Search "lil+wayne" 18871 Items

Yellow Black Vinyl Edition

Release: 1974 / JP – Original

Genre: Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Comes with Obi and inserts. Cover is close to NM.

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Emma-Jean Thackray

2LP | 2021 | UK | Original (Movementt)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

A Love Supreme: Live In Seattle

John Coltrane

2LP | 2021 | EU | Original (Impulse!)

39,99 €*

Boy Meets World HHV EU Exclusive Tangerine Dream Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Fashawn

2LP | 2009 | US | Reissue (Coalmine)

38,99 €*

7" | 2024 | US | Original (Pibe)

Release: 2009 / US – Reissue

Genre: Hip Hop

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Preorder shipping from 2024-11-08

Limited to 300 copies worldwide, with 150 exclusively available to HHV customers.

Hip-hop has long had an obsession with the debut album as it marks an artist’s introduction to the world and often lives on as their definitive piece of work. Nas had Illmatic. Jay had Reasonable Doubt. Snoop had Doggystyle. Biggie had Ready to Die. On October 20th, 2009, the day came for Fashawn to make his own mark with, Boy Meets World. The result was an honest, heartfelt and witty album, the likes of which had seldom been heard from someone his age. Abound with captivating storytelling and magnificent production, the album would quickly receive critical praise. XXL gave it an ‘XL’ rating and called it an album that “resonates a lot more than the work of some rappers decades his senior.” HipHopDX called it “perhaps the most heir apparent to Nas’ ’94 classic.”

Meshing beautifully and exclusively over the soulful loops of producer Exile — who wowed listeners and critics with Below The Heavens, his 2007 collaboration with Blu — Fashawn's audio biography touches on his series of stepfathers ("I called them all daddy/even though they didn't have me") and even a friend's suicide. Yet he still finds time to play, swapping boasts with his producer on "Bo Jackson" and plotting his way out of the friend zone with "Lupita." On “The Ecology,” Fashawn articulates the inner struggles of a good kid from a bad place, over Exile’s dramatic string sample.

Fashawn may only have been 20 years old at the time of the album’s release, but he’s possessed the wisdom of a man well beyond his years. Abound with a nostalgic potency that makes the record just as relatable and fresh today as it was when it was first released, Dirty Science Records in partnership with Coalmine Reissues are honored to release this special edition reissue of this classic LP, just in time for the album’s 15th anniversary!

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Kero One

Portishead Remixes

Post Orgasmic Chill Yellow & Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Hip Hop

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Preorder shipping from 2024-11-01

Back in the 90’s, hiphop kids like myself would often gravitate towards bands like Portishead to take a break from hip hop without going on a complete vacation. Since the sampled drums were gritty and the instrumentation and singing were soulful, it gave people that familiar hiphop vibe while being completely unique.

Now, Portishead’s style and influence can be heard everywhere in modern music as a legendary group who led the way for “trip hop”, fusing hiphop, electronic, film scores, and soul music in rare form. Included in this limited run (green vinyl) 7” are Kero 1 remixes of their quintessential tracks, “Glory Box” and “Roads”. On Glory Box, Kero mashes togehter a mixture of Bossa, Amapiano and house for dance floor energy along with the previously released Roads remix on the B-side, which reached a million streams online with critical acclaim for not destroying the original but actually elevating it. On Roads, Kero adds a fuller dimension using a 80’s analog synth bass while still allowing the lead vocalist, Beth, to remain the focus. In the end, Kero hopes this remix renews interest in Portishead among listeners who aren’t familiar with an entire music genre they helped pioneer.

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Skunk Anansie

2LP | 1999 | Reissue (Virgin)

33,99 €*

Release: 1999 / Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-12-06

25th anniversary deluxe expanded edition of Skunk Anansie's iconic third album. Boasting hit singles Charlie Big Potato, Secretly, You'll Follow Me Down and Lately, this expanded edition includes 10 contemporary b-sides, many of which were only available in a limited way (most have never been on vinyl). An album so important in alternative rock that it elevated Skunk Anansie to the status of Glastonbury Pyramid Stage headliners in 1999 - celebrate its birthday in style with this lavish edition!

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LP | 2024 | EU | Original (No Format)

Koki Nakano

Ululo

Thunder Express Yellow Vinyl Edition

Release: 2024 / EU – Original

Genre: Classical Music

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With "Ululo", pianist and composer Koki Nakano immerses us in the depths of his emotions, carried by the striking voices of Jordy, WAYNE SNOW and Yael Naim.For his fourth album, Japanese pianist and composer Koki Nakano moves beyond the conceptual to reveal an intimate and visceral musical expression, a reflection of his deep emotions. Each piece conveys the desire and passion of a cry. The title "Ululo" (which translates to "Howl" or "Cry" in Latin) echoes a childhood memory of being in his father"s arms, yearning to touch the moon. This unfulfilled desire, reminiscent of a famous haiku by famous poet Issa Kobayashi, symbolizes his early realization of his limitations in the face of the vastness of the world and the seemingly unattainable. Koki reinvents himself with a unique fusion of piano and modern vocal collaborations. He is joined by UK rap sensation Jordy and the captivating voices of WAYNE SNOW and Yael Naim. He offers an avant-garde music style distinguished by its emotional simplicity and sonic depth. Beyond virtuosity, Koki explores his classical sensibilities by blending subtle ambient textures with his poignant and sophisticated melodies. While "Ululo" is a cry of frustration with melancholic tones, it is also romantic, filled with beauty, humor, and light.

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MC5

LP | 2024 | EU | Original (Jungle)

25,99 €*

Tape | 2024 | EU | Original (Time To Kill)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

MC5 (Motor City Five), the legendary Detroit band. Their first single (included here) was released in 1967. In 1968 they played the infamous Democratic Convention that turned into a police riot, and they went on to be the "Official White Panther Party Band". Their manager John Sinclair became a hippie martyr, after being jailed for 10 years for 2 joints, inspiring John Lennon"s "10 For 2" song. Thrown off their first label Electra, they signed to Atlantic for 2 more albums but only achieved underground success. Now greatly revered as one of the seminal rock"n"roll bands and a huge inspiration for punk. Thunder Express documents their last and first studio works: - six tracks recorded in France at Studio Castle Herouville for a TV show in 1972; plus four tracks from their debut singles from "67 & "68. The title track is not available elsewhere. In 2024 MC5"s guitarist Wayne Kramer, drummer Dennis Thompson and manager John Sinclair all passed away, marking the end of the MC5 era.

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Sacred Reich

The American Way

17,99 €*

City Of The Sun Solar Flare Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The American Way is the second studio album by American thrash metal band Sacred Reich, released on May15, 1990 via Metal Blade Records. The video for "The American Way" was used in the 1992 film EncinoMan.The album debuted at No. 153 on September 1, 1990 on the Billboard 200 charts, lasting for nine weeks. Anenhanced remastered version released in 2009 contains pre-production demo recordings.

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Seven Impale

LP | 2024 | EU | Original (Karisma)

39,99 €*

LP | 2024 | EU | Original (Gusstaff)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-29

Ten years after it’s initial release, the classic Seven Impale debut album City of the Sun is finally available on vinyl again! This 10th anniversary edition also an insert sheet with lyrics and comments from both the band and Enslaved’s Ivar Bjørnson. The album has a firm basis in classic progressive rock, but is highly diversified The band is never afraid to explore much harder soundscapes than usually is expected in progressive rock, utilizing elements normally only found in the metal genre. And did we mention saxophone? There’s saxophone, bringing loads of jazzy elements into the mix as well. The band says: “The recording and assembling of City of the Sun was a valuable learning experience,and we are forever thankful for the friendship we’ve built with our producer Iver Sandøy.The process of making this record put all seven of us into a rather confined space,recording it the good old way. Not a click track or grid in sight! It was a sweaty, intimate experience that seems to have been the recipe for.. sweaty, intimate and jazzy prog rock..! Iver will always be that “missing” seventh impala, and we will without hesitation return to Solslottet for the golden touches of the Sun King Himself. Formed in Bergen, Norway in 2010, Seven Impale consists of Stian Økland on vocals and guitars, Fredrik Mekki Widerøe on drums, Benjamin Mekki Widerøe on sax, Tormod Fosso on bass, Erlend Vottvik Olsen on guitar and Håkon Vinje on keyboards 01. Oh, My Gravity02. Windshears03. Eschaton Horo04. Extraction05. God Left Us for a Black-Dressed Woman

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Gmm

Wesele

24,99 €*

LP | 2024 | EU | Original (Black Screen)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

The work of GMM carries the echo of folk wedding melodies inspired by Oskar Kolberg"s collections, interpreted in modern arrangements with electrifying sound.The trio, consisting of Michal Górczynski, Michal Marecki and Patryk "TikTak" Matela, explores the roots of the Mazovian tradition, translating them into the language of contemporary music. Oskar Kolberg"s descriptions and a collection of melodies specific to the Polish region of Mazovia give the GMM band a foundation for creative existence in this old world and transferring it to the modern world.The freshly recorded album opens the traditional wedding gates in an unexpected way, where folk nostalgia meets contemporary avant-garde. The contrabass clarinet weaves deep, warm sounds into the compositions, adding them mystery, while the spinet boldly carries a note of baroque sophistication, creating a pleasantly contrasting texture. The modernity of synthesizers and dynamic beatbox balancing between stillness and dense, dirty tones, gives the whole mix a modern touch.In this characteristic journey full of rhythmic complexity and harmonic discoveries, you will find depth, a cynical smile and plenty of room for your own reflections.

