Soundtracks Vinyl 561 Items

The neon sign floods the lounge with a magenta haze. Chatter and clink of glasses dissipates as the jazz band sets up. As the lights dim, the venue becomes more intimate.

This is Jazz Hop Standards, and you’re all set for a relaxing evening. Kick up your shoes, hang up your keyblade, and let Save Point and Patrick McBride guide you on a journey through the universes of Kirby, Donkey Kong, Crash Bandicoot, Undertale, Kingdom Hearts, and more while taking inspiration from timeless jazz standards.

180 gram 1xLP Black 12" vinyl. Comes in a holographic jacket, discs in black polyline sleeves. Art by Save Point and ArtByGalen, Layout by Isa Alcántara.

Featuring compositions by Elmer Bernstein and Randy Newman and produced by Lenny Waronker, this soundtrack reminds us why music is as key a character to any film as an actor. Bernstein’s lush orchestrations that lend the true Western sound to this beloved comedy farce, contrasted with the unforgettable silliness of Randy Newman’s compositions like “My Little Buttercup” and “The Singing Bush” combine to deliver absolute joy alongside unforgettable tunes.

Waxwork Records is beyond thrilled to release WENDELL & WILD Original Soundtrack From The Netflix Film! Wendell & Wild is a 2022 stop-motion animation film directed by Henry Selick (The Nightmare Before Christmas, Coraline) and written by Selick and Jordan Peele. It stars Keegan-Michael Key and Jordan Peele as the titular characters Wendell and Wild, with Angela Bassett, Lyric Ross, James Hong, and Ving Rhames in supporting roles. The film marks Selick's first feature since Coraline (2009).

Wendell & Wild is an animated tale about two scheming demon brothers Wendell (Keegan-Michael Key) and Wild (Jordan Peele) who enlist the aid of 13-year-old Kat Elliot, a tough teen with a load of guilt and a love for punk rock, to summon them to the Land of the Living. But what Kat demands in return leads to a brilliantly bizarre and comedic adventure like no other, an animated fantasy that defies the law of life and death, all told through the handmade artistry of stop motion.

Waxwork Records is proud to release the soundtrack to Wendell & Wild as a deluxe vinyl album featuring score cues by composer Bruno Coulais and tracks by X-Ray Spex, Death, TV On The Radio, and more. Features include 180 Gram "Wendell & Wild Demon Swirl" colored vinyl (Green and Purple swirl), new album artwork by TV On The Radio frontman Tunde Adebimpe, a four page booklet with an exclusive essay by Adebimpe, heavyweight gatefold jackets with matte satin coating, and more!

WENDELL &WILD Original Soundtrack From The Netflix Film Features:

Score Cues By Composer Bruno Coulais
Tracks By X-Ray Spex, Death, TV On The Radio, and more
180 Gram Green and Purple "Demon" Swirl Colored Vinyl
Artwork by TV On The Radio Frontman Tune Adebimpe
Exclusive Essay by Tunde Adebimpe
Four page Booklet
Heavyweight Gatefold Jackets with Matte Satin Coating

A mesmerizing journey of electronic and classical elements for this year most awaited Canal + series
"D'Argent & De Sang" is the latest creation from French producer Erwan Castex, known as Rone, famous for acclaimed albums such as "Room with a View" and "Tohu Bohu", who won a César for his first soundtrack for Frédéric Farrucci's film "La Nuit Venue" in 2021 and the award for best soundtrack at the Cannes Film Festival for Jacques Audiard's "Les Olympiades".
Initially entitled "Tikkoun", the next CANAL+ original series "D'Argent & De Sang" is produced by Curiosa Films and directed by multi-César winner Xavier Giannoli (with "Lost Ilusions in 2021), with whom the composer worked closely to develop a subtle blend of electronic and classical sounds, a field in which Rone's reputation is well established. "By mixing classical orchestral textures with modern electronic elements, I wanted to symbolise the heterogeneity of the worlds that intersect in this story".
The first part of the series, which features among many others Vincent Lindon will be broadcast in France on Canal + from 16 October 2023.

