Search "japan" 5624 Items

Manilow Magic

11,99 €*

Release: 1983 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI. Cover is close to NM.

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If I Should Love Again

8,99 €*

Release: 1982 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Japanese pressing. With OBI. Tiny wear.

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If I Should Love Again

4,99 €*

Release: 1982 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI.

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Here Comes The Night

Release: 1982 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without obi.

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Here Comes The Night

11,99 €*

Release: 1982 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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LP | 1979 | JP | Original (Arista)

Greatest Story

5,99 €*

Release: 1979 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl close to NM and cover to VG+

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Greatest Hits Vol. II

5,99 €*

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Greatest Hits Vol. II

7,99 €*

Release: 1983 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl is close to NM. Japanese pressing. OBI is missing.

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Greatest Hits Vol. II

6,99 €*

Release: 1983 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Original japanese pressing with OBI and insert.

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LP | 1978 | JP | Original (Arista)

Even Now

4,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI and insert.

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LP | 1978 | JP | Original (Arista)

Even Now

5,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert. Cover and vinyl are close to NM.

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LP | 1978 | JP | Original (Arista)

Even Now

6,99 €*

No Wicked Shall Enter / Big Big Politician

Release: 1978 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI, with insert. Cover with light wear.

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Barry Brown

12" | 2019 | JP | Reissue (Bunny Lee / Dub Store Records Japan)

25,99 €*

Release: 2019 / JP – Reissue

Genre: Reggae & Dancehall

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LP | 2022 | EU | Original (Shika Shika)

Barrio Lindo

Espuma De Mar

20,99 €*

12" | 2020 | EU | Original (Open The Next)

Release: 2022 / EU – Original

Genre: Organic Grooves

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In 2019, whilst touring Japan, Barrio Lindo found himself moving away from the dance floor, instead getting lost in his headphones while listening to music that dismissed genre, oscillating between jazz, chamber orchestras and electronica. As a producer at the forefront of Latin America’s folktronica scene over the last 10 years, Agustín Rivaldo, to give Barrio Lindo his given name, has proven himself more than adept at crafting soundscapes that can transport listeners, full of detail and nuance, but they always had to pander to the club and its duty to keep revellers energised. The epiphany in Japan necessitated a change in direction, to make music that people could get lost in,and which also meant he could revert to his younger self, that guy in his twenties playing guitar with his friends, just for fun. So he booked a studio on the outskirts of Buenos Aires in early 2020 and invited some friends over; the idea was simple, let’s play some music and see where it takes us.
Espuma de Mar is the result, those initial sessions refined over the intervening years, new collaborators brought in where necessary, the production crafted in the same manner as his previous electronic-focused output, but the feel here, the ambience, is completely different. Like the espuma de mar, the sea foam that gives the album its name, this music has a fleeting quality, it arrives, imperfectly, and never stops transforming; it replenishes, it diminishes, it breathes.

The biggest difference between this album and Rivaldo’s previous works is the increased tension, and the sense of space; whereas beats and sequencers, as per their design, propel constant rhythm, here every note has intent, only played if necessary to the composition. This is felt on “Llegada”, a minimal groove soothed by kalimba thumb piano and fidgety synths while layers of trumpet take the lead until a surprisingly sombre piano motif brings the song to a close. The title track has a similar feel, whereby the music sounds improvised, each instrument free to roam, yet each note hits you in the stomach; here, we get an ominous opener, spare notes of trumpet, charango, snare drum and heavily-reverbed piano taking their turn until a rhythm begins to develop, albeit a rhythm that refuses to retain its form, flutes, synths, bass and detached vocals all playing their part as the song refuses to stand still.
Rivaldo has stated that it was the sounds of German-Senegalese group Mark Ernestus' Ndagga Rhythm Force and the UK-based project Hidden Orchestra that had the biggest impact on the album’s sound, and it is certainly possible to see the affect of the latter in the mixture of field recordings and percussive symphonic jazz. For this record, Rivaldo has worked with a small ensemble of Nicolás Lapíne on trumpet, Ignus and drums and Federico Estévez on percussion, as well as invitees such as flautist Mariana Iturri and violinist Alex Musatov. With Rivaldo himself adding guitar, synth, bass and piano, the effect is of a modern chamber orchestra and the drama that can bring. Opening track “Seguí” is a great example with its crashing piano chords and pulsating violin, and there’s no denying the euphoria of a track like “Oasis”, whose woozy trumpets can’t help but recall prime Beirut.
But there’s a reason Rivaldo is thought of so highly within the folktronica scene, and it’s for his attention to detail. No two tracks on the album are the same, it goes from the percussion-heavy “Migrante”, whose breakbeat and jerky synths show a love for hip-hop and 80s funk, to a beguiling track like “Azufre” that has a vaguely-Caribbean cadence until a tenor sax solo from Camila Nebbia takes it into more overtly-jazz territory. Then there’s a track like “Periferia” whose use of close- mic’d percussion makes it feel like the speaker is literally shaking with rhythm, alongside “Tac Tac Tac” that is full of warm, reverberant bass notes, albeit offset by hand claps and the only-discernible vocal on the album. With this in mind, it should be no surprise that Rivaldo is also a luthier, using some of the instruments he’s created on the album; there is a meticulous mind at work. Espuma de Mar is that rare beast, an example of an artist reinventing themselves, yet somehow sounding completely like they’ve always sounded. As Bandcamp once said in a feature on Barrio Lindo, his music is “carefully composed, revealing an underlying sense of wonder and joy”, and this continues on his latest, an album that is destined to provide someone else with an epiphany as they get lost in the music on their headphones, whether that be in Japan or elsewhere.

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Barking

Moirai EP

9,74 €* 12,99 € -25%

LP | 1988 | JP | Original (Synthicide)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Barking's productions are expressive live sets stem from his background in live instrumentation and improvisation. The Berlin-based Australian artist delivers on Openthenext label a forward thinking EP that is equally suited for advanced dance floors and home listening sessions. The music is slow, enveloping, immersive and will surely delight the acid lines and slow techno beats lovers out there. Moirai EP. can trigger a bunch of different emotions: between the magnetic intensity of ‘Scylla’, the melancholic and hypnotic vision of ‘Khasma“, the haunting voice of “Dionysia” will take you to another uplifting & rhythmic path. This #neodancefloor EP, as the Spanish label defines it, also includes a tripping remix of ‘Scylla’ s from Heap, the man behind Neubau & Discus Throwers. A must for the finest jewelry seekers.

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Bardeux

Bold As Love

21,84 €* 22,99 € -5%

Release: 1988 / JP – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert. Cover close to NM

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Live Concert At The Forum

LP | 1972 | JP | Original (CBS/Sony)

17,99 €*

Barbra Streisand, Kris Kristofferson

Release: 1972 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert.. Cover close to VG+

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OST A Star Is Born

LP | 1977 | JP | Original (CBS/Sony)

Barbra Streisand, Kris Kristofferson

Release: 1977 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI!

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OST A Star Is Born

LP | 1977 | JP | Original (CBS/Sony)

8,99 €*

Release: 1977 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert. Vinyl close to NM and cover to VG+

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Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert.

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7,99 €*

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI!

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Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI! close to NM

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Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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6,99 €*

Dis, Quand Reviendras-Tu ?

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI!

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Barbara

LP | 1973 | JP | Original (Epic)

LP | 1978 | JP | Original (Philips)

Release: 1973 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Barbara

24,99 €*

LP | 1984 | JP | Original (Mercury)

Release: 1978 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Close to NM.

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Bar-Kays

Dangerous

12" | 2018 | EU | Original (Disk)

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing without OBI!

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Baptisma

Pes EP

15,99 €*

LP | 2024 | EU | Original (An'archives)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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‘BAPTISMA is 55 years old, lives in Nagoya and runs an art space and concert venue called Spacio Rita. He has never before released any music.

In the hot and humid Japanese summer of 2016 YPY and I played a show at Sapcio Rita, Shintaro was DJing and BAPTISMA played a short show, too. It was impulsive and driving while somewhat earthy and dark, buzzing with dense energy like a jungle yet spacious like the hall of the mountain king.

BAPTISMA’s powerful sound creates strange places - as inviting as shady.
I was captivated. BAPTISMA liked the idea of a release and we embarked on that long journey that finally led to DISK16. Along the trip we proudly welcomed HODGE from Bristol as a stowaway. His unexpected remix well rounding this square project. Finally MARIA MENDES from Lisboa served as our beacon, providing a simple and beautiful jacket for this neat release!’

Florian Meyer / Don’t DJ

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Banetoriko

Kata No Wadachi

32,29 €* 37,99 € -15%

Banchop Chaiphra / Samai Onwong

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Kata No Wadachi is the latest album by Banetoriko, the solo noise project of Tamaki Ueda. Her first release both on An’archives and on vinyl, it follows several albums for the Neurec imprint – 2017’s Beside the Sluice and 2022’s Yorioto Hogiokuri – and several other cassettes and CD-Rs. With Kata No Wadachi, the Banetoriko world, inspired by the Yokai (“strange apparitions” – supernatural figures, ghosts, spirits) of Japanese folklore, is at its most resonant yet.

Recorded across 2022 and 2023, the three tracks on Kata No Wadachi have Ueda performing in a particularly elevated manner. Her sound is highly tactile and grittily sensuous, the better to capture the ritualistic repetitions, and hypnotic methodologies, core to Banetoriko. The scrape and scratch of Ueda’s self-made metal instrument, the Banetek, gives these improvisations a unique throb, even as their mood, of introverted focus and elaboration of minutiae, gestures towards broader histories of noise and abstract art. Kata No Wadachi evokes, to some degree, the urban ritual noise of the likes of The New Blockaders, Organum, or Ferial Confine; elsewhere, the abraded, rough-housing textures bring to mind the eighties tape works of Hands To and John Hudak.

Ueda embraces the dream evocation that’s possible when loops of blurred texture collide with the gnaw and groan of energised metal, while mantric, dissociated vocals, and the oppressive weight of deep breath, gather around these compositions like a ghost’s shroud. While she’s been making noise for some time, since the nineties, Banetoriko was formalised as a project in 2011, while Ueda lived in Los Angeles. Relocating to Osaka in 2021, she’s carved out an utterly unique space for herself in Japanese noise, and her music contains an absolutely elemental vibration. Framed beautifully with poetic liner notes by Aurélien Rossanino, Kata No Wadachi is an oppressive, yet quixotically blissful trip.

