Search "career crooks" 3017 Items

12" | 1995 | DE | Original (EMI Electrola)

Release: 1984 / DE – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Sticker on cover.

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Gorgeous

Relax

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Medium: VG, Cover: Generic

LP | 1969 | DE | Reissue (Polydor)

12" | 1987 | DE | Original (Carrere)

Release: 1969 / DE – Reissue

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

German reissue. Stained gatefold cover with price tag.

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Beckie Bell

Let Me Know

Release: 1987 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: G+

12" | 1997 | DE | Original (CDL - Cologne Dance Label)

Gorgeous

I'm Gorgeous

Release: 1997 / DE – Original

Genre: Electronic & Dance

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LP | GDR | Reissue (AMIGA)

12" | 1983 | DE | Original (Carrere)

Release: GDR – Reissue

Genre: Rock & Indie, Pop

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Medium: VG, Cover: VG

Creased corner.

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Ménage

Memory

7" | 1977 | FR | Original (Carrere)

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM.

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Les Dollies

Chérie Baby

Release: 1977 / FR – Original

Genre: Pop

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Used Vinyl

Medium: G+, Cover: VG+

12" | 2016 | FR | Original (Circus Company)

Todd Sines

Blowing

4,79 €* 7,99 € -40%

12" | 2008 | CA | Original (Musique Risquée)

Release: 2016 / FR – Original

Genre: Electronic & Dance

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A legend to those who know, Todd Sines makes his first appearance on Circus Company in a fit of sharp-edged, wildly expressive house music that harks back to the unhinged early days of the label. Sines has a career that stretches back to the early 9s, having released lauded records under the .xtrak moniker on Peacefrog and 7th City amongst other legendary labels. Under his own name he has delivered equally timeless material on Planet E, Frankie and Morris Audio, but still this summary barely scratches the surface of an artist with a groove so distinctive it would futile to attempt an imitation. A key facet of Sines' material is his ability to match a vivid, futuristic sound palette with a very human soul, and this is no more apparent than on Blowing. The title track alone throws down a challenge to any selector as a bugging line in off-kilter drums and tweaked out synth lines rub up against an utterly soulful vocal turn from Robert Owens in a true definition of 21st century funk. Originally written by Charles Webster, Sines has taken the foundations of the track and twisted it into a shape all of his own. Elsewhere the mood takes a deeper turn, as "Deserted”, "Cave” and "Recover” all plunge into a vision of deep house that retains the emotion while pushing the rhythms into exciting, psychedelic new territory. Even if the tracks go very far out indeed, there's always a tangible beat to hold on to, testing the nerve of the play-it-safe DJ while giving musical explorers music as accessible as it is challenging. While there may be shards of experimentation flying out of these tracks at every angle, the warmth in between the unusual shapes makes Sines' music so very easy on the airs in the same breath.

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Les Georges Leningrad

Supa Doopa

Release: 2008 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Promo single sided copy.

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LP | 1973 | BE | Original (Polydor)

Ma Solitude

Release: 1973 / BE – Original

Genre: Pop

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Used Vinyl

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12" | 1983 | IT | Original (Eyes)

Carrara

Disco King

Release: 1983 / IT – Original

Genre: Organic Grooves

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Used Vinyl

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LP | UK | Original (Polydor)

Nomad

Release: UK – Original

Genre: Rock & Indie

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12" | 1987 | DE | Original (Carrere)

Holly Cat

I Wanna Be Like Madonna

Release: 1987 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

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Chiquito de Guadalajara Et Ses Mariachis

Fiesta Mexicaine

2LP | 1976 | FR | Original (Disques Carrere)

Release: 1976 / FR – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Lamination is starting to come off.

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LP | 1971 | FR | Original (Polydor)

12" | 1982 | UK | Original (Carrere)

Release: 1971 / FR – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Record close to NM. Seam splits at spine and top .

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Stone

Time

Release: 1982 / UK – Original

Genre: Organic Grooves

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Used Vinyl

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2LP | 2017 | FR | Original (Heavenly Sweetness)

Tagi & Steven Beatberg

Youaresurrounded

5,59 €* 7,99 € -30%

Dig / Frankie Clear Vinyl Edition

Release: 2017 / FR – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Sly, Sly Johnson, Sly The Mic Buddah : since the Saïan Supa Crew up until his solo career, the human beat machine keeps on increasing his numerous identities.

From Hip Hop to Soul, then from Soul to Beatmaking: from flow to singing, then from singing to production, Sly Johnson never really changed universe. He has just changed the direction of his musical compass in order to navigate with more flow.

Today, it’s immersed in the mechanics with processors and printed circuits that we find him, under the alias of TAGi, producer-beatmaker who, for the occasion, has joined the services of Steven Beatberg. It’s together, in artistic autarchy with the only presence of softwares, samplers and sequencers, that they have built their pieces in the light of their computer screens, rhythmizing the days by inserting snares or grindings of plugs taken from their sound database.

If records are, most of the time, Hip Hop’s nourishing materials, TAGi et Steven have however not used any samples. Their favourite recordings were not materials to exploit, but an aesthetic from which to inspire, compose, and search atmospheres and melodies, search his arrangements. After three EP dominated by instrumentals, the duo finally chose to realise their dream: to craft a multi-voice album where customized production for each guest would guide the creative process. To put themselves at the exclusive service of artists they particularly love, all different but connected by an uncompromising resistance to the commercial wind blowing on Hip Hop. For each one of them, they have built a title, keeping in mind the precise idea to put to light he or her that will vocally dress the bars.

Rapper Big Pooh, the former member of the Little Brother group (With Phonte & 9th Wonder), the contemporary soul of Lisa Spada, but also the rapist #madeinfrance Pumpkin (worthy descendant of MC Solaar, Fabe …), multi-faceted Georgia Anne Muldrow, the MC Finale, the new rising wave of artists of the Hip-Hop scene in Detroit. Tiemoko from Paris, Saga an MC who follows the pure tradition of the New York Hip-Hop, the very smooth-jazzy Elodie Rama and Dilouya, the producer of the previous record of Sly (The Mic Buddah), are of this casting where men and women share the roles and where TAGi, as soon as the mic presents itself to him, becomes again Sly Johnson for some refrains, choruses or solo rereading of the sublime “Retrograde” of James Blake.

Guided by Hip Hop since the 90’s until today, worked in great detail, YOUARESURROUNDED highlights vintage keyboards on granular rhythms, injecting a lascivious Soul, P-funk, electro futuristic or melancholic in black and white touches on 13 tracks that are as atmospheric as they are emotional.

The substance, the essence, the soul of the Hip-Hop.

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Barrie

7" | 2021 | EU | Original (Winspear)

5,84 €* 12,99 € -55%

Release: 2021 / EU – Original

Genre: Rock & Indie

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Barrie Lindsay is a soft spoken, obsessive producer and songwriter who grew up tinkering with instruments in Ipswich, Massachusetts. After graduating from Wesleyan in 2012 with a degree in music, Lindsay formed her first band with her brother, a 5-piece group called Grammar. She spent her 20's quietly making music in Boston and working at a sculpture studio until she was discovered on Soundcloud by a manager who encouraged her to move to Brooklyn and pursue a career in music by forming a band. Lindsay obliged and soon Barrie, the 5-piece band, was born. After a number of successful singles, Barrie released their debut in 2019, Happy To Be Here, earning buzzy press, TV syncs, and new fans around the globe. A month after Happy To Be Here came out, the band parted ways and Lindsay reintroduced Barrie as a solo project. In the two years since then, the 32-year old suffered the loss of a parent, and married her wife, Gabby. While Lindsay has maintained a separation between her personal feelings and lyricism inprevious works, she allowed herself to find catharsis in songamidst the intense love and grief she was experiencing. One night during a moment of grief, Lindsay couldn't bring herself to set up the mic properly in her studio. Instead, she opted to shout across the room in a true "fuck-it" moment. Liking the effect this produced, she decided to stick with it, yielding "Dig," a self-produced single featuring an impressionistic slew of slide guitar, dulcimer, and mandolin. You can hear her newfound sense of boldness, as she wails the song's central refrain, giving herself over to emotion: "I can't get enough of you / Where did you come from?" Whereas "Dig" floats in a seeming free-time, Barrie's second single, "Frankie," is locked into a driving, propulsive rhythm. Its bass synth, which remains constant throughout, is meditative and hypnotic. Among skittering arpeggios and melodic hooks, the song's message asks listeners to consider capitalism. Political pop can be awkward, but Lindsay's is subtle and poignan...

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Crocs

Grateful Dead 5 Pack

5,93 €* 16,95 € -65%

LP | 1977 | DE | Original (Carrere)

Available Sizes: EU One Size

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Personalize your Crocs with this five-pack of Grateful Dead Jibbitz™ pins. The Grateful Dead Jibbitz™ by Crocs are the perfect complement to your favorite clogs, slides and other Crocs styles.

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Sheila & B. Devotion

Singin' In The Rain

5,99 €*

Issue 465 - November 2022

Release: 1977 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.

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The Wire

6,74 €* 8,99 € -25%

Georges Bizet, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire

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Tyshawn Sorey
In the magazine: Tyshawn Sorey, Joyce, Horse Lords, Devin Townsend, Invisible Jukebox: Big Joanie, Andrew Poppy, Backxwash, Xhosa Cole, Camille Émaille, BLTNM, No Choice, Adrian Corker, Glasgow Improvisers Orchestra, OM, High Castle Teleorkestra, Dickie Landry, The Advisory Circle, Björk, John Carpenter, Eno, Charles Lloyd, Jessica Pavone, Senyawa, Can, Dead Kennedys, Gnawa Music Of Marrakesh, Main Source, Mal Waldron, Robert Fripp, Little Annie, Adam Rudolph, Alice Coltrane, Trevor Mathison, Cory Arcangel & Stine Janvin, Grimalkin festival and more.

On the CD: 16 new tracks by Lucrecia Dalt, Lady Aicha & Pisco Crane, Reiko & Tori Kudo, Balka Sound, OISEAUX-TEMPÊTE, Dave Clarkson and more.

Joyce
The Brazilian musical prodigy, a favourite of Antonio Carlos Jobim, enjoyed a stellar 1970s before her career was diverted by domestic political struggles and the disco era. As her 1977 New York album Natureza finally sees the light of day, she talks to Joshua Minsoo Kim.

Horse Lords
Baltimore’s rock trio put the ‘tune’ into ‘tuning’ through their mantric rock minimalism which collides Just Intonation harmonic systems and the energy of West African guitars. By Dan Wilson

Devin Townsend
The rogue operator of avant rock has forged a unique career as both first choice collaborator for metal groups and lone psychonaut exploring the outer corners of the guitar. He talks to Joseph Stannard about his new twin release Lightwork/Nightwork.

Invisible Jukebox
Radical punx and founders of London’s Decolonize festival Big Joanie take The Wire’s mystery record test.

