Search "lazer+sword+memory" 2361 Items

Tape | 2024 | US | Original (The Flenser)

Release: 2024 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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Irresistible Brazilian blues reggae from the heart of the Amazon rainforest. A psychedelic guarana induced trip and ode to the fading indigenous cultures and shifting hegemony in Brazil. This one-off release by Manaus native Natacha Fink was originally written in 1986 as the lead track on Nossa Musica - a compilation celebrating regional music from the Amazon. Emerging out of the dictatorship, Natacha and her fellow artists rejected the aesthetic standards driven by internal colonialism and sought out new ways to express themselves away from the styles of the dominant Rio-São Paulo axis. What surfaced was a melodic blend of genres, with Natacha’s haunting vocals and playful lyrics gliding over an arrangement of guitars and double bass. Vocal backing is led by Torrinho, well known for his layered composition style, whose song ‘Porto de Lenha’ is recognised throughout Amazonas as an unofficial anthem. Hidden within the Amazon, Pirarublue lies in that wonderful space between innocence and honesty. Proudly exploring cultural and ecological spaces through a refreshing, ghostly infectious groove. For fans of Gal Costa, Elis Regina, Chico César, Jorge Ben Jor and Joni Mitchell.

Accompanying Natacha’s beguiling single is the field recording “Unseen Songlines” by artist and academic Nimalan Yoganathan. The composition immerses the listener in the soundscapes of Mamori Lake, a remote village inside the Brazilian Amazon. Nimalan explores the ambiguous perception of sounds emanating from the dense rainforest and deep beneath the Amazon River, where we hear the sounds but cannot see their sources: an acousmatic concert performed by the rainforest itself. Processed field recordings of birds and frogs, as well as underwater hydrophone recordings of dolphins and fish subtly weave throughout electroacoustic textures and beats. The listener is invited to hone in on the musical subtleties hidden throughout the environment. The compositional methods employed in this piece draw on the concepts of sonic rupture, presence, absence and memory found in the dub music tradition.

This limited edition 7” by Sticky Buttons puts these two outlying works together for a unique listening experience, combining the human and more-than-human experience of life at the heart of Brazil. Both uniquely Amazonian but with a universal appeal.

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Mamaleek

Vida Blue

Luxury Apartments (David Tyack)

Release: 2024 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Time is a slippery fish.

Loss has inspired Mamaleek’s latest full-length album, titled Vida Blue. This marks the San Francisco Bay Area metal deconstructionists’ eighth album and their third as a full lineup.

Tragedy struck in March of 2023 when the band lost a longtime friend and member, keyboardist Eric Livingston, leaving the group, which began as a duo of two brothers and later expanded to a five-piece, now with only four members. Despite this profound loss, Mamaleek persevered, performing as a quartet at various festivals, including the 2023 edition of Tilburg.

The band returned to the studio to create new material that appropriately reflects their journey through loss and honors their fallen comrade. The resulting album draws inspiration from the legacy of Oakland A’s baseball legend Vida Blue, whose former team coincidentally announced its relocation to Las Vegas that same year. The band members themselves describe this poignant chapter in their own words:

“Time is a slippery fish. Maybe only someone like Vida could grasp it. Although he’s left time behind, his image and that lefty heat remain in the memories of many. Eventually they’ll be forgotten, and hopefully replaced with even more exultant ones. This musical recording is a reflection on loss and its acceptance. We explore several examples for each song, including the loss of pride, of money, of glory, of country, of sanity, of a favorite sports team, of significant others, and, every day, one’s self. It also explores various associated moods—fear, panic, reverence, stoicism, and steadfastness—to arrive at a resolution: Loss is only a test, the glue that holds and erodes each memory, the connection that binds and loosens us all, pitch by pitch, inning by inning. This is your celebration.”

Vida Blue is a person, moment, and memory, together the crystallization of apocalypse: “unveiling,” “disclosure.”

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Luxury Apartments

LP | 2015 | UK | Original (Dead-Cert)

19,99 €*

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Bearings: Soundtracks For The Bardos

Ka Baird

LP | 2024 | UK | Original (Rvng Intl.)

22,94 €* 26,99 € -15%

12" | 2024 | EU | Original (Jack's House)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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For more than twenty years, Ka Baird has explored the outer dimensions of sound through performance. Extending far beyond their roots in the psychedelic folk movement of the early aughts, Ka is known for their raw, boundary pushing solo performances that bridge experimental sound, performance art, and ritual. Their tool set in the live arena includes extended voice and microphone techniques, electronics, flute and piano. Bearings follows their 2017 debut Sapropelic Pycnic and Respires, their acclaimed 2019 album. Initially conceived as a twenty minute composition and presentation commissioned by Lampo in Chicago in the spring of 2022, Ka first explored the concept of “bearings” through a series of intimate performances where they shifted guises between magician, shaman, clown, and athlete, all enduring ongoing states of groundlessness through a physically demanding performance that entailed both play and struggle. This piece, in tandem with the heaviness of caring for a dying parent during the subsequent year, laid the groundwork for Bearings, with the album’s final narrative structure revealing itself in the months after their mother’s death the following September. Enlisting a cast of contributors including Andrew Bernstein (alto saxophone), Max Eilbacher (flute processing, electronics), Greg Fox (percussion), gabby fluke-mogul (violin), Henry Fraser (contrabass), Joanna Mattrey (viola), John McCowen (contra clarinet), Camilla Padgitt-Coles (bowls, waterphone) Troy Schafer (strings), Chris Williams (trumpet), Nate Wooley (trumpet), and their beloved cat, Nisa (purrs) to create a collective hum and thrum, Ka and company create sprawling minimalist densities, punctuated by abrupt starts and stops, complex harmonics and textures, percussive flourishes, and a single, cyclical lyrical phrase: “Here. Disappear. Poof!” Ka considers the album to be a deviant nod to a song cycle, throughout which certain motifs are repeated in different configurations. In the album’s sonic lexicon, a trumpet blast signifies a birth or death, or a distant string motif denotes a memory. Bearings is a durational work of profound abstraction and focus, within which sonorous elements, structure, and meaning reach a single, unified form. This amounts to nothing short of a creative high-water mark for one of the most dynamic and uncompromising artists working in the landscape of music today

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Alex Arnout

Burn EP

9,59 €* 11,99 € -20%

12" | 2016 | EU | Reissue (Memory Remains)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Jack's House Recordings favourite (Alex Arnout), is back with another 4 track solid EP. This is the 3rd EP with Alex signed to the label. Alex was the first artist to release on the imprint back in 2016 with sell out Confirmation Bias ep followed by the Sync Jam release and further productions on some of the Jacks Tracks VA series. This latest offering with the new Burn EP does not disappoint â€¨ This limited vinyl press offers 4 distinctive tracks showcasing Alex's ability and talent to seamlessly blend influences from different genres making his production unique creating his staple sound. â€¨ First up is Burn which kicks of with tough tech beats quickly followed by some punchy chords before it develops into a beautiful fusion of an energetic original tech house sound merged with what can only be described as a pure soulful touch with the vocal snippet which occasionally and simply sings the the title track lyric (Burn). You could describe it as Tech soul if that were a thing. Punchy, warm and energising with a touch of a romantic notion in there while maintaining the techy roots, you will have this on repeat. â€¨ 2nd up is Tribespeople, which takes you into Alex's tougher side. Leading with a full on kick and rounded sound, it is perfectly suited for true underground dance floors at the height of their energy, or to wake it up, this track is made for the committed clubber that really likes to go for it ! The track is laced with subtle fills that will jog your memory and take you back to the original days of rave. This is pure underground bliss. â€¨ On the flip side, is the popular Punkadelic. This was originally released back in 2022 on Jacks Tracks VA Vol 5 alongside tracks from Terry Francis, Lex & Legit Trip. It was always intended to be a vinyl release, so by popular demand, it is finally going onto wax, where it deserves to be. Punkadelic is dark with a real techno vibe, but even in here, if you have a good ear, you can hear subtle touches of Jazz in the percussion, which yet again showcases Alex Arnout's unique talent to fuse elements of different genres in an especially classy way. â€¨ Last but by no means least, is a slightly different flavour with the track Recall. This is a slightly more laid back number, but still punchy with a good chug to it, and keeping within the sounds of the underground. Vocal snippets are spoken and broken throughout the track laced over some ghostly chords accompanied by swinging hats, claps and a fierce bassline.

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Kirik

MR002 2024 Repress

12" | 2022 | EU | Reissue (Memory Remains)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

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repressed !

2 house tune like 90-x by KiRiK plus abstraction remix from Herck

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The Unknown Artist

MR013 2024 Repress

13,99 €*

LP | 2023 | EU | Original (A Colourful Storm)

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Recut & Repressed!

Memory Remains is back. The first track is an edit of the Ukrainian group Kalush and rapper Sofka on their track called " home "
And other "edits" were tearing up the dance floors of the whole world!
You can be sure, MR never let you down!

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Scythe

Head X'Change

23,99 €*

Eleven Fugues For Sodium Pentothal

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Head X'Change is the new album by Scythe, a long-distance collaborative project of David West and R.A. Jones. First appearing on two cloak-and-dagger cassettes distributed by Low Company in 2019 and 20, Scythe's "expertly modulated space blues and isolationist architectures" betrayed a uniquely sleep-deprived, DIY take on kosmische atmospheres, where brittle, decaying synthesiser loops found solace in endless trails of feedback and reverb. X'Change was recorded with modest instrumentation but grand ambition, recounting a journey, a memory... of leaving earth, a loved one, a body. Lifting off from tense, unnerving Tennessee, an ode is made to Genevieve, for perhaps the last time. Landing in eerily familiar valleys and amongst the lunar debris of Dawngarden and Superwillow, marvelling back at Earth inflicts a feeling of tininess and innocence, captured in the stargazing blues of Embryo. The titular track then marks a sudden inward trajectory and shift in mood: cool winds and amorphous bursts of black and deep blue emanate from fissures, ominously foreshadowing tunnelling paranoia. "Mark, Ring Me" is a distant plea for human contact... but it may all be too late, for the aching psychedelia For Iris grieves alone into the abyss. For fans of Cluster, Craig Leon, Pete Namlook, space travel...

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Adam Wiltzie

LP | 2024 | UK | Original (Kranky)

33,24 €* 34,99 € -5%

Master's Bedroom Is Worth Spending A Night In

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The latest suite by composer (and Stars Of The Lid co-founder) Adam Wiltzie took shape following a move north from Brussels into the Flemish countryside, although it was initially inspired by a recurring dream wherein “if someone listened to the music I created, then they would die.”

The album uniquely evokes and evades the allure of oblivion, keening between beauty and ruin, forever unresolved. Wiltzie cites the barbiturate of the title as both muse and sacred escape: “When you are sitting face forward on the daily emotional meat grinder of life, I always wished I could have some, so I could just fall asleep automatically and the feeling would not be there anymore.”

Recorded at Wilzie’s home studio, with strings added in Budapest at the old Hungarian National radio facility (Magyar Radio), the tracks feel simultaneously intimate and infinite, unfolding vistas glimpsed in an inner space.

Robert Hampson of English drone rock icons Loop mixed the album, further lending the music a sense of cinematic expanse and oblique hypnosis.

These are fugue states as much as fugues in a literal classical music sense—smeared epiphanies of uncertain memory and spatial dislocation, coaxed from the unconscious and set aloft.

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Thee Oh Sees

LP | 2008 | US | Reissue (In The Red)

LP | 2024 | US | Original (Take A Turn)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Thee Oh Sees (ocs) began as songwriter / singer / guitarist John Dwyer's outlet for the experimental instrumentals he was producing in his home studio. Dwyer, who hails from Providence, RI, has been active on the San Francisco indie scene since the late '90s, working with The Coachwhips, Hospitals, Pink & Brown, Yikes, Dig That Body Up It's Alive, and Swords & Sandals, among others. He formed OCS (which is an acronym for Orinoka Crash Suite, Orange County Sound, or whatever Dwyer decided on any given day) to release a string of soundscapes and moody pieces that were decidedly lower key than his previous projects. In time, OCS morphed into an actual band, working under a flurry of names (most notably the Oh Sees or the Ohsees) and eventually settling on Thee Oh Sees. Sounding a bit like The Mamas & The Papas run through a seriously bent garage blender, this line-up features Dwyer on guitar and vocals, Brigid Dawson on vocals and tambourine, Petey Dammit on bass, and Mike Shoun on drums. The band signed with the German Tomlab label and released The Master's Bedroom Is Worth Spending a Night In in 2008. This record marked the first recorded appearance of the newly harder rocking version of the band and was immediately met with an enthusiastic response by fans and rock scribes. It went out of print after its initial pressing sold out quickly, and In The Red is pleased to announce the re-release of this incredible album on vinyl. Music like this is best enjoyed when spun on a turntable, and the gorgeous cover art can only be properly appreciated at 12 inches by 12 inches.

