Search "twit+one" 31525 Items

Y-3 Takumi Sen 10 W

209,96 €* 299,95 € -30%

Available Sizes: EU 37⅓, 38, 38⅔, 39⅓, 40, 40⅔

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According to designer Yohji Yamamoto, Y-3 stands for the ultimate crossover of sport and style and a progressive mix of tradition and modernity. We can co-sign that. Once again, Y-3 presents performance sneakers in a new context, relying on Yohji Yamamoto's rebellious creativity. The basis is provided by classic silhouettes from the adidas archive. The result is innovative looks that invite for experimentation.

The Y-3 Takumi Sen 10 was inspired by a modern classic from the adidas archive, but Yohji Yamamoto puts his own personal stamp on the design. The gradient effects and the colorway are unmistakably Y-3; there's also revised 3 Stripes branding on one of the side walls, while Yohji Yamamoto's signature appears on the other side. The unlined open mesh upper of the Y-3 Takumi Sen 10 is directly connected to the extremely lightweight, highly cushioning and responsive Lightstrike Pro foam of the solid midsole, while the outsole made of non-slip Continental™ rubber receives maximum support from ENERGYRODS carbon reinforcements.

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Y-3 Takumi Sen 10

299,95 €*

Available Sizes: EU 41⅓, 42, 42⅔, 43⅓, 44, 44⅔, 45⅓, 46, 46⅔, 47⅓

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Y-3 Takumi Sen 10

224,96 €* 299,95 € -25%

Available Sizes: EU 41⅓, 44, 45⅓, 46, 46⅔

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Y-3 Lanyard

64,96 €* 99,95 € -35%

Available Sizes: One Size

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Y-3 Balaclava

149,95 €*

Available Sizes: One Size

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According to designer Yohji Yamamoto, Y-3 stands for the ultimate crossover of sport and style and a progressive mix of tradition and modernity. We can co-sign that. The Y-3 Balaclava is crafted as one piece from a premium wool blend. It sits tight around the face, with a slight stretch to keep you comfortable while the subtle 3D 3-Stripes wrap from the back to the front and are complemented by a Y-3 woven label on the front. 75% wool, 24% nylon, 1% elastane (seamless construction) knit yarn; made in Belgium.

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Y-3 Adios Pro 3.0

262,46 €* 349,95 € -25%

Available Sizes: EU 41⅓, 42, 42⅔, 43⅓, 44, 44⅔, 45⅓, 46, 46⅔, 47⅓

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According to designer Yohji Yamamoto, Y-3 stands for the ultimate crossover of sport and style and a progressive mix of tradition and modernity. We can co-sign that. Once again, Y-3 presents performance sneakers in a new context, relying on Yohji Yamamoto's rebellious creativity. The basis is provided by classic silhouettes from the adidas archive. The result is innovative looks that invite for experimentation.

The Y-3 Adios Pro 3.0 was inspired by a modern classic from the adidas archive, but Yohji Yamamoto puts his own personal stamp on the design. The asymmetric construction, the chunky shape, fading color transitions as well as the colorway are unmistakably Y-3; in addition, one side wall of the Y-3 Adios Pro 3.0 is equipped with Yohji Yamamoto's signature, the other one features reworked 3 Stripes branding. The unlined textile upper of the Y-3 Adios Pro 3.0 is directly connected to the extremely lightweight, highly cushioning and responsive Lightstrike Pro foam of the solid midsole, while the outsole made of non-slip Continental™ rubber receives maximum support from ENERGYRODS carbon reinforcements.

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Y-3 Adios Pro 3.0

279,96 €* 349,95 € -20%

12" | 2022 | EU | Original (Mono-Tone)

Available Sizes: EU 41⅓, 44⅔, 46⅔

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According to designer Yohji Yamamoto, Y-3 stands for the ultimate crossover of sport and style and a progressive mix of tradition and modernity. We can co-sign that. Once again, Y-3 presents performance sneakers in a new context, relying on Yohji Yamamoto's rebellious creativity. The basis is provided by classic silhouettes from the adidas archive. The result is innovative looks that invite for experimentation.

The Y-3 Adios Pro 3.0 was inspired by a modern classic from the adidas archive, but Yohji Yamamoto puts his own personal stamp on the design. The asymmetric construction, the chunky shape, fading color transitions as well as the colorway are unmistakably Y-3; in addition, one side wall of the Y-3 Adios Pro 3.0 is equipped with Yohji Yamamoto's signature, the other one features reworked 3 Stripes branding. The unlined open mesh upper of the Y-3 Adios Pro 3.0 is directly connected to the extremely lightweight, highly cushioning and responsive Lightstrike Pro foam of the solid midsole, while the outsole made of non-slip Continental™ rubber receives maximum support from ENERGYRODS carbon reinforcements.

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XYZ

5 Stars EP

Skins Splatter Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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XYZ = the transatlantic (USA/France) duo made of Ian Svenonius (singer extraordinaire with Escape-ism, Chain & the Gang and the legendary Make-Up) on vocals + Memphis Electronic (Dum Dum Boys, NON!) on instruments. Fuzz guitars! Drum machines! Analog synths! Groovy Glam! Sexy soul! Dancefloor rockers! FIVE hit singles on one 12", a real "5 Stars EP

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XXXtentacion

LP | 2018 | US | Reissue (Empire)

The Sweeter The Juice / Angel In Disguise

Release: 2018 / US – Reissue

Genre: Hip Hop

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Skins is the third studio album and first posthumous release from rapper, singer and songwriter XXXTentacion. Recognized for his raw and adventurous style of music, the album touches on themes of heartbreak and mental anguish, and draws heavy influences from lo-fi, emo, punk rock, ambient, trap and acoustic. Skins include the lead single, “Bad!”, as well as appearances from Kanye West and Travis Barker (of Blink 182). The release was met with wide acclaim, debuting at number one on the US BIllboard 200, remaining on the chart for 18 weeks, further cementing Jahseh’s legacy as an icon.

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Xxception To The Rule

7" | 2024 | UK | Original (Izipho Soul)

LP | 2022 | US | Original (Half A Million)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Xxception TO THE Rule - THE Sweeter THE Juice b/w Angel IN Disguise

Daxwood Records out of North Carolina owned by music maestro Doyle Wood have recorded some real gems over the years.

From the Daxwood Studios, Izipho Soul are proud to present Xxception TO THE Rule, a female duo consisting of Vanessia Mathis and Daniela Curry.

On a 7” for the first time are two songs originally recorded in 1982.

THE Sweeter THE Juice (Re-Titled for 2024) is an arousing dancer with a potent ‘squelchy’ bass sound and soaring vocals.

On the flip is Angel IN Disguise, a supreme ballad of it’s era, with Vanessia’s voice shining through; the piano solo by the late Eldridge McMillan is simple yet has so much feeling - Pure Soul!!

These tracks are featured on a 2011 CD album - Xxception To The Rule ‘Then And Now’.

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The Basement Tapes

27,89 €* 30,99 € -10%

LP | 1989 | EU | Reissue (Panegyric)

Release: 2022 / US – Original

Genre: Rock & Indie

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"'Free punk' that's by turns playful, absurd, weirdly funny, oblique, and catchy as hell. Always on the verge of falling apart, or actually doing so, though these recordings are imbued with a certain warped vision and propulsion that holds up the Shaggs-ish disorder. We're mega psyched to be releasing one of our favorite current bands."

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XTC

Orange & Lemons

38,99 €*

12" | 2017 | EU | Original (Grounded in Humanity)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

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The album is one of the most requested vinyl reissues as it was only on vinyl for a short period towards the end of the first vinyl era and was, as a result, never available as a decent quality pressing and poorly presented in a single sleeve. Brrraaannnngg!! – As brash, bright & vibrant as its Alan Aldridge influenced, pop art, outer cover art, Oranges & Lemons, XTC’s ninth studio album, issued in February 1989, arrived like a burst of audio summer at the end of winter. Eloquently answering the question: “How do you follow-up a classic album?” with the most obvious answer “with another great recording”, the album consolidated XTC’s position – especially in America – as one of the era’s finest recording outfits. Following the slow burn success of Skylarking, which by then had become the band’s biggest selling album to date, Virgin suggested the band should consider another American producer. XTC settled on session musician Paul Fox who was just establishing a name for himself as an up & coming producer – having remixed tracks for Yes & Culture Club. Recorded in Los Angeles over a lengthy period, the album allowed Andy Partridge & Colin Moulding to further hone a group of songs that had initially been worked on & rehearsed in the UK with Dave Gregory’s, rarely highlighted but often crucial, contributions to the arrangements apparent in the final mixes...

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Xoki

Resistance

10,99 €*

Tape | 2023 | UK | Original (Evar)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Hailing form Denmark, Xoki & Hieronymus are the protagonists of Grounded in Humanity s next release - Resistance. Delivering a raw & artesan Slo-Mo Dubtechno affair as we would expect from them. Vinyl-Only format.

