Search "dan-e-o" 15893 Items

Release: 2003 / Reissue

Genre: Electronic & Dance

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Dickies

Work Shirt SS Rec

43,96 €* 54,95 € -20%

Ras Teo, I David / I David

Available Sizes: M, L

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Made from recycled workwear twill, the Dickies Short Sleeve Work Shirt is a ruff and rugged shirt with a vintage monochrome look, equipped with a turn-down collar, two flap pockets with button closure on chest, straight bottom hem, back yoke, branded button front closure, visa stain release finish (moves moisture away from the body) as well as a Dickies horseshoe woven label on lower button facing. The Color matches traditional Dickies work pants! Regular fit. 65% polyester, 35% cotton recycled twill, 5.5 oz.

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Stop The Wars, Syria Dub / Ukraine Dub, Sudan Dub

12" (Roots Youths)

Genre: Reggae & Dancehall

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Infinite Health Black Vinyl Ediiton

Tycho

LP | 2024 | UK | Original (Ninja Tune)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12" | 2023 | EU | Original (Friends4ever)

Unknown Artist

F4E002

The Drive In Theatre Part 2

Release: 2023 / EU – Original

Genre: Electronic & Dance

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repressed !

F4e002 is the second vinyl release in the House Music genre of a well known label Friends f4 Ever. This vinyl has only three tracks, and they’re all edits of Classic House tracks.

Only 500 copies of this vinyl have been made, and each one is unique due to being hand-stamped.

The artist has done a great job of updating these Classic House tracks while maintaining their original charm.

Because this vinyl is so limited, it’s a highly sought-after item for collectors and House Music fans. If you’re a lover of this genre, you won’t want to miss out on the chance to own F4e002. Whether you’re new to House Music or a seasoned enthusiast, this vinyl is a must-have for your collection.

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Curren$y

CD | 2023 | US | Original (Jet Life)

The Drive In Theatre Part 2 Smokey Clear Vinyl Edition

Release: 2023 / US – Original

Genre: Hip Hop

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Following weeks of anticipation after an already banner year for the Hot Spitta, Curren$y gifts fans with his third release of 2022, The Drive In Theatre Part 2, the next installment in the cult fan favorite series. The 21 track album features appearances from Rob49, Fendi P, Dash, URA, Blü, I’sis, Premo Rice, and Jade Angelle, and sees production from Kino Beats, Trauma Tone, Harry Fraud, Cookin Soul, and more. In traditional form, Curren$y skates over smooth, jazz-infused beats and delivers a perfect album to put on and let play out while relaxing or working. If it wasn’t already clear, it’s safe to say that Curren$y is one of the greatest to ever do it. How many more timeless classics do you need?

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Curren$y

2LP | 2023 | US | Original (Jet Life)

29,99 €*

2LP | 2023 | UK | Original (Invinc33lp)

Release: 2023 / US – Original

Genre: Hip Hop

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Secret Circuit

Green Mirror

27,99 €*

12" | 2023 | EU | Original (M.O.O.N. Holdings)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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It seems like a long time since we last heard anything from the talented Secret Circuit aka Eddie Ruscha! Truth is he's been more prolific than ever...just not with his Secret Circuit alias.

For those of you unfamiliar with his work Secret Circuit is audiovisual artist and L.A. native Edward Ruscha V (yes indeed, son of Thee Ed Ruscha, legendary pop artist) who’s been on the music scene since time immemorial. He has been a member of innumerable bands and projects over the years including Medicine, Maids Of Gravity, Radar Bros and punk-dub outfit Future Pigeon to name a few as well as managing to squeeze in time for his equally multifarious and highly productive solo ventures. In just the last few years he's released a string of records under his own E Ruscha V moniker for labels such as Beats In Space, Good Morning Tapes and Fourth Sounds as well as finding time for several collaborations including Doctor Fluorescent (Crammed Discs), The Parels (Lal Lal Lal) and Xlnt (dfa). You could say he's prolific!