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R.E. Seraphin

Fool's Mate

22,99 €*

LP | 2024 | EU | Original (Jazzego)

Release: 2024 / US – Original

Genre: Rock & Indie

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R.E. SERAPHIN’s songs live in shadows and ambiguity. The Bay Area musician builds raucous, large-scale rock songs, then hushes them to ghostliness around intimate, murmuring vocals that tickle the inside of your ear. Here are anthemic choruses, amp-jumping rock licks and buzzing propulsion that echo through dream corridors, just out of reach. Fool’s Mate is Seraphin’s second-full length under his own name, following the debut Tiny Shapes from 2020 and a pair of EPs, A Room Forever and Swingshift. Denser, darker and more rock-oriented than his previous material, it was recorded with Jason Quever of the Papercuts at his home studio in Crockett, California. Seraphin had been playing with a full band as the lockdown eased, and this album reflects the live chemistry that he’s developed with his crew: guitarist Joel Cusumano (sob Stories, Body Double), drummer Daniel Pearce (AL Harper, Reds, Pinks, & Purples), bass player Josh Miller (chime School, Extra Classic), and keyboardist Luke Robbins… In addition, Seraphin’s frequent collaborator Owen Adair Kelley of Sleepy SUN contributed acoustic and slide guitars, while his wife Hannah Moriah sang background harmonies. It is very much a rock album, with big Spector-esque arrangements and squalling guitar solos. And yet, it also digs into the shifting currents of the subconscious, incorporating snatches of dreams, half-remembered phrases from books and warped memories and imaginings into its textures…”—Jennifer Kelly (Aquarium Drunkard, Dusted)

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Bardino

Memória Da Pedra Mãe

29,44 €* 30,99 € -5%

Good Rockin' Tonight Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Diogo Silva, Nuno Fulgêncio and Rui Martins collectively go by the name Bardino. With their sound consisting of an inventive mix of electronica, rock, jazz, the Porto-based trio are pushing their sound into unchartered waters. A feeling that will be reinforced after experiencing their new album, ‘Memória da Pedra Mãe’. Their enthralling music draws upon the imagery of the beautiful and rugged scenery of their home country. ‘Centelha’ , their previous album (released by Saliva Diva in 2020) was recorded in Chaves,

in the very remote region of Trás-os-Montes. Their 207 EP of the same name was created in the rustic heart of Serra das Meadas. In this latest offering, the mention of "Pedra Mãe" (Mother Stone), refers to a rare geological phenomenon popularly known as "breeder stones" found in isolated, deserted, and inhospitable places. On the inspiration of the new album, they explain that they want to refer to "the importance of collective memory in the cohesion and identity of communities and the process of creating new memories, a process that is both natural and conflicting, since it mirrors a tension between past, present and future".

The album was recorded in the summer of 2023 at Arda Recorders in Porto and produced by João Brandão and Rui Martins. In this new material, Bardino's resources expand: Nuno Fulgêncio's drums, Diogo Silva's bass and Rui Martins' veritable arsenal of keyboards (acoustic and electric piano, various synthesisers) are augmented by the alto and tenor saxophones of Brian Blaker (who stands out in "Memória" and "Black Mica"), the guitar of Leonardo Outeiro (who features on "Punctum No 2") and, already indicating their affiliation with the Porto label Jazzego, Hugo Oliveira, who records as Minus & MRDolly (and is a guest on "Pedra Mãe") and Sérgio Alves, aka Azar Azar (who plays piano and Moog on "Tília"). Bardino's entry into the increasingly unavoidable Jazzego catalogue also reinforces their obvious links to a new wave of projects that have been experimenting with different tangents to the notion of "jazz", taking this music as part of a wider set of coordinates.

Over the course of eight tracks, and clearly benefiting from the distinct imprint of the recognised quality work of João Brandão, one of Portugal's current best producers, Bardino presents dense, deeply cinematic music of the highest definition, in which the different instruments translate a broad emotional and visual landscape, with solos of enormous elegance arranged over grooves that induce the idea of movement. All the musical coordinates mentioned earlier are present, but perhaps in this new material you can feel a greater fluidity, certainly the result of honing the vision of the central trio through a vast experience collected on stages all over the country. And there are even echoes of a decidedly Portuguese songbook, as is so clearly felt in "O Semeador", something new in the range of aesthetic references embraced by Bardino. This is, in fact, music that thrives on a benign tension between past, present and future, in the sense that it embraces traditions and history, seeks a new framework in this diverse now and dares to project itself forward. Because the future is the best of all locations.

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Paul McCartney

Release: 2024 / EU – Original

Genre: Rock & Indie

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Genetic Memories Volume 2

V.A.

12" | 2024 | EU | Original (On Rotation)

15,99 €*

Lozells Drone Survey Orange Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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On Rotation returns with the second instalment of its Genetic Memories V/A series, showcasing the diversity of the label’s sound through 4 floor-focused cuts from a spectrum of global talent.

Fresh from dropping an EP with our good friends space:lab, Rambal Cochet delivers a mind-melting A1 to start things off. Deep, tasteful and making full use of his trademark sound design, “Meteora” is one for the witching hour!

Bolam steps up next with the party-starting “Dream Machine”. Colourful synths sit atop driving breaks, with the peak-time energy dialled up to 11.

Flipping the record reveals a darker, hazier sound. Moisk’s “GooSE Attack” is reminiscent of long nights (and mornings, and afternoons) in the smoky clubs of Berlin and Amsterdam, while the dark, rolling tech house of “X-Stream” by Aussie heroes Primitive Needs is pure afters’ fodder - a real B2 killer for those who know.

On Rotation is a Leeds-based event & mix series turned label, with 6 genre-defining releases featuring scene stalwarts such as Adam Pits, Solar Suite, Anderson, Roza Terenzi and Hybrid Man, Jamie Leather & more.

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Self Modifier

LP | 2024 | UK | Original (Polytechnic Youth)

17,09 €* 18,99 € -10%

Tape | 2024 | US | Original (Drag City)

Release: 2024 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Well, after a nigh on three year sabbatical, North London’s Polytechnic Youth label returns to the fray with an absolute cracker. The label built up not only an esteemed back catalogue of releases (featuring the likes of Sonic Boom / Spectrum, Tim Gane’s Cavern of Anti-Matter, Pye Corner Audio, Polypores, Heartwood Instititute and so on) but was also constantly name dropped as a source of inspiration to a number of newer electronic labels such as Castles in Space, Woodford Halse and Library of the Occult . This new release is an absolute banger. ‘self Modifier’ is the new project from Peter Duggal, the current musical partner of ex-KRAFTWERK legend Wolfgang Flur. His work with Wolfgang has seen collaborations with Peter Hook, Juan Atkins, Midge Ure, Claudia Brücken, Carl Cox and many others for the critically acclaimed 2022 album ‘Magazine 1’ (which reached the top of the UK Electronic Album Charts). His background is particularly interesting, as he himself explains “growing up in Lozells and Handsworth in inner city Birmingham during the Thatcher years, technology and music were the ticket to escape out of the fear and oppression to somewhere unreal. On the TV were threats of impending nuclear war and out on the streets in Lozells (as in other deprived inner cities around England at this time), there were the well publicised riots - police banging on the door instructing us to turn the lights off and lock ourselves inside until further notice. Shops, houses and cars were ablaze, and some lost their lives - those who were in the wrong place at the wrong time. Computers were appearing everywhere… including the home. According to the older generation they were going to take over the world, destroy everybodys’ jobs and eventually start thinking for themselves at which point they would be out of control and destroy everything else too. I, like many of my friends, became totally fascinated to the point of obsession with these machines—these were ours, and the idea of creating a whole world in your bedroom by typing in obscure commands was something truly magical. Rooted in the memories and landscape of that time, this collection of pieces emerged from nostalgia of people and places, and a deep yearning to engage with all that is no longer real”. 4 intensely beautiful slow building pieces of electronica, rhythmic and richly melodic, it's a beautiful record and a fine addition to the PY canon. Pressed on lush marbled orange wax and with a sleeve continuing the labels’ tip of the hat theme to the 70s BBC sound effects series of library releases, this one is not be missed....

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Jim White

All Hits: Memories

Wandering Echoes White Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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This is long overdue. A solo album by Jim. The trap kit - so straightforward, so mysterious. What"s inside those things? Air and light - from which century? Which continent? Which planet? Depending on how and when you hit them it can be a vibration sent through a prehistoric breath, particles of Saturn"s atmosphere, the dead, wet leaves you walked through on the way to the first day of school. These are the memories of the drums on this record. Infinite and personal. Editing each other as they muscle to the front or soft shoe to the shadow. Cymbals can override/cancel everything out - wipe your memory clear or make the memory clearer. Drums are the instrument where you can feel the presence of the player the most - the full body - and sense the thoughts of the player the most. The instrument with the most choices to be made sends out the most brainwaves. A bouquet of brainwaves is on this LP. Jim oversees it all, surveys from the lost place we"re in, the void - the drumless song. We trust. We trust, Jim. His big green eyes search for the right tool (mallet, brush, etc), eyes that search you like you"re a song he wants to join, wants to see if he can add to or understand. Before humans, drums were playing - these drums. Genesis was a solo drum piece. After humans, these drums, this album. Someone - the last man - is out in a spaceship at the edge of space. He plays a single chord on a synth to set time free from its bind and then lets go. This album sets time free, lets it frolic, lets it graze, lets it remember. This is a record of thoughts, memories, surgery. A deft surgical operation you may not even realize is happening as it"s happening but you"re back on your feet when it"s over. Memories refreshed. Did you really even listen to it? -Bill Callahan, November 2023

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Poison Point

LP | 2024 | EU | Original (Avant!)

19,49 €* 25,99 € -25%

Unplugged Radio Broadcast Picture Disc Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Poison Point is the trancey body music solo project operated by Paris-based producer and live artist, Timothée Gainet.

Started off in 2016, he shared the stage with bands such as Drab Majesty, Xeno & Oaklander, Adult, Rendez-Vous and Silent Servant, shared remixes with Qual, Sydney Valette, Blind Delon, all this while running his other industrial techno outfit IV Horsemen. You can tell Timothée is a busy guy and yet he managed to grow Poison Point since his debut album on Third Coming, getting releases out on Aufnahme + Wiedergabe and Young And Cold.

Over the years, his sound gradually shifted from the motorik post-punk of the early recordings to one much more dancefloor-oriented dark electronics with some sort of nice military pop Je ne sais quoi.

If one could see this coming with 2022’s album Poisoned Gloves, his new full-length is a major step-up in Poison Point game. Skilfully produced by Gainet himself and mastered once again by Mr Baggio for the best groove, Wandering Echoes drops nine new floor fillers for the romantic and the nostalgic at heart.

Just click Play on the first track Blue Idol and you will be hurled into a crystal world of imaginary memories while floating on the scales drawn by the synth arpeggios. Rude awake to the lead single Mysteries In Fire and his intoxicating body music and start wandering the room around you. Keep up the pace with further bangers loaded with electricity, romance and angularity like Flowers & Surrender, Echoes Of Dreams, Slow Kill, Fast Love. Get sweaty as you reach the end of this music journey: final track Les Meurtrières de LʼAube, properly sung in Timothée’s native tongue French, will show you the way to the rest of the just.

If your favourite vibes dwell somewhere between Phase Fatale and Lust For Youth, Wandering Echoes is the record for you.

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David Bowie

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Innovative Leisure)

Peel

Acid Star

Release: 2024 / US – Original

Genre: Electronic & Dance

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David And Amman Abbasi Wingo

Exorcist: Believer

2LP | 2024 | EU | Original (Waxwork)

44,99 €*

2LP | 2024 | EU | Original (Trip)

Release: 2024 / EU – Original

Genre: Soundtracks

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Waxwork Records is proud to release THE EXORCIST: BELIEVER Original Motion Picture Soundtrack by David Wingo & Amman Abbasi. THE EXORCIST: BELIEVER is a 2023 supernatural horror movie directed by David Gordon Green. The film is the sixth installment in The Exorcist franchise and serves as a sequel to The Exorcist (1973).

Since the death of his pregnant wife in a Haitian earthquake 12 years ago, Victor Fielding (Tony winner and Oscar® nominee Leslie Odom, Jr.; One Night in Miami, Hamilton) has raised their daughter, Angela (Lidya Jewett, Good Girls) on his own.

But when Angela and her friend Katherine (newcomer Olivia Marcum), disappear in the woods, only to return three days later with no memory of what happened to them, it unleashes a chain of events that will force Victor to confront the nadir of evil and, in his terror and desperation, seek out the only person alive who has witnessed anything like it before: Chris MacNeil.

For the first time since the 1973 film, Oscar® winner Ellen Burstyn reprises her iconic role as Chris MacNeil, an actress who has been forever altered by what happened to her daughter Regan five decades before.

ABOUT DAVID WINGO

David Wingo got his start composing music for films on David Gordon Green's debut feature, George Washington, and since that time has maintained a consistent working relationship with Green, scoring the majority of his films. In 2010 he scored Jeff Nichols' Take Shelter, and has since scored all of Nichols' films, including the forthcoming Bikeriders starring Austin Butler, Tom Hardy, and Jodie Comer. Wingo has transitioned into television over the last several years, providing the score for FX’s Mayans MC, Showtime's Kidding and HBO's Emmy Award-winning Barry, for which he received an Emmy Nomination in 2019 for Outstanding Music Composition for a Series.

ABOUT AMMAN ABBASI

Amman Abbasi is a Pakistani-American writer-director, editor, and composer from Little Rock, Arkansas. Filmmaker Magazine listed him among the 25 New Faces of Independent Film in 2016. His film Dayveon premiered at the 2017 Sundance Film Festival, was an Official Selection of the 2017 Berlin Film Festival, and went on to get two Film Independent Spirit Award nominations in 2018, including in the coveted Someone to Watch category. As a music composer, Abbasi’s compositions have appeared in several commercials, films, and documentaries, and most recently he was a music consultant for Halloween (2018) and Halloween Kills (2020). In 2008, he and his brother’s debut album, Something Like Nostalgia, topped the charts in Japan.

