Search "men+i+trust" 20793 Items

Release: 2024 / EU – Original

Genre: Rock & Indie

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Jethro Tull - Aqualung Redux Black Vinyl Edition

V.A.

LP | 2024 | EU | Original (Magnetic Eye)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Cotton Crown Black Vinyl Edition

The Tubs

LP | 2025 | US | Original (Trouble In Mind)

23,99 €*

Purple Teeth The Bravery Doll House - Live

Release: 2025 / US – Original

Genre: Rock & Indie

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The Tubs' second album, Cotton Crown, sees the Celtic Jangle boyband venture into darker, more personalterritor y while continuing to hone their highly addictive brand of songcraft. It 's a true level up album whichsees the band expand their sonic palette to take in a kaleidoscopic range of influences: everything fromsoulful pub rock (Chain Reaction) to Husker Du aggression (One More Day) to melancholy sophisto-pop(Narcissist) gets a look in. As Pitchfork noted, The Tubs see jangle as a `vast world of moods and muses' andCotton Crown sees them continuing to explore this world and creating a distinctly Tub-ular sound in theprocess.This is in no small part down to Owen `O' Williams' vocal performance- often compared to a youngRichard Thomson- and his frank, bleakly funny lyric writing. Cotton Crown sees him delve further into hisfavourite themes of love-psychosis, unsympathetic mentally ill behaviour, and the humiliations of being amusician in London. This time around, however, there's a palpable sense of risk in his self assessments/confessions.No more so in the track's closing track Strange- an accounting of the clumsy, intrusive, well-meaningsocial interactions that took place in the period following the suicide of his mother (the folk singer CharlotteGreig.) As Williams says: "I'd tried a few times to write a song about it. The result had always seemed eithermawkish, simplifying or like I was hawking my trauma. But then this one came out, and it felt right because itlooked at something smaller: the weird, unsatisfying, strangely funny ways everyone, including myself, actedafter the dust settled." The album artwork features an image of Williams as an infant being breastfed by Greigin a graveyard- a promotional shot taken around the release of her debut album (the re-issue of which wasfeatured in The Guardian in 2023.)The essential trick Cotton Crown plays is to offset Williams' lyrical bleakness with joyous, hook-laden blastsof pop perfection. This is largely down to th...

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Del Water Gap

LP | 2024 | US | Original (Mom+Pop)

17,99 €*

Realms Gold Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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“Purple Teeth, The Bravery” is pacing and nocturnal, before surrendering to lightness in a spirit-lifting chorus. The brass section in the coda lends the song a timeless quality which is unmistakably Del Water Gap. This bonus addition unlocks new dimensions to the page-turning, intimate storytelling of his most recent album, "I Miss You Already + I Haven't Left Yet." His sound scales indie-rock’s golden heights, while remaining tender and internal in the way of a deep purple bruise.

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Darkher

LP | 2024 | Original (Prophecy Productions)

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (BPitch)

V.A.

We Are Not Alone Part 7

28,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Asmara)

Julie Kuhl

Clouds Of Grief

17,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Tape | 2025 | US | Original (Trouble In Mind)

The Tubs

Cotton Crown

The Oh Hellos'family Christmas Album: Volume II

Release: 2025 / US – Original

Genre: Rock & Indie

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The Oh Hellos

EP | 2024 | EU | Original (No Coincidence)

Release: 2024 / EU – Original

Genre: Rock & Indie, Christmas

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The Oh Hellos' Family Christmas Album: Volume Il came to exist in what has now become the typical writing and recording process for the Heath siblings: an interesting but straightforward initial idea that rapidly spins out of control.Not content with only releasing a single to commemorate the ten year anniversary of their first holiday EP, The Oh Hellos pulled inspiration from song arrangements performed on previous tours, medieval motets, moody yuletide carols predating the comfortable glow of mid-20th century nostalgia, and family-holiday-gathering traditions we love to pretend to hate. Now available on limited edition, 10" Vinyl, presented in bespoke parcel packaging.

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Issue 929: Diggin' Secondhand Finds

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Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

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Popeye

Magazine House

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Issue 922: Style Sample '24

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Popeye

Magazine House

Issue 919: Bookworm's Delight

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Popeye

Magazine House

12" | 2024 | UK | Original (KNTXT)

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Charlotte De Witte

Sanctum EP

Tweez 35th Anniversary Deluxe Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Belgian techno tastemaker Charlotte de Witte is back with the brand new Sanctum EP containing vocals of Marion Di Napoli. The release arrives the week after this year's Amsterdam Dance Event from October 16th - 20th and just ahead of her return to LA on November 2nd, where she will play a much anticipated all night long set at City Market.

Thanks to her truly distinct sound, de Witte sits at the frontline of the global electronic music scene. She is a DJ, producer and label head who has reshaped the underground with her blend of hard, dark and driving beats and trance tinged synths. Because of this, she is in demand on all the world's biggest stages, has picked up millions of global streams, established her label and its events art as a leading source of cutting edge sounds, and hosted her own KNTXT Turbo Club during Amsterdam Dance Event this year having already played across Europe, the US, UK all summer long.

Her own productions continue to stand out with fresh ideas and spectacular sun designs defining each one. She proves that once more with this new EP which features the alluring vocals of French singer, DJ and producer Marion Di Napoli. "I fell in love with Marion's voice years ago”, Charlotte explains. “She adds a very mystical touch to all her productions that have the power to bring you in a certain trance on the dance floor. I'm beyond excited about this release, on which every track her angelic voice is present.”

Sanctum kicks off with hard and heavy drums that will rattle warehouse walls as the searching synths add a futuristic feel next to twisted acid lines and the spell bound vocals of the angelic Marion. Fourth Dimension is a moody and driving techno roller with the vocals worked into hypnotic, soulful loops that add human warmth to the hypnotic drums and icy hi-hats. It's a warm and mystical world of sound then Fugato is an evocative ambient piece with soothing and exotic vocal coos and great cinematic tension.

This is another innovative EP from the one and only Charlotte de Witte.

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Slint

2LP | 2024 | EU | Original (Touch & Go)

49,99 €*

LP | 2021 | EU | Reissue (AD93)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Limited edition 2xlp of 3138 copies on opaque white 180 gram vinyl

LP1 original album remastered by Bob Weston LP2 full album remixed from original multi-track almasters liner notes by Steve Albini and Ethan Buckler gatefold jacket with full color inner sleeves hand numbered 1 through 3138 SLINT is a band from Louisville, Kentucky. tweez was its first recording. LP1: Originally recorded by Steve Albini and released in 1989, tweez has been remastered by Bob Weston at Chicago Mastering Studio from the original analog master tapes. LP2: tweethan mix. Per Ethan Buckler (Slint bassist on tweez), "Finally - after thirty-five long years - the other guys in Slint decided to be nice to me and let me have my Tweez remix. I complained incessantly back in the day about how the Albini production style ruined our first recording." In 2023, Ethan took the original multi-track recordings to a local studio in Louisville. Upon handing the engineer a copy of a pre-tweez Slint practice tape, he said "Make it sound like this." LP2 of this tweez (35th anniversary edition) is the result. Mastered by Bob Weston at Chicago Mastering Studio.