So it's definitely a long overdue and most welcome return for Secret Circuit. The "Green Mirror" album is a double LP comprised of 21 new pieces (80+ minutes of music) recorded between 2020 and 2022. It captures that spacey otherworldly quality Secret Circuit is known for, but the music also veers towards the warmer, ambient textural territories that his recent E Ruscha V and Only Thingz projects explored...an altogether softer sensibility.

Yet nevertheless this album is very much "Secret Circuit". Invisible Inc wanted to explore a side of Ruscha's that hadn't been captured so clearly before, focussing on his more emotive yet at the same time experimental side (is that a paradox?). Very rarely do we hear musicians using modular synths to create something so human sounding, and when juxtaposed alongside slide guitars, live bass and vocodered vocals, we have something very special indeed.

Then there's the artwork...all lovingly drawn by the bubbling mind and deft fingers of Eddie himself. The package is made complete with a double-sided colour insert with liner notes (which happen to be written in reverse, naturally, so you'll need a mirror to read them) and another of Eddie's mind-warping doodles. This is not like anything else you will hear...it's true art and you'll definitely need a very open mind to reap the rewards of this beautiful piece of work. A future weirdo classic in the making

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M.O.O.N.

Particles EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Tribulation Flute Part 1 / Part 2

Echo Boy Ft. Don Fe

12" (Solway Dub)

Genre: Reggae & Dancehall

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12" | 2022 | EU | Original (Gost Zvuk)

The Oaken Chariot

Biznes Time

Third Eye Blind Gold Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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What is the sound of Russian dub? There is a storied history of attempts to adapt roots music to the Russian soil, but most of them can be attributed to reggae (the so-called 'northern' variety) rather than dub. Gost has history with the town of Smolensk. It's home to Gamayun, whose great album Filterealism was released on our label last year. Now Anton, one of Gamayun's members, presents his new duo Dubovaya Kolesnitsa (The Oaken Chariot). In his words, it has no connection to his other band at all, and is an attempt to go back to the roots of a genre that doesn't exist.

This isn't a serious theoretical proposition, but rather one with a sense of irony and joy: you can even feel it in the name of the collective. The Russian word for oak, 'dub', looks exactly like the genre, and the chariot emerged from the name for the group's jams - 'telega' - which can be translated as cart. All the music here is the result of live improvisations: no samples, just instruments (notably Vasiliy Shilov's bass). These recordings have been slightly edited, and even the almost indecipherable texts are freestyles. There's no place for real riddims in Russian dub: sometimes this record sounds like something akin to dub variations on underground Russian hip hop (and we mean that in the best possible way).

The music of Dubovaya Kolesnitsa is genuinely fun, free and mesmerising, but we could also approach it more conceptually. Theoretician Michael E. Veal describes dub as a 'postsong', taking the form of "linguistic, formal and symbolic indeterminacy". The duo's faintly eerie compositions call back to the notion of musical hauntology. There is an attempt, without any direct references, to reconstruct the feeling of something that was never there at all. A little nostalgic and very forwardthinking at the same time, the music of Dubovaya Kolesnitsa is best described in their own words. In the opening track, a voice can be heard saying "eto delo v lob", which means something like "it's a straight on thing". This is very direct, almost in the vein of folk music. This a great - and, it must be said, successful - experiment in searching for the soul of Russian dub. Simple as that.

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Third Eye Blind

2LP | 1997 | EU | Reissue (Rhino)

50,99 €*

Release: 1997 / EU – Reissue

Genre: Rock & Indie

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Nia Songbird / Princess Linn, Jah 93

We Rise, Dubwise / Rising Sun, Melodica Cut

12" (Roots Masala)

Genre: Reggae & Dancehall

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Fred Anderson / Hamid Drake

From The River To The Ocean Black Vinyl Edition

2LP | 2007 | US | Reissue (Thrill Jockey)

33,99 €*

LP | 1988 | JP | Reissue (Alchemy)