Waxwork Records is proud to release THE EXORCIST: BELIEVER as a deluxe double LP featuring 180 gram Black & White swirl colored vinyl, heavyweight gatefold packaging, a four page booklet featuring an exclusive interview with director David Gordon Green and composers David Wingo and Amman Abbasi, layout and design by Matt Needle, and more.

THE EXORCIST: BELIEVER Original Motion Picture Soundtrack Features:

Music by Composers David Wingo and Amman Abbasi
180 Gram Black and White Swirl Colored Vinyl
Deluxe Heavyweight Gatefold Packaging
Exclusive Interview with the Director and Composers
Four Page Booklet
Layout and Design by Matt Needle

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Cerrot

Butterfly Effect

28,79 €* 31,99 € -10%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Allchival)

Roger Doyle

Babel

WR Stand Utility Tote Bag

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Gatefold Sleeve / 180g Vinyl

Returning to the well of Roger Doyle once again, his “Babel” project spans a decade of composition work before its’ initial release in 1999 as a 5CD set. Over 100 pieces and almost 50 collaborators it marks a journey through a virtual tower of Babel with each piece corresponding to a room within an imagined giant tower city. For the 25th Anniversary vinyl edition Doyle has revisited it- remastering it and providing its first vinyl edit - 80 minutes spread across two 180gm LP’s - rounding out the package with extended liner notes and a download code to the full 6 hours.

We’ve previously explored Roger’s Operating Theatre days and the idea for this project came in the early nineteen eighties while Doyle was heavily involved with the experimental theatre group. Working with emerging technologies and across a variety of genres he realised that he would be unlikely to achieve an overarching compositional style. Instead deciding to make a virtue out of the fact that he composed so schizophrenically, he wished to create a musical alphabet out of short abstract sounds with these sounds being analogous to phonemes in speech. With Blade Runner and sci-fi embedded in the zeitgeist of the times he came to the idea of the Tower of Babel as both a futuristic skyscraper and also an embodiment of language.

In the spring of 1990 Babel was finally begun and kept growing until it reached over 6 hours of music and was released in 1999.A large-scale musical structure making use of many technologies and music languages, with each piece of music being thought of as a 'room' or place within an enormous tower city. Each track in the main section corresponds to a virtual sonic architecture. The pieces are divided into two kinds: aural representations of actual spaces like The Dressing Room, The Stairwell and Mr. Brady's Room alongside internalised dream spaces like the Room Of Rhetoric, the Spirit Levels and the Mansard childhood memory room. Listeners can navigate their way differently through this virtual building at each hearing. As a supplement to the Babel Tower Kbbl - the fictitious radio station – broadcasts a number of shows. Each has its own style and atmosphere. Collaborating with DJs, actors, writers and singers, Kbbl is made to sound like a real radio station with ads, traffic reports and phone-ins.

Examples of the connections within the project can be found via the architecture were the saxophonist in the off-stage dressing room is rehearsing for her solo in the concert-hall (heard in Pagoda Charm) or the room off the stairwell, where the sounds of piano lessons and apartment life can be heard and the apartment where a muffled Kbbl can be overheard At a molecular level The Iron Language Alphabet is a sound alphabet containing tiny fragments of sound representing letters or characters of an alien alphabet. This sound alphabet can be heard scattered through other pieces like The Room of Rhetoric, Pagoda Charm and in Kbbl in Johnny’s Body at 002. Other molecular scatterings can be found in Cantilena where two songs sung by Operating Theatre’s Elena Lopez in Kbbl are exploded and re-arranged to form new entities.

Doyle’s Babel celebrates language - a slight variation on the Biblical morality tale - and musical expression in all its variety.

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Maharishi

123,71 €* 164,95 € -25%

12" | 2024 | EU | Original (Birds)

Available Sizes: One Size

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Made from water-repellent, Italian bonded cotton fabric, the Maharishi WR Stand Utility Tote Bag is a technical shopper that offers uncontested durability and weather resistance while housing all the daily essentials. The features of the Maharishi WR Stand Utility Tote Bag include branded jacquard handles as well as a secure pocket with zip closure. Double faced high-quality cotton poplin bonded together with an aluminium film in between, this lamination creates a unique hand-feel, dense touch-memory and a crinkled appearance. The Maharishi WR Stand Utility Tote Bag's mid-weight fabric is water and wind resistant, while still retainng its breathability. Measures: approx. 38 x 40 cm; handle drop length: 28cm. 100% cotton, 270 g/m².

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Dan Piu

Collage Of Memories EP

LP | 2003 | EU | Reissue (Keplar)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

Collage of Memories is a Deep and colorful selection of hidden archived material from recovered DAT tapes from the legend Dan Piu. Meditteranean tech house dancefloor tracks infused with dub influences.

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Tujiko Noriko

From Tokyo To Naiagara

Live Radio Transmissions Radio Broadcasts Picture Disc

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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Keplar presents the first-ever vinyl edition of the 2003 album »From Tokyo to Naiagara« by Tujiko Noriko. This reissue with new artwork by Joji Koyama is an abridged version of the album as Tomlab label owner Tom Steinle and producer Aki Onda had originally intended to publish it alongside the original CD version. Written by the France-based Tujiko while she still lived in Japan, »From Tokyo to Naiagara« followed up on her two seminal Mego albums and marked a turning point in both the artist’s career and personal life: While she was preparing to leave Japan behind, she succinctly connected the dots between her experiments in pop music and her interest for more abstract sounds. Tujiko worked primarily with a Yamaha synthesizer and an MPC sampler while also incorporating contributions by other musicians such as Onda, Riow Arai and Sakana Hosomi into the pieces. Sometimes approaching an IDM and clicks’n’cuts-style production or working with trip-hop and hip-hop beats while using conventional song structures in the most unconventional of ways, the album showcases her multifaceted influences and skills as a singer and musician to full effect. Tujiko fondly remembers the time when she made the album. »I had a lot of time for myself back then and I didn’t even feel like I was very busy,« she says today. She describes producing it in close collaboration with Onda, who would relocate to New York City shortly after, as »quite Tokyo and very local.« They explored parts of the city that they hadn’t yet been to for a photography project (finding, among other things, a coin laundry called Naiagara—a transliteration of Niagara). This left its mark on a record that mixes melancholia with joy. The driving opener »Narita Made,« named after one of Tokyo’s airports, already makes this clear: Tujiko’s wistful vocals and lyrics like »I miss you terribly« emphasises the sense of bittersweetness that forms the common thread for a sonically diverse and stylistically open-ended album—this music is looking back while moving forward. It is probably no surprise that its reissue too evokes tender memories of Onda and Steinle in Tujiko, while also reminding her of what lies ahead. »I have so much more to do and not enough time for that,« she muses, before quickly adding: »But I also feel less alone having that album again.« Influenced in equal parts by the experience of strolling through previously unknown Tokyoite back alleys and thinking about the paths not (yet) taken, »From Tokyo to Naiagara« is precisely that: the perfect travel companion for a journey that leads its listeners from past to future.

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Mick Jagger

Release: 2024 / EU – Original

Genre: Rock & Indie

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In The Beginning Radio Broadcast 1967-1970 12

The Doors

37,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Deep Purple Transparent Clear Vinyl Edition

Deep Purple

Release: 2024 / EU – Original

Genre: Rock & Indie

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Live Laugh Love Cloudy Vinyl Edition

Chastity Belt

LP | 2024 | US | Original (Suicide Squeeze)

3x12" | 2024 | EU | Original (541 Label)

Release: 2024 / US – Original

Genre: Rock & Indie

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The four-piece - Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals) - have created a resonant body of work. Live Laugh Love is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years (January 2020, November 2021 and 2022), the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Once completed, they returned to renowned engineer Heba Kadry who mastered the album. Album opener "Hollow" sets the tone with a gently driving rhythm while guitar layers stream like sun rays through an open car window. A warmth radiates through Shapiro's voice, even while grappling with feeling lost and stuck. "The older I get," Shapiro says of the lyrics, "the more I realize that I might just always feel this way, and it's more about sitting with the feeling and accepting it, rather than trying to fight it." That wisdom seems to anchor Live Laugh Love . Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there's a sense of quiet confidence and self-assurance that comes with being less numb and more present. Facing discomfort takes more fortitude, after all. Live Laugh Love finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there's room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song. It's never been more apparent that they are creative siblings, cut from the same belt. "We've been playing music with each other for over a decade," says Shapiro, "so it really does feel like we're all fluent in the same language, and a lot of it just happens naturally." "Laugh" seeks in the balm of friendship, aware of the anticipatory nostalgia that hits during a good time that you're already missing before it's gone; the heavier guitar tones on "Chemtrails" streak ominous chord progressions over Grimm's precision timekeeping, lamenting memories that won't fade easily. During a transitional time, Truscott came across a note in their phone that read, "it's not hard all day, just sometimes," which inspired a poignant line in the chorus of "Kool-Aid," their first song as lead vocalist on a Chastity Belt recording. Another standout, "1-90 Bridge" shines with a silvery melody that soars as Lund belts one of the most resounding moments on the album: "Tell your girlfriend she's got nothing to fear/I'm set in my head/My body's a different story." The track "Blue" saunters nonchalantly with a wink; you can almost hear Shapiro's smile as she sings "Faking it big time/So I can hit my stride/Man, it feels good to be alive," channeling early Chastity Belt channeling early '90s before channeling the late Elliott Smith in a spiral of distortion and insight: "Don't get upset about it/It's gonna pass/Tell all your friends about it/They're gonna laugh." "We have such a strong sense of each other's musical inclinations" says Lund. "I think this allows for a lot of playfulness...we can kinda surprise each other, like a good punchline would."

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V.A.

La Rocca Classics

47,69 €* 52,99 € -10%

7" | 2024 | UK | Original (Fruits)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited Edition Triple Gatefold Vinyl including DJ Marko's Theme, Miro, Junior Jack, Blaze, Pirupa, Street Corner Symphony and more.

We are excited and honored to announce the release of a La Rocca Classics vinyl. A Limited Edition Triple Gatefold Vinyl release that celebrates all monumental milestones from La Rocca's club culture. A selection, carefully curated by Wim Van Ouytsel, founder and moving spirit of the legendary nightlife brand since 1988.

Embark on ajourney through the annals of dance music history, where each track has been handpicked to evoke cherished memories of euphoria and transcendence. From the ethereal melodies of trance anthems like 'DJ Marko's Theme' and the electrifying remix of Miro's 'Spaceman' by Mr Sam, to the infectious rhythms of Junior Jack and the soulful vibes of Blaze, and not forgetting the soul-stirring house gems by Pirupa and Street Corner Symphony, this vinyl encapsulates the essence of Belgium's iconic club.

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Cosmic Shuffling

Poor M. Collins

12,99 €*

LP | 2024 | EU | Original (Via Parigi)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Cosmic Shuffling took us on its journey last year with its magnificent vocal album Cosmic Quest. Now the Swiss septet extraordinaire returns with the sequel of its latest album: the instrumental side of the Quest. These two brand new 7” singles present four instrumentals taken from an upcoming full instrumental album due out September 2024. If you wish that Tommy McCook, Bobby Ellis, Roland Alphonso or Don Drummond had written more melancholic instrumentals, these tunes are for you! Burning hot scorchers!

Led by a gorgeous horns and flute top line, ‘Poor M. Collins’ grooves with a rhythmic finesse that will have you swaying to its infectious beat, while ‘Memories of Plans-Bochet’ takes you on a nostalgic ride, leaving an indelible mark on your soul.

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Évohé Bègue

Bégayer

2LP | 2024 | EU | Original (Black Truffle)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The "evohé" is the song of the Bacchants during the carnival. It is a bloody and humorous song that humiliates everything. In Euripides' work, the evohé is screamed when the city of Thebes is torn apart by fever and masquerade. Everyone laughs and sings, the maenads set the city on fire, masks pierce and disfigure the inhabitants, and Agave eats the head of King Pentheus, her son.

One cannot explain what this song is; one would need to describe the flip side of the sung, its extremity. Perhaps one cannot even hear it... most likely, the song has already affected us before crossing the threshold of our lucidity. It wells up... It glides over memory; one cannot know its melody, there are no lyrics, no notation, no tradition, no learning... no university of the sung abyss can be established. The orgy of matter is sovereign and incommunicable; the song it gives birth to is always alien, foolish, and lost; it is a sung panic. -Pan's panic, offering a pack of blind dogs to Artemis and suggesting, in passing, to send them hunting in her debauchery. The dogs of naked nature run like mad at an impossible speed, devouring every creature they scent in the wind, consuming all flesh within their reach. One can imagine that the pack reappears invariably in too assertive human affairs, facing certainties against which its wildness imposes itself more violently than against anything else. For example: when we are a bit pleased with ourselves, sensing the impression of having composed, of having imposed our order on the order of matter... immediately, it seems we can hear them barking in the distance. We freeze, we listen, we would prefer to believe it's hallucinations. But no. It is indeed the order of matter returning to express itself with the dogs. Order pours over us, the carnival imposes itself, and while the dogs eat our heads, they offer to admit that the foundation of our order was all soft, all foolish and spongy, all decomposed, that the decomposed order from below, the sincerity of matter, had never ceased to be orgiastic. When the dogs devour us, it's because Pan has brought back the mud. He has ladled a large serving of material broth back onto us; he has made all things copulate again. One imagines a song that is not at all solemn but belongs to a kind of cold and sacred-less mystique; it is the grip of the sovereign jester. An apparently disorderly and boldly stammering song that sees itself overturned and enjoys it...

