Search "re:st" 9478 Items

Symphonic Poem Adieu Galaxy Express 999 - Andromeda Terminal St.

Release: 1981 / UK – Reissue

Genre: Rock & Indie, Pop

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A rare private pressing from 1981 gets a loving remaster from Simon Mills [bent] and a reissue on the NuNorthern Soul label who have been releasing and reissuing musical oddballs and goodness for 11 years. Ace compialtion compiler, Paul Hillery [bbe, ReWarm] has spent time interviewing Mike Welch about this project and will be included as extensive sleeve notes on the release. This is a very special Blue Eyed Soul album with heavy Country leanings or as Paul puts it ' A record made by a musician, having to work hard by day and then put it all on the line in the studio at the weekend. Reflective songwriting and tight musicianship are given the space to breathe and un-smothered by overproduction. Difficult to tag, harder to find, essential re-issue business.' Copies of this are very hard to come by and go for silly money on Discogs which is a shame as the world needs to hear this album. 1LP vinyl with heavy card insert.

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Osamu Tokaibayashi

2LP | 1981 | JP | Reissue (Nippon Columbia)

67,99 €* 79,99 € -15%

LP | 1981 | JP | Original (Royal Roost)

Release: 1981 / JP – Reissue

Genre: Soundtracks

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Music Collection of "The Galaxy Express 999" Theatrical Film to be Released on Analog Vinyl! An analog version of the music collection of the second theatrical film "The Galaxy Express 999 -Andromeda Terminus-," released in 1981, will be released on March 20, 2024, LP Record Day! This is a reissue of the LP released on July 25, 1981 on heavy vinyl.

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Stan Getz

At Storyville Vol. 2

17,99 €*

Dizzy Gillespie & Charlie Parker

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Splits in seams.
No obi.

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Diz 'N' Bird In Concert

LP | 1981 | JP | Reissue (Royal Roost)

So Many Friends Yellow Vinyl Edition

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

With OBI. Vinyl is Close to VG+. 1981 reissue. Cover is close to NM.

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Yuki Okazaki

LP | 1981 | JP | Reissue (Warner Music Japan)

62,99 €*

12" | 1981 | EU | Reissue (Jamwax)

Release: 1981 / JP – Reissue

Genre: Pop

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* Originally released in 1981 * Pressed on Yellow Vinyl * Featuring Kenji Iwakura, Kenji Omura, Jun Aoyama + more! Released in 1981. The long-awaited reissue due to the re-evaluation of the city pop boom in recent years is now available on color vinyl! With Kenji Iwakura, Kenji Omura, Jun Aoyama, and other gorgeous members, the album faithfully reproduces the West Coast sound that was popular at the time, and also writes the lyrics himself. A work that can be heard without discomfort even in the current scene with a straight singing voice that has molted into an adult.

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Wade Dyce

Humble

You'll Never Need Somebody

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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Wade "Jimmy" Dyce was an original member of Cultural Roots. He was a vocalist and played a key role in shaping the sound of the group. Cultural Roots emerged as a four-part harmony group for producer Donovan Germain in the late 1970s, releasing « Revolutionary Sounds » and « Mr Bossman » which counts among ‘Jah Shaka's favourite tunes’. Then they released « Hell A Go Pop », one of the Greensleeves label’s lesser-known classics. In the early 80's, Wade Dyce produced alone three songs at Chris Stanley's famous Music Mountain studio. Wade Dayce surrounds himself with the best musicians of the time, namely the Revolutionaries, but does not remember the exact formation apart from Sly Dunbar on drums and Bongo Herman on percussion. « Humble », « Money Mare » and « Hide & Seek » are three forgotten songs that can be described as killer roots from the middle of the 80s and which you can (re)discover again through this reissue on the original Moving On label. For this release, Jamwax worked with Parade Studio for this original and unique Disco 45 cover graphic creation. Today, Wade, now sixty-seven years old, is living in Salem, Massachusetts, where he graduated in 2010 as a mental-health specialist. Long live to the Cultural Roots !

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Janice Walker

12" | 1981 | EU | Reissue (Miss You)

17,09 €* 18,99 € -10%

LP | 1981 | UK | Reissue (Mute)

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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Lovers Rock at its finest with a beautiful cover version of Merlyn Brooks' "You'll Never Need Somebody". Originally released in 1981 this release is the work of Reggae heavyweight Geoffrey Chung (who also worked on Dhaima with Phillip Michael Thomas, previously released on Missyou). This release features the original 7" version along with a small collection of other new mixes. On the A side, the Dub Organiser skillfully extends the original 3 minute track into a 7 and a half minute long trip along with a new "Dub" version, respectfully re-mixed from the original multitracks 40 years later. On the B-side, the mixing console is handed over to a dedicated student of Dub, the Swiss Androo who's clearly no stranger to studio work when it comes to dubby landscapes. Elegantly walking the tightrope between traditional approaches and raw experimentation with 3 new mixes, each with very unique feelings.

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Telex

Sex

28,99 €*

LP | 1981 | EU | Reissue (Rafftt)

Release: 1981 / UK – Reissue

Genre: Pop

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Remastered Re-Release des 1981er Albums des belgischen Synth-Pop-Trios, auf dem sich Telex mit Sparks zusammen tun, ein Match made in Heaven!

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Desmond Simmons

Alone On Penguin Island

24,64 €* 28,99 € -15%

7" | 1981 | EU | Reissue (Mother I'd Like To Funk)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Originally released on Bruce Gilbert and Graham Lewis Dome Records in 1981, Desmond Simmons’s Alone on Penguin Island stands in splendid isolation. Rereleased on Rafftt records with the permission of Desmond’s estate it has been re-mastered from the original tapes by Denis Blackham, the artwork has been re- imagined by the original designer Slim Smith with extensive liner notes on gatefold vinyl rounding out the project.

The year before the Wire pair had initiated Dome: a project where the duo privileged process over the end product. They would often commence recording with little or no material, using the studio itself to create raw instrumentation. After the release of their first Dome album, they then invited Simmons to record an album for the Dome label. Simmons had played bass on Colin Newman’s recently released debut solo album A-Z and he and the Wire frontman were lifelong friends.

His original demos suggested a kinship with the psychedelic guitar pop he’d played on Newman’s A-Z. However, the versions on Alone on Penguin Island enter a very different realm. With Gilbert and Lewis as producers, Simmons’s compositions are abstracted, inverted and warped. It was a bold move on their part to suggest such an approach, yet a far bolder one for Simmons to accept this experimental mindset. Even if the recording sessions were often far from harmonious. Intriguing arrangements, sprightly verses and mournful melodies the album is one that spans many moods, Lewis referring to it as “fragile, mysterious, melancholic” From shimmering electronics and jittery synths to wistful guitar driven post punk. On the unforgettable ‘By Air Or By Sea’ the breathless Simmons vocal was not some incidental effect: the producers instructed the singer to run around the block, then dart back into the studio and record the vocal, before he had a chance to get his breath back. Another of the albums highlights the deeply psychedelic ‘Pathenon’ and the churning rhythms of ‘Man The Lifeboats’ is another of the album’s strongest tracks.

For all Simmons’s Wire connections, Alone on Penguin Island shouldn’t be considered a Wire side project. It’s a fully formed work in its own right, with Simmons’s strangely slanted song writing at its heart. It was produced just at the time a number of post punk’s brightest stars were about to dive into the mainstream. Simmons however, was headed in the opposite direction: creating an album that sounds as unique and challenging as the day it was first released. It is a bleached out coda: chilly and curious. It sounds less like a composition, more like its ghostly remains. Consequently, as the album concludes, the listener is left in an icy, lopsided lacuna.

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Boulevard

Ready For Your Love

14,99 €*

LP | 1981 | US | Original (MCA)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Mother’s I’d Like To Funk are back with another sizzling hot re-issue, this time straight from Denmark. Danish pop group “Boulevard” released an obscure LP back in 1981, called “American Dream”. This official re-issue features the street funk anthem “Ready For Your Love” on the A Side, with a special “Synthphonic” Dub version on the B Side (previously only available on the album) This special 7’ version is guaranteed to light up any dance floor.

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Rufus

Party 'Til You're Broke

4,79 €* 5,99 € -20%

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

12" | 1981 | EU | Reissue (Kalita)

Kofi Ayivor

Adzagli: Jungle Funk

16,99 €*

Stop And Smell The Roses Record Store Day 2023 Red & White Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Kalita are excited to announce the first ever re-release of "Adzagli (Jungle Funk)" and "A Song For You (Ayawa)", two phenomenal pieces of West African disco from Amsterdam"s Kofi Ayivor. Selected from his sought-after Nigerian 1981 self-titled debut album "Kofi", at last these two recordings see the light of day once more via a loud-cut remastered 12" single. In addition, Kalita enlists fellow Amsterdam resident, DJ and producer Mendel to create his own remix of each recording, using the original multitrack session tapes to rework both for the modern-day dancefloor.

