Soundtracks Vinyl 142 Items

Sdban Records will reissue several installments of the legendary library series 'A Special Radio ~ TV Record' on vinyl. These were originally released on Belgian imprint 'Selection Records' between 1976 and 1981.Selection N°20 is the soundtrack to the 1978 Belgian cult movie 'In Kluis' made by Belgian composer, arranger, pianist and keyboardist Koen De Bruyne (1946 - 1977).

The one and only of ficial reissue of a stunning work by Moggi, better known as Piero Umiliani. “News! News! News!” (1979) was originally released in few copies on the small imprint Sound Work Shop, both label and recording studio owned by the cult maestro. Musica Per Immagini gave another chance to its eleven amazing electronic and jazz tracks played by some of the best musicians who took part in the golden age of Italian music libraries. This sought-after album is the way the composer tried to tell us what were the experimental and futuristic sounds of the old media world, especially on paper, to which he has always been drawn. The titles of the tracks refer, not surprisingly, to a series of technical terms and some tools of journalism. “News! News! News!” thus represents the 'draft' of a different story of a fascinating music without borders, not necessarily composed for documentaries or films. Simply brilliant!

Wrwtfww Records is not trolling when it says it is very very very happy to announce the official reissue of Richard Band’s soundtrack for horror fantasy classic Troll (1986).The limited edition yellow-colored 180g vinyl LP is housed in a heavy gatefold sleeve with full movie gallery, obi strip, and video store stickers.The album is also available on CD house in a classic jewel case with cavalier and video store sticker. Both versions contain liner notes by Richard Band himself.

Standard black vinyl edition.

The original orchestral/electronic score from Karel Kachyna’s 1976 Czech film adaptation of Hans C. Anderson’s The Little Mermaid, composed by Zdenek Liska (The Cremator / Fruits of Paradise) featuring Lenka Korinkova.

Liska’s legacy in the history of European cinema is huge in volume but relatively modest in it’s celebrity. Having already composed nine scores for Kachyna’s films to add to his 1976 filmography of 150 completed soundtracks.

Back in 2005, five years before Finders Keepers Records released Zdenek Liška’s soundtrack to Malá morská víla for the first time, folklore and fairy tale fanatics around the globe celebrated the 200 year anniversary of the birth of one of the world’s most celebrated children’s authors of the published era. This Danish born writer’s stories have been translated into over 150 languages and have continued to enchant and inspire children and adults, arts and crafts, film and theatre, providing a creative binding substance in modern society’s social fibre. With a life story that entwines equal measures of tragedy, mystery, intensity and majesty to that of his own written work, Hans Christian Andersen’s early years balancing contradictory roles as a weaver’s apprentice, a soprano singer, a fledgling poet and an abused grammar school pupil with speculative links to the monarchy, manifested themselves in his written world of fantasy and fiction. His running themes of mutation, metamorphosis, rebirth, prejudice and class distinction are none more prevalent than in what are perhaps his two best known tales The Ugly Duckling, first published 11th November 1843, and the bittersweet surrealist tale of The Little Mermaid, printed in the third booklet of the first volume of Eventyr, Fortalte For Børn (Tales, Told For Children) in 1837.

One of the most idiosyncratic and haunting undiscovered scores in the annals of European cinematic history, Liska’s forward thinking score has all the hallmarks of a Broadcast record, some 20 years before the band first committed sound to vinyl..

Beautifully remastered from the original mastertapes with the full cooperation of the seminal Barrandov studios in Prague and available once again since the original 2011 pressing, Finders Keepers Records are proud to present a newly updated version of this genuine first-ever as part of our 15th birthday celebratory retrospective represses.

Special record store day edition of the Serpico classic soundtrack from 1973 composed by Mikis Theodorakis. Reissued on vinyl for the first time in decades, it features remastered audio, gatefold sleeve, artwork by Eric Adrian Lee and sleevenotes by film critic Jason Wood including a special interview with arranger Bob James.