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Epoch

The Needs

33,99 €*

2LP | 2024 | UK | Original (Rewarm)

Release: 2024 / EU – Original

Genre: Soundtracks

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Transparent Curacao Vinyl. Award-winning composer for video games and Scottish artist, Barry "Epoch" Topping (PARADISE KILLER, SENTRY, THATCHER'S TECHBASE, ENCOUNTERS) returns with "The Needs", 11 songs of lavish reflection in a modern city pop style. The album takes the listener through an emotional exploration of identity and change set against the backdrop of late summer. It fuses city pop, rock and dance music into a rich, dreamy blast of video game-tinged modern pop music.But "The Needs" is more than just an album title, like Barry explains: "It's a new ensemble built around a core of the musicians that worked with me on Paradise Killer: Fiona Lynch, Fabian Hernandez, Thomas Temple and Kyle Murray-Dickson. A new trio of horns Elin Andersson, Nicklas Dahlin and Simon Fransman round out the full lineup. Having such talented musicians involved in a much bigger way has allowed us to challenge ourselves and make the best, most over the top music we've made yet. 'The Needs' was created as a vehicle for my own reflections and is intended to help listeners reflect and find solace too. No album can be universal but if 'The Needs' can help people feel seen or understood then I'll feel like it's been a success. Getting to make the album has been an extremely rewarding experience."

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Luke Una

Everything Above The Sky

44,99 €*

Heavy Lifting Live Tracks

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Exploring late-night, after-hours meditations on sound; ‘Everything Above The Sky (Astral Travelling with Luke Una)’ is a new compilation by the titular DJ, promoter and enigmatic cultural curator. Off the back of the E Soul Cultura phenomena, this compilation comes at a timely point in Luke’s rich career as he soars the heights of playing all over the world. Avoiding any chance of his sound being pigeonholed, Luke has put together a tracklist of songs and music that have a transcendental feel, after coming off the grid, going back to source, outside the city walls .

Music has long been believed to aid out of body experiences and many of us have searched long and hard for a combination of those elusive ingredients that might alleviate some of the monotony of everyday life, our daily routines and obligations, and those things that seem to block us from the spirit of the universe. In this collection, Luke selects music with all the right ingredients in just the right quantities, allowing the listener to engage in an esoteric journey of enlightenment through sound. Being a prolific collector of music, Luke initially delivered enough tracks to compile several compilations, making the licensing process the biggest effort to date for the label. The music moves softly and slowly, never becoming too intrusive, exemplifying the wonderful elevating properties of simple songs played from the heart.

Luke’s Everything Above The Sky manifesto reads, “Astral Travelling in the meadowlands with acid folk, spiritual jazz, around midnight hocus pocus, cosmic psychedelic soul, magical spellbound whirling swirling love songs, Brazilian ballads of light into machine soul gospel utopia dreaming, Balearic bossa, Outer Space ancient African drum, the breath of trees, escaping the big bad modern world, gathering round winter fires, walking amongst the bracken in Padley Gorge in late summer twilight, overlooking the Hope Valley, escaping ego, detaching and finally letting go amongst the stars with the slowly floating people. It’s beautiful beyond. Everything above the Sky”.

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene. Then came Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to É Soul, house, disco and techno. Luke’s much loved, long-running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s LGBTQ+ cultural landscape. Luke’s Friday evening show on Worldwide FM captured imaginations and became a cult four-hour must-listen monthly journey for fans all over the world. Today, Luke remains, as ever, at the forefront of a changing milieu, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.

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MC5

2LP | 2024 | EU | Original (Earmusic)

36,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1982 | EU | Reissue (Music On Vinyl)

Don Blackman

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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I'm Always Dancin' To The Music Green Vinyl Edition

Benny Golson

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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LP | 1967 | EU | Reissue (Music On Vinyl)

Lonnie Smith

Finger Lickin' Good

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Music On Vinyl)

Trio Ternura

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Freddie Terrell Charles Williams

You Had It Made / Standing In The Way

7" | 2024 | UK | Original (Outta Sight)

17,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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12" | 2024 | EU | Original (Moodfamily)

Stavroz

Kick Up The Dust

13,99 €*

2LP | 1983 | EU | Reissue (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Emerging from over a year of creative hibernation following their debut album, Stavroz's upcoming EP "Kick Up the Dust" jolts them back into action. The EP flows gently, yet the overall mood of the journey isn’t always easy to pinpoint. There’s a certain vagueness to Stavroz’ sound which allows for bizarre experiments to seep through without interrupting the course. “We like to keep it lightly twisted, like a wink with a frown,” says the band.

In the title track however, Stavroz boldly steers towards the heart of the dance floor: efficient, remorseless, powerful, intense and most of all... elegant. Guiding you harmoniously through the club is a delightful duet of trumpet and saxophone, timed perfectly to heal you where it hurts most.

"Her Eyes Were Red" does what it says on the cover. There's melancholy - without sadness. Power - without force. Love - without lust. Stavroz's music possesses a distinct power that feels both natural and organic, never resorting to brute force or aggression. In their own way, the Belgian quartet offers an astonishing journey of saxophone & duduk, supported by broken beats and chopped vocals.

In Dae-El, a track featuring the Brussels-based producer and sound designer Poltrock, ethereal-sounding synths and duduk are combined with ghostly high-pitch distortions. Despite a backbone of muffled beats, the tune has vaporous qualities, reverberations that wobble and tinkle into space – it’s an easy listening experience but in a trippy, spaced-out way. “We’re trying to go for the sweet spot between the couch and the club”.

Adding further depth to their EP, Stavroz collaborates with Brazilian singer and composer Castello Branco in "Valente." Here, intimate Sade-like vocals harmonize with rubbery scratches, acoustic guitar, and horn segments, crafting a lush lounge piece that seamlessly balances both relaxation and empowerment, transparency and provocation. It's a testament to Stavroz's versatility and their knack for creating music that defies easy definition, leaving listeners eagerly anticipating the next twist and turn in their captivating musical journey.

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Paul Young

No Parlez

37,99 €*

Release: 1983 / EU – Reissue

Genre: Pop

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OST Bram Stoker's Dracula

Wojciech Kilar

LP | 1992 | EU | Reissue (Music On Vinyl)

Release: 1992 / EU – Reissue

Genre: Soundtracks

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La Cuna Red Vinyl Edition

Ray Barretto

LP | 1981 | EU | Reissue (Music On Vinyl)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Spending Time With Morgan

Ane Brun

LP | 2003 | EU | Reissue (Balloon Ranger)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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2LP | 2021 | EU | Reissue (Music On Vinyl)

Corrosion Of Conformity

Deliverance

37,99 €*

Release: 2021 / EU – Reissue

Genre: Rock & Indie

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12" | 2024 | Original (Blueprint)

Chloe Lula

Torpor

13,99 €*

LP | 1996 | EU | Reissue (Music On Vinyl)

Release: 2024 / Original

Genre: Electronic & Dance

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Following on from September's "Sonic Underworld EP" by Shlomi Aber & Kashpitzky, James Ruskin's label delivers another first as Chloe Lula presents her Blueprint Records debut with the "Torpor EP".Her debut on Blueprint, "Torpor" is a reflection of her stylistic evolution, bringing the sounds of ambience and synths into a clean, contemporary techno framework.

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Cranes

Population Four

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Waxwork)

Anna Drubich

Barbarian

40,99 €*

Release: 2024 / US – Original

Genre: Pop

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Archie Shepp & Annette Lowman

Lover Man

Release: 2024 / EU – Original

Genre: Organic Grooves

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You're Never Alone With A Schizophrenic

Ian Hunter

2LP | 2024 | Original (Chrysalis)

31,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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2LP | 2024 | Original (Chrysalis)

Ian Hunter

Short Back N Sides

31,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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Ron Carter & Cedar Walton

Heart & Soul

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Carhartt WIP

Springfield Vest

199,95 €*

LP | 2024 | EU | Original (Public Possession)

Available Sizes: S, L, XL

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The Carhartt WIP Springfield Vest puts a premium workwear twist on cold weather protection with an uncompromised timeless aesthetic. This vintage design is equipped with quilted chambers as well as midweight padding.

