Search "wood wood champion" 8464 Items

Ella Fitzgerald with Rodgers & Hammerstein, Lerner & Loewe, Richard Adler & Jerry Ross , Frank Loesser

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

taped spines. original mono pressing

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Ella Sings Broadway

LP | 1963 | US | Original (Verve)

22,99 €*

Gloria Coleman Feat. Pola Roberts

Release: 1963 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Original US mono pressing.

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Soul Sisters Verve By Request Edition

LP | 1963 | EU | Reissue (Impulse)

27,99 €*

Chico Hamilton With Paul Horn

Release: 1963 / EU – Reissue

Genre: Organic Grooves

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Organist Gloria Coleman discovered drummer Pola Roberts and formed a female band with her. In 1963, the "Soul Sisters", joined by guitarist Grant Green and Leo Wright on saxophone recorded this satisfying and soulful album, unique in the Impulse catalog. Produced by Bob Thiele and recorded by Rudy Van Gelder.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

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LP | 1963 | US | Original (Crown)

7,99 €*

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Charlie Byrd Featuring The Woody Herman Big Band

Bamba-Samba Bossa Nova

LP | 1963 | US | Original (Everest)

Release: 1963 / US – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

Die Telstars with René And His Alligators

Ain't Gonna Kiss Ya / Sally Ann

7" | 1963 | NL | Original (Fontana)

24,99 €*

Release: 1963 / NL – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: Generic

LP | 1963 | US | Original (Prestige)

Etta Jones

Hollar!

Don Patterson with Booker Ervin

Release: 1963 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

US Original

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Hip Cake Walk

LP | 1964 | US | Reissue (Prestige)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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LP | 1964 | US | Original (Atlantic)

24,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.
Sleeve has edge wear, sticker residue.
LP has surface marks.

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LP | 1964 | JP | Original (Philips)

16,99 €*

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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LP | 1964 | US | Original (Atlantic)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with small punch hole

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LP | 1964 | JP | Original (Philips)

36,99 €*

All The News That's Fit To Sing

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. OBI is missing.

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Phil Ochs

LP | 1964 | RU (Audio Clarity)

19,99 €*

Release: 1964 / RU

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2019 reissue.

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LP | 1964 | JP | Original (Philips)

12,99 €*

Release: 1964 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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LP | 1964 | US | Original (Atlantic)

Turkish Delight Clear Vinyl Edtion

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Monarch Pressing.
Still shrink wrapped but opened.
Record is close to VG+.

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Oudi Hrant

LP | 1964 | EU | Reissue (Sowing)

23,74 €* 24,99 € -5%

Bill Evans & Monica Zetterlund

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Blind musician Hrant Kenkulian (1901-1978), generally known as Oudi Hrant was a master of the oud (fretless lute) who was probably best known for his taksims. He was an Armenian born in Adapazar, a city close to Istanbul which had a large Armenian population before the Genocide of 1915. After WWI, Hrant's family settled in Istanbul. Hrant started out singing in the church choir, but soon moved on to the oud. He made his career in Istanbul, but he toured the US in 1950, and did a world tour in 1963 to Paris, Beirut, Greece, America, and Yerevan, Soviet Armenia. He was a teacher of many Armenian-American oudists including Richard Hagopian. He was the pride of the Armenian people, and many consider him to be the most soulful oudist ever to emerge from Turkey. Released in 1964 on jazz label Prestige the record shows the stunning classical inspiration of the musician.

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Waltz For Debby

LP | 1964 | EU | Reissue (Audio Clarity)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Junior Mance Trio With The Bob Bain Brass Ensemble

Get Ready, Set, Jump!!!

LP | 1964 | US | Original (Capitol)

9,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1964 | US | Original (GNP Crescendo)

Joe & Eddie

Vol. 4

Release: 1964 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: G+, Cover: G+

Junior Mance Trio With The Bob Bain Brass Ensemble

Get Ready, Set, Jump!!!

LP | 1964 | US | Original (Capitol)

10,99 €*

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Leadbelly / Big Bill Broonzy / Josh White

Three Of A Kind (3 Top Stars Of Folk Song)

LP | 1964 | US | Original (Stereo Spectrum)

Release: 1964 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Sarah Vaughan With Margie Anderson

The Divine Sarah Vaughan Sings

LP | 1964 | US | Original (Spin-O-Rama)

LP | 1965 | US | Reissue (4 Men With Beards)

Release: 1964 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Original US pressing. Taped bottom spine.

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Holy Modal Rounders

20,99 €*

LP | 1965 | UK | Reissue (Pure Pleasure)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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180 gram vinyl!

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Eddie Harris

The In Sound

34,99 €*

Coleman Hawkins with Orchestra conducted by Frank Hunter

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

This is one of Eddie Harris' great records. The playing is inspired! What a band! Cedar Walton (piano) and Billy Higgins (drums), Lee Morgan's favourite rhythm section. The underrated but popular tenor saxophonist introduces his "Freedom Jazz Dance," which would become a jazz standard after featuring on Miles Davis' album Miles Smiles. Plays one of the earlier versions of "The Shadow of Your Smile," romps on "Love for Sale" and "'S Wonderful," and also performs "Born to Be Blue" and his own "Cryin' Blues." Harris is heard in prime form in a quartet/quintet with pianist Cedar Walton, bassist Ron Carter, drummer Billy Higgins, and part-time trumpeter Ray Codrington. A gem. - Scott Yanow/AMG

