Search "lazer+sword+memory" 2361 Items

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bill Evans At Town Hall Volume One Acoustic Sounds Edition

The Bill Evans Trio

LP | 1966 | EU | Reissue (Verve)

46,99 €*

LP | 2022 | EU | Original (Selected Works)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A timeless piano jazz classic: Bill Evans’ first-ever performance at a concert hall in New York City. Featuring the sensitive accompaniment of Chuck Israels on bass and Arnold Wise on drums. Includes a thirteen-minute solo suite dedicated to the memory of Bill’s father who had only recently passed at the time of the recording.

Verve Acoustic Sounds Series: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

Go to Item

The Beaters

Lost Memories

Blue Skies, Broken Hearts...Next 12 Exits

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For their fourth release, Selected Works are reissuing the classic South African record from the legendary Beaters, Lost Memories. Fusing R&B, Funk and Soul this collection of tight instrumentals was initially released on CBS in the late 60s. This band would later morph into the legendary South African outfit Harari. Psychedelic soul masterpiece on the CBS LAB imprint. First ever reissue only from Selected Works. Deluxe vinyl repress based on the original CBS pressing with all original artwork in Tip On Covers. Fully licensed and remastered.

Go to Item

The Ataris

LP | 2009 | US | Reissue (Mightier Than Sword)

39,99 €*

Release: 2009 / US – Reissue

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 2020 | US | Original (Goner)

The Archaeas

12" | 2023 | UK | Original (Slum Dunk)

Release: 2020 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Tension, anxiety, ominous energy, and the release that comes from vanquishing those mental foes. Specifically, vanquishing them with rock and roll.” That’s how Violet Archaea, guitarist, singer, and leader of Louisville’s THE ArchaeaS describes the themes of their new self-titled album on Goner Records. Beginning as a one-witch band, they now perform as a perfectly-balanced rock trio with frightening power, reflecting punk rock ’n’ roll from the last fifty years—AC/DC, Johnny Thunders’ Heartbreakers and The Dead Boys through The Reatards and Carbonas, even early Ty Segall—but The Archaeas are young enough to soak up sounds, attitudes, riffs and turnarounds from other bands and songs and still push them into their own Battle Royale. The result is one of the most explosive debut albums in recent memory. In the midst of the mud and blood and the riffs, a rhythm starts up. Then guitar and bass blast as one thick bulldozing wall of distortion. The drums kick ass, and the vocals express a yearning, an anguish, and hopefully a release, with all the parts racing until the song is over… quickly. Violet can really play some guitar, but don’t look for solos long enough to get the lighter out for. Some razor cuts and she’s done with it. The Archaeas are the real deal. LP version to follow.

Go to Item

Tetine

Music For Breathing

18,99 €*

2LP | 2020 | EU | Original (L.I.E.S.)

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We've been writing new material as a trio since the first lockdown in the spring of 2020.
An organic and electro-acoustic impulse that translates both mine and Eliete's need of self-archiving,
re-inventing and auto-cannibalising Tetine's past, present and
future in order to explore other aural
landscapes and modes of composing intuitively, while at the same time, re-experiencing moments of our
trajectory as a hybrid organism.

Music For Breathing was born as a respiratory, meditative, and improvisatory piece of DIY
tropical-mutant-punk "chamber music" written for cello, voice, piano, organ and electronics.
The work responds to the suspended acts of breathing and vertigos experienced in contemporary polluted
environments in political, social and philosophical transitions, whilst investigating the
secret ontologies of inanimate objects and architectures, as well
as the echoes and ethics of modes of operating things.

Recorded during the intense period of heatwaves that hit London between July and August 2022, in
a small studio set up in our flat's kitchen - so that we could capture the acoustic instrumentation
(in particular, for the recording of cellos) without much
noise interference from the street -
this vinyl version of the album comprises of 5 distinct yet complementary reflective movements.

Musically and lyrically, it explores the atmospherics and syntaxes of time and space, voice, rhythm,
as well as themes such as hearing loss, menopause, pollution and respiration. It builds an expanded suite of unexpected
electro-acoustic textures through repetition, minimalistic motives, simple melodies, chromatic
developments, free counterpoint and atonalism. Conceived as an ode to the poetics of slowness,
the sounds you hear give continuity to the music we composed for the performance-film
The Ether - Prelude No.1 over the first lockdown in 2020 as it simultaneously explores the warmth,
melodiousness and power of the cello in conjunction with electronics.
Music For Breathing evokes this transitory moment: a place and time where language runs out,
communication and information lose their functions, sound and meaning do not correspond. Facts do not correspond to contexts. Spaced Out in Paradise. The last degree of the structure, the
loss of memory. The lost voice.

The album also features our 12-year-old daughter Yoko Afi on cello and vocals. It reflects
a period of free sound experimentation influenced both by romantic composers of the late
19th / early 20th centuries and contemporary electronic music. The pieces you hear were composed, arranged, and recorded
with the joy and melancholy of "those who do not know". In other words, "with the arrogance
of a second childhood" as Derek Jarman once put it. 'Agile and candid as a child'(1).

1) Manifesto da Poesia Pau-Brasil, Oswald de Andrade, Correio da Manhã, 18 de Março de 1924.

Go to Item

Teste

Graphic Depictions

22,49 €* 29,99 € -25%

CD | 2022 | EU | Original (Angelica)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The cult techno outfit "Teste" digs up and re-transmits sonic archives forming a new 2xlp for L.I.E.S. Full story below.....Artwork licensed from legendary NYC street photographer Richard Sandler in appropriate fashion....lp comes with a giant newsprint poster as well. Teste was still-born by the mid-90’s and with the ensuing Ptsd I had become a Shut IN working on the Amiga Computer for Audio and Video and completely immersed in grisly, depraved art-house cinema. This release pays homage to that time in NYC when I frequented Mondo Kims daily to rent the trashiest films I could find. Things like Richard Kern’s “Fingered”, Nick Zedds’s “They Eat Scum”, Makavejev “Sweet Movie”, Merhige “Begotten” all the classicks! The 42nd Street Mind forever! In retrospect I can’t believe they gave me a membership card! Wish I still had it! Micro Budget, Discontinued Formats. All of the tracks on this release are sourced from decaying tapes (vhs, 4-track, DAT, MD) some of which were encoded to early digital formats to add another layer of artefacts and grit. I can emphatically proclaim these ideas have taken three decades to come to fruition at my present Partner in Teste (Goner) Berlin Facility. One chapter closes and another unfolds! One day it’s 1992 playing absurd Teste gigs in a Sports Bar (Tailgate Charlie’s!) in scenic Hammer Onterrible opening up for Lil’ Ed and the Blues Imperials! You could just feel the love in that room! Referred to as the “Toilet Incident” by unsuspecting attendees. From that debacle another unfolded in an infamous “final” appearance at the Pure Party in Glasgow Barrowlands 1994 -which proved an unceremonious demise to the first incarnation of Teste… Details like most things from that era are foggy… No insta stories or tweets! Just instant cameras that didn’t always make it out of the rave! After the Teste fallout then embarking on another Techno adventure for an extended stint in NYC from ’95-97. This proved a pivotal time to say the least. Huren becoming a solo entity and the lasting shockwaves with Zhark which was a New York label in those days. Also in retrospect I can say I experienced the end of the NYC of old right when the “NO Dancing” by-laws were coming in. R.I.P Strange?, Sonic Groove (Manhattan),Liquid Sky/Temple, Save The Robots, Soundlab, Tunnel, Twilo, Limelight and others that slip the memory banks… All I knew of NYC when I got off that Greyhound the first time in Port Authority in 95 after an 11 hour drive was from movies. I thought the city was like what I had seen in Abel Ferrara films “Driller Killer”, “King of New York’ “Bad Lieutenant” or the Schoolly D, or Wu-Tang Clan videos! Turns out I wasn’t too far off in a way as this was the era of the Club Kids depravity. Upon reflection my formative clubbing years had an element of Crime in them as I’ve been in the proximity of two very well known serial killers. First in the 80’s when I attended a club Paul Bernardo used to Frequent in Ontario and later on the Limelight NYC with Michael Alig. Definitely casts a sinister tinge to some of the memories. Curious coincidence the party I performed at in NYC was called Killer… And I myself was almost murdered in 2012 but that’s another story…

Go to Item

Terry Riley

Organum For Stefano

18,89 €* 20,99 € -10%

Tribute EP Silver Colored Vinyl Edtion

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"I was invited to an art gallery in Los Angeles to hear a solo String Bass recital by Stefano. I arrived late and the concert was in progress, I was walking down a series of concrete halls to reach the galley chamber where the music was taking place. In the distance I could hear the sounds of french horns, trombones, strings and brass all mixing in a beautiful modal ensemble, and at the time I thought that Stefano must be playing his bass with a chamber group. I was amazed when I entered the gallery to find Stefano all alone playing his bass ... " - Terry Riley, 1997 Organum for Stefano, the third record that I Dischi di Angelica dedicates to the work of Terry Riley, represents a significant example of “coming full circle”: indeed, in 1997 AngelicA Festival organized a concert in Bologna for Terry Riley and Stefano Scodanibbio – it was their first tour together, and the beginning of a collaboration that would last for years, promoting their first album Lazy Afternoon Among the Crocodiles (aiai 008), recorded in the Shri Moonshine studio in Riley’s home between 1994 and 1995. After his magnificent piano solo at the 2000 edition, AngelicA invited Riley back in 2013 to dedicate a special tribute-portrait to him, presenting his music in a series of concerts held in three different cities (Bologna, Modena, and Lugo), with different line-ups: The 3 Generations Trio (with Tracy Silverman and Gyan Riley, documented on the record IDA 034); the Arte saxophone quartet from Switzerland; and indeed a concert, commissioned as a world premiere, dedicated to Stefano Scodanibbio who had passed away the year before, in January 2012. The venue selected for the concert was the Basilica of Santa Maria dei Servi, hence Riley decided to use its historic Tamburini opus 544 pipe organ for the concert paying homage to the memory of Stefano. The organ was built in 1968 based on a design by Luigi Ferdinando Tagliavini, with a total of approximately 5000 pipes divided into 60 registers – incidentally, this is the same instrument used four years later in 2017 by Francesco Filidei in his duet with Roscoe Mitchell, documented on the record Splatter (ida 040), and in 2019 by Hermann Nitsch on the record Orgelkonzert (ida 045). As Riley himself explains in the liner notes: “I arrived in Bologna with no idea of what I would play, only thinking that I would make this concert a reflection on our deep association, friendship, and music adventures together. I was given a few days prior to the concert to rehearse and compose ideas on the ancient organ. These were magical times for me to also imbibe the resonances of the history of the Basilica and its organ as I composed. Stefano and I had a long history of touring and playing concerts together and one of the features of our concerts was always an arrangement of a vocal raga for bass, voice and tamboura. Stefano, although not trained in Indian Classical music, had an uncanny ear for the right choices in pitch and rhythm to accompany my traditional vocal renditions. Two of Stefano’s favourite ragas were Malkauns and Bageshri, late night ragas with deep feelings ideally suited to the profound sounds emanating from his string bass. The concert was completely improvised, introducing the melodies of ragas Malkauns and Bageshri, both vocally and in the harmonized organ passages of an intuitively structured form. The last section is an improvisation upon the passages of my composition Simply M..., a piece I frequently played for Stefano”. The result was a very precious concert – the only official recording of Riley on the pipe organ – which ranges from minimalism to Indian music, grandiose Bachian architectural constructions, even progressive echoes – in a kaleidoscopic flow of ideas which, both spontaneously and with a great clarity of intention, travels through topical moments and reminiscences of the respective musical identities and experiences shared by the two musicians. Organum for Stefano is release n. 50 by the label i dischi di angelica, which celebrates its 30 years of activity in 2022

Go to Item

Terrence Parker

12" | 1996 | US | Reissue (Intangible)

12" | 1996 | US | Reissue (Intangible)

Release: 1996 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"In Loving Memory Of Detroit DJ Legend Ken Collier"

Go to Item

Terrence Parker

Tribute EP

12,99 €*

12" | 2024 | EU | Original (Liquid Memory)

Release: 1996 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"In Loving Memory Of Detroit DJ Legend Ken Collier"

Go to Item

Terraflow

Pick Up The Slack

12" | 2019 | EU | Original (Rawbeats)

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Liquid Memory presents their third release, "Pick up the Slack," featuring the deep and dynamic sounds of Terraflow, the night-time alias of renowned Jazz/House producer AJ Edward. With this project, Terraflow delves into the realms of progressive house, crafting a sonic experience that is darker, faster, and undeniably captivating. This release is a key moment for Liquid Memory, as it marks their first single-artist release. The EP also includes a remix by co label head Ori Raz, providing a different take on Terraflow's “Pick up the Slack”.

Go to Item

Terence Terry

Memory Mode

LP | 2018 | EU | Original (Music From Memory)

Release: 2019 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Welcome to the Rawbeats World!
Notice don't forget your headphones, start your sound system because Terence Terry's creative touch is in the house. Introducing our first release with 3 pieces of new musical perspectives that will become a self-fulfilling prophecy, meant to awake different feelings in each of us.
Remixed by German legend DJ Honesty, driven by an undeniably soulful and passionate flow.

Go to Item

Terekke

Improvisational Loops

25,99 €*

12" | 2020 | EU | Original (Tal Der Verwirrung)

Release: 2018 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Not much to say on this one: Terekke goes ambient for Music From Memory - scream and buy!

