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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

58,99 €*

Wildflowers & All The Rest

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Tom Petty

3LP | 2020 | EU | Original (Warner)

46,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Scaring The Hoes DLC Pack Lavender Vinyl Edition

JPEGMAFIA & Danny Brown

LP | 2024 | US | Original (Peggy)

31,99 €*

LP | 2006 | US | Reissue (Get On Down)

Release: 2024 / US – Original

Genre: Hip Hop

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Lavender Vinyl, 12" EP. JPEGMAFIA and Danny Brown return for the EP extension of their 2023 critically acclaimed album, SCARING THE HOES. SCARING THE HOES: DLC PACK contains four new songs that continue to showcase the energy and quirk of the duo that was revered on the full length album by Rolling Stone, Pitchfork, NPR and many more. These four songs continue to show off JPEGMAFIA and Danny Brown's impressive lyricism and exhilarating dynamics when the two come together.

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Too $hort

Blow The Whistle

36,99 €*

Release: 2006 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-08

Presented FOR THE First Time Ever ON Vinyl AS A Double LP IN A Gold Vinyl Pressing With A Fold-out Insert In 1996 Too $hort almost retired with album number ten, but of course, he couldn't stay away from the game. In 1999 he returned with Can't Stay Away and would pick back up his streak and release a new album every year until 2003. He had been living in Atlanta for several years and the ATL influence was growing on him as each album would feature more southern Hip-Hop artists and producers. Too $hort was starting to get crunk and made appearances on Lil Jon and The Eastside Boyz albums as their sound was growing in popularity in the early aughts. Lil Jon jumped on Too $hort's 14th album What's My Favorite Word in 2002 and would produce five songs on the 2003 follow up Married To The Game. $hort was not about to retire but took a three-year hiatus after the release of his 15th album. He returned in 2006 and dropped the hyped-up Lil Jon single "Blow The Whistle" and followed with his 16th studio album of the same name with Lil Jon and Jazze Pha behind the boards. The album is a mix of crunk, club, classic pimp tales, and some East Oakland hyphy courtesy of Droop-E and Rick Rock. Almost 20 years later "Blow The Whistle" can get any club or stadium bouncing and Too $hort don't stop rappin'.... Get On Down is proud to present Blow The Whistle for the first time on vinyl.

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

57,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Mountain Q Jacket

169,95 €*

Available Sizes: S, M, L, XL, 2XL

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The 1990 Mountain Q Jacket by The North Face is a perfect bad weather design that's lightweight as well as waterproof, thanks to sealed seams. Plus, custom DryVent™ technology wicks sweat away from the inside, so you will stay dry all day and night.

The North Face 1990 Mountain Q Jacket's features include:

• high-necked, drawstring-adjustable hood with metal eyelets
• YKK metal front zipper with custom pull and waterproof coating
• 2 slit pockets with hidden zip closure at lower front
• drawstring-adjustable bottom hem with metal eyelets and toggles
• stretch cuffs
• lightweight, breathable mesh lining
• interior chest pocket with zip closure at wearer's left
• The North Face branding printed at left chest at upper right back
• relaxed fit
• shell: 100% polyester 2L DryVent™, 111 g/m²
• lining: 100% polyester mesh and taffeta

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Asics x Above The Clouds

GT-2160

149,95 €*

Over The Hump 30th Anniversary Green Vinyl Edition

Available Sizes: EU 37½, 39, 40, 42, 42½

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The Asics x Above The Clouds GT-2160 pays homage to the technical design language of the GT-2000 series that made a splash in the early 2010s. Co-designed by Australian brand Above The Clouds, this version of the Asics GT-2160 maintains the heritage of the heritage trainer while retaining key features like the sleek, wavy aesthetic and wave-like shaping in the forefoot. Other significant details from the 2010s on the Asics x Above The Clouds GT-2160 include a segmented midsole structure and cushioning GEL inserts in the midsole. This combination creates an industrial aesthetic that is met with advanced cushioning properties.

Asics x Above The Clouds GT-2160 - features:

• highly breathable open mesh plus translucent synthetic upper with synthetic overlays
• signature Tiger Stripes appliqués at side panels
• soft and breathable fabric lining
• foamed midsole with Gel™ cushioning technology
• non-slip outsole made from abrasion-resistant rubber
• Asics branding at tongue
• GEL branding at heel

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The Kelly Family

LP | 2024 | EU | Original (Kel-Life)

Release: 2024 / EU – Original

Genre: Pop

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LP | 2019 | EU | Original (Kompakt)

Weval

The Weight

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Straight in the wake of their eponymous debut LP released on the label back in 2016, Weval return to Kompakt this year with their sophomore album, 'The Weight', breaking their pop-mellow, nostalgia-friendly facet further out in the open as they arrive "at this place again were everything felt spontaneous, new and exciting, like we had in the beginning". Orbiting around that ever luminous yet wistful melodic halo that surrounds their music, this second full-length effort sweeps an extra-wide and languidly woven palette of emotions and moods, making for a uniquely ambitious and generously coloured mosaic of sound.

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Asics x Above The Clouds

GT-2160

149,95 €*

7" | 2024 | EU | Original (BBE Music)

Available Sizes: EU 37½, 39, 39½, 41½, 42, 42½, 43½, 44, 44½, 46, 47

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The Cromagnon Band

Bad Night Quadrant

19,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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Waltz For Debby Craft Ojc Series

The Bill Evans Trio

LP | 2023 | US | Original (Craft)

46,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

2LP | 2024 | US | Original (Light In The Attic)

53,99 €*

Sin Miedo (Del Amor Y Otros Demonios)

Release: 2024 / US – Original

Genre: Rock & Indie

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Kali Uchis

LP | 2021 | EU | Original (EMI)

Release: 2021 / EU – Original

Genre: Pop

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Undun Black Vinyl Edition

The Roots

LP | 2018 | EU | Original (Def Jam)

22,99 €*

LP | 1993 | US | Reissue (Dischord)

Release: 2018 / EU – Original

Genre: Hip Hop

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Official and limited reissue on Def Jam. Previously released as a 2LP set, this version has now been converted to 1LP, in addition to a limited edition CE color vinyl version.

