Soundtracks Vinyl 140 Items

USA title: Love And Energy / Sex Machine 2037 A.D.
In the future, the world's oil supply has finally been exhausted, causing a massive energy crisis. In a search for alternative sources of energy, a scientist invents a machine that can harness the energy expended during sexual intercourse and transfer it into electrical power. Conviene Far Bene L’Amore is a 1975 film written and directed by Pasquale Festa Campanile, a film adaptation of his novel of the same name. It is an erotic comedy with science-fiction elements that is debilitating the theories of Wilhelm Reich (the author of The Function of the Orgasm) in which satire and fantapolitic are mixed.
The original LP with the music of Fred Bongusto, arranged and directed masterfully by Josè Mascolo, is now a cult object for the lovers of Italian melodic soundtracks with bossa nova and jazz and for the samples used by many rappers. Bongusto often combines the synth for the melody with the orchestral ground; an unmistakable and very personal solution also used the year before for the Malizia soundtrack which was a great success.

Another master of the soundtrack is Francesco De Masi, that, through a long carrier, has moved between different genres, giving the soundtrack to spaghetti western movies (like Vado l’ammazzo e torno) comedies, and action movies like La Macchina della violenza (The Big Game), by Robert Day. A soundtrack that goes from tense and nervous songs, to soft ballads with female voice.

Digitmovies is pleased to release the rare LP from the world of 1970s Italian cult TV. “I Have Met a Shadow” (original title: “Ho incontrato un’ombra”) was broadcast by RAI Television in Italy in 1974. The success of this screenplay was also due to the OST written by Romolo Grano. The main theme "A Blue Shadow" became a record and radio hit thanks to composer Berto Pisano’s evocative orchestral arrangement which was released on the EP single (along with "Tema di Silvia") (Ricordi SRL 10707). The leitmotif was also included on an LP under the same label (also containing other songs not related to the background music of this TV series). The true OST of “I have met a shadow" ("Ho Incontrato un’ombra”) only came out on a promotional album under RCA’s label Pegaso, with Grano’s music beautifully arranged and conducted by Berto Pisano. Fortunately we managed to recover the stereo master in excellent condition which had been assembled in the 70s for the limited edition audio vinyl. It’s one of the rarest recordings on the collector’s market. The master tape includes virtually everything that had been recorded for the TV series and which was re-edited in different scenes.

Ike's all time classic score "Shaft" is finally back in print!

Edmondo Giuliani - "IL MARE: Musica Con Strumenti Elettronici", originally released in 1972 on the micro-label Dischi Egede. A Mega-Rare Italian Electronic Underwater music Library production - recorded for an obscure documentary on sea from the early '70s. Infectious and trippy Abstract Experimental music that plumbs in the sea depths with abyssal echoes, sound iridescences and marine electronic themes. Addictive record out for our Underwater Library tryptych release. Another great vinyl obscurity is filed and published on our label with amazing renewed artwork.
Limited edition of 500 copies on 180 gram vinyl.

Reprint of the rare 1972 library LP by Maestro Giuliano Sorgini under the pseudonyms of Raskovich and The Bid-On. Originally released in just a few copies for a small label owned by a friend of Maestro Sorgini, this LP includes 12 really beautiful tracks with positive vibes. From Jazz Dance, Bossa Nova, Funk, and some Killer BreakBeat, with lots of percussion, growling flute and honking sax. Reissued with the original minimal artwork designed by Giuliano Sorgini drawn with chalk on a black sheet. Glossy Cinedelic cover. Limited to 600 copies.

A mind-melting opera. Some of the tracks here simply anticipate Techno and generally Electronic music of the early 70s. While Kraftwerk released “Ralph & Florian”, and about one year before the releasing of the milestone “Autobahn”, maestros Sandro Brugnolini and Giorgio Carnini were already experimenting the deep sounds of analogue synthesizer ARP 2600.
The set provides some blending Funk tunes driven by Experimental Electronic music, all with a heavy dramatic feel: the result is an unbelievable, unique and explosive library music LP. “Beat Drammatico Underground Pop Elettronico” is the title that Brugnolini and Carnini adopted for this collection of several TV synchronization themes.
What we had is stunning Drama Cop scores and dark Electronic moods, all surrounded by loads of fuzzy vibes and all that weird, Industrial, Futuristic Synth FX and so on…
This reissue gives back a long forgotten and obscure session originally released on Fonit label in 1973.