Release: 2007 / US – Reissue

Genre: Organic Grooves

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Available on vinyl for the first time since it's original CD-only release in 2007. On black or limited edition forest green with gold double LP, in gatefold jacket with download card. Tenor saxophonist Fred Anderson and drummer Hamid Drake had the closest of relationships, as close as a father and son might have. Their communication was at a higher level musically and emotionally. The music on this album reflects not only their masterful musical skills, but a conversation in music that is exceptionally powerful and unique. For From the River to the Ocean, they assembled a band consisting of fellow Chicagoans to record the most relaxed, perfectly balanced album they made together. It may seem hyperbolic to call From the River to the Ocean Fred Anderson's greatest album, but the empathy and cohesiveness of the ensemble, coupled with the saxophonist's brilliant, searching improvisations, makes it a powerful contender. From the River to the Ocean is an especially varied outing, ranging from Anderson's classic setclosing blues "Strut Time" to the meditative, spiritual, modal track "For Brother Thompson," dedicated to the late trumpeter Malachi Thompson and featuring bassist Harrison Bankhead on brooding piano and Drake chanting in Arabic. The record's title track and the closer, "Sakti/Shiva," find bassist Josh Abrams laying down an astounding bed on guimbri, the threestringed Moroccan acoustic bass familiar to fans of Gnawa music. Another of the album's delights is guitarist Jeff Parker, well known Jazz guitarist as well as member of Tortoise. Here, Parker displays an immense sensitivity and melodic genius, sharing solo spotlight with Bankhead's cello on "From the River to the Ocean" and sculpting a stunning array of shapes on the group's swinging take on Anderson's "Planet E." Underneath it all is Hamid Drake, an intensely creative soul continuing to challenge himself. Drake's growth is not measured in how many different instruments he plays - indeed, he's scaled back his arsenal over the years - but in the depth and musicality of his feeling. On this record he is remarkably light and airy, playing with tremendous delicacy and clarity. Propulsion can be introduced without a pneumatic drill, and Drake instigates an avalanche of rolling forward momentum on the opening moments, inspiring the two basses and guitarist to move, to make something moving, and in turn to further inspire Fred Anderson to some of his most forceful and imaginative playing ever documented. If the individual is a small receptacle of expressivity, a mountain spring if you will, then it is in ideal settings like this one that the springs join forces, turning into streams, then bigger and bigger tributaries, finally swelling into rivers that open into the oceanic creative waterways.

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S.O.B Kaidan

Noise,Violence & Destroy

36,99 €*

LP | 2022 | EU | Original (Braids)

Release: 1988 / JP – Reissue

Genre: Rock & Indie

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Sabotage Organized Barbarian, best known by their acronym S.O.B were part of a hardcore punk movement in the 80s that envigorated Japanese youth along with other acts like Gism and Gauze. The ravaging tempos and punishing aural densities grappled with the ears, and their sphere of influence quickly broke the banks of their native Osaka, with acts like Napalm Death acknowledging the bands importance for their own sound and grindcore to come.

In 1988, S.O.B teamed up with Alchemy Records founder Jojo Hiroshige, and his prolific Japanoise band Hijokaidan to form S.O.B Kaidan. With Hiroshige’s crushing distortion squeals stacked on top of S.O.B’s high-tempo percussive aggression, the two made quick work of anything that dared to obstruct their path at the cross-sections of hardcore and noise.

Their only LP Noise Violence and Destroy remains the only relic of their collaboration, and has become hard to find. The initial batch of 3000 LPs were quickly snapped up, and the brief CD runs that followed are now rare items. As part of the Alchemy Records Essential Collections series, P-vine is thrilled to reissue Noise Violence and Destroy on limited edition vinyl for the first time with an iconic Japanese obi strip attached.

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G.O.L.D & Technofossil

Remix Split

18,99 €*

12" | 2022 | EU | Original (Time Is Now)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Split remix record with Visitor strictly limited to 200 copies. Remixers include Kontravoid, Morah, Xarah Dion, Sarin, Qual, Visitor, Filmmaker, and Oliver. Mastering at Dadub Studio Distributed by ReadyMade Distribution Side A Graphic Design by Jean Lorenzo Side B Graphic Design by Nicolas Zupfer Braid Records 2022

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Justin Jay

Hypnotized

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Young LA star, Justin Jay, has already caught the ears of DJs and fans worldwide and released on the likes of dirtybird and Culprit. Last year, Jay shared an EP of deep house gold on Shall Not Fade sister label Lost Palms. Now he returns on their bass-oriented sublabel Time Is Now.