Carhartt WIP Springfield Vest - features:

• high-necked collar
• 2-way front zipper with custom pulls and interior storm flap
• Carhartt script logo printed at left chest
• 2 flap pockets with snap button closure at lower front
• drawstring-adjustable bottom hem with sturdy eyelets and toggles at the elastic draw cord
• interior chest pocket with zip closure at wearer's left
• regular fit
• shell: 100% recycled polyester taffeta, 2.2 oz, with water-repellent finish plus seasonal camouflage pattern printed all over
• lining: 100% recycled polyester taffeta
• insulation: artificial down fill made from 100% recycled polyester

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Rip Swirl

Perfectly Blue

23,99 €*

Sugar Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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What does it mean to be perfectly blue? Perhaps it means swimming contently in the waters of deep, complex emotions, or simply learning to spin low moments into casual days. For Luka Seifert, who makes music as RIP Swirl, the idea of being fine with not being happy all the time was the catalyst for his second album, Perfectly Blue. The two words captured something: learning to embrace being blue, while using music as a way of processing emotions.

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Tonic

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Fin Du Monde)

Seoi Nage

The Gentle Way

25,99 €*

LP | 2024 | EU | Original (Fin Du Monde)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hill Collective is a jazz ensemble based in Brighton, UK. Led by saxophonist and composer Pete Piskov, the group offers a fresh musical attitude, employing modern improvisation techniques and nuanced compositions - a soulful, avant-garde addition to the bustling UK jazz landscape.

"Tonal Prophecy" is their first studio album, being released on the 20th April with the help of German label, Fin Du Monde. The sound is varied and rich, drifting from almost-big band horn arrangements to riotous free jazz. Latin rhythmic attitudes and playful excursions to the absurd lay out a tonal palette that brings both solace and revelation.

The inclusion of the "Grand Unison Choir" in the recording is an important statement of community and the DIY ethics that surround the album. A group of about 20 friends chant, laugh, scream and sing, embracing the full spectrum of what makes this music so magical.

Holistic in its ethos, this album explores the warmest depths of the mind, body and spirit while keeping things light and honest- a music that speaks for itself, about itself and the world around it.

The album sits comfortably in it's own vibrant identity greatly inspired by the idiosyncrasies of Sun Ra, Art Ensemble of Chicago and Ornette Coleman.

"Enthusiastically embracing the full gamut of freewheeling experimentation ... from wonky bossas to deranged swinging Mingus-ism, this new release from Hill Collective is a compelling refutation to anyone who still thinks that jazz is no fun"

Eddie Myer (New Generation Jazz / QOW Trio)

"Hill Collective seem at ease creating some of the boldest, bombastic and liberating music I have heard from any other release ... Fearless, passionate and deeply joyous"

Ozzy Moysey (Ancient Infinity Orchestra)

Pete Piskov - Alto Saxophone, Flute
Joe Edwards - Drums
Federico Micheli - Bass
Luke Congdon - Piano
Will Roberts - Trombone
Phil Smith - Trumpet
Jojo Circle - Harp
Sudhi S Pooniyil - Percussion

Grand Unison Choir (A-Z):
Gina Boyle, Jamie Broughton, Milo Costelloe, Oceanmae Davis, Edward Deeney, Noah Fox, Oscar Godfrey, Tom Gregory, Fae Haley, Rose Io, Tamara Klüver, Edmund Lloyd-Winder, Constance Nash, Ed Prideaux, Zosia Szymanowska, Joss Trevena-Samson, James Virtue, Freddie Willatt, Tam Zin

Recorded at Church Road Studios by Paul Pascoe
Album Cover by Pete Piskov
Mixed and Mastered by Pete Piskov

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Hill Collective

Tonal Prophecy

25,99 €*

LP | 2025 | EU | Original (Quindi)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Exposé

Etc

24,99 €*

Release: 2025 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2025-01-24

In a continued disruption to the airwaves following releases from Bondo and Monde UFO, Quindi returns to the Californian noise rock scene-not-scene to dig on the gnarled riffs of Expose. On their new release, the LA outfit double-down on a unique blend of bloated guitar fuzz and grimy analogue synths, and come out with a curiously cosmic kind of kick-ass.
If there was a dreamy, sun-bleached quality to Bondo and Monde UFO, their label mates Expose sound more wrought from sweat-drenched jam sessions under halogen strip lights in grease-stained garages. But the guttural quality of their blown-out guitar tone is matched for vibrancy by the dexterity of their playing, bringing angular free jazz to post hardcore and sludge rock, capped off with the unearthly sonic possibilities of flamboyant synthesis.
This dual-layered wall of sound lends extra weight to the likes of shit-kicking 'Speed Dial', which thunders like a kosmische juggernaut with amped up leads and a dead-eyed vocal condensed into a visceral minute, all with enough time for a dramatic breakdown, synth eruption and a final thrust. Similarly scooped out of the trash compactor, 'Description' rides for longer with one foot pressed firmly on the fuzz pedal, letting the electronics squeal around the punked-up rush of the guitars.
But Expose are not a one-dimensional band constantly thrashing it out. By contrast, 'The Constant' hits a crushing emotional note in its more structured push and pull between delicacy and heaviness, hitting bittersweet notes along the way throughout the peaks and troughs of the arrangement. 'Self Terror' washes languid, discordant guitar strum into swirling FX accompanied by sax from Monde UFO's Ray Monde.
Smart as a whip, sharp as a tack and boiling over with an untameable urgency, Expose make their presence felt in brilliant, bruising form on this particularly fierce addition to the Quindi catalogue.

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Puma x LMC

AOP Reversible Jacket

184,95 €*

LP | 2024 | UK | Original (World Of Echo)

Available Sizes: S, M, L, XL, 2XL

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Recently, Puma teamed up with Lost Management Cities, one of the freshest South Korean apparel brands, to remix a few classic silhouettes from the Puma archives.

Puma x LMC AOP Reversible Jacket - Features:

• high-necked, drawstring-adjustable hood
• 2-way metal front zipper with custom pulls
• 2 flap pockets at lower front / 2 pockets with zip closure at lower front of the reverse
• drawstring-adjustable bottom hem with sturdy eyelets and toggles at the elastic draw cord
• stretch bordering at cuffs
• Puma x Lost Management Cities branding printed on left chest and on the rear plus tag graphics printed all over
• Puma x Lost Management Cities graphic printed on the chest of the reverse
• relaxed fit
• 100% nylon, 122 g/m²

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UEVPD

24,99 €*

LP | 2024 | UK | Original (12th Isle)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-18

UEVPD - Usage/Efficiency/Variance/Platform/Domain - is the solo project of Dominic Goodman, a former member of Mosquitoes and currently one half of Komare.

The self-titled UEVPD debut LP, released on 22nd November via World of Echo, consists of eight sequentially numbered electro-acoustic tracks made over approximately five years, living recordings that have morphed in shape over time, each systematically stripped back to their elemental form before being deemed complete. From the outset, Goodman purposefully deployed a relatively limited array of equipment and adopted a determinedly minimalist approach to composition, a practice in restraint that privileges detail and nuance. Field recordings, made using a combination of dynamic, condenser, contact and electret microphones, geophones and hydrophones, were allied to a basic modular/analogue synth setup, allowing for little in the way of excess or indulgence.

The results are markedly defiant, displaying an expert exercise in control and restraint that lets in little light but plays a great service to space and time. This is patient, claustrophobic sound design that bears out the value in attentive listening, a meditation on the acceptance of passing time, change, growth, death and regeneration. As such, listeners might connect associative lines with the likes of Pan Sonic and Mika Vianio’s solo work, Emptyset and Civilistjavel (who’s Tomas Bodén shows up on mastering duties here), though this remains distinctively Goodman’s vision, a continuation of his interests shown in Mosquitoes and Komare that further pushes out into the murky unknown.

UEVPD is released digitally and on vinyl in an edition of 250, each in hand printed, die cut sleeves.

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Fan Club Orchestra

VL_Stay

2LP | 2019 | EU | Reissue (Moabit Musik)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Fan Club Orchestra (FCO) has its roots in collaborative performances and recordings that began taking
place in the late nineties in Brussels. These continued into the second decade of the new millennium
around Belgium and neighbouring countries. At a time when large contemporary arts spaces were less
professionalised, less obedient to funding and attendance numbers, and Still tuned to their founding DIY
impulses, FCO were able to nurture their nebulous cast of players with their unconventional ensemble of
instruments to their own ends. The apparent informality of their performances, mixed with the sheer
spectacle of their unfolding, transplanted the experimentalism of New York's downtown scene of the
1960s into the cracked consumer electronics period of new media art at the turn of the century. A newly
regrouped FCO now present their album 'VL_Stay' on 12th Isle. This iteration of FCO sees Baudoux
joined by Ann Appermans on guitar and bass, and Zéphyr Zijlstra on trumpet. Appermans is an original
FCO member as well as a frequent collaborator with Baudoux. Zijlstra is a jazz student at the Royal
Conservatoire of Brussels. Recorded in just two weeks, the trio invoke the pedigree with which FCO first
toyed, while sketching a continuity with new references.

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Malaria

Compiles 2.0

Bebo Valdes Y Su Gran Orquesta

Release: 2019 / EU – Reissue

Genre: Pop

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January 1981 found Gudrun Gut and Bettina Koster in Christopher Franke’s Berlin-Spandau Studio recording their first Malaria! EP (Zensor Records). Christine Hahn of The Static with Glenn Branca and Barbara Ess, joined in from New York, and Manon P. Duursma fresh from Nina Hagen’s O.U.T. project and Susanne Kuhnke completed the Line-Up.