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Ya Doen Show / Sakura La Kon

7" | 2015 | UK | Original (EM)

OCD Presents The Secret Sun - Ballet Mechanique 1992-1999 Collection 1 Black Vinyl Edition

Release: 2015 / UK – Original

Genre: Organic Grooves

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Two rare Thai treasures from the late 1960s. Hit covers of Japanese songs; pan-Asian music produced by the legendary Surin Paksiri.
A version of Soran Bushi, the traditional work-song of Hokkaido fishermen, Ya Deon Show was his first success, fusing a Luk Thung arrangement with a Japanese Dodonpa rhythm.
On the flip, a bi-lingual do-over of the 1968 smash by Pinky & The Killers, Sakura La Kon — Goodbye Sakura — featuring fine, bittersweet khaen.
Lovely picture sleeve, with lyrics and liner notes in English.

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Ballet Mechanique

12" | 2020 | EU | Original (Open Channel For Dreamers)

O.C.D. Presents The Secret Sun: Ballet Mechanique - 1992-1999 Collection Volume 3

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Repress on black vinyl.

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Ballet Mechanique

12" | 2021 | EU | Original (Open Channel For Dreamers)

LP | 2023 | EU | Original (Buh)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Our exploration of Ballet Mechanique’s old DAT archives, stack full of unreleased material from the 90’s era, continues with our sixth release and materializes into the third volume of the “1992-1999 Collection” series. Like the previous two volumes of the series did, also this EP brings to lights the diverse and varied approach of Jeroen’s productions: an A side featuring more “ravey” and uplifting tunes, and a B side focused on funk fuelled electro and IDM.

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Baldruin

Relikte Aus Der Zukunft

32,99 €*

LP | 2022 | JP | Original (P-Vine)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Baldruin's debut on Buh Records, reaffirms his skill in creating a particular approach to ambient. A combination of acoustic and electronic sounds, to produce true musical fantasies. Relikte aus der Zukunft [Relics from the future] is a new album by experimental German artist Baldruin. Growing up in a small Bavarian village rectory around 10 meters beside the church and serving as an altar boy; organ music, church bells, and spiritual chanting were very much present in Johannes Schebler's ears during his childhood years. This experience was probably the basis for his ongoing interest in transcendental and mysterious atmospheres, he recalls. Schebler started making music as Baldruin back in 2009 with DIY experimentations which were first released on tape, a Cd-r 3" and later on several LPs all over Europe (Ireland, Spain, Portugal, Poland, Finland, Netherlands, Slovakia), as well as in the USA and Japan. While in the beginning Baldruin's tracks were mostly created with acoustic instruments, later synthesizers and other electronic sound sources joined, expanding the sound palette and letting primordial and futuristic worlds merge organically into each other. Although Relikte aus der Zukunft feels like a journey to the unknown, with constantly changing moods, all of the recordings were done in a small and improvised home studio in Schebler's living room in Wiesbaden, Germany, using mostly a single midi-keyboard for recording. The tracks are full of color and amazement, detailed and thorough when evoking the setting and conjuring the experience. They can be playful and bright, or suspenseful and ominous, until bursting into ritual and hallucination. The gloomiest soundscapes can jump into a ship fueled by retro sci-fi arpeggios, the solemn can turn to rejoice, and a star can shrink into a fireplace. Relikte aus der Zukunft is published by Buh Records in vinyl format in an edition of 300 copies. Mastered by Alberto Cendra at Garden Lab Audio. Cover art by Johannes Schebler.

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Baku Furukawa

Seascape

LP | 2024 | UK | Original (Fish Legs)

Release: 2022 / JP – Original

Genre: Rock & Indie

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Baku Furukawa is precise in the intimacy expressed by his music, reaching into the depths of his imagination to create a sonic world unlike anything else. Born in California and raised in Japan, his music draws influences from genres as varied as bossa nova, traditional folk music, jazz, classical music, and pop, to create music quite unlike anybody else. From lush string quartets, to jangly guitar chords, to even the melancholy finger-picking of a nylon string guitar; there’s no sound that Furukawa cannot master. With a who’s who of the Japanese alternative scene appearing on the album, this album is a classic! Baku Furukawa’s second album “Seascape” (2018) is finally getting its long-deserved analog release, available only from P-vine Records.

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Baker Brothers

The Next Last Party

Demonio Prazer / Cho Climax

Release: 2024 / UK – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

British Funk Renegades - Baker Brothers: A Legacy of Groove and Innovation
Since 2001, British funk luminaries the Baker Brothers have been at the forefront of the UK funk scene, consistently redefining the genre while staying true to its roots. Their groove, deeply embedded in soulful nostalgia, draws inspiration from legendary acts such as Steely Dan, Sly and the Family Stone, The Doobie Brothers, D'Angelo, The Roots, The Meters, and Prince.
Renowned for their electrifying live performances, the Baker Brothers deliver an "in-your-face" experience that takes audiences on a journey through their extensive back catalogue, spanning eight studio albums and four live albums. These albums feature collaborations with notable artists, including Hamish Stuart of the Average White Band, Snowboy, and soul divas Vanessa Freeman, Hannah Williams, Acantha Lang, and Katie Holmes.
With over ten tours in Japan and numerous European tours under their belt, the Baker Brothers have proven their enduring appeal. They continue to navigate the challenges of band life with unwavering creativity and passion, using music as their vehicle to overcome life's hurdles.

As they forge ahead with new creations, the Baker Brothers' signature sound—characterised by tight horns, a driving rhythm section, and irresistibly funky guitar riffs—remains as killer as ever. Their journey is a testament to their longevity and their unwavering commitment to pushing the boundaries of funk.

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Bailefunk Kakeko

Tape | 2023 | US | Original (Deathbomb Arc)

18,99 €*

Kollage HHV Exclusive Yellow Vinyl Edition

Release: 2023 / US – Original

Genre: Pop

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In a blatant objection to nice atmospheres, Bailefunk Kakeko works singularly towards the goal of excessive sound. Genres are exercised, then exploded only to reveal a dozen more. As the artist has noted, "The theme is to make the devil dance." Deathbomb Arc is very proud to present two of Bailefunk Kakeko's releases on cassette for the first time ever. Her new ep, -demônio prazer-' observes sounds close to home sounds from 90's Tokyo to her namesake, Bailefunk. On the B-side is 'cho Climax', a guest heavy ep featuring appearances from Bbbbbbb, valknee, hirihiri, Haruko Tajima, and My$ter. Expand your vision of the current Japanese electronic underground with this collection of hyperactive anthems.

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Bahamadia

2LP | 1996 | EU | Reissue (Be With)

39,99 €*

2LP | 1996 | EU | Reissue (Be With)

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Limited edition of 500 copies, only available hat HHV!

Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.

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Bahamadia

Kollage

34,99 €*

LP | 1976 | JP | Original (Island)

Release: 1996 / EU – Reissue

Genre: Hip Hop

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Bahamadia’s 1996 debut album Kollage is rightly regarded as one of the greatest rap albums of the 1990s. For the first time ever, Be With present the definitive double LP version of this eternal hip-hop classic, including the legendary "Path To Rhythm" which never appeared on the original LP or on vinyl, anywhere. An indelible VIBE from start-to-finish, Kollage presents Bahamadia's swirling rhymes delivered with an irresistibly butter flow and razor-sharp assuredness over a steady slew of smoothed-out, jazzed-up, blunted beats. Achingly cool and effortlessly funky throughout, it's an absolute must for true 90s hip-hop fanatics.

The entire Kollage project was recorded at D&D Studios and the ties to Gang Starr are keenly felt, with DJ Premier producing five tracks in addition to the killer songs Guru had already produced with her. Working with the cream of the mid-90s East Coast sound, Kollage is, accordingly, a record that demonstrates a varied musical taste with disparate influences, as Bahamadia has previously stated: “The title Kollage was a reflection of my state of mind. I first got interested in music from playing my parents’ and grandparents’ records, as well what I heard on the radio. I wanted Kollage to reflect that diversity both lyrically and sonically."

With intelligent, poetic lyricism and a laconic verbal style bursting with both warm texture and deceptive energy, Bahamadia’s flow was as inspired by Aretha and Nancy Wilson as it was Q-Tip, Schoolly D and Lady B. Swaggering out the gate, "WordPlay" finds Bahamadia confidently showcasing her considerable old-school battle-rhyme skills over a Guru beat that utilises an infectiously bouncy bassline with splashes of sultry jazz horns and a Jeru vocal snatch for the hook. Up next, the quietly shimmering and ruggedly beautiful "Spontaneity" is one of the most alluring on the record, Da Beatminerz crafting a brilliantly soulful and jazzy soundscape for Bahamadia's effortless vocals to float across. It's followed by "Rugged Ruff", where the rapper carefully constructs a swift off-beat flow over Premier's raw jazzy fire.

With smooth spacey synth vibes overseen by former Geto Boys producer N.O. Joe, "I Confess" is, without question, a fly love song and soothing (p)-funk groove. "UKNOWHOWWEDU" is an airy, chilled tribute to her hometown. Produced by Ski Beatz & DJ Redhanded, it rides a gloriously mellow break. It's a true Philly anthem, shouting out a who’s who of the entire city’s scene. Early banger "Total Wreck" follows, presenting a murky Guru instrumental elevated by jazzy horns. Bahamadia invokes the title's suggestion, firing her brilliant bars more aggressively than we’re accustomed to. More Beatminerz-brilliance comes in the way of "Innovation", an opportunity for the MC to invoke Freestyle Fellowship in her forward-thinking and literary verses. "Da Jawn" features hometown buddies The Roots, with Black Thought gliding into a back-and-forth with Bahamadia over ?uestlove’s warm, snapping percussion. With the strut club banger "True Honey Buns (Dat Freak Sh*t)", DJ Premier provides some laidback vibrant boom bap for Bahamadia to share a wild, cautionary tale about a night out with her girl, Kia.