The Dive is a 2023 scuba-diving movie, starring Sophie Lowe (Medieval) and Louisa Krause (Billions), with much of the footage - underwater and topside - shot in the popular diving destination of Malta. The score to The Dive is composed by Volker Bertelmann & Raffael Seyfried. Bertelmann is a German composer who is also known under the name Hauschka. In 2022, he won an Academy Award and BAFTA for his work on All Quiet on the Western Front. For the soundtrack for The Dive, he teamed up with Raffael Seyfried, who previously scored the documentary The Lost Souls Of Syria.

Quartet Records and Paramount Pictures present the premiere vinyl edition of Ryuichi Sakamoto’s classic score for 1992 adaptation of Emily Bronte’s Wuthering Heights, starring Ralph Fiennes and Juliette Binoche, and directed by Peter Kosminsky. Ryuichi Sakamoto (1952–2023) was one of the most personal and important voices of the world music scene for several decades: from rock to pop, new age, opera, concert music, electronic and film music, no genre was foreign to him, and he managed to stamp his own style on each of them. His acclaimed score for Wuthering Heights is written in the symphonic tradition of his scores for Bernardo Bertolucci’s THE Last Emperor (for which he won the Oscar for Best Original Score) and Little Buddha. One of Sakomoto’s most special and beloved scores, Wuthering Heights is haunting, beautiful, romantic and tragic. Specially mastered for vinyl by Chris Malone from original stereo master tapes and following the order of the original album produced by Sakamoto, the album is presented on 2xlp 180 GM clear transparent vinyl, in an elegant gatefold with images of the film.

"Quartet Records and StudioCanal present the premiere vinyl release of John Debney’s symphonic opus for the adventure classic Cutthroat Island. Directed by Renny Harlin and starring Geena Davis, Matthew Modine and Frank Langella, the movie is a big-budget, swashbuckling throwback about Morgan Adams, a female pirate, and her crew racing to find a hidden island containing a fabulous treasure before her uncle, Dawg Brown. Along the way there are sword fights, chases, storms at sea and all sorts of high adventure, all produced on an epic scale. Keeping up with the massive visuals was composer John Debney (hocus Pocus, White Fang 2, Little Giants, THE Passion OF Christ) who led the London Symphony Orchestra and the London Voices for the recording. Considered one of the 90s best adventure scores, and one of Debney’s most highly regarded works, the original soundtrack program is now available for the first time in a deluxe 2xlp set, produced by Neil S. Bulk, mixed by Mike Matessino and mastered by Chris Malone. Pressed on 180 gram audiophile black vinyl and packaged in a gatefold jacket featuring Drew Struzan’s original painting."

Ennio Morricone is known throughout the world for the Italian Western genre, but most of all for his famous soundtracks for Sergio Leone’s masterpieces which have entered into popular culture on an international level, and here represented by iconic themes such as A Fistful OF Dollars (1964), FOR A FEW Dollars More (1965), Once Upon A Time IN THE

West (1968), A Fistful OF Dynamite (1971) with extraordinary soloists such as the coro dei cantori Moderni di ales- sandroni, the whistle of Alessandro Alessandroni, the harmonica of Franco De Gemini, and Edda Dell’Orso’s soprano voice. For the Westerns starring the legendary Giuliano Gemma – A Pistol FOR Ringo and THE Return OF Ringo – both directed by Duccio Tessari, he wrote the songs “Angel Face” (with lyrics by Gino Paoli) and “The Return of Ringo” respectively performed by Maurizio Graf with pop music arrangements that were popular at the time. With PistolS Don’t Argue (1964) Morricone experiments with a still undefined pre-Leone sound, Death Rides A Horse (1967) presents a main theme for guitars ostinatos, exotic flutes and choir. For Life IS Tough, EH Providence? Ennio Morricone creates a theme that mixes religious elements for a female choir with modern arrangements. And A Fist Goes West (1981) a late Western in which the composer himself interprets the Indian’s screams.

