Search "men+i+trust" 20761 Items

LP | 2024 | US | Original (Coverage)

Release: 2024 / Original

Genre: Rock & Indie

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Lynyrd Skynyrd are more than just a Rock band. Hailing from the swamps of Florida their music is a gritty mix of Rock, Blues and Country, washed down with a liberal slug of bourbon. In one form or another Skynyrd have existed for almost half a century. 'Sweet Home Alabama', 'Call me The Breeze', 'Woman Of Mine' and the immortal 'Free Bird' are among the most famous rock songs ever recorded. This LP contains live songs, recorded in 1973. A: 1. I Ain't the One2. Call Me The Breeze3. Sweet Home Alabama4. Workin' For MCAB: 5. Woman Of Mine6. Freebird

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Richard Cheese

Blue No Matter Who

50,99 €*

Don't Let Me Down Konyawa Boogie Back Nice Vocal

Release: 2024 / US – Original

Genre: Rock & Indie

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Lounge singer RICHARD CHEESE returns with his 28th and perhaps final studio album-this time a collection of serious, melancholy saloon song ballads in the style of a classic Frank Sinatra Capitol Records concept album. These 12 all-new 2024 recordings feature wistful piano accompaniment, rich orchestrations, and Cheese's sincere, heartfelt voice performing covers of songs like Radiohead's 'Lucky,' The Offspring's 'Self Esteem,' R.E.M.'s 'South Central Rain,' Harry Styles's 'As It Was,' and Lana Del Rey's 'The Greatest.' Blue No Matter Who is pressed on opaque blue vinyl, and the retro-style LP jacket artwork pays homage to Sinatra's 1959 album No One Cares. MARKETING / SELLING POINTS * Rev exclusive opaque blue vinyl * RICHARD CHEESE & LOUNGE AGAINST THE MACHINE have been recording and touring since 2000, and to celebrate his 25 years in the music business, RICHARD CHEESE will be releasing a new career-retrospective autobiography book in summer 2025 * Syncs include: Barb & Star Go To Vista Del Mar, Army Of The Dead, The LEGO Batman Movie, Batman v Superman: Dawn Of Justice, and Dawn Of The Dead * He's also performed on Jimmy Kimmel Live, CNN with Anderson Cooper, ITV's The Jonathan Ross Show, Hangin' With Dr. Z, MTV's Say What Karaoke, Howard Stern, and as the house band 20 times on NBC's Last Call With Carson Daly TRACK LIST SIDE 1 1. Interstate Love Song 2. As It Was 3. Just Like Heaven 4. Anything, Anything 5. Dammit 6. It's Been Awhile SIDE 2 1. Lucky 2. Since You're Gone 3. So. Central Rain 4. Self Esteem 5. The Greatest 6. I'm Blue No Matter Who (new original song by Richard Cheese)

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Wa Yo Set

7" | 2024 | JP | Original (Urban Discos)

30,99 €*

Release: 2024 / JP – Original

Genre: Organic Grooves

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LP | 2024 | AU | Original (Half A Cow)

Machine Translations

Sevenseven

57,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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Universal Synthesizer Interface Vol III

Kristen Roos

LP | 2024 | US | Original (We Are Busy Bodies)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Svenska Folkjazzkvartetten

Loriken

LP | 2024 | EU | Original (Chimp Limbs)

HEVN III Red / Black Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Svenska Folkjazzkvartetten består av Isak Hedtjärn, Jonas Liljeberg, Vilhelm Bromander och Anton Jonsson. De upptäckte snabbt att de delade en stor nyfikenhet och respekt för den svenska traditionella fiolmusiken. Sedan dess har de tillsammans studerat arkivinspelningar på äldre spelmän, träffat levande traditionsbärare, och utforskat sätt att överföra de intrikata detaljerna i fiollåtarna till klarinett och saxofon. I den råa energin, vemodet i tonspråket, variationen och improvisationen i stämspel och frasering och inte minst i svänget hittade de en stark röd tråd kopplad till jazzen.

Loriken var en beryktad spelman från Orsa. Han stal kyrkvinet och kastade sten på länsmans fönster. Jagad av denne länsman flydde han med båt till Amerika och försvann. Han lämnade efter sig tre vackra melodier som Svenska Folkjazzkvartetten nu tolkar på sitt andra album Loriken. Albumet släpps den 22 november digitalt och på limiterad vinyl via Chimp Limbs.

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Hevn III

LP | 2024 | EU | Original (Polybus)

I'm Sorry Now Say It Back

Release: 2024 / EU – Original

Genre: Rock & Indie

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In 2004 Sarkom released their only demo before signing to a label. Now, 20 years, several albums and EPs later, this hidden gem will be released on vinyl for the first time ever! This will be a one time pressing, limited to 250 hand numbered copies, just like the original demo back in the days! In addition to regular black vinyl, it will also be released as picture disc, limited to only 100 copies! No remixing, editing or remastering - the songs on the vinyls will sound exactly as cold, grim and necro as for 20 years ago!

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Thelma Plum

LP | 2024 | AU | Original (Warner Australia)

73,99 €*

Release: 2024 / AU – Original

Genre: Rock & Indie

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Kaitlyn Aurelia Smith & Joe Goddard

Neptunes EP

12" | 2024 | UK | Original (Smugglers Way)

31,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The Worlds We Leave Behind

Zake / Tyresta

CD | 2024 | UK | Original (Past Inside The Present)

Isn't It Evening (Limited Turquoise Blue)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Past Inside The Present proudly shares the release of The Worlds We Leave Behind, the second full-length record from the duo of Zake (aka. Zach Frizzell) and Tyresta (aka. Nick Turner). Building on both quotidian and profound contrasts, and blurring their associations - Turner’s day job as a Chicago social worker, Frizzell’s reverent interest in the sublimities of natural lansdcapes - this record continues the theme already played up by the pair’s earlier collaborative efforts, that of personal strife and experiential wisdom, which colour the impressions we derive from our environments. Being a “spiritual sequel” to the pair’s first album Drift (2023), the album educes long, heavy-set, gut-fluttering ambient montages, from aphasic, fragmentary titles, such as ‘The Worlds We Leave Behind’ and ‘You Will Become A Song’.

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Earl Slick / David Bowie

7" | 2024 | EU | Original (Schnitzel)

The Notorious B.I.G. / Biggie Smalls / 2Pac

Release: 2024 / EU – Original

Genre: Pop

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Legendary guitarist Earl Slick, David Bowie"s longest-standing lead guitarist, is set to release a brand-new remixed version of a track with Bowie on vocals 8 November 2024 on limited edition 7" Colored Vinyl.Earl Slick and David Bowie"s partnership produced some of rock"s most memorable music. In celebration of his recent autobiography "Guitar" published by Penguin achieving #1 on Amazon, Slick is now sharing this musical treasure.Slick recounted a particularly serendipitous moment: "I would never have thought to ask David to sing on my record. It"s not that we weren"t close -- we"d known each other forever -- but it just wasn"t something that would have occurred to me. But when I called Mark Plati at the studio one day to talk about some sessions I wanted to do, it turned out David was there. He got wind of what we were planning and asked to talk to me. "I guess you"re not interested in me maybe doing a little something on the record?" It was a silly question, of course. And what I figured would be some percussion or 12-string guitar turned into lyrics and an amazing vocal. I"m really excited to finally be able to share it with the world!"Producer Mark Plati echoed the excitement, saying, "One of the highlights of my career was being in the room when Earl Slick and David Bowie wrote "Isn"t It Evening", and then having the privilege to help bring it to life."Legendary mixer Bob Clearmountain, who worked on this new version, added, "It was such a thrill and an honor to be working on a David Bowie song again! Recording and mixing the "Let"s Dance" album was certainly one of the high points of my career. His passing was a real shock for me as we had become long-distance friends. Mixing his voice somehow made me feel close to him again."

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Sunshine Biggie (A Don Mash Up) / Thug Stylin' (A Don Mash Up)

7" | 2024 | US (Big 45)

Release: 2024 / US

Genre: Hip Hop

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12" | 2024 | EU | Original (R.i.O.)

Andrea & Alexander

Loved Up

I Do Love You / Heart Of Hearts

Release: 2024 / EU – Original

Genre: Organic Grooves

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Long time in the vaults, soon out in pop heaven: Andrea & Alexander, a handsomely nostalgic pop project by Andrea Noce aka Eva Geist and Alexander Arpeggio. Originally launched in 2014, revitalized in 2023, the project originated as a live set-up consisting of synthesizers, ePects pedals, and analogue drum machines. From there it slowlymetamorphosed into a crew of songs with raw minimal-wave grooves and romanticallyhaunting English and German pop lyrics, loosely evoking the aura of Siouxsie Sioux, Gudrun Gut or Nadine Bal. After becoming a live mainstay in the Berlin based underground club Sameheads, they went on a tour through Lithuania and soon after several unfortunate troubles led to the break-up of the band, prompting both Andrea and Alexander to focus on their solo careers. Andrea became Eva Geist and released for various international labels, played live and formed the female duo As Longitude. Alexander founded his own label Eine Welt, took over the management of the renowned underground festival Camp Cosmic and created two musical projects with Cid Hohner, Otto and Aufgang B. Now, years later, almost becoming a Soundcloud corpse some Andrea & Alexander recordings caught the attention of the R.i.O. folks and just seconds later they oPer six freshly recorded cuts of Andrea & Alexander tunes that stood the test of time as authentic, soulful pop music. “What are we going to wear for tonight’s party?” Andrea Noce asks in their song “Tiney Party”. The answer is “Loved Up” a musical celebration outfit of six sincere recorded, emotionally accorded songs, who make the dance, give verve a chance, to be there, in that moment of all moments. An album for the listener that likes to dance. In his head, on the local carpet. “Loved Up” humming Andrea & Alexander tune.

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Black Girl Singer Lm

7" | 2024 | UK | Reissue (Izipho Soul)

Release: 2024 / UK – Reissue

Genre: Organic Grooves

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Loneliness / If It's Not Asking To Much

Carla Thomas

7" | 2024 | EU | Original (Soul 4 Real)

19,99 €*

Nite Owls White Black & Blue Nite Owl Splatter Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Though she was Stax Records' Queen of Soul (and Otis Redding was her king), there was much more to Carla Thomas. In 1967, even while being promoted by the name of her most recent album, The Queen Alone, she was expanding her sound, developing a cabaret act that showcased a mix of genres and styles and that was built around her beautiful voice. She was exploring new vistas when these two sides were recorded. Isaac Hayes wrote "Loneliness". Carla's suave delivery evokes Diana Ross, and the shiny brass horns call out a Burt Bacharach arrangement as much as Stax. This is Carla with a nice polish on the groove. Labelmate and friend Deanie Parker wrote "If It's Not Asking Too Much". A sparer presentation, the organ drives the tango rhythm and also—a second keyboard, I think—swells behind Carla, everything entwining and deepening the song's brooding tone. This is the kind of side that can both start your night or finish it. Carla Thomas has got it all.

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JD McPherson

LP | 2024 | US | Original (New West)

33,99 €*

12" | 2024 | UK | Original (Fabric Originals)

Release: 2024 / US – Original

Genre: Rock & Indie

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JD McPherson has created something unique and amazing with his latest album, Nite Owls. His first album release since 2018’s critically acclaimed Christmas classic, SOCKS. Over the past 5+ years, McPherson has stayed consistently busy writing new songs while at the same time touring with Alison Krauss and Robert Plant. Being a touring musician offers the chance to see the sights, tour the town and pick up some inspiration from the local record shop. With Nite Owls, JD wanted to try something new and different. He wanted to take the inspiration from multiple decades and styles and incorporate them into his own sound. “The initial idea for the record was: It’s like if The late-60s Ventures were the session band on the first New Order record.” Says, McPherson. Idea achieved. Nite Owls delivers the signature sounds of vintage garage-rock while also seamlessly bridging the sounds of Bowie and Alan Vega. Songs such as “Sunshine Getaway”, “The Rock and Roll Girls” and “I Can’t Go Anywhere with You” sound like Chuck Berry is jamming with Buddy Holly. While song’s like, “Nite Owls” and “Don’t Travel Through the Night Alone” give a nod to the Factory sound from the UK. The throwback sound of the lone instrumental track “The Phantom Lover of New Rochelle” would make Dick Dale ride and Link Wray rumble. With Nite Owls, McPherson takes inspiration from multiple genres of the past and combines them together to evolve a sound that is all his own.

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Mano Le Tough & Perel

Entertain Us

Hermit In A Rave Cave Part 3

Release: 2024 / UK – Original

Genre: Electronic & Dance

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fabric Originals is proud to announce the release of the highly anticipated collaborative EP by Irish-born DJ, producer, and label owner Mano Le Tough, one of the most celebrated names in underground house and techno, and electronic musician and DJ Perel—who was the first German artist to sign to James Murphy's seminal dance-punk label DFA Records.