Global Ear
Memories of a coastal town destroyed in 2011 by the Japanese tsunami live on through field recordings and songs in the hands of one of its former residents.

One page interviews with Backxwash, Andrew Poppy, Xhosa Cole and Camille Emaille.

Unlimited Editions: Ramallah based label BLTNM.
Unofficial Channels: DJ M-TRAXXX.

Epiphanies: Raymond McDonald of Glasgow Improvisers Orchestra.

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L'Arlésienne Suites Nos. 1 & 2 / Carmen Suite

LP | JP | Reissue (Angel)

6,99 €*

Release: JP – Reissue

Genre: Classical Music

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Used Vinyl

Medium: VG, Cover: VG

Sound Carrier Records 006

Chris Carrier

12" | 2016 | FR | Original (Sound Carrier)

6,99 €*

Release: 2016 / FR – Original

Genre: Electronic & Dance

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Kaktuxxe, Fishkicks, Holly Golightly , Crux

Insekt

| 1992 | DE | Original (Kix-Multimedia (Germany))

6,99 €*

Release: 1992 / DE – Original

Genre: Rock & Indie

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12" | 2015 | FR | Original (Robsoul)

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Highlights of our Heat issue include… Jean Jullien… The French multidisciplinary artist just opened a massive solo show titled “Studiolo“, which basically runs for the entire second half of 2023 at Brussels’ Mima - his first European institutional solo exhibition, to be precise. It’s an immersive experience, celebrating the symbiotic relationship between art and language (and therefore the richness and complexity of the human experience), showcasing Jean Jullien's exceptional talent for combining the two.

Pose… Pose already started to sink his teeth into graffiti in 1992, and later became part of renowned crews The Seventh Letter and MSK. He then co-founded We Are Supervision in 2005 before deciding to focus entirely on his artistic career around 2009. His work takes pop culture out of context via an expertly executed cut-and-paste technique that deconstructs and reinterprets familiar compositions in order to create something entirely new.

Chicago Gang Culture… Los Angeles-based writer Alec Banks was revisiting his hometown Chicago for “Compliments of: Chicago Gang Culture“, an excellent new book that delivers deep insights on the visual history and exploration of Chi-town’s gang culture and its controversial standing within the city.

Will Cotton … New York City-based painter Will Cotton continues to write his very own take on Americana with his latest exhibition “Trigger“, that’s currently on display at Paris-based Templon gallery. His art might have a soft focus on first impression. In actuality though, it is not only a masterfully executed reflection on American pop culture and its often implied myth-making, but a first-rate deconstruction of ultra-masculinity, gender, and outdated role models.

- plus more elaborate features and visual awesomeness from the likes of: Andrea Orejarena, Caleb Stein, Tristan Martinez, Adali Schell, and many others.

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Chris Carrier

Magic Gallery

7,99 €*

12" | 2008 | DE | Original (Adult Only)

Release: 2015 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Close to VG+

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Chris Carrier

Le Diablo

7,99 €*

12" | 2004 | US | Original (Lots Of Love Records)

Release: 2008 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

promo white label. Writing on label sticker.

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Carrier

Heart & Arms

7,99 €*

Phenomenon Of Combination

Release: 2004 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl

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Ryuji Takeuchi

12" | 2019 | EU | Original (Depth Request)

8,39 €* 11,99 € -30%

POP Rocks: Snoop Dogg w/ Chalice

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Close to a year after its Blasted-fathered, inaugural first EP, Depth.Request operators reveal that the London-based imprint is far from being dead in a cradle and has a pair of legitimately attention-commanding names presented on the sleeve of its sophomore record as a matter of fact: with a career spanning well over a decade, Osaka’s reliable warehouse demolitioner Ryuji Takeuchi needs little in terms of introduction and really so does A1 remix-assigned Swarm Intelligence, whose designer creations are known to provoke thought and action at even degree. Phenomenon Of Combination starts off with Noctambulism, an anxious-to-get-to-it opener whose 6 kicks a tact work nicely to perceivably speed up its tempo of 132 and aren’t halting for bit as the distorted acidic sequence, spinning hats and tides of noise gradually show up to do what reaching crude oil connection would to a wildfire already raging. As percussion in a revised 136-BPM version is approached differently and with more emphasis applied, the signatures remain uneven—as is often the case with Swarm Intel’s offbeat and off-the-wall production; that aside, the roaring digital grinding and vertiginously panning mid-section drones add sinister colors to Takeuchi’s metaphorical picture which wasn’t exactly evoking green pastures and still waters to begin with. While brought down to 124 a minute, one probably wouldn’t want Somnambulism running much faster anyway with a somewhat convoluted drum programming that is involved; a steady rise of distortion and gain of its fluctuating acid bassline also proves to provide enough fortitude to make up for the mid-range tempo and slowly but surely fills up every patch of the spectrum with acute aural intensity. Definitively exhausting the synonyms for this titularly addressed brand of parasomnia, Sleepwalking brings the release to closure through diligently whanging 4x4s alongside a condensing arrangement of 16x16s, paced at 137 and supported in their plight by faintly striking claps with light hats peaking from behind the perpetuating pattern of a deranged acid wall that undoubtedly does to psyche something akin to subtly stirring the sanity meter towards E while drilling a hole in tank to eliminate the possibility of a refill. Maddening in all good senses, second adoptee of Depth.Request is a four-pack of tools forget to inflict hard damage, best recommended to those that regard their local factory-made-a-venue as weekend retreat. – rhetor

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Funko

8,96 €* 14,95 € -40%

POP Rocks: Snoop Dogg w/ Blue Shirt

Available Sizes: One Size

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Legendary rapper Snoop Dogg is throwing it back to one of the many iconic moments of his career. Funko's Pop! Snoop Dogg w/ Chalice wears an outfit from the 46th Annual Grammy Awards. Who will this artist collaborate with in your collection? Vinyl figure is approximately 10.9 cm tall.

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Funko

8,96 €* 14,95 € -40%

Tape | 2021 | US | Original (Light In The Attic)

Available Sizes: One Size

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This legendary rapper is throwing it back to the early days of his career. Pop! Snoop Dogg wears a blue plaid shirt and khaki pants while rocking a natural hairstyle to keep things real in the world of rising rap music. Who will this artist collaborate with in your music collection? Vinyl figure is approximately 10.6cm tall.

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Leo Nocentelli

Another Side

12" | 2021 | EU | Original (Toolroom)

Release: 2021 / US – Original

Genre: Organic Grooves

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*Available Nov. 19th, 2021*

“Things happen for a reason, man.” - Leo Nocentelli

At just fourteen, Leo Nocentelli was backing up Otis Redding. Soon after, he was playing on hits for Lee Dorsey, The Supremes, and The Temptations. As an original member of The Meters, Leo wrote instant classics “Cissy Strut” and “Hey Pocky A–Way,” but his greatest moment on record may be totally unknown, until now…

Recorded at Cosimo Matassa’s Jazz City Studio in New Orleans in the early ‘70s and then lost to the ages, Another Side is one of Leo Nocentelli’s most personal and definitive moments ever cut to tape. A mixture of funky folk and rootsy, raw emotion (think Bill Withers and James Taylor meeting Allen Toussaint at Link Wray’s Three Track Shack), this previously unheard album shines like the sun on a spring day on the New Orleans fairgrounds. Backing Nocentelli is an all-star line-up of New Orleans royalty, including Allen Toussaint (piano), James Black (drums), and both George Porter Jr. (bass) and Zigaboo Modeliste (drums) of The Meters. Deeply introspective, the album features nine original songs by Nocentelli, plus a soulful rendition of Elton John’s “Your Song.” Half a century later, these recordings sound just as fresh and engaging as the day they were recorded.

What makes Another Side even more extraordinary, however, is the fact that the album—which could have easily become a classic in the ‘70s singer-songwriter canon—sat untouched for decades; miraculously surviving the devastating blow of Hurricane Katrina, only to be found 2,000 miles away at a Southern California swap meet in 2018 by record collector Mike Nishita. The album’s incredible journey is documented in the liner notes by Sam Sweet (New York Times, Los Angeles Times), who spoke with Nocentelli and Nishita about the recording process and re-discovery of the tapes. Sweet’s full notes appear in the release’s accompanying booklet alongside hand-written lyrics by Leo Nocentelli. The first pressing of the vinyl edition will feature gold-foil treatment on cover and spine. Rounding out the package are original designs and layout by the multi GRAMMY®–winning designer Masaki Koike.

While Nocentelli was embedded in New Orleans’ R&B scene, he was also deeply inspired by the late 1960’s and early 1970’s rising singer-songwriters, and soon found himself exploring sounds that were miles away from his band’s hard-edged funk riffs. Whenever he had downtime from session work and shows, Nocentelli spent much of 1971 recording his newly-found, reflective, diaristic songs at Matassa’s Jazz City studio. Backed by longtime Meters bandmate George Porter Jr. on bass, Nocentelli crafted the lineups for his sessions to match the tone of the material. When he needed a pianist, he’d call Toussaint. For percussion on the slower songs, he used drummer Zigaboo Modeliste, but many of the tracks featured James Black—a frequent collaborator of Toussaint’s and a member of Ellis Marsalis’ jazz group, whom Nocentelli recalls as an “unbelievable” musician. The recording, which Nocentelli fondly refers to as his “country-and-western-album,” paints a picture of a young man yearning to find a sense of purpose. “I was going through some changes which were reflected in the songs that I wrote during that time,” he tells Sweet. Among them is the mid-tempo “Getting Nowhere,” in which he expresses a sense of frustration, as he watches others find success around him. Similarly, “Till I Get There” details a man who is struggling to persevere in his goals. In the soaring “Tell Me Why,” meanwhile, the singer contemplates the existence of God. Other songs center around fictional characters. “Pretty Mittie,” for instance, is sung from the perspective of a farmer who longs to give up his arduous life for the city. “You’ve Become a Habit” is about a man who falls for a sex worker named Fancy. “Riverfront” is based on stories that singer Aaron Neville shared, about his days working on the New Orleans waterfront. Nocentelli also chose to perform one cover: Elton John’s breakthrough hit, “Your Song.” The guitarist made the recently-released ballad his own—infusing it with a loping, head-nodding cadence, ever so tastefully “funkdafied” in true New Orleans fashion. By the time that the album was finished, The Meters were busier than ever. They had just signed a record deal with Warner Brothers and were now the official house band at Toussaint’s studio, Sea-Saint. There, they not only backed artists on Toussaint’s Sehorn label but had also become the go-to session musicians for every major artist that recorded in New Orleans. Rather than focus on a solo career, Nocentelli poured his energies into The Meters’ next album. Eventually, time moved on, as did Nocentelli, and he decided to store his unreleased solo album at Sea-Saint for safekeeping. In 2005, when Hurricane Katrina devastated New Orleans, Sea-Saint was among its victims. While Toussaint (who passed away in 2015) had sold the hallowed studio in the mid-90s, hundreds of his archived recordings remained in the building. The new owner salvaged what he could from the flooded building, shipping everything to a storage facility in Southern California. Boxes of tapes sat there for more than a decade before moving to another unit, which foreclosed a year later. The contents were purchased in a blind auction and, days later, sold at a swap meet. The fact that record collector Mike Nishita just happened to be there was pure kismet. Nishita, a DJ and brother to “Money Mark” Nishita (of Beastie Boys fame), recognized the Sea-Saint label on the boxes and purchased all 673 master tapes at the swap meet. He inspected the contents with his friend Mario Caldato Jr., the longtime audio engineer for the Beastie Boys. In addition to masters from Irma Thomas, Dr. John, Lee Dorsey, and Toussaint, there was a quarter-inch reel with Nocentelli’s name on it. As Caldato and Nishita played it back, they knew they had something special. “There was nothing else like it,” writes Sweet. “An acoustic album by the greatest funk guitarist who ever lived. It was the tape Mike would play for people to show them how special the collection was. The best album in the vault was something nobody knew existed.” Eventually, Nishita and Nocentelli connected, “He was so grateful, so sincere,” recalls Nishita. “I just kept thinking about how this music needs to be heard...Especially when you look at all the things that had to fall into place for these tapes to survive and be discovered this way.” As Nocentelli simply puts it, “Things happen for a reason, man.” And now, Light in the Attic is thrilled to give this remarkable record the spotlight it so rightly deserves. 50 years later, all is not lost.