Go to Item

Temple Haze

Luminous

12,99 €*

A Selection Of Improvisations (1989 - 2017)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Temple Haze joins the rows of Tal der Verwirrung label, presenting his four-track debut vinyl full of mellow guitar, ethereal vocals and an intriguing, nebulous ambience. A1 Ethereal vocals blend into spheric ambience, lush piano fills the gaps left by a kick drum which is beyond all smoothness. Temple Haze creates a title track which starts as a blurry dream an unfolds into a well known, universal memory. A2 Straightforward percussive delays and a gentle hum spread good vibes from the start, while catchy guitar riff melts together with a warm baseline, altogether creating an intriguing pull into the track's gravity field. When Temple Haze joins in with marvelously creamy vocals, the story takes another turn and brings us somewhere we have not been before. B1 Temple Haze invites us to a moment of contemplation and reflection, we swim in a warm cloud of misty thoughts. There is no start and no beginning, only connections and loose ends. B2 A gentle guitar arpeggio and organic drum cycles immediately bring the heat of the summer with all its tempting sensations. Melodic elements are slowly spiraling towards each other, like two birds dancing together in a dark blue sky.

Go to Item

Telesoniek Atelier

2LP | 2022 | EU | Original

31,99 €*

Ellipses Dans L'harmonie - Lumi Al Buio

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP Gatefold (featuring liner notes). Limited Edition. Artwork by Meeuw.

A collection of personal recordings made on various synthesisers between 1989 and 2017, by Telesoniek Atelier. Huge Tip on this one!

Early feedback:

"Fascinating improvs. I loved 'Gruesse'. " Suzanne Ciani (Atmospheric)

"Beautiful music with real subtlety and depth” Anthony Child (Surgeon, Transcendence Orchestra)

"Lovely, pure synth music." Mark Pritchard (Warp Records)

"Chateuroux is mighty... A proper zoner. Flung on earth." John T. Gast

"This is a great release by Telesoniek Atelier - a musician unknown to me before now. I've been thoroughly enjoying playing this double vinyl release since i got it. Both discs are filled with amazing music that moves between abstract electronic experiments to melodic, DMT bent sounding, classical contemporary music and futuristic soundtracks from non-existing Sci Fi movies you'll wish you could see. It time-warps you from here to there then freezes the moment. It all sounds like its been taken straight from the ancient room .. you know, that one where the spirits of the great teachers live. This is very focused, unpretentious and highly emotive music . A wonderful and dreamy sound garden coming from what I imagine to be a beautiful mind . These discs will be camping out on my turntables for a while." Tako Reyenga (Music From Memory)

"A deep sense of the symphonic permeates this record. While synthesizers form the basis of its sound, Hans Kulk shapes their timbre into uncanny acoustics and weaves them together like an orchestra. Just when you think you have understood what is happening, another layer reveals itself. Yet it keeps a floating sense of lightness throughout. A truly rewarding listening experience." Hainbach

Go to Item

Teho Teardo

LP | 2020 | EU | Reissue (Specula)

Release: 2020 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Ellipses dans l"harmonie - Lights in the dark" is the last work released by Teho Teardo on his imprint Specula Records. This work is entirely inspired by the music contained in the pages of one of the iconic texts of the 18th century, the Encyclopédie by Diderot and D"Alembert, the original copy of which is kept in the archives of the Giangiacomo Feltrinelli Foundation, which produced and commissioned the album. This is the first time the Foundation has produced a musical work. In "Ellipses dans l"harmonie", there is not only a homage to the Encyclopédie, but also a political connection to the spirit of the Enlightenment that guided the genesis of the work and the current need for light in the face of the new obscurantism.At the origins of the Encyclopaedia"s cultural enterprise are three roots: memory, reason and imagination. They are three dimensions that draw attention to three needs that still interrogate us today: to know the past in order to understand the origins of the problems we face today; to exercise rational criticism in order to orient ourselves in reality without taking refuge in bewilderment in the face of the complex challenges it poses to us; to continue to think about different balances in order to want to design a different world.

Go to Item

Teenage Engineering

EP-1320 medieval

339,00 €*

LP | 2021 | EU | Original (Hot Mule)

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

EP–1320 medieval - The world’s first medieval electronic instrument

Hurdy gurdys, lutes, gregorian chants, thundering drums and punishing percussive foley fx. The EP–1320 is the first of its kind: featuring a large library of phrases, play ready instruments and one-shot samples from an age where darkness reigned supreme, the instrumentali electronicum is the ultimate, and only, medieval beat machine.

Unlock the magic of medieval sounds
The EP–1320 comes with hundreds of medieval sounds and samples, a redesigned set of send effects and punch-in fx, a brand new arpeggiator and a collection of craftily captured multi-sampled instruments. the line input and the internal microphone allow you to sample your own sounds in just seconds. whether you’re into making sultry serenades or bubonic beats, the EP–1320 has you covered.

Become your own bard
Alongside a bucketful of one-shot samples the instrumentalis electronicum features a number of readily playable medieval instruments - play them on the paeds or on an external midi keyboard.

Summon your inner troubadour
In demus mode, choose any of the 9 medieval songs and jam along using the sounds and instruments on the four banks. add some punch-in fx and you’re ready to send any tavern floor into a frenzy! (also perfect for banquets and fetes).

An unrivaled medieval experience; EP-1320 features a hundreds of built-in medieval sounds for your nostalgic pleasure. go back in time and play along with the built-in magical melodies, sultry serenades and bubonic beats. included in the box are 4 knobs, a sticker pack and a quick start guide for you to hit the ground running.

Features:
• built-in mic and speaker
• 6 stereo voices / 12 mono
• 128 MB memory including 96 MB ROM sounds and 32 MB user sample memory
• 9 built-in demo songs
• 9 user projects
• 7 built-in pocus and 12 punch-in pocus
• pressure sensitive keys and multifunctional faedr
• sampling frequency: 46 kHz / 16-bit
• 1x stereo in/out, sync in/out, midi in/out and usb-c
• powered by 4x AAA batteries, or via usb-c.
• dimensions: 240 mm x 176 mm x 16 mm
• weight: 620 g

Go to Item

Teddy Lasry

Funky Ghost 1975-1987

27,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

French multi-instrumentalist Teddy Lasry's story is noteworthy not just in regards to the music he released, but in the ways that he approached the craft of composing and experimenting with sounds and sonics. Always intrigued with the capabilities of instruments, their groove and their feel, it was very much his family’s influence that helped to fuel these life long affections. As a performer in a parisien cabaret, Teddy’s father Jacques would mingle with giants like Serge Gainsbourg and Charlie Chaplin (impressed by his ability to improvise, Chaplin wanted him to become his accompanist, but the pianist politely refused). Jacques and his wife (Teddy’s mother Yvonne), would later become members of the innovative experimental group Les Structures Sonores, and surround their children’s lives with sounds. Electronic music was still in its infancy and Les Structures Sonores, with their resonators that produced long, mysterious tones, were deemed ‘cosmic’. It was the era of the launching of the first Russian Sputnik and every time a radio or television station wanted music for their science fiction programs, they turned to one of their compositions. Showing a natural ability with multi instrumentalism, Teddy was rewarded with a spot in the band, allowing him to really explore unconventional methods of composition. Following a brief stint with Ariane Mnouchkine's avant-garde Théâtre du Soleil after graduating school, Teddy joined the pioneering prog band Magma, with whom he would record three groundbreaking records during the early 1970s (According to former member Laurent Thibault, their album Mëkanïk Dëstruktïẁ Kömmandöh and its sound were strong influences on David Bowie during the recording of Low and Iggy Pop’s The Idiot at Hérouville). Despite the successes with these projects, Teddy was constantly searching for new ways of expressing himself through music, leading him into the beginnings of a solo career that would last the better part of three decades. Teddy’s transition into his solo career came with contrasting fortunes, in that he was now becoming a music to image composer but with the unfortunate realisation that his eyesight was gradually worsening (due to being diagnosed with retinitis pigmentosa at an early age). Nonetheless, his solo career would begin in 1975, and for the rest of the decade his sound would become increasingly mired in electrified Funk-Fusion and its endless sonic possibilities. The resulting music would serve to highlight Teddy’s love affair with the possibilities found within tireless instrumentation, with the flute and particularly synthesisers becoming a mini-obession of his (he once spent a 7,000 Francs loan, which was meant to be spent on fixing his roof, on synths). To this day Teddy continues to record and experiment with music, a passion which in many ways has never left his side, even at the age of 75. His career was one that was fuelled by innate curiosity and an intrinsic desire to discover new methods of expressionism, be it through the realms of Jazz-Funk, ambient electronics, Swing music or indeed through the medium of instrumentation itself. On this compilation, we look to encapsulate the essence of his innovative sound, and from start to finish a sense of his ingenious approach to composing structure and mood is made abundantly clear. The funk-jazz fusion style that embodied the majority of his 70s work is on full display here, with the vibrant flute driven "Los Angeles", the Miles Davis inspired "Blue Theme", the progressive and driving "Chamonix", and the deeply intricate "Krazy Kat", along with one of his finest 80s slow jams, "Funky Ghost". Two cuts off the ‘Back To Amazonia’ album are also featured (Teddy’s last album including his Prophet T8, Yamaha DX7 and Oberheim drum machines). "Raising Sun in Bali" and the title piece both emphasise an ever present passion for synthesisers. "Birds of Space", a standout track off the e=mc2 album, closes the comp, and is a fitting way to end this journey. Pulled together in close collaboration with Teddy and his family, this collection of songs looks to introduce new listeners to his work and we are proud to present this limited and carefully remastered compilation on vinyl, including extensive liner notes.

Go to Item

Technics

SC-C70MK2

999,00 €*

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Premium Class All-in-One Music Music System

The new generation of C70 All-in-one music system with CD, radio, USB playback, Bluetooth and Chromecast built-in, all in an elegant & timeless design.

Newly Developed Speaker Units & Acoustic Lens
The 8-cm woofer unit offers significantly better basic characteristics as a result of various improvements made, such as the reduced weight of the voice coil, enhanced airflow and increased rigidity of the diaphragm. The woofer provides superb response and sound clarity to reproduce mid- and high-frequency sound comfortable to the ear. The high-res-ready 2-cm dome tweeter unit features a lighter silk diaphragm to provide beautiful lingering sound. What’s more, the acoustic lens is optimised for the new tweeter shape and enhances the expansiveness of reproduced sound.

3 JENO Engines
In order to faithfully reproduce the information of rich sounds with the 2.1ch configuration, three “JENO Engine” full digital amplifier units have been equipped. In addition to utilising the excellent processing capacity of the three units and faithfully driving the left and right channels and subwoofer, “Space Tune”, which optimises the sound quality depending on the installation status, has been realised.

Space Tune™
The SC-C70MK2 features Space Tune™ Auto to achieve optimally balanced sound easily with the press of a button. This function measures test tones played through a mic that is built into the SC-C70MK2 to analyse the distance to walls and the effect of reflections. It then automatically optimises the sound field. In addition, the Space Tune™ function includes 3 presets (Free, Near the Wall, and Near the Corner) for easy setting, and uses a Technics Audio Center app to precisely adjust the sound quality to the listening position.

iOS device calibration is available for more precise adjustment
Measure room acoustic conditions by using microphone integrated in iOS devices.
Tune DSP parameters to optimise acoustic performance.

Multi-room
With a number of Chromecast built-in speakers, the variety of music streaming services can be played in several rooms, or different music can be played from room to room*. In addition, if you use Technics Audio Center app and have another app compatible Technics devices, you can also enjoy other music source in multi-room such as Bluetooth, AUX, Optical input, USB, Internet radio and also OTTAVA™ f SC-C70MK2 compatible streaming music. * The Google Home App is required.

Complete Compatibility
In addition to CDs and radio, this model is newly compatible with Chromecast built-in, and supports a wide range of music streaming services. Furthermore, it is also compatible with Spotify Connect, Amazon Music, Deezer and Internet radio. It is also compatible AirPlay 2, Bluetooth Wi-Fi, network playback, USB memory playback and analogue/optical input to allow you to enjoy various sound sources with one unit. The UI of our iOS/Android smartphone app, “Technics Audio Center App” has also been redesigned, making it easier to use than ever before.

Favourite Function
Up to 9 presets can be set on the main unit, such as favourite internet radio stations, a DEEZER playlist, and USB songs. This makes it possible to listen to your favourite music without even starting up an app.

