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AIAIAI - UNIT-4 Wireless+
AIAIAI
UNIT-4 Wireless+
799,99 €*
 
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
AIAIAI introduces world’s first professional wireless studio monitors

UNIT- 4 frees the music creation process with battery powered portability and ultra-low latency wireless audio.
With UNIT-4, what was previously confined to the traditional studio is now liberated in the hands of the creator, enabling them to break free from boundaries. Whether at home, on the road, or with friends, UNIT-4 allows for freedom of movement and increased opportunity for collaboration.

AIAIAI brings innovation in audio technology and acoustic design that packs professional studio monitor performance into a compact size of only 2.5kg. UNIT-4’s advanced wireless technology allows for wireless, uncompressed audio with only 16ms of latency. Three different modes of connection means complete versatility in one speaker with Wireless+ ultra-low latency, Bluetooth and cabled options. Designed from the inside out without using glue, UNIT-4 allows for total disassembly and component replacement, and is made from 100% recycled plastic.

The introduction of UNIT-4 is AIAIAI’s latest step in expanding its family of products using the W+ Link technology, which began with the introduction of the TMA-2 Wireless+ headphones in December of 2021. The W+ Link has been specifically developed for wireless audio with ultra-low latency in a stable and robust connection, designed for enhanced freedom for music making.

The UNIT-4 Wireless+ studio monitors allows creators to finally break free from the cable and expand their creative freedom. Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables.
Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

The key features uniquely designed for enhanced freedom and set UNIT-4 apart from other speakers are the following:

Complete wireless freedom
• Battery powered with 20H+ of playback time
• W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
• Complete wireless freedom - both audio and power cables

Reference monitor performance
• 2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
• Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
• Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
• Precise soundstage and point-source accuracy provided by the minimal front panel design, incorporating a directivity controlling tweeter waveguide
• Stage monitor design enables you to place the speaker upright or angled horizontally, to optimise your sound field in changing workspaces
• Shape UNIT-4’s sound to your environment or preference using the AIAIAI app customisable 5-band EQ

Portable, compact and rugged
• Size and weight of only 3 litres / 2.5kg
• Rear bass vent designed to be a comfortable carrying handle when on the move
• Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything
• W+ Link - use the X02 transmitter for low latency wireless music creation
• Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
• Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design
• Main components produced from 100% recycled plastics, from post-consumer sources
• Designed for disassembly in a glue-free design - take the whole speaker apart using twoscrewdrivers
• Replace worn out components including battery and drive units
• Future-proofed for new technologies with upgradeable wireless electronics

WHAT’S IN THE BOX?
• UNIT-4 Wireless+ Studio Monitor x2
• X02 W+ Link Transmitter
• Power supply x2

TECHNICAL SPECIFICATIONS:
UNIT-4 AUDIO
• Response: +/-2dB 50Hz-20kHz
• Low cut-off: 40Hz
• Peak SPL: 104dB
• Enclosure: Bass reflex
• Woofer: 4 inch high excursion
• Tweeter: 1 inch silk dome
• Crossover: 3kHz
• Amplifier: Class D 2x 80W peak
• DSP: Loudness adaptive bass EQ
• EQ adjustment: 5-band (AIAIAI app)

UNIT-4 AUDIO CONNECTIONS
• Low latency audio: AIAIAI W+ Link
• Bluetooth version: 5.2
• Analog inputs: 3.5mm aux / 6.3mm balanced

UNIT-4 POWER
• Battery playback time: 20 hours
• Charging time: 2 hours
• Battery capacity: 77Wh
• Power supply: 120-240VAC - 15VDC

X02 W+ LINK TRANSMITTER
• Latency: 16 ms
• Audio quality: Uncompressed
• Operating range: 12 m
• W+ Link connections: 2 devices
AIAIAI - UNIT-4 Wireless+ Single Unit
AIAIAI
UNIT-4 Wireless+ Single Unit
450,00 €*
 
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
AIAIAI introduces world’s first professional wireless studio monitor

UNIT- 4 frees the music creation process with battery powered portability and ultra-low latency wireless audio.
With UNIT-4, what was previously confined to the traditional studio is now liberated in the hands of the creator, enabling them to break free from boundaries. Whether at home, on the road, or with friends, UNIT-4 allows for freedom of movement and increased opportunity for collaboration.

AIAIAI brings innovation in audio technology and acoustic design that packs professional studio monitor performance into a compact size of only 2.5kg. UNIT-4’s advanced wireless technology allows for wireless, uncompressed audio with only 16ms of latency. Three different modes of connection means complete versatility in one speaker with Wireless+ ultra-low latency, Bluetooth and cabled options. Designed from the inside out without using glue, UNIT-4 allows for total disassembly and component replacement, and is made from 100% recycled plastic.

The introduction of UNIT-4 is AIAIAI’s latest step in expanding its family of products using the W+ Link technology, which began with the introduction of the TMA-2 Wireless+ headphones in December of 2021. The W+ Link has been specifically developed for wireless audio with ultra-low latency in a stable and robust connection, designed for enhanced freedom for music making.

The UNIT-4 Wireless+ studio monitors allows creators to finally break free from the cable and expand their creative freedom. Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables.
Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

The key features uniquely designed for enhanced freedom and set UNIT-4 apart from other speakers are the following:

Complete wireless freedom
• Battery powered with 20H+ of playback time
• W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
• Complete wireless freedom - both audio and power cables

Reference monitor performance
• 2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
• Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
• Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
• Precise soundstage and point-source accuracy provided by the minimal front panel design, incorporating a directivity controlling tweeter waveguide
• Stage monitor design enables you to place the speaker upright or angled horizontally, to optimise your sound field in changing workspaces
• Shape UNIT-4’s sound to your environment or preference using the AIAIAI app customisable 5-band EQ

Portable, compact and rugged
• Size and weight of only 3 litres / 2.5kg
• Rear bass vent designed to be a comfortable carrying handle when on the move
• Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything
• W+ Link - use the X02 transmitter for low latency wireless music creation
• Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
• Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design
• Main components produced from 100% recycled plastics, from post-consumer sources
• Designed for disassembly in a glue-free design - take the whole speaker apart using twoscrewdrivers
• Replace worn out components including battery and drive units
• Future-proofed for new technologies with upgradeable wireless electronics

WHAT’S IN THE BOX?
• UNIT-4 Wireless+ Studio Monitor

TECHNICAL SPECIFICATIONS:
UNIT-4 AUDIO
• Response: +/-2dB 50Hz-20kHz
• Low cut-off: 40Hz
• Peak SPL: 104dB
• Enclosure: Bass reflex
• Woofer: 4 inch high excursion
• Tweeter: 1 inch silk dome
• Crossover: 3kHz
• Amplifier: Class D 2x 80W peak
• DSP: Loudness adaptive bass EQ
• EQ adjustment: 5-band (AIAIAI app)

UNIT-4 AUDIO CONNECTIONS
• Low latency audio: AIAIAI W+ Link
• Bluetooth version: 5.2
• Analog inputs: 3.5mm aux / 6.3mm balanced

UNIT-4 POWER
• Battery playback time: 20 hours
• Charging time: 2 hours
• Battery capacity: 77Wh
• Power supply: 120-240VAC - 15VDC
The Rolling Stones - The Rolling Stones In Mono Limited Colored Vinyl Box
The Rolling Stones
The Rolling Stones In Mono Limited Colored Vinyl Box
Box | 2023 | EU | Original (Universal)
375,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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G-Shock x Central Cee - GM-2110D-3AER
G-Shock x Central Cee
GM-2110D-3AER
299,95 €*
Available Sizes: One Size
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The G-Shock has long enjoyed great popularity in hip-hop circles, so it's a logical consequence to engage one of the most popular artists of the moment, Central Cee, for the latest collabo series. The rapper from West London not only regularly manages to stir up the charts, he is also a role model in terms of style awareness, whereby he likes to go his own path. Thus, Central Cee perfectly embodies the Built Different spirit that the G-Shock by Casio represents.

Inspired by the GA-2100, the G-Shock x Central Cee GM-2110D is an analog-digital combination from the G-Steel series by Casio. The carefully forged and polished, evenly octagonal stainless steel bezel combines a simple, uncomplicated design with a sophisticated yet sturdy look. The G-Shock x Central Cee GM-2110D's case, made of high-strength glass-fiber-reinforced resin, is the slimmest of all G-Shock analog-digital models at just 11.8 mm. The stainless steel bracelet and metallic brass dial add a fresh pop of color and are the perfect companion on your wrist.

G-Shock x Central Cee GM-2110D-3AER - Features/Specifications:

• case size (L x W x H): 49.3 × 44.4 × 11.8 mm
• weight: approx. 146 g
• case and bezel material: resin/stainless steel
• stainless steel band with triple-fold one-touch clasp
• shock resistant
• water resistant to 20 bar
• glass: mineral glass
• band length: 150 to 205 mm
• Neobrite
• world time: 31 time zones (48 cities + coordinated universal time), summer time on/off
• stopwatch: 1/100 sec. stopwatch - measuring capacity: 00'00''00~59'59''99 (for the first 60 minutes) / 1:00'00~23:5 9'59 (after 60 minutes); unit of measurement: 1/100 sec. (for the first 60 minutes) / 1 second (after 60 minutes); measurement modes: elapsed time, split time, 1st-2nd place times
• timer: Countdown timer – unit of measure: 1 second; countdown range: 24 hours; countdown start time entry range: 1 second to 24 hours (in increments of 1 second, 1 minute, and 1 hour)
• alarm/hourly time signal: 5 daily alarms; hourly time signal
• lighting: double LED light; LED illumination for the dial (Super Illuminator, selectable illumination time (1.5 seconds or 3 seconds), afterglow); LED backlight for the digital display (Super Illuminator, selectable illumination time (1.5 seconds or 3 seconds), afterglow)
• light color: LED white
• calendar: fully automatic calendar (until 2099)
• mute function
• accuracy: ±15 seconds per month
• 12/24 hour format
• hand adjustment function (hands move to allow an unobstructed view of digital content)
• regular timekeeping: analog - 2 hands (hours, minutes > hands move every 20 seconds), 1 dial (day) / digital - hours, minutes, seconds, 12-hour clock (pm), month, date
G-Shock x Central Cee - GM-2110D-2AER
G-Shock x Central Cee
GM-2110D-2AER
299,95 €*
Available Sizes: One Size
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The G-Shock has long enjoyed great popularity in hip-hop circles, so it's a logical consequence to engage one of the most popular artists of the moment, Central Cee, for the latest collabo series. The rapper from West London not only regularly manages to stir up the charts, he is also a role model in terms of style awareness, whereby he likes to go his own path. Thus, Central Cee perfectly embodies the Built Different spirit that the G-Shock by Casio represents.

Inspired by the GA-2100, the G-Shock x Central Cee GM-2110D is an analog-digital combination from the G-Steel series by Casio. The carefully forged and polished, evenly octagonal stainless steel bezel combines a simple, uncomplicated design with a sophisticated yet sturdy look. The G-Shock x Central Cee GM-2110D's case, made of high-strength glass-fiber-reinforced resin, is the slimmest of all G-Shock analog-digital models at just 11.8 mm. The stainless steel bracelet and metallic brass dial add a fresh pop of color and are the perfect companion on your wrist.

G-Shock x Central Cee GM-2110D-2AER - Features/Specifications:

• case size (L x W x H): 49.3 × 44.4 × 11.8 mm
• weight: approx. 146 g
• case and bezel material: resin/stainless steel
• stainless steel band with triple-fold one-touch clasp
• shock resistant
• water resistant to 20 bar
• glass: mineral glass
• band length: 150 to 205 mm
• Neobrite
• world time: 31 time zones (48 cities + coordinated universal time), summer time on/off
• stopwatch: 1/100 sec. stopwatch - measuring capacity: 00'00''00~59'59''99 (for the first 60 minutes) / 1:00'00~23:5 9'59 (after 60 minutes); unit of measurement: 1/100 sec. (for the first 60 minutes) / 1 second (after 60 minutes); measurement modes: elapsed time, split time, 1st-2nd place times
• timer: Countdown timer – unit of measure: 1 second; countdown range: 24 hours; countdown start time entry range: 1 second to 24 hours (in increments of 1 second, 1 minute, and 1 hour)
• alarm/hourly time signal: 5 daily alarms; hourly time signal
• lighting: double LED light; LED illumination for the dial (Super Illuminator, selectable illumination time (1.5 seconds or 3 seconds), afterglow); LED backlight for the digital display (Super Illuminator, selectable illumination time (1.5 seconds or 3 seconds), afterglow)
• light color: LED white
• calendar: fully automatic calendar (until 2099)
• mute function
• accuracy: ±15 seconds per month
• 12/24 hour format
• hand adjustment function (hands move to allow an unobstructed view of digital content)
• regular timekeeping: analog - 2 hands (hours, minutes > hands move every 20 seconds), 1 dial (day) / digital - hours, minutes, seconds, 12-hour clock (pm), month, date
G-Shock x Central Cee - GM-2110D-7AER
G-Shock x Central Cee
GM-2110D-7AER
299,95 €*
Available Sizes: One Size
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The G-Shock has long enjoyed great popularity in hip-hop circles, so it's a logical consequence to engage one of the most popular artists of the moment, Central Cee, for the latest collabo series. The rapper from West London not only regularly manages to stir up the charts, he is also a role model in terms of style awareness, whereby he likes to go his own path. Thus, Central Cee perfectly embodies the Built Different spirit that the G-Shock by Casio represents.

Inspired by the GA-2100, the G-Shock x Central Cee GM-2110D is an analog-digital combination from the G-Steel series by Casio. The carefully forged and polished, evenly octagonal stainless steel bezel combines a simple, uncomplicated design with a sophisticated yet sturdy look. The G-Shock x Central Cee GM-2110D's case, made of high-strength glass-fiber-reinforced resin, is the slimmest of all G-Shock analog-digital models at just 11.8 mm. The stainless steel bracelet and metallic brass dial add a fresh pop of color and are the perfect companion on your wrist.

G-Shock x Central Cee GM-2110D-7AER - Features/Specifications:

• case size (L x W x H): 49.3 × 44.4 × 11.8 mm
• weight: approx. 146 g
• case and bezel material: resin/stainless steel
• stainless steel band with triple-fold one-touch clasp
• shock resistant
• water resistant to 20 bar
• glass: mineral glass
• band length: 150 to 205 mm
• Neobrite
• world time: 31 time zones (48 cities + coordinated universal time), summer time on/off
• stopwatch: 1/100 sec. stopwatch - measuring capacity: 00'00''00~59'59''99 (for the first 60 minutes) / 1:00'00~23:5 9'59 (after 60 minutes); unit of measurement: 1/100 sec. (for the first 60 minutes) / 1 second (after 60 minutes); measurement modes: elapsed time, split time, 1st-2nd place times
• timer: Countdown timer – unit of measure: 1 second; countdown range: 24 hours; countdown start time entry range: 1 second to 24 hours (in increments of 1 second, 1 minute, and 1 hour)
• alarm/hourly time signal: 5 daily alarms; hourly time signal
• lighting: double LED light; LED illumination for the dial (Super Illuminator, selectable illumination time (1.5 seconds or 3 seconds), afterglow); LED backlight for the digital display (Super Illuminator, selectable illumination time (1.5 seconds or 3 seconds), afterglow)
• light color: LED white
• calendar: fully automatic calendar (until 2099)
• mute function
• accuracy: ±15 seconds per month
• 12/24 hour format
• hand adjustment function (hands move to allow an unobstructed view of digital content)
• regular timekeeping: analog - 2 hands (hours, minutes > hands move every 20 seconds), 1 dial (day) / digital - hours, minutes, seconds, 12-hour clock (pm), month, date
Braun - Armbanduhr Klassik BN0211
Braun
Armbanduhr Klassik BN0211
223,96 €* 319,95 € -30%
Available Sizes: One Size
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Another legendary design by Braun. If you love retro accessories, you'll definitely dig this smart item by Braun since it's a faithful replica of an undisputed classic.

Braun Armbanduhr BN0211 - features:

• classic wristwatch design
• 3 finger quartz movement
• 3 ATM waterproof
• matte stainless steel case
• tailor-made screws at the bottom of the case
• scratch-resistant mineral glass
• stainless steel mesh band Milanaise
• Ø 38 mm x D 6.5 mm
Timex Archive - Q Timex Falcon Eye Chronograph
Timex Archive
Q Timex Falcon Eye Chronograph
219,95 €*
Available Sizes: One Size
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Following on the heels of Q Timex® 1979 reissue, the Timex Archive Q Timex Falcon Eye Chronograph pays homage to its predecessor by mirroring some of the most quintessential details that you already know and love—a period-correct 40 mm stainless-steel case and coordinating 3-link stainless-steel bracelet, dimensional applied indices, domed acrylic crystal, functional battery hatch, and date window. Timex has updated this refined timepiece with a chronograph movement for tracking elapsed time, but at the end of the day, it’s the striking blue Côtes de Genève dial that steals the show, flashing a unique wave of texture with your every movement.

Timex Archive Q Timex Falcon Eye Chronograph - Features/Specs:

• Band Material: Stainless Steel
• Buckle/Clasp: Clasp (Deployment)
• Adjustable Stainless Steel Bracelet: The stainless-steel bracelet can be adjusted for a custom fit.
• Case Diameter: 40 mm
• Case Finish: Brushed/Polished
• Case Height: 12 mm
• Case Material: Stainless Steel (Stainless-steel is highly resistant to scratches, corrosion, and tarnish, ensuring your watch remains in excellent condition over time. It's also hypoallergenic and incredibly strong.)
• Case Shape: Round
• Case Size: Full Size
• Crystal Lens: Acrylic
• Date Window: This watch dial incorporates a date window, offering convenient access to the current date.
• Dial Markings: Markers (Full)
• Strap and Lug Width: 18 mm
• Watch Movement: Quartz Analog
• Water Resistant to 50 Meters: This watch is suitable for light swimming. It's not suitable for snorkelling, or poolside diving. To maintain water resistance, do not press any buttons while underwater.
• Fits Wrist Circumferences 150 - 205 mm
Timex Archive - Q Timex Falcon Eye Chronograph
Timex Archive
Q Timex Falcon Eye Chronograph
219,95 €*
Available Sizes: One Size
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Following on the heels of Q Timex® 1979 reissue, the Timex Archive Q Timex Falcon Eye Chronograph pays homage to its predecessor by mirroring some of the most quintessential details that you already know and love—a period-correct 40 mm stainless-steel case and coordinating 3-link stainless-steel bracelet, dimensional applied indices, domed acrylic crystal, functional battery hatch, and date window. Timex has updated this refined timepiece with a chronograph movement for tracking elapsed time, but at the end of the day, it’s the striking blue Côtes de Genève dial that steals the show, flashing a unique wave of texture with your every movement.