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Ringo Starr

2LP | 1981 | US | Reissue (Culture Factory)

41,99 €*

12" | 1981 | US | Reissue (Kay-Dee)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Limited to 2500 copies worldwide. RSD Exclusive Release.
Ringo Starr achieved international fame as the drummer for THE BEATLES. Stop and Smell the Roses is a studio album originally released in 1981 which includes contributions from Paul McCartney, Ronnie Wood and Stephen Stills. The six bonus tracks have never before been released on vinyl. This double LP set, has deluxe packaging that will include an OBI side strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. This is a MUST for all fans/collectors of THE BEATLES. st Lava lamp effect clear Red/White & 2nd Lava lamp effect clear Red/Pink Color Vinyl

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Vicky D

This Beat Is Mine

Open Space Motion (Underscores)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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This sensational post-Disco, Boogie classic from 1981 gets pulled from deep within the legendary Sam Records company vault, and sees a vinyl-only re-release on 4-time Grammy Award Nominee Kenny Dope's Kay-Dee Records, with his own special re-rubs. What makes the re-issue of this dance floor gem most authentic is Kenny's process that stays true to old school form, both technically and sonically. That is, the song painstakingly taken from the original 24-track multi-track master and mixed down to 1/2" master tape, and then mastered from tape to vinyl. Kenny proves this process needs to be done the way it was back in the day in order to produce a true analog record; not a record that sounds like a cd on vinyl nor mastered from digital files for vinyl. This is unlike what everyone is doing these days and what separates Kay-Dee Records from the rest. Kenny's O'Gutta Dubba, the other remix on the flipside of the vinyl, brings even more of that boogie sound back with all original new live drums, rubber bass and other classic instrumentation. You may very well have heard this single being played by Larry Levan at the Paradise Garage, David Mancuso at The Loft or Tee Scott Better Days. Today, you might hear these remixes at parties like Body & Soul, 718 Sessions, Bump & Hustle, or many of the specialty radio shows like Kenny Dope's Anything Goes on Rinse FM UK. Originally produced by Gary R. Turnier of Gary's Gang and produced/written by Andre Booth who has also collaborated with Big Daddy Kane, Lords of the Underground and others, a whole new generation of dancefloor devotees will discover this throwback first hand.

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Klaus Weiss

LP | 1981 | EU | Reissue (Be With)

Baris Manco & Kurtalan Ekspres

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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They say: "Contemporary synthesizer sounds illustrating wide open space activities, environment and research." We say: Panoramic proto-techno underwater-electro library dynamite. One of the hardest pulls on the seminal Coloursound, Open Space Motion (Underscores) isn't just regarded as one of the best releases from library-funk overlord Klaus Weiss. It's one of the very best library records ever. As cult as it gets when it comes to library music, the Klaus Weiss sound was built on top of sometimes funky, sometimes frenetic, but always hard-hitting drums. AND YET! Open Space Motion departs from his drum-heavy approach by being completely...BEATLESS! That's right, the virtuoso beat smith, Mr "drumcrazy of Deutschland", a man known for snapping necks at will, crafted one of the most horizontally sumptuous, elegantly sweeping electronic masterpieces, sans-drums, a good decade before chill-out rooms became a thing. It features organic instruments married to pulsing synth bass atop brilliantly subdued yet irresistibly funky percussion. Possessing a very special vibe, that's at once futuristic yet cinematic, it overflows with atmosphere. The highlights - unsurprisingly - are many. The very first track - the unstoppable "Wide Open Space Motion" - is a sinister, string-fried electro bomb that rides an unrelenting bass loop. "Incessant Efforts" is more reflective, with pastoral yet probing flutes atop strutting synth chords and head-nod percussion that really swings. The heavenly, uber-kosmiche "Pink Sails" hovers over swirling neon-synthy-strings and yet more unobtrusive percussion. The beautiful "Transiency" is a dramatic piano-led underscore, its creeping unease created by patient strings, unhurried percussion and some wonderfully strident keys. "Driving Sequences" is perhaps the key tune here, and if the Detroit crew weren't listening to this staggering piece then, well, imagine if they *were*. The bubbling rhythms of "Southern Mentality", at first ominous, give way to a more optimistic vibe as the movement progresses. The lush, gorgeous "Bows" is deep-sea slow-motion magic whilst the bright-eyed "Outset" feels as fresh as the dawn, and no less beautiful. How these tracks haven't been gobbled up by sample-driven producers is beyond us. Equally calming is the sweeping majesty of "Constellation", again conjuring images of being at one with and fully beguiled by the wonders of nature, of space, of underwater worlds. "Changing Directions" is another fidgety, propulsive non-Detroit beatless bomb. As with all our library music re-issues, the audio for Open Space Motion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Sözüm Meclisten Disari

LP | 1981 | TR | Reissue (Emre Grafson)

LP | 1981 | US | Reissue (Slovenly)

Release: 1981 / TR – Reissue

Genre: Organic Grooves, Rock & Indie

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2019 Re-mastered, 180g black vinyl in gatefold cover. It was originally released in 1981. May be the last impressive album of Baris Manco and his band Kurtalan Ekspres which is giving a respect to 1970’s Golden Era of Turkish Rock. The album consists of funk and progressive rock elements from track to track just like their previous release. Hypnotic, cool and clear sound, will make this LP as a reference album.

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Eddie And The Subtitles

Skeletons In The Closet

23,99 €*

LP | 1981 | EU | Reissue (Altercat)

Release: 1981 / US – Reissue

Genre: Rock & Indie

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It’s 1980 in Orange County, California, and Punk Rock has been scorching the ‘burbs for a few years. Eddie Joseph has been on the Southern California scene the entire time, plotting his poisonous rock’n’roll maneuvers since the mid 1960s when he began playing in garage bands. Eddie had been honing his skills on roots music and swinging teenbeat well in advance of his foray into a new, seedy, violent punk blitzkrieg. There’s a master plan at work here, and it involves select players depending on which direction Eddie needs to bleed out of his system. The recruitment of Mike Patton and Matt Simon of OC legends THE Middle Class get Eddie AND THE Subtitles rolling for a slew of shows with comrades Black Flag, Adolescents, Circle Jerks and every other degenerate crew in the radius. A DIY imprint called No Label Records is formed (with literally NO Labels on the vinyl!) and the first single “Fuck You Eddie!” is unleashed. Recorded in Fullerton by JON ST. James at his legendary Casbah studio (The Vandals, Social Distortion, Berlin), these sessions also yielded a handful of tracks that would appear on the exceedingly rare Skeletons In The Closet LP (No Label Records, 1981). “Zombie Drug Killers,” “No Virgins In Hollywood,” and “American Society” (the short fast loud version covered by L7) appear here as the opening trio on this newly re-sequenced reissue. Geza X is also on board to produce a handful of tracks with peripheral Subtitles including Nicky Beat (germs, Weirdos) among the sessions’ players. The results here are another manifestation of Eddie’s one true love. Even as a punk allegiant, songwriting, sound and style are the priority. The dusted and dark goth-pop of “Magic” and “Stream of Consciousness” are crucial to the plot, setting a unique tone that works in a sea of one-dimensional scene releases, taking full advantage of Geza’s synth-mimicking microtonal guitar techniques. A tribute to Dave Dacron, chief miscreant of Dangerhouse Records’ Rhino 39 is also set to tape as consolation to X, as Dacron’s 16 year old life was tragically cut short in an automobile accident in 1980. But the party rocks on with covers of “Louie Louie” (also appearing on the elusive Fuck You Eddie! single) and “We Gotta Get Out of This Place,” as a testament to Eddie’s obsession with the timeless now-sounds of his delinquent adolescence. Friends and fellow freaks JON Blair (of surf cats JON AND THE Nightriders) and Bobby Paine (later of rockabilly hepsters THE Paine Brothers) lend their own song-smithery for four more originals: “Boppin’ Little Bobcat, ”“Treat me Right,” “Gina” (covered in 1984 by Josie Cotton and again in ‘89 by Stray Cats) and “Your Head’s In The Right Place,” respectively. Skeletons In The Closet remains an unusual and rare artifact in the ashtray world of punk, DIY and outsider music, and Slovenly Recordings is blasted to present it to the world one more time.

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Maria De Fatima

Bahia Com H

Suicide Commando Purple Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Ethereal, sensual, subtle. Maria de Fátima is that new favourite singer you think you just discovered, but who had actually always been there. This Brazilian muse from Tijuca (Rio de Janeiro) has worked and recorded with artists such as Milton Nascimento, Gilberto Gil, Arthur Verocai, Airto Moreira & Flora Purim, Chico Buarque, Lincoln Olivetti or José Roberto Bertrami (Azymuth).

We're immensely proud to bring you a deluxe reissue of her only solo album Bahia com H, one of the finest pieces of Brazilian music released outside of Brazil. The album was recorded in 1981 in Uruguay, where Maria had settled with her then husband synthesizer wizard Hugo Fattoruso (opa), who also takes on production duties. Bahia com H combines Maria's own compositions with her unique takes on some Brazilian classics by Ary Barroso, Denis Brean and Gilberto Gil amongst others, compositions which gain a new significance with Maria's ethereal interpretation and the blended elements of Candombe, provided by the all-star line-up of Uruguayan musicians who joined in for the recording.

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No More

7" | 1981 | EU | Reissue (El Caballo Semental)

13,99 €*

C'est Disco White Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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The year is 1981. The Kiel-based PostPunk / Wave underground outfit NO More releases their second ever single „Suicide Commando“ and their world changes forever. Well, not only their world – THE world. What began as an independently published 7“ single became a cult classic, a genre defining – and defying – song, an all-time dancefloor favorite of many, a timeless signature piece that escaped its original realm of PostPunk x Wave x Indie x Alternative to also become engrained in the DNA of modern electronic dancefloor culture most prominently in the beloved late 90s permutation presented by DJ Hell which became a classic in its own right. Now the year is 2021. Four decades have passed and NO More's „Suicide Commando“ is back once again - well... the song actually never left! -, this time harking back to the very beginning, the original vibe and the original format. Remastered and re-released with the original tracklisting and paying homage to the original artwork „Suicide Commando“ will be available in 7“ format for the first time since 1981. And staying true to the underground blueprint this 40th anniversary re-release edition once again is put out on the circuit through a small independent label: the Intrauterin Recordings offspring El Caballo Semental which also released NO More's „123456789 *baze.djunkiii & Herr Brandt Dream A NuDream Remix“ as a limited to 200 copies one-sided, colored whitelabel 7“ edition in 2019. Initial pressing will be limited to 400 copies.

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Rats

LP | 1981 | EU | Reissue (Spittle)

16,99 €*

2LP | 1981 | EU | Reissue (Mecanica)

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Ltd re-issue on white vinyl ! C'est disco is the first studio album by the Italian band Rats. It was released in 1981 by Italian Records and is a record strongly inspired by the wave and dark scene of that period. In 2014 the record was reissued in a vinyl version with the addition of a bonus CD featuring the complete album plus the song Tattoo, initially discarded from the album's tracklist and included in a compilation. The band's line-up featured vocalist Claudia Lloyd on vocals, and on guitar the only member present in the more famous version active in the late '80s and '90s, Wilko Zanni, who in the next album would take Claudia Lloyd's place on vocals.

