Soundtracks Vinyl 147 Items

Limited Pressing on colored vinyl! Cinedelic Records continues on with the release of yet another Paolo Vasile gem, and that is his score to Antonio Margheriti’s 1975 poliziottesco, Controrapina (The Rip Off) starring Lee Van Cleef. This soundtrack runs the gamut from strumming guitar and vocal numbers, to straight up dancefloor heaters. This beautifully produced record incorporates smooth sax, disco strings, wah guitar, and a driving beat — all the essential elements of a first rate 70s Eurocrime soundtrack. This release will be pressed in a run of 400 copies: 400, All will also include a super cool promotional .45 caliber pistol cut-out! (Alfonso Carrillo)

Limited Edition 400 copies. Includes a Gun silhouette

Waxwork Records is excited to release Curtains Original Motion Picture Score by Paul Zaza. Curtains is a 1983 Canadian slasher-horror movie that tells the story of six actors competing for a role to die for. They are lured to director Jonathan Stryker’s (John Vernon - Killer Klowns from Outer Space, Dirty Harry, Heavy Metal) home during a snowstorm to compete for the role of 'Audra' where they are met with manipulation, predacious men, and a murderous masked hag. Prepared to fight for the role, these women were not expecting to fight for their lives!

The score for Curtains threatens brutality with menacing strings following the women throughout the film, as they are stalked and preyed on by a masked murderer and their doll companion. Paul Zaza, who brought us fan favorites like My Bloody Valentine and Prom Night, delivers again with Curtains!

Waxwork Records is honored to present the official Curtains Original Soundtrack, released for the very first time on vinyl. Complete with 180 gram “Blood & Ice” colored vinyl, deluxe packaging, new artwork by Anthony Petrie, old-style tip-on jackets with matte coating, and more!

Curtains Original Motion Picture Soundtrack Features:

The complete 1983 Film Score by Paul Zaza Released for the first time on vinyl 180-Gram “Blood & Ice” vinyl Artwork By Anthony Petrie Old-Style Tip-On Jackets

After Les choses de la vie, Transversales proudly presents the first ever LP reissue of this classic Philippe Sarde soundtrack: César et Rosalie. « As it happens, Philippe is less interested in his natural function which is to write music sheets... than in the film itself. And I, somehow, am as much, and perhaps more interested in the music than in the film itself. Therein lies the deep reason for our paradoxical relationship.” These are the words French film director Claude Sautet used to define his collaboration with the prodigious French composer. The « Cesar et Rosalie » score is like a magical bridge linking baroque and electronic music, mixing Moog synthesizer sequences with acoustic instruments. Compared to the original CAM LP, this reissue contains 6 unreleased tracks that were removed from the original tracklisting. Among them a Mariage 72 in Bacharach style and a beautiful piano version of the theme performed by Philippe Sarde himself. It obviously contains Romy Schneider’s famous voice-over in the unforgettable track La lettre de Rosalie.

Transversales is a French label based in Paris founded by Sebastien Rosat & Jonathan Fitoussi. Transversales is specialised in the reissues of long lost tapes, rare original soundtracks and library.
Jonathan Fitoussi is a French composer residing in Paris. He works on minimalist and contemporary musical forms. He's also audio restoration engineer at INA & INA GRM. Sebastien Rosat is a French Music Supervisor working for Films, TV and Advertising. He's also a member of French electronic duo Sommet.
First ever LP reissue of this timeless masterpiece by Philippe Sarde, the most versatile and talented French film composer. Les choses de la vie, an outstanding score which offers both the wonderful “Chanson d'Hélène” and most of the musical features which appeared later in Philippe Sarde's musical career : Nostalgia, melancholy, experiment and sound discord.
Les choses de la vie is the film which confirms Sautet as a genuine author and Philippe Sarde as a rising composer. This is also the start of a long partnership that spanned twenty-five years and eleven films.
Including the previously unreleased versions of “La Chanson d’Hélène” performed by Romy Schneider and Michel Piccoli in Italian and German. Also Includes Stéphane Belmondo’s version of “La Chanson d’Hélène”.