Timex Archive Q Timex Falcon Eye Chronograph - Features/Specs:

• Band Material: Stainless Steel
• Buckle/Clasp: Clasp (Deployment)
• Adjustable Stainless Steel Bracelet: The stainless-steel bracelet can be adjusted for a custom fit.
• Case Diameter: 40 mm
• Case Finish: Brushed/Polished
• Case Height: 12 mm
• Case Material: Stainless Steel (Stainless-steel is highly resistant to scratches, corrosion, and tarnish, ensuring your watch remains in excellent condition over time. It's also hypoallergenic and incredibly strong.)
• Case Shape: Round
• Case Size: Full Size
• Crystal Lens: Acrylic
• Date Window: This watch dial incorporates a date window, offering convenient access to the current date.
• Dial Markings: Markers (Full)
• Strap and Lug Width: 18 mm
• Watch Movement: Quartz Analog
• Water Resistant to 50 Meters: This watch is suitable for light swimming. It's not suitable for snorkelling, or poolside diving. To maintain water resistance, do not press any buttons while underwater.
• Fits Wrist Circumferences 150 - 205 mm
Braun - Classic BN0031
Braun
Classic BN0031
199,95 €*
Available Sizes: One Size
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The Braun wristwatch BN0032 combines a distinctive look with a modern profile. The concept of this ladies wristwatch by Braun stands for comfort and clear time display.

Braun Armbanduhr BN0031 - features:

• analog 3 finger quartz movement
• matte stainless steel case
• 5 ATM waterproof
• scratchproof mineral glas
• Milanaise mesh band made from stainless steel
• measures: 33 mm diameter x 8 mm case height
G-Shock - GM-2100-1AER
G-Shock
GM-2100-1AER
199,95 €*
Available Sizes: One Size
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G-Shock GM-2100-1AER - Features/Specifications:
• LED light
A light-emitting diode (LED) is used to illuminate the watch face.
• Shock-resistant
Shock-resistant construction protects against impact and vibration.
• Neo-display
A luminous coating provides long-term illumination in the dark after only a short exposure to light.
• World time function
Displays the current time in major cities and specific areas around the world.
• Stopwatch function - 1/100 sec. - 24 hours
Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 24 hours.
• Timer - 1/1 sec. - 24 hours
For fans of precision: the countdown timers help you to remember specific or recurring events by giving off an audible signal at a preset time. They The time can be set to the nearest second and up to 24 hours in advance.
• 5 daily alarms
The daily alarm reminds you about recurring events with an acoustic signal at the time you have set. This model has 5 independent alarms for flexible reminders of important appointments.
• Hand Moving Function
With a push of a button, hands are moving and permit a free visibility of functions like stopwatch or date.
• Button tones on/off
The button tones for using the mode button can be turned off. This means that the watch no longer beeps when switching from one function to another. Preset alarm or countdown timers remain active when the button tones are deactivated.
• Automatic calendar with Date, Day and Month
Once set, the automatic calendar always displays the correct date.
• 12/24-hour timekeeping
Times can be displayed in either a 12-hour or 24-hour format.
• Mineral glass
The tough mineral glass resists scratching.
• Glass fiber reinforced resin case combined with stainless steel
The combination of stainless steel and glass fiber reinforced resin supports the stability of the watch and provides a better wearing comfort.
• Resin band
Synthetic resin is the ideal material for wrist straps thanks to its extremely durable and flexible properties.
• Buckle
The bracelet is equipped with a buckle.
• 3 Years - 1 Battery
The battery supplies the watch with sufficient energy for approx. three years.
• Water resistance classification (20 bar)
Perfect for free diving without scuba gear: the watch is water resistant up to 20 bar according to ISO 22810.
• Dimensions (H x W x D): 49.3 x 44.4 x 11.8 mm
• Weight: approx. 72 g
Timex x seconde/seconde/ - Q Timex Seconce Seconde Loser
Timex x seconde/seconde/
Q Timex Seconce Seconde Loser
181,96 €* 259,95 € -30%
Available Sizes: One Size
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Timex is back with seconde/seconde/ and the Loser collection. The Timex x seconde/seconde/ Q Timex is an update to a ‘70s Q Timex is complete with a customized second hand and unique dial markings, clearly branding your "Ex" as the "Loser". But beware, while the Timex x seconde/seconde/ Q Timex watch can definitely be some sort of a remedy for a hard break-up, just be warned that aside from soothing the wound, it could also hurt a bit. The ‘L’ hand takes an unexpected turn, pointing towards you every minute. Anyway, your ex is a loser and the Q Timex x seconde/seconde/ Loser collection agrees!

Timex x seconde/seconde/ Q Timex Seconce Seconde Loser - features/specs:

• Domed Acrylic Crystal
• Luminant Hands
• Case Width: 38 mm
• Case Material: Stainless Steel
• Band: Stainless Steel
• Self-Adjustable Clasp
• Case Finish: Brushed/Polished
• Crystal/Lens: Acrylic
• Dial Markings: Markers (Full)
• Water Resistance: 50 meters
• Top Ring Material: Aluminum
• Case Height: 11.5 mm
• Strap and Lug Width: 18 mm
Casio - A1000MGA-5EF
Casio
A1000MGA-5EF
149,95 €*
Available Sizes: One Size
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Casio A1000GA-5EF - features/specifications:
• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.
• Safety Catch: Always reliable: This watch has a particularly secure safety catch, which helps prevent the strap from opening by mistake.
• Water resistance classification (WR) to ISO 22810: This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.
• Daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.
• Stainless steel band & solid stainless steel case: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.
• 3 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. three years.
• Illuminator: An electro-luminescent panel causes the entire face to glow for easy reading.
• Mineral glass: The tough mineral glass resists scratching.
• Automatic calendar with Date, Day and Month: Once set, the automatic calendar always displays the correct date.
• Stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.
• Case with IP finish: The case of the watch is coated by the so-called "ion plating" process consuming and offers the advantage of increased scratch resistance.
• Bracelet with IP finish: The bracelet is coated by the so-called "ion plating" process consuming and offers the advantage of increased scratch resistance.
• Chronometric precision: +/- 15 Seconds per month
• Battery type: CR1616
• Measures (H x W x D): approx. 39.6 x 38 x 7.3 mm
• Weight: 82 g
Timex Archive - Q Timex LCA Reissue Watch
Timex Archive
Q Timex LCA Reissue Watch
149,95 €*
Available Sizes: One Size
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Call us nostalgic, but we love digging into the Timex archives. This time we found a digital watch from the late 80s Timex just brought back. The Q Timex Reissue Digital LCA recreates the original design right down to the unique digital/analog display. Timex has updated this watch with a stainless-steel case, but kept the pre-INDIGLO® single-bulb backlight for a truly retro vibe.

Timex Archive Q Timex LCA Reissue Watch - Features/Specs:

• Stainless Steel Watch Case
• Adjustable Stainless Steel Bracelet
• Chronograph Watch
• Customizable Alarm
• 60 Minutes Countdown Timer
• Water Resistant to 30 Meters
• Case Material: Stainless Steel
• Band: Stainless Steel
• Buckle/Clasp: Clasp (Self-Adjust)
• Case Finish: Brushed/Polished
• Crystal/Lens: Mineral Glass
• Dial Color: Digital
• Dial Markings: Digital
• Watch Movement: quartz digital
• Case Width: 32.5 mm
• Case Height: 9 mm
• Strap and Lug Width: 20 mm
Numark - M2 BLACK
Numark
M2 BLACK
149,00 €*
 
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M2 is a two-channel DJ scratch mixer with all the essentials to hit the stage in Numark style.

FEATURES

Inputs: two phono/line switchable (RCA), two line (RCA), mic (1/4")
Outputs: Master (RCA), Record (RCA), Headphone (1/4" stereo)
Three-band EQ and gain on each channel
EQ and gain on mic channel
Replaceable crossfader with reverse and slope-controls
Crossfader-style cueing

Switchable phono/line inputs for turntables, CD players, and other line sources make M2 a superb choice for any DJ setting from weddings to clubs, parties to practice setups. A mic input with dedicated EQ and gain, and a headphone output with crossfader-style cueing complete the plentifully featured package.

Three-band EQ on each channel plus crossfader-reverse and slope controls give you all the tools you need to drive your audience from behind the wheels of steel. M2 is the perfect mixer for any scratch DJ.

Product Dimensions: 11.4" x 9.5" x 3.6"

Manual: http://www.numark.com/images/product_downloads/m2_quickstart_guide_v1_0.pdf
The Libertines - Up The Bracket 20th Anniversary Deluxe Box Edition
The Libertines
Up The Bracket 20th Anniversary Deluxe Box Edition
Box Set | 2002 | UK | Reissue (Rough Trade)
136,99 €*
Release: 2002 / UK – Reissue
Genre: Rock & Indie
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To celebrate the release of their astonishing debut album, Up The Bracket, The Libertines are releasing a 20th Anniversary Edition on multiple formats, through Rough Trade, on October 21st 2022.

In addition to a remaster of the original Up The Bracket album, produced by Mick Jones (The Clash), the Super Deluxe Edition also includes a remarkable 65 previously unreleased recordings including many original demos, radio sessions and live recordings all helping to chart the making of Up The Bracket, plus a live recording from the 100 club in 2002. It also contains a 60 page book with a forward by Matt Wilkinson, new interviews with the band by Anthony Thornton and many unseen photos and memorabilia. Up The Bracket arrived like a raging bull in a tired post-Britpop china shop and introduced the world to The Libertines, a new gang of London bohemians, whose ragged tunes, red military tunics, opiated poetry and ‘live now pay never’ lifestyle came to define the millennial angst of the early noughties. At the heart of the band is the blood bond bromance between the ramshackle Music Hall Jagger/Richards, Peter Doherty and Carl Barat, ably assisted by the rock solid rhythm twins John Hassall and Gary Powell. Any bookie worth his salt would have given you short odds on this quartet surviving more than a month or two, given the teetering on the brink lifestyle they chose to lead, but here we are two decades later and our Byronic heroes, though older and wiser, are still fighting the good fight and making music every bit as vital as their debut. The belief, talent and fervour that Doherty spoke of in their earliest manifesto has stood them in good stead. Up The Bracket, justly considered one of the greatest albums of the noughties, was originally released on October 21st 2002 by Rough Trade Records. The album, a heady stew of indie rock, skiffle, blues, dub and English bucolic pop, was a huge shot in the arm to a largely redundant music scene and helped to inspire the rebirth of guitar music, going on to influence countless artists who followed in its wake. Up The Bracket, which was produced by Mick Jones of The Clash, takes you on a wondrously poetic journey into the band’s mythical world and their fevered dreams of Albion, a land of squalid glamour, liberty, equality, fraternity, gin palaces and chip shops. Quite simply Pete, Carl, Gary and John created a hugely compelling timeless British rock'n'roll classic debut as relevant now as it was upon its release.
A Tribe Called Quest - Classic Albums HHV Bundle
A Tribe Called Quest
Classic Albums HHV Bundle
4xLP | 2012 | US | Reissue (Jive)
129,99 €*
Release: 2012 / US – Reissue
Genre: Hip Hop
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The ultimate nice price ATCQ bundle, consisting of the band's first 4 albums: 1990's "People's Instinctive Travels And The Paths Of Rhythm", 1991's "The Low End Theory", 1993's "Midnight Marauders" and 1996's "Beats, Rhymes And Life".
The Heads - Under Sided Deluxe Edition
The Heads
Under Sided Deluxe Edition
Box Set | 2022 | UK | Reissue (Rooster)
124,99 €*
Release: 2022 / UK – Reissue
Genre: Rock & Indie
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Originally released in 2002 on the Sweet Nothing label (snlp/cd 11), Under Sided was recorded in 2001 at WhiteHouse Studios in Weston Super Mare, with Martin Nichols engineering. The band had previously recorded tracks for Mans Ruin 10” at these studios (also famous for Ripcord, Heresy, Slowdive, Hardskin, Decadence Within, Icehouse.. amongst many others!). For the reissue, the original recordings were remastered for vinyl and CD by long time Heads Masterer (!) Shawn Joseph. The resultant 8 tracks, spread over 4 sides of vinyl are some of the best music the Heads have recorded, after a bit of a hiatus following their 2000 US tour / Peel session (included in the boxset / on the 2CD version here), the band regrouped and worked out the tracks for the album, relentless rehearsing for the recording. Very few shows happened in that 2001-2002 timeframe.. band members were busy, earning a living, getting on with life, but they still had some riffs/songs there. Upon release in 2002 the album got great reviews in the press, from Kerrang and Mojo to the Sunday Times, all helping the Bristol fourpiece confirm their cult status, which has continued to current times.. The remastered album is being reissued as a 4LP + 2CD boxset. The extra 2LP features their Peel session from 2000, as well as a couple of compilation tracks (For Mad Men Only / Born To Go), and some unreleased demo versions, as well as 2 exclusive to this set CDS that feature nearly 150 minutes of Live recordings (mastered, but RAW!) from their gigs on the Thekla in Bristol and rehearsal room tapes in 2001 and 2002. The boxset will also have a special slip-mat, stickers, and a 24 page booklet of photos /writings, including recollections by each band member, and others including Stewart Lee. Under Sided is a pounding sike-nightmare that shows the Heads at the peak of their powers, there’s a flow throughout the album of melding psychedelic noise rock to unrelentin rhythms and creating a bad trip for all listening.. open battering-ram “Dissonaut” is a staple in their live shows to this day… even the gentle sooth of “Energy” is enveloped by a white noise fury.. the intensity of some of the tracks: the terror inducing “Bedminster” or “False Heavy” (a tour worn riffmonger from 2000) or the Magnet-esque “Heavy Sea”, showed the band as ferocious as any of the insurgent “stoner” genre of that time. They were never going to make their living out of touring, record sales… as Hugo mentions in his notes for the booklet, “.. we had less boundaries and felt we could experiment more and not worry about commerciality…” but they were able to make this album.
Braun - Armbanduhr Klassik BN0031
Braun
Armbanduhr Klassik BN0031
119,96 €* 159,95 € -25%
Available Sizes: One Size
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The Braun wristwatch BN0032 combines a distinctive look with a modern profile. The concept of this ladies wristwatch by Braun stands for comfort and clear time display.

Braun Armbanduhr BN0031 - features:

• analog 3 finger quartz movement
• matte stainless steel case
• 5 ATM waterproof
• scratchproof mineral glas
• Milanaise mesh band made from stainless steel
• measures: 33 mm diameter x 8 mm case height
BABY-G - BGD-5650-1ER
BABY-G
BGD-5650-1ER
119,95 €*
Available Sizes: One Size
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Baby-G BGD-5650-1ER - Features/Specifications:
• Illuminator
The backlight illuminates the total display by a push of a button.
• Shock-resistant
Shock-resistant construction protects against impact and vibration.
• Display Flasher
A light diode flashes as soon as an alarm, a countdown-time or the hour signal has been reached.
• Stopwatch function - 1/100 sec. - 24 hours
Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 24 hours.
• Timer - 1/1 min. - 24 hours (with automatic repeat)
For fans of precision: the countdown timers help you to remember specific or recurring events by giving off an audible signal at a preset time. They then count back automatically from the preset time. The time can be set to the nearest minute and up to 24 hours in advance. Ideal for people who need to take medicines every day or those who do interval training.
• Multi alarm
This model is equipped with a multifunctional alarm. This clock has the perfect alarm for any type of appointment. The model is equipped with a total of four repeat alarms: 1. Daily alarm, sounds at the same time each day, 2. Date alarm, e.g. to help you remember birthdays, 3. Monthly alarm, sounds on the same day at the same time each month, 4. Alarm for every day of a particular month.
• Automatic calendar with Date, Day and Month
Once set, the automatic calendar always displays the correct date.
• 12/24-hour format
Times can be displayed in either a 12-hour or 24-hour format.
• Mineral glass
The tough mineral glass resists scratching.
• Stainless steel resin case
The case is a combination of stainless steel and resin what the clock elegant, robust yet lightweight makes.
• Resin band
Synthetic resin is the ideal material for wrist straps thanks to its extremely durable and flexible properties.
• Buckle
The bracelet is equipped with a buckle.
• 3 Years - 1 Battery
The battery supplies the watch with sufficient energy for approx. three years.
• Water resistance classification (10 bar)
Perfect for swimming and snorkelling: the watch is water resistant to 10 bar according to ISO 22810.
• Dimensions (H x W x D): 42.1 mm x 37.9 mm x 11.3 mm
• Weight: approx. 30 g
Timex Archive - Q LCA Transparent
Timex Archive
Q LCA Transparent
99,95 €*
Available Sizes: One Size
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Call Timex nostalgic, but they love digging into their archives. This time Timex found a digital watch from the late 1980s they just had to bring back. The Q Timex Reissue Digital LCA recreates the original right down to the unique digital/analog display. Timex updated this retro watch with a translucent plastic band and a stainless-steel case, but kept the pre-INDIGLO® single-bulb backlight for a truly retro vibe.