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Carlos Peron

Impersonator

LP | 1981 | EU | Reissue (Bureau B / Sky)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour. Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters. This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.

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Cluster

Curiosum

23,99 €*

Release: 1981 / EU – Reissue

Genre: Pop

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LP | 1981 | EU | Reissue (Soulsheriff)

Liaisons Dangereuses

17,99 €*

LP | 1981 | EU | Reissue (Favorite)

Release: 1981 / EU – Reissue

Genre: Pop

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A milestone in electronic music, is finally receiving its well-deserved re-release: Liaisons Dangereuses’ legendary self-titled debut album still fascinates today, through its innovative sound and the mystery encompassing it. Since its release in 1981, it has become a classic in electronic music. The 10 electrifying songs produced by Chrislo Haas (daf) and Beate Bartel (Mania D. / Matador) – reinforced by Krishna Goineau’s French and Spanish Speech-Attack-Lyrics – created a unique style. The album – anything other than a Berlin or Düsseldorf ‘thing’ – was propelled to an international favourite. Songs such as “Peut Être... Pas” and “Los Niños Del Parque” played a decisive role in the development of Detroit and Chicago’s house sound, as well as various forms of European techno.

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Esperanto

Vegas

22,99 €*

Let's Start The Dance Again Dark Green Swirl Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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After the recent reissue of their first eponymous album, Favorite Recordings proudly presents Vegas, the second LP from Venezuelan band Esperanto. Rare and sought-after for many collectors, it was recorded in between Las Vegas and Caracas and originally released in 1981. Following bandleader Jorge Aguilar in his musical trip to the infamous American city bathing into flashing lights and vivid colors, we're invited to an excursion in Disco, Boogie and Jazz-Funk territories. Finally reissued, fully remastered, Vegas will be available as Gatefold Tip-On Vinyl LP. With great care and attention to details, Esperanto managed to create a very convincing sequel to their JazzFunk debuts. Vegas keeps indeed a perfect balance between various influences. Through energic disco beats with intense funky solos, catchy AOR-influenced songs, where Jorge delivers convincing vocal performance, or sunny jazz-funk slow jams, the album still reveals something quite authentic. And this feeling echoes surely the one that could have been felt by Jorge Aguilar while discovering USA on a trip - where it all started for the music he loves. Like sometimes a foreigner's enriching view on some local specialty, he surely brought with the band all his authenticity and young but vibrant experience while convincing at the same time major labels for distribution. With certain notoriety coming with the release of their first album, Jorge Aguilar and his drummer Pablo Matarazzo planned to go to Los Angeles for a few gigs. But once there, they realized their contact had to leave for Tina Turner's tour in Europe. Before that, he invited them to come along to Las Vegas and eventually meet musicians there. Luckily, the plan worked perfectly: Jorge came back to Los Angeles with a lot of contacts then moved to Boston and NYC before finally coming back to Caracas. He told: "I was so impressed with this trip that I told myself that one day I would return to Los Angeles and Las Vegas. The first tracks I did them in Los Angeles with Kenny More, James Gadson and other session musicians from that city. Later, I took the tracks to Caracas where the musicians of the band recorded overdubs. After that, I returned to Los Angeles to master with Bernie Grundman who was still working in his small studio at A & M records studios in Hollywood. As can be seen in the title of some of the songs like "Hollywood", "Vegas", "Kenny's Place", were only the translation of my experiences at the time."

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Bohannon

12" | 1981 | EU | Reissue (Unidisc)

16,99 €*

We've Only Just Begun / I'll Do Anything For You Record Store Day 2021 Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Staple Disco club hit by American producer extraordinaire Hamilton Bohannon. “Let’s Start II Dance Again” features rap vocals by Dr. Perri Johnson, and the “Instrumental Club” version is available for the 1st time on vinyl. This 12’ is a must for every Disco Dj.

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Lee McDonald

7" | 1981 | EU | Reissue (Selector Series)

Evolution - Bring Back The Ofege Beat Clear Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. 40 year anniversary release of this in demand modern soul masterpiece. For their third vinyl outing, Selector Series dig into the Archives of New Jersey’s Debbie Records from 1981 to re-issue this storming boogie re interpretation of The Carpenters standard, which found itself a legion of fans in the UK thanks to Gary Dennis’s championing of it. In a pre Discogs era, this record attracted a £400 price tag amongst serious collectors back in the late eighties, with the original pressings still going for £500+ even now. The album has been re issued by several different labels over the ensuing years, but this double header is being made available for Record Store Day on a seven inch format for the first time officially, featuring the original album sleeve artwork.

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Melvin Ukachi (Ofege)

LP | 1981 | US | Reissue (Tidal Waves Music)

19,99 €*

Evolution - Bring Back The Ofege Beat Black Vinyl Edition

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Melvin Ukachi needs little introduction, the Lagos (Nigeria) based vocalist and bandleader is a living legend. Melvin is known for his fantastic solo albums, his vocals for the afrobeat star-groups M.F.B. and Ozzobia…but his biggest legacy is without a doubt him being the singer and bandleader of Ofege.

Melvin formed Ofege in the early 1970s (when he and the other band members were all still a bunch of teenagers). Due to their vibrant combo of sweet harmonies, hooks & fuzz, Ofege would become one of the most legendary Nigerian groups of all time, with expressive sales and national stardom to follow. At the turn of the century (and because of tracks appearing on various compilations) Ofege would receive international acknowledgment for being the first of their kind and THE ultimate West-African psychedelic funk band!

Melvin Ukachi recorded four milestone albums with Ofege: ‘Try and Love’ (1973) ‘The Last of The Origins’ (1976), ‘Higher Plane Breeze’ (1977) and ‘How Do You Feel’ (1978). When the Ofege story came to an end, Melvin recorded two astonishing solo albums: ‘Evolution-Bring Back The Ofege Beat’ (1981) and ‘I am Ok’ (1985). Both of his solo recordings have now become much sought-after holy grails for collectors and fans alike.

On the album, we are presenting you today (Evolution-Bring Back The Ofege Beat) the listener is treated to the trademark Ofege sound (as the title of the record obviously suggests). Next to the rootsy and raw Ofege sound, we’re shown a perfect glimpse of the late '70s afrobeat works combining soul, jazzy rhythms, William Onyeabor style synths & fluid boogie-danceability

Expect some serious ‘all-star’ guest musicians as well…featured on the album are Chyke Madu (The Funkees) on drums, Berkley Jones (Ofege) on guitar…and many other local legends. To top things off the tracks were recorded and mixed at the legendary Abbey Road Studios in London…all slickly engineered by Rafiu Ayoade (The Apostles) and produced by the president of sound himself Odion Iruoje (known for his work with Manu Dibango, Fela Kuti…and many others).

‘Evolution-Bring Back The Ofege Beat’ was released on EMI Nigeria in 1981 and is a total Afro-psych-funk classic that begs for a special place in your record collection. It’s tight, funky and Melvin’s soulful vocals are to die for. This record is a monster!

Tidal Waves Music now proudly presents the first-ever reissue (supervised by Melvin Ukachi himself) of this amazing Nigerian Afrobeat album. This Rare classic (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies, 300 black, 200 clear) complete with the original artwork made at Grafikad (who were responsible for designing landmark sleeves for renowned artists such as Fela Kuti).

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Melvin Ukachi (Ofege)

LP | 1981 | US | Reissue (Tidal Waves Music)

19,99 €*

12" | 1981 | EU | Reissue (Monte Cristo)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Soweto Soul Orchestra

Joel Ramirez Jr & Fantasy

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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This 2020 re-issue sees all tracks cut again from the official studio files, ensuring both audio quality and originality. Soweto Soul Orchestra is produced and composed by Sipho "Hotstix" Mabuse, whose importance to South-Africa's music scene can hardly be underestimated. Being a formative member of The Beaters, which was later renamed Harari, he toured Africa extensively and even hit the American charts with their "Party" single. After Harari split in 1982, Sipho went solo and scored another hit with "Burn Out", which could be heard in every township, and produced and recorded for Hugh Masekela and Miriam Makeba among others. The Soweto Soul Orchestra project boasts a variety of funky tracks, all marked with that jazzy South-African sound. The stand-out tune on this one, for us, is the epic 8 minute long cosmic disco cover of "Hang em High", the original soundtrack for the eponymous classic Western movie.

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I'll Call You Every Morning / I Can't Let Her Go

7" | 1981 | EU | Reissue (Rain&Shine)

9,74 €* 12,99 € -25%

LP | 1981 | US | Reissue (Pure Pleasure)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Originally put on the map by Brian From Wheaton, a passionate collector from IL - This record has been fetching upwards of £1000 from those crazy Northern Soul DJs.
Officially licensed and re-mastered. Essential modern soul dancer, now available for the world to enjoy.

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Adele Sebastian

Desert Fairy Princess

12" | 1981 | US | Reissue (Dark Entries)

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Adele Sebastian was an Afro American jazz flutist and singer, active from the early 70s (when she was still a teenager) until her untimely death at the age of 27 (!) in 1983 from a kidney failure. In fact she had been depending on monthly dialysis to stay alive for years. She lived through and for the music and you can hear it on her only solo album “Desert Fairy Princess” which was first issued in 1981. The mostly acoustic instrumentation brings a very natural and therefore rather retrospective sound considering the year the album was recorded. Adele and her band pull it off right from the start as if it had been 1966 and it was time for a revolution to shake the dust from the old time jazz. In a perfect way she mixes classic American vocal jazz elements with playful and more free passages, Latin music and tribal African sounds in the lengthy and quite rhythm oriented “Man From Tanganyika” and makes the title track start with a mystical “Allahu akbar“ chant while it turns more and more into a dark and gloomy song with something like a psychedelic edge reminiscent of Pharoah Sanders on his early works. Wild rhythms from drums, percussions with tons of bells and chimes weave a thick groove carpet and conjure a magical atmosphere. Those jazz aficionados who love the mid 60s John Coltrane, his sidekick Pharoah Sanders and Alice Coltrane will go crazy for this album.

