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Name: Mo Kolours - Original Flow
Brand: We Release Jazz
SKU: 1106210v1
Price: 18.04 EUR
Availability: InStock

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Mo Kolours

Original Flow

CD | 2024 | EU | Original (We Release Jazz)

18,04 €* 18,99 € -5%

Incl. VAT plus Shipping Costs

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

We Release JAZZ is very happy to announce an exciting new body of work by Joseph Deenmamode aka Mo Kolours. The singular musical spirit’s new 21-track album Original Flow is available as a double LP housed in a heavy 350gsm sleeve with original artwork by Mo Kolours himself and the classic WRJ obi strip, as well as in digipack CD and digital formats.

A catalog of critically acclaimed records, including his self-titled debut (2014), ‘Texture Like Like Sun’ (2015), 2018 album ‘Inner Symbols’ and three companion EPs, established Deenmamode as a prodigious musician and vocalist. Pitchfork extolled his “hypnotic, tribal-infused dance grooves”, DJ Mag appreciated the “colourful celebration of soundsystem culture”, and Resident Advisor advocated that “no one sounds quite like Mo Kolours”. Musical analogies were drawn by The Guardian as “The best album Curtis Mayfield never made with A Tribe Called Quest and Lee Perry” and Mojo as “like Marvin Gaye produced by J Dilla”.

Five years ago, Deenmamode moved to the Japanese countryside. Far away from familiarity, he contemplated his place and further questioned his identity. “I had none of my ‘own’ people around. I had time to really find what makes me tick musically. Japan has helped me go back to those subconscious leanings, really go deep, and reflect the aspects that make up my story”.

The tracks on ‘Original Flow’ have been constructed from sessions, improvisations and soundbites captured around the world during this time; collecting contributions from musicians including Deenamode’s brothers Reginald Omas Mamode and Jeen Bassa plus Andrew Ashong, Charles Bullen, Dwaye Kilvington, Eddie Hick, Stefan Asanovic, Myele Manzanza, Ross Hughes, and Tom Dreissler. Deenamode says “I’m proud of this album’s creative process. Coming from a tradition of scouring through hours of records, I wanted to create my own samples, to find that perfect loop that no other producer could put their hands on. I decided to invite a group of friends and acquaintances, who also happen to be incredible musicians, to a studio in Crystal Palace to improvise based on some loose ideas I had. We spent all day, and recorded everything”.

‘Original Flow’ is an album of UK street-soul nouveau, future indigenous jazz fusion, Rasta Segga, Nyahbinghi jazz, Malagasy Hebrew hip hop. While retaining a spirit of exploration and improvisation, it sees Deenmamode grow and flex beyond beat tape brevity, expanding composition and stretching his musical muscle to play live with other musicians. Themes of empowerment, overcoming adversity, and mental liberation coexist with notes from ancient history, futurism, and science, as well as musings on family and togetherness.

‘Magik Momentum’ springs from a discussion that features at the start of the song, an inspiring mentor answering a question from Deenmamode about improvisation and what role it plays in life when planning and manifesting the future. ‘Rockets to Mars’ questions the lack of care for the billions of people with nothing, while governments plan to explore space. “This sparked a comparison in my mind to a Sonny Okuson song that I would reference when performing. Okuson’s song talked of the lack of resources in many communities in the world, while governments go to the moon”.

He says the music behind ‘The News These Days’ is “possibly my favourite on the album”. Looped like he would a late sixty jazz-fusion sample, there was nothing added and the track was complete within a matter of minutes. “It was the first and best moment from the entire Crystal Palace session”, he adds. The album’s contrasting title track with minimal instrumentation played solo by Deenamode. While frustratingly searching for gems in past recordings, he thought in a burst of ego, “I don’t need no-one else to make a dope beat!” picked up his ravanne, (the traditional frame drum of his fathers home-land of Mauritius), pressed record, and started to play. He says, “In my thoughts were the rhythms of the Nubians in Upper-Egypt and Sudan, the swing of the huge drums played by Mauritanian women, of-course the Sega beat of Mauritius, and the ever inspiring beat of James Yancey”.

Driven by UK broken beat, Cuban congas, Nigerian and Mauritian inflections, ‘Love Vibration’ follows the concept that all emotions carry a vibratory frequency and pays homage to the frequency of creation and the power of love. The two part ‘Tatamaka’ tells of the history of Deenmamode’s ancestors, the maroons of Mauritius. “We are people who managed to run from our oppressors and find refuge in a corner of the island called ‘Le Morne’ where they could not reach us. One bloody day they came in numbers to re-capture, to revenge. Many of us chose to jump to our deaths, rather than be taken back into subjugation. The poem by Creole Richard Sedley Assonne says; “there were hundreds of them, but my people, the maroons chose the kiss of death over the chains of slavery”. Tatamaka was the name of a famed maroon leader who was murdered for claiming his, and our people’s freedom. The song is the imagined journey of escape and freedom by an ancestor of the maroons of Le Morne”.

Born in the west midlands and raised on the traditional sega music of his father’s Indian Ocean homeland of Mauritius alongside records by the likes of Jimi Hendrix, Santana and Michael Jackson; his influences expanded with late 90s jungle and drum and bass nights in Bristol, experiments at art college in Camberwell, and the rich culture of Peckham, “at the time we called it the Afro Quarters of London” says Deenmamode, adding hip hop, dub, soul and soundsystem styles to his individual sound.

He explains, “I love drum music, from hand-drums to 808s. I love music from the ancient past, heritage music, indigenous music, traditional music passed down from the beginning of time. Music from the body, hand claps, grunts and foot stomps. Music with audible depth, busy, bustling, highly charged. Music from the soul, the music from beyond. I love music from the islands and the mountains. The music of the streets, hustle music, alleyway beats. Club music”.

He describes the creative process as thinking in images. “The visual world and the world of sound seem to intermingle in my thought process. When I play the drum with my eyes closed, a world of imagery dances and moves with beat. Improvised drumming feels like I am listening to what I want to hear, rather than trying to play what I want to hear. Following the rhythm and finding new pathways to walk within the patterns is what I experience. In this way I often feel I am just a listener, instead of the player”.
Original Flow is pressed on biovinyl, a sustainable alternative to traditional vinyl. Biovinyl replaces petroleum in S-PVC by recycling used cooking oil or industrial waste gases, resulting in 100% CO2 savings in bio-based S-PVC production. Furthermore, it is 100% recyclable and reusable, embracing the circular economy ideology.

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Reloop

Turn X (Ortofon 2M Blue)

1.099,00 €*

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Premium HiFi turntable with Ortofon 2M Blue cartridge

DESIGNED WITH PRECISION FROM THE OUTSET
The Turn X's direct-drive DC motor offers incredibly accurate and consistent speeds. The high torque ensures lightning-fast start-up times and minimal variances of just +/-0.03%. The Turn X excels when operated in full manual mode, where its electronic brake and rotary switch for smooth starting and stopping, which also doubles as a speed selector (33, 45 and 78 RPM), shine.

BALANCE PERFECTION
A solid aluminium block supports the record player's precision-machined die-cast platter. Its hefty 2.1 kg, 332 mm diameter and 22.5 mm thickness ensure smooth, even movement. The damping rubber coating on the back of the turntable and the rubber mat provide excellent isolation properties and minimise vibrations.

AUDIOPHILE TONEARM
The statically balanced S-shaped tonearm can be adjusted in height to change the cartridge's azimuth (the angle at which the needle approaches the record) and the record's vertical tracking angle (VTA). The tonearm design guarantees free and fluid movement and optimum cartridge performance.

CRYSTAL CLEAR SOUND QUALITY
The Turn X has a high-quality Ortofon 2M Blue cartridge pre-installed, ensuring excellent dynamics and sound resolution to satisfy even the most discerning audiophiles. Another highlight: The universal SME connector enables a quick and easy cartridge system change if required.