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Xl Order

International Waters

16,99 €*

I Can't Believe It / Get It Together

Release: 2023 / UK – Original

Genre: Electronic & Dance

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On their debut album International Waters [evar Records], French duo XL Order dive into an aquatic underworld of futuristic trance, brutal bass and tingling techno, exploring the paradoxes between dystopia and utopia. Feelings of melancholia and nostalgia ripple throughout, alongside dark and moody textures, reflecting their ability to conjure sinister soundscapes and hazy melodies.
Due to drop onNovember 10th, the album ebbs and flows between futuristic trance, brutal bass and tingling techno that pens a story of a new world, resulting in a paradox between dystopia and utopia. Feelings of melancholia and nostalgia ripple throughout the album alongside dark and moody textures, reflecting their ability to conjure sinister soundscapes in tandem with hazy melodies.
Drawing influence from the metaphysical painter Jean-Pierre Ugarte and the sci-fi film Blade Runner, as well as the aesthetic of Cyberpunk, XL Order produce sonic elements aligned with each multimedia source. Fusing themes of unity between the ecosystem and mankind, International Waters tells a tale of biodiversity and the perpetual renewal of nature, with or without humanity.
Chilling, cinematic and captivating, the album begins in a mirage of ambient tones, evolving into a trance and techno-flecked collection culminating in ten tracks. With a combination of chuggy rhythms, eerie sound FX and resounding kickdrums, an impression of a new world order gurgles beneath the surface while a shimmering utopia remains just beyond reach.
"Realm" opens the album on an angelic note with spine-tingling chords potent enough to make your eyes water before a flash of AI-like noise ends the track abruptly, catching us off guard. "Ode" follows suit with sombre pads and choppy breaks while a bewitching melody swirls in the atmosphere — a myriad of heart-melting frequencies.
On "Ava", XL Order collaborate with Paris-based vocalist Dovae, whose mechanized vocals simmer between rapid-fire hi-hats and breaksy-percussion. Layered between a succession of claps and alarm-like noise, Dovae's lyrics hypnotize and haunt."Hybride" is a storm of staccato synth notes and metallic percussion, working in symbiosis to create an enticing patchwork of grooves, pulling us towards cyberland. It's a contrast to "Cleanse," which is a thunking trip of cow-bell noises and a doom-inducing bassline, whipping up a frenzy that's apt for peak-time raving.
The hint is in the name on "Clubbing Planet." A robotic vocal echoes in the soundscape as a wonky bassline punctuates the mood. Deconstructed breakbeats add a foreboding feel, alluding to the presence of AI. "Industrial Dance" switches pace to a frantic level as mutant kickdrums pulverize the vibe alongside a corrosive melody. Not for the faint of heart.
"Reef Breaks" takes us underwater with a beautiful trance-flavoured melody, coming up for air with a succession of siren-like notes. Pure, unadulterated euphoria bubbles on "Seamulation," evoking pleasure-filled chaos. It's a contemporary tune down to the last beat, with a confetti-cannon synthline and Eurodance melody.
Closing out on the album with "Digillusion", XL Order focus on natural themes, including the sky, clouds and thunder. They run their own vocals through a vocoder, amplifying the hands-in-the-air vibe that dominates. The idea of the final track is to reflect three emotions that they feel resonate with the vision of XL Order: happiness, melancholy and renewal. It couldn't be more accurate.
XL Order display their idea of the future on International Waters — one that is equally intriguing and terrifying. Merging sci-fi-inspired breaks, AI-shaped techno and classic trance with a nu-skool twist, the pair know their sound and deliver it with panache.

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Xl Middleton / Moniquea

7" | 2022 | US | Original (Mofunk)

13,49 €* 17,99 € -25%

7" | 2019 | US | Original (Austin Boogie Crew)

Release: 2022 / US – Original

Genre: Electronic & Dance

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The boss and first lady of MoFunk Records take it back to their street funk roots with this split 7” & double single release. XL Middleton’s “I Can’t Believe It” & Moniquea’s “Get It Together” are two variations on one vibe - that uptempo, synth heavy modern boogie sound that feels right at home whether you’re cruising the boulevard with it or getting down to it on the dance floor. XL’s “I Can’t Believe It” may come across like a dedication to a shady lady but is really a larger meditation on the world we live in, while Moniquea’s “Get It Together” is an exhortation not to pass good love by. Vinyl pressing limited to 300 copies.

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XL Middleton

H1NDS1GHT Volume 2

12,99 €*

7" | 2019 | US | Original (Austin Boogie Crew)

Release: 2019 / US – Original

Genre: Hip Hop, Organic Grooves

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Austin Boogie Crew had to do something special for our first vinyl release of 2019, and with that we present H1NDS1GHT , a killer double 7” modern funk EP by the one and only XL Middleton! Hailing from Pasadena, California, XL has established himself as one of the premiere musicians, label owners (MoFunk Records), and tastemakers in the game. Using outstanding and mostly unreleased material from his archives as the foundation for this project (hence the name H1NDS1GHT), XL reimagined these songs and penned fresh lyrics specifically for the release. We divided the EP into two 45s, each with its own distinct vibe, and with the help of illustrator Austin Cashell and designer Rene Cardenas, created a unique album jacket that forms one image when the two records are held side by side. Viewed as a whole, this EP is an exceptional ride that will carry you from spring into summer!

Vol. 2 A: “Gamin’” (120 BPM) - Broken beat inspired drums and soaring chords lay the groundwork for this exceptional jam about approaching a woman with respect and care. With a sick solo and some vocoder peppered into the mix, this is a winner in more ways than one.

B: “Enjoyable Sunburn” (116 BPM) - XL crafts a playful yet smooth instrumental that would sound at home in an Outrun video game or on the Beverly Hills Cop soundtrack. But it isn’t just the nostalgia factor that will keep you coming back to this one, it’s the compositional finesse, amazing synth sounds, and heart.

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XL Middleton

H1NDS1GHT Volume 1

12,99 €*

LP | 2017 | US | Original (Polyvinyl)

Release: 2019 / US – Original

Genre: Hip Hop, Organic Grooves

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Austin Boogie Crew had to do something special for our first vinyl release of 2019, and with that we present H1NDS1GHT , a killer double 7” modern funk EP by the one and only XL Middleton! Hailing from Pasadena, California, XL has established himself as one of the premiere musicians, label owners (MoFunk Records), and tastemakers in the game. Using outstanding and mostly unreleased material from his archives as the foundation for this project (hence the name H1NDS1GHT), XL reimagined these songs and penned fresh lyrics specifically for the release. We divided the EP into two 45s, each with its own distinct vibe, and with the help of illustrator Austin Cashell and designer Rene Cardenas, created a unique album jacket that forms one image when the two records are held side by side. Viewed as a whole, this EP is an exceptional ride that will carry you from spring into summer!

Vol. 1 A: “Nervous” (112 BPM) - Making a lasting impression out the gate, “Nervous” is a modern funk anthem for anyone who’s struggled with the confidence to approach someone romantically. On top of the endearing and refreshing songwriting, the instrumentation on this one is crisp and way funky.

B: “Digital Devils” (113 BPM) - Originally featured on the 2014 cassette compilation Is This The Future?, this irresistible instrumental is long overdue for the vinyl treatment. The slapping drums and wet, punchy bass on this one immediately demand attention. With lovely changeups and 16-bit style leads, this is an ace in the hole on any dance floor.

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Xiu Xiu

Forget

12" | 2022 | EU | Original (1ø Pills Mate)

Release: 2017 / US – Original

Genre: Rock & Indie

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While writing Forget, Xiu Xiu released the lauded Plays the Music of Twin Peaks, collaborated with Mitski on a song for an upcoming John Cameron Mitchell film, and scored an experimental reworking of the Mozart opera, The Magic Flute.

All of this frantic, external activity lead to a softly damaged dreaminess and broadened intent that has not been heard before in other Xiu Xiu works. Standout track, “Wondering” is one of the catchiest boogie pop gems in the Xiu Xiu catalog, but like much of Forget, it still bears an underlying tension that manifests differently in each piece.

Forget was produced by John Congleton (Blondie, Sigur Ros), Greg Saunier of Deerhoof and Xiu Xiu’s own Angela Seo.

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Xiorro

Chromatic Meteor Shower

14,99 €*

LP | 2021 | EU | Original (Traumgarten)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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ATL via NYC producer Xiorro follows up his killer release on Brooklyn based label Sorry Records with four slabs of ravey industrial concrete on 1O Pills Mate. Co-founding Alkhemy - a collective whose genesis is dedicated to spreading diversity within techno and making space for marginalised, people of colour and women to play - their The Black Hole parties have helped to re-shape the NYC soundscape.

Xiorro's moniker is a reference to his Puerto Rican heritage and to African revolutionary Marcus Xiorro. Touted as one to watch by DJ Mag and Magnetic Mag, he has played Tresor;s New Faces and Berlin party Staub, co-hosting nights with Discwoman and Arts on both sides of the atlantic. 'Zemi Of A Riot' begins with a surprisingly familiar sample before diving straight into a bass-driven, unrelenting groove. An instant curve-ball designed to delight and startle, it's an off-road space jam hurtling through a multi-verse of dark clubs and asteroid fields. 'Pa' Que Brinquen' turns the space rocks to goo with its frantic, melting analog patterns and hardcore aeshetic, striking a perfect balance between otherworldly and organic.

'Tooth and Nail' is an evocative cut of heads-down energy; a total surrender to the mundane that exists outside the walls of right now, hypnotic, groove-focused techno that's as bassy as it is heavy. Belgium based French producer Julian Muller caps the release off with a punchy remix of 'Pa' Que Brinquen', pushing the tempo slightly higher with a piece of trance-licked techno.