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Codek

Tam Tam / Closer

15,99 €*

Linval Presents: Space Invaders

Release: 1981 / US – Reissue

Genre: Electronic & Dance

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Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude’s single on Celluloid “Kwai Systeme / Betty Boop.” Robin Scott (M “Pop Music”) had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote “Me Me Me”, intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The “Me Me Me” single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single “Closer / “Tam Tam”

“Closer” started its life as an electric baseline played by Jean-Marie. Claude Arto sequenced the floating synthesizers. Laurent Grangier and Frédéric Lapierre of reggae band Immigration Act played the horns. The lyrics “Hard to say. Easy to do. We don’t need to say what we do” were a statement on creation as narration expressed Jean-Marie’s ennui, “I’m tired with it.” “Tam Tam” was inspired by Burundi drummers playing on the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. JM was part of the the African night scene in Paris, remixing Xalam’s “Kanu” and Touré Kunda’s “Salaly Muhamed.” Claude achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of “Tam Tam” and “Closer” spanned over two years. They started on 16-track in Studio d’Auteuil, where JM blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder. Jean-Marie was producing other bands, and a lot of this was recorded on “borrowed” studio time. The single was released in 1981 on West African Music, a tiny label from the Ivory Coast, and was re-released a year later by Island Records in the UK (where the B-side was re-named “Tim Toum”). Both tracks were staples in the DJ sets of Beppe Loda and Daniele Baldelli, finding a spiritual home in the Cosmic scene of Italy.

Both songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is an exact replica of the 1981 edition with artwork by Angela Boy, inspired by primitive electronics and African paintings. Each copy includes an doubles-sided insert with photos and liner notes by Jean-Marie Salaun.

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Linval Thompson

2LP | 1981 | UK | Reissue (Greensleeves)

52,99 €*

LP | 1981 | UK | Reissue (Greensleeves)

Release: 1981 / UK – Reissue

Genre: Reggae & Dancehall

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The official re-issue of the dub classic "Space Invaders" available as extended 2LP vinyl-set with 20 tracks and poster. The original album from 1981 has been state-of-the-art remastered and is twinned with a second disc of the original vocal versions. All recordings recorded at Channel One with the Roots Radics and mixed by Scientist at King Tubby's with producer Linval Thomspon.

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Eek-A-Mouse

Wa Do Dem

12" | 1981 | US | Reissue (Prelude)

Release: 1981 / UK – Reissue

Genre: Reggae & Dancehall

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Vinyl re-issue in the original 1981 LP artwork! This is Eek-A-Mouse finest album recorded and mixed at Channel One and King Tubby's studio by Scientist, Prince Jammy and Barnabas, produced by Henry 'Junjo' Lawes with the Roots Radics as backing band!

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D Train

You're The One For Me

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Rasta Instantané Avec L'effroyable Pecqre

Pecqre

12" | 1980 | EU | Reissue (Miss You)

Kid Howard's New Orleans Band

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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Absolute collectors item, the culmination of wildly unexpected trajectories in music, originally released in 1980, this is Japan meets Jamaica at its finnest. Pecker (aka Hashida Masahito) takes the Japanese "Otaku" consumer behavioural phenomenon and directs it towards deep world percussion knowledge, teaming up with legendary Minako Yoshida for vocals and lyrics, Sly & Robbie and Vitamin Dread (aka Aki Ikuta) with other heavyweight names sprinkled on top like Augustus Pablo and Carly Barrett...and this is the result: three tracks of pioneering "Japanaican" sound. A truly international effort, recording and mixing between Jamaica's Studio One and Tuff Gong studios, and, Japanese Columbia and Sony studios. B2 features a beautifuly dreamy rendition of Ryuichi Sakamoto's "Kylyn", remastered and re-released in original 10" format.

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Sam Morgan Re-Visited

LP | 1980 | US | Reissue (Jazzology)

9,99 €*

Pocket Park Colored Vinyl Edition

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US mono reissue.

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Miki Matsubara

LP | 1980 | JP | Reissue (Pony Canyon)

38,99 €*

Relax, You're Soaking In It

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Miki Matsubara’s debut album, featuring the city pop classic "Mayonaka no Door – Stay With Me," is being reissued on colored vinyl! Over 40 years since its original release, the track has gained a global following, making this album a must-have for fans of the genre. The reissue includes a special poster and revives the original 1980 release that first hit stores on January 21st.

The album showcases top musicians of the era and is packed with dazzling tracks that have become staples of city pop. Miki’s smooth vocals blend seamlessly with refreshing AOR sounds on tracks like “It’s So Creamy.” The funky rhythm section and powerful brass in “Cryin’” highlight her dynamic vocal range, while the rock-driven energy in “Trouble Maker” reveals the versatile talent of the then-19-year-old artist. This album remains a timeless classic in the city pop scene.

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Belair

LP | 1980 | EU | Reissue (Mad About)

LP | 1980 | EU | Reissue (Private)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Private pressings have always been objects of demand and research by record collectors. In most cases, print runs were no more than 300 copies, and despite the total lack of recognition, this movement can be seen as a countercurrent act to the mass music industry. Private presses are non-commercial print runs distributed as a promotion or sold at concerts. This was the case of Belair that, in 1980, recorded and sold the album “Relax, You're Soaking In It” at their own risk and distributed it in the San Francisco area. At the time, 1000 copies were pressed, which have become rare and highly desirable for collectors.

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Methusalem

Journey Into The Unknown

32,99 €*

LP | 1980 | JP | Reissue (Groove Diggers)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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The official re-release of the scarce DJ classic. Ralf Nowy produced this unique mix of Krautrock, Space Disco and proto Techno vibes in Berlin in 1980. The collaboration featuring also famous German star producer Jack White and Tom M?ller aswell Vicky Brown from UK as singer who worked together also with bands as for example Pink Floyd, Roger Waters, Cerrone and Bryan Ferry.

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Hilton Felton

A Man For All Reasons

LP | 1980 | JP | Reissue (P-Vine)

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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* Originally released in 1980 * New remastering * Japanese Obi-strip A Man For All Reasons' is classic album by American jazz keyboardist Hilton Felton released through his own label in 1980, and it is acclaimed not only for its musical reputation but also as an important work featured by many DJs and vinyl collectors in the rare groove culture since the 1990s. It is still a rare groove classic. P-vine Japan is pleased to announce the reissue of this masterpiece, featuring the superb jazz funk 'Bee Bop Boogie,' still considered a rare groove classic, with the latest re-mastering!

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Friction

Timeless Black Vinyl Edtion

Release: 1980 / JP – Reissue

Genre: Pop

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Preorder shipping from 2024-11-29

Friction is one of the first Japanese punk bands and formed by Reck, Chiko Hige and Lapis in Tokyo in March 1978, and now the band is still keeping active. Reck and Chiko Hige had previously been on the NY no wave scene as founding members of James Chance and the Contortions, and brought back the experience and influence to the Japanese music scene. It's no exaggeration to say that the band laid the foundation for alternative music in Japan. P-vine is proud of reissuing all of their albums on vinyl.

"軋轢=Friction" is their 1st album released in 1980 which is also known as the only album in the period of Masatoshi Tsunematsu participating the band. Produced by Ryuichi Sakamoto.

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Robert Cotter

LP | 1980 | EU | Reissue (Best Record Italy)

21,59 €* 23,99 € -10%

Terry Allen & The Panhandle Mystery Band

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Worthy re-issue of Robert Cotter's second late 70's soul album! Comprising five songs, with four of them being quite lengthy and well-structured for the dance floor, was entirely recorded in the United States by top-notch American musicians. "Timeless", a fresh and lively expression of late 70s soul music, was recorded at the Sundragon Studio in New York. This studio was home to legendary bands such as Talking Heads and Ramones, as well as a few 'disco studio groups' like Andrea True Connection, Tony Valor Sound Orchestra, and Camouflage, who recorded songs that later became considerable hits. For this reason, it's believed that the positive outcome of the album can be partially attributed to Ned Liben, an eclectic New York musician and co-founder of the studio in the Flatiron district of Manhattan, served as an exhaustive interlocutor for any artistic and technical needs. He was also the arranger of "Rock Me With Your Love", the most significant song on the album. Ned's successful mission was to capture the maximum timbral fidelity of Robert Cotter's voice using appropriate recording techniques, assisted by Michael George Ewing, a talented engineer who had previously worked on similar projects with well-known artists like Carol Williams, Maryann Farra & Satin Soul, Touch and Tony Valor. In fact, the piece features original and melodious lines, coupled with an excellent steady rhythm, spanning approximately 8 minutes and 30 seconds - in short, "a delightful sound for every beat." This ensured that the performance of the young singer-songwriter from New Jersey was faithfully reproduced without neglecting the overall musical landscape. The other four songs, arranged by Ben Lazzaroni with the same musicians as the first piece, are no exception. Best Record also delivered on the promise to Robert's older brother, Karl Potter, a powerful percussionist transplanted to Rome, for whom the roman label produced "Sweet & Salty Cha-Cha-Cha" (12", 1986). Robert Cotter, an artist about whom almost nothing has been written, is poised to gain recognition once word spreads about his album, which has been entirely remastered by Dom Scuteri and features a more congenial tracklist. This album is destined to be truly 'timeless', ready to captivate audiences around the world. Even the new cover artwork, created by Nerina Fernandez, pays homage to an artist who, despite expressing himself with elegance and simplicity, radiates energy and exudes love. "Timeless" is an inevitable revelation for anyone who missed it at the time, and for the next 40-plus years, it will remain an absolute must-listen for Robert Cotter's many fans, leaving them all in awe. In addition to the reissue on the classic glossy black vinyl, a strictly limited edition on red vinyl will be released exclusively by Clone Distribution.