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Max Chapman / Threesix

Make A Move

8,99 €* 14,99 € -40%

12" | 2014 | EU | Original (Delsin)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Max Chapman returns to Toolroom following on from his debut release 'Zulu' which stormed the Beatport charts and gained massive Radio One specialist support. This time around he teams up with studio buddy ThreeSix, formally known as M.A.F.F, on 'Make A Move', marking another huge release. Resonance Records label boss, Max Chapman, has remained consistent with his sound and productions since day 1 and it's no wonder he's in the top 10 selling producers on Beatport's Tech House chart for the 3rd year running! Last year he was ranked Beatport's 8th best-selling artist overall and played Global shows from Fabrik Madrid to Flash in Washington. His recent label signings include Jamie Jones' Hot Trax, Solardo's Sola and Low Steppa's Low:Res. There's not many young artists who can boast such a solid following across the World but Max is certainly one of them. As a relative newcomer to the scene, ThreeSix started to release music in July 2019 and he's already gained a loyal community of supporters and has released on labels Under No Illusion, LDN Trax and Lost Audio. Making the decision to go back to his original roots with his ThreeSix outlet, he is certainly an artist to keep your eye on this year: We are all facing difficult times but it's important to stay positive and use this time to better our career and ourselves. We can't wait to hear more of what he's got. 'Make A Move' is a stripped back, bumpy, underground cut, with that soft vocal injection and lush M1 chords, it's a subtle nod to 90's Garage but toughened up for today's modern house floors - Essential stuff!

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Claro Intelecto

Peace Of Mind

7" | 2023 | US | Original (Alternative Tentacles)

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Back in stock! Back in March 2003 Claro Intelecto announced his arrival in the electronic world with his Peace Of Mind EP on Ai Records. Now, a decade later, Delsin, the label on which he released his latest LP, is re-releasing it in all its glory. Across four perfectly formed tracks the EP proved Manchester's Mark Stewart to have a fine grasp on techno, electro and dub, and that he was able to do his own unique things with each. Arguably the most well known cut from the EP is 'Peace of Mind (Electrosoul)', a busy bit of chattery house-come-electro that is wired up with many zithering melody lines and Claro's trademark lush strings. 'Tone' is then a much more frazzled and aggressive bit of techno with raw, slapping percussion, gurgling synth lines and plenty of dystopian electro vibes. 'Contact' then settles into a deep, dubby, spacious groove with airy hi hats and a delightful bassline and carries you along effortlessly, and final track 'Signifier' closes things out in beautifully serene style with ambient swirling pads, organic synths and a curious bassline that rises and falls like the tide. Seminal stuff that still fetches a high price on Discogs, it was the start of a remarkable career for Claro Intelecto.

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Kultur Shock

King / Country Mohammed

Versions EP Cosmo Vitelli & Sonns Remix

Release: 2023 / US – Original

Genre: Rock & Indie

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Yet another rockin’ new direction from the label that can’t stop expanding its….well,…Tentacles! Meet Kultur Shock—multinational ‘Gypsy Punk’ pioneers, led by irrepressible ball of energy and good cheer, Gino Yevdjevich. Gino was quite the mainstream pop star in his native Bosnia (and the Balkans), when the shelling of Sarajevo began, trapping him in his family’s apartment for two years. He was finally able to flee, first to New York, then on to Seattle. Instead of reviving his pop career, Gino chose (a full plunge) to reinvent himself, reaching deeper into his heart and Balkan roots, and Kultur Shock was born! They began playing slightly electrified Traditional Folk, to a growing refugee audience, including many a dancing Serb. The fan base quickly widened to Krist Novaselic and Vic Bondi, among others, who then drew in Jello Biafra. - Then something happened - A year or two later, they debuted in San Francisco to a sold-out audience at the Bottom of the Hill, packed with almost all refugees and migrants - and a much louder, heavier Kultur Shock. Lineups hail from all over Eastern Europe, Seattle, and even Japan; with a much wilder, more theatrical Gino as ringmaster of all he surveys. A more punked-out, direct version of their close friends and cousin, Gogol Bordello, Kultur Shock mixes Balkan folk melodies and bizarre meters with face-melting metal and blood-pumping punk rock in a pagan cauldron of lyrical, obnoxious, and politically irreverent music stew since 1996. The band released its first three studio records produced by FNM’s Bill Gould on his KoolArrow Records – Fucc the INS (2001 and 20th-anniversary re-master in 2022), Kultura- Diktatura (2003), and We Came To Take Your Jobs Away (2006). Since 2007, Kultur Shock is self-produced and self-released on its own label, Kultur Shock Records. It released Live in Europe (2007), Integration (2009), Ministry Of Kultur ( 2011), Tales Of Grandpa Guru, vol. 1 EP (2012), IX (2014), Live At Home ( 2016), and D.R.E.A.M. (2019). So here to start is Kultur Shock’s Alternative Tentacles 7” debut. To break the ice and dangle the carrot for our eclectic Tentacle fan base, and reintroduce the now post-Covid Kultur Shock, as they head back across the Atlantic, for their main audience and festival dates, and Stateside down the road. “King” and “Country Mohammed” have been live show favorites for some time, and Alternative Tentacles is pleased to showcase them to our audience. With an all-new album is in the works, with hopefully more vinyl reissues of their past CD-only albums to follow, Kultur Shock is here to stay. We love them so much, it’s the Second band with this name on Alternative Tentacles: Dick Lucas’ Culture Shock is the first!

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Tim Paris

12" | 2018 | EU | Original (Meant)

12" | 2012 | EU | Original (Tartelet)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Meant Records welcome accomplished Parisian producer Tim Paris for an EP that features two standout originals and two brilliant remixes from Cosmo Vitelli and Sonns. Over a glittering career, Paris has of course collaborated with Ivan Smagghe, run his own Marketing Music label and turned out a diverse album, ‘Dancers’, for My Favorite Robot. From jacking electro to rugged new wave via freaky house, he has a fully formed palette that is distinguishable by his raw sense of groove and texture. First up here, Paris works with Telemark on ‘Version A,’ seven sizzling minutes of macho robot funk. Whirring synths, twisted bass and chunky drums all get you up on your toes and are sure to inject the crowd with wild spirit. French touch veteran and I’m A Cliche label boss Cosmo Vitelli steps up to remix and brings more punk spirit to a slap-funk track with booming kicks and brain frying chords. It drips with cool and dark libido and is sure to become a real anthem.

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Uffe

Straess!

12" | 1990 | FR | Original (Carrere)

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Uffe delivers a 5 track EP including two remixes that set the standard for a promising career. His debut EP on Pets Recordings (Catz n Dogs) earlier this year created quite a bit of hype and the track “When The Sun Rose” appeared in various high profile DJ charts and Podcasts. On a global dance music scene where genre tags seem increasingly irrelevant and everyone seems occupied with evading them by chasing ‘eclectisism’, the sound of Amsterdam-based up-and coming producer Uffe Christensen AKA Uffe is that rare thing; a listening experience, which it would only be fair to call a breath of fresh air.

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Candy Flip

Space

Release: 1990 / FR – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 2010 | UK | Original (Product)

Craggz & Parallel Forces

Release / The Sleeper

Release: 2010 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

seam split

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The Best Of Georges Moustaki

LP | 1974 | JP | Original (Polydor)

Fulbert & Bastien Carrara

Release: 1974 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. Japanese pressing. With insert. close to NM

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Mont Cenis Tapes 01 Sampler

12" | 2015 | FR | Original (Rawthenticity)

Release: 2015 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Singin' In The Rain Including Love Me Baby

Sheila & B. Devotion

LP | 1977 | FR | Original (Carrere)

12" | 1986 | JP | Original (Carrere)

Release: 1977 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on cover.

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Finzy Kontini

Cha Cha Cha

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with OBI and insert

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Lodown Magazine

Issue 123 - Vehiculum

Lodown

9,00 €*

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Highlights of our fifth VEHICULUM issue include…

PAUL WHITE… In this day and age, where everything and everyone is expected to be a disposable commodity, life is about performance only and not necessarily about permanence. It’s a shallow world ruled by limited shelf-life and the false hope of being obsolescent-immune. And the highly-detailed drawings of Australian artist Paul White capture the phased-out goods of that very process.

THE KRAGE LEGACY… Did you know that West-Berlin felt like the worldwide capital of Speed Boat racing in the 70s and 80s? Hans Georg Krage co-founded the MCR in 1973, and organized races on the upper and lower Havel river for the next two decades. His son Peer opened his impressive photo archive for this impressive (and speeding) trip down memory lane.

BODY KIDS… Photographer Bernardo Aviles Busch came across the Tokyo-based Lowrider scene rather accidentally. Luckily, he carried his trusted camera with him and captured the spectacle on the streets of late night Shibuya.

NEW YORK CHRONICLES … Brooklyn-based photographer Luc Kordas has managed to become an expert of dichotomy over the years. On the one hand he’s the creative mind behind the popular “You Live Only Twice“ travel blog, on the other hand he’s known as a street photographer who’s capturing the ever-bustling inner city life of NY.

- plus more visual stimulations and awesomeness from the likes of: Craig Steck III, Chris Labrooy, Kenton/Davey, Karl Hab, Ant Farm Collective, Tom Sachs, Jason Rhoades and many others.

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

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Lodown Magazine

Issue 122 - Guestlist

Lodown

9,00 €*

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Regardless if you’re doing it for the purpose of relaxation or for releasing a lot of stress, having a night out could have an almost purifying effect. Things then will certainly look even more peachy when your name is on the guest list. It’s just perfect in case you want to have a life but it shouldn’t be too real.
People who aren’t on the guest list are officially uninvited. At least that’s how you should feel when your name made it on one. You put so much energy, smalltalk, omnipresence and social media action into it, you deserve to be treated like royalty. If there’s one constant you can count on, then it certainly is that being on the guest list still is the ultimate status check.