This EP marks the second release in the label’s new series, 'Future Memories,' which pairs together a legendary producer with new talent to create groundbreaking music that bridges generations.

The 'Future Memories' series is fabric Originals' latest initiative to celebrate the legacy of electronic music while paving the way for future innovation. By pairing seasoned veterans with promising newcomers, the series aims to create timeless tracks that resonate across generations. Mano Le Tough and Perel comes hot off the heels of our 1st release – by UK Garage royalty MJ Cole and rising UK techno X Dubstep producer and one half of Wisdom Teeth, K-lone.

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Hermit In A Rave Cave

12" | 2024 | EU | Original (Clone Jack For Daze)

Fantasy Of A Broken Heart

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Part 3 in Legowelt's latest project "Hermit in a Rave Cave". Even lower slung house tracks with a twist from the unpredictable and unparalleled brain that roams the dunes of the Hague. Also responsible for Salamandos, Squadra Blanco, Polarius and a swath of other mysterious aliases.

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Feats Of Engineering

LP | 2024 | Original (Dots Per Inch Music)

19,99 €*

Release: 2024 / Original

Genre: Pop

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LP | 2024 | EU | Original (Sony Music Catalog)

Ricchi E Poveri

...E Penso A Te

Release: 2024 / EU – Original

Genre: Organic Grooves

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James Brown And The J.B.'S

Special Versions By Dimitri From Paris

12" | 2024 | UK | Original (Dfp Vaults)

12" | 2024 | EU | Original (Cultivated Electronics)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The incomparable Dimitri From Paris returns with the latest installment of his acclaimed DFP Vaults series, showcasing the deep cuts that solidify his reputation as one of the premier remixers, DJs, and champions of crate-digging culture in dance music today. This particular release holds a special place in Dimitri's heart, as he explains in his own words below:

"James Brown, the undisputed godfather of soul and the hardest working man in show business, is one of the few artists for whom the term 'legend' feels like an understatement. With a career spanning five decades, countless albums and singles, his unique voice and sound have become synonymous with dance music. Beyond his own recordings, thousands of James Brown samples have permeated our ears since sampling became a cornerstone of music production in the mid-80s—across genres from Hip-Hop to House, Drum 'n' Bass, and everything in between.

This release is particularly meaningful to me. Since my early days as a DJ, I’ve watched James Brown light up dance floors across cultures and generations with his inimitable swagger and irresistible energy. I bought my first James Brown record in 1981—Soul Syndrome, featuring the track 'Funky Men.' At the time, I was a bit disappointed as it didn’t have the classic 'Funky Drummer' style I was expecting, so it ended up buried in a pile of other James Brown classics.

Fast forward over 40 years, and I hear 'Funky Men' again, played by my good friend Alex From Tokyo, and it sounds fresher than ever. The unusual disco beat accompanying James Brown’s vocal, which once made the track stand out in a strange way, has now become its greatest asset! I quickly took it to the edit board, using a mix of old and new techniques, to create my 'Special Version' of 'Funky Men,' which has already been tried and tested on dance floors near you.

For the flip side, I wanted to explore the later, lesser-known disco side of James Brown. The J.B.'s, his personal live band, released a few tracks of their own under his production. Most were instrumentals featuring the breakbeat-heavy sound typically associated with James Brown. However, 'Just Wanna Make You Dance,' with female vocals by Maxxi, offers an almost Caribbean disco vibe. Uniquely, it was released as a 12’’ single with a DJ-friendly remix that included different breaks and drops—something quite rare for a James Brown production at that time. Here again, I’ve given it my own 'Special Version' treatment, respectfully enhanced for maximum DJ impact."

DFP Vaults is the sister label to Le-Edits Records, both of which are highly collectible. While Le-Edits focuses on classic songs remixed from original master tapes, DFP Vaults takes a more eclectic, DJ-friendly approach, spotlighting underdogs and unreleased versions straight from Dimitri's vault. True to Le-Edits' highest production standards, this release features state-of-the-art mastering, cutting, and pressing, all housed in a heavy 'Tip-On' vintage replica custom sleeve.

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Ben Pest / Maelstrom

For The Floor Volume 4

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Cultivated Electronics Ltd's "For The Floor" series features split EPs available on vinyl (only) with Electro tracks aimed strictly at the dance floor, bringing together CE regulars alongside new artists. Previous instalments have presented tracks by DeFeKT, Rico Casazza, Tripeo, Cycloplex, Steve Allman and Alex Jann. Volume 4 now delivers 2 new tracks apiece by Ben Pest and Maelstrom. Bristol's Ben Pest has established notoriety as an exponent of jacking live hardware-based techno and electro with numerous releases on labels including Asking For Trouble, I Love Acid, No Static / Automatic, Orson Records, Don't and more. Here he delivers heavy bass, vocal distortions and tough beats on "Who Would Have Thought I'd Be" and the accompanying "26 Hybrid". Maelstrom has a history of aliases and side projects, illegal raves thrown in warehouses, fields and basements, but he came into his own under his Maelstrom moniker, releasing music on the likes of Raar (the label he co- founded with Louisahhh), Cultivated Electronics, Central Processing Unit, Mechatronica, Private Persons and Discos Atonicos.

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Athos: Echoes From The Holy Mountain

2LP | 2024 | EU | Original (FLEE)

32,99 €*

Indoor Safari Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mount Athos, known as the «Holy Mountain,» is a monastic peninsula in northeastern Greece, central to Eastern Orthodox monasticism for over a millennium. Its twenty monasteries house around 2,000 monks dedicated to prayer and worship, which songs have echoed across the Aegean Sea for centuries, heard only by visiting pilgrims, isolated from conventional time and global events.

After several years of research, and several visits to the retired community, we are happy to present our new project «Athos : Echoes from the Holy Mountain» dedicated to this liturgic music and repertoire that seems to be evolving outside the usual boundaries of time and space. Rooted in Byzantine chant, this a cappella tradition essential to monastic life featuring intricate yet serene melodies designed to facilitate prayer and contemplation, using a system of modes and scales to create a meditative atmosphere.

Trans-disciplinary, this effort of documentation also comprehends an artistic re-interpretation aspect inviting contemporary Greek and foreign artists to reflect on the subject.

A musical compilation which captures original field recordings from the 1960s and from today capturing the essence of liturgical music on Mount Athos, but also new compositions inspired by them by artists such as Holy Tongue (UK), Jay Glass Dubs (GR), Prins Emanuel & Inre Kresten Grupp (SWE), Jimi Tenor (FI), Gilb’r (FR), Daniel Paleodimos (GR), Esma & Murat Ertel (TUR) and Organza Ray (GR/US).

A trilingual book in English, Greek and French, featuring essays, articles, photographs and artistic comissions reflecting around the theme giving a voice to contributors such as , Stratos Kalafatis, Theodore Psychoyos, Tefra90, Father Damaskinos Ulkinuora, Prof. Thomas Apostolopoulos, Makar Tereshin, Phaedra Douzina-Bakalaki, Michelangelo Paganopoulos and Alberto Cameroni.

The release of the book and the record will be followed by a cycle of exhibitions and conferences, deploying FLEE’s year-long research on Mount Athos, as well as its numerous commissioned artworks.

Tracklist

A1 Volta Semantron (Inre Kretsen Grupp & Prins Emanuel)
A2 Athos Dub (Holy Tongue)
A3 Garden of Kibele (Esma & Murat Ertel)
A4 Doxology (Daniel Paleodimos)

B1 Idän Kuoromiehet (Jimi Tenor)
B2 Synaptic Riddles (Jay Glass Dubs)
B3 L'île Météore (Gilb'r)
B4 I Swim In Your Dreams (Organza Ray)

C1 Vatopedi Semantron Vespers (Gregoriou Monastery)
C2 Axion Estin, Mode Plagal B (Daniilaioi Brotherhood Choir)
C3 Christos Anesti, Mode Plagal A ((Daniilaioi Brotherhood Choir)
C4 Theoteke Parthene, Mode Plagal A (Daniilaioi Brotherhood Choir)
C5 Doxologia Chourmouzioy, Mode Varys (Daniilaioi Brotherhood Choir)
C6 Osoi Eis Christon, Mode Plagal A (Daniilaioi Brotherhood Choir)
C7 Tas Esprinas Manouel Chrysafis, Mode Plagal A (Daniilaioi Brotherhood Choir)

D1 Doxastikon idiomelon, Mode Plagal A (Father Lazaros of Gregoriou Monastery)
D2 Anoixantos Sou; Koukouzelis, Mode Plagal D (Father Germanos of Vatopedi Monastery)
D3 Cherouvical Hymn, Third Mode (Iviron Monastery Choir)
D4 Axion Estin, Seventh Mode (Father Antipas)
D5 Koinonikon, Mode Plagal A (Simonopetra Monastery Choir)

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Nick Lowe

LP | 2024 | US | Original (Yep Roc)

LP | 2024 | EU | Original (This Charming Man)

Release: 2024 / US – Original

Genre: Rock & Indie

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Nick Lowe returns with Indoor Safari, his first studio album in over a decade. Backed on every track by Nick's trusted collaborators Los Straitjackets, Nick exhibits his razorsharp songwriting ability through a multitude of sonic environments. With his signature wit on display for grooving numbers like "Went to a Party" and "Don't Be Nice to Me," to the heartfelt sentiment on "Blue on Blue" and "Jet Pac Boomerang," and topped with Nick breathing new life into hidden gems of the '60s like "Raincoat in the River" and "A Quiet Place," Indoor Safari demonstrates how Nick Lowe continues to make his mark as a performer, songwriter and producer over a half-century after his start in the music industry. This First Edition pressing of Indoor Safari is pressed on bamboo color vinyl and is limited to 2,000 copies worldwide.

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Kaptain Kaizen

Für 3 Minuten 11

No Sound In Space Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Clear vinyl, limited to 200 copies.Started before, almost failed during and finally completed after the pandemic, "Für 3 Minuten 11" is the third album by Mannheim punk band Kaptain Kaizen. As an homage to the average length of a pop song, the title symbolizes the question of the why of one's own creativity, the art of switching off in these times and the unforgettable pleasure of a fleeting moment. The ten tracks on the record examine various topics, mostly in a critical examination of current social developments. For example, "Hängepeters" denounces the careless handling of the legacy of colonial crimes, while "Lindnereffekt" takes aim at the increasing superficiality in politics. Kleiekotzer" takes a critical look at the role of the media in society's shift to the right. But that is only one side of "Für 3 Minuten 11". The Carpe Diem anthem "Panini" shows that things can also be lighter and more liberating, and the song "Pflugschreiber" sends a musical greeting to the pride of Mannheim's adopted city in its pop academy. It is the intense mixture of profound lyrics and energetic sound with a pinch of hope and cheerfulness that makes "Für 3 Minuten 11" the musical equivalent of an intense, short-lived moment to be enjoyed to the full.

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Blake Lee

LP | 2024 | EU | Original (Ofnot)

American Music Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Blake Lee has always been fascinated by the unknown, and space, in its isolating, mysterious vastness, embodies this theme immaculately. The open void, captured so memorably by Stanley Kubrick in '2001: A Space Odyssey', is Blake's far-reaching canvas on 'No Sound In Space', a cinematic meditation on the cosmos that's painted in nuanced, emotionally sincere colors. The Los Angeles-based composer has been contemplating his full-length debut since 2021, using his guitar as a sonic paintbrush rather than find himself snared in its traditional aesthetic constraints. Transforming its characteristics with effects and subtle processes, he layers sustained tones and intimate improvisations, creating richly visual polychromatic utopias teeming with unknown life.

Since 2011, Blake has been most known for being the guitarist and a music director for Lana Del Rey, notching up three songwriting credits on her acclaimed ‘Ultraviolence’ full length. He sees his solo work is a form of escapism, a place where he can experiment and find comfort and catharsis outside of expectations and formal structure. The album was written instinctively, and Blake made sure he didn't force anything, letting go and getting out of his own way, listening intently as sounds and textures materialized organically. "I didn't want to ruin it by being a perfectionist," he laughs. And his collaboration with Kenyan sound artist Kmru, who runs the Ofnot label and contributes to two of the tracks on the album, occurred similarly organically.

Blake was moved to reach out to Kmru when he caught a performance of 'Natur' at Los Angeles' Zebulon in 2022, leading to a prolonged back-and-forth. They didn't meet in person until earlier this year, by which time they'd become firm friends, continuously sharing music and conversation. Kmru had lent a valuable ear to Blake, who sent early playlists of 'nsis' that, over the months, slowly evolved into the finished album. It's the first release on Ofnot that's not by Kmru himself; the label emerged last year with the release of Kmru's own 'Dissolution Grip', and Blake's debut immediately expands its sonic universe. Alongside the playlists, Blake also provided Kmru with the tracks' raw stems, which Kmru began to edit and expand in his Berlin studio. 'Miura' and 'Waiting' are the result of this process, two sublime abstractions that augment Blake's dreamlike, euphoric tones with Kmru's pebbly distortions and booming low-end rumbles. And this same playful sense of freeness seeps into Blake's other compositions.