The studies with Goffredo Petrassi and the association with Gruppo di Improvvisazione Nuova Consonanza let the Avant-garde playing an important role in the career of Ennio Morricone, who wrote many contemporary pieces for himself, but then the author composed soundtracks where dissonance played a major role. For the Italian edition of the film Space: 1999 (1975), the cult British TV series, he composed a very neurotic Jazz with muted horns. Also for the science-fiction film THE Humanoid (1979) Ennio Morricone created hallucinating strings scores mixed with electronic effects. For Sacco E Vanzetti (1971) an electronic score by Walter Bianchi evokes all the drama of the undeserved death sentence of the two protagonists. Experimental music of great impact in the film and off the screen for famous thrillers such as THE Death Dealer (1974), Short Night OF Glass Dolls (1971). Avant-garde music has always been present in Elio Petri’s films set to music by Morricone such as Property IS NO Longer A Theft (1973). Avant-garde music in the noir cinema of Violent City (1970) and A Pure Formal- ITY (1994) and in auteur films such as Garden OF Delights (1967) and Sarah’s Last MAN (1972).

Ennio Morricone in his long and wonderful career has composed a large number of soundtracks for Thrillers and Noir. Here is a selection of ten scores which once again demonstrate his immense musical genius. THE Palermo Connection by Rosi (1990), Violent City by Sollima (1970), What Have YOU Done TO Solange? by Dallamano (1972), Behind THE Trial (1978-1980), THE Flower IN HIS Mouth by Zampa (1975) THE Human Factor (1975), Short Night OF Glass Dolls by Lado (1971) Almost Human (1974), THE Death Dealer (1974), Three Columns IN THE News (1990) by Vanzina, musically represent the entire dramatic and my- sterious side of Ennio Morricone who wrote, orchestrated and conducted soundtracks for two genres that always had a huge following of fans all over the world.

In his long and successful career Ennio Morricone composed many dance songs as it was in fashion in the late sixties and early seventies. Themes that were usually not directly connected with the subjects of the soundtrack, but which were played in disco clubs, on jukeboxes, turntables and on the radio. This collection contains a selection of very cool pieces such as the brilliant main theme from Grand Slam (1967), the shake rock (opening credits) from Dario Argento’s classic Four Flies ON Grey Velvet (1971), the danceable from the noir film Violent City (1970), the beat version of the opening credits of “Pioggia sul tuo viso” by The Sorrows, from HOW I Learned TO Love Women (1966), “Per Vittorio (Bossa)” elegant bossa nova with flute and percussions from THE Success (1963), the tribal shake from I Cantori Moderni which winks at the Dies Irae from Garden OF Delights (1967), “Scuola di ballo al sole” a wild surf piece from THE Hawks AND THE Sparrows (1966), the supreme bossa nova from ONE Night AT Dinner (1969) with the super iconic voice of Edda Dell’Orso, the shake music of “Ostinazione al limone” from What Have YOU Done TO Solange? (1972), “Donnabossa” from Full Hearts AND Empty Pockets (1964), a delicate bossa nova with a prominent harpsichord.

The romantic side of Maestro Morricone contrasts the dramatic side of Thriller and Crime genre where dissonances always dominate. For TIE ME UP! (1989) Morricone composed a delicate love theme for his one and only collaboration with the great Spanish film director Pedro Almodovar. For FOR Love (1976) he created a motif for piano and orchestra as a back- ground to a love triangle. The first sexual experiences of a teenager with older women at the end of the war in Disobedi- Ence (1981) are accompanied by piano, strings and oboe. “Desperate love theme” from Making Love (2000) is a very nostalgic classic tune for violin and orchestra. “Per le antica scale (Preludio)” from Down THE Ancient Stairs (1975) is a captivating, slow and sensual, love tune for piano and orchestra with a predominant flute solo. “Beata and Joe” from THE Star Maker (1995) a sentimental theme for the two protagonists performed by an orchestra with the intervention of a classical guitar in the second part. The crystal voice of soprano Edda Dell’Orso appears very frequently in Ennio Mor- ricone’s soundtracks as in the case of THE Good Thief (1980), THE Master AND Margarita (1972), What Have YOU Done TO Solange? (1972), Orient Express (1979).

Assignment K (with lots of pencil scribbles everywhere). The Strange Affair (with lots of pen scribbles everywhere).

As usual with Basil tapes / things there is little else to go on, no tracklist, no list of musicians, no singer names, no dates or anything. I have actually tried to establish the name of the singer on the song from Side One (we have called it “Love Is To Walk Away “ as it is unnamed) but having played it to a handful of knowledgeable collectors and enthusiasts who I would count as experts in this field, no one has a clue who it might be. If you think you know please get in touch. We know who it isn’t.