French Chanson, Noise, echoes of music from faraway and long ago, modified radio transistors and other old electronic gear… After releasing several sets of raw, almost entirely improvised direct-to-tape recordings duplicated by hand in a workshop on the border of the Bauges mountain chain, the Bégayer Trio made new friends. Orphans without a home, they were welcomed like brothers by the Parisian label Le Saule, spotted by the chic Geneva-based Bongo Joe Records, and thus were able to devote a year to the making of their debut album, “Terrain à mire. Une maison rétive. Contrainte par le toit.”

Co-produced by the two families mentioned above, the album was a first beam in the musical structure laid by this trio of Alpine fellows: what they sought was the most exact form of mutt-itude, a nomadic journey through intentionally scrambled ancient musical signs by way of French, Italian and Arabic song, gleefully following René Char’s aphorism, later borrowed and translated by Hannah Arendt as “Our inheritance was left to us by no testament.”

Bégayer’s mission– in the name of those without tradition, the rejects of a culture of scarcity born in the twilight of popular customs amidst the screams of Noise on village squares and in the flow of digital swarms– is to create a hitherto unknown genre of hybrid gypsy rhapsody. The culture of scarcity can be experiences as a kind of cruel joy, an occasion to bridge the unsteady interpretation of ancient practices with contemporary experiments and build upon singular variations and excess. Up to now, every stutter-song intended to produce a joyful though disquieting object whose obstinacy and cruel simplicity triggered a disturbance, a distancing, a studied thing that stares right back at us.

Now the trio has become a quintet working towards a new kind of concert : with no beginning and no end, in which concert-time and quotidian time merge in order to deliberately drain of any autonomy the temporality of performance. Through the vocals, the homemade percussion and numerous strange instruments, two immutable musical activities will be celebrated and brought to bear on each other: the song of the people, whose cry of hunger and togetherness breaks through the barrier between art and life – and the art of performance explored as communal effort to describe our times.

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Richard Teitelbaum

Asparagus

40,99 €*

Shorty Rogers / Andre Previn

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Truffle is thrilled to announce a major archival release from legendary American composer and live electronics innovator Richard Teitelbaum, centred around his soundtrack for Suzan Pitt’s cult 1978 animation Asparagus. Best known to some listeners for introducing Europe to the Moog synthesizer as a founding member of Musica Elettronica Viva in Rome, Teitelbaum’s extensive and radically experimental body of work includes collaborative recordings with master improvisers like Anthony Braxton, Andrew Cyrille and George Lewis, intercultural experiments combining electronics with non-Western instruments such as the shakuhachi, works for computer controlled piano, and large-scale multi-media operas. Recorded at York University, Toronto in 1975–1976, ‘Asparagus (European Version)’ sprawls across both sides of the first LP. Discovered by composer Matt Sargent in Teitelbaum’s tape archive, this is a previously unheard major work for Moog modular and Polymoog synthesizers, unique in Teitelbaum’s oeuvre for its lushness and gently melodic quality. The music unfolds slowly, submerging lyrical melodies and burbling arpeggios into uneasy, glacially shifting harmonic swells, the luscious texture thickened with subtle changes of modulation and phase, calling up the shifting layers of Costin Miereanu’s classic Derives or the kosmische Musik tradition more than any academic synthesizer exercise. Teitelbaum incorporated much of this material into his soundtrack for Suzan Pitt’s Asparagus, which receives its first official release here. Asparagus, famously paired with David Lynch’s Eraserhead for a two-year run of midnight screenings at New York’s Waverly Theatre, uses hand-drawn and stop animation to unfurl an oneiric succession of images, beginning with a sequence in which the female protagonist defecates two stalks of asparagus, which multiply and float out of the toilet bowl to form the letters of the title. Teitelbaum’s soundtrack interweaves delicate drifting tones from the ‘European Version’ with contributions from Steve Lacy and Steve Potts on saxophones, George Lewis on trombone and Takehisa Kosugi on violin. Edited closely to the film, even without images the soundtrack proposes a surreal journey through floating synth tones, squealing horns, propulsive arpeggios, distant chatter, and an old-timey waltz. The final side of the set presents a new realisation of Teitelbaum’s text score ‘Threshold Music’, performed at a memorial concert at Roulette, New York in 2022 by Leila Bourreuil (cello), Alvin Curran (sampler and objects), Daniel Fishkin (daxophone), Miguel Frasconi (glass objects) and Matt Sargent (lap steel). The piece asks musicians to match their instrumental volume to that of the sounds of the environment in which they play, sometimes with the addition of recorded environmental sounds, reinforcing frequencies they encounter in listening deeply to their surroundings. Here the players use a field recording taken at Teitelbaum’s home in Bearsville, New York, their long tones and shimmering, glassy textures delicately emerging from the white noise of the location recording. Released with the full approval of both Richard Teitelbaum and Suzan Pitt’s estates, Asparagus is illustrated with striking images from Pitt’s film and accompanied by detailed liner notes by Francis Plagne. These previously unheard pieces shed new light on the work of a key composer in the American experimental tradition, offering up some of Teitelbaum’s most beautiful and engaging music.

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Collaboration

LP | 1955 | JP | Reissue (RCA Camden)

Shorty Rogers And His Giants Featuring Art Pepper

Release: 1955 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1973 reissue.

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Memorable Young Art

LP | 1982 | JP | Original (RCA)

12" | 2024 | EU | Original (Electric Shapes)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Cover with slight wear / yellowing and small sticker on the front!

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Kalocain

Genetic Memory

14,44 €* 16,99 € -15%

En La Conquista Del Mundo Latino

Release: 2024 / EU – Original

Genre: Electronic & Dance

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In a fusion of science and sound, Kalocain's debut vinyl release, "Genetic Memory," unfolds an eerie tale. "W.N.G." opens a portal to an ancient world, where forgotten tongues unveil cryptic secrets. "Genetic Memory" weaves ethereal connections between ancestral recollections and the present, warping the fabric of time. "Ivermectin" delves into the surreal realms of molecular melodies, as if sonic DNA deciphers sound's enigmas. Remixes from Normal 4, Patricia Kokett, and Jacques Satre reshape the auditory cosmos with a dash of the bizarre.

To amplify the weirdness, Evaldas Bubinas aka Hermandrowning, concocts mind-bending artwork, beckoning listeners into a realm where sound and art meld in uncanny harmony.

But that's not all! The digital copy unveils an additional original track, "Groove Drift," along with a wild array of remixes by n9oc, Henry Greenleaf, Frankfurt Bass, and Dogpatrol.

"Genetic Memory" isn't just music; it's a transcendent odyssey blending the past, present, and the surreal future, with a digital twist that will leave you questioning the boundaries of sonic exploration.

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Salsa Suprema

LP | 1979 | EU | Reissue (Elpalmas Music)

Ghostface Killah & Big Ghost Ltd

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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El Palmas Music rescues a hidden gem of Venezuelan salsa

With the vinyl reissue of En La Conquista del Mundo Latino (1979), by the Salsa Suprema Orchestra, it pays a fair tribute to Larry Francia.

“Larry Francia's work deserves nothing less than transcendence,” says Miguel Álvarez, the Venezuelan musical collector and archaeologist who one day came across with this Salsa legend from his country without planning it and knew it was fair and necessary to spread this magnificent work.

Born in Barlovento, an Afro area of Venezuela where the drum rules, Larry Francia grew up in San Agustín del Sur, a Caracas neighborhood that is salsa territory par excellence. When he was barely 12 years old, Víctor Piñero, one of the most popular orchestra singers in Venezuela in the 60s, summoned him to record choirs. An early initiation that marked Larry forever and at the same time revealed his indisputable talent.

“His driving force is singing. If you're talking to him, he often stops talking to sing" says Álvarez. “He was a man who never stopped being a musician, even though his living conditions were never the best. And the legacy of Salsa Suprema is key to Venezuelan popular music.”

When that orchestra stopped working (there were no producers who supported their tours, their records were pirated in Spain in the 80s), Larry suffered an emotional breakdown and even gave up devoting himself to music for a few years. He was someone who undoubtedly lived for and through music.

Larry Francia left this world in 2023, but we are left with a fabulous album like En La Conquista del Mundo Latino, recovered from the chest of memories by Álvarez and the Suicide Diggerz collective, specialists in rescuing hidden gems. “It’s a collector's item of the most exquisite and least known Venezuelan salsa” he defines.

The El Palmas Music label - created by musician, DJ, designer and cultural agitator Maurice Aymard, whose base of operations is in Barcelona - has been committed since 2020 to making known the best and least visible of the rich heritage of the popular music from Venezuela. Now he is pleased to present the reissue of this fundamental album as a posthumous tribute to an artist with capital letters: the great Larry Francia.

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The Lost Tapes 5th Anniversary Edition

2LP | 2018 | US | Reissue (Coalmine)

36,99 €*

12" | 2024 | UK | Original (!K7)

Release: 2018 / US – Reissue

Genre: Hip Hop

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In celebration of the five year anniversary of Ghostface Killah’s widely acclaimed 2018 LP, The Lost Tapes — produced entirely by Big Ghost LTD — Coalmine Records is pleased to announce their partnership with Holy Toledo Productions for a deluxe edition reissue that includes both the main and instrumental passes. Despite what the title may suggest, The Lost Tapes is not a collection of rare or unreleased tracks, but rather an album recorded with the intention of summoning an incarnation of an early Tony Starks, akin to Only Built 4 Cuban Linx, Ironman, and Supreme Clientele. And this is achieved largely by the production value that Big Ghost LTD brings to the table, whose rise to fame first came by way of Twitter with his spot-on Pretty Toney parody. Armed with a cache of raw beats, Big Ghost tastefully weaves soulful samples to create a satisfying cocktail of distinctively up-to-date boom bap. This especially holds true on tracks like “Majestic Accolades” and “Watch Em’ Holla.” The former of which is among the album’s highlights, as Starky Love raps one of the more memorable hooks, talking about his experiences with girls, hustling, and life in general. Narrated by Michael Rapaport, the ’90s hip-hop aficionado, actor and comedian helps keep the pace for Ghost Deini’s 10th solo LP by reminding us that we’re in the presence of greatness. But it’s the chemistry of emcee and producer that elevates The Lost Tapes to one of the more stand-out solo releases in Wu-Tang’s discography of recent memory. Entrenched in the classic Wu sound, the 12 track LP slaps like a ‘90s record without sounding like a strained attempt to recapture lightning in a bottle. To boot, The Lost Tapes are also abound with features from hip-hop luminaries such as Snoop Dogg, Raekwon, E-40, Killah Priest, Kxng Crooked, Cappadonna, Big Daddy Kane, Ras Kass and more. All in all, The Lost Tapes is a victory lap, and one who’s purpose is to not only to create nostalgia, but to formulate a group of songs that represent who Ghostface was as a person back then, and where he stands now as one of the most exemplary emcees of all time.

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Suchi

Ghungroo

17,99 €*

LP | 2022 | Original (Reptilian)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Suchi’s bouncy, airy productions are so organically deft that they almost belie the complexity that exists within. Prior to her !K7 debut the Oslo-born, London-bred, Delhiinfluenced DJ and producer found herself in a period of creative stagnation, while attempting to rediscover her own voice through production. After going back to the drawing board again and again she resolved to let go of overthinking, eschew the process, and let experimentation lead the way, revisiting some simmering sketches and work in new ways.

Ghungroo EP is the result of this reset, and rediscovers Suchi’s sense of playfulness through different production styles. It’s pressed on eco-friendly vinyl, PVR free and 100% recycled. “Ghungroo” is a homage to Suchi’s early years, and named for the small metallic bells strung around the ankles of classical Indian dancers. The track is equal parts cosmic, bassy and wavy, with a downwards bassline that plumbs the depths of low frequencies. The memory of early music passions emerges as the same melodic loop undresses and redresses in different guises - between breezy pads, glowing chimes and euphoric bells.

“Blåmerke” means bruise in Suchi’s native Norweigan tongue, and it leads heavily with double-time polyrhythmic drums, ravey rhythms and percussive bubbles popping. Triplets of synth stabs are artfully deployed with reverb and warped, stretched pads, bringing a whimsical twist to a track that is otherwise a tough-edged stomper. “Bottlepop” loosens up the tempo for a funky house framework, foregrounded by a big melodic synth riff. The track’s hookiness is enhanced by its old-school school feel, with distorted whistles and evocative pads. “Blåmerke” is then given a rework by Sam Goku who was chosen for his euphoric, dusty-sounding club tracks that hit hard; in his care the remix provides exactly that, via throbbing, shimmering, deep trippiness

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La Glissiere

Autobaños

Release: 2022 / Original

Genre: Rock & Indie

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Amber Of Memory Black Vinyl Edition

Tommy Guerrero

LP | 2024 | US | Original (Too Good)

23,99 €*

As God Intended Brown Sabbath Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Brand new album, released digitally in September of 2023 - now on vinyl. Black vinyl.

"The idea was to make something that would diminish the heavy times we were all experiencing in 2020/21.
Something perhaps uplifting with a hint of beauty... or at least a respite from the ugliness outside.
Not sure any of this was achieved but it’s a bit of a departure from my normal mode/style… which is necessary from time to time.

