Soundtracks Sale 216 Items

HHV Exclusive edition on red wax, limited to 75 copies worldwide.

The discography of the phantom Gruppo Sound exceeds over thirty titles published in an undefined time frame between the Eighties and the Nineties. However, there is very little information about this curious pseudonym. it is possible to find a library music album by Gruppo Sound inside the Canopo, Deneb, Flower, Monosound Records and Teams catalogues, all managed by Flipper Music publishing group, but both the creators and the musicians have never been the same. Gruppo Sound is only a collective name, maybe to identify a certain number of 'new' productions characterized by an electronic background And, not by chance, the author of “New York City” is a single artist, the multi-instrumentalist Gabriele Ducros. Son of the prolific composer Remigio Ducros, he first followed his footsteps in the field of music libraries and soundtracks and then become the author of many tracks for television commercials of a certain relevance, winning some international awards. “Some of these tracks may have been associated with a pornographic film. Others were, however, made as brief comments for a theatrical show, perhaps never made”, remembers Gabriele Ducros. What unites the thirteen pieces is the same musical language, which derives from a widespread funk and jazz matrix. Both genres are thus declined through a different approach and taste, in line with the fusion trends of the time, when the early synthesizers were used by few artists. A handful of electric guitar notes for a 'urban' mood, the acoustic ones from a dreamy morning awakening. Electronic keyboards to arouse a sense of nostalgia in the listener, while flute and saxophone always punctuate different atmospheres. A computer melody, a theme for children and a sophisticated ode to the fusion sound of the Big Apple, perhaps true source of ispiration of the work. “New York City” is not a concept album, but one of the best cross-sections of Gabriele Ducros' great creativity.

Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary "Squadra Antifurto", the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary "Squadra Antifurto", the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

What would you do if you harnessed the ability to change the past? Would the outcome be better or worse than your present? Very Ok Vinyl opens the portal to find out with Steins;Gate Original Soundtrack. This 2009 Visual Novel game developed by Mages spins the story of Okabe Rintaro after he receives a text message from the future and the ripple of change that creates. This soundtrack covers all the emotions of Okabe’s epic adventure of past, present, and future, to change it back. We dare you to travel through the fast-paced synth, heart-felt piano, harpsichord, and suspenseful orchestral strings. This is a powerfully emotive compilation, busting with the intensity of every decision. You will not be the same when you return.

Whole Cake Island: Sweets and Dangers in an Unforgiving World! As Luffy and his crew face an Emperor, Big Mom, for the first time, they must join forces to save Sanji in the extravagant kingdom of Totto Land.

Composer: Kohei Tanaka Kohei Tanaka has been a lyricist, composer and arranger for a multitude of animated works and video games, including Sakura Wars, Assassination Classroom and the One Piece saga, since its inception.

We’re thrilled to announce a reissue of Piero Umiliani’s soundtrack to the 1969 giallo thriller “Orgasmo” (called “Paranoia” in English speaking countries), the first of three erotically charged films directed by Umberto Lenzi and starring cult siren (and Oscar nominee) Carroll Baker. Back in 2020, we unveiled the first-ever release of this iconic soundtrack, whose master tapes were thought lost for decades. Due to popular demand, this reissue, unlike the 2020 release, bears the film’s original Italian title. The LP comes in a lavish 650-gram single tip-on jacket adorned with new artwork.

They say jazz is all about the notes you don’t play, but after the uber-talented Blueshift Big Band turned in the terrific masters for Joystick Jazz (Volume 1), we knew we needed to hear more.

Introducing Joystick Jazz: The Blueshift Big Band Plays Iconic Video Game Hits (Vol. 2) Vinyl Soundtrack, a second scooping of jazzy video game goodness presented on audiophile black vinyl, with a digital download code to boot.

For Volume 2, The Blueshift Big Band turned to classic video game tracks from titles near and dear to iam8bit’s pixelated heart — games like Castlevania, Sonic the Hedgehog 2 and Grim Fandango. They reimagined iconic themes as only the Blueshift Big Band can do, revivifying them through the power of brass, beats, and big band bravado.

And iam8bit pal Mark Borgions is back, too, to lend the release some of his Jim Flora-flavored visual design and artwork. You don’t have to be a jazz aficionado to appreciate the perfection available in this incredible package.