Recorded 1965
Engineer – Tom Dowd

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The Hawk And The Hunter

LP | 1965 | US | Original (Mira)

6,04 €* 10,99 € -45%

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy

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Duane Eddy Does Bob Dylan Black Vinyl Edition

LP | 1965 | US | Reissue (Sundazed)

31,99 €*

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

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Duane Eddy Does Bob Dylan Red Vinyl Edition

LP | 1965 | US | Reissue (Sundazed)

Anita O'Day Sings The Winners

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Anita O'Day

LP | 1965 | JP | Original (Verve)

17,99 €*

Release: 1965 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Nara Leão / Edu Lobo / Tamba Trio

5 Na Bossa

LP | 1965 | EU | Reissue (Life Goes On)

Pearl Bailey With Louis Bellson And His Orchestra

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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The collaborative album 5 Na Bossa was originally released in 1965 on Philips Brazil and featured some of the top player of the genre. If you are into the sound of Nara Leão, Edu Lobo and Tamba Trio this is a magical encounter, bringing together Nara's soft voice, Edu's battering guitar and Tamba's swinging vocals. Featuring classic compositions like ‘Reza’ and ‘Zambi’ this album is a must have for any fans of the latin jazz legacy. The set was recorded live at the Paramount Theater in Sao Paulo.

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The Best Of Pearl Bailey

LP | 1965 | US | Reissue (Roulette)

15,99 €*

John Keating With The Keating Sound

Release: 1965 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover closer to VG+

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Keating...Straight Ahead

LP | 1965 | US | Original (London)

7,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

John Mayall With Eric Clapton

Blues breakers

LP | 1966 | EU | Reissue (Vinyl Lovers)

27,99 €*

John Mayall With Eric Clapton

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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180g vinyl reissue incl. live bonus tracks

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Blues Breakers Blue Vinyl Edition

LP | 1966 | EU | Reissue (Vinyl Lovers)

The Jack Wilson Quartet Feat. Roy Ayers

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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This seminal British blues album gave Clapton the chance to finally show his chops, not surprisingly, launching Clapton into stardom. Recorded in 1966 during Clapton's short stint with the Bluesbreakers, just after leaving the Yardbirds (the birth place of other legendary guitar players like Jimmy Page and Jeff Beck) and before he joined Cream. Includes 4 bonus tracks. Light blue vinyl LP.

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Ramblin' Colored Vinyl Edition

LP | 1966 | EU | Reissue (Petit Cherie)

LP | 1966 | EU | Reissue (Far Out)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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Jack Wilson was a talented, jazz pianist. Wilson's music had elements of hard bop, swing, cool jazz and soul-jazz, and it was all tied together by his tasteful playing and soulful appeal. This album is an exceptional and fresh album by two exceptional musicians. Jack Wilson and Roy Ayers have an instinctive and uncomplicated sense of showmanship that goes hand with awareness appreciation for their audience, and an enthusiasm for their music. It repays all the cents spent to buy this record.

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Jose Roberto Bertrami

Jose Roberto Trio

23,74 €* 24,99 € -5%

Fonseca Et Ses Anges Noirs

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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First time vinyl reissue of Jose Roberto Bertrami's 1966 ‘José Roberto Trio’ via Far Out Recordings. Best known as the keyboardist and bandleader of legendary trio Azymuth, the late José Roberto Bertrami also wrote for, arranged for and performed with Elis Regina, George Duke, Sarah Vaughn, Jorge Ben, Eddie Palmieri, Milton Nascimento, Flora Purim and Erasmo Carlos, among countless others.

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LP | 1966 | EU | Reissue (Music On Vinyl)

28,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

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180 gram audiophile vinyl
Includes insert
Debut album from 1966 by "The King Of Afro-Cuban Rhythm"
Limited edition of 500 individually numbered copies on translucent red coloured vinyl

Fonseca is the son of a Senegalese mother and a father from Cape Verde. Hence the Portuguese sounding name: Louis Vera Da Fonseca.

In the 1950s, he founded the group Les Anges Noirs (The Black Angels) in Brussels, named after the Brussels club in the Boomkwekerijstraat, which quickly became very popular in Belgium, Africa, and the West Indies. The famous Manu Dibango was even musical director and pianist there for a period. Manu Dibango would later become one of the emblematic figures of African music. Soon Fonseca was nicknamed “the King of Afro-Cuban rhythm”.

After several great successes from the early sixties to 1968, Fonseca suddenly disappeared from the music scene in the late 60's. Whether he died in 1970, as can be read on some sites, cannot be said with certainty.

The self-titled album Fonseca Et Ses Anges Noirs is available as a limited edition of 500 individually numbered copies on translucent red coloured vinyl and includes an insert.

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LP | 1966 | DE | Reissue (RCA International (Camden))

The Guitar Man

Art Gallery Turquoise Vinyl Edition

Release: 1966 / DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

1973 reissue

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The Artwoods

LP | 1966 | EU | Reissue (Guerssen)

Art Gallery Black Vinyl Edition

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Essential ‘60s British beat, R&B, Mod album from 1966 by this band fronted by Art Wood (elder brother of Birds/Rolling Stones/Faces guitarist Ronnie) and featuring a young, pre-Deep Purple Jon Lord on organ, plus Keef Hartley (John Mayall’s Bluesbreakers) on drums, Derek Griffiths on guitar and Malcolm Pool on bass. Now reissued for the first time ever in Mono, just like the 1966 original.

