Search "dan-e-o" 15921 Items

Thank You / Breathe for Me

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London, Nottingham and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in!

Forged in the fertile acid house scene of the late 80s, A Trifle Too Far comprises childhood friends Simon Ward and Tony Grimley from Hornchurch, on London's outer fringes in Essex. Their insatiable thirst for seeking out new sounds led them to countless shindigs, parties and raves, eventually inspiring them to craft their own music based on their adventures on the dancefloor.

Their studio collaboration culminated in the creation of the remarkable record you currently hold in your hands: 'Catch Your Ear / Meringueatang'. This two-track release, recorded in 1992, offers forward-thinking and fresh prog-house cuts, as rare as hen's teeth and as exhilarating as they were upon their original release over three decades ago. Catch Your Ear was expertly engineered by Evren Omer, boss of Essex-based techno bunker Strategy Records, while Meringueatang was helmed by Matt Clayden, one half of M&M and Acorn Arts and the proprietor of X-Gate Records, another stalwart in Essex's underground dance scene.

'Catch Your Ear / Meringueatang' remains the only musical collaboration between the duo. When Mint Condition approached them to reissue this highly sought-after EP, both Simon and Tony were surprised and delighted in equal measure by the proposition. Now, a few months down the line, we find ourselves with yet another top-tier addition to the MC reissue catalogue, fully licensed from the artists, mastered and cut by Keith Tenniswood at Curve Pusher, and available once again for purchase. Do not resist the beat!

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Caruso

7" | 2024 | EU | Original (Ten Lovers Music)

Boaz Levin / C/O Berlin Foundation / Annette Hauschild / Kathrin Kohle / OSTKREUZ

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Caruso return to Ten Lovers Music with guest vocalists CJ and Chrissi Roper on this 7” single.
On the A side we have Thank You featuring CJ over some tough Broken Beats. One for the dancefloor for sure.
Onto the AA side and Breathe For Me features Chrissi Roper on vocals. The vocals were totally improvised and recorded in one take giving it that live feel.
Both tracks were produced, mixed and arranged by Steve Conry and Stefano De Santis in the Summer this year and definitley have that timeless vibe.

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Dream on - Berlin, the 90s (Deutsche Ausgabe)

Spector Books

39,00 €*

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12" | 2024 | EU | Original (Black Music)

Deon Jamar

Altars Part 3

Murat Güngör, Hannes Loh, Uh-Young Kim

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The 3rd & final single in the Altars series. Featuring dubs from the previous singles as well as the intro and outro from the album.

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Remix Almanya: Eine Postmigrantische Hiphop-Geschichte

Hannibal

27,00 €*

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7" | 2024 | EU | Original (Sedsoulciety)

Gi-Yo

Midnight Rendezvous

Love Sound System / Caution Neon Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Classic R’n’b meets Neo-Boogie with a touch of Pop. An uptempo groove with a silky voice on top, an instrumental monster hook forced by very funky keyboard lines, all together forming an instant smash single. Modern and fresh melodies, driving claps and a groovy baseline are the ingredients of this debut single by this brand-new artist Gi-yo. This is the 2nd release of our Sedsoulciety Recordings gold line, which displays the modern and zeitgeist driven section of our catalogue. Gi-yo is a young and super talented writer, multi-instrumentalist, composer and producer. All instruments are played by himself, the song is written and composed by him and was mixed and finalised by no less than super producer Rob Hardt. This new release on Sedsoulciety Recordings is another unreleased exclusive vinyl 45

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O.B.F X Iration Steppas

12" | 2024 | UK | Original (Dubquake)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Roadblock / Calling Jahovia Neon Orange Vinyl Edition

O.B.F X Iration Steppas

12" | 2024 | UK | Original (Dubquake)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Earthman Style / Revelation Time Neon Green Vinyl Edition

O.B.F X Iration Steppas

12" | 2024 | UK | Original (Dubquake)

12" | 2024 | UK | Original (Hell Yeah)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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No time to rest at Dubquake Records HQ! Freshly recovered from the release of O.B.F's brand new 'mixxtape', the Dubquake team kick off 2024 with an explosive double drop; putting all their energy into one of dub’s most exciting project: Iration Steppas and O.B.F's joint album 'Revelation Time' due to release on April 5th.

The label unleashes 'Warrior' & 'Serious Time', the first two singles built by Mark Iration, Dennis Rootical & Rico O.B.F. Putting the massive to work while they prepare for the double LP and live show to kick-off.

Both tracks are taken from the album, mixed octopus-style, dubplate-style and pressed onto transparent vinyl in screen-printed sleeves. Exclusively available on Bandcamp and in record shops. Strictly sound system material!!

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Quiroga

French Kiss

4 O'Clock In The Afternoon Blue Marble Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Italian magic man Walter Del Vecchio aka Quiroga is back on Hell Yeah. After the success of his Acid Dropout EP here last year, this time he offers up a varied package of tasteful and timeless house music with a deep and Balearic twist.

Naples artist Del Vecchio is a Hell Yeah mainstay who has also released a fantastic LP here, Passages, and always takes inspiration from the Mediterranean energy of his hometown whether making late-night jams or house anthems.

The heartfelt 'French Kiss' opens this one with super smooth and classic deep house drums topped with a sweet female vocal and jazzy chord work. It oozes romance while the Baia Club Ambient Version is a blissed-out post-club comedown with soft acid lines, ambient pads, flutes and chords straight from a '90s afterparty.

'Ask Coppede' is another breezy and soulful house jam with live-sounding drums and percussion and golden chords that keep the good vibes flowing. Balearic bass gem 'Cala Ventosa' shuts down with gentle cosmic leads and glowing pads drifting through the night sky over supple electro rhythms.

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Chase Petra

LP | 2024 | US | Original (Many Hats / Wax Bodega)

35,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Lusitanian)

O Castelo

21,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Boaz Levin / C/O Berlin Foundation / Annette Hauschild / Kathrin Kohle / OSTKREUZ

Dream on - Berlin, the 90s (English Version)

Spector Books

39,00 €*

7" | 2024 | EU | Original (Columbia)

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The OSTKREUZ agency was founded in the midst of the upheavals that took place in East Berlin in 1990. For Dream on - Berlin, the 90s, nine OSTKREUZ photographers worked together with curators Annette Hauschild (OSTKREUZ) and Boaz Levin (C/O Berlin Foundation) to cast a modern-day eye over their extensive archives as seen from today’s perspective. As documentarists operating at the apogee of photojournalism, they tracked the changes that the city underwent. They observed the shifts in society and the challenges facing a city that had previously been divided by a wall as it grew together, capturing all this in powerful, personal images. The essays reflect this on a variety of levels: Janos Frecot’s examination of the changes in the urban space; Jens Balzer’s description of Berlin’s potential as a centre of creativity and culture; and Anne Rabe’s very personal view, as a young East German writer, of today’s Berlin.

OSTKREUZ is an independent, Berlin-based agency that is run by twenty-four photographers.

348 pp.
250 b/w and color illustrations
thread-sewn hardcover

Leipzig September, 2024
ISBN: 9783959058520

Width: 20 cm
Length: 24 cm

Language(s): English

Editor
Boaz Levin, C/O Berlin Foundation, Annette Hauschild, Kathrin Kohle, OSTKREUZ

Designer
Marc Naroska

Text
Jens Balzer, Janos Frecot, Boaz Levin, Veronika Epple

Photographer
Sibylle Bergemann, Annette Hauschild, Harald Hauswald, Ute Mahler, Werner Mahler, Jordis Antonia Schlösser, Anne Schönharting, Maurice Weiss

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Julissa Y Los Spitfires

Loco Amor / Ven Cerca

12" | 2024 | EU | Original (Not For You)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Julissa, the Woman Who Was Censored in Mexican Rock! Rock and Roll in Mexico had an impact practically all over the world, yet it was never free from censorship. Several songs made it to the radio, and among them was the track "Ven Cerca," performed by Los Spitfires and their singer Julissa. Julissa entered the entertainment industry at a very young age, as she was only 13 years old when she started singing with The Spitfires, a rock and roll group formed by her brother Luis on bass, Juan Ramón Sordo on drums, José Luis de la Huerta, and Manuel González Galindo, better known as Johnny Dynamo, on guitars. Los Spitfires, a band originating from Mexico City and formed in 1960, were one of five winning groups in a contest organized by CBS Columbia and the Radio Éxitos station, held in November of that same year. Los Escupefuego were the runners-up, as first place went to Los Hooligans, who, in addition to recording an album, would also appear in a movie. The other groups that won the opportunity to record an album with CBS were: Los Loud Jets, Los Blue Caps, and Los Sparks. Los Spitfires only recorded two tracks: "Loco Amor" and "Ven Cerca," Spanish versions of Paul Anka's "Crazy Love" and Johnny Restivo's "Come Closer." Although these songs are not widely known, except among true fans, they serve as a reference to the early rock being made in Mexico during that time. At the time, all rock musicians were copying foreign hits, including the musical arrangements, and simply translating the lyrics into Spanish. For Julissa, this task wasn't difficult, as she was fluent in English. "Ven Cerca" ("Come Closer") with its highly suggestive lyrics, was the first song she recorded with her group. She translated the lyrics exactly as Johnny Restivo sang them in English. It began like this: "Come closer, just a little bit closer, because I want to hug and kiss you, come closer." Julissa sang it with whispers and sighs, and with the microphone so open, all her breaths and gasps sounded like genuine moans. Very soon, the record was pulled from the market. Interestingly, she had no idea what those suggestive expressions implied, as she was almost still a child. That record 45s it is very difficult to find and is a rare piece sought after by collectors from around the world!

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Jive Talk

NFY006

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | Original (La Belle)

Golden Bug

Piscolabis II

12" | 2024 | EU | Original (One Eye Witness)

Release: 2024 / Original

Genre: Electronic & Dance

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Piscolabis (Part II) is a super sonic fan, featuring the organic yet robotic atmosphere of Piscolabis (Part I) and, of course, Golden Bug's own sonic experimentation.

The 10 new tracks on this follow-up are even wilder and stranger, in the best sense of the word. The rhythms are heavy, the guitars of Lionel from The Limiñanas are razor-sharp and the distorted grooves of the drum machines convey curious electronic impulses!

The introductory track ‘Paradis’, with its choral, fairytale and epic atmosphere, gives way to a series of slow, raw and bewitching tracks, such as ‘Hi No Tori’, with guest appearance by Japan's Vega Voga, and the heady, mechanical ‘Ricochet’, ‘L'E et Domino', driven by the voice of Anna Jean from Juniore, “Boomerang”, which rides the wave of dub with shamarnic tinges, “Poc a Poc”, which plunges us into the world of acid-western, or the retro-futuristic “Autobahn” embodied by the voice of Ruben Kielmannsegge.