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Moin

Moot!

25,99 €*

LP | 2022 | EU | Reissue (AD93)

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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Moin is a three-piece group consisting of Joe Andrews and Tom Halstead of Raime alongside longtime collaborator Valentina Magaletti of Tomaga, Shit & Shine & CZN. Released on AD93, Moot (2021) marks a creative left turn for the label and a pared-down studio approach for the artists involved.

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Moin

Paste

25,99 €*

Elephant9 With Terje Rypdal

Release: 2022 / EU – Reissue

Genre: Rock & Indie

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"Paste" is the second album by Moin, released in 2022 via AD93. The follow up to their well received debut album "Moot!", the record draws influences from alternative guitar music in its many forms, using electronic manipulations and sampling technique sto redefine it"s context, not settling on any one style but moving through them in search of new connections.

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Catching Fire

2LP | 2024 | Original (Rune Grammofon)

37,99 €*

When I Was Lost, I Found Myself

Release: 2024 / Original

Genre: Organic Grooves

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Ståle Storlokken - Hammond, Rhodes, Mellotron Nikolai Hængsle - Electric bass Torstein Lofthus - Drums Terje Rypdal - Electric guitar.Five years ago, Elephant9 released two double live albums, Psychedelic Backfire I and II, the latter with guest guitarist Reine Fiske, whose favourite guitar...

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Girls Of The Internet

2LP | 2024 | UK | Original (Classic)

Steve Leach With The Crystal Grass Orchestra

Release: 2024 / UK – Original

Genre: Rock & Indie

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Girls of the Internet’s Tom Kerridge announces the release of forthcoming album When I Was Lost, I Found Myself on Classic Music Company, Luke Solomon’s revered imprint. Following the acclaimed, self-released 2020 album ‘Girls FM’, ‘When I Was Lost, I Found Myself’ delves into a deeper and more personal journey for Tom. Spanning 12 blissed out genre-blending house records and featuring stellar vocalists such as Sadie Walker, Allysha Joy, shiv, Allknight, Anelisa Lamola and more, Tom continues to demonstrate his innate ability to nurture talent and collaborate on this latest LP. With heavy support from BBC Radio 1, BBC 6 Music and BBC Introducing, Girls of the Internet’s previous singles from the LP, in particular ‘Never Ever Ever’ featuring Irish singer-songwriter shiv (which also saw a remix from legendary producer Henrik Schwarz) have seen the group reach new heights in recent months. Selected as BBC Introducing’s Track of the Week, both ‘Never Ever Ever’ and the following garage-inspired ‘Gravity’ featuring Allknight have formed a path laden with anticipation for the full LP. Girls of the Internet’s manifesto is clear; to create dance music that calls back to how it was made at its inception, but with the knowledge and experience of the past 50 years of the genre.

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Ocean Potion

LP | 1976 | Reissue (Be With)

Io Sto Con Gli Ippopotami Green Marbled Vinyl Edition

Release: 1976 / Reissue

Genre: Organic Grooves

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Format Notes:

2024 first time vinyl reissue, Seasick Steve in a previous "funky AOR" life(!), 140g vinyl

Track List:

A1 The Light Of The Mind
A2 Hey! Hey! What You Doin To Me
A3 Take Strength
A4 The Lady Of The Sea
A5 All My Life

B1 You're The Only One Girl
B2 At Least We Got Love
B3 All Love's Children
B4 Get Out In The Sun
B5 Golden Hues
B6 I Meditate Each Day

Release Notes:

Steve Leach's Balearic beach-funk beast Ocean Potion, recorded with the Crystal Grass Orchestra is an absolutely ace, Ned Doheny-adjacent funky AOR / blue-eyed soul BBQ classic from 1976.

Who is Steve Leach, you ask? None other than Seasick Steve in a previous life! A French-only release on Philips, it's a hugely immediate, pop-funk firecracker. It features a wonderfully lush, full orchestral sound throughout, underpinning Steve's gorgeous voice and an army of brilliant backing vocalists.

The supporting cast is phenomenal and is arguably the salient reason this is such a fantastic record. We're talking legendary players from the French scene (think Arpadys, Voyage, Kongas, CCPP, Giant, Swing Family) such as Don Ray with his arranger-conductor hat on as well as synths, Marc Chantereau on percussion, Slim Pezin on guitar, André Ceccarelli on drums, Christian Padovan on bass and Pierre Halation on flute.

With these snakes behind the scenes, it remains a mystery how Ocean Potion is so relatively unknown. Hopefully, this long overdue reissue rectifies this and puts a stop to people dropping $200 on it.

Triumphant, horn-forward opener "The Light Of The Mind" has that uniquely Ned Doheny fidgety funk feel with a fantastically irresistible chorus and great harmonies. Just magic. The insouciant, swaggering "Hey! Hey! What You Doin To Me" is straight up white-hot feel-good funk with by turns sweeping and stabbing strings and a neck-snapping break. Crucial. Coming off like something off The Beach Boy's Surf's Up or Holland (including a sneaky "reason to live" reference that surely nods to "The Trader") is the brilliantly ominous, driving wall of sound of "Take Strength". Cavernous drums, urgent strings and a staggeringly good vocal performance make this a real highlight amongst an album of highlights. The blissful folk-funk of "The Lady Of The Sea" is a real naked heartbreaker, melancholic vibes and a beautiful flute line complementing each other perfectly. Side A closes out with "All My Life", a groovy island-funk white-reggae-tinged lilter which just about lands the right side of acceptable.

Side B opens with the gorgeous "You're The Only One Girl" before the propulsive Philly soul of "At Least We Got Love" elegantly glides into focus. Pulsing beats and piano working with that irresistible orchestra of grass. Glacial ballad "All Love's Children" has a deep New Orleans soul feel that truly soars whilst the breezy "Get Out In The Sun" owes a debt to "Crocodile Rock". It's pure pop for now people and wouldn't have been out of place on a late 70s Nick Lowe effort. Deep late-period Beach Boys gem "Golden Hues" is another heavy melancholic down lifter that really beguiles before the real reason you're all here. Pastoral closer "I Meditate Each Day" is just beautiful, and likely the reason this reissue is giving you that special feeling. Another gorgeous flute-led, folk-funk groover, it featured in a memorable mix from the Creme2laCreme crew (Raphael Top-Secret, Jerome Qpchan and Antoine Kogut) live on Red Light Radio over a decade ago and has been top of many heads' wants list never since. Just mellow out.