Malaria! started touring intensively soon after the release of their 12”, commencing with a concert with New Order at Brussel’s Ancienne Belgique, and going on from there to concerts with Siouxsie and the Banshees, Birthday Party, The Slits, The AuPairs, Raincoats, Nina Hagen, John Cale, Einstuerzende Neubauten. They played venues as diverse as the Mudd Club, Peppermint Lounge and Studio 54 in New York, the Documenta in Kassel, the Bat Cave in London, Les Bains Douche in Paris, Milky Way and Paradiso in Amsterdam, ICA in London, the Piazza Santa Maria Novella in Florence and Markthalle in Hamburg and naturally, again and again, at the So36 in Berlin.

While touring, Malaria! used their time off to record in Studios in New York, London, Brussels, New Orleans, and in Berlin (How Do You Like My New Dog? 7”, Weisses Wasser 12”, New York Passage 12”, Revisited MC, Emotion Album). At the BBC studios in London Maida Vale Malaria recorded an Kit Jensen and a John Peel Session.

Malaria! took a break in 1984 - Bettina and Christine re-located to New York, and Gudrun and Manon stayed in Berlin to form, with Beate Bartel, Matador, but not before they recorded their Mini-Album, Beat the Distance. 1992 Gudrun, Bettina, Christine, and Manon met up in New Orleans with Jim Thirlwell (Foetus) to record Elation 12”. Elation was followed by Cheerio, Album, which again was recorded in Berlin.

Chicks on Speed did their own version of Malaria’s song, Kaltes Klares Wasser in 2001, and the Remix went into the German Top 10.

Malaria has been an instrumental part of Berlin Music History, as recently presented at the „Zurück zum Beton“ at Düsseldorf’s Kunstakademie, Kunsthalle Wien „Punk!“, „Geniale Dilletanten“ Goethe Institut, and in B-Movie.

Biba Kopf 2019 The theme song for that great German road movie yet to be made, Malaria!’s 1981 single “How Do You Like My New Dog?” etched the E into the motion music of their soon-come debut album Emotion with its trail-out line “Immer vorwärts, nie zurück...”. Always forward, never back: from West Berlin to London, Paris, New York and Tokyo... from here, there and everywhere to eternity, the Autobahn goes on forever, with Malaria! at the wheel, spinning new moves from timelines crossed in records and songs right on the money evoking Zarah Leander, fighting the power, staring down Death, and a whole lot more. In all, one merry hell of a ride, and on the evidence of Compiled 2.0, it’s not over yet.

Mark Reeder 2019 "Even today, their originality in everything from sound to style, has proven just how relevant Malaria! are. In my opinion, their music has stood the test of time. To me, Emotion sounds as good today as it did when it was first released and it was a pleasure to revisit it. They might not have had any zillion selling albums, and their image might have been copied, while their sound could never be. They remain exclusively unique and their influence and legacy will reach far into the future. This band is both an inspiration and a statement and they prove what five very creative girls can achieve, if given the right support to allow them to evolve, and it is exactly that, which has made Malaria! Germany’s most successful and renowned, all-girl band...“

Diedrich Diederichsen 1991 "...Malaria! put across so many clear, manifest, attractive, certain, muscular, and harsh symbols, just as they refused - defying the customs intrinsic to these symbols and the worlds in which they circulate - to weave all these things into a readable, reproducible and manageable, generic text..."

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LP | 2024 | EU (Shellac Disc)

Live At Fox Theater, Atlanta February 1980

Release: 2024 / EU

Genre: Organic Grooves

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Dionisio Ramon Emilio Valdés Amaro, better known as Bebo Valdés, was born in Cuba in 1918. He is considered one of the pivotal figures in Cuban music. Trained as a pianist, he also became a master arranged and conductor and worked with figures like Olga Guillot, Celia Cruz or Elena Burke. A trip to Haiti in the 1940s arised his interest in African rooted music, and on his return in La Havana, performing at the legendary Tropicana cabaret under the direction of Armando Romeu, he started including these rhythms in his sound becoming a prominent figure in Afro-Cuban jazz. He worked with big names like Joséphine Baker and Nat King Cole. He had been playing for ten years at the Tropicana when a bomb exploded very near his piano in the middle of his performance, he nearly died. He quit the Tropicana and benefited of the rising of television broadcast in the 1950s, getting even more fame in several Cuban TV shows until 1958, when he emigrated to Mexico first to finally set in Sweden, were he has Paramount in establishing a world taste for Afro-Cuban jazz. His career saw a big rebirth when in 1994 he teamed with saxophonist Paquito d’Rivera and, in a more mainstream way, with Fernando Trueba’s Calle 54 movie. He had kept busy since then until his passing in 2013. he is acknowledged as one of the originators of Latin Jazz and Afro-Cuban music.

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Weather Report

2LP | 2024 | EU (Whp)

22,99 €*

We Are All Animals Colored Vinyl Edition

Release: 2024 / EU

Genre: Organic Grooves

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Back in 1980, Weather Report consisted of Wayne Shorter - tenor & soprano sax, Joe Zawinul - keyboards, Jaco Pastorius - bass, Peter Erskine - drums and Bobby Thomas Jr. - percussion. Often considered as one of the best line ups in the band's history, this was a super tight combo playing with the same energy and power of a big band. The 1980 tour, also known as the "Night Passage" tour, is also remembered for the great visual impact, a large scale staging including laser and film projections. The Atlanra Fox Theater show sees the band at its peak, performing great renditions of classic tunes such as Zawinul's "Madagascar" and "Fast City", Pastorius' "Three Views of a Secret" and Shorter's "Port of Entry". This is an important live document from the greatest electric jazz band of all times, period!

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Animaux Formidables

LP | 2024 | EU | Original (Go Down)

27,99 €*

LP | 2025 | US | Original (Wharf Cat)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Here's the debut album of Animaux Formidables, a sensual and explosive masked power duo formed in early 2022. We are talking about two characters with animal-like features, fed so far on glam, blues, and rock ‘n roll. They express themselves with a garage-fuzz-noise sound at an extremely fiery level, both on record and on stage, the band’s natural habitat.

Say the artists on the genesis of the album: “Our producer Marco Fasolo, who first listened to some of our stuff recorded with a smartphone in the rehearsal room, encouraged us to reproduce the live sound on the record. So we did a single live take for each song, recording in two rooms divided by glass to avoid feedback. No overdubbing or post-production processing was done. In this way what you hear is the essence of who we are, how we compose and perform our music, with all our deep passion and expressive urgency”.

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Drop Nineteens

1991 Grey Vinyl Edition

A Missing Myth Of The Future

Release: 2025 / US – Original

Genre: Rock & Indie

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Following the release of Drop Nineteens' first al bum in 30 years, Hard Light and the re issue of their 1992 shoegaze masterwork Delaware, we are excited to announce the official release of Drop Nineteens' 1991. This LP comprises the band's first two demo sessions which were mailed out via cassette to labels in 1991 finding their way to the UK music press and generating instant buzz and an ensuing feeding frenzy to sign the band. After signing with Caroline Records Drop Nineteens decided to write an entirely new record, Delaware, for their first official release, leaving the songs on 1991 behind, frozen in time.Swells of layered guitars and buried vocal harmonies adom these tracks, displaying Drop Nine-teens when the comparison to their UK contemporaries like Slowdive and Ride were apt. 1991'S songs, recorded with a low fi charm, show an ambitious young band capable of writing songs filled with texture and hooks, on the eve of their breakthrough with Delaware.

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Kaoru Inoue

LP | 2024 | EU | Original (Studio Mule)

23,99 €*

Forever Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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kaoru inoue is a japanese veteran producer and dj since late 90’s. he has been releasing from his own label “seeds and ground” and some other labels like mule musiq,groovement. the original release of this album was released in 2013 in only japan. it’s a very own style mix of world music, field recording, ambient and electronic music. the album is started by minimal gamelan ambient “malam”,the second track “selva” is minimal afro brazilian house which reminds us early luciano or villalobos. third track “kamui fuchi” is electric jazz fusion house, fourth track “sphere” is like joan bibiloni in late 80’s. on b side,”etenraku” is avant-garde tribal break beats,”she was in ecstasies”&”escape dub” are typical his style balearic slow house. the album is closed with beautiful melancholic new age music “healing force”. this album is a timeless masterpiece for us.

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Lilly Hiatt

LP | 2025 | US | Original (New West)

Forever Indie Exclusive Clear Green Vinyl Edition

Release: 2025 / US – Original

Genre: Rock & Indie

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Forever was a record that was written and recorded one track at a time with my husband Coley. After scrapping about 20 songs or so I had written the last few years, I wanted to get to the heart of things. I had a great talk with a friend on the phone and she mentioned she just wasn’t sure where I’d been. I realized I wasn’t really certain of that either. It’d been a foggy few years after 2020, and the pieces seemed to just be starting to be picked up. I had fallen in love, gotten married, had a dog, a house…things I had always dreamed of. But it took my quite some time to accept them as my life. For a bit, I felt like an outsider watching myself stumble though everything, and was constantly critiquing myself, to the point where I could hardly leave the house for a bit. But then I realized my life was passing me by, and the love I was living in required presence to accept. I started to do the little things you have to do to just show up for people: listen, grow, change, write….get outside of my own problems. Time is flying, and I want to be here for it all rather than lost in my thoughts all the time. My love is forever. When I was a kid I used to say to my mom and dad “I love you forever and always” then neurotically changed it to “I love you forever and always and it’s true and I mean it”…because I wanted to make sure they knew how much I wasn’t messing around! I still feel that way when I say “I love you” to anyone and hope it comes across on this record. Love y’all forever!