Piscolabis II builds its own psychological environment to inhabit. And the deeper you go into it, the more synaesthetic the music becomes, the more the textures swirl together, igniting the senses. We encourage you to press play, sit back and listen to the album unfold in its entirety.

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V.A.

WITNESS06

Dean Wareham / Britta Phillips / Sonic Boom

Release: 2024 / EU – Original

Genre: Electronic & Dance

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One Eye Witness turns its gaze to South America with WITNESS06. The Amsterdam imprint continues its growing number of VA EPs with 4 brooding creations from Uruguayan artists Molen & Nahuel, Michelle, Z@p & Latress. While punchy and hard-hitting, each track carries a subtly menacing energy, prodding darker corners of the dancefloor with undeniably satisfying echoes of 80s EBM. Molen & Nahuel’s enticing bassline and brassy synths lead the charge on opener “Modus Operandi”. Rising talent Michelle then pushes at a sense of paranoia with “Last Cello”, its elastic bassline providing the footing for clever percussive trickery. Things take a heady turn on “Ignorance” as Z@p weaves a po-faced speech into psychedelic synth work. Latress opts for a more introspective take on final cut “Perseverance” — pensive harmonies and glassy tones round out this collection of seductive, hypnotic tracks. Ready for Industriehallen worldwide!

Text by Cameron Leaf
Art by Susanne Janssen

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A Peace Of Us Emerald Vinyl Edition

LP | 2024 | US | Original (Carpark)

LP | 2024 | US | Original (Merge)

Release: 2024 / US – Original

Genre: Rock & Indie

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In a season where we all seek comfort, tradition, and a return to a home of sorts, a trio composed of indie music"s foundational members have gifted us A Peace of Us-an album of diverse holiday tunes filtered through their musical imaginations. Dean & Britta, well-known from their work defining a genre with Galaxie 500 and Luna, join Spacemen 3"s Sonic Boom, another bastion of indie"s collective adolescence, to bring to life a collection that draws from early "60s pop, garage, country, James Bond soundtracks, Christmas carols, and electronica. Dean Wareham recalls a sentiment from his DJ friend Chris: "You can experience all the emotions of Christmas through music: love and hate, joy and heartache, nostalgia, regret, anticipation, and frustration."

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Caribou

Honey

30,99 €*

LP | 2024 | EU | Original (Sony Classical)

Release: 2024 / US – Original

Genre: Pop

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Upon first listen, two things about Honey are immediately clear: First, it is an entirely new kind of Caribou record. Second, in being an entirely new kind of Caribou record, it is in keeping with Dan Snaith’s discography, each new album marked by radical thematic and sonic shifts. Honey is not a departure from the Caribou we’ve known up to this point but rather the product of a lifetime spent listening to and crafting immaculate pop music. After two intensely personal Caribou albums (Suddenly and the Grammy-nominated Our Love), Snaith now pulls himself away a little in search of music that isn’t about any one person and is relatable to everybody. It also brings Snaith’s two personas, Caribou and Daphni, closer together than ever before. On Honey, Snaith fuses their strengths into a record that grabs you and moves you like Daphni before it uplifts you like Caribou. Huge dancefloor tracks twinkle and surprise in a way only Snaith’s productions can, with a freshness that defines an artist who is too excited by music-making to ever truly settle into any one sound.

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Danny Elfman

OST Spider-Man 2

Release: 2024 / EU – Original

Genre: Classical Music

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LP | 2024 | US | Original (Verve)

Samara Joy

Portrait

Release: 2024 / US – Original

Genre: Organic Grooves

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Live At The Cabin Sage Green Vinyl Edition

Dog Slaughter Beach

LP | 2024 | US | Original (Lame-O)

37,99 €*

Save Euphoric Album Transparent Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Sage Green Vinyl. Highly anticipated first pressing of Live at TheCabin, originally a live-stream release show performanceduring the pandemic after Slaughter Beach,Dog's "At The Moonbase" record. The album wasreleased digitally through Lame-O Records in thefall of 2022, and has been a cult favorite release byfans of the band. Available with beautiful artworkby Russell Edling (Lame-O, Golden Apples) fanswill appreciate getting to dive deeper into the worldof Slaughter Beach, Dog.

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Brennan Heart

2LP | 2024 | EU | Original (Be Yourself / I Am Hardstyle)

32,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Moon Light Dance Ep Feat. Javonntte

SE62

12" | 2024 | Original (Raw Soul)

LP | 2024 | Original (We Are Busy Bodies)

Release: 2024 / Original

Genre: Electronic & Dance

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Ukraine's living house legend, SE62, returns with his latest EP Moon Light Dance, marking the eighth release on Raw Soul. Known for his iconic 2013 track "True Force" on My Love Is Underground, SE62 has continued to evolve his sound, combining his love for raw, e-mu sp1200 driven music with a modern edge.

SE62 regularly plays in Belgium and its surroundings, solidifying his presence in the European underground. Moon Light Dance showcases his refined approach to timeless house music, blending heavy, groovy basslines with emotional depth and modern flair.

The A-side opens with "Fantasy" (A1), a track powered by a driving kick and lush piano chords, elevated by the soulful vocals of singer, producer, and DJ Javonntte. The second track (A2) is an uplifting house anthem, featuring a hypnotic saxophone hook and a deep, bumping bassline, guaranteed to give you goosebumps.

The B-side takes a more stripped-down, slightly faster approach, offering a modern vision of deep house music without losing its soul. It's raw, dynamic, and perfect for those deeper moments on the dance floor.

With a history of standout releases on Hot Haus and SlapFunk, SE62 continues to push boundaries while staying true to his roots. Moon Light Dance is a must-have 12" for any house music enthusiast.

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Christo Graham

Music For Horses

Release: 2024 / Original

Genre: Rock & Indie

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10 Seconds Volume 3 Red Vinyl Edition

A-Trak

10" | 2024 | US | Original (Fool's Gold)

25,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (We Jazz)

Oaagaada

Music Of

LP | 2024 | US | Original (Verve)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Oaagaada hail from the town of Hämeenlinna in Finland. The quartet includes Tuure Tammi (trumpet), Sami Pekkola (sax), Tero Kemppainen (bass) and Simo Laihonen (drums). Laihonen has recently appeared on We Jazz Records with Stanley J. Zappa and previously with Black Motor, and more Oaagaada can be heard on the recent "We Jazz Live Plates" album "Lonna 2019" and on the 2020 7" single release "Oag-Ada".

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Diana Krall

Only Trust Your Heart

Release: 2024 / US – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Hallow Ground)

Miki Yui

As If

LP | 2024 | EU | Original (Tapete)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Miki Yui is a musician, artist, and composer, originally from Tokyo, who has been based in Düsseldorf since 1994. Her whose work has long explored multiple forms of media, while documenting liminal zones of perception. On her latest album, As If, Yui creates a subtly connected suite of electronic music, drawn from improvisations and randomised processes that she has engaged with modular synthesis. Deeply poetic in its expression, even at its most minimal, the six pieces on As If have a curious tenor – they are, each of them, intensely sensuous, almost haptic listening experiences, as though the laser focus that Yui displays towards her compositions allows her to engage them as almost physical presences in the world.

One of the keys that unlocks the intimate complexity-in-simplicity of As If was Yui’s encounters with the Amazonian rainforest in Manaus, Brazil in 2018. Finding that the sounds in the rainforest both shadowed and echoed the music she had been making for two decades, she embraced the possibilities of modular synthesis, the sounds of which she discovered “have astonishing similarities to the sounds I experienced in the rainforest.” There is, indeed, something natural about the way these sounds bloom in real time; in their dedicated focus to the subtle development and mutation of several discrete parameters of sound, they grow slowly, gradually, their rhizomic structures suggesting that we are always situated within the middle of sound.

Sometimes, the material here has a kind of febrile energy, as on the ticking, clacking electronics of “Generativ”, a track that seems to rotate in the air in front of the listener, the light reflecting off its multiple surfaces as we catch the intricacies of its micro-patterns. Elsewhere, we slide into a cooled but welcoming environment, like the late-night fire-fly horizon of “Song 4”; there’s also the humid, dripping tropical sunset that’s documented on “Summernight”. It’s a music that’s hard to locate external coordinates for, though there are, perhaps, some parallels with the work of Laurie Spiegel, Eliane Radigue’s Vice Versa, and Pauline Oliveros’s “Roots of the Moment”. But As If is an extraordinary collection of naturally developing, rich studies for slowly mutating, enveloping, elemental electronics.

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Die Regierung

Unten

27,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Gorilla Warfare Yellow / Red Merge Vinyl Edition

Powerflo

LP | 2024 | CA | Original (Dine Alone)

37,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Beacon Sound)

Soft As Snow

Metal.wet

Flux (Two People Blue Vinyl)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Unbound by place or genre, mercurial, experimental pop duo Soft as Snow find freedom to intuitively reflect the disarray of human connection with their intricate, shape-shifting pop production. With each successive release, the duo evolves, unfurling into their own poetic sound, now fully realized on their intimate, third full-length, Metal.wet.

The oft-present trappings of male-female duos are eschewed here as the Berlin-based Oda Starheim and Øystein Monsen contribute equally across a canvas of analogue synthesizers, samplers, live drums, and processed guitars. At once a part of and yet apart from the zeitgeist, their forward-thinking modernity stretches the limits of expectations across Metal.wet's ten insouciant tracks. Fans of Tirzah, Hype Williams, and even Angelo Badalamenti will find much to love in this haunting work peppered with Asmr moments and rough sampling wrapped in high production –– twinkling glasses and sirens in the distance, rhythms and voices up front. The result is synth-driven, noisy, and dripping with laidback, confident sensuality.

Although Starheim's voice begins the album in a whisper, it quickly becomes apparent that the group has jettisoned their previous tendency to bury and distort her vocals. Nested in a bed of thorny electronics and broken rhythms, her multifaceted vocals might bring to mind Kazu Makino of Blonde Redhead or Hope Sandoval fronting Massive Attack. London MC Brother May (Mica Levi, Curl) makes an appearance on the driving and ethereal “Whip,” while Øystein’s own voice appears for the first time in a state of languid background haze.