As ever, the audio for Ocean Potion has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original, iconic sleeve featuring a topless Steve reclining next to his piano on a flatbed truck on the beach (of course?!) has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Walter Rizzati

LP | 1979 | EU | Reissue (Beat)

31,99 €*

LP | 2024 | EU | Original (We Jazz)

Release: 1979 / EU – Reissue

Genre: Soundtracks

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It was 1979, and I was barely 5 years old. Some memories are impressed on my mind with a sort of solarized texture, like in the photographs of the period, full of icons and myths. My father Franco and mother Luciana were like crazy pinballs, touring the world: America, France and Germany were the sides against which they continuously bumped and Italy's capital the hole to which they always returned. I was really young, but I remember very well the period in which my father worked on this little jewel, produced and shot with great love and poetry by Mr. Zingarelli. I remember Italo, a large guy who made an enormous impression on me: tall, with an imposing frame and often wearing a big beard that made him both tender and menacing, like an Italian version of Santa Claus. We owe a lot to this man who gave so much to Italian cinema, sensibly enriching our artistic fortune, sometimes, as in this case, with great irony and poetry. Shot in Africa in the late '70s, Io sto con gli ippopotami (aka I'm for the Hippopotamus), is a movie that in my imagination is just like Italo: humorously menacing and bulky, protective, awesome and sweet, a description that also fits the mascot of this delicious film, the hippopotamus. In this movie we feel the presence of its producer/director's poetry, often handed down with great passion and cheerfulness through his cinema. It's a simple message of love for nature, respect for the weaker and the duty to intervene when they are subjected to abuse. Everything is presented with disarming simplicity, as powerful as it is beautiful. You must confess that you were moved when Terence Hill, toward the end of the movie, delights himself with his friend-of-a-thousand- adventures Bud Spencer by watching the flight of the animals from Mr. Ormond's boat to the wonderful notes of "Freedom," where my father's harmonica together with the melody infuses the scene with an almost maternal sweetness. Well, we are all in debt to this big guy for his kind message and the clean, sparkling, soft and amusing sincerity that dwells there, among the lines of his cinema, apparently devoted to simple entertainment but so wonderfully deep and full of feeling.

Heartiest thanks, Italo. This album, dedicated to the memory of Italo Zingarelli, is released on a 180 grams colored vinyl, mastering by Enrico De Gemini, graphic layout by Daniele De Gemini.

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Peter Evans

Extra

Chameleon Mint Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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Peter Evans makes his We Jazz Records debut with Extra, a new album out 25th October. The band formation includes Evans on trumpet, Petter Eldh (Koma Saxo / Post Koma) on bass and Jim Black on drums. Peter Evans, an acclaimed trumpet player, improvisor, and composer based in New York City presents a gutsy new band that gets right to work with his eight new compositions.

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Trauma Ray

LP | 2024 | US | Original (Dais)

2LP | 2024 | UK | Original (Nervous)

Release: 2024 / US – Original

Genre: Rock & Indie

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Since first bonding over Slowdive at a Texas karaoke bar six years ago, musicians Uriel Avila and Jonathan Perez have grown trauma ray into Fort Worth's foremost flag bearer of crushing shoegaze. A five-piece rounded out by bassist Darren Baun, drummer Nicholas Bobotas, and guitarist Coleman Pruitt, the band's debut album, Chameleon, captures their evolving sound at an apex of majestic devastation. A fusion of downer hooks, gauzy melancholia, and bulldozer riffs, the album heaves and crashes across 50 minutes of stacked amplifier alchemy. Lyrically the songs trace similarly lofty and brooding terrain; Avila says "The theme is death. And a chameleon, like death, can shape-shift in and out our lives in different forms." Chameleon opens with "Ember," dreamy and distant, alternately anthemic and apocalyptic, defeated and deafening. Lead single "Bishop" perfectly encapsulates trauma ray's depth and dimension, ripping out of the gate with "the biggest, baddest, saddest wall of sound." Lyrics about being burnt at the stake and "tossed in the flame" float above a stop-start assault of precision distortion, eventually expanding into a lush, heavy, sorrowful end coda. "Spectre" is a mysterious, introspective dirge, envisioned as a "mellow, slowcore, Duster-thing," all feeling and heavy fuzz chords (with no lead guitar). Avila wrote it, "to be a hymnal" from the perspective of someone who won't let go - a ghost, an ex, a shadow self. Although the album is rich with subtleties, graceful lulls, and "breaths of air," the band's three guitar attack is its defining force, a power flexed to its peak on "Bardo." Perez's intentions were blunt: "I wanted to write a riff that was hard as fuck." The result is alternately mean and eerie, veering between noisy one string bends and surging headbang, mapping a middle ground between Unwound and early-Deftones. One of trauma ray's greatest gifts is their ability to make doomy, sledgehammer heaviness sound like an earworm, without production tricks or gimmicks: "Riff, verse, chorus, three guitar parts - that's all you need." This quality is particularly apparent on the title track, a churning slab of amplifier worship, swirling chords, and heavenly, defeated vocals about not belonging, shape-shifting, and death ("A twisted face / Void of attention / An empty space / In your reflection"). "U.S.D.D.O.S" closes the album, swaying across seven minutes of grey skied guitar and haunted voice, subtly thickening as it deepens. Feedback and shrapnel gradually begin raining down, like a satellite disintegrating in the atmosphere. Titled as an acronym after a poem by Chilean writer Roberto Bolaño that loosely translates to "a dream within a dream," the melody softens, smears, and then disappears, slowly swallowed by the gravity of eternal descent. Chameleon is a masterpiece of craft, balance, melody, lyricism, and gravity, flexing a fresh vision of loud-quiet-loud architectures and the vertigo depths of blasted harmonics. From Slowdive to Nothing, to Hum and beyond, the band absorb and expand on their influences into a rare and dedicated alchemy. trauma ray's cinematic tempest is a gathering storm only just taking flight.

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Teddy Douglas

I’m Here

28,99 €*

12" | 2024 | EU | Original (All Day I Dream)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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US House Music legend Teddy Douglas of Basement Boys and Jasper St. Co. fame gets set to unleash his first solo artist album, ‘I’m Here’, on the iconic label, Nervous Records. Teddy has gone all out to deliver one of his most creative and musically diverse albums to date. ‘I’m Here’ is a colourful pallet of meaningful songs and grooves that reach far beyond Teddy’s signature soulful Baltimore House sound, with added infusions of Funk, Rock and Jazz, yet still loaded with plenty of Teddy’s trademark House and Disco sounds that we all know and love.

Across the album he’s pulled together an array of heavyweight international vocal talent including; UK vocal diva Pauline Taylor; Danish award winning Folk and Blues artist, Richard Farrell; Chi Town Hip House legend, Fast Eddie; dance music’s legendary No.1 vocal queen, Ultra Naté; up and coming Brit Soul talent, Sipho; and Buckshot from Blackmoon appearing as BDI Thug. From the shimmering cover of The Frontline Orchestra’s ‘Don’t Turn Your Back On Me’ with Pauline Taylor on the vocals, to the downtempo rocky vibes of ‘Help!’ with Sipho delivering a spine-tingling gravelly vocal, ‘I’m Here’ is testament to Teddy’s finely tuned expert musicianship and impeccable knack for penning great songs and delivering vibrant covers.