The instrumental soundtrack was recorded by the band Toto (minus lead singer Fergie Frederiksen), accompanied by the Vienna Symphony Orchestra and the Vienna Volksoper Choir, conducted by Marty Paich, father of Toto keyboardist David Paich. "Prophecy Theme" was composed for the movie by Brian Eno, who is rumored to have composed an entire earlier Dune soundtrack, although only "Prophecy Theme" and some incidental background music survived in the final film version. The first release of the soundtrack contained select cues in their original film order, plus two pieces of dialogue from the movie that served as bookends for two tracks ("Prologue" and "The Floating Fat Man (The Baron)"). This first issue was released by Polydor Records. The album includes an alternative take of the "Main Title", that had not been used in the film. · Soundtrack to David Lynch's 1984 cult film. · Composed by Toto and Brian Eno. · Sourced from the original master tapes. · Limited "Spice" colored vinyl. · Includes 24 x 24 full color poster. · Audiophile Pressing at RTI. · Limited to 2000 copies.

At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Remigio Ducros, pianist and composer, author of about 20 library music LP's, with "America Giovane" (Young America) produces a heterogeneous compendium of musical genres coming from the United States, that could perfectly fit as an accompaniment to the '60s/70s hippie gatherings and events. Country (Country Feeling, On the West Road), funk (Black Not Coloured), blues (Ride On, Village Blues, State of Harlem), soul/r&b (Black Congregation), southern rock (Rock - H), psychedelic-tinged prog (The New Phylosophy), hard rock (Hendrix Memento, Campus Sit In), plus three songs for solo armonica (Week-end Down Town, Sunday in Central Park) and flute (Lonesome Voice).

"Ritmo dell'industria N. 2" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

First official reissue ever, on 180gr. black vinyl.

They Say: “A selection of suspense underscores and drama blackcloths which vary in intensity and cover a wide range of suspense and drama situations”. We say: A breaky, funky library great masquerading as a horror score. Oh, and the cover art is amazing. Breath Of Danger was originally released in 1974, and rounded up a killer ensemble cast of library legends including Alan Hawkshaw, Brian Bennett, Alan Parker, David Lindup, Kenny Salmon, Barry Morgan and Ray Cooper.

They Say: “Composite themes and incidental cues for dramatic application”. We say: Well, it’s definitely dramatic. No wonder this LP was mined by a multitude of 70s and 80s crime shows. Much like Beat Incidental, this true gem includes a raft of enjoyable sub-ten second incidental cues alongside satisfyingly stretched out, hard-knocking sleuth-funk. The Hunter (Drama Suite) / Adventure Story is a real library-head’s library album. We’re treated to some of the best works of no less than five different heavyweights of the genre: drummer Brian Bennett, guitarist Clive Hicks (of The Gentle Rain), saxophonist Duncan Lamont, rock bassist Dave Richmond and keyboard session giant Steve Gary! Something of a dream line-up, they each contributed stellar efforts to create one of the most sought-after of the legendary KPM albums.

The legendary Hip Hop / Dusty Fingers heavy tune "COL FIATO IN GOLA" by maestro Filippo Trecca, originally released in 1978 for the Giallo TV mini series "Diario Di Giudice" and directed by Dante Troisi. Sampled by tons of artists, this track represents a true holy grail for Italian TV-soundtracks music lovers and DJs with a totally mental downtempo Hip Hop beat played in a heavy Funk key with just everything you could dream about: sleazy and punishing drum patterns / huge and ceaseless string cuts / heavy Giallo orchestration / meandering flutes / groovy and totally killer mood. Essential stuff!