SOUND AND NOTHING BUT SOUND
The turntable's solid MDF chassis is exceptionally sturdy and robust, keeping unwanted resonances at bay from the outset. As a bonus, the Turn X is effectively decoupled thanks to the height-adjustable isolator feet.

DESIGN WITHOUT COMPROMISE
In addition to meeting the exacting demands of vinyl enthusiasts, the Reloop Turn X is a true visual showpiece. The record player's sleek design, sophisticated one-button control, and classy piano lacquer finish make it a real eye-catcher.

ATTENTION TO DETAIL
Last but not least, the Turn X features a gold-plated high-resolution phono output and a gold-plated ground connector for optimum signal transfer and corrosion resistance. Interference is reduced even further by the power switch's ultra-low noise insulation.

FEATURES:
• Quartz-controlled, premium HiFi turntable
• Super high torque, direct drive DC motor with ultra-precise rotation speed
• Extra-heavy, CNC machined 22,5 mm thick aluminium platter with rubber damping
• Quick start-up and drift-off rotation speed less than +/-0.03%
• Full manual operation with motor control-switch to select three different speeds (33, 45 and 78 RPM)
• Precision machined, extra heavy aluminium die-cast platter for a perfectly balanced rotation (305 mm diameter, 22.5 mm thick, 2.1 kg)
• Deadening rubber covering rear platter surface & special 5 mm rubber mat for optimized resonance control and damping
• Sunk-in platter cavity construction
• Static-balanced S-shaped tonearm with VTA adjustment
• Adjustable anti-skating wheel for optimal pick-up tracking
• Pre-installed Ortofon 2M Blue cartridge for excellent dynamics and sound resolution
• Universal headshell connector (SME) provides added flexibility
• Counterweight supplied supports a wide variety of cartridges
• Premium, high-resolution audio phono outputs (with separate grounding connection)
• Gold-plated, corrosion-resistant audio connections (detachable power and RCA cables)
• Built-in switching power with ultra-low noise isolation design
• Rigid construction, with extra-heavy, solid MDF wooden plinth
• Height-adjustable, shock-resistant insulator feet for effective decoupling
• Timeless design with high-gloss, black piano finish
• Accessories included: Turntable platter, dust cover, 2x dust cover hinges, balance counterweight, Phono RCA cable with grounding cable, AC power cord, rubber mat, instruction manual, Ortofon 2M Blue cartridge & headshell

TECHNICAL DATA
Turntable Section:
• Type of turntable: Direct drive, fully manual
• Drive: Quartz driven upper-torque direct drive with precision rotation
• Motor: DC Motor, 16-Pole, 3-Phase, brushless
• Rotation speeds: 33 1/3, 45 & 78 RPM
• Starting Torque: More than 4500 g/cm
• Start-up time / rpm change: Less than 0.3 sec.
• Wow and Flutter: Less than 0.1% WRMS (JIS WTD)
• S/N Ratio: More than 60dB (DIN-B)
• Breaking System: Electronic brake

Turntable Platter:
• Turntable Platter: Aluminium die-cast
• 305 mm diameter
• Weight About 2.1 kg

Tonearm Section:
• Type: Static balanced S-Shape
• Effective Length: 230 mm
• Overhang: 15 mm
• Tracking Error Angle: Less than 3 degrees
• VTA Adjustment Range: 0-6 mm
• Applicable Cartridge Weight: 17 – 25 g (incl. Headshell)
• Anti-Skating Range: 0-3 g
• Terminals: 1x PHONO Out (gold-plated), 1x GND Earth Terminal

Cartridge:
• Type of cartridge: Ortofon 2M Blue
• Output voltage at 1000 Hz, 5cm/sec.: 5.5 mV
• Channel balance at 1 kHz: 1.5 dB
• Channel separation at 1 kHz: 25 dB
• Channel separation at 15 kHz: 15 dB
• Frequency response: 20-20.000 Hz + 2 / - 1 dB
• Tracking ability at 315Hz at recommended tracking force: 80 µm
• Compliance, dynamic, lateral: 20 µm/mN
• Stylus type: Elliptical
• Stylus tip radius: r/R 8/18 µm
• Tracking force range: 1.6-2.0 g (16-20 mN)
• Tracking force, recommended: 1.8 g (18 mN)
• Tracking angle: 20°
• Internal impedance, DC resistance: 1.3 kOhm
• Internal inductance: 700 mH
• Recommended load resistance: 47 kOhm
• Recommended load capacitance: 150-300 pF
• Cartridge colour, body/stylus: Black/Blue
• Cartridge weight: 7.2 g

General:
• Power Supply: AC IN 100~240V, 50/60 HZ
• Power consumption: 3W
• Dimensions: 460(W) x 367.3(D) x 172.6(H) mm
• Weight: 10.35 kg
• Incl.: dust cover + 2x hinge, rubber mat, power supply cable, RCA cable with grounding connection (gold-plated), Headshell with Ortofon 2M Blue (pre-installed), turntable platter, operation manual & counterweight

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Ingredient

LP | 2022 | CA | Original (Telephone Explosion)

33,99 €*

Incl. VAT plus Shipping Costs

Release: 2022 / CA – Original

Genre: Pop

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Ingredient is the elegant collaboration of Toronto poets, composers, producers and dear friends Ian Daniel Kehoe and Luka Kuplowsky. Their self-titled release is an enigmatic electronic avant-pop record attuned to the micro and macro perspectives of the natural world. Ingredient is an album whose lyrics are more poem than lyric, and whose songs exist in a merger of house music, philosophically-minded lyricism and contemporary R&B. One might recall electronic and art-pop luminaries such as Yukihiro Takahashi, The Blue Nile, and Arthur Russell, or connect it to contemporaries like Nite Jewel, Westerman and Blood Orange. A distinct world of dance, of questions, of secrecy and ultimate softness.

Eight years of friendship forges strange telepathy.

In the summer of 2020, Ian Daniel Kehoe was entrenched in a new feeling of heaviness; psychosomatic symptoms had started to proliferate; stress made new pores across the body, bending sensitivity into pain. His days were met with confusion, detachment, sleeplessness and pain without causation. Disfigured, he felt that what had been central and centering was blown out to the periphery of things. In a moment of self-preservation he reached out to his dear friend Luka Kuplowsky to make an album together. For Kehoe, it was an instinctual grasp for the anchoring truthfulness of deep friendship and the potential for a dedicated creative collaboration. Kuplowsky’s presence was light, supportful and curious, eager to explore musically the sounds they were mutually drawn to: house music, ambient pop, dub. The duality between Kuplowsky and Kehoe – between the Aflight and the Unmoored – is a portrait of a friendship whose exchanges came easy and produced an outpouring of song. Creation and therapy crisscross. In email correspondence that catalogs their process of collaboration, affection abounds: “feels bare without the Luka Licks”, or “Love you so much”, or “Kinda just overwhelmed with deadliness coming in at all angles.” When their voices first come in together on “Wolf,” that harmony arrives in a dramatic avant-pop sound that is bold and wondrous.