Undun is the tenth studio album by The Roots, released on December 6, 2011. It is a concept album that tells the tragic, reverse-chronological story of a fictional character named Redford Stephens, a young man who becomes involved in a life of crime and meets an untimely death. The album explores the themes of fate, choice, and the socio-economic pressures that lead individuals into cycles of poverty, crime, and existential struggle.

Undun is told in reverse order, beginning with Redford’s death and slowly moving back through the key moments of his life that led to his demise. This structure provides a reflective, somber narrative, examining the forces that shaped his decisions and eventual downfall.
The album’s narrative structure emphasizes the sense of inevitability and regret, making it a powerful meditation on the fragility of life and the consequences of choices.
The character of Redford Stephens was inspired by a piece of music by composer Sufjan Stevens, titled "Redford (For Yia-Yia and Pappou)." This instrumental track is reinterpreted and appears toward the end of the album, underscoring its emotional weight.

Musically, Undun is a mix of hip-hop, neo-soul, orchestral elements, and art rock. The production is lush yet sparse, with haunting melodies, complex arrangements, and The Roots' trademark live instrumentation.
Questlove’s drumming and Black Thought’s lyricism are central to the album, with the music often using minimalist beats and atmospheric soundscapes to complement the lyrical themes of existential despair and reflection.
The album also features moments of instrumental interludes, which add to the cinematic and conceptual feel of the project.

Key Tracks and Highlights:
"Sleep" – The album’s opening track (which depicts the final moment of Redford’s life) is introspective and haunting. Black Thought raps about the moments before death, with lyrics like "I’ve lost a lot of sleep to dreams" capturing the sense of hopelessness and inevitability.
"Make My" (featuring Big K.R.I.T.) – This single features a melancholic beat and lyrics that delve into regret and introspection, with Big K.R.I.T.'s verse complementing Black Thought’s meditations on life and death.
"One Time" (featuring Phonte and Dice Raw) – A standout track that focuses on the idea of seizing moments and making choices, set to a gritty, understated beat. Black Thought and guest rapper Phonte trade verses, exploring themes of existential crisis and fleeting opportunities.
"Kool On" (featuring Greg Porn and Truck North) – One of the lighter, more groove-driven tracks on the album, yet still reflective, with lyrics addressing Redford’s attempts to navigate the temptations and pressures of street life.
"The Otherside" – A soul-stirring track that looks at the crossroads between life and death, with deeply philosophical lyrics. Black Thought’s introspective verse, combined with Dice Raw’s somber chorus, reflects the haunting struggle between moral choices and survival.
"Tip the Scale" – A reflection on the difficulty of breaking free from the cyclical patterns of poverty and crime, with Black Thought delivering some of the most emotionally raw and philosophical verses on the album.
"Redford" (the instrumental suite) – A moving four-part instrumental conclusion, drawing from Sufjan Stevens' original composition. This suite, made up of piano, strings, and drums, evokes the emotional depth of Redford’s life and his ultimate fate.

Existentialism and Free Will: The album continually questions the role of fate versus choice. Redford’s life is portrayed as a series of decisions that, while influenced by his environment, ultimately lead to his downfall, raising questions about whether he had any real control over his fate.
Social Injustice and Poverty: Many of the lyrics explore how systemic injustice, poverty, and lack of opportunity can push individuals into lives of crime. The album highlights the harsh realities faced by young Black men in America, grappling with the intersections of race, class, and violence.
Regret and Reflection: Much of the album has a reflective, mournful tone as Black Thought and other guest vocalists deliver verses that look back at life’s moments, filled with what-ifs and regrets, exploring the loss of potential and the weight of past decisions.
Production and Collaborations:
The album is largely produced by The Roots themselves, with Questlove overseeing much of the production. The minimalist yet atmospheric production style mirrors the album’s darker themes, with an emphasis on live instruments.
Undun includes collaborations with Big K.R.I.T., Phonte, Dice Raw, Truck North, and Greg Porn, all of whom contribute to the narrative through their verses and vocal contributions.

Undun received widespread critical acclaim for its ambitious concept, narrative depth, and emotional resonance. Critics praised the album for its cohesive storytelling, complex themes, and innovative production.
Many hailed it as one of The Roots' best albums, with its conceptual depth and musical sophistication setting it apart from conventional hip-hop albums.
The album was noted for its maturity and introspective tone, marking a departure from The Roots’ earlier, more outwardly political works, and instead focusing on the internal struggles of the individual within a broken system.

Undun is often regarded as one of the best concept albums in hip-hop, comparable to works like Kendrick Lamar’s good kid, m.A.A.d city for its narrative depth and thematic richness.
The album’s reverse chronology and philosophical musings influenced other artists looking to explore more experimental and narrative-driven albums.
Undun reinforced The Roots' reputation as one of the most innovative and thoughtful acts in hip-hop, further blurring the lines between rap, live instrumentation, and high-concept artistry.

Undun is a deeply reflective and philosophical album, focusing on the life and fate of a character caught between the societal pressures and personal choices that ultimately lead to his demise. With its reverse storytelling, live instrumentation, and poignant lyricism, the album stands as one of The Roots’ most emotionally complex and musically innovative works. It challenges listeners to think deeply about the forces that shape lives and the fine line between survival and destruction.

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Fugazi

In On The Killtaker

19,99 €*

Release: 1993 / US – Reissue

Genre: Rock & Indie

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incl. Download Code

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You Can Be A Star!: Deep Disco & Crossover 70s Soul From The Now-Again & Soul-Cal Vaults 1972-1982

LP | 2024 | US | Reissue (Now-Again)

The Houston Kid Vinyl Me, Please Edition

Release: 2024 / US – Reissue

Genre: Organic Grooves

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The definitive survey of America’s independent 70s soul scene, and a companion piece to Now-Again’s long-running Soul Cal series. “(Soul Cal) captures the retro-utopian vision of a past where every smalltown record store or garage in the US might have hidden a virtuosic funk outfit; the thrill of knowing that jobbing musicians might be getting paid for the first time; plus the bittersweet knowledge that those that passed on are getting deserved recognition. And all that before you get the thrill of the music itself.” - Wire Magazine.