Specs:
• Newly Developed Speaker Units & Acoustic Lens
• JENO Engine (Jitter Elimination and Noiseshaping Optimization)
• Load Adaptive Phase Calibration (w/o Calibration function)
• Space Tune™
• Twin Power Supply Circuit System
• CD High-Res Re-master

Technical Data:
• Accurate Digital Technology:
- JENO Engine (Jitter Elimination and Noise-shaping Optimization)
- Load Adaptive Phase Calibration (w/o Calibration function)
- Space Tune™
- Twin Power Supply Circuit System
- Re-master

• Noiseless Signal Technology:
- Twin Power Supply Circuit System
- Optimally Activated Circuit System
- CD High-Res Re-master

• Emotive Acoustic Technology:
- Acoustic Lens and Louver
- Dual bass reflex port

• Output Power:
- Front speaker: 30 W + 30 W (1 kHz, T.H.D. 1.0 %, 6Ω, 20 kHz LPF)
- Subwoofer : 40 W (70 Hz, T.H.D. 1.0 %, 4Ω, 20 kHz LPF)

• Speaker Unit: Woofer : 8 cm Cone Type x2 / Tweeter: 2 cm Dome Type x 2 / Subwoofer: 12 cm Cone Type
• Analogue Input Terminal: AUX IN x1 (φ3.5mm)
• Digital Input Terminal: Optical Digital x1, USB-A
• Headphone Output: Yes (Ø3.5 mm)
• Disc Compatibility: Audio CD, CD-R/CD-RW (CD-DA, Discs recorded and finalized on recording devices)

• USB-A:
iPod/iPhone/iPad: No
Support Codec:
- WAV
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
- FLAC
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24 bit)
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24 bit)
- DSD
Yes (2.8 MHz, 5.6 MHz, 11.2MHz)
Yes (2.8 MHz, 5.6 MHz, 11.2MHz)
- AIFF
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
- ALAC
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24 bit)
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24 bit)
- AAC
Yes (32, 44.1, 48, 88.2, 96 kHz / 16-320 kbps)
Yes (32, 44.1, 48, 88.2, 96 kHz / 16-320 kbps)
- MP3
Yes (32, 44.1, 48 kHz / 16-320 kbps)
Yes (32, 44.1, 48 kHz / 16-320 kbps)

• DLNA: Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
• Ethernet Interface: LAN (100 Base-TX/10 Base-T)
• Wi-Fi:
- IEEE 802.11 a/b/g/n/ac
- 2.4 GHz / 5 GHz Band
• Chromecast built-in: Yes
• Works with Google Assistant: Yes
• AirPlay 2: Yes
• Bluetooth® (Support codec): Yes (AAC, SBC)
• TIDAL / Spotify: Yes* / Yes*
• Tuner: DAB/DAB+/FM
• Power Supply: AC220-240 V, 50 Hz / 60 Hz
• Power Consumption: 45 W
• Dimensions (W x H x D): 450 x 143 x 280 mm
• Weight: Approx. 8.0kg
• Accessories: Remote Control, AC Cord, DAB Indoor Antena 、Batteries for Remote Control

Go to Item

Technics

SC-C70MK2

999,00 €*

LP | 2022 | EU | Original (Concord)

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Tears For Fears

The Tipping Point

Release: 2022 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tear Da Club Up Thugs Of Three 6 Mafia

Crazyndalazdayz Dried Blood Red Vinyl Edition

2LP | 2020 | US | Reissue (Get On Down)

36,99 €*

Poly-Time Soundscapes / Forest Of The Shrine

Release: 2020 / US – Reissue

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Pressed ON "dried Blood" RED Colored Vinyl W/obi Limited TO 1000 Copies In the late 90s in Hip Hop, all eyes were on the South - and the Down South sound reigned supreme. Few groups were as hot as Memphis’ Three 6 Mafia. CrazyNDaLazDayz was a regional scorcher when it dropped in 1999, released under the group name Tear Da Club Up Thugs, but essentially a Three 6 Mafia full-length as core Three 6 members DJ Paul, Juicy J and Lord Infamous all contribute to the project. The record went on to be certified Gold and Three 6 Mafia went on to win an Academy Award for their contribution to the film Hustle & Flow. CrazyNDaLazDayz continues to have an impact. A cut Juicy J first pulled together while still in high school, “Slob On My Knob”, was utilized in A$ap Ferg’s hit “Plain Jane.” In addition, the cut is interpolated into G-Eazy’s most successful cut to date, “No Limit.” Get On Down brings you this often overlooked and definitely in need of being revisited portion of Three 6 Mafia’s legacy.

Go to Item

Taro Nohara

LP | 2022 | EU | Original (WRWTFWW)

LP | 2020 | US | Reissue (Orindal)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wrwtfww Records is so happy to announce Poly-Time Soundscapes / Forest Of The Shrine, a brand new release by Japanese producer Taro Nohara (Yakenohara). 8 tracks of pure environmental ambient bliss available on LP housed in a heavy 350gsm sleeve with an artwork from the artist himself. Based in Tokyo, Taro Nohara is a producer, beatmaker, DJ, and music activist who made a mark with his electronic / ambient unit Unknown Me ( (of Not Not Fun Records fame). His new solo project, Poly-Time Soundscapes / Forest Of The Shrine, is a unique and modern take on Japanese environmental music, a free floating re-interpretation of the sub-genre made famous by Midori Takada, Hiroshi Yoshimura, or Satoshi Ashikawa (and more!) fused with subtle nuances of various origins: downtempo, hip hop, sound design, chill-out, experimental. Conceived as a two-part adventure of contemplative peace, Taro Nohara’s organic soundscape takes you on a mind-soothing walk through time (or memories) and the beautiful mysteries of luscious forests - don’t resist, let yourself go, explore!

Go to Item

Tara Jane O'Neil

Songs For Peacock

27,19 €* 31,99 € -15%

Twenty EP Feat. Decha Full Circle & Rebolledo Remixes

Release: 2020 / US – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Twenty-eight years into her kaleidoscopic discography, Songs for Peacock is the first album singer guitarist / composer Tara Jane O’neil has credited to just her initials: TJO. Recorded at home using primitive electronic instruments in addition to heavily effected electric guitar, bass & voice, Songs for Peacock is a collection of pop covers recalled from TJO’s youth, intended as a “mixtape” for her late brother Brian. Over twelve tracks & thirty-nine minutes, Songs for Peacock abstracts radio hits by the likes of Boy George, Bananarama, Leonard Cohen, Siouxsie and the Banshees & Inxs, distilling earworms into thin wisps of dreamlike atmosphere, or stretching them into languorous psychedelic soundscapes. Songs for Peacock warps our collective musical memory to form a singular & cohesive body of work that defines TJO’s highly personal sonic landscape.

Go to Item

Tapan

12" | 2022 | EU | Original (Malka Tuti)

13,99 €*

LP | 2023 | US | Original (Company)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2020, a year that will be forever engraved in our memories as Year One of the Covid debacle. So much has already been said about it that we feel there is no need for more. However, 2020 was also the year when we’ve released Tapan’s remix to Decha’s song Niebla from her sold-out debut album Hielo Boca as part of Mt0028 Decha - Hielo Boca Remixes. This remix led to a fresh collaboration between the Serbian duo and the German vocalist, which in time bred a brand new track, titled simply Twenty. On Twenty, Tapan’s massive bass lines, heavy kicks and their sense for drama and epicness, meets Viktoria Wehrmeister aka Decha’s soft poetic lyrics and tribal style. The result is a massive slow yet heavy tribal industrial track for the alternative dance floors and late night situations in dark dark basements. The record is comprised of 4 tracks, an original version and a beatless version as well as a deep and trippy dancehall interpretation by our favourite remixers Full Circle (aka Joakim & Alexis Le-Tan) and a punky mid-tempo banger by Mexican maestro and total inspiration Rebolledo who gives his signature sonic attitude to his interpretation of the original track.

Go to Item

Tanukichan

Gizmo

23,99 €*

2LP | 2023 | UK | Original (Nunorthern Soul)

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

When the pandemic hit, Hannah van Loon adopted a dog named Gizmo, who became a much-needed companion while the Bay Area musician wrote her second album as Tanukichan. Aptly named after her new four-legged friend, Gizmo is an exercise in release, whether from situational hindrances—a forced lockdown, for one—or from self-imposed hedonistic coping mechanisms.“ A theme I always had floating around was escape,” van Loon explains of her follow-up to 2018’s Sundays. “Escaping from myself, my problems, sadness and cycles.”

To channel the more uplifting spirit she wanted for Gizmo, van Loon turned to the radio pop-rock of her childhood: “I was struck by the in-your-face positivity of the lyrics,” she adds, referencing artists like 311, The Cranberries, and Tom Petty. “I wanted to bring that positivity while writing about the sad and helpless emotions I’d been grappling with.” But Gizmo’s lightheartedness doesn’t make it shallow: “I think that I could let it go, as beautiful as snow,” she murmurs on “Don’t Give Up,” a nu metal-meets-Cocteau Twins groove about the sudden awareness that all the relationships you depend on could vanish instantaneously. Van Loon’s main collaborator on Gizmo was Toro y Moi’s Chaz Bear, and the jangly pop earworm “Take Care” showcases the heavily distorted, in-your-face guitar work reminiscent of Bear’s own psych joints What For? And Mahal. On the hypnotic, wall-of-sound-rocker “Thin Air” featuring Enumclaw, van Loon channels the triumphant grit of The Smashing Pumpkins as she ponders the impermanence of even the most impactful relationships: “I’ll always have the memories/Of how you used to make me see/Until they fell in the ocean/They’re not swimming/They’re not floating.”

Existentialism aside, Gizmo also sees van Loon break out of her sonic comfort zone. “One of the main changes of how I’m approaching music now is that I want to have more fun in the process,” she says, and she walks the line between melodrama and whimsy gracefully: “I can learn something because I’ve been here before,” she sings on the soaring, bittersweet “Been Here Before.” Deftones-inspired thrash drums and screeching electric guitars are gracefully contrasted with van Loon’s hypnotic, almost deadpan vocal style and a crystal clear acoustic guitar she describes as “cute.” Gizmo the dog suddenly passed away right as van Loon finished the album, but he’s immortalized with his photo on the cover—a fitting emblem of this new era of Tanukichan.

Go to Item

Tambores En Benirras

Ondas Horizontales

Young,Alive,In Love Record Store Day 2024 Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A month after the release of his debut album as Tambores En Benirras, 2021’s fabulous Orbe Dotodo, Graham Newby’s life changed forever. After years living with a visual impairment, his sight had deteriorated so much that he was declared “registered blind”. For a man who had spent decades dividing his time between travelling, DJing, running clubs and lengthy sessions in his own studio, it was a genuinely life-changing moment.

It was against this backdrop, and the need to alter his working methods, that Ondas Horizontales, the second Tambores En Benirras album took shape. Inspired by a mixture of daydreaming, visualisation, immersion in other people’s music (escapism that provided mood enhancement, rather than a specific set of ideas) and long periods spent soaking up the sun in Ibiza, the album is the most vividly detailed, sonically colourful, and sun-soaked collection that Newby has released to date.

Newby’s declining sight forced him to stop spending long spells staring at a screen and undoubtedly slowed down the production process. Yet it also allowed him to reconnect with his emotions, appreciate the storytelling and mood-shifting potential of music, and mine mind’s eye memories of places and spaces that have meant much to him over the years.

The results are undeniably stunning. Designed with horizontal listening in mind, the set distils a range of musical and real-life inspirations –or, as he puts it, “ambient soundtracks, cosmic journeys, Balearic rhythms and poolside sessions” – into ten mesmerising and magical tracks; an undulating, slow-motion journey that’s as breath-taking as it is beguiling.

Newby sets the tone with ‘Mi Sueno Vibe En Reverb’, a swelling, slow-burn ambient masterpiece that tiptoes between hope and melancholia, before flitting between imaginary sunset soundtracks (‘Estrellas En Mastella’, where lilting pedal steel sounds, bubbling electronics and shuffling breakbeats catch the ear), kaleidoscopic sun-up beats (the gorgeous warmth of ‘Generadora De Reyos’), enveloping beatless soundscapes (‘Templos Del Sol’, a drowsy drift in becalmed waters under the heat of the mid-afternoon sun), and dubby, loved-up lusciousness (‘Mokono’).

As the album progresses, bobbing and weaving on an ocean of vibrant chords, pulsing melodies and heart-stopping melodies, there’s no sign of Newby’s inspiration waving. ‘Alma Hablando’ channels the spirit of mid-80s ‘worldbeat’ and douses it in layers of Balearic bliss, while ‘Extrensor Entragado’ recalls the head-nodding haziness of his best Gripper productions of old while combining them with the musical equivalent of a humid summer breeze. Then there’s the mood-enhancing joy of the album’s superb title track –a mission statement of sorts – and the life-affirming post trip-hop/Balearic fusion of ‘Un Placer Celestial (Reprise)’, where the influence of his old friend Aim is clearly evident.

A serious sonic step-up from its predecessor and a future Balearic classic in its’ own right, Ondas Horizontales marks the start of a new musical and personal journey for its creator. It is, in his words, not the end of an era, but the start of a new one.

Go to Item

Takeshi Nakatsuka

7" | 2024 | JP | Original (Unchantable)

16,49 €* 21,99 € -25%

Inner Sea Blue Vinyl Edition

Release: 2024 / JP – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Last year, he released the album “parade” on the 20th anniversary of his solo debut.

Fresh in our memories, the rare sound maestro Takeshi Nakatsuka is making his name known.

The jacket artwork for the new Flippers Guitar “Koi to Machine Gun” cover has also been updated.

The coupling also includes a new song, “Cold Passion,” which had many requests to be made into a single.

Released again by unchantable records.

This is truly a must-have item that you should not miss out on.

Go to Item

Takeleave

2LP | 2018 | EU | Original (Project: Mooncircle)

Wallpaper For The Soul Marbled Vinyl Edition

Release: 2018 / EU – Original

Genre: Hip Hop, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

‘Inner Sea’ comes out worldwide on limited double blue vinyl (300 copies) including download code & digital release.

“Inner Sea” is a journey inwards, delving into the hidden ocean of unconscious dreams and memories. Melodies tell stories of key moments, anchoring certain points in one’s life and the experiences and sensations they reflect. Giving them sounds to breathe and mirroring the soul in unseen depths, these memories are stored eternally in a shelter floating within this inner world.