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The Artwoods

LP | 1966 | EU | Reissue (Guerssen)

26,99 €*

The Silvertones With Lynn Tait & The Boys / Lynn Tait & The Boys

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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Storm Warning / It's Real

7" | 1966 | JP | Reissue (Duke Reid Classics)

20,99 €*

The Wondrous World Of Sonny & Cher

Release: 1966 / JP – Reissue

Genre: Reggae & Dancehall

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1966 Recordings. Alternate Takes here: A side with a wicked Ska Vocal backed with a great Ska Inst.

A premium series of limited edition Japanese pressed 7"s - featuring unreleased and impossibly hard to find gems from the Duke Reid archives.

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Sonny & Cher

LP | 1966 | RU (Audio Clarity)

LP | 1966 | US | Original (Verve)

Release: 1966 / RU

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny corner wear. 2020 reissue.

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Ed Thigpen

Out Of The Storm

50,99 €*

Percy Faith & His Orchestra

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Vinyl is slightly warped. Deep groove pressing. Drill hole and torn spines.

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Bim! Bam!! Boom!!!

LP | 1966 | JP | Reissue (CBS/Sony)

Release: 1966 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1970 reissue.

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The Biggest Twang Of Them All

LP | 1966 | EU | Reissue (Sundazed Music Inc.)

31,99 €*

Release: 1966 / EU – Reissue

Genre: Rock & Indie

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The Biggest Twang Of Them All Coke Boittle Clear Vinyl Edition

LP | 1966 | US | Reissue (Sundazed)

Les Swingle Singers Perform With The Modern Jazz Quartet

Release: 1966 / US – Reissue

Genre: Rock & Indie

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A Twangy Touch On 1960s Hits!

As one of America’s most influential guitarists, Duane Eddy’s famed twangy, reverb-drenched guitar shines on a wide variety of pop-rock hits, standards, and more!

Backed by two drummers, four more guitars, organ, piano, bass, saxes, and that's just the beginning, Duane goes unafraid at the kind of tunes that normally are "one person songs" Like "Ballad of the Green Berets" which becomes a twang-bang march under Duane's banner. Like "Monday, Monday" which was "The Mamas and Papas" and now has the wild newness of Duane Eddy.

After rising to fame in the late ‘50s with “Rebel Rouser,” Eddy’s influence on radio inspired musicians like George Harrison and Bruce Springsteen. Rockabilly and country music were both major factors in Eddy’s trademark sound; heavy, catchy guitar riffs over a ska-type beat. His hits included “Peter Gunn,” “Because They’re Young,” and “Twistin’ ‘n’ Twangin’.”

As music morphed into melodic sunshine pop, Eddy adapted his sound to fit chart hits of the ‘60s in his own twangy style.

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Place Vendôme

LP | 1966 | JP | Reissue (Fontana)

5,99 €*

Release: 1966 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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LP | 1966 | US | Original (Atlantic)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1966 | US | Reissue (VSP)

Jazz At The Philharmonic

Perdido

9,99 €*

LP | 1966 | US | Original (RCA Victor)

Release: 1966 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover has a punch hole.

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Eddie "Lockjaw" Davis

Lock, The Fox

9,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Sidney Bechet & Claude Luter Et Son Orchestre

Olympia Concert

LP | 1966 | DE | Original (POP Schallplatten)

LP | 1967 | US | Reissue (Craft)

Release: 1966 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl is Close to VG+.

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Brenton Wood

Oogum Boogum

32,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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LP | 1967 | US | Reissue (Craft)

Brenton Wood

Baby You Got It

35,99 €*

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Poor Dog / A Little Bit Of Something

Little Richard

7" | 1967 | EU | Reissue (Outta Sight)

11,69 €* 12,99 € -10%

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Mike Westbrook Concert Band

Celebration

LP | 1967 | EU | Reissue (Audio Clarity)

12,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Eero Koivistoinen With Friends

Jappa: The Complete Jazz At The Polytechnicum Recordings 1967-1968

2LP | 1967 | EU | Reissue (Svart)

LP | 1967 | UK | Reissue (Island)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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A Svart Mondo Release. Limited to 500 copies on black vinyl. By early 1960’s, jazz in its mainstream form had become the standard dance music for the student parties in high schools and several student union clubrooms in Helsinki. The Polytech union even organized matinée dances for high school students on Sundays. The change in the musical preference of young people’s dance music occurred with the arrival of British rock in the mid-sixties and this, of course, coincided with another cultural and musical development. As the new campus for the school was built in Otaniemi, Espoo in 1955-1966 and its operations gradually moved there, the modern style “Dipoli” building became the crowning edifice on the campus. It was to be the new home for the Polytech student union. When this controversial building was opened in 1966, it was meant to introduce a new vision of the future and constituted an embodiment of the modernist spirit of those times in the late 1960’s. This reissue of The Complete Jazz at the Polytechnicum recordings, done in 1967-68, also provides us with a glimpse of the modern directions of those days, not only in jazz music, but also in performance art. It is easy to hear that the main aesthetic in these performances was to break conventions and find new avenues for individual expression. The publisher of these recordings was the Jazz Society of the Tech Students, which was formed a little before these recordings. The name of the society was a take-off from Norman Granz’ Jazz at The Philharmonic and it became Jazz at the Polytechnicum. Both are, of course, abbreviated as J.A.T.P., which became formulated in musicians’ mouths into “Jappa”. This Svart Records re-issue consists of four EP-records in chronological order. The first three feature three jazz groups of the leading young players with their ages ranging from 21 to 30. The fourth one documents an avant-garde art “happening” held in Dipoli on March 20th – 24th 1968 called “Posotusta, pimputusta, pompotusta”, which could freely be translated as “Huff ‘n’ puff ‘n’ plonk”.