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Smokin The Dummy

LP | 1980 | US | Reissue (Paradise Of Bachelors)

Timeless Red Vinyl Edtion

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Recorded exactly two years after acclaimed visual artist and songwriter Terry Allen's masterpiece Lubbock (on everything), the feral follow-up Smokin the Dummy is less conceptually focused but more sonically and stylistically unified than its predecessor_it's also rougher and rowdier, wilder and more wired, and altogether more menacingly rock and roll. The first album by Allen to share top billing with the Panhandle Mystery Band, here featuring Jesse Taylor on blistering lead guitar alongside the Maines brothers and Richard Bowden, Dummy documents a ferocious new band in fully telepathic, tornado-fueled flight, refining its caliber, increasing its range, and never looking down. This first-ever vinyl reissue, remastered from the original analog tapes, includes a gatefold jacket and inner sleeve with restored, new, and alternate art and photos by Terry and Jo Harvey Allen; an insert with lyrics, original notes, and Terry's letter to H.C. Westermann about the songs; and a high-res download code. The kind of singular American artist who expresses the fundamental weirdness of his country. - The Wire It has always been a fool's errand to frame Allen in terms of other artists_there was nobody like him before he showed up, and the subsequent forty years have been equally light on plausible peers. - Uncut

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Robert Cotter

LP | 1980 | EU | Reissue (Best Record Italy)

20,39 €* 23,99 € -15%

Slow (Motion And Movement)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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V.A.

LP | 1980 | Reissue (Be With)

Presents Rockers International Volume 1

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Augustus Pablo

LP | 1980 | EU | Reissue (Greensleeves)

22,99 €*

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1980 | UK | Reissue (Mute)

Telex

Neurovision

28,99 €*

LP | 1980 | Reissue (Be With)

Release: 1980 / UK – Reissue

Genre: Pop

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Remastered Re-Release des 1980er Albums des belgischen Synth-Pop-Trios, inkl. des Songs 'Euro-Vision', mit dem Telex Belgien beim Eurovision Song Contest repräsentiert haben.

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Bobby Caldwell

Cat In The Hat

Stay With Me / You're So Unreal

Release: 1980 / Reissue

Genre: Organic Grooves

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Bobby Caldwell's second album, Cat In The Hat, from 1980, is one of his greatest moments and another masterwork of soulful sophistication. Featuring the eternal "Open Your Eyes", brilliantly sampled by J Dilla for Common's "The Light", it's about as essential as records get. Like its eponymous predecessor, it's been out of print for far too long. To finally release the hugely-anticipated reissue is one of our sincerely proudest moments.

Whilst Ned Doheny is known in Japan as "Mr California", native New Yorker Bobby Caldwell has always been "Mr AOR" to his Far-Eastern friends. His distinct charm is an irresistible blend of soul, jazz, and pop influences. He possessed phenomenal songwriting prowess, smooth vocal performances, was both a great soul guitarist and dextrous keyboard player and known for genius chord progressions. It all added up to a multi-layered brilliance entering the studio, and the singular sound he landed on was laced with soulful, sweeping strings and funky horns, touching lightly on disco, while allowing his supple voice to carry the stunning tracks he'd crafted.

Right from the off, it's easy to tell that Cat In The Hat is a deeply special record. It's fantastically produced and incredibly well-rounded, carving its own lane with deep soul, warm jazz and a stunning vocal delivery that really helped Bobby reach out to some big new audiences at the time. Goosebumps at the ready for the rolling power-piano funk of "Coming Down From Love", opening up the album with a track as good as anything Steely Dan or The Doobies ever crafted, with a vocal performance from the heavens. Pumping AOR wonder "Wrong Or Right" is up there with the slick, classy rhythms of prime Ned Doheny whilst the cool, skipping soul of guitar-drenched "To Know What You've Got" is a funky ballad par excellence, with elemental traces of "What A Fool Believes". No bad thing. Closing out Side A, the folk-funk of "You Promised Me" is a bright, soulful strut with a wonderful vocal coda that just builds. Sensational.

The delicate bounce and falsetto self-harmonising of "It's Over" offers a truly delightful introduction to Side B, and serves as a great precursor to what follows. Bobby's dynamite "Open Your Eyes" is likely the reason you're all here. As if he needed it, the eternal J Dilla further immortalised Caldwell in the hip-hop canon with his production of Common’s epochal “The Light,” which heavily samples the magical “Open Your Eyes.” On a post paying tribute to Bobby in March 2023, Questlove claimed that he "got word Brother Bobby loved it". Bobby's original has seen new life even more recently from the likes of Dwele and Kendrick Lamar and deservingly so, as its insistent drums and staccato piano created a modern-soul classic. You'd think that would be hard to follow, wouldn't you? Not so, when you're Bobby Caldwell. Indeed, the horn-drenched stepper "Mother Of Creation" is absolutely ace, and, whisper it, possibly the album's finest track, all funky piano and guitars with horn lines to die for. Exquisite ballad "I Don't Want To Lose Your Love" rounds out the album beautifully.

Bobby sadly passed away on 23rd March 2023, after a long struggle with mitochondrial damage and oxidative stress, due to an adverse effect from a fluoroquinolone antibiotic. The reissue of Cat In The Hat will be available on vinyl across the globe, ensuring that fans of his incomparable talent - and soul music enthusiasts worldwide - can radiate in the deep beauty of this seminal album. Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland.

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Crystal Clear

7" | 1980 | UK | Reissue (Soul Brother)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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LP | 1980 | JP | Reissue (P-Vine)

The Next Movement

Solid Pleasure Limited Reissue 2022

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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The first ever vinyl reissue of Chicago’s very own chorus group The Next Movement’s self-titled debut, is getting its long-awaited release!

“What’s the next move?” was supposedly something that the fledgling Next Movement was asked so frequently (due to their incredibly smooth dance moves), they decided to take their name from it. Although they made a name for themselves performing for Oprah Winfrey and rowdy Las Vegas crowds, their self-titled debut album - the sole full length effort from the group - predates that fame, initially being released through GEC in 1980. Album opener “You’re The One” is a funky dance tune, complete with slap bass, wah’d out guitars, and iconic 80s synth sounds. In comparison, A-side closer “Kid Stuff” is a soul ballad, deeply groovy, but tinged with a hint of melancholy. All of this is tied together by the group’s impeccable vocal harmonies, truly reflecting the immense talent found in these Chicago crooners! P-vine is thrilled to be reissuing the Next Movement’s self-titled debut on limited edition vinyl with an obi-strip for the first time ever!

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Yello

LP+12" | 1980 | EU | Reissue (Polydor / Island)

42,99 €*

Release: 1980 / EU – Reissue

Genre: Pop

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Power Struggle Gold Vinyl Edition

Tru-Tones

LP | 1980 | US | Reissue (Not Dark Yet)

23,99 €* 29,99 € -20%

LP | 1980 | TR | Reissue (Universa Music Group)

Release: 1980 / US – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Limited edition of 300 copies on golden vinyl.

Reissued for the first time ever, Power Struggle is one of the grails of tropical record collectors. Incredible dancefloor disco, once edited by Roger Thornhill and now selling for close to $100. This is the first time the original arrangement of “dancing” has been re-released. No filler, a great listen from beginning to end, and one that doesn’t turn up often in good condition. Highly recommended, great from start to end.

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Zerrin Özer

Sevgiler

23,99 €*

LP | 1980 | TR | Reissue (Universa Music Group)

Release: 1980 / TR – Reissue

Genre: Pop

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2021 Re-mastered, reissue, 180g black vinyl + 4 pages Liner notes. It was originally released at the same year of her debut album Seni Seviyorum in 1980. No suprise in the 2nd album of disco queen. Zerrin Ozer is one of the leading pop musician in Turkiye started her musical career in the seventies, still performing now. She is blessed by the music gods with a powerful voice. Amazing orchestra which is called “Istanbul Gelisim” accompanied with her at the moment of releasing this musical wonder.

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Zerrin Özer

Seni Seviyorum

20,99 €*

Terry Allen & The Panhandle Mystery Band

Release: 1980 / TR – Reissue

Genre: Pop

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2019 Re-mastered – 140g black vinyl with 4 pages liner notes It was originally released in 1980 during the disco and funk period of Turkiye. The cover photo may delude you about the music style of the album. Zerrin Ozer looks like Janis Joplin. However, she is the queen of Turkish disco, soul and funk. What a powerful voice which vibes when she is singing. Listen to it and enjoy.

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Smokin The Dummy

LP | 1980 | US | Reissue (Paradise Of Bachelors)

Concentrate / Get Up Record Store Day 2022 Vinyl Edition

Release: 1980 / US – Reissue

Genre: Rock & Indie

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Willie Tee

7" | 1980 | UK | Reissue (Gatur)

13,99 €*

7" | 1980 | US | Reissue (Parkside)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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One of the most rewarding things about this business is when we get the chance to re-release some true works of art which were previously hindered by their lack of availability. Plus, you Know that we Love every Willie Tee record we come across anyway. This time we're delighted to make available another double-sided slice of New Orleans niceness.

"Concentrate" is Willie at his mellow best with the Gaturs on this incredible 1980 recording, which really highlights just how great he was. On the flip, is a brilliant piece of New Orleans Mellow Funk which matches the sound of Roy Ayers for pure quality. Original copies of this record are not currently available anywhere for any amount of money. That's how ridiculously rare the original Gatur copies are. We have a great track record with Willie Tee and long may it continue! One of the best double-siders you'll ever be likely to hear and an absolute gas to get to reissue. Spread the joy. Another biggy!

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Sundown

Spaced Outta Place

14,99 €*

I Like (What You're Doing To Me) Record Store Day 2021 Edition

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Sound Signature is proud to present a re-issue of the 7-inch single from Sundown titled "Spaced Outta Place". Composed by Amp Fiddler, Spaced Outta Place was originally released in 1981 on Parkside Records.

