Soundtracks Vinyl 436 Items

Cover and vinyl are close to NM. With inserts.

incl. the famous break 't plays it cool' ... sampled by everybody and their moms

Fold out cover has seam wear. Original US Hollywood pressing.

Futuristic synthesizer specialist and sound designer Matsuo Ohno was responsible for the sound design of a broad range of film, television and radio soundtracks, most famously the animation series Astro Boy, which he began working on in 1963, together with his assistant, Takehisa Kosugi. Ohno was born in the heavily-populated Kanda district of central Tokyo in 1930 and was heavily affected by the repeated bombing raids on the city enacted in World War II, which took place during his formative years. After the War, deeply motivated by philosophy and Surrealism, he was largely unaffected by popular music, other than the
electronic abstractions of Karlheinz Stockhausen; the left-wing filmmaker Fumio Kamei was another early influence. Ohno began immersing himself in the realm of sound effects while working with the Bungaku-za modernist theatre troupe and he performed a similar function at NHK, Japan’s national broadcasting corporation, but became so frustrated by the rigidity of the restrictions imposed on him there that he quit his prestigious post at the broadcaster, although his skills were such that he remained in high demand as a freelancer, which allowed
him to refine his sound effects techniques with evolving analogue synthesizers. The five suites of tracks that make up the album Roots Of Electronic Sound album were recorded between 1963 and 1966; initially released on the ALM label in 1975, it is comprised of brief
tape experiments, the cover artwork fittingly representing Astro Boy, from which many of the audio interludes are taken.

Cover is close to NM.
Includes original insert and OBI.

This 1976 Jamaican blaxsploitation soundtrack is a holy grail in the reggae world, original copies are practically non-existent. Composed by MELBA LISTON, reissued for the first time ever on orange vinyl. For fans of HARDER THEY COME, ROCKERS & COUNTRYMAN.

Japanese pressing with obi.
Obi has a tear.

Directed by Isao Takahata, "Grave of the Fireflies" is now available in the analog edition series of the popular "Studio Ghibli" works! !

The image album collection and soundtrack collection of the movie "Grave of the Fireflies" released in 1988 have been remastered with the latest remastering.

A precious analog board with a complete reprint of the gorgeous liner included.



[Grave of Fireflies Image Album Collection] (original LP release date 1987.11.25) All 10 songs

Music: Michio Mamiya, Masahiko Sato, Kazuo Kikkawa

An album inspired by the thoughts of three musicians, Yoshio Mamiya, Masahiko Sato, and Kazuo Yoshikawa, about "war", and the story of the main characters' young siblings, Seita and Setsuko.



*Saddle-stitched 12-page liner notes (music/round-table talks by director Takahata and three composers) included.

Special record store day edition of the Serpico classic soundtrack from 1973 composed by Mikis Theodorakis. Reissued on vinyl for the first time in decades, it features remastered audio, gatefold sleeve, artwork by Eric Adrian Lee and sleevenotes by film critic Jason Wood including a special interview with arranger Bob James.

Includes OBI.

Includes OBI.

With OBI. Vinyl seems unplayed. Cover is close to NM.

Timeless atmospheres, hypnotic sonorities, minimal arrangements. And a composer gifted with a never ending passion
for music, experimenter in his genetic code, innovator by vocation, at ease with various instruments in order to forge
avant-garde themes. Piero Umiliani was already forward in building completely new sounds in the late Seventies. “Tra
Scienza E Fantascienza” finds his alter ego Moggi experimenting with alternative grooves, electronic music, jazz tunes
and soundtrack motifs. One of the most interesting music libraries in the Italian composer's discography, reissued with a
new remastering by Musica Per Immagini, is in full harmony with its title.
Science fiction has opened up our eyes to a variety of scenarios, possible or impossible, sometimes with a happy ending,
sometimes apocalyptic, at times familiarly near, more often disarmingly far away, and always capable of inspiring our
imagination. For the histrionic artist it took, perhaps, less of a cosmic leap to create this masterpiece. Centred on the
cover, a strange creature with only one eye, its hands on a beaker containing a mysterious red liquid. To its right, a
symbolic circle is imprinted on a sandy surface, and three bizarre constructions, similar to the volumetric flasks found in
a laboratory, of differing heights and shapes. There is a strange blue planet in the distance.

(Notes and images of a dystopian future according to Piero Umiliani)

Limited to 200 copies worldwide on transparent blue Vinyl.

Timeless atmospheres, hypnotic sororities, minimal arrangements. And a composer gifted with a never ending passion for music, experimenter in his genetic code, innovator by vocation, at ease with various instruments in order to forge avant-garde themes. Piero Umiliani was already forward in building completely new sounds in the late Seventies. “Tra Scienza E Fantascienza” finds his alter ego Moggi experimenting with alternative grooves, electronic music, jazz tunes and soundtrack motifs. One of the most interesting music libraries in the Italian composer's discography, reissued with a new remastering by Musica Per Immagini, is in full harmony with its title.
Science fiction has opened up our eyes to a variety of scenarios, possible or impossible, sometimes with a happy ending, sometimes apocalyptic, at times familiarly near, more often disarmingly far away, and always capable of inspiring our imagination. For the histrionic artist, it took, perhaps, less of a cosmic leap to create this masterpiece. Centred on the cover, a strange creature with only one eye, its hands on a beaker containing a mysterious red liquid. To its right, a symbolic circle is imprinted on a sandy surface, and three bizarre constructions, similar to the volumetric flasks found in a laboratory, of differing heights and shapes. There is a strange blue planet in the distance.

(Notes and images of a dystopian future according to Piero Umiliani)

Celebrating the 50th anniversary of the album ‘Monty Python Live At Drury Lane’. Inspired by Terry Gilliam’s unmistakable animations and graphics, the original artwork was created by Kate Hepburn and has been adapted for a first release on picture disc by Darren Evans and Holly Gilliam, who were also responsible for 2019 ‘Life Of Brian’ RSD release. It was recorded in March 1974 on the last night of a sell-out four week-run at the London theatre. The album features live versions of sketches made famous on the BBC TV progamme Monty Python’s Flying Circus.

rare blaxploitation soundtrack album

Japanese pressing with Obi.

Cover has strong ring wear. Records are slightly warped.
Multiple foldout die cut cover has shelf wear.

close to NM. OBI is missing

Japanese pressing.

Japanese pressing.

Japanese pressing. With OBI. Vinyl is close to NM.