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Rodney Crowell

LP | 2001 | US | Reissue (Vinyl Me, Please)

When We Were That What Wept For The Sea

Release: 2001 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
The conventional way of talking about The Houston Kid, Rodney Crowell’s 2001 release and the greatest achievement of his 50-year career, is autobiographically. From this way of thinking, the album pretty straightforwardly looks at Crowell’s life growing up in the poor, white working-class parts of Houston, Texas in the 1950s and 1960s, the only child of J.W. and Addie Cauzette Crowell’s tempestuous, dysfunctional union. Hearing The Houston Kid this way isn’t wrong, of course, but it is incomplete.

For starters, if it’s Crowell’s actual life story we’re after, we’d be better off reading Chinaberry Sidewalks: A Memoir, the book project he began around the same time but didn’t publish until 2011. For another thing, The Houston Kid’s details and effects are autobiographically inspired, sure, but also rife with exaggerations, omissions and flat-out fictions. You know, art.

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Colin Stetson

LP | 2023 | US | Original (52 Hz)

45,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Beyond The Groove)

Tom Misch

Quarantine Sessions

21,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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The Bay-Bronx Bridge Splatter Vinyl Edition

Masters Of Illusion

7" | 2024 | US | Reissue (Threshold)

20,99 €*

LP | 1980 | EU | Reissue (Polydor)

Release: 2024 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-08

Kool Keith & Motion Man pay lyrical tribute to those who influenced them, over KutMasta Kurt’s mad dope JB chops to create a classic anthem that hip-hop heads around the globe consider to be an all-time classic joint! From their self-titled debut album Masters of Illusion released in 2000. Limited edition of 250 hand-numbered copies pressed on dope Splatter Vinyl and packed in a fresh full-picture cover by James Reitano who is best known for his amazing animation for MF DOOM’s 'all Caps' video.

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The Cure

Seventeen Seconds

22,99 €*

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Pendleton

The Original Westerley

439,95 €*

Love In The Time Of Science

Available Sizes: S, M, L, XL, 2XL

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Straight out of the Pendleton archives, The Original Westerley is a faithful rendition of a zip-front cardigan that was introduced in 1972. This beautiful knit item has been sported by The Dude in “The Big Lebowski” - you know what it means. The Original Westerley by Pendleton is equipped with a bold rib-knit, curved shawl collar, a semi-hidden metal front zipper with ring pull as well as a beautiful jacquard pattern. Relaxed fit; 100% lambswool; made in USA.

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Emiliana Torrini

LP | 2009 | EU | Reissue (One Little Indian)

Release: 2009 / EU – Reissue

Genre: Pop

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LP | 2016 | EU | Original (Underdog)

The Bongo Hop

Satingarona Part 1

24,99 €*

LP | 2023 | WW | Original (Big Scary Monsters)

Release: 2016 / EU – Original

Genre: Organic Grooves

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The Bongo Hop is the new afro Caribbean project presented by french trumpetist Etienne Sevet. On Satingarona Pt.1, friends from his Colombian years, like vocalist Nidia Gongora (Ondatropica, Quantic) rapper Maikcel (Zalama crew), but also famous producer multinstrumentalist Patchworks (Voilaaa, Dynamics, Taggy Matcher, Uptown Funk Empire,…) among others, join in for his first musical travel diary, inspired by 8 years as a Cali resident. In this first project, you can hear his personal take on tropical tempos, as he launches a storm of infectious grooves – ranging from highlife, to vallenato-meets-dub, dance hall, afrobeat, or kompa, combined with warm horns.

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Lambrini Girls

You're Welcome

26,99 €*

Release: 2023 / WW – Original

Genre: Rock & Indie

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The Metal Opera Pt. II Platinum Edition

Avantasia

2LP | 2023 | EU | Original (Afm)

39,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Yumiori Reversible Jacket

199,95 €*

Available Sizes: S, M, L, XL

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The North Face Yumiori Reversible Jacket is a versatile, reversible jacket designed for outdoor activities. Its comfortable standard fit makes it perfect for both hikes and casual use. One side is made from soft, recycled high-pile fleece, while the other is wind- and water-resistant, offering additional protection against the elements. This jacket is ideal for cold conditions and can be worn in the mountains or the city. With its full-zip design and functional pockets, it remains both practical and stylish.

The North Face Yumiori Reversible Jacket - Features:

• Reversible fleece jacket with a full zipper
• One side made from recycled fleece, the other wind- and water-resistant
• Zippered chest pocket
• The North Face® logo on the front and back
• Material: 100% polyester

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Himalayan Light Down Hoodie

246,95 €* 259,95 € -5%

The Heart The Mind The Soul

Available Sizes: L

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The North Face Himalayan Light Down Hoodie puts a premium alpinist twist on cold weather protection with an uncompromised classic aesthetic. This vintage design is equipped with quilted chambers as well as midweight padding.

The North Face Himalayan Light Down Hoodie - Features:

• high-necked hood with elastic bordering
• tonal metal front zipper with custom pull and interior storm flap
• The North Face logo printed at left chest and upper right rear
• 2 chest pockets with vertical zip closure
• 2 zip pockets at lower front
• drawstring-adjustable bottom hem with metal eyelets and toggles at the elastic draw cord
• stretch bordering at cuffs
• interior chest pocket with zip closure at wearer's left
• regular fit
• shell: 100% nylon rip-stop, 54 g/m²
• lining: 100% nylon
• insulation: 100% down (600 fill power)

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Tank And The Bangas

LP | 2024 | US | Original (Verve)

Release: 2024 / US – Original

Genre: Pop

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OST FLCL Black Vinyl Edition

The Pillows

2LP | 2021 | US | Reissue (Anime Limited)

64,99 €*

Return Of The Hellsingers Black Vinyl Edition

Release: 2021 / US – Reissue

Genre: Soundtracks

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Original soundtrack to the zany year 2000 classic anime series, FLCL, produced by GAINAX (Neon Genesis Evangelion, Gunbuster). The series gained a cult amongst western audiences following after a 2003 broadcast on the US "Adult Swim" programming block and features iconic tracks from Japanese alternative rock band, The Pillows.