Baltimore’s Teddy Douglas has produced everyone from Michael Jackson, Lenny Kravitz, Crystal Waters, Erykah Badu, Martha Wash and Ultra Nate’ and was an important figure in the development of the Baltimore “House” Sound. Teddy has held down a long and successful DJ career since 1983 staring out in Baltimore and spreading his wings globally gracing the decks at clubs such as Yellow in Japan to London’s Ministry of Sound and beyond. In 1985 he met Jay Steinhour and Thommy Davis, who later formed The Basement Boys production company. The Basement Boys have produced countless dance classics like Crystal Waters’ 1991 Gold single, ‘Gypsy Woman’. In the mid 90’s Teddy Douglas and Jay Steinhour opened Basement Boys Records and released club anthems from Teddy Douglas, Jasper St. Co., Ann Nesby, Those Guys, DJ Spen, Byron Stingly, Karizma, Kenny Bobien, Taja Seville and more

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Rebelski

The Sirens EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Eugene Williams & The Wb's

I'm Glad I Met You Girl

7" | 1977 | UK | Reissue (Epsilon)

Release: 1977 / UK – Reissue

Genre: Organic Grooves

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Issue 13: Winter 2024 "Zoning"

We Jazz Magazine

22,99 €*

Don't Laugh (Richie Hawtin Remix) 2024 Repress

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Thirteenth issue of We Jazz Magazine, "Zoning".

128 pages, 170 x 240 mm in size and printed on 140g Edition paper with laminated 300g Invercote covers. All articles presented in English.

Includes Mary Lou Williams by Anton Spice, Tomeka Reid by Michael Mikesell, Horace Silver by Seymour Wright, Wind Up & Julius Eastman by Marc Medwin, Esmond Edwars at Prestige by Francis Gooding, Contemporary Ethio-Jazz by Nathan Hamelberg, Ivo Perelman & Matthew Shipp by Phil Freeman, Arooj Aftab by Rob Garratt, John Surman by Bret Sjerven, Punk Jazz with Benjamin Herman by Danny Veekens, Discaholic Column by Mats Gustafsson, Odysseus Festival 2024 photo report, reviews and more.

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Winx

12" | 1995 | EU | Reissue (Sorted)

Set & Setting 25th Anniversary Colored Vinyl Edition

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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A heavyweight classic! 'Don't Laugh' is one of those records, you know you've heard it, you may not who, what or where, but you know it!
The original Winx mix is a classic, often imitated, never bettered, but the real gem here is Richie Hawtin's manic, almost borderline sinister 15+ minute reworking.
Monster doesn't do it justice, tweaked out, narcotic, minimalist jacking gear. A dope combination of severe LOW end and some bracing sine waves that cut straight through. This one will surely test any club sound-system, if the venue is built for it you will know! This is one for the real heads, pure late night business oft overlooked for the more famous A-side, but trust us - Hawtin's mix will smash any dance! Oh, and there's an insane laughing acappella for those who want to mix and blend! Reissued, remastered and re-sorted for 2017 by Above Board Records with the full involvement of Nervous Records NYC.

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Bardo Pond

LP | 1998 | EU | Reissue (Matador)

30,99 €*

Bolex Dementia Black Vinyl Edition

Release: 1998 / EU – Reissue

Genre: Rock & Indie

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Reissue of the Philadelphia group"s gritty psychedelic milestone, "Set And Setting" from 1999.The songs on Bardo Pond"s first two Matador releases - "Amanita" and "Lapsed" - were largely worked up at home and then recorded on the clock at a professional studio. On "Set and Setting," the band chose to work out of its home base, Lemur House, and the end result benefited from the open-ended DIY flexibility. "It was closer to the heart of what we do," says guitarist Michael Gibbons. "There was more improvisation, but also more culling of material. We had more time to find things that jumped out at us, go places we wouldn"t normally go, do investigative work. I think there was a shift. It"s just somehow a more true experience of Bardo Pond."

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Hard Stuff

LP | 1973 | EU | Reissue (Sommor)

Byard Lancaster, Clint Jackson Iii

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Second and last album by Hard Stuff, originally released in 1973 on Purple Records. This time, the three-piece hard-rock group led by John Cann (Andromeda, Atomic Rooster…) and featuring John Gustafson on bass and Paul Hammond on drums, incorporate some cool funk-rock and experimental touches to their powerful sound. After touring with Deep Purple, Uriah Heep and Captain Beefheart, Hard Stuff started recording their second album at A.I.R studios with a few songs actually registered at De Lane Lea. Sadly, just before the LP was released, tragedy struck and Cann and Hammond were badly injured in a car crash in Belgium. Hammond took the worst part, having to stay for two months at the hospital. That was the end for Hard Stuff. “Hard Stuff’s second album, the underrated 1973 platter Bolex Dementia is perhaps a more accomplished and varied studio effort.” -Plastic Crimewave

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Mother Africa

CD | 2024 | EU | Original (Souffle Continu)

15,99 €*

Pass The Loofah Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions.

When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today.

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Naked Roommate

LP | 2024 | US | Original (Trouble In Mind)

Captain Beefheart & His Magic Band

Release: 2024 / US – Original

Genre: Rock & Indie

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Oakland's Naked Roommate have been slinking around the Bay Area lighting up stages, shaking asses & confounding listeners since 2018, when the group - originally just the duo of real-life partners Andy Jordan & Amber Sermeno (both formerly of The World) - self-released a cassette of demos (2018's "Naked Roommate"). Members Michael "Mig" Zamora & Alejandra Alcala (Blues Lawyer) joined soon after to augment the sound & live band with their proper full-length album "Do The Duvet", co-released in September of 2020 via UK label Upset! The Rhythm & Trouble In Mind. 2024 finds the lineup expanded even further to incorporate the horn section of Geoff Saba & Jeanne Oss on tenor & alto saxophones as well as percussion & marimba as the band readies their sophomore effort, the dizzyingly ecstatic "Pass The Loofah" Recorded by members Andy Jordan & Mig Zamora from 2021-2023 as time & restrictions allowed, "Pass The Loofah" retains the wild energy of their debut, but leans into the rhythmic throbs perpetuated by forbears like Kid Creole & The Coconuts, Lizzy Mercier Descloux & ESG; the signature sound of UK's On-U Sound & NYC's 99 Records, but with a decidedly West Coast irreverence & a knack for absurdist exposition. Make no mistake, this is music designed to make your body Move & Naked Roommate won't stop until they 've made sure every ass is shook. The band freely incorporates elements of the dancier side of post-punk (think A Certain Ratio or Liquid Liquid) as well as disco, funk, & house music. However, the group's uplifting melodicism belies a deeper subtext, understanding the importance of the sense of community of dance music & the culture surrounding it and leaning into a Neo-socialist lyrical context. Shit is fucked, & we get thru it by helping one another & acknowledging & addressing the failures of disaster Capitalism & tech-bro hegemony (a state the band is all-too familiar with, living in The Bay Area) Take the first single "Bus"; a four-on-the-floor banger & salutary paeon to the ups & downs of the people's transport that throbs & pulses with a late-night sashay (and a bridge that launches the tune into the stratosphere). Elsewhere, "Fight Flight "s funky horn stabs and Sermeno's slinky vocals swoon over Numan-esque synth squiggles that are fortified & funkified toward the dance floor. "Broken Whisper " edges into new territor y for the group, adding a Caribbean flavor a'la Kid Creole or The Specials that punctuates the persistent & synthetic beats underneath. Meanwhile instrumental interludes like "Ducky & Viv", "g-y pt. 1" & "g-y pt. 2" oscillate into zones of sci-fi meets soap opera soundtracks, sounding not unlike the electronic experiments of UK industrial pioneers Chris & Cosey. Album closer "I Can't Be Found" might be the album's secret weapon; It 's swooning synth melody & processed vocals recall early Daft Punk or Mgmt by way of Derrick Carter & The Au Pairs. It 's a beautiful song; perfect for the late night (or early morning) car ride home from the club. "Pass The Loofah" is released worldwide on October 25th, 2024 via Trouble In Mind Records digitally via most DSPs & on black vinyl & limited "disco ball " silver vinyl.