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Lilly Hiatt

LP | 2025 | US | Original (New West)

Release: 2025 / US – Original

Genre: Rock & Indie

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Barbour x Baracuta

Wax Gilet

499,95 €*

Available Sizes: L

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In a landmark collaboration, two British heavyweights, Barbour and Baracuta, are coming together to reaffirm their legendary status with a capsule collection designed for the Fall/Winter 2024 season. This fantastic joint venture marks a significant milestone for both companies and promises a blend of tradition and contemporary style that honors the rich heritage of Baracuta and Barbour.

Barbour x Baracuta Wax Gilet - features:

• high-necked collar with dual snap button closure
• hidden KK 2-way metal front zipper with custom pulls
• snap button closure at storm flap
• 2 flap pockets with snap button closure at lower front
• 2 walking slits with snap button closure at the rear
• tartan lining
• interior patch pocket with branded button closure at wearer's left
• Barbour branding embossed at snap buttons
• tonal Barbour logo embroidery at left front pocket's flap, tonal Baracuta logo embroidery at right front pocket's flap
• regular fit
• shell: 100% waxed cotton
• lining: 100% cotton
• made in EU

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Barbour x Baracuta

Wax Gilet

499,95 €*

Available Sizes: M, L, XL

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Barbour x Baracuta

OS Casual Bedale

649,95 €*

Jean-Claude Vannier Et Son Orchestre De Mandolines

Available Sizes: M, L, XL

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In a landmark collaboration, two British heavyweights, Barbour and Baracuta, are coming together to reaffirm their legendary status with a capsule collection designed for the Fall/Winter 2024 season. This fantastic joint venture marks a significant milestone for both companies and promises a blend of tradition and contemporary style that honors the rich heritage of Baracuta and Barbour.

With the Oversized Denim Bedale Casual Jacket, Barbour and Baracuta take the classic outdoor parka design to add a few extra details for a unique twist. While packed with premium fabrics plus high-end processing, this Barbour x Baracuta jacket is the ultimate signature design of the brand, blending heritage and functionality.

Barbour x Baracuta OS Bedale Casual Jacket - features:

• stand-up collar with dual snap button closure at storm flap
• hidden YKK 2-way metal front zipper with custom pulls
• branded metal snap button closure at storm flap
• raglan sleeves
• 2 symmetric lower chest pockets
• 2 flap pockets with snap button closure at lower front
• snap button-adjustable cuffs
• umbrella back yoke
• walking slits with branded snap button closure at the rear
• Barbour tonal lettering embroidered on left flap pocket, Baracuta tonal lettering embroidered on right flap pocket
• Barbour branding embossed at snap buttons
• relaxed fit
• shell: 58% polyester, 42% cotton
• collar: 100% cotton
• lining: 100% cotton

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Jean-Claude Vannier

LP | 2025 | US | Original (Ipecac)

27,99 €*

Release: 2025 / US – Original

Genre: Pop

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Game Of Thrones: Season 5

Ramin Djawadi

38,99 €*

Release: 2024 / EU – Original

Genre: Pop

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3LP | 1974 | EU | Reissue (Music On Vinyl)

Santana

Lotus

47,99 €*

Release: 1974 / EU – Reissue

Genre: Rock & Indie

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Paul Young

Between Two Fires

37,99 €*

Release: 2024 / EU – Original

Genre: Pop

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Frank Sinatra

Collected

35,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Music On Vinyl)

Five For Fighting

Two Lights

Release: 2024 / EU – Original

Genre: Pop

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LP | 2024 | Original (Fat Cat)

Jan & Dean

The Best Of

Release: 2024 / Original

Genre: Pop

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Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999

2LP | 2024 | EU | Original (Music From Memory)

29,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The next installment of MFM's popular multi-artist compilation Virtual Dreams: 'Virtual Dreams - Ambient Explorations In The House And Techno Age, Japan 1993-1999'. As with Part One, released in 2020, 'Virtual Dreams II' shines a light on house and techno-adjacent music that helped redefine the definition of ambient music during the 1990s.

The focus of Part One heavily fell on music from techno and house producers in Europe, eagerly exploring new soundtracks for chill-out rooms and re-imagining the potential future of club culture from new perspectives. For Part Two, we narrow the lens to focus on a unique time and place, namely Japan between 1993-1999. Despite missing out on the 'Acid House Fever', club culture was beginning to take shape in Japan during the early '90s. In contrast to the rest of the world, where ambient techno / IDM emerged as a by-product or response to the scene, 'listening techno', as it is known in Japan, was a central pillar of the culture right from the start.

'Virtual Dreams II' aims to shine a light on this unique moment in time where the thread of ambient music weaved its way through the music of an emerging club culture. This period saw the birth of many great Japanese techno labels such as Sublime Records, Transonic Records, Syzygy Records, Frogman Records, and Form@ Records, following in the late '90s. 'Virtual Dreams II' features ambient, chill-out, and intelligent techno from these leading labels alongside other lesser-known but equally influential imprints, as well as ambient deviations from Japanese house producers. Much of the music featured has only ever been released on CD.

'Virtual Dreams II' is compiled by Eiji Taniguchi and Jamie Tiller, who have worked closely together on previous Music From Memory releases such as 'Heisei No Oto' and 'Dream Dolphin - Gaia'. It is also the final project Jamie Tiller worked on before his tragic passing in 2023. Jamie had been researching, planning, and compiling this version of Virtual Dreams even before the first chapter was released, believing that there were many great tracks in Japan that fit the concept of the series. Knowing how much love and energy he put into compiling it gives it an extra special place in our hearts.

Compiled by Jamie Tiller and Eiji Taniguchi with artwork by Kenta Senekt, design by Steele Bonus and liner notes by Itaru W. Mita,

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

7" | 1978 | EU | Reissue (LAVA ON WAX)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Outfit

Dr. Spougenstien

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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Re-issue of this hyper rare single from 1978 on Whirl (West Indies Records Limited). George Clinton's Parliament getting funked up in the Caribbean. TIP!

The Outfit was one of the funkiest bands ever coming from The Caribbean. They showed (together with other top bands from Barbados like The BRC or The Organization) the potential of Spouge music and the many creative possibilities that this genre can lead to.

This single is one of the finest examples of Spouge and Funk blended perfectly together in an explosive, ultra funky cover of the Parliament's "Dr. Funkenstein", titled for the occasion "Dr. Spougenstien". Despite being an extremely rare single, this song used to be quite popular in Barbados, to the point where most people on the Island used to think this was an original song. B side "Theme From Peter Gunn" serves up a punchy and groovy Cosmic disco tune on the very popular Theme from the Peter Gunn tv show.

This single is proposed to you as a first issue on the newly born Lava On Wax Records, started by Dj and Collector Matteo Fava, who have been to Barbados multiple times and works together with former Wirl label since 2020. The release has been possible thanks to help of GUTS from France, who worked since the start of this project to the end in close collaboration with Matteo. Here is what he has to say about this release: " Lava on Wax , It's putting love into old things to make them new with conscience and respect "

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Grey October Sound

Lo-Fi Ghibli Volume 2

Release: 2024 / JP – Original

Genre: Soundtracks

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The album "Lo-Fi Ghibli," became a hit worldwide with covers of Studio Ghibli songs in a Lo-Fi hip-hop style, and it made Grey October Sound known not only in Japan but also overseas. This series became a topic of discussion even on Japanese television, and it's now common to see tourists visiting Japan carrying the "Lo-Fi Ghibli" LP from record stores to the register.

P-VINE is thrilled to announce the release of the highly anticipated sequel to this popular work, "Lo-Fi Ghibli 2." In this new release, Grey October Sound's producers have arranged Ghibli songs not included in Vol. 1, and the visual imagery, including the jacket, continues to be produced by illustrator Rika Hase. Placing this record on your turntable will instantly provide you with a relaxing chill time accompanied by memories of the Ghibli films.

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Virtual Dreams II - Ambient Explorations In The House & Techno Age, Japan 1993-1999

2CD | 2024 | EU | Original (Music From Memory)

Knock Me Off My Feet / Let Me Hear You Say

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The Allergies

7" | 2024 | UK | Original (Jalapeno)

2LP | 2024 | EU | Original (Plangent)

Release: 2024 / UK – Original

Genre: Organic Grooves

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The Allergies return to their 100% sample-heavy roots, with a reworked slice of dancefloor friendly Southern soul on 'Knock Me Off My Feet'. Flipping a much sought-after 45 from the late-sixties, they take an already pumping Motown-influenced arrangement and bolt on fat drums, beefy bass, percussion and horns, taking it further than the OG band could ever imagine.