Fan favourite "3 Tha Hard Way" is a hypnotically sinister cut, with Bahamadia, K-Swift and Mecca Star taking star turns to coast over DJ Premier’s raw beat whilst the tender "Biggest Part Of Me" is a heartfelt stunner dedicated to her son. Incredibly, only the European and Japanese CD versions of Kollage was released with the brilliantly breezy “Path To Rhythm”, featuring Ursula Rucker. Whilst ostensibly a "bonus track", it's anything but, to our ears. Very much in sonic conversation with KRS-One's stretched-out sleeper classic "Higher Level", it's absolutely essential so we had to include it, appearing on wax for the first time here, exclusively. Quite a coup.

Somewhat predictably, whilst Kollage was released to significant critical acclaim, it suffered from disappointing sales. In the intervening years - and for far too long - it was a criminally underrated record, an increasingly hidden gem. We hope this double LP reissue - which looks and sounds amazing - will go some way to correct this. This 2024 Be With double LP re-issue has been mastered for vinyl by Simon Francis, cut by Cicely Balston and pressed at Record Industry. It's too bold and beautiful to remain overlooked and underserved.

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Bad Company

Run With The Pack

LP | 2022 | UK | Original (Bastard Jazz)

Release: 1976 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, with insert.

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Bad Colours

Always With U

21,99 €*

LP | 1978 | JP | Original (RCA)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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*** FOR WW Distribution, EX. Americas & Japan ***
Bad Colours is back with his sophomore album, "Always With U," out on Bastard Jazz Recordings in November, 2022. The London-born, Maryland-raised, Brooklyn-based DJ, songwriter, producer, and multi-instrumentalist - aka Ibe Soliman - continues to build on the well-deserved acclaim from his 2021 debut LP, "PINK," as well as a slew of standalone singles and collaborations with the likes of Shabazz Palaces, Jarv Dee, and Stas Thee Boss.
"Always With U" sees Ibe further develop his talents as a songwriter and producer, while maintaining the signature balance of banging dance music and dense bars that he's quickly becoming known for. The album expands Ibe's role to a collaborator, band leader, and all-around star-of-the-show; it's certainly still a dance record, but there's also so much more. Live instrumentation accompanies every track, with the notable contributions of Nigerian bassist Akin-Alade Ogo heard across the album, as well as the NY-based saxophonist Carras Paton on the jazzy, upbeat house number, "Heartache + U."
The lead single, "Maybe I Should Move to LA," sees the proudly Brooklyn-based Bad Colours contemplate a move out West – an idea that came about following a trip to LA for the 20 Years of Bastard Jazz anniversary party (which he DJed) in November last year. Bright pads, a thumping four-on-the-floor beat, and a catchy vocal line make it the perfect accompaniment to a top-down joy-ride up PCH. The album's second single, "You Don't Know," features frequent collaborator and PNW darling Jarv Dee, as well as KAS and Jvde who have both been making waves in the Brooklyn scene (kas for his work with Grammy- nominated producer Harmony Samuels featured on BET, and Jvde as the lead-singer of alternative band Blind Benny). "You Don't Know" turns up the heat with Jarv and KAS trading dense, rapid-fire verses over a high-tempo beat and detuned vocal; the kick cuts out for the bridge, replaced by syncopated keyboard stabs and Jvde's stacked vocals. "You Don't Know" is high-energy hip house at its finest: Super catchy and irresistibly dancey.
The two singles are emblematic of the rest of the album, which largely alternates between vocal and hip house, sometimes jazzy, other times touching on R&B or dancefloor influenced pop. Dave Giles II and Cor.Ece (who recently both contributed to Beyoncé's chart-topping "Renaissance" LP and Honey Dijon's "Work" single) feature on "Flow," while Toribio (of the acclaimed Brooklyn band Conclaves) provides vocals for "Do Better;" both tracks are on the mellower side, reminiscent of late-90s New York mid-tempo garage. Rising artist N.O.V. features on the second track, "Ready," rapping over a bass-heavy beat; MarcusHarmon makes a return after appearing on "PINK," with smooth vocals on the romantic "Come Closer." Aforementioned Jvde can be heard throughout the album, contributing to "You Don't Know," "Flirtation Avenue," and "Easy Come, Easy Go."
While Ibe's career has spanned nearly two decades - as both a DJ (alongside the likes of James Murphy, Mark Ronson, and Q-Tip) and producer (for Kendrick Lamar, Faith Evans, Keyshia Cole, and Rick Ross, among others) - the Bad Colours name only came into being in early 2020, with the debut LP, "PINK," being released in February, 2021 on the Brooklyn tastemaker label Bastard Jazz. By tapping into his deep network of artist friends, Ibe compiled a treasure-trove of vocal samples, snippets, sketches, and fresh instrumental loops into a beautiful debut record that touches on hip-hop, house, and left-field electronic, while remaining danceable.
A slew of singles throughout 2020 and 2021 included "Feelin' Like," featuring the Seattle rapper Jarv Dee, has become an underground hit, popping up everywhere from Best Buy ads, Hulu's "Woke," celebrity Peloton instructor Emma Lovewell's playlist, and even as a soundtrack to the Mayor of Madrid's TikTok video. Most recently, "Feelin' Like" had a prominent placement in the #1 Netflix film "Spiderhead," directed by Joseph Kosinski ("Tron: Legacy;" "Top Gun: Maverick") and starring Chris Hemsworth, Miles Teller, and Jurnee Smollett. The breakout success of "Feelin' Like" further led to a collaborative EP with Jarv Dee, titled "BLAKHOUSE," which saw additional features from fellow PNW natives Shabazz Palaces ("Clouds," featured in Hulu's "Shoresy") and Stas Thee Boss ("Black Skin"). This year, Bad Colours dropped the early Summer banger "Hit The Breaks," and served as the musical director for the influential Made New York festival, a two-day fashion, music, and arts event presented by Public School NYC and Paypal, that saw performances by Nas, Heron Preston, and Bearcat among others.
"Always With U" is a testament to Bad Colours' versatility as a producer and artist, which has allowed him to bring together such a diverse group of friends and collaborators. Yes, the house and hip-hop roots remain, but "Always With U" shows an evolution of the Bad Colours sound into masterfully crafted dancefloor sounds. It's a truly stunning follow-up from an artist undoubtedly on the rise. The album is out on all platforms, via Bastard Jazz Recordings, November 11th, 2022.

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Baccara

Yes Sir, I Can Boogie

The Other One White Vinyl Edition

Release: 1978 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert. Bent corner.

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Babymetal

LP | 2022 | UK | Original (Cooking Vinyl)

The Other One Trasparent Vinyl Edition

Release: 2022 / UK – Original

Genre: Pop

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Last year Babymetal concluded their 10-year journey culminating in the celebration of the formation of the revered Japanese metal band with the vinyl release of their retrospective album 10 Babymetal Years. Later they released a cryptic video that announced Babymetal will be "sealed" from the world until further notice. Today, Babymetal break the seal, making their return to Earth. Their official website has revealed a Legend MAP depicting all of Babymetal"s future activities, including the news that Babymetal"s first concept album THE Other ONE will be released worldwide on Friday, March 24th, 2023. The concept album reveals the other side of the Babymetal story that until now remains untold. A total of 10 songs have been discovered within THE Other ONE restoration project, with each song representing a unique theme based on 10 separate parallel worlds that they have discovered. Full length audio of each of the 10 songs will finally be revealed when fans get their hands on the album next March.

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Babymetal

LP | 2022 | UK | Original (Cooking Vinyl)

26,99 €*

10 Babymetal Budokan - Crystal Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Pop

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Babymetal

LP | 2014 | UK | Reissue (Cooking Vinyl)

Release: 2014 / UK – Reissue

Genre: Rock & Indie

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LP | 1979 | JP | Reissue (P-Vine)

Babadu!

34,99 €*

LP | 2019 | JP | Original (Universal Japan / Dessinee)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Produced by Hawaiian AOR legend Kirk Thompson (of Kalapana and Lemuria fame) singer-songwriter Babadu’s sole album is mellow Hawaiian soul from start to finish.

The 1970s saw the birth of Contemporary Hawaiian music, a genre inspired by the popular sounds of the mainland US, but with a distinct, Hawaiian feeling. Perhaps the most popular form of Contemporary Hawaiian music was Hawaiian AOR. It makes sense - mellow grooves and laid-back bass lines seem perfect for the pristine beaches of Waikiki; yet the genre would take off, gaining popularity in lands as far away as Japan.

Babadu! is firmly in the tradition of Hawaiian AOR, with the vocals of Babadu himself resting perfectly atop backing tracks that perfectly meld the sounds of the island with mainland yacht rock. Album opener “We’re Not To Blame” is a perfect example, with tropical flutes practically dancing over Babadu’s soulful vocals and a groove that’ll have anybody nodding their head. With Kirk Thompson of Kalapana handling production, arranging and keyboards - much like he did for Hawaiian AOR legends Lemuria, the album sounds simply sublime. Reissued with an obi-strip for the first time ever, with the handsome face of Babadu himself adorning the cover, you already know you’re in for a soulful, good time with this album.

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B.J. Ward

Vocal Ease

57,99 €*

LP | 1960 | JP | Reissue (P-Vine)

Release: 2019 / JP – Original

Genre: Rock & Indie

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Japanese import

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B.B. King

The Great B.B.King

LP | 1957 | JP | Reissue (P-Vine)

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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After creating a storm in the 50s with over 30 chart-hitting singles, BB King didn’t slow for a moment as he marched into the next decade. The Great B.B. King, the blues legend’s fifth release for Crown Records, was released in 1960 and collects a number of his iconic 50s hits including “Sweet Sixteen” and “I Had A Woman (Ten Long Years)”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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B.B. King

Singin' The Blues

Ayumi "Azucar" Suzuki & Ayumania

Release: 1957 / JP – Reissue

Genre: Organic Grooves

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This is where it all began for the legend of blues BB King. Originally released in 1957, Singin’ The Blues only takes a few bars to establish King as the domineering electric guitarist, the incomparable music architect, the foothold on blues to come. These hits were recorded between 1951 and 1956, and include unforgettable tracks such as “Woke Up This Morning,” “Please Love Me” and “You Upset Me Baby”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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Sakura Cerezo

7" | 2023 | JP | Original (Ayumigo)

29,99 €*

LP | 2023 | JP | Original (Forlife Songs)

Release: 2023 / JP – Original

Genre: Pop

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Ayumi Suzuki's original song, composed to show the Japanese landscape to the world with a Japanese-style melody on a Latin rhythm. It is the first song on her 1st Album "Oukagekka," but in this new arrangement, the melody and horn section with vibraphone and shinobue, a traditional Japanese instrument, are added to express cherry blossoms dancing in the wind with Cuban songo and guaracha rhythms.