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Trout Mask Replica

2LP | 1969 | US | Reissue (Third Man)

LP | 2024 | EU | Original (Avenue 66)

Release: 1969 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG

Still shrink wrapped but opened.
Cover with a seam split at the upper edge.
Includes original insert.

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SW.

Mindset

LP | 2024 | US | Original (Lame-O)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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mindSET is the ninth album from enigmatic producer SW., directly following this summer’s excursion into his trademark techno, IDM and bleep soundscapes, on the myDEFINITIONS Vol II album. But with his mindSET album SW. takes a left turn, as pioneers often do, and we find ourselves on the lesser traveled side roads of electronic music history. Or in SW.’s own words: “the more abstract leftfield elements.”
It’s in these less-defined areas that SW. finds his sweet spot, building dancefloor soundtracks that defied definition. And with mindSET the sounds and the machines might have changed, the methodology remains the same.
“It draws from what was more generally seen in leftfield as a term for the slightly off-kilter house and broken beats that didn’t fit neatly into classic genres, whether that was Chicago house, French garage, drum and bass, or broken beat. It’s more about those in-between sounds that never really took off, only appearing briefly in the early to mid-90s and then quickly disappearing. There was a certain magic in that moment, which I wanted to capture. Also, the entire album was produced using classic analog equipment, with old machines that were used during that era. That’s the approach I’ve taken.”
The eight tracks on mindSET are shaped out of de-tuned techno pop synths and heavy, syncopated drums, grooving along chopped-up polymeters to create an eerie mood, as if orbiting an undiscovered planet for the first time. The harmonic movements are often bent out of shape, sometimes veering towards Gherkin Jerks or Cristian Vogel territory. But in the end, the sounds are less important than the atmosphere, and the tracks represent an attitude or an approach - to creating the music as well as experiencing it. mindSET is a nod to those dancers sharing an oddball moment, and for those of us on the same wavelength, it's a vibe we can all get inside.

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Slippers

So You Like Slippers?

Dub: The Sound Of Surprise

Release: 2024 / US – Original

Genre: Rock & Indie

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So You Like Slippers? is the debut record from Slippers, the new project from Madeline B.B. from Los Angeles, California. Madeline is an illustrator and animator currently studying at Cal Arts, has directed music videos for Of Montreal, and also plays in the band Le Pain and was formerly in NYC's Yucky Duster.

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Helmut Philipps

Edition Olms

39,95 €*

Bolex Dementia Splattered Vinyl Edition

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DUB, The Sound of Surprise is a detailed chronicle and fascinating guide to the captivating history of Jamaican dub music, the first of its kind. This archetype of the remix style grew out of reggae in the late 1960s and early 1970s. The book presents over 200 illustrations and some rare album covers, and describes the origins and development of a unique technique created in Jamaican recording studios which would change the world of music production forever. Author Helmut Philipps has visited the places dub happened, and met its pioneers, inventors, and key figures.

In addition to analysis, Philipps includes essays and conversations with and about King Jammy, Scientist, Style Scott, David Rodigan, Bunny Lee, King Tubby, Lee Perry, Dennis Bovell, Ernest Hoo Kim, Errol Brown, Linval Thompson, Tippy I-Grade, Victor Rice, Mad Professor and many others. The gripping narrative also takes a look at the development of dub in Europe, the UK, and the United States.

Helmut Philipps is a journalist and passionate collector of dub, who has mixed dub music himself. He has written two award-winning books about reggae that have been published in Germany.

Translator Ursula “Munchy” Münch is an internationally active reggae author who has lived in Jamaica. Reporting for Reggaeville, the online magazine, she regularly visits the scene there, and has conducted more than 500 interviews.

Helmut Philipps and Ursula “Munchy” Münch share a life-long love of Jamaica, its people, its music, and its culture. Both write for Riddim, the internationally renowned reggae magazine, and are trained sound engineers.

History – Interviews – Sound Systems – Engineers & Studios – Discography Original English Edition translated by Ursula Münch. 256 pp. with over 300 pictures in color and b/w. Hardcover with extra strong boards 25 x 25 cm.

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Hard Stuff

LP | 1973 | EU | Reissue (Sommor)

31,99 €*

12" | 2024 | Original (10192)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Joe Goddard

Harmonics Remixed

Release: 2024 / Original

Genre: Electronic & Dance

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LP | 2014 | EU | Reissue (Specula)

Teho Teardo

Ballyturk

Everything Matters, Everything's Fire Fire Red Vinyl Edition

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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London, 2014 - "Ballyturk" is the squaring of the circle of the collaboration between playwright and artist. "When I was writing "Ballyturk"," says director Enda Walsh, "I listened to a lot of Teho"s scores. The music he created for "Music for Wilder Mann" captured me and pushed me into the mysterious heart of "Ballyturk"". So, like kindred souls, working on the same wavelength, they collaborated on the score for the opera, which, after its presentation at the Galway Festival, premiered at London"s National Theatre from 11 September to 10 October (all dates sold out!). Teho Teardo"s album, recorded between Rome and London, comes with the eponymous title of Walsh"s work, and features valuable collaborations, including one with Joe Lally (Fugazi) and Lori Goldston, Nirvana"s cellist. Also on vocals are Mikel Murfi and Cillian Murphy (Dark Knight Trilogy, Inception, Breakfast on Pluto, Red Eye, In Time, Peaky Blinders, etc.). "I think Teho"s music", Walsh continues, "reveals the soul of the characters as only great music can. It was my most beautiful collaboration - the beauty of this work - that came through in these tracks". Enda Walsh is one of the most acclaimed screenwriters and directors of the moment. Irish by birth but living in London for many years, he is known not only for his numerous plays performed all over the world but also for his film scripts, including Steve McQueen"s "Hunger".