“Thomas” is an Italian Soundtrack milestone and pure masterpiece of Italian Giallo Thriller exploitation. It’s the infamous and legendary score for the film directed by cult Italian director Pupi Avati and originally released on Gemelli label in 1970. Check out he mind-blowing scary Giallo vibes, stunning cinematic sinister beats with the participation of Edda Dell'Orso who gives some astonishing frightful vocals with dope thrilling vibes allover. “Thomas” aka “Thomas E Gli Indemoniati” is a horror-thriller, fantasy-drama and grotesque film cult from 1969, originally not distributed due to the bankrupt of film publisher. Mythical item for record collectors and fundamental piece for any Italian Giallo thriller enthusiast. This release is limited to 500 copies!

Finally, after 45 years, comes the soundtrack, from the original master tapes, of the truly mad and weird exploitation euro-erotic-horror cult movie filmed in 1971 (but released only in 1973) by Renato Polselli (Ralph Brown). Incomprehensible and inconceivable beyond the reach of the human intellect, Riti, magie nere e segrete orge nel trecento... shows a cult of pseudo-Satanists in tight red jumpsuit and black cape requiring the blood and eyes of seven virgins in order to resurrect the corpse of the persecuted witch Isabella (Rita Calderoni), who was impaled and burned at the stake some 500 years ago. A precious nonsensical gem, with nervous zooming, nude women's breasts in a colorful scenery, and an overly cryptic storyline; loony.
The soundtrack encapsulates, in its fifteen total tracks (including the 2 released at the time on 45 RPM vinyl), all typical sound elements of the “scary music” ‘of the seventies but with a hard touch of madness, experimentation and psychedelia. Female vocals give out agonizing and distressing groans, tribal African rhythmic, turned over words, plucked stings of the piano, baroque elements and lot of effects makes this soundtrack a cult object, not even to mention the obsessive care of the packaging.
Released in a limited edition of 666 numbered copies in gatefold heavy thick cover with front cover design by Michele Targonato with embossed flames. Bi-color red-blue vinyl. Includes digital download code.

Thirty years ago, director Rob Reiner chose the picturesque town of Brownsville, Oregon as the filming location for his classic coming-of-age story, Stand By Me. The classic original soundtrack is crammed with early rock & roll hits ("Yakety Yak", "Lollipop" & "Great Balls of Fire" o.a.) and still sounds very alive today, decades after they were originally recorded.

“Questo sporco mondo meraviglioso” is one of the numerous collaborations between the director Luigi Scattini and
Piero Umiliani, and one of the most interesting and varied soundtracks within the composer’s repertoire. A work full of
influences and musical quotes, with guests and valuable collaborators such as Edda Dell’Orso and I Cantori Moderni di
Alessandro Alessandroni. Some of the songs presented in this album are among his best works.

incl. the famous break 't plays it cool' ... sampled by everybody and their moms

incl. three is a magic number

sampled by Redman, Warren G, ...

This 1976 Jamaican blaxsploitation soundtrack is a holy grail in the reggae world, original copies are practically non-existent. Composed by MELBA LISTON, reissued for the first time ever on orange vinyl. For fans of HARDER THEY COME, ROCKERS & COUNTRYMAN.

Celebrating the 50th anniversary of the album ‘Monty Python Live At Drury Lane’. Inspired by Terry Gilliam’s unmistakable animations and graphics, the original artwork was created by Kate Hepburn and has been adapted for a first release on picture disc by Darren Evans and Holly Gilliam, who were also responsible for 2019 ‘Life Of Brian’ RSD release. It was recorded in March 1974 on the last night of a sell-out four week-run at the London theatre. The album features live versions of sketches made famous on the BBC TV progamme Monty Python’s Flying Circus.

1971 soundtrack from Ennio Morricone Pressed on Transparent Clear Vinyl & includes a 30x30cm insert Liner notes and audio remastered by Claudio Fuiano “Sacco e Vanzetti” is a 1971 dramatic movie directed by Giuliano Montaldo and masterfully starred by the two lead actors Gian Maria Volonté and Riccardo Cucciolla; the film deals with the everpopular topic of the death penalty by recounting a real event that caused quite a stir at the time: the sentencing to the electric chair of two Italian immigrants who were executed in 1927 after a sevenyear trial.