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Xingu Hill

Strange Echoes 95 - 99

16,99 €*

Mapagkeun Kawani / Digital Leather Tweaker

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Strange Echoes 95 - 99 is music that woke up yesterday bearing a message for tomorrow. Excavated from the late-90s and largely rematerialising for the first time on vinyl, the album carries a selection of sonic diamonds by bona fide sound experimenter Xingu Hill (John Sellekaers). The fully remastered tracks pull the curtain back two decades to offer a snapshot of a prolific five-year period in Sellekaers' expansive soundverse, which runs the gamut from brain-bending, emotive ambient outings to driving, acerbic industrial experiments. Timeless music for keeps in the age of disposables; a reference to early rave and trip-hop aesthetics that could just as very well be one music clairvoyant's nostalgia-inspired preview of things to come.

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Xin Lie

12" | 2024 | UK | Original (Dance Data)

21,24 €* 24,99 € -15%

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 1994 | US | Reissue (EM)

Xiao Yun

Purple Garden

32,99 €*

LP | 2023 | UK | Original (Principe)

Release: 1994 / US – Reissue

Genre: Pop

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Here is a hidden gem from the 1990s, a sparkling cyber-ambient-Mandarin pop collection produced by Henry Kawahara, the master of cyber-occult music, with silky vocals from Shanghai-born vocalist Xiao Yun Wu. Originally released on CD in 1994 on Kawahara’s own HMD label, the Xiao Yun project was launched by Kawahara and his trusted colleague Keisuke Oki, who plays keyboards on the album. Kawahara handled the production, along with guitar, keyboards and programming. And of course, the crowning glory is the voice of Xiao Yun: lovely, floating, ethereal. The singer arranged the songs, which range from versions of previously released Kawahara solo pieces to Mandarin pop classics. All songs are given Kawahara’s cyber-occult sheen, which may evoke visions of the cosmopolitan Asia of near-future science fiction. Available on vinyl and digital download, this album will transport you, via 1994, to a sparkling future. Xiao Yun are Xiao Yun Wu: vocals Henry Kawahara: keyboards, guitars and computer programming Support: Keisuke Oki (keyboards) and Keiichi Hasegawa (percussion) Produced and engineered by Henry Kawahara Arranged by Henry Kawahara and Xiao Yun Recorded at Ecosystem Sonic Division/Fukuoka, 1993-1994

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Xexa

Vibrações De Prata

LP | 2021 | US | Original (Chunklet)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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This is a presentation of Xexa's different sensibilities as a composer, musician and sound designer, mapping what are in effect her initial explorations with voice, rhythms, synths, ambience, ever searching for an organic final result. As a student at the Guildhall School of Music and Drama (London) between 2019 and a still fresh 2023, she presented in her third year a portfolio that included what we can now listen as "Clarinet Mood", the final track on "Vibrações De Prata". Her intention was to «study the feeling of listening to music as an environment one inhabits and not as a sound that follows you throughout the day. Walk into, instead of listening to, an ambience». With no previous clarinet training, Xexa explores its palpable sound as a physical doorway to this realm.

Four other tracks ("Assim", "Nha Dêdê", "Fragmented Breath" and "Prendes Nh'Alma") formed part of what she named the 2021 Sound Calendar. Out of a (natural) total of 12 compositions, these four connect with other intimate moments to tell a broader story, one of fragility, «like a flower about to bloom, we can detect first glimpses of colour and form but can't yet divine its final form».

This sort of imaginative sonic micro-management can also be found on "Libelula", where the synth attempts to recreate the beating of a dragonfly's wings. Minute details are a major feature in jewelry, an art Xexa studied in her native Lisbon's António Arroio school. Free spirited as she is, Lisbon is merely a geographical location where she was born, no particular feeling of being Portuguese attached to her position in the world. So far, Xexa's origins in São Tomé and Príncipe and a prolonged stint in London (it feels prolonged, at such a young age) are the two other major environments that form her experience as a human being but also as an artist. We are extremely proud to have been able to access truly special creative, intimate moments and help bring out into the world this physical manifestation of beautiful contemporary music.

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Xerobot

LP | 1992 | EU | Reissue (Music On Vinyl)

Release: 2021 / US – Original

Genre: Rock & Indie

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The mid-90s in Madison, Wisconsin wasn’t necessarily the best time to be a band like Xerobot, but thank the gods that they decided to become one. Spastic, hyperactive scrawl evoking the original New York No Wave scene, Xerobot’s recorded output consisted of a CD, a couple split singles and a handful of comp appearances. This self titled LP assembles 37 tracks in almost as many minutes and collects all their releases and even additional unreleased material recorded by none other than Steve Albini. This LP was mastered by none other than Weasel Walter and includes a 16pp booklet featuring photos, first person accounts of the band and lyrics! First edition of 150 copies.

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Xentrix

Kin

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Reissue (Music On Vinyl)

Xentrix

For Whose Advantage?

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | US | Original (Mt. St. Mtn.)

Xds

Bicycle Ripper

12" | 2024 | UK | Original (Pariter)

Release: 2023 / US – Original

Genre: Rock & Indie

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It started in a cafe in Chico, California, with a flier, covered in glitter, wires, feathers, and assorted melted items, with a three-word advertisement: “Noise person wanted.” It wasn’t a sign. It was a sample. A tiny piece lifted from the visionary environment that the band XDS would continue building over the next couple of decades, hoarding an eclectic stockpile of collage materials/influences/approaches for assembling psychedelic dance-punk jams played with homemade instruments, blown-out samples, off-kilter drumming and dub baselines. Shoko Horikawa had come from Japan to (the small, music-crazy college town) Chico for school, and responded to Jesse Hall’s mysterious flier and a pitch to collaborate on making interesting sounds. The partnership would end up featuring her syncopated polyrhythmic drums alongside his vocals (through a duct tape-and-PVC-pipe mic) and custom-built Guitar-o-bass, plus synths/samplers and various noise-making devices. The two-piece Experimental Dental School eventually morphed into XDS as the duo moved the operation from Chico to Oakland to Portland and back to Chico, touring the world (playing alongside the likes of Deerhoof and other innovators) and releasing 11 recordings (on Cochon Records, German label Tcwga, etc.) as they went. On the new XDS album, Bicycle Ripper, the band’s genre-bending roots are as deep as ever, but the goal now is to be less “noise” people and more “fun” people. The songs are weird yet cohesive, with jittery grooves and inventive hooks. Throw a dart at the album and hit “Hot Panther, Cold Moon” for one random sample: an unrelenting fuzzed-out bass dances with a insistent drums; a sharp turn into sparse tin-can-guitar break; then a return to the dance floor with a bonus overdriven bass riff and full-throttle drums. The Panther stays hot whether she’s under the “hot hot sun” or the “cold cold moon.” It’s all very irresistible and, yes, really really fun.

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XDB

Chicago At Midnight

Xavier Cugat & Tito Puente

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Goettingen's long standing dub techno servant XDB takes us to Chicago At Midnight with this new 12" on Pariter. 'Fenders' is one and is a deliciously elastic rhythm with rolling kick drums setting a hypnotic groove as the bubbly synths rise up through the mix. 'Cagomi', more edgy and amped up with gritty hits and swaying bass, gets a new lease of life after first surfacing on XDB's Metrolux Music back in 2009. The same cut gets a remix from Delano Smith that's more rooted to the floor in the Detroit man's usual textbook style. A classy outing from all, then.

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Besame Mucho And More Golden Hits

LP | 2024 | Original (Zyx / Elbtaler Schallplatten)

17,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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2LP | 2006 | EU | Reissue (Back On Black)

Xasthur

17,99 €*

LP | 2022 | UK | Original (C.A.N.V.A.S.)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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The 2006 release from Legendary one-man black metal cult, Xasthur! Xasthur is the project of American musician Scott "Malefic" Conner. Conner formed Xasthur in 1995 and released eight studio albums of black metal by 2010, when he announced the end of the project.

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Xao

Wirehead

12" | 2018 | EU | Original (ABCD)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Chrome-plated sound design and bristling textures frame the latest speculative sci-fi experiment from Xao, meshing sonic concepts inspired by Rabit, Visionist and Lotic into the cybernetic scapes of Hyph11E or Algorave proponent Renick Bell.

Xao has been working alongside the C.A.N.V.A.S. label since the beginning, and his second album builds on the promise of 2019's Astral Black-released "Eternal Care Unit", by burying some of his most recognisable inspirations into an algorithmic shimmer of vaporous sound design and cyborg percussion. The roots of ‘Wirehead’ can be traced to the mid 2010s obsession with shaping global club echoes and videogame FX into music that accurately scored our descent into digital dystopia, but Xao makes a clear link between those ideas and the brain-fried cyberpunk vistas of William Gibson. His guiding theme is the idea of the contemporary digital attention economy with its algorithmically-powered tidal wave of content, and the mental states that follows - employing procedural and algorithmic compositional methods to shatter this status quo, reaching in the direction of a proposed "digital spirituality" in the process.

On opening track 'Bone Theory', he burns fragments of death metal into warped airlock club stumbles, welding evocative, clanging sound design to tempered forms of weightless grime and gravel-throated trap. 'Aqua Tofana' is more fucked, sounding like a frosted-glass take on Autechre's latter day post-electro rhythms, or an algorithm-warped AI rendition of Lanark Artefax's 'Touch Absence', while 'Hyperfixate For Me' stutters barely-audible vocals beneath cracked Vladislav delayed percussion and the corrupted data throb of guitar noise and loopy synthesis.