For our GUEST LIST issue, Lodown was hanging out backstage, enjoyed private views, got drunk at uncountable vernissages, took a closer look at flyer culture, high-fived a few bouncers - and even let a few guest art directors take over a couple of pages.
All for the simple reason that you don’t have to queue. You’re welcome. Now let’s dance.

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Highlights of our GUEST LIST issue include…

DAVE SWINDELLS… In the UK, some people refer to the London of 1988 as “Year Zero“, because it seemed to have kickstarted a club scene in a way that hadn’t existed before. It was the year Acid House was hitting England’s capital (and beyond) big time. It was the time of clubs like Future, Shoom and Spectrum. And luckily East London-based photographer Dave Swindells was there to capture it all.

CIVILIST… Everybody’s favorite Skate Shop in Berlin opened its diary for us. In the end, it basically felt like chronicling the last years of skateboarding of Germany’s capital. It’s a Lodown exclusive, by the way.

NIKITA TERYOSHIN… Berlin-based photographer Nikita Teryoshin invites us to visit the back office of war with him, as his awarded, ongoing project “Nothing Personal“ takes a look at global defence business. Shot (so far) at fourteen different defence exhibitions worldwide between 2016 and 2020 the images capture a parallel world unknown to the vast majority of us ordinary mortals.

DAN WITZ… Embracing the possibility of a collective high through clubbing or a proper show can have an almost cleansing effect - because letting loose within the community of kindred spirits is something very comforting. And there hardly is any other artist capturing these moments of crowds going blissfully berserk than Brooklyn-based genius artist Dan Witz.

- plus more elaborate features and visual awesomeness from the likes of: EIKE KÖNIG, KUEDO, MARCELOA CANEVARI, PVA, LISA WASSMANN, LYZZA, DAVID HENRY BROWN JR. and many others.

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Highlights of our Sound issue include… Peter Anderson… Regardless of what kind of music you’re into, it is more than likely that your idol - or, depending on your age, your idol’s idol - has been immortalized on a roll of black and white film by Anderson. He started to work at the NME shortly after he moved from Glasgow to London in the late 1970s, and later in his career delivered the goods for record labels (big and small) and publications such as Rolling Stone, The Face or I-D.

Eric White… Splitting the majority of his time between Los Angeles and New York, White blends New Hollywood myth-making with pop culture references and more than just a nod to the hyperrealist movement to create his very own narrative on modern Americana. The resulting paintings more than often tap into uncanny territories, as you feel that they’re just delivering snapshots of a higher plot driven by disorder, surveillance, and paranoia.

Conny Plank… Even before he built and founded the legendary recording studio “Connys Studio“ in the provincial backwaters of North Rhine-Westphalia in 1974, he had already proven himself to be a visionary at the mixing desk, with albums by Krautrock heavyweights such as Ash Ra Tempel, Cluster, Kraftwerk, and Neu! being rewarding examples of his craft.

Siren Kings … Siren Kings are members of a primarily Pasifika underground youth subculture, originating in Auckland, New Zealand, which gained popularity in the mid 2010s. The siren scene involves competitions where crews compete for the loudest and clearest sound produced by sirens, loudspeakers, or public address systems attached to cars or bicycles, to win the title of Siren King.

- plus more elaborate features and visual awesomeness from the likes of: Nik Nowak, Benoit Maubrey, Movies about Sound, Nate Langston Palmer, Maya Shenfeld, Edwin van der Heide. and many others.

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Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

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7" | 2021 | EU (Beat Generation)

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Oficiales Podridos

9,59 €* 11,99 € -20%

My Failed Songwriting Career Volume 2

Release: 2021 / EU

Genre: Rock & Indie

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Born in Madrid in the crazy 80's, Oficiles Podridos were a drug fueled, self-destructive and criminally minded Punk trio who only registered these 4 songs during their short lived and tragic career, before two of the members lost their lives, one murdered and one in Jail. Unreleased until today, this rotten -and absolutely punk- recording (registered at the band's rehearsal space on a 4 track recorder) comes wrapped in a provocative and amazing cover and includes an extensive 8 page booklet with the band's story told by the only surviving member, drummer Her.

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Andy Partridge

12" | 2022 | UK | Original (Ape House)

9,59 €* 11,99 € -20%

Release: 2022 / UK – Original

Genre: Pop

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LP | 1957 | EU | Reissue (Rumble)

Jackie Wilson

He’s So Fine

9,68 €* 18,99 € -49%

12" | 2022 | EU | Original (Crocus)

Release: 1957 / EU – Reissue

Genre: Rock & Indie

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Detroit native Jackie Wilson, AKA “Mr. Excitement”, left jump blues and R&B group The Dominoes in 1957 to pursue a solo career. The following year he released this, his debut LP, a rollicking collection of orchestrated pop R&B of the highest caliber. Including the hit “Reet Petite”, half the songs on this LP were written by Berry Gordy, Jr. nearly 2 years before he founded Motown, which was partially funded by songwriting royalties Gordy earned writing hits for Wilson. A fine debut from one of the great soul and R&B singers of the late 50s/early 60s, a man who counted among his fans and followers no less than James Brown, Michael Jackson, and the king himself, Elvis Presley.

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Max Hawkins

Cyclades Vern Remix

9,74 €* 12,99 € -25%

Urbs Remix EP Volume 1 (Retrogott, Brenk Sinatra, Cookin' Soul)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Great minimalism! Comes complete with fizzing electronic noises, very strong energy and acid moods.

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Urbs

12" | 2017 | EU | Original (Beat Art Department)

Durand Jones & The Indications

Release: 2017 / EU – Original

Genre: Hip Hop

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Beat Art Department releases an EP with remixes from the upcoming album of the Vienna DJ and producer Urbs by Retrogott, Brenk Sinatra and Cookin' Soul.
Retrogott aka Kurt Hustle from Cologne, who completely reshaped the track "10.000 Years Behind Me", is one of the most important representatives of
German Independent Hip Hop ever since the mid-2000s. Collectors spend a small fortune for his 2007 debut album “Jetzt Schämst Du Dich!”, which
has become the blueprint of German rap. He has remained popular, even when he changed his name.

It has been eleven long years since Urbs dropped his last album which was called “Toujours Le Meme Film”. Back then, the musician, DJ and producer created the soundtrack to a fictitious Film Noir, which was released on Kruder & Dorfmeister‘s G-Stone Label, but after touring Europe he almost completely retreated from public life. He does not consider his creativity as
being his career, but rather as a part of his life which rarely is subject to concrete planning, and that is why Urbs quite consciously took his time to create his latest –untitled- album.

Urbs: “A lot of people totally appreciated my last album “Toujours Le Meme Film”, and over the years I’ve learned that it really means a lot to some of them. Which was a burden, because, obviously, you do not want to disappoint these people. By now, I think enough water went down Danube river to perhaps surprise some of them with something completely new.
Those who know me know that I’ve always simply produced dope hip hop
tracks.”

This time, as a consequence, this is no all instrumental album but a collection of 12 soulful hip hop tunes that feature some handpicked vocalist
of the international rap, dancehall and soul scenes. On the album right next to EMC’s Wordsworth or R.A. the Rugged Man from New York, you will hear Ward 21 from Kingston, Jamaica, Voice Monet from New Orleans, One Self’s Blu Rum 13 from Washington DC, as well as long time companions like Skero from Vienna or Blabbwona from the group Abstract Art, who now lives in Munich by choice.

There also is a simple answer to the question of why the album has no title:
“This album, so to say, is my competitive exhibition in this field and owing to the endlessly long ripening process it is wonderfully and intensively boiled
down and on point. Therefore, no intros, no interludes, no title, no gimmicks, simply 12 good songs – period."

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Smile / Tuck 'N' Roll

7" | 2015 | US | Original (Colemine)

7" | 2023 | JP | Original (Kabuki Lounge Ace)

Release: 2015 / US – Original

Genre: Organic Grooves

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Bayou-born soul sensation, Durand Jones, is bringing his raw
energy to Colemine Records with his debut 45. Jones brings you
two fiery sides of original soul music, pairing soaring vocal work
with dusty drums, slinking guitars and screaming organs.
With a stellar background in gospel, Jones got his start in the
church, singing in the choir of his hometown in rural Louisiana.
When his music career took him to Bloomington, Indiana, he was
selected to join the legendary Indiana University Soul Revue,
and it was through his involvement that he met writer/producer
duo Aaron Frazer and Blake Rhein. The three began writing
original soul music, recording themselves straight to tape in the
basements of Bloomington- a process which brings you the gritty
sounds available on Ohio-based Colemine Records CLM-130.
The A-side features “Smile,” a frenetic dance floor single that
darts between post-disco groove and breakneck soul. The flip
side is the heavy hitting instrumental strut “Tuck n Roll,” a single-
take recording featuring the fuzzed out organ of Indications
keyboard player Justin Hubler.

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Yukkyun

Diva Me / Utahime

9,99 €* 19,99 € -50%

12" | 1984 | DE | Original (Carrere)

Release: 2023 / JP – Original

Genre: Organic Grooves

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In May 2021, Yukkyun launched her self-produced solo project, Diva Project. Yukkyun's debut song "Diva ME" became a hit. The first 7inch of her career includes the remastered version of the debut song "Diva ME" and "Utahime" from her first album "Diva You"!!

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P. Lion

Happy Children

Release: 1984 / DE – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Anthony Creary / Solid Foundation Band

Land Call Africa / Dub

7" (Classic)

Genre: Reggae & Dancehall

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Tales Of America B Sides Black Friday Record Store Day 2019 Edition

J.S. Ondara

LP | 2019 | EU | Original (Verve)

7" | 2017 | EU | Original (Finders Keepers)

Release: 2019 / EU – Original

Genre: Rock & Indie

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RSD Exclusive. Limitation: 2300. Born and raised in Nairobi, Kenya, J.S. Ondara fell in love with Bob Dylan and moved to Minneapolis when he was 20 to pursue a career as a singer-songwriter. His debut album, Tales of America, is an examination of the American Dream, but from the perspective of the outsider, the immigrant, the social commentator. This album made J.S. an NPR Slingshot Artist, a Rolling Stone Artist You Need To Know, and earned him a Best Emerging Act nomination from the Americana Music Association in 2019.

Tales of America: B Sides is a five track LP packaged exclusively for Record Store Day, and features a previously unreleased track, a demo, a remix, and two cover songs.