Timex Archive Q LCA Transparent - Features/Specs:

• Band Material: Plastic
• Buckle/Clasp: Buckle
• Case Diameter: 32.5 mm
• Case Finish: Brushed/Polished
• Case Height: 9 mm
• Case Material: Stainless Steel
• Case Shape: Square
• Case Size: Full Size
• Crystal Lens: Mineral Glass
• Dial: Digital
• Strap and Lug Width: 20 mm
• Watch Movement: Quartz Digital
• Water Resistance: 30 meters
Casio - A168WEUC-1AER "UNO"
Casio
A168WEUC-1AER "UNO"
99,95 €*
Available Sizes: One Size
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The design of the Casio x UNO pays homage to the card game of the seventies, long before digital watches celebrated their breakthrough. Here, what belongs together comes together: the mix of metallic case and the typical contrasting UNO card deck colours gives the watch a playful, timeless retro look.
The integrated stopwatch function allows you to beat your opponent not only skilfully, but also on time. If you lose track of time during a match, don't worry: the automatic calendar function reminds you which decade you're in. Gambling into the night? At the touch of a button, the display lights up the retro dial in no time at all - goodbye poor lighting conditions and UNO!

Casio x UNO - Features/Functions:

• illuminator: An electro-luminescent panel causes the entire face to glow for easy reading.
• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.
• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.
• automatic calendar: Once set, the automatic calendar always displays the correct date.
• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.
• acrylic glass
• chrome-plated resin case with screwed stainless steel case back
• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.
• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.
• 7 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. seven years.
• water resistance classification (WR) to ISO 22810: This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.
• accuracy: +/- 30 sec seconds per month
• dimensions: approx. 38.6 x 36.3 x 9.6 mm (H x W x D)
• weight: approx. 49 g
Timex Archive - Q LCA Transparent
Timex Archive
Q LCA Transparent
99,95 €*
Available Sizes: One Size
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Call Timex nostalgic, but they love digging into their archives. This time Timex found a digital watch from the late 1980s they just had to bring back. The Q Timex Reissue Digital LCA recreates the original right down to the unique digital/analog display. Timex updated this retro watch with a translucent plastic band and a stainless-steel case, but kept the pre-INDIGLO® single-bulb backlight for a truly retro vibe.

Timex Archive Q LCA Transparent - Features/Specs:

• Band Material: Plastic
• Buckle/Clasp: Buckle
• Case Diameter: 32.5 mm
• Case Finish: Brushed/Polished
• Case Height: 9 mm
• Case Material: Stainless Steel
• Case Shape: Square
• Case Size: Full Size
• Crystal Lens: Mineral Glass
• Dial: Digital
• Strap and Lug Width: 20 mm
• Watch Movement: Quartz Digital
• Water Resistance: 30 meters
Danish Radio Big Band - Xl-Lx
Danish Radio Big Band
Xl-Lx
Box | 2024 | Original (Storyville)
97,99 €*
Release: 2024 / Original
Genre: Organic Grooves
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Preorder shipping from 2024-11-01
V.A. - Cocoon Compilation U 6x12" Purple Vinyl Edition
V.A.
Cocoon Compilation U 6x12" Purple Vinyl Edition
6LP | 2023 | Original (Cocoon)
96,99 €*
Release: 2023 / Original
Genre: Electronic & Dance
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Long-awaited, finally Cocoon Recordings is back with its renowned Cocoon Compilation. The iconic series continues with the 21st edition “Compilation U” and brings top-notch artists together as usual, providing zeitgeist and versatile sound. From deep and hypnotic techno beats to uplifting and euphoric melodies, there is something for everyone. Whether you're a seasoned clubber or a casual listener, this album is guaranteed to get your heart racing and your feet moving.

New Jackson conjures a beautiful beginning into existing with a spheric acidic micro house opener. Melancholic harmonies combine with spacy "Acid Jackson" vocoder parts while the bouncing sequence gives this track an exceptional unique mood. A musical journey that could go on forever. Next up is German house legend Ian Pooley. “DDG Talk” offers distinctive funk with a deep grooving rhythm. Synth parts ring out like tightly stretched rubber bands and you can literally hear Ian’s love for special analog curiosities. Complex modulations add to the charm of this piece and lead to a nifty production with a certain vintage charm. Sweet vibes that fit almost any moment. The impulsive deep tech track “Il Rotori”

then welcomes us to the circus ring and shows us the attraction of the virtuoso. Grinding hi-hats shake up and down alongside progressive sequences to form a cloud of happy frequencies. A sweet memory that lifts the energy of the moment and is reminiscent of a sunset on a beloved island.

DJ Tennis smoothly takes us to the next phase with a warm musical embrace. The bassline with Italian flavor grooves true to form, recalling the early 2000s. The perfect accompaniment for a sundowner. Shimmering zap sounds, hitting stabs, and energetic vocals that command us to “Take It, Take It” as we will for sure! Drumcomplex & Frank Sonic get things rolling with “Lacalute” serving hypnotic shaker patterns and a charismatic synthesizer sequence. Sven has already been playing this tune on heavy rotation since the beginning of the year. So, let’s head off on a thrilling trip with lightspeed. Get on the high-tension lift, next stop: peak time! The wild ride continues with a remarkable techno track from Michael Klein, primed to fill the main floor with a significant sound pressure level. “Time Warp” is a warehouse monster that offers a powerful bassline groove, a booming bass drum, and pulse-width synth madness, so time appears to move unpredictably.

Motoring on, a UK Rave 90s breakbeat rhythm – brought into the future with the perfect zeitgeist. Benjamin Damage is a hardware lover without a doubt, his machines seem to be an extension of his soul, which can be clearly heard in his sound. “Light” appears in wonderful harmony, and the blissful string sounds beam us out of the galaxy. Magical female vocal parts add the final touch, Benjamin did it again right down to the last detail. Balm for the soul from Levon Vincent, this tune is made for open air. The melancholic energy fluctuates between hope and summertime sadness but leaves us with a warm and fuzzy feeling. We reach a high energy level due to the radiant synth hook line and the pure 909 techno beat gains the underground feeling of the track in contrast to its comprehensiveness. Coming up next is “Cold Tuning” by Space Dimension Controller. It’s a timeless sci-fi saga, nostalgic and futuristic at the same time. Dreamy synth pads take us into another world and dimensions quickly rush by. A beautiful and touching atmosphere evolves, and the slightly off-key sensual string harmonies are predestined to generate emotions. A fast floating 808 kick expedites the spaceship beyond infinity. Mission accomplished!

Entering the final stage, no one less than Orlando Voorn spreads happiness all over. Orlando’s particular shuffle rhythm paired with alien reverbed synthesizer stabs form the basis of “Samurai”. But the outstanding feature is especially the noisy gritty bit-crushed synth hook line in connection with energetic and graceful vocal samples. As the penultimate, Marco Faraone & The Florentian Cabaret serve a playful and harmonious composition with 80s charm, which clearly stands out from their independent releases. Lovely organ sounds are layered with shimmering Roland-Jupiter-like synth pads, bringing everybody back together on the dance floor in the morning hours. To close things out, of course, we need an after-hour vibe provided by a stripped-down minimalistic groove from Fango. “Betta” invites you to close your eyes and let yourself go due to its hopeful carpet of sound and love designed to stimulate your soul. It’s a deep immersion in emotions and the perfect ending for this year's compilation.

Experience the magic for yourself, each track takes you on a journey through different emotions and moods, leaving you breathless and wanting more. From the moment you press play, you will be transported into a world filled with pulsating beats, hypnotic rhythms, and mind-bending soundscapes. But what makes this release truly special is its ability to surprise you at every turn. Just when you think you have heard it all, a new track comes along and blows your mind. Compilation U is a seamless blend of cutting-edge production and timeless musicality. “U” like ultimate music collection that will transport you into a world of pure sonic bliss.
Pere Ubu - Nuke The Whales 2006-2014 Box Set
Pere Ubu
Nuke The Whales 2006-2014 Box Set
4LP | 2022 | UK | Original (Fire)
94,99 €*
Release: 2022 / UK – Original
Genre: Rock & Indie
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Ltd edition box set, 4xLP + Poster & DL card.Rewriting the history of music, Pere Ubu continue to confound convention and shift personnel. The next box set in Fire Records' reissue series, 'Nuke The Whales' houses 4 LPs originally released between 2006 and 2014 - 'Why I LUV Women', 'Carnival Of Souls', 'Lady Of Shanghai' and 'Long Live Pere Ubu!'. 'Nuke The Whales,' is a nod of respect to a couple in Cleveland who would daub such messages over the big news stations' advertising boards. "Very few bands display such dedication to constant self-reinvention as Pere Ubu" The QuietusAll four albums have been remixed and remastered by original Pere Ubu member David Thomas. 'Why I LUV Women', originally released on Glitterhouse in 2006, gains its first vinyl release. "Spews 11 tunes of arcane lyrics and dense music" shrieked The Cleveland Gazaette.It's joined by 'Long Live Pere Ubu' a soundtrack to a musical adaptation of the play. "Skronking, squalling rhythms and melodic snippets undulating round a pulsating soundscape." Record CollectorAnd 'Lady From Shanghai', their debut for Fire in 2013. Originally released on the 35th anniversary of the group's debut, 'The Modern Dance', a latter day re-evaluation of the unprompted dance genre.And its follow up 'Carnival Of Souls', a haunting "underscore' to a tale of alienation, it "combines metallic percussion, spare guitars and David Thomas' muttered vocals into something rustic and rickety, yet threatening at a moment's notice." AllMusic
The Beach Boys - Pet Sounds 45RPM, 200g Vinyl Mono Edition
The Beach Boys
Pet Sounds 45RPM, 200g Vinyl Mono Edition
2LP | 2017 | US | Original (Analogue Productions)
90,99 €*
Release: 2017 / US – Original
Genre: Pop
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To meet the standards of Analogue Productions, our Beach Boys album reissues had a mission to achieve: Present the band's music the way that Brian Wilson — famed co-founder, songwriter and arranger — intended. Mono mixes created under Wilson’s supervision were how the surf rockin’ California crew rose to fame! And we’ve got ‘em!
For the early part of the Beach Boys' career, all of their singles were mixed and mastered and released only in the mono format — they didn't release a single in stereo until 1968. In those days, hits were made on AM radio in mono. And the mono of those times worked well for Wilson, who suffers from partial deafness. In fact, for their first 13 albums, Wilson originally turned in all the final mixed Beach Boy albums to Capitol Records only in mono. The mono mixes were where Wilson paid intense attention, and the dedication paid off!
We’ve taken 10 of the most classic, best-sounding Beach Boy titles ever and restored them to their mono glory!
But there’s no disputing that the close harmonies and one-of-a-kind rhythms of hits like “Surfer Girl”, “In My Room”, “Little Deuce Coupe” and more lend themselves naturally to stereo. So we’ve got your 2-channel needs covered with prime stereo mix versions as well.
Mastered by Kevin Gray, most from the original master tapes, and plated and pressed by Quality Record Pressings, the finest LP pressing facility in the world, these are awesome recordings to experience. And the look of each album befits its sonic superiority! Presented in 'old school' Stoughton tip-on jackets, these time honored favorites shine brighter than the originals!
"Pet Sounds" is famous for its use of multiple layers of unorthodox instrumentation as well as other cutting edge audio techniques for its time. It's considered the best Beach Boys album, and one of the best of the 1960s. The group here reached a whole new level in terms of both composition and production, layering tracks upon tracks of vocals and instruments to create a richly symphonic sound.
Conventional keyboards and guitars were combined with exotic touches of orchestrated strings, bicycle bells, buzzing organs, harpsichords, flutes, Theremin, Hawaiian-sounding string instruments, Coca-Cola cans, barking dogs, and more. It wouldn't have been a classic without great songs, and this has some of the group's most stunning melodies, as well as lyrical themes which evoke both the intensity of newly born love affairs and the disappointment of failed romance (add in some general statements about loss of innocence and modern-day confusion as well). The spiritual quality of the material is enhanced by some of the most gorgeous upper-register male vocals (especially by Brian and Carl Wilson) ever heard on a rock record. "Wouldn't It Be Nice", "God Only Knows", "Caroline No", and "Sloop John B" (the last of which wasn't originally intended to go on the album) are the well-known hits, but equally worthy are such cuts as "You Still Believe in Me", "Don't Talk", "I Know There's an Answer", and "I Just Wasn't Made for These Times". It's often said that this is more of a Brian Wilson album than a Beach Boys recording (session musicians played most of the parts), but it should be noted that the harmonies are pure Beach Boys (and some of their best).
VH-1 named "Pet Sounds" as the No. 3 album in the Top 100 Albums in Rock 'n' Roll History, as judged in a poll of musicians, executives and journalists. It's been ranked No. 1 in several music magazines' lists of the greatest albums of all time, including NME, The Times and Mojo Magazine. It was ranked No. 2 in Rolling Stone's 500 Greatest Albums of All Time list.

Recording: in mono
Roland - Rhythm Composer Dyed Crewneck Sweater
Roland
Rhythm Composer Dyed Crewneck Sweater
89,99 €*
Available Sizes: M, XL, 2XL
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The Roland Rhythm Composer Dyed Crewneck Sweater´s features include:
• rib crew neck with interior tape
• Rhythm Composer lettering embroidered on chest
• stretch rib cuffs and bottom band
• additional Roland branding at left sleeve
• relaxed fit
• heavyweight 14 oz/yd² brush-back fleece made from 100% US grown cotton (pre-washed for a no-shrink true fit)
Niagara - 50th Anniversary Edition Boxset
Niagara
50th Anniversary Edition Boxset
3LP | 2022 | EU | Original (Everland Psych)
89,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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50th anniversary boxset containing all three Niagara albums, released in a limited edition of 500 copies, housed in a wooden Box - Colored Vinyl

Niagara - Niagara: Niagara was more a project than an actual band formed by German jazz drum legend Klaus Weiss. He formerly worked with another jazz legend from his mother country, Klaus Doldinger and gained fame in the German jazz circuit of the 60s and 70s. His 1971 works with Niagara was the offspring of the vision to create an orchestra made entirely of drummers and percussionists. Despite the fact that there is definitely no regular melody instrument to be heard on this album, the two lengthy compositions are arranged in such an enthralling way, that they have a rather catchy and memorable feel. Among the cult drummers featured on this album are Udo Lindenberg (yes, this icon of German rock and pop started as a drummer!) and session hero Keith Forsey. So what both compositions offer is an ever pulsating rhythm inferno, a maelstrom of different grooves and sounds. If you go for this album to find some pop tunes, you better change your mind. If you wish to be enchanted and hypnotized by a massive wall of percussion sounds and be dragged deeper and deeper into a state of trance, which is utterly addictive, you are welcome. This album goes deeper as most psychedelic rock with dreamy melodies and heavy organ work. You cannot compare it to anything else, so open your mind for the ultimate rhythm experience and join in if you dare. Only if you dare.

Niagara - S.U.B.: Rhythm master Klaus Weiss knew he had a good thing going with Niagara. The first album was a gathering of every outstanding drummer and percussionist he could get hold of and despite the fact that there were only rhythm instruments featured , it became quite a memorable and unique record. Now for the second album “S.U.B.” he felt he had to go other ways, and recorded with a complete rock outfit plus the one or another brass instrument. ‘S.U.B.’ is definitely worth being traded for 180,00 Euros and more among collectors for a clean original and when the needle hits the groove you will realize why. There is a tightly woven web of rhythms from drums and percussions, as the solid and ever pulsating base with a laid back but really present bass guitar adding more depth and power to the beats and clean rhythm guitars with a nifty wah wah effect for the extra kick. From time to time the guitars fire off a memorable steaming riff on top of the rhythm pulse and the horns answer the call for arms. You really have to look at the backcover to find out that this is a German outfit instead of one of these utterly hot and hip US funk rock cult bands of the time. Niagara aka Klaus Weiss waive the vocals so it is an instrumental record you face with ‘S.U.B’, but then this band goes so wild in some of the compositions, that you will be left breathless on your knees by all these simmering performances. Each musician participating in this project is a professional, but they all let the music erupt into a climax of sound you can only achieve, when you put your whole heart and soul into it. A masterpiece of funky and utterly unleashed rock music from the early 70s.