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Lunar Vacation

LP | 2024 | US | Original (Keeled Scales)

I'll Always Love You / What More Could A Boy Ask For

Release: 2024 / US – Original

Genre: Rock & Indie

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Fire Red Vinyl.As one would expect of any historic city, the houses in Decatur,GA are old, and while many have been renovated to suit theneeds of the 21st century family, the one Lunar Vacation callshome has not. The porch is quaint and crumbly, the roof leaks,and there is a single bathroom shared by the band's fivemembers who insist that this is not, actually, a bad thing. "I usedto be so protective of the songs when I gave them over to theband," lyricist/vocalist/guitarist Gep Repasky says. "There's somuch trust involved, but this house helped us grow as bestfriends, as musicians, as a band."That newfound sense of trust is apparent on EverythingMatters, Everything's Fire, whose title, taken from theconcluding track "You Shouldn't Be," is a thesis statement.While Lunar Vacation's last album, 2021's Inside Every Fig is aDead Wasp, happily bathed in the waters of indie pop, theirlatest effort is exploratory, a product of many hours sharedexperimenting in a living room together. Inspired by prolificshapeshifters like Yo La Tengo and Björk, Everything Matters,Everything's Fire adopts an ethos that every idea has thepotential to be a good one."Our last album was super produced, manicured," guitarist/vocalist Maggie Geeslin says. "This one's organic. Weembraced mistakes; it made the work even better." In otherwords: everything matters, everything's fire.

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The Spinners

7" | US (Tamla)

Release: US

Genre: Organic Grooves

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Tyshawn Sorey, Adam Rudolph

Archaisms I

LP | 2023 | EU | Original (Defkaz)

28,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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2LP | 2024 | EU | Original (Head To Toe)

Ninetoes

Pov

LP | 1976 | EU | Reissue (We Release Jazz)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ninetoes, the acclaimed DJ and producer behind the global hit “Finder,” is thrilled to announce the upcoming release of his debut album, ‘POV’ set to drop this October via his own label, Head To Toe. This highly anticipated album marks a significant milestone in Ninetoes' career, offering a fresh and personal take on the genres that have shaped his sound over the years.

‘POV’ is a definitive statement from Ninetoes, encapsulating his journey through the world of dance music. Fans can expect a diverse and dynamic album that traverses a spectrum of styles, including Afro House, Acid House, Techno, and Hip Hop. Each track from the collection reflects Ninetoes' deep connection to the roots of electronic music, reimagined through his unique creative lens.

“‘Having been involved in Dance Music a long time, the album touches on every genre that has shaped me since day one. So, I have recreated these styles with my POV‘.” - Ninetoes

The album features 10 tracks, including collaborations with a stellar lineup of artists such as A-Trak, Thomas Mapfumo, Davide Squillace, Mousse T., and Jazzy Jeff, among others. Each collaboration brings a unique flavor to the project, highlighting Ninetoes' versatility and passion for pushing musical boundaries.

The release of ‘POV’ will be celebrated with a worldwide tour, where Ninetoes will bring his distinct perspective on house music to dance floors across the globe. Fans can look forward to an immersive experience, blending his dynamic DJ sets with the innovative soundscapes of his debut album.

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Hiroshi Suzuki

Cat

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Inspirex Black Vinyl Edition

Why The Eye

LP | 2024 | EU | Original (Exag)

12" | 2024 | EU | Original (Biometric Audio)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Why the Eye is an experimental masked quartet from Brussels that propels bodies into trance during its live performances. All instruments are DIY and played in real time, without loops or sequencers. Fans of The Residents, Société Étrange, Autechre, Boards Of Canada, The Meridian Brothers and Fulu Miziki could easily relate to their sound. Describing their music as "Prehistoric Techno", Why The Eye are set to release their new album ‘Inspirex’ on the 4th October via Exag Records.Opening with the fidgety Jnsp, the vindictive summons La Machine is a brash, abstract experience with a deep yearning to set us free from everyday political confinement while the raw Où cours-je explodes into a wild rage of disorder and mayhem. At the heart of each track are the DIY instruments band member DjP (Jean Paul Domb) has assembled over the years, some of them directly inspired by the African sanzas. With names such as ‘radiocaphone’ and ‘castabignettes’, the instruments are cleverly connected to different effects pedals and are the heartbeat of Why The Eye. Elsewhere, the album title track reveals a snappy rhythmic quality with skittish sounds while Prairies and Animal are tribal-like in delivery with a deep-lying punk ethos.

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Pure Basic

12th May

13,99 €*

Bear Market Yellow & Blue Segments Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

"The true narrative shall forever shroud itself in mystery to the outside world.
It is whispered that man never truly set foot on the moon, but merely touched it.
Just as the tale of this record unfolds, two souls from distant realms brushed ever so close, yet destiny denied them a lasting encounter, not even a fleeting union of Nino's and Ali's wings.
Perhaps, it was fated that the circle of a past life, woven with trust, blooming with flowers, and exchanged glances, must close in the cosmic pursuit of Venus, chasing the Crescent Moon, serenading love to its own Sun."

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Mom Jeans.

LP | 2023 | US | Reissue (Many Hats)

32,99 €*

Release: 2023 / US – Reissue

Genre: Rock & Indie

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12" | 2024 | UK | Original (Slacker 85)

Tres Mortimer

M1 City

LP | 2020 | EU | Original (Domino)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Kicking off ‘M1 City’ is the simplistic, but refined and booth-rattling ‘Work That Body’. A crisp M1 stab is the main character in this, amplified by thunderous and high energy drums.

Then there’s ‘Secrets’, a house jam inspired by the likes of MK that utilises TR-909 drums, a subtle rolling bassline, intimately whispered and soulfully sung vocal shots, and, of course, classic Korg M1 synth stabs. Together with dramatic contemporary builds, a highly danceable house smasher is formed.

‘No More’ is pure gasoline for the dancefloor. Très pairs another barrage of clean M1 stabs with a rousing vocal sample that leads into, with the help of a rolling snare, another highly effective house drop. Following the extremely saucy ‘Big Daddy’ skit, we’re dropped straight into ‘One Of Those Nights’, a show-stopping track complete with cutting, sharp stabs, a bulging bassy synth and a West Coast-esque synth sound.

‘Bitch I’m From Chicago’ feat. Gleebz is, as the title suggests, a dedication to the city where house music found its name. Batting off all the poser cities like LA and Miami in the sassy lyrics, it embodies the spirit of Chicago with hefty kick drums and weighty chord stabs.

At the tail end of the release, ‘Let Me Go’ and ‘Love’ (featuring vocalist 7000 (7K)), bring things to a rousing emotive close. Both tracks see Très put clean vocals over piano riffs, giving off differing moods – the former is euphoric, the latter melancholic. Synths bubble beneath, and each track funnels their own respective house grooves, resulting in two tracks fit for both the dancefloor and headphones.

Très Mortiner explains: “The M1 sound is classic. It automatically transports you back to those timeless house songs that never get old. For me, house music is all about connection. People experiencing a little moment of euphoria together when they hear a riff that they all know on the dance floor. That’s what it’s all about. With this project I wanted to tap into that 90s rave sound and spirit. I wanted it to sound like the OG Chicago rave scene.”

“M1 City is my first project to be released on vinyl. I think vinyl is very much alive. It’s essentially for music connoisseurs now. I don’t expect people to have a vinyl collection when all music is always available to everyone on their phones. Nevertheless, I love the idea of some random DJ finding this record in a shop in 10 years. Who knows what I’ll be producing then?”