The rest of the album plays like a Johnny Mnemonic-style braindump: the last few years of underground electronic music melted into a frayed patchwork of textures, rhythms and sonic signifiers. It comes to a head on 'I Wed My Shadow', when opera singer Marie Requa Gailey's voice just about cuts through the static like a candle in the dark, making the escape route from the techno dystopia just about visible. Moments later we're exposed to the corrosive 'Ophanim Plushie' - all jazz clatter and anodised rolls, accompanied by drones and squashed breaks that barely make it off the surface. By the time we reach the album's final track 'Threnody for the Child of Omelas', it’s all repair and recovery, twisting beatless echoes from strangled neural networks into blankets of aesthetic warmth.

Wirehead is a smart album that fits well into the deconstructed club/post-club lineage, deploying hyperkinetic sound design and a whelming flux of feelings echoing contemporary classics in its progressive field by TCF or Lee Gamble or indeed the same algo-powered artificiality as James Ferraro, or even the hyperpop set, fused with nu-metal and dembow somewhere between Arca and Oxhy.

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Xan / Honeälome

Abcd001

11,99 €*

LP | 2022 | EU | Original (Fabrika)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Russia's underground party and podcast series ABCD (Any Body Can Dance) have decided to launch their own label and geo-referencing has become a major aspect in the choice of artists for the first release. Xan and Honeälome are from one provincial town of Votkinsk, which character left a solid imprint on the work of both musicians. Experimental yet atmospheric house grooves with electronica influences and leftfield breaks for your listening pleasure!

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Xam Duo

Xam Duo Ii

12" | 2024 | UK | Original (Bombstrikes)

Release: 2022 / EU – Original

Genre: Rock & Indie

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XAM Duo - the Yorkshire-based pairing of Matthew Benn and Christopher Duffin - follow up their acclaimed self-titled 2016 debut with a new album. They have spent the past few years collaborating with Virginia Wing and releasing the fun single 'Tisch Tennis', as well as playing live with everyone from Stereolab, Sonic Boom and Michael Rother to Jessy Lanza, The Necks and Anna Meredith. They are also both members of Holodrum, the band formed from the ashes of Hookworms whose debut album came out earlier this year. Despite being over five years in the making, 'XAM Duo II' is a much more concise affair than their debut, clocking in at just under 30 minutes. The journey begins and ends with the beat-driven 'Blue Comet' and 'Cold Stones', taking in shorter ambient jams along the way, making use of saxophone, drawn out tape chords, floating Rhodes piano and spaced-out synths, alongside very precise and intentional, sequenced and punchy synth tones. With the digital approach it could feel cold and processed, but it's the opposite - warm and natural. This is something that is reflected in the striking artwork by long-time collaborator Jonathan Wilkinson which comes from a series of prints inspired by his time hiking around the Calder Valley in West Yorkshire. One thing that has stayed the same is the influence of The Sopranos, with three of the six tracks on the album named after episodes of the classic series.

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X-Ray Ted

Moving On

Conscious Consumer Eco Mix Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Introducing X-Ray Ted's debut album 'Moving On', a testament to years spent honing his craft and refining his signature sound. Seamlessly blending Funk, Soul, Hip Hop, Beats and Breaks, X-Ray Ted delivers a collection that encapsulates his diverse influences as both a producer and turntablist who is endlessly crate digging for hidden gems. From the infectious opening guitar riff to the final beat, it is clear that 'Moving On' promises an experience that is as engaging as it is dancefloor focused. Each track showcases X-Ray Ted's innate ability to re-interpret vintage sounds from decades past, offering listeners something that is both alluringly familiar and refreshingly new.

X-Ray Ted is not alone in creating his musical vision. He is joined by Hip Hop royalty in the form Jungle Brother's Afrika Baby Bam, Jurassic 5's Fullee Love (aka Soup), and UK MCs Dr Syntax and Professor Elemental. Adding soulful depth and irresistible hooks to the mix are the vocals from fellow Bristolian Carys Abigail. Together, they effortlessly bridge the gap between retro 60's vibes and contemporary beats, creating something that is truly timeless, celebrating the past while embracing the future.

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X-Ray Spex

LP | 2024 | EU | Original (Do Yourself In)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Conscious Consumer Crystal Clear Vinyl Editoin

X-Ray Spex

LP | 1995 | EU | Reissue (Do Yourself In)

36,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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12" | 1996 | UK | Original (Junior Boy's Own)

X-Press 2

Tranz Euro Xpress

4,99 €*

Release: 1996 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 2022 | EU | Original (Amen Brother)

X-Plode

Re-Blasted EP

12" | 2021 | EU | Original (Amen Brother)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Lee X-plode is one of our artists from Vinyl Fanatiks who released an EP back in 1992 that was Huge! Over the years this self-funded white label grew in popularity, with copies fetching over £200. He joined the family in 2020 when we re-released this monster, selling out instantly.

Lee is back on the hardcore hustle once again, bringing his 3rd EP onto Amen Brother, this time incorporating a more melodic piano vibe into his raw to the core 91 hardcore sounds. You will find yourself raising your hands in the breakdowns before going straight into the pumping 4/4 breakbeat roll outs. Music to move to!

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X-Plode

Obliterated EP

13,99 €*

More Fun In The New World

Release: 2021 / EU – Original

Genre: Electronic & Dance

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X-Plode is a master of the 1992 rave sound. Listening to any one of his tracks, you could easily imagine them being part of a Top Buzz set back in the early 90’s. Hailing from Bolton, Lee aka X-Plode self-released his debut EP on white label in ’92, which would go on to be a highly collectable item and in turn would prompt Vinyl Fanatiks to track him down, which was not easy I can tell you, in order to repress it in 2020.

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LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1980 | EU | Reissue (Music On Vinyl)

Los Angeles

LP | 2015 | EU | Reissue (Music On Vinyl)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Los Angeles is the debut album of the American Punk rock band X, released on April 26, 1980. In 2003, the album was ranked number 286 on the Rolling Stone's list of the 500 greatest albums of all time. Los Angeles is considered by many to be one of Punk's all-time finest recordings, and with good reason.

180g vinyl.

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Los Angeles

64,99 €*

12" | 2022 | EU | Original (Lucid)

Release: 2015 / EU – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Red vinyl looks unplayed. Copy n° 000732
With original protective sleeve with hype sticker.

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X(Exptional Vs. Morphid

Dark Dessert

13,99 €*

LP | 2024 | US | Original (Dirt Cult)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Morphid and x(eptional signed to Lucid Recordings in quick succession back in the day, their complementary styles helping to establish the label as a purveyor of pioneering and divergent quality techno sounds. They often worked in the studio together, and now they’re gleefully doing it all over again with this perfectly pitched platter of originals and remixes from the two duos.

x(eptional’s epic breakbeat techno sound always went down a storm at the original Lucid events – live and on disc – and second-hand prices prove their Lucid releases have lost none of their dancefloor appeal.

Morphid’s sparse, offbeat sound was always different, otherworldly. Delightfully strange while always warm and witty – and a little bit spooky!

Side 1 presents two classic originals, one by each duo: x(eptional’s a-whole-night-in-one track classic Dark Waves, a ten-minute-plus banger of epic proportions and soaring highs, followed by Morphid’s ethereal Gezouten Dessert, with its pared down bare breaks and brooding tones.

Side 2 sees x(eptional and Morphid switching roles to present radical and thrilling reworkings of each other’s tracks. Morphid strip down x(eptional’s Dark Waves into a cut-up of eerie, angular funk rhythms, voices and sounds, while x(eptional extract the beats from Morphid’s Gezouten Dessert and transpose it into a whirlwind of jazz-tinged breakbeat techno that gets a grip from the get-go and just won’t let go.

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X (Austalia)

X-Aspirations

25,64 €* 26,99 € -5%

7" | 2024 | US | Original (Dirt Cult)

Release: 2024 / US – Original

Genre: Rock & Indie

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X was formed in Sydney, Australia in 1977 by Ian Rilen (Rose Tattoo), Steve Lucas, Ian Krahe, and Steve Cafiero. After the sudden death of Ian Krahe in 1978, the band pushed on with a few other guitar players but struggled to find their footing. Then in late 1979, just a few months after singer Steve Lucas first picked up a guitar, the band recorded what would become X-Aspirations as a threepiece in 5 hours. Legend has it that the band went into the studio expecting to record a single. Once they loaded in, they decided to record every song they knew how to play and then pick a single from there. Most of the songs were first takes and they figured that the end result was good enough to release as an LP. In true DIY fashion, the band released the record on their own in early 1980. The album went on to be listed as one of the 200 Greatest Australian Records of All Time and called "one of the best punk records of all time" in Maximum Rock'n'roll. It's not often that those two publications agree, but it's hard to argue otherwise. After 10 years of being out of press in the United States, Dirt Cult Records and Green Noise Records will be releasing X-Aspirations with new cover art sanctioned by the band's only surviving member, Steve Lucas. Some praise for the record: "The bass lines are really good, the lyrics are really tight, the riffs are sick. (X-Aspirations) was an album I'd found after I heard The Ramones. Fell in love with it and it still gives me goosebumps" - Eamon from The Chats in Classic Rock Magazine "If you venture into The Tote in Melbourne on any given night, you're likely to hear a band that owes some semblance of influence to X - whether they know it or not. Such is the legacy of one of Australia's most well-loved underground classics (X-Aspirations).” -Rolling Stone "Fourteen vicious, out-for-blood punk tunes, all of which are steeped in some supremely heavy dark and daring shit. It's a legit classic and one of the best punk rock albums ever made." - Maximum Rock N Roll

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X (Austalia)

Hate City

13,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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These four songs, recorded in 1977, are the only recordings of the original 4-piece line-up of the Australian band X featuring Ian Rilen (Rose Tatoo), Steve Lucas, Ian Krahe, and Steve Cafiero. Three of the songs (Home is Where the Floor Is, TV Cabaret Rules, and Hate City) were released on the 1985 compilation "Why March When You Can Riot" while Good On Ya Baby was later re-recorded for the X-Aspirations LP. While their debut LP, X-Aspirations, is rightly lauded as an Australian punk classic, this batch of songs is often overlooked because they never received a wide release. This is the band at their most snotty and rambunctious. This is an authorized one-time press of 500 copies on black vinyl by Dirt Cult and Green Noise Records

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7" | 2023 | UK | Original (Bad Omen)

King Of Israel

Release: 2023 / UK – Original

Genre: Rock & Indie

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Fresh from the overwhelming success of their latest album ‘IV: Sacrament’ Lancaster's heavy bards and spiritual hard rock titans Wytch Hazel have gone all in on delivering a fully-fledged, tubular-bell-ringing Christmas single. Transposing the hymnal classical influences of Handel's Messiah and the spirit of carols the like of "The First Noël” via the earthy heraldry of Steeleye Span and Wishbone Ash, the band deliver something for which perhaps only they would have the skill, sensitivity and spiritual charge. Replete with Wytch Hazel's trademark twin-guitar harmonies and finely honed arrangements, "King Of Israel" is both a stirring devotional tribute and a heartfelt message of unity, peace and goodwill to all on Earth.