Kuplowsky and Kehoe both arrive at Ingredient as established artists whose works are committed to language’s propensity to provoke and mystify. Kuplowsky’s 2020 album Stardust is an idiosyncratic and otherworldly blend of pop and jazz romanticism grounded by Cohen-esque vocals and a stirring philosophical curiosity. Kehoe’s entrance into the new decade has hatched four records of pop experimentation, most recently 2022’s Yes Very So, a euphoric and bold album of poetic synth-pop and meditative ambient instrumentals. Kuplowsky and Kehoe’s union as Ingredient is a beautiful and unusual chemistry that integrates their distinct approaches while bringing forth a newness: a sound that alternates between cinematic technicolor and dubbed out fogginess; a lyricism that exchanges their lucid and clear poetics for a playful and obtuse verse. The album intuitively taps into the opposing emotional states of Kuplowsky and Kehoe during the conception of the record, contrasting the buoyancy of trumpeting keyboards (“Resurface”), angelic synthesized voices (“Come”), and rolling bass (“Photo”) with the record’s underlying darkness of whirring buzzsaw textures (“Transmission”), whooping sirens (“Wolf”) and murky ambience (“Illumination”). Lyrically, this duality arises in the record’s flux between openness (“Variation”, “Raindrop”) and existential dread (“Wolf”). “Illumination” most clearly crystalizes this opposition, reconciling the verses’ neurotic yearning for enlightenment with the chorus’ liberating doctrine of negation: “no more devotion… no more delusion”. Amidst the gradations of light and dark, Kuplowsky and Kehoe trade indelible, lush melodies as though their voices are made of a substance that melts easily one into the other. The harmony of poetry, sound, and texture cuts through your brain fog like a wet diamond.

Ingredient’s self-titled record was assembled by Kuplowsky and Kehoe over the course of six months in a home studio they frequented daily. Amidst synthesizers and drum machines they composed, re-composed, and workshopped a wide array of music, ultimately focusing on a set of eight songs that lived in a shared musical and philosophical world. Recording days often ended in basketball games at a local court or a rooftop commune over a pot of tulsi tea and a crossword puzzle. Kuplowsky brought in the Blue Cliff Record – the classic anthology of Chan Buddhism – whose inscrutable and sublime insights remained constant throughout the recording process as an activator of reorientation and reflection. While Kehoe was frequently rendered physically immobile by bouts of anxiety, a patience and mutual caring governed the pace of their creation; rest, stretching and meditation became equally important as the act of arrangement. Invited into their intimate circle of composition was Thom Gill, whose heavenly voice uplifts “Variation” and “Raindrop,” and Karen Ng, whose alto sax simmers and dances around the funky strut of “Raindrop.”

The lyrics on Ingredient reflect the persistence of change, the infinite variability of nature where randomness and divergence are no accidents. In Daoism, duality, in the form of Yin and Yang, is not contradictory as it is in Western idealist philosophy, but rather composes the eternal and lived paradox of our changeless-changing universe: changeless because all is change, and changing because the dynamism of the Dao makes each moment transformational. Kuplowsky and Kehoe refract this way of seeing the world, as in Variation: “Variation in the natural world / there it is.” Ingredient is an experience of the manifold ways of saying there it is of the transformational world, and there it is, unfolding. Elsewhere, change and ephemerality is addressed through the record’s preoccupation with non-human perspectives, reorienting the listener to the wolf, the mouse, the emerald frog, the centipede, the bird, the fly in the lamp. The album cover visualizes this fascination with the striking image of a reddish-orange frog atop a defamiliarized landscape of dark green leaves. Mirroring the exploratory process of the record’s collaboration, the frog also signals the amphibian’s natural inclination to leap into boundless potential. Kuplowsky and Kehoe’s lyrics manifest philosopher and ecologist Timothy Morton’s concept of “the mesh,” drawing attention to the “vast, entangled web” of interconnectedness that connects all life forms and interweaving the songwriters’ shared wonder into the Animal’s unknowability. As Luka narrates in the breakdown of the dance-floor ready “Photo,” “the closer we observe things, the further they retreat into abstraction.” In Ingredient’s ecosystem, perception is a reversible fractal where the world’s minutest details mirror the shape of the cosmos.

According to the Dao, the path to healing starts by reorienting perception away from the self and toward the self’s subsumption in Totality. For Kehoe, collaborating with Kuplowsky became the reorientation necessary for the self-preservation he was seeking, opening up a shared creative practice to navigate and soften the complexity of his psychological shattering. The album begins with Kuplowsky intoning “colossal faith” which bounces around the stereo field in a cloud of echo, and it is the enormity of “faith” that centers both Kuplowsky and Kehoe’s collaboration and their inquisitiveness in the vast mysteries of our very being. Truth in Ingredient is not an essential nugget, but a bending of the light – it is the equivocal entanglement of how we are in nature as nature, but with a plea or prayer under our breath that marks our felt distance from what we are a part of: “carry me towards the mountains of my birth / returning to the nest / the silence of the earth.”

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Cambridge Audio

Melomania P100

279,00 €*

Incl. VAT plus Shipping Costs

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Over-ear Headphones with Active Noise Cancellation

• Crafted for stunning sound – Class A/B amplification through custom 40mm diaphragm drivers
• 100-hour battery life – five minutes of charge gives up to four hours' playback
• Designed for life – with adaptive hybrid Active Noise Cancelling, seamless multi-device pairing, wear detect and gaming mode.
• Engineered by experts – aptX™ Adaptive Audio, aptX™ Lossless, Clear Voice Capture™ Echo Cancelling, Noise Suppression and Bluetooth 5.3 Multipoint Connection
• Environmentally conscious – User-replaceable battery and earpads, premium reclaimed materials and plastic-free packaging

Feel your music, everywhere
We believe exceptional sound should be a part of everyday life. Our new headphones take the incredible quality of our award-winning audio systems on the go, so you can immerse yourself in the music you love, wherever you are.

Every beat counts
Good music deserves to be played right. We’ve designed and fine-tuned the P100 across a wide range of genres, to deliver phenomenal sound, no matter what you’re listening to.

Superior amplification
Class AB amplification — core to our award-winning CX-series amplifiers — powers our signature sound. A proven technology that’s audibly better than the standard tech found in 99% of headphones.

Discovery is in the detail
Our meticulously crafted 40mm drivers preserve all your music’s energy, immersing you in sound and uncovering nuances in your music in ways you’ve never heard before.

Lossless clarity, adaptive connectivity
aptX Lossless Bluetooth delivers flawless bit-by-bit transmission of your music, maintaining uncompromised sound quality during wireless listening. Snapdragon Sound also streams at an astounding 24bit/96kHz – better than aptX HD.
aptX Adaptive intelligently monitors and maintains connection quality, for uninterrupted performance in challenging locations.

One charge. 100 hours.
Enjoy up to 100 hours of listening on a full single charge (60 hours with active noise cancelling). And if you’re running low, a 5-minute charge provides up to four hours playtime.

Active Noise Cancellation
Turn the bustling noise of the city into a sanctuary of calm. High performance adaptive hybrid noise cancelling combines an array of mics and cutting-edge technology for a truly immersive experience. To hear the environment around you, activate transparency with a single tap.

Premium Comfort, Conscious Design
Viscoelastic memory foam earcups and a soft vegan leather headband offer unparalleled all-day comfort. Lightweight aluminum details ensure maximum durability, so you can enjoy your music as it should be — anytime.

Effortless listening
Easily control your listening experience with simple, intuitive controls, and enjoy seamless compatibility with Siri and Google Assistant.
A smartphone screen displaying an equalizer app for the Melomania P100 headphones, allowing users to tailor the audio experience to their preference.

Customisable sound
We’ve tuned P100 to deliver precise highs and dynamic lows, but we get that you might want to do your own thing. Customise your listening with Melomania Connect. Create your own presets or choose from six expertly curated profiles.

Independent sound, intricate engineering
Made by music and crafted by experts, the P100 pushes the envelope in audio engineering for headphones, combining industry-leading acoustic technologies, fine-tuned for a fantastic listening experience.
Certified for superior sound quality, it guarantees lossless music, low latency, and high-resolution glitch-free audio with lower power consumption. Echo-cancelling and noise-suppression means calls are uninterrupted and crystal clear, so it’s great for both dedicated listening and daily life.

Crystal clear phone calls
Multiple beamforming microphones and Qualcomm’s latest Clear Voice Calling cVc 8.0 technology suppress background noise and deliver outstanding voice clarity.