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Young & Company

12" | 1980 | EU | Reissue (Brunswick)

13,99 €*

7" | 1980 | EU | Reissue (Kalakuta Soul Bahlo)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Record Store Day 2021 Release. Insanely catchy 1980's Disco jam from Young & Company on Brunswick. 40 years down the line it sounds as good as it did on day dot. Killer funk guitars, sensuous vocals and luscious harmonies complete with that classic Brunswick touch. Original reissue as in original Brunswick sleeves as if roller-discos never left us.

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Corniche Band

Dance

It's Hard To Get In The Showbiz

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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7“ Vinyl Only – Limited to 500 copies Special remarks : Official Re-Issue of Hard to Find Tunisian Soul and Disco Nugget from 1980. Tracklist A. Dance B. Can’t You See Me Shortinfo After a well received and enjoyed first joint on this freshly founded co-founded music label joining Kalakuta Soul Records with the neighboring Bahlo Records Store, Kalakuta Soul Bahlo Records is more than happy to re-issue a Disco gem that has been enjoyed in several occasions in the past years but seldom was easy to find. On a working trip to Italy the salesmen Mohmed Fersi, Lotfi Ferjani, Smir Almia, Mohsen Matri and Nejib Toukabri used their stopover in Italy for a recording session guided by the owner of Phono Sound Dischi Francesco Ammaturo and that resulted in the release of „Dance“ and „Can’t You See Me“ in 1980. Almost 40 years later, KABA’s half Guy Dermosessian got invited by the mighty Najib Ben Belgacem for a memorable party he organized together with Tunis’ mighty „Downtown Vibes“ Family at Wax Bar followed by a live stream for downtown based and freshly found record label „Eddisco“. Why we’re telling you that? Well, odds are it turned out that one of Downtown Vibes’ Baba and Eddisco’s Mama was the amazing selector and DJ Hamdi Toukabri, nephew of Nejib Toukabri, Corniche Band’s Keyboard maestro. And the rest is history as you can imagine. We are more than pleased to have had the chance to re-issue this amazing record we hereby would like to dedicate to the shortly deceased Mohmed „Momo“ Fersi and his family. May his soul rest in peace. We would also like to thank Hamdi Toukabri and Nejib Toukabri for making this happen and possible as well as our brother Najib Ben Belgacem for bringing us all together in the first place. Corniche Band comes in its original Cover design and with the same tracklist.

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Upstairs

LP | 1980 | EU | Reissue (The Outer Edge)

LP | 1980 | EU | Reissue (Piry Reis)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Upstairs, a band from Frankfurt, Germany was active from 1977 to 1983. Though considering themselves mainly a rock group, the band incorporated elements of funk, jazz rock and disco into their music. On their rare and privately released debut album “It’s Hard To Get In The Showbiz” from 1980 they created something that could be called Germany’s definite answer to AOR, yet still with an edgy and unique krautrock flavor. The album starts with "Wontcha Try," a track where core songwriter, guitarist and lead singer Helmer Sauer is telling the story about being dismissed from his job: "They tried to tell me in a fucking gentle way, that the time had come to kick me…". Sauer serves more personal, hard-edged lyrics on the album as well. On "Happy Hooker," for example, he tells the story of a working girl in the red light milieu: "The job is as hard that you really can never imagine, she serves for the money, degradin' herself in a way - if you'd know how she's feelin' you wouldn't laugh at all". An empathetic view on the subject of prostitution rarely heard at that time. But aside from the profound lyrics and songwriting, the album has a lot to offer on the groovy side of things. With catchy bass lines, rhythm guitar, Fender Rhodes, Moog synthesizer, Clavinet and swift crisp drumming "It's Hard To Get In The Showbiz" is one of the best examples of late 70s flavored funky rock from Germany. Additional to the aforementioned "Wontcha Try" another DJ delight should be "Make Your Steps On Better Lines" which showcases a superb synth line and disco funk flavors. We also get the slick mellow latinesque AOR grooves of "Get On A Plane" as well as the now-classic "You're Just Yourself", which marks the most soulful track of the LP. As followers of our label are already well aware, "You're Just Yourself" was featured on the compilation, "Boogie On The Mainline – A Collection Of Rare Disco, Funk And Boogie From Germany 1980-1987" from 2018. The band mainly performed locally and never really had ambitions to release their music on a bigger label. Too bad that Upstairs only released this one album. Of course, the highly sought-after original pressing is almost impossible to find nowadays. Therefore, we are proud to finally make this record available again after 40 years for a reasonable, regular LP price. Only 300 copies of the carefully re-mastered repress have been produced, and included is a printed lyrics insert identical to the original. As this is already the 10th release on our label we want to thank you for your support! Stay tuned for more hidden gems unearthed by The Artless Cuckoo.

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Piry Reis

LP | 1980 | UK | Reissue (Pure Pleasure)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Deluxe Edition pressed on 180 grams vinyl. Iconic and much sough after self titled LP by Piry Reis now re-issued as a deluxe edition containing an extra bonus track (spaced out Jazz interpretation of No Risco Do Relâmpago). After playing for several years with Egberto Gismonti group and other prominent Brazilian acts, Piry decided to record this album which was originally released in 1980 featuring a special guest appearance by Egberto Gismonti.

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Idris Muhammad

Kabsha

2LP | 1980 | UK | Reissue (Pure Pleasure)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This little-known album by New Orleans-born drummer Idris Muhammad (1939-2014) was originally recorded for Theresa at Rudy Van Gelder's studio in New Jersey on September 12, 1980 with George Coleman & Pharoah Sanders on tenor saxophones & Ray Drummond on bass.

The six powerful tracks include originals from Muhammad & Drummond and an impressive version of Billy Eckstine's 'I Want To Talk About You' featuring Sanders.

'Kabsha', which is dedicated to Muhammad's youngest daughter, is recommended to anyone who appreciates inventive and passionate modern jazz.

Drummer Idris Muhammad's strongest jazz date as a leader. Muhammad, who had often been heard in funky or more commercial settings, really excels in this sparse setting, showing off what he learned from hearing bands in his native New Orleans. In addition, both the underrated Coleman and Sanders are heard in top form, stretching out on originals, basic pieces, and "I Want to Talk About You" (during which Sanders lets out a few trademark screams so everyone knows that he is not John Coltrane). Highly recommended. Scott Yanow/AMG

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Pharoah Sanders

Journey To The One

51,99 €*

2LP | 1980 | UK | Reissue (Matsuli)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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* 180 gram double LP with gatefold sleeve

* Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

* What separates this LP from others is that it is a group playing under his leadership where he gives all others close to equal billing.

* A jazz essential with plenty of incorporated nontraditional instrumentation

* One of his best recording from his post Impulse career.

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Hugh Masekela & Company

Live In Lesotho

31,99 €*

7" | 1980 | EU | Reissue (Be With)

Release: 1980 / UK – Reissue

Genre: Organic Grooves

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“Hugh Masekela and Miriam Makeba’s double-bill Lesotho concert was a daring, defiant and ultimately dazzling act. For the first time since its limited release in South Africa in 1981, Matsuli Music is proud to re-issue this gem of a pan-African, funk-infused, extended audio double album with unpublished photographs and new liner notes from Atiyyah Khan.

The Christmas-weekend stadium-filled concert deeply challenged and disturbed South Africa’s apartheid regime. Makeba and Masekela were banned from entering South Africa, yet tens of thousands of their South African fans invaded Lesotho to party with their musical heroes.

Live in Lesotho documents an inspired Hugh Masekela and his stellar New York band putting a new spin on crowd favourites.

Another South African jazz gem from Matsuli Music’s growing catalogue of essential high-quality reissues. For an artist as prolific and famous as Hugh Masekela, it is a real surprise that this particular recording took so long to resurface.”

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Breakwater

Release The Beast

17,99 €*

LP+CD | 1980 | EU | Reissue (Spittle)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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2024 Repress

Get Up! Time to release this beast on 7''.

Breakwater’s earth-shattering “Release The Beast” is unquestionably the standout song from their 1980 funk masterpiece LP Splashdown. It also came out as a now-hen’s-teeth-rare 7" in the same year and when it came to putting it out as a 7" again we just had to do it in a miniature version of the Splashdown sleeve. It’s one of the best album cover shoots of all time.

For the b-side, we’ve backed Breakwater’s biggest track with Be With’s favourite: the quietly majestic gem “Let Love In”, another winner from the same LP.

Possessing a sound and a feel that was lightyears ahead of its time, “Release The Beast” is a showcase for Breakwater’s phenomenal power-funk capabilities. The energy is astounding. It rips out of the grooves on a deep funk tip, with speaker-smashing, room-shaking drums competing with distorted funk-rock guitar, bumping bass and space-age synths. But it’s not without its compellingly haunting elements too. What else can we say? It’s a genius piece of music.

And, yes, of course this is the tune Daft Punk sampled for their 2005 track “Robot Rock”. Let’s be blunt, they lifted the Philly act’s funk-rock vamping pretty much wholesale. But to be fair to them we wouldn’t have messed with the perfection of the original either and those Parisians shone a much-needed spotlight on an innovative band from the halcyon period of post-disco funk.

On the flip, “Let Love In” is a smooth, easy glide that demonstrates Breakwater’s superb, sophisticated musicianship. The tight horn section and irresistible bass make for an undeniable groove. However, it also reveals a depth to their lyricism that’s often overlooked. In these dark days, the sentiment of the opening lines is truly one to we should all take to heart:

“It feels good to be friends with everyone, Walk around and the feeling’s in the air, No more hate can’t you see, This is really for me.”

A feel good hit for the summer if ever there was one.

Remastered for this vinyl reissue, we’re delighted to present this modern soul double-sider. Essential in every way.

