionistic score from Philippe Sarde, then changed his mind and kept only a timid end credits. The meeting between the two giants of French cinema did however take place, as evidenced by the first side of this beautiful lp. This album was produced from a high definition transfer of analog tapes, without compression or alteration, and respecting the dynamics of the original recordings.

“Contamination” was released in 1980 as a soundtrack for the eponymous horror/science fiction film, during what probably was the most prolific period in Goblin’s career, even if the band had already been abandoned by guitarist Massimo Morante and keyboardist Claudio Simonetti. Unkonwn by most listeners, it’s a release that deserves more attention, since it shows a wide range of music styles (Jazz, funk, rock, electronic) and once again Goblin’s ability in writing film scores.

Cinedelic Records is proud to present Paolo Vasile’s score to Enzo Castellari’s 1980 poliziottesco fim, Il Giorno Del Cobra. This record features one of maestro Vasile’s most iconic themes as featured on various polizio compilations. This release will include three bonus tracks and will be pressed in a limited quantity. The cues on this soundtrack feature a wonderful mix of cool keyboards, horns, funky basslines, and driving kick drums — a perfect reverb-fueled accompaniment to Franco Nero’s onscreen antics. (Alfonso Carrillo)

Limited Edition 400 copies. Includes 3 Bonus Track and a postcard

Cover with saw cut. Vinyl close to VG+

Cover close to VG+

Cover close to VG+

Cover signed by the artist on the back.

This is the masterful score that Italian composer Franco Micalizzi created for the 1979 Sci-fi horror film Stridulum (aka. The Visitor). The Giulio Paradisi film featured a star-studded cast including Mel Ferrer, John Huston, and Shelley Winters. Although it wasn’t as commercially successful as expected at the time, its unique subject matter and expressive style eventually attracted a cult following. While Micalizzi is better known for his ‘Poliziotteschi’ flic scores and collaborations with director Umberto Lenzi, his trademark sound is unmistakably present on Stridulum with its visually evocative, engaging, and spacey take on funk. The film’s commercial performance aside, all this is enough to make Stridulum one of Micalizzi’s most captivating, if eccentric, works. Packed with great tracks such as the film’s main theme, the multiple variations on the ‘Sadness Theme’, and the standout sci-fi disco-funk of ‘Jerzy Again’, the Stridulum score offers plenty in the way of listening enjoyment. The present re-issue features the original artwork from the 1979 first pressing, along with bonus tracks including 7 alternate tracks and outtakes.

The "Galaxy Express 999" Theme Songs and Insert Songs Collection to be Released on Analog Vinyl! An analog version of the theme song and insert song collection of the TV animation broadcast from 1978 to 1981 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the LPs released on February 1, 1979, respectively, on heavy vinyl.

Music Collection of "The Galaxy Express 999" Theatrical Production to be Released on Analog Vinyl! An analog version of the music collection of the theatrical film "The Galaxy Express 999" released in 1979 will be released on March 20, 2024, LP Record Day! This is a reissue of the LP released on July 25, 1979, on heavy vinyl.

Slight storage wear.

Vinyl is close to NM. OBI is missing. With insert

Record has some hairlines and a few superficial scratches.
Cover with small sticker rip off, small writing and minor staind on the back.

Sticker on cover.

Small sticker on cover.

promo stamp on back cover

Promo copy with OBI. close to NM

Japanese pressing with obi.

Writing on front cover, stains.

Sanullim's 4th album consists of background music and insert songs for TV and radio dramas and plays, including Korean Film director Im Kwon-taek's movie "Tomorrow And Tomorrow Again". It is a noteworthy collection of works that has not faded with the unique scent of Sanullim, and contains several songs that still shine with charming emotions and whimsical or vague sensibilities. 〈Express Train (Inside)〉, a mountain sound-style hard rock with dynamic rhythm, fuzz guitar, and Kim Chang-hoon's wild shouting, Kim Chang-wan's soft vocal and brilliant keyboard sound, 〈Can't Tell Anyone〉, Love It includes the elegant performance songs and , and the beautiful song that achieves the climax of romance and lyricism. (Original release date: April 15, 1979)

Vinyl close to NM

Limited Edition Lita Exclusive Variant Pressed on “Scooter Yellow” colored vinyl Reimagined for the First Time in Over 40 Years – Completely Remastered for Vinyl! Featuring timeless classics, “Rainbow Connection” and “Movin’ Right Along” Album Art by Kevin Wilson Music by Paul Williams and Kenneth Ascher Mastered for Vinyl by Dave Gardner / “Keep believing, keep pretending; We’ve done just what we’ve set out to do, Thanks to the lovers, the dreamers, and YOU!”

It’s an absolute dream come true for iam8bit to collaborate with The Muppets Studio and Walt Disney Records to release this completely remastered revival of The Muppet Movie soundtrack on vinyl. (That feels sooooo good to say.) More than 40 years since it’s original release in 1979, we’ve rummaged backstage at The Muppet Theatre to dust off timeless recordings like the Oscar-nominated “Rainbow Connection” and the road trip ditty, “Movin’ Right Along,” sparing no executional detail to give this album the treatment it deserves. The music by legends, Paul Williams and Kenneth Ascher, is undisputedly excellent, charming in its love of lyricism, with perfectly-honed harmonies and arrangements. These are the songs that rocketed The Muppets from mere TV stardom to the realm of rockstars, featuring outstanding performances by Kermit the Frog, Miss Piggy, Fozzie Bear, Gonzo the Great, Dr. Teeth and the Electric Mayhem (with Animal on wicked drums), and so many more. Statler and Waldorf would even approve of the outstanding album artwork by Kevin Wilson, who approached this design not merely as a commission, but as a lifelong obsession with The Muppets.