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Traffic

Mr Fantasy

25,99 €*

Reuben Bell With The Casanovas

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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After Steve Winwood jumped ship from chart toppers The Spencer Davis Group and quit the bright lights in favour of the countryside and jam sessions with Jim Capaldi, Dave Mason and Chris Wood, in wake of these events Traffic were formed, it was Birmingham, April ,1967. Traffic began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. Soon after in December 1967 Traffic would release Mr. Fantasy their debut Album on Island records. Rolling Stone called the album “one of the best from any contemporary group” and has become a staple on almost any best album poll from the 20th and 21st centuries!

Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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It's Not That Easy / Hummin' A Sad Song

7" | 1967 | UK | Reissue (BGP)

Roland Kirk With Brother Jack McDuff

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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This slice of Louisiana deep Southern soul has taken on a life of its own since Dave Godin included it on his first “Deep Soul Treasures” CD, and the single has shot up to well over three figures in value.

In 2021 the song is the subject of a cover version by the-name-to-drop Lady Blackbird and we felt it was about time that it was reissued in its original format.

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Funk Underneath

LP | 1967 | US | Reissue (Prestige)

18,69 €* 21,99 € -15%

Roger Saloom & The Vest Pocket Players

Release: 1967 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines

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The City In An Owl's Eye

LP | 1967 | US | Reissue (Void)

18,74 €* 24,99 € -25%

LP | 1967 | UK | Reissue (Be With)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Legendary and rare folk-psych private press record from 1967 that holds up well. Furthermore, the LP is legendary in a literal sense: until recently, few collectors really even knew it truly existed. And Roger Salloom? imagine Jack Kerouac, John Belushi, Lord Buckley, and Lenny Bruce, then throw in Leadbelly, Jimmy Reed, Lonnie Johnson, and Geoff Muldaur… all rolled into one person, and you have a glimpse of poet, singer-songwriter Roger Salloom. Salloom was in the center of the 1960s San Francisco psychedelic scene, playing the Fillmore with Santana, Van Morrison, BB King and Procul Harum. In the 1970s he moved to Nashville to pursue songwriting, then disappeared for two decades to raise a family as a single parent and draw a syndicated cartoon. There is a story here. A story so intriguing that it enticed an award-winning filmmaker to make a film about the subject. So Glad I Made It, the Saga of Roger Salloom, America’s Best Unknown Songwriter, won six awards, was on the 2006 Grammy ballot, and received rave reviews across the U.S.

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Al Hirt

Soul In The Horn

Sister Rosetta Tharpe And The Gospel Tabernacle Choir And Players

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

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Negro Gospel

LP | 1967 | UK | Reissue (Saga FDY)

Music For The Small Hours

Release: 1967 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has seam split and small tears along the opening edge.

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Clarke-Boland Sextett

LP | 1967 | JP | Reissue (P-Vine)

34,99 €*

Elvis Presley With The Jordanaires

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Formed by Kenny Clarke and Francy Boland, the Clarke-Boland Sextett, with the participation of numerous musicians from both Europe and the United States, made significant contributions to the development of jazz in Europe. At the core of this ensemble, the powerhouse sextet consisting of Kenny Clarke, Francy Boland, Sahib Shihab, Jimmy Woode, Joe Harris, and Sadi came together to record the album "Music For The Small Hours" in 1967, and it is now set to be reissued with an obi.

This album spans a wide range of styles, from standards like Burt Bacharach's "Wives & Lovers" to Brazilian and Afro-Cuban influences such as Luiz Bonfá's "Ebony Samba" and Dizzy Gillespie's "Tin Tin Deo." Additionally, it features original compositions like Shihab's "Please, Don't Leave," where he takes on vocal duties. The entire recording exudes a sophisticated and relaxed mood, showcasing the utmost skill of this formidable sextet. "Music For The Small Hours" is a masterpiece that deserves a place in the history of European jazz, boasting the ultimate level of refinement.

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Long Legged Girl (With The Short Dress On)

7" | 1967 | DE | Original (RCA Victor)

36,99 €*

Release: 1967 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1967 | US | Original (Archive Of Folk Music)

Josh White

10,99 €*

LP | 1968 | US | Reissue (Fat Possum)

Release: 1967 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Tear in top spine. Original US Mono pressing.

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Townes Van Zandt

For The Sake Of The Song

27,99 €*

LP | 1968 | EU | Reissue (Bear Family)

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Originally released in 1968 For The Sake Of The Song is a reissue of Townes Van Zandt's well-known debut album. Produced by Jack Clement (Charley Pride, Chet Atkins, U2, etc.) and featuring original liner notes by Mickey Newbury, Van Zandt went on to cement his status as a cult icon among gifted songwriters such as Willie Nelson, Merle Haggard, and Emmylou Harris who eventually recorded their own covers of Towne's songs. Eleven tracks.

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Etta James

Tell Mama

LP | 1968 | US | Reissue (Get On Down)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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'Tell Mama' is the eighth studio album by American singer Etta James. The album was originally released in 1968 on Cadet Records and was produced by Rick Hall.