'Let Me Hear You Say' on the b-side takes us way back to New York club scene of the early 80s. Re-working old school MC chants over strutting disco loops, this finger-snapping slice of retro realness is packed with sleek and slinky grooves, and a beat that won't quit.

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Recondite

Indifferent

Shapeshifters / Johnnie Taylor

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-12-13

Feeling the deep and the hi simultaneously. Not craving for the extreme - finding balance instead. Indifference.
The word reflects what I often felt in recent times. Not just a feeling but a desire for things less pointed. It seems to be a general zeitgeist phenomenon but as I am part of the electronic music scene, I reflect a lot
about what is happening within this genre. There has been an urge for the either really hard, driving, fast and aggressive, or the extreme opposite.
Catchy vocals with a pop music feel, very direct and relatable melodies, soft grooves, piano chords. Either way - it feels like it has to be very distinctive - aggressive or soft - as long as it is extreme. It seems to be a moment in time where in whatever you do - it HAS to be in the face. All of this is fine of course - but never was my nature or personality. There is a reason why I chose to the adjective "Recondite" as an artist name because I could identify with the meaning of it. "hidden, obscure, not in the obvious”.
“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.

SHORT VERSION:

“Indifferent” is opposing this Zeitgeist and is representing driving techno with minimalistic melodic atmospheres, deep, haunting vibes, reserved yet strong and decisive within its own language, floating between melancholic desperation and hopefulness - music that lives right in between the hard and the soft... the aggressive and the neat... not black or white.
Not separated but INDIFFERENT.

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Lola's Theme / What About My Love

7" | 2024 | UK (Jackin' Disco)

14,99 €*

Midnight Confessions Volume 2

Release: 2024 / UK

Genre: Electronic & Dance

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Early 2000's house anthem on 7" for the first time ever, plus the soulful disco track that was jacked to make it!

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Italoconnection

LP | 2024 | EU | Original (Bordello A Parigi)

21,99 €*

LP | 1970 | JP | Reissue (P-Vine)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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2021. Italoconnection, the partnership of Fred Ventura and Paolo Gozetti, released Midnight Confessions Vol 1. Three years on, the awaited second volume has arrived. All of the analogue emotion that characterised the first collection is present from the outset, warm throbs of bass coupled with clean melodies in “The Wait”. Smoky lyrics permeate the nine track album, the unmistakable timbre of Ventura’s voice recanting tales of optimistic encounters and lost love. As with the 2021 release, collaborations with fellow italo romantics are peppered throughout. Francesca Gastaldi returns to work with Italoconnection once again. Having featured on their Humanize EP, Gastaldi’s vibrant voice shines through the smouldering synthlines and robust beats of “Live Forever”. Jaia Sowden takes centre stage for “Just Like Water”. A story of discontent and disconnect is sang over bittersweet keys as eastern undercurrents flow. Contemporary commentary is intertwined with undulating melodies and distant lyrics in “Cold War Lovers”, a cold wave edge cutting through the sounds and words of “Systematic” .The dancefloor surfaces throughout the record. Bodies are pulled tight by the bold and bright bars of “Why” before drifting apart in the lovelorn lamentations of “Lover 2 Lover”. “Europa” pays homage to the machine music of the continent as a litany of influences are drawn upon . The title piece closes. A fragile drum pattern is bolstered by cascading chords, piano notes sailing alongside words by Gastaldi and Ventura. Welcome confessions from musicians who live and breath the synthesizer traditions of Italy.

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Kashmere Stage Band

Bumper To Bumper Soul

36,99 €*

Ricardo Marrero & The Group

Release: 1970 / JP – Reissue

Genre: Organic Grooves

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Kashmere Stage Band (ksb), founded by music teacher Conrad O. Johnson was an elite performing unit of the student band at Kashmere High School, Houston, Texas, from the late 1960s until 1978. All original Kashmere LPs had 1000 copies or less originally pressed, which were sold both locally and around the world as the band toured. And now, P-vine is proud to present the historically renowned albums from the band on limited reissue vinyl! some of them will be reissued on vinyl for the first time.

[Items line-up] Kashmere Stage Band / Our Thing ('69) Kashmere Stage Band / Bumper To Bumper Soul ('70) ※First time reissued on vinyl Kashmere Stage Band / Thunder Soul ('71) ※First time reissued on vinyl Kashmere Stage Band / Zero Point ('72) Kashmere Stage Band / Kashmere "73" Live in Concert ('73) ※First time reissued on vinyl Kashmere Stage Band / Out Of Gas But Still Burning ('74) Kashmere Stage Band / Plays Originals ('74) Kashmere Stage Band / Expo '75 Concert Tour Japan/Okinawa ('75) ※First time reissued on vinyl

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A Taste 2024 Repress

12" | 2024 | UK | Original (Atjazz Record Company)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Composer and keyboardist Ricardo Marrero was a prominent figure in the New York Latin music scene during the 1960s and 70s. His debut album was released by TSG Records, and due to the label's characteristics, only a limited number of copies were manufactured. The rarity of the original pressing, coupled with the exceptional quality of its music, has sometimes led it to be dubbed as "the ultimate destination for rare groove collectors." Revered not only by rare groove enthusiasts but also by fans of Latin, bossa nova, funk, and soul, its splendid sound continues to shine as an enduring masterpiece that shows no signs of fading.

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Abel feat. Brutha Basil

Hand Made

14,99 €*

The Sojourner 2024 Repress

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A slick techy dance-floor banger featuring the sultry tones of US Vocalist ‘Brutha Basil’.

Hand Made has been a go-to number from Abel’s well-received ‘Cosmic Law’ album. Taking a deeper and much more techy approach to sound design, Abel and Atjazz enlisted the brilliant ‘Brutha Basil’ to lay down some truth about ‘doing this music thing for the right reasons’. With some incredible remixes from Peacey who swipes things up to a new energy level, Rocco Rodamaal whose punchy re-work takes us way back to NYC’s early days of house music, and South Beach Recycling’s Chicago and Detroit-inspired late-night groover. This is one of those releases that will stay on target for a long time, no doubt!

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The Ensemble Al-Salaam

LP | 1969 | JP | Reissue (P-Vine)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Originally released in 1974 on pioneering jazz label Strata-East, ‘The Sojourner’ by the incredible Ensemble al-Salaam would become one of the label’s most sought-after records. A highlight of the spiritual jazz movement, the record sees a band at the height of their powers, perfectly in sync as they express their spirituality through one ethereal groove after another. Album opener “Music is Nothing But a Prayer” sets the tone for the album, as gentle piano arpeggios, warm flute improvisations, and spacy guitar combine with the haunting vocals of Beatrice Parker to create a sonic atmosphere which seems to wash over you with every passing beat. The song picks up as a repeating bass riff emerges, with blaring saxophone improvisations contrasting with Parker’s clear vocals - yet nothing ever clashes. In comparison to the enveloping avant-jazz of “Music is Nothing But a Prayer”, “Malika” takes inspiration from late-career Coltrane, with sheets of sound-esque saxophone solos set to breakneck rhythms. “Peace (Salaam)” sees the group return to warm spiritual tones, complimenting a beautiful melody to bring the album to a close.

For years, the only way to get your hands on this record was to spend your entire life savings, or pray that you stumbled upon it at a yard sale. With our previous two pressings selling out almost immediately, we knew we had to give this legendary record a third pressing. P-vine is proud to be repressing this phenomenal album for the third time, now with a new and improved obi-strip!

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Kashmere Stage Band

Our Thing

36,99 €*

12" | 2024 | UK | Original (Drumcode)

Release: 1969 / JP – Reissue

Genre: Organic Grooves

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Wehbba

Awaken

Ingrid Bandana Counterpoints

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Wehbba returns with an impressive two-tracker ‘Awaken’.

Anything the on-point Brazilian contributes to Drumcode is always top notch. From his 2020 album ‘Straight Lines & Sharp Corners’ to the cracking ‘Catarse’ EP from 2018 to last year’s sci-fi themed ‘Premonition’, the vast collection of quality music the artist has dished up on Adam Beyer’s label always stands out amongst the crowd.

The producer, who’s a practitioner of Vipassana meditation, takes inspiration from the spiritual realm for his latest production work. ‘Awaken’ is a hyper euphoric anthem inspired by light that packs plenty of bottom end power. We can’t wait to hear this played during the upcoming festival season. ‘Revelation’ is a spitfire trippy techno outing, which utilises Eastern scales and takes influence from ritualistic ceremonies from Middle Eastern and South Asian cultures. Mark this down as another timeless Wehbba EP on Drumcode.

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Nudie Jeans

34,95 €*

Available Sizes: One Size

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The Nudie Jeans Ingrid Bandana is the best way to mask if you plan to do a drive-by shooting with your new water gun. Measures: approx. 55 x 55 cm; 100% organic cotton.