Hypnotized EP is a fun, breaks heavy romp featuring rave powerhouse trio Denham Audio and a remix by jungle mainstay Tim Reaper. From the off the energy is high, the title track rolling out pitched vocals and dramatic drops. "I Know" is ever more frenetic, breaks cascading over one another to a fever pitch, while Denham Audio collab "Swarm" brings out 303s and dramatic sub bass wobbles for a tour-de-force of hardcore dance vibes. Rising lofi house producer Angelo Jsn gives a euphoric, breathless edge to "Burgundy", an emotive space age trance number. Tim Reaper's untameable refix of "Swarm" keeps the heart racing to the end.

Hypnotize EP drops Friday 28th January, via Time Is Now.

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Catastrophe (DJ Jazz T Remix) / War Of The Worlds

7" | 2022 | EU | Original (Boot)

The Cosmic Genius Of Big Boy Pete Volume 2

Release: 2022 / EU – Original

Genre: Hip Hop

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Boot Records proudly presents the Jazz T remix of Roughneck Jihad & Senz Beats' track "Catastrophe", from their 2021 EP (also on Boot Records) "The Little Assassination Handbook". The B-side offers up an exclusive cut from Lex Boogie From The Bronx & Senz Beats entitled "War of the Worlds", featuring scratches by DJ Jazz T.

DJ Jazz-T, owner of Boot Records, was the 1999 UK ITF Advancement champion. He has laced cuts on hundreds of tracks since 1995 and produces under the name of Jazz T and Boot Productions, which is Jazz & genius Dr Zygote. He was Tim Dog's tour DJ before he passed away, and he currently DJs for Gawd Status, Jehst, Micall Parknsun, Ramson Badbonez, Leaf Dog & BVA, Joker Starr and Diversion Tactics. Jihad the Roughneck MC started rhyming in the late 80's and was a member of one group before Third Sight (with Dufunk & D-Styles). He is originally from the city of Santa Clara in Northern California, relocating to the Los Angeles area in 2004. He has played shows in California, Nevada, Oregon and toured Japan twice with Third Sight.

Lex Boogie From The Bronx grew up as a kid around the jams in the parks. He carries The Bronx with him wherever he goes. His different chambers of production and raps have seen him work with the likes of Stahhr, Marq Spekt, Boog Brown, Vordul Mega, billy woods, Mike Flo & more. Originally from Brussels, now based in Montreal, Senz' first approach to cutting records up was on a pair of Technics 1200s, which he and his best friend claimed mutual custody over (1 month each) in 1998. After over 15 years spent producing on MPC ("War of the Worlds" was produced on a 2000xl), 2020 saw Senz switch to Koala Sampler app, by Elf Audio. His crazy beats have grabbed the attention of legends such as Dibia$e & Grap Luva.

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Big Boy Pete

LP | 2022 | EU | Original (Mono-Tone)

28,99 €*

Im(Mortal) Black/Pink Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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After the success of his first ever vinyl compilation, The Cosmic Genius of Big Boy Pete Vol.1, which sold out really fast, here comes the follow-up, imaginatively called_ The Cosmic Genius of Big Boy Pete Vol.2! of this mysterious British guitarist (real name Pete Miller) cut some oddball non-hits in the '60s that have amassed quite a reputation among psychedelic collectors but were really hard to find until now. Like on volume 1, Volume 2 features one side of some of his best 60s stuff and side two unreleased or little known gems from the 70s-ranging from wild and fuzzy garage to psych pop and freaky country-rock!LP includes a psychedelic color inner cover with lyrics and a text written by Pete Miller himself.Like an English Kim Fowley produced by Joe Meek or a one man Barrett era Pink Floyd, Big Boy Pete is the unsung hero of the sixties! This mysterious British guitarist (real name Pete Miller) cut some oddball non-hits in the '60s that have amassed quite a reputation among psychedelic collectors but were really hard to find until now. The second volume of first ever vinyl compilation features some of his best 60s stuff on one side and seven unreleased or little known gems from the 70s on the other-ranging from wild and fuzzy garage to psych pop and freaky country-rock!