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Eddie Harris

Plug Me In

17,99 €*

7" | 1968 | Reissue (Food City)

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Saxophonist Eddie Harris – a favorite sample staple of jazz-leaning hip-hop producers of the ‘90s – was a very busy man in the 1960s, releasing albums at a brisk pace since his first as a leader in 1961. By the late ‘60s he had fully hit his stride, as both a performer and an innovator.
A case in point is heard very clearly on this gem from Harris’ expansive catalog – 1968’s Plug Me In, which features his pioneering use of the Varitone saxophone effects processor unit (first heard on his 1967 album, The Tender Storm). The effect, used on “It’s Crazy” and “Ballad (For My Love),” never gets in the way, but gives the proceedings a feeling of “the next.” 1968 saw jazz entering a new era, influenced by electronic advances as well as the soul music dominating the pop charts of the day. Plug Me In slid perfectly into the vanguard of the day.
There is a soulful warmth to the proceedings on this classic LP, starting with album opener “Live Right Now,” which builds and swirls to a beautiful crescendo, with notes ricocheting back and forth amongst a top level crew of players including Jodie Christian, Chuck Rainey and Richard Smith. “Lovely Is Today” and “It’s Crazy” also feature waves of sunshiney brass and group interplay, alongside album ballads like “Winter Meeting” and “Ballad (For My Love).”
Eddie Harris’ catalog can be daunting, considering his impressive input throughout the 60s and 70s, but there’s a reason fans old and new come back to Plug Me In again and again. Innovation and soul is a combination that never fails, and this reissue is destined to bring more fans into the fold.

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The People's Choice

Destruction

LP | 1968 | EU (Survival Research)

Release: 1968 / Reissue

Genre: Organic Grooves

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Highly in demand killer 'soulful' Deep Funk smasher with great breakbeats, limited repress

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Senor Soul

Plays Funky Favourites

16,99 €*

Flashes Black Vinyl Edition

Release: 1968 / EU

Genre: Organic Grooves

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Before there was War there was Señor Soul, which saxophonist/flutist Charles Miller formed in Long Beach, California; he played on Brenton Wood sessions for Double Shot, who released their loose interpretation of Miriam Makeba’s ‘Pata Pata,’ the hit that led to this blinding debut LP. Blending funk, Latin jazz and psychedelic soul, the group makes a range of material their own, led by Miller and vibraphonist Edwin Stevenson; everything from Heard It Through The Grapevine to Psychotic Reaction gets the Señor Soul treatment, rendered with equal doses of sensitivity, humour and funky flavour. Long before Miller recruited members of Nightshift to morph Señor Soul into War, this top-notch debut is a stone-cold winner from first note to last, a must-have for all funk and Latin jazz afficionados.

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Ill Wind

LP | 1968 | EU | Reissue (Out-Sider Music)

With A Little Help From My Friends

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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“Flashes”, the sole album by Boston based band ILL Wind, was produced by Tom Wilson (Simon & Garfunkel, Mothers Of Invention, Velvet Underground…) and originally released on ABC Records. Terrific West Coast styled sound with male/female vocals, strong guitar interplay and inventive songwriting, featuring titles like “Dark World”, “People Of The Night”, “Hung Up Chick”… and wait till you hear their cover of “High Flying Bird”! *Hard cardboard sleeve + OBI *Includes insert with liner notes and photos

* Includes digital download card

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Volker Kriegel

LP | 1968 | EU | Reissue (Cinedelic)

LP | 1968 | US | Reissue (Legacy)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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Volker Kriegel is considered the pioneering Jazz-rock and Fusion guitarist from Europe. 1968 was a crucial year for his career as he released "With A Little Help From My Friends," his first solo album, and signed with American vibraphonist Dave Pike, joining what would quickly emerge as one of the most popular and influential jazz fusion combos. This precious document reissued for the first time by Cinedelic Jazz with bonus tracks highlights all his qualities that enabled him to become one of the most acclaimed and innovative guitarists in European jazz. The original album included two recording sessions; Side A in Cologne and Side B in Frankfurt, with different performers. Side A as a trio with double bass and drums, and on the other with the addition of vibraphonist Claudio Szenkar. The covers performed are the two by Lennon-McCartney 'With A Little Help From My Friends' and 'Norwegian Wood’, and the traditional Brazilian 'Nãnã Imborô'. Added to the original album are four previously unreleased tracks of great depth recorded at the Deutsches Jazz Festival in Frankfurt in 1968: "Teaming Up" and "Vian-De" by Kriegel himself, "Spanish Soul" by Szenkar and "Nina's Dance" lasting over 9 minutes and featuring Tony Scott on Clarinet and Gustl Mayr on Tenor Sax. Over the years, Kriegel would go on to participate in over 200 albums.