Futuristic synthesizer specialist and sound designer Matsuo Ohno was responsible for the sound design of a broad range of film, television and radio soundtracks, most famously the animation series Astro Boy, which he began working on in 1963, together with his assistant, Takehisa Kosugi. Ohno was born in the heavily-populated Kanda district of central Tokyo in 1930 and was heavily affected by the repeated bombing raids on the city enacted in World War II, which took place during his formative years. After the War, deeply motivated by philosophy and Surrealism, he was largely unaffected by popular music, other than the
electronic abstractions of Karlheinz Stockhausen; the left-wing filmmaker Fumio Kamei was another early influence. Ohno began immersing himself in the realm of sound effects while working with the Bungaku-za modernist theatre troupe and he performed a similar function at NHK, Japan’s national broadcasting corporation, but became so frustrated by the rigidity of the restrictions imposed on him there that he quit his prestigious post at the broadcaster, although his skills were such that he remained in high demand as a freelancer, which allowed
him to refine his sound effects techniques with evolving analogue synthesizers. The five suites of tracks that make up the album Roots Of Electronic Sound album were recorded between 1963 and 1966; initially released on the ALM label in 1975, it is comprised of brief
tape experiments, the cover artwork fittingly representing Astro Boy, from which many of the audio interludes are taken.

Akira Ifukube’s score to the legendary 1962 monster movie ‘King Kong vs. Godzilla’! Ifukube’s visionary music is tense and violent, a perfect complement to Ishirō Honda’s film. This incredible score alternates between brass and strings as we witness the death and destruction that comes in the wake of these two classic film monsters’ battles.

Another master of the soundtrack is Francesco De Masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like Vado l’ammazzo e torno) comedies, and action movies like La Macchina della violenza (The Big Game), by Robert Day. A soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

USA title: Love And Energy / Sex Machine 2037 A.D.
In the future, the world's oil supply has finally been exhausted, causing a massive energy crisis. In a search for alternative sources of energy, a scientist invents a machine that can harness the energy expended during sexual intercourse and transfer it into electrical power. Conviene Far Bene L’Amore is a 1975 film written and directed by Pasquale Festa Campanile, a film adaptation of his novel of the same name. It is an erotic comedy with science-fiction elements that is debilitating the theories of Wilhelm Reich (the author of The Function of the Orgasm) in which satire and fantapolitic are mixed.
The original LP with the music of Fred Bongusto, arranged and directed masterfully by Josè Mascolo, is now a cult object for the lovers of Italian melodic soundtracks with bossa nova and jazz and for the samples used by many rappers. Bongusto often combines the synth for the melody with the orchestral ground; an unmistakable and very personal solution also used the year before for the Malizia soundtrack which was a great success.

Digitmovies is pleased to release the rare LP from the world of 1970s Italian cult TV. “I Have Met a Shadow” (original title: “Ho incontrato un’ombra”) was broadcast by RAI Television in Italy in 1974. The success of this screenplay was also due to the OST written by Romolo Grano. The main theme "A Blue Shadow" became a record and radio hit thanks to composer Berto Pisano’s evocative orchestral arrangement which was released on the EP single (along with "Tema di Silvia") (Ricordi SRL 10707). The leitmotif was also included on an LP under the same label (also containing other songs not related to the background music of this TV series). The true OST of “I have met a shadow" ("Ho Incontrato un’ombra”) only came out on a promotional album under RCA’s label Pegaso, with Grano’s music beautifully arranged and conducted by Berto Pisano. Fortunately we managed to recover the stereo master in excellent condition which had been assembled in the 70s for the limited edition audio vinyl. It’s one of the rarest recordings on the collector’s market. The master tape includes virtually everything that had been recorded for the TV series and which was re-edited in different scenes.

Rocky IV was originally released in 1985. The soundtrack was successful on the strength of two top-five singles, "Burning Heart", and "Living In America" by James Brown. "Living In America" showed the decadence, extravagance, and sheer bloated pompousness of the 80's. Perhaps the soundtrack's most popular tune is "Eye Of The Tiger". The album reached the Top Ten on the Billboard 200 Album Chart and was certified Platinum by the RIAA.