The 7” red marble vinyl edition is backed by Colin Hendra’s minor key arrangement of “Auld Lang Syne” which was misspelled on the first pressing as “Old Lang Syne” by the Bad Omen elves.

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Iii: Pentecost Spirit & Fire Marble Flame Vinyl Edition

LP | 2023 | UK | Original (Bad Omen)

Release: 2023 / UK – Original

Genre: Rock & Indie

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Over the past near-decade, Lancashire’s medieval metal phenomenon Wytch Hazel have been honing an uncommonly wholesome, rustic and devotional brand of timewarped hard rock that’s all their own, with 2016’s Prelude and 2018’s II: Sojourn summoning to mind fevered images of Robin Hood and his Merry Men grooving to Jethro Tull and Thin Lizzy. Yet within moments of pressing play on their third LP, III: Pentecost, the musty mystical minstrelsy takes a back seat in favour of a rich, sumptuous, anthemic late-night drivetime vibe, passionately embracing the most high-end smash-hit classic rock and metal circa its late 1970s heyday. “I thought I put a lot into the second album, but this album has been an absolute obsession,” stresses the band leader, Colin Hendra. “Every aspect had to be as good as possible. We’ve gone back and forth, Ed was tinkering with it for months on end. There’s quadruple tracking going on with the rhythm parts, then we’ve doubled, tripled and quadrupled all our lead parts to get that richness and fullness of sound, all meticulously planned with pages and pages of organisational notes. It wasn’t just ‘get in the studio and see how it goes!’” he laughs. “One day I did 14 hours of vocal recording. All vocals are double-tracked, I can’t express how much hard work that is. The last album feels like a breeze compared to what we’ve done with this - and I don’t plan on ramping it down!” Musically, there are gorgeous self-professed touches of Black Sabbath, Blue Öyster Cult, Ac/dc and early Scorpions—“With the soloing I was trying to go for Michael Schenker” beams Colin—while the scampering headbanger I Will Not initially took a nod from Angel Witch, who Hendra was helping out on second guitar back in 2015 when the track was composed, before studio treatment made it sound “a lot more Wytch Hazelly”. But perhaps the most lateral comparison is to a band from the opposite spiritual realm, with Archangel an explicit homage to Swedish faux-Satanic devil cult Ghost. “I find them fascinating, Ghost; musically great, the songwriting is spot-on,” enthuses the frontman. “We share an intrinsic connection, with [Bad Omen honcho] Will Palmer being the person who discovered us both. “Music is created for all, it’s a common grace for everyone,” he affirms, “which is why the music that shows the glory of God the most, in my opinion, is not music created by Christians. It’s Black Sabbath!”

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LP | 2020 | EU | Original (Bad Omen)

III: Pentecost

Release: 2020 / EU – Original

Genre: Rock & Indie

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II: Sojourn Clear With Purple Splatter Vinyl Edition

LP | 2018 | UK | Reissue (Bad Omen)

24,99 €*

Release: 2018 / UK – Reissue

Genre: Rock & Indie

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Wytch Hazel’s stellar 2016 debut Prelude confirmed these Lancastrian apprentice wizards to be Britain’s most promising new hard rock band. Two years on, that promise comes to abundant fruition on II: Sojourn, an album that moves Wytch Hazel on from the innocence and exuberance of the debut to a darker, more profound and complex place, carefully wrought into optimum shape by the band’s singer, guitarist, songwriter and mastermind Colin Hendra. “I’m really into the idea of an album,” notes Colin. “I don’t do mix-tapes, I don’t listen to singles, I’m interested in albums. I want to make a good, listenable, cohesive work, that is the whole thing.” Asked what inspirations were brought to bear this time, Colin has good news, and even better taste: “I was listening to plenty of Judas Priest, Thin Lizzy and Wishbone Ash last year,” remarks the frontman. “This seems to be more of a hard rock album, where the last one was more rock-folk. It’s definitely more rock than folk!” The most crucial influence fully expresses itself via Les Paul guitars in sweet twin harmony through cranked Super Lead Marshalls - “Exactly the same type of amp that Thin Lizzy would have used,” beams Colin - a benefit of working in James Atkinson’s Hand Of Law Studio, a converted gaolhouse in Leeds. “We knew there would be a lot more great gear, more amps, more options,” enthuses Colin of this productive new work environment. “We were more prepared, we planned better. I had a lot more vocals to record on this album, pretty much every song has at least three harmonies, but James is a really chilled out guy, he made it easy for us. I had a very clear idea of how I wanted each song to sound, I thought about every single aspect. I probably over-prepared for this album, and it paid off!” Wytch Hazel’s proud, avowed Protestant Christianity continues to set them apart from the occult hocus-pocus of their peers, and the very title Sojourn has a Biblical inspiration: “It’s used a lot in the Old Testament, people would travel somewhere to stay for a short period of time,” explains Colin, comparing the idea to Wytch Hazel’s development since Prelude. “We’re going to reside here with this sound for a while, and the next album might not sound the same. Come and have a listen to this aspect of Wytch Hazel - it’s a temporary stay. We’ll be here for a while, then there will be something else. I’m always writing, it’s a constant stream, but I’m always trying to raise the bar, because I don’t want the next album to be not as good as the other ones!”

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LP | 2018 | US | Original (Bad Omen)

II: Sojourn

LP | 1965 | EU | Reissue (Elemental)

Release: 2018 / US – Original

Genre: Rock & Indie

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Wynton Kelly

Smokin' At The Half Note

LP | 1967 | EU | Reissue (Wah Wah)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

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An American jazz critic once said that Wes Montgomery was the "best thing that could happen to a guitar." Grand words, one might say quickly racking one's brains to come up with other great names. But after only a few minutes of listening to this live recording made in 1965 at the Half Note in New York, you will forget your brain-storming and concentrate on the unfused performance of this brilliant guitarist and the superb Wynton Kelly Trio. The music which gets down to the nitty-gritty, is always cool and straight with no fuss or frills getting in the way; the message comes over clearly--and it makes the blood surge through one's veins! This legendary session was recorded at a New York nightclub. It captures Montgomery at the height of his improvisational powers. Many consider it the best performance on record by one of the most inventive guitarists in jazz history.

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Wynder K. Frog

Sunshine Super Frog

LP | 1968 | EU | Reissue (Wah Wah)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

SUNSHINE SUPER FROG
Recorded mostly in 1966 and issued in 1967, Wynder K Frog's first LP came out of sessions produced by Chris Blackwell, Jimmy Miller and Syd Dale. Weaver was assuming more and more the identity of Wynder K Frog and was backed by session musicians rather than by his live band. It consisted in organ led instrumental covers of songs from the Island catalogue, some built over rejected backing tracks for other artists of the label like Jimmy Cliff, Jackie Edwards and Owen Gray and some new recordings of hits like Spencer Davis Group's "Somebody Help Me", plus some covers of american R&B hits by the likes of Sam & Dave, Willie Mitchell or Wilson Pickett. The end result gave an idea of the Wynder K Frog sound, resulting in a top mix of dance club go-go sounds, perfect for any allnighter at the Tiles or any Swingin' London venue of the 1960s. First ever vinyl reissue. Limited edition to 500 copies only. Bonus tracks not on the original LP. Remastered sound. Insert with liner notes by Nick Rossi and photos. Beautifully housed in three back-flapped 1960s UK style picture sleeve

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Wynder K. Frog

Out Of The Frying Pan

LP | 1970 | EU | Reissue (Wah Wah)

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Wynder K. Frog

Into The Fire

LP | 2024 | EU | Original (Music On Vinyl)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

INTO THE FIRE
The third Wynder K Frog album was released only in the USA in 1970, once Weaver had already abandoned the project and started his session musician career. Out Of The Frying Pan was doing well in the States, copies still selling steadily since it had appeared, and United Artists thought it'd be a good idea to release it under the Into The Fire title in order to present it as kind of a sequel to Frying Pan. The material, mostly written by Weaver and his side men for the sessions, takes the sound one step further adding heavier sounds and funkier rhythms, not far from what was being done in USA studios like Muscle Shoals at that time.