“All these memories lay in the depths of my inner sea. It‘s surface reflects pictures of all the worlds that I want to dive back into, over and over again.” – Takeleave | Nicolas De Araújo Peixoto

Go to Item

Tahiti 80

2LP | 2021 | EU | Original (Human Sounds)

Wallpaper For The Soul Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After the worldwide success of their first album Puzzle (1999), which sold over 200,000 copies and went gold in Japan, Xavier Boyer (vocals, guitars), Pedro Resende (bass), Médéric Gontier (guitars) & Sylvain Marchand (drums) reunited with producer Andy Chase to record the follow-up, Wallpaper for the Soul, in New York City. Starting in November 2001 at Stratosphere Sound, the prolific sessions gave birth to twenty tracks, twelve of which appeared on the original tracklist. The eight outtakes were compiled on the mini albums A Piece of Sunshine (2003) & Extra Pieces of Sunshine (2004). This new vinyl edition will be the first time all these songs appear together. Almost 20 years on, Wfts is a tour de force of contemporary songwriting with obvious nods to the past somehow revisited in a timeless fashion. Tahiti 80’s second effort can also be seen as an alternative and more sophisticated snapshot of an era often associated with the rebirth of rock (The White Stripes, The Strokes…). This set of songs also established them as stalwarts of the Post French Touch cannon, showcasing both their ability to write catchy songs and their knack for mélanges & experimentation. 1,000 Times or The Train are unique examples of blue-eyed soul augmented with French flair (« Prefab Sprout as produced by Thomas Bangalter » suggested Uncut which listed Wfts in their Top Ten’s albums of 2003). Listen to Don’t Look Below today, and ask yourself who was mixing Destiny’s Child with My Bloody Valentine in 2001? Delicate numbers like Open Book or live favorite Better Days Will Come both demonstrate T80’s songwriting skills and their innate sense of melancholia. Listening back to Wfts today, one cannot help but think of it as an album recorded in a state-of-the-art fashion. All four members would typically perform together in the same room. Basic takes were printed on a 24-track analog tape machine and then bounced onto a computer for editing. A fine example of this method is the title track itself. Originally written on acoustic guitar, Wallpaper … is the result of three eight minutes synthesizer jams pieced together. The Frenchmen were keen to try out multitude of ideas and had developed a taste for experimentation. The sessions also coincide with a rich outburst of creativity from a band on top of their game after several months of touring around the world. Another typical Wfts characteristic is Richard Hewson’s orchestration. Veteran string arranger, famous for arranging The Beatles’ The Long And Winding Road or writing RAH Band’s ‘80s classic Clouds Across The Moon Hewson gave the songs a sweeping orchestral touch. Strings, Horns & woodwinds were all performed at the now defunct Olympic Studios in London. Urban Soul Orchestra, a 24-piece ensemble who played on Oasis’ or Spice Girls’ hits can be heard on five songs: the opening trilogy Wallpaper…, 1,000 Times and The Other Side, then on the Northern Soul revival Soul Deep and lastly on the album’s closer Memories Of The Past. Rouen’s most famous four-piece, now relocated in a house on France’s North West Coast, in the quiet seaside town of Étretat, added more bells & whistles and resumed production on the songs. With one last transatlantic leap during the summer of 2002, the boys flew to Portland, Oregon to attend the mixing sessions held by sound wizard Tony Lash (Elliott Smith, The Dandy Warhols…). Suggested by Sub Pop’s craftsman Eric Matthews, also a guest on trumpet and keyboards, Lash would later become a major collaborator on Tahiti 80’s subsequent albums. In the meantime, Laurent Fétis, the designer behind Puzzle’s iconic artwork, had started working with artist Elisabeth Arkhipoff on a set of nostalgic photographs transfigured with a soft air-bush technique. Those visuals, like their predecessors, have since become an inseparable companion to Tahiti 80’s music. Many musical fashions and flavors of the month have come and gone, but twenty years after its release, Wfts still sounds fresh and relevant. And always forward-looking, Tahiti 80 is currently wrapping up the recording of their eighth album, to be released in early 2022.

Go to Item

Tahiti 80

2LP | 2021 | EU | Original (Human Sounds)

LP | 2022 | CA | Original (Constellation)

Release: 2021 / EU – Original

Genre: Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

T. Gowdy

Miracles

LP | 2022 | EU | Original (Laaps)

Release: 2022 / CA – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

T. Gowdy has kept up a productive albeit mostly virtual pace since the release of Therapy With Colour (his third full-length album and first for Constellation) which dropped just as things were locking down back in spring 2020: performances at numerous festivals including MUTEK Montréal, Node Festival and NEW NOW; audiovisual pieces exhibited at various European galleries and events; a track andvideo for Constellation's Corona Borealis Longplay Singles Series; sound design for the documentary Atalaya by filmmaker Emma Roufs.Gowdy now returns with Miracles, his second full-length for Constellation, which draws on source materials originally performed in 2018 for an unreleased audio/visual project based around surveillance footage_a precursor to videocapped, monitor-based horizons that soon took on new meanings. Re-immersing himself in those recordings, Gowdy disassembles and deploys them as raw source material for new experiments with vactrols, noise gates and analog-to-digital triggering and aliasing, the original recordings juxtaposed anew amidst their successive textural and rhythmic treatments. Gowdy keeps this re-composition process stripped down, elemental and purposive, guided by an ascetic Aufhebung: synthesis as sublation_subjecting a temporal material/theme to analysis and transformation, reintegrating to form a whole that overcomes what it preserves without erasure, reshaping and intrinsically carrying its origins forward. Where Therapy With Colour was strictly and rigorously a set of stereo live performances, Miracles fuses iterative_though still spartan_layers of performance. "Therapy With Colour was about healing through self-hypnosis; Miracles is about forging a future with memory through subjection to trigger mechanisms" notes Gowdy. The result is a captivating collection of minimal IDM and oscillatedelectronics from the Montréal/Berlin producer, working primarily in a 120-140 BPM zone of tonal percussion and corrugated pulse. Gowdy's sensibility and sound palette gets deeper and dirtier,...

Go to Item

't Geruis

Bain D'étoiles

12" | 2023 | EU | Original (Science Cult)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

t Geruis is a discreet musician from Belgium, working in the field of ambient, with a grainy and organic texture deriving from lo-fi recordings/samples. »Bain D'Étoiles« is his third solo release, after 2 albums on Lost Tribe Sound and several self-released digital albums. This album is about searching for wonder. Stories that give a sense of adventure. a vague memory of a discovery, something that lurks in the forest.

Go to Item

Syrte

396.847

13,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It's the final release of the eight-part Astra Spectra series featuring none other than label co-founder Syrte with a powerful 6 track EP that traverses the space between IDM, Electro and something else. Included is a collaboration with Science Cult co-operator Aura Nox.

Go to Item

7" | 1974 | DE | Original (Tamla Motown)

Your Kiss Is Sweet

4,99 €*

Release: 1974 / DE – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1983 | CA | Original (Tamla)

The Spell

5,99 €*

Release: 1983 / CA – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

slight storage wear and cut out

Go to Item

LP | 1980 | US | Original (Tamla)

8,09 €* 8,99 € -10%

Release: 1980 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

sie 1 is VG+

Go to Item

LP | 1981 | US | Original (Tamla)

Set My Love in Motion

Release: 1981 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

7" | 1975 | DE | Original (Tamla Motown)

Harmour Love

5,99 €*

Release: 1975 / DE – Original

Genre: Organic Grooves, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 2023 | CA | Original (Telephone Explosion)

Symphony Orchestra

Radiant Music

22,99 €*

2LP | 2021 | EU | Original (Blueskinbadger)

Release: 2023 / CA – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Symphony Orchestra is a new group from Maximilian Turnbull and Michael Rault. Both Rault and Turnbull are accomplished songwriters, performers and producers in their own right, with Turnbull leading The Badge Epoque Ensemble, playing with the group Darlene Shrugg, and once releasing records under the name Slim Twig and Rault having released several psychedelic rock & roll classics under his own name in the past decade. The pair have worked together in various capacities for many years, writing and recording together on U.S. Girls' In A Poem Unlimited, and contributing to each other's releases, but the debut LP from Symphony Orchestra (due out May 12th on Telephone Explosion) marks their first release as an official entity.

Needless to say, there is a potent creative chemistry between Rault and Turnbull and Radiant Music showcases the alchemy between their distinct skill sets. The album is an exercise in pure collaboration. After years spent focusing on solo projects and working as hired guns on other projects, the duo came together with no specific intentions other than to work free of boundaries and direction. Freeing themselves from the familiar pressures of deadlines and expectations, they found a sense of discovery through togetherness. Duties on this project were split between Rault acting primarily as a one-man rhythm section and lead vocalist with Turnbull bringing chord sketches and his trademark aphoristic lyrical musings to the table. Trading off roles on guitar and keys from song to song, the duo's deft approach to melody bleeds through their instrumental parts as much as it does through Rault's vocal melodies. The majority of this album was self-engineered over the course of three sessions in 2018, at Michael's Montreal studio. Dormant during the pandemic, Rault's move to Los Angeles and the birth of Turnbull's twin sons, work reignited in 2022. The latterly tracked instrumental 'Concerto' and ballad 'Unthink The Thinkable' provide a dynamic depth to the album perhaps attributable to this tumultuous pause. Mixing came courtesy of Steve Chahley & Tony Price (U.S. Girls, BÉE, Jane Inc, etc).

In all of their work, Rault and Turnbull have made a hallmark of elaborately precise production and arrangement, Radiant Music is no different, though its pared-back simplicity provides a streamlined directness. The pairing of Rault's soulful, elastic vocal with Turnbull's evocatively cerebral lyrics provides a thrilling sensation unlike anything else in their respective catalogs. With an explosive, groove-forward approach, kaleidoscopic walls of vocal harmony and technicolor displays of guitar work, these 31 minutes of music will most certainly stimulate the mind of any fan of classic pop rock and funk. The blown-out breakbeats, winsome woven vocal melodies and propulsive wah-wah guitars of the title track evoke memories of an after-school cartoon special that never really existed outside of a lysergic daydream. "Harp In The Wind" is a perfect moment of overcast melancholy complete with ribbons of weeping synthesizers and velcro-fuzz guitar that could rip a clean line through Kevlar. "Know Thyself" and the harmony-rich "Intersection" are standout tracks that find a kinship in Stereolab's space-age effervescence. "Concerto" is a slab of beaming, mischievous funk that nods to Billy Preston's extraterrestrial keyboard explorations.

Radiant Music, like the best pop music, is life-affirming, confectionary, and enticing. Symphony Orchestra have created an album that hits you right where you need it, anchoring heady, adventurous sonic ideas down to a solid foundation of masterful songcraft, virtuosic instrumental performances and undeniable groove. Not a bar, nor beat is wasted.

Go to Item

Syko & Mak

1307 EP

31,99 €*

Gods Of The Earth 15th Anniversary Record Store Day 2023 Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This double EP is a recognition of the Syko & Mak era and those who used to come to the shops just to hang out and listen to the latest white labels. It includes remasters of 3 of those original tracks from 1992 as well as 5 previously unreleased tracks from 95/96. The 3 original tracks on this EP spark some of those best memories. Including hearing Grooverider play the first test press of "Here & Now'' at the Fantazia Rave at Castle Donnington. Standing at the back and watching the 28,000 crowd lose their heads to our track was unforgettable ! Trading DATs with LTJ Bukem. He'd travel up to Hitchin on a Sunday just to share music, "Journey into the Nebulous" was the first track we gave him. The first play of "Rough & Dangerous"... A hazy memory of an Exodus rave in a wooded enclave somewhere near Luton. Unforgettable memories.

Go to Item

Sword

LP | 2008 | US | Reissue (Kemado)

41,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

3LP | 2020 | US | Reissue (Craft)

Sword

Conquest Of Kingdoms

59,99 €*

Release: 2020 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2012 | US | Reissue (Craft)

Sword

Apocryphon

37,99 €*

Release: 2012 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 1999 | UK | Original (Aquarius)

Swan

Memory

3,99 €*

2LP | 2022 | EU | Original (Avenue 66)

Release: 1999 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

Label cover.

Go to Item

SW.

Okalgorythm

28,99 €*

What I Used To Play Box Set

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The elusive SW. returns to Avenue 66 with okALGORYTHM. His third LP for the label is a semi-opaque wandering through the shadowy byways of memory, driven by tough-yet-supple production and his unmistakable, unerringly original voice. Inspired by all night electronic radio shows of the '90s, okALGORYTHM pulses with rich imagination and a sense of purposeful meandering. Speaking in cryptic fragments, the artist hints at elusive reminiscences "back then on the autobahn, to Berlin, with friends" while also noting that some recollections are "of things that didn't happen that way."

To this end, the album drifts from the knotty synth spirals of opener "WHAtADAY" through the tense, technoid tropics of "stepCLASSixMOtor," the brightly melancholic Larry Heard-isms of "TROPyCALLhytsrIA" to the stately skronk of closer "What endingENDs." The rhythmic undergirding never lets up, suggesting a limitless night drive tinted in deep greens and refracted reds. Each of the album's ten tracks comes alive with warm, analog finesse and a palpable atmosphere, though they play out by turns urgent or unhurried, coaxing or inscrutable. Yet throughout, there's a consistently hypnotic quality which draws the listener deeper into the album's unique balancing act.

If listeners are trained to expect throwback anthems every time the '90s are referenced, here they might find a more apt touchstone in the wilder, left-of-center corners of Chicago's foundational epoch. Throughout the album, the spirit of jacking house is absorbed, metabolized and transmuted. Drawing on lineages of taut, nervy synth-and-drum machine workouts, SW. manipulates his hardware with the delicate, considered touch of a painter. Perhaps the memory that lingers longest from that bygone era is the sense of profound possibility that dawns before forms become rigidly calificed and commodified. Either way, adventurous listeners will find that okALGORYTHM blooms with a uniquely affecting grace and SW.'s inimitably obscure loveliness, infused with a somber glow and marked by shimmering, untraceable contours.

