Soundtracks Vinyl 634 Items

An album inspired by childhood culinary experiences, where memories and fiction mix in an explosive cocktail of cinema, rock & roll and psychedelia. The album sounds rough, as if it were played live by a band, even though it is instead a one man session. The skeleton of each track is characterized by the most classic of drums, bass and guitar combos.

Clark reworks his score for Naqqash Khalid’s award winning debut feature film ‘In Camera’ into a mesmerising, brilliant and varied album. Containing smoky, timeless synth instrumentals like ‘Running Dreams’, a bittersweet cover of Carpenters / Sonic Youth classic ‘Superstar’ and an epic, rising builder ‘Green Breaking’, it’s a deeply rewarding listen that fits perfectly into the canon of Clark soundtracks.

Director Naqqash says "This soundtrack and body of work Clark has invented feels like another character in the film – like an extension of the film’s atmosphere and interiority – it became so intertwined with my experience and memory of IN CAMERA – it’s difficult to pinpoint where it begins and ends. And for that I feel deeply privileged to have had this collaboration with him… Clark is an essential player in this film”

Clark says “I was going to just include the cues from the film, but got far too into recording new stuff that fitted the tone and emotion of the film. Favourite tracks: Tangent Cloak, Bleeding Building and Sensual Dismay. Little peaches that popped out in one breezy take. It’s got a really specific, colour/tone this record. It’s drenched in muted joy/dark euphoria. It sounds like Sensual Dismay but can’t really call it that, it’s the soundtrack for a film called In Camera.

Full of pointed notes about an industry rife with prejudice and hypocrisy, In Camera deploys elements of surrealism and fantasy to trace how its young British-Asian protagonist’s sense of self is affected by the tokenism of a world he hopes to conquer. Candid and acidly funny, with an unsettling eye for the warped and bizarre, it’s a playful, stylish satire not just of showbiz but also the myriad absurdities of modern life, with a complex, supple central performance from rising star Nabhaan Rizwan.

Vinyl soundtrack on classic black vinyl
Housed in a foil embellished jacket
Music by Jakob Schmid
Album art by Erwin Kho
DESCRIPTION

Cocoon is an unforgettable odyssey through a series of hostile, techno-organic landscapes. Each of its nested worlds are distinct and unique in both their look and feel, but they also share a common ancestor, borne of influential artists and futurists like Moebius and H.R. Giger.

Its soundscape, too, reflects a lonely vision of an alien future — reverberating tones and zigzagging synth notes dot ambient compositions, calling to mind extraterrestrials and arthropods alike.

We at iam8bit collaborated with Geometric Interactive and Annapurna Interactive to bring this irreplicable auditory journey to wax, just for you. This is the Cocoon Vinyl Soundtrack, a must-have for any serious video game vinyl collector. Composer Jakob Schmid has arranged key elements from the game’s unique generative in-game music to form a coherent musical experience — an arranged soundtrack that paints a complete portrait of Cocoon’s music, pressed on classic black vinyl.

Plus, we worked with the game’s art director/lead artist Erwin Kho to capture the indescribable Cocoon aesthetic for the all-new, all-original album art. Kho crafted a piece that’s sure to stand out on your record shelf as a one-of-a-kind.

Spin this record up, close your eyes, and get lost in an alien world beyond your imagination.

Witchboard, the innovative project of horror film director Glenn McQuaid, is set to unveil their latest album, "Incidental Goth Club Music for Television and Film," Seamlessly blending post-punk, new wave, electro, and dark wave, this album channels the vibrant yet shadowy energy of the New York post-punk scene, offering a fresh take on a classic sound.McQuaid’s music captures the raw, pulsating energy of a city that never sleeps, infusing it with the dark, brooding atmosphere of a neon-lit underworld. As described by 'Pentagram Home Video': "Night music for night people... McQuaid soundtracks a neon-lit club where the dance-floor is teeming, and the corners glisten red. Darkwave through a krautrock dry-ice haze, this is dream music for the creatures of the night, and their prey."

Quartet Records, in collaboration with Carosello Edizioni Musicali, presents a definitive, expanded 2-lp edition of Ennio Morricone’s celebrated score for 1971 Italian thriller Giornata Nera PER L’ariete (aka THE Fifth Cord), directed by Luigi Bazzoni and starring Franco Nero, Silvia Monti, Ira Von Fürstenbergm Edmund Purdon, Pamela Tiffin and Agostina Belli. Morricone’s thriller scores remain some of his most distinctive and original works. As demonstrated in his scores for Dario Argento’s efforts in the genre, Morricone’s uncanny ability to combine lyricism, unbridled avant-garde experimentation and stylish elegance was his most significant contribution to the category. Giornata Nera PER L’ariete shows Morricone once again embracing the sophisticated avant-garde sound while beginning his score with a haunting tune performed by Edda Dell’Orso heard over the film’s main titles. The lullaby-like theme has a timeless quality, providing a disturbing and disarming melody for the film. As with many of his giallos, Ennio Morricone’s score for Giornata Nera PER L’ariete was never released on an album (only the main theme was included in the Morricone compilation album Colori in 1971). In 1996, under the composer’s supervision, the Point label released the first official album of the score on CD. The first vinyl edition was released by Dagored on a generous LP in 2001. It was subsequently released by Spettro in 2016, this time using the same program that Morricone had produced in 1996. For this new deluxe, 2-lp Quartet release, the music has been fully restored, remixed and edited by Daniel Winkler from the original session tapes, presenting the first vinyl edition of the complete score as Morricone conceived it for the film. It has been specially mastered for vinyl by Chris Malone, and is presented in a luxurious gatefold jacket printed in transparent bloody red and giallo splatter.