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Wynd Chymes

Arrival

33,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2LP | 2022 | EU | Reissue (Curb)

Wyn Starks

Black Is Golden

Wyn Jazz At The Lincoln Center Orchestra/Marsalis

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Black is Golden is a rallying cry for people of color, as well as an inclusive call to the dance floor for all races. There are gospel ballads, progressive pop anthems, soul songs, and R&B bangers, each song wrapped around the dazzling delivery of Starks' multi-octave voice. Call it a celebration of diversity and individuality, delivered by a musician who's proud to highlight the very things that make him different.

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Vinyl Me Please-Spotify Singles

10" | 2020 | US | Original (Blue Engine)

16,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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Tape | 2022 | US | Original (Dome Of Doom)

Wylie Cable

Warmed By The Sun

Feed The Flowers Nightmares

Release: 2022 / US – Original

Genre: Electronic & Dance

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Los Angeles based electronic artist and songwriter Wylie Cable presents his ninth full-length album, Warmed By The Sun. Scheduled for digital and limited edition cassette release via Dome of Doom on September 23, 2022, the 21-track and 51-minute mixtape presents one of the widest arrays in their catalog. From riveting beat mantras soaked in the hazy aftermath of LA nightlife, to the bespoke fertile grounds of unique lyricism and folklore, Warmed By The Sun travels across multitudes of sounds with constant environmental change, bridged by the unmistakable presence of Cable as an artist. The music itself has a full circle feeling, running back a decade or more through the artist's personal history to Cable’s formative days activating the Dome of Doom label and the art scenes of both Los Angeles and San Francisco that surrounded its inception. Features include virtuosic drummer and LA resident Gene Coye, Norwich U.K. based electronic producer Clyde, and Mexico City's resident lyrical assassin, Speak. The conceptual energy behind the creation of the music and its inherent interconnectedness rests on the influence upon Cable's own creative spirit by Russian-American novelist Vladimir Nobokov. Cable was directly inspired by Nobokov’s later writings when the novelist and poet was residing in Montreux Palace Hotel on the shores of Lake Geneva, going for hikes in the alps, collecting butterflies, and writing. With this album, Wylie attempts to capture that feeling of creative freedom and bliss, a sonic journal, a collection of thoughts, feelings and experiences that the artist savored and with each song tries to provide a small glimpse into the life of its creator.

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Wyldest

LP (Hand In Hive)

24,99 €*

Genre: Rock & Indie

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Genre: Rock & Indie

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LP | 2023 | US | Original (Vampire Blues)

Wylde Rattz

Wylde Ratttz

41,99 €*

Shriek + Vriations Orange Swirl Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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The Wylde Ratttz were formed in 1997 to record tracks by The Stooges for the film Velvet Goldmine. With Ron Asheton as the secret weapon, the songs were easily dispatched and the band quickly organized a second session that produced a mixture of originals brought in by the band members, covers by The Pretty Things (one of Ron’s fav bands), and 40 minutes of killer instrumental tracks. Ron Asheton: Guitar, vocals, piano, tympani. Mark Arm: Vocals. Thurston Moore: Guitar, vocals, electronics. Mike "Pipe" Watt: Bass, Beam, spiel. Steve Shelley: Drums, percussion. Don Fleming: Guitar, vocals. Sean Ono Lennon: Multitronics, guitar, vocals. Produced by Don Fleming for Instant Mayhem Productions Recorded and mixed by Bil Emmons in NYC, 1997

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Wye Oak

2LP | 2024 | US | Original (Merge)

42,99 €*

Two Wrongs (Don't Make It Right)

Release: 2024 / US – Original

Genre: Rock & Indie

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In 2014, Wye Oak released Shriek, their fourth album. It was a necessary departure for Jenn Wasner and Andy Stack, who found themselves on uncertain ground after two years of constant touring for 2011's Civilian, living on opposite ends of the country and trying to revitalize their creative partnership. Wasner set aside her guitar for a bass. Stack took on the band's upper register, playing syncopated, meditative keyboard parts that interacted with Wasner's voice, which was newly freed from its call-and-response relationship to the guitar - what had been, until then, a signature of Wye Oak's sound. "This idea and the ensuing creative reworking of our band did what it was meant to do," Wasner writes in 2024. "It ended a long, painful period of creative stagnancy and reconnected me with the joy of making music." During that period, Wasner and Stack were introduced to William Brittelle, the Brooklyn-based composer whose 2019 LP Spiritual America featured Wye Oak, the Metropolis Ensemble, and the Brooklyn Youth Chorus. His orchestral reimaginings of five songs from Shriek (Shriek: Variations, if you will) are the centerpiece of this package, which serves not only to mark the tenth anniversary of a great album, but to demonstrate the richness of Wye Oak's compositions. Stack says of Shriek: Variations: "It's like looking at the songs in a funhouse mirror. The songs on Shriek can be stripped down or embellished - this is maximal embellishment. William took the album and blew it to smithereens, looking at it in a weird, prismatic way." Through Brittelle, Wasner and Stack found themselves at the intersection of classical, experimental, and pop music. Further collaborations, like the Brooklyn Youth Chorus- featuring No Horizon and Paul and Michi Wiancko's string arrangements on "My Signal" from The Louder I Call, The Faster It Runs, followed, as this connection fundamentally changed the way Wye Oak approached making records, incorporating an entirely new palette of sound into their work. That shift began here. Shriek: Variations may feel like a startling take on the material, something like light bursting into a room through drawn curtains, but Brittelle's arrangements are largely original to his first collaborations with Wye Oak a decade ago, suggesting that his maximalist arrangements have lived comfortably within the framework of Shriek the whole time, waiting for the right moment to emerge. It's a fitting reintroduction to the album, which upon its initial release was pigeonholed into the easy one-note talking point of being the "no-guitar" record. But even so, as that happened, Shriek quietly started to become a staple among Wye Oak's core fans. Here, with help from Brittelle's expansive compositions, the release draws attention back to the songwriting - how, regardless of the instrumentation, Wasner and Stack's uncanny musicwriting partnership at the core is what makes both Shriek and Wye Oak excellent. Joined by the Metropolis Ensemble, Paul Wiancko, and Lizzie Burns, Wye Oak turn songs like "Logic of Color" inside out, reaching towards a kind of pastoral bombast, Brittelle's aesthetic with Wasner and Stack as an anchor. In fact, "Logic of Color" in this iteration takes that "no-guitar" script and flips it, with Wasner playing the synthesizer ostinato on acoustic guitar at its center. If Shriek is a record that charts the depths of solemnity and inner space, its Variations, roiling in a sea of winds, brass, and strings, recolors that space and complicates it, a gorgeous, unexpected response to the original's siren call.

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Wyclef Jean

12" | 2002 | EU | Original (Columbia)

3,99 €*

Release: 2002 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG

Cheated (To All The Girls)

Wyclef Jean

12" | 1998 | NL | Original (Ruffhouse)

3,99 €*

Release: 1998 / NL – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

tiny sticker on front cover

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Zamaru Ultu Qereb Ziqquratu Part 1 Side A/B Black/Red/Yellow Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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After two years in the making, Wyatt E. seals their long-awaited return in 2025 with the highly anticipated narrative sequel to “āl bēlūti dārû”: zamāru ultu qereb ziqquratu Part 1 (Music from inside the Ziggurat); is the first chapter of a set of 2 concept albums in which the band deepens its exploration of ancient Babylon with an almost mythical approach through the eyes of the exiled captives from Jerusalem.

Featuring contributions from 7 international collaborators, zamāru ultu qereb ziqquratu is poised to become one of the most ambitious projects in the doom scene in terms of production & conception and will be released by the finest label in the genre: Heavy Psych Sounds.

The album pushes sonic boundaries by featuring two drummers recorded simultaneously, creating the immersive effect of distant crowds. An eclectic mix of instruments, including the saz, viola, sitar, and bugle, blend with both analog and digital elements to enrich the soundscape. A nod to Turkish composer Fazıl Say is also present, with a quotation from his symphony Mesopotamia. For the first time, two vocal tracks appear alongside the instrumental pieces. Iranian singer Nina Saiedi lends her ethereal voice to "The Diviner's Prayer to the Gods of the Night," sung in Akkadian, while Jerusalem’s choir conductor, Tomer Damsky delivers a captivating performance of Im Lelya in Aramaic adding a deep vocal layer to the album. The final mix, crafted by renowned producer Tim De Gieter, known for his work with Amenra, Brutus, and Absent in Body, brings everything together with a masterful touch.

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Zamaru Ultu Qereb Ziqquratu Part 1 Gold Nugget Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Zamaru Ultu Qereb Ziqquratu Part 1

19,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exile To Beyn Neharot Yellow Solid Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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With Exile to Beyn Neharot, Wyatt E. created the soundtrack of the people of the city of Jerusalem who were sent in exile to Babylon by King Nebuchadnezzar II after the siege of the city in 587 BC. The album is divided into 2 parts: one devoted to the emperor and his military campaign that led to the exile, the other to an allegiance, real or otherwise, to the goddess Ishtar. The record is the first real album of the band (Mount Sinai/Aswan being an EP) and marks the band's debut on the Doom/Drone scene. It was first released by Jerusalem's label Shalosh Cult.