Très Mortimer is a key figure in Chicago's house scene, steadily building a strong following with his no-nonsense, dancefloor-driven sound. Drawing inspiration from his Polish roots, Trés has signed with major labels like Mad Decent, Insomniac’s IN/Rotation, and Ministry of Sound, while also launching his own imprint, Optics Records. He made his mark with a clever rework of Zombies' 1968 hit ‘Time Of The Season’ (1M+ streams). Standout releases include his downtempo collaboration with plumpy, "BAMBU," and his latest single, "At Night I Think Of You," which was recently given a remix makeover by Seth Troxler and Nick Morgan.

Slacker 85, launched in 2023, is the record label behind ‘M1 City’. Founded by Seth Troxler, it aims to give a platform to "oddball, esoteric and diverse sounds," positioning itself as a counter to the polished, refined dance artists dominating the scene. Troxler, upon the label’s launch, declared that he wanted to create something for "the anti-hero, the kids who could have done it but didn’t care to try”—essentially, "the slacker." So far, it’s delivered a range of releases from artists like Jackmaster, Danny Daze, Dan McKie, and Andre Salmon, offering tracks rooted in house music's past but evolving within its present boundaries.

‘M1 City’, this ode to a piece of gear that consistently finds itself at the heart of house music history, highlights Très Mortimer’s respect for and knowledge of the scene and its key gear. Trè combines this admiration and inspiration of house music’s greats with a modern sensibility, resulting in eight tracks worthy of today’s dancefloors and today’s ravers.

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Rustin Man

Clockdust

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2023 | EU | Original (Lauv)

Lauv

I Met You When I Was 18

Release: 2023 / EU – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

Limited 5th Anniversary Edition.
Blue Translucent Vinyl.
Still shrink wrapped but opened.
Records are slightly warped but still enjoyable.
Includes booklet.

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2LP | 2022 | EU | Original (Ear Music)

The Elephants Of Mars

15,99 €*

12" | 2023 | UK | Original (All Day I Dream)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gatefold cover with slight wear!

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Tim Green

The Night Is Blue EP

LP | 2018 | EU | Original (We Release Jazz)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Record with just a few paper scuffs is close to VG+

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Eric Demarsan

OST Le Cercle Rouge

Release: 2018 / EU – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

What Happens When I Try To Relax

Open Mike Eagle

LP | 2019 | US | Original (Auto Reverse)

7,99 €*

12" | 2024 | UK | Original (Crosstown Rebels)

Release: 2019 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: G+, Cover: VG+

Limited Edition.
Record hashairlines and a few superficial scratches.

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Bullet Tooth

If I Can’t Be Yours

15,99 €*

Tape | 2024 | US | Original (Dear Life)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Enigmatic producer bullet tooth makes Crosstown Rebels debut with ‘IF I CAN’T BE YOURS’. UKG meets melodic house on the four-track EP, featuring remixes from Enamour and SICARIA.

If you haven’t heard of bullet tooth yet, you soon will. Brimming with UKG, rave, and rap influences made deviously dark with heavy low-end basslines, this faceless newcomer’s captivating sound has seen him enjoy a meteoric rise since emerging on the scene in 2023. Graduating from Soundcloud bootlegs, the elusive artist made his Parklife debut this summer alongside rapper Capo Lee, with whom he produced ‘Keep It Rolling’. Featuring in sets for the likes of Sammy Virji, Main Phase, and Interplanetary Criminal, the aforementioned collab proved an instant hit, gracing BBC Radio 1 and 1Xtra airwaves via Sarah Story, Jeremiah Asiamah, DJ Target and more. Add supporters such as Floating Points, Laurent Garnier and Bicep to the mix, and it’s easy to see why there’s so much hype and intrigue.

Concluding his summer with a bang, the UK artist joined Damian Lazarus for his Hï Ibiza residency alongside Black Coffee, and now the DJ/producer ventures into melodic landscapes via Lazarus’ Crosstown Rebels with ‘IF I CAN’T BE YOURS’. The four-track EP also features additional remixes from LA-based talent Enamour and London’s hotly sought-after Moroccan dubstep favourite SICARIA. Leading with the powerful, ‘IF I CAN’T BE YOURS’, bullet tooth takes his sound to the club, featuring nostalgic 90s-esque vocals over dubby bass that lean towards the dancefloor. Second up is the uniquely melancholic-euphoric ‘YOU THINK YOU CAN FIX ME’, where UKG-style rhythms journey deep into melodic realms with purpose and precision. On the b-side, California’s Enamour reworks ‘IF I CAN’T BE YOURS’, directing his energy into a high-energy remix destined for festival grounds. To close out the EP, SICARIA leans into breakbeats with a climbing rendition of her own, infusing the track with lingering afro-leaning flavours.

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Anne Malin

Strange Power!

Chameleon Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Strange Power!, the fifth record from Durham, NC-based songwriter and poet Anne Malin Ringwalt, emerges from the darkest waters of the self into a world remade. Releasing inconjunction with her second book of poetry, What Floods (Inside the Castle, Oct. 2024), Strange Power! overflows with Ringwalt's teeming and sensuous personal symbolry: glowing lilacs andgentle queens, dolphins wild and girls who grew up brave _ T.S. Eliot sung by Cat Power, backedby Mount Eerie. She sings: "I rose up from water."Ringwalt writes and performs with the authority of a lifetime spent harnessing the alchemy of storytelling; her belief in the power of words to heal and transform is palpable in each achingly- delivered lyric. Made amidst profound inner and outer change, Strange Power! also sees Ringwalttaking up the role of self-producer for the first time, mirroring and supporting the record's Orphic quest by gathering contributions from a coterie of friends wielding an electric range ofAmerican instruments. Violins, vibraphones, drum machines, electric guitars dappled with springreverb, wind-blown shells, and a host of other numinous sounds form an unfurling and shadowy world which was then carefully honed during the mixing process (shepherded by MichaelCormier-O'Leary and Lucas Knapp) _ settling the final record in an eerie meridian betweenspareness and verdancy.The result is a beguiling and darkly blooming realm: the sound of a personal cosmos beingremade, piece by piece. Ringwalt is at the height of her spirit as both songwriter-poet and singer, her willowy voice by turns conjuring and keening as she reckons with her deep past and thestories told since. Opening track "The Pines" sets the stage for a record of truly life-long scope: "I was a child, now Ihold her / I was asleep for many years." Some songs, like the gorgeous "North Carolina" and "TheSaint," were written as early as 2013 but, Ringwalt says, "insisted upon being remembered" as therecord took shape; in its final form, they serve as inc...

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Trauma Ray

LP | 2024 | US | Original (Dais)

23,99 €*

Pekka Laine & The Enchanted In Slumberland Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Pekka Laine

LP | 2024 | EU | Original (Svart)

Welcome To My Castle Sunrise Pearl Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Pekka Laine and The Enchanted's second album out on Svart Records in September

"In a dream I heard music with a strange bubbling sound. People were dancing to it in a surreal, cavernous space. What is this, I asked. One of the dancers stopped and answered. It's an underwater disco. In the morning, I grabbed my guitar and tried to recall what I had heard. Those foggy fragments became Malibu Beach”.