Go to Item

Sven Väth

12x12" | 2023 | DE | Original (Cocoon)

209,99 €*

3CD | 2023 | DE | Original (Cocoon)

Release: 2023 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For this uniquely personal retrospective spread over twelve vinyl discs, Sven Väth takes us back to the early days of his DJ career. On What I Used To Play we meet great pioneers of electronic music, gifted percussionists, obscure wave bands, and innovative producers of a bygone 'new electronic' era. Rough beats and irresistible grooves from the identification stage of house, techno, and acid remind us not just how far electronic music has evolved over the past four decades, but how great it was to dance to EBM, techno, and house for the very first time.

If there is one protagonist of the electronic music scene who has remained curious, innovative and at the very cutting edge of music for over four decades, it's Sven Väth. His multi-layered artist albums and Sound of the Season mix compilations have been defining the genre for over two decades, and even today, he is constantly on the lookout for the next top tune to add to the highlights of his next set. At least, that's the case when he's not producing them himself as an artist or remixer. "Actually, it's always been part of my DNA to think ahead," and nothing had been further from his mind than looking back at his past, but when in spring of 2020 the international DJ circuit had to be scaled down to virtually zero, the 'restless traveler' suddenly had time. Time to stop and reflect on "how it actually was back then, at the very beginning of my career..."

"It was a great trip and with every track, beautiful memories came flooding back".
In the London apartment, he had just moved into, Sven has set up a "little music room", where he cocooned himself for several days, "to look way back for the first time and review my musical journey through the eighties, so to speak."

The interim result was six thematically oriented playlists with a grand total of 120 tracks from 'early 80s' to 'Balearic late 80s', together with excursions into afrobeat, European new wave, and EBM sounds and a few epochal techno/house tracks from the USA in between. From these 'Best of Sven Väth's favorites', the project What I Used To Play crystallized. Sven remembers how the Cocoon team reacted to his proposal: "They found the idea of making a compilation out of it MEGA from the beginning and everyone said 'Sven, go for it', but then, of course, the work really started, namely, to clear the rights and to get clean sounding masters of the up to 40-year-old tracks. There was also disappointment, of course. We couldn't clear certain titles because the rights holders in the USA had fallen out with each other or simply disappeared from the scene. In short, it wasn't easy, but now I can safely say we got the most important tracks."

Finally, after two years of research, curation, design, and administrative fine-tuning, the "little retrospective" from 1981 to 1990 is available. The exquisitely packaged, and three-kilo heavy box set is not only physically impressive, WIUTP is also the definitive record of Sven Väth's musical development. On each of the twenty-four sides of vinyl, you can trace track by track, what influenced him during which phase, and how he took off as a DJ from his parents' Queen's Pub straight into the spotlight at Dorian Gray. There and at Vogue (later OMEN), Sven became the style-defining player in the DJ booth that he still is today.

Go to Item

Sven Väth

What I Used To Play

3LP | 2023 | Original (Cocoon)

Release: 2023 / DE – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Sven Väth

Catharsis Remixes

37,99 €*

LP | 2021 | EU | Original (Melody As Truth)

Release: 2023 / Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The life-affirming energy at the heart of Sven Väth‘s recent album Catharsis is revisited, reanimated,
and remixed by some of the most exciting names around, closing the circle on a superlative burst of
recent work that has not only given us the epic original LP, but also the extraordinary compilation What
I Used To Play.

Roman Flügel, Benjamin Damage, Robert Hood, Planetary Assault Systems, Mano Le Tough… do we
need to go on? This hand-picked list of luminaries have answered the call and certainly don’t
disappoint, each fusing their signature sound with Sven‘s DNA to create a wild, uncompromising
companion piece to the original album.

True to form, the running order is very much rooted on the dance floor, Silvi‘s Dream, revisited by
Damiano von Erckert, explodes like a Balearic sunrise. Dreamy strings with a touch of Detroit create a
lovely atmosphere while the beautiful piano sound goes right into your heart and appears as if you
could feel the warm sun on your skin. Roman Flügel’s acidic rework of What I Used To Play is a
homage to the 80s and the early sound of electronic music which creates nostalgic feelings and offers
a greatly produced retro soundscape à la Kraftwerk. Staying close to the original, but with the perfect
amount of spin, it’s a symbiotic interplay of synthetic bass pads, and a tiny bell melody. Robag
Wruhme’s cranking minimal funk takes us down The Worm-hole. A concise interference sound builds
up sustained tension, tangled but structured, deep and yet driving. Robag took over the deep and dirty
rhythms of the original perfectly and delivers a versatile piece. This opening salvo oozes quality and
sets things up perfectly for the electrified celebration of hi-octane technology come.

Jonathan Kaspar‘s growling interpretation of We Are provides a melancholic atmosphere with
fascinating percussion parts. Zaps shoot through the air like small laser pistols while we let ourselves
be carried away by the bass, the frisky vocal stutter effect is the icing on the cake. Speeding things up,
the euphoric trance that engulfs Krystal Klear’s epic version of Feiern. Expansive strings increase up
to ecstasy and guide us to a love-filled unity. This remix is sure to be an excellent peak-time smasher
for the open-air season. On to a wild ride of pure techno with Benjamin Damage, who delivers a dry
and uncompromising Berlin Techno version of Mystic Voices. Harder pace but the string synthesizer
harmony brings light to an otherwise gloomy environment. Next up is Luke Slater’s PAS Deep Heet
Mix to add a retro nineties vibe to proceedings on Nyx. Entering a rough space with gigantic clap
impacts, we are blessed with straightforward Techno. Shimmering and spooling, this groove hits the
mark. Then, as if it was ever in doubt, Sven‘s lofty place in the techno firmament is underlined by a
peak-time contribution by non-less than Detroit legend Robert Hood. Unmistakable, you must
recognize the signature Robert Hood drive on Butoh. Chord stabs fulfill the Detroit feeling with offtaking string elements and high-energy vocal transformations. It’s a warm embrace that triggers
emotions. Planetary Assault Systems then blasts things ever deeper into the cosmos on a second
outing of Nyx. Reduced and to the point but of course, true to form, with powerful tribal percussion
parts and intensive cutting hi-hats.

From there on in, the collection gradually re-enters the atmosphere, burning with a phosphorescent,
melancholy glow. Harald Björk extrapolates Being In Love into a hypnotic groove for the early hours. A
playful and atmospheric electronica interpretation to soothe our souls due to disharmonious synth
pads and a dreamy deformation of the original melody. Mano Le Tough harnesses the ethno-rhythms
and brooding energy of Catharsis into a low-slung, tribal stomper. Anomalous organ parts ring out and
link up with a trance-like sequence, summer feelings arouse as you feel like you can almost smell
Ibizan air. The collection comes full circle with a second equally seductive interpretation of Silvi‘s
Dream by Florian Hollerith. Stripped-down and hypnotic, the homage to Sven's girlfriend Silvi is
extended as a reverence to Sven himself. Sven's profound vocals clearly infuse time and space and
leave a forever-lasting memory of love.

By accident or design, it somehow leaves us with the reassuring sense that, although this specific part
of the journey may be drawing to a close, the mission of the man behind it all most definitely isn't.

written & produced by: Sven Väth & Gregor Tresher

Go to Item

Suzanne Kraft

About You

22,99 €*

2LP | 2022 | EU | Original (Music From Memory)

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

About You is a set of hazy-haloed pop songs crackling with the flutters of fresh love amidst a mind full of memory flashes. Written in the whirlwind of a hopeful affair, instantly transformed into long distance romance, it’s a head rush of affection with the universe bending blurrily around it — an archive of yearning from a year that rifted warm bodies adrift; an outline of the in-betweens, the familiar and foreign, hopeful promise and heartbreak. Suzanne Kraft has shaved silver linings from cloud formations and ignited them into crackling flames. It’s a full circle journey that floats on shimmering guitar tones, fluid vocals, and gently persuasive drum tracks chugging towards their destiny while revelling in the unknown. About You is a folding of time and space in album form and stands aloft as Suzanne Kraft’s next big step in fully becoming himself.

Go to Item

Suso Sáiz

Resonant Bodies

2LP | 2019 | EU | Original (Music From Memory)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Music From Memory are excited to present the latest chapter in their ongoing collaboration with seminal Spanish ambient musician Suso Saiz. 'Resonant Bodies’ is Suso’s seventh album project with the label and again raises the bar of his musical output, embracing a conceptual approach of which Suso himself says the following: “A body vibrates producing a sound that reaches another body and makes it vibrate and generate a new sound that makes another body vibrate that generates another sound... Imagine an infinite orchestra of bodies multiplying their sound vibrations creating the symphony of Resonant Bodies. Resonance as a principle of Communication; sound as a builder of ties and interrelations between men. Resonant Bodies pieces are part of a whole and are both generators of it. Unlike other works, during the approximately two years it took me to finish Resonant Bodies, the pieces were gradually completed and small sound particles were added caused by the vibrations generated by the previous layers until creating imperfect and synchronized sound objects. Communication.”

Go to Item

Suso Sáiz

Nothing Is Objective

Thanks For The Memory (Songs Of Leo Robin)

Release: 2019 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Spanish ambient composer Suso Saiz deepens his relationship with Music From Memory with the release of a new album, Nothing Is Objective. This joins 2017’s Rainworks as his second full-length album for the label, following archival collections of solo music and of his group Orquesta De Las Nubes.
Nothing Is Objective was recorded in Madrid in 2018 during a period of transcendental change and creative awakening for Suso. It captures the composer as he develops a renewed relationship with his instruments and craft, channeling a dialogue between the meticulous use of technology and the outer reaches of human expression. Suso’s universe is one that remains in constant mutation and emphasizes time above all else. His radiant drones are a nest of hidden feelings; they glisten with complex emotions and textures, teasing out moods of vulnerability and hope. Nothing Is Objective is a delicate and intimate record that harnesses smalls drops of sentiment for listeners to withdraw into. Released in a gatefold 2xLP it features collaborations with Austrian guitarist Christian Fennesz, liner notes by John Gómez, and music dedicated to Suso’s friend, the late Mexican musician Jorge Reyes. Nothing Is Objective cements Suso’s place as one of the label’s central and most loved artists.

Go to Item

Susannah McCorkle

LP | 1984 | US | Original (Pausa)

10,99 €*

MMXX-08: Sometimes It's Raining A Lot

Release: 1984 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Vinyl closer to NM. Cover with dedication and autograph from the artist on the back.

Go to Item

Susana Santos Silva

LP | 2020 | EU | Original (Matière Mémoire)

17,49 €* 24,99 € -30%

More Than One, Less Than Zero

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Matière Mémoire presents the Mmxx Series: In anticipation of the year 2020, Matière Mémoire asked 20 experimental/electronic artists to create an original 20 minutes piece and an artwork. Throughout this year, each quarter will see the release of 5 new vinyls.

Each record is limited to 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each 12" is housed in a transparent sleeve printed with the Mmxx logo, coming with a print of the artist artwork.

Participate in this series: Franck Vigroux, John Duncan, Phill Niblock, Jim O’Rourke, Reinier Van Houdt, Stephen O’Malley, CM Von Hausswolff, Hampus Lindwall, Oren Ambarchi, Kevin Drumm, Bérangère Maximin, Kassel Jaeger, Daniel Menche, Charlemagne Palestine, Giueseppe Ielasi, Carlos Casas, Susanna Santos Silva, Joachim Nordwall, Karbé Dinel, Mauro Lanza

Go to Item

Surveillance

LP | 2023 | US | Original (Celluloid Lunch)

Mind Religion Motive Power & Crystal Geometry Remixes

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

News came through while getting comfortable with the sounds of Surveillance’s debut album Less Than One, More Than Zero that guitarists/vocalists Dave Burns and Rachel Fry were to be married later that week. Not having access to their registry, I suppose I could send a chafing dish, though to be fair their record is burning brightly enough to heat up whatever canapes might await in their ostensibly long life together. After an initial blast of activity in the mid-‘10s, which produced a 7” single that I found quite fetching, and a number of cassettes that I hadn’t the good fortune to hear, activity around Surveillance proved sporadic, as did information about them (here I was in Chicago, here they were in Halifax). I was delighted to find their Planet Serum tape through an American punk distro during the pandemic pause (hey, what better time to unearth forgotten studio recordings, right? Also, how many other musical acts named Surveillance would trickle down that path?) and with it came some weird close-talkin’ vibes couching top-flyte buzzsaw song-based material—the band I really liked before was still in there, plowing away, intact in the presence of hard-hitter Tri Le on the drums and eventual addition of Ben Brennan in the pocket on bass. Which leads us to this album, a purity test of sorts that hearkens, for some, back to a time of greater innocence, tempered with the expectations of now. There’s grunge, there’s flyin’ the flannel, and the piney, open-air, guitar-stacks-to-the-bluest-skies approach Surveillance takes on this one that’ll instantly touch a gritty nerve to a lot of listeners—both Amherst Dinosaur before the Jr and Donna Dresch hair-windmill era, that Solomon Grundy LP on New Alliance, the top layer of pop iceberg-bobbing in the violent diagonals of Eastern seaboard shoegaze, patchouli, your aunt’s surprisingly deep cabinet of folk records, the leftover gear of uncles and burnouts to rattle the windows with, chain smoking over a bottomless cup of coffee in an all night diner with somebody elses and everything to talk about between you, artificially cheap fossil fuels and one car/maybe one license between all of you. I don’t know where these folks fall in the age range to have experienced this sort of thing, what the rituals were in their adolescence and the early years of underemployed freedom, but something’s been activated here in these 11 songs, like a smell or sense memory, a match lit, a breath visible in the chilly air, that’s bringing it all back. I’m especially taken with Rachel Fry’s vocals—not gonna mention whose they remind me of, as I’ve done enough extrapolating here already. The words she’s singing on songs like 'On My Way,' 'Iron Rose' and 'Last Breath' offset Burns’ righteous anger with a defiance of her own. There’s a big goddamn difference between aching teenage lovage and the questions asked in these songs, but they come from the same place—an overwhelming feeling of deep emotions, and the innate desire for trust beyond those feelings to protect it and the people it touches. Love is great and all, but some of us need to be sure, and these songs represent the challenge of a commitment: to unite and stay together, through lives lived, projects started and reconvened to make certain that magic is true. Surveillance started something and are sticking around to continue it. In an era of woeful impermanence, that’s gotta be worth something."—Doug Mosurock, a fan