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Hellsongs

LP | 2024 | EU | Original (Tapete)

27,99 €*

Release: 2024 / EU – Original

Genre: Pop

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2CD | 1998 | EU | Reissue (RMV Records)

King Tee

Thy Kingdom Come

18,99 €*

Release: 1998 / EU – Reissue

Genre: Hip Hop

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2LP | 1998 | EU | Reissue (RMV Records)

King Tee

Thy Kingdom Come

32,99 €*

LP | 2022 | US | Original (Waxwork)

Release: 1998 / EU – Reissue

Genre: Hip Hop

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The long awaited official release of "Thy Kingdom Come"! "Thy Kingdom Come", originally scheduled for release on June 30, 1998 on Dr. Dre's Aftermath Entertainment, is the fifth studio album from King Tee. Recorded at the same time as the multi-platinum albums Dr. Dre - "2001" and Eminem - "The Slim Shady LP", "Thy Kingdom Come" features guest appearances from Dr. Dre, MC Ren (N.W.A.), DJ Quik, Too $hort, NBA legend Shaquille O'Neal, Ice-T, Kool G Rap, Dawn Robinson (En Vogue, Lucy Pearl) - to name a few. Production on the album was handled by Dr. Dre (Eminem, 50 Cent, Snoop Dogg, Xzibit), Mike Dean (Kanye West, Beyoncé, The Weeknd, Jay-Z), DJ Quik (2Pac, Snoop Dogg), Bud'da (Aaliyah, Ice Cube) and Dr. Dre's Aftermath producers DJ Battlecat, Stu B Doo, Chris "The Glove" Taylor and Fredwreck, as well as Ant Banks, Step One and SLJ. The album was mixed and supervised by Dr. Dre. Remastered in high-resolution 24-bit 44.1 kHz audio in 2022.

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Masaru Sato

OST The Sword Of Doom

24,99 €*

LP | 1981 | US | Reissue (Get On Down)

Release: 2022 / US – Original

Genre: Soundtracks

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Waxwork Records is honored to present THE Sword OF Doom Original Motion Picture Soundtrack by Masaru Satô! Directed by Kihachi Okamoto, The Sword of Doom is a 1966 Japanese samurai movie that tells the bloody and brutal tale of revenge and redemption. This deluxe LP features new artwork from Yuko Shimizu and marks the first time that the soundtrack is available on vinyl!

Starring Tatsuya Nakadai and featuring Toshirô Mifune, The Sword of Doom tells the story of Ryunosuke Tsukue, a masterful but heartless swordsman in feudal Japan. After deliberately killing an opponent in a training exercise, Tsukue then murders his mistress and flees town. After spending time in a haunted geisha house, Tsukue sees the ghosts of all his victims and spirals into madness, leaving a trail of destruction and bloodshed in his wake. As time passes, the years of brutal killings and evil deeds begin to weigh on his mind, ending in a climactic battle between Tsukue, a group of assassins, and the ghost of his past.

The Sword of Doom soundtrack, composed by Masaru Satô (Yojimbo, Godzilla vs. Mechagodzilla), is full of dark and yet melodic cues, and takes many influences from traditional Japanese instruments and music. A minimalist yet powerful score that brings to life the struggles of Tsukue’s inner demons. The tone ranges from brash fight scene orchestrations into quiet and lilting flute themes, but underscoring it all, Satô's music feels the evils of Tsukue.

Available for the very first time on vinyl, Waxwork Records is honored to work with Toho to present The Sword Of Doom re-mastered on 180 gram Snow, Blood, Flames, and Katana swirled color vinyl, deluxe packaging, new artwork by Yuko Shimizu, heavyweight gatefold jackets with matte satin coating, a 12"x12" art print, and more!

THE Sword OF Doom Original Motion Picture Soundtrack Features:

The Complete Soundrack by Masaru Satô Available For The First Time On Vinyl 180 Gram "Snow, Blood, Flames, and Katana" Swirled Color Vinyl New Artwork By Yuko Shimizu Heavyweight Gatefold Jackets with Matte Satin Coating 12"x12" Art Print

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Miles Davis

The Man With The Horn

17,99 €*

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Genre: Organic Grooves

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LP | 1969 | NL | Reissue (Elektra)

The Stooges

Release: 1969 / NL – Reissue

Genre: Rock & Indie

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The Invisible Band Black Vinyl Edition

Travis

LP | 2001 | US | Reissue (Craft)

Release: 2001 / US – Reissue

Genre: Pop

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LP | 2021 | US | Original (Air Vinyl)

The Musalini

The Return Of The Oro

Around The House Transparent Blue Vinyl Edition

Release: 2021 / US – Original

Genre: Hip Hop

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After dropping a string of strong releases between the top of 2019 and the end of 2020, Uptown NYC’s The Musalini has quickly made a name for himself in hardcore Hip-Hop. After dropping two solo albums with Dutch imprint De Rap Winkel Records, he partnered with Air Vinyl Records to give fans a collab album with Harlem heavy-hitter G4 Jag. Then, this past Summer he came with the pinnacle of his discography so far, the playertastic The Return of The Oro. This 19-track offering establishes the smooth-voiced Mus as one to watch. As for guests, he links with underground champs like Ransom, Rasheed Chappell, and G4 Jag, as well as his homies Emilio Craig, O Finess, and Izzy Hott.

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Herbert

3LP | 2006 | UK | Reissue (Accidental)

Warte Mein Land, Warte Black Vinyl Edition

Release: 2006 / UK – Reissue

Genre: Electronic & Dance

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Having honed his craft across a set of EPs and albums (all remarkably released within 1996), DJ and producer Matthew Herbert solidified his reputation as one of electronic music’s greatest conceptual artists with 1998’s Around The House. Largely made from tones you’re likely to hear in the home; the clinking of glasses, the scraping of cutlery, the spray of an aerosol can. The humbleness of its musical raw materials belies the fact that it’s Herbert’s first great masterpiece.