Make the most of your music
Connect to two devices simultaneously and seamlessly switch between your playlist, a movie on your laptop, or calls on your phone—without the need to reconnect. Connect with the provided cable too, at 24bit/96kHz.

For music and for the planet
Promoting circularity and minimising waste, 100% of our rare earth neodymium and 50% of the plastic used are recycled. All of our packaging is eco-friendly and plastic-free. Both the battery and earpad cushions are user-replaceable with standard tools, ensuring long-term use.

What's in the box:
• Melomania P100
• Carry Case
• Quick Start Guide
• USB-C to 3.5mm Jack
• USB-C to USB-C

Technical specifications:
• AMPLIFICATION: Class A/B amplification
• DRIVER: 40mm three-layer composite (PEEK+PU+PEEK)
• BATTERY PLAY TIME: Up to 100 hrs (dependent on volume, settings and other factors)
• BATTERY PLAY TIME (ANC ON): Up to 60 hrs
• CHARGING TIME: <160 minutes
• FAST CHARGE: 5 minutes gives 4 hours playback (ANC Off)
• POWER SUPPLY: USB-C
• WIRED MODE: USB-C or 3.5mm Jack
• NOISE ISOLATION: Hybrid ANC
• TRANSPARENCY MODE: Yes
• WEAR DETECT: Yes
• WIND NOISE REDUCTION: Yes
• GOOGLE FAST PAIR: Yes
• VOICE ASSISTANT ACTIVATION: Yes
• MICROPHONES: 6 Mics total
• VOICE PROCESSING: 2-Mic Qualcomm® cVc™ Echo Cancelling and Noise Suppression Technology
• LOW LATENCY: <80ms - Gaming Mode accessible via Melomania Connect
• MELOMANIA CONNECT APP: Yes
• FIRMWARE UPGRADABLE: Yes - via Melomania Connect
• BLUETOOTH VERSION: 5.3
• SUPPORTED PROFILES: A2DP, AVRCP, HSP, HFP
• SUPPORTED CODECS: aptX™ Lossless, aptX™ Adaptive, AAC, SBC
• TRIPLE-CORE PROCESSOR ARCHITECTURE: Qualcomm QCC3084, Powerful tri-core processor architecture, Dual-core application subsystem 32/80 MHz operation, Single core 240 Mhz configurable Qualcomm® 32‑bit Kalimba audio digital signal processor (DSP) core, flexible clocking from 2 MHz to 240 MHz to enable optimization of performance vs.power consumption, Analog Devices ADAU1787 dedicated low power codec with FastDSP for ANC processing
• OPERATING TEMPERATURE: 0°C to +40°C
• OPERATING RELATIVE HUMIDITY: 10 to 80%, Non-condensing
• DIMENSIONS (HEADPHONE): 250 x 204 x 59mm
• WEIGHT (HEADPHONE): 330g
• COLOUR/FINISH (HEADPHONE): Black or White

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Cambridge Audio

Melomania P100

279,00 €*

Incl. VAT plus Shipping Costs

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Dave Lee / Maurissa Rose / Disco Sparks Feat Christine Wiltshire / The Ds Orchestra

What About My Love What About My Love

7" | 2024 | UK | Original (Z)

16,99 €*

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Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Preorder shipping from 2024-11-08

The second taste of what is to come from the Dave & Maurissa album, 'What About My Love' is a modern slightly boogiefied take on the Johnnie Taylor classic. Here Maurissa shines with a heartfelt soulful vocal performance over Chic styled guitars, hip-cracking bass guitar and squelchy leads. On the flip is Disco Sparks's 'Keep Your Eye On The Sparrow' (feat Christine Wiltshire & The DS Orchestra) which is another life-affirming, lush disco/soul cut with funk drenched basslines, epic brass sections and standout vocal turns. Both specially edited for 7", this is an absolute must-buy for disco lovers.

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Frank Popp Ensemble X Fünf Sterne Deluxe / Maria Ghoerls feat. Aydo Abay

Scarecrow Kids / Leave Me Alone

7" | 2022 | EU | Original (Unique)

11,99 €*

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Release: 2022 / EU – Original

Genre: Rock & Indie

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Jah Mason, Tristan Palmer / Ks Music Band, Ruba Kpo Ft Ras Tweed

Selassie I Bless Me, Beware / Riddim, Come Again

12" (King Sound Music)

8,24 €* 10,99 € -25%

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Genre: Reggae & Dancehall

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Sly & Robbie Meet Nils Petter Molvær Feat Eivind Aarset And Vladislav Delay

Nordub

2LP | 2018 | EU | Original (Okeh)

59,99 €*

Incl. VAT plus Shipping Costs

Release: 2018 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Like new, records look unplayed.

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Charlie Christian With Benny Goodman Sextet And Benny Goodman And His Orchestra

With The Benny Goodman Sextet And Orchestra

LP | 1955 | US | Reissue (Columbia)

8,99 €*

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Release: 1955 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs

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Miles Davis With John Coltrane, Red Garland, Paul Chambers & Philly Joe Jones

The Complete Cookin' Sessions

4LP | 2019 | EU | Original (Jazz Images)

68,99 €*

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Release: 2019 / EU – Original

Genre: Organic Grooves

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Django Reinhardt And Quintette Du Hot Club De France With Stéphane Grappelli

Djangology

LP | 1981 | JP | Original (RCA)

24,99 €*

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Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI, but with insert.

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King Alpha Meets Conscious Sounds Ft. Dan Man, Cyrenius Black, Amelia Harmony & Sandeeno

Old School Meets New School Ina Remix Fashion

LP | 2021 (Conscious Sounds)

18,99 €*

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Release: 2021

Genre: Reggae & Dancehall

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Solo Banton, Parly B, Interrupt / Sola Ft Sabrina Bell, Parly B, Vibration Lab

Empress, Gallang, Version / Empress Remix, Galang Remix, Dub

12" (Sound Transmission)

11,99 €*

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Genre: Reggae & Dancehall

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Ella Fitzgerald with Rodgers & Hammerstein, Lerner & Loewe, Richard Adler & Jerry Ross , Frank Loesser

Ella Sings Broadway

LP | 1963 | US | Original (Verve)

22,99 €*

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Release: 1963 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Original US mono pressing.

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Michel Legrand Featuring Phil Woods With Ron Carter, Grady Tate And George Davis

Recorded Live At Jimmy's

LP | 1975 | US | Original (RCA)

7,99 €*

Incl. VAT plus Shipping Costs

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Vinyl with a couple of light scuffs. Cover closer to VG+

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The Sunset All Stars With Nat King Cole, Buddy Rich And Charlie Shavers

Anatomy Of A Jam Session

LP | 1981 | NL | Reissue (Black Lion)

4,99 €*

Incl. VAT plus Shipping Costs

Release: 1981 / NL – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

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Darol Anger / Barbara Higbie Quintet With Mike Marshall , Todd Phillips And Andy Narell

Live At Montreux

LP | 1985 | JP | Original (Windham Hill)

4,99 €*

Incl. VAT plus Shipping Costs

Release: 1985 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

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Dizzy Gillespie Featuring Charlie Parker with Sonny Stitt, Al Haig and Milt Jackson

The Small Groups 1945-1946 Original Recordings

LP | US | Original (Phoenix)

9,99 €*

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Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

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Sonny Rollins With The Modern Jazz Quartet Featuring Art Blakey And Kenny Drew

Sonny Rollins With The Modern Jazz Quartet

LP | 1960 | JP | Original (Top Rank International)

60,99 €*

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Release: 1960 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

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Buddy Guy & Junior Wells With Bill Wyman, Pinetop Perkins, Terry Taylor & Dallas Taylor

Drinkin' TNT 'N' Smokin' Dynamite

LP | 1984 | US | Reissue (Blind Pig)

33,99 €*

Incl. VAT plus Shipping Costs

Release: 1984 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM. Vinyl seems unplayed. 1984 reissue.