Go to Item

Surit & Samot (NX1)

12" | 2021 | EU | Original (HEX)

LP | 1998 | EU | Reissue (Tapete)

Release: 2021 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mind Religion is the 7th release of the label, an Ep composed of 5 original tracks of futuristic, aggressive and post-apocalyptic Techno. The duo NX1, for this release as individual artists (Samot and Surit), took over half vinyl each one for a very unique creation which was completed by two powerful remixes from Motive Power & Crystal Geometry. With this release HEX Recordings confirms once again his dark, fatalistic and mercilessly vision of Techno, directly whistling the dystopian Pandemonium.4:4

Go to Item

Superpunk

A Bisserl Was Geht Immer

Release: 1998 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dordogne Black Vinyl Edition

Supernaive

2LP | 2023 | Original (Suna)

53,99 €*

Wild Loneliness Green & Yellowghostly Effect Vinyl Edition

Release: 2023 / Original

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

* Two Editions: Standard and Limited * Standard Edition comes pressed on Double Black Vinyl * Limited Edition comes pressed on Black and White Multicolor Vinyl with a 16 page booklet * Gatefold (3D varnish) * Printed inner sleeves Immerse yourself in a unique narrative experience, embarking on a vibrant journey that will awaken your senses and evoke warm memories. Play as Mimi, exploring the precious recollections of your childhood and the times shared with your late grandmother. As past meets present, confront your adult choices with fond childhood memories to uncover lost family secrets. For the OST, Supernaive brothers oscillates between melancholy and wonder. They build a strong narrative throughout the songs, taking the listener by the hand to discover their unique poetic universe.

Go to Item

Superchunk

LP | 2022 | US | Original (Merge)

Wild Loneliness Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Like every record Superchunk has made over the last thirty-some years, Wild Loneliness is unskippably excellent and infectious. It's a blend of stripped-down and lush, electric and acoustic, highs and lows, and I love it all. On Wild Loneliness I hear echoes of Come Pick Me Up, Here's to Shutting Up, and Majesty Shredding. After the (ahem, completely justifiable) anger of What a Time to Be Alive, this new record is less about what we've lost in these harrowing times and more about what we have to be thankful for. (I know something about gratitude. I've been a huge Superchunk fan since the 1990s, around the same time I first found my way to poetry, so the fact that I'm writing these words feels like a minor miracle.) On Wild Loneliness, it feels like the band is refocusing on possibility, and possibility is built into the songs themselves, in the sweet surprises tucked inside them. I say all the time that what makes a good poem_the "secret ingredient"_is surprise. Perhaps the same is true of songs. Like when the sax comes in on the title track, played by Wye Oak's Andy Stack, adding a completely new texture to the song. Or when Owen Pallett's strings come in on "This Night." But my favorite surprise on Wild Loneliness is when the harmonies of Norman Blake and Raymond McGinley of Teenage Fanclub kick in on "Endless Summer." It's as perfect a pop song as you'll ever hear _ sweet, bright, flat-out gorgeous_and yet it grapples with the depressing reality of climate change: "Is this the year the leaves don't lose their color / and hummingbirds, they don't come back to hover / I don't mean to be a giant bummer but / I'm not ready / for an endless summer, no / I'm not ready for an endless summer." I love how the music acts as a kind of counterweight to the lyrics. Because of Covid, Mac, Laura, Jim, and Jon each recorded separately, but a silver lining is that this method made other long-distance contributions possible, from R.E.M.'s Mike Mills, Sharon Van Etten, Franklin Bruno, and Tracyanne Campbell of Camera Obscura, among others. Some of the songs for the record were written before the pandemic hit, but others, like "Wild Loneliness," were written from and about isolation. I've been thinking of songs as memory machines. Every time we play a record, we remember when we heard it before, and where we were, and who we were. Music crystallizes memories so well: listening to "Detroit Has a Skyline," suddenly I'm shoutsinging along with it at a show in Detroit twenty years ago; listening to "Overflows," I'm transported back to whisper-singing a slowed-down version of it to my young son, that year it was his most-requested lullaby. Wild Loneliness is becoming part of my life, part of my memories, too. And it will be part of yours. I can picture people in 20, 50, or 100 years listening to this record and marveling at what these artists created together_beauty, possibility, surprise_during this alarming (and alarmingly isolated) time. But why wait? Let's marvel now. - Maggie Smith

Go to Item

Superchunk

LP | 2022 | US | Original (Merge)

23,99 €*

12" | 2022 | EU | Original (Suoni Incisi)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Suoni Incisi

001-002

LP | 2022 | EU | Original (Colorama)

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Succession of images, clean memories resurfacing abruptly, not foreseen, not governed by the rational will. The element of air enlightens fresh harmonies of open spaces, nature in instrumental guise lies down, taking life on irregular, porous rhythmical surfaces.

Go to Item

Sunzoom

26,09 €* 28,99 € -10%

LP | 2022 | EU | Original (Sleepers)

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Vinyl is limited to 500 copies on black vinyl, no download card. Sunzoom have been making a stir from their Liverpool base and this highly anticipated debut is not to be missed. Lo-fi and DIY in equal measure, the record was only conceived of 4 weeks into the first lockdown when songwriter Greg McVeigh decided that recording music was the only way to stay sane. Building a makeshift studio in the kitchen of his North Liverpool home (and deciding to name the new project SUNZOOM after a favourite Captain Beefheart track) Greg set about learning the processes of home recording from the ground up. The album theme draws upon the peculiar aspects of lockdown; isolation, spiritual introspection, longing to be somewhere else, weird dreams, drinking too much and takes the listener on a journey of escape. The songs move the record through fields, countries, time, space, memories and longings to finally end back at home in the reality of the four walls. Digging into some past unreleased recordings, poems, unfinished snippets of tunes and writing new songs (usually sung into his phone during months of daily beach walks with his dog) Greg began to build a record within the claustrophobic environment of summer 2020. Friends were able to collaborate (by the magic of old recordings and new parts sent via email) and in early 2021 Sunzoom entered ARK Recording Studios in Liverpool to add live drums and vocal parts subsequently spending a month mixing the record back home in the familiar surroundings of the kitchen where the concept first began. The result is a snapshot of the period that magically transforms personal and public strife into glorious pop-folk psychedelia.

Go to Item

Suns Of Arqa

Revelation XVII

17,99 €*

LP | 2022 | US | Original (Dark Entries)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Suns of Arqa is a sonic mission created by luminary Michael Wadada, who began in 1979 after receiving higher guidance in Jamaica while working with roots reggae chanter Prince Far-I. It is a prolific traveling music collective that has seen over 200 collaborators, meant to connect people from all cultures and walks of life through a “deeply spiritual vibration that merges cultures, faiths and musical genres”. Wadada combines ancient Hindustani raga systems with Piobaireachd and Nyabinghi roots drumming, creating ritualistic world music infused with dub and reggae. The lyrics combine both mystical and sensory elements, often including prayer and referencing a higher power but finding root in experiences common to all people- memory, sight, and physical sensation. Their first album, Revenge of the Mozabites, was a collaboration between Wadada and On-U Sound creator Adrian Sherwood. Following its 1980 release,Peter Gabriel invited them to perform at the first Womad festival. Today, the record is regarded by some as a cult classic. Over the years they have played at many major music festivals including Glastonbury, Big Chill, Telerama Dub Festival, and Transmusicales, and released over 40 albums on Virgin, EMI, Interchill Records, Antler Subway, Red Rhino, and their own label, Arka Sound. Suns of Arqa has had a seminal influence on the World Beat sound, and continued to make appearances at seasonal festivals and sacred ritual spaces all over the world until 2021. Michael Wadada passed away in the midst of planning their U.S. tour for this release. The record is a compilation of some of Wadada’s and Sleepers Record’s favorite old Sun of Arqa tracks, mixed by Youth and Adrian Sherwood, and mastered by Eroc (drummer of Grobshnitt). Notable collaborating artists include: Guy Called Gerald, UK producers Youth and John Leckie, Greg Hunter, 808 State's Graham Massey, Finley Quaye, Sounds From the Ground, Bryn Jones aka MuslimGauze, Adrian Sherwood, John Cooper-Clarke, The late great Professor Stanley Unwin, Eric Random, New age guru Tim Wheater, Astralasia, Prince Far-I, The Orb's Alex Patterson, Zion Train, and Gaudi. "And although the Great Spiritual being Michael Wadada has returned to source and his body to earth at our time, his music is alive and will continue to be a great force for higher spiritual realms and raising vibration through occult frequencies...Suns of Arqa will continue to raise the vibration of the hearts and minds of humanity" – Angela aka Angel-Eye (Wadada's wife and bandmate)

Go to Item

Sunfear

Octopus

2LP | 2015 | UK | Original (Rough Trade)

Release: 2022 / US – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sunfear, the project of Istanbul-based multidisciplinary artist Eylül Deniz, debuts on Dark Entries with Octopus. Since 2017, Deniz has been working as a composer, performer, and DJ, with a focus on different facets of ambient, jazz, and experimental music. Deniz is deeply steeped in both music theory and history. She explores electroacoustic techniques, utilizing piano, guitar, voice, and synthesizer. These are her tools for self-expression, the means to tell her story to the world. Octopus is a rumination on loneliness, memory, and Deniz’s childhood fondness for aquatic creatures. The ten songs on the album are static and turbulent, mournful and optimistic, grounded and otherworldly. A field recording of a gently flowing stream undergirds instrumental album opener “Dokun”. The stream begins by soothing us, but as tension builds throughout the song, its presence becomes unstable, uncanny. On “I Don’t Know Why I’m Crying”, a repeating motif serves as the canvas for Deniz’s majestic, reverberant voice. While the source of sorrow remains unknowable, her catharsis is pure and real. The penultimate track, “Octopus”, breaks into an unexpected trip hop-esque beat, which only enriches the album’s introspective terroir. With Octopus, Deniz gently guides the listener to places unknown. All songs on Octopus were mastered by George Horn at Fantasy Studios. The sleeve, designed by Eloise Leigh, features a manipulated photograph taken by Deniz, which contrasts textures and colors in a non-representational fashion. Also included is an 11 x 11 insert with lyrics and a photo.

Go to Item

Sun Kil Moon

Universal Themes

30,99 €*

Summer's Here/Satan Was An Angel Colored Vinyl Edition

Release: 2015 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Universal Themes is the follow-up to Sun Kil Moon's 2014 album Benji, which unexpectedly became one of the most critically acclaimed albums of that year. Like that album, Universal Themes is extremely autobiographical, with songwriter Mark Kozelek spinning yarns about friends, family, his childhood, and other life experiences, with frequent references to boxing, music, films, television, and food. Lyrically, Universal Themes isn't as heavily fixated on death as Benji; instead, there are more songs like "Ben's My Friend," wherein Kozelek sings about his experiences traveling and playing shows. Opener "The Possum" does both, intertwining a story about an old dying possum with an anecdote about hanging out with Justin Broadrick before witnessing an incredible concert by his band Godflesh. "Little Rascals" and "Garden of Lavender" reference previous Kozelek songs by name, as well as fans' reactions to his lyrics, such as a heckler who asks if he really hates Nels Cline (he doesn't; his name just happened to rhyme). The album doesn't contain any references to Kozelek's notorious one-sided media feud with the War on Drugs, but it does include "Cry Me a River Williamsburg Sleeve Tattoo Blues" (complete with text message notification sounds), which starts out from the point of view of a jaded fan who complains that Kozelek won't play his old material, before going into several grim short stories about early deaths and tortures, in order to drive home the first-world-problems message. There's also plenty of lighter, more joyous recollections, such as Kozelek's memory of receiving his first guitar, and a multitude of stories about the best times of his life spent with family and friends. Most of the album's eight songs hover around nine or ten minutes in length, and there are stretches of spoken monologue rather than singing. Musically, Kozelek plays almost all of the instruments himself, other than drums from Steve Shelley and guest appearances by bassist Alex Schwartz and keyboards by Chris Connolly on one track each. A few of the songs rock out more aggressively than any of Kozelek's previous work, and he practically barks out "With a Sort of Grace I Walked to the Bathroom to Cry." As with all Sun Kil Moon albums, Kozelek produced the album himself, and his arrangements remain inventive and gorgeous; the lengthy songs are layered, multi-part suites that frequently switch tempos, drifting off into ethereal passages or graceful tarantellas before snapping back to the driving rhythm framing the story at hand. Like Benji, Universal Themes is a challenging listen, and some might view it as Kozelek's most indulgent album yet. But his brilliant musicianship and guitar playing combined with his fascinating storytelling skills ensure that his music is as poignant and life-affirming as ever, and the album is yet another success in his remarkable catalog. - Paul Simpson at allmusic.com

Go to Item

Summer's Here

12" | 1993 | UK | Reissue (Liquid Wax)

16,99 €*

I Can't Let Go Loser Edition

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1993 on DJ Phantasy’s Liquid Wax label, it has now been repressed in conjunction with Vinyl Fanatiks on Colored Vinyl.