70’s drum machines, tremmed-out baritone guitars, verbed-out synth pads, warbly keys, and a slight 80’s sensibility add up to what I have coined, “Surf Goth”.

Yes, I joke but it might be on point. Who knows?
Thank you all for the continued support!!
Big Love"
TG

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Apollo Brown & Che' Noir

LP | 2020 | US | Reissue (Mello Music Group)

37,99 €* 39,99 € -5%

Oscar Alcalá & Maho Félix

Release: 2020 / US – Reissue

Genre: Hip Hop

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Buffalo & Detroit are America’s broken dream. They are once thriving cities, now known for frigid temperatures and violent crime. The cities were birthed in a different era, forged in fire, built of cold steel. It follows that the rawest Hiphop in recent memory has bled from these two regions. No two artists exemplify this hard truth more than legendary Detroit producer Apollo Brown and Buffalo’s maverick emcee Che’ Noir. The two artists came together to create a sound as natural as calm after the storm.

The soulful, head-nodding production of Apollo Brown has been a staple called on by some of the greatest to ever do it. From Ghostface Killah to Danny Brown, and from Freddie Gibbs to Chance the Rapper, Apollo Brown’s signature style has become an iconic staple of the culture. Meanwhile, Che’ Noir has stepped onto the scene as smoothly as any double dutch veteran. Having already worked alongside Benny The Butcher, Kool G Rap, and Fred The Godson, she has emerged as one of the most extraordinary New York talents heard in years.

The pair’s new album, “As God Intended”, drifts up and down city streets and offers a glimpse behind closed doors, telling the stories of gunshots, missing fathers, & playing the system.

The album from Apollo Brown & Che’ Noir features Skyzoo, Blakk Soul, Planet Asia, Ty Farris, and Black Thought. Part of the Mello Music Group 24 for '24 Artist Series featuring limited edition vinyl art by oil painter KipDaFog.

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Greak: Memories Of Azur (Original Game Soundtrack) Blue Vinyl Edition

LP | 2024 | US | Original (Materia Collective)

Something In The Room She Moves Red Vinyl Edition

Release: 2024 / US – Original

Genre: Soundtracks

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Materia Collective is proud to team up with Navegante Entertainment once again, to release a gorgeous vinyl edition of Greak: Memories of Azur.

Limited-edition Sea Blue 1xLP, featuring new original artwork by Navegante Entertainment, with layout and design by Isa Alcántara. Music by Oscar Alcalá & Majo Félix.

Greak: Memories of Azur is a hand-drawn, animated game in which players alternate between three characters: Greak, Adara, and Raydel using their unique abilities to fight an enemy faction and escape their lands.

The Greak: Memories of Azur soundtrack was performed and recorded live in collaboration with the Cinco de Mayo Philharmonic Orchestra in Puebla, Mexico. The 20 tracks composed by Oscar Alcalá and Maho Félix were planned to reflect the magical world of Azur and the unique personalities of each of the main characters.

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Julia Holter

2LP | 2024 | UK | Original (Domino)

Oben Curacao Blue Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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While the work of the Los Angeles-based singer-songwriter and composer has often explored memory and dreamlike futures in the past, her latest album is more grounded in the present. Her production and arrangements form a continuum of fretless electric bass tones in counterpoint to gliding vocal melodies, while glissading Yamaha CS-60 lines play around the reeds like warm winds. "I've tried to create a world that sounds fluid and water-like, reminiscent of the inner sound world of the body," says Holter about her flowing harmonic universe.

The last few years have brought an existential focus on human connection for Julia Holter, amidst the shattering changes that have come with the deaths of loved ones (including her young nephew, to whom the album is dedicated) and the birth of her daughter. On Something in the Room She Moves, Holter vividly processes the complexity, gravity and awe of this confluence of experiences.

After a string of dream-pop albums - from her breakthrough Ekstasis (2012) to Loud City Song and Have You in My Wilderness - Holter released the sprawling and thrillingly experimental Aviary in 2018. Since then, she has scored films such as Never Rarely Sometimes Always, performed a commissioned piece for The Passion of Joan of Arc with the Chorus of Opera North and collaborated with her partner, musician Tashi Wada, who plays synthesizer and bagpipes on her new album. Something in the Room She Moves is a remarkable step forward in Holter's work, combining her free improvisational energy with her characteristic eloquence.

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Hi! Spencer

LP | 2024 | EU | Original (Uncle M)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Dying Victims Productions)

Megaton Sword

Niralet

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Lesser Known)

Brian Fallon

Night Divine

Release: 2021 / EU – Original

Genre: Pop

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Through Force Of Will (2024 Edition)

Torn Hawk

Tape | 2024 | US | Original (Not Not Fun)

Face Stabber Blue Nebula Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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New York musician Luke Wyatt describes his instrumental hypnagogic guitar guise Torn Hawk as “music of a noble fabric whose weave is flawed and frayed.” With a decade of hindsight, the looping beats, smeared synths, and grainy hooks of 2014’s Through Force Of Will have taken on a richer cast, like closing credits anthems to heroic 80’s films long since forgotten.

From widescreen new wave (“I Am Returning”) and baggy psychedelia (“Palace Racket”) to shredded New Romanticism (“Streets On Fire”) and glassy shoegaze (“Blindsided”), the songs fuse victory and vulnerability, soaring solos and tape hiss. Wyatt characterizes the songs’ low fidelities and “distressed edges” as “intentional lace,” smudging outlines and degrading surfaces to carve out “more room to dream.”

This 2024 memorial edition adds 25 minutes of unreleased vintage bonus material, expanding Torn Hawk's vision of “error and compression” across echo-soaked riffs, smoky synth fugues, and blazing technoid rock. Throughout, the music surges, yearns, and burns, unrestrained and undefeated, forever in pursuit of Wyatt’s mission to lift the listener from “the cave of loneliness to the amphitheater of self-love.”

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Oh Sees (Thee Oh Sees)

2LP | 2019 | US | Reissue (Castle Face)

34,99 €*

LP | 2024 | EU | Original (Clear Memory)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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Hey there, human kids, lift your face out of the feed trough and pluck that feculence from your ears. Hark! A sonar blip from beneath the pile of bodies—the latest Oh Sees, Face Stabber! Boop, blip, ughhh….people churning like a boiling swamp. Man, this din is nauseating. The screen flickers for the first time this year with a transmission from two months in the future: “the internet has deemed guitar music dead and you are free to do whatever the fuck you like ….long live the new flesh!” This album is Soundcloud hip-hop reversed, a far flung nemesis of contemporary country and flaccid algorithmic pop-barf. No songs about money or love are floating in the ether. Just memories, echoes, foggy blurs, blip-blop goes the scope, heavy funk, dystopia-punk canons, long jams, bloated solos dribbling down your caved-in chest. Human cattle like a beef avalanche, right on your burned out face hole. Spider-legs fuzz crawling in your brain. Lots of curse words for your mom. You’ve gotten the over-population blues, so let’s have some art for art’s sake. What else are you gonna do? Stare at the sky? Please…fifty carbon copies of you look back at you as you walk the streets. Take a breath, you’re going to need it. Take drugs, you’re going to need those just to stand in line at the air and water reclamation center soon enough. There’s no fruit, buddy. You’re at the bleak-peak. They will squeeze you till you’re all squeezed out. For fans of fried prog burn-out, squished old-school drool, double drums, lead weight bass, wizard keys (now with poison), old-ass guitar and horrible words with daft meanings. If you don’t like it then don’t listen, bub. Back to the comments section with you! Easy—over and out.

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Varum

8008 EP

LP | 2024 | UK | Original (Discrepant)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Fresh produce from the man behind the synths. 8008 EP is the sixth edition in Varum's discography. Showcasing his signature style of bouncy beats with just the right hint of breaks thrown in. True to its creator, this EP is not playing it shy when it comes to bold synth-lines and making the best of the drum machines at hand. A wild ride in various tempi and vibes.

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Wukir Suryadi

Siklus Dan Doa

20,99 €*

12" | 2024 | EU | Original (Music From Memory)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Born in 1977, in Malang, East Java, Wukir Suryadi began playing music for theatre at the age of 12 with the Idiot Thea-ter Studio, and later with the Rendra Theater Workshop. In his solo work, and as a member of Senyawa, Error Scream, Bendera Hitam Setengah, Potro Joyo and other groups, Wukir breaks the boundaries of traditional music, death metal and avant-garde performance. On this new release, “Cycle and Prayer,” recorded in 2023, he expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java. These recordings vibrate inwards, toward the microcosmic ecolo-gies of forests and rivers; they distort outwards, resonating with global waves of apocalyptic change that are forcing all living beings to the edges of existence on earth. The result is a meditative poem that moves, as its titles announce, from phenomena to phenomena, praying that humans find a way out from the depths of the depths to the light that illu-minates the soul.

An essential mode of creative work for Wukir is the creation of unique instruments, using these sound sources as “bul-lets of expression.” In addition to the spear-like tube zither Bambu Wukir, he has created the Solet, Enthong, Garu, Luku, Arrows, and Industrial Mutant instruments, which in addition to being used in live performance, have been ex-hibited in the Instrument Builders Project and the 2017 Jakarta Biennale. In the past few years, Wukir has begun to collaborate with local guitar makers, carpenters, and suppliers of native endemic wood in the mountain region of Salati-ga. Using earthen bricks along with local woods (suren, coconut, mindi, and waru lengis) as building materials, he con-structed a new studio and workshop space in Tingkir, where this album was made. The trees, water and air of the local environment have exerted a powerful influence in Wukir’s documentations of instrumental sound. On this recording, he uses the simple Cetta guitar, an instrument designed in Bali and made for Indonesian children and local communities of folk and popular musicians, in order to explore the different sonic characteristics of a more “normal” instrument built from local wood.

The themes of the album -- cycle and prayer -- arise from a foreboding series of meta-events that shook Indonesia and the world over the past years, following one after the other: the Covid-19 pandemic, the Ukrainian-Russian war, the Kanjuruhan Stadium tragedy in which football supporters were gassed and killed by police, revelations of government failures and corruption, the rise of personal vehicles, the increasing disturbance of natural patterns of the rainy season and other ecological cycles. “In these waves of technology and narratives of truth made for certain interests, playing a sound at a certain frequency and repeating can try to bring images and feelings to a certain point of consciousness,” Wukir told me. “Sound is a prayer that creates a change, whether gradual or rapid, in the behaviour of living things, to face the demands of the time, as humans struggle to live according to what they believe.” The drawings and sketches used for the cover spontaneously emerged alongside the recordings, as an instinctive depiction of “time and sound, nature that is outside of oneself, and nature that is within.”

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Gaussian Curve

Winter Sun / Fever Dream

23,99 €*

LP | 2023 | UK | Original (Castles In Space)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The return of Gaussian Curve - Gigi Masin, Jonny Nash and Marco Sterk’s much-loved trio are back for the first time since their 2016 sophomore album 'The Distance', presenting two new tracks entitled 'Winter Sun' and 'Fever Dream'.

Both tracks originate from recording sessions that took place in Amsterdam in 2016 for 'The Distance'. Despite not finding a place on the final album and being left as unfinished sketches for six years, the tracks represent an important part of the Gaussian Curve story which the band felt compelled to complete. Coinciding with the decision to perform a handful of live shows in 2022, they finally revisited the sketches, mixing and arranging them with the goal of giving them the full release that they deserve.

The trio’s trademark sound hits from first moments of 'Winter Sun'; a lush slow builder with all the classic GC ingredients; Nash’s airy and spacious guitar lines interplay with Masin’s warm rhodes, underpinned by Sterk’s subtle use of electronics and the minimal rhythm of a Cr-78 drum machine.

On 'Fever Dream', the trio subtly expand their palette; a gently building 303 bass line and 808 rhythm form the foundations of the piece, with Masin’s vocals adding to a slow-burning intensity. Arguably a fuller sound hinting at new areas of exploration for the trio, but unmistakably Gaussian Curve.

Graphic art by Qiu Yang, design by Steele Bonus,

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Pulselovers

Cotswold Stone

LP | 2023 | CA | Original (Cleopatra)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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This debut long player from Mat's Pulselovers project was first released in 2019 and is driven by warm analogue sounds effortlessly conveying a feeling of being somewhere beautiful, out in the country.

‘Cotswold Stone’ presents a meditation on the passing of time and the persistence of memory and is in part a reflective work of familial dedication and reverence. The narrative is one that takes the listener on a journey through the rolling hillsides of England. The record is given extra dimensions and texture through the deployment of woodwind instruments at various points which add a real sense of pastoral energy to the work. Picking out highlights is always a tricky task when a record is so conceptually strong and consistently rewarding but let's have a go. ‘In The Marsh’ beautifully juxtaposes reverbed and spectral piano with bright synth arpeggios and distant woodblock percussion, whilst its glorious counterpoint ‘On The Heath’ is as inquisitive and enigmatic as the first hare of spring. ‘The Green Leaves of Shilden Hall’ are verdant and lush, propelled by some lovely flute and clarinet accompaniment adding an ivy-covered gentility to proceedings. ‘In The Grove’ with its spectral saxophone evokes images of solemn hillside sunsets and spiritual reflections on past lives. Badby ’80 deploys slabs of heavy electrical sound stretching out into the middle distance, while ‘Under Wychwood’ is driven by a rugged bass riff that speeds along country lanes and dazzles with full headlights before skidding to a halt and depositing the listener at our journey’s end of ‘On The Wold’.

