Ska 17 Items

Death Is Not The End together all three LP volumes of the critically acclaimed If I Had a Pair of Wings LP compilation series for a bundled edition.
"...all of the music on this compilation is the result of the forward-thinking artists and producers that realised the worth of local Jamaican artistry during a time when the island's leading political figures had not yet managed to throw off the colonial yolk. These are sounds with a certain innocence and the optimistic promise of better to come, with the influence of American pop ballads and doo-wop looming large, yet already pointing to the innovations of the future. Listen keenly and take in the sounds of the Jamaican music industry at its very beginnings, its singers and players drawing from the popular styles of the island's larger neighbour and already changing those styles into something their own." - David Katz
Lauren Laverne's comp of the week on BBC Radio 6 Music w/c 11th Jan.
Guardian feature: https://www.theguardian.com/music/2020/oct/12/a-thousand-teardrops-how-doo-wop-kickstarted-jamaica-pop-revolution-reggae-rocksteady

a Sino/Japanese twist.

In the early 1960s Justin Yap and his brother Ivan [aka ‘Jahu’] ran the Top Deck sound system from their family’s ice cream parlour and restaurant in Barbican, Kingston. The local success of the sound system encouraged them to venture into the recording business, and by 1962 Justin had recorded singers Larry Marshall, Ephraim ‘Joe’ Henry and Ferdie Nelson. The fledgling label enjoyed a modest local Jamaican hit in 1963, with trumpeter Baba Brooks and the Trenton Spence Orchestra's “Distant Drums” issued on Top Deck Records as the b-side to Larry Marshall’s hit “Too Young To Love”. As a fan of exotica composer Martin Denny, Justin had heard “Jungle Drums” on Denny’s 1959 LP “Afro-Desia”. His liking for Martin Denny would prove fruitful later, when Justin recorded the Skatalites in a mammoth all-night session in 1964 at Clement Dodd’s Studio One on Brentford Road.

By 1963-1964, hundreds of ska tracks were being recorded by Clement Dodd, Arthur ‘Duke’ Reid, Vincent Edwards, Vincent Chin, Leslie Kong and Prince Buster and others. Justin had linked up with Allen ‘Bim Bim’ Scott, a friend of Clement ‘Coxson’ Dodd, owner of the Studio One label who had already recorded the musicians who became the Skatalites.

Justin and Ivan organised a session in November 1964 at Studio One; it lasted 18 hours. The length of the session allowed for alternate takes to be recorded, but the highlights of the sessions were the five original compositions by Don Drummond – “Marcus Junior”, “The Reburial”, “Confucious”, “Chinatown” and “Smiling”. The first two are in tribute to the Pan-Africanist Marcus Garvey; “The Reburial” refers to the occasion of his interment in Jamaica in 1964, his remains having been brought from the cemetery in Kensal Green London, where he was originally buried in 1940, and reburied in King George VI Memorial Park Kingston [later renamed National Heroes Park].

Along with these originals were some well-chosen cover versions. Two came from the Duke Ellington songbook: “Ska-Ra-Van” is of course Ellington and his trombonist Juan Tizol’s classic composition “Caravan”, while “Surftide Seven” is Ellington’s “In A Mellotone”. The LP title track “Ska-Boo-Da-Ba” is a version of Bill Doggett’s 1958 “King” US 45 “Boo-Da-Ba”. “Ringo” had also appeared on Arthur Lyman’s “Taboo” LP [1958] as “Ringo Oiwake”. Originally it was sung by Hibari Misora – a very famous vocal song in Japan, recorded in 1952, the melody composed by Masao Yoneyama. Yet another tune copped from Lyman’s “Taboo” LP is “China Clipper”, composed by the pianist / arranger / orchestrator Paul Conrad.

The last track on this fine LP is “Lawless Street”, a feature for Roland Alphonso. Unlike the other Skatalites, Roland wasn’t a graduate of the celebrated Alpha School, like many of Jamaica’s top musicians from Bertie King to Yellowman. Alphonso was a graduate of Boys Town School in Denham Town. “Lawless Street” was another tune that was recorded twice at the session – the second version features vocal ‘peps’ and exhortations by DJ King Sporty.