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Emma De Angelis

Echo Loves… / Get The Love

Release: 2017 / EU – Original

Genre: Organic Grooves

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As one of the most enigmatic figures of the 1970s Italian soundtrack and library music network Emma De Angelis and her short recording career provides thirsty fans of speedball psychedelic rock and drum heavy instrumental funk with a tight discography rivalling many of the long-standing bastions of the otherwise male-orientated business.
Born in Rocca di Papa, near Rome, into a flourishing musical environment, Emma was the younger sister of future award winning composers Guido and Maurizio De Angelis, a duo who, under names like Oliver Onions and Dream Bags, would write chart-topping lyrical theme tunes for a wide range of Italian crime, Giallo and Spaghetti Western films featured alongside full scores by Ennio Morricone and the Magnetic System composers (Bixio Frizzi Tempera).
With encouragement from her brothers, Emma, who would also write music under the pseudonym of Juniper, would record a tight clutch of solo-penned material and seldom credited studio contributions to Guido And Maurizio’s film commissions, such as the score for Giuliano Carnimeo’s ‘Simone e Matteo: Un gioco da ragazzi’ (aka ‘Convoy Buddies’). While simultaneously pursuing a career as an illustrator and set designer the De Angelis family contacts would lead Emma to the offices of Romano Di Bari, whose up-and-coming Flirt label was finding success providing custom-built mood music for use in TV and film. Alongside important composers like Alessandro Alessandroni, Gerardo Iacoucci and A. R. Luciani, the young Emma Di Angelis would record a small number of tracks for a compilation called ‘Underground Mood’ (credited in the small print to E De Angelis - not to be confused with Italian singer Edoardo De Angelis). It is from this rare LP that the record you are now holding is compiled. Within the Flirt family of labels Emma De Angelis would also share schedules with other important female composers such as Daniela Casa and Giulia ‘Kema’ De Mutiis - both of whom have appeared on dedicated Finders Keepers releases.
The tracks on this record provide us with a rare glimpse into Emma De Angelis’ short musical career before she became a full time visual artist. With an unknown personnel or studio date it is easy to speculate a potential family jam in Piero Umiliani’s Sound Workshop studio in 1972. One only has to take a listen to Guido And Maurizio’s instrumental theme ‘Gangster Story’ from Enzo G. Castellari’s 1973 thriller ‘High Crime’ (which later appeared on Tarantino’s ‘Death Proof’ soundtrack) or the trippy title theme to Paolo Poeti’s kinky 1976 drama Inhibition to spot the family resemblance.

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Bitter End

12" | 2017 | EU | Original (Bitter End)

7" | 1973 | EU | Reissue (Schema)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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The Crooked Man returns to Bitter End with an 'Emotional Copy Only' limited pre-release of powerful club pieces...

Keen eyed aficionado's may spot the homage to Mel Cheron's classic US label West End Records here
But while their motto may have been 'Where The Sun Sets & The Stars Rise' Bitter End Records embarks on a distinctly more 21st century path to dancefloor salvation...

'Echo Loves Narcissus - Part 1' is the opening salvo in a sonic saga across four movements, marrying, as it does irresistibly uplifting chords and vocal ad-libs to a bass line so thick it'll rattle the windows right out of your ride and knock the tiles straight off the walls of your cerebral restroom.

Once you've adequately composed yourselves, we invite you to the 11 minute MONSTER which is 'Get The Love' on the AA...

This recalls the brief but genre defying 1990 jams from Mundo Muzique's 'Revelation' project: synth assisted house-nosis, buoyed by the mantric voice imploration to accept higher states of carnality atop an immersive blanket of propulsive rhythms.

Once again Bitter End rips up the rule book, and crafts a whole set of new, better ones in which freedom reigns

Light years ahead !

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Edith Peters

This Is the Moment

12" | 2014 | EU | Original (Wolfandlamb Music)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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A quite unknown artist, Edith Peters was active between the 50s and 70s, singing as a member of the Peters Sisters, and as an actress; after marrying her Italian agent in 1958, she moved to Italy where she starred in several movies, TV series and ads.
In 1973 Sante Palumbo wrote and arranged a couple of songs for Edith Peters, perhaps with the aim of promoting her solo career. It was the same he released “Sway”, which was destined to become a cult LP.
“This Is the Moment” was originally released as the B-side of “Lord Please Hear my Prayer”, a rare 45 published by Cipiti Records. On Cipiti she had already released her rendition of “Speak Softly, Love”, a theme from “The Godfather” soundtrack, though her career was at that time orientated more toward her activity as a TV and movie actress. And when the single was released, it was rapidly overshadowed by more important releases like “The Dark Side Of The Moon” by Pink Floyd.
And it is a shame, since “This Is the Moment”, written by Tony Benn Feghaly (erroneously credited as ‘T. B. Feghall’ in the original release) and Sante Palumbo, is an amazing gospel-soul song. In only two minutes and a half The Sante Palumbo Orchestra accompanies Peters’ entrancing voice, delivering a groovy and intense interpretation – a richness that requires multiple listen to grasp all the nuances of this stunningly orchestrated piece.
The original 1973 version of the song is here featured as a B-side, while Gerardo Frisina signs the A-side of this reissue with a rework of the track – doubling the length and adding his signature rhythm patterns.

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Waves & Us, The

The Waves & Us

Finest Ego: Faces 12" Series Volume 3

Release: 2014 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Marking the start of an exciting new collaborative project, Wolf + Lamb proudly share the debut release of The Waves & Us. Formed out of a creative meeting of minds between Maayan Nidam, Markus Nikolaus and Louis McGuire, theirs is a sound that strengthens the storied approach of a live band with the experimental thrust of analogue electronics. Pop and rock fundamentals lend an earthly hook to the tracks, but these are anything but straight-forward songs. Maayan has already forged a formidable career in electronic music, both under her own name and as part of Mara Trax, scoring releases on such celebrated labels as Perlon. Markus performs his own solo project Cunt Cunt Chanel, while Louis is part of Ballet School, a band releasing on noted indie label Bella Union. The whirlwind of creativity that has whipped up around the trio has yielded an album which will follow this single, made up of one-take recordings that capture the energy and adventure that powers The Waves & Us. Maayan's electronics provide the atmospheric backdrop to the songs, running modular synthesisers and drum machines through detailed chains of processing and effects with an emphasis on a warm, charmingly rough finish. Markus' guitar undergoes a similar fuzzy treatment while his voice calls out introspective, abstract lyrics to set the mind racing. Louis' bass underpins the music with a dubby sensibility, bringing a necessary balance to the frequency range. Making the most of their in-the-room recording approach, the singles will feature alternative takes of the songs that will appear on the album, providing a little insight into the flutters and fluctuations that shape the development of this project. With their eyes fixed on live performances and an arresting sound already formed, this is a vital time for all three artists and the people that listen to them.

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Sekuoia / Rain Dog

12" | 2012 | EU | Original (Project: Mooncircle)

Tape | 2012 | EU | Original (Project: Mooncircle)

Release: 2012 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspiring Bioniq, known for his surrealistic portraits, blending humans and technology.

Faces number three will invite the two young producers Sekouia and Rain Dog to share sides on this disc and expose their musical crafts. Coming from Denmark and the UK, respectively, they are with certainty looking forward to long-lasting succesful careers. What they share is a an intrinsic feel for tiny musical details which give their music an intimate feel to keep the listener mesmerized for ages. On this record they experiment with different sounds and tempos to create a dynamic collection of unique compositions that congregate an EP of colourful, low slung and ambient tunes or simply ‘chocolatefudgebrownieplasticmusic‘.

Born in Düsseldorf, Germany and grown up in Detroit, Sekuoia is a project by the 19-year old danish producer Patrick Alexander Bech Madsen. His music, based on guitar melodies, deep bass, organic beats, and chopped and screwed vocal samples, is a take on various genres and he is best described as an experimental electronica producer. His debut EP “Trips“ was released in December last year.

Having originally studied as an artist, newcomer Rain Dog has spent the last couple of years experimenting with production software, building speakers, composing music for indie shorts and making beats out of various small bedrooms scattered across the north of England. Recently he has settled in London and with a release on Echodub‘s imprint, Cut and a track featured on Project: Mooncirlce‘s 10th anniversary box LP, he continues to develop his lowslung melodic compositions.

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Good Paul

Finest Ego | Find

Mike Gao / Daisuke Tanabe

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Available digitally and on limited chrome cassettes (with digital download code), we are releasing a series of albums and EP’s from talented and promising artists. Expect all facets of instrumental hip-hop, future beats and electronic beat music….

Good Paul has been searching for that right sound ever since his career started. Never confining to only one genre or branch of music, he has been looking in various genres, but especially in the gray area between hip-hop and house, drum and bass and dub-step, always being attracted by soulful emotion with bass and broken beats. In these last 14 years he was unable to find that one special sound. This EP, however, is his solution for this neverending search.

In his own words:
“To live well we need to learn and know about a lot of different things. Draw your plans in an attempt to consciously create the future. It turns out that often the decisive moments in our life are found. I have never sought music by artists or genres, but instead, I am just trying to find music that gets to me in terms of emotion.
I hope there will be people who find the music from this EP, because that music found me.”
The artwork was created by Mateusz Kolek, who is known for his playful, psychedelic and dreamlike illustrations, heavily influenced by Soviet science fiction flicks and Japanese anime’s.

Bio:
Good Paul from Krakow, Poland, has spent already 14 years behind the decks and is well known for his musical selection and technical skill. Being a Red Bull Music Academy alumni (Toronto, 2007) and lecturer (Warsaw, 2012), he self-released a free EP entitled „One More Time“ and has been remixing various projects in the advanced futuristic music scene in Poland, in particular for U Know Me Records from Warsaw.

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Finest Ego: Faces 12" Series Volume 2

12" | 2012 | EU | Original (Project: Mooncircle)

Nat & The Figureheads Johnson

Release: 2012 / EU – Original

Genre: Hip Hop, Electronic & Dance

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Project: Mooncircle & Finest Ego have teamed up to establish a fresh new 12” producer series, entitled “Faces”. On every edition, you will find two different producers. Respectively, each producer will have their own record-side and unique cover artwork by the aspring LNY, known for his surrealistic portraits, blending humans and animals.

Going to be released upcoming February, the second edition of our “Faces“ series will exhibit works by the two extraordinary producers Daisuke Tanabe and Mike Gao. Again, coming from very distinct biographical backgrounds – despite their obvious Asian descent – the two are connected through their artistic excellence and uncompromising musical creations and visions. In symbiosis with these nocturnal flying mammals they use their ultra-precise sonic waves to navigate imperturbably through dark nights, leaving their prey with no chance of escape.

Limited 12” vinyl for serious collectors, DJ’s and record addicts only!

Mike Gao is a music technology researcher, holds a Masters degree in Music Technology at Stanford and is pursuing his PhD in Electrical Engineering at UCSD. After a career as underground Hip Hop and Scratch DJ in Chicago (working with such names as Qwel, Mestizo and Luckyiam) he began partaking and winning in numerous beat battles, Low End Theory being the most prominent one, which makes him one of the best kept secrets in the Los Angeles beat scene. He released music on labels such as All City with Tokimonsta, Galapagos4, Project: Mooncircle and many more…

Tokyo resident Daisuke Tanabe, a former art student who also lived in London for a while, developed from his techno/breakbeat background into a very unique sound between Hip Hop, Electronica, Folk and Jazz. He released music on labels such as Ninja Tune, BBE, Project: Mooncircle and Brownswood Recordings, performed with Zero DB and remixed artists like Elan Mehler and Aaron Jerome.