On the misty 'In A Cloud', he surrounds cascading string tones with soft-focus pads that swell until they're like crashing waves, and on the two 'Echoplexx' pieces, he uses delay and reverb to smudge his sounds until they're viscous residue, the harmonies obscured by whooshes of white noise and distant chimes. The mood is quieted somewhat on 'Moving Air', as Blake's swirling tones form half-heard lullabies, coalescing into a dense, melancholy crescendo, and he fills out the sound with reverberant airport recordings on 'Pan Am', letting pitchy My Bloody Valentine-esque drones warble beneath the transitory chatter. Each track melts into the next, forming a billowing, cryptic narrative that leaves more questions than answers. Blake is constantly searching, and fills his unoccupied space with warmth, perception and sensitivity.

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The Blasters

LP | 2024 | EU | Original (Retroworld)

No Sound In Space Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Blasters are the ultimate all American Roots band fronted by the brothers Dave and Phil Alvin. Their music is a blend of rockabilly, early rock and roll, punk rock, mountain music, rhythm and blues and country. The Alvin brothers have had a fractious relationship with Dave leaving the band in 1986. Phil has led various incarnations of The Blasters intermittently since then. American Music was their debut studio album. It was released in 1980 and features the future classic “Marie Marie”. Side 11. American Music2. Real Rock Drive3. Barefoot Rock4. I Don't Want To5. Marie Marie6. I Wish You Would7. She Ain't Got The Beat8. Flattop Joint9. Crazy Baby10. Never No Mo' BluesSide 21. Buzz Buzz Buzz2. She's Gone Away3. Barn Burning4. 21 Days In Jail5. Love 24 Hours A Day6. I Fell In Love7. So Glad8. Ashamed Of Myself9. Lone Wolf

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Blake Lee

LP | 2024 | EU | Original (Ofnot)

30,99 €*

LP | 2024 | UK | Original (Skep Wax)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sassyhiya

Take You Somewhwere

CD | 2024 | US | Original (Nice Life)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Sassyhiya want to take you somewhere. The journey starts in Kathy and Helen’s flat in South London. Sit down, close your eyes, and immerse yourself... You are on your way to a musical rainforest a long way from Camberwell. Explore your new surroundings, and you will find beautiful pop blooms like Let’s See What We Can Find, as bright and vibrant as The Sundays, thrusting their colourful faces up from the forest floor. You’ll find tangles of sharp-edged guitar, as if Swiss she-punks Kleenex had been left to evolve here in the rich fertile soil (I Had A Thought). You’ll find dark pools full of lyrical complexity, deceptively deep and immersive, with shimmering reflections of The Go-Betweens (Perennial). And you’ll come across delicate love songs, creeping up the trunks and branches of the bass and drums, displaying their fragile beauty (Thank You And Goodbye). And what’s that exotic striped animal prowling through the undergrowth? Actually, it’s Crayon Potato, Sassyhiya’s pet cat, the other resident of their flat in South London, taking up her role as the feline star of a lilting, singalong anthem written in her honour.

That’s what is so great about this album. You are somehow, simultaneously, exploring the most exotic forest in the world while also sitting in a flat in an ordinary, familiar English street with Sassyhiya and their cat. This album transports you without pretending the real world doesn’t exist: it doesn’t get all mystical on you (Take You Somewhere is as unlike Enya as anything you’ve heard). Sometimes you might be reminded of Girls At Our Best, and then Delta 5. You might even, on occasion, think of Echo and the Bunnymen.

The album opens with their single, Boat Called Predator: an appropriate start, inviting you to embark: insistent, almost ominous, but with a siren call of a chorus that means you can’t go back. The first single, Kristen Stewart, is here too: a bold love song to a queer icon, affirming Sassyhiya’s status as the queens (and kings) of a thriving indiepop scene. It’s joyous and it’s life-affirming. There are other love songs here too, like the jokey, wonkily flirtatious Puppet Museum. The album ends with You Can Give It (But You Can’t Take It) - a proper anthem of defiance, gently but insistently taking down the bullies and reactionaries who trample over beauty and diversity: the kind of people you might, unfortunately, bump into as you make your way back onto the streets of South London.

Sassyhiya (pronounced “Sassy Hiya”) were formed when Helen and Kathy, real-life partners and co-songwriters, joined up with Pablo and Neil (drums and guitar). Helen had previously been in Boys Forever and Basic Plumbing, collaborating with much-missed Veronica Falls musician Patrick Doyle. She and Kathy then formed Barry, a stripped-down queercore outfit, with Bart McDonagh (The Male Gays) and Mark Amura (My Executive Dysfunction). Sassyhiya feels like a culmination of all these elements, hitting the sweet spot between post-punk and indie pop. They know their way around a melody but still keep it wonky, with influences ranging from the Breeders and Broadcast to Dolly Parton.

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Tinashe

Quantum Baby

18,99 €*

LP | 2024 | Original (La Vida Es Un Mus)

Release: 2024 / US – Original

Genre: Organic Grooves

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Quantum Baby is the second installment in Tinashe’s Bb/ang3l album trilogy. The first in the series, Bb/ang3l, was released Fall ‘23 and was followed by the Bb/ang3l tour and Tinashe’s first Tiny Desk performance. Tinashe began teasing the hit single “Nasty,” this past Spring, debuting the song at Coachella 2024. The song quickly went viral, to become the song of the summer. This led to everyone asking the most prevalent question of the summer: “Is somebody gonna match my freak?” “Quantum Baby is about getting to know me on a deeper level. It's about exploring who I am as a person and who I am as an artist. I’ve never been one to be put into a box, so the name Quantum Baby encompasses all the different parts that make up who I am as a creative,” says Tinashe, describing the album as “forward, hot and lot’s of bass!”

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Coeur A L¬¥Index

For A Better World

23,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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I Feel It All At Once Clear With Red Blue & Yellow Swirl Vinyl Edition

Semantics

LP | 2024 | Original (SideOneDummy)

Modern Sounds In Country And Western Music

Release: 2024 / Original

Genre: Rock & Indie

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Brisbane indie-punk quartet Semantics make their return with I Feel It All At Once - their much-anticipated sophomore album.

Representing a bright new chapter for the group, I Feel It All At Once builds on a diverse range of sonic influences; crushing riffs, soaring melodies and introspective, open songwriting coming together in producing Semantics’ most cohesive and definitive work to date.

Written and produced by Semantics in Brisbane, I Feel It All At Once has a strong foundation of artistic chemistry and understanding at its core. Led by songwriter and frontman Callum Robinson, Semantics’ new work has the imprint of all band members included. Overall, the album is a project that serves as a love letter to their relationship as musicians, their perseverance as a group, and more importantly, it is a project that looks ahead to fresh horizons for them as a unit.

Across its eleven tracks, I Feel It All At Once encapsulates a broad emotional spectrum; snapshots of life’s experiences, journeying themes of grief, love, yearning and ultimately, acceptance. Semantics are a band who have proven in the past that they are unafraid to explore darker themes and subject matter but even then, they displayed a talent for doing it in a way that felt healthy and cathartic.

Here, we see a band who has navigated the ups and downs of the last few years of life, relationships and growth, emerging from it tighter than ever. Musically, the vision for their future has never felt more positive.

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Ray Charles

LP | 2024 | Original (Tangerine)

Modern Sounds In Country And Western Music Vol. 2

Release: 2024 / Original

Genre: Rock & Indie

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The iconic, game changing Modern Sounds in Country And Western albums, combined into a single release for CD in the 2000s, will be restored and released individually, as originally intended. The significance of these records cannot be overlooked. They are proof that great country music is malleable, and open to interpretation.

Volume 1 quickly became one of the best-selling albums recorded by a Black musician of the time, as well as one of the best-selling country albums. It topped the Billboard Pop Album Chart of a month, and spawned four hit singles, including “I Can’t Stop Loving” which reached number one on the Billboard Hot 100, R&B, and the Adult Contemporary Charts, was nominated for Record Of The Year, and won the GRAMMY for Best Rhythm & Blues Recording at the 5th Annual Grammy Awards in 1963. “You Don’t Know Me” met with similar success. Ray Charles remains the first and only Black performer to earn a GRAMMY Award and a #1 Billboard Pop Chart Hit with a country and western song as he did with “l Can’t Stop Loving You.”

Volume 2 followed its predecessor by just six months, and is widely regarded as just as strong, if not stronger than the first - the second made with the confidence that this formula or country & soul works. With three hit singles on both the R&B and Pop charts, including the #1 hit You Are My Sunshine, both volumes changed the course of popular music and remain a testament to the genius of Ray Charles.

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Ray Charles

LP | 2024 | Original (Tangerine)

LP | 2024 | EU | Original (Argle Bargle Studios)

Release: 2024 / Original

Genre: Rock & Indie

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Svart Ridå

CD | 2024 | UK | Original (Transgressive)

Release: 2024 / EU – Original

Genre: Pop

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Det finns något självklart över Svart Ridå, med rötterna i Ronneby, som i våras släppte sitt självbetitlade debutalbum. Bandet bildades genom en idé och ett förhållningssätt kring musikskapande där musiken betraktades och hanterades som ett verktyg för att styra och provocera känslorna hos den som lyssnar. Detta sätt att se på musik och hur Svart Ridå började skriva ihop skapade ett slags koncept, som utgör grunden för vad bandet är. På debutalbumet har duon blivit en trio och soundet utvecklas till än mer gitarrbaserat, med hörbara influenser från både 90-talets grungevåg och 70-talets friare popmusik. Vi hör ett band vågar möta de riktigt stora känslorna. Försiktiga och precisa inledningar blommar ut i episka refränger och solopartier. Svart Ridå har under det senaste året hyllats av bland andra PSL, Gaffa och Sydsvenskan - både för sin mörka indiepop och för sina explosiva liveframträdanden som drar alltmer publik. Under sommaren signade Svart Ridå med bokningsbolaget Luger och gjorde ett bejublat framträdande för en svettig och extatisk publik på klassiska Pustervik under Way Out West.

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SOPHIE

2LP | 2024 | US | Original (Lawson)

Release: 2024 / UK – Original

Genre: Pop

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Sophie is the eponymous follow-up to the artist’s groundbreaking 2018 debut album, OIL OF Every Pearl’s Un-insides and 2015 singles compilation, Product. It will be the final Sophie album release, adding new depth and meaning to an eternally progressive canon of artistry. Sophie, the self-titled second album from the visionary artist, producer and pop pioneer, will be released via Transgressive and Future Classic on 27 September 2024.

This album was created by Sophie and some of her most cherished collaborators. Close to completion when she tragically died, it has been lovingly finalised by those who hold her closest.

As Sophie’s studio manager and most trusted sounding board for over a decade, Benny Long was heavily involved in the release of Oil Of Every Pearl’s Un-insides, with mastering, production and mixing credits to his name. The two then worked together over several years developing the concept and production of this follow-up album, which Benny has lovingly completed, honouring Sophie’s vision.

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Kyoto Jazz Massive

Message From A New Dawn

49,99 €*

Sentir Que No Sabes Red Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Featuring an extraordinary band and incorporating elements of techno, jazz, boogie, soul, fusion, and Afro, this ultimate electric jazz fusion album has evolved into a complete band sound. With legendary guest Roy Ayers on board, the record showcases the band’s crossover brilliance.

Following their second album ‘Message From A New Dawn,’ Kyoto Jazz Massive (under the name Jeroboam) toured Europe with ‘Echoes of A New Dawn Orchestra’ and performed across venues like Jazz Cafe and Ronnie Scott’s in London, selling out shows and gaining even more popularity than during their prime. They also performed on the main stage of the 2023 We Out Here festival, curated by Gilles Peterson, where they wowed the audience. The re-release of their LP ‘Message From A New Dawn’—which previously topped the iTunes Dance Chart—is highly anticipated, as it includes the standout track "Impulsive Procession," which hit #1 on Traxsource's Nu-Jazz/Broken Beat chart.