Soft as Snow create and record across Europe. Defiantly averse to genre, the pair become vessels for their “electronic music pushed to the brink of collapse” (The Wire), previously released by Infinite Machine and Houndstooth. Informed by backgrounds in film and performance art, “there’s a surrealism that comes with watching Soft as Snow in the flesh,” (Vice) as seen at L.E.V. and Lunchmeat Festivals. Collaborations with visual artist Guynoid, designer AGF Hydra, and sculptor Camilla Steinum add depth to the corporeality of their “strange, mesmerising and utterly unforgettable” electronic experimentations. (DJ Mag).

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The Hated

2LP | 2024 | US | Original (Numero Group)

35,99 €*

2LP | 2024 | US | Original (Numero Group)

Release: 2024 / US – Original

Genre: Rock & Indie

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Two People Blue Vinyl. The final recordings by Annapolis earlyemo pioneers the Hated, Flux compilestheir 1989 acoustic and electric sessions,home demos, and live shards from theirextensive archive. The accompanying 24-page book outlines the last year of the bandwith essays from founders Dan Littletonand Erik Fisher, a track-by-track oralhistory, photos, flyers, and lyrics fromthis vital post-hardcore unit."Hostile and magnetic_like perfumewafting through a barbed wire fence."_Washington Post

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The Hated

Flux

LP | 2024 | EU | Original (April)

Release: 2024 / US – Original

Genre: Rock & Indie

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The final recordings by Annapolis earlyemo pioneers the Hated, Flux compilestheir 1989 acoustic and electric sessions,home demos, and live shards from theirextensive archive. The accompanying 24-page book outlines the last year of the bandwith essays from founders Dan Littletonand Erik Fisher, a track-by-track oralhistory, photos, flyers, and lyrics fromthis vital post-hardcore unit."Hostile and magnetic_like perfumewafting through a barbed wire fence."_Washington Post

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A Plane To Catch

Soul Piece

LP | 2024 | EU | Original (April)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Founded in the stillness of 2020 when a group of tight tight-knit up and coming musicians were robbed of their livelihood and greatest joy - live performance - the group came together in a graffiti smudged artist s space in an old industrial facility in Copenhagen s outskirts and created a space for themselves to improvise in a funky, groove based setting.A followup to their 2023 debut Moko Jumbie which explored the rich culture of West African music popularised by Mulatu Asastke and Fela Kuti, as the name suggests, Soul Piece leans further into the tropes, grooves and idioms of Western 60" s Soul and Funk. Recorded live over two days at the Royal Danish Academy of Music, the albums raw, warm production captures the energy, intimacy and excitement of a live performance, transporting the listener right in the centre of a pulsating dancefloor. Each song is rooted in groove and exemplary band musicianship, and made up of every stylistic feature one might crave from the genre: crunchy rhodes tones, percussive clavinets, thick organ textures, grooving tambourines, searing guitar solos, deep pocketdrum grooves, infectious basslines, punchy horn backings and James Brown Brown-esque stabs. Self described as the young lions " of the Danish jazz scene, each member of the six piece is an active contributor to the country s diverse musical output; Norregaard, Langebæk & Besiakov can be heard performing regularly in the Fela Kuti saluting Black Money Orchestra and Bæst, Eskildsen with the Addis Ababa Band, and Thofte & Toftemark each leading their own projects in contemporary hard hard-hop to name but a few of their many ventures.

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Antonio Dayyani

Trop Op

LP | 2024 | US | Original (Sony Music Nashville)

Release: 2024 / EU – Original

Genre: Organic Grooves

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A followup to his 2022 debut Dayyani released on his own label,Trop Op " sees the drummer delve deeper into the mood of pedal steel, trumpet and Nordic folk he discovered early in his writing practice and develop it into a bigger, more comprehensive vision. Featuring eight original compositions and an arrangement of a traditional Swedish folksong, Dayyani s simple yet sophisticated writing style is focussed on lyrical thematic melodies, rich folk harmony, and showcasing each member of the sextets musical identity.With years of playing together in a number of up and-coming Danish jazz groups including Tigeroak, Nordlys trio and Vingborg/Valencia Quartet, the ensemble is well versed in giving each other space to express their voices freely. Soaring reverberated arcs from the pedal steel, subtle drum grooves and expressive, tasteful improvisations offer up an imaginative fresh perspective on contemporary Nordic jazz. The records title translates to Step Up ", referring to Dayyani s view that we all need to step up for our communities and share more of ourselves to the people around us."We live in a time where there is an increasing focus on our mental health, and personal growth where we need to take care of ourselves. In doing so, I think we can sometimeswithdraw too much into ourselves, focus on the inner self and forget to stand up for eachother and the community surrounding what we do.

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Brooks & Dunn

Reboot II

45,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Duality Trax)

Voodoos & Taboos

Time Out EP

LP | 2024 | EU | Original (Backwards)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Underground stalwarts Voodoos & Taboos make their Duality Trax debut alongside a remix from rising talent Bertie, set to drop on November 8th. Now on its seventh release, Holly Lester’s vinyl imprint blends seasoned pioneers with the next generation of producers.

A serendipitous moment at London’s E1 in 2023 was the genesis for the labels latest release, when DT label head Holly Lester unknowingly dropped a Voodoos & Taboos track only for the duo to walk in mid-way. Already known for their standout releases on iconic labels like Phonica, Bordello a Parigi, and Palms Trax's CWPT, this chance encounter sparked a creative connection between Holly and the pair.

‘Time Out’ kicks things off with swirling synths and the duo's signature alien electronics, set to a playful breaks infused rhythm and morphing bassline, as command and control rings out overhead. ‘Endless Game’ comes with the usual V&T trimmings; an infectious bassline and with a scattering of curious sounds and samples, with a healthy dose of italo-inspired groove - the type of track reserved for bringing a dash of joy to the dancefloor amidst a heads down body-moving groove.

On the B-side, Australian newcomer Bertie steps up with her remix of ‘Time Out’, following her breakout EP and high-profile remix by Ciel. In a short space of time, Bertie has already developed a signature sound injecting her productions with nostalgic 90s house and contemporary subtext; glued together by crunchy drums and a penchant for wide-eyed rhythms. Sticking to her guns, Bertie’s flip of ‘Time Out’ packs a serious punch, showing why she’s an artist on the rise.

The EP closes out with the psychedelic ‘All Action’ with its vocoder vocal samples, bubbling acid and teleporting top-lines. One of the most notable features of the duo's music is their ability to let things evolve over time, their music often accompanied by strong storytelling, an art that has been almost lost in today’s era of instant gratification; their instrumentation often taking on a life form of their own and dosed with surprises.

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Luca Giovanardi

Storia Notturna

LP | 2024 | Original (Fretsore)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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"Storia Notturna" is a collection of music written, produced and recorded mainly in September 2021, but its origins go back in time. As far back as my University studies in the early 90s. For one of the many extra-departmental courses that my study plan in Philosophy allowed, I chose Social History and found myself studying the seminal study by Carlo Ginzburg "I Benandanti: Stregoneria e culti agrari tra Cinquecento e Seicento" (Einaudi, 1966). It was a revelation. Ginzburg started from the analysis of a curious and widely documented Friulian fertility cult to show, on the one hand, how the Catholic inquisition overturned the perspective of the suspects, turning them from enemies of the witches for the defense of the crops into worshippers of the devil and, on the on the other hand, how some of the distinctive aspects of this cult had very ancient origins and, above all, traits common to traditions traceable in an enormous variety of times and places all over the world. In the following years, for pure personal pleasure, I continued to deepen my studies on these topics, and a couple of years ago my bookseller friend (and author of a beautiful book published by Utet) Giovanni Spadaccini got me a copy of the first edition of "Storia Notturna", an essay from 1989 in which Carlo Ginzburg deepened and expanded the investigation on the themes already treated in I Benandanti. By the end of the book, something clicked in my head. Suddenly some of the many musical tracks that I continuously produce in my studio began to suggest a path that I hadn't guessed before. I felt the urgency to immediately write and record other songs that would complete the picture that had by now outlined. In a few weeks I had an album, “a tale of Italian psychomagic in music”, as a friend defined it. I’d like to thank Giovanni Spadaccini not only for providing the book, but also for having been the very first listener and critic of my music, immediately followed by my bandmate and lifelong musical companion Nicola Caleffi. Their encouragement convinced me to overcome my chronic indecision, my well-founded self-criticism and to decide to publish this material. Pasquale Lomolino was equally encouraging and happy to release the album through his Backwards label. I’ve played, recorded and produced this music myself, with the help of some contributions from friends and family, often unaware of the use I would make of their voices. I thank them and I hope they’ll forgive me. I know they will.

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Dana Gillespie

First Love

Release: 2024 / Original

Genre: Pop

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LP | 2024 | UK | Original (Castles In Space)

Mordant Music

Kpmm

27,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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When I finally lowered the Mordant Music portcullis after 20 years of sauntering alongside the mainstream I signed off with an EMS-based album entitled Mark of the Mould several tracks from which I re-worked for a Sony/KPM online-only library music release entitled Synthi Spores…during the ensuing C-19 castaway phase I composed a further hefty batch of library-style tunes intended for a mooted album with Sony/KPM, which was looking distinctly likely until my contact there vamoosed and corporate ‘reshuffles’ left the music abandoned and huddled in a folder on my desktop - classic ‘industry’ fayre i've witnessed many times and KPM itself has now moved St. Elsewhere… Enter CiS, who had also previously re-released the Dead Air album and an eMMplekz 12” , to resuscitate ’n’ rally my underscores ’n’ jingles with their renowned gusto…myself and Phil Heeks fashioned a classic KPM-style ‘1000 Series’ sleeve and a random web pop-up provided the ad-hoc title (I was searching for raw plugs at the time)…I’ve made untold library tracks over the years for firms such as Boosey & Hawkes, Cavendish, Universal and Pifco etc and these are certainly some of my favourites, running a gamut of dinky styles for adverts, film and Netflix, whatever that means these days…njoi/endure, IBM

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AIAIAI

TMA-2 Studio XE

149,99 €*

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12" | 2024 | EU | Original (Fides)

Tapefeed, Z.I.P.P.O

Dual Dimension

Tsutsumikomu Youni / R308

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Dual Dimension EP marks a milestone for Fides Records releasing its 20th entry in the main catalog. This split EP features labelhead Z.I.P.P.O and eclectic duo Tapefeed, each contributing two tracks to create a unique blend of sounds that capture the essence of techno.