Niagara - Afire: Niagara's third LP Afire is the rarest one from kraut drummer, formerly of Sunbirds, Klaus Weiss' band. An astonishing album which returns to the minimal sounds based on percussion and rhythm of their first album, yet retaining a feel of harmony all through it - this time not provided by the brass instruments that had been added in S.U.B., but though to the high emphasis put on combining a variety of drums each tuned to their perfect pitch, and the contribution of Embryo's bass player Dave King. Also present on the sessions were percussionists George Brown, Sabu Rex and Norman Tolbert. The phenomenal rhythms contained on this LP have made it a very sought after piece among those looking for cool samplers to mix. Klaus Weiss is considered one of the best drummers of the German jazz scene, he was always very active and played with a lot of USA jazzmen travelling Germany like Hampton Hawes, Herbie Mann, Mal Waldron or Johnny Griffin, as well as with German greats as Klaus Doldinger, George Gruntz, Friedrich Gulda, etc.
Bush Tetras - Rhythm And Paranoia: The Best Of Bush Tetras
Bush Tetras
Rhythm And Paranoia: The Best Of Bush Tetras
3LP Box | 2021 | US | Original (Wharf Cat)
89,99 €*
Release: 2021 / US – Original
Genre: Rock & Indie
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"Renowned At The Dawn Of The Eighties For Waiting The Disjoined Guitar Shronk Of The Inaccessible No Wave Scene With Irrepressible, Funk-Infused Rhythms, The Bush Tetras Were Remarkably Influential Without Ever Really Receiving Their Due." - The New Yorkerflashes Of Light Rarely Burn For Long. Bush Tetras Exploded Into New York In 1979 And Flamed Out Just A Few Years Later. Yet Somehow This Lightning-Quick Band Have Risen From Their Own Ashes Again And Again For Four Decades. The Spark That Ignited Bush Tetras Tapped Into A Deep Grid Of Power, Fueled By Guitarist Pat Place, Singer Cynthia Sley, And Drummer Dee Pop.That Chemistry Is Palpable On Rhythm And Paranoia: The Best Of Bush Tetras, Which Features 29 Songs Across 3 Lps Pressed Onto 180-Gram Vinyl And Remastered By Carl Saff, Plus A 46-Page Book With Never-Before-Seen Photos, An Original Essay On The Band By Marc Masters, And Micro Essays By Sonic Youth's Thurston Moore, R&B Legend Nona Hendryx, The Clash's Topper Headon, & More.From The Band's Earliest Recordings To Their Current, Vital-As-Ever Incarnation, Rhythm And Paranoia - For The First Time Ever - Showcases The Thier Unique, Influential, And Body-Shaking Meld Of Rock, Punk, Funk, Reggae, And More In One Cohesive, Immersive, And Meticulously Constructed Box Set.Vinyl Box Set Includes: Rigid Lift-Off Box With Lift Ribbon, 3 X 180 Gram Vinyl Lps, 46-Page Lp-Sized Perfect Bound Booklet With Never-Before-Seen Photos & Orignal Essays, 29 Remastered Tracks, Download Codes.
BABY-G - BGD-565US-7ER
BABY-G
BGD-565US-7ER
89,95 €*
Available Sizes: One Size
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Baby-G BGD-565US-7ER - Features/Specifications:
• Illuminator
The backlight illuminates the total display by a push of a button.
• Shock-resistant
Shock-resistant construction protects against impact and vibration.
• Display Flasher
A light diode flashes as soon as an alarm, a countdown-time or the hour signal has been reached.
• Stopwatch function - 1/100 sec. - 24 hours
Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 24 hours.
• Timer - 1/1 min. - 24 hours (with automatic repeat)
For fans of precision: the countdown timers help you to remember specific or recurring events by giving off an audible signal at a preset time. They then count back automatically from the preset time. The time can be set to the nearest minute and up to 24 hours in advance. Ideal for people who need to take medicines every day or those who do interval training.
• Multi alarm
This model is equipped with a multifunctional alarm. This clock has the perfect alarm for any type of appointment. The model is equipped with a total of four repeat alarms: 1. Daily alarm, sounds at the same time each day, 2. Date alarm, e.g. to help you remember birthdays, 3. Monthly alarm, sounds on the same day at the same time each month, 4. Alarm for every day of a particular month.
• Automatic calendar with Date, Day and Month
Once set, the automatic calendar always displays the correct date.
• 12/24-hour format
Times can be displayed in either a 12-hour or 24-hour format.
• Mineral glass
The tough mineral glass resists scratching.
• Stainless steel resin case
The case is a combination of stainless steel and resin what the clock elegant, robust yet lightweight makes.
• Resin band
Synthetic resin is the ideal material for wrist straps thanks to its extremely durable and flexible properties.
• Buckle
The bracelet is equipped with a buckle.
• 3 Years - 1 Battery
The battery supplies the watch with sufficient energy for approx. three years.
• Water resistance classification (10 bar)
Perfect for swimming and snorkelling: the watch is water resistant to 10 bar according to ISO 22810.
• Dimensions (H x W x D): 42.1 mm x 37.9 mm x 11.3 mm
• Weight: approx. 30 g
Timex Archive - Timex 80 Steel Expansion Band
Timex Archive
Timex 80 Steel Expansion Band
89,95 €*
Available Sizes: One Size
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Originally established in 1854 under the name Waterbury Clock in the city that goes by the same name, Timex made an impact in 1880 because they designed a pocket watch that was affordable. In the early 1930s, Timex was the first watch company that joined forces with Walt Disney and created the Mickey Mouse watch. In 1950, it was time to introduce the first Timex watch which became so successful (thanks to the company's groundbreaking marketing strategies) that the manufacturer changed its name into Timex Group in 1969. Today, Timex watches are bold retro statements that represent a nice taste as well as an affinity for clean designs and tradition.

With the T80, Timex pays homage to the 1980s. Back then, hotties used to wear blow-dry hairstyles while the most stylish guys sported digital watches at their wrists. Since nowadays opinion leaders celebrate this awesome decade, Times reintroduces this authentic retro piece of history.

Timex Archive Timex 80 Steel Expansion Band - specs/features:

• Durable stainless steel strap
• Customizable Alarm: Personalize your wake-up call with a customizable alarm feature, tailored to your unique preferences.
• Chronograph Movement: A chronograph watch provides the added functionality of a stopwatch. By using the two pushers, you can start, stop, and reset this function.
• INDIGLO® Light-Up Watch Dial: Developed by Timex in the early 90s, the Timex INDIGLO® night light allows you to tell the time in the dark with the push of a button.
• Water Resistant to 30 Meters: This watch is suitable only for hand-washing or accidental splashes of water. It is not suitable for swimming or diving. To maintain water resistance, do not press any buttons while the watch is wet.
• Buckle/Clasp: Clasp (Self-Adjust)
• Case Diameter: 36 mm
• Case Finish: Brushed/Polished
• Case Height: 11 mm
• Case Material: Stainless Steel
• Case Size: Mid Size
• Crystal Lens: Acrylic
• Strap & Lug Width: 18 mm
Casio - A120WEG-9AEF
Casio
A120WEG-9AEF
89,95 €*
Available Sizes: One Size
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With the Casio A120WEG-9AEF digital watch in a retro look, you can underline your enthusiasm for all things vintage. Casio reinterprets the cool gadget style of the eighties with surprising color accents. The retro-futuristic design of the Casio A120 combines a touch of nostalgia with a futuristic aesthetic. At the same time, this Casio watch impresses with practical functions such as a stopwatch and alarm clock to keep you in the moment.

Casio A120WEG-9AEF - Features/Specifications:

• Case size (L x W x H): 40.7 × 33.5 × 9.4 mm
• Weight: 53 g
• Case and bezel material: Resin/chrome-plated
• Stainless steel band
• Adjustable clasp
• Water-repellent
• Approximate battery life: 3 years with CR1616
• Glass: Resin glass
• Adjustable strap size: 150 to 205 mm
• Stopwatch: 1/10 second stopwatch
• Measuring capacity: 59'59.9''
• Measuring mode: Elapsed time
• Alarm/hourly time signal: Daily alarm/hourly time signal
• Illumination: LED backlight
• Light color: LED: Yellow
• Calendar: Automatic calendar (28 days in February)
• Accuracy: ±30 seconds per month
• Regular time recording: hours, minutes, seconds, 12 hours (pm), month, date, day
Dave Brubeck - Live At The Kurhaus 1967
Dave Brubeck
Live At The Kurhaus 1967
2LP | 2022 | EU | Original (Lost)
74,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
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At the time of one of their last concerts in 1967, the Dave Brubeck Quartet had already been in existence for 16 years, in more or less the same formation. That's how well the four of them know each other! It was at the Black Hawk night club in San Francisco that Dave and Paul made their debut. Their trademark: to break down racial barriers against which they will fight without restraint, even in the most extreme period of McCarthyism, and to make jazz accessible to the greatest number of people, by revisiting ballads, popular songs or great themes of classical music. But above all, they developed an almost infinite variety of complex rhythms. In Scheveningen, on the evening of 24 October 1967, the Dave Brubeck Quartet was more than just a jazz band. He was the ambassador of American music in Europe.
Miled Davis - Milestones Numbered Limited Edition 180G LP SuperVinyl
Miled Davis
Milestones Numbered Limited Edition 180G LP SuperVinyl
LP | 1958 | US | Reissue (Mobile Fidelity Sound Lab)
74,99 €*
Release: 1958 / US – Reissue
Genre: Organic Grooves
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Miles Davis created just one studio album with his original sextet: Milestones. And he made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, Davis not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Sandwiched between the more famous 'Round About Midnight and the epochal Kind of Blue, Milestones remains a seminal work of art.

Sourced from the original master tapes and pressed on dead-quiet SuperVinyl, Mobile Fidelity's numbered-edition 180g LP grants each musician their own space amid broad soundstages. Afforded the benefits of a nearly non-existent noise floor and supreme groove definition, this vinyl reissue doubles as a time machine back to the February-March 1958 recording sessions.

Colors, shapes, and dimensions appear in the manner that resembles what you'd glean from behind a studio control room's window. Davis' burnished trumpet is rendered in three-dimensional perspective and seemingly coaxes the band to play with unburdened zest. Coltrane's trademark saxophone teems with lifelike tonality and images with specificity; his solos work in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the keys as he hits full stride, the chords and fills slithering around skeletal frameworks.

Inducted into the Grammy Hall of Fame and selected as a "Core Collection" record by the Penguin Guide to Jazz, Milestones is as famous for its title track – widely considered ground zero for modalism and bolstered by Jones' hallmark "Philly Lick" rim shot – as the players that produced it. The launching pad for many of Davis' improvisational flights, the album teases the explorations Coltrane would soon chase. Davis' own solo work broaches territories that far exceed what he had done in his bop-rooted past. Every song is a highlight.

Take the bravado "Dr. Jackle," featuring a hot-foot pace and bebop strains, or "Sid's Ahead," which continues the album's blues theme while juggling edgy harmonics and inside-out structures. On "Billy Boy," distinguished with an arco bass solo from Chambers, Garland gets a turn in the spotlight and channels the openness practised by one of his heroes, Ahmad Jamal. Even more instructive is the band's reading of Dizzy Gillespie's "Two Bass Hit." Three years removed from the version Davis and company recorded for the trumpeter's Columbia debut, this interpretation demonstrates the extent to which the group had jelled in a relatively short amount of time.

Then there's "Straight, No Chaser," the definitive rendition of Thelonious Monk's signature piece. Coltrane's marbled playing pulls at the tune's borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting "When the Saints Go Marching In" while demonstrating his knowledge of tradition and casting an eye towards the future.

About that future. Garland already had one foot out the door during the Milestones sessions to the extent Davis spells him on "Sid's Ahead." Jones would stick around for a bit longer but soon plot his exit. History proves Davis navigated the changes with visionary aplomb. Yet the chemistry, excitement, and beauty the sextet achieves on Milestones cannot be overstated. This reissue helps put the album in proper perspective – and presents the music the fidelity it deserves.
Casio - A700WEMG-9AEF
Casio
A700WEMG-9AEF
74,95 €*
Available Sizes: One Size
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Casio A700WEMG-9AEF - Features/Specifications:
• LED light
A light-emitting diode (LED) is used to illuminate the watch face.
• Stopwatch function - 1/100 sec. - 1 hour
Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.
• Daily alarm
The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.
• 12/24-hour timekeeping
Times can be displayed in either a 12-hour or 24-hour format.
• Automatic calendar with Date, Day and Month
Once set, the automatic calendar always displays the correct date.
• Acrylic Glass
The acrylic is easy and relatively unbreakable.
• Resin case
The resin housing is the ideal everyday companion. It is durable, lightweight and relatively insensitive to cold, heat or other external influences.
• Stainless steel band
Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.
• Bracelet with IP finish
The bracelet is coated by the so-called "ion plating" process consuming and offers the advantage of increased scratch resistance.
• Adjustable fastening
The clasp can be individually adjusted extremely easily for maximum comfort.
• 3 Years - 1 Battery
The battery supplies the watch with sufficient energy for approx. three years.
• Water resistance classification (WR) to ISO 22810
This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.
• Dimensions (H x W x D): 37.4 x 35.5 x 6 mm
• Weight: approx. 50 g
Miles Davis - On The Corner
Miles Davis
On The Corner
LP | 1972 | US | Reissue (Mobile Fidelity Sound Lab)
73,99 €*
Release: 1972 / US – Reissue
Genre: Organic Grooves
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SOURCED FROM THE ORIGINAL MASTER TAPES: MOBILE FIDELITY 180G 33RPM SUPERVINYL LP
REVEALS MULTIPLE LAYERS OF RHYTHM, VISCERAL BASS, AND PIONEERING PRODUCTION TECHNIQUES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

Miles Davis' boundlessly influential On the Corner was so far ahead of its time upon release in 1972, the jazz cognoscenti rejected its groundbreaking concoction as middling in nature. Yet time has a way of righting wrongs and shifting views by adding needed context and perspective to visionary ideas, music, and approaches — the likes of which fill Davis' boldest and most controversial — undertaking. Designed to bring the focus back on the groove and bottom-end frequencies, the funk-loaded On the Corner revolutionized jazz. It also set new standards for record production, presaging remixing and electronica by more than a decade. And the work has never sounded more thrilling thanks to this very special pressing.

Sourced from the original master tapes and pressed on MoFi SuperVinyl, Mobile Fidelity's numbered-edition 180g 33RPM SuperVinyl LP of On the Corner exposes the internal mechanisms, free-associated playing, and then-unmatched studio techniques in vivid fashion. The low end, crucial to every composition here, is both heard and felt, with locked-in bass lines and low-range percussion conveyed as taut, solid, and visceral passages. You can discern the multiple layers of rhythm Davis employed on complex tracks such as "Black Satin," as On the Corner stands as his first effort to use overdubbing and multiple tape machines. As a pioneer, Davis likely would’ve loved MoFi’s groundbreaking SuperVinyl profile that features the lowest-possible analogue noise floor as well as pristine transparency, dead-quiet surfaces, and superb groove definition.

New degrees of spaciousness and airiness — equally important to the musique concrete arrangements — give the impression Davis and Co.'s creations float in space. Instruments are portrayed in three-dimensional manners, rhythmic loops retain tonal purity, and horn solos skitter across an extra-wide soundstage that takes listeners into Columbia's Studio E. Mobile Fidelity's SuperVinyl LP captures Teo Macero's innovative production — and the trumpeter's cutting-edge aural collages — in definitive fashion.

Heavily inspired by Sly and the Family Stone, On the Corner portrays street vibes and remains Davis' Blackest-sounding record. The conscious attempt to connect with youthful audiences tapped into rock and funk is evident not only on the colorful cartoon cover art depicting hot-pants and zoot-suit revelers, but in the music's emphasis of recurring drum and bass grooves. Distinct from Davis' earlier fusion experiments, the record's long-misunderstood set dials back improvisation in favor of beats, loops, and atmospherics that generate trance-like effects. While Davis utilizes his band for core duties — Chick Corea and Herbie Hancock prominently figure — he also relies on an all-star cast of side-men for concentrated soloing and additional support.

With rhythm providing the basic foundation, other notes fall into place, with their positioning steered by Macero and Davis' editing-room techniques. Looking to the manipulation-based work of Karlheinze Stockhausen and teaming with Stockhausen disciple Paul Buckmaster, Davis re-imagines what grooves constituted and could accomplish throughout On the Corner. The shapes of the songs become completely transformed as they progress. Faint melodies, spacey chords, chunky riffs, wah-wah fills, and repeated motifs bounce in and out of a sonic funhouse that wouldn't be out of place at a Harlem block party.

Exotic, intrepid, and filled with Davis' "jungle sound," On the Corner remains daringly hip more than four decades later.

MoFi SuperVinyl

Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are virtually indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.
Doug Macleod - Come To Find 45rpm, 200g Vinyl Edition
Doug Macleod
Come To Find 45rpm, 200g Vinyl Edition
2LP | 2020 | US | Original (Analogue Productions)
69,99 €*
Release: 2020 / US – Original
Genre: Organic Grooves
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Spend any time around Doug MacLeod and the stories from his years of road time with the likes of Big Joe Turner and Pee Wee Crayton start to flow as easily as a brook tickled by a breeze. And you know you're getting to the good part, the climax if you will, when Doug's eyes start to twinkle, his grin grows broader and out of his mouth pop the words »Come to find ...«. MacLeod was a widely acknowledged electric blues guitarist for many years, and the leader of his own band, yielding a number of U.S. and European tours and several albums to his credit. Doug disbanded the group to focus all his energies on his first love, acoustic blues. "Come To Find" is the debut fruit of that effort. And now it's made even more remarkable, with this 45 RPM 200-gram reissue by Analogue Productions. The dead-quiet double-LP, with the music spread over four sides of vinyl, reduces distortion and high frequency loss as the wider-spaced grooves let your stereo cartridge track more accurately.The pressing sounds spectacular. You're holding a hefty 200-gram masterpiece from our own Quality Record Pressings, our state-of-the-art LP pressing plant. And the gatefold jacket is hard-core, old-school style — thick cardboard, tip-on, with additional photos and liner notes inside. Sweet. "Come To Find" is the sound of a consummate bluesman touching the core of his art in a program featuring ten originals by Doug. He is beautifully supported in this intimate setting by harmonica ace Charlie Musselwhite and the Mighty Flyer rhythm section, Jimi Bott and Bill Stuve. This is the album that deserves a place of honor in the music collections of even casual blues fans. And for those who love blues already, this is one of the best-sounding, most original works you'll ever hear.
Junior Wells - Hoodoo Man Blues 45rpm, 200g Vinyl Edition
Junior Wells
Hoodoo Man Blues 45rpm, 200g Vinyl Edition
2LP | 2020 | US | Original (Analogue Productions)
69,99 €*
Release: 2020 / US – Original
Genre: Organic Grooves
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"Hoodoo Man Blues" is not only Junior Wells' initial LP appearance, it is damn near the first LP by a Chicago blues band. This is the album that started the collector blues label trend of the late '60s. Chess and a few other labels had reissued 45's by Muddy Waters, Sonny Boy Williamson, Howlin' Wolf, Jimmy Reed, Elmore James, etc., but virtually no one had tried to capture the Chicago blues sound, free of the juke-box/airplay promotional mediums limitations of the 45. This album features the smoking guitar of the legendary Buddy Guy along with a crack rhythm section.
Casio - AQ-230GA-9DMQYES
Casio
AQ-230GA-9DMQYES
69,95 €*
Available Sizes: One Size
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Casio AQ-230GA-9DMQYES - Features/Specifications:
• Second time zone
A second location time can be set and called up. Ideal if you frequently make overseas calls.
• Stopwatch function - 1/100 sec. - 1 hour
Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.
• Daily alarm
The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.
• Automatic calendar with Date, Day and Month
Once set, the automatic calendar always displays the correct date.
• 12/24-hour timekeeping
Times can be displayed in either a 12-hour or 24-hour format.
• Acrylic Glass
The acrylic is easy and relatively unbreakable.
• Resin case
The resin housing is the ideal everyday companion. It is durable, lightweight and relatively insensitive to cold, heat or other external influences.
• Stainless steel band
Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.
• Bracelet with IP finish
The bracelet is coated by the so-called "ion plating" process consuming and offers the advantage of increased scratch resistance.
• Adjustable fastening
The clasp can be individually adjusted extremely easily for maximum comfort.
• 3 Years - 1 Battery
The battery supplies the watch with sufficient energy for approx. three years.
• Water resistance classification (WR) to ISO 22810
This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.
• Measures (H x B x T): 38.8 x 27.8 x 8.1 mm
• Weight: approx. 44 g
Casio - A120WE-1AEF
Casio
A120WE-1AEF
69,95 €*
Available Sizes: One Size
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With the Casio A120WE-1AEF digital watch in a retro look, you can underline your enthusiasm for all things vintage. Casio reinterprets the cool gadget style of the eighties with surprising color accents. The retro-futuristic design of the Casio A120 combines a touch of nostalgia with a futuristic aesthetic. At the same time, this Casio watch impresses with practical functions such as a stopwatch and alarm clock to keep you in the moment.