Looking ahead to Kyoto Jazz Massive’s 30th-anniversary live performance in Japan in 2025, the timing of this repress is perfect for fans both in Japan and abroad. The record offers an all-original, fully band-recorded set of tracks, with contributors such as Vanessa Freeman, Kenichi Ikeda (root Soul), Takumi Kaneko (cro-magnon), Kaztake Takeuchi (A Hundred Birds), Takashi Nakazato, Yasushi Fukumori, Dubzombie (soil&”pimp”sessions), and even the Vienna Philharmonic’s Kirill Kobantschenko. Legendary jazz vibraphonist Roy Ayers also adds his distinctive touch to this remarkable album. Vocals were recorded and mixed by Toni Economides, who is also known for his work with Reel People, The Realm, and Moodymann’s “Taken Away.” The album's mastering was handled by Neil Pickles, a four-time Grammy nominee who has worked on various Latin projects. Art direction by the Okino brothers, with photos of Hiroyuki Wakabayashi’s architecture shot by Shuya Okino, and design by Naohiro Nomura of List, ties everything together visually.

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Mabe Fratti

LP | 2024 | Original (Unheard Of Hope)

Dreamer G / Kerri Chandler / Demuir

Release: 2024 / Original

Genre: Rock & Indie

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A sense of destiny hangs over Sentir Que No Sabes, Mabe Fratti’s fourth solo-credited album released in a five year span. Her work has always possessed a finely tuned sense of drama capable of expressing a range of emotional states, and across this new album, she conveys the struggle to process various relationships or situations–and the actions that come next. Sentir Que No Sabes is urgent and clear, poppy, generous and approachable, while showcasing a considerable emotional hinterland. It is also, as Fratti is quick to mention, “groovy.”

Written and recorded with her partner, multi-instrumentalist, and co-composer Héctor Tosta (I.La Católica, Titanic), Sentir Que No Sabes is the result of an intense, detail-oriented process. Fueled by a new confidence gained in their collaborative project, Titanic, and its critically acclaimed 2023 LP, Vidrio, the two hunkered down in the familiarity of their studio (aka Tinho Studios) to bash out the initial sonic coordinates of her new record. “We talked and talked, and discussed ways of playing and recording, until things became inevitable,” Fratti explains. “We recorded a bunch of demos at our home studio and that meant we had a lot of time to re-edit and experiment. We really dug in. We were super focused on detail.” Tosta also took up the controls as producer and arranger-in-chief for all additional instruments. The album was later completed at Willem Twee Studios in Den Bosch in the Netherlands, and Pedro y el Lobo Studios and Soy Sauce Studios, in Mexico City.

For the final studio recordings, the pair were joined by drummer Gibran Andrade and trumpetist Jacob Wick to fill out and expand on Tosta’s percussion and brass arrangements. This small group of friends were able to work quickly and openly, and without fear: a testament to the exhaustive groundwork put in at Tinho Studios.

Sentir Que No Sabes is a record full to the brim with a modern pop sensibility, invoked by the sort of magpie spirit that ensnares anything it can find, repositioning sounds for the here and now. The keys and melody on the melancholy “Pantalla azul” (“Blue screen error”) transport us back to the glossy mid-1980s.

The lyrics, for their part, have a stop-start quality to them, and hint at the small, incremental emotional taxes we pay through just living our lives. They circle around the music like birds waiting to swoop. There is something of the spiritual in all of Fratti’s work that expresses itself in a form of yearning: she looks to new horizons while personal dramas find themselves internalized, contextualized, and then dealt with through metaphor.

So what to make of Sentir Que No Sabes? High gloss Pastoralism? The sound of a city-bound, post-post modern soulscape? No matter the emotions evoked, it's the work of an artist coming into their own, and creating a benchmark record.

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I Got That Feelin

12" | 2024 | UK | Original (Kaoz Theory)

15,99 €*

Alpine Echo / When Tears Fall! EP

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Dreamer G, originally released on Madhouse Records in the 1990s, has been reimagined by Demuir with a fresh new rework. The release also features a brand-new re-edit by Kerri Chandler himself, revitalizing this underground anthem. Additionally, the deep mix has been meticulously remastered by Kerri, preserving the track’s original essence while enhancing its sound quality. The original vinyl remains highly sought after, a testament to the track's lasting impact.

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Bay B Kane

12" | 2024 | EU | Original (Kniteforce / Ruff Guidance)

17,99 €*

Kontrapunkt Black Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Guidance is the new label from Bay B Kane (Ruff Guidance) and Kniteforce Records. The follow up to "I See The Rain" featured Bay B Kane on a slightly more introspective tip. Al-pine Echo is hauntingly beautiful, with eastern leaning vocals playing over beautiful strings and a euphoric, thoughtful atmosphere. The drums and bass are of course perfectly executed. Meanwhile, When Tears Fall is a wonderful rolling jungle workout, with gorgeous vocals and dance friendly drums

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Markus Guentner

2LP | 2024 | UK | Original (A Strangely Isolated Place)

39,99 €*

Sugar Minott / Jah Thomas

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Markus Guentner returns to his longstanding label, A Strangely Isolated Place following the triptych of ‘Theia’, ‘Empire’, and ‘Extropy’, presenting eight inspiring collaborations on ‘Kontrapunkt’. Asipv050 Press info.rtf Collaborations are nothing new to Markus, but it’s hard to see beyond his strong singular presence as a pioneer of long-form ambient and drone. Collabs have punctuated his albums in various places over the years, and he is no stranger to working as a duo amongst other projects, with such a strong conceptual thread throughout his prior Asip releases, Kontrapunkt represents a literal pivot and counterpoint in his production approach. Instead of music encapsulating a strong conceptual narrative, Kontrapunkt sees Markus create a dialogue between himself and a collection of inspiring production partners. Kontrapunkt opens with ‘Vanish’, a widescreen cinematic odyssey created in collaboration with fellow German and Affin label-head Joachim Spieth, forming the perfect opener with its modest subtleties. Australian-born Karen Vogt, renowned for her voice layering and looping, brings a beautiful, and natural addition to ‘All Light Will Remain’. Sonae, who appeared on Asip’s early digital releases, demonstrates her evolution into experimental techno tendencies and a menacing, metallic approach to Markus’ foundations. Multi-instrumentalist Pepo Galán harmonizes beautifully with Markus on ‘Ancestral Images’, adding complex nuances to a slowly evolving euphoric piece. A master of synthesis, Arovane delivers a powerful display of supercharged electronics and coils of energy on ‘Utopian Fragments’. Benoît Pioulard's renowned expertise with guitars and tape distortion become a perfect counter to the electronics of Markus, blending styles seamlessly on ‘Father Of Waters’.

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Beg You Put It Down / Put Down The Dub

7" | 2024 | UK | Original (Roots)

11,99 €*

12" | 2024 | UK | Original (Mas O Menos)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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The Midnight Rock label was home to some of the greatest productions of the era, and like any smart Jamaican producer, label owner Nkrumah Jah Thomas worked his rhythms hard, using them to create scores of records by dozens of artists.

Thomas came up just at the right time, and his breakthrough recordings were made at the finest studios, using the finest musicians: often they were recorded at Channel One and used the Roots Radics. And sometimes the voicings that he created were released, but still more languished in the vaults. Caught on multi-track tape, but never released.

That was the fate of a session that he recorded with Sugar Minott. The singer – known in the UK for his monster hit ‘Good Thing Going’ – had made his name in the vocal group The African Brothers, before working as a soloist for Coxsone Dodd at Studio One, where he became a pioneer of the dancehall, his voice riding over many of Dodd’s greatest rhythms to create timeless music.

Thomas has worked hard in creating sharp new mixes from his sessions with Minott, and this single – a plea against gun violence as apt today as when it was put down on tape – is the first fruits of that work. A fantastic Radics rhythm with an exceptional vocal and brand new dub by Jah Thomas and Rory on the flip.

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Jos Ma

Mongo's Dance

15,99 €*

Arashi With Takeo Moriyama

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Mongo's Dance, so-called after the Cuban Mongo Santamaria is driven forward by a chopped-up pachanga rhythm taken from one of the pioneering percussionist's tracks. He then adorns it with wavy synths and flutes, each intertwining over the top as though engaged in ritual with one another. It's a euphoric, slightly delirious end to an EP that puts Jos Ma firmly in Mas O Menos' "neither here nor there" camp – a producer who simply follows his instincts and revels in the enthrallingly wandering music it throws up.

Jos Ma is the highest-selling DJ on Mas O Menos. His EP Mongo's Dance has been incredibly popular, driving sales through Bandcamp. The 4th track 'Like Honey' was picked up by Gilles Peterson and played on BBC 6 Music in September 2021.

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Tokuzo

LP | 2024 | EU | Original (Trost)

33,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Three Of Us Are From Houston And Rueben Is Not

Walter Smith III

LP | 2024 | DE | Original (Blue Note)

Level Up Turquoise Vinyl Edition

Release: 2024 / DE – Original

Genre: Organic Grooves

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Saxophonist Walter Smith III pays homage to his hometown of Houston, Texas on his sophomore Blue Note album, “three of us are from Houston and Reuben is not”, the follow-up to 2023’s “return to casual”. The album’s wry title signifies the lineup, which includes fellow Houston natives – pianist Jason Moran and drummer Eric Harland – while bassist Reuben Rogers, who hails from the Virgin Islands, rounds out the quartet. Together they enliven 10 compelling Smith originals and an imaginative rendering of a Sam Rivers composition – all of which speaks to Smith’s ascending status as one of modern jazz’s most engaging talents of his generation.

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E-Rotic

LP | 2024 | Original (Bros Music)

Release: 2024 / Original

Genre: Electronic & Dance

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Vinyl Edition Box Gesamtwerk

E-Rotic

Box | 2024 | Original (Bros Music)

86,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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I Like It (Lovers Reggae Mix) / I Like It

Mariko Ide

7" | 2024 | JP | Original (Jet Set)

CD | 2024 | EU | Original (Kompakt)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Mariko Ide, whose emotional and transparent voice has captivated the world, sings a Lovers & Bossa cover of DeBarge's signature song, cut as a single from the Cafe Music compilation album!

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Michael Mayer

The Floor Is Lava

The Gates Of Slumber Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Michael Mayer albums don’t come round too often, which is one of many reasons why his fourth collection, The Floor Is Lava, is a genuine event. It’s been eight years since his last one, the collaborative & released on !K7; its predecessors, Mantasy (2012) and Touch (2004), took their sweet time, too. It’s no real surprise, given the many hats Mayer wears – globetrotting DJ, revered remixer, inveterate collaborator, and boss of both Kompakt and Imara – that his solo productions are relatively sparing. But this also speaks to their quality: Mayer’s name on a record sleeve is a sign of quality, of music that’s both looking to the future and calling back to the past, that balances the imperatives of the dancefloor and the loungeroom, that’s as exploratory as it is functional.

On The Floor Is Lava, Mayer seems to be taking the temperature of both the music that surrounds him (past and present), and the ideas of the industry he works within. There’s that iconic album title, for a start. “The album’s mindset,” he says, reflecting on those four words together. For Mayer, it’s partly a critique of the way the industry boxes in both producer and listener, focuses them on genre, on market, on the next new thing: “Being a free minded spirit that transcends genres has become an uphill battle.” A battle worth fighting, though, and with The Floor Is Lava, the result is an album that’s varied, quixotic, idiosyncratic, charming, and deeply, addictively listenable.

Throughout, Mayer finds thrills in exploration and juxtaposition, allowing unexpected things to blossom and giving them their life, their platform, throwing the listener exciting curveballs: “It’s a DJ album by a DJ that’s easily bored.” Either easily bored, or endlessly curious, The Floor Is Lava is rich with ideas. It opens with “The Problem”, which looks back to look forward, embracing the rickety way early house productions threw samples together with gleeful abandon. Mayer mentions Pal Joey, and the scene around Rockers Hi-Fi and their Different Drummer imprint, as reference points, and you can hear that freewheeling spirit throughout.

It’s followed by “Vagus”, a slinky, sensual minimal house number that Mayer describes as his “musical catnip”. The flow of these two opening cuts defines the dynamic of The Floor Is Lava, defining the dialectical drive at its core: thesis and antithesis leads to synthesis, but with a welcome prickliness that means you’re always excited, always engaged. It’s also productive in the way it derives energy from rubbing genres and sounds against each other, in unexpected ways, for maximum musical frisson. There’s psychedelic techno on “Feuerstuhl”, more minimal techno with “Ardor” (Mayer mentions ‘Immer 1’ era 90s minimal as inspiration), slippery, Shepard-tone breakbeat through “Sycophant”, a lovely, lush vocal turn on the poppy “The Solution”.

The album closes with the melancholy “Süßer Schlaf”, where Mayer sets a poem by Goethe to one of his most haunted, moving pieces of music yet, in an abstract tribute to a lost friend. It’s one of the most affecting moments on The Floor Is Lava. There’s also an update on 2020’s wild Brainwave Technology EP, with the surrealist glitter-stomp of “Brainwave 2.0” (check out those handclaps!),where Mayer’s thinking about the socio-political precipice of the now: “I’m reading with great interest about this whole complex of how humanity is about to cross so many lines and the implications that the resulting financial and educational inequality will bring.”