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S Y Z Y G Y X

LP | 2022 | EU | Original (Cold Transmission Music)

12" | UK | Original (Honest Jon's)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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You can call this album “Immortal” or “I’m mortal”, the idea of the title (Im)mortal is that both ways apply, there is no right or wrong way. Since I was a kid, I always struggled with the concept of mortality, not as a body, but as a person, as an artist. Once I started studying the lives of long gone artists I realized they were still alive, through their art. I believe art transcends human life. This album touches that, and many emotions that I’ve felt throughout the past year (and really, ever in my human life). This is me, uncensored. Me sad, me happy, me angry, me in love, me losing hope, me gaining hope, the many parts of me, as a human being, as an artist, every part that hopes to live through my art, and past my human body. And per usual, I want you to dance with me, dance until you drop, babes!

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Tony Allen / Carl Craig

Kilode

Release: UK – Original

Genre: Electronic & Dance

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G.O.L.D Gold Vinyl Edition

XTR Human

12" | 2021 | EU | Original (Braids)

22,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Though the hallowed halls of Berlin’s nightlife excess now sit cold, the sounds that once haunted their depths beat ever onward, and colder still. Birthed in these hushed plaguelands, XTR HUMAN’s new full-length G.O.L.D evokes the frozen melancholy of a post-pandemic city, driven ever onward by the impetus of night’s primary currencies: sweat, release and change. The latest full-length from Johannes Stabel, G.O.L.D finds the German producer evolving as much as the rest of the world has had to. Taking his political and socially conscious lyrics into his native tongue brings a deeper and more powerful thrust to their weight—particularly at a time when Germany is weighing its own social consciousness after years of being seen as a leading world figure. Across G.O.L.D’s ten tracks, Stable brings our zeitgeist into a new realm, where the anger and frustration at our current existence is refined into the energy that fuels our engines, that primal desire always amplified during times of social upheaval—the desire to move your body. Many of the songs delve into Stabel’s own experiences as a German, from explorations of the Deutsch mentality of persistent fear to tackling the fake news, jingoism, racists and coronavirus deniers on hypnotic bangers ‘Dark Germany’ and ‘Dieser Klang’; issues just as prevalent in Germany as in the USA and UK. Yet each song carries just as much weight on to the dance floor, melding driving EBM bass with soaring synthlines and coldwave atmospheres that dispel the tenseness that such heavy topics imbue, in favor of intensity and beauty. Influenced by the pop hooks of Austrian New Wave legend Falco, G.O.L.D never neglects its danceability and HD club accessibility, no matter how heady the lyricism. ‘Starker Junge’, a dissection of toxic masculinity, drops down onto the listener with sparkling synths and razor-sharp guitar, while capitalist critique ‘Fleisch’ is a pogo synthpop anthem that could send any floor into a twirling frenzy. Wrapped in darkened beats and political ideals, G.O.L.D can’t hide the light that emanates from within its glistening, imminently catchy hooks and groove-laden rhythms. In a time where the dance floor sometimes seems like a distant memory, it’s the perfect philosopher’s metal to transmogrify your existence. All songs written and recorded by Johannes Stabel Mixing by Andrew Wiseman Arwork by Nicolas Zupfer Mastering at Dadub Studio Distributed by ReadyMade Distribution Braid Records 2021

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12" | 2021 | EU | Original (Het)

Het 006

Dan I Locks / Dr Miggy, Mathew Walker

Release: 2021 / EU – Original

Genre: Electronic & Dance

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HET returns with a Various Artists EP. Featuring tracks from talented Berlin-based artists, this release offers a wide range of sounds, that fit different dancefloor situations perfectly. With ‘’Sleeping Paralysis’’ Tigerhead is delivering a driving and dynamic sound. Her uncompromising track reaches the future post-pandemic floor at peak time. Justine Perry’s ‘’All of a Sudden’’ is her very first solo track release.Through a deep bassline and intense rhythmicexplores a more hypnotic side of the Techno genre. Jay Quentin returns after his highly anticipated track ‘’Information Superhighway’’ for the :// about blank004 EP. Here, his track ‘’Fatal Accident in Suicide Forest’’ takes ravers and listeners on a deep musical journey. The last track of the EP, ’’F.O.R.’’ by Hagen Richter, rounds up this first VA with a tooly acidic approach. Distributed by ready made distribution – Mastering by scape mastering‘s Stefan Betke – Artwork: o_0_weazl_0_o