The discography of the phantom Gruppo Sound exceeds over thirty titles published in an undefined time frame between the Eighties and the Nineties. However, there is very little information about this curious pseudonym. it is possible to find a library music album by Gruppo Sound inside the Canopo, Deneb, Flower, Monosound Records and Teams catalogues, all managed by Flipper Music publishing group, but both the creators and the musicians have never been the same. Gruppo Sound is only a collective name, maybe to identify a certain number of 'new' productions characterized by an electronic background And, not by chance, the author of “New York City” is a single artist, the multi-instrumentalist Gabriele Ducros. Son of the prolific composer Remigio Ducros, he first followed his footsteps in the field of music libraries and soundtracks and then become the author of many tracks for television commercials of a certain relevance, winning some international awards. “Some of these tracks may have been associated with a pornographic film. Others were, however, made as brief comments for a theatrical show, perhaps never made”, remembers Gabriele Ducros. What unites the thirteen pieces is the same musical language, which derives from a widespread funk and jazz matrix. Both genres are thus declined through a different approach and taste, in line with the fusion trends of the time, when the early synthesizers were used by few artists. A handful of electric guitar notes for a 'urban' mood, the acoustic ones from a dreamy morning awakening. Electronic keyboards to arouse a sense of nostalgia in the listener, while flute and saxophone always punctuate different atmospheres. A computer melody, a theme for children and a sophisticated ode to the fusion sound of the Big Apple, perhaps true source of ispiration of the work. “New York City” is not a concept album, but one of the best cross-sections of Gabriele Ducros' great creativity.

Enjoy The Toons Records in conjunction with WaterTower Records, WB Games & DC Comics proudly presents Best of Batman: Arkham Knight, Music by Nick Arundel and David Buckley.

Curated by the games' composer, Nick Arundel, Best of Batman: Arkham Knight consists of 15 tracks from the 2015 video game. Each record comes housed in a 350gsm jacket with black inner sleeves and black flood printing inside the sleeve. Included with each record is a 12"""" x 24"""" foldout insert, featuring a collage of the game's main characters on one side, with a grand scale view of Arkham City on the other.

Commemorating the 100th anniversary of Seijun Suzuki! The soundtrack of his masterpiece and most unique work, "Branded to Kill", will be reissued in limited edition as a color vinyl. Although it triggered director Seijun Suzuki to lose his job for 10 years, this work, which later became the animated TV series "Lupin the Third", continues to exert a unique appeal among avant-garde hard-boiled works in many countries. This film, which is also highly acclaimed in Japan and abroad in terms of music, has been newly remastered to commemorate the 100th anniversary of the director's birth.

The Primevals belongs to a different time, a different place, an imagined world of monsters, myth and magic that has only ever existed within the confines of classic fantasy cinema. Even if its chief architect, David Allen, had lived and the film had been released in the 1990s, it would have still been out of synch with the zeitgeist. Fifty years ago, filmmaker David Allen registered the story for the film that would become The Primevals. His goal was to elevate the art of stop-motion animation into more serious, thoughtful storytelling. In the mid-1960s, the film had started as an homage to Edgar Rice Burroughs, reminiscent of the fantasy films by Ray Harryhausen that had impressed David as a child. He sadly died in 1999 and the task of completing the film fell to his visual effects colleague Chris Endicott. Award winning and Emmy nominated composer Richard Band is primarily known as a composer for Horror and Genre films. He was recently awarded the Mosma Film Music Festival’s “life Achievement Award” and the subsequent two nights of concerts in Malaga, Spain included an encore in which The Primevals main title for full orchestra had its live premiere. The music represents a glorious hark back to the classic scores that fuelled so many of the Harryhausen films of the 1950s and 1960s. A delirious thrill-ride through the joys of monsters, ray-guns, spaceships and good old-fashioned stop motion animation.

This is a collection of recordings by Geoff Bastow, English composer active in the 1970s to 1980s, preserved on the prestigious German library label "SONOTON." The opening resonates with dazzling synthesizer phrases, and the dynamic sound created by the incorporated drum machine in an inorganic manner can be considered the very essence of synth-wave or perhaps futuristic funk.