In 1968, the future composer of The Things of Life (Les Choses de la Vie) seriously considered becoming a director. He wrote and shot Florence, a short film influenced by the New Wave and composed its soundtrack, under the benevolent eye of Vladimir Cosma. The first spectators of the film are unanimous: failing to have seen a visionary cinematographic opus, they have discovered a real movie musician. From this first attempt, Philippe Sarde imposes his melodic talent on the picture and initiates his sense of counterpoint. This founding soundtrack, however, remained in the boxes for more than 50 years, before finding a place of choice on the B side of our album. To open the ball, we offer you another forgotten score: the almost unused score of Loulou, Maurice Pialatís cult classic. In 1980, the naturalist director planned to use original music to accompany the wanderings of his sublime love duo, played by Gerard Depardieu and Isabelle Huppert. He commissioned a bare, impressionistic score from Philippe Sarde, then changed his mind and kept only a timid end credits. The meeting between the two giants of French cinema did however take place, as evidenced by the first side of this beautiful lp. This album was produced from a high definition transfer of analog tapes, without compression or alteration, and respecting the dynamics of the original recordings.

Rare Italian library/soundtrack gem reissued on vinyl for the first time since 1986. Vinyl: 350gsm Sleeve With Logo by Shintaro Kago Printed Inside, Sticker Presented by Mitsuko & Svetlana Records. The Waterfall Archival reissue of the ethereal wonder from Italian architect / music installation & soundtrack master Piero Milesi. This lush adventure of mediative synth and melodic scores for lyricon and small chamber ensemble contains tracks from films “The Nuclear Observatory Of Mr. Nanof” (L’Osservatorio Nucleare Del Sig. Nanof, 1985), “The Oversize House” (La Casa Fuori Misura, 1985), theatre play “King’s Night” (La Notte Dei Re, 1986), and video “The Presence Of The City” (La Presenza Della Citta, 1984) produced by The University For Architecture of Milan.

“Questo sporco mondo meraviglioso” is one of the numerous collaborations between the director Luigi Scattini and
Piero Umiliani, and one of the most interesting and varied soundtracks within the composer’s repertoire. A work full of
influences and musical quotes, with guests and valuable collaborators such as Edda Dell’Orso and I Cantori Moderni di
Alessandro Alessandroni. Some of the songs presented in this album are among his best works.

At the end of the '60s in Italy - but also abroad, especially in France and England - a very particular trend began to spread, that one known as 'Library music' or 'sonorization': as suggested by its name, those were real music libraries intended for the accompaniment of audiovisual productions such as television programs, advertisements, documentaries and films. Since they were created in total artistic freedom condition, they are often difficult if not impossible to catalog, as they're not anchored to a specific musical genre; this freedom also allowed the authors to compose, sometimes in the most complete anonymity, experimental and avant-garde music, capable of anticipating the sounds that only many years later would have been widespread on a larger scale.

Remigio Ducros, pianist and composer, author of about 20 library music LP's, with "America Giovane" (Young America) produces a heterogeneous compendium of musical genres coming from the United States, that could perfectly fit as an accompaniment to the '60s/70s hippie gatherings and events. Country (Country Feeling, On the West Road), funk (Black Not Coloured), blues (Ride On, Village Blues, State of Harlem), soul/r&b (Black Congregation), southern rock (Rock - H), psychedelic-tinged prog (The New Phylosophy), hard rock (Hendrix Memento, Campus Sit In), plus three songs for solo armonica (Week-end Down Town, Sunday in Central Park) and flute (Lonesome Voice).

"Ritmo dell'industria N. 2" is part of a reissues series, made in collaboration with Edizioni Leonardi (Milan, Italy), of extremely rare library music LP's published between late '60s and early '70s, most of which have never been released again until today, and that are finally made available again for collectors and sonorization music lovers.

First official reissue ever, on 180gr. black vinyl.

1st ever vinyl release of this haunting score by Richard Band. House on Sorority Row is a brilliantly spooky film from 82 and we are proud to bring it to vinyl for the first time.

Wrwtfww Records is not trolling when it says it is very very very happy to announce the official reissue of Richard Band’s soundtrack for horror fantasy classic Troll (1986).The limited edition yellow-colored 180g vinyl LP is housed in a heavy gatefold sleeve with full movie gallery, obi strip, and video store stickers.The album is also available on CD house in a classic jewel case with cavalier and video store sticker. Both versions contain liner notes by Richard Band himself.