A domestic scene is set from the off, as the listener is beckoned into the record by an apartment door buzzer and the sultry vocal of Dani Siciliano, who imbues the remainder of Around The House with a jazz sophistication. As it happens, the loft analogy is appropriate, given the funk and disco reference points in the liquid bass groove of ‘So Now?’ and ‘Close To Me’. Microhouse scrapes and scratches field the classy dance mood with a Detroit-style buoyancy, as the subtle rhythmic elements mingle and flirt with one another on charming cuts like ‘We Still Have (The Music)’ and ‘Going Around’.

Around The House is a cordial invitation to a house party, where Herbert is both esteemed host and house band.

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Ozan Ata Canani

LP | 2021 | EU | Original (Fun In The Church)

20,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds Of Japan 1980-1988 Cloudy Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

16,99 €*

Ilan Eshkeri & Shigeru Umebayashi

Release: 2021 / US – Original

Genre: Electronic & Dance

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.

Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of Ymo), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization.

These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs.

Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.

Note: The track “Days Man” by Yoshio Ojima is only available on the LP and Cassette versions.

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OST The Ghost Of Tsushima (Music From The Video Game)

3LP | 2020 | EU | Original (Milan)

45,99 €*

Release: 2020 / EU – Original

Genre: Soundtracks

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2x12" | 2020 | EU | Original (Quartz)

Flug

Flug The Collection

2LP | 2019 | EU | Original (Island)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Having carved out a lane truly his own in the often harshly competitive world of techno, Argentinian-born / Barcelona-based producer Sebastian Lopez, alias Flug, has long proven to be no bit player in the scene and his compositions have kept signalling a fighting fit producer, whose highest standards of floor skippering and experimentation-friendly approach have never failed him over the years. Resurfacing three years after the drop of his debut vinyl album, "In Safe Hiding", Flug clocks in on Quartz Rec with "Flug I The Collection" - a long-player bound to reconnect fully with the club and produce very energetic tracks that represent the techno he loves playing during his DJ sets. All tracks were originally written on tour, on the plane or in hotel rooms to better capture the dancefloors vibe, using field recordings from around the globe and later processed in the studio via his analogue arsenal of preference.

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Jax Jones

Snacks

16,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Lucien & The Kimono Orchestra

Hayao's Garden

12" | 2019 | EU | Original (Cracki)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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CD | 2017 | EU | Original (eOne)

Wu-Tang Clan

The Saga Continues

11,99 €*

Release: 2017 / EU – Original

Genre: Hip Hop

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LP | 2017 | US | Original (Craft)

OST Walk The Line

34,99 €*

12" | 2017 | EU | Original (Hippie Dance)

Release: 2017 / US – Original

Genre: Soundtracks

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“Walk the Line: Original Motion Picture Soundtrack” is the soundtrack album to the 2005 biographical drama film of the same name released November, 2005. There are nine songs performed by Joaquin Phoenix (as Johnny Cash), four songs by Reese Witherspoon (as June Carter Cash), one song by Waylon Payne (as Jerry Lee Lewis), one song by Johnathan Rice (as Roy Orbison), two songs by Tyler Hilton (as Elvis Presley), and one song by Shooter Jennings (as Waylon Jennings).

At the Golden Globe Awards Joaquin Phoenix was awarded the Best Actor - Musical or Comedy and Reese Witherspoon was awarded the Best Actress - Musical or Comedy, as well as the film won the Best Picture - Musical or Comedy. Joaquin Phoenix and Reese Witherspoon were also nominated for the Academy Award for Best Actor and Best Actress, which Witherspoon won.

The cover features the two stars in an early publicity still, several of which were included as bonus postcards in the Collector's Edition DVD.

As of May 17, 2006 the soundtrack was certified platinum by the RIAA with over 1,000,000 copies sold.

On February 11, 2007 this album won a Grammy for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media.

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Superpitcher

The Golden Ravedays 3

12,99 €*

Whiskey For The Holy Ghost

Release: 2017 / EU – Original

Genre: Electronic & Dance

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A download code is included. Musically and emotionally, Superpitcher’s third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period by record label, HippieDance. We are thrilled to bring you the third chapter of The Golden Ravedays saga, released in March 2017. Number 3 of the series introduces two further tracks of the haunting sound adventure that Superpitcher is taking his fans on during 2017.

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Mark Lanegan

2LP | 1994 | US | Reissue (Sub Pop)

Release: 1994 / US – Reissue

Genre: Rock & Indie

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LP | 1969 | UK | Reissue (Atlantic)

Otis Redding

The Dock Of The Bay

32,99 €*

Release: 1969 / UK – Reissue

Genre: Hip Hop

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2LP | 1974 | US | Reissue (Mobile Fidelity Sound Lab)

Bob Dylan & The Band

Before The Flood

88,99 €*

Legend: 30th Anniversary Edition

Release: 1974 / US – Reissue

Genre: Rock & Indie

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180 gram audiophile vinyl, numbered limited edition!

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Bob Marley & The Wailers

2LP | 2014 | US | Original (Island)

47,99 €*

Release: 2014 / US – Original

Genre: Reggae & Dancehall

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CD | 2014 | US | Original (Ill Adrenaline)

The Legion

The Lost Tapes

LP | 2014 | US | Reissue (Nonesuch)

Release: 2014 / US – Original

Genre: Hip Hop

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Ain’t only a simple compilation of rare and unreleased tracks, it’s rather a musical documentation of a group that has been staying in its lane creating raw, uncut, and uncompromising Bronx flavor for more than two decades now. So this 20-track strong album includes the rare 12" single only "Freestyle Demolition" from 1994, rare old and unavailable on CD tracks, unreleased joints and instrumentals plus 3 brand new bangers ("For You", "Stereo", "Stereo [Remix]"), produced by The Legion, Buckwild, and Confidence.

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The Black Keys

Turn Blue

32,99 €*

Release: 2014 / US – Reissue

Genre: Rock & Indie

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American IV: The Man Comes Around

Johnny Cash

2LP | 2002 | US | Reissue (American)

48,99 €*

2LP | 1997 | US | Reissue (Warner)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin!