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Exile To Beyn Neharot Transparent Black/Orange Splatter Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exile To Beyn Neharot

19,99 €*

LP | 2024 | UK | Original (Communion)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Wunderhorse

Midas

LP | 2023 | EU | Reissue (Legno)

Release: 2024 / UK – Original

Genre: Rock & Indie

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“I want it to feel like you’re right there in the room with us.” And in 10 songs and 40 minutes, Wunderhorse capture the raw power and energy that has set them apart as one of the most formidable live acts of recent years. With rugged hooks, unfiltered noise, and fierce melodic sensitivity, Midas rips up the script of traditional second albums and establishes the band as an endlessly addictive and rousing generational talent. In late 2022, the release of their debut album Cub saw singles ‘Purple’ and ‘Leader of the Pack’ dominate radio airwaves. Landmark performances filling Glastonbury’s Woodsies Tent (fka John Peel Stage) and selling out London’s Kentish Town Forum months in advance followed tours with Pixies and Fontaines D.C. and stadium appearances with Sam Fender, signalling the band’s arrival as one of the most prominent and exciting new guitar acts in the UK. With Grammy Award-winning producer Craig Silvey (The Rolling Stones, The National, Florence + The Machine) on board for their sophomore record, the band looked to do something different. Their goal – in the very same studio that Nirvana put In Utero to tape and PJ Harvey recorded the Mercury Prize-nominated Rid of Me – was to push themselves outside of their comfort zones. “There’s absolutely no faking on this record,” ends Slater, “it's not supposed to be perfect; it’s supposed to be a snapshot, even if it is a bit of an ugly portrait. That's how it was then, and that's how you're gonna see it.” And it sounds like you’re right there in the room with them.

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Wun Two & Zutera

Perle Ai Porci

21,84 €* 22,99 € -5%

Release: 2023 / EU – Reissue

Genre: Hip Hop

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Edition of 300 copies

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LP | 2021 | EU | Original (Sichtexot)

Two Medicine Lake

Release: 2021 / EU – Original

Genre: Hip Hop

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LP | 2022 | EU | Original (Sichtexot)

Ships II

23,99 €*

Release: 2022 / EU – Original

Genre: Hip Hop

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LP | 2014 | DE | Original (HHV Records)

Rio

39,99 €*

Release: 2014 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

O Cavalo Vermelho Black Vinyl Edition

LP | 2020 | EU | Original (Sichtexot)

Sole Spirito Special Edition W/ Postcard

Release: 2020 / EU – Original

Genre: Hip Hop

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Brand nu Wun Two! 24 tracks feat. Anthony Drawn, Danae Greenfield & Hubert Daviz!

Regardless of producing underground classics like “Jazz auf Gleich” (2013) with Sichtexot rapper Eloquent, researching frequencies below 60 Hz with Hubert Daviz as a tag team (“Vapowavez”, 2018), or escorting you through the cold days of the year, making the experience of winter not being felt that bad (“Snow 1-4, 2016-18”). Wun Two‘s key motivation is the aesthetic standard, he applies to his works.

At the latest since “Pirata” (2019), a musical audio adventure in an English as well as in a German version (voice actors: Ugly God & Twit One), it is clear as daylight, that one does not only deal with a simple beat maker, but also a concept artist. In doing so, Wun Two‘s intention is not driven by binge-releasing his beats randomly rather than carefully selecting them in order to form them to a thoroughly illustrated album embedded in a lyrical frame work.

After the “Dolphi” EP as part of the “SXT Tracks“ series, the grand album “O Cavalo Vermelho” is being released in 2020. Based on an even more sophisticated sound, Wun Two takes the audience on a journey through a foggy but dry environment on the search for the “red horse”.
Musical support comes from his “partner in crime” Hubert Daviz, label mate Anthony Drawn (saxophone) and the exceptional artist Danae Greenfield (keys) from New York City.
The illustration and graphical concept is contributed by Robert Winter (Die Ottos).

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Wun Two & Made In M

LP | 2024 | DE | Original (Sichtexot)

LP | 2024 | DE | Original (Sichtexot)

Release: 2024 / DE – Original

Genre: Hip Hop

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Special limited edition with a vinyl postcard with an exclusive song only on this postcard (playable on a record player!) - 200 copies.

Renowned for their distinctive contributions to the global lofi beat scene, Wun Two and Made in M, two of Germany’s most delicate producers, announce their collaborative album, "Sole Spirito," set to release on June 28th, 2024.

With careers spanning over a decade, both Wun Two and Made in M have left an indelible mark on the genre, pioneering its raw yet chill aesthetic.
Wun Two, known for his signature lofi instrumental hip hop, has recently showcased his versatility through collaborations with acclaimed rappers such as Conway the Machine, Da Flyy Hooligan and Ben Beal and similarly Made in M who has garnered acclaim for his latest lofi house project, Flux LP, showcasing his prowess in creating genre crossing productions.

"Sole Spirito" marks the first full-length collaborative effort between the two producers, who have been long-time friends and mutual admirers of each other's work. The album, comprising 18 tracks, was largely conceived during a songwriting producer camp in southern France in late summer 2023. It was there that they also crossed paths with L.A.-based rapper Yungmorpheus, who features on two of the album's tracks.

With a lot of nostalgic charm of 70s Italo wave, "Sole Spirito" transports listeners to an era of Italian cinema characterized by lush lifestyles, eroticism and vintage nostalgia.

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Wun Two & Made In M

Sole Spirito

22,99 €*

LP | 2018 | EU | Original (HHV Records)

Release: 2024 / DE – Original

Genre: Hip Hop

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German Lofi Icons Wun Two and Made in M Unveil Collaborative Album "Sole Spirito"

Renowned for their distinctive contributions to the global lofi beat scene, Wun Two and Made in M, two of Germany’s most delicate producers, announce their collaborative album, "Sole Spirito," set to release on June 28th, 2024.

With careers spanning over a decade, both Wun Two and Made in M have left an indelible mark on the genre, pioneering its raw yet chill aesthetic. Wun Two, known for his signature lofi instrumental hip hop, has recently showcased his versatility through collaborations with acclaimed rappers such as Conway the Machine, Da Flyy Hooligan and Ben Beal and similarly Made in M who has garnered acclaim for his latest lofi house project, Flux LP, showcasing his prowess in creating genre crossing productions.

"Sole Spirito" marks the first full-length collaborative effort between the two producers, who have been long-time friends and mutual admirers of each other's work. The album, comprising 18 tracks, was largely conceived during a songwriting producer camp in southern France in late summer 2023. It was there that they also crossed paths with L.A.-based rapper Yungmorpheus, who features on two of the album's tracks.

With a lot of nostalgic charm of 70s Italo wave, "Sole Spirito" transports listeners to an era of Italian cinema characterized by lush lifestyles, eroticism and vintage nostalgia.

Stay ready for the release of "Sole Spirito" on limited vinyl edition and streaming on June 28th, 2024.

Camminami sulla spina dorsale, divorami come raggi di sole, sei balsamo per il mio spirito in quei notti insonni e pieni di ricordi. Non potrò mai non sentire la tua mancanza. Ricordo sempre tutto.

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Wun Two & Hubert Daviz

Vapowavez

33,99 €*

Release: 2018 / EU – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Limited edition of only 500 copies. Still sealed!

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Hawaii & Snow White Vinyl Edition

LP | 2024 | EU | Original (Blunt Shelter)

29,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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Your favorite toucan is approaching your neighborhood with hyper speed. Legend Wun Two is blessing us with an LP of unreleased beats from his analog MPC era of 2013-2014. The album is called Hawaii & Snow - some of the OGs might remember this from SoundCloud, but most of the beats are unheard and simply put - crazy dope.

The vinyl release will contain 4 beats that won’t be available on digital platforms, or anywhere else besides wax, just so we empower the culture of real heads & vinyl lovers as well. It is available in limited edition black & snow-white vinyl.

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Hawaii & Snow Black Vinyl Edition

LP | 2024 | EU | Original (Blunt Shelter)

29,99 €*

Release: 2024 / EU – Original

Genre: Hip Hop

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7" | 2019 | EU | Original (Urban Waves)

Casino

11,99 €*

Release: 2019 / EU – Original

Genre: Hip Hop

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Wun Two does us the honor of providing the next album in the 777 series with his Casino EP. The sound aesthetic of the project has a very vintage 70's Americana feeling. Wun Two takes us on a time travel on the legendary Strip in Las Vegas, the city that never sleeps. You can easily imagine the old school neon lights quickly moving while you are driving by. And if you close your eyes you can even hear the buzz of the city like you were there. As always Wun Two delivers and keeps surprising. His music is always fresh and heartwarming this is why we are super thrilled to be able to bring this album out.

This is the second EP we are dropping in the 777 series that is inspired by and themed around the world of luck and gambling. The concept is simple and made to please the fans. A series of little collector 7 inches 45rpm vinyls that are of the highest quality while keeping a low price. 7 inch vinyl, 7 minutes of music, 7 euros is what the 777 stands for.

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LP+Flexi-disc | 2016 | US | Original (Fat Beats)

Baker's Dozen

49,99 €*

LP | 2024 | UK | Original (Discrepant)

Release: 2016 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with a couple of light scuffs. Cover has some light wear on the back. Witho Flexi 7". Overall copy closer to VG+

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Wukir Suryadi

Siklus Dan Doa

LP | 2023 | EU | Original (La Agonia De Vivir)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Born in 1977, in Malang, East Java, Wukir Suryadi began playing music for theatre at the age of 12 with the Idiot Thea-ter Studio, and later with the Rendra Theater Workshop. In his solo work, and as a member of Senyawa, Error Scream, Bendera Hitam Setengah, Potro Joyo and other groups, Wukir breaks the boundaries of traditional music, death metal and avant-garde performance. On this new release, “Cycle and Prayer,” recorded in 2023, he expands the edges of his unique artistic world further, by digging in to meditative improvisation, art, and community building in his home workshop in the mountains of central Java. These recordings vibrate inwards, toward the microcosmic ecolo-gies of forests and rivers; they distort outwards, resonating with global waves of apocalyptic change that are forcing all living beings to the edges of existence on earth. The result is a meditative poem that moves, as its titles announce, from phenomena to phenomena, praying that humans find a way out from the depths of the depths to the light that illu-minates the soul.