That’s The Floor Is Lava: then and now, brainwaves and nerve structures, problems and solutions, genres on fire; the real, the unreal, and the surreal. An album for the easily bored and the endlessly curious. Mayer has the last word, telling us all you need to know about the album’s spirit: “Burning for the cause, being zealous, being addicted to the heat of the night, the exuberant powers of music.”

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The Gates Of Slumber

LP | 2024 | EU | Original (Svart)

2LP | 2024 | EU | Original (Kompakt)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Gates of Slumber return with a new album out in November on Svart Records

“I never intended to pick up with The Gates of Slumber ever again in 2014. While I did start the band and wrote most of the first album it was never intended to be a one man show.” -Karl Simon, 2024

Indiana’s True Doom Metal legends The Gates of Slumber return with their sixth album out in November via Svart Records. The self-titled album is the band’s first full length offering since The Wretch from 2011.

The Gates of Slumber was formed by Karl Simon in 1998. Various people were in and out of the group between 1998 and 2001, when the Blood Encrusted Deth Axe demo was recorded with Jamie Walters aka Dr. Phibes/Athenar (Boulder, Midnight) on drums and bass. In 2003 Jason McCash took over the bass duties and was a long-time member of the band until his untimely demise in 2014, after which Simon decided it was time to call it quits. That was until 2019 when the renowned metal festival Hell Over Hammaburg wanted to bring the band back on stage to perform at the festival’s 2020 edition. Simon reformed the band with its original member Chuck Brown on drums and Steve Janiak on bass and got back to work. “We’d been asked several times to play Hell Over Hammaburg. But there was no “we” to play. The germ of the idea started. We started re-learning songs from the first LP. It wasn’t too long into the rehearsals that we started coming up with new songs.”, states Simon.

After a reunion tour was finished, Covid kicked in to slow down the process. Half of the album was already written but the remaining half took its time, and the songs were left to stew in their juices. With bastard heavy songs honoring the Doom Metal greats Saint Vitus and Penance, straight forward bangers, lyrics inspired by the Black Death and John Carpenter’s The Fog, The Gates of Slumber is a truly crushing album and a must listen to any Doom Metal fanatic.

Having toured with Pentagram, Reverend Bizarre, Cathedral, Slough Feg, Earthride, and Weedeater in addition to getting praised by Decibel Magazine such as “The Gates of Slumber have quietly gone about the business of becoming one of the best heavy metal bands in the world.”, it’s safe to say The Gates of Slumber play some of the heaviest metal on this planet.

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Michael Mayer

The Floor Is Lava

Benny Anderssons Orkester (Bao)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Alla Kan Dansa

LP | 2024 | Original (Mono Music)

35,99 €*

Release: 2024 / Original

Genre: Pop

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Mellowmaniac Burgundy Vinyl Edition

Moo Latte

LP | 2024 | UK | Original (U Know Me)

37,99 €*

Mellowmaniac Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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The 180g vinyl is available in two colors: Classic Black and a Limited Burgundy Edition, with the outer cover hand-colored and numbered (100 copies) by Moo Latte himself.

Mellomaniac, the seventh full-length album by Moo Latte, is different. These 28 compositions, written and recorded in 2021/22, were initially created for Moo's personal use, serving as a life soundtrack during many weeks and months spent away from home while touring with the band. Most of the tracks were recorded in hotel rooms and even backstage areas, fully embracing the lo-fi mindset and philsophy. Comparing to his previous works, this one holds a special significance and it's the most personal of them all.

What's Mellomaniac? The wordplay combines "melomania"—defined as an excessive and abnormal attraction to music—with the "mello" vibe that reflects both Moo Latte's personality and the nature of the music itself. The album leans toward a mellow sound, designed more for an intimate, individual listening experience where each spin of the record leads to new discoveries.

Why is this album different? Each of these pieces was created without any predetermined goal, which is why the tracklist is so eclectic—much like Moo Latte's palette of inspirations. These influences stretch back to when he was just four years old, singing in front of others for the first time or listening to his sister practice the violin. These early memories and instincts are blended with more deliberate musical choices, refined over two decades of music education. Each song is dedicated to a person, place, or situation that shaped him both as a musician and as an individual, reflecting the journey he has been on so far.

After six previous albums rooted in beat-making culture, this is the first one that is 95% drumless and free from sampling of any kind. Although the stories in these songs are told without words, Moo Latte incorporates his voice alongside a wide array of instruments, using it more expressively than ever before. The album's sonic quality is both raw and lush. The grit comes from the way it was recorded, using gear and microphones that, while not top-tier, were simply what was available. Everything was mixed in Moo Latte's bedroom and mastered on analog tape, resulting in a personal, intimate, and dynamic listening experience.

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Moo Latte

LP | 2024 | UK | Original (U Know Me)

Youth Looks So Good On You

Release: 2024 / UK – Original

Genre: Organic Grooves

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Naomie Klaus

LP | 2024 | EU | Original (Moli Del Tro)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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When forty, I was still wearing miniskirts, extravagant patterns, pink, ﬂuorescent colours, star shaped earrings. I walked around with my leopardskin hat, my fluffy bag, my ﬂoral outfit, until the gaze of others made me feel like it was not age appropriate anymore. Although I am still the same person I was at 16. It's the others I see changing." There's no better way to describe ageing than through the gap that arises and continues to grow between physical reality and the specular image of the self : one deteriorates over time, exposed to the cruel laws of gravity and oxydation, while the other never ages, remaining intact and unaltered… frozen in a moment of blissfulness. The more time goes by the more the gap becomes a separate entity (ou “world” pour etre plus prosaïque). It can become so painful that many try to escape it, using and abusing every trickery. “Youth looks so good on you” is a sonic ballad which bizarrely explores the world that lies between reality and self-fantasy, a world where the aesthetic cult of youth becomes sovereign to the people. This piece was produced in 2022 as part of the Festival « Les Heures Sauvages - Nef des Marges dans l'ombre des certitudes », at the Centre Wallonie-Bruxelles in Paris. After "A Story of a Global Disease" in 2022, "Youth looks so good on you" is the second piece of music by Naomie Klaus released on moli del tro records.

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Ya Hasra: Jewish-Tunisian Jewels, Originals & Reworks Ceremony

LP | 2024 | EU | Original (Akuphone)

The Hits Best Of Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In 1940, over 100,000 Jewish men and women lived in Tunisia. Thirty years later, no more than 10,000 remained. Today, only a few of them have resisted the historical forces that dispersed their families and their neighbours. In spite of this exile, the thousand-year-old presence of Tunisian Jews has left an eternal and delightful imprint on the country’s landscapes and its heritage - cultural, culinary and, of course, musical. Habiba Msika, Louisa Tounsia, Raoul Journo and El Kahlaoui Tounsi, represented here on the record’s side A, are four legendary artists, narrators of a history that they never ceased to sing on both shores of the Mediterranean sea, along with the waves of migration. On side B, DJ and producer Sharouh revisits their songs, plays with their rhythms and sounds in a series of reworks that reclaim this heritage and breathe new life into it. Through the new release of these four musical gems alongside Sharouh's unique reworks, the cultural diversity of Tunisia challenges oblivion and reinvents itself. Jasmine in your ears...

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E-Rotic

LP | 2024 | Original (Bros Music)

Release: 2024 / Original

Genre: Electronic & Dance

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You Gotta Be (Slow Night Mix) / Eh Eh (Nothing Else I Can Say) (Lovers Reggae Mix)

Mayu

7" | 2024 | JP | Original (Jet Set)

Junior Sanchez & Carl Craig

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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SSW Mayu, a multi-talented singer who has appeared in musicals and TV dramas, covers the classic songs of yesteryear as a single cut from a compilation album by Cafe Music!

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Art-O-Fact - Detroit Mixes

12" | 2024 | EU | Original (Planet E)

Through Holes Shine The Stars Multicolor Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Following his debut on Planet E Communications last year to release Art-O-Fact, New Jersey-born and-based house music legend Junior Sanchez now teams up with longtime friend, label boss and techno icon Carl Craig for a brand new Remix EP. “Art-O-Fact (Detroit Remix)” injects the futuristic sound of Carl’s hometown, the EP also includes a ‘Beatless’ mix and a ‘Bass’ mix, which split the new Detroit Mix directly in half, with one focused on melody and the other on rhythm.

Sanchez initially brought “Art-O-Fact” to Planet E with Detroit in mind. “I loved so many records by Carl Craig, Derrick May, Kevin Saunderson, and Juan Atkins,” he says. “I let my inspiration guide me, and I thought about that city—what it meant to me and what techno meant to my heart.” To fully connect the dots, Carl Craig has hopped on the remix, reinforcing the eclectic synth work with a heavy new groove, a gritty bass line, and subtle, shadowy synth melodies. The result is a fortified connection between two scenes and eras that sonically toes the line.

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Demon Head

LP | 2024 | EU | Original (Svart)

Dessogia / Queetch / Fauch

Release: 2024 / EU – Original

Genre: Rock & Indie

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Demon Head releases the new album ‘Through Holes Shine the Stars’ in September 2024 via Svart Records

Demon Head is proud to announce the release of Through Holes Shine the Stars on Svart Records. The album is the fifth full-length from the band that celebrated their first 10 years of existence last year, and it is undoubtedly another milestone on their tireless – and very own – path through the wilderness. It is a deeper, darker well of tones and melodies than before, while being significantly more extroverted than their last releases. All in the seemingly effortless, strangely catchy, and unique manner that Demon Head have become known for.

The eight songs were written collectively during several concentrated sessions from 2019–2022 and recorded entirely by the band themselves from October 2022 to March 2023 in their own studios in Copenhagen and the west coast of Ireland. Guitarist, vocalist and multi-instrumentalist producer, Birk Gjerlufsen Nielsen expands on the process: “This long and careful process has allowed us to reach a balance between structural precision and artistic expansion, melodic simplicity, and compositional depth. It feels like we’ve uncovered every possibility within each of these songs without losing track of the original nerve.”

In continuation of previous collaborations, Demon Head have mixed the album with the legendary engineer and producer Flemming Rasmussen (Metallica, Morbid Angel, Ensiferum, etc.) in Sweet Silence Studios. Vocalist and recording engineer Marcus Ferreira Larsen remarks: “Like any true master Flemming has created a direct and hard-hitting, transparent mix that does nothing but enhance what is already communicated in the compositions and the performance. He helped us place everything in the landscape that we've carved through recording everything ourselves once again.”

With a running time of 47 minutes, this is Demon Heads most extensive work to date. Birk Gjerlufsen Nielsen comments on one of the songs: “The Chalice opens with a discordant anthem that unbelievably enough combines the qualities of late Scott Walker with Europe’s The Final Countdown. It’s a good introduction to how Marcus and I have worked closely together on complimenting each other’s voices. It’s consistent that we sing together throughout the whole record. Between the two of us there’s a balance of equal parts raw charm and melodic desperation”.

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Limpe Fuchs / Mark Fell

3LP | 2024 | EU | Original (Black Truffle)

42,99 €*

LP | 2024 | UK | Original (Pamela)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The 2015 edition of Winnipeg’s send + receive festival, focussed on rhythm, turned out to be a generative meeting of minds. There, Mark Fell encountered the music of Will Guthrie, a meeting that was eventually to result in the frenetic acoustic drumkit and digital synthesis pairing heard on Infoldings and Diffractions (2020). At the same festival, Limpe Fuchs first heard and appreciated the music of Mark Fell, planting the seed of a collaboration that came to fruition when Fell (along with his son Rian Treanor) visited Fuchs at her home in Peterskirchen, Germany in September 2022. Black Truffle is pleased to announce the release of the results of this extensive session in the audacious form of a triple LP, housing over two hours of music across its six sides. The collaboration might appear unlikely: what common ground could exist between Fuchs, classically trained pianist, legend of improvised music, instrument builder and sound sculptor active since the 1960s, whose group Anima Sound connected the dots between free jazz, krautrock and ritual, and Fell, proponent of radical computer music, known for his bracingly austere productions that twist remnants of club music into algorithmic stutters? For all their seeming disparity in technology, approach and background, the music on Dessogia/Queetch/Fauch makes it immediately evident the pair share a great deal in their essentially percussive approach and ability to, in Fuch’s phrase, ‘establish silence’. Recording at her home studio, Fuchs had the use of her entire array of instruments, found, invented, and traditional, and treats the listener to some that don’t often make their way to concerts, including extensive passages performed (with Gundis Stalleicher) on pieces of wooden parquetry. Alongside metallic, wooden and skin percussion of all kinds, sounded and struck in every conceivable way, we also hear bamboo flute, viola, and Fuchs’ distinctive free-form vocalisations. Fell also stretched himself, with his contributions ranging from characteristically fizzing pitched percussive pops to swarms of sliding tones and abstract digital noise. Showing both remarkable restraint and improvisational freedom, much of the music consists of duets between a single percussion instrument and a distinctive mode of digital sound, often lingering in one timbral-rhythmic space for minutes at a time. Improvisational forward momentum coexists with a free-floating, wandering quality. On opener ‘Dessogia I’, the shimmering almost-gilssandi tones of Fuchs’ enormous set of microtonally tuned metal tubes ripples across Fell’s rubbery pulse, which moves up the frequency spectrum as Fuchs becomes more animated and switches to horn. At some points, as on the metallic chiming tones that open ‘Fauch I’, only the unexpected dynamic behaviour of Fell’s sounds distinguish them from Fuchs’ acoustic instruments. At others, like on ‘Queetch Iii’, the waves of sliding tones and noise textures are bracingly synthetic, joined by piercing squeaks and scrapes from Fuchs’ metal objects. Epic in scope, immersing the listener in an entirely distinctive world of sounds, and thrillingly bold in its melding of the most ancient musical procedures with cutting edge technologies, Dessogia/Queetch/Fauch is an unexpected major statement from two of the great mavericks of contemporary music.