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DJ Sotofett & Maimouna Haugen Feat. DJ Gilb'R, Haugen Inna Di Bu & Stiletti-Ana

C'Est L'Aventure

10" | 2018 | UK | Original (Honest Jon's)

11,04 €* 16,99 € -35%

Incl. VAT plus Shipping Costs

Release: 2018 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Go to Item

Reloop

Elite

1.299,00 €*

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ELITE

• High Performance DVS Mixer for Serato DJ Pro, developed in close collaboration with renowned international turntable artists
• 16 large, velocity sensitive RGB performance pads: Control up to 12 performance modes per deck
• DUAL 24-bit interface & 3x non-contact Innofader Pro with high-resolution technology

POWER UP YOUR PERFORMANCE POTENTIAL
Reloop ELITE is a professional DVS mixer for Serato DJ Pro, developed in close cooperation with international turntable artists. Due to the combination of a performance-oriented layout and powerful features, ELITE allows you to fully realise your DJ potential. The full version of Serato DJ Pro, including the DVS Expansion Pack, is provided plug 'n' play. Additionally, ELITE comes with two Serato control records with NoiseMap™ technology.

DUAL 10 IN/OUT USB 2.0 AUDIO INTERFACE & ERGONOMIC BROWSE SECTION
ELITE comes equipped with a powerful DUAL 10 In/Out USB 2.0 Audio Interface, which offers outstanding sound characteristics in 24-bit resolution. Two computers can be connected at the same time via both USB ports. This way a seamless transition from one DJ to another during performance becomes as easy as possible. In the battle mixer's center you find the ergonomically designed browse section, that allows efficient one-handed control and which can be switched independently from the source selection (USB A or B) via the Focus computer control.

2x OLEDs & DEDICATED LOOP CONTROL
The two OLED displays show real-time information regarding effects, BPM, beat parameters and setup menu. Each deck has a separate loop section which can be controlled intuitively, thanks to the push encoder which also disposes of a manual loop function. Via the LED bar the selected loop length is directly visible.

INDIVIDUAL PAD MODES
In combination with the RP-8000 MK2 it is possible for the first time to control the pad modes on various devices individually and simultaneously.

SMART LINK USB HUB
External devices, such as MIDI controllers, storage media or smartphones can be connected and loaded via the two smart link USB ports. When connecting RP-8000 MK2 turntables, these will automatically recognize the corresponding deck (1 or 2). All of ELITE's control elements are MIDI compatible and can be used to control any compatible software.

STURDY METAL CONSTRUCTION WITH RESISTANT FINISH IN DEEP BLACK METALLIC
Thanks to the sturdy construction of robust metal and high-quality control elements, such as the screwed metal potentiometers, ELITE is built and ready for rough daily life. The two high-retention USB ports guarantee a safe connection and offer protection against unwanted signal loss. The surface is processed with a hard-wearing finish, which is especially resistant against scratches and is finished in a timeless deep metallic black.

INCLUDING BPM SUPREME VOUCHER
With any purchased ELITE the DJ record pool adds a 90 days Premium Membership with a value of 60 $ for their huge audio and video library - containing latest releases directly received from the record labels.

FEATURES
• Professional DVS Performance Mixer for Serato DJ Pro
• Developed in close collaboration with renowned international turntable artists
• Control up to 12 performance modes per deck
• 3x mini Innofader Pro (latest generation) on-board, featuring twice the resolution and innovative non-contact technology, allowing for ultra precise cuts and smooth operation
• 2 high-contrast OLED displays showing real-time information of effects, BPM, beat divisions and setup menu
• Colour-coded Tweak FX: stand-alone effects with bipolar control
• Toggle between Filter, Crush, Flanger, White Noise and user mode via the mode button with RGB indication
• DUAL 10 In/Out USB 2.0 audio interface with superb sound quality in 24-bit
• Two independent effect units for controlling Serato DJ Pro FX
• 3 assignable effect slots: each with dedicated activation buttons
• Dedicated and flexible effect controls for each channel
• Mini-fader for FX Level/Depth control
• 2 FX activation modes: either hold or toggle on/off
• Combines a performance-oriented layout with powerful features
• 16 large, velocity sensitive RGB performance pads
• 4 mode buttons, three layers with 12 performance modes (Hot Cue, Loop Roll, Slicer, Sampler, Pitch Play, Saved Loop, Slicer Loop, Saved Flips, Platter Play, Transport, user mode and the brand new scratch bank mode) and dual layer parameter buttons per side
• Performance pad modes can be controlled independently on each deck
• Enhanced performance with RP-8000 MK2 turntables: for the first time, pad modes can be controlled individually on each device simultaneously
• Customisable fader curves and reverse function (hamster switch)
• Digital adjustment of cut in/out points in the setup menu
• Dedicated loop section with push encoder, loop length LED bar & manual loop control
• Ergonomically designed browse section for efficient one-handed use
• Convenient cue fader system with dedicated controls for volume and mix
• Easily switch between 2 computers using the Focus PC controls
• Extensive USB routing capabilities: sampler and AUX channel can be individually routed through the Serato FX units (send/return)
• 3-band isolator EQ with full kill characteristic
• Smart Link USB ports: auto RP-8000 MK2 deck recognition
• Can also be used as an active USB hub for external devices
• Mic/line input with 2-band EQ, independent echo effect and on/off talkover switch
• 2 headphone outputs via 6.3/3.5 mm stereo jack
• Booth ouput in stereo or mono
• MIDI-compatible control elements
• High retention USB ports
• Rock-solid construction in a durable metal design
• High-quality and hard-wearing deep black, metallic finish
• Kesington Lock to secure the device
• Incl. full version of Serato DJ Pro with DVS Expansion Pack, 2x Serato Control Vinyls with NoiseMap™ technology, USB cable, power cord, operating instructions and 90 days BPM Supreme membership

TECHNICAL DATA
• Frequency response: 20 Hz - 20 kHz
• Inputs: 2x phono RCA, 2x line RCA, AUX RCA, mic/line TRS, 2x Smart - Link USB ports (type A), 2x USB ports (type B)
• Outputs: Master XLR (balanced), master RCA (unbalanced), booth TRS (balanced), rec RCA (unbalanced), headphones 6.3/3.5 mm stereo jack
• EQ range at 70 Hz, 1 kHz, 13 kHz: -∞ dB (total kill)/+9 dB
• EQ range Mic at 100 Hz, 10 kHz: -12 dB/+12 dB
• Dimensions: 290 (w) x 414 (d) x 107.5 (h) mm (potentiometers: 18.5 mm)
• Weight: 6 kg
• Software requirements: Serato DJ Pro 2.1.2

Manual: https://www.reloop.com/media/catalog/product/pdf/2/3/8/238128_Reloop_IM.pdf

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Count Basie With Jimmy Rushing, Lester Young, Jo Jones, Illinois Jacquet And Roy Eldridge

At Newport

LP | 1978 | JP | Reissue (Verve)

19,99 €*

Incl. VAT plus Shipping Costs

Release: 1978 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

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Jimmy Witherspoon, Coleman Hawkins, Earl Hines, Mel Lewis, Woody Herman, Roy Eldridge, Ben Webster

1959 Monterey Jazz Festival

LP | 1972 | JP | Original (Jazz Historical)

16,99 €*

Incl. VAT plus Shipping Costs

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing!