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Johnny Thunders

Madrid Memory

Release: 2023 / CA – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Liberty & Lament)

Lucero

Should've Learned By Now

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2017 | EU | Original (Manifest Soundworks)

Band Aparte

Memory On Trial

18,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Joost Swart, Bjorn Waling, Jesse Koolhaas

Swart Waling Koolhaas

LP | 2024 | EU | Original (Urban Waves)

17,99 €*

Are You Sure You'll Be Okay? (Remixes) Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Hip Hop

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Are you ready for a musical journey that will challenge your expectations and stimulate your senses? If so, you will love the new album by jazz pianist Joost Swart, drummer Bjorn Waling and producer Jesse Koolhaas. The album is the result of a two-day session where they recorded their improvisations on various instruments, and then mixed them with the sounds from Jesse Koolhaas’ vintage synthesizer collection. The result is a unique blend of jazz and electronic music that defies genres and labels.

The album features several guest musicians who added their own touch to the music. For example, on the track In Tongues, you can hear the bass clarinet of Joris Roelofs and the bass of Jeroen Vierdag, creating a rich and deep sound. On another track, Six Shooter, you can enjoy the guitar of Reinier Baas and the bass of Jeroen Vierdag, adding some groove and funk to the music. The album also includes Amalgam, a song that showcases the synergy and creativity of the trio.

The album is a musical adventure that will surprise and delight you with its diversity and richness. It is a testament to the talent and vision of these three artists who have created something new and original.

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Liquid Aliens

12" | 1993 | UK | Reissue (Liquid Wax)

Summer's Here/Satan Was An Angel Colored Vinyl Edition

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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Originally released in 1993 on DJ Phantasy’s Liquid Wax label, it has now been repressed in conjunction with Vinyl Fanatiks on Colored Vinyl.

For this release Phantasy teams up with Lynnford Jones from Rufige Kru. In fact, neither of them remember doing these remixes back in the day until they spoke together about them and the memories came flooding back! These are remixes of a Liquid Aliens track previously released on Liquid Wax via Vinyl Fanatiks, but long since sold out.

As always with anything on Liquid Wax, these tracks are big club releases as Phantasy was testing them out at all the raves in the early 90’s. But Phantasy always has a trick up his sleeve that makes his music sound incredibly original and still fresh to this day, 31 years later!

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Summer's Here

12" | 1993 | UK | Reissue (Liquid Wax)

Save It For Later Yellow Vinyl Edition

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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Originally released in 1993 on DJ Phantasy’s Liquid Wax label, it has now been repressed in conjunction with Vinyl Fanatiks on Colored Vinyl.

One of DJ Phantasy’s many aliases alongside his pal Robert Chimiel. The lead tune is a total rave anthem – hands to the lazers business! The flipside has a such a sweet chugging bassline that takes you on a trip!

As always with anything on Liquid Wax, these tracks are big club releases as Phantasy was testing them out at all the raves in the early 90’s. But Phantasy always has a trick up his sleeve that makes his music sound incredibly original and still fresh to this day, 31 years later!

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Bluai

LP | 2024 | EU | Original (Unday)

Extra Life Piosonbloom Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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After winning three leading Belgian music awards with Humo's Rock Rally, De Nieuwe Lichting and Sound Track, girl band Bluai is expanding its horizons. On their debut album Save It For Later, the trio leaves for a road trip through the sonorous areas populated by the likes of Big Thief, Pinegrove, Haim, and Alabama Shakes. Save It For Later is a record not unlike a Polaroid picture. Belgian songwriter Catherine Smet captures the memories of her youth in lyrics with a perfume of Americana, country pop, and indie folk. The stories areset in her native Flanders, but close your eyes, and galloping horses on a ranch in Mississippi form the backdrop of Bluai's debut album. Catherine Smet (vocals, guitar), Mo Govaerts (drums), and Caitlin Talbut (bass) joined forces with producer Willem Ardui (blackwave.) for this record. Bluai's instrumentation was expanded with banjo, twelve-string guitar, and lap steel. Engineer Tobie Speleman received 'Nashville tuning' as a briefing. Bluai thus shifts the focus from indie rock to Americana and breaks open the band's frame of reference, with influences ranging from Maggie Rogers to Alabama Shakes to The Japanese House. Save It For Later is the creation of a group that came together two years after the formation of Bluai, found a common drive, and is now cruising at full speed. Bluai is here to stay.

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Crushed

LP | 2024 | US | Original (Ghostly International)

LP | 2024 | EU | Original (Ilian Tape ITX Series)

Release: 2024 / US – Original

Genre: Electronic & Dance, Pop

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Los Angeles duo crushed announce their signing to Ghostly International and the first vinyl pressing of their 2023 debut EP, extra life. A love letter to `90s radio, the first collaboration from musicians Bre Morell and Shaun Durkan finds them tuning a shared taste for maximalist dream pop. Open-hearted hooks and melodic riffs move through a haze of breakbeats, spliced sound design, and distortion. Faithful yet fluid in its channeling of golden age alt-rock, Britpop, trip-hop, and electronica, there's a refreshing freedom to the sound, which quickly resonated with fans and critics upon initial release. Pitchfork called it "effortless, widescreen dream pop that's serene without being sentimental," and NPR cited its "deep sense of place and time." The music also struck Ghostly, and the first measure for crushed and their new label home is to give extra life a wider physical release paired with remixes from band favorites Real Lies and DJ Python. The story of crushed is written across midnight transmissions. In the early 2010s, Morell, who fronts the band Temple of Angels (Run For Cover Records), hosted a graveyard shift college radio show and used to play music from Durkan's former band Weekend (Slumberland Records). In 2020, Durkan, having focused on production work (Tamaryn, Young Prisms) following Weekend's run as a formidable shoegaze act, hosted a late-night program on a community radio station in San Francisco. Driving one day, he heard Temple of Angels by chance and was immediately drawn to Morell's voice. He added a song that night to his on-air tracklist. Morell saw it and reached out to thank him and point to that connection made a decade earlier. The exchange sparked a long-distance project. First, they filled an audible moodboard with `90s classics from the likes of Natalie Imbruglia, Sneaker Pimps, and The Sundays. Songs that transported them back to places of comfort and discovery; Morell's memories of a metallic, lavender boombox that dispatched past sounds from a world beyond her Houston suburbia, and Durkan, in his mom's car on the way to band practice. These touchpoints provided a palette for crushed to experiment without expectations, purely for the fun of it. A creative intimacy emerged; stepping outside the reverb walls of her full band, Morell embraced more clarity and a range of emotions in her vocals, while Durkan looked inward as a producer, collaging fragments from their everyday lives: voice memos, piano recordings, even the panting of Morell's late dog on "milksugar." The wistful ballad embodies extra life's feeling as a whole. "I am home again," sings Morell; her refrain cycles above a drum machine beat as Durkan colors their universe with star-lit strums, synth swells, and the crackle of fireworks in the distance. Elsewhere, the duo's uptempo mode is equally effective, like the super-charged duet "coil" or the propulsive opener "waterlily," which sets a cinematic tone for the set. Bold, bright, and replayable, extra life presents crushed as a project of immense promise, two artists unlocking something special within themselves, a space to hold both melancholy and bliss. Durkan adds, "To me, [extra life] is true and pure - in a way I haven't felt about music in a really really long time."

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MPU101

MPU104

17,09 €* 17,99 € -5%

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Trailerpark Beauty Sunset Memories

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Tom Bjerg

Toner Fra Bunden

Release: EU – Original

Genre: Rock & Indie

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Katinka Bjerregaard & Simon Ask

Jagten På Det Gode Menneske

Release: EU – Original

Genre: Rock & Indie

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Tom Bjerg

Hurtigt Ud Hurtigt Hjem

Release: EU – Original

Genre: Rock & Indie

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Holmegårdsvej Og Andre Historier

Lasse Storm

Release: EU – Original

Genre: Rock & Indie

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Helt Ud I Rummet Og Tilbage Igen

Klaus Handsome

Release: EU – Original

Genre: Rock & Indie

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Marc Facchini

Breve Fra Babylon

21,99 €*

Release: EU – Original

Genre: Rock & Indie

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12" | 2024 | US | Original (Sheik 'N' Beik)

IVVY

YVVI

9,74 €* 14,99 € -35%

PLYGRND Beat Retreat Compilation 2023

Release: 2024 / US – Original

Genre: Electronic & Dance

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Ivvy, aka Madi Levine, makes music for heady dance floors. They layer in squelching synths to disfigured techno rhythms influenced by a youth spent at renegade warehouse parties in the Midwest. They have been on constant tour for a while now and left their mark everywhere, from Hot Mass (pgh) to On Earth (Toronto), while also teaching production and studio management workshops at events such as Kremfest 2019. Madi also organises the experimental ambient music festival Ground Hum at home in Seattle and says the songs on this EP are a means of emotional processing. Violence, oppression, drugs, sex, growth, hope, and deep magic are explored through futurist techno tracks. "This EP represents a new era of healing for me, tracks created through a need to reflect on the way trauma has shaped my creative work. For me these tracks are musical building blocks to a better version of myself." The compelling 'Top Me' opens up with pulsing deep techno drums, bass, and loopy vocal fragments that bring plenty of edge. '2 Balloons for 15' is more clanking and textured, with percussion ripping up the minimal rhythm and synths growing in intensity next to warped vocal mutterings. 'On Some ‘Rear Window’ Shit' is another deliciously dark and driving take on mutant techno with twisted metal and whirring machine sounds, and 'It Only Takes One Brick' is powered by distorted bass rumbles straight from a sleazy warehouse and peppered with twitchy stabs and menacing voices. Remixer Bergsonist is Morocco-born but NYC-based. She explores notions of identity, memory, and social politics in her work. She is the founder of the community resource Pick Up The Flow and the Bizaarbazaar label, and hosts monthly shows on NTS Radio. Her first take on 'It Only Takes One Brick' is gloopy and off-balance - a perfectly heavyweight house cut with vast kicks and tripped-out details. The second one is just as thumping, but this time with a broken beat pattern and more sci-fi synth details. A trio of digital-only cuts then closes out the EP - the stripped-back but booming techno-paranoia of 'Eric’s House 3am', the glitchy and industrial textures of lineal banger 'Gives Me Hope For Us' and the spooky synths and eerie energy of the urgent 'Witchcraft.' This most direct yet detailed EP explores plenty of fresh techno ground.

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V.A.

LP | 2024 | EU | Original (PLYGRND)

17,54 €* 26,99 € -35%

LP | 2024 | Original (Preisner Productions)

Release: 2024 / EU – Original

Genre: Hip Hop

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Twentysix artists, lots of wine and pizza, no agenda. This compilation is a collection of vibes and memories from our PLYGRND Beat Retreat in Tuscany, Italy, wrapped in songs. Featuring tracks by Kiefer, Sara Kawai, Flozigg, Adia, Kaelin Ellis, Molly McPhaul, Burrito Eats, DAO, Desh, Dhanya, Elaquent, Elijah Fox, Glimlip, Joe Bae, K Le Maestro, Louk, Mad Keys, miamore, Miri, Nokiaa, Paul Grant, DEOVI, Relyae, Saltyyyy V, Sebastian Kamae, and Tom Doolie.

Driving up a hill lined with pine trees and grapevines, arriving at a beautiful arrangement of terracotta colored houses embedded in an unreal scenery made of grapevines and verdurous greens. Roaming this area, worrying about nothing but the day that lies ahead. Bumping into fellow creatives who share the same passion for music and art. Collaborative energy coming out of this; exploring new sounds with new souls. You capture yourself getting lucky, and think to yourself: Don’t take it too seriously, it’s not that deep. But also, make some beautiful stuff, if you can.

This year's compilation is a testament to the rich diversity of talent on display. The PLYGRND Beat Retreat Compilation 2023 is not just a collection of tracks; it's a celebration of the artists who brought their A-game to our event. Get your hands on this exclusive gatefold-vinyl, and immerse yourself in the sounds that defined the PLYGRND Beat Retreat 2023. Limited edition, high-quality, and a must-have for any music enthusiast.

Blue vinyl in gatefold sleeve.

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Zbigniew Preisner

Melancholy

Release: 2024 / Original

Genre: Organic Grooves

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Grand Canyon

the trip of a lifetime.

You're locked in beauty, the memories of the limestone, the secrets of the mountains.

When you approach them, you have the distinct impression that you're facing castles, monasteries, cities;

but they suddenly disappear, like fantastical dreams, illusions, or mirages.

You become a traveller in the land of dreams and Fata Morgana.

It's a place, where only Silence speaks.

And it was this Silence that inspired me to compose
"Melancholy".

Zbigniew Preisner

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Charles Peterson

Nirvana Signed Edition

Minor Matters Books

99,99 €*

LP | 2012 | US | Reissue (Sentient Ruin Laboratories)

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Limited edition signed by the author.

For millennia, “nirvana” has been a term associated with belief systems of the Indian subcontinent. But in 1988, a band from a small coastal town in Washington state decided to create some new associations with this word . . . through their music.

Active for just six years, Nirvana left an indelible mark on the late twentieth century that remains visible today. Photographer and self-described “music fanatic” Charles Peterson, a fellow twenty-something from the suburbs of Seattle, was present with his camera as a genre took form, and his images have become synonymous with the sounds, styles, movement and attitude known as grunge.