Edmondo Giuliani - "IL MARE: Musica Con Strumenti Elettronici", originally released in 1972 on the micro-label Dischi Egede. A Mega-Rare Italian Electronic Underwater music Library production - recorded for an obscure documentary on sea from the early '70s. Infectious and trippy Abstract Experimental music that plumbs in the sea depths with abyssal echoes, sound iridescences and marine electronic themes. Addictive record out for our Underwater Library tryptych release. Another great vinyl obscurity is filed and published on our label with amazing renewed artwork.
Limited edition of 500 copies on 180 gram vinyl.

Transversales is a French label based in Paris founded by Sebastien Rosat & Jonathan Fitoussi. Transversales is specialised in the reissues of long lost tapes, rare original soundtracks and library.
Jonathan Fitoussi is a French composer residing in Paris. He works on minimalist and contemporary musical forms. He's also audio restoration engineer at INA & INA GRM. Sebastien Rosat is a French Music Supervisor working for Films, TV and Advertising. He's also a member of French electronic duo Sommet.
First ever LP reissue of this timeless masterpiece by Philippe Sarde, the most versatile and talented French film composer. Les choses de la vie, an outstanding score which offers both the wonderful “Chanson d'Hélène” and most of the musical features which appeared later in Philippe Sarde's musical career : Nostalgia, melancholy, experiment and sound discord.
Les choses de la vie is the film which confirms Sautet as a genuine author and Philippe Sarde as a rising composer. This is also the start of a long partnership that spanned twenty-five years and eleven films.
Including the previously unreleased versions of “La Chanson d’Hélène” performed by Romy Schneider and Michel Piccoli in Italian and German. Also Includes Stéphane Belmondo’s version of “La Chanson d’Hélène”.

The soundtrack album from the 1977 film Saturday Night Fever starring John Travolta.

Reprint of the rare 1972 library LP by Maestro Giuliano Sorgini under the pseudonyms of Raskovich and The Bid-On. Originally released in just a few copies for a small label owned by a friend of Maestro Sorgini, this LP includes 12 really beautiful tracks with positive vibes. From Jazz Dance, Bossa Nova, Funk, and some Killer BreakBeat, with lots of percussion, growling flute and honking sax. Reissued with the original minimal artwork designed by Giuliano Sorgini drawn with chalk on a black sheet. Glossy Cinedelic cover. Limited to 600 copies.

A mind-melting opera. Some of the tracks here simply anticipate Techno and generally Electronic music of the early 70s. While Kraftwerk released “Ralph & Florian”, and about one year before the releasing of the milestone “Autobahn”, maestros Sandro Brugnolini and Giorgio Carnini were already experimenting the deep sounds of analogue synthesizer ARP 2600.
The set provides some blending Funk tunes driven by Experimental Electronic music, all with a heavy dramatic feel: the result is an unbelievable, unique and explosive library music LP. “Beat Drammatico Underground Pop Elettronico” is the title that Brugnolini and Carnini adopted for this collection of several TV synchronization themes.
What we had is stunning Drama Cop scores and dark Electronic moods, all surrounded by loads of fuzzy vibes and all that weird, Industrial, Futuristic Synth FX and so on…
This reissue gives back a long forgotten and obscure session originally released on Fonit label in 1973.

“Thomas” is an Italian Soundtrack milestone and pure masterpiece of Italian Giallo Thriller exploitation. It’s the infamous and legendary score for the film directed by cult Italian director Pupi Avati and originally released on Gemelli label in 1970. Check out he mind-blowing scary Giallo vibes, stunning cinematic sinister beats with the participation of Edda Dell'Orso who gives some astonishing frightful vocals with dope thrilling vibes allover. “Thomas” aka “Thomas E Gli Indemoniati” is a horror-thriller, fantasy-drama and grotesque film cult from 1969, originally not distributed due to the bankrupt of film publisher. Mythical item for record collectors and fundamental piece for any Italian Giallo thriller enthusiast. This release is limited to 500 copies!