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Ayane Yamazaki

Serenade Of The Wind

39,99 €*

LP | 2021 | EU | Original (Mental Groove)

Release: 2023 / JP – Original

Genre: Rock & Indie, Pop

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Japanese indie artist Ayane Yamazaki, who has been heard on college radio and Internet radio in Europe and the United States by young indie music listeners, especially college students, releases her new album "Serenade of the Wind" on Record Day. Electronica + City Pop + Folk Songs. Colorful whisper voice and unforgettable melodies will make you want to sing once you hear this impressive album. A new city pop masterpiece!!

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Ayane Shino

Sakura

23,99 €*

LP | 1974 | EU | Reissue (Wewantsounds)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This is a love-filled tribute to the late japanese techno and ambient pioneer Susumu Yokota. In 2021, talented classical guitarist Ayane Shino discovered his impressive works and recorded cover version of tracks from his acclaimed Sakura album. Those new contemporary musical pieces will please his ever growing fanbase as well as listeners beyond the electronic music scene.

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Ayako Shinozaki

Music Now For Harp

32,99 €*

CD | 2024 | EU | Original (Kraak)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to announce the first international reissue of Ayako Shinozaki"s hard to find LP "Music Now For Harp" released in 1974 by Nippon Columbia. The LP was released on the label"s cult "Master Sonic" series and features Shinozaki"s harp soundscape on works by renowned composer Toru Takemitsu and Katsuhiro Tsubono. The highlight of the album is the spaced-out, ethereal 25-min ambient epic "Heterodyne" featuring cult musician Takehisa Kosugi (Taj Mahal Travellers, Group Ongaku) on electric violin and sound waves. The album has been newly remastered by Nippon Columbia and is reissued here with its original artwork designed by legendary Japanese graphic designer Kohei Sugiura. It includes a 2 page insert with new liner notes by Alan Cummings.

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Aya Suzuki

Winged Seeds

13,49 €* 17,99 € -25%

7" | 2024 | JP | Original (Jet Set)

Release: 2024 / EU – Original

Genre: Organic Grooves, Classical Music

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CD Release: Limited edition of 100.

Since the age of six, multi-instrumentalist Aya Suzuki has been developing a musical universe informed by classical training and emboldened by a prodigious, almost innate feel for sound.

Her precocious leanings into percussive instrumentation led her to study at the pioneering Toho Gakuen School of Music in Tokyo under the mentorship of world-renowned marimba player Keiko Abe, after which she left her native Japan to pursue a Master’s in percussion at the Royal Conservatory of Ghent.

Winged Seeds, her debut album recorded during a summer residency at Stuk in Leuven, presents the work of a musician whose ingenuity is in full flight. Clay pots, vibraphone, aluphone, bowls, and, of all things, rice, are her tools for conjuring arresting atmospheres through intricate fantasias and serene abstractions.

Aya’s mastery of percussive techniques goes hand in hand with her gift for poetic improvisation, as sound and silence have an equal and deliberate weight that charge each moment, suspending time and place into a magical stasis.

The surprising spoken word intermezzo “To The Earth” anchors these floating tones to the temporal spaces of our humanity, instilling a sense of humility which, despite her acumen, Aya deploys in all her artistry.

Winged Seeds is an unspoiled ode to the elements, honoring the earth we dwell in through the music that lifts us every higher.

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Avocado Boys

Kiss

21,99 €*

LP | 1983 | JP | Reissue (P-Vine)

Release: 2024 / JP – Original

Genre: Pop

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Japanese club jazz band "avocado Boys" . This single is based on AOR sound by beat maker Masahiro Kitagawa of Kaho Nakamura band.

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Auto-Mod

Requiem

34,99 €*

12" | 2022 | EU | Original (Mule Musiq Japan)

Release: 1983 / JP – Reissue

Genre: Rock & Indie

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Auto-Mod is known as a pioneer band in the Japanese positive punk scene, and their aesthetic and theatrical songs influenced many artists who followed in their footsteps. Their debut album was released in 1983 by Telegraph Records, which runned by a legendary photographer Yuichi Jibiki. Tomoyasu Hotei also played in Auto-Mod as a guitarist about 20 years before his name became famous with his work for Kill Bill's main theme. This is the first time the album is reissued on vinyl!

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Autarkic

New Age Swag

LP | 2022 | EU | Original (Plaisphere)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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New artist on Mule Musiq.

Tel Aviv born producer “Nadav Siegel aka Autarkic” has been releasing nice indie dance tracks from Disco Halal, Life And Death, Turbo, Optimo Music and name a few.

This is his first release on Mule, it is a sampler 12inch from the upcoming new album (digital only).

12inch kick off killer psychedelic techno house “Cymbals Powder Rush”, floating deep house which remind us Lawrence stuff “A Petition For Grace”, slow mo electric German progressive new age tune “New Age Swag”, detroit manner machine funk “Breeder”.

We are very happy to welcome the brightest hope from Tel Aviv.

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Ausgang 256

Essai 256

24,99 €*

Viral Wreckage Translucent Red Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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On this first record, entirely self-produced, the Parisian trio Ausgang 256 joyfully offers us pop songs that would have been melted in experimental junk like sugar in water, overtly inspired by bands like Broadcast, Animal Collective or by the composer Sonic Boom. Indeed, the music of these young dreamy electronicians slips through our fingers but flows gently into us. Carefully, patiently, meticulously assembled in a small living room in the 18th arrondissement of Paris, the debut album of these devoted disciples of the Japanese magician Cornelius works like a pointillist painting. Too close and it's completely abstract. From too far away, you lose the flavour and the craftsmanship. But at the right distance, all the details come together as if by magic.The ten fragments of the album oscillate between experimental pop, space rock, theremin folk ballads and other unstructured melodies. The Essai 256 will be released on 21 October on Planisphère.

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Aunty Rayzor

LP | 2023 | EU | Original (Nyege Nyege Tapes)

26,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Bisola Olungbenga was just nine years old when she started writing music. Encouraged by her piano playing mom, she would come home from school and compete with her sister, dreaming up verses and choruses for rewards of candy. Since then, Olungbenga has evolved into Aunty Razyor, one of Nigeria's most vibrant emerging artists - a cross-genre innovator who blends hip-hop, Afrobeat, R&B and experimental sounds into an energetic portrait of contemporary Lagos. "Viral Wreckage" is Olungbenga's debut album, and follows the breakout success of her viral 2021 street anthem 'Kuku Corona'. This time she's assembled a lineup of some of the world's most exciting producers to help realize her vision: Congolese singer, guitarist and producer Titi Bakorta, young Ugandan producer Ill Gee, veteran Japanese innovator Scotch Rolex, Sao Paulo-based baile funk producer DJ Cris Fontedofunk, French beatmaker Debmaster, Nigerian singer and producer Slimcase, and Kenyan avant pop futurist Kabeaushé.'Stuttrap' is the first blast of sound we hear, and Olungbenga quickly pilots us into her sonic universe, rapping assertively in Yoruba and English over Scotch Rolex's chrome-plated trap backdrop. It's not far removed from the producer's work with Kenyan/Ugandan underground star MC Yallah, but Aunty Rayzor's incendiary, tongue-twisting raps coax listeners into a musical expression that's hard to define and only gets more expansive when we hit 'Doko'. Featuring Slimcase, who's collaborated with Nigerian superstars like Wizkid and Mr Eazi, this track melts together swinging West African rhythms with complex poetics from both Slimcase and Rayzor. Olungbenga slips into a different mode again on 'Bounce' - one of the album's most dancefloor-ready cuts - almost whispering over a corrosive neo-baile shuffle from DJ Cris Fontedofunk. Sao Paulo is responsible for some of the world's most effervescent dance music right now, and with Rayzor on vocals the result is predictably explosive, making connections between vital street music from two separa...

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ATH-M50X

164,99 €*

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Studio Industry Icon
Engineered to deliver a superior sound experience at an affordable price, the M50x have been widely acclaimed online by professionals, casual listeners and streamers. From everyday listening and commuting to gaming or studio recording, you’re in great hands with the M50x, with build quality and coveted sound engineering that’s praised by audio experts and professionals year after year.

Gaming Excellence
Consistently celebrated by critics and designed utilising over half a century of Japanese audio design and technology, you’ll hear every blast, boss and battle in stunning clarity and immersive sound through the ATH-M50x. Their wide and clear sound range allows you to discern between every layer of your game’s audio design whilst enjoying crisp musical highs and low, bassy explosions. And because the ATH-M50x is powered through the audio jack alone, you can play uninterrupted, indefinitely.
If you’re looking for streaming, online and co-op communication, the optional ATGM2 Detachable Gaming Boom Microphone is the perfect accompaniment to online gameplay with exceptional pickup and clarity that can be easily detached or flicked up when not needed.

Professional Home Studio Headphones
With 55 years of Japanese audio design, Audio-Technica is loved by many of the world’s biggest artists, vocalists and musicians and the M50x headphones remain one of our most popular innovations to date. Whether you’re a music industry veteran or you’re looking to start recording at home, the ATH-M50x are an excellent choice of headphones for listening back to or monitoring your audio performance.
Either from your computer/audio receiver or plugged directly into your microphone for monitoring (as with our AT2020 or AT2020USB+ microphones), the ATH-M50x headphones deliver stunning sound design.

The Extraordinary Everyday
Rated highly for their professional-grade comfort, foldable versatility, strong construction and excellent sound design, the ATH-M50x are an exquisite choice as your audio daily drivers. Whether it’s travel, your daily commute or working and studying at home, you’ll love their all-day comfort and immersive sound design. Offering passive noise isolation through circumaural design contours, our M50x headphones provide a high-quality audio experience, helping you to boost your concentration and productivity at work and allowing you to meditatively switch off on your commute.