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Built To Spill

Perfect From Now On

42,99 €*

Release: 1997 / US – Reissue

Genre: Rock & Indie

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Children / Starlove Black Vinyl Edition

The Unknown Artist

12" | 2021 | EU | Reissue

12,99 €*

Alexander Kowalski & Rebar

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Miles001 consists of two contemporary re-edits of some widely appreciated tracks that everyone should know. The A-side is a reflip of a certain trance anthem from the 90s. The B-side contains a rework of a RnB'ish charthit from not too long ago. Hazardous D&B reworks for club situations!

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When Darkness Surrenders To The Light Claudio Prc Remix

12" | 2024 | EU | Original (Made Of Concrete)

12" | 2024 | EU | Original (Frustrated Funk)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Stripped down techno groovers.New Made Of Concrete by Alexander Kowalski & Rebar.

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214

Easing Into The Night

Music For The Complete Jazz Dance Class With Lea Darwin

Release: 2024 / EU – Original

Genre: Electronic & Dance

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My log saw something, something significant... Shut your eyes and you will burst into flames.

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Rick Panzer

2LP | 2024 | EU | Original (BBE Music)

38,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2003 | UK | Reissue (XL)

The Radio Dept.

Lesser Matters

27,99 €*

Release: 2003 / UK – Reissue

Genre: Rock & Indie

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Nupts Apres Bootie

123,45 €* 129,95 € -5%

Traffic Sound / Black Sugar

Available Sizes: EU 42, 43, 44½, 45½

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The Nuptse Après bivouac booties by The North Face are the laid-back version of the iconic TNF expedition boots. These The North Face booties are insulated with 550-fill-power responsibly sourced, light and airy down, which makes it nice and warm inside - just like walking around with your feet wrapped in a comforter. The drawstring adjustment at the openings not only makes it easier to put these TNF boots on and take off, but also ensures that neither cold air nor snow can get in.

The North Face Nuptse Après Bootie - features:

• drawstring-adjustable opening with sturdy eyelets and toggle at the elastic draw cord
• rip-stop upper made from recycled PET
• Responsible Down Standard certified 550 fill down insulation
• lining: Oslo Fleece
• die-cut EVA sockliner
• 20% recycled die-cut rubber outsole for supreme traction (the special rubber compound provides excellent grip, adhesion and durability on smooth surfaces)

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La Camita / La Camita 78

7" | 2024 | EU | Original (Vampisoul)

15,99 €*

The Pilgrim, Their God And The King Of My Decrepit

Release: 2024 / EU – Original

Genre: Organic Grooves

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`La Camita' is an incredible Latin funk nugget -recorded in Peru by Traffic Sound and later on by funk pioneers Black Sugar, comprising all the right ingredients to shake dance floors worldwide. Both takes on the song were released on records that today are extremely difficult to find in any condition. In 1971 Traffic Sound recorded 'La Camita' where their Latin influences overpowered the psychedelic prog vibe of their previous records. The song became a local hit and several versions were recorded by different Peruvian artists. On the other side of this single we find Black Sugar, a Peruvian band considered to be a pioneer group in Latin America in mixing funk influences with rock and Latin rhythms. In 1976, following their gig at Coliseo Amauta in Lima, opening the night for the legendary Spanish band Barrabás, they started to show a growing interest in disco music, resulting in some line up changes with members leaving the project due to their lack of interest in the new sound and new ones joining in. Their own take on 'La Camita' was released in 1978 and adds a modern twist to the original song, becoming decades later a winner spin at the most discerning dance floors worldwide. Latin party music in all its glory!

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Tapir!

LP | 2024 | UK | Original (Heavenly)

Release: 2024 / UK – Original

Genre: Rock & Indie

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On The Lips Black Vinyl Edition

Molly Lewis

LP | 2024 | US | Original (Jagjaguwar)

Release: 2024 / US – Original

Genre: Rock & Indie

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Artefacts Reimaginings From The Original Psychede

The KVB

2LP | 2023 | EU | Original (Cleopatra)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The Ritual Of The Savage Colored Vinyl Edition

Les Baxter

LP (Waxtime In Color)

22,99 €*

Genre: Organic Grooves

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G.A.M.E. White Vinyl Edition

The Game

LP | 2023 | US | Reissue (HHC)

Release: 2023 / US – Reissue

Genre: Hip Hop

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OST Pokemon 25: The Album Various

LP | 2022 | US | Original (Universal)

Release: 2022 / US – Original

Genre: Soundtracks

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LP | 2024 | EU | Original (Golden Rules)

The Originals 4

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Greenhouse Effect Volume 3

Asher Roth

LP | US | Original (Asher Roth)

Release: US – Original

Genre: Hip Hop

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Electric Warrior Sky-Blue Vinyl Edition

T. Rex

LP | 2017 | Original (Polydor)

Release: 2017 / Original

Genre: Rock & Indie

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2LP | 2024 | US | Original (Vin Du Select Qualit)

Alan Licht

Havens

42,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | US | Original (Asher Roth)

Asher Roth

Flowers On The Weekend

Release: US – Original

Genre: Hip Hop

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Come On, Let's Go!: The Singles & More

Ritchie Valens

LP | 2024 | US | Original (Acrobat)

31,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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CD | 1996 | EU | Reissue (Chrysalis)

De La Soul

Stakes Is High

8,99 €*

Wynton Kelly Trio & Wes Montgomery

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Stakes is High is the 4th studio album by De La Soul, released on July 2, 1996. Stakes is High was critically lauded for its music, lyricism, and its overall message concerning the artistic decline rap music began to face in the mid-90s. The title track and first single was produced by J Dilla and the album's second single, "Itzsoweezee (HOT)", with only Dave on vocals, was accompanied by a creative music video. The album spawned a third single "4 More", featuring Zhane. The album did provide a launching pad for future star rapper and actor Mos Def, who appeared on the track "Big Brother Beat" and Common who is featured on "The Bizness".

