Soft Machine 9 Items

Five years after the release of their last studio album, legendary UK musical institution, Soft Machine, return with a brand new CD/LP, Other Doors. Boasting new material and two numbers drawn from their extensive historical repertoire, Other Doors finds the band on their usual fiery form.

Featuring John Etheridge (guitars), Theo Travis, (saxes, flutes, Fender Rhodes piano, electronics), Fred Thelonious Baker (Fretless bass), John Marshall (drums), Other Doors also features two guest appearances from long-serving bassist Roy Babbington, who retired from the band in 2021.

Other Doors was recorded at Temple Music Studios, a facility owned by the late Jon Hiseman during July and August 2022. It’s a location of which the band is particularly fond, explains John Etheridge. “Working at Jon Hiseman’s studio was special, especially with Ru Lemer who is a brilliant engineer. He’s fantastically quick and that’s very good as we record mainly live in the studio. It’s come out really well and I think it sounds great.”

That ability to work quickly on takes as an ensemble has resulted in a fresh-sounding series of top-flight performances whose typically knotty and sometimes complex themes frequently give way to explosively discursive improvisations. As Theo Travis observes, “The interesting thing about recording free improvisations is you're not playing to a plan or a grid or a blueprint, so you don’t know what's coming, and you don't know what's coming until it's gone. At which moment you're thinking about the next thing.”

The album is brimming with that fast-moving creativity including the title track, whose outline was initially composed by John Etheridge in the Lake District during 2021’s lockdown. Crooked Usages’ ’ slow-weaving machinations and the prowling inquisitiveness pursued during Fell to Earth are similarly imbued with a dextrous yet melodic bite that defines much of the band’s approach. Within this framework, John Etheridge’s supple interrogations across the fretboard’s range coupled with Theo Travis' tightly focused sax and flute alongside his impressionistic keyboard washes encompass a musical language that can be as cerebral as it is emotionally direct.

The Visitor at the Window, The Stars Apart, and the elegiac Back in Season unfurl into more reflective states of being, variously contrasted by mediative percussion, flute, solo guitar, or swarms of electronica and echoing clusters of electric piano. All coalesce to build into the beguiling atmospherics which forms a vital layer within the Soft Machine sound world. It’s been a kind of tradition with the group to include new arrangements of older Soft Machine numbers from the band’s illustrious back catalogue. These have included numbers as varied as Chloe and the Pirates, Kings and Queens, Out-Bloody-Rageous, etc.

On Other Doors they’ve revisited the very first album, originally released in 1968, to include Kevin Ayers ‘Joy Of A Toy. Fred Baker, makes his studio debut with Soft Machine. A well-known figure on the Canterbury Scene not only is he the perfect choice for the group but he’s also is a long-term fan of the repertoire.“The way I look at it is that this is all great music which we’re continuing to preserve and keep alive as we play it but also we’re adding to it all the time,” he explains. The idea for revisiting the number was Theo Travis’ he says and has been part of the band’s live setlist for a while. “I’ve added some extra harmonies and other things to it, so it’s got my stamp as well as going back right down to Kevin Ayers's original. It somehow fitted in with all of the new material as well as the older tracks we do. It’s amazing the amount of young people coming along to gigs who are liking the wide range of music we play.” The album also contains Penny Hitch, a track originally heard on 1973’s Soft Machine Seven. This features the first of two appearances of Roy Babbington who provides the bass lines underpinning Karl Jenkins’ composition while Fred plays the sinuous lead melody on his fretless bass. The pair also worked together as a duo on Now! Is The Time, a number originally based on a theme Babbington brought into the sessions, with Fred and Roy both adding and expanding the scope of the piece.

If the album ushers in a new member in the shape of Fred Baker, it also acts as a fond farewell to drummer John Marshall, who joined Soft Machine midway through the recording of 1972’s Fifth. At the age of 81 Marshall has decided to retire making Other Doors his final studio album with the group. “I’ve known John since 1975 when I first joined Soft Machine and of course, we’ve worked through the years together intermittently ever since. His drumming always meant a lot to me,” says Etheridge. “We worked over three days in the studio and John played great. It sounds terrific.” Indeed, Marshall is on whip-cracking form throughout the album bringing his trademark musicality and decisive presence. With Other Doors, he brings his distinguished career to a rousing conclusion.

Intense, celebratory, and consistently impressive. Other Doors is the sound of a group determined to press forwards with an integrity and sense of purpose that’s quintessentially and definitively Soft Machine.

saw cut. vinyl has a few paper scuffs. Price tag.

Debut album by the English rock band The Soft Machine (named after William S. Burroughs' novel), one of the best known exponents, along with Caravan, of the "Canterbury Sound". This masterpiece was released in 1968 and features the trio of Robert Wyatt (drums & vocals), Mike Ratledge (organ & piano), and Kevin Ayers (bass, vocals & piano). This was the only album by the band showcasing Ayers. Additional personnel includes bassist Hugh Hopper (who would later become a permanent member after Ayer's departure), and the NYC vocal group The Cake. The Soft Machine was one of the first albums recorded at the legendary Manhattan studios The Record Plant, which had been inaugurated with Jimi Hendrix's Electric Ladyland that same year. The album was given a 5-star rating on AllMusic by reviewer Richie Unterberger. The group is considered one of the most influential underground bands of their era.

The track selection on this release is entitled Experiments and Prototypes and features Brian Hopper on sax and Hugh Hopper on bass.