Features:
• Critically acclaimed sonic performance praised by top audio engineers and pro audio reviewers
• Proprietary 45 mm large-aperture drivers with rare earth magnets and copper-clad aluminum wire voice coils
• Exceptional clarity throughout an extended frequency range, with deep, accurate bass response
• Circumaural design contours around the ears for excellent sound isolation in loud environments
• 90° swiveling earcups for easy, one-ear monitoring
• Professional-grade earpad and headband material delivers more durability and comfort
• Collapsible for space-saving portability
• Detachable cables (includes 1.2 m - 3.0 m coiled cable, 3.0 m straight cable and 1.2 m straight cable)
• Top choice for studio tracking and mixing, as well as DJ monitoring and personal listening

Specifications:
• Type: Closed-back dynamic
• Driver Diameter: 45mm
• Frequency Response: 15 - 28,000 Hz
• Maximum Input Power: 1,600 mW @ 1KHz
• Sensitivity: 99 dB
• Impedance: 38 ohms
• Weight: 285g without cable/connector
• Cable: 1.2m-3m coiled, 3m straight, 1.2m straight cables
• Cable - Detachable: Yes
• Connector: Gold-plated stereo 1/8” (3.5 mm) connector with strain relief
• Magnet: Neodymium
• Voice Coil: CCAW (Copper-clad aluminum wire)
• Folding/collapsible: Yes
• Accessories Included: Screw-on 1/4” adapter, pouch

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ATH-CKS30TW+

99,00 €*

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ATH-CKS30TW+ Wireless Headphones
Enhance the everyday with the ATH-CKS30TW+: the true wireless earbuds that stimulate the senses with chest-thumping bass and immersive active noise-cancellation.

Coming in four unique colours to suit your personal style, these pocket-sized truly wireless headphones offer high resolution sound for realistic music and movies. For beats that make your whole body move, activate the ultra-low-frequency equalizer to enjoy the richest depths of your music.

Combining super deep bass with noise-cancelling smarts, these in-ear headphones allow you to fully engage with your sound, wherever you are. Need to tune into your surroundings? You can safely let the outside in with hear-through and talk-through functions.

Enjoy up to 6.5 hours of use from each earbud when fully charged—even with noise-cancelling turned on—or 17.5 hours of use with both the headphones and charging case fully charged. Turn noise-cancelling off to get up to 7.5 hours of use from each earbud or 20 hours of use with the charging case.

Taking you from morning workouts to evening relaxation, these securely-fitting waterproof earbuds feature a snug fit to keep the bass intact and feel comfortable all day – and should they ever be misplaced, our handy Out of Range Alert keeps you in the loop.

Sound That Goes Deeper - Heavy Bass Beats
Dive even deeper into music with the ultra-low-frequency equalizer, Bass Boost – Deep, for a bass response that must be heard to be believed. Or, customise your sound in the A-T Connect App with four additional equalizer presets that enhance everything from vocal clarity to dynamic gaming experiences.

Acoustic ducts and proprietary 9mm drivers control airflow to ensure a rich and detailed performance that brings the excitement of a live show to everyday life.

Waterproof Design - Ready For Anything
The perfect companions to take you from the gym to the beach, the earbuds are highly waterproof and dustproof with an IP55 (1) rating – so there’s no need to worry about life’s splashes and spills.

High intensity workout? Don’t sweat it. The earphones can be safely rinsed off with water when your routine is finished.

(1) The IP5X rating provides protection against dust that can interfere with functions. The IPX5 rating provides protection against water jets. This rating does not ensure protection in hot and humid locations such as baths and showers. The product is not completely waterproof. The main body of the headphones is waterproof and dustproof equivalent to IP55, except for the openings where sound comes out.

Lose Yourself In Music - Active Noise Cancellation
Sit back and tune in: these active noise-cancelling earbuds let you fully engage with your favourite music or movies. Accessible with a single tap of the built-in touch sensors, you can also use the hear-through function to engage with your surroundings when listening to music on the go.

For when you need to hear travel announcements or have quick in-person conversations, the talk-though function lets you listen to those around you.

Unmatched Comfort And Fit - A Snug Design That Keeps The Bass Intact
Fitting snugly in the ear for a natural, strong hold, the wireless earbuds stay firmly in place during exercise, prevent bass from escaping, and supress unwanted outside noise with superior sound insulation.

Out of range alert - Easy location
Never lose your earbuds again. The Out of Range Alert notifies you when the Bluetooth signal is weak, so you’ll always know if you’re getting too far away from the headphones before the connection is lost.

Misplaced your buds? Open the Connect app to see the last location where the headphones were disconnected on a handy map.

Relax & Focus - Customisable Listening Experience
Whether you’re focussing on work or making time to unwind, the A-T Connect App’s soundscape function has your back.

Listen to the relaxing sounds of nature carefully recorded using Audio-Technica microphones, use masking noise to enhance concentration, or tune into healing sounds for mental rejuvenation.

Features:
• Available in four colors: standard matte black, discreet light beige, lively evergreen, or the unique translucent skeleton (translucent black)
• Up to 6.5 hours of use from each headphone when fully charged—even with noise-cancelling turned on—or 17.5 hours of use with both the headphones and charging case fully charged
• Turn noise-cancelling off to get up to 7.5 hours of use from each headphone or 20 hours of use with the charging case
• LED indicator lamp on the charging case for quickly checking remaining battery power
• Out of Range Alert and Product Locator for finding the earbuds’ last location
• Soundscape function via the A-T Connect App for improved focus or relaxation
• Customisable touch sensor control to play or pause music, skip between tracks, answer calls, and adjust the volume
• Adjustable touch sensor sensitivity to improve operation and adjustable volume steps to get the perfect listening comfort for your ears
• Clear and satisfying calls wherever you are, with selectable sidetone circuitry to improve conversations by letting you hear your voice in the headphones when making calls on most smartphones
• Multipoint pairing function to stay connected to two Bluetooth devices at once and re-pair easily through the A-T Connect App
• Low latency mode to watch videos or play games with minimal sound delay (2)
• Fast Pair support for convenient connection with Android devices (3,4)
• Siri and Google Assistant support at the touch of a button for voice control (5,6)
• Flexible dual or single-ear usability
• Automatic power-on when removed from the case (7)
• Selectable sidetone circuitry to improve conversations by letting you hear your voice in the headphones when making calls on most smartphones
• Voice guidance in English and Japanese
2 - Low Latency Mode can also be turned on/off from the A-T Connect App. Bluetooth connections may be affected by obstacles and ambient radio wave conditions.
3 - Only one Android device can be paired using Fast Pair.
4 - Google and Android are trademarks of Google LLC.
5 - Siri® is a registered trademark of Apple Inc.
6 - Google and Android are trademarks of Google LLC.
7 - Pairing is required on first use.

Specifications:
Headphones
• Type Dynamic
• Driver 9.0 mm
• Sensitivity 110 dB/mW
• Frequency response 5 to 20,000 Hz
• Impedance 20 ohms

Microphone
• Type MEMS type
• Polar pattern Omnidirectional
• Sensitivity -38 dB (1 V/Pa, at 1 kHz)
• Frequency response 100 to 8,000 Hz

Communication specifications
• Communication system Bluetooth version 5.1
• Maximum RF output 10 mW EIRP
• Maximum communication range Line of sight -approx. 10 m
• Frequency band 2.402 GHz to 2.480 GHz
• Modulation method GFSK, Pi/4DQPSK, 8DPSK
• Spread spectrum method FHSS
• Compatible Bluetooth profiles A2DP, AVRCP, HFP
• Supported codec AAC, SBC
• Supported content protection method SCMS-T Transmission band 20 ～20,000Hz

Other
• Power supply: Headphones: DC 3.7V lithium ion battery / Charging case: DC 3.7V lithium ion battery
• Charging time: Headphones: Approx. 2.5hours*1 / Charging case: Approx. 3.0 hours

Operating time
Continuous transmission time (music playback, ANC on):
• Max. approx. 6.5 hours*1 (headphones)
• Max. approx. 17.5 hours*1 (if charging case is used in combination)
Continuous transmission time (music playback, ANC off):
• Max. approx. 7.5 hours*1 (headphones)
• Max. approx. 20.0 hours*1 (if charging case is used in combination)

• Weight: Headphones: Approx. 4.5 g (L side), approx. 4.5g (R side), Charging case: Approx. 28.0g
• Water-resistant (drip-proof) performance IP55 *2
• Operating temperature 5 °C to 40 °C

Accessories
• USB charging cable (30 cm , USB Type-A / USB Type-C),
• Eartips: Standard (XS, S, M, L), Soft (XS, S, M, L)

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ATH-A990Z

259,99 €*

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High-Fidelity Closed-Back Headphones
Representing the next-generation of Audio-Technica’s Art Monitor series, the ATH-A990Z high-fidelity headphones deliver a premium high-fidelity sound performance.

High-Fidelity Art Monitor Series
Representing the next-generation of Audio-Technica’s Art Monitor series, the ATH-A990Z high-fidelity headphones deliver a premium high-fidelity sound performance. Featuring newly designed 53mm drivers, hand-assembled in Japan, that deliver clear, natural high-resolution audio reproduction, and lightweight aluminium housings with a deep metallic forest green finish.

Japanese Precision
Each newly designed 53mm driver is hand-assembled with Japanese precision for increased reliability and performance.

Comfortable Fit
Premium, soft earpads provide a comfortable fit for long listening periods.

Extended Bass Frequency Range
Double Air Damping Structure (D.A.D.S.) optimises the internal airflow to provide an extended bass frequency range for deep bass reproduction.

Enhanced 3d Wing Support
Redesigned, self-adjusting 3D Wing Support Housing that perfectly adapts to the user’s head for a closer, more stable fit providing extra comfort for long listening periods.

Premium Earpads
Offering a comfortable fit for long listening periods, the A990Z headphones include premium, soft earpads.

Superior Design
Lightweight aluminium housings with a deep metallic forest green finish.

Tangle-Free Cable
Includes a 3.0m cloth-wrapped tangle-free cable.