An essential mode of creative work for Wukir is the creation of unique instruments, using these sound sources as “bul-lets of expression.” In addition to the spear-like tube zither Bambu Wukir, he has created the Solet, Enthong, Garu, Luku, Arrows, and Industrial Mutant instruments, which in addition to being used in live performance, have been ex-hibited in the Instrument Builders Project and the 2017 Jakarta Biennale. In the past few years, Wukir has begun to collaborate with local guitar makers, carpenters, and suppliers of native endemic wood in the mountain region of Salati-ga. Using earthen bricks along with local woods (suren, coconut, mindi, and waru lengis) as building materials, he con-structed a new studio and workshop space in Tingkir, where this album was made. The trees, water and air of the local environment have exerted a powerful influence in Wukir’s documentations of instrumental sound. On this recording, he uses the simple Cetta guitar, an instrument designed in Bali and made for Indonesian children and local communities of folk and popular musicians, in order to explore the different sonic characteristics of a more “normal” instrument built from local wood.

The themes of the album -- cycle and prayer -- arise from a foreboding series of meta-events that shook Indonesia and the world over the past years, following one after the other: the Covid-19 pandemic, the Ukrainian-Russian war, the Kanjuruhan Stadium tragedy in which football supporters were gassed and killed by police, revelations of government failures and corruption, the rise of personal vehicles, the increasing disturbance of natural patterns of the rainy season and other ecological cycles. “In these waves of technology and narratives of truth made for certain interests, playing a sound at a certain frequency and repeating can try to bring images and feelings to a certain point of consciousness,” Wukir told me. “Sound is a prayer that creates a change, whether gradual or rapid, in the behaviour of living things, to face the demands of the time, as humans struggle to live according to what they believe.” The drawings and sketches used for the cover spontaneously emerged alongside the recordings, as an instinctive depiction of “time and sound, nature that is outside of oneself, and nature that is within.”

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Wud

Meant To Collide

Release: 2023 / EU – Original

Genre: Rock & Indie

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Limited to 300 black copies. A few weeks ago, the first planetary defense test was successfully carried out: the Dart probe diverted the orbit of the asteroid Dimorphos. With this Nasa operation we know, once again, that when we humans play god we are unstoppable, that we are not going to become extinct like the dinosaurs as long as progress makes us move. However, while this space shock was brewing 11 million kilometers away, here, more specifically in Torelló (Barcelona), a disc was being created that is like the Trojan horse of asteroids. Sin has made a crater or is going to do so; we are talking about Meant to collide of Wud. The second album of the band arrives three years after the debut Okeanos (2019), three are also the nuclear components that currently form it (and not the five before) and, again, three are the letters with which the name of the band remains (wud), previously they were called Wood. It seems that many things have changed in three years and that's right, the group has grown while it has been reduced and this new album testifies to that. The eight songs concisely concentrate the soul of the project. Although what they continue to love is the structured edginess of math-rock, they want the work to have punk-rock and pop constantly on the horizon, which makes the computation more digestible for all kinds of ears that like sharp-guitars music. Behind the songs we find Marc Fernández, Aleix 'Jimmy' Vilarrasa and Rai Costa, three friends of Torelló who for the last, almost, two years have been carrying out the recording. A long and arduous process that has gone through different studios, such as Fontderola by Jordi Casadesús and Jordi Torrents, or Lluerna by Èric Fuentes, but above all it has been hatched in their rehearsal room where they themselves have persevered in the attack to record a good part of the instrumental. The trio's bizarre ideas have been grounded with millimeter precision, faithfully capturing the centennial hyperactivism that accompanies them wherever they go. On the one hand, the songs trot lively and directed with a hardcore soul and rounded pop, on the other, if we look a little, we notice how the details of each cut are infinite, that the structures could be applied to the Sagrada Familia, that, in definitely, there is a lot of hard work. That the process has been laborious is also noticeable in the guitarist's lyrics, words spat out with the impatience of someone who doesn't want to waste another minute in the loop of self-destructive thought. Meant to collide is a fight between the two opposite and complementary parts of oneself, and I say two to simplify. Between the adrenaline side that wants to end everything through romantic escape and the other, the one that wants to reconstruct the fragments of memory to heal from serenity. From this very personal dispute comes a more than possible collision which, deep down, is what makes the group's creative drive advance and, above all, what makes the feeling that the songs are alive because they are lived intensely. Are we talking about emotions? Yes, thank God, because there such of this on the album, all the time, even in the instrumental interludes. The dreamy piano of “Barnum’s Circus”, the spectral autotune of “Lost Stars” or the Queens-of-Stoneagian guitar solo of “Cul-de-Sac” are at the service of the emotional magma of the musicians. The influence of highly emotional groups such as Delta Sleep (the English band performed one of the most memorable concerts for the wud crew at Torelló’s Arundo Fest in 2018), Algernon Cadwallader or Faraquet is noticeable. Over the years we are discovering where exacerbated technological progress is leading us: that's right, to collapse. Meanwhile, but, this band warns us that they have already arrived there and that humanity can be taken in abundance from there, in fact, there is nothing more human than collapsing.

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4LP | 2014 | EU | Reissue (Music On Vinyl)

Wu-Tang Forever

99,99 €*

Release: 2014 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl.

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7" | 1997 | US | Reissue (Get On Down)

Triumph / Heaterz

Release: 1997 / US – Reissue

Genre: Hip Hop

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2LP | 2014 | EU | Reissue (Music On Vinyl)

The W

74,99 €*

Release: 2014 / EU – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: VG+

Translucent vinyl close to NM

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The Saga Instrumentals Yellow Vinyl Edition

LP | 2018 | UK | Original (Death Row)

Release: 2018 / UK – Original

Genre: Hip Hop

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Limited edition for Record Store Day 2018!

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CD | 2017 | EU | Original (eOne)

The Saga Continues

11,99 €*

Release: 2017 / EU – Original

Genre: Hip Hop

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12" | 2018 | EU | Original (E One Music)

Pearl Harbor

14,99 €*

Release: 2018 / EU – Original

Genre: Hip Hop

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Enter The Wu-Tang (36 Chambers) Black Vinyl Edition

LP | 1993 | EU | Reissue (Legacy)

24,99 €*

Release: 1993 / EU – Reissue

Genre: Hip Hop

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Fresh new repress on Legacy! One of the greatest albums ever, ever, ever!

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Enter The Wu-Tang (36 Chambers): 30th Anniversary Limited Box Set

Box | 1993 | US | Reissue (Get On Down)

119,99 €*

Release: 1993 / US – Reissue

Genre: Hip Hop

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LIMITED EDITION COLORED 7" BOX SET WITH 60 PAGE BOOK AND 30TH ANNIVERSARY TRADING CARDS PACK

Thirty years ago on November 9, 1993, The RZA, The GZA, Raekwon The Chef, Ol' Dirty Bastard, Inspectah Deck, U-God, Masta Killa, Method Man and Ghostface Killah formed like Voltron and set off the worldwide movement of the Wu-Tang Clan.

To commemorate the 30th Anniversary of the release of Wu-Tang Clan's classic 1993 debut album Enter The Wu-Tang (36 Chambers), Get On Down, in partnership with Sony's CERTIFIED and the RZA, is issuing a new limited edition box set of the album pressed on six split black and yellow 7-inches housed in a custom canvas wrapped Wu-Tang album art box with a printed outer slip case.

Box Set contains:

-The full album on six split black and yellow colored big hole 7-inch records in printed full color inner sleeves.

-A 60 page liner notes book titled The Shaolinothology featuring RZA input / interviews, extensive research by journalist Chris Faraone, album lyrics, rarely-seen photos and other rare images from the Enter The Wu-Tang era, plus new additional photos by Wu-Tang album cover photographer Danny Hastings.

-A pack of 30th Anniversary 36 Chambers Trading Cards featuring never-before-seen photos by photographer Danny Hastings. The trading cards are only available in this box set.

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Enter The Wu-Tang (36 Chambers) 30th Anniversary Black & Yellow Splatter Vinyl Edition

LP | 1993 | US | Reissue (Get On Down)

33,99 €*

Loggerhead Light Green Vinyl Edition

Release: 1993 / US – Reissue

Genre: Hip Hop

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This pre-order item is a made-to-order, limited edition release. They are available to order until November 30, 2023, at which time pre-orders will close. To secure your copy, please place a pre-order by November 30, 2023. We advise you to order this item by itself. Shipping March 2024

Straight from the "Slums of Shaolin" thirty years ago on November 9, 1993, The RZA, The GZA, Inspectah Deck, Raekwon The Chef, Ol' Dirty Bastard, U-God, Masta Killa, Method Man and Ghostface Killah released their classic debut album Enter The Wu-Tang (36 Chambers).

To commemorate the 30th Anniversary of The Wu, Get On Down in partnership with Sony's Certified and The RZA is reissuing their debut album on limited edition clear with black and yellow splatter vinyl with a 30th Anniversary commemorative OBI. This is a shared exclusive with Get On Down in the US. In Europe only available at HHV.

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Wu-Lu

LP | 2022 | Original (Warp)