Side A opens with Tapefeed's "Hellz Bellz" a percussive workout that delivers stripped-down, peak-time energy, perfect for driving dance floors into a frenzy. Following "Surge of Hope" takes listeners on an evolving journey, starting deep and gradually transforming into an energetic yet meditative composition.
On Side B, Z.I.P.P.O's "Satara" stands out as a 909-based techno gem. Its mind-twisting sound design, rolling lead, and mental bleeps take you on a profound auditory voyage, rich with depth and complexity. The Side B concludes with "The Strange Door" a deep techno track that combines tribal rhythms with atmospheric depth.

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Wa Yo Set

7" | 2024 | JP | Original (Urban Discos)

20,99 €*

Bag | 2024 | UK | Original (I9m)

Release: 2024 / JP – Original

Genre: Organic Grooves

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"Wa Yo Set," a leading jazz-funk band from Osaka, Japan. A 7inch single will be released as a prelude to their new project in 2024. Included on A-side is a jazzy, acoustic, and danceable instrumental cover of MISIA's "Tsutsumikomu Youni" in full Wa Yo Set style! On the flip side, the superb original summer-breezy "r308" is included. You will be able to experience where they are now, as they continue to evolve and deepen on both sides of the record. Until the release of their new album, please keep your expectations high while listening to this 7-inch!

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Ability II

Rediscovered

22,99 €*

LP | 2024 | EU | Original (Stag-O-Lee)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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UK artist David Duncan recorded only one EP as Ability II and it recently got reissued and soon snapped up. Now, much to the delight of fans of the man behind the classic tune 'Pressure Dub' he is back. This album features an exclusive collection of tunes he made back in his heyday in the 90s, none of which were related at the time, and none of which you will have ever heard before anywhere. They feature his signature sound designs across seven cuts that sound as futuristic now as they ever could as they combine jacked-up house, techno and tech into scintillating and dub-weighted sounds for the club.

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V.A.

Slow Grind Fever 12

LP | 2024 | EU | Original (Alien Transistor)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Volume #12 in this amazing series of slow grinding R&B/Soul/Exotica tunes as they arebeing played in a club in Melbourne/Australia.Around midnight on the last Saturday of every month, an assemblage of juiceheads,grifters, kittens, dandies and derelicts gather in a dimly-lit, smoke-filled room and dancetogether real slow. These are some of the records we dance to... Thanks to all the fluteplayers and backing singers of yore for flavouring these old records up just like we likethem. (Richie1250/Melbourne, 2019)Compilation and liner notes by SGF/mastermind Richie1250.

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o'summer vacation

Electronic Eye

7" | 2024 | JP | Original (Parking Lot Sounds)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.

“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)

Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (dmbq, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).

Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.

Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”

It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.

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Mighty Caskets

Green Eyes / The Cat

20,99 €*

LP | 2024 | EU | Original (Alien Transistor)

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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In 2024, a 7-inch that will bring tears to the eyes of all ska fans has been delivered! A cover of Jimmy Smith's "The Cat" with organ and tenor intertwined is also included. The first single by Mighty Caskets, formed around Ichimura of EX. Cool Wise MAN, is "green EYES," a bluesy, superb instrumental ska with a melancholy tenor saxophone melody and shuffle beat that hits the heart. In addition, the B-side features a garage-inspired cover of Jimmy Smith's "The Cat," which takes one's breath away with its thrilling and sensational organ tones. Recorded and mixed & mastered by E-mura (bim ONE Production).

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Organi

Babylonia

12" | 2024 | EU | Original (Västkransen)

Release: 2024 / EU – Original

Genre: Pop

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Well-versed in vintage vernaculars, Oakland-based producer/musician Mike Walti is about to return with his sophomore offering under the Organi moniker – as new album “Babylonia” follows 2020’s “Parlez-vous Français?,” a landmark in vibe acquisition ever since.

Wyldwood Studios is a portal. It’s a secret gateway to analog spheres. Cross the threshold and you’ll feel the difference: you can pick any ol’ time, any place, any tongue or vibe, in fact. Hit the dancefloor in 1967, feel that plushy loveseat in the early 70s. It’s a welcoming place where better, saner vibes are still within reach. Fueled, at least in part, by those long-classic 12”s on the walls – just imagine the sepia-tinted countenance of Melody Nelson alongside actual Birkin sans wig, right next to Shadow’s immortal crate diggers, forever blurred –, and channeled through ancient time travel devices such as the MCI 416b only to arrive on classic 2-inch tape (mm1000 aka Ol’ Bessy), it’s a haven for all things organic, for all things imbued with that warm élan. Built and run by Oakland’s own Mike Walti, countless artists from many different genres have felt that flair, creating sonic spheres and moving back and forth along the malleable axis that is space-time. Capturing magic.

Emerging from this unique portal back in 2020, Walti’s aka Organi’s first studio album was a stunning answer to its titular question – “Parlez-vous Français?” It was a soothing, somewhat psychedelic trip so magnétique and alluring that it immediately brought back those bits of Franglais you never knew you remembered. Whereas the debut LP indeed felt like a spontané voyage to the French Riviera ca. 1968, its follow-up “Babylonia” is so much more than linguistic confusion and ancient Akkadian Rhythms. Using that hidden portal near Alameda’s finest port to access all kinds of remote regions and sonic spheres, it’s super tight and feels, well, decent, even though, just like the ol’ Babylon, it’s full of surprising tongues and dreams, schemes and melodies.

“Where do we go from here?,” someone asks in opening “Organii-“ – all majestically cinematic boom bap, buoyant bass, sick strings. A fittingly massive opener that feels like cracking open a cold one after long weeks at work (that ecstatic “ahhhh”), it perfectly sets the tone for another half hour of pure time traveling, globe-spanning bliss. Whereas that certain prédilection pour all things French makes “La Rockette” so tempting and tantalizing (think MalMalNonBien), the sophomore album’s Berlin-based guest singer Nana Lacrima soon takes us elsewhere: title track “Babylonia” spins ever so softly, like a magic lantern, with images of dreamier Stones Throw funksters or Savath y Savalas looming over the steady flow of an arrangement that washes you clean like an ancient, unpolluted River Euphrates or Brazil’s actual Amazon. A sexy Portuguese-flavored anthem, occasional guest singer Alix Koliha also enters the scene to add yet another layer of French chic to this Brazilian landscape. Next, we’re back at the Riviera, but the “Italiano” version of it, splendido sunsets and bell towers in the distance, the ragazze laughing and shaking it up, perhaps even some Portofino Gin so you can really feel that “me ne batto il belin,” as your fingers align form some half-serious “ma che vuoi?”

Tim Maia-penned “Padre Cicero” (1970) deals with the stunning transformation of the titular hero – “De reverendo a lutador,” and what a soaring, sensual hook –, and Organi’s take on Elephant Memory’s “Old Man Willow” (now an “Old Man Waltz”) perfectly underlines what Walti’s Wyldwood endeavor is all about: Easy-Going Experimental Dream Pop, fueled by Gainsbourg, Broadcast, Stereolab, etc.

Later on, even though something seems to be tres complique in “Remembering Anna,” it all sounds carefree like a spontaneous Friday afternoon with a bottle of fine wine. Right before the outro, key album guest Yea-Ming Chen (of Yea-Ming & The Rumors) returns to the mic, adding her dark and dusky trademark timbre to melancholy anthem “Pictures Of Your Face”. Reminiscent of Nico and Trish (rip & rip), it’s a track that’s both dark and strangely propelling, hypnotic and hip-shaking.

A third generation Bay Area native, Mike Walti aka Organi has been running Wyldwood Studios in Oakland CA for some 15+ years (recording artists like Tommy Guerrero, Spelling, Why?, Latyrx, Del, Dan The Automator, and Big Freedia, to name but a few). A multi-instrumentalist who’s obviously in love with the 60s/70s, he loves to work with analog equipment (“We just love us some analog!” “Just listen to those relays purr…”). Recorded and mixed by Mike Walti at Wyldwood, “Babylonia” will be released on vinyl/digital by Alien Transistor.

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Jo Bubbles

Hidden Place EP

Rythmetic: The Compositions of Norman McLaren

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Born and raised in the Swedish province Dalarna, Stockholm resident Jo Bubbles (aka Jonas Dahlström) has previously released music on Parkway Records and put out several selfreleased titles, most recently on the cassette venture Makemake tapes.

On his first outing on Västkransen Records, Jonas opens his toolbox of subtle grooves and tweaking melodies. A journey into electro, dub and italo-infused house, “Hidden Place EP” features three original club cuts and a mind-bending DnB remix from Stockholm’s hardware veteran Parallax Deep. As one of the tougher releases in Västkransen’s catalogue to date, this record doesn’t just offer solid dancefloor material, but a genuine musical treat.

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Norman McLaren

LP | 2024 | US | Original (We Are Busy Bodies)

Rare Birds Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Pioneering Scottish-Canadian animator Norman McLaren (1914-1987) - creator of seminal short films Dots, Neighbours, Synchromy and many more - is remembered in first ever release of soundtrack works, self-composed from the 1940’s to 1970’s and forecasting the following half-century of electronic music.

Norman McLaren was once described by composer, music theorist, and mathematician Milton Babbitt as “the first electronic musician.” In addition to his pioneering work in animation, the electronic soundtracks McLaren created for his own films employ astonishing foresight and a characteristically precise methodology. They also crystallise boundless creativity, wit and whimsy, and illuminative brilliance into a unique insight to his remarkable mind, with or without visual accompaniment.

Rythmetic: The Compositions of Norman McLaren marks the first time his soundtracks have been released on record, carefully curated from his most important film works, hours of archival tapes, and multiple versions of the same key compositions. It represents an essential overview of McLaren as a composer, in neat dovetail with McLaren the filmmaker. Both are crucial figures in the respective developments of their fields, opening doors to a future that might not have existed without McLaren.

As an animator, McLaren was renowned for utilising or inventing techniques at their very vanguard and shaping to his needs the rudimentary technology of the era. Many of these techniques and technological adaptations, developed at the National Film Board of Canada over the 1940’s and 50’s, would eventually become adopted into standard practice for animation. He also blazed new trails for soundtrack composition: having heard the glue of spliced film reel produce sound as it passed through his equipment, he began meticulously applying his own cuts and notches to the tape and measuring the frequency values of the tones these striations would emit. Over years of refinement, he created a series of cards to correspond to eight octaves of musical notes, frequency by frequency, and to recruit these cards to compose his soundtracks. It was a way to maintain total creative control and freedom over his own work - every single frame would be processed “the McLaren way”.