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Magazzini Criminali

Crollo Nervoso

The Lund - St. Petri Symphony

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Magazzini Criminali can be considered one of the most important experiences in Italian Post-Avant-garde theatre of the '70s and the '80s. Back in 1980 the group gave birth to one their widely acclaimed and most representative works. Crollo Nervoso was a real Post Modern Opera, a complex and multi layered work based on the transfer between different Art languages and aesthetics. A deep mixture of Avant Rock, Burroughs's Cut Up, science fiction, body art, glamour and a hint of porno. On stage actors move obsessively and creating some highly repetitive sequences that show a clear "Rock" approach. Musically we are in front of a great hybrid where electronics, tribal funk, ambient and Blues interact with actors excited voices and "stolen" fragments from the musical works of Eno, Fripp, Jon Hassell, Miles Davis and others. More than a Pre-Plunderphonics kind of work, Crollo Nervoso is a definitive re-invention of the soundtrack concept in relation with text and drama. Originally released in 1980 (on black or white vinyl) by Italian Records, Crollo Nervoso stands as a unique sound-art object that finally sees the light again in all its multi-sensory eclecticism.

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Lubomyr Melnyk

2LP | 1980 | EU | Reissue (Sounds Of Subterrania)

52,99 €*

Winston Edwards & Blackbeard

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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Silk-Screen cover. In 1978 I arrived for my first time to Sweden, to the town of Lund .. and there I met a remarkable man named Jean Sellem who ran a tiny gallery in the middle of the town, "The Galleri St.Petri: Dedicated To Modern Art and Thought "... and he was one of the few and first people who saw the greatness and beauty of Continuous Music .. and since I was a complete "unknown" at that time, I really needed his moral support ! --- and he created with me, the idea of a huge work for multiple pianos ... three pianos .. in stages ... and it became as he had envisioned ! and was first performed on a small upright piano in 1978 in his gallery, and the piece was called THE LUND.St.PETRI SYPMPHONY .. because it was so symphonic in grandeur (once the three pianos came together ...) The Lund - St. Petri Symphony, from 1979, is the second album from Lubomyr Melnyk and the first composition for double piano which he released. In this work, the early minimalist tendencies which played such a major part in the emergence of Continuous music, are very significant and clearly evident. This Double LP set sold out within 1 year of production, Only 1000 copies were made. Original Release: 1980 Limited All Analog Remastering Recording

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Dub Conference At 10 Downing Street

LP | 1980 | UK | Reissue (Greensleeves)

Kamikazi Dub Black Vinyl Edition

Release: 1980 / UK – Reissue

Genre: Reggae & Dancehall

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Classic dub album from 1980 re-issued! Ten speaker-shaking Matumbi powered dubs recorded under the Well Pack Band flag. Produced by Winston Edwards and engineered by the legendary Dennis 'Blackbeard' Bovell. "Dub Conference: 10 Downing Street" - this re-release is timed to coincide with the 2015 UK general election.

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Prince Jammy

LP | 1979 | UK | Reissue (Jamdung)

2LP | 1979 | US | Reissue (Dark Entries)

Release: 1979 / UK – Reissue

Genre: Reggae & Dancehall

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"Kamikaze Dub" by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates.

Re-released for Jamdung distributed exclusively by Kudos in limited edition LP from the original master tapes is available again at an affordable price, but hurry!

Jamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did.

Jammy's record came out first and that's why "Kamikaze Dub" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks. The musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others.

Stunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie

Essensial

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Robert Rental

Mental Detensions

35,99 €*

Io Sto Con Gli Ippopotami Green Marbled Vinyl Edition

Release: 1979 / US – Reissue

Genre: Electronic & Dance, Pop

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Preorder shipping from 2024-11-01

Robert Rental takes up residence with Dark Entries again for an expanded double vinyl reissue of Mental Detentions. Robert Rental was a Scottish pioneer of DIY electronic music. Along with his illustrious collaborators like Thomas Leer and Daniel Miller, Rental helped shape the countercultural sound of the UK with his timely melding of Krautrock, dub, and punk. Originally from Port Glasgow, he moved to the south of England with Thomas Leer in the late 1970s, and became involved with the local music scene. Robert Rental however released very little of his solo music - the only solo recording from The 1970s is the 7" single "Paralysis" first released on the homemade Regular Records in 1978, and re-released on Dark Entries in 2020. Mental Detentions was released as a cassette in 1979, the same year as his masterpiece The Bridge, a collaboration with Thomas Leer. Using an assortment of budget electronics - a Roland drum machine, a kid’s Stylophone keyboard, and an Electroharmonix DrQ - Robert takes us on a gauzy, trip, at once expansive and intimate, minimalist and maximalist. “Stuck” is mangled motorik, like Neu! run through a meat grinder, while “Vox” meanders like an 18 minute ambient fever dream. Robert spoke to friends of his frustration at being unable to replicate his sound in a commercial studio - it was these demos' sound that he wanted to create. Sometimes having only access to the most rudimentary of equipment can sharpen one’s craft - necessity is the mother of invention, indeed. This ethic shines in his work, providing a throughline to the now, as the world feels bigger and smaller than ever.

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Walter Rizzati

LP | 1979 | EU | Reissue (Beat)

31,99 €*

Kamikazi Dub HHV Exclusive Lime Green Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Soundtracks

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It was 1979, and I was barely 5 years old. Some memories are impressed on my mind with a sort of solarized texture, like in the photographs of the period, full of icons and myths. My father Franco and mother Luciana were like crazy pinballs, touring the world: America, France and Germany were the sides against which they continuously bumped and Italy's capital the hole to which they always returned. I was really young, but I remember very well the period in which my father worked on this little jewel, produced and shot with great love and poetry by Mr. Zingarelli. I remember Italo, a large guy who made an enormous impression on me: tall, with an imposing frame and often wearing a big beard that made him both tender and menacing, like an Italian version of Santa Claus. We owe a lot to this man who gave so much to Italian cinema, sensibly enriching our artistic fortune, sometimes, as in this case, with great irony and poetry. Shot in Africa in the late '70s, Io sto con gli ippopotami (aka I'm for the Hippopotamus), is a movie that in my imagination is just like Italo: humorously menacing and bulky, protective, awesome and sweet, a description that also fits the mascot of this delicious film, the hippopotamus. In this movie we feel the presence of its producer/director's poetry, often handed down with great passion and cheerfulness through his cinema. It's a simple message of love for nature, respect for the weaker and the duty to intervene when they are subjected to abuse. Everything is presented with disarming simplicity, as powerful as it is beautiful. You must confess that you were moved when Terence Hill, toward the end of the movie, delights himself with his friend-of-a-thousand- adventures Bud Spencer by watching the flight of the animals from Mr. Ormond's boat to the wonderful notes of "Freedom," where my father's harmonica together with the melody infuses the scene with an almost maternal sweetness. Well, we are all in debt to this big guy for his kind message and the clean, sparkling, soft and amusing sincerity that dwells there, among the lines of his cinema, apparently devoted to simple entertainment but so wonderfully deep and full of feeling.

Heartiest thanks, Italo. This album, dedicated to the memory of Italo Zingarelli, is released on a 180 grams colored vinyl, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini.

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Prince Jammy

LP | 1979 | EU | Reissue (Jamdung)

26,99 €*

LP | 1979 | JP | Original (Private Stock)

Release: 1979 / EU – Reissue

Genre: Reggae & Dancehall

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Limited to 100 copies on lime green vinyl. Only available at hhv.de

Kamikaze Dub by Prince Jammy is undoubtedly one of the most beloved albums by dub music lovers and a record to have in every self-respecting record collection. An album for any time of the day, or season, that never bores and indeed has aged very well always amazes and stimulates. Re-released for Jamdung distributed exclusively by Kudos in limited edition LP from the original master tapes is available again at an affordable price, but hurry! Jamaican Dub music first appeared in the mid-70s under the guidance of the creative master mind, King Tubby. By the late 70s, two of his top co-workers, Scientist and Prince Jammy were ready to branch out on their own, and they did. Jammy's record came out first and that's why ""Kamikaze Dub"" (1979) is often cited as the album that raised the bar for good. After its release, many Jamaican producers aspired to create the same swirling psychedelic minimal sound that Jammy presented on these near perfect tracks. The musicianship on here is outstanding as well, with other Dub stars taking part such as Sly and Robbie on drums and bass, Augustus Pablo on keyboards, 'Deadly' Headley Bennett and Bobby Ellis on horns, as well as many others. Stunning cover artwork, which, like the album title and songs, is inspired by 1970s Kung Fu Movie Essensial.

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Rosetta Stone

Caught In The Act

Release: 1979 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI. Cover and vinyl are close to NM.

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LP | 1979 | JP | Original (CBS/Sony)

4,99 €*

LP | 1979 | US | Original (20th Century Fox)

Release: 1979 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI! Copy is close to NM!

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Gene Chandler

When You're # 1

8,99 €*

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OST Stridulum (The Visitor)

Franco Micalizzi

LP | 1979 | US | Reissue (Beatball)

38,99 €*

You're Never Alone With A Schizophrenic

Release: 1979 / US – Reissue

Genre: Soundtracks

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This is the masterful score that Italian composer Franco Micalizzi created for the 1979 Sci-fi horror film Stridulum (aka. The Visitor). The Giulio Paradisi film featured a star-studded cast including Mel Ferrer, John Huston, and Shelley Winters. Although it wasn’t as commercially successful as expected at the time, its unique subject matter and expressive style eventually attracted a cult following. While Micalizzi is better known for his ‘Poliziotteschi’ flic scores and collaborations with director Umberto Lenzi, his trademark sound is unmistakably present on Stridulum with its visually evocative, engaging, and spacey take on funk. The film’s commercial performance aside, all this is enough to make Stridulum one of Micalizzi’s most captivating, if eccentric, works. Packed with great tracks such as the film’s main theme, the multiple variations on the ‘Sadness Theme’, and the standout sci-fi disco-funk of ‘Jerzy Again’, the Stridulum score offers plenty in the way of listening enjoyment. The present re-issue features the original artwork from the 1979 first pressing, along with bonus tracks including 7 alternate tracks and outtakes.