Casio A120WE-1AEF - Features/Specifications:

• Case size (L x W x H): 40.7 × 33.5 × 9.4 mm
• Weight: 53 g
• Case and bezel material: Resin/chrome-plated
• Stainless steel band
• Adjustable clasp
• Water-repellent
• Approximate battery life: 3 years with CR1616
• Glass: Resin glass
• Adjustable strap size: 150 to 205 mm
• Stopwatch: 1/10 second stopwatch
• Measuring capacity: 59'59.9''
• Measuring mode: Elapsed time
• Alarm/hourly time signal: Daily alarm/hourly time signal
• Illumination: LED backlight
• Light color: LED: Yellow
• Calendar: Automatic calendar (28 days in February)
• Accuracy: ±30 seconds per month
• Regular time recording: hours, minutes, seconds, 12 hours (pm), month, date, day
Casio - A168WEHB-1AEF
Casio
A168WEHB-1AEF
69,95 €*
Available Sizes: One Size
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Nice digital watch with a fine retro edge. Adds street flair to any business outfit as well as an eye-catching detail to street styles. Frrrrresh fo' summer 2024!

Casio A168WEHB-1AEF - features/functions:

• illuminator: An electro-luminescent panel causes the entire face to glow for easy reading.

• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.

• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.

• automatic calendar: Once set, the automatic calendar always displays the correct date.

• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.

• acrylic glass

• resin case

• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.

• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.

• 7 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. seven years.

• water resistance classification (WR) to ISO 22810: This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.

• accuracy: +/- 30 sec seconds per month

• dimensions: approx. 38.6 x 36.3 x 9.6 mm (H x W x D)

• weight: approx. 49 g
Ultrasound - Everything Picture Deluxe Edition
Ultrasound
Everything Picture Deluxe Edition
LP | 2021 | EU | Original (One Little Independent)
64,99 €*
Release: 2021 / EU – Original
Genre: Rock & Indie
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Erroll Garner - The Unreleased Berlin Studio Recording 1967
Erroll Garner
The Unreleased Berlin Studio Recording 1967
LP | 2023 | EU | Original (The Lost Recordings)
64,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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Casio - A168WEGB-1BEF
Casio
A168WEGB-1BEF
64,95 €*
Available Sizes: One Size
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Nice digital watch with a fine retro edge. Adds street flair to any business outfit as well as an eye-catching detail to street styles. Frrrrresh fo' summer 2019!

Casio A168WEGB-1BEF - features/functions:

• illuminator: An electro-luminescent panel causes the entire face to glow for easy reading.

• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.

• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.

• automatic calendar: Once set, the automatic calendar always displays the correct date.

• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.

• acrylic glass

• resin case

• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.

• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.

• 7 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. seven years.

• water resistance classification (WR) to ISO 22810: This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.

• accuracy: +/- 30 sec seconds per month

• dimensions: approx. 38.6 x 36.3 x 9.6 mm (H x W x D)

• weight: approx. 49 g
Blood Money - Complete Execution Black Vinyl Edition
Blood Money
Complete Execution Black Vinyl Edition
3LP | 2023 | EU | Original (Svart)
59,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Blood Money were the ultimate Nwobhm cult act, playing frantic thrashing heavy metal at a breakneck pace like no one else.

This is the complete collection of all existing recordings by Blood Money. It features remasters of both of their studio albums, Red Raw And Bleeding and Battlescarred, plus demos and radio live tracks, and a scrapbook zine with photos and other materials. The demo/live LP and the zine are available in the box set only.

Being active during the latter days of the Nwobhm movement, Blood Money took more influence from speed metal bands like Agent Steel and the unpolished punk metal of early Venom than the classic rock groups and Black Sabbath that influenced their earlier Nwobhm brethren. Recommended for anyone into obscure but great 80's metal in the vein of Agent Steel, Carnivore, Venom, Piledriver, Savage or Tank.

Approved by the band, this is the last and perhaps the final word on Blood Money, containing every song the band left on tape during their short lifespan in the late 80's.
Casio - LA680WEGA-9ER
Casio
LA680WEGA-9ER
59,95 €*
Available Sizes: One Size
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Nice digital watch with a retro edge. Adds an authentic 80s touch to any business outfit as well as an eye-catching detail to street styles. Frrrrresh fo' winter season 2016!

Casio LA680WEGA-9ER - features/functions:

• LED light illuminates the dial at the touch of a button

• stopwatch function - 1/10 sec. - 1 hour: Time lapsed, interval time and end time are measured to the nearest one-tenth of a second. The watch has a timing capacity of up to an hour.

• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.

• automatic calendar: Once set, the automatic calendar always displays the correct date.

• chrome-plated resin case

• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.

• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.

• 5 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. two years.

• water resistance classification (WR) to ISO 2281: This model is water resistant to DIN 8310 / ISO 2281, and thus is resistant to minor splashing; any greater water contact should be avoided.

• accuracy: +/- 30 sec seconds per month

• type of battery: CR1216

• dimensions: approx. 33.5 x 28.5 x 8.5 mm (H x W x D)

• weight: approx. 36 g
Casio - A168WG-9EF
Casio
A168WG-9EF
59,95 €*
Available Sizes: One Size
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Casio A168WG-9EF - features/functions:

• illuminator: An electro-luminescent panel causes the entire face to glow for easy reading.

• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.

• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.

• automatic calendar: Once set, the automatic calendar always displays the correct date.

• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.

• resin case

• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.

• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.

• 7 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. seven years.

• water resistance classification (WR) to ISO 22810: This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.

• accuracy: +/- 30 sec seconds per month

• type of battery: CR2016

• dimensions: approx. 38.6 x 36.3 x 9.6 mm (H x W x D)

• weight: approx. 51 g
Casio - A159WGEA-1EF
Casio
A159WGEA-1EF
59,95 €*
Available Sizes: One Size
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Casio A159WGEA-5EF - features/specifications:

• microlight: A built-in light illuminates the watch face from the side.

• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.

• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.

• automatic calendar: Once set, the automatic calendar always displays the correct date.

• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.

• resin case

• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.

• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.

• 7 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. seven years.

• water resistance classification (WR) to ISO 2281: This model is water resistant to DIN 8310 / ISO 2281, and thus is resistant to minor splashing. Any greater water contact should be avoided.

• accuracy: +/- 30 sec seconds per month

• type of battery: CR2016

• dimensions: approx. 36.8 x 33.2 x 8.2 mm (H x W x D)

• weight: approx. 44 g
Roland - Rhythm Hoodie
Roland
Rhythm Hoodie
59,49 €* 84,99 € -30%
Available Sizes: S
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The Roland Rhythm Hoodie's features include:
• drawstring-adjustable hood with metal eyelets
• Roland logo printed on chest
• kangaroo pocket
• stretch rib cuffs and bottom band
• regular fit
• 100% cotton brush-back fleece
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition
2LP | 2024 | US | Original (Light In The Attic)
58,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Makoto Kubota & The Sunset Gang - Live Best 1975-1979
Makoto Kubota & The Sunset Gang
Live Best 1975-1979
LP | 2022 | JP | Original (Tuff Beats)
57,99 €*
Release: 2022 / JP – Original
Genre: Rock & Indie
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The LP includes their original song, Bye Bye Baby (co-created by Yoma Fujita and Haruomi Hosono) performed live in 1975, at the Spring Carnival in April 1976 at the Hibiya Open Air Concert Hall, and at the “Haruichiban Concert” in Osaka in May of 1976. The LP also includes two songs performed with Richard Bell from the Full Tilt Boogie Band (Janis Joplin’s band), John Sebastian, and Taeko Onuki at the Rolling Coconut Revue Concert in Harumi, Tokyo in 1977. Comprised with a total of 11 songs, this is the best of best selection of the live performances of the Makoto Kubota & THE Sunset Gang. Please enjoy their true essence with this LP. On February 15, 2023, a LP version of the album Rhythm Romance by Makoto Kubota & THE Sunset Gang is planned for release. This album is mastered based on the studio demo that was recorded in the late ‘70s on a 10-inch open-reel tape.
Gray - Shades Of... Black Friday Record Store Day 2020 Edition
Gray
Shades Of... Black Friday Record Store Day 2020 Edition
3LP | 2013 | US | Reissue (Ubiquity)
56,99 €*
Release: 2013 / US – Reissue
Genre: Organic Grooves
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Famed painter Jean Michel-Basquiat was one of the co-founders of the band Gray. This anthology features reissue of their previously limited self-release plus unreleased material, and remixes from: Todd Rundgren, Hank Shocklee, King Britt, Sal P (Liquid Liquid), Deantoni Parks, Tewz, Free The Robots, and The Gaslamp Killer, along with features from Amir Yaghmai and Kool Keith. 1979, Downtown New York, Gray was making industrial music with sound. Jean-Michel Basquiat played the guitar with a metal file, Michael Holman played masking tape and steel ball bearings, Justin Thyme abstracted the keys, as Nick Taylor played his guitar with historical restraint.
V.A. - Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
V.A.
Even The Forest Hums: Ukrainian Sonic Archives 1971-1996
2LP | 2024 | US | Original (Light In The Attic)
55,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”
Type O Negative - Bloody Kisses: Suspended In Dusk Green & Black Swirl Vinyl 30th Anniversary Edition
Type O Negative
Bloody Kisses: Suspended In Dusk Green & Black Swirl Vinyl 30th Anniversary Edition
2LP | 1994 | US | Reissue (Run Out Groove / Roadrunner)
54,99 €*
Release: 1994 / US – Reissue
Genre: Rock & Indie
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Type O Negative is an American goth-metal band formed in Brooklyn in 1989 by Peter Steele (lead vocals, bass) along with childhood friends Kenny Hickey (guitar, backing vocals), Josh Silver (keyboards, backing vocals), and Sal Abruscato (drums, percussions), who was later replaced by Johnny Kelly. They signed to Roadrunner Records and released their debut album Slow, Deep and Hard in 1991.

Bloody Kisses is the third album by Type O Negative, released on August 17, 1993. It is the album that would put Type O Negative into mainstream popularity in metal fandom following a somewhat lack of success with their first two albums. According to several reviews, the album lays the foundation of gothic metal for not just Type O Negative but other bands to follow. ''Bloody Kisses'' established Type O Negative motifs, such as songs originally recorded by another band restylized into gloomy gothic metal, sample-heavy soundscapes in between songs, and dry, satirical humor.

Bloody Kisses was the first album on Roadrunner Records to achieve gold and platinum certification (not just Type O Negative). This is the last album to feature the band's original line-up, as drummer Sal Abruscato would leave Type O Negative in late 1993 and was replaced by Johnny Kelly.
Hyldon - Na Rua Na Chuva Na Fazenda
Hyldon
Na Rua Na Chuva Na Fazenda
LP | 2024 | BR | Original (Discodelia / Polysom)
54,99 €*
Release: 2024 / BR – Original
Genre: Organic Grooves
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"Na Rua, na Chuva, na Fazenda" is a classic of Brazilian music, released by Hyldon in 1975, one of the 20 best sellers of that year, it marks the debut of the singer and composer from Bahia, it is a seminal work of Brazilian soul, reflecting the musical effervescence of the 1970s and the influence of the black power movement in the country alongside Tim Maia and Cassiano. Born in Salvador and passionate about music from an early age, the singer developed his music in the 60s alongside dance bands in Rio de Janeiro and even recorded with some of them. Hyldon was influenced by the mix of rhythms that permeated the city, from MPB to soul and funk. He worked as a support guitarist for artists such as Wilson Simonal, Os Diagonais (Banda de Cassiano) and Tim Maia. He composed and produced several artists with Odair Joé and Erasmo Carlos. The title of the album, "Na Rua, na Chuva, na Fazenda", is also the title of its most iconic track, but the album has other successes such as: "As Dores do Mundo", "Vamos Passear De Bicicleta", "Meu Patuá", among others. The album is an ode to simple and pure love. This song became a romantic anthem, and its soft melody combined with Hyldon's sweet and soulful voice captivated the audience.
Jerry Cantrell - Degradation Trip 1 & 2
Jerry Cantrell
Degradation Trip 1 & 2
4LP | 2019 | EU | Reissue (Music On Vinyl)
52,99 €*
Release: 2019 / EU – Reissue
Genre: Rock & Indie
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Degradation Trip is the second solo-album by Alice in Chains lead guitarist Jerry Cantrell. The musical rhythms are comparable to his former band, but the shorter songs are balanced with long prog rock epics. Jerry locked himself in his house to write 25 songs, all about different parts from his life. The lyrics are confessional and haunting, dealing with personal issues including drug abuse, hedonistic lifestyle of musicians and relationships. It’s a great reminder of the time in which Alice in Chains was one of the most popular bands in the grunge scene. For those who loved the band’s slow and doomy riffs this is a massive two hour voyage through whatever Cantrell could dig up. The expanded limited (1&2) edition consists of all the material he recorded in the Degradation Trip sessions.

Jerry Cantrell is an American musician who is best known as the lead guitarist, co-lead vocalist and main songwriter for the rock band Alice in Chains. Besides his influential role in this Seattle grunge band he pursued a solo career, releasing two albums to date.

Degradation Trip Volumes 1 & 2 is now available on black vinyl and includes a 12-page booklet.
The Roots - Things Fall Apart Alternate Cover Artwork Number 1
The Roots
Things Fall Apart Alternate Cover Artwork Number 1
2LP | 1999 | CA | Reissue (Universal)
52,99 €*
Release: 1999 / CA – Reissue
Genre: Hip Hop
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Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.
Daniel Inzani - Selected Worlds
Daniel Inzani
Selected Worlds
3LP | 2024 | UK | Original (Hidden Notes & Tardigrade)
51,99 €*
Release: 2024 / UK – Original
Genre: Electronic & Dance
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Hidden Notes Records (Spindle Ensemble, Fran & Flora, Josh Semans) and Tardigrade Records (Cosmo Sheldrake, Howl) are excited to announce a unique collaboration to release ‘Selected Worlds’, the monumental and ambitious debut triple album by composer and pianist Daniel Inzani. Over the past 2 decades you might have seen Inzani performing with dozens of bands from Bristol’s underground alternative and avant-garde scene, blending classical, jazz, contemporary, improvisation, unusual harmony and rhythms as a band leader and collaborator. He’s released an avant-garde collaborative album with Alabaster dePlume, is the musical director and arranger for Cosmo Sheldrake’s 19 piece live band, leads his own critically acclaimed modern chamber quartet Spindle Ensemble and (the now disbanded) 8 piece Ethiopian Jazz meets Frank Zappa group Tezeta, He has toured worldwide as a keys player, collaborated with Canadian ensembles Evergreen Club Contemporary Gamelan and London Symphonia and co-founded Bristol’s experimental collective Bloom, leading to tours and releases with UK rocksteady favourites Count Bobo, the psychedelic space doo-wop of Dubi Dolzcek and many more. After years of recording, touring and eclectic composing he has gathered a trusted set of musicians who are both skilled improvisers and virtuoso players to record an instrumental triple album for release under his own name. The 3 vinyl discs act as albums in their own right, each with different sets of musicians, instrumentations, genres and intentions. The 3 discs were recorded live over 3 day periods in quick succession, with Daniel’s regular collaborator Cosmo Sheldrake engineering the recording sessions. It’s quite possibly the only album you’ll ever hear that starts with a neo-impressionist string quartet, goes on to merge avant-garde symphonic arrangements with group improvisation and ends with an 8 piece cosmic jazz band wigging out, yet Inzani’s voice is clear throughout making for a cohesive 2 hour odyssey from the mind of a composer whose idiosyncratic style thrives through variety.
The Beat - Wha'ppen? (Expanded Edition) Record Store Day 2024 Vinyl Edition
The Beat
Wha'ppen? (Expanded Edition) Record Store Day 2024 Vinyl Edition
LP | Reissue (Rhino (Pure))
50,99 €* 59,99 € -15%
Release: Reissue
Genre: Pop
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The second of the Beat's three albums expanded to included 2 sides of non-LP tracks and B-sides. Wha'ppen reflects the band's signature melange of musical styles and influences, shifting from a heavy reggae/ska/punk sound to a more eclectic sound that included African, steel drum, and dub influences for a wholly original sound. Social Conscious and politcally oriented lyrics that remain as relevant today as the context of the album's original release during the 1981 riots in England.
The Roots - Things Fall Apart Alternate Cover Artwork Number 3
The Roots
Things Fall Apart Alternate Cover Artwork Number 3
2LP | 1999 | CA | Reissue (Universal)
50,34 €* 52,99 € -5%
Release: 1999 / CA – Reissue
Genre: Hip Hop
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Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.
The Roots - Things Fall Apart Alternate Cover Artwork Number 2
The Roots
Things Fall Apart Alternate Cover Artwork Number 2
2LP | 1999 | CA | Reissue (Universal)
50,34 €* 52,99 € -5%
Release: 1999 / CA – Reissue
Genre: Hip Hop
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Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.
The Roots - Things Fall Apart Alternate Cover Artwork Number 4
The Roots
Things Fall Apart Alternate Cover Artwork Number 4
2LP | 1999 | CA | Reissue (Universal)
50,34 €* 52,99 € -5%
Release: 1999 / CA – Reissue
Genre: Hip Hop
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Originally released in 1999, The Root's fourth studio album reissue will be a limited edition 2LP featuring 4 alternate cover variations. The album, named after the W.B. Yeats poem ‘The Second Coming,’ was art directed by the legendary Kenny Gravillis, who chose five different designs for the cover; each one is a striking image that represents moments in history when humanity was at a breaking point. Things Fall Apart is widely considered The Legendary Roots Crew most ambitious masterpiece. The album features urban legends Erykah Badu, Common, Mos Def, and more.