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Jimmy Witherspoon, Coleman Hawkins, Earl Hines, Mel Lewis, Woody Herman, Roy Eldridge, Ben Webster

1959 Monterey Jazz Festival

LP | 1972 | JP | Original (Jazz Historical)

19,99 €*

Incl. VAT plus Shipping Costs

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

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Technics

SC-C70MK2

999,00 €*

Incl. VAT plus Shipping Costs

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Premium Class All-in-One Music Music System

The new generation of C70 All-in-one music system with CD, radio, USB playback, Bluetooth and Chromecast built-in, all in an elegant & timeless design.

Newly Developed Speaker Units & Acoustic Lens
The 8-cm woofer unit offers significantly better basic characteristics as a result of various improvements made, such as the reduced weight of the voice coil, enhanced airflow and increased rigidity of the diaphragm. The woofer provides superb response and sound clarity to reproduce mid- and high-frequency sound comfortable to the ear. The high-res-ready 2-cm dome tweeter unit features a lighter silk diaphragm to provide beautiful lingering sound. What’s more, the acoustic lens is optimised for the new tweeter shape and enhances the expansiveness of reproduced sound.

3 JENO Engines
In order to faithfully reproduce the information of rich sounds with the 2.1ch configuration, three “JENO Engine” full digital amplifier units have been equipped. In addition to utilising the excellent processing capacity of the three units and faithfully driving the left and right channels and subwoofer, “Space Tune”, which optimises the sound quality depending on the installation status, has been realised.

Space Tune™
The SC-C70MK2 features Space Tune™ Auto to achieve optimally balanced sound easily with the press of a button. This function measures test tones played through a mic that is built into the SC-C70MK2 to analyse the distance to walls and the effect of reflections. It then automatically optimises the sound field. In addition, the Space Tune™ function includes 3 presets (Free, Near the Wall, and Near the Corner) for easy setting, and uses a Technics Audio Center app to precisely adjust the sound quality to the listening position.

iOS device calibration is available for more precise adjustment
Measure room acoustic conditions by using microphone integrated in iOS devices.
Tune DSP parameters to optimise acoustic performance.

Multi-room
With a number of Chromecast built-in speakers, the variety of music streaming services can be played in several rooms, or different music can be played from room to room*. In addition, if you use Technics Audio Center app and have another app compatible Technics devices, you can also enjoy other music source in multi-room such as Bluetooth, AUX, Optical input, USB, Internet radio and also OTTAVA™ f SC-C70MK2 compatible streaming music. * The Google Home App is required.

Complete Compatibility
In addition to CDs and radio, this model is newly compatible with Chromecast built-in, and supports a wide range of music streaming services. Furthermore, it is also compatible with Spotify Connect, Amazon Music, Deezer and Internet radio. It is also compatible AirPlay 2, Bluetooth Wi-Fi, network playback, USB memory playback and analogue/optical input to allow you to enjoy various sound sources with one unit. The UI of our iOS/Android smartphone app, “Technics Audio Center App” has also been redesigned, making it easier to use than ever before.

Favourite Function
Up to 9 presets can be set on the main unit, such as favourite internet radio stations, a DEEZER playlist, and USB songs. This makes it possible to listen to your favourite music without even starting up an app.

Specs:
• Newly Developed Speaker Units & Acoustic Lens
• JENO Engine (Jitter Elimination and Noiseshaping Optimization)
• Load Adaptive Phase Calibration (w/o Calibration function)
• Space Tune™
• Twin Power Supply Circuit System
• CD High-Res Re-master

Technical Data:
• Accurate Digital Technology:
- JENO Engine (Jitter Elimination and Noise-shaping Optimization)
- Load Adaptive Phase Calibration (w/o Calibration function)
- Space Tune™
- Twin Power Supply Circuit System
- Re-master

• Noiseless Signal Technology:
- Twin Power Supply Circuit System
- Optimally Activated Circuit System
- CD High-Res Re-master

• Emotive Acoustic Technology:
- Acoustic Lens and Louver
- Dual bass reflex port

• Output Power:
- Front speaker: 30 W + 30 W (1 kHz, T.H.D. 1.0 %, 6Ω, 20 kHz LPF)
- Subwoofer : 40 W (70 Hz, T.H.D. 1.0 %, 4Ω, 20 kHz LPF)

• Speaker Unit: Woofer : 8 cm Cone Type x2 / Tweeter: 2 cm Dome Type x 2 / Subwoofer: 12 cm Cone Type
• Analogue Input Terminal: AUX IN x1 (φ3.5mm)
• Digital Input Terminal: Optical Digital x1, USB-A
• Headphone Output: Yes (Ø3.5 mm)
• Disc Compatibility: Audio CD, CD-R/CD-RW (CD-DA, Discs recorded and finalized on recording devices)

• USB-A:
iPod/iPhone/iPad: No
Support Codec:
- WAV
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
- FLAC
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24 bit)
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24 bit)
- DSD
Yes (2.8 MHz, 5.6 MHz, 11.2MHz)
Yes (2.8 MHz, 5.6 MHz, 11.2MHz)
- AIFF
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
- ALAC
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24 bit)
Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24 bit)
- AAC
Yes (32, 44.1, 48, 88.2, 96 kHz / 16-320 kbps)
Yes (32, 44.1, 48, 88.2, 96 kHz / 16-320 kbps)
- MP3
Yes (32, 44.1, 48 kHz / 16-320 kbps)
Yes (32, 44.1, 48 kHz / 16-320 kbps)

• DLNA: Yes (32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz / 16, 24, 32 bit)
• Ethernet Interface: LAN (100 Base-TX/10 Base-T)
• Wi-Fi:
- IEEE 802.11 a/b/g/n/ac
- 2.4 GHz / 5 GHz Band
• Chromecast built-in: Yes
• Works with Google Assistant: Yes
• AirPlay 2: Yes
• Bluetooth® (Support codec): Yes (AAC, SBC)
• TIDAL / Spotify: Yes* / Yes*
• Tuner: DAB/DAB+/FM
• Power Supply: AC220-240 V, 50 Hz / 60 Hz
• Power Consumption: 45 W
• Dimensions (W x H x D): 450 x 143 x 280 mm
• Weight: Approx. 8.0kg
• Accessories: Remote Control, AC Cord, DAB Indoor Antena 、Batteries for Remote Control

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Technics

SC-C70MK2

999,00 €*

Incl. VAT plus Shipping Costs

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Lucky Thompson With Emmett Berry, Martial Solal, The Henri Renaud Trio, Gérard Pochonet, Guy Lafitte

Paris 1956 Volume 1

LP | 1985 | US | Original (Disques Swing)

7,19 €* 8,99 € -20%

Incl. VAT plus Shipping Costs

Release: 1985 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

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Nequiquam Deus Abscidit Prudens Oceano Dissociabili Terras, Si Tamen Impiae Non Tangenda Rates Transiliunt Vada

Turhaan Erotti Kaukonäköinen Jumala / Maat Toisistaan Merien Avulla / Jos Epäphyhät Alukset Halkovat / Tahrimattomiksi Tarkoitettuja

2LP | 2018 | EU | Original (Ratio Aurea / Kultainen Leikkaus)

17,99 €*

Incl. VAT plus Shipping Costs

Release: 2018 / EU – Original

Genre: Electronic & Dance

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First LP in new series from Finland, this subdue jazz drone album has the quality of dusk, but is never darker than the Nordic summers. Atonal & forceful at times, still padded and invitingly warm, it has 4 classy pieces that enjoy being on the fringes while slowly capturing the ear when organs drone, the TR-808 thumps, the percussive double bass and the saxophone layers fog of melodic growing waves of groove.

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V.A.