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12" | 2024 | EU | Original (Whiskey Disco)

We Call It Good 2 Me

Moon & Palms Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Whiskey Disco #74 follows up Michael The Lion’s stellar single with a return to classic Whiskey Disco form; a mix of somewhat recognizable samples tweaked for the floor or the poolside.

Summer is in full swing and so are the artists on the latest Whiskey Disco ode to summer parties. The A side showcases a long lost gem from Cole Medina that never quite saw the light of day. It’s a longtime honour to be able to put this song on the label and we can’t wait to have a loud 45 side in our hands to drop at the choicest of rooftop parties, poolside, beachside, or to break the tension after a dirty underground session. On the flip, we see Love Athletics breaking out with All of My Love, a cheeky vocal sample underpinned by a rocking bass groove and high hats that are more than a nod to Sex Shooter. The flanged groove will be perfect for day or night tie parties. Closing out, label boss, Sleazy McQueen provides an all analog cut up with palpitating drums and hypnotic grooves, with a nice surprise to break things up a bit.

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Barber In The Livingroom

LP | 2024 | JP | Original (Lawson)

38,99 €*

Release: 2024 / JP – Original

Genre: Pop

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A runway leading into the night sky, accompanied by the sea breeze. Barber IN THE Livingroom, a 5-piece city pop band from Fukuoka, will release their long-awaited second album (pink vinyl)!

Barber IN THE Livingroom is a 5-member city pop band based in Fukuoka that has become a hot topic with its soulful singing voice and groovy rhythm section, along with a jacket drawn by Hiroshi Nagai. Continuing from last year, the long-awaited second album "Moon& Palms" will be released at "citypop on Vinyl 2024"! If the debut album "Barber IN THE Livingroom" was a landscape of daylight and mirages, "Moon & Palms" is a landscape of lights and nighttime flights flowing from dusk to night. Like the previous album, this album was produced remotely, and the songs and sounds spun by the members far away become five birds, gliding over skyscrapers, over the city, and soaring beyond the horizon of the ocean...a song that evokes the image of... is being knitted.

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Patagonia

Lined Isthmus Hoody

229,95 €*

LP | 2024 | EU | Original (Voodoo Rhythm)

Available Sizes: S, L, XL, 2XL

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Inspired by vintage workwear designs, the Patagonia Lined Isthmus Hoody is a monochrome outdoor jacket that's ready for outside action during the winter months. Made from recycled fabrics, the Patagonia Lined Isthmus Hoody is equipped with high pile fleece lining as well as a ribbed cuffs and bottom band to keep cold air outside.

The Patagonia Lined Isthmus Hoody’s features include:

• drawstring-adjustable hood with Highpile fleece lining, metal eyelets and aglets at the cord
• high-necked collar
• 2-way metal front zipper with custom pulls
• split kangaroo pocket
• stretch rib cuffs and bottom band
• high pile fleece lining
• Patagonia woven label at left chest
• relaxed fit
• weight: approx. 950 g
• shell: plain weave made from 100% recycled nylon, 132 g/m², with a PU coating and a durable water-repellent (DWR) finish without perfluorinated chemicals (PFCs/PFAS)
• body lining: 13 mm fleece made from 100% recycled polyester, 373 g/m²
• sleeve lining: bluesign®-certified taffeta made from 100% recycled polyester, 75 g/m²
• sleeve insulation: Thermogreen™ made from 100% recycled polyester, 80 g/m²
• rib cuffs: 73% recycled polyester, 27% elastane, 678 g/m²
• manufactured in a Fair Trade Certified™ facility

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Oh Telephone

Kill Kill Kill

21,99 €*

LP | 2017 | JP | Reissue (Nippon Columbia)

Release: 2024 / EU – Original

Genre: Rock & Indie

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OH TELEPHONE have their origins in the deep valleys of the Glarnerland (mountain region in switzerland) where thanks to the Veka Club they were well socialized and made resistant to any mainstream influences. Booking agencies and Labels are just shooting around with bands with Psych in the name who would like to be the next Oh-Sees and at the same time model their sound in a way that is horrible radio-friendly. OH TELEPHONE, on the other hand, is the real shit, garage-psych like no other band currently plays. Their screams never seem calculated but rather like a spontaneous outburst of passion, their guitars pierce every eard...

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Pecker

Pecker Power

12" | 2024 | Original (Figure)

Release: 2017 / JP – Reissue

Genre: Pop

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Percussionist Pecker came to Jamaica in 1980 to reissue the Japanese DUB original work he created with The Wailers and Sly & Robbie!

Pecker Power, Japan's first dub album, was produced in 1980 by Pecker, a percussionist who created Japan's first salsa band, Orquesta del Sol. This stateless dub sound was born from sessions with The Wailers at Bob Marley's studio ``tuff Gong'' and sessions with Sly and Robbie at ``channel One'' and was titled ``21st Century Dub.'' A strange masterpiece that was distributed in the United States in 1987 and has since become known all over the world.

■Japanese dub originator Dub, which originated in Jamaica, was adopted by British rock bands such as The Clash and the Rolling Stones in 1980. Pecker produced this dub work around the same time. By the way, Mute Beat, known as Japan's first dub band, started their activities in 1982. This shows how advanced this work is.

■Authentic dub session This work is based on a session with The Wailers at the ``tuff Gong'' studio and a session with Sly & Robbie at the ``channel One'' studio. The former includes the rhythm section of the Barrett brothers from Aston and Carlton, Marcia Griffiths from I-3, Judy Mowat, and other fierce performers who supported Bob Marley's golden age. The latter was gaining momentum and popularity at the time, featuring an ironclad rhythm section of Sly Dunbar and Robbie Shakespeare, who were still in their 20s, and Augustus Pablo on piano. Additionally, Rico Rodriguez, the trombonist from The Specials, flew in from Berlin for both sessions. The two teams, who viewed each other as rivals at the time, competed with their high-potential performances, resulting in a miraculous recording that brought out their best performance.

■Started as a sequel to Katsumi Watanabe's album "kylyn" Initially, the plan was to record in New York as the second part of the ``kylyn'' session, but the core members, Kazumi Watanabe and Ryuichi Sakamoto, became busy, so the plan was changed to Jamaica recording as Pecker's solo work. In addition to Pecker, Minako Yoshida and Naoya Matsuoka will be traveling to Jamaica. The legendary session mentioned above was held. After returning to Japan, Kenji Omura's guitar was overdubbed at Columbia Studios.

■World-recognized DUB from Tokyo The album ``Pecker Power'' (released on July 25, 1980) and the 10-inch album ``Instant Rasta'' (released on September 25, 1980) that were completed in this way received high praise in some quarters, but their content was timeless. Perhaps because we were too proactive, it did not lead to sales. However, in 1987, a cassette was released under the title ``21st Century Dub'' by the New York label ``roir'', and the unique, stateless DUB received high praise. It was later released on CD in 1999 and became known to DUB enthusiasts around the world.

■Recording location Channel ONE session (Sly & Robbie): Track.A1, A3, B2, B4 Tuff Gong session (The Wailers): Track. A5, B1, B3 Tokyo session：Track. A2, A4

■Musicians Pecker, Minako Yoshida, Robbie Shakespeare, Sly Dunbar, Aston Barrett, Carlton Barrett, Augustus Pablo, Rico Rodriguez, Marcia Griffiths, Judy Mowat, Kenji Omura

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Jancen

Inner Labyrinth Part 1

14,99 €*

Release: 2024 / Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

On Figure X45 we are presenting a new up and coming artist, Jancen. With only a handful releases under his belt, this promising young dutchman delivers immaculate productions that veer between the deep and the jacking, always powerful and driving but with a strong sense of groove pervading throughout.

His opener Quintessence leans on the hypnotic side, distilling the effect of a mesmerizingly simple loop reduced to the beauty of its essential elements. Racking up the momentum is tightly bouncing Elusive, riding a funky acid riff that transforms the track into one of those unexpected moments of raising the energy mid-set.
On the B-side, Jancen showcases his talent of building mind-expanding dub-techno excursions, as the echoes of Diminished Dub roll out while even packing some proper propulsive percussion on top! Final track Unattributed takes us way down the rabbit hole into atmospheric trippy territory as searing hats pave the path ever further into the belly of the beast.
For buyers of the digital package, Frostbite sits somewhere in between all of the above, combining sparse stabs of resonant synths with thumping kicks and a pumping rhythm to find that complex equilibrium of depth and charge…

Stay tuned for more tracks from Jancen to keep you warm later this winter, coming right here on Figure.

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The James Brand

The Rowan

35,95 €*

Tape | 2024 | EU | Original (Nothing But Net)

Available Sizes: One Size

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The Rowan by The James Brand leverages a simple hook design to give you key-carry security in a straightforward package. With no moving parts, it doesn't get any more minimal than the Rowan. It shares the same overall design language as The James Brand's Holcombe snap hook, and also packs in a bottle opener and ruler, if you ever need to measure something small (insert inappropriate joke here). If you are looking for a minimal and approachable way to get your keys out of your pocket, and a little extra utility to boot, The James Brand's Rowan is for you.