“He could have used a synthesiser,” writes long-term assistant, friend, and filmmaker of McLaren documentaries Don McWilliams, also at the National Film Board, “but he had his own method and he stuck with it.” John Cage was an ardent fan, inviting McLaren to his infamous downtown NYC socials and once even writing to McLaren to beg a recommendation for his recruitment at the National Film Board.

Unsurprisingly, McLaren was musically capable and aware throughout his career. He was an inquisitive listener, often drawn to rhythmic expression found outside western music, and he collected records for both reference and enjoyment. West African and Chinese music were particular pleasures, as well as the gypsy jigs that in his youth had informed his own practice as a violin player.

The opening piece to this compilation, “Now Is The Time”, is crafted from trilling, birdsong arpeggiations of dulcet high frequency tones that chatter and warble in scattered dialogue. Accompanying the clouds, multiple suns, and dancing figures of the film, the soundtrack is alive with joy and wonderment. Next, “Rythmetic”, soundtracking McLaren’s famed numeric sequence visualisation, pitters and patters with the types of glitching rhythms so coveted by contemporary electronic music almost a century later. Even from these first pieces alone, it is readily apparent that McLaren could not have achieved the effect he desired with scored instrumentation. The “McLaren way”, so crucial to his process, is as much foundational to his soundtracks as it is to the films themselves.

Despite his acclaim and recognition within the world of film and animation - he won an Oscar, a Palme d’Or, is a favourite of George Lucas’, and is recorded in UNESCO’s cultural heritage archives (none of which interested him) - Norman McLaren is not a Walt Disney, Tex Avery, Chuck Jones, or an Ub Iwerks. His work is unflinchingly outré. Seeking out experimental, innovative, and unconventional modes of storytelling, his creative expression went even deeper than pioneering methodology and a prolific output, becoming part of the man himself as his working hours in the studio became longer and longer as his career blossomed. Even his straightest films are decidedly odd at their core, revealing not only a playful and joyously childlike sense of humour, but also the perpetual pursuit of perfection that fuelled his filmmaking throughout his life.

A gay man, McLaren also resisted the normative social structures of the day in his personal life, acutely aware of the legal implications of his relationship with lifelong partner and fellow NFB director Guy Glover. He also remains revered as the most generous and trusting of teachers, bringing under his wing young or inexperienced filmmakers in whom he saw passion and promise. His second protegee George Dunning, who went on to produce Yellow Submarine for the Beatles, had only recently graduated when McLaren brought him to work in the NFB studios.

Towards the end of McLaren’s career, McWilliams asked him how he perceived his own legacy; how Norman McLaren would be remembered in a hundred years’ time. “A filmmaker who made some interesting films,” was his reply. Modest, funny, wise, and yet knowingly sly. An answer most McLaren.

William Norman McLaren was born 11th April 1914 in Stirling, Scotland. He died January 27th 1987 in Hudson, Canada.

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The Bug Club

2LP | 2024 | CA | Original (We Are Busy Bodies)

38,99 €*

Release: 2024 / CA – Original

Genre: Rock & Indie

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LP | 2024 | Original (Rhino)

Don Henley

I Can't Stand Still

Release: 2024 / Original

Genre: Rock & Indie

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Decrowned Ii: Trinity Ablaze Pilgrims Of Morbidity

Kill The Lord / Fessus

LP | 2024 | EU | Original (Darkness Shall Rise Production)

LP | 2024 | EU | Original (Sony Music/F.A.M.E.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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DEATH! The old-school way…The split 12‘‘ LP contains 3 songs from the first and only FESSUS demo Pilgrims Of Morbidity and 4 songs from KILL THE LORD, including the two titles from the Decrowned demo and two brand-new songs.KILL THE LORD - Decrowned II: Trinity Ablaze - If veterans of the German underground (HATESPAWN/FALL OF SERENITY/CHARON/IMPENDING DOOM) team up, you are in for a treat. On their first release, KILL THE LORD perform Death Metal heavily inspired by Swedish masterpieces from the 90s. With a crushing production, Decrowned II: Trinity Ablaze will leave any old-school Death Metal adherent thirsting for more. Artwork by Thomas ”Necromaniac” Westphal. Mastered by Dan Swanö at UnisoundFESSUS - Pilgrims Of Morbidity - With their first demo, Pilgrims of Morbidity, FESSUS deliver the best Death Metal any Austrian band has come up with since the glorious days of PUNGENT STENCH, MIASMA or DISASTROUS MURMUR. Period. This is rotten and morbid Death Metal at its foulest, fans of NECROPHAGIA and AUTOPSY will revel in with perverted pleasure. Vinylmaster by Patrick W. Engel at Temple of DisharmonyBlack vinyl, limited to 500. 8-page booklet, double-sided A2 poster. Incl. download-code. FESSUS:1. Acidic Secretion2. Pilgrims of Morbidity3. UnmooredKILL THE LORD:1. Kill The Lord2. Food for Worms3. Di(stress)ed4. Sacrificial Blaze

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Pam Pam Ida

Nehmts Mi Mit

Release: 2024 / EU – Original

Genre: Pop

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Dan Tyminski: Live From The Ryman

Dan Tyminski

LP | 2024 | US | Original (8 Track Entertainment)

30,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | US | Original (Last Night Glasgow)

We Are Muffy

Lost Things Returning

36,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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I Will Make A Baby In This Damn Economy Vinyl Me, Please Edition

Fat Tony & Taydex

LP | 2024 | US | Original (Vinyl Me, Please)

Deseo Carnal - Pink & Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Why you'll love it...
Fat Tony and his friend & producer Taydex are release their new album I Will Make A Baby in this Damn Economy. On this new album, Fat Tony embodies the kind of quixotic figure he would rap about; a singular entity who’s motivated, confident, and hungry; a perpetual-motion-machine locked in a staring contest with his country. The album's featured artists include Paul Wall, B L A C K I E, Cadence Weapon, Harriet Brown, and B.K. Habermehl.

Limited to 200 copies, the VMP exclusive version of Fat Tony & Taydex's I Will Make a Baby in this Damn Economy is pressed on "Dodger Blue" vinyl at Precision Record Pressing. The 1LP will arrive in a single, direct-to-board, foil-stamped and numbered jacket with a download code.

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Alaska Y Dinarama

2LP | 2024 | US | Original (Warner)

61,99 €*

Release: 2024 / US – Original

Genre: Pop

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The Modern Sound Of Harry Beckett

Harry Beckett

LP | 2024 | UK | Original (On-U Sound)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Movement 60th Anniversary

The Joe Harriott Quintet

LP | 2024 | Original (Decca)

Release: 2024 / Original

Genre: Organic Grooves

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The San Francisco T.K.O.'S

Herm / Ooh Baby Baby

7" | 2024 | US | Original (Remined)

11,99 €*

Túnel Acústico Pink Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Colemine's reissue imprint Remined is back with another one! Delvingdeeper in the rare California soul/funk scene from the past, this one isa two-sided burner from The San Fransisco TKO's!A super rare 45 from the Golden Soul label, the A-side is a funky midtempo instrumental aptly named for the band's Herm Henry. But the bside is the true gem, a killer raw and super sweet rendition of TheMiracles' "Ohh Baby Baby". Funky a-side. Super sweet b-side. Can'tmiss. Limited press, get 'em while they're hot!

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Marcos Valle

LP | 2024 | WW | Original (Far Out)

Green City Green Vinyl Edtion

Release: 2024 / WW – Original

Genre: Organic Grooves

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No one has lived a life quite like Marcos Valle. He became an overnight international sensation, fled a military dictatorship, dodged the Vietnam war draft, had his music sung by Homer Simpson, made enemies with Marlon Brando, and became an unsuspecting fitness guru for multiple generations. But to truly understand the great Brazilian composer, arranger, singer and multi instrumentalist, one must listen to his music.
Between the release of his first album in 1962 and today, Marcos Valle has released twenty-two studio albums traversing definitive bossa nova, classic samba, iconic disco pop, psychedelic rock, nineties dance and orchestral music. He has also had his songs recorded by some of the all time greats, including Frank Sinatra, Sarah Vaughn, Sergio Mendes, Elis Regina, and (last but not least), Emma Button of the Spice Girls. He has also had his music sampled by Jay-Z, Kanye West, Pusha T and many more.
With his twenty-third studio album Túnel Acustico, Valle set out to bring it all together.
“I believe my music is many things. It goes in different directions. I have many different ways of writing music, sometimes it’s melodies and harmony, sometimes the groove is the focus. But all the music I have made over my sixty year career is unified. It is all natural and it is all sincere. And this is what I wanted to bring to my new album.”
A prominent feature of Valle’s career has been his dual residence between Brazil and the USA. Originally moving over in the mid-sixties on the back of bossa nova’s international proliferation, Valle toured with Sergio Mendes and became hugely in demand as a composer and arranger. But the Vietnam War loomed and the threat of being drafted saw him return to Brazil. He spent the following years in Rio writing music for TV and film, as well as four cult favourite albums in collaboration with some of Brazil’s most groundbreaking musicians including Milton Nascimento, Azymuth, Som Imaginario and O Terco.
By 1975, Brazil's military dictatorship was at its most oppressive, making living and working increasingly difficult. Valle moved back to the US where he would reside in LA, writing songs for, and collaborating with the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, amongst others.
Túnel Acústico features two songs originally conceived during Valle’s time on the West Coast: “Feels So Good”, a stirring two-step soul triumph written in 1979 with soul icon Leon Ware, and the sublime AOR disco track “Life Is What It Is”, composed around the same time, with percussionist Laudir De Oliveira from the group Chicago.
Built around an unfinished demo Marcos found on a shelf in his house 44 years after it was made, the “Feels So Good” demo was restored with the help of producer Daniel Maunick, who also utilised AI stem-separation to remove the placeholder vocal ad-libs. Valle added Portuguese lyrics to sit alongside Ware’s vocal hook, as well as extra keyboards and percussion.
Also written in late seventies LA, “Life Is What Is It” was co-penned by Laudir De Oliveira from the band Chicago and first released on the bands’ Chicago 13 album with lyrics by Robert Lamb. Another nod to his good times in LA, Valle recorded his own version for Túnel Acústico, upping the tempo and deepening the groove for a blast of irresistible summer soul.
On Túnel Acústico, Valle's core band features two members of the renowned Brazilian jazz-funk group Azymuth: Alex Malheiros on bass and Renato Massa on drums. The rhythm section is completed by percussionist Ian Moreira, with additional contributions from guitarist Paulinho Guitarra and trumpeter Jesse Sadoc.
The contemporarily composed music on Túnel Acústico features an impressive lineup of guest lyricists, including renowned Brazilian artists: Joyce Moreno (Bora Meu Vem), Céu (Nao Sei), and Moreno Veloso (Palavras Tão Gentis) as well as Valle's brother Paulo Sergio Valle (Tem Que Ser Feliz).
The album closes with "Thank You Burt (For Bacharach)", a tribute to the legendary composer who passed away in 2023.
Túnel Acústico will be released on 20th September 2024 via Far Out Recordings. Valle is set to tour Europe and America in support of the album.