By late 1966, Justin emigrated to the USA, settling permanently in New York. There he took up US citizenship and was called up to serve in the US Army in Vietnam, In the early 1970s he worked in computers and eventually drove a New York cab. In his all too brief involvement in the competitive Jamaican music business he certainly left his mark as a producer. He produced some of the best ska ever made, and the LP reissued here is perhaps the most coherent LP in that genre, deriving as it does from a single session.

The celebrated record producer at Randy’s Studio, Clive Chin:

“It wasn’t the fact that they [the musicians] really love Justin; it was the fact that Justin used to pay them the right money and make them comfortable. Make sure them have them smoke, them food, them drink, and after them finish they got paid.” Unlike many other producers, Justin actually attended the sessions.

It stands as his defining legacy in Jamaican music history.

A collection of rare 60's sound sources, mainly by the Skatalites, that shows the heat of Kingston in the heyday of Ska!! Selections from Indian-Jamaican Dada Tewari's Caribou and Down Beat labels. Caribbean Recording Company, owned by Dada Tewari, was one of the first Jamaican studios to follow in the footsteps of Ken Khouri and Stanley Motta, and this album contains songs from the boogie shuffle to the heyday of ska. In addition to Lord Tanamo's ska anthem "In The Mood For Ska", this is the label's first album of mega-rare singles and top Caribou ska, including Don Drummond's last recording "Bellevue Special", "Up & Down" by the Mighty Vikings and "Way Of Fortune" by Pat & Roxie.

Original album + live. 2 x 140g Crystal Clear / 2 x Printed Inner Sleeves / Gatefold LP Jacket / RSD Sticker

Record Store Day 2023 limited run of 650 copies.
During the final two years of the original Jamaican ska era, producer Arthur ‘Duke’ Reid released arguably his finest works in the genre. The popularity of his work from this time is reflected in the high demand for his productions from this period, with most of the 7” singles he issued between 1965 and 66 now fetching three figure sums on the collectors market. ‘Ska La-Rama’ brings together 14 of the Duke’s most elusive works from this golden era, with half of the tracks on the album appearing on vinyl for the very first time. Among those that have previously seen issue are a number of recordings widely regarded as being among the finest ska productions of the period, notably, the title track, ‘True Confession’ and the hugely collectable ‘Renegade’ by the Zodiacs. Pressed on Colored Vinyl and boasting an insert featuring a fascinating essay on the recordings by esteemed music historian Tony Rounce, this limited edition collection album comes housed in a stylish, retro-style sleeve, which captures the exciting spirit of the original ska era. An essential addition to the collection of any self-respecting fan of ska and Duke Reid’s inimitable sound.

Record Store Day 2023 exclusive limited to 1300 copies.

Following on from Part 2 (released exclusively for Record Store Day 2021) ‘I Do Like To Be B-Side The A-Side Volume 3’ includes 12 Madness B-Sides across hit singles from Wonderful’s ‘Lovestruck’, ‘Johnny The Horse’ and ‘Drip Fed Fred’ to The Dangermen Sessions’ ‘Shame & Scandal’, including covers of Kilburn And The High Road’s ‘The Roadette Song’ and Horace Andy’s ‘Skylarking’. Released on 180g heavyweight Black Vinyl, the LP features brand new artwork designed by Paul Agar in association with the band.

After a nine year wait, The Eskargot Miles pick up straight where they left off on their 2021 album Rise Again. Expect to be transported to fairer shores, as the nine member Japanese ska band add their Japanese spin on a classic reggae sound. With recent P-vine releases from Little Tempo, Natsu Summer and Asuka Ando, The Eskargot Miles find themselves as part of a thriving scene, and P-vine is excited to bring the album to vinyl format with this limited edition pressing.

First two cassette tape releases now on heavyweight metallic copper vinyl limited to 250 copies. A loving tribute to dank 70s dub reggae, deeply in debt to the original Jamaican engineers who turned their mixing consoles into the lead instrument a la LEE Perry and King Tubby.

Limited edition one side music one side digital-print picture disc from legendary NYC ska punk pioneers. Six tracks, four from their latest EP plus two bonus demo versions of songs. One time press of 500, housed in a black stickered sleeve.

Original inner sleeve.

Original inner sleeve.