Finally, after 45 years, comes the soundtrack, from the original master tapes, of the truly mad and weird exploitation euro-erotic-horror cult movie filmed in 1971 (but released only in 1973) by Renato Polselli (Ralph Brown). Incomprehensible and inconceivable beyond the reach of the human intellect, Riti, magie nere e segrete orge nel trecento... shows a cult of pseudo-Satanists in tight red jumpsuit and black cape requiring the blood and eyes of seven virgins in order to resurrect the corpse of the persecuted witch Isabella (Rita Calderoni), who was impaled and burned at the stake some 500 years ago. A precious nonsensical gem, with nervous zooming, nude women's breasts in a colorful scenery, and an overly cryptic storyline; loony.
The soundtrack encapsulates, in its fifteen total tracks (including the 2 released at the time on 45 RPM vinyl), all typical sound elements of the “scary music” ‘of the seventies but with a hard touch of madness, experimentation and psychedelia. Female vocals give out agonizing and distressing groans, tribal African rhythmic, turned over words, plucked stings of the piano, baroque elements and lot of effects makes this soundtrack a cult object, not even to mention the obsessive care of the packaging.
Released in a limited edition of 666 numbered copies in gatefold heavy thick cover with front cover design by Michele Targonato with embossed flames. Bi-color red-blue vinyl. Includes digital download code.

Yet another chapter in the long and fruitful collaboration between Piero Umiliani and the director Luigi
Scattini, who films here a Mondo Movie between fiction and documentary, settled in the world of
pornography. Umiliani returned to his jazz roots and composed fifteen tracks, recorded with some of the best
Italian musicians of the time: Cicci Santucci, Sam Genovese, Roberto Scoppa, Enrico Pieranunzi, Franco
D’Andrea, Bruno Tommaso, Gegè Munari, Carlo Coppotelli and Antonello Vannucchi.

The Blade Runner soundtrack by Vangelis is a dark melodic combination of classic composition and futuristic synthesizers which mirrors the film-noir retro-future envisioned by Ridley Scott. Vangelis, fresh off of his Academy Award winning score from Chariots of Fire, composed and performed the music on his synthesizers. The musicscape of the 2019 was created in Vangelis' "space" mode of new age music, as heard on such albums of his as Heaven and Hell. He also made use of various chimes and the vocals of collaborator Demis Roussos.

Also known under the erroneous title "Schock", this LP is the soundtrack of Mario Bava's eponymous film, also his last one before his death, which sadly occurred three years later in 1980. "Shock" was therefore released in 1977, while the Italian horror cinema was at its peak, led to international success by Dario Argento with "Deep Red" and "Suspiria".
With Goblin at work with Argento, the choice for the music of "Shock" fell on Libra, in some ways 'related' to Goblin anyway, thanks to drummer Walter Martino and guitarist Carlo Pennisi, and they also say about a fleeting participation by keyboardist Maurizio Guarini. In '77 Libra, after a brief experience on the American soul/funk label Motown, had practically split up, yet they found the necessary inspiration to record an album like "Shock", maybe 'goblinian' in its intentions, but full of personality. It contains in fact groovy tracks, delicate and acoustic atmospheres, up to completely dissonant and avant-garde sounds.
"Shock" was released on LP only in 1977 in Italy and Japan, therefore this new AMS Records edition is therefore the first official reissue after nearly 40 years! A small yet important event, celebrated with a colored vinyl encased in a beautiful triple gatefold cover with a marvellous new artwork! The track list also includes four bonus tracks which have been released only on CD until today. A must!!!

Originally only officially available on a ultra-rare Japanese pressing, Mirurmir is incredibly pleased to announce the first issue of the groundbreaking and mindblowing soundtrack to Tarkovsky’s masterpiece, Solaris, in 20+ years. Composed by the electronic music pioneer, Edward Artemiev, Solaris was the first project in what proved to be a fruitful collaboration between director and composer. An absolutely essential piece of electronic music and Russian cinema history, lovingly reissued in a gorgeous package including rarely seen photos and a cover pulled from the Italian poster for the film, 180 gram vinyl.

incl. three is a magic number

sampled by Redman, Warren G, ...

rare blaxploitation soundtrack album

incl. the famous break 't plays it cool' ... sampled by everybody and their moms