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Five Green Moons

Moon 1

The Gates Of Slumber Blue Vinyl Edtion

Release: 2024 / UK – Original

Genre: Electronic & Dance, Reggae & Dancehall

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Five Green Moons is the brand new project from the legendary Justin Robertson and here he drops the first fruits of that project with the incredible Moon 1.

This isn't Justin at his house controls. This is Justin delving into his roots and digging around through the likes of P.I.L, Gang Of Four, On-U-Sound, Current 93, Coil, Sabres Of Paradise and all manner of post punk echoes and basement electronics. As the man himself puts it - Moon 1 is a haunted ballroom full of memories. The sound of a dystopian disco. An object on a wonky orbit. A spectral visitation. And it is alive.

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The Gates Of Slumber

LP | 2024 | EU | Original (Svart)

I See The Rain / Domina EP

Release: 2024 / EU – Original

Genre: Rock & Indie

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Bay B Kane

12" | 2024 | EU | Original (Kniteforce / Ruff Guidance)

17,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2024 | EU | Original (Diamonds Take Time)

DJ Beverage

My Way Home

LP | 2024 | EU | Original (Hublotone)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"all tracks produced by miles molina, 2024. * track #8 co-produced with baaba bayo. visual direction by elias ben chaabane, cover art and concept by ludvig jonasson. inspired by public transport and city lights.

i want to thank my team and their work on this album, wouldn't be able to do it without them. this album was recorded in my hometown stockholm, sweden and during two trips to tokyo, japan in the course of a year.

special thanks to pbeatgirl and baaba bayo for their work on track 8.

diamonds take time, i've taken mine.

love, miles"

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Winter Family

On Beautiful Days

Release: 2024 / EU – Original

Genre: Rock & Indie

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Muisc For Peace And Harmony

Hiro Ama

LP | 2024 | UK | Original (Prah)

I Lay Down My Life For You Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Japan-born, London-based composer, producer and multi-instrumentalist Hiro Ama (Teleman) announces his debut solo album ‘Music for Peace and Harmony’, set for release on 4 October via Prah Recordings.

Seeking solace amidst today’s chaotic world, Hiro turned to an obscure 1980s Japanese synthesiser called the Waraku – literally translated to “peace and harmony” – to craft an album that blends electro-acoustic textures and warm melodies, while drawing on classical romanticism, spiritual jazz and electronic music. The album features collaborations from British singer Keeley Forsyth and flautist Gail Tasker.

“A lot of things are fragile and chaotic at the moment in this world, and I wanted to make music to soothe my mind and heart. Modern music sometimes sounds too pristine and sanitised. I like those spontaneous sounds. ’ says Hiro.

Hiro Ama’s meticulous approach is evident in every aspect of the album, from playing almost all the instruments to producing and mixing. Incorporating sounds of the Waraku’s koto (Japanese harp), drums, and synths alongside the Jupiter 8, DX7, and piano, Hiro explores organic and electronic sounds. Notably, instead of traditional drums, Hiro can be heard humming the drum parts to create a texture reminiscent of old jazz records. Keeley Forsyth’s haunting vocals on the tracks ‘Metal Wires’ and ‘Billowing’ bring a particular intensity that complements the album’s spacious instrumentation. Hiro was inspired by Debussy’s famous adage, “music is the space between the notes”, and throughout, the album is underscored by an ethos of spaciousness and simplicity.

Thematically, ‘Music for Peace and Harmony’ also explores the healing power of nature. Tracks like ‘Find Me In The Nearest Forest’ and ‘Forest Bathing’ are rooted in Hiro’s love of the natural world and inspired by the Japanese practice of Shinrinyoku (forest bathing).

Hiro Ama's debut album unfolds with gentle melodies where classical and jazz influences meet modern electronic production. ‘Music for Peace and Harmony’ is an essential record to discover life’s moments of peace and beauty.

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JPEGMAFIA

LP | 2024 | US | Original (Peggy)

41,99 €*

LP | 2024 | EU | Original (Isc Hi-Fi Selects)

Release: 2024 / US – Original

Genre: Hip Hop

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"JPEGMAFIA, a trailblazing force in experimental hip hop, releases his latest solo project, I LAY DOWN MY LIFE FOR YOU. This album, his first since 2021, is a complex and innovative work that showcases his meticulous production skills. Featuring collaborations with Denzel Curry, Vince Staples, and Buzzy Lee, the album explores themes like capitalism, conscription, and propaganda through some of JPEGMAFIA’s most anarchic raps to date. The release is accompanied by an extensive global tour, reinforcing his status as one of the genre’s most incendiary talents. Since his last solo release, JPEGMAFIA has continued to push boundaries in the music industry, most notably with his 2023 collaboration with Danny Brown on Scaring the Hoes, which garnered critical acclaim and chart success. With I Lay Down My Life for You, JPEGMAFIA cements his reputation as a visionary artist, delivering a powerful commentary on the world through his unique lens. The album’s release is set to make a significant impact, both in stores and on stages worldwide."

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Scott Gilmore

Volume 01

Stranger Cole / Wanachi / Moon Dread

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Scott Gilmore’s Volume 01, an Analog Synth Gem, Makes Its Vinyl Debut - Pressed at 45rpm for maximum fidelity.

Recorded on a vintage Tascam 388, the LP version of Gilmore’s alluring, easy-going instrumental electronic record arrives in the physical world via In Sheep’s Clothing Hi-Fi Records.

Los Angeles, CA — When the Los Angeles electronic musician and multi-instrumentalist Scott Gilmore recalls the creation of the songs on Volume 01, he describes specific moments of spontaneous inspiration. “I remember sitting at the tape deck, watching the leaves outside the window as they flittered in the sunlight—a moment of stillness that became intertwined with the melody I was recording,” Gilmore recalls, speaking of the track “Song For Cate.”

This sense of simplicity and presence is at the heart of Volume 01, which was recorded entirely on a Tascam 388 using a carefully curated selection of instruments.

Volume 01, an intimate, instinctual album that mixes lo-fi digital rhythms, strummed guitar, and melodic synth layers, is a collection of songs that captures Gilmore’s magnetic fluidity and the spontaneity of his process. Initially released digitally and as a limited edition cassette, Volume 01 is set to be issued on vinyl for the first time by In Sheep’s Clothing Hi-Fi.

The Tascam 388 is a classic mid-1980s analog machine that combines an 8-track reel-to-reel tape recorder with a built-in mixing console. Volume 01 exudes the kind of hazy, nostalgic warmth that only such recorders can provide. For the nine-song album, Gilmore harnessed analog synths including the Arp Odyssey, Yamaha Cs-01, Korg Dw-8000, Hohner Pianet T, Roland TR 606, and Roland SH 101, as well as bamboo alto saxophone, clarinet, electric guitar, and electric bass.

The album is awash in brief, propellant pieces. At just over four minutes, the relatively epic “Horizon Line” is driven by a three-note snare pattern, a two-note cymbal tap, with a humble bass-line serving as the rudder; Gilmore’s improvised keyboard runs move with an intuitive, conversational glee. The pensive "Shade" sounds like it could be a Penguin Cafe Orchestra demo. Closing track “D. Hareem” runs on a wobbly time signature but with an insistent, determined rhythm that belies genre descriptives. “I prefer to not know what I’m making as I compose,” Gilmore says. “It’s when I can’t clearly define what the music is that it’s then something that I want to put out into the world.”

In hindsight, Volume 01 was a portent. After its 2016 cassette release, Gilmore connected with International Feel, the Balearic imprint run by Marc Barrot, to release the sublime Subtle Vertigo. In 2019, Gilmore’s music caught the attention of Marc Hollander, the experimental composer and founding member of Aksak Maboul, which led to a signing with the Belgian label Crammed Discs. That deal enabled the creation of Gilmore’s solo album Two Roomed Motel and Doctor Fluorescent, a retro-futuristic, Vocoder-heavy 2020 collaboration with Eddie Ruscha V, a.k.a. Secret Circuit). Across these projects, Gilmore’s work has been mentioned in the same sentences as Stereolab, Arthur Russell, Woo, Air, R. Stevie Moore, and others, all of whom have combined synths and non-synths to memorable effect.

With the upcoming vinyl release, Volume 01 will set into wax an enduring set of works, offering listeners the chance to experience analog artistry in its most authentic, tangible form. In Sheep’s Clothing Records is honored to bring Gilmore’s work to vinyl.

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Capture Land / Black Root / Rastaman Suite

12" | 2024 | EU | Original (Digikiller)

I Don't Care If It - Burns

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Huge 3 track 12" - A-side features two killer deep roots cuts, first time on single for both. B-side features a great and unique previously unreleased 'acoustic' roots tune. Comes in a Wackie's company sleeve.

New twelve inch of vintage Wackie's on City Line. The A-side features two of the best Wackie's deep roots tunes previously only released on compilation, which have long needed single release. Stranger Cole's somber "Capture Land" about the reality of squatting in the ghetto, followed by Wanachi's instrumental cut of the brilliant rhythm you might know from Azul's 'Black Rose.' The B-side features a really unique previously unreleased tune from one Moon Dread. Operatic, semi-acoustic and haunting, if you like early Ras Michael & The Sons of Negus, this tune offers a maybe less spiritual and more theatrical but still compelling take in that vein from about a decade later in the late 1970s. Comes in new Wackie's company sleeve.

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Lucky Love

LP | 2024 | Original

Release: 2024 / Original

Genre: Pop

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7" | 2024 | EU | Original (Jah Life)

Rod Taylor

I Think Of You

7" | 2024 | EU | Original (Jah Life)

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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One of two big previously unreleased cuts to a well loved '87 digi riddim. The Singing Melody is the first cut of this adaptation which he would go on to do a few more times, real dancehall vibes. The Rod Taylor is another great example of his small but deadly late '80s output. Both tunes voiced at Dynamic Sounds in the golden year.

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Singing Melody

Friday Evening

Girde Maye / Astere Remixes

Release: 2024 / EU – Original

Genre: Reggae & Dancehall

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Big Hands

12" | 2024 | UK | Original (Blank Mind)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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“Tu non hai questo suono. Non avrai mai questo sound” Blank Mind presents three sublime versions of Big Hands’ ‘Girde Maye / Astere’ from Tammo Hesselink, Notte Infinita and Paperclip Minimiser - originally released on the Ossario EP in 2021. Though playful in nature, and not overtly political - the lyrics explore identity and geographical boundaries. As the artist explains - it is written by an Italian and a Türk that talks in Italian, released in Britain in times of Brexit “and that’s why I chose to have a title in Kurdish in a song “sung” by a Türk.” The vocal provides endless scope for reshaping and is entrusted to some of the most distinctive producers in electronic music; each of whom sensitively reimagine the original.

On the flip, the esteemed and prolific Tammo Hesselink produces a robust, and heavy version in his angular, crystalline style. Finally, Cong Burn wizard Paperclip Minimiser slows the tempo with a futuristic roller, an impressive creation by a man deeply immersed in technological innovation and at one with his machines.

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12" | 2024 | EU | Original (Ultragama)

Mas Alla De Las Ondas

Tape | 2024 | WW | Original (Far Out)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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1.“Orion Is Lonely” by Rambal Cochet: This track is like a journey through space. Ethereal sounds envelop you, and the blend of techno and trance creates a unique experience. Ready to explore the stars from your turntable?

2.“Sabandija” by Arturo Hernzama: This track is a mystery in itself. Imagine a nocturnal insect crawling through the grooves of the vinyl. Its hypnotic rhythms will captivate you from the first beat.