Voulez Vous Cha-Cha? French Cha-Cha 1960-1964

LP | 2019 | EU | Original

22,99 €*

Incl. VAT plus Shipping Costs

Release: 2019 / EU – Original

Genre: Organic Grooves

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Careful, “Let’s not get angry” suggests Spartaco Sax, the famed song accompanying French daily paper FRANCE-SOIR’s campaign against road violence: music isn’t that serious, often times really not. In any case, it is with this not so serious ear that one should listen to this selection of chachacha, mambo and other genres to twist and madison to, as music-lovers pinch their noses and block their ears. And yet, these breezy and light songs under their false airs of effortlessness draw out an astonishing analysis of late 1950s France with its partying baby boomers. Put on your dancing shoes, everyone on the dancefloor, let’s go baby.
The record starts out with an esoteric organ, a guitar straight out of a western, a vibey rhythm section, a speeding saxophone, a glamorous voice, a curious keyboard, a slightly panicky tempo… “Please Mr Hitchock!” calls out a voice from the unknown, on an arrangement that’s about to lose control.
The tone is set. Eins Zwei Drei, cries out Spartaco Andreoli, creator of the Chachacha for tunas, lyrics that are absurd accompanying music that isn’t so much so. And this is just the beginning. I can already see those making fun of it, and yes, I admit it does sound a bit comically-tragic, but more often than not, a persistent riff or melody will get stuck in your head, a chorus that you’ll start unintentionally humming, your foot that starts beating unbeknownst to you. “C’est bon ça dis donc !” (This is pretty good), suggest the Los Goragueros, at the start of their Mambo Miam Miam (Yum Yum). A smooth sax, a double bass that sways and shattering percussions, this song anonymously written by Alain Goraguer (there is often an “os” (bone), added to the band name for a little authenticity, i.e Los Chiquitos and Los Albinos) is actually quite tasty. This arranger and pianist who went on to write the indispensable Planète Sauvage (Wild Planet) is not the only one to have advanced half-masked in these tropical times. Just as Michel Legrand devoted himself to rock music, for better or worst.
Tropical music and France go way back. Indeed, this tropism for exotic music, not without the mannerisms that go with it, has been around. Just think of the period between both world wars, when the Paris of the roaring twenties fluttered to the sound of Latin-American orchestras. The influential Brazilian musician Pixinguinha came through in 1922, the charismatic Cuban singer Rita Montaner triumphed a few years later at the famed Palace and the brilliant clarinettist Stellio from Martinique had everyone dancing through the night to the beguine (a dance style from Martinique)… Seedy cabarets and fishy clubs mixing up different peoples and music until the early hours. From Montparnasse to Montmartre, dancing clubs bloomed throughout the capital while the World Exhibition sold a rather uncertain idea of the other tropics: a discounted and fantasized exotic dream of island life. It’s in bars like Jimmy’s, by La Coupole, or the Melody’s nestled in the heights of Pigalle, where Don Marino Barreto’s (Cuban pianist and singer who emigrated to Paris in the 1920s) orchestra made the heyday of a surreal and carefree Paris. Parisian Ray Ventura and his band Les Collégiens, quite the breeding ground for funny songs, at times almost delirious, were always a big part of the party.
And after the Second World War, it started all over again. Rico’s Creole Band was one of the great Creole orchestras to sway all of Paris, the Blomet Ball brought together the Afro-Caribbean communities, L’Escale became an essential dancing ground for lovers of Latin music, the pianist Eddie Warner was one of these pillars, accompanied by his “rhythms”, a “witty orchestra with 85% of French musicians, only the percussionists were South American”. Another jazzman, Henri Rossotti, also navigated in the warm waters of these gentle tropical shores. They covered sambas and mambos, adapting Benny Moré and Pérez Prado. Hot, like the hard-hitting Benny Bennett and his orchestra of Latin American music, which ended up being the training grounds of many apprentice improvisers. On the menu: calypso, merengue… and of course chachacha. Shortly after, the Los Machucambos, a South American band created in the Latin Quarter performed music between guajira and flamenco and its song Pepito marked the start of the trio’s success.
At the time, Latin-style combos were all the rage in France such as the chachacha which was officially invented in the early 1950s by Enrique Jorrin, soon followed by the pachanga, becoming a staple of black-and-white films. In the long run, this music has become a sort of French standard, adapted by many: Boris Vian oftentimes, Bourvil, Bob Azzam, Gainsbourg, Carlos (jokingly), Louis Chedid, Vanessa Paradis… Taking it a little far, you could even detect the beginnings of the french touch. This Chachacha affair is emblematic of the atypical history of popular music, that of back-alleys, far from the paths and furrows of glory. Music, raised from the grave and dusted off by the Born Bad record label. In terms of latin music, these records that were patiently found in flea markets are becoming a rarity, even if most are worth three euros and six cents: this low cost hobby is underestimated by licensed collectors, who run like lunatics towards triple-zero rarities.
Chachacha Transistor, predicted the unlikely Jacky Ary, known for his less digestible Mange des tomates (Eat tomatoes). With the approach of the 1960s, typical music styles were found all over the country, from the northern plains to the southern sea. Never failing to cheer up dances, nor to whet the appetite of a burgeoning industry, which often seized it by opportunism, not without a tinge of cynicism. After all, one must sell records to the desolate youth, at all costs and any price. These 7-inch vinyl records were therefore recorded at Barclay, Vogue and co. Low-consumption products intended to supply the shelves of budding suburban supermarkets. The idea was to convert a North-American trend in the studio, by summoning old geezers (Paul Mauriat under the pseudonym of Eduardo Ruo, at the top of the list…) who would play young and interpret these rhythms with a distorted vision. All for just one season and all this before summer hits were a thing. It was already the same idea though, but in more of a D.I.Y fashion. A quick fix, just enough time for the producers to get some juicy revenue, the same ones who recruited teams to perform these “inferior” works. Most were flops, but a few made it big such as Jean Yanne answering to Henri Salvador for Allo Brigitte, a classic of the “comic-musical” genre. It’s author Norma Maine went on to write quite a few of these quirky songs.
Most had improbable dialogue, as well as senseless adaptations such as the Marchand de melons (The Melon Merchant) distorting Herbie Hancock’s Watermelon Man, a result of automatic writing in order to come up with ridiculous lyrics. What can be said about Tarte à la nana (Girl Pie), and how about Ça c’est du poulet ? (This is Chicken?) Or the terrible Soukou Soukou, on the limit of bad taste, words of a colonist… When it comes to reappropriating foreign know-how, the results can turn out strange like a surreal shock of cultures. Improbable mixes, like chacha bebop, latino tempo and scat jazz… It all definitely swings and is sometimes even quite impressive. Because magical loose moments are to be found in these records made to order, records that were just trying to recreate a successful pre-existing North American formula. They recorded them on the line, in the original spirit, or inconspicuously modified them, not only for fun, but also for the pleasure of adding on a chorus which would take the song a little further, or a well adjusted rhyme that would denote a touch of derision, a French tradition that was to be repeated in rock as in punk, and even bossa nova. The key often being explosive arrangements, occasionally beautiful choruses, radiant mishaps, confusing mistakes, not necessarily off-topic, all in all some sweet musical trips that always have an effect on the dancefloor when it’s time to boogie. Try it out, you’ll see, it works every time, if you don’t abuse of it. Moderation is recommended for this music that should be served either at cocktail hour or after midnight…

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The Nighthawks Featuring Pinetop Perkins, Luther "Guitar Junior" Johnson, Calvin Jones, Bob Margolin With Dave Maxwell

Jacks & Kings

LP | 1978 | US | Original (Adelphi)

6,99 €*

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Release: 1978 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

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Reloop

Mixtour Pro

449,00 €*

Incl. VAT plus Shipping Costs

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We are excited to introduce the Reloop Mixtour Pro: A Superior 4-Deck All-In-One DJ Controller for Algoriddim djay Pro and developed in close collaboration with legendary DJ & producer, Laidback Luke.