LNY is an artist living and working between New Jersey and New York. He makes art that is drawing based, social and open to the public in general; hence his drawings can be found pasted on buildings all over the world as well as in galleries and on 16-year-old kids’ tumblrs all over the internet. He is one half of Doodledrag, a New Jersey based doodling collective and always welcomes collaboration.

Limited edition of 300!

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Wonderful Emergency / Don't Worry

7" | 2009 | Reissue (Damaged Goods)

7" | 1978 | JP | Original (20th Century Fox)

Release: 2009 / Reissue

Genre: Rock & Indie

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LIMITED EDITION DOUBLE 'A' SIDE SINGLE. NAT JOHNSON is the former singer, songwriter and guitarist of MONKEY SWALLOWS THE UNIVERSE - a Sheffield based five piece band who released two critically acclaimed albums earlier in the decade. Since the band split in 2008 Nat has embarked on what has so far proved to be a very fruitful solo career with 'Dirty Rotten Soul', her debut single for Thee Sheffield Phonographic Corporation which was made Single of the Week by Steve Lamacq on 6 Music. Now with her debut album all recorded Nat has assembled a new backing band THE FIGUREHEADS (featuring MSTU co-founder Kevin Gori, Chris LOFTUS OF FURY OF THE HEADTEACHERS and Neil Piper of CHAMPION KICKBOXER) for a series of gigs throughout the Summer and Autumn - all leading up to the release of debut album 'Roman Radio' preceeded by the double 'A' side single 'Wonderful Emergency' b/w 'Don't Worry Baby'. "One part folk and one part the jangle of The Smiths with the sweet, fragile, alluring voice of Nat" - Rough Trade

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Georges Delerue

Julia

Release: 1978 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

12" | 2013 | IT | Original (Bosconi Squirts)

Fabio Corcos

Reliable & Immature

Release: 2013 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

7" | 1958 | FR | Original (Trianon)

Georges Ulmer

Pigalle

Release: 1958 / FR – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Resurrection Part 1 Legowelt Remix

Simoncino & Virgo Four

12" | 2020 | EU | Original (Skylax)

10,19 €* 11,99 € -15%

12" | 2024 | EU | Original (Subetasch)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Simoncino is back on the iconic label that launched his career: Skylax Records. In the meantime, he has become a benchmark artist in particular for his passion, his extreme mastery of analog material and his ability to craft dream like soundscapes and mystical house atmospheres; who has seen him collaborate in recent years with the biggest names in house: Larry Heard, Boyd Jarvis, Tevo Howard and Robert Owens on excellent labels such as Lies, Vibraphone, Crème organization, Hotmix or Mathematics. For this new release, the fruit of a maturation of several months in his studio, the made in Perugia prodigy has once again surrounded himself with the master of chicago house, the legendary Merwyn Sanders of Virgo Four (who already appeared as a remixer on the Warrior Dance part 4 in 2012 on Skylax) on vocals. Its inimitable style is a clever mix of chicago house tinged with the most classy techno touches, “on the dance floor” will delight both fans of the purest house but also those who are also followers of the original techno made in detroit. A mix brilliantly revealed by the golden voice of Merwyn Sanders. On the B-side, the pair reward us with a high-end remix signed by the brilliant and bulimic producer from La Hague, the furious madman Danny Wolfers aka Legowelt. To conclude, the title In Viaggio reminds us how much Simoncino is also able of creating real house bombs that send us straight into the stratosphere.

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V.A.

Subeta004

10,19 €* 11,99 € -15%

2CD | 2019 | US | Original (Ropeadope)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The fourth Subetasch-Release is again combining 4 tracks of our residents, a juxtaposition of different influences on one record, always keeping a driving groove - and again, approaching the dancefloor with exciting, playful sounds. Four tracks with crooked sounds, catchy melodies, distorted voices, pumping beats and last but not least, elements of surprise.

Are you stuck in a rainforest and not sure if the frog you just touched is hallucinogenic? Then "raindrops" by TakaTuka is just the song for you right now! Kicking off on side A, 'the pumping bass and the delusional synth sounds' will help you with moving your body to find a way out of here or to just lay down and get one with the forest. Next up Jdis is striking up a faster pace with "Ghosts", where sharp synth stabs meet subtle acid sounds and whirling voices telling you to stay longer. On Side B, vaZdaZ dives in with delicious, freshly caught fish marinated in hazy vocals and a captivating tribal groove. Followed by Tinbred, which is the sound of beer cans being popped in the sunset on Danube island if Vienna was flipped upside down and inverted in color. Be careful not to spill any of your Tinbred bread while jogging along to the groove of this tune.

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The Last Poets

Transcending Toxic Times

10,44 €* 18,99 € -45%

Release: 2019 / US – Original

Genre: Hip Hop

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The Last Poets are widely credited as the godfathers of Hip-Hop. Transcending Toxic Times is the album that fully defines their careers and legacy. Artfully recorded and produced by Jamaaladeen Tacuma (Ornette Coleman), the album intertwines the groove of Black culture with The Last Poets powerful words and cadence. Special Guests Malik B, Ursula Rucker, Tim Motzer, and Wadud Ahmad. This record will finally define the correct blend of poetry, jazz, Hip-Hop, and Soul, with the full expectation that it will be emulated for years to come.
More information

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Gregzi

Jah Come / Dub

7" (Heartical Impact)

10,44 €* 10,99 € -5%

Genre: Reggae & Dancehall

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12" | 2023 | EU | Original (Internasjonal)

Atlantic Brain

10,49 €* 13,99 € -25%

Joyce / Rosinha Da Valencia

Release: 2023 / EU – Original

Genre: Electronic & Dance

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With a long and winding career working with Kris Menace, remixing the likes of Depeche Mode and LCD Soundsystem, being remixed by Deadmau5, composing filmmusic,the Munich-based producer Philip Leroi now lands his Atlantic Brain-project for a full EP on Internasjonal. He has previously contributed to our Internasjonal Space Station Compilation 1. Wonderboy Alan Dixon contributes with not less than 2 remixes of "Brother", while Prins Thomas helped tighten the mixdown slightly. Internasjonal HQ September 2023

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Aldeia De Ogum / Summertime

7" | 2014 | UK | Reissue (Mr Bongo)

CD | 2004 | EU | Original (Geffen)

Release: 2014 / UK – Reissue

Genre: Organic Grooves

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Rio-born, Joyce Moreno, is one of the greatest Brazilian artists of all time. The voice, the playing, the writing, they all combine to make her a true allrounder. She possesses the ability to transport, captivate and transcend listeners. With a career that has spanned more than 30 albums and over 50 years, she continues to record and tour the world.

‘Aldeia de Ogum’ is one of her most well-known songs. With a joyfully jazzy arrangement, building Latin percussion, Brazilian flute and tropical atmosphere, this full-bodied samba smash became an anthem amongst London’s DJs and dancers in the Acid Jazz days. A favourite of Patrick Forge and Gilles Peterson, it was regularly spun at their legendary Dingwalls sessions.

Originally featured on her sought after Feminina LP from 1980, it also appears on our 'Essential' Joyce compilation from 1997. The original pressing of this Brazil 45 was the first time the track had been released on 7".

A fellow Rio native, Rosinha was a highly acclaimed composer, arranger and guitarist who played with legends including Baden Powell, Sérgio Mendes and Sivuca.

Here we present her stunning cover of the Gershwin classic, ‘Summertime’. Rosinha’s elegant, instrumental interpretation showcases her majestic guitar playing, and what a player she was! Backed with beautifully arranged, emotion-drenched strings, this track is guaranteed to stir your soul.

'Summertime' is taken from her 1975 RCA LP entitled Um Violão Em Primeiro Plano. The original pressing of this Brazil45 was the first time the track had been released on 7".

Remastered with refreshed artwork.

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The Roots

The Tipping Point

Ernesto Assante & Giulia De Amicis

Release: 2004 / EU – Original

Genre: Hip Hop

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The Tipping Point is the seventh studio album by The Roots, released on July 13, 2004. Named after Malcolm Gladwell's 2000 book "The Tipping Point", which explores how small events can create a significant change in society, the album reflects on similar themes, particularly focusing on pivotal moments in personal and social contexts. The album stands out in The Roots' discography for blending their signature live instrumentation with a more mainstream sound, while still retaining their thought-provoking lyrics and genre-blending approach.

The Tipping Point represents a more commercially oriented sound for The Roots, with a balance of socially conscious lyrics and tracks that experiment with more accessible, radio-friendly production.
The album was a response to pressures from their record label, which wanted more hits, yet it still maintained the group's focus on lyrical depth and musicality.
The album’s production incorporates a mix of live instruments, samples, and digital production, with a stronger emphasis on funk, soul, and rock influences compared to their earlier, more jazz-heavy works.

The album contains a wide range of musical styles, combining live instrumentation with soul, funk, and R&B elements, but also introduces more polished and radio-friendly production than previous albums like Phrenology or Things Fall Apart.
Despite its more polished sound, Questlove's signature drumming and The Roots' musicianship are still prominent, especially in the live instrumentation, which is a hallmark of their music.
Black Thought (Tariq Trotter) remains the lyrical centerpiece, delivering complex, socially aware verses that delve into issues like racial identity, inequality, the commercialization of hip-hop, and personal reflections on fame and success.

Key Tracks and Highlights:
"Star/Pointro" – The album opens with a meditative introduction, blending Marvin Gaye's classic "Everybody’s Gotta Learn Sometime" with Black Thought’s reflective lyrics. The song transitions into a brassy, upbeat rhythm, setting the tone for the album’s experimental approach.
"I Don't Care" – A funky, groovy track where Black Thought tackles the pressures of staying relevant and true to his roots in an industry that often prioritizes commercial success over artistry.
"Don't Say Nuthin'" – One of the album's lead singles, driven by a minimalist beat and a dark, hypnotic atmosphere. Black Thought delivers a smooth, almost detached flow, commenting on the challenges of staying silent in a world full of noise and pressure.
"Guns Are Drawn" – A politically charged track with a heavy bassline and a haunting, reflective hook. Black Thought and guest MCs explore themes of social injustice, gun violence, and the struggles faced by Black communities in America.
"Stay Cool" – Built around a playful and funky beat, this track features smooth production with a retro feel, reflecting on maintaining composure and self-awareness in the face of societal pressures and distractions.
"Web" – A standout track, with Black Thought delivering a rapid-fire, no-hook lyrical performance. It's one of the most lyrically dense songs on the album, showcasing Black Thought’s verbal agility and intricate wordplay.
"Boom!" (featuring DJ Jazzy Jeff) – A tribute to classic hip-hop, with Questlove and Black Thought taking listeners back to the days of boom-bap, reminiscent of earlier hip-hop production styles, but with a modern twist. DJ Jazzy Jeff’s scratches add an old-school flavor.