3.“El Presente” by Acid Charlie: Here, acidic synthesizers intertwine with rhythmic pulses. It’s like a journey to the present with a touch of futuristic nostalgia. Are you up for diving in?

4.“Energize” by Daïf: Daïf brings contagious energy from France. This track is an ode to vitality and passion. Its beats will get your feet moving and recharge your senses.

Each track has its own story, and this release is a special edition. I hope you find something that takes you Más allá de las Ondas

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Marcos Valle

Túnel Acústico

Release: 2024 / WW – Original

Genre: Organic Grooves

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No one has lived a life quite like Marcos Valle. He became an overnight international sensation, fled a military dictatorship, dodged the Vietnam war draft, had his music sung by Homer Simpson, made enemies with Marlon Brando, and became an unsuspecting fitness guru for multiple generations. But to truly understand the great Brazilian composer, arranger, singer and multi instrumentalist, one must listen to his music.
Between the release of his first album in 1962 and today, Marcos Valle has released twenty-two studio albums traversing definitive bossa nova, classic samba, iconic disco pop, psychedelic rock, nineties dance and orchestral music. He has also had his songs recorded by some of the all time greats, including Frank Sinatra, Sarah Vaughn, Sergio Mendes, Elis Regina, and (last but not least), Emma Button of the Spice Girls. He has also had his music sampled by Jay-Z, Kanye West, Pusha T and many more.
With his twenty-third studio album Túnel Acustico, Valle set out to bring it all together.
“I believe my music is many things. It goes in different directions. I have many different ways of writing music, sometimes it’s melodies and harmony, sometimes the groove is the focus. But all the music I have made over my sixty year career is unified. It is all natural and it is all sincere. And this is what I wanted to bring to my new album.”
A prominent feature of Valle’s career has been his dual residence between Brazil and the USA. Originally moving over in the mid-sixties on the back of bossa nova’s international proliferation, Valle toured with Sergio Mendes and became hugely in demand as a composer and arranger. But the Vietnam War loomed and the threat of being drafted saw him return to Brazil. He spent the following years in Rio writing music for TV and film, as well as four cult favourite albums in collaboration with some of Brazil’s most groundbreaking musicians including Milton Nascimento, Azymuth, Som Imaginario and O Terco.
By 1975, Brazil's military dictatorship was at its most oppressive, making living and working increasingly difficult. Valle moved back to the US where he would reside in LA, writing songs for, and collaborating with the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, amongst others.
Túnel Acústico features two songs originally conceived during Valle’s time on the West Coast: “Feels So Good”, a stirring two-step soul triumph written in 1979 with soul icon Leon Ware, and the sublime AOR disco track “Life Is What It Is”, composed around the same time, with percussionist Laudir De Oliveira from the group Chicago.
Built around an unfinished demo Marcos found on a shelf in his house 44 years after it was made, the “Feels So Good” demo was restored with the help of producer Daniel Maunick, who also utilised AI stem-separation to remove the placeholder vocal ad-libs. Valle added Portuguese lyrics to sit alongside Ware’s vocal hook, as well as extra keyboards and percussion.
Also written in late seventies LA, “Life Is What Is It” was co-penned by Laudir De Oliveira from the band Chicago and first released on the bands’ Chicago 13 album with lyrics by Robert Lamb. Another nod to his good times in LA, Valle recorded his own version for Túnel Acústico, upping the tempo and deepening the groove for a blast of irresistible summer soul.
On Túnel Acústico, Valle's core band features two members of the renowned Brazilian jazz-funk group Azymuth: Alex Malheiros on bass and Renato Massa on drums. The rhythm section is completed by percussionist Ian Moreira, with additional contributions from guitarist Paulinho Guitarra and trumpeter Jesse Sadoc.
The contemporarily composed music on Túnel Acústico features an impressive lineup of guest lyricists, including renowned Brazilian artists: Joyce Moreno (Bora Meu Vem), Céu (Nao Sei), and Moreno Veloso (Palavras Tão Gentis) as well as Valle's brother Paulo Sergio Valle (Tem Que Ser Feliz).
The album closes with "Thank You Burt (For Bacharach)", a tribute to the legendary composer who passed away in 2023.
Túnel Acústico will be released on 20th September 2024 via Far Out Recordings. Valle is set to tour Europe and America in support of the album.

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LP | 2024 | EU | Original (Samizdat)

Postcard Volume 5

Release: 2024 / EU – Original

Genre: Rock & Indie

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Post-punk (originally called new musick) is a broad musical genre that emerged in 1977 in the wake of punk rock. Post-punk musicians moved away from punk's traditional elements and raw simplicity, adopting instead a broader, more experimental approach that included a variety of avant-garde sensibilities and non-rock influences.

Here we go again with two other enthralling volume in the series. The Postcards saga continues, discovering lesser known - but no less significant - names from the post-punk, new wave and d.i.y. scenes around the UK and the US. Groups whose recording career was minimal and stopped, in 90% of cases, at the first and only 45 rpm (which is the cream of the crop here). Number 4 brings together five seven-inches, here presented in their entirety, released between 1979 and 1981 by cultish british bands. Original covers, labels and credits are fully reproduced on the back of the cover.

Volume 5 is deliberately an anglo-american issue. It covers the period comprised between 1980 and 1983 and features three american and two english bands. Original covers, labels and credits are fully reproduced on the back of the cover.

Two more fundamental pieces of the movement history.

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LP | 2024 | EU | Original (Samizdat)

Postcard Volume 4

LP | 2024 | UK | Original (Castles In Space)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Paul Cousins

Oxide Manifesto

LP | 2024 | UK | Original (Kit)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Oxide Manifesto is intended as an audio sketchbook, which explores a particular method of creating music. It aims to link obsolete machines and experimental composition. In recording it, I embraced as many techniques of working with magnetic tape as possible. I gave myself the freedom to lean into the perceived flaws of tape as a recording format. Often we hear ‘it’s not about the equipment’. But on this album the equipment is in equal focus to the music. Wow, flutter, wonky pitch, abrupt edits, hiss, rough tape loops, rewinds, half-speed, mains hum. I started building an archive of sound-art experiments using the following method. Compose an idea and record it quickly. Deconstruct its elements onto tape loops or spools. Set up an equipment patch, then perform using reel-to-reel machines and effects. Record the result and discard the original idea. After collecting enough pieces, I began to edit and organise them into a structure. By this point I had fragments of music, linear studio experiments, structured and partially destroyed songs. The finished album serves as a sonic diary as I explored this specific way of working. Use distinct stages in your process. Capture performances. Use limitations. I recorded most of this album at my old studio on Hornsey Road. It was the smallest room imaginable. A former cupboard with a tiny window and no soundproofing. Inside temperatures ranged between 30 degrees in summer and 0 degrees in winter. Phantom radio interference came from the Post Office depot opposite. It made mid-1970s tape machines unusable. Thankfully, whatever components Akai used in the 1960s fared better. Try to work fast when possible. Don’t be afraid to throw something away. Be patient.

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Robert Stillman

Something About Living

LP | 2024 | US | Original (Lame-O)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Something About Livingis an album of live recordings by experimental jazz composer/multi-instrumentalist Robert Stillman. The music was captured over the course of Stillman's time as the solo support act for The Smile (Thom Yorke, Jonny Greenwood, Tom Skinner). The album weaves excerpts from various theater and arena shows along the tour's North American routing into a seamless whole, creating a 40-minute program that represents an expanded version of Stillman's ever-transforming live set.
Something About Livingis the product of a steady, on-stage evolution that happened over the course of the nearly 60 shows opening for the Smile across the EU, UK, US, Canada and Mexico. However, the creative origins of the set began in relative isolation during the pandemic, through Stillman's work on projects like his multi-media installationUnseen Forcesand his monthly broadcast for Margate Radio, both of which drew upon solo improvisation using saxophone, cassettes, Yamaha DX7 synthesizer, and effects.
"At the time The Smile asked whether I'd like to open for them on their first tour, I felt like I'd already been preparing without really knowing it," says Stillman. "I'd been doing this music constantly, but always for a hypothetical audience" During the pandemic, Stillman's solo set-up served as the research lab where he worked on all the concepts he was interested in: solo improvisation, creating and manipulating cassettes, FM synthesis, analogue delays chains, no-input mixing, and non-metric rhythmic pulses. So when he was offered the first Smile tour, the idea was to bring "the lab" onto the stage.
What Stillman could not have prepared for was the experience of playing in venues with capacities of up to ten thousand listeners. "The first tour was in summer 2022, so not that long after the worst of the pandemic, when I had pretty much made peace with the idea that I might never be able to perform for an audience again. Then all of a sudden I found myself in front of huge numbers of people, and felt the massive responsibility of being with an audience, of this thing I'd done alone for so longactually being witnessed, and it was completely overwhelming!" On the flip-side, Stillman also recalls, was a new appreciation of how powerful the live performance was as a social phenomenon. "It's a cliche, but also true: the moment of making and hearing music in a shared time and space has a very specific meaning and power; there was a sense that everyone in the venue was necessary to make it real, regardless of what they were doing, or how they felt about it. There was an inevitability about it that I'd never fully appreciated."
Over the course of the tours that followed, Stillman transformed this appreciation of the shared moment into an ethic of spontaneity that guided the development of his live set. "An important reference for this set has always been an Animal Collective show I saw when I first moved to New York, probably in 2001 or so, that has always set the high-water mark for what I wanted to do live- they were improvising a lot, and out of what would seem to be absolute chaos they'd find their way to something structured, and then back out again into the unknown. It was so thrilling to witness".
ThoughSomething About Livingcompiles recordings from different dates along the tour, Stillman has edited and mixed them into a work that seeks to reflect the ebb and flow between 'chaos and control' that characterizes his live set. Among the compositions featured are some from previous album releases ("Time of Waves", "What I Owe", "What Does it Mean to Be American") as well as some new compositions ("The Dream of Waking", "Renaissance 2.0," and the title track, "Something About Living").
The album/track title "Something About Living" is a reference to a line from Stillman's favorite film,My Dinner With André: "André Gregory is explaining the value of life experiences that, as he says, are'to do with living'.That really struck me, the way he articulated it. I strongly believe live music situations can ask these kinds of questions, for performers and audiences. I hope that's reflected in this music."

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Lily Seabird

Alas,

LP | 2024 | EU | Original (Fresh Sound New Talent)

Release: 2024 / US – Original

Genre: Rock & Indie

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Lily Seabird is a perceptive songwriter who can channel moments when everything feels raw and overwhelming into something healing and galvanizing. With Alas, the Burlington, VT-based artist's sophomore album, she confronts grief with palpable clarity on tracks that careen from delicate folk to blistering indie rock. While it's her second LP, it serves as a proper introduction to an undeniable and idiosyncratic voice. "Alas, sounds way more like me," she says. "This is the album I wanted to make in the first place."Though Seabird is now known as a solo artist and collaborator in Burlington's vibrant music community as the bassist for Greg Freeman and other acts, her journey started in Pennsylvania when she picked up the saxophone as a kid. At 14, she learned guitar and started performing as Lily Seabird. After a brief stint in New York City playing in bands, she moved to Vermont, which has been her home since 2018. "When I came to Vermont, I was playing solo a lot but then I started a band with Greg Freeman," she says. "Since 2018, it's been me and Greg and a bunch of different casts of characters have been in the band since then it's an ever-evolving thing. It's just us playing my songs."The songs on Alas, came from a particularly unmoored period for Seabird. "I wrote this album in 2021 and 2022 on the road, trying to figure out who I am," she says. "A lot of them also deal with the time when my close friend passed away. The title Alas, meant a lot to her." Even if the songs don't always directly tackle this specific loss, there's a sense of mourning in how relationships change and dissolve. Take "Grace," a reflection on female friendship, which features the lines, "I hope she's happy now she should be 25 / She taught me something that I thought I'd always hide." Elsewhere, the knotty and unpredictable "Dirge" finds her singing, "I don't know if I believe in god / I don't know if I know how to go on." Seabird and Benny Yurco produced Alas, which was recorded at Burlington's Little Jamaica Studios with Fr...

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Simon Moullier

Inception

Alcyon Purple Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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In his music, Simon Moullier makes an enticing proposition: what if the language of horn player —from Coltrane to Bird to Clifford Brown— could be transmuted for the vibraphone?

“If I could, I think I would have chosen a horn,” he has said. “I chose the vibraphone because I was a percussionist, and it was a more immediate way for me to get to what I was hearing.”

Moullier began developing this rapprochement when he picked up the vibraphone as a teenager. It’s on full display in his previous album, 2023’s Isla, which features pianist Lex Korten, bassist Alexander Claffy, and drummer Jongkuk Kim.