Helsinki 4th of June 2024, Pekka Laine

For Pekka Laine, the twang of an electric guitar is not a warm blanket of nostalgia. Instead, the echoing sound usually associated with surf and retro instrumentals is a ticket to the imaginary.

On this sonic journey, Laine is joined by The Enchanted, his powerhouse live band that has taken both festival and club stages by storm. Pekka Laine and his trusty space-age guitar take the listener to a place where a futuristic and humid disco sound, perfect with obese beats and robotic vocals, reigns supreme. Trippy vocoder vocals and Moog wizardry are provided by Antti Vuorenmaa, the synth sensei associated with several leading Finnish indie bands and a trusted member of the extended Enchanted family.

Pekka Laine's second album Pekka Laine & The Enchanted in Slumberland will be released on 27th of September 2024 digitally, CD and in three different vinyl versions: on a classic black vinyl, wonderful transparent green vinyl and limited edition of 100 white/green/orange marble vinyls hand-crafted by Pekka Laine himself at the Helsingin Levypuristamo. The limited edition is available only on the Svart Records online store.

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Chilli Beans.

LP | 2024 | EU | Original (Black Screen)

33,99 €*

LP | 1979 | JP | Original (Capitol)

Release: 2024 / EU – Original

Genre: Pop

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Sunrise Pearl Vinyl.Chilli Beans. are a three-piece band from Japan, formed in 2019 by Moto (vocals), Maika (bass & vocals) and Lily (guitar & vocals). Their neo-garage style fuses indie rock withgarage infused guitars and catchy melodies. Since 2019, the band has released 4 EPs and two albums on A.S.A.B. and played several nationwide headline tours in Japan.Their second full-length album "Welcome to My Castle" was released on December 13th, 2024 and featured 13 songs, including the single "Raise" which was the ending song themefor the TV anime series "One Piece", as well as "I like you", the main song of the TV series "Toki wo Kakeruna, Koibito-tachi".

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A Taste Of Honey

Another Taste

8,99 €*

LP | 2021 | EU | Reissue (We Release Jazz)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.
Obi has some tears.

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Hiroshi Suzuki

Cat

LP | 2018 | EU | Reissue (Music On Vinyl)

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Small light scuff on side B.

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Bob Andy

Lots Of Love And I

13,99 €*

LP | 1980 | US | Original (Capitol)

Release: 2018 / EU – Reissue

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: VG+

Orange vinyl limited edition. Plastic sleeve with hype sticker. Cover has beginning seam split. Vinyl is very close to NM. Numbered MOV 000544. 2018 reissue.

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A Taste Of Honey

Twice As Sweet

5,99 €*

LP | 1973 | DE | Reissue (Karussell)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Original inner sleeve with seam splits

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Cream

I Feel Free

5,99 €*

LP | 1978 | JP | Original (ABC)

Release: 1973 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

1973 reissue.

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Joe Sample

Rainbow Seeker

9,99 €*

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2007 | DE | Original (Compost)

Jay Shepheard

Pipes N Sneakers

4,99 €*

Release: 2007 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2005 | DE | Original (Resopal Schallware)

A. Cid

A.Cid / M.Ission

4,99 €*

Release: 2005 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1985 | DE | Original (ZYX)

Rex Abe

I Can Feel It

11,99 €*

12" | 2010 | CH | Original (Drumpoet Community)

Release: 1985 / DE – Original

Genre: Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Classic Italo!

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A Forest Mighty Black

Back Up Days

5,99 €*

Release: 2010 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

The Jimmy Castor Bunch Featuring The Everything Man

Butt Of Course...

LP | 1974 | US | Original (Atlantic)

7,99 €*

One Way featuring Al Hudson

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

Vinyl has scuffs and hairlines.

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One Way Featuring Al Hudson

LP | 1980 | US | Original (MCA)

9,99 €*

LP | 1989 | EU | Original (10)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has storage wear, seam splits, yellowing and sticker residue!
Vinyl has scuffs and hairlines.

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Soul II Soul

Club Classics Vol. One

6,99 €*

LP | 1961 | US | Original (Vee Jay)

Release: 1989 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Cover with tiny tear at the opening side.
Record has some hairlines and a few superficial scratches.
Includes original inner sleeve.

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Bill Henderson

7,95 €*

LP | 2020 | EU | Original (Domino)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The cover has some wear and small writings on the back.
Vinyl shows a few scuffs and hairlines.

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Rustin Man

Clockdust

23,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2022 | UK | Original (Houndstooth)

On Man

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2022 | UK | Original (Houndstooth)

On Man

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

2LP | 2017 | EU | Original (Oh, Sister)

One Sentence. Supervisor

Temporär Musik 1-13

33,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

The Elephants Of Mars

Release: 2022 / EU – Original

Genre: Classical Music

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Used Vinyl

Medium: Sealed, Cover: Sealed

The Elephants Of Mars Orange Vinyl Edition

40,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

The Elephants Of Mars Limited Purple Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Gatefold cover with slight wear!

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2LP | 2022 | EU | Original (Ear Music)

The Elephants Of Mars

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

The Elephants Of Mars Limited Purple Vinyl Edition

40,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

I Guess I'm Living: The Charmed

Half Japanese

LP | 2021 | UK | Reissue (Fire)

LP | 2021 | US | Original (There's A Dead Skunk)

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Yellow vinyl!

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Seasick Steve

Blues In Mono

2LP | 2016 | EU | Original (Polydor)

Release: 2021 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Still shrink wrapped but opened.
Includes original inner sleeve.
Record is close to VG+.

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Eric Clapton

I Still Do

34,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Working Men's Club Yellow Vinyl Edition

Working Men's Club

LP | 2020 | UK | Original (Heavenly)

44,99 €*

Art Blakey / Max Roach / Elvin Jones / "Philly" Joe Jones

Release: 2020 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Neon yellow!

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The Big Beat

2LP | 1974 | US | Original (Milestone)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1967 | JP | Reissue (A&M)

Wes Montgomery

A Day In The Life

2LP | 2018 | EU | Reissue (Atlantic)

Release: 1967 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI! Gatefold cover is close to VG+ and the record is close to VG!

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Janelle Monae

Dirty Computer

39,99 €*

LP | 2023 | US | Original (Karma Chief)

Release: 2018 / EU – Reissue

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

Crystal Clear Diamond Vinyl Edition

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Pale Jay

Bewilderment

Micah P. Hinson Feat. The Musicians

Release: 2023 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Opaque Natural Vinyl Edition.
Cover with a beginning seam split at the upper edge.

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When I Shoot At You With Arrows I W

LP | 2018 | UK | Original (Fulltime Hobby)

LP | 2023 | US | Original (A Strangely Isolated Place)

Release: 2018 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Record with just a few paper scuffs.
Includes original inner sleeve and poster.

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Max Würden

Landmark

12" | 1995 | US | Original (Not On Label)

Release: 2023 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Gold Colored Vinyl Edition.

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Green Velvet

I Want To Leave My Body

Inspirex Splatter Vinyl Edition

Release: 1995 / US – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: Generic

Note: Pressing error, same label on both sides.

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Why The Eye

LP | 2024 | EU | Original (Exag)