The James Brand The Rowan - features/deails:

• The James Brand's simplest carry solution: one piece construction and no moving parts
• integrates a bottle opener and a ruler
• packs in a lot of features, and doesn’t break the bank
• includes one titanium keyring for threading your keys and whatever else you can fit on there
• weight: approx. 14.2 g
• length: approx. 7.8 cm
• width: approx. 1.6 cm
• 420 stainless steel

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Jamma-Dee

Perceptions

17,99 €*

Tape | 2024 | UK | Original (Hiax)

Release: 2024 / EU – Original

Genre: Hip Hop

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Nothing But Net presents “Perceptions”, the debut LP from Los Angeles producer/beat maker Jamma-Dee aka Dyami O’Brien. Jamma-Dee has been a figure in the west coast modern funk and boogie scene, both as an accomplished DJ and music producer, having released records under his own name and producing for the likes of Joyce Wrice, Mndsgn and others.

From a musical upbringing in Los Angeles, Dyami’s adolescent obsession with record digging and beatmaking eventually led him to Dam-Funk’s renown Funkmosphere parties where he built friendships with key players in the LA funk scene and began to make a name for himself as a DJ and producer. In the second half of the 2010’s he released a series of EPs on Arcane and hosted the legendary Soul In Paradise show on NTS radio.

His first full-length, “Perceptions” is a long time in the making. Beginning with studio experiments nearly a decade ago, a version of the album found its way to producer and Nothing But Net label boss Onra, who helped guide the project to completion. The album artwork was created by outsider soul music conceptualist and painter, Mingering Mike, whom O’Brien felt compelled to reach out to after discovering his work years earlier. Thematically, the artwork, record, and its title touch on very modern themes: the alienation of life in a world of instant-gratification, an overly-connected society of masks, distorted realities and shifting identities.

Musically, “Perceptions” is the culmination of a life lived under the groove. Featuring a long list of collaborators, including Benedek, Mndsgn, Koreatown Oddity, the legendary Craig T. Cooper and fellow NBN labelmate, Devin Morrison, the double album touches on all of O’Brien’s musical influences. Album opener “Up N Down” sets the scene with it’s syrupy g-funk impressionism, before “Jamma’s Jam” bounces out of the speakers through an auburn-colored sunset haze of lush Rhodes chords and sparkling vibraphones. “It Takes A Freak” and “Datafile Groove” shuffle westward, re-imagining New Jack Swing grooves through a distinctly Californian lens. Elsewhere, the album touches on classic deep house rhythms (“Tic Toc” and “Silly”) and crystalline, downtempo R&B and UK street soul (“Joy”, “Saturday”).“U.R.” features legendary L.A. guitarist Craig T. Cooper laying down a network of stunning, silken guitar lines with absolute class.

Over the course of these 15 tracks, Jamma Dee consolidates, renovates and perpetuates the sound of his influences. “Perceptions” is a masterclass in modern funk and soul production.

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Scott Douglas Gordon

Radial

12,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Radial Acoustic Rhythm & Texture Sequencer Available as C60 Limited Edition of 50 mirror dubs- (same on both sides) + Inserts

written and produced by S.Gordon 2024.

additional percussion by Islay Spalding - TRK 7, recorded at SFS studios 2024

Synths & Radial - SDGordon.

The Radial instrument was designed to explore various material's acoustic characteristics in ways that could only be achieved through mechanical and electronic control.

It creates sporadic dense percussive sequences & sharp reciprocating sweeps or can focus in on tiny acute angles to produce deep shaking drones among a host of other planned and unplanned acoustic sounds.

Radial uses 5 voltage controlled motors and interchangeable textured cylinders captured via contact microphones positioned within the chassis. The cylinders can be synchronised or independent & the blades are interchangeable allowing the flex of certain materials to skew and augment the movements and sounds and sequences.

Playing the Radial instrument is a direct visceral experience. Its sequences sound unlike anything else i have used and the simple design by no means limits the scope of its rhythmical output. After feeling out the controls you arrive somewhere in-between the rubbery juddering fuzz or clockwork blasts of percussion and can step back allowing the physicality of the instrument itself to dictate how things proceed. Minor adjustments can have a butterfly effect on the entire tone inmate rewardingly unpredictable but controllable way.

On certain tracks there’s some synth work in a move away from the potential “instrument study” vibe of the release and Islay Spaldings blistering scrap metal percussion on Track 7 was incredible to watch.. Additional thanks to Stephan P Richter “spr” for the advice and encouragement through the whole build.

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Downt

Underlight & Aftertime

Release: 2024 / JP – Original

Genre: Rock & Indie

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In 2023, downt showed further expansion of their activities by collaborating with many overseas artists such as Gestalt Girl (Taiwan), Grrrl Gang (Indonesia), Pswingset (us), and deathcrash (uk), and releasing the epic single "Undecember", which showed a new direction as a band. The long-awaited full-length album will finally be released in March 2024 from P-vine! The new album also features re-recorded versions of their iconic songs such as '111511', 'mizu ni naru' and 'AM4:50', which were included in previous eps and beloved by fans.

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Tonight I'll Go Down Swingin': A Tribute To Don Heffington

LP | 2024 | US | Original (Nine Mile)

27,99 €*

Green Light Clear Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Don Heffington was a musician's musician. Starting his professional career in the late 70s and early 80s as a part of Emmylou Harris' Hot Band and seminal alt-country pioneers Lone Justice, Heffington went on to a session career that included work with Bob Dylan, Dwight Yoakam, The Jayhawks, Dave Alvin, The Wallflowers, and many, many more.

Heffington was also a prolific songwriter, and here, his colleagues and friends pay loving tribute to those songs in a benefit for the Sweet Relief Musicians Fund (Heffington passed away in 2021 from Leukemia). Artists such as Jackson Browne, Fiona Apple, Buddy Miller, Dave Alvin, Watkins Family Hour, Peter Case, and others interpret Don's quirky songs. In the words of Jackson Browne: "I think of (Don) as inhabiting the same Los Angeles as Warren Zevon, Lowell George and Tom Waits.”

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Furui Riho

LP | 2024 | JP | Original (Lawson)

39,99 €*

Three Dimensional Down Light Vest

Release: 2024 / JP – Original

Genre: Pop

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It has been decided that the 1st Album "Green Light" by SSW "Furui Riho" from Hokkaido will be released in clear yellow vinyl!!

She has been actively performing live performances all over the country, and her first album title is "Green Light." His songs include "I'm free," which affirms who he is, "Purpose," which he has released so far, and "Kirai," which was selected for JFL's "music FOR THE Next" and received a power play on five stations nationwide. In addition to the original songs, the album contains 9 new songs, including ``Aoshingou,'' produced with the producer ``Yaffle,'' who has produced numerous hit songs, and ``Candle Light,'' a collaboration with the up-and-coming track maker ``A.G.O.''

As Furui Riho herself says, ``It's the culmination of the last three years, when I started running from my old self, who had been at a standstill for a long time, as if a green light had been turned on.'' This work, which is full of raw energy and speaks in a way that may never be possible before, makes listeners rediscover their inner power and driving force, and lights a green light in their hearts.

With unique lyric work and grooves that express struggles, conflicts, clumsiness, and love, I feel like I'm putting an end to the thoughts of the past three years, calling it "leaving it all behind," and moving forward anew. The works that are released are overflowing with green light that makes you think, ``That's okay.''

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Goldwin 0

599,95 €*

Always Look Up Silver Vinyl Edition

Available Sizes: L, XL

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The Goldwin 0 Three Dimensional Down Light Vest is a down vest that incorporates the latest three-dimensional down baffle structure entitled 3D Box Baffle, developed by Goldwin. This down baffle, which three-dimensionalizes the space for filling the down with origami-like pleats, reduces the number of cold spots where cold air penetrates and provides more comfortable warmth compared to a normal baffle structure with a recess in the seam. This moderately lightweight vest by Goldwin 0 can be layered on the outside or inside of the outerwear. The Goldwin 0 Three Dimensional Down Light Vest is made of 50% recycled nylon fabric, which is soft to the touch, very light and strong.

Goldwin 0 Three Dimensional Down Light Vest - features:

• V neckline
• 2-way front zipper with custom pulls
• 2 zip pockets at lower front
• drawstring-adjustable bottom hem with sturdy eyelets and toggles at the elastic draw cord
• relaxed fit
• shell: 100% nylon with resin coating
• lining: 100% nylon with resin coating
• insulation: 100% recycled polyester

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Van Zant

LP | 2024 | EU | Original (Frontiers New Recordings)

61,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

Working On My Farewell Colored Vinyl Edition

John Craigie

LP | 2024 | EU | Original (Zabriskie Point Recs)

42,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Working On My Farewell Black Vinyl Edition

John Craigie

LP | 2024 | EU | Original (Zabriskie Point)

42,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Live At The Half Note Blue White Vinyl Edition

John Coltrane

3LP | 1984 | EU | Reissue (L.M.L.R.)

62,99 €*

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-29

Full Circle Blue & Purple Marble Vinyl Editoin

Shigeto

LP | 2010 | US | Reissue (Ghostly International)