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Jeff Beck

Truth

Curtis Mayfield with The Impressions

Release: 1968 / US – Reissue

Genre: Organic Grooves

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The classic debut album, originally released in 1968. Features Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. Shapes Of Things 2. Let Me Love You 3. Morning Dew 4. You Shook Me 5. Ol' Man River Side B: 6. Greensleeves 7. Rock My Plimsoul 8. Beck's Bolero 9. Blues De Luxe 10. I Ain't Superstitious

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Curtis Mayfield With The Impressions

LP | 1968 | US | Original (UpFront)

12,99 €*

Eddie Gale's Ghetto Music

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with long open seam split on bottom spine

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Eddie Gale

LP | 1968 | EU | Reissue (Elemental)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

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7" | 1968 | UK | Reissue (Outta Sight)

Tobi Legend

Time Will Pass You By

Eddie "Lockjaw" Davis With Paul Gonsalves

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Iconic 1968 Northern Soul Anthem, One Of The Famed “3 Before 8” As Played Every Sunday Morning At Wigan Casino During It’s 8 Year Reign Coupled With The Original Demo, Recorded By The Writers At The Impact Studio, Detroit, 1965

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Love Calls

LP | 1968 | US | Original (RCA Victor)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1968 | DE | Reissue (Bear Family)

Etta James

Tell Mama

19,99 €*

Release: 1968 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1969 | UK | Reissue (Island)

White Noise

An Electric Storm

LP | 1969 | EU | Reissue (Out-Sider)

Release: 1969 / UK – Reissue

Genre: Electronic & Dance, Pop

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An Electric Storm is justly renowned among techno boffins as one of the first albums to fuse pop and electronic music before the advent of the Moog synthesizer. But you don't have to be versed in the language of sine waves and oscillators to enjoy this mostly delightful and hugely inventive album. For although the White Noise were almost exclusively composed of virtuoso knob twiddlers and tape splicers moonlighting from the BBC Radiophonic Workshop, luckily they were no slouches when it came to penning a decent tune. There's also anarchic humor at play on the manic "Here Come the Fleas," which contains more edits in its two minutes than the whole of Sgt. Pepper's.Yet it's the retro-futurist textures that still grab the ear most. These are sounds that will be familiar to anyone who knows the soundtrack of Forbidden Planet or the early series of Doctor Who, but they had never before been deployed in the service of pop music, nor have they since. And whereas the Moog would supplant all of these primitive, time-consuming techniques of sound generation and manipulation within the year, it also destroyed much of electronic music's spirit of adventure in the process. How could you boldly go where no man had gone before when your sound universe was suddenly overlaid by tram lines and route maps? So although most of the songs that make up the first half of An Electric Storm are pretty much your standard-issue polite British psychedelia (the somewhat embarrassing United States of America-style orgy of "My Game of Loving" aside), the way they're dressed up still sounds innovative decades later. Sometimes songs dissolve into bleeps, whooshes, and gurgles that hurtle between your speakers, but compared to the extended guitar and organ solos that were common currency at the time, they are the very essence of restraint. That said, restraint was put to the sword on the final two tracks, the 12-minute "The Visitations" and the seven-minute "The Black Mass: An Electric Storm in Hell." The former is a decidedly spooky "Leader of the Pack"-style drama with a supernatural twist. The biker, having departed this life, attempts to make one last attempt to cross over and console his grieving beloved, only to fall agonizingly short. If you can suspend your disbelief -- and persuade yourself that the biker's departing spirit doesn't sound like a cappuccino machine -- it's spine-tingling stuff that you won't dare listen to with the lights off. Which is more than can be said for the concluding track, a would-be satanic jam session botched together in a hurry to meet Island's suddenly imposed deadline.

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Soft Soul Transition

SST

22,99 €*

LP | 1969 | US | Reissue (Traffic)

Release: 1969 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Breezy Sunshine-Pop / Soft-Rock / Psych-Pop from California, 1970, featuring Peter Clark a.k.a Chet DeMilo.

Crystal clear recording, awesome vocal harmonies, superb musicianship, bossa & blue-eyed-soul-jazz touches,folk-rock moves…

In 1969 Chet Demilo was appearing at Donkin's Inn, Marina Del Rey, where he met Arnie Marcus and Ray Hames, who together were to become part of an incredible slice of history. Donkin's became the hottest and most famous destination in Southern California for the next seven years, and Chet was the magnet that started the new singles scene in Los Angeles with Marina Del Rey as ground zero.

Arnie sat in on bongos with Chet from time to time, and Ray, who was managing an apartment complex that housed 200 flight attendants, just happened to have a unit available!! Chet moved in, and he and Ray started working on songs together. Chet suggested forming a vocal group with Arnie and SST was born. For three months they practiced the intricate vocal harmonies and in early 1970 cut the album, "Soft Soul Transition". A thousand records were pressed, and an album release party was held at Donkins where SST gave their one and only performance that night!

There was interest in the project at Burt Bacharach's Blue Seas Music, but it was not to be and SST faded away...until more than 20 years later when the SST album was discovered by a new generation of DJs and collectors looking for cool and groovy sounds from the 60s-70s.

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Bukka White

Parchman Farm

19,99 €*

LP | 1969 | EU | Reissue (Out-Sider)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Born Booker T. Washington White, Bukka’s trajectory as a blues performer follows a familiar template for his
time. Born in Mississippi, maybe in Houston, MS – maybe in Aberdeen, MS – maybe in 1902, maybe in 1909
or even 1906 he recorded throughout the 1930s. Bukka even recorded while incarcerated in the Mississippi
State Penitentiary aka Parchman Farm. Asked about his time at Parchman White commented “Well, I mostly
played guitar.”
During the 1940s and 50s as Blues moved from the Delta to Chicago, from rural to urban, Bukka’s career went
dormant. And then, like many of his time, his talent was “rediscovered” in the early 60s, in no small part thanks
to a brilliant guitarist in his own right, John Fahey. Performances and all new recordings happened throughout
the 60s, building interest in Bukka White’s Delta roots. This compilation of White’s best early material was first
issued in 1969 (1970 in the US), collecting Bukka’s 78s recorded for Vocalion and Okeh. His influence on rock
performers of that day cannot be understated. He opened for rock bands he’d inspired at venues like The
Fillmore, played his instrument in such a fashion that some said it’s like he was trying to destroy that guitar, his
most famous guitar, a 1933 National Duolian, was even known as “Hard Rock.” And then there’s the fact that
his song “Shake‘em On Down” was so influential on Led Zeppelin that they, “borrowed” from the song for both
“Hats Off To Roy Harper” and “Custard Pie.”
Bukka White was many things, a strong influence on his cousin B.B. King, a cotton picker, a mule driver, a hobo,
a player in the old Negro Leagues, a boxer, a preacher, a convict, a factory laborer and, as celebrated here,
one of America’s blues pioneers.