We proudly announce the first ever reissue of this quintessential, oustanding Italian Library grail, originally released on Sermi label in 1972. Highly-regarded album and considered a masterpiece of the genre, "Nel Mondo Del Lavoro" (also released at the time with the title "World At Work" on Conroy) is one of the most precious and beatiful works conceived by the Italian maestro Rino De Filippi, and originally used for the soundtrack of the Rai-TV documentary series "sapere: IL Petrolio". Music is written and composed by the maestro backed by the great I Marc 4 studio ensemble and accompained by I Cantori Moderni di A.Alessandroni with breathless scats, insane arrangements and unbelievable, unique and complex mood music from Jazz to Lounge, Bossa Nova and more. A real monster of record that best catches the library music job in adding music to films and documentaries! Edition of 800 copies

A mind-melting opera. Some of the tracks here simply anticipate Techno and generally Electronic music of the early 70s. While Kraftwerk released “Ralph & Florian”, and about one year before the releasing of the milestone “Autobahn”, maestros Sandro Brugnolini and Giorgio Carnini were already experimenting the deep sounds of analogue synthesizer ARP 2600.
The set provides some blending Funk tunes driven by Experimental Electronic music, all with a heavy dramatic feel: the result is an unbelievable, unique and explosive library music LP. “Beat Drammatico Underground Pop Elettronico” is the title that Brugnolini and Carnini adopted for this collection of several TV synchronization themes.
What we had is stunning Drama Cop scores and dark Electronic moods, all surrounded by loads of fuzzy vibes and all that weird, Industrial, Futuristic Synth FX and so on…
This reissue gives back a long forgotten and obscure session originally released on Fonit label in 1973.

Sanullim's 4th album consists of background music and insert songs for TV and radio dramas and plays, including Korean Film director Im Kwon-taek's movie "Tomorrow And Tomorrow Again". It is a noteworthy collection of works that has not faded with the unique scent of Sanullim, and contains several songs that still shine with charming emotions and whimsical or vague sensibilities. 〈Express Train (Inside)〉, a mountain sound-style hard rock with dynamic rhythm, fuzz guitar, and Kim Chang-hoon's wild shouting, Kim Chang-wan's soft vocal and brilliant keyboard sound, 〈Can't Tell Anyone〉, Love It includes the elegant performance songs and , and the beautiful song that achieves the climax of romance and lyricism. (Original release date: April 15, 1979)

The son of the popular tenor Tito Schipa, the young Tito Jr. started his career in 1967 with a show based on Bob Dylan's songs, arranged like a sort of rock opera. Fascinated by this formula he repeated it many times in his later works. His recording debut came in 1972 for Fonit Cetra, with the single "Sono passati i giorni", but his first proper work was the ambitious opera "Orfeo 9", that he had concentrated on since 1969, and that was first represented in theatre in Rome in 1970. A TV film also came in 1973, and the double album was one of the first examples of pop operas in Italy. Influenced by classical music, Schipa released a beautiful work that can be hardly described as a proper rock album, but surely falls into the progressive music field. "Orfeo 9" included among the others, the first record appearance by two Italian artists soon to become very popular, Renato Zero and Loredana Bertè, but many important musicians are listed in the cast, including Brainticket's leader Joel Vandroogenbroeck and drummer Tullio De Piscopo. Rock opera style means multivocal parts and orchestral arrangements, and is an interesting early example of this kind. (Source: www.italianprog.com) Faithful reproduction of the original edition, including the additional lyrics booklet.

Wow! Tonio Rubio's Rhythms is a stone-cold killer, a heavyweight library breaks LP and the inaugural release in Be With's new partnership with legendary French library label Tele Music. Yes, you lucky people, there's lots to come. For this extremely special 50 year anniversary re-issue, we've reproduced the classic Tele Music sleeve with a full colour insert featuring rare photographs, fresh liner notes and personal memories of Tonio from the likes of Jean-Claude Vannier, Jean-Claude Petit and Janko Nilovic.

Sumptuous opener “Latin Leitmotiv” is all funky phasing effects and a killer montuno, with what sounds like piano and bass in tandem, stoking straight up Latin fire. The gritty hard funk of blaxploitation groove "Red Medium" is dripping in wah-wah attitude and head-nod oddness. The atmospheric, exotica-tinged "Dead Slow" emulates the languid, sensual afro groove of Quincy Jones’ wild masterpiece “Gula Matari” whilst the proggy, electric jazz fusion epic "Rock 73" is 9+ minutes of moody, rolling menace.

But the *real* highlight of this cult classic - and why it has long been *so* desirable - is the devastating, deep, hypnotic minimalist groove of "Bass In Action N°1". Very much in conversation with Quincy's rendition of "Hummin'", the loping, rumbling bassline and sweet electric piano over clean, crisp drums making it one of those tracks that sounds like a hip-hop beat 20 years ahead of time. Sensational. “Bass In Action N°2“ features Tonio's own vocal scat performance. Remarkable.