Charles Peterson’s Nirvana, in the tradition of many great documentary photobooks, expands beyond Peterson’s iconic images of the band seen repeatedly over the last thirty years (on album covers, in magazines, and in dozens of compilation books and exhibitions focused on this music and its birth era) to highlight gems never before published. Over a five-year photo edit, Peterson looked at each one of thousands of frames, considering what drew him to Nirvana in the first place—their songs. He honed in on the compositions that stimulated visceral memories of their live performances.

The resulting selection of photographs and their carefully constructed sequence mash up venues and years, suffering and the sublime, to arrive at a visual experience that one cannot help but also feel, and hear.

Book design by Jeff Kleinsmith.

9 x 12.25 inches vertical; ~90 black and white photographs; 168 pages;. Hardcover. Foreword by Krist Novoselic.

Charles Peterson (b.1964, Longview, Washington) is internationally known for his photographs of the Seattle music scene of the late eighties and nineties. He began making photographs while a student at Bothell High School, and then went on to study photography at the University Washington, where he first met as friends many of his future subjects.

Peterson’s distinct visual style and early work for Sub Pop Records became an important signifier of the phenomenon known as grunge.

His photographs have been featured in numerous publications, as well exhibited in group and solo exhibitions around the world. They are included in many private collections, and the permanent collections of the Seattle Art Museum and MoPOP.

Krist Novoselic (b. 1965, Compton, California) is co-founder of Nirvana.

Nirvana originated in Aberdeen, Washington in the late 1980s through the energies of Novoselic and Kurt Cobain. They were joined by drummers including Chad Channing (1988–1990) and David Grohl (1990–1994). Nirvana’s live performances, music videos, and albums Bleach (1989), Nevermind (1991), Incesticide (1992), In Utero (1993) and MTV Unplugged in New York (1994) made their music a defining component of the late twentieth century internationally.

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Chaos Echoes

Tone Of Things To Come

35,99 €*

LP | 2024 | UK | Original (Upset The Rhythm)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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The ten year anniversary of Chaos Echœs' first ever release, celebrated as a limited edition vinyl reissue with enhanced artwork to homage and consecrate the origin of an unforgettable legacy that will never fade our memory's reach. With 2012's "Tone of Things to Come" Chaos Echœs instantly established themselves as the very future of underground extreme metal, elaborating a formula rooted in arcane sepulchral dark death metal characterized by lengthy instrumentals and innovative detours deep into remote areas of history, art, culture and lore that would dictate the rhythm and tempo of a staggering metamorphosis of ascension. Still rooted in the legacy of Incantation, Morbid Angel, and Immolation, at its inception "Tone of Things to Come" had however already revealed widespread mutations in the fabric of conventional extreme metal and opened the eye of transformation, with its omniscient glare gazing through a spectral veil concealing abhorrent forms of ritualism and exploration within it. Enigmatic minimalisms crafted from unconventional instrumentations and improvisational free-flowing jam sessions were an already well established means of transcendence and transmutation within this earliest form of the band, and "Tone of Things to Come"'s oracular load of experimentation was already foreboding musical changes in consciousness and perception on a massive scale lurking not too far away on the horizon. A would-be future for extreme metal which we all now too-well know, love, and will forever miss. There will never again be an entity quite like Chaos Echœs, one capable of opening worlds within the listener and which had become such a synonym of transformation and of the fearless defiance of dogmas and conventions. A beacon for metamorphosis and boundary-dissolvement bridging effortlessly the sidereal distances between performance art, world music, ritualism, and death metal, that would help cement thereafter the undeniable and manifested explorative genetics of extreme metal. And as the sands of time and the immortality of this legacy fixate the greatness and majesty of those who dare, burning them forever into our minds, "Tone of Things to Come" remains a reminder for all that great legacies are built on great transformations, and the courage that motivates them.

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The Pheromoans

Wyrd Psearch

15,74 €* 20,99 € -25%

LP | 2024 | JP | Original (Sad Disco)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Pheromoans are tenants of an unruly domain. Over the last 18 years the group have evolved from garage rock primitivists to auteurs of their own curious sound; a frothy brew of loose electronics, refractory rock and humdrum musing. Their songs are mutable, capricious, unreliable narrations, often withholding as much as they reveal. Russell Walker’s understated vocal has always been the band’s unifying focus, it is wry, unsparing and wilfully honest. Walker’s lyrics are an observational tour de force, sometimes droll, yet often tipping over into unlikely pathos. With previous releases on Upset The Rhythm, Convulsive and Alter, 2024 will witness The Pheromoans return with lucky album number 13, entitled ‘Wyrd Psearch’ (out March 1st on Upset The Rhythm).

‘Wyrd Psearch’ was recorded in Lewes throughout 2023. This was undertaken by founding member James Tranmer, his keen instinct for how the band should sound shaping many of the creative decisions. Joined by new guitarist Henry Holmes, the five piece doubled down on a decidedly breezy, melodic approach. Scott Reeve’s drumming is ever brisk, whilst Daniel Bolger explores AOR peripheries on keyboard and bass. “Wyrd Psearch finds us on relatively zestful form” affirms Walker “whether it be merrily recalling the Jason Williamson / Tim Lovejoy Covid summit, or mentally bathing in the pleasures of lunch hours spent strapped to a listening post in Borders.” With The Pheromoans there is always a familiarity at play, only broken and reassembled, like a bygone sitcom gone rogue in your memory. This contributes to the group’s peculiarly British outsider perspective, one that shouts from the sidelines, but never goes unnoticed.

Subjects covered lyrically on ‘Wyrd Psearch’ include “mid-life crises, male pattern baldness, and thwarted artistic and personal ambitions” according to Walker himself. “Nothing is off limits for scrutiny, even rural arts communities” he concludes. Lead single ‘Downtown’ swings with chiming guitars and finds Walker mid-breakdown trying to persuade a loved one to accompany him into the town centre to collect controlled medication and wind back the clock to happier times. “I want to keep you in cotton wool until pay day” he confides. ‘Cropped to Death’ and ‘Father Austin’ are ruminative and more relaxed in nature, whilst ‘Twibbon Wife’ is a more energetic effort, all jabbed synth chords, circuitous basslines and rampant drum fills. ‘Faith in the Future’ similarly bounds along with reverie.

Walker claims that the album’s title is an expression of his frustration at the ubiquity of people claiming things are eerie or weird / wyrd in the present cultural milieu. The artwork for the record is designed as an actual word search too, a knowing nod to how we all grapple for meaning amongst the absurdity of each day. Leaning into ‘weird’ as a coping mechanism is not on The Pheromoans’ agenda however. This album holds little sway with the supernatural, it’s not enough. The overriding impression given by ‘Wyrd Psearch’ is of a band renewed with ideas. There’s no trouble finding the right words, they’re hitting their mark, keeping up with the commentary. ‘Wyrd Psearch’ is a document of The Pheromoans

mastering their unquiet moment.

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Hiroki Ishiguro

Koh Maiton

39,99 €*

Old Eyes, New Heart White Vinyl Edition

Release: 2024 / JP – Original

Genre: Electronic & Dance

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The first vinyl reissue of Hiroki Ishiguro's masterpiece "koh Maiton", which has been gaining attention from diggers and collectors in recent years after being featured on the groundbreaking compilation album "Heisei no Oto: Japanese Left-Field Pop From the CD Age (1989-1996)" from one of the most renowned label "Music From Memory". Hiroki Ishiguro is a Tokyo-based pianist, synthesizer player, and composer born in Chigasaki City, Kanagawa Prefecture, who has composed and produced numerous studio and support musicians, videos, and event music. This is the first ever analog release of his second solo album, "koh Maiton", released in 1993, while the song "Unity" was also picked up for the aforementioned "Heisei No Oto" and was highly sought after in the context of the New Age revival and beyond. The album was created during a stay on Ko Mai Thon, a small island near Phuket, Thailand, and includes a total of 10 melodic and poetic songs, including "eternal", reminiscent of nostalgic video game music from the early 2000s, "Unity", a gem of city jazz that reflects a sophisticated urban nightscape, and "epilogue", a new age fusion number with an ethereal and transparent feel that echoes the world of Ken Muramatsu's "+blue". This is a must-listen album recommended to a wide range of listeners, from city pop to fusion to new age / ambient fans!!

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Madder Mortem

LP | 2024 | EU | Original (Karisma)

42,99 €*

LP | 2023 | EU | Original (Innovative Leisure)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Reaching the end of a strenuous journey beset by turmoil and loss, Madder Mortem is finally ready with their 8th studio album “Old Eyes, New Heart”. Emerging five years after its predecessor "Marrow", the time in which “Old Eyes, New Heart” was made has been a troubled one for the Madders - and in the winter of 2023, Agnete and BP’s dad Jakob passed away. Having always been a huge supporter of the band, Jakob’s backing was essential in launching the band's recording career almost 30 years ago. Being an artist himself, Jakob had prepared two paintings especially for the album and with the adaptation and additional design by long-term Madder collaborator Costin Chioreanu, the cover artwork for “Old Eyes, New Heart” was completed. Even though Jakob didn’t live to see the finished album, he would have been immensely proud to see his art on the cover, and the album is dedicated to his memory. Lyrically and musically, the album deals with hope, disappointment, and the ambivalence between them. It is music from old hearts and deep roots, with new eyes open to the unlimited possibilities of 12 notes, but always with the desire to write a good, honest song. Recorded and produced by guitarist BP M. Kirkevaag, it shows one of Norway’s most interesting bands embracing a multitude of directions spanning from post-metal heaviness to soft Americana grooves and everything in between. Fronted by one of the genre's greatest and most unique voices, it is an album full of surprises, but at all times unmistakably Madder.

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Dada Joaozinho

Tds Bem Global

Release: 2023 / EU – Original

Genre: Organic Grooves

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2LP | 2001 | CA | Reissue (Blackground)

Timbaland & Magoo

Indecent Proposal

12" | 2024 | UK | Original (Slush)

Release: 2001 / CA – Reissue

Genre: Hip Hop

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Widespine Jacket, Black Vinyl. Indecent Proposal is the second studio album from Norfolk, VA duo Timbaland & Magoo. Originally released in 2001, the album features Magoo's Q-Tip-like flow and Timbaland's distinct production style drawing from reggae, retro and soul. Features include early appearances from Jay-Z, Twista, Petey Pablo and Ludacris, as well as looks from Aaliyah, & Static Major. Released nearly two months after Aaliyah's untimely passing, the album was dedicated to the memory of "Babygirl."

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Andy Falconer

Transmissions

13,59 €* 15,99 € -15%

LP | 2024 | Original (Holly North)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Slush Records, the brainchild of London-based DJ Lora Mipsum, unleashes its first release, a much called for reissue of Andy Falconer’s finest EP from 1995 ‘Transmissions’. Remastered from the original DAT, it’s an introspective, absorbing and enticingly expansive roam through the realms of downtempo, electronica, progressive house and experimental sounds.

Best known for his work with The Orb between ‘91-‘94, you’ll also find Falconer’s name nestled in the credits of many other seminal works including albums from The Art Of Noise, Hypnotone and System 7. It’s no surprise then that the Transmissions EP, that landed in 1995, captures the essence of the early ‘90s expertly. An amalgamation of genres within each track, blurring the lines masterfully between them all.

Opening the EP, ‘Afghan Receptor No.9’ plots a driving orbit, rolling seamlessly from a dubbed out intro, into a progressive warper. A track that builds eagerly in intensity, with layer upon layer of mind-bending synths, a whomping bassline, and even Falconer’s old Canon printer sampled to top, tail and weave into the sonics of this track.

On the B side, the title track is an immersive, all-encompassing lunar excursion that engulfs you within Falconer’s soundscape odyssey. Centred around a spacey stuttering synth, hypnotising Roland S-50 harp and dream-inducing keys, it’s a spellbinding swell of emotive brilliance, interspersed with moon landing transmissions that reverberate through your brain.

Finally, like a slip back through memories in a dream, ‘Koda (Dreamscape No.1.1)’ is a psychedelic, ethereal and haunting slice of experiential ambience that provides the perfect closing sequence to this magical EP.

Transmissions takes all of Falconer’s knowledge and production prowess, creating three tracks that nod to those he’s worked with in the past, yet plotting its own course to a far off dimension.

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Holly North

No City No Sea

18,99 €* 19,99 € -5%

Sacred Geometry V "The Source" Control Vinyl

Release: 2024 / Original

Genre: Electronic & Dance

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Limited to 300 copies. Each one is unique due to the cover print.

"What you are hearing is a journey of colors, an allegory of thoughts and feelings that were always too hard to tell and too easy to forget. Like an allegory, this music tries to dismantle complexities and borders of thought while it constantly transforms and reinvents its meanings.

This curation of sounds is more than just an exhibition of memories, it is a collection of trains of thoughts that depart as clear feelings but arrive as ambiguous melodic reminiscences of almost forgotten notes."

Holly
Spring 2023

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Serato

54,99 €*

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Sacred Geometry is an exploration into existence as expressed through geometric shapes. A visual representation of the origins of life, the universe and our world. It all starts with a circle, the most perfect shape known to mankind: from it, life emerges. The sun, the moon, planets, circles are everywhere in the natural world, same for Serato, DJ's, the vinyl, a simple circle has become a fundamental tool in the control, creation and expression of our art.