For “Sacco & Vanzetti” Ennio Morricone composed one of the most intense scores of his long and successful career, starting with the mostly romantic and extremely sad theme for oboe and orchestra “Speranze di libertà”. Joan Baez’s charming voice interprets “La ballata di Sacco e Vanzetti”, divided into three parts alternating with the macabre theme of “Nel carcere” provided by electronic effects and ripping strings that would fit well in a giallo movie. The ballad motif is then reprised and played by liturgical organ and orchestra in “Sacco e il figlio”, while “La sedia elettrica” is an experimental electronic music cut. The closing song “Here’s to You”, sung by Joan Baez, has become a sort of anthem worldwide.

On the occasion of Record Store Day 2024, this legendary soundtrack is exclusively reissued on clear vinyl, with new artwork and a 30x30cm insert. Liner notes and audio remastered by Claudio Fuiano.

1974 soundtrack from Ennio Morricone Pressed on Red Vinyl & includes a 30x30cm insert Liner notes and audio remastered by Claudio Fuiano “Allonsanfàn” is a 1974 historical film written and directed by Paolo and Vittorio Taviani; set in 1816 in Italy during the Restoration period, its cast features, among others, Marcello Mastroianni, Lea Massari, Laura Betti and Mimsy Farmer.

“Allonsanfàn” is the first collaboration between the two directors and Morricone, who would also compose the music for the film “Il prato” (The Meadow, 1979). The soundtrack starts with a main marching theme, “Rabbia e tarantella”, introduced by the piano and reworked in a thrilling way by the full orchestra; Giuseppe Tornatore liked it so much that in 2009 he asked Morricone to write a similar musical theme for a sequence of the film “Baarìa”. This motif is alternated with the bucolic passages for flute and orchestra of “Ritorno a casa”, the festive “Dirindindin”, the classical piece “Te Deum Laudamus” for orchestra and choir and “Frammenti di sonata” for solo violin and small ensemble.

This score was only partially issued on vinyl in 1979, and subsequently only on CD; for the first time, then, it’s here released on clear red vinyl in an extended version, including a 30x30cm insert. Liner notes and audio remastered by Claudio Fuiano.

A Record Store Day 2024 exclusive!

The "Galaxy Express 999" Theme Songs and Insert Songs Collection to be Released on Analog Vinyl! An analog version of the theme song and insert song collection of the TV animation broadcast from 1978 to 1981 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the LPs released on February 1, 1979, respectively, on heavy vinyl.

Music Collection of "The Galaxy Express 999" Theatrical Production to be Released on Analog Vinyl! An analog version of the music collection of the theatrical film "The Galaxy Express 999" released in 1979 will be released on March 20, 2024, LP Record Day! This is a reissue of the LP released on July 25, 1979, on heavy vinyl.

Analog Vinyl Release of Opening Theme "Akuma-kun" and Ending Theme "12friends" Announced! Analog vinyl (7inch) containing the opening theme "Demon-kun" and ending theme "12friends" of the anime "Demon-kun" will be released on March 20, 2024, which is LP Record Day! This is a reissue of the EP released on April 21, 1989.

Analog disc containing the 2nd opening theme and ending theme to be released! An analog disc (7inch) containing the 2nd opening theme "Saint Myth - Soldier Dream" and the ending theme "Dream Traveler" of the TV anime "Saint Seiya" which started airing in 1986 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the theme song EP released on May 1, 1988.

Analog Vinyl Edition Containing the First Opening Theme and Ending Theme to be Released! An analog (7inch) disc containing the first opening theme "Pegasus Illusion" and the ending theme "Eternal Blue" of the TV anime "Saint Seiya" that started airing in 1986 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the theme song EP released on October 21, 1986.

“Una pistola per Ringo” and “Il ritorno di Ringo” are two movies from 1965 that belong to the ‘spaghetti western’ genre, directed by Duccio Tessari and starring Giuliano Gemma as the main character. The two movies, not actually having much more in common besides their title and protagonist, were filmed in a very short time, thanks to the huge success of the first ‘chapter’. The soundtracks of both movies, by Ennio Morricone, show the incredible versatility of the composer, who at the time had already collaborated with Sergio Leone in “Per un pugno di dollari” and “Per qualche dollaro in più”. Thanks to the precious contribution of conductor Bruno Nicolai, the choir of the Cantori Moderni di Alessandroni, trumpeter Michere Lacerenza and harpist Anna Palombi, the Maestro wrote a mainly classical score, developing a wide range of sensations and dynamics in which epic atmosphere, drama and tension alternate to reflective moments or even romantic ones.