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Smokin' At The Half Note Acoustic Sounds Edition

LP | 1965 | EU | Reissue (Verve)

31,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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Paranoia, Angels, True Love

Christine And The Queens

LP | 2023 | EU | Original (Because Music)

26,99 €*

Release: 2023 / EU – Original

Genre: Pop

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2LP | 2023 | EU | Original (Purple Pyramid)

Hawkestrel

The Future Is Us

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Cleopatra)

Larry Wallis

The Sound Of Speed

19,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2023 | DE | Original (Vertigo Berlin)

The Teskey Brothers

The Winding Way

21,99 €*

Release: 2023 / DE – Original

Genre: Pop

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LP | 2023 | EU | Original (Blue Note)

Julian Lage

The Layers

Release: 2023 / EU – Original

Genre: Organic Grooves

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The Book Colored Vinyl Edition

Salt City Orchestra

12" | 2023 | EU | Original (Decks Classix)

Shifted Phases-The Cosmic Memoirs

Release: 2023 / EU – Original

Genre: Electronic & Dance

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legendary paper001 now on decks classix! ltd Colored Vinyl pressing

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Of The Late Great Rupert J.Rosinthrope

3LP | 2023 | EU | Original (Tresor)

42,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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LP | 2012 | US | Reissue (Red Scare Industries)

Masked Intruder

20,99 €*

LP | 2023 | US | Original (Now-Again)

Release: 2012 / US – Reissue

Genre: Rock & Indie

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Up until now, the only thing these four crooks were good at making was toilet wine in the joint, but we sent them into Atlas Studios to record with Matt Allison (Alkaline Trio, Less Than Jake, Smoking Popes, etc) and out came a pop-punk/power-pop masterpiece. They looted a vault of hooks, melodies, and many-layered harmonies for this debut full-length. Think Descendents meets Weezer in a dark alley! There’s already plenty of squealers and snitches talking about Masked Intruder, and these thugs have been invited to play all the cool festivals and will be touring with Teenage Bottlerocket in support of this release. It’s fun stuff and you’re gonna like it...or else.

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Fabiano Do Nascimento

Lendas

LP | 2022 | EU | Original (Officehome)

Release: 2023 / US – Original

Genre: Organic Grooves

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Lendas is the Brazilian guitarist Fabiano do Nascimento’s fifth album for Now-Again Records. Like his previous albums Prelúdio and Ykytu, Lendas features do Nascimento’s compositions, this time with orchestral arrangements by Vittor Santos and also special participation by Arthur Verocai. Vittor Santos is a composer, arranger, trombonist and music producer from Rio de Janeiro, who has worked in Brazilian music for over thirty years. Do Nascimento and Santos met in Rio in 2017 during the recording of Do Nascimento’s hero, and 70s and 80s Brasilian guitar catalyst Carioca Freitas album Aquarelas. The two bonded over a mutual appreciation for Do Nascimento’s uncle Lúcio and the Bossa Nova star Leny Andrade, both of whom largely influenced Do Nascimento’s musical foundation. In Santos, Do Nascimento found an arranger who was sensitive enough in his orchestrations that he could create an orchestral dialogue between stacks of strings and Do Nascimento’s plaintive plucking. It was only natural to invite the highest regarded, now legendary, 1970s Brasilian arranger, Arthur Verocai, to contribute. Verocai, who had worked with Do Nascimento on his forays in Los Angeles, was pleased to participate. In this way, the circle of old and new, so crucial in Do Nascimento’s work, comes together and flows outwards. “Lendas” translates from Portuguese as "legends,” but the literal translation itself doesn’t describe this album. With Lendas, Do Nascimento recalls memories from places that no longer exist; from fever dreams in the Amazon; from parts of the world we might never see or engage, but can imagine through music. Fabiano Do Nascimento’s Brazilian guitar meets a full orchestra arranged by Vittor Santos and with special participation by Arthur Verocai and his string quartet. Lush yet lively, standing alongside Jorge Ben’s work with Verocai, and Tom Jobim and Baden Powell’s work with Vinicius de Moraes.

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Roforofo Jazz

Running The Way

26,99 €*

You Do Your Best To Hide The Good Parts Of Yourself EP

Release: 2022 / EU – Original

Genre: Organic Grooves

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The unbreathable air saturated with moisture, the soggy soil that swallows every step like a starving death, the hostile nature and, finally, the remote swamp. The one they invested in composing Fire Eater. The one they left a few traces in. Tracks that can talk. Six men heavily armed with instruments, a seventh fastest, only weighted by a microphone. They left the inhospitable vegetation, leaving behind a succession of footprints. As we try to follow them, the afrobeat that made it easy to spot them now dissipates into a floating mist. So, we have to connect the radars and try to capture the vintage waves of equipment that emit more than one point but several. Be attentive to jazz solos and funk scarifications, as much as to what could chant and tap on the times of these tight rhythms. Because their blending has become a personal style as much as hybrid, and it is to avoid being watched by asphyxiation that they left the stagnant waters. Escaped from the car sound systems or plastered on the walls announcing their many concerts, it is in the city that they are now detected. Infiltrating them is a daunting task. A track where you have to avoid the vigilance of the electric and venomous keyboards, escape the copper flames and the guitar shears. Enter the choking groove to finally enjoy a purely instrumental passage, sneak in and dance. Progress outside the Afro mangrove, Running The Way nevertheless retains many cables still connected. The bottom of the jeans still ‘Roforofo’. ‘Muddy’ in Yoruba. Just 2 years after the first EP Fire Eater released in 2021, Radio Nova’s crush (title Helelyos enthroned 3 months in playlist), the Roforofo Jazz returns with the LP Running The Way, 8 tracks even more ambitious, with careful production, marking a clear progression in its quest for an increasingly more personal sound and writing. Putting the listener immediately in the tone of his atypical afro jazz rap fury, Love In Time and its sharp rhythmic appeal to the power of the music, in an ultra-energetic piece yet smelling with jazz via well-felt keyboard surges. Side To Side is a rearrangement of a piece by Togolese artist Bella Bello and Manu Dibango, yet glancing towards Motown and resonating like a anthem to life and directions to take to counter the negativity of our modern societies. Then on Stand Up in a more deepfunk US style like Breakestra or The Greyboy Allstars, MC Days (aka RacecaR) switches between fast flows and downtempo in an injunction to all fight for what we believe in. An epic piece concluded with a nod to Master Hendrix… Gas punctuates the A side with a light but saving rhythmic lull, coming closer to a nu-soul atmosphere and punctuated with an explosive refrain in which rap, rock and jazz clash, tending to prove as Days chants that by being more realistic our differences can only fade…Title Shawarma has nothing to do with a Kebab sandwich, although…! Life unfolds like a menu, in which everything is not always to our liking but which teaches us to accept judicious and juicy mixes, and combinations. The result is a joint with an oriental touch, almost ethio, a rhythm that perfectly matches the hip-hop flow and the Roforofo Jazz style.The Big Hustle is a UFO. Articulated around a 20 bars loop that gives it a communicative energy, punctuated by a bass line reminiscent of Fela Kuti’s Colonial Mentality, this title sounds like a highway for frantic breakbeat dancers; epic! From Here To Benin brings us back to the group’s Afro-inspired origins, while injecting a slight dose of well-felt pop music. A piece that encourages travel to learn to share, universally. And finally, Mode For DD, a cover of the instrumental title of the obscure jazz funk of The Awakening, with added voice of Days telling the meaning of life and its mysteries, our beliefs and certainties, as human beings as well as artists.