Things Fall Apart is the fourth studio album by The Roots, released on February 23, 1999. Widely regarded as one of the group’s masterpieces, the album helped solidify The Roots' position as one of the most important and innovative acts in hip-hop. Its title is a reference to the classic 1958 novel "Things Fall Apart" by Chinua Achebe, which explores themes of societal disruption and cultural conflict.

The album was released at a pivotal moment in hip-hop, during the late '90s “conscious rap” movement, and addresses a wide range of social, political, and personal issues, including racism, violence, love, and the commercialization of hip-hop.
The overall tone of the album is dark and introspective, with a sense of urgency as it reflects on the state of both hip-hop culture and society at large.
The title and themes suggest a world on the verge of collapse, with lyrics that critique the impact of consumerism, poverty, and systemic oppression, but also explore more intimate personal struggles.

Things Fall Apart is a sonic blend of hip-hop, jazz, neo-soul, and funk, featuring live instrumentation, complex rhythms, and eclectic samples, which set it apart from the more sample-heavy production styles of its time.
Questlove's drumming provides the backbone of the album’s live instrumentation, with a laid-back, jazzy feel, while Black Thought's rap style delivers hard-hitting, reflective, and often politically charged lyrics.
The album also features collaborations with notable artists from the Soulquarians collective, including Erykah Badu, Common, D’Angelo, Mos Def (Yasiin Bey), and Jill Scott (though Scott was replaced by Erykah Badu on the album's hit single "You Got Me").

Key Tracks and Highlights:
"Act Too (The Love of My Life)" (featuring Common) – A soulful, reflective track about hip-hop itself, discussing the culture’s origins and the artists' deep connection to it.
"The Next Movement" – One of the album’s lead singles, it features a funky, upbeat sound and showcases Black Thought’s lyrical agility, with commentary on the evolving music industry and staying true to one’s artistic vision.
"You Got Me" (featuring Erykah Badu and Eve) – This is one of The Roots’ most popular songs, blending hip-hop, neo-soul, and R&B. The song tells the story of a long-distance relationship and features soulful vocals by Badu, with Eve providing a brief rap verse.
This track earned The Roots their first Grammy Award for Best Rap Performance by a Duo or Group in 2000.
"Dynamite!" – A raw, high-energy track with Black Thought delivering rapid-fire verses over an aggressive beat.
"Adrenaline!" (featuring Beanie Sigel) – A harder, more street-oriented track, with intense lyrical deliveries from Black Thought, Malik B, and a guest verse by Beanie Sigel.
"100% Dundee" – Known for its relentless, battle-ready verses and intricate wordplay from Black Thought and Malik B.
"Double Trouble" (featuring Mos Def) – This track has Black Thought and Mos Def trading verses, showcasing lyrical dexterity in a playful, competitive way.

The album is produced mainly by Questlove and The Roots, with additional contributions from D’Angelo, James Poyser, and other members of the Soulquarians, a collective of artists who blended hip-hop, R&B, and neo-soul in the late 1990s and early 2000s.
The album’s sound is distinguished by its organic production, combining live instrumentation with layered samples and intricate drum patterns, creating a more textured and atmospheric backdrop for the group’s lyrical content.

The central themes of Things Fall Apart include the disillusionment with mainstream hip-hop, reflecting on the genre's shift toward materialism and commercialism, and broader issues like social injustice, racial tension, and urban decay.
Black Thought and Malik B delve into personal struggles with identity, success, and the pressures of staying true to one’s roots in an increasingly superficial world.
The record also meditates on the role of artists in times of social upheaval, with many tracks expressing a sense of frustration and uncertainty, yet also resolve and hope for change.

Things Fall Apart was a critical and commercial success, marking The Roots' breakthrough into mainstream consciousness while retaining their underground credibility.
It received widespread critical acclaim for its lyrical depth, innovative production, and willingness to tackle tough, socially conscious topics at a time when much of mainstream hip-hop was focused on more materialistic themes.
The album is frequently cited as one of the greatest hip-hop albums of all time, and it helped to cement The Roots' status as pioneers of the alternative rap movement, alongside artists like Common, Mos Def, and Talib Kweli.
It was nominated for multiple awards and is now considered a landmark in hip-hop and neo-soul, influencing both genres in the years to come.

Things Fall Apart became The Roots' first platinum-selling album, and the success of singles like "You Got Me" introduced the band to a broader audience.
It paved the way for their future albums, including Phrenology (2002) and The Tipping Point (2004), where they continued to experiment with their sound and push boundaries in both musicality and lyricism.
This album is considered a cultural milestone not just for The Roots, but for hip-hop as a whole, reflecting both the possibilities of the genre and the depth of artistry that The Roots have consistently brought to their work.
Les Rallizes Denudes - Baus '93 Red Velvet Vinyl Edition
Les Rallizes Denudes
Baus '93 Red Velvet Vinyl Edition
2LP | 2023 | US | Original (Temporal Drift)
49,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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- First-ever release of the 1993 comeback gig at Baus Theater in Kichijoji, Tokyo - Mixed from the original multi-tracks by Rallizes member Makoto Kubota - Official recording fully authorized by The Last One Musique - Design by Akira Uji - Liner notes by Jennifer Lucy Allan and Julian Cope - 2xLP set pressed on Red Velvet vinyl housed in a gatefold jacket" Baus ‘93 contains the storied comeback performance from Baus Theater in Kichijoji, Tokyo, which took place on February 13, 1993 in what was their first live appearance in five years. Baus ‘93 follows the widely acclaimed worldwide release of Citta’ ‘93, which captured the Rallizes’ fiery gig that took place four days later at Club Citta’ in Kawasaki.

Newly mixed and mastered by Makoto Kubota, Baus ‘93 features the previously unheard live recording meticulously restored using the original 8-channel digital multitrack masters, as well as additional sources including cassettes recorded off of the mixing board and from the audience.

The Rallizes’ lineup at Baus Theater consisted of Takashi Mizutani (Vocals, Guitar), Katsuhiko Ishii (Guitar), Kiyohiro Takada (Bass), Toshiro Mimaki (Drums). Featuring a rhythm section different from the lineup heard at Club Citta’, the band on Baus ‘93 performed with an approach and intensity that took the performance to next levels.

The DVD contains a 23-minute video of the Baus performance, originally shot and newly edited by Akira Uji, who often handled on-stage visuals for the Rallizes.

Baus ‘93 includes liner notes written by music writer Jennifer Lucy Allan, whose writings have been featured on The Wire and The Quietus and whose radio show can be heard on the BBC. The package also includes an essay by Julian Cope, whose idiosyncratic book Japrocksampler introduced the Japanese rock underground to many around the globe.
Afla Sackey & Afrik Bawantu - Destination
Afla Sackey & Afrik Bawantu
Destination
LP | 2024 | EU | Original (Wah Wah 45s)
49,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves
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The Heads - Under Sided
The Heads
Under Sided
2LP | 2002 | UK | Reissue (Rooster)
49,99 €*
Release: 2002 / UK – Reissue
Genre: Rock & Indie
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Originally released in 2002 on the Sweet Nothing label (snlp/cd 11), Under Sided was recorded in 2001 at WhiteHouse Studios in Weston Super Mare, with Martin Nichols engineering. The band had previously recorded tracks for Mans Ruin 10” at these studios (also famous for Ripcord, Heresy, Slowdive, Hardskin, Decadence Within, Icehouse.. amongst many others!). For the reissue, the original recordings were remastered for vinyl and CD by long time Heads Masterer (!) Shawn Joseph. The resultant 8 tracks, spread over 4 sides of vinyl are some of the best music the Heads have recorded, after a bit of a hiatus following their 2000 US tour / Peel session (included in the boxset / on the 2CD version here), the band regrouped and worked out the tracks for the album, relentless rehearsing for the recording. Very few shows happened in that 2001-2002 timeframe.. band members were busy, earning a living, getting on with life, but they still had some riffs/songs there. Upon release in 2002 the album got great reviews in the press, from Kerrang and Mojo to the Sunday Times, all helping the Bristol fourpiece confirm their cult status, which has continued to current times.. The remastered album is being reissued as a 4LP + 2CD boxset. The extra 2LP features their Peel session from 2000, as well as a couple of compilation tracks (For Mad Men Only / Born To Go), and some unreleased demo versions, as well as 2 exclusive to this set CDS that feature nearly 150 minutes of Live recordings (mastered, but RAW!) from their gigs on the Thekla in Bristol and rehearsal room tapes in 2001 and 2002. The boxset will also have a special slip-mat, stickers, and a 24 page booklet of photos /writings, including recollections by each band member, and others including Stewart Lee. Under Sided is a pounding sike-nightmare that shows the Heads at the peak of their powers, there’s a flow throughout the album of melding psychedelic noise rock to unrelentin rhythms and creating a bad trip for all listening.. open battering-ram “Dissonaut” is a staple in their live shows to this day… even the gentle sooth of “Energy” is enveloped by a white noise fury.. the intensity of some of the tracks: the terror inducing “Bedminster” or “False Heavy” (a tour worn riffmonger from 2000) or the Magnet-esque “Heavy Sea”, showed the band as ferocious as any of the insurgent “stoner” genre of that time. They were never going to make their living out of touring, record sales… as Hugo mentions in his notes for the booklet, “.. we had less boundaries and felt we could experiment more and not worry about commerciality…” but they were able to make this album.
Kromlek - III - III
Kromlek
III - III
2LP | 2024 | EU | Original (Trollzorn)
49,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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German Pagan Metallers KROMLEK surprise the scene with the release of a monumental double album! "III - III" is coming on November 15th 2024 via Trollzorn Records on 2-CD and 2-LP.The first part, entitled "III-III", is a collection of their latest compositions created over the past decade. These tracks were carefully produced at the Antric Light Records studio and mastered in 2024. The second part, "Upphaf", offers a comprehensive retrospective of the band's history. Here, selected pieces are reworked, recorded, and produced anew to impressively document KROMLEK's musical evolution. While their last album "Finis Terræ" (2011) dealt with the end of the world in various layers of meaning and interpretation, "III-III" turns to origins and beginnings, exploring the spiritual cosmos of pre-Christian philosophy and worldview. Musically, this journey is wrapped in powerful, heavy Pagan Metal, enriched with elements from Melo Death and Black Metal.To celebrate the 20th anniversary of Trollzorn Records, the band reunited in 2023 for two selected best-of concerts before closing the chapter on KROMLEK. It is particularly noteworthy that this double album is a direct response to the long-standing demand from fans for new releases, thus honoring the patience and enthusiasm of their loyal followers.KROMLEK as usual - Pagan, but different. This is not a revival, but a legacy.The album’s opening track "Þursöld I - Gigantenwelle" has been premiered here with a lyric video: https://youtu.be/grm92sBnGOULine-up:NhévanN - Lead GuitarsForad - Rhythm GuitarsHrisDolgR - Keys & SynthT´Bog - BassSgrA - Drums "III-III"1. Þursöld I - Gigantenwelle2. Þursöld II - Seismonade3. Þursöld III - Nunatak4. Ek, Gangleri5. Totem Tales I - I tidevarvet av u6. Totem Tales II - aRktur7. Totem Tales III - AlgyR8. Strandhögg pt. IV - Ráns Schattenpass"Upphaf"1. KromleK2. Träskens Näve3. Strandhögg pt. I - Drachen im Nebel4. Strandhögg pt. II - Gefolgschaft der Gezeiten5. Herjan6. Grim Omens7. Mantikor8. Moritvrvs Immortalis
Limbo District - Carnival
Limbo District
Carnival
LP | 2024 | US | Original (Chunklet)
49,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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In August 1982, Limbo District—percussionist Jerry Ayers, vocalist Craig Woodall, bass player Davey Stevenson, Farfisa player and vocalist Dominique Amet, and guitarist Tim Lacy—traveled from Athens, GA to Winston-Salem, NC to record at Mitch Easter’s Drive-In Studio. The session took place just two months after fellow Athens band R.E.M. had gone there to record their debut Chronic Town EP.

With Easter, Limbo District recorded a five-song set of bewitching rhythms and guttural poetry, chants, and howls that culminated in a Dionysian, avant-garde pulse.

These songs later accompanied photographer Marlys Cox’s images brought to life in Jim Herbert’s experimental film, “Carnival.” Aside from the few seconds of “Carnival” that appeared in Tony Gayton’s documentary “Athens, GA: Inside/Out,” Limbo District has remained unheard by anyone who wasn’t there to witness the band's powerful blend of music and performance art as it happened.

Carnival offers a glimpse behind the curtain, revealing a contemporary of the B-52’s, Pylon, R.E.M., the Method Actors, Love Tractor, and more, and presents a thread to unravel a perfect mystery.

Limbo District’s significance is matched only by its obscurity, and the complete Mitch Easter session has remained unreleased until now.

"When I moved to Georgia in 1991, the only Athens band I was looking for was Limbo District. For decades, I remained empty handed. And now, the crown jewel of the Limbo story is unearthed: Carnival. Chunklet is proud to have excavated this apparition and it is now time to celebrate the band's delirious, cryptic and in-the-moment existence. Behold: Limbo District!"—Henry Owings, Chunklet Industries

“It was exactly the kind of thing that I wanted to be doing. … Limbo District stood tall as being absolutely their own thing, and not remotely concerned with commercial music at all. Still, the songs were catchy.”—Mitch Easter (original producer, owner of Drive-In Studio, Let’s Active)

“Everything about Limbo District is kind of a surprise. Their music is its own category. What struck me was the uniqueness of it. In a college town music scene, there are so many creative young people who tend to wear their influences on their sleeve. Limbo District's music is not easily pegged.”—David Barbe (2023 producer, Chase Park owner, Mercyland)

“Michael Stipe championed Limbo District because he connected with Jerry. They were such close friends back in those early days. He helped Michael see a vision for himself that he would not have seen on his own, and things wouldn't have been the same for R.E.M.”—Lady Clare Butler, The Now Explosion
Antiseen - Here To Ruin Your Groove
Antiseen
Here To Ruin Your Groove
2LP | 2023 | US | Original (TKO)
49,99 €*
Release: 2023 / US – Original
Genre: Rock & Indie
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Let’s not mince words—In the American punk canon, there are few acts as tenured as Charlotte, NC’s legendary ANTiSEEN. With dozens of singles, LPs, compilations, and live records to their name, choosing a definitive “best” is nigh on impossible. But if we’re going to have the conversation anyway, there’s zero question that their now classic 1996 full length Here To Ruin Your Groove is in the running. Marking a shift in both personnel and paradigm for the band, Here To Ruin Your Groove introduced Tripp McNeill and Barry Hannibal into the fold; A pair whose contributions would help shape the band’s sound for years to come. As a veteran of fellow Charlotte underground luminaries Seducer, McNeill’s metal-infused, melodic approach to bass both perfectly complemented and expanded upon ANTiSEEN’s patented brand of grimy, Southern punk rock ’n’ roll. For Hannibal’s part, his role as drummer, producer, engineer, bassist, and more has remained an integral component of the band’s makeup for the last several decades. The result of this newly minted rhythm section was a record that delivered on the raucous, irreverent punk ANTiSEEN had spent years perfecting, while broadening the band’s scope to include even more melodic flare and heavy metal flourishes. With Jeff Clayton’s singular voice and uncompromising vision anchored by the feral roar of Joe Young's buzzsaw guitar, Here To Ruin Your Groove immediately cemented its status as one of ANTiSEEN’s most compelling, hard-hitting, and lasting efforts. Lovingly reissued for the first time since 2003 as a newly remastered double LP, this deluxe edition of Here To Ruin Your Groove includes both the original record and an additional LP featuring two previously CD-only hidden bonus tracks, two singles, and six tracks from their 1997 set at the Confederacy of Scum Supershow in Lawrence, KS. Packaged in a gatefold jacket and pressed on colored vinyl, the record also includes a 16”x20” poster and a CD copy of the original 1996 version. With the painstaking attention to detail you’ve come to expect, TKO Records is proud to present the definitive version of ANTiSEEN’s Here To Ruin Your Groove. Accept no substitutes.
Casio - A700WEM-7AEF
Casio
A700WEM-7AEF
49,95 €*
Available Sizes: One Size
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Casio A700WEM-7AEF - Features/Specifications:
• LED light
A light-emitting diode (LED) is used to illuminate the watch face.
• Stopwatch function - 1/100 sec. - 1 hour
Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.
• Daily alarm
The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.
• 12/24-hour timekeeping
Times can be displayed in either a 12-hour or 24-hour format.
• Automatic calendar with Date, Day and Month
Once set, the automatic calendar always displays the correct date.
• Acrylic Glass
The acrylic is easy and relatively unbreakable.
• Resin case
The resin housing is the ideal everyday companion. It is durable, lightweight and relatively insensitive to cold, heat or other external influences.
• Stainless steel band
Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.
• Bracelet with IP finish
The bracelet is coated by the so-called "ion plating" process consuming and offers the advantage of increased scratch resistance.
• Adjustable fastening
The clasp can be individually adjusted extremely easily for maximum comfort.
• 3 Years - 1 Battery
The battery supplies the watch with sufficient energy for approx. three years.
• Water resistance classification (WR) to ISO 22810
This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.
• Dimensions (H x W x D): 37.4 x 35.5 x 6 mm
• Weight: approx. 50 g
Casio - AQ-230A-7AMQYES
Casio
AQ-230A-7AMQYES
49,95 €*
Available Sizes: One Size
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Wow. Subtly curved octagon style by Casio with a dignified hustler touch and digital addition, in case you are no longer familiar with the 3-hand system.