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Locksley Hall

21,99 €*

Dusty In Memphis 45rpm, 200g Vinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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In 1969, Locksley Hall, a psychedelic band from Washington, recorded a full album at Audio Recorders in Seattle produced by Sonics Engineer Kearney Barton and long time Northwest guitarist Ned Neltner (Mark Five, Gas Company…).
Never released at the time, this is a great example of West Coast styled psychedelia / acid-rock, featuring female vocals, prominent organ, hard guitar, excellent songs…

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Dusty Springfield

2LP | 1969 | US | Original (Analogue Productions)

69,99 €*

Release: 1969 / US – Original

Genre: Pop

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LP | 1969 | US | Reissue (Analogue Productions)

Tony Joe White

Black And White

46,99 €*

After All Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Organic Grooves

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"Polk Salad Annie" was the song and cadence for delivering White's unmistakable swamp rock sound, which called to mind the sound John Fogerty whipped up on Creedence Clearwater Revival's "Bayou Country" and "Green River". Released in 1969, White's album debut "Black And White" contains some of the best swamp-folk-soul-funk of the era. White grew up in the soggy marshlands of Louisiana, his real-deal deep voice sounding like it's dredged from the bottom of the Delta. Rural life in the dirty south provided the inspiration for witty, sometimes funny, and sometimes poignant lyrics (later Tony Joe would pen the smash "Rainy Night In Georgia"). This Analogue Productions edition is the highest-quality reissue of "Black And White" released to date. It was mastered from the original analog tape by Kevin Gray at Cohearent Audio, and features unsurpassed plating and pressing on 200-gram heavyweight vinyl by Quality Record Pressings, makers of the finest-sounding LPs in the world. The dead-silent LP playing surface captures White's voice and his strong and funky backing band in true analog majesty. Besides "Annie", side one of "Black And White" includes several other White originals. AllMusic judges the best of these to be "Willie And Laura Mae Jones", a song about race relations with an arrangement similar to "Ballad Of Billie Joe", and "Soul Francisco", a short piece of funky fluff that had been a big hit in Europe in 1968. "Aspen, Colorado" presages the later "Rainy Night in Georgia," a White composition popularized by Brook Benton. The second side of Black and White consists of covers of hits of the era, with the funky "Who's Making Love" and "Scratch My Back" faring better than the slow stuff. Dusty Springfield had a minor hit with "Willie And Laura Mae Jones", and White's songs were recorded by other performers through the years, but "Polk Salad Annie" and the gators that got her granny provided his only march in the American hit parade. Highly recommended for fans of Creedence Clearwater Revival, J.J. Cale, and 1960s soul!

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After All

LP | 1969 | EU | Reissue (Out-Sider Music)

Crosby Stills & Nash SuperVinyl Edition

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Hailing from Florida, After All was formed by well-experienced musicians with an R&B, jazz and blues background who hooked up with poetry writer Linda Hargrove to record an ambitious album influenced by acid-rock and psychedelic, early progressive sounds. Originally released in 1969 on the Athena label, the album is now considered an obscure classic. Top level psych/prog dominated by Hammond organ / guitar plus explosive drumming. Here’s a welcome new reissue in original artwork plus remastered sound, insert with liner notes.

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Crosby Stills & Nash

LP | 1969 | US | Reissue (Mobile Fidelity)

119,99 €*

King Of The Black Sunrise Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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ULTIMATE-SOUNDING VERSION OF THE HARMONY-RICH LANDMARK: DELUXE AUDIOPHILE PRESSING LIMITED AND NUMBERED COPIES
1/4" / 15 IPS analogue master to DSD 256 to analogue console to lathe

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Limited and numbered, pressed on MoFi SuperVinyl at RTI, and mastered from the original master tapes, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP collector's edition enhances the incalculably influential work for the ages to come. Surpassing the sonics of any prior version, it peels away any limitations to provide a transparent, ultra-nuanced presentation of a record that birthed the Laurel Canyon movement and established a precedent for close harmony singing that has never been eclipsed. The organic presentation of the textures; expanse and depth of the soundstages; fullness of tones; natural extension of the acoustic guitar strings; realistic rise and decay of individual notes; seamless blending of the vocals – all those important sonic facets (and more) reach demonstration-grade levels.

The packaging features the same attention to detail. Housed in a deluxe box, the Crosby, Stills & Nash UD1S pressing features special foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording and the reissue's premium quality. Aurally and visually, MoFi's UD1S copy exists as a curatorial artifact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the images to the finishes.