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Ian Hunter

LP | 1979 | US | Original (Chrysalis)

4,99 €*

Junko Ohashi & Minoya Central Station

Release: 1979 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+. Original inner sleeve with seam splits

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Full House Milky Pink Vinyl Edition

LP | 1979 | JP | Reissue (Universal Music Japan)

36,99 €*

Natalie Cole & Peabo Bryson

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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The elegant City Pop album released in 1979, which shines with Junko Ohashi's unchanging overwhelming singing and the sophisticated performance of the second generation Minoya Central Station, which added new members, is available exclusively on milky pink vinyl. Re-release!

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We're The Best Of Friends

LP | 1979 | JP | Original (Capitol)

9,99 €*

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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LP | 1979 | JP | Reissue (CBS/Sony)

9,99 €*

Release: 1979 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. 1983 reissue.

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LP | 1979 | JP | Original (CBS/Sony)

6,99 €*

Release: 1979 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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LP | 1979 | JP | Original (CBS/Sony)

7,99 €*

Natalie Cole & Peabo Bryson

Release: 1979 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing with obi.

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We're The Best Of Friends

LP | 1979 | US | Reissue (Capitol)

4,99 €*

Release: 1979 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

All This Love I'm Giving Black Vinyl 2024 Repress Edition

Gwen McCrae

7" | 1979 | EU | Reissue (Cat)

Music Love Song / Mother Hernie 2024 Repress

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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New 2024 reissue. From the LP 'Melody of Life' (Cat 2614).

Exactly the same as the original pressing but the cat on the label has yellow eyes as opposed to red.

Yet another solid Soul/Funk nugget lifted from the vaults of Miami's CAT Records (Another T.K. Disco subsidiary).

Often sampled, re-edited & re-jigged but never bettered! Gwen McCrae's all time classic "All This Love I'm Giving" finally see's a timely repress, just as God intended, on a dinked 45 with all original artwork intact! That's right, you may recognize this number from Cassius' 1999 hit "Feelin' For You" but this track has long been a staple of rare groove dances & sophisticated soul parties with discerning DJ's & selectors clamoring for the original 45 at any cost.

Backed here with it's original b-side slow jam "Maybe I'll Find Somebody New" this rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

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Capone

12" | 1979 | EU | Reissue (Miss You)

15,99 €*

I Wanna Be With You / My Love For You Record Store Day 2024 Edition

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1979, strangely only in Portugal, yet produced by a French duo, Anselmi/Silvestre. “Music Love Song” is a 7 minute long European disco excursion with an unmistakably unique aesthetic, confidently breaking every rule in favour of a sound unheard of at the time. Employing unorthodox studio techniques that would have been unacceptable for most major labels this single only made it on a relatively small sublabel in Portugal for some mysterious reason. The result is a deeply cosmic/melancholic escapade with dreamy androgynous vocals and raging guitars at 130+ BPM - hard to forget. Officially re-issued, remastered and released with original artwork that is no less bold than the music.

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Winfield Parker

7" | 1979 | UK | Reissue (Celestial Echo)

15,99 €*

En La Conquista Del Mundo Latino

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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In a celebration of soul music's enduring legacy, Celestial Echo is excited to unveil the reissue of Winfield Parker's revered classic, 'I Wanna Be With You.' Originally released in Baltimore in 1979, this soulful gem has maintained its status as a sought-after treasure by soul DJs for decades. With original copies commanding prices well beyond £200, the decision to reissue this timeless piece of soul music history on vinyl is a testament to its everlasting dancefloor impact. Celestial Echo is proud to present the reissue on a limited edition 7-inch vinyl record, meticulously remastered and pressed on heavyweight vinyl for an authentic analog experience. It also features a picture sleeve and redesigned labels. The following releases on this brand new re-issue label will include tracks from Brutal Force and Curtis. Diggers, and rare soul lovers need only apply.

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Salsa Suprema

LP | 1979 | EU | Reissue (Elpalmas Music)

LP | 1979 | DE | Original (SHOW Organisation Dieter Liffers GmbH)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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El Palmas Music rescues a hidden gem of Venezuelan salsa

With the vinyl reissue of En La Conquista del Mundo Latino (1979), by the Salsa Suprema Orchestra, it pays a fair tribute to Larry Francia.

“Larry Francia's work deserves nothing less than transcendence,” says Miguel Álvarez, the Venezuelan musical collector and archaeologist who one day came across with this Salsa legend from his country without planning it and knew it was fair and necessary to spread this magnificent work.

Born in Barlovento, an Afro area of Venezuela where the drum rules, Larry Francia grew up in San Agustín del Sur, a Caracas neighborhood that is salsa territory par excellence. When he was barely 12 years old, Víctor Piñero, one of the most popular orchestra singers in Venezuela in the 60s, summoned him to record choirs. An early initiation that marked Larry forever and at the same time revealed his indisputable talent.

“His driving force is singing. If you're talking to him, he often stops talking to sing" says Álvarez. “He was a man who never stopped being a musician, even though his living conditions were never the best. And the legacy of Salsa Suprema is key to Venezuelan popular music.”

When that orchestra stopped working (there were no producers who supported their tours, their records were pirated in Spain in the 80s), Larry suffered an emotional breakdown and even gave up devoting himself to music for a few years. He was someone who undoubtedly lived for and through music.

Larry Francia left this world in 2023, but we are left with a fabulous album like En La Conquista del Mundo Latino, recovered from the chest of memories by Álvarez and the Suicide Diggerz collective, specialists in rescuing hidden gems. “It’s a collector's item of the most exquisite and least known Venezuelan salsa” he defines.

The El Palmas Music label - created by musician, DJ, designer and cultural agitator Maurice Aymard, whose base of operations is in Barcelona - has been committed since 2020 to making known the best and least visible of the rich heritage of the popular music from Venezuela. Now he is pleased to present the reissue of this fundamental album as a posthumous tribute to an artist with capital letters: the great Larry Francia.

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Perry Rosewood

Citroën Melodie

11,99 €*

Monolith Black Vinyl Edition

Release: 1979 / DE – Original

Genre: Organic Grooves, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.

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Kansas

LP | 1979 | EU | Reissue (Music On Vinyl)

7" | 1979 | UK | Reissue (Soundway)

Release: 1979 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

American progressive rock band Kansas’ sixth studio album Monolith was their third straight studio album to hit the Billboard Top 10 in the US. Just like on their previous recordings you’ll find an extra amount of superb drumming and bass playing. They created some superlative, spiritual music that fuses the best parts of American rock and English prog. This well arranged record was the beginning of a slightly different approach, but it still maintains the power of all the band had to offer during those days. The tracks “On the Other Side”, “Angels Have Fallen” and “How My Soul Cries Out for You” are good examples of the great music the band recorded for this album. Kansas became popular during the 1970s with hits like “Carry On Wayward Son” and “Dust in the Wind”. Besides their well-known ballads, they also recorded some impressive progressive pieces. The diversity of their music and the immense energy of the band is one of the reasons why they’re still performing and recording. Monolith is available as a limited edition of 1000 individually numbered copies on blue Colored Vinyl and the package includes an insert.

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Gypsy Fari

Chi-Town Reggae

14,99 €*

You're An Angel / Walking In My Shadow

Release: 1979 / UK – Reissue

Genre: Reggae & Dancehall

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Reissue of the highly sought-after 7” from 1979 by Chicago reggae outfit Gypsy Fari. Gypsy Fari was a project born in the south side of Chicago after a chance meeting between St Kitts expat Leroy Webster and local music grad Kevin Coleman. The pair set out to blur the boundaries of genre with their unique brand of music, spearheaded by Webster’s Caribbean roots and fused with the soul and blues the midwest is famous for. A striking stand-out of the band’s repertoire comes via their debut recording, laid down at Curtis Mayfield’s legendary Curtom Studios. The EP opens with Chi-Town Reggae - a super-charged blend of reggae and disco, led by Websters infectious vocal, steeped in soul and powered by a relentless rhythm section. Hail Jah follows closely, written on the hilltops of the outskirts of Kingston, Jamaica, it’s a deadly roots reggae missile that pays homage to Websters beginnings. Once dubbed by a local news outlet “Gypsy Fari are to Chicago reggae what Muddy Water is to Chicago blues” - now remastered, repackaged and made available again for the first time since its initial release.

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The Essence Of Life

7" | 1979 | UK | Reissue (Stream)

14,24 €* 18,99 € -25%

LP | 1979 | EU | Reissue (Lantern)

Release: 1979 / UK – Reissue

Genre: Organic Grooves

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Essence of Life was formed in 1973 in Charlotte North Carolina at Johnson C Smith University.

Towan Butler and Craig Young were basketball players on scholarship who were singing in the shower after practice, when a man named Jock Johnson who was a business major who had graduated heard Towan and Craig singing in the shower and asked if we would like to be in a singing group that he was putting together, if we did he asked us to meet him later that evening at a location on campus.
When we arrived we were introduced to Jerry Johnson, who is Jacque brother, Kenny Lock and Larry Graves and Essence Of Life was formed.
Essence Of Life has performed with such groups as Blue Magic, The Whispers and The Barkays to name a few.

Essence Of Life sang and danced their way into the hearts of fans all over the United States spreading love through high impact performances.

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Morwells

Cool Runnings

LP | 1979 | JP | Original (Epic)

Release: 1979 / EU – Reissue

Genre: Reggae & Dancehall

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Fully licensed, 140 gr vinyl. Re-issued for the very first time on vinyl – in more than 40 years ! – here’s the third album by the cultish Jamaican band. Backed by such reggae luminaries as Sly & Robbie, Errol ‘Flabba’ Holt, Tommy McCook, Ansel Collins, Earl ‘Chinna’ Smith and others , this is a true gem meant to last ! The group was formed by Maurice Wellington and his Trenchtown's childhood friend Eric Lamont, joined around 1975 by Lousi Davis and by Errol 'flabba' Holt. The group split up in 1980.

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Dick St. Nicklaus

Magic

11,99 €*

LP | 1979 | UK | Reissue (Mute)

Release: 1979 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert.

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Telex

Looking For Saint-Tropez

28,99 €*