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Auntie Flo

12" | 2024 | UK | Original (A State Of Flo)

I Specialize In Love (Ben Liebrand Le Disco Mix)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A spine tingling spiritual balearic bomb - this is very special, magical, beautiful - it’s just outrageously good” Luke Una

Green City is the first single from Auntie Flo's (aka Brian d'Souza) new album 'In My Dreams (I'm a Bird and I'm Free), the follow up to 2018's SAY award-winning Radio Highlife (Brownswood).

Green City was first aired during Auntie Flo's headline slot closing the main stage at the inaugural We Out Here festival in 2019 and since then has evolved into a 15-minute, Fela Kuti-inspired, Afro-disco jam with an infectious groove that keeps on giving and giving.

Based around a field recording captured during a trip to Nairobi, Kenya, where d'Souza's mother is from, he subsequently assembled a heroes cast of musicians to perform on the track: East African Ambassa Mandela from the band Sarabi leads on vocals, a connection Brian made during the much loved sold out Highlife World Series of records back in 2015.

Yohan Kebede was part of the Auntie Flo live band during the last tour but is best known for his key role as part of the ever popular Kokoroko. London's Ziggy Funk plays the epic guitar parts, following a chance encounter on the video shoot for Havana Rhythm Dance feat Andrew Ashong from Radio Highlife. Laurie Pitt from the much-missed Golden Teacher band plays Tony Allen influenced live drums and Glasgow's Joe Howe (Ex Ben Butler & Mousepad) plays the sax.

The track is the fullest representation to date of d'Souza's musical vision and showcases his ability to bridge musical boundaries and influences, paying respects to the musical traditions that have inspired him whilst balancing his desire to present something new, original and non-derivative.

Green City is the ultimate summer festival track - with a timeless groove, euphoric snare rolls, gloriously uplifting Malian-inspired guitar, epic vocal lead breakdown and emotive, blissful ending, which despite its 15 min running time, you won't want to end.

A State of Flo supports Earth Percent. 10% of the revenue generated from this release will be paid to environmental charities.

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Sharon Brown

12" | 2024 | EU | Original (High Fashion)

16,99 €*

LP | 2024 | EU | Original (We Play House)

Release: 2024 / EU – Original

Genre: Organic Grooves

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During the early 1980s, “I Specialize In Love” by the American singer Sharon Brown, who happens to be the niece of the songwriter Phil Medley, gained popularity as a club hit. The track was officially released in March 1982 by the prominent Profile Records label based in New York City. Notably, the song marked the debut production of Eddie O Loughlin, who later went on to establish the renowned Next Plateau label. “I Specialize In Love” achieved a remarkable feat by spending three weeks at number two on the US Hot Dance Club Play chart. Its success extended globally as it also charted on the UK Singles Chart and secured a position in the Dutch Top 15, solidifying its status as an international club hit. Moving on from Ben Liebrand’s Classic Rework and his more club-oriented DJ Mix of the track, it’s now time to unleash the Ben Liebrand Le Disco Mixes. You just know from the filtered kick intro, and the funky, ass-shaking bassline to expect an awesome, authentic, disco-fied party jam for today: six and a half minutes of dancefloor delight. all other singles, extended versions only.

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Mona Lee

Mona Lee Presents

LP | 2024 | UK | Original (Synthethesia)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Mona Lee aka Lissa Callens and WPH label man Red D go a long way back. Red D always knew it was a matter of time before Mona Lee would come up with some music he could not refuse. A gig together and the first notes of ‘The Reason’ and that was that.

Classic house that would make Kerri Chandler proud is the order of the title track. A bright piano melody, a good vocal hook and rough and ready beats in a crisp production that will shake up any dancefloor. Red D himself delivers a dub that focuses on the hooks and makes them shine even more on top of a killer funky bass line. For good U.S. house measure Atlanta’s finest Stefan Ringer steps up to deliver his trademark dusty twist on things. As a bonus you get ‘Spaces & Places’, a delicate organic deep house beauty with Mona Lee scatting ever so subtly to make you go out of your home and out of your head.

It’s house, it’s good and it will make you dance and sing.

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Resolution 88

Vortex

That's Amazing Grace / Siren's Echo Iron Lung

Release: 2024 / UK – Original

Genre: Organic Grooves

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Resolution 88: Tom O’Grady - Rhodes Electric Piano, Hohner Clavinet D6, ARP Odyssey, Oberheim Four Voice Polyphonic Synthesizer, Solina String Ensemble, Mellotron M400, Streetly Electronics Novatron, Roland CompuRhythm Cr-78, Maestro Echoplex Ep-3, Fender Fuzz-Wah, Maestro Phaser Ric Elsworth - Drums Tiago Coimbra - 1978 Fender Jazz Bass, Anaconda Ultra J4E-elite Bass Oli Blake - Percussion, samples and effects

Other performers: Tom Smith - Tenor Saxophone, Soprano Saxophone, Bass Clarinet Vanessa Haynes - Vocals

Recorded by Mike Thorne & Joshua Holland at Rimshot Studio Additional recording: Oberheim Four Voice Polyphonic Synthesizer recorded with Lester Barnes in his spaceship Mellotron M400 and Roland CompuRhythm Cr-78 recorded with Mat Roberts at Effort Studios Streetly Electronics Novatron recorded with Jason Court at Flying Cuttlefish Music

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All Seeing Dolls

10"+CD | 2024 | EU | Original (A)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Aurora 10th Anniversary Edition Limited Red Vinyl Edition

Ben Frost

LP | 2024 | Original (Mute)

Release: 2024 / Original

Genre: Electronic & Dance

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2LP | 2024 | EU | Original (Wagram)

V.A.

Soul Vinyls

27,99 €*

Hey, At Least You're Not Me

Release: 2024 / EU – Original

Genre: Organic Grooves

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After Funk Vinyls, rediscover the most beautiful voices of Soul in this amazing double vinyl: Soul Vinyls.Including Aretha Franklin - Ben E.King - Al Green - Barry White - Stevie Wonder - Etta James - Ibeyi - Terry Callier - Al Jarreau - Dionne Warwick - Ray Charles - Aloe Blacc - Sharon Jones...

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Why Bother

LP | 2024 | US | Original (Feel It)

LP | 2024 | UK | Original (Twin System)

Release: 2024 / US – Original

Genre: Rock & Indie

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"Greetings from the Northern plains of the hopeless heartland. We are now entering the time when the leaves hiss and the dark corners of reality are not so brightly lit....And hidden within these long shadows reside the band WHY Bother? where they have recorded and will be releasing yet another album to close the punk rock door on 2024. ...This record we call 'hey, AT Least You're NOT ME' was going to be released in 2025 , but we decided that the sooner the better is the way to go so we can focus and work on more material for the future. (Until then, this is our self-proclaimed masterpiece to date) So what do you think?... Is there even a future to talk about?.... Well, the ALL seeing eye says YES. But will you be there to embellish it is the Real question. If so, we will be there waiting for you. Sincerely, WHY Bother?"

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Lamina

Olas Curativas

22,99 €*

Live At Budokan Budokan Marbled Redwhite

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Lamina is the moniker of multi-disciplinary French artist Clarice Calvo-Pinsolle. 'Olas Curativas' is Calvo-Pinsolle's first vinyl release. Taking influence from the natural world, works of hydrofeminism, and experiences with hypnotism, Calvo-Pinsolle prolifically performs and records her own refreshing take on ambient music alongside working as an established installation artist. She has previously released two full-length albums on Orila Records & Complex Holidays, as well as a joint LP with Kitchen Cynics, and a collaboration project with Bear Bones Lay Low under the moniker Xaxi. Her discography is fleshed out by various contributions to compilations, including the opening track 'Soupire' on Twin System's 'Tendrils Lurched Purple In The Slush' tape series. Radio play of Laminas music includes Graham Dunning / NTS, Emil Mirzoev/ Kiosk Radio, Laura de Diaz / Campo Base, xYsse / Radio Vacarme, Melina Despretz / Kiosk Radio, Chris Penty Alvarez / Noods Radio, Leoni Leoni / Radio Alhara, Laura Connant / Ola Radio, Bravo Tounky / Rootradio. Performances of material from 'Olas Curativas' include shows at Cafe Oto / London, Cosmos / Lisboa, TV Control Center / Athens, Iklektic / London, Braille Satellite / Lithuania, Slug Gallery / Leipzig, Spazio X / Treviso, Krut Festival / Ghent, Schiev Festival / Brussels, Woodblocks Festival / Brussels.

'Olas Curativas' was developed and written in 2022, with these pieces first heard as live jams at shows mainly around Brussels and Portugal, before being honed into this mesmeric full-length LP. Calvo-Pinsolle's effective use of manipulated field recordings and tape loops provide a backdrop for harmony that leans towards the mystical, brimming with melodies equal parts haunting and enchanting. Alongside harvesting a sound library over the past several years, Calvo-Pinsolle has developed an approach to composition using field recordings that informs both her musical and sculptural work. These recordings are transformed much like the ceramics seen in the record artwork; shaped, chiseled, and transformed. These ceramics were crafted and painted by Calvo-Pinsolle herself, and hints at this bridge between her two disciplines of music and sculpture. Although an expansive realm, throughout Calvo-Pinsolle's output there are consistent moods and qualities that are absolutely distinctive to this artist's creative worldview, and of which 'Olas Curativas' is a perfect encapsulation.