Features:
• Hand-assembled in Japan, the A990Z features newly designed 53mm drivers for a premium high-fidelity sound
• Lightweight, aluminium housings with a deep metallic forest green finish
• Innovative 3D wing support for a great fit and long-wearing comfort
• Premium, soft earpads for comfortable fit
• Double Air Damping System structure provides an extended frequency range for deep bass reproduction
• 3.0 m cloth-wrapped tangle-free cable

Specifications:
• Type: Closed-back dynamic
• Driver Diameter: 53mm
• Frequency Response: 5 – 42,000Hz
• Maximum Input Power: 2,000mW
• Sensitivity: 100dB/mW
• Impedance: 44 ohms
• Weight: 335g (without cable)
• Cable: 3.0 m
• Connector: 6.3/3.5 mm gold-plated stereo 2-way plug

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AT-VM95ML/H

199,00 €*

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Der AT-VM95ML ist mit einem nackten
Microlinear-Diamanten ausgestattet, der
durch seinen speziellen Schliff und die für
Line-Contact-Nadeln typischen
geringeren Verzerrungen am Plattenende
(innere Rillen) eine doppelt so hohe
Lebensdauer gewährleistet und sich
zugleich durch einen erweiterten
Frequenzgang und eine bessere
Auflösung der mittleren und hohen
Frequenzen auszeichnet.

AT-VM95C/H
VM95 SERIES MICROLINEAR STEREO CARTRIDGE ON AT-HS6 HEADSHELL
AT-VM95ML mounted on AT-HS6BK headshell
The total set weight is 15.5g
Assembled and tested in the Audio-Technica Factory in Fukui-Japan

AT-VM95ML
VM95 SERIES MICROLINEAR STEREO CARTRIDGE
The AT-VM95ML, features a Nude Microlinear diamond, not only the Microlinear stylus will permit to double the duration of your stylus. The performance of a line contact stylus, will minimize the “inner groove distortion” as well as providing extended frequency response and maximize resolution in the medium and high frequencies of the audio program material.

material. Aluminium cantilever
3.5mV output voltage
Compatible body with all VM95 Series stylus assemblies
20 to 25,000Hz frequency response

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

MICROLINEAR STYLUS
Microlinear profile diamond stylus offers high frequency response with less wear and distortion than elliptical or conventional linear contact styli.

PREASSEMBLED WITH AT-HS6BK HEADSHELL
The AT-VM95C cartridge is fitted onto the 9g aluminium die cast body headshell

Model AT-VM95ML
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 25,000 Hz
Kanaltrennung 23 dB (1 kHz)
Kanalbalance am Ausgang 1.5 dB (1 kHz)
Ausgangsleistung 3.5 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Microlinear
Nadelabmessungen 2.2 x 0.12 mil
Schaftform der Nadel Nude Square Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 20 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 10 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95ML
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers
Non-magnetic screwdriver

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AT-VM95EN/H

149,00 €*

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AT-VM95EN vormontiert auf Headshell AT-HS6BK
• Das Tonabnehmer-Set AT-VM95EN/H wird im Audio-Technica Werk in Fukui (Japan) vormontiert, getestet und verpackt.
Gesamtgewicht 15,5 g

Der AT-VM95EN besitzt eine nackte,
elliptische Diamantnadel mit Rundschaft,
die aus einem Stück geschliffen und
direkt in den Nadelträger eingesetzt
wird. Auf diese Weise lässt sich ein
leichteres, steiferes Übertragungssystem
realisieren als mit einer gefassten
Diamantnadel mit Titan-Rundschaft wie
beim AT-VM95E. Die nackte
Diamantnadel ist zwar um einiges
kostspieliger, bietet aber auch eine
hörbar bessere Audioqualität mit
besonders hoher Klangtreue bei der
Höhenwiedergabe und hervorragendem
Impulsverhalten.

Aluminium-Nadelträger
• Ausgangsspannung 3,5 mV
• Gehäuse kompatibel mit allen Abtastnadeln der Serie VM95
• Frequenzgang 20 bis 23.000 Hz

AT-VM95EN
VM95 SERIES ELLIPTICAL NUDE STEREO CARTRIDGE
The AT-VM95EN, features a Nude Elliptical Diamond. The construction of the stylus being a one piece diamond with a round shank inserted in the cantilever creates a lighter and more rigid transmission system than a diamond tip bonded on a round titanium shank such as in the AT-VM95E. Also the use of nude diamond implies a substantial difference in pricing, yet the quality of the reproduction will be immediately noticed, specifically in the fidelity of high frequencies and in the quality of the transient responses.

Aluminium cantilever
3.5mV output voltage
Compatible body with all VM95 Series stylus assemblies
20 to 23,000Hz frequency response

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

AT-VM9E SERIES COMPATIBILITY WITH THE AT-XP SERIES DJ CARTRIDGES
The electromagnetic engine-body of XP-Series, is fully compatible with all replacement styli of VM95 Series and will deliver more output voltage than VM95 Series cartridge. So providing improved compatibility with phono inputs of Professional DJ Mixers.
VM95 Series electromagnetic engine-body is also compatible with the three replacement styli of the DJ cartridge AT-XP Series, nevertheless, the electromagnetic engine-body of XP-Series, will deliver more output voltage than VM95 Series cartridge in order to provide better compatibility with phono inputs of Professional DJ Mixers.
Note that typical tracking force when using XP Series styli is three grams as opposed to two grams for VM95 Series styli.
The suspension design and compliance of XP-Series styli have been optimized for intensive DJ’ing, including possible manual cueing and back-cueing.
The VM95 Series suspension design and compliances of VM95 Series have been designed for optimum audiophile reproduction.

ELLIPTICAL NUDE STYLUS
Elliptical diamond stylus follows the groove modulation with greater precision compared to a conical stylus, offering improved frequency and phase responses whilst reducing distortion.

PREASSEMBLED WITH AT-HS6BK HEADSHELL
The AT-VM95E cartridge is fitted onto the 9g aluminiumdie cast body headshell

Model AT-VM95EN
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 23,000 Hz
Kanaltrennung 22 dB (1 kHz)
Kanalbalance am Ausgang 2.0 dB (1 kHz)
Ausgangsleistung 3.5 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Elliptical
Nadelabmessungen 0.3 x 0.7 mil
Schaftform der Nadel Nude Round Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 20 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 7 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 6.1g
Abmessungen 17.2 x 18.9 x 28.3 ( H x W x D mm)
Ersatznadel AT-VMN95EN
Beiliegendes Zubehör Two 11 mm installation screws;
Two 8 mm installation screws;
Two washers
Non-magnetic screwdriver

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AT-VM95E/H

85,00 €*

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Der AT-VM95E ist das neue
Einstiegsmodell von Audio-Technica mit
elliptischer Nadel, das nicht nur den
legendären AT95E ersetzt, sondern auch
von den Entwicklungen des im Jahr 2015
eingeführten AT95EX profitiert.
Der AT-VM95E überzeugt durch ein
optimiertes, markantes Design mit steiferem,
resonanzarmem Gehäuse und – dank zwei
Gewindeeinsätzen im Gehäuse – eine
besonders einfache Montage mit nur zwei
Schrauben, ohne Muttern (mit Headshell oder
in den Tonarm integriert)

• Das Tonabnehmer-Set AT-VM95E/H wird im Audio-TechnicaWerk
in Fukui (Japan) vormontiert, getestet und verpackt.
• Gesamtgewicht 15,5 g

AT-VM95E/H
VM95 SERIES ELLIPTICAL STEREO CARTRIDGE ON AT-HS6 HEADSHELL
AT-VM95E mounted on AT-HS6BK headshell
The total set weight is 15.5g
Assembled and tested in the Audio-Technica Factory in Fukui-Japan

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

ELLIPTICAL BONDED STYLUS
Elliptical diamond stylus follows the groove modulation with greater precision compared to a conical stylus, offering improved frequency and phase responses whilst reducing distortion.

PREASSEMBLED WITH AT-HS6BK HEADSHELL
The AT-VM95E cartridge is fitted onto the 9g aluminiumdie cast body headshell

Model AT-VM95E/H
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 22,000 Hz
Kanaltrennung 20 dB (1 kHz)
Kanalbalance am Ausgang 2.0 dB (1 kHz)
Ausgangsleistung 4.0 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Elliptical
Nadelabmessungen 0.3 x 0.7 mil
Schaftform der Nadel Bonded Round Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 17 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 7 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 15.5 g
Abmessungen 21.2 × 21.4 × 62.4 ( H x W x D mm)
Ersatznadel AT-VMN95E

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AT-VM95C/H

64,00 €*

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AT-VM95C/H
VM95 SERIES CONICAL STEREO CARTRIDGE ON AT-HS6 HEADSHELL
AT-VM95C mounted on AT-HS6BK headshell
The total set weight is 15.5g
Assembled and tested in the Audio-Technica Factory in Fukui-Japa

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

CONICAL BONDED STYLUS
The benefit of conical styli, even if the cartridge is "lean", is the ball surface of the stylus touches the groove of vinyl records precisely.

PREASSEMBLED WITH AT-HS6BK HEADSHELL
The AT-VM95C cartridge is fitted onto the 9g aluminium die cast body headshell

Model AT-VM95C/H
Typ VM Stereo Dual Magnet
Befestigung 1/2” centres
Frequenzbereich 20 - 20,000 Hz
Kanaltrennung 18 dB (1 kHz)
Kanalbalance am Ausgang 2.5 dB (1 kHz)
Ausgangsleistung 4.0 mV (at 1 kHz, 5 cm/sec)
Vertikaler Abtastwinkel 23°
Vertikaler Auflagekraftbereich 1.8 - 2.2g (standard 2.0 g)
Nadelschliff Conical
Nadelabmessungen 0.6 mil
Schaftform der Nadel Bonded Round Shank
Nadelträger Aluminium Pipe
Spulenimpedanz 3.3 kΩ (1 kHz)
Spuleninduktivität 550 mH (1 kHz)
DC Widerstand 485 Ω
Statische Nadelnachgiebigkeit 17 x 10 – 6 cm / dyne
Dynamische Nadelnachgiebigkeit 6.5 x 10 – 6 cm / dyne (100 Hz)
Spulendraht T.P. Copper
Empfohlene Lastimpedanz 47,000 Ω
Empfohlene Lastkapazität 100-200 pF
Gewicht 15.5 g
Abmessungen 21.2 × 21.4 × 62.4 ( H x W x D mm)
Ersatznadel AT-VMN95C

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AT-LP5X

379,00 €*

LP | 2021 | EU | Original (ESP Disk)

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AT-LP5X
Fully Manual Direct Drive Turntable
Building on Audio-Technica’s analogue heritage and over 50 years of Japanese audio design, the AT-LP5x features upgraded technology while keeping the contemporary style and acclaimed performance of its predecessor, the AT-LP5.