Commercialization of Hip-Hop: Many tracks, such as “Don’t Say Nuthin'” and “I Don’t Care,” reflect The Roots' critique of the way mainstream hip-hop has evolved, focusing more on materialism and less on the artistry that originally defined the genre.
Socio-Political Commentary: The album delves into various social issues, such as gun violence (“Guns Are Drawn”) and racial inequality, exploring the frustrations of systemic problems that plague society.
Personal Reflection and Artistic Integrity: Black Thought explores his role as an artist in the modern music industry, balancing the need to create commercially viable music while staying true to his roots and values. This tension is a recurring theme throughout the album.

Questlove and Richard Nichols handled the bulk of the production, while Scott Storch and Damon Bryson (aka Tuba Gooding Jr.) contributed to various tracks.
DJ Jazzy Jeff made an appearance on “Boom!”, providing turntablism that adds an old-school hip-hop feel to the track.
The production on The Tipping Point is a blend of organic and digital sounds, with live instruments meshing with sampled beats, reflecting The Roots' ability to navigate both the hip-hop underground and the mainstream.

The Tipping Point received generally positive reviews from critics, though it was sometimes viewed as less groundbreaking compared to previous works like Things Fall Apart or Phrenology.
While some critics praised the album’s production and the lyrical depth of Black Thought, others felt that the more commercial sound detracted from the experimental, genre-pushing elements that had characterized The Roots’ earlier work.
The single “Don’t Say Nuthin'” became one of the group’s more successful radio hits, though it was seen as a departure from the soulfulness and live instrumentation of their previous albums.
Commercial Performance:
The album debuted at #4 on the Billboard 200, making it one of The Roots' highest-charting albums at the time, driven by the popularity of singles like “Don’t Say Nuthin'” and “Stay Cool.”
The Tipping Point did not reach the same commercial success as some later albums, but it represented a pivotal moment where The Roots began to bridge their underground sound with broader mainstream appeal.
Legacy and Impact:
The Tipping Point marked an important transition in The Roots’ career, showcasing their ability to adapt to the changing landscape of hip-hop while still maintaining their identity as a live band.
Though not as critically acclaimed as some of their other albums, it remains an important work in The Roots' discography, as it captures a moment where the group was negotiating their place within an increasingly commercialized industry.
Following The Tipping Point, The Roots would take their music in even more experimental and socially conscious directions with albums like Game Theory (2006) and Rising Down (2008), reinforcing their reputation as hip-hop innovators with a distinct voice.
In summary, The Tipping Point is a pivotal album in The Roots' evolution, blending commercial ambition with their trademark musicality and lyricism, and showcasing their ability to balance mainstream appeal with artistic depth.

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Info Rock: The History Of Rock Music

Gingko Press

10,79 €* 26,99 € -60%

Anthony Georges Patrice & Son Dos

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This unique history of rock tells the musical story in a new way: through infographics that illustrate the evolution, influences, and connections between different genres&;such as blues, pop, punk, progressive, and heavy metal. For each artist, including The Beatles, Dylan, Janis Joplin, Springsteen, Bowie, the Ramones, Amy Winehouse, and Nirvana, the powerful visual representation gives at-a-glance information on how many records sold, how much money was made, how long a record stayed on the charts, how many days was required to record a disc, how many followers on Twitter, and so much more&;plus a timeline of the artist&;s career. Full-page photographs and introductory text round out this fascinating volume.

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Outbound.4

12" | 2020 | EU | Original (Lossless)

Jimmy Riley & Pioneers / Sydney Crooks All Stars

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Outbound.4 is a crisp double A-Side affair - featuring two killer Techno workouts courtesy of our French stalwart Anthony George Patrice followed up by two Deep/Dub House delights delivered by Son Dos.

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Running (I'm A Fugitive) / In Action

7" | EU (Boss)

Release: EU

Genre: Reggae & Dancehall

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Nicola Conte & Gregory Porter

Do You Feel Like I Feel / Ghana

7" | 2011 | EU | Reissue (Schema)

12" | 2021 | EU | Original (Tartelet)

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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This 45rpm by Nicola Conte anticipates the Schema Records 2-lp reissue of his 2011 album “Love & Revolution”, a diverse and modern jazz album that has never been released on vinyl until now. It includes two of the most significant tracks and the main ingredients of the entire work: the soul of “Do You Feel Like I Feel” and the Latin-jazz of “Ghana”. Both tracks are further embellished by Magnus Lindgren’s arrangements and, in particular, by the voice of Gregory Porter, here still at the beginning of his career and therefore recognised by Nicola Conte himself as a rising star of the contemporary vocal jazz scene.

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Glenn Astro

Purple

CD | 2019 | EU | Original (Gang Star Enterprises)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Glenn Astro returns to Tartelet Records with Purple, a four-tracker of minimal slow burners and futuristic dance music, marking the label’s 50th 12-inch release. Since releasing his second album Homespun in late 2020, Glenn Astro has been quietly channeling his funky instincts towards new production approaches. Purple, a four-piece compilation of mutant future-boogie daubed in Rogers-Nelson hues, comes through with emotional heft. It also marks the 50th 12" release for Tartelet Records. “Following up on Homespun, I wanted to try out some more dancefloor- oriented tracks again,” says Glenn Astro. “Keeping it simple and practical, while not being too predictable. I incorporated a lot of modular synth bits and experiments, with ‘Flux’ being an almost exclusively modular-based jam.” Incorporating tricky sound design and fluid structures, Astro’s new lines of enquiry never come at the expense of the groove. From the opening thump of ‘Penduloop’ onwards it’s apparent that his rugged rhythmic kinks are present and correct to hook in the dancers, while the melodic drops later in the track edge in a little melancholic flavour to take the mind somewhere else entirely. On this opening track, the artist explores new territory with his version of early naughties minimal house – a welcome slow burner. The EP title track ‘Purple’ slaps with purpose, not least in the Linn-esque drums and melodic bassline, but it’s a positively dreamy piece which skips on crooked beat formations and floats upwards via a multi-timbral tapestry of yearning synth shapes and robotic vocals. On ‘Out Of Office’ Glenn Astro provides a generous dose of electro nostalgia when he amps up the heavy-hearted feeling with aching string pads and electro-informed machine logic. The track becomes alive with its deep un-synced rhythms and dark bass notes, pushing further into the abyss. ‘Flux’, with its tooly feel, takes the electronic mantra further and sheds light on the source of much of Astro’s new sound palette. Crucially, even in its techiest moments, an irrepressible humanity shines through across Purple. Glenn Astro’s soul is the binding agent which links his early, sample-heavy house to his more explorative new angles, and it comes through in abundance on this fully-formed release.

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Gang Starr

One Of The Best Yet

Only A Smile / On The Plantation

Release: 2019 / EU – Original

Genre: Hip Hop

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Gang Starr is undoubtedly one of the most revered, beloved and influential groups in Hip Hop. Over the course of their distinguished career, they became a cultural institution and a brand you could ultimately trust. With a handful of indelible classic albums on their resume, DJ Premier and Guru’s catalogue has not only persevered but mastered the test of time. Simply, Gang Starr did not follow trends, they created them. Album includes guest spots from: M.O.P, Q-Tip, Royce da 5’9”, Jeru The Damaja, J. Cole, Ne-Yo, Nitty Scott, Talib Kweli, Big Shug & Freddie Foxxx! Entirely produced by DJ Premier!

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Laurel Aitken

7" | 2024 | EU | Original (Liquidator)

Cory Wong / A Message To You Rudi

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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After the success of the two Laurel Aitken previous singles backed by Mighty Megatons band, on which the Spanish band completes old unfinished masters from the legendary 'HIgh Priest Of Reggae', Liquidator Music releases now the third 7”. On the A side is a cover from The Paragons ‘Only A Smile’ rock steady classic, an elegant interpretation by the genuine Godfather Of Ska from Jamaica who pays tribute to his beloved singer John Holt. On the B side we can find ‘On The Plantation', a Roots Rock Reggae killer tune. Laurel produced, along his career, some conscious numbers, even rastafari and panafricanist but, probably, this one is the most militant along his legacy. Mighty Megatons has done a great job showing their versatility among the classic Jamaican sounds. A must for any Reggae and Rocksteady collector.

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Corcs Drum&Organ

7" | 2022 | EU | Original (Buenritmo)

7" | 2022 | UK | Original (Extra Soul Perception)

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Corcs Drum&Organ is exactly that, an instrumental two piece formed by Oriol Casas on the drums and Joan Sobrevals on the organ. This 7” captures two of their first recordings together, ‘Cory Wong’ by Vulfpeck, and the classic ‘A Message To You Rudi” by The Specials. This single is part of the collection of 7” celebrating the 15th anniversary of the label Buenritmo Records.

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Paddy Fred

Spells

The Flame Of Love Purple Vinyl Edition

Release: 2022 / UK – Original

Genre: Hip Hop

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Next on Extra Soul Perception, we're very proud to welcome a new artist to the label, Paddy Fred, with three tracks of antipodean psych soul for his 'Spells' 7".
Paddy Fred is a musician based on the south coast of Wellington, New Zealand, where he grew up. He's played guitar since he was a teen, and went on to study music performance, and toured with a number of bands throughout his twenties. When these bands dissolved in 2011, he began beat making and music production of his own, losing himself in the freedom of making music on his terms.
Inspired after hanging with Flying Lotus & the Brainfeeder crew and clubbing at Low End Theory in Los Angeles, Paddy created his first release, 'Laminate', which dropped in 2013; the same year Paddy entered fatherhood.
After emerging from the "survival zone" of the first five years of parenting, Paddy emerged a little lost, separated from the momentum of his musical career. There then followed a period of self-reflection. As he ran up and over the same coastal path repeatedly, he slowly but surely rekindled his passion for music making, and the work began again…
Paddy came to the attention of the Extra Soul Perception crew courtesy of fellow New Zealander, Mara TK (who provided the label's highly acclaimed 2021 album 'Bad Meditation'). When the guys heard the demos, they signed him on sight.
The lead track 'Spells' consists of big sludgy drums, a growling synth bass, ethereal guitars and spacey vocals, mixing the washed-out slow-mo beat construction of Toro Y Moi with the heady psychedelic soul of Tame Impala and Mildlife. On the flipside 'Found You' is a more tranquil affair, with languorous drums befitting DJ's Khruangbin rhythm section, whilst closer 'Kids' (digital only) offers a robust yet airy finish with an uptempo instrumental akin to the sound palette of late 00s Four Tet.
'Spells' is the first taste of Paddy's new material. Inspired by lost love, babies feet, social fatigue and universes held within rock-pools, this is Paddy Fred at his most true to self, and just a small sample of what's to come.
'Spells' is released on 7" vinyl & digital worldwide via Extra Soul Perception in late October 2022.