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Helloween

3LP | 2024 | Original (Reigning Phoenix Music)

88,99 €*

Safe And Also No Fear Tangerine Color Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Get ready to dive headfirst into the electrifying world of HELLOWEEN with their new live album, a colossal release that immortalizes their iconic performance at Tokyo’s legendary Nippon Budokan. With 29 cameras capturing every nuance, each moment of the concert is preserved in stunning detail. This attention to detail means the DVD and Blu-ray versions offer an immersive viewing experience, making fans feel like they are right there in the front row. The setlist of this live album is a treasure trove of surprises, contains the entire 2 hour + show and offering a fresh experience compared to previous releases like "United Alive." This live album is more than just a concert recording; it's a celebration of HELLOWEEN's enduring impact on the metal scene. Dropping on December 13, 2024, through RPM, this release is available in a plethora of formats: 2-CD, 3-LP, Blu-ray, and DVD, ensuring every fan can relive the raw, unfiltered energy of HELLOWEEN in their preferred medium. A01 - Orbit (00:01:58)A02 - Skyfall (00:12:51)A03 - Eagle Fly Free (00:08:04)B04 - Mass Pollution (00:04:57)B05 - Future World (00:05:05)B06 - Power (00:04:26)B07 - Save Us (00:05:16)C08 - Kai's Medley (00:16:07)C09 - Forever And One (Neverland) (00:04:46)D10 - Best Time (00:05:04)D11 - Dr. Stein (00:05:54)D12 - How Many Tears (00:12:20)E13 - Keeper Of The Seven Keys (00:20:46)F14 - Perfect Gentleman (00:04:53)F15 - I Want Out (00:11:09)

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Dog Slaughter Beach

LP | 2024 | US | Original (Lame-O)

Release: 2024 / US – Original

Genre: Rock & Indie

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12" | 2024 | EU | Original (Disctechno)

Mark Grusane

Take Me Feat. Saucy Lady

21,99 €*

12" | 2024 | UK | Original (No Input)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Chicago underground legend Mark Grusane presents "Take Me" on his own Disctechno imprint, a proper 12" single featuring vocals from DJ Saucy Lady, the "Beantown Disco Queen." The lead single uses a driving bassline, infectious synth fills and filtered arps and pads to build up an electrified disco heater with sweat-soaked NRG. Saucy Lady's seductive, dubbed out vocals bounce off the walls with a repeating mantra of "just take me" and spoken words from a creature of the night, backed by her harmonizing ooh's and aah's. This combination sounds something like Bobby O locked in a Chicago basement during a heatwave with nothing but a fog machine and broken A/C for company. On the B-Side, disco wizard Rahaan reworks the lead single with a "Psychedelic Dub" that layers the sounds of machine funk synth sweeps and disorienting tweaks for a mesmerizing take on the lead single. On either side of the record are also the Dub Instrumental and Accappella versions - versatile tools for freaking out any dancefloor.

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No Input

Release: 2024 / UK – Original

Genre: Electronic & Dance

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"No Input" is the debut eponymous EP by the electronic duo composed by the Palestinian modular synthesis artist Karim Atari, and the Italian electronic music producer and co-founder of Abu Recordings, boyjayne. The 20-minute EP features an eclectic mix of acid, electro and downtempo dub techno inspired by the likes of Drexciya, Filmmaker, and E.R.P. With this EP, No Input sought out to make distinctive high-energy tracks for the dance floor. Their approach combines modular synthesis and sample manipulation techniques, creating a sound that is at once reminiscent of classic techno and electro and unpredictable in its novel reinterpretation.

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LP | 2024 | US | Original (RCA Victor)

Everyone You Know

Ain't Smiled In Ages

39,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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I Häxa (Part I, II, III & IV)

I Häxa

LP | 2024 | EU | Original (Pelagic)

LP | 2024 | Original (Energy Exchange)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Mysterious, multifaceted collective i Häxa have unveiled their epic self-titled, full length debut; a ground-breaking conceptual double album shaped by a collision of ancient gods and bleeding-edge technology_Released as four distinct Parts over the course of the year, `i Häxa' now comes together as a singular vision that weaves together genre-defiant soundscapes, abstract cinema and ancient meteorological mythologies from singer-songwriter and visual artist Rebecca Need-Menear (also of electronic alt-rock duo Anavae) and forward-thinking producer Peter Miles (Architects, Dodie, Fizz). i Häxa is a ritualistic dissection of the world as we know it, a forceful separation of the monotony of modernity from the rites and rituals that for centuries formed the foundations for who we are, how we came to be and where we claim to belong. Disjointed fragments of time collide. Two sides, one of logic and one of chaos, seeking unity and balance through an expression of freedom. This is i Häxa. Whilst the album is composed of four distinct movements, each consisting of four distinct tracks themselves; pulling them apart into easily digestible, standalone singles isn't an easy feat and, as is now clear from the project's sprawling cyclic nature, was never the intention. In an age of fast fun and instant gratification, the ties that bind these works together are intended to transcend tracklisting. With aural, visual and lyrical themes freely intertwining, i Häxa is something to be consumed whole; just as it will, in time, consume you. Charting an existential journey to the very depths of what makes us who we are, with every dark corner illuminated in glitched out, discordant glory; i Häxa is a project years in the making that draws simultaneously from rituals for old gods and the modern day deification of data. i Häxa is both heartwarming and horrifying; i Häxa is ancient history and hyper-real; i Häxa is everybody and no one at all.Check out if you like Radiohead, Julie Christmas, Agnes Obel, Bjork,...

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Xpress Point

Been Remindin' Me

LP | 2024 | US | Original (Chunklet)

Release: 2024 / Original

Genre: Electronic & Dance

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After a string of ambient and experimental releases across labels such as Bedroom Suck, Best Effort, Ken Oath and Analogue Attic, Matthew Hayes - veteran bassist of Z*F*E*X, welcomes his latest project Xpress Point, designed to keep your hips moving rather than kicked back on your couch. Born out of jam sessions and collaborations with artists such as Dreamcastmoe, Jitwam, Ziggy Zeitgeist, Finn Rees and Allysha Joy and an obsession with reclaiming the nostalgic sound sounds of the Korg M1 and Yamaha DX7, Xpress Point, which takes Its name from a local surf break off the coast of Phillip Island, draws heavily from the boogie tradition with a nod to vapourware, downtempo, balearic and funk breaks.
Assembled in 2023 across Melbourne/Naarm, London and Berlin, from surf breaks to crusty drum breaks, Xpress Point is a vehicle for Hayes to search for the perfect bass line, explore funk minimalism, continue nurturing longtime musical relationships with close friends and offer his own take on music to make you move.

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Limbo District

Carnival

49,99 €*

12" | 2024 | UK | Original (Tina)

Release: 2024 / US – Original

Genre: Rock & Indie

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In August 1982, Limbo District—percussionist Jerry Ayers, vocalist Craig Woodall, bass player Davey Stevenson, Farfisa player and vocalist Dominique Amet, and guitarist Tim Lacy—traveled from Athens, GA to Winston-Salem, NC to record at Mitch Easter’s Drive-In Studio. The session took place just two months after fellow Athens band R.E.M. had gone there to record their debut Chronic Town EP.

With Easter, Limbo District recorded a five-song set of bewitching rhythms and guttural poetry, chants, and howls that culminated in a Dionysian, avant-garde pulse.

These songs later accompanied photographer Marlys Cox’s images brought to life in Jim Herbert’s experimental film, “Carnival.” Aside from the few seconds of “Carnival” that appeared in Tony Gayton’s documentary “Athens, GA: Inside/Out,” Limbo District has remained unheard by anyone who wasn’t there to witness the band's powerful blend of music and performance art as it happened.

Carnival offers a glimpse behind the curtain, revealing a contemporary of the B-52’s, Pylon, R.E.M., the Method Actors, Love Tractor, and more, and presents a thread to unravel a perfect mystery.

Limbo District’s significance is matched only by its obscurity, and the complete Mitch Easter session has remained unreleased until now.

"When I moved to Georgia in 1991, the only Athens band I was looking for was Limbo District. For decades, I remained empty handed. And now, the crown jewel of the Limbo story is unearthed: Carnival. Chunklet is proud to have excavated this apparition and it is now time to celebrate the band's delirious, cryptic and in-the-moment existence. Behold: Limbo District!"—Henry Owings, Chunklet Industries

“It was exactly the kind of thing that I wanted to be doing. … Limbo District stood tall as being absolutely their own thing, and not remotely concerned with commercial music at all. Still, the songs were catchy.”—Mitch Easter (original producer, owner of Drive-In Studio, Let’s Active)

“Everything about Limbo District is kind of a surprise. Their music is its own category. What struck me was the uniqueness of it. In a college town music scene, there are so many creative young people who tend to wear their influences on their sleeve. Limbo District's music is not easily pegged.”—David Barbe (2023 producer, Chase Park owner, Mercyland)

“Michael Stipe championed Limbo District because he connected with Jerry. They were such close friends back in those early days. He helped Michael see a vision for himself that he would not have seen on his own, and things wouldn't have been the same for R.E.M.”—Lady Clare Butler, The Now Explosion

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Roberto Musci

Cargo Cult

22,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tina Records presents Cargo Cult, six tracks from the Musci archives created using an extensive collection of ethnic instruments combined with synthesisers and electronics, with remixes provided by Cut Hands and Nokuit.
Italian ethnomusicologist Roberto Musci, active since the mid 80s, has experienced a resurgence in interest since the 2016 Music From Memory compilation 'Tower of Silence', receiving endorsements from disparate influential figures. His music featured in a playlist Ryuichi Sakamoto curated for his favourite Japanese restaurant in New York, as well as in a 2019 Yung Lean playlist for The Opioid Crisis Lookbook.
Cut Hands is the alias of William Bennett, most well known as the originator of the Power Electronics genre with his project Whitehouse. Inspired by Haitian Vodou, under the Cut Hands moniker, Bennett has been exploring rhythm and percussive instrumentation since 2007 with releases on Blackest Ever Black and Downwards.
A film composer by day, Nokuit has developed a distinctive cosmology over a mutating series of releases on underground labels such as wannamarchi.club and NKT. He has performed internationally, including at Cafe OTO as part of a lineup curated by Flora Yin-Wong.