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LP | 2024 | US | Original (Big Crown)

BRSB Black Vinyl Edition

LP | 2024 | Original (Pensaments Sonics)

Release: 2024 / US – Original

Genre: Organic Grooves

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Bacao Rhythm & Steel Band, the mysterious steel pan out¬t hailing from Hamburg, Germany have amassed a cult following around the globe. With a slew of classic 7"s and three critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their fourth album Brsb, Bacao are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to underground album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. While part of the allure of a new Bacao Rhythm & Steel Band album is ¬nding out what covers they do it is equally intriguing to see what original tunes they cooked upland this record is foul of stand out originals. The album opener, "In The Crosshairs" is a rough and tough mid tempo head nodder while both "Grilled" & "Treasure Quest" pick up the tempo with heavy African Funk in uences on both. Bacao goes deep with "Hazy Memories", a bass heavy slow burner that walks a line between hypnotic and hype. All these originals stand as testament that the term "cover band" is a shoe that could never ¬t Bacao. However, in the tradition of steel pan music, they do a heavy amount of covers. This time around there is a big West Coast Hip Hop in uence with covers of Game & 50 Cent's "How We Do", Dr Dre & Snoop Dogg's "Nuthin But A G Thang", and Tupac's "Got My Mind Made Up" all of which take on new energy and lend themselves to the Brsb steel treatment. Bacao puts another certi¬ed dance oor ¬ller on their resume with their cover of Claudja Barry's uber Disco classic "Love For The Sake Of Love" which they ip into a dubbed out affair aptly changing even the title to "Love For The Sake Of Dub". Pulling from the contemporary smash hit section of Hop Hop they cover Drake's "Hotline Bling" and "Love$ick" by Mura Masa & A$ap Rocky. Then they go very unexpected with "Stranger Things Theme" where they take the synth heavy theme song to the hit show and give it a more hypnotizing tone than the original. By the time Brsb is through, Bacao has taken the listener on a journey spanning a myriad of energies, tempos, and moods while keeping it all under one umbrella. For all that, these songs are alive, and they will be taken out of the context of this album and sewn into the fabric of DJ sets around the globe for many years to come. Bacao Rhythm & Steel Band continues building their legacy and pushing the boundaries of steel pan music forward with another rock solid musical offering. Enjoy.

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Nexciya

Endless Path Of Memory

Release: 2024 / Original

Genre: Electronic & Dance

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The Golden Sword (Torero Impressions In Jazz)

Gerald Wilson Orchestra

LP | 1966 | US | Original (Pacific Jazz)

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2CD | 2023 | BE | Original (Matière Mémoire)

Charlemagne Palestine

God Bear Archives 1

22,99 €*

Release: 2023 / BE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 2018 | EU | Original (Devilduck)

Shred Kelly

Archipelago

19,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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12" | 2024 | UK | Original (Motech)

DJ 3000

Kashkaval EP

15,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"The 'Kashkaval EP' marks DJ 3000's fourth vinyl release, stemming from his acclaimed 'Mezë' album. This EP encapsulates DJ 3000's evolution, weaving a narrative from his Albanian heritage to his current thriving career. 'Kashkaval EP' stands as his most intimate and comprehensive work to date, embodying a profound musical odyssey. It extends an invitation to all, urging them to partake in a celebration of diverse cultures and a symphony of sound that transcends geographical boundaries. Through meticulously crafted tracks, it guides listeners on a shared and cherished voyage, forging connections through the universal languages of music, culture, and food.” Kashkaval - Is a cheese originating from the Balkans. When producing this electro track, it all came together quite swiftly, to be honest. I only needed one final element to complete it. Coincidentally, my dad was discussing this cheese at the time, so I recorded him talking about it on my phone and seamlessly integrated it into the track. I applied various effects and kept it subtle in the mix, making it almost unrecognizable in Albanian. The chords fell into place after that. Constant Sorrow - This song took shape during the pandemic. I had nearly completed the concept, and for some time before that, I had been in conversation with producer and vocalist Keith Caden. I believed his vocal talents would be a perfect fit for this track. I shared the track and its title with him, and he subsequently wrote the vocals, even contributing harmonica and a few other embellishments. I'm particularly fond of this electro-style track, and Keith's vocals truly bring a unique and special dimension to it. From The Ashes - Electro played a significant role in this album. When I mention electro, it's not the typical style of tracks but rather a more unique approach. The vocals on this album truly infuse profound meaning into the songs, and I have a deep appreciation for the way the chords resonate and create a dynamic bounce in the tracks. Crown Royal - There's an amusing backstory to the essence of this track. "Crown Royal" harkens back to a liquor we used to enjoy back in the day. We'd have our Crown Royal and pair it with those Black & Mild cigars – quite the combo! This track was born from the memories of those late-night drives back home from the club.

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CD | 2024 | US | Original (Big Crown)

BRSB

Release: 2024 / US – Original

Genre: Organic Grooves

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BRSB Yellow Vinyl Edition

LP | 2024 | US | Original (Big Crown)

Release: 2024 / US – Original

Genre: Organic Grooves

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BRSB HHV Exclusive Yellow Steel Vinyl Edition

LP | 2024 | US | Original (Big Crown)

The Golden Age Of Love Yellow & Purple Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Limited to 200 copies.

Bacao Rhythm & Steel Band, the mysterious steel pan out¬t hailing from Hamburg, Germany have amassed a cult following around the globe. With a slew of classic 7"s and three critically acclaimed full length albums, they set a high bar for themselves, one they clearly intend on pushing even higher with this new offering. On their fourth album Brsb, Bacao are back with more of the same, but more of the same with them is inherently different. Covering songs that span genres and range from mega hits to underground album cuts, they make them their own with their unique approach to the traditional steel pans of Trinidad and Tobago. While part of the allure of a new Bacao Rhythm & Steel Band album is ¬nding out what covers they do it is equally intriguing to see what original tunes they cooked upland this record is foul of stand out originals. The album opener, "In The Crosshairs" is a rough and tough mid tempo head nodder while both "Grilled" & "Treasure Quest" pick up the tempo with heavy African Funk in uences on both. Bacao goes deep with "Hazy Memories", a bass heavy slow burner that walks a line between hypnotic and hype. All these originals stand as testament that the term "cover band" is a shoe that could never ¬t Bacao. However, in the tradition of steel pan music, they do a heavy amount of covers. This time around there is a big West Coast Hip Hop in uence with covers of Game & 50 Cent's "How We Do", Dr Dre & Snoop Dogg's "Nuthin But A G Thang", and Tupac's "Got My Mind Made Up" all of which take on new energy and lend themselves to the Brsb steel treatment. Bacao puts another certi¬ed dance oor ¬ller on their resume with their cover of Claudja Barry's uber Disco classic "Love For The Sake Of Love" which they ip into a dubbed out affair aptly changing even the title to "Love For The Sake Of Dub". Pulling from the contemporary smash hit section of Hop Hop they cover Drake's "Hotline Bling" and "Love$ick" by Mura Masa & A$ap Rocky. Then they go very unexpected with "Stranger Things Theme" where they take the synth heavy theme song to the hit show and give it a more hypnotizing tone than the original. By the time Brsb is through, Bacao has taken the listener on a journey spanning a myriad of energies, tempos, and moods while keeping it all under one umbrella. For all that, these songs are alive, and they will be taken out of the context of this album and sewn into the fabric of DJ sets around the globe for many years to come. Bacao Rhythm & Steel Band continues building their legacy and pushing the boundaries of steel pan music forward with another rock solid musical offering. Enjoy.

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Younger Than Me

2LP | 2024 | UK | Original (90's Wax)

12" | 2024 | EU | Original (Bordello A Parigi)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Younger Than Me announces his debut full length "The Golden Age Of Love", to be released on 90's Wax this coming March 2024. The record is the perfect example of the breadth of his irrepressible and unique sound. Featuring collaborations with Massimiliano Pagliara, Brame & Hamo and Pablo Bozzi. The artist is an Italian native known for a modern interpretation of '90s club music' - a dynamic blend of Progressive House, Trance, EBM, Breakbeat, and Techno ideas. This first album is a love letter to a deep-rooted passion for the idiosyncrasies of rave culture and the crossover points with contemporary electronic music.

Younger Than Me, an artistic project by Francesco Mingrino that is steeped in the nostalgia of ‘90s rave, yet not at all trapped in that past. A project that has cemented a special place in the electronic music scene with a string of records on labels like Bordello A Parigi, Amsterdam-Utrecht based platform XXX, Rotterdam’s Bar and Jennifer Cardini’s Dischi Autunno. To this point Francesco has pushed his fun yet forceful sound, with many releases on his own 90's Wax, and collaborations with people like Skatebård, Francesco Farfa, Timothy Clerkin and Curses (as Y2c).

"The Golden Age Of Love" as a package is curated in Younger Than Me's characteristic style. Opening with "Long Life Death", a track that sets the stage with a cinematic soundscape in a classic Carpenter vibe. Picking up the tempo "Zarathustra Dance" takes you right into the golden age itself, its low slung beat and carefully sequenced lead line pushes an ever building tension designed to crack any dancefloor. The track with Massimiliano Pagliara, "Eternal Sunshine Of Solitary Mind", is one of the highlights, perfectly building around a catchy lead with tight arpeggio and sequenced acid. Leading us into the 2nd half of the record "Sadness Is The Only Way To Happiness" is a proto-trance beast, inspired by that period in the early 90s when Trance was less bright lights and big stages and more dark rooms and smoke filled spaces, an ever building progressive run of haunting vocals, rave stabs and rolling bass.

Whilst YTM is at home presenting dancefloor focussed material, we see him explore the other side too, with "Memory Is A Clock" like the earlier "Vortix", he ditches the 4x4 for breakbeat territory. Whilst the bass keeps the solid metronome you would expect, "Memory Is A Clock" is a track that takes a few moments, contemplative melody and trademark arpeggios take the lead. When it comes to the other collaborations on the record, the appearance of Brame And Hamo on "Raver's Heart Is A Mess" sees them lean into the Progressive nature both artists love so much. Then Pablo Bozzi lends his own unique outlook to "We Don't Know The Way, We Just Stay" in one of the standout tracks, epitomising Younger Than Me’s ability to create profound experiences.

The album concludes with "Music Will Never Stop, Heartbeat Will Never Fade, Party Will Never End", less of a title and more of a personal philosophy – the perpetual essence of rave culture and its timeless impact on music. A rhythmic belter, juxtaposed with incendiary synth-lines and staple catchy sequence work, finishing the record with one of the true highpoints. In addition the release also features four digital bonus tracks, including "The Other Face Of Loneliness" and a Prog Dance Reshape of one of the records more eclectic cuts "Zarathustra Dance" all offering an extended exploration into the creative landscape YTM inhabits.

"The Golden Age Of Love" is a debut album that ticks all the boxes; it's a celebration of a bygone era through the lens of the contemporary. Younger Than Me stands as a testament to the enduring spirit and evolving nature of the music that began in the ‘90s rave scene, with an LP that pushes Love, Progression and Fun to the forefront.

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Heinrich Dressel

Obscure Cities EP

15,99 €*

Talk Memory Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Few artists have done as much as Heinrich Dressel to rekindle the genre of soundtracks. Even fewer are as capable as the Italian at writing such silver screen scores. Yet, Valerio Lombardozzi is much more than just one style. He has shown this time and time again, doing so once more with The Obscure Cities. Works of fiction, rather than film, are the fount of inspiration with tracks drawing on the likes of J.G. Ballard, Francois Schuiten, Benoit Peeters and Valerio Mattioli. The listener is transported to worlds of Dressel’s own making, landscapes of melody, textures of bass punctuated by drums. “Galatograd” opens. From understated beginnings, the track expands into a symphony of strings as columns of warmth descend. Tempos rise for “Eden Olympia”. A different tone is set. Juddering arpeggios and clean snares are elevated by bright and hopeful keys that sparkle with an enthusiasm and innocence. Deep unctuous bass gives way to gliding notes for “Remoria”. A piece where melodies and memories melt in the morning dawn. “Mylos” is the last visit of the EP. Delicate, almost fragile, notes are buttressed by drum patterns in this hazy dreamlike finale.

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BBNG (BadBadNotGood)

LP | 2021 | UK | Original (XL)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Near Mint

TB-303 / TR-606 Limited Edition Control Vinyl

Serato

54,99 €*

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LP | 2020 | EU | Original (Improved Sequence)

Ed Askew

2020

19,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Ed Askew has been in NYC for 30 years. A few years ago he moved from Washington Heights in Manhattan to Ridgewood in Queens. And starting next month, he will be in Bedford Stuyvesant in Brooklyn.During all this time, Ed developed a home recording method which is very nuanced and at the same time concise. Ed’s harpsichord, tiple, synth and a muscular use of Pro Tools all play a role. His lyrics are on a whole new level; and his voice is his own. 2020 Seven Songs is his most recent home recording and the first one made this year.“Starting in January, “coffee in the afternoon, chocolate cake and copper pennies” -- the album begins by looking forward to less difficult times, warm weather and days at the beach.2020 is an experimental piece that talks about young bands and continues an optimistic thread.Make a Wish evokes a certain reconciliation with lost love. You’ve experienced this. We are in February.In March, I am holed up in my apartment. I make another song; watch TV and contemplate the passing time, romance, and make some small paintings.144 is a short piano piece, I play it on my classic Alesis synth.The beginning of March brings to mind San Francisco memories as I watchquarantined musicians play from home.It seems that I am “waiting for the end of time” at the end of March. I’m working on songs and painting a bit. I remember 1967 and the time I spent in Harlem after I moved to New York as I hear late night ambulances on my street.”Ed Askew, NYC, 2020

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Sneaker Freaker

2024 - Issue 49

10,79 €* 11,99 € -10%