The backstory of how Crosby, Stills & Nash came to be nearly matches the import of its content. Already a renowned multi-instrumental virtuoso, Stephen Stills sought a fresh beginning after Buffalo Springfield splintered. Similarly, vocal powerhouse David Crosby arrived after leaving the Byrds and gaining a reputation for being difficult. Graham Nash drifted over after a frustrating stint in the Hollies. He met his new mates at a party. When the three sang together informally for the first time, their fate was sealed. To further tie their fortunes together, the singers used each of their surnames to identify the group to ensure the collective could not exist or continue on without all three members.

From the opening of the lead track, the multi-part "Suite: Judy Blue Eyes," written for Judy Collins, it's apparent the trio's dynamic cannot be replicated or substituted. Originally released in May 1969 on Atlantic, the eponymous debut cracked the Billboard Top 10 and spent almost two years on the charts. Such longevity can be credited to the distinctive traits each member lends to a record Rolling Stone cites as the 252nd Greatest Album of All Time. Stills trades in folk, country, and rock accents while handing a majority of the instrumental duties (organ, bass, and lead guitar included). Crosby paints with mood and atmosphere, as well as direct political commentary. Nash ties everything together with accessible pop melodies.

More than five decades later, the ensemble's mellifluous singing and homespun arrangements continue to soar. The evidence pervades Crosby, Stills & Nash, whose magnetism reflects in standards such as the breezy "Marrakesh Express," protesting "Long Time Gone," poignant "Helplessly Hoping," and poetic "Wooden Ships." No wonder the trio's chemistry – as well as the distinctive traits of each member's singing, interwoven guitar parts, and contrasting personalities – became a permanent part of an American culture dealing with conflicting themes of peace and war, love and violence, and change and status quo.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analog lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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Thunder And Roses

LP | 1969 | EU | Reissue (Out-Sider Music)

26,99 €*

LP | 1969 | US | Reissue (Legacy)

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Led by explosive guitar player Chris (later Christa) Bond, Thunder and Roses was a power-trio from Philly in the best tradition of Cream or the Jimi Hendrix Experience. This is their sole album, originally released in 1969. A cult psychedelic hard-rock classic, including “White Lace and Strange”, famously covered by Nirvana. Thunder and Roses (named after a story from The Astounding Science Fiction Anthology) started to take form when genius 18-years old guitar player Chris Bond and bassist Tom Schaffer met heavy drummer George Emme (previously of The Electric Power House). Rehearsing six days a week the trio gelled quick and soon they were playing memorable shows at venues like Electric Factory and the Trauma. Recorded at Sigma Sound by Joe Tarcia, “King of the Black Sunrise” was released by United Artists in 1969. Dominated by Bond’s outstanding fuzz-wah guitar playing, the album featured seven original songs plus a storming cover of Hendrix’s “Red House”. Sadly, the record label took a wrong decision when refused to release the killer “White Lace and Strange” as a 45 to promote the album, choosing the mockery “Country Life” instead. After Thunder & Roses split, guitar player and main songwriter Chris Bond had a successful career as producer, songwriter, arranger and session musician, working closely with Daryl Hall & John Oates as well as other top artists. Later in his life, Chris eventually transitioned from male to female and changed her name to Christa. She sadly passed away in 2019.

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Jeff Beck

Beck-Ola

LP | 1969 | EU | Reissue (Out-Sider Music)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Jeff Beck's second album, originally released in 1969 and featuring Rod Stewart on vocals and Ronnie Wood on guitar.

Track Listing:

Side A: 1. All Shook Up 2. Spanish Boots 3. Girl From Mill Valley 4. Jailhouse Rock Side B: 5. Plynth (Water Down The Drain) 6. The Hangman's Knee 7. Rice Pudding

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Pulse

26,99 €*

Grady Tate With The The Gary McFarland Orchestra, Bobby Scott

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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First ever official vinyl reissue of this bluesy psychedelic hard-rock album from 1969.

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Slaves

LP | 1969 | US | Original (Skye)

10,99 €*

Release: 1969 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: G+, Cover: VG

LP | 1969 | UK | Reissue (Be! Jazz)

The Three Out

Sittin' In

25,99 €*

Release: 1969 / UK – Reissue

Genre: Organic Grooves

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Ark 2 White Vinyl Edition

Flaming Youth

LP | 1969 | EU | Reissue (Klimt)

24,99 €*

Sam Cooke With The Soul Stirrers

Release: 1969 / EU – Reissue

Genre: Rock & Indie

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Ark 2 is the only studio album by the short lived British rock band Flaming Youth. It was released in October 1969 by Fontana Records, and was written and produced by the songwriting team of Ken Howard and Alan Blaikley. Its concept, inspired by the media attention to the 1969 Moon landing, tells the story of man's evacuation from a burning Earth and its journey into space. Each member of the band sings a lead vocal. It was drummer Phil Collins' first major label recording.

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The Gospel Soul Of Sam Cooke With The Soul Stirrers Vol. 1

LP | 1969 | US | Reissue (Specialty)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

LP | 1969 | EU | Reissue (Verve)

The Eddie Fisher Quintet

The Third Cup

35,99 €*

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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LP | 1969 | US | Reissue (4 Men With Beards)

Scott Walker

Scott 4

75,99 €*

The Tiffany Shade Lavender Vinyl Edition

Release: 1969 / US – Reissue

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

180gr vinyl. 2008 reissue.

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The Tiffany Shade

LP | 1969 | US | Reissue (Sundazed)

31,99 €*