Inception —Moullier’s second trio record, following 2021’s Countdown— marks an extension of this language. Accompanied by bassist Luca Alemanno and returning drummer Jongkuk Kim, Moullier performs a gently rolling yet urgent program of standards. The material is drawn from some of the most masterful composers of the 20th century: Horace Silver, McCoy Tyner, Antonio Carlos Jobim, Charles Mingus, Billy Strayhorn, Miles Davis, Wayne Shorter, and Michel Legrand.

The seed for this trio was sown in 2017, when Moullier attended the Thelonious Monk Institute of Jazz Performance in Los Angeles. While performing with his quintet at the now defunct Blue Whale, Moullier decided to perform a blues as a three-piece. “We really dug the trio thing,” he says. “We went back and started developing that concept.” Inception kicks off with Silver’s “Ecaroh”—“Horace” backward. “His harmony is very dark,” Moullier says. “I’ve always liked that character of music.”

Following “Ecaroh” is Tyner’s “Inception,” the title track of the magnificent pianist's 1962 debut album —itself a trio date. “It was a great fit,” Moullier says. “Not only for the arrangement and the style, but the register of where the vibraphone sits with the bass.” “Desafinado” reflects Moullier’s profound appreciation for Brazilian music; at some point, he’s eyeing an album of all Brazilian music. As for Mingus’s “Peggy’s Blue Skylight,” Moullier imbued it with an Oscar Peterson-style arrangement.

As for “Lush Life,” “Doing a solo recording is a challenge I’ve always wanted to meet in a studio context,” he says; he had in mind the solo piano language of Bud Powell or Art Tatum. Moullier’s take on Davis’ blues “Pfrancing” recalls his trio’s genesis in the form. ‘Lost” is a tribute to its author, the late Shorter. “It’s such a deep world to dive into,” Moullier says. “There’s so much mystery and beauty, and so many stories.” “You Must Believe in Spring” reflects Moullier’s French roots. The album closes out with a lone Moullier original —“RC,” or “rhythm changes.”

“It was very challenging for me to record an uptempo in the studio,” Moullier says. But Inception is a series of “little challenges.” “We wanted to develop the trio sound and expand on the possibilities” he adds —whether that regards his instrument, arrangements, or tempo. But mainly, “We’re just having a lot of fun playing together!”

In that sense, Inception is a bridge to untold future realms. But on its own merits, it’s a realm worth lingering in.

—Morgan Enos

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Solventis

LP | 2024 | EU | Original (Subsound)

Alcyon Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Solventis add the roughness of an electric guitar and powerful synths to their folk sounds to weave sensitive and solar music. After a first European tour in Spring 2024, the band will release their album Alcyon with Subsound Records next autumn. Solventis is: Sol (Sophie Peyre) : composition, writing, vocals, electric guitars - Melody Morana : backing vocals, keyboards & acoustic guitars (live) A word about the album Alcyon : I wrote Alcyon following very clear visions of memories I didn't live through in this life, but which are undeniably part of me. Some songs speak directly of this experience, while others express the emotions that run through me and speak of what I'm experiencing here. Our sound has evolved for this album, with the addition of an electric guitar and synth to our usual folk music. I wanted it to be more immersive, more textured and raw on some of the songs, to better represent the intensity of certain feelings.

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Solventis

LP | 2024 | EU | Original (Subsound)

Le Monde Qui Me Tombe Sur La Tete

Release: 2024 / EU – Original

Genre: Rock & Indie

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Selug Senar

LP | 2024 | EU | Original (Jeune A Jamais)

Release: 2024 / EU – Original

Genre: Hip Hop

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12" | 2024 | Original (Circuit Beats)

A Dreams A

Sommertheater

Release: 2024 / Original

Genre: Electronic & Dance

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12" | 2024 | UK | Original (49north)

Duncan Forbes

Time Is Now EP

18,99 €*

3LP | 2024 | UK | Original (Hidden Notes & Tardigrade)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Duncan Forbes returns to 49North with a super fresh sounding 4 track EP, all killer no filler !

First up is ‘Moods Shift And Flicker’ which eUortlessly fuses Duncan’s love of Detroit and dub techno with his love of Chicago house music and spoken word all underpinned by an infectious disco bass line. Following on and taking things up a level or two we are treated to the uplifting peak time monster that is ‘Time Is Now !’. Peak time melodic techno that will be just as at home in any large open-air space as it will in a dark basement. Third on the menu is Spectra, a no holes barred sonic battle weapon that will take you to the stars and back as it builds and builds. Desert is served up in the form of ‘I Wanna Know’ a solid 808 electro workout with one foot in the 80’s and the other somewhere in the future which asks the questions ....How Come The Quantum ? How Come The Universe ? ....... I Wanna Know !

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Daniel Inzani

Selected Worlds

51,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Hidden Notes Records (Spindle Ensemble, Fran & Flora, Josh Semans) and Tardigrade Records (Cosmo Sheldrake, Howl) are excited to announce a unique collaboration to release ‘Selected Worlds’, the monumental and ambitious debut triple album by composer and pianist Daniel Inzani. Over the past 2 decades you might have seen Inzani performing with dozens of bands from Bristol’s underground alternative and avant-garde scene, blending classical, jazz, contemporary, improvisation, unusual harmony and rhythms as a band leader and collaborator. He’s released an avant-garde collaborative album with Alabaster dePlume, is the musical director and arranger for Cosmo Sheldrake’s 19 piece live band, leads his own critically acclaimed modern chamber quartet Spindle Ensemble and (the now disbanded) 8 piece Ethiopian Jazz meets Frank Zappa group Tezeta, He has toured worldwide as a keys player, collaborated with Canadian ensembles Evergreen Club Contemporary Gamelan and London Symphonia and co-founded Bristol’s experimental collective Bloom, leading to tours and releases with UK rocksteady favourites Count Bobo, the psychedelic space doo-wop of Dubi Dolzcek and many more. After years of recording, touring and eclectic composing he has gathered a trusted set of musicians who are both skilled improvisers and virtuoso players to record an instrumental triple album for release under his own name. The 3 vinyl discs act as albums in their own right, each with different sets of musicians, instrumentations, genres and intentions. The 3 discs were recorded live over 3 day periods in quick succession, with Daniel’s regular collaborator Cosmo Sheldrake engineering the recording sessions. It’s quite possibly the only album you’ll ever hear that starts with a neo-impressionist string quartet, goes on to merge avant-garde symphonic arrangements with group improvisation and ends with an 8 piece cosmic jazz band wigging out, yet Inzani’s voice is clear throughout making for a cohesive 2 hour odyssey from the mind of a composer whose idiosyncratic style thrives through variety.

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12" | 2024 | UK | Original (29 Speedway)

29 Speedway: Ultrabody

30,99 €*

Masato Koda And Kento Hasegawa

Release: 2024 / UK – Original

Genre: Electronic & Dance

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29 Speedway is a record label and performance series based in Brooklyn, NY featuring forward-thinking improvisational music and live multimedia. Founded in 2020 by Ben Shirken a.k.a. Ex Wiish (‘Shards Of Axel’, Incienso 2023), 29S serves as a platform for artists exploring the fringes of interdisciplinary art and music. Hosting D.I.Y-guerrilla style sound and performance art concerts at Pioneer Works (nyc), Public Records, and in Europe in partnership with Index Records, they have worked with artists such as James Hoff, J. Albert, Yolabmi, Robert Aiki Aubrey Lowe, AceMo, Flora Yin Wong, Nexcyia, Young Boy Dancing Group, Umfang, Color Plus, Poncili Creación, Special Guest DJ, Arushi Jain, Drumloop, Isabella Koen, Ben Bondy, Kamran Sadeghi, Yawning Portal, James K., Syndey Spann, Debit, Pent and many others.

Resident Advisor called their most recent compilation record ‘Channel Plus’ “one of the most stunning documents of the ‘modern ambient-techno movement pioneered by labels such as Motion Ward and West Mineral’, with a focus on New York as well as a global outreach that encompasses chilled-out trap, electro, downtempo and even early '00s electroacoustic music”. Their debut solo artist release from J. Albert and Will August Park, entitled “Flat Earth” (2023), was based on free improvisation and ambient jazz, receiving praise from Philip Sherburne, Shawn Reynaldo, and was included in RYMs top EPs of the year. 29S has been written about on ID, Bandcamp Daily: Best Ambient, Boomkat, Paper Mag, Artnet, Dazed, Clot Mag, Nina Protocol, and Document Journal.

The newest release from 29 Speedway, UltraBody, is a compilation record featuring the music of Jake Muir, Pent & Dylan Kerr, Nexcyia & Mu Tate, James K, Flora Yin-Wong, Ex Wiish & Dorothy Carlos, Kamran Sadeghi, Tati au Miel, James Hoff, Eric Frye, Muein and Maxwell Sterling. The record is emblematic of the artists who have performed at 29 Speedway shows in New York and Europe during the past two years, and is the third in a series released by the label.

The record was born out of a desire to investiage how the self, spirituality, and language are intertwined with the intervention of subjectivity by new technologies. With increasingly sophisticated tech, and the supposed ability to remake the world and ourselves, what differentiates our individual discretion from the will imposed upon us by software? Quoting Walter Chaw from his piece on David Cronenberg’s Videodrome, “Decades of rampant, unregulated and ill-considered technological leaps have begun to evolve, to mutate, humans at a biological level”. This haphazard acceleration towards a techno-utopic transformation of humanity has faulted, and as William Gibson put it, is leading us to live in a “half assed singularity”. In this reality, artistic processes are influenced by excessive access to computational tools and assistance, but not utterly controlled.

This in-between state of dominion is explored in 29 Speedway: UltraBody. “Incoherences” samples the utterances of Dylan Kerr’s voice processed between Pent’s percolated glazes, muddying the gulf between vaporous ambient and reflexive sound design. The voice on James Hoff’s “A... ...Cha.... A... I feel l” was created by trying to get voice cloning technology to sing a gps data stream, the music an extrapolation from an earworm he got stuck in his head while shopping in Kyoto. On “Plogue Chain”, Eric Frye’s most speculative sci-fi observations spiral into a glazed pool of digital cacophony, while Kamran Sadeghi’s “Formula Fiction” is an experiment in (un)controlled generativity. Incorporating minimal pings from a 3D simulation scene based on gravitational interaction, cello bits evolve on “Assimilation”, a collaboration between Ex Wiish & Dorothy Carlos.

On UltraBody, sound has no separate existence from space.

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OST El Shaddai - Ascension Of The Metatron White Vinyl Edition

2LP | 2024 | EU | Original (Wayo)

44,99 €*

I Lay Down My Life For You HHV Exclusive Cloud Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Soundtracks

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"Relive Enoch's mystical journey in his quest to defeat the fallen angels! El Shaddai Ascension of the Metatron is back on Nintendo Switch in full HD and for the first time in vinyl format! To celebrate the occasion, in partnership with Crim headed by creator and designer Sawaki Takeyasu, here's the game's original soundtrack in a magnificent Gatefold 2 x LP edition with white discs. The El Shaddai Ascension of the Metatron soundtrack is composed and arranged by Masato Kôda and Kento Hasegawa, and features a variety of epic orchestral pieces and sacred, dreamlike melodies. It has been praised for its quality and distinctive style, which fits perfectly with the game's artistic design and narrative."

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JPEGMAFIA

LP | 2024 | US | Original (Peggy)

42,99 €*

2LP | 2024 | US | Original (Death Row)

Release: 2024 / US – Original

Genre: Hip Hop

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"jpegmafia, a trailblazing force in experimental hip hop, releases his latest solo project, I LAY Down MY Life FOR YOU. This album, his first since 2021, is a complex and innovative work that showcases his meticulous production skills. Featuring collaborations with Denzel Curry, Vince Staples, and Buzzy Lee, the album explores themes like capitalism, conscription, and propaganda through some of Jpegmafia’s most anarchic raps to date. The release is accompanied by an extensive global tour, reinforcing his status as one of the genre’s most incendiary talents. Since his last solo release, Jpegmafia has continued to push boundaries in the music industry, most notably with his 2023 collaboration with Danny Brown on Scaring the Hoes, which garnered critical acclaim and chart success. With I Lay Down My Life for You, Jpegmafia cements his reputation as a visionary artist, delivering a powerful commentary on the world through his unique lens. The album’s release is set to make a significant impact, both in stores and on stages worldwide."

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Tha Dogg Pound

W.A.W.G.

33,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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CD | 2024 | US | Original (Death Row)

Tha Dogg Pound

W.A.W.G.

19,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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SOPHIE Crystal Clear Vinyl Edition

SOPHIE

2LP | 2024 | UK | Original (Transgressive)

35,99 €*

2LP | 2024 | UK | Original (4AD)

Release: 2024 / UK – Original

Genre: Pop

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The National

Rome White Vinyl Edition

41,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

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Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhiro Yamamoto

Album I Black Vinyl Edition

LP | 2024 | EU | Original (Bureau B)