Antonio "Tonio" Rubio Garcia got his start playing the double bass in jazz clubs. In 1962, Tonio joined the Golden Stars, the first backing band of France’s teenage idol Johnny Hallyday. A genius musician with a unique guitar sound, he played on standards of French chanson including Serge Gainsbourg and Brigitte Bardot’s "Bonnie and Clyde", Françoise Hardy’s "Tous les Garçons et les Filles", Gainsbourg and Jane Birkin’s "Je T’aime, Moi Non Plus" and Serge and Charlotte Gainsbourg’s infamous "Lemon Incest". Tonio also lent his brilliance to such legendary figures as Janko Nilovic, Jean-Claude Petit, Hervé Roy, and Jean-Claude Vannier. The latter remembers Tonio as “a secretive, mysterious man, with an endearing personality, albeit difficult to reach out to. His virtuosity as a bass player allowed me to write very innovative basslines, because he was able to play any of my eccentricities!”

The audio for Rhythms has been remastered by Be With regular Simon Francis whilst Christopher Stevenson has brought the original and iconic Tele Music sleeve back to life in all its striking glory as the finishing touch to this long overdue re-issue.

The long-awaited LP reissue of the soundtrack version of the masterpiece movie “Marusa no Onna” directed by Juzo Itami, set in the National Tax Bureau Inspection Department, will be released on December 3rd! Starting with the main theme “Woman of Marsa”, which has an extremely powerful flowing saxophone melody, this is a masterpiece of Toshiyuki Honda’s impressive sound suitable for a film full of originality.

The instrumental soundtrack was recorded by the band Toto (minus lead singer Fergie Frederiksen), accompanied by the Vienna Symphony Orchestra and the Vienna Volksoper Choir, conducted by Marty Paich, father of Toto keyboardist David Paich. "Prophecy Theme" was composed for the movie by Brian Eno, who is rumored to have composed an entire earlier Dune soundtrack, although only "Prophecy Theme" and some incidental background music survived in the final film version. The first release of the soundtrack contained select cues in their original film order, plus two pieces of dialogue from the movie that served as bookends for two tracks ("Prologue" and "The Floating Fat Man (The Baron)"). This first issue was released by Polydor Records. The album includes an alternative take of the "Main Title", that had not been used in the film. · Soundtrack to David Lynch's 1984 cult film. · Composed by Toto and Brian Eno. · Sourced from the original master tapes. · Limited "Spice" colored vinyl. · Includes 24 x 24 full color poster. · Audiophile Pressing at RTI. · Limited to 2000 copies.

Ugo Busoni's “Valvole” is a classic example of the so-called library music records released – between the end of the Sixties and up to the Nineties – in Italy as in the rest of the world, in order to provide 'background music' to be used in the editing of news broadcasts, radio and newsreels. These were records made by highly experienced composers and musicians who, in a very short time and with limited or non-existent budgets, had to make music to be synchronized to images. For obvious reasons, they had to be tracks of short duration, characterized by a certain didactic 'formalism' that allowed an immediate choice for their main use. The titles given to the compositions had to recall a specific topic or setting that would make the choice of technicians easy for synchronization. Tokyo, Uscita Da Scuola, Raid, Polvere Cosmica, Su Una Nuvola, Controspionaggio and Starne are, not surprisingly, some of the titles of the tracks of this album published more than forty years ago by Nuova Idea. Sounds from the Far East, folky and rock guitars, psychedelic rhythms, avant-garde tunes, cosmic echoes and much more are some of the elements of one of the most indecipherable records of that historical period, reissued for the first time on vinyl by Musica Per Immagini with a brand new artwork.

The "Galaxy Express 999" Theme Songs and Insert Songs Collection to be Released on Analog Vinyl! An analog version of the theme song and insert song collection of the TV animation broadcast from 1978 to 1981 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the LPs released on February 1, 1979, respectively, on heavy vinyl.

From the film freaks at Varèse Sarabande comes Reel Cult, a sensational new reissue series for B-movie soundtrack aficionados. One of the two titles kicking the series off for Record Store Day is the cult-classic, soul-jazz soundtrack for Ossie Davis' seminal cinematic social commentary, 1972's Black Girl. This LP features (AAA) lacquers cut by Jeff Powell from the original analog tapes and pressed on 180-gram clear/black swirl vinyl in a tip-on jacket. Groovy!

* Pressed on Black Vinyl * 40th Anniversary compilation * Featuring 10 tracks from the beloved anime series Creamy Mami, the Magic Angel (魔法の天使クリィミーマミ, Mahō no Tenshi Kurīmī Mami) is a magical girl anime television series produced by Pierrot which aired from 1983 to 1984 on Nippon Television. 'Creamy Mami, the Magic Angel' celebrates its 40th anniversary with this album of music selected from the iconic series!