Casio AQ-230A-7AMQYES - features:

• second time zone: A second location time can be set and called up. Ideal if you frequently make overseas calls.
• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.
• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.
• automatic calendar: Once set, the automatic calendar always displays the correct date.
• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.
• resin case
• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.
• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.
• 3 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. three years.
• water resistance classification (WR) to ISO 22810: This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.
• accuracy: +/- 30 sec seconds per month
• type of battery: SR920W
• dimensions: approx. 38.8 x 27.8 x 8.1 mm (H x W x D)
• weight: approx. 44 g
Casio - A168WEM-7EF
Casio
A168WEM-7EF
49,95 €*
Available Sizes: One Size
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Nice digital watch with a fine retro edge. Adds street flair to any business outfit as well as an eye-catching detail to street styles. Frrrrresh fo' summer 2023!

Casio A168WEM-7EF - features/functions:

• illuminator: An electro-luminescent panel causes the entire face to glow for easy reading.

• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.

• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.

• automatic calendar: Once set, the automatic calendar always displays the correct date.

• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.

• acrylic glass

• resin case

• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.

• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.

• 7 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. seven years.

• water resistance classification (WR) to ISO 22810: This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.

• accuracy: +/- 30 sec seconds per month

• dimensions: approx. 38.6 x 36.3 x 9.6 mm (H x W x D)

• weight: approx. 49 g
Casio - A168WEHA-9AEF
Casio
A168WEHA-9AEF
49,95 €*
Available Sizes: One Size
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Nice digital watch with a fine retro edge. Adds street flair to any business outfit as well as an eye-catching detail to street styles. Frrrrresh fo' summer 2024!

Casio A168WEHA-9AEF - features/functions:

• illuminator: An electro-luminescent panel causes the entire face to glow for easy reading.

• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.

• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.

• automatic calendar: Once set, the automatic calendar always displays the correct date.

• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.

• acrylic glass

• resin case

• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.

• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.

• 7 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. seven years.

• water resistance classification (WR) to ISO 22810: This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.

• accuracy: +/- 30 sec seconds per month

• dimensions: approx. 38.6 x 36.3 x 9.6 mm (H x W x D)

• weight: approx. 49 g
V.A. - Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 Pink Vinyl Edition
V.A.
Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 Pink Vinyl Edition
2LP | 2019 | US | Original (Light In The Attic)
47,99 €*
Release: 2019 / US – Original
Genre: Organic Grooves, Rock & Indie, Pop
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**Note: Silver and black vinyl may or may not have audio distortion intermittently during playback, depending on your system. This was discovered after the press had been completed and packed, so we have included a red repress without audio issues. All purchases will ship with both silver and red copies.

After a busy 2018, which saw worriedaboutsatan release a steady stream of new material, the Yorkshire based duo start the new year with the release of their fourth full length album, ‘Revenant’.

The record marks a slight departure from their previous critically acclaimed album Blank Tape, by venturing into more synthesiser heavy pieces, based around dark brooding atmospheres, and switching from the bouncing arpeggios and slow hypnotic rhythms like the 10 minute album opener ‘Skylon’, to the jittering, cinematic rush of ‘Making Your Masks’.

Six tracks recorded over three weeks in Tom’s rural Yorkshire studio. The band channelled their signature post-rock guitars and skyscraping atmospherics into something more synthetic, but without losing what makes them the band that garnered attention for soundtracking Adam Curtis’ Hypernormalisation documentary back in 2016.
Casio - A158WETB-1AEF
Casio
A158WETB-1AEF
47,96 €* 59,95 € -20%
Available Sizes: One Size
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Casio A158WETB-1AEF - features:
• microlight: A built-in light illuminates the watch face from the side.
• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.
• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.
• automatic calendar: Once set, the automatic calendar always displays the correct date.
• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.
• resin case
• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.
• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.
• 7 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. seven years.
• water resistance classification (WR) to ISO 2281: This model is water resistant to DIN 8310 / ISO 2281, and thus is resistant to minor splashing. Any greater water contact should be avoided.
• accuracy: +/- 30 sec seconds per month
• type of battery: CR2016
• dimensions: approx. 36.8 x 33.2 x 9.7 mm (H x W x D)
• weight: approx. 45 g
Lowell Graham Conducts National Symphonic Winds - Winds O War And Peace 180g Vinyl, 45rpm Edition
Lowell Graham Conducts National Symphonic Winds
Winds O War And Peace 180g Vinyl, 45rpm Edition
2LP | 2021 | US | Original (Analogue Productions)
47,87 €* 75,99 € -37%
Release: 2021 / US – Original
Genre: Organic Grooves
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On "Winds Of War And Peace", conductor Lowell Graham takes the National Symphonic Winds ensemble through a program of stirring orchestrations and marches. "Liberty Fanfare" was composed for the centennial celebration of the Statue of Liberty in 1986. The fanfare set the stage for one of the most spectacular celebrations in America's history. Samuel Barber's "Commando March" composed in 1943, represents Barber's first band work. Written in a quadruple meter, this work utilizes the constant contrast of dotted and triplet rhythms. Roger Nixon's "Festival Fanfare March" was recognized for superb composition by the American Bandmasters Association in 1973. It is a work that's technical, bright in color and effervescent in spirit. The album also includes "Victory at Sea", "El Camino Real", "A Santa Cecilla" and "Symphonic Dance No. 3". Although the 33 1/3 reissue of this recording by Analogue Productions was outstanding, our 45 RPM version raises the quality bar even higher. With wider grooves, you'll hear sound that reveals more depth and space to the orchestra as a whole, as well as individual instruments. This disc sports more detail, more human presence, more of what we as audiophiles, listen for. Graham, a native of Greeley, Colorado, has earned recognition as one of America's most talented young conductors. He graduated from the University of Northern Colorado with both his Bachelor of Arts and Master of Arts degrees. He was also the first person to be awarded the Doctor of Musical Arts Degree in Orchestral Conducting from the Catholic University of America. Graham has led orchestras and bands on record and in performance throughout the world. He is the current conductor and commander of the United States Air Force Tactical Air Command Band.
Jamie XX - In Waves Limited Deluxe Black & White Vinyl Edition With Bonus Black & White Vinyl 12"
Jamie XX
In Waves Limited Deluxe Black & White Vinyl Edition With Bonus Black & White Vinyl 12"
2LP+12" | 2024 | WW | Original (XL)
46,99 €*
Release: 2024 / WW – Original
Genre: Electronic & Dance
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Red Hot Chili Peppers - Unlimited Love Limited Black Vinyl Gatefold Edition
Red Hot Chili Peppers
Unlimited Love Limited Black Vinyl Gatefold Edition
2LP | 2022 | EU | Original (Warner)
46,99 €*
Release: 2022 / EU – Original
Genre: Rock & Indie
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Deluxe 2LP Version – Gatefold Sleeve w/ Poster

Red Hot Chili Peppers will unveil their new album and twelfth full-length offering, Unlimited Love [Warner Records], on April 1, 2022. It notably marks their first recording with guitarist John Frusciante since 2006 and first with producer and longtime collaborator Rick Rubin since 2011. To herald Unlimited Love, the Los Angeles band just shared the first single and music video “Black Summer.”



“Our only goal is to get lost in the music. We (John, Anthony, Chad and Flea) spent thousands of hours, collectively and individually, honing our craft and showing up for one another, to make the best album we could. Our antennae attuned to the divine cosmos, we were just so damn grateful for the opportunity to be in a room together, and, once again, try to get better. Days, weeks and months spent listening to each other, composing, jamming freely, and arranging the fruit of those jams with great care and purpose. The sounds, rhythms, vibrations, words and melodies had us enrapt.



We yearn to shine a light in the world, to uplift, connect, and bring people together. Each of the songs on our new album UNLIMITED LOVE, is a facet of us, reflecting our view of the universe. This is our life’s mission. We work, focus, and prepare, so that when the biggest wave comes, we are ready to ride it. The ocean has gifted us a mighty wave and this record is the ride that is the sum of our lives. Thank you for listening, we hope you enjoy it.

ROCK OUT MOTHERFUCKERS!” - Anthony Kiedis, Flea, Chad Smith, John Frusciante



On lead track “Black Summer,” ethereal guitar underlines introspective lyrics as the rhythm unlocks a hypnotic drum groove highlighted by evocative bass. It quietly inhales only to exhale with a massive refrain, “It’s been a long time since I made a new friend, waiting on another black summer to end,” before a guitar solo echoes to the heavens and back.



Unlimited Love resumes a three-decade partnership with Rick Rubin [Johnny Cash, Adele]. Their creative collaboration spans legendary albums, including the diamond-selling Blood Sugar Sex Magik [1991], Californication [1999], By The Way [2002], and Stadium Arcadium [2006].



The interplay between the band borders on intergalactic once again—yet elevated to another stratosphere altogether. Unlimited Love represents the united spirit of four individual souls still fearlessly exploring the future of their eternal friendship and musical congregation.



This summer, Red Hot Chili Peppers will launch their first tour in support of Unlimited Love. They’ve invited a dynamic cohort of guests along for the ride at select dates, including Anderson.Paak & The Free Nationals and Thundercat and will be playing stadium dates in the UK in June 2022.
Stefanie & Orf Big Band - Compared To What / Alternative Version Test Press
Stefanie & Orf Big Band
Compared To What / Alternative Version Test Press
7" | 2024 | AT | Original (Record Shack)
46,99 €*
Release: 2024 / AT – Original
Genre: Organic Grooves
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Charles Tolliver / Music Inc - Live At The Captain's Cabin Black Friday Record Store Day 2024 Edition
Charles Tolliver / Music Inc
Live At The Captain's Cabin Black Friday Record Store Day 2024 Edition
2LP | 2024 | Reissue (Reel To Real)
45,99 €*
Release: 2024 / Reissue
Genre: Organic Grooves
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Coming Soon 2024-11-29, 12:00 CET
RSD Exclusive, Limitation: 1500

Charles Tolliver was born in Jacksonville, Florida, in 1942 and moved with his family to New York City when he was 10. During his childhood, his grandmother gave him his first horn, a cornet he had coveted. Tolliver was attending Howard University in the early 1960s as a pharmacy major when he decided to pursue music as a career and returned home to New York City. He came to prominence in 1964, playing and recording on Jackie McLean's Blue Note albums. In 1971, Tolliver and Stanley Cowell founded Strata-East Records, and Tolliver released many albums and collaborations on Strata-East.
Live at Captain's Cabin is a newly discovered gem from Edmonton, Alberta, Canada that finds Music Inc in fine form at a club called the Captain's Cabin. Playing mostly original music from Tolliver, the band lets loose in the live setting. In his words "The players I had--John Hicks, Clint Houston and Cliff Barbaro --I just let them go do their thing and I didn't rein them in, so we could have some pretty wild renditions of things, which if I were to do it now with a different rhythm section, it would sound different. It would be different. But I think that fifty-something years ago that we were just expressing the exuberance of playing together and being on the road and the songs that I composed at that time, a few of them I still play, are completely different."
This recording is an incredible document from an amazing band that was continually pushing boundaries. A previously unissued live recording from 1973, mastered by Kevin Gray of Cohearent Audio with audio transferred from the original tape reels. This 180g double LP comes with an extensive booklet of rare photos, an interview with Charles Tolliver by Jeremy Pelt, an essay by renowned writer Angelika Beener and more.
V.A. - The Soul Of Congo - Treasures Of The Ngoma Label
V.A.
The Soul Of Congo - Treasures Of The Ngoma Label
3LP | 2023 | EU | Original (Planet Ilunga)
45,99 €*
Release: 2023 / EU – Original
Genre: Organic Grooves
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The Soul of Congo is a compilation that spans the years from 1948 to 1963 as the Belgian Congo emerged from colonial subjugation into the first flower of Independence. Singers and players came to Congo’s capital Léopoldville, from all over Central Africa — from the streets of Brazzaville on the opposite shore of the Congo river to the vast plateau of Mbanza Congo in Angola, from the mineral rich areas of Lubumbashi (Elizabethville) in the Deep South to the lively docks of Kisangani (Stanleyville) in the northeast, from the rocky wastes of Mbandaka (Coquilhatville) in the West to the majestic forests of Bukavu (Costermansville) in the East.

Léopoldville became a cauldron of musical syncretism between the African rhythms that arrived with these musicians and the European, Caribbean and Cuban tunes that were popular in the big city. The new sounds were recorded for one of the big five Congo labels: Opika, Loningisa, Esengo, Olympia or Ngoma. None of the other Congolese labels better showcased the energy, variety & spirit of this era than the Ngoma label. The label was founded by the Greek Nicolas Jéronimidis in 1948. After his early death in 1951, it was further developed by Nikis Cavvadias and Alexandros Jéronimidis. During its existence, from 1948 until 1971, Ngoma made over 4500 recordings, creating a crucial cultural legacy. Now with Unesco declaring Congolese Rumba as an intangible cultural heritage of humanity as of December 2021, it is fitting they are restored to the ears of the world.





As the Ngoma label flourished, so too did the first big stars of this new sound: Manuel d’Oliveira from San Salvador, Antoine Kolosoy “Wendo’’ from Bandundu and Léon Bukasa from Katanga. The three of them are heavily featured in the Ngoma catalogue and in this compilation. Ngoma also provided a way for female singers, such as Martha Badibala, to rise to fame and inspire other women to dream of a life beyond taking care of the kids and husband. Futhermore, the label was keen to record traditional folkloric music, such as the songs by likembe player Antoine Mundanda. It also looked for fresh talent as far away as Brussels where they recorded Camerounian heartthrob Charles Lembe fronting a fierce quartet on some flashy adapted Cuban Guaracha rhythms. Instrumentalists like Antoine Kasongo (clarinet), Albino Kalombo (sax) and Tino Baroza (guitar) also made their mark through the Ngoma recordings.

Ngoma is also known for releasing Adou Elenga’s hit “Ata Ndele,” that criticized the white colonists. It led to his imprisonment and the song being quickly deleted from the catalogue after its release in 1954 (long sought after, a rare original copy has been found for this compilation). Angolan Paul Mwanga, too, was unstinting in his criticism of the colonials, and he was also active with authors’ rights associations. Frank Lassan was a singer who brought the romantic style of French crooners to Congolese popular culture, while guitar wizard Manoka De Saïo or “Maitre Colon Gentil” were flamboyant popular figures in the nightclub scene, captured on disc. Guitar prodigies like Antoine Nedule “Papa Noel” or Mose Se Sengo “Fan Fan” cut their teeth as teenagers in studio bands. The band names changed rapidly — Beguen Band, Jazz Mango, Jazz Venus, Dynamic Jazz, Affeinta Jazz, Mysterieux Jazz, Orchstre Novelty, Rumbanella Bande, Vedette Jazz, La Palma, Negrita Jazz — all of them are heard here.

Dedicated record collectors came together to make this compilation possible. From the USA, Belgium, Japan, Germany, France, Morocco, and The Netherlands, these generous fans of the music have pooled their collections for the compilation, assembled and annotated by Alastair Johnston who runs the Muzikifan website from California. He dedicates this release to Flemming Harrev from the reference website afrodisc.com who passed away in 2020. Legendary but unheard songs were tracked down, some emerging from dead stock in a forgotten Tanzanian record store. Experts who have made previous compilations were solicited for their advice and recommendations; liner notes, graduate theses, African periodicals, blogs and documents by authorities such as Jean-Pierre Nimy Nzonga, Sylvain Konko, Gary Stewart, Manda Tchebwa, and Michel Lonoh were scoured for clues.