The LP5x retains the J-shaped tonearm, a design inspired by the classic Audio-Technica models of the 1960s and ’70s, and features a metallic gimbal suspension system and precision bearings to mitigate tracking errors. The tonearm also includes an adjustable counterweight and anti-skate control and comes fitted with a lightweight (9.3g) AT-HS6 headshell and the black AT-VM95E Dual Moving Magnet stereo cartridge.

Constructed of anti-vibration damping materials with heavy-mass metal chassis inserts, the AT-LP5x turntable has been designed to limit low-frequency acoustical feedback. Its precision-machined, die-cast aluminum platter is powered by a direct-drive, low-noise motor, ensuring stable, on-axis rotation at 33-1/3, 45 and 78 RPM. A 5 mm thick rubber-damping mat, which isolates from low frequency feedback while providing a highly stable surface for all LP formats, tops the platter.

The AT-LP5x features a built-in switchable MM/MC phono/line preamp that enables it to connect directly to a computer, home stereo, powered speakers and other components that have no dedicated turntable input. The selection of MM/MC cartridges allow for an easy upgrade to a moving coil with additional equipment. The turntable is also equipped with a USB output for direct connection to a computer.

Direct-drive, low noise motor
Fully manual operation with three speeds: 33-1/3, 45 and 78 RPM
AT-VM95E Dual Moving Magnet stereo cartridge (black) with replaceable stylus
Lightweight AT-HS6 headshell
J-shaped tonearm, modeled after original Audio-Technica designs from the 1960s and ’70s, are engineered to minimize tracking errors
Switchable MM/MC built-in pre-amplifier and line enables connection to components with or without a dedicated phono input
Anti-resonance, die-cast aluminum platter
Heavy rubber damping mat for improved low-frequency reproduction
AC adapter handles AC/DC conversion outside of the chassis, reducing noise in the signal chain
Elegant matte black finish
Includes dual RCA (male) to dual RCA (male) stereo cable, 45 RPM adapter, USB cable
Included dust cover and mounting hardware

Specifications

Drive Method Direct Drive
Type 3-speed, fully manual operation
Motor DC motor
Speeds 33-1/3 RPM, 45 RPM, 78 RPM
Turntable Platter Die-cast aluminum
Starting Torque >1.0 kgf.cm
Braking System Electronic brake
Wow and Flutter <0.2% WRMS (33 RPM) at 3 KHz
Signal-to-Noise Ratio >50 dB
Output Level PHONO: 4.0 mV nominal at 1 kHz, 5 cm/sec LINE 250 mV nominal at 1 kHz, 5 cm/sec
Phono Pre-Amp Gain 36 dB nominal, RIAA equalized MC: 56dB nominal, RIAA equalized
USB Function A/D, - 16 bit 44.1 kHz or 48 kHz USB selectable; Computer interface - USB 2.0 compliant Windows 7 or above, MAC OS X or above
Power Supply Requirements 100-240V AC, 50/60 Hz
Power Consumption 3 W
Dimensions 450.0 mm (17.72") W x 352.0 mm (13.86")D x 157.0 mm (6.18")H
Weight 7.3 kg (16.1 lbs.)
Accessories Included AT-VM95E Dual Moving Magnet stereo cartridge (black) with replaceable stylus; AT-HS6 lightweight headshell; AC adapter ; dual RCA (male) to dual RCA (male) stereo cable; 45 RPM adapter; USB cable; dust cover with hinges.

Manual: https://eu.audio-technica.com/resources/AT-LP5X_UM_162501850_V1_EN_web_190927.pdf

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Attitude

Pause & Effect

12" | 2017 | EU | Original (Omena Limited)

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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This extraordinary NYC trio combines free jazz and post-punk with pointed commentary about issues of race, gender, the pandemic, and political autonomy. Rose Tang, a Mongol from Sichuan, sings/recites and plays guitar, piano, and percussion. Tenor saxophonist Ayumi Ishito, from Japan, plays in a plethora of bands along the jazz/rock spectrum. Drummer, composer, and educator Wen-Ting Wu, from Taiwan, combines jazz drive and classical rigor.

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Atsushi Yano

Rottie Bites EP

10,99 €*

Atsuko Hatano & Midori Hirano

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Omena Limited is back after a short hiatus with its fifth release.

This time Japanese producer Atsushi Yano delivers Rotties Bites EP, three organic & live-sounding percussion filled tracks that become totally infectious…

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Water Ladder

LP | 2021 | EU | Original (Alien Transistor)

20,99 €*

12" | 2024 | EU | Original (Appian)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Following their recent solo releases Soniscope (Dauw) and Cells #5 (Important Records), Berlin-based multi-instrumentalist Midori Hirano and Tokyo based string experimentalist Atsuko Hatano have teamed up for their first collaborative full-length: Water Ladder. An intense, multilayered continuation of earlier collaborations (Atsuko was featured on Midori’s debut LP back in 2006), the foundation for this new collaborative album was laid when they shared stages in Berlin (Ausland) and Japan in 2019. Working remotely at first, they later recorded parts of the album in Nara’s snoihouse (using omnidirectional polyhedral speakers).

“As we rallied back and forth with our recordings in the process of creating this album, unanticipated fluctuations and irregularities emerged, coming together into a kind of music with a unique resilience and buoyancy that cannot be confined to existing molds. It was as though we had built a Water Ladder to bridge the gap between us,” explains prolific composer and viola player Atsuko Hatano, who’s been busy recording solo and with colleagues such as Jim O’Rourke, Eiko Ishibashi, Mocky, Tatsuhisa Yamamoto, Takeo Toyama, and Anzu Suhara (Asa-chang & Junrei).

Kyoto-born, Berlin-based Midori Hirano, who’s also been releasing music under her MimiCof moniker, adds multiple instruments to the ever-changing sonic landscapes of Water Ladder – an album defined by suspenseful and seemingly suspended compositions that often feel like floating in midair, a sensation the musicians compare to “that distinctive feeling you get from riding a high-speed elevator, where you can no longer tell whether you’re going up or down.”

Devoid of birdsong, the late summer air is nevertheless full of buzzing, whirring, hissing sounds on foreboding album opener “Summer Noise,” a cinematic intro with slow-moving piano chords and an ominous build-up over the course of its sprawling eight minutes. Elsewhere, sudden bursts of viola cut through nighttime peace (“Nocturnal Awakening”), followed by “Cotton Sphere” – which makes the sensation of floating in midair complete: harmonies and melodies rise and form to fall apart again, leaving only trails of previously defined space shimmering in their wake…

Whereas the title track truly explodes half-way in, the final “Cascade” brings closure to the electro-acoustic six-track collection: the floating continues, but the interlocking musical planes are no longer ruffled or rippling, no longer torn in many directions at once. Instead, the sonic streams merge and eventually disappear like ephemeral water falls after heavy rain or sudden snowmelt.

“Water cannot retain its form on its own, and can take any shape as effected by external forces. Its movements cannot be captured by eyesight alone: A body of water that appears to be crashing down into a deep, bottomless waterfall could actually be rising up very slowly into midair,” says Atsuko. “This is an invitation for you to cross the ever-transforming Water Ladder built between Midori and myself.”

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Atomic Moog

Biophile EP

LP | 2024 | JP | Original (Gardenia Garden)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After some time we are very excited to announce our new EP by French pals Atomic Moog. With amazing releases on Lowless, Monument & Delsin we are huge fans of their music and their approach to production and feel they are a strong fit for what Appian is all about :) On show here are warm, heavily textured cerebral journeys densely packed with analogue atmosphere and feeling - with Dub at its core. We think they have created something very special. Hope you ENJOY : )

Timeless cuts to suit all intimate dance floors.

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Asuka Ando

Double Happiness

40,99 €*

The Best Of Astrud Gilberto

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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Asuka Ando, Japan's leading Lovers Rock diva, has finally completed her highly anticipated 3rd album! Wearing a gradation of pink and violet tinged with mature colors, the song sings about "the joy that comes from layering" (double Happiness), and a new masterpiece of Japanese Lovers Rock is born!

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Astrud Gilberto

LP | 1971 | JP | Reissue (Verve)

23,99 €*

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI. Cover with seam split on bottom spine, otherwise VG+

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Tape | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

15,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Aspidistrafly, the Singaporean duo comprising April Lee and producer Ricks Ang, return with Altar of Dreams, their first studio album in a decade.

While their last album A Little Fable introduced the world to their bucolic and wispy brand of folk songwriting, Altar of Dreams sees the duo – also the founders of Kitchen. Label – harness their experiences over the past decade to create a wholly new and inspired vision. In this new and third album, they drew upon a rich palette of shapes, sounds and movement: straddling between the visionary photography of Serge Lutens and Dora Maar, 80s Japanese ambient pop, musique concrète and the mournful strings of Béla Bartók.

The world in which Aspidistrafly once inhabited was foggy and awash in faded memory. A feeling of being suspended in time felt inescapable with each listen. In Altar of Dreams, the fog is clearing up. At nine songs under 35 minutes, the album possesses all the defining hallmarks of Aspidistrafly – poetic lyricism, cosmic introspection, lush strings, surrealism, tenderness and texture. But what was once seemingly inscrutable has now been explored with astounding clarity, the duo maneuvering through a space-time continuum with delicate leaps.

‘How To Find A Marblewing’, the opening track, is a heady sound collage of early internet sounds, film, anime, and chopped-and-screwed 90s J-pop. It’s a presence deeply embedded throughout the record, a method Lee describes as “a form of environmental/tape treatment”.

The compositions glimmer with sincerity, addressing all at once destruction, mystery, uncertainty, hopes and dreams. The resulting music is backed by an opulence only possible with a line-up of guest musicians. ‘The Voice of Flowers’ is stirring in its balance of flute, clarinet, tenor saxophone and piano, bolstered by a string quartet. Kitchen. Label artist haruka nakamura features on the track alongside Kyo Ichinose (who arranged the strings for the album) and wind instrumentalist Araki Shin.