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LP | 2024 | US | Original (Warner)

Dani Fernandez

La Jauria

Release: 2024 / US – Original

Genre: Pop

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Tv En Francais: 10th Anniversary

We Are Scientists

LP | 2024 | US | Original (Universal)

45,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Pure Noise)

Less Than Jake

Uncharted

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | UK | Original (Synthethesia)

Resolution 88

Vortex

LP | 2024 | Original (Not Now Vinyl)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Duane Eddy

The Very Best Of

Release: 2024 / Original

Genre: Rock & Indie

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Spiritual Healing: Bwa Kayiman Freedom Suite - Blue&Red

Jowee Omicil

LP | 2024 | EU | Original (Bash! Village)

44,99 €*

LP | 2024 | US | Original (Carbon)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Joseph Omicil, Jr, a.k.a. Jowee Omicil, is a Haitian-Canadian jazz musician. He has worked in the past with artists such as Roy Hargrove, Pharoah Sanders, Tony Allen, Kenny Garrett, Jacob Desvarieux, Glen Ballard, Harold Faustin, Michel Martell, etc. He hosted Quincy Jones" 85th birthdaycelebration at Montreux Festival. He also starred in the Netflix series The Eddy, produced by Damien Chazelle, and Le temps d"aimer, directed by Katell Quillévéré (Cannes Festival2023). The Bois-Caïman ceremony was Haiti"sfirst major collective uprising against slavery. On his new album, SpiriTuaL HeaLinG: Bwa KaYimaN FreeDoM SuiTe, Jowee performs his ancestors" revolution in his own way. Joweebrought together all his inner tubes, soprano,alto, tenor, wood, clarinets, piccolo _¼éute, cornet, that blows, that winds, that rumbles. This record is an incantation, a therapy, it cleanses the world by drawing on the fantasized memory of the Haitian revolution. There are Freedom Suites by Sonny Rollins, Max Roach and others. Prayer music, music to break the chains in your head and on your wrists, music of black power and white magic. For Jowee, a kid from Montreal, son of a Haitian pastor, who sang Jesus in all the tones, and then Michael Jackson, and then 2Pac, who learned jazz from Ornette Coleman, the ceremony necessarily has the taste of free. This record is a healing hour- long improvisation.

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Ethan WI

Blood Farm

34,99 €*

12" | 2024 | EU | Original (Electrowax)

Release: 2024 / US – Original

Genre: Rock & Indie

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This is my latest album, about 40 straight minutes of acoustic guitar. All originals, live takes, and no overdubs. Filmmaker and Journalist Bill Lichtenstein told me that it ‘sounds like Mississippi Fred McDowell.’ On the last track my friend Isabel plays a tanpura that I had just acquired a few days before from an old acquaintance of John Fahey’s in Takoma Park.”—Ethan WL

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Mix-O-Logy

Reciprocity EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Music On Vinyl)

Ike & Tina Turner

'Nuff Said

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Little Electric Chicken Heart

Ana Frango Elétrico

CD | 2024 | WW | Original (Mr Bongo)

Dread Propecy Crucial Cuts

Release: 2024 / WW – Original

Genre: Organic Grooves

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Here at Mr Bongo we have been inundated with people asking us to reissue this release. Ana Frango Elétrico's petit cult classic masterpiece 'Little Electric Chicken Heart' from 2019, which was only ever released on vinyl and CD in Brazil and Japan, has fast become a collector's item.

Well received by fans, DJs, and reviewers on release, The Needle Drop expressed "Ana Frango Elétrico's authentically vintage fusion of chamber pop, rock, samba and jazz is a real blast!" listing it as one of its Top 50 Albums of 2019. The album's reputation has been slowly building ever since, gaining a Latin Grammy nomination in 2020, and now solidly cementing itself as a gem of contemporary Brazilian music.

Across the albums nine tracks, Ana blends elements and influences from MPB, Tropicália, indie rock, punk and pop, forging them together with a sumptuous dose of her signature style. The finesse of 'Saudade' kicks off the LP, one of Ana's most known tracks to a non-Brazilian audience. A sublime opener, beginning with a spellbinding piano solo before transcending into a beautiful dream-laden slice of warmth, complete with luscious jazzy horns and deft vocal delivery. ‘Promessa e previsões’ follows, the only track on the album not to be written by Ana, instead being penned by Chico França. It’s a swelling and sweeping twilight groover, building and breaking across absorbing peaks.

Other highlights on the album include the anthemic 'Chocolate', which was a firm favourite with a packed sing-along crowd when we heard Ana perform it live. Elsewhere, 'Se No Cinema' hits with its quirky allure, charm and catchy melodies before transforming into a carnival spirit.

Tapping into the richness of Brazil’s new wave of musical energy, the album also includes a heavyweight lineup of collaborations with artists such as Dora Morelenbaum (Bala Desejo), Tim Bernardes, Antonio Neves and Guilherme Lirio to name but a few.

A short, sweet and refreshing record, that leaves nothing to waste, marrying playful ideas with poignant themes. 'Little Electric Chicken Heart' is a future classic and will beguile fans of ‘70s Brazilian recordings, Gal Costa, Mac DeMarco, Stereolab, Superorganism, Caetano Veloso and more.

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Yabby You

LP | 2024 | US | Original (Shanachie)

35,99 €*

Release: 2024 / US – Original

Genre: Reggae & Dancehall

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Preorder shipping from 2024-12-06

OST Rivelazioni Di Uno Psichiatra Sul Mondo Perverso Del Sesso (Revelations Of A Psychiatrist On The World Of Sexual Perversion)

Gianfranco Reverberi

2LP | 2024 | EU | Original (Four Flies)

Soul Man Soul Flip Edit / Now That We Found Love Soul Flip Edit

Release: 2024 / EU – Original

Genre: Soundtracks

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Preorder shipping from 2024-11-22

Four Flies is thrilled to present the very first release of Gianfranco Reverberi’s hidden masterpiece: a mind-blowing soundtrack, possibly his wildest and most daring. This Italian score is sort of a Holy Grail for fans of the spaghetti sound, especially thanks to the legendary track "Psicolimite".

In 1973, a mysterious 45 rpm single surfaced under the name ‘Sharon Chatam e la sua Orchestra.’ The single seemed to be a harmless cover of the theme from Last Tango in Paris, complete with a typical image from the film. But behind the innocent facade, a secret was hidden: the B-side track, “Psicolimite,” was actually the main theme from Rivelazioni. When someone in the United States figured this out and realized the ‘Sharon Chatam’ moniker was a pseudonym for Reverberi and his team, the price of the record skyrocketed, making it a coveted collectible.

This makes the discovery of the full soundtrack even more exciting, considering that the music Reverberi composed for the infamous film by Renato Polselli - one of the most outrageous and uncompromising Italian genre cinema directors - was thought to be lost forever, perhaps vanished into the depths of some film processing lab. But thanks to the sleuths at Four Flies, this enigmatic masterpiece has been resurrected and presented in all its glory. It's available now as a luxurious gatefold double LP with original artwork by the brilliant Eric Adrian Lee. While the film, despite some critics praising it as “psychotronic,” is a bizarre mishmash of rambling pseudo-psychoanalytic theories and sexual deviance voyeurism, the music stands out as a foremost, vital element, able to exist on its own.

Reverberi’s reputation as a serious, refined producer (for artists like Lucio Dalla, Gino Paoli, Luigi Tenco, and many more), however, led him to keep his distance from exploitation films like Rivelazioni. To maintain his image, he had his friend and former schoolmate Umberto Cannone take credit for the score – a tactic he also used for Polselli's next film, Mania (1974).

But this anonymity might have unexpectedly increased his creative freedom, for the score he put together and recorded is experimental, at times raw, and driven by a relentless rhythm section where bass and drums lay down the groove. The use of electronic instruments is impressive for the time, with drum machines and spacey synths creating a dark and dreamlike atmosphere. Psychedelic flutes, piano phrases, crazed percussion, filters, compressors, and jazzy improvisations on sax and vibraphone complete the mix.

The full soundtrack was recovered following the discovery of the original 1-inch, 16-track tapes, which were transferred, mixed, and mastered for optimal listening on both vinyl and digitally, with the digital version featuring 8 bonus tracks.

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Sam & Dave / The O'jays

7" | 2024 | UK (Soul Flip)

LP | 2024 | EU | Original (Cortizona)

Release: 2024 / UK

Genre: Hip Hop, Organic Grooves

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Preorder shipping from 2024-11-01

It's been a while, but after some significant restructuring behind the scenes, Soul Flip is back in the groove, with a fresh new look, and more sweet, soulful sounds.

Chapter 16 of the Soul Flip story sees Del Gazeebo breathe fresh life into a couple of absolute classics, steering them directly at the dancefloor.

First up for the Soul Flip treatment is Sam & Dave's "Soul Man", Del somehow making an already big tune even bigger, and very much more DJ-friendly.

On the flip, Del takes the O'Jays original version of "Now That We Found Love" & injects it with fresh energy. It also retains the glorious strings from the album version that was edited out from the original 7" (UK only) release.

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Brahja

Nebulizer

25,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

From the first moment the pulsating tone of Devin's synth blends with the whispering voices of Earth, Wind and Choir and the menacing bells Naima Karlsson set in motion this record you just know and feel immediately 'Nebulizer' will be a soul-searching journey, soaking you deep into an unknown and very personal musical world.

Devin Brahja Waldman is a New York saxophonist, drummer, synthesizer player and composer who leads the group BRAHJA. He has performed with Patti Smith, William Parker, Nadah El Shazly, Malcolm Mooney, Thurston Moore, Godspeed! You Black Emperor, Charles Hayward, Luke Stewart and Yoshiko Chuma. Waldman is also a member of NYC's Heroes Are Gang Leaders (led by poet Thomas Sayers Ellis and saxophonist James Brandon Lewis), of Sam Shalabi's Land of Kush, and of the Norwegian hardcore group MoE.

In 2022 BRAHJA released the critically acclaimed album 'Watermelancholia' on the Belgian leftfield imprint Cortizona. For his second album on the same Cortizona label, Devin Brahja Waldman gathered a group of insanely gifted and talented musicians to start a new and highly moving musical chapter titled 'Nebulizer'.

Together with Adam Kinner, Georgia Wartel Collins, Earth, Wind and Choir, Luke Stewart, Kenichi Iwasa, Naima Karlsson, Alexis Mercelo, Janice Lowe, Watson and Damon Hankoff, Devin forms a slow-burning fireball unity.

A devotional séance channelling unknown powers proving music is a healing force of the universe.

Rejoicing the Holy Jazz Spirit.

Ready to nebulize the world and bring light out from the darkness. Head cleaning the world in 4 musical parts: Geological Drum, Nebulizer, Bushido and Movements of The Mind. Nebulizer is an elevating meditation on our estrangement of nature.

Interstellar sonic stardust from a mindblowing collective that will leave you flabbergasted.

Be prepared and hear it to believe it.

For fans of: Art Ensemble of Chicago, Archie Shepp, Pharoah Sanders, John & Alice Coltrane, Kamasi Washington, Shabaka Hutchings, SAULT, Ill Considered, Jamie Branche, Angel Bat Dawid, Mackaya Craven, Matana Roberts, Sun Ra and other good music.

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Tony & Howie / Phyllis Dillon

Folk Song / Love Is All I Had

7" | 2024 | Reissue (Dutchess)

Release: 2024 / Reissue

Genre: Reggae & Dancehall

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Preorder shipping from 2024-11-08