THE FUTURE OF DJING
The Reloop Mixtour Pro exceeds expectations in the tiniest of spaces and provides a professional yet portable solution for the club and festival scene. The ultra-compact DJ controller was developed in close collaboration with legendary DJ & producer, Laidback Luke and is specifically designed to use seamlessly with Algoriddim’s award-winning djay Pro software.

MIXING WITH UP TO FOUR DECKS
Despite its small size, the Mixtour Pro is capable of supporting four-deck mixing with its powerful and intuitive controls. Thanks to the illuminated transport section with dedicated coloured LEDs, users are always informed of whether decks 1 and 2 or decks 3 and 4 are currently active. The aluminium browse encoder and designated load buttons allow for efficient library navigation and instant loading of tracks.

PROFESSIONAL DESIGN AND FX CONTROL
The Mixtour Pro’s two channel strips with their trusted design are fitted with all the important controls for a modern DJ setup. Each channel features an electroplated bi-polar sound filter (LPF/HPF) with a dedicated LED indicator, in addition to gain and three-band EQ. The convenient FX paddles allow the user to trigger effects in bursts via FX Hold mode or to apply them indefinitely via FX On mode. A large, electroplated dry/wet knob controls the intensity of the effect, while the two dedicated parameter buttons offer complete control over the effect parameters. The lower performance area is fitted with 45mm Ultra Glide crossfader and line faders, for the smoothest operation in the mix.

MADE FOR DJAY & NEURAL MIX™
The Reloop Mixtour Pro unlocks Algoriddim’s djay Pro software² and incorporates their revolutionary Neural Mix™ technology into the workflow with dedicated controls. This allows DJs to isolate and manipulate individual drums, instruments, and vocals from any tracks in real time, expanding creative mixing capabilities to a whole new level. This feature is toggled easily and intuitively with the press of a button and controlled via the EQ controls of the two channel strips.

CROSSFADER FUSION™
The Mixtour Pro is also the first DJ controller to support Algoriddim djay Pro’s revolutionary Crossfader Fusion™ feature. DJs are now able to select from a range of creative transition styles that are automatically applied when mixing from one song to another, delivering a perfect mix every single time with the simple slide of the crossfader.

FLEXIBLE PERFORMANCE PAD SECTION
Eight performance pads with RGB lighting provide users with more creative options with a wide range of modes including Hot Cue, Bounce Loop, Pitch Cue, Instant FX, Auto Loop, Sampler, Skip and Neural Mix™. Furthermore, all eight pads can be assigned to control one channel in single pad mode, or four pads can be assigned to a channel each via split pad mode.

FULL CONTROL: THE TRANSPORT SECTION
The Mixtour Pro's sophisticated transport section enables a smooth and efficient workflow. It features four rubberized buttons for each channel to control Play / Pause, Cue, and Sync respectively, while the signature “Laidback Loop” button independently offers instant looping (In/Out/Exit) with a single control. This transport section also offers secondary layer functions to control Auto Loop, Key Match, Pitch Bend, and Key Shift. The transport buttons also illuminate in 2 different colours representing decks 1 and 2 or decks 3 and 4, respectively, keeping the DJ clearly informed when performing.

USB-C DESIGN FOR MULTI-PLATFORM & DEVICE SUPPORT
The Reloop Mixtour Pro provides impressive compatibility options when pairing it with a device and platform. A smartphone, tablet or computer can all be conveniently bus-powered thanks to the modern USB-C architecture. The unit also houses a second USB-C PD port, capable of up to 85W to efficiently daisy-chain a power supply, allowing the device and controller to be powered simultaneously. Algoriddim's djay Pro is available for iOS, iPadOS, macOS, Windows, and Android for even more cross-platform versatility.

STREAM IT!
In addition to performing with locally stored music, the Reloop Mixtour Pro together with Algoriddim djay offers access to millions of tracks on demand via major streaming services¹ such as Tidal, SoundCloud Go+, Beatport Streaming, and Beatsource Streaming. These different sources can all be mixed together and even combined in the same playlists within djay Pro.

POWERFUL AUDIO QUALITY
As the name suggests, the Reloop Mixtour Pro also delivers in regards to professional audio. The integrated 4x Out USB interface with high-quality D/A converters from Cirrus Logic enables first-class 24-bit sound with low latency. Direct connection is provided via gold-plated RCA outputs and a 3.5mm headphone jack.

PORTABLE DESIGN WITH DURABLE BUILD
The top panel of the Mixtour Pro is composed of brushed aluminium with a high-gloss acrylic plate inlay, while large non-slip feet keep the unit firmly in place when in use. The Premium Modular Bag XT is available as an optional accessory for safe transportation with the additional benefit of providing a solid base for the controller.

FEATURES:
• High-quality, ultra-portable, all-in-one four-deck DJ controller with audio interface
• Professional solution for clubs and festivals developed in close collaboration with DJ & producer Laidback Luke
• Designed for the award-winning Algoriddim djay Pro software
• Integrated 4x Out USB sound card with 24-bit D/A converters from Cirrus Logic ensuring premium sound quality and low latency
• USB-C design (bus-powered) with optional power delivery support (85W)
• 4-deck control: dedicated LED indicator for active decks 3 and 4
• Supports revolutionary Crossfader Fusion™ feature for automated transitions delivering a perfect mix
• Neural Mix™ pad & EQ mode for real-time isolation of drums, instruments, and vocals of any song
• Electroplated bi-polar sound filters (LPF/HPF) with LED indicator
• 8 performance pads with RGB lighting
• Split pad mode to assign 4 performance pads to each deck
• Single pad mode to assign all 8 pads to a single deck
• 8 performance modes individually selectable per deck: Hot Cue, Bounce Loop, Pitch Cue, Instant FX, Auto Loop, Sampler, Skip, Neural Mix™
• Plug-and-Play: unlocks Algoriddim djay Pro on all available platforms²
• FX section for selecting and controlling effects for each deck
• 2 parameter buttons for setting the effect parameter
• 2 large electroplated toggle switches (FX paddles) with Hold & On position for burst triggering or constant effect activation
• Effect status easily visible via FX-On LEDs
• Large electroplated Dry/Wet controller for controlling the effect level
• Rubber-coated transport section with four control buttons per deck (Play/Pause, Cue, Sync, Manual Loop)
• Laidback Loop mode: instant looping with just one button (In/Out/Exit)
• Intuitive deck lighting: the transport section illuminates in a different colour according to the active decks
• Shift/mode control for 2nd-layer functions such as Auto Loop, Key Match, Pitch Bend, and Key Shift
• Millions of tracks are available on demand within Algoriddim djay Pro via the Tidal¹, SoundCloud Go+¹, Beatport Streaming¹ and Beatsource Streaming¹ streaming services
• Dedicated controls for main output level, headphone volume, and cue mix
• LED chain input signal for level indication
• Aluminium browse encoder and load buttons for quick and easy track navigation and loading
• Gain and 3-band EQ per channel
• Headphone cue buttons per channel
• 45mm Ultra Glide line faders and crossfader
• Gold-plated RCA outputs and 3.5mm headphone jack
• Brushed aluminium top panel with high-gloss acrylic plate inlay
• Flat design with high-quality components and large, non-slip feet
• Multi-platform support compatible with smartphones, tablets, or laptops
• MIDI-compatible
• Optional Premium Modular Bag XT for safe transportation and a solid base to raise the Reloop Mixtour Pro to club setup height
• Incl. USB-C to USB-C cable, RCA cable and instruction manual

¹ Internet connection and a Tidal Premium or HiFi or SoundCloud Go+ subscription required. All three subscriptions include access to Beatport Streaming and Beatsource Streaming.
² The app's functionality may vary depending on the platform used. Only Pro functions that can be operated with the controller are activated without a subscription.

SPECIFICATIONS
• Dimensions: 129 x 310 x 55 mm
• Weight: 960 g

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