We can tell you that Assignment K dates from 1968, was a film about a toy maker who has a double life as an international spy. It was directed by Val Guest, who’d just finished trying to rescue the cinematic hotchpotch that was Casino Royale - he had been brought in by the Bond producers after Peter Sellers had walked off the movie. We imagine Assignment K may have been a slightly less stressful few months of shooting. As for the Kirchin score that we have here, we can tell you very little indeed, apart from the fact that the bass player was Ron Prentice (an ex blacksmith turned musician and craftsman) who worked on several Bond scores, but we know little else. And we only know this because it says so in the academic tome “Jazz On The Screen” by David Meeker.

The Strange Affair is also from 1968, and was not only controversial but also a reasonably unsuccessful movie. Directed by David Greene who also directed, amongst other films, I Start Counting and the quite brilliant Sebastian. In this rather grubby flick a policeman called Peter Strange (played by Michael York) falls for an underage girl (played by Susan George), finds himself compromised by a pair of pornographers and gets lured into an errand for a smack gang. We can tell you little else because I have no more information about it all.

But we do know that this music has all the classic Kirchin mid-period sonic hallmarks that have always set him apart.

Double LP on recycled & random-coloured "Re-Vinyl Brand new gatefold design with UV spot varnish Soundtrack by James Primate, Lydia Esrig, Intikus, Ongomato, Connor “12lbs” Skidmore and Progfox Return to the unwavering wild in Downpour, where you explore new, harsh lands and survive new predators. As time passed, the slugcat has evolved. With five variants of the species - take advantage of various skills that they possess and explore their own personal tales.

WRWTFWW Records is happy to announce the first-ever physical release of Louisiana-based composer and producer Jammin’ Sam Miller’s full HD re-creation/restoration of the beloved Super Metroid video game soundtrack. The limited biovinyl double LP is packed with 27 tracks and features an exclusive artwork by French illustrator Pierre Thyss, as well as an obi strip.

Composed by Kenji Yamamoto and Minako Hamano, the soundtrack for 1994 SNES exploration / action-adventure / sci-fi / alien video game Super Metroid has always been a fan-favorite. A true masterclass in music storytelling, it beautifully evokes the epic and eerie adventure of the game’s protagonist Samus Aran with superb use of atmospheric sounds, space-operatic arrangements, rumbling bass, oppressive techno-futurist moods, tribal drums, and airy synth themes, admirably balancing the ominous feel of a dark menace and contemplative, even soothing, ambient soundscapes.

Jammin' Sam Miller assiduously recreated the soundtrack note by note, by finding the original equipment used to create it, translating the MIDI into a modern studio context, adding in keyboard samples, and re-mixing and re-mastering the whole score. He explains: "This was made possible by locating the original instrument samples from workstation keyboards and drum machines before they were put into the game and rebuilding the soundtrack from the ground up, applying some modern mixing techniques along the way to lift the veil of 16bit compression and create an updated listening experience."

Super Metroid is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

Ba Da Bing is releasing the soundtrack to 2022’s paeon to cuisine prep, Flux Gourmet. A vibrant, four-coursed, 23-track double album, Flux Gourmet includes contributions by Heather Trost, Jeremy Barnes, Marta Salogni, Cavern of Anti-Matter, and Roj (Broadcast), as well as Strickland’s own compositions as part of The Sonic Catering Band. British Director and sonic pioneer, Peter Strickland, known for The Duke of Burgundy (2014), Berberian Sound Studio (2012) and Björk: Biophilia Live (2014), has always pushed visuals and narrative to absurd heights. In Flux Gourmet, performance artists taking part in a residency dedicated to sonic catering combining cooking, sound and theater. Food is amplified, microphones are jammed against blenders, and the sizzling sound of the frier turns becomes an ominous rattle. The film’s soundtrack is equally as process oriented, experimental, and kaleidoscopic as its protagonists’ practice. Contributors are Cavern of Anti-Matter, Jeremy Barnes, Heather Trost, Roj (formerly of Broadcast), Tim Harrison, Dan Hayhurst and Nurse With Wound.