‘Interlude: Chrysalises and Larvae’ takes the heavy path downward, adopting its name from the 1973 surrealist odyssey The Hourglass Sanatorium. It leads into ‘Companion to Owls’, a gothic pop paean to mortality inspired by the Book of Job.

Before the namesake centrepiece of the album, another interlude arrives in ‘A Ceremonial Ode’, both of which were stirred by a series of regal Shiseido ads from the 1980s starring model Sayoko Yamaguchi. ‘Altar of Dreams’ is haunted by the lucid dreams that once provided escapism for Lee. Its tranquility belies a simmering tension, just as how a lucid dream would offer control in the face of the unknown. “In one of them, I was floating in a vast darkness safe and secure, and then I fell into a turbulent mirage where I willingly allowed myself to be swept away further and further from reality, hoping that I would never wake up,” she says. “Needless to say I did, and ended up writing this song on one of these dead nights.”

If the title track replicates the feeling of falling deep into that spiral, ‘Silk and Satins’ is a direct analysis of the phenomenon. Warped frequencies collide with nature and television sound effects – the latter sourced from 80s Singaporean horror series Mystery – within an inter-dimensional music world. The track was made with featured artist Sugai KEN, whose own work is an endless scroll of intoxicating found sounds.

‘Quintessence’, the sweeping closing track, distills all the elements scattered across the album into a coda that beautifully refuses to resolve. At first an exercise in guitar looping, the song was then written without a beginning and end in mind. “I’d like to think of it as poetry that’s sung,” says Lee.

In Altar of Dreams, Aspidistrafly are renewed and hopeful. They’ve emerged from a decade spent reframing the world they see through vivid dreams and memories. Now, it’s all yours to experience.

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CD | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

25,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitchen Label)

Altar Of Dreams

30,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Kitchen Label)

A Little Fable

30,99 €*

Live At Conquest 2023 Glitter Green Tape Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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“I went mourning without the sun; I am a companion to owls.”

In the autumn/winter of 2010, Singapore-based April Lee and Ricks Ang of Aspidistrafly (also founders of Kitchen. Label) embarked on the recording of their second album A Little Fable in Japan in collaboration with several artists. Fascinated by the patina of time and themes of folklore, A Little Fable narrates a surrealist procession of tales, twelve compositions simmering one into the other lyrically and picturesquely. This album sees the duo returning to a warm, organic palette of closely-whispered vocals, fingerpicked guitar, string arrangements and their trademark texture-focused arrangements. Featuring guest collaborators Kyo Ichinose, Seigen Tokuzawa, haruka nakamura, Junya Yanagidaira (ironomi), honagayoko, Akira Kosemura, Janis Crunch and more.

A dusty bottom drawer of forgotten memoirs is unlocked, and the album opens with a mourning, solitary cello while a harmonium drone forebodes an oscillating motif of glockenspiel tones, or sprinkled stars if you will. In Landscape With A Fairy, a tale of loss and longing during the earliest dawn mist – the world in its daily transition – is daubed in the hues of intensified sunlight, foliage or shadows, only to be diffused and faded by time, not unlike Andrei Tarkovsky’s polaroids of the Russian countryside. April Lee’s intimate vocals and acoustic guitar gently break the silence of a cold morning, backed by graceful string flourishes arranged by Kyo Ichinose. Kitchen. Label’s very own haruka nakamura and Junya Yanagidaira (ironomi) add harmonizing colors of the guitar and piano respectively.

Tracing the mysterious migration routes of nocturnal animals, Homeward Waltz skips home along a breadcrumbed-path with ephemeral glimpses of forest sights, ornamented by violins and other curious sounds before fulminating into a amorphous guitar drone, as Seigen Tokuzawa’s improvised cello strokes drift and wander with split-second apparitions in the night sky. Sounds of wooden creaks and early morning spoon-in-coffee stirrings permeate the spontaneous atmosphere of Cocina. honagayoko’s quaint and chopped piano phrases waltz with spliced vocals and flute.

Emerging from the darkened foliage into a vast, cryptic hemisphere, the second half of the album teeters on the frailty and transitoriness of the world. A Little Fable’s voyage reaches a turning point by SEA OF Glass. Ricks Ang constructs a prolonged arpeggio of sonorous looping guitar motifs that float in and out of focus, reverberating almost like a narcotic percussion across tumultuous oceans. Now distanced and gauzy, sounds of surging waves open Countless White Moons in a misty indefiniteness, yet held together charmingly by Akira Kosemura’s luminous piano. The elusive narration in Language OF Flowers tells of a deliberate escape from the passage of time with a folkloric enchantress who wordlessly casts her spells. In Gensei, April Lee relates an unspoken anguish in her tender, wavering vibrato while Janis Crunch’s somber piano and chorus vocals loom like a harbinger of death. The last chapter Twinkling Fall, the second track to feature haruka nakamura, now shuts the drawer of secrets, dissipated monochrome colours restored once again to full bloom.

A Little Fable is available on CD and the digital format on 15th December 2011. The physical CD copy comes in a 48-page artbook edition (21 x 15cm) featuring photographs and collages by April Lee and Miu Nozaka, with styling by Rika M. Orrery, who have, from their expeditions during the making of this album, directed a dream sequence around the encompassing atmosphere of a secluded hilltop cottage, a forest hued in the splendor of autumn and distant, rocky shores.

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Asphalt

Tape | 2024 | JP | Original (Coaltar)

14,99 €*

Asmus Tietchens / Miki Yui

Release: 2024 / JP – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-08

Cassette tape of ASPHALT's live performance during Cockney Rejects~the Last Japan Tour 2023~ at Club Conquest, Hiroshima on February 23, 2023. Available in a new glitter green color!

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Neues Boot

LP | 2021 | EU | Original (Tal)

19,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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Asics

Gel-Kayano Legacy

125,96 €* 179,95 € -30%

LP | 1983 | JP | Reissue (Geffen)

Available Sizes: EU 41½, 42½

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The Asics Gel-Kayano™ Legacy was inspired by various Gel-Kayano™ designs that have influenced the 30 year history of this series. The basic construction of this silhouette is the Asics Gel-Kayano™ 14, the upper has been modified with different materials and details that reference to various eras of the Gel-Kayano™ timeline. The Asics Gel-Kayano™ Legacy comes in two different colorways that celebrate the 30th anniversary of this product line. There are asymmetrical hues to represent the iconic color lines from the Gel-Kayano™ archives, and of course a reference to the recurring elements in silver cannot be missed, while 3M accents emphasize the technical origins of the design.

The ASICS Gel-Kayano™ Legacy - features:

• mesh and synthetic upper
• signature Tiger Stripes appliqués at side panels
• soft and breathable fabric lining
• foamed midsole with visible Gel cushioning technology
• GEL™ cushioning technology for excellent comfort
• non-slip outsole made from abrasion-resistant rubber
• ASICS Japanese letters branding at tongue
• GEL branding at heel

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Asia

Alpha

10,99 €*

7" | 2024 | JP | Original (Universal Music Japan)

Release: 1983 / JP – Reissue

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Still in shrink, but opened. Copy close to NM

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Asako Toki

A Night In New York

20,99 €*

Release: 2024 / JP – Original

Genre: Rock & Indie

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LP | 2022 | JP | Original (Lawson)

Asagaya Romantics

Otona Gensou

73,99 €*

LP | 2021 | EU | Original (Sfera Entert)

Release: 2022 / JP – Original

Genre: Pop

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Asagaya Romantics is a five-member group consisting of Tomoe Arisaka (vocals), Tomoya Kishi (guitar), Satoshi Hori (keyboards), Rie Furuya (drums), and Rei Honma (bass). Elements of Caribbean music such as rocksteady and reggae have been incorporated into Japanese pop music to make this incredible record. The long-awaited analog release of Asagaya Romantics’ 3rd album “Otona Genso” for the first time in three and a half years has finally arrived!

Includes 10 songs full of lyrical pop songs, including the popular track “Solitary”. With drum tech Affee Takahashi of TAMTAM and Ryotaro Miyasaka, who is also active in Yuta Orisaka (ensemble), on percussion, this album expands the range of sounds. Ikegami Yoriyuki, an illustrator who participated in the character design of director Mamoru Hosoda’s “Princess of Dragons and Freckles”, creating the beautiful artwork for this album.

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Arti & Mestieri

Essentia Live In Japan

33,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 1962 | US | Reissue (Spin The Blues)

Arthur Big Boy Crudup

Mean Ol' Frisco

LP | 1972 | JP | Reissue (Roulette)

Release: 1962 / US – Reissue

Genre: Organic Grooves

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* Originally released in 1962 * Japanese OBI-strip * The jacket is reproduced based on the original edition Arthur 'Big Boy' Crudup was an American Delta blues songwriter and guitarist from Forest, Mississippi. He is best known, outside blues circles, for his song 'That's All Right' which was later recorded by Elvis Presley when he debuted in 1954. 'Mean Ol' Frisco' is his first solo album which was released in 1962 from Fire Records when he was 57 years old and there are no reissues on LP in recent years. As a pioneer of Japanese blues music, P-vine proudly presents this important album historically and musically with the artwork of the original edition!

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Art Tatum, Erroll Garner

Giants Of The Piano

11,99 €*

Art Tatum Solo Masterpieces

Release: 1972 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Art Tatum

LP | 1983 | JP | Original (MCA)

22,99 €*

2LP | 2002 | JP | Reissue (Monchént)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear. Japanese pressing. slight discolouration. OBI is missing

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Art-School

Requiem For Innocence

67,99 €*

2LP | 2003 | JP | Reissue (Monchént)

Release: 2002 / JP – Reissue

Genre: Rock & Indie

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The first LP release of Art-school's classic albums, which continue to lead Japan's alternative music scene, is being reissued for the first time in their career to celebrate the 20th anniversary of their release! The two albums will be released simultaneously as "Record Day 2023" limited editions! The major label debut album by Art-school, which shocked the scene with its sweet melodies and sharp, dynamic, roaring guitar sound that creates a sense of intoxication and a sense of speed, has been released on LP for the first time in their career as a double-vinyl!!

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Art-School

Love/Hate

67,99 €*