There are 69 songs on the 3CD set and 42 on the 3LP set. Two of the LPs are distilled from the 3CD set, while the third “bonus” LP" has a different selection of songs by Léon Bukasa and others. While this is unusual, we felt there was so much great material, the vinyl collectors would enjoy an extra album of out-takes from the shortlist that was originally over four hours in length.
Isolert - Wounds Of Desolation
Isolert
Wounds Of Desolation
LP | 2024 | EU | Original (Non Serviam)
45,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Preorder shipping from 2024-11-08
Isolert is a black metal band from Greece (Volos), formed in 2015 as a duet by Panagiotis T. and Nick S. The band's style combines intense melodies with aggressive elements and merciless vocals, creating an epic atmosphere amidst a landscape of agony. Lyrical themes of a falling world, of despair and desolation preached through endless, enraged screams, in the rhythm of infuriated drums. Isolert's new album "Wounds of Desolation" will be released in 2024, through Non Serviam Records. With the addition of George S. (Kosmovorous, Herald) on the band's ranks since 2021 and with a faster, more ferocious approach interwoven in epic melodies, Isolert's 3rd full-length album presents ..... (διάκεια δίσκου) of unforgiving black metal. 1.The Downfall's Monologue (Intro)2.The End of Beauty3.Flesh. Torn. Asunder!4.Where Dreams Die5.Children of the Void6.Spewing Venomous Gloom7.Herald of Demise8.Reflections of Nothingness
Charles Wright & The Watts 103rd St Rhythm Band - Express Yourself
Charles Wright & The Watts 103rd St Rhythm Band
Express Yourself
LP | 1970 | US | Reissue (Warner)
45,99 €*
Release: 1970 / US – Reissue
Genre: Organic Grooves
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Used Vinyl
Medium: VG+, Cover: VG+
180gr reissue. Cover and vinyl are close to NM.
Natsu Summer - Natsu Summer & Dub Sensation
Natsu Summer
Natsu Summer & Dub Sensation
LP | 2023 | JP | Original (P-Vine)
45,99 €*
Release: 2023 / JP – Original
Genre: Reggae & Dancehall, Pop
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Natsu Summer, whose name is becoming known not only in Japan but also in other Asian countries as a rare city-pop reggae singer, recorded her 2018 album with her steelpan-fuelled band Dub Sensation, which is being recorded for the first time. Kunimond Takiguchi (Streamline), who has produced almost all of her work in her career, is also involved in the production of this album. The song 'Japanese Reggae Woman', a tribute to the steelpan disco classic 'Reggae Is Here Once Again' by Steel An' Skin, and the songs by Kunimond Takiguchi, who has been responsible for producing the album since its debut, all The singer's personality is perfectly utilised and e-mura (bim ONE, Rub-a-dub Market), who mixed the album, has done an excellent job.
Primitive Art Group - 1981-1986
Primitive Art Group
1981-1986
2LP | 2024 | US | Original (Amish)
44,99 €*
Release: 2024 / US – Original
Genre: Rock & Indie
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This gatefold 2xLP is a combination of the group’s only two albums, consisting of one LP of Five Tread cuts plus “Cecil Likes to Dance” a never-before-released live recording from Thistle Hall (1984) and the full 1985 LP Future Jaw-Clap. This material that has been unavailable since mid-1980s. It is well documented that in the early ‘80’s New Zealand was awash with adventurous new music. Though sharing the kind of happy isolation and the DIY ethic with contemporaneous outfits like Flying Nun, South Indies and Xpressway, one band cut a decidedly different path. The Primitive Art Group, formed in Wellington, devoted itself to collective improvisation coming out of a jazz tradition. With the line-up of Anthony Donaldson (drums), David Donaldson (bass), Neil Duncan (saxes), Stuart Porter (saxes), David Watson (guitar), and originally with Pam Grey (on cello), the group’s relatively brief existence left a lasting impression on the New Zealand’s free music scene. Musically, there was no precedent in New Zealand for their combination of noise, collective playing and compositional freedom. Gary Steel from the local music rag TOM, wrote “The first time I saw the Primitive Art Group they blew my tiny mind… Great sheets of architectural noise coming at you from the stage. Where else would you see free music in New Zealand in the early 80s? You just didn't.” The band’s five-year lifespan was non-stop activity: rehearsing, touring, the creation of Braille Records (their own record label which released ten LPs), dance and theater work, appearances at music festivals, and hosting two hugely influential national festivals of improvisation at Thistle Hall, Wellington. In 1984, Primitive Art Group spent a week making their first recording, an ambitious double LP, Five Tread (Braille 001) which had only a single pressing and sold-out locally. One year later they were back in the studio making their second album, Future Jaw-Clap (Braille 002). This outing contained tighter pieces, as the band widened its repertoire with nods to broader influences and antecedents. In 1986, The Primitive Art Group gave their last concert at the Wellington Town Hall, just a half mile from Rawa House and the legendary Thistle Hall where their first shows had taken place. The band’s Braille Records’ recordings have never been released outside of New Zealand, nor have ever been available digitally. As Thurston Moore writes, “these are magic time capsule, lost-n-found recordings, previously shared only by deep-diving record collector aesthetes”. The group’s brief tenure has continued to inspire new generations of improvisers, but nothing has ever quite matched the visceral blast of the Primitive Art Group’s arrival on the scene. Every member of the group has carried on doing creative work at the highest levels: scoring films, making art, mentoring, organizing, touring and always playing.

· Gatefold 2xlp of improv / free jazz from legendary Wellington, NZ group Primitive Art Group originally released between 1981-1986 · Available on LP for the first time since 1985 · Includes one never-before released live song · Features guitar playing of NY-based David Watson who has worked with artists such as Phil Niblock, Lee Ranaldo, Marc Ribot, Christain Marclay + · Album liner notes by Thurston Moore (Sonic Youth) and Bruce Russell (Dead C)
Brendan Perry - Eye Of The Hunter / Live At The Ica Reissue
Brendan Perry
Eye Of The Hunter / Live At The Ica Reissue
LP | 2023 | EU | Original (4AD)
44,99 €*
Release: 2023 / EU – Original
Genre: Rock & Indie
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Out of print since release in 1999, Dead Can Dance"s Brendan Perry"s debut solo album "Eye of the Hunter" is being reissued this summer and has been expanded to now also include his 1993 live show as part of 4AD"s infamous 13 Year Itch week of concerts at London"s ICA, a live show that has to date only been available as a very rare promotional cassette.Having mutually disbanded Dead Can Dance so he and Lisa Gerrard could focus on their own material (a hiatus that would last seven years between live shows and sixteen between albums), Brendan"s debut built on his renown as a solo performer, having often played just he and an acoustic guitar during his band"s otherworldly live shows. Indeed, Dead Can Dance"s first official live album, 1994"s Toward The Within, captures just this with three Brendan solo tracks helping to set the scene for what came next.Backed by the band of Liam Bradley (drums), Glen Garrett (bass guitar) and Martin Quinn (pedal steel), Brendan performs the guitar, a 12-string guitar, mandolin and keys to achieve a rich, gothic sound while the album"s incredible production elevates his vocals to Scott Walker and Tim Buckley levels of delivery; two clear influences, the latter"s "I Must Have Been Blind Here" is thoughtfully covered here.A record that has been out of print on vinyl since its release in 1999, people have been asking for it to be repressed for long enough. Having been remastered at Abbey Road, fans will be delighted to hear that not only is Eye of the Hunter finally being reissued but that it"s also being expanded to include Live at the I.C.A.. A true collectible, this extra album has previously only been available on a rare as hen"s teeth promotional cassette, recorded during the 4AD label"s infamous 13 Year Itchresidency at the storied London venue in 1993. Chris Bigg"s fantastic art remains front and centre, upgraded to a gatefold sleeve for the LP with the transparent teal Colored Vinyl matching the album"s palette.
Enc - Surreal Estate
Enc
Surreal Estate
2LP | 2024 | UK | Original (Enc)
44,99 €*
Release: 2024 / UK – Original
Genre: Organic Grooves
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ENC
'surreal Estate'
Limited Edition Gatefold 180gm Double Vinyl edition of 250
All profits from the release are donated to mind.org.uk
The third Emperors New Clothes album recorded and produced in 1996 by Trevor 'Underdog' Jackson, rejected and ridiculed by the bands original label, the album sat unheard for decades and unreleased in its original intended format anywhere till now.

A gloriously twisted mix of jazz, post-rock, dub, no wave, noise & abstract beats played by a live five piece, the album sounds as strangely relevant today as it was wildly ahead of its time in 96.

In founder member Luke Hannam's own words.

"Just two months before the recording took place at the chapel studios in Lincolnshire ENC went through a major line up change with Leo Taylor recruited on drums and David Bateman added on guitar & additional programming, Ian Girdlestone on decks & tape looping and the two founding members Andy Knight- Sax, electronics, flutes, programming, keys & percussion and Luke Hannam on Bass.

The band had come along way from its earliest days as a three piece in the late 80s based in the northeast . ENC were always an unusual band formed around Andy's deep musicality and knowledge of free jazz and experimental music and Luke's love of intense groove and dark post punk. They were an unlikely pairing in someways but they lived closely and supported each other for years.

The 'Surreal Estate' project began as the third album loomed into view. Trevor Jackson who had contributed some fantastic remixes on previous material was hired as producer with Corrine 'The Sea' Pennington as an engineer. The band headed to their Brixton arch and set about making the most adventurous music of their career. The tracks that's you hear on this album were mostly recorded during extensive sessions at The Chapel residential studios in Lincolnshire followed by various additional session in London and also at Trevor's home studio. Recording sessions are funny things, stuff works, stuff fails, bands implode, and sometimes great albums get made, stability never makes the best music and this album probably proves both are true.

My memories of these sessions are pretty vivid, we worked through the night creating our own private universe playing music as freely and intensely as we could. Andy provided, as he always did a sense of otherworldly concentration, I always found him like a man in the centre of a storm building circles and cycles, spinning patterns of sound rhythm and melody. Leo was a relative newcomer at the time but as afar as I was concerned produced beats so intense, so perfect, they pulled my bass into line … visceral and exact. David Bateman listened and carefully spun delicious guitar parts finding space where others thought there was none to be found … it was beautiful to watch and when I listen I can see him in the shadows immersed in the music. Ian's loops and analogue textures found their perfect embrace with Andy's subsonic samples and electronic depth charging …. The whole thing lurched like an obscure On U sound recording colliding with Sun Ra in Trevor's hip hop universe".
Gaute Storvse Band - Bebe' K'awil
Gaute Storvse Band
Bebe' K'awil
LP | 2024 | EU | Original (Apollon)
44,99 €*
Release: 2024 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Apollon Records proudly presents Bebé K’awiil, the latest album by Gaute Storsve Band, scheduled for release on February 23rd. This album is a musical journey inspired by ancient Maya gods, masterfully blending Nordic jazz with Latin rhythms. The thematic inspiration for this album stems from Gaute Storsve's profound engagement with Mayan culture and archaeology, spanning over 25 years. His deep appreciation and understanding of this rich heritage have significantly shaped the band's innovative musical direction, culminating in this vibrant new release. Featuring Cuban percussionist Angel Terry Domech from the Buena Vista Social Club, Bebé K’awiil is enriched with authentic Latin rhythms, adding a vibrant dimension to the album. "Oración a Ixchel" showcases the stunning vocals of Patricia Morales, with lyrics penned by Guatemalan writer Christina Violeta Thrane Storsve. The cultural richness of the album is further enhanced by the exquisite ceramic artwork of Mayan artist Francisco Javier Iquic Garcia Gaute Storsve Band, which evolved from the Gaute Storsve Trio, has long been a significant presence in the Nordic jazz scene. The Trio's first album, Attention: This Is Not a Toy, For Adult Collectors Only, laid the groundwork for the band's distinctive fusion of Nordic jazz and Latin American music. Their previous album El Gran Gotzilla (Apollon Records, 2022) has enjoyed regular airplay on the domestic radio channel NRK Jazz.
Casio - A700WE-1AEF
Casio
A700WE-1AEF
44,95 €*
Available Sizes: One Size
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Casio A700WE-1AEF - Features/Specifications:
• LED light
A light-emitting diode (LED) is used to illuminate the watch face.
• Stopwatch function - 1/100 sec. - 1 hour
Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.
• Daily alarm
The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.
• 12/24-hour timekeeping
Times can be displayed in either a 12-hour or 24-hour format.
• Automatic calendar with Date, Day and Month
Once set, the automatic calendar always displays the correct date.
• Acrylic Glass
The acrylic is easy and relatively unbreakable.
• Resin case
The resin housing is the ideal everyday companion. It is durable, lightweight and relatively insensitive to cold, heat or other external influences.
• Stainless steel band
Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.
• Bracelet with IP finish
The bracelet is coated by the so-called "ion plating" process consuming and offers the advantage of increased scratch resistance.
• Adjustable fastening
The clasp can be individually adjusted extremely easily for maximum comfort.
• 3 Years - 1 Battery
The battery supplies the watch with sufficient energy for approx. three years.
• Water resistance classification (WR) to ISO 22810
This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.
• Dimensions (H x W x D): 37.4 x 35.5 x 6 mm
• Weight: approx. 50 g
Casio - AQ-230A-7DMQYES
Casio
AQ-230A-7DMQYES
44,95 €* 49,95 € -10%
Available Sizes: One Size
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Casio AQ-230A-7DMQYES - features:

• second time zone: A second location time can be set and called up. Ideal if you frequently make overseas calls.

• stopwatch function - 1/100 sec. - 1 hour: Elapsed time, split time and final time are measured with 1/100-sec accuracy. The watch can measure times of up to 1 hour.

• daily alarm: The daily alarm reminds you of events that recur every day, by emitting an audible signal at the set time.

• automatic calendar: Once set, the automatic calendar always displays the correct date.

• 12/24-hour timekeeping: Times can be displayed in either a 12-hour or 24-hour format.

• resin case

• stainless steel band: Tough, durable and elegant: The stainless steel wrist strap gives your watch that classic feel.

• adjustable fastening: The clasp can be individually adjusted extremely easily for maximum comfort.

• 3 Years - 1 Battery: The battery supplies the watch with sufficient energy for approx. three years.

• water resistance classification (WR) to ISO 22810: This model is water resistant to DIN 8310 / ISO 22810, and thus is resistant to minor splashing. Any greater water contact should be avoided.

• accuracy: +/- 30 sec seconds per month

• type of battery: SR920W

• dimensions: approx. 38.8 x 27.8 x 8.1 mm (H x W x D)

• weight: approx. 44 g
Fortune / Harper / Cowell / Workman / Hart - Great Friends
Fortune / Harper / Cowell / Workman / Hart
Great Friends
2LP | 1987 | UK | Reissue (Pure Pleasure)
43,99 €*
Release: 1987 / UK – Reissue
Genre: Organic Grooves
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Recorded in 1986 in Paris and originally released only in France, "Great Friends" mines the John Coltrane spiritual legacy with fervent incantatory playing and an ecstatic charge. Not that alto saxophonist Fortune and tenor man Harper necessarily speak with Trane’s voice, but the intensity of their playing and their use of certain scales and modes produce a Tranelike atmosphere. Drummer Hart (who organized this band at the request of a Japanese promoter), bassist Workman and pianist Cowell form a hard-hitting team alongside the horns. Things begin with “Cal Massey”, a tribute penned by Cowell. Harper sets the spiritual vibe in motion with a big-toned, take-no-prisoners solo. The Texas tenor man has the heaviest low-register sound in the business. On Workman’s “East Harlem Nostalgia”, he chomps into the low notes as a prelude to wailing runs into the upper register. Harper’s up tempo “Insight” is the album’s tour de force, with rippling solos and torrid exchanges between the saxophonists. Fortune’s searing tone is well suited to the exuberant joyride of this performance. The rhythm section can be compared to the McCoy Tyner, Jimmy Garrison and Elvin Jones triumvirate that backed Trane. Equally heavyweight and agile, it is relentless in its conviction and spiritual attitude. Great Friends is hot. Owen Cordle/Jazz Times
Nurse With Wound - Merzbild Schwet Colored Vinyl Edition
Nurse With Wound
Merzbild Schwet Colored Vinyl Edition
LP | 1980 | US | Reissue (Rotorelief)
43,99 €*
Release: 1980 / US – Reissue
Genre: Electronic & Dance
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Merzbild Schwet, the second album opus released in 1980, is considered one of Nurse With Wound's major releases, and is part of the famous "Silver Edition" on Rotorelief Records, with a luxurious chrome-plated cover in double Gatefold sleeves, and sumptuous 200g vinyl discs issued in 300 copies on silver and black vinyl, and 700 copies on black vinyl.

The first track, Futurismo, begins with clanking rhythms, record skip clicks, and horn riffs before veering off into a crazed quilt of women singing, laughing, and talking in French. About halfway through, wild screeches of distortion disrupt the piece, and then more bizarre sounds take over before the piece ends with a collage of over modulated electronic hum and rambling piano. The other cut, Dada X, goes further into weirdness with lots of silences, creepy creaking noises, tones that build up and collapse, and scattered spoken word in French and English from Eve Libertine from the political punk band Crass, and the piece certainly lives up to the Dada of its title.
Greenleaf - The Head & The Habit Opaque Cream White Vinyl Edition
Greenleaf
The Head & The Habit Opaque Cream White Vinyl Edition
LP | 2024 | EU | Original (Magnetic Eye)
42,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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Yello - Stella Limited Reissue 2022
Yello
Stella Limited Reissue 2022
LP+12" | 1985 | EU | Reissue (Polydor / Island)
42,99 €*
Release: 1985 / EU – Reissue
Genre: Pop
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Steel Inferno - Rush Of Power
Steel Inferno
Rush Of Power
LP | 2024 | EU | Original (From The Vaults)
42,99 €*
Release: 2024 / EU – Original
Genre: Rock & Indie
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STEEL INFERNO has been, slowly but surely, cementing their name in the European speed metal scene in the last decade. Since the band’s formation in 2012, the quintet released three studio albums, each one stepping a bit forward in terms of popularity and intensity: “Aesthetics of Decay” in 2016, “…And the Earth Stood Still” in 2020 and “Evil Reign” In 2022.The latter, which was Steel Inferno debut at From The Vaults, took the band in a slightly different direction. If the Steel Inferno’s early material was akin to European metal like early Accept and Judas Priest, the material in that record was closer to some of the earliest US power metal bands such as Helstar and Jag Panzer – all mixed with a fundamental inspiration from early thrash and speed metal.With this new-found approach, the band toured like crazy to support “Evil Reign”, until the time came to record new songs again. Angioni Studios was booked, speed riffs, solos were recorded, thunderous rhythms were taped and raging vocal takes were taped. The result is Steel Inferno’s new album, titled “Rush Of Power”. A thunderous monster of a record, which will hit you like a hurricane, adrenaline-pumping and will leaving craving for the next speed metal fix. “Rush Of Power” adds more speed, as well as complexity, to the Steel Inferno arsenal, while retaining a sense of creating good melodies. 1. The Abyss2. Cut Down By The Chainsaw3. Hunt The Rush4. Power Games5. Electrocuter6. Cathedral Run7. The Blitz8. Attack9. Coven In The Dark
Russian Circles - Empros Magenta-Black Vinyl Edition
Russian Circles
Empros Magenta-Black Vinyl Edition
LP | 2011 | CZ | Reissue (Sargent House)
42,99 €*
Release: 2011 / CZ – Reissue
Genre: Rock & Indie
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