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Laurence Guy

12" | 2023 | UK | Original (Shall Not Fade)

15,99 €*

LP | 2023 | US | Original (Concord)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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There's no one who does it quite like Laurence Guy. Here he returns with an uplifting house cut that deftly manipulates samples in a 4-track exploration of friendship, imposter syndrome, and life's many other roller coasters.

It was the father of long-time pal and confidant J Peacock whose record collection provided the intricate tapestry of samples that forms 'Can't Find Her'. It's a story of losing yourself, and regaining your purpose by indulging in the unifying potential of creating music collaboratively. The theme of cross-reference is carried through to 'Extremely Present or Present in The Extreme' and 'You Do Your Best to Hide The Good Parts of Yourself'. The first sees a rhythmic shift with shuffly triplet drums that back an old Folk record sample, whilst the title track sees Guy repurpose old vinyl gems to meditate on the universal experience of attempting to conceal our anxieties from others. Finally, 'Waiting For Love' takes a trip down memory lane. Conceived in 2015, it demonstrates Guy's steadfast passion for constructing immersive, enchanted worlds. Over the course of Guy's seven-year career, these worlds have been visited over 52 million times via Spotify alone. As his latest release will confirm, you'd be foolish not to do the same.

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Wage War

The Stripped Sessions

Release: 2023 / US – Original

Genre: Rock & Indie

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10" | 2012 | EU | Reissue (Tapete)

Die Höchste Eisenbahn

Unzufrieden EP

27,99 €*

LP | 2021 | EU | Original (Legere)

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Zum 10-jährigen Jubiläum erstmals auf Vinyl Irgendwann vielleicht 2010 sind sich Moritz Krämer und Francesco Wilking zum ersten Mal in Berlin Prenzlauer Berg über den Weg gelaufen, nachdem sie einen (weiten) Steinwurf voneinander aufgewachsen waren und ein paar Jahre in Freiburg nebeneinander hergelebt hatten. Wahrscheinlich machte es sowas wie Zoom, Klick oder Klonk, denn es genügte ein sanfter Schubs von ihren Konzertagenturen und die beiden standen gemeinsam auf der Bühne, begleiteten sich gegenseitig und sangen zweistimmig. Das war 2011 im Societaetstheater Dresden und Francesco und Moritz fassten auf der Rückfahrt von dort schon viele zukünftige Auftritte und eine dystopische Rockoper ins Auge. Die Konzerte wollten sie mit Freund*innen spielen, das erste mit Gisbert zu Knyphausen in Halle, das zweite mit Judith Holofernes in Berlin. Danach ließen sie die Gastsänger*innen weg, spielten aber weitere Shows mit den anderen Livemusikern der ersten Shows: Max Schröder am Schlagzeug, der damals noch mit einem Bein bei Tomte war und Felix Weigt am Bass, der für Spaceman Spiff alle Instrumente spielte und bei den tollen Kid Kopphausen mitmachte. Wir wissen nicht mehr wann die Frage fiel: "Sind wir jetzt eine Band?", aber es muss irgendwann im Prozess der Aufnahmen zur EP "Unzufrieden" gewesen sein. Dort hört man zwar noch den Feature-Ansatz - Gisbert und Judith singen auf "Vergangenheit" - aber vor allem hört man zum ersten Mal den Sound der Höchsten Eisenbahn: Ein-Finger-Casio, Chorus Gitarren, Pluckerbass, Rasseln und Handtuch auf der Snare. Dazu Geschichten von Losern namens Jan und anderen Leuten die zwischen jung und alt und Nacht und Tag ihre Anschlusszüge verpassten. Es ist 10 Jahre her, aber ein paar Sachen vergisst man nicht. Wie, dass sie eine ganze Nacht Chöre aufgenommen haben für "Die Uhren am Hauptbahnhof", nur um sie morgens aus Versehen zu löschen. Oder dass Felix einige signature Keyboard-Lines im Liegen eingespielt hat. Das Schreiben der Songs und Aufnehmen ging ziemlich schnell, wie das Coverfoto mit dem Handy im Hof vom Proberaum. Die vier wussten, dass sie auf jeden Fall mehr Platten machen und Konzerte spielen wollten. Es folgten drei bunte Alben mit großen kleinen Songs und award winning live-Shows, aber so leicht ging ihnen nie wieder etwas von der Hand wie diese erste EP.

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The Superhighway Band

Studio City

21,99 €*

Release: 2021 / EU – Original

Genre: Pop

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Lieder Aus Der Schmutzigen Küche Colored Vinyl Edition

Sarah Lesch

LP | 2021 | EU | Original (Kick The Flame)

Release: 2021 / EU – Original

Genre: Pop

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Art Blakey & The Jazz Messengers

Live In Moers 1976

2LP | 2016 | EU | Original (Jazzline)

15,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

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Gudrun Gut & Nathan Wooley

OST The Painter

LP | 2022 | EU | Original (JUBG)

24,99 €*