One of DJ Phantasy’s many aliases alongside his pal Robert Chimiel. The lead tune is a total rave anthem – hands to the lazers business! The flipside has a such a sweet chugging bassline that takes you on a trip!

As always with anything on Liquid Wax, these tracks are big club releases as Phantasy was testing them out at all the raves in the early 90’s. But Phantasy always has a trick up his sleeve that makes his music sound incredibly original and still fresh to this day, 31 years later!

Go to Item

Suki Waterhouse

LP | 2022 | US | Original (Sub Pop)

I Can't Let Go Black Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nowadays, voice memos, videos, and pictures chronicle our lives in real-time. We trace where we've been and reveal where we're going. However, Suki Waterhouse catalogs the most intimate, formative, and significant moments of her life through songs. You might recognize her name or her work as singer, songwriter, actress but you'll really get to know the multi-faceted artist through her music. Memories of unrequited love, fits of longing, instances of anxiety, and unfiltered snapshots interlock like puzzle pieces into a mosaic of well-worn country, '90s-style alternative, and unassuming pop. She writes the kind of tunes meant to be grafted onto dusty old vinyl from your favorite vintage record store, yet perfect for a sun-soaked festival stage. Her first album for Sub Pop, I Can't Let Go, is a testament to her powers as a singer and songwriter. In Suki's words: "The album is called I Can't Let Go because for years it felt like I was wearing heavy moments on my sleeve and it just didn't make sense to do so anymore. There's so much that I've never spoken about. Writing music has always been where it felt safe to do so. Every song for the record was a necessity. In many ways, I've been observing my life as an outsider, even when I've been on the inside. It's like I was a visitor watching things happen." Growing up in London, Suki gravitated towards music's magnetic pull. She listened to the likes of Alanis Morissette and Fiona Apple, and Oasis held a special place in her heart. She initially teased out this facet of her creativity with a series of singles, generating nearly 20 million total streams independently. Nylon hailed her debut track, "Brutally," as "what a Lana Del Rey deep cut mixed with Joni Mitchell's 'Both Sides, Now' would sound like." In addition to raves from Garage, Vice and Lemonade Magazine, Dujor put it best: "Suki Waterhouse's music has swagger." Suki is constantly consuming artists of all stripes, and, in the lead-up to making I Can't Let Go, she was particularly drawn to the work of Sharon Van Etten, Valerie June, Garbage, Frazey Ford, Lou Doillon, and Lucinda Williams. After falling in love with Hiss Golden Messenger's Terms of Surrender, she reached out to its producer Brad Cook (Bon Iver, War On Drugs, Snail Mail, Waxahatchee) to help define the sound of I Can't Let Go. On I Can't Let Go, Suki not only catalogs her life up to this point, but she also fulfills a lifelong ambition. "When I've been stuck or feel out of touch with a sense of inner meaning and outer purpose, I've found both through searching my memories and finding those events buried in the shadowy areas of the psyche where they were ignored," she says. "So many times of change in my life have required return visits-especially at the transitions through to the next stages. The album is an exploration of those moments when there is nothing left to lose. What is left and can't be thrown away is the self."

Go to Item

Suki Waterhouse

LP | 2022 | US | Original (Sub Pop)

5LP | 2021 | US | Original (Asthmatic Kitty)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Sufjan Stevens

Convocations

78,99 €*

12" | 2024 | UK | Original (!K7)

Release: 2021 / US – Original

Genre: Rock & Indie, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Convocations, the new instrumental album from Sufjan Stevens, moves like a two-and-a-half-hour electronic/ambient mass for our present age of anxiety and dread; its 49 tracks work through the stages of grief and gladness with emotional mood music that is dreamy, dissonant, vertiginous, rhythmic, repetitive, urgent, and calm_that is, all the things we undergo when we inevitably live through isolation, uncertainty, and loss. Its five sonic cycles (Meditations, Lamentations, Revelations, Celebrations, and Incantations) replicate different stages of mourning, healing and catharsis, working both to soothe our unease while savoring a renewed sense of awe and wonder for being alive in these unprecedented times. Stevens initiated Convocations in response to (and as an homage to) the life and death of his father, who died in September last year, two days following the release of The Ascension. It is, then, ultimately an album about death, and an album that reflects a year in which we have all lost so much. That said, this is not a personal record, but a universal one. Convocations is built on a shared experience that seeks to be honest about how complicated grief can be in these difficult times_the pain and separation, the anxiety, the unknown, the absolute joy of memory. This is also an album made in lockdown, when we were all cloistered in whatever space we had. Convocations arrives just as we begin to emerge from a year whose losses we will calculate for a lifetime. It is, then, right on time, as we begin to process our grief and try to carry on with it.

Go to Item

Suchi

Ghungroo

17,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Suchi’s bouncy, airy productions are so organically deft that they almost belie the complexity that exists within. Prior to her !K7 debut the Oslo-born, London-bred, Delhiinfluenced DJ and producer found herself in a period of creative stagnation, while attempting to rediscover her own voice through production. After going back to the drawing board again and again she resolved to let go of overthinking, eschew the process, and let experimentation lead the way, revisiting some simmering sketches and work in new ways.

Ghungroo EP is the result of this reset, and rediscovers Suchi’s sense of playfulness through different production styles. It’s pressed on eco-friendly vinyl, PVR free and 100% recycled. “Ghungroo” is a homage to Suchi’s early years, and named for the small metallic bells strung around the ankles of classical Indian dancers. The track is equal parts cosmic, bassy and wavy, with a downwards bassline that plumbs the depths of low frequencies. The memory of early music passions emerges as the same melodic loop undresses and redresses in different guises - between breezy pads, glowing chimes and euphoric bells.

“Blåmerke” means bruise in Suchi’s native Norweigan tongue, and it leads heavily with double-time polyrhythmic drums, ravey rhythms and percussive bubbles popping. Triplets of synth stabs are artfully deployed with reverb and warped, stretched pads, bringing a whimsical twist to a track that is otherwise a tough-edged stomper. “Bottlepop” loosens up the tempo for a funky house framework, foregrounded by a big melodic synth riff. The track’s hookiness is enhanced by its old-school school feel, with distorted whistles and evocative pads. “Blåmerke” is then given a rework by Sam Goku who was chosen for his euphoric, dusty-sounding club tracks that hit hard; in his care the remix provides exactly that, via throbbing, shimmering, deep trippiness

Go to Item

Works Orange Vinyl Edition

2LP | 2016 | EU | Original (Project: Mooncircle)

Release: 2016 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition of 300 copies on orange vinyl!

In the span of just over 5 years, Rob Orme hast released 5 individual EP’s and a full length LP with Project: Mooncircle. Due to high demand and the fact that all of his releases are out of print, we decided to release “works”, a best-of compilation with some of his best and most prominent works, including 4 entirely new and unreleased songs.

“A collection of works created between 2011-2016. The tracks sum up where I’ve been at for these last 5 years. It’s a checkpoint. It represents many influences and the way things were for a period of time. For me personally “works” are memories.” – submerse

Go to Item

12" | 2012 | EU | Original (Project: Mooncircle)

Tears EP

9,99 €*

Release: 2012 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hailing from Cheshire, Submerse is an esteemed producer/DJ with a distinct and recognisable sound that traverses Beat Music, Ambient, 2-step and Autonomic whilst being punctuated by a myriad of unique and personal influences. The past year has seen him at his most prolific, releasing tracks & remixes with R&S sister label Apollo Records, Med School and many more. Submerse was featured by Pioneer Japan and was also named ‘Band Of The Week’ In The Guardian newspaper (2012).
Amidst a plenitude of productions, Submerse has also seen support emerge from influential media titans such as DJ Mag, XLR8R, Big Up, BBC Radio 1 and BBC Radio 1xtra.

After his “They Always Come Back“ EP on Apollo Records, “Tears“ is already his second vinyl release this year. The EP is all about the feeling of solitude you’re in upon finding yourself in a foreign country and a strangely different culture. In this situation the smallest and most usual tasks – simply finding a can of your favorite soft drink for instance – have the potential to become almost insuperable obstacles. Soaking in the atmosphere created by dim street lights on a nightly stroll to explore new territories in a vastly unknown urban space, while contemplating about new experiences and memories of home are activities to indulge in when you’re stranded all alone in an alien world.

Limited edition blue transparent vinyl!

Go to Item

Slow Waves White Vinyl Edition

2LP | 2014 | EU | Reissue (Project: Mooncircle)

17,99 €*

Release: 2014 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition on white vinyl!

Slow Waves is a collection of multi-layered memories, stacked like grainy polaroids in an old box in the closet or under the bed while the colours fade. A young Rob at the beach or on his first day of grammar school. Images of travels across Europe and Japan, moments slipping in trains or planes while landscapes pass by. Memories so unique to his life, yet so similar to the fading memories of youth and adolescence we all have...

After a series of well acclaimed EP’s, each of them created at very specific moments in the artists life, submerse took the time and sat down to reflect and convert all these memories into his first full length album on Project: Mooncircle.

'Slow Waves' comes out worldwide on limited double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

Go to Item

Slow Waves Black Vinyl Edition

2LP | 2014 | EU | Original (Project: Mooncircle)

Release: 2014 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Slow Waves is a collection of multi-layered memories, stacked like grainy polaroids in an old box in the closet or under the bed while the colours fade. A young Rob at the beach or on his first day of grammar school. Images of travels across Europe and Japan, moments slipping in trains or planes while landscapes pass by. Memories so unique to his life, yet so similar to the fading memories of youth and adolescence we all have...

After a series of well acclaimed EP’s, each of them created at very specific moments in the artists life, submerse took the time and sat down to reflect and convert all these memories into his first full length album on Project: Mooncircle.

'Slow Waves' comes out worldwide on limited double vinyl, limited handmade and handpainted cassette edition (both including download code) as well as a limited edition CD including a bonus track via flau records in Japan.

Go to Item

Tape | 2014 | EU | Original (Project: Mooncircle)

Slow Waves

9,99 €*

Release: 2014 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

CD | 2014 | JP | Original (Project: Mooncircle)

Slow Waves

Release: 2014 / JP – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

12" | 2024 | EU | Original (Breaker Breaker)

Fifteen Blocks

18,99 €*

2LP | 2023 | UK | Original (Dubquake)

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tokyo-based producer Submerse delivers four cuts of nostalgic, video-game-inspired jungle for Breaker Breaker here and they are a perfect blend of atmospherics, physical drums and emotive synths. Known for his diverse sound across previous releases on Apollo, Hospital Records, and Project: Mooncircle, Submerse has explored across the spectrum from jungle to UKG, autonomic via hip-hop, r&b and footwork. With Fifteen Blocks, he returns to his roots, naming the record after the precious space on a PS1 memory card. The EP skilfully blends intricate breaks, warm pads, and punchy bass tones which showcase Submerse's refined touch and effortless mastery in crafting these retrospective sounds.

Go to Item

Sub Dub

Digital Africa

30,99 €*

LP | 2024 | US | Original (Sophomore Lounge)

Release: 2023 / UK – Original

Genre: Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2001, Yorkshire, England. Subdub is in full strength shaking down Leeds' city walls with regular parties, community events & sound system sessions. Active since 1998, the devoted crew push UK Dub music forward, inviting key players of the scene to play at their events powered by the mighty Iration Steppas sound system. Session after session, the Subdub imprint nurtures a loyal community of skankers while building close ties top artists in the field. A solid reputation that resonates amongst dub-heads around the globe. After 3 years of existence and having already put out 3 singles on their Tandori Space Records label, the idea of putting out a Subdub compilation album sparks. Producers get involved and the ‘Digital Africa’ project takes shape! But when the test presses finally arrive, the difficult financial situation and bleak state of the vinyl market at the time force the project to get shelved…

22 years on, while on a pilgrimage to Subdub and stopover at the Tribe Records HQ, the Dubquake team see the dusty test presses emerge from the record store vaults and get a taste of the incredible music through the shop's speakers… Unreleased & exclusive tracks by Iration Steppas, Jah Warrior, D.BO General, Vibronics, The Disciples, Tena Stelin, Nucleus Roots, The Bush Chemists & Freedom Masses. 12 undiluted UK Dub cuts from the 90s pressed on to 2x12” vinyl discs, with a 13th bonus digital track. Pure sound system business, raw dubs inna vanguard style!

‘Digital Africa’ is finally coming out on Dubquake Records in time to celebrate Subdub’s 25th birthday. A forgotten compilation full of history, curated by Simon Scott & Mark Iration. Guaranteed to bring back sweet memories to veterans of the dance, a great piece of dub music education for the rest of us!