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David Lynch & Jack Cruz

7" | 2020 | US | Reissue (Sacred Bones)

7" | 2022 | EU | Original (Vampisoul)

Release: 2020 / US – Reissue

Genre: Pop

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January 20, 2020 saw the surprise release of David Lynch's short What Did Jack Do? on Netflix. If you watched the grainy, police procedural over the last few days, you most likely found yourself saying aloud `who is Jack Cruz and how can I get more of his music?' Sacred Bones is announcing the release of the short's featured original song "True Love's Flame" by the primate star crooner of yesteryear; Jack Cruz. Not much is known about Cruz's career prior to his involvement with Lynch, but fortunately, we have not just one song, but two: 'Dancin' in the World of Love' is the B-side to the short's single_uncovered recently and an excellent example of Cruz's emotional prowess and magical, gold-dipped vocal cords. Both songs were written by Lynch and Dean Hurley with artwork carefully crafted by Lynch himself.

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Tony Bizarro

Que Se Faz Da Vida EP

12" | 2022 | UK | Original (Central Processing Unit)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Classic Brazilian soul funk from 1976 in the same vein as Tim Maia, Jorge Ben or Carlos Dafé's recordings from that period. All four tracks are stunning and feature dramatic vocals, fat drum beats and sophisticated arrangements, following the tradition of the best funk music coming from the States in the '70s. First time reissue.

Tony Bizarro was a Brazilian songwriter, producer and singer who worked with most of the greatest soul and funk artists in Brazil. Boogie and disco music were making headway and soon became popular in the Brazilian market. His own discography comprises just one solo album, released at the peak of his career, a bunch of compactos and some later LPs that did not get any bigger than his best-known hit 'Estou Livre'. This 1976 EP has been a long-time dancefloor weapon for DJs in the same vein as Tim Maia, Jorge Ben or Carlos Dafé's recordings from the same period. All four tracks are stunning! The opening song 'Que Se Faz Da Vida' is a downtempo funk joint with some dramatic vocals by Tony Bizarro, fat drum beats and Isaac-Hayesque wah-wah sounds that could have easily been included in the soundtrack of a blaxploitation movie_ The strings and sophisticated arrangements featured on the flipside elevate this record to the top of the best Brazilian funk ever recorded in the '70s. Very hard to find, especially in good condition, this record now gets a proper reissue for the first time.

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Fleck E.S.C

Rough Silk

12" | 2021 | EU | Original (Klasse Wrecks)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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For more than a decade now, Fleck E.S.C. has marked himself out as one of the most playful and prolific producers in the electro game. Across dozens of releases for labels including Bass Agenda and Science Cult, the France-born, Japan-based artist has made his name through a production style which balances limber beats with exploratory textural work.
Fleck E.S.C. debuted on Central Processing Unit in 2018 with the Discrete Opinion EP. Now, after stopping by the Sheffield label last year on a Silicon Scally remix job, Fleck E.S.C. delivers his second EP for CPU in the form of Rough Silk. The record's intriguing title proves an apt introduction to this four-track affair. These cuts are at once sleek and abrasive, anchored by robotechnic machine-funk grooves yet also full of strange, shifting shapes.
The opening title-track expertly sets out Rough Silk's stall. Heralded by gurgling synths and all manner of whirring percussive tones, 'Rough Silk' blossoms around the minute mark with the introduction of a wickedly buoyant lead synth. This is music at once visceral and full of mystery, the sound of wending through the back alleys, and the feeling carries through to the following cut 'Hat in the Cat' - as the synth pads spool out overhead, the machine-funk snap of the beat has an almost aquatic quality that links it back to Drexciya.
Much like 'Rough Silk', the record's first B-side 'Faking Sweet' also shifts gears. The opening strains of the track seem to be preparing for another insistent, expansive broken-beat pulse, but it stiffens its neck around ninety seconds in. Programmed drums whirr around a jittery machine-gun bass while discordant synths pull at the edges of the track, all of which brings a strong dystopian energy that increases further as the percussion sounds become increasingly bug-eyed.
After so much excitement, 'Digger Play' closes out the EP with a softer touch. There's still plenty of low-slung bounce to the beat, but the track runs a little slower, and there's a warm wistfulness in the synths which gives 'Digger Play' a painterly, almost poetic feel. However, while it may take its foot off the gas, the production here is as deft as it is everywhere else on Rough Silk.
With new EP Rough Silk, electro whizz Fleck E.S.C. brings the sort of casual mastery to proceedings that has characterised his career to date.
Riyl: Silicon Scally, Jensen Interceptor, Annie Hall

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ADSR

Haunted EP

Tootsie Rolls Feat. Giuda

Release: 2021 / EU – Original

Genre: Electronic & Dance

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For the third release in Klasse Wrecks' Elegal Records sub-label, the clock is turned back to the early nineties and the destination is set for Toronto, Canada. Throughout their career the duo of Dominic Paterson and Todd Nickolas released a handful of EPs on their own 'Floorshaker Productions' and two albums, one of which on Cargo Records during the tim they were signed to the label. Adsr cultivated a rich and unique sound, one that ranged from piano induced euphoria to heads down serious breakbeat territory. Elegal3 is based around one track that originally was only available on the 1993 CD album 'Accelerated Emotions', 'Haunted' is a floorfiller comprising of piano stabs, choir vocals, depth charge basslines and acid energy. The record features the original track remastered for 2021 and two remixes, one from label boss Luca Lozano and a reinterpretation by original member Todd Nickolas. Also included is a never heard before DAT tape find of 'Menace', a grooving beast with a low slung bassline and a simple chord stab melody.

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The Manges

7" | 2021 | EU | Original (Damaged Goods)

CD | 2020 | EU | Original (Paper Route / Empire)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Brand New Limited Edition Red Vinyl 7" Single By The Manges. Formed In La Spezia, A Small Seaside Town Located In Northern Italy, The Manges Started To Play Ramones-Style Punk Rock In 1993 And They Are So Dumb That They Never Stopped. Old School Punk Rockers, Matching Striped T-Shirts, Speed, Melodies, Fun. The Lyrics Are Inspired By Movies And Novels; Irony, Crime, War, Rock References. They've Recorded 5 Albums And Their Discography Includes Many Other Releases (Anthologies, Eps, Live, Splits With Queers, Apers, Mcrackins, Hard-Ons). In Their 27-Year Career They Have Toured Europe, North America And Japan, Sharing The Stage With Bands As Bad Religion, Anti-Flag, Descendents, Marky Ramone, Screeching Weasel, Queers, Riverdales, And Mr T Experience. They Own The Record Label Striped Records And Manage The Italian Festival Punk Rock Raduno. "We Like Giuda. A Lot. Over The Years We've Met At Shows, Played Together A Bunch Of Times, And We Believe The Respect And Admiration Is Mutual.We Didn't Want Our Latest Album To Sound Like All Contemporary Punk Rock Of Our Scene. We Are A So-Called "Ramonescore" Band But We Started More Than 25 Years Ago So We Think That Definition Is Not Enough To Describe What We've Done And What We're Still Doing. Massimo From The Manges Talks About Working With Giuda: "We Love What Giuda Did With '70s Glam Rock_ They Took A Kind Of Music That Was More Than 40 Years Old And Made It Fresh, Catchy, Relevant Today, While Still Following A Specific Canon. They Produce Their Own Records So We Thought They Could Totally Improve A Manges One. They Know Punk Rock Pretty Well Too And That's A Fact. Just Think About Their Astonishing Previous Band Taxi! We Wanted To See What Could Happen By Having Lorenzo And Danilo's Approach On Our Band's Music. The Studio Sessions In Rome Were Great, We Have Been Very Productive Although The Environment Was Pretty Laid-Back. One Of Our Favorite Songs For Our New Album Is Called 'Tootsie Rolls', And It Kinda Stands Aside From The Rest Of The Album...

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Young Dolph

Rich Slave

7" | 2020 | EU | Original (Sozialistischer Plattenbau)

Release: 2020 / EU – Original

Genre: Hip Hop

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After releasing a successful collaboration album last year, Memphis, TN artist, Young Dolph returns with his highest charting album in his career, Rich Slave. The title is Dolph's commentary on how he is perceived – that no matter how much money he has – in the eyes of America, he will always be a slave. Rich Slave is the album that Young Dolph has shown growth in the sense that he has touched on current events, and social commentary with songs like, The Land that say, "they say this the land of the free, but it looks like the land of bullshit to me". With little features aside from Megan Thee Stallion, Key Glock, and G Herbo, Rich Slave showcases Young Dolph's charismatic skill, and ability to inspire those after him to pursue entrepreneurship.

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Mark Boombastik

Wasser / Vogel

Thru The Years (Lost Demo)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Mark Boombastik is a human beatbox with advanced technics. Early in his career, he added guitar effects and bass synths to his live sets to push his vocal art to a new level. Mark Boombastik is mostly known for his astonishing crossover pop-song "Putzen" which was licensed for german TV shows among other crazy things. Through this novelty hit he caught the attention of the Berlin record label Shitkatapult for which he produced the long-player "Adios Berlin" together with Eduardo Delgado-Lopez. Lesser known but extremely sought after are his releases on Meeuw Muzak and Gagarin Records. With Gagarin Records chairman Felix Kubin he did countless live and studio collaborations. After a brief release-hiatus, this 7" on Sozialistischer Plattenbau presents two recent tracks. The record comes in a cover that was designed by Hamburg artist Thomas Baldischwyler and printed in 3 punky color-layers with a middle-aged Riso printer on recycled paper.

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Actuel

7" | 2020 | UK | Original (Painted Pony)

Scars Of War / High Times All Star

Release: 2020 / UK – Original

Genre: Rock & Indie

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Available for the 1st time ever on vinyl. Two unreleased recordings directly from the archive of Stephen Anderson. “Throughout a long career, Anderson has developed a highly original approach as a guitarist,composer and vocalist. While now composing and performing mostly as a solo guitarist, Stephen has been involved in many ensemble projects and collaborations with other artists through the years. During the 70s he lived in San Francisco, creating music for experimental film and performance art, and appearing at clubs and other events, along with artists such as Tuxedomoon, Minimal Man, Snakefinger, and others. In the early 80s Anderson lived in NYC, involved in jazz, music for film and other original music, performing in the Village and Lower East Side spaces and clubs such as NoSeNo, Pyramid, Danceteria, and others. Also in the 80s he was a CBS recording artist with releases in Europe and the US" - Edition of 200

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Delroy Williams

7" | 1983 | EU | Reissue (Onlyroots)

7" | 2019 | US | Original (Colemine)

Release: 1983 / EU – Reissue

Genre: Reggae & Dancehall

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Delroy tune from 1983. Reissue on his brand new label "Prosperity" Records. Delroy started his career in the late 60's as member of the Afrotones. Later in the 70's he will join Augustus Pablo Circle with whom he released his deepest roots tunes.

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Kelly Finnigan

Catch Me I'm Falling