Daughters of Darkness is a 1971 English-spoken Belgian horror film. Directed by Harry Kümel, this cult erotic vampire film stars Delphine Seyrig, Danielle Ouimet, John Karlen, and Andrea Rau. The story features a newlywed couple that stops at a posh French hotel on their way to England. They meet a beautiful, red-lipped woman whom the hotel owner swears had been there 40 years ago, even though she hasn't aged. She introduces herself as Countess of Bathory and folks begin to wonder.It's score was created by multiple award-winning composer François de Roubaix, who is seen as a precursor of the French electronic music next to his jazz expertise. Years after it's original release, the music was picked up and sampled by several hip hop artists, such as Ice-T, Ab-Soul and Lil Wayne. Critics, actors, and directors call it one of the best horror movies ever made. A retrospective poll by Time Out in the early 2010s placed the film at number 90 in their top 100 horror films.In 2021, we celebrate the movie's 50th anniversary. Filmfestival Gent will show the movie in it's entity with an orchestra playing the score. With the help of director Harry Kümel and Patricia and Benjamin de Roubaix, the Original Soundtrack of Daughters of Darkness is available on black vinyl and contains an exclusive poster and printed innersleeves.

Rocky IV was originally released in 1985. The soundtrack was successful on the strength of two top-five singles, "Burning Heart", and "Living In America" by James Brown. "Living In America" showed the decadence, extravagance, and sheer bloated pompousness of the 80's. Perhaps the soundtrack's most popular tune is "Eye Of The Tiger". The album reached the Top Ten on the Billboard 200 Album Chart and was certified Platinum by the RIAA.

The soundtrack album from the 1977 film Saturday Night Fever starring John Travolta.

Thirty years ago, director Rob Reiner chose the picturesque town of Brownsville, Oregon as the filming location for his classic coming-of-age story, Stand By Me. The classic original soundtrack is crammed with early rock & roll hits ("Yakety Yak", "Lollipop" & "Great Balls of Fire" o.a.) and still sounds very alive today, decades after they were originally recorded.

They Say: “Composite themes and incidental cues for dramatic application”. We say: Well, it’s definitely dramatic. No wonder this LP was mined by a multitude of 70s and 80s crime shows. Much like Beat Incidental, this true gem includes a raft of enjoyable sub-ten second incidental cues alongside satisfyingly stretched out, hard-knocking sleuth-funk. The Hunter (Drama Suite) / Adventure Story is a real library-head’s library album. We’re treated to some of the best works of no less than five different heavyweights of the genre: drummer Brian Bennett, guitarist Clive Hicks (of The Gentle Rain), saxophonist Duncan Lamont, rock bassist Dave Richmond and keyboard session giant Steve Gary! Something of a dream line-up, they each contributed stellar efforts to create one of the most sought-after of the legendary KPM albums.

The Blade Runner soundtrack by Vangelis is a dark melodic combination of classic composition and futuristic synthesizers which mirrors the film-noir retro-future envisioned by Ridley Scott. Vangelis, fresh off of his Academy Award winning score from Chariots of Fire, composed and performed the music on his synthesizers. The musicscape of the 2019 was created in Vangelis' "space" mode of new age music, as heard on such albums of his as Heaven and Hell. He also made use of various chimes and the vocals of collaborator Demis Roussos.

* Transferred from the original master tape reels * Pressed on 180 gram hand poured marble vinyl with deluxe gatefold jacket * Includes full color printed inner sleeve liner notes and Roberta Findlay interview * Score has never been released on any format ever until now / Soundtrack to Roberta Findlay's NYC action exploitation film “Tenement”(1985), music composed by Walter Sear, recorded at Sear sound recording studio NYC. Features music spanning from heavy prog rock to 1980's NYC rap theme by Kool Krew, with horror synth score throughout.

Directed by Isao Takahata, "Grave of the Fireflies" is now available in the analog edition series of the popular "Studio Ghibli" works! !

The image album collection and soundtrack collection of the movie "Grave of the Fireflies" released in 1988 have been remastered with the latest remastering.

A precious analog board with a complete reprint of the gorgeous liner included.



[Grave of Fireflies Image Album Collection] (original LP release date 1987.11.25) All 10 songs

Music: Michio Mamiya, Masahiko Sato, Kazuo Kikkawa

An album inspired by the thoughts of three musicians, Yoshio Mamiya, Masahiko Sato, and Kazuo Yoshikawa, about "war", and the story of the main characters' young siblings, Seita and Setsuko.



*Saddle-stitched 12-page liner notes (music/round-table talks by director Takahata and three composers) included.