“La Califfa” (1970) is a very rare example in which the director and author of the book on which the film is inspired coincide; we’re talking about Alberto Bevilacqua, who won the Nastro D’Argento prize as Best New Director with this film. The film deals with the issue of the class struggle, and in particular the love-hate relationship between a businessman (Ugo Tognazzi) and a female worker (Romy Schneider, almost too sensual here) who lost her fiancé at the working place. A romantic and dramatic work, as the music written and orchestrated by Ennio Morricone, here often surrounded by an impressive aura of sacredness. This LP also features, as guests on voices and choirs, Edda Dell’Orso and I Cantori Moderni di Alessandro Alessandroni. Surprisingly, despite the success of the film and its soundtrack received at the time, “La Califfa” has never been reissued on LP since the early ’70s. This new edition on Vinyl Magic record label eventually fills this gap and, except for the front cover image, the artwork has been completely renewed: the inner sleeve contains in fact many reproductions of posters and lobby cards of the film. Various tracks, never released on LP until today, have also been added to the final tracklist.

Although this wasn’t directed by but Sergio Leone, but by the less known Giulio Petroni, “Tepepa” is one of the best films in the spaghetti western genre, thanks to a perfect synopsis – even if as set in the ‘abused’ Mexican Revolution of the early ‘900 – to a trio of exceptional actors and, finally, to Ennio Morricone’s soundtrack. The protagonists are in fact the immovable doctor John Steiner, the histrionic revolutionary Tomas Milian and the massive Colonel Orson Welles, a unique and practically unrepeatable combination, however directed in a ‘leone-ish’ way by Petroni, who often focuses on large panoramas and close-ups on the character’s faces. As always, Morricone means quality: for “Tepepa” the Maestro creates a memorable soundtrack, dominated by strings and, curiously, by the acoustic guitar! Reissued several times on CD, this album has been reissued on vinyl almost 40 years later! When the film was premiered in the theatres (1969) just a the single 45rpm “Viva la Revolucion / In Mexico I would like” had been released; both songs are of course included here, the second of which is sung by Christy (stage name of Mary Cristina Brancucci) in a very felt and compelling way.

Sanullim's 4th album consists of background music and insert songs for TV and radio dramas and plays, including Korean Film director Im Kwon-taek's movie "Tomorrow And Tomorrow Again". It is a noteworthy collection of works that has not faded with the unique scent of Sanullim, and contains several songs that still shine with charming emotions and whimsical or vague sensibilities. 〈Express Train (Inside)〉, a mountain sound-style hard rock with dynamic rhythm, fuzz guitar, and Kim Chang-hoon's wild shouting, Kim Chang-wan's soft vocal and brilliant keyboard sound, 〈Can't Tell Anyone〉, Love It includes the elegant performance songs and , and the beautiful song that achieves the climax of romance and lyricism. (Original release date: April 15, 1979)

Following the release of Lee Selmoco's "Mosaico" we continue our journey with Vedette Records to bring back to life part of their incredible catalog, with the reissue of the first instalment of the "High Tension" series by Lesiman. Born in Florence in 1935, Paolo Renosto, the man behind the moniker Lesiman, was an incredible composer, experimenter, music teacher and piano player whose amazing skills and sound research brought him to work with Luigi Dallapiccola and Bruno Maderna, as well as being a member of the Associazione Nuova Consonanza of Roma. He obviously joined, for some time, the renowned Gruppo d’Improvvisazione, with Franco Evangelisti and Domenico Guaccero. Released exactly 50 years ago and packed with dramatic tension, obscure drums and asphyxiating atmospheres revolving around the theme of war, composed with the additional input of Romolo Grano, Sandro Brugnolini and Guido Baggiani, this first volume in the series is a holy grail in Italian libraries as well as a prime example of "music especially crafted for films, television, radio, publicity and industrial use". Now available on vinyl for the first time as a limited edition of 500 copies.