Go to Item

Styrofoam Winos

Real Time

33,99 €*

10" | 2023 | EU | Original (Metaphysik)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The Styrofoam Winos are that band that we love to have in our lives because they transcend the language of music, not by their individual parts, but by their oneness. On Real Time, Styrofoam Winos 2nd full length of originals for the Sophomore Lounge label, you imagine—and firmly believe—that their relationship extends beyond studios and stages. You believe they not only play music together, but eat meals together, live down the street from one another, practice three days a week because it’s fun, read the same books, and that they’ve agreed in some wordless, musical bond that this is who they are. As a listener, and inevitable fan, you wonder if they found each other by a stroke of luck or the hand of destiny. You believe that they can probably read each other’s minds and that their music is as joyous to them as it is to you. After all, this is what we love about early R.E.M. records, the brainier grooves of Pavement, and the discographies of Yo La Tengo and The Breeders. The Springwater Supper Club and Lounge in Nashville has been a dive bar since before a dive bar was a brand; a place where, in the early 2000’s, everyone would wonder if David and Dave (Berman and Cloud) would be sitting at the bar and a write-up in a weekly paper could fill the room. It seemed like everyone that bought you a beer was either in Lambchop or The Cherry Blossoms. This wasn’t a world that wanted to keep great music a secret. This was a world where great music was born and championed, when a community didn’t have metrics or boardrooms. The members of Styrofoam Winos were in elementary school back then, but they carry on this scene’s shaggy-dog torch that deserves a bigger audience. Real Time was cut live to tape at The Bomb Shelter studio by Andrija Tokic (Alabama Shakes, The Ettes, Margo Price) with few overdubs and over just 5 days, whenever the band had enough money to record. The members – Lou Turner, Trevor Nikrant, Joe Kenkel – all make wonderful solo albums on labels like Dear Life, Earth Libraries, and Spinster, as well as excellent self-releases. But unlike most bands where members compose alone before bringing a song to the table, the Winos write the music and lyrics together. Their van life, which has included tours with MJ Lenderman, has solidified this chemistry. They switch instruments in the studio, too, and allow the friend who found the seed of the song to sing the lead. Between the 3 of them (and a couple visits from pedal steel buddy, Will Ellis Johnson), Styrofoam Winos trade off on guitars, drums, bass, synths, vibraphone, percussion, and all the lovely vocals, like they’re on a cross-country road trip, taking turns behind the wheel, and singing along with each other because they all know the words. And Real Time is just that: a celebration of the present-tense and its ever-shifting moments of living. They’re going down the road, not feeling bad, but feeling. On the opener, “Angel Flies Over,” it sounds like the Styrofoam Winos wind-up a melodic memory from their 2020 all Michael Hurley covers album for their own tuneage. And then, a left turn, and the road trip detours into a feel-good head-trip with the Feelies-ish “Magic Mind.” And on “Don’t Mind Me,” the Winos crib a riff from Little Feat to indulge the tempo-shifting storm clouds mid-song. Over the course of the record, the Winos continue to step on the gas and tap the brakes until “Found Round,” an improvisational finale, where they each take turns singing us the summary, “these are the things that we found,” like they forgot we’ve been listening the whole time. And, yes: I’m wearing my bright yellow, size medium, Styrofoam Winos tee shirt as I type this."—Jerry David DeCicca, Bulverde, Texas

Go to Item

Sturqen

Colapso

LP | 2024 | Original (Monotreme)

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sturqen never disappoint with their raw electronic structures. Making Colapso the second part of the Trinitas split, it merges abstract hints of past memories with ominous, dark tones and textures to evoke an otherworldly tapestry.

Go to Item

Stumbleine

Deleted Scene

33,99 €*

LP | 2019 | EU | Original (Studio Mule)

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited vinyl edition of 300 copies on 180g white vinyl with download card.Deleted Scene, the 8th studio album from UK producer Stumbleine, overflows with beautiful nostalgia-tinged electronica. The album is steeped with cloud-like beauty, with opener I Can Stop Anytime I Like fusing addictive sampled vocals with soft, glassy guitars, as if a reflecting pool of the listeners' memories. Cinderhaze ripples that pool with a more driving, magnetic force, shifting and pulling its emotional weight in cyclic waves. Ursa Minor Sleeps Forever is fittingly sleepy, circling soft slow synth arpeggios in a dreamy haze, a sound built upon by Somnia to an epiphany-like string bed, never straying too far from Stumbleine's serene haven of melodic grace. On Catastrophette Stumbleine crafts a more dramatic and poignant web of sound, as if running through the memories created by the rest of Deleted Scene. The album as a whole is an escape to a dream-state of Stumbleine's making, captivating, yet familiar, and completely enveloping.According to Peter, "Deleted scene refers to the memories that play over and over inside your own head, replaying hazy copies of hazy copies that evolve into a bittersweet fever dream. Everybody has their own unique collection of deleted scenes slowly distorting and fading away."'Stumbleine is the alias of Peter Cooper. With roots in the UK post rock scene, the reclusive producer began blending slow dream-like pop with fractured lo-fi beats as Stumbleine in 2012. Melancholic rnb vocals ebb and flow above submerged guitar ballads. Sand blasted samples intertwine with broken beats to create music with a nostalgic fragile warmth. Stumbleine is known for a DIY ethic, releasing music directly to fans or via the independent label Monotreme Records.'

Go to Item

Studio Mule

BGM

22,99 €*

LP | 2018 | EU | Original (City Slang)

Release: 2019 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mule Musiq's sub label studio mule has formed a group of shifting members and are now releasing a debut album with 8 tracks of reworked obscure japanese gems. The album contains the three singles the group released so far, featuring miyako koda of the ex-perimental pop band dip in the pool, whose "on retinae" was reissued by music from memory to great acclaim, on vocals and mule musiq staple kuniyuki on production with direction by label head Toshiya Kawasaki.

Go to Item

Stuart A. Staples

Arrhythmia

Release: 2018 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Structures Sonores Lasry-Baschet

La Mort Du Clown / La Danse Du Ressort / Bolide

7" | 2017 | UK | Reissue (Cacophonic)

3,99 €*

It Goes Away With The Heat

Release: 2017 / UK – Reissue

Genre: Classical Music

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: VG

Vinyl with a dent on the first track

Go to Item

Stress Of Leisure

LP | 2024 | UK | Original (Valve)

47,99 €*

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-01

LP | 2023 | US | Original (Grey Market)

Stranded

Velvet Trace

Simpler Times Maroon Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Velvet Trace is the most lush, immersive, and dynamic release David MANSFIELD’s given us yet. The project remains an outlet for Mansfield to look at the genres that made him, collapsing whole histories of (often English) alternative music together and turning them over in new light. He gave Artaud reference points like Clinic and nods to the Walkmen’s penchant for spinning a story, but what still comes through is Manfield’s core DNA—the autumnal drama of the Cure and Echo & The Bunnymen, here more romantic, haunting, and grandiose than on any preceding Stranded release. There’s a muscularity in the throb of “Burnt Offerings,” the rush of “Static Lights,” the late night pulse of “Awake,” the climactic release of “Aftermath”—but within Stranded’s newly dense array of sounds, Mansfield is chasing fragments of memories, the immediacy of the music keeping things just grounded enough so he can run off into the ether. “I might take a moment, a slight memory, an image from that, and then build from it,” he says of his writing process. Some of Velvet Trace, like the gorgeously vaporous “Broken Circles,” reflects on getting back together with and eventually marrying his high school sweetheart. But he extrapolates out from that, offering few literal scenes and instead evocations. That’s how he defines the title Velvet Trace: “something softly holding in place, a memory, a fleeting emotion.” Between the swirling atmospherics of the music and Mansfield’s allusive words, he’s given us a space to get lost in, to find our own other worlds in.

Go to Item

Stoneskip

2LP | 2024 | US (Iam8bit)

53,99 €*

Radio Transmissions Black-Vinyl Edition

Release: 2024 / US

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Our friends at Stoneskip understand that music has the power to transport us to a certain time and place. That power is at the heart and soul of their debut title, Simpler Times, a meditative interactive experience that rewards patience and attention with the gift of poignant memories — memories that can be replayed, just like a favorite song.

Go to Item

Sting

LP | 2024 | EU | Original (Laser Media)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | UK | Reissue (Bison)

Still House Plants

Fast Edit

31,99 €*

Stevie Wonder Presents Syreeta

Release: 2020 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Still House Plants present their second LP Fast Edit. Cultivated over the course of 2019, the album switches the combativeness of previous releases for bare intimacy.

Fast Edit is a palette of qualities and curdled headspaces. Now living far apart and coming together only for intense periods of shows and touring, the band have come to rely on an archive of mp3s (quick recall overtakes stable long term memory). Written on mobile phones, dictaphones, and laptops, Fast Edit cuts rehearsals and schemas with tight, raucous tracks. This is most tenderly at play on ‘Shy Song’ – a cut'n’chase piece, in which all sounds are ghosts of another. ‘PredikateD’ is a phone on the ground: the voice is air, the guitar and drums meld with the plywood and sand-bag structure, the seams exposed.

The taste of the record is captured in an intervention written for the cancelled 2020 edition of Glasgow’s Counterflows Festival by Frances Morgan:

‘How do you think we should do this? The song does something different now, puts the other foot forward. How do you know when it’s done? End on a verb and it becomes a command: run! Towards the next thing. Do – towards the next thing to be done.’

Go to Item

LP | 1974 | US | Original (Motown)

LP | 2017 | EU | Original (Laser Media)

Release: 1974 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Cover with saw cut

Go to Item

Stevie Ray Vaughan

Ultimate Roots

Release: 2017 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bella Donna Vinyl Me, Please Edition

Stevie Nicks

LP | 1981 | US | Reissue (Vinyl Me, Please)

35,99 €*

CD | 2017 | EU (Laser Media)

Release: 1981 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-12-13

Stevie Nicks' debut album is a dual-edged sword wielded by one of the most singular figures in rock and commanding voices in music history. Italian for “beautiful woman,” belladonna is also a plant, and a deadly one at that. The plant gets its name from Renaissance Italy, where women used it to increase their pupil size for a more enchanting appearance, but in witchcraft lore, it’s often cited as the poisonous additive to potions and brews. It’s here—amongst the tales of witches she’d long been fascinated by and the adrenaline-inducing stories of undaunted risk and reward—that we find Nicks entranced by her blossoming solo career, and at her most powerful. She features musical icons like Tom Petty and Waddy Wachtel and seizes collaboration with the best artists of the time. The result is a masterpiece that rings wholly with the generation-transcending sound of a woman centering herself.

Go to Item

Steve Goodman

Sticks And Stones

3,99 €*

Ah! Quel Cinéma! Standard Vinyl Edition

Release: 2017 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

CD comes in a soft case, instead of the original crystal case. All booklets included.

Go to Item

Stereo Total

LP | 2019 | EU | Original (Tapete)

27,99 €*

Mmxx-11: Öst Väst Sommaren

Release: 2019 / EU – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is the regular LP version with 14 tracks. Please be aware of the limited double LP edition with 20 tracks that we offer.

An album title with not one, but two exclamation marks, meaning something akin to “what a palaver”as it primes the listener for songs like “Cinemascope”. Themes such as personal injuries (“Ich bin cool”), betrayal (“Mes copines”), personality deficiencies brought on by drug abuse (“Methedrine”), rage (“Hass-Satellit”), inflated opinions of oneself (“Brezel says”), suicide (“Le Spleen”), grief (“Dancing with a memory") and souls in torment ("Elektroschocktherapie") are presented in widescreen format in and often in the most entertaining fashion.

Françoise Cactus apparently once said of herself: "I am a linguistic artist who can live with the laughs". Which says it all really, although Stereo Total’s penchant for wordplay is not in evidence in all of the lyrics on this record. Many tracks here echo the rather more sombre, desperate songs she wrote for her first band "Les Lolitas". Nevertheless, the anarchic humour which we have come to associate with Stereo Total resurfaces on compositions like "Keine Musik" and "Einfach".

Musically, this Stereo Total disc, their twelfth, cannot be readily aligned with anything at all. If earlier albums resonated with influences from chanson, trash or disco to punk, rock’n’roll and NDW (German New Wave), Stereo Total have now arrived in their very own musical universe which pays no heed to stylistic devices, reminiscent of “rien de tout”. What we can say: Françoise Cactus excels in the art of 8-track cassette recording, thus creating an extraordinary sonic experience. Brezel Göring draws on his favoured array of instruments more likely to be found in the hands of children in households where a musical education is not on the agenda: plastic baby organ and dreadful mouse piano, accompanied by home-made guitars glued together by less than gifted artisans.

1. Stereo Total continue to make electronic music with flea market Casio sounds which fly in the face of what is generally accepted to be electronic music. Each musical instrument could probably be translated into social coordinates and in this sense, the tools of Stereo Total’s trade speak an unequivocal language.

2. Stereo Total continue to play LoFi garage rock music which makes a mockery of all the masculine clichés associated with guitars. When Françoise Cactus plays the drums, the rhythms of feminism, anti-professionalism and subversive dilettantism come to the fore.

Any attempts to pigeonhole Stereo Total are destined to fail. In the words of Flann O'Brien: "When shall we ever see their like again?"

A word to our younger readers: Stereo Total began making music before the internet existed, before the Euro, before Germany reunited and before there were even bands or music. They will probably still be playing when all that has been consigned to the dustbin of history. The group comprises Françoise Cactus, who spends her time as a radio presenter, author and artist between band sessions, and Brezel Göring, a man whose very choice of stage name was motivated by a desire not to be taken seriously by music and art scribes.

When they began making music together, they made it their mission to disrupt rules, to destabilize ideas. They may not have thrown European harmonic structure or 4/4 time out of the window, but they have certainly asked questions of every other aspect of musical and lyrical techniques. Lines like "you look good from the back", "love as a threesome", "I am naked", "I’m the young gigolo with a smoker’s lung " and "sex complex" are designed to repel serious music lovers whilst shocking them with sound engineering which falls well below the standards of mainstream listeners.

Go to Item

Stephen O'Malley

LP | 2020 | EU | Original (Matière Mémoire)

2x12" | 2018 | EU | Original (M>O>S Deep)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In anticipation of the year 2020, Matière Mémoire asked 20 experimental/electronic artists to create an original 20 minutes piece and an artwork. Throughout the year batches of 5 new vinyls will be released. Each record is limited to 500 copies and comes as a crystal clear vinyl featuring an original track of 20 minutes on one side, and a laser engraved artwork on the other. Each 12" is housed in a transparent sleeve printed with the Mmxx logo, coming with a print of the artist artwork.

Go to Item

Stephen Lopkin

Clyde Built

19,99 €*