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Smash The Fasc, Antifa Dub / Flute, Dub

12" (Livity Ites)

16,99 €*

Genre: Reggae & Dancehall

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Baracuta

G9 Harrington Jacket

399,95 €*

Jonah Dan / Uprising Sounds

Available Sizes: 40, 48

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The Baracuta G9 Harrington Jacket is a faithful replica of the legendary Harrington jacket that was celebrated for being worn by Ryan O'Neal's character Rodney Harrington in the mid-60s. All characteristics are still on the spot, including the plaid lining, the stand-up collar and dual flap pockets at lower front.

The Baracuta G9 Harrington Jacket is equipped with the following features:

• stand-up collar with dual marbled button closure
• semi-hidden 2-way metal front zipper with custom pulls
• raglan sleeves
• 2 flap pockets with marbled button closure at lower front
• stretch rib cuffs and bottom band
• umbrella back yoke
• Fraser tartan lining
• 1 interior patch pocket with marbled button closure at wearer’s left
• branding embossed at marbled buttons
• slim fit
• shell: 50% cotton, 50% polyester
• body lining: 80% cotton, 20% polyester Coolmax®
• sleeve lining: 100% polyester

ATTENTION: The Baracuta G9 Harrington Jacket turned out to be a little bit smaller than regular sizes.

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Can't Fight, Dub / Babylon Fall Verse 3, Verse 4

12" (St.Annes Yard)

9,89 €* 10,99 € -10%

Genre: Reggae & Dancehall

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Line Up / Dub Up, Line Up Dub

Lidj Incorporated

12" (Jah Fingers)

Genre: Reggae & Dancehall

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Sweet Lady, Dub / I Do, Dub

Gregory Isaacs

12" (Jah Fingers)

Genre: Reggae & Dancehall

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Life A Ruff, Life Dub / Dub Mix 2, Dub Mix 3

Freedom Masses

12" (Jah Fingers)

Genre: Reggae & Dancehall

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LP | 2020 | UK | Original (Real Rock)

I Neurologici

In Dub Vol.3

Release: 2020 / UK – Original

Genre: Reggae & Dancehall

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Xenogears aka The Analogue Cops

72 Bridges E.P.

12" | 2011 | UK | Original (Tabernacle)

6,99 €*

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

I Won't Let You Cry / I'm Sorry

Prince Buster

7" | 2020 | UK | Original (Rock-A-Shacka)

LP | 2019 | EU | Original (Death & Leisure)

Release: 2020 / UK – Original

Genre: Reggae & Dancehall

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A plaintive love song, in a medium tempo ska style, and R&B style organ infused ballad.

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Autumns

Shortly After Nothing

16,99 €*

12" | 2019 | EU | Original (Planet Rouge)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Death & Leisure is proud to announce the sophomore album from the very special Autumns. 6 tracks of raw sneering electronics. Coming out in spring. Autumns is the solo project of Christian Donaghey, From Derry, Ireland, an outlet for electronic post-punk with a lethal pulse. After a brace of rough demos without preliminary hype, the project emerged fully formed on Karl O’Connor’s (aka Regis) illustrious label Downwards back in 2014, the youngest act in a new vanguard of artists that included the likes of Tropic of Cancer, DVA DAMAS and The Kvb.

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Fixmer & McCarthy

Let It Begin EP

LP | 2019 | EU | Reissue (Outernational Sounds)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The now legendary collaboration between producer Terence Fixmer and vocalist Douglas McCarthy continues with a new 4 track E.P. of blistering electronics and intense performance. Long time fans will immediately recognise the strong tradition of EBM that Fixmer/McCarthy have held as their own for 15 years. ‘Let It Begin’ and ‘The Crush’ assault the listener with bruising bass lines, heavy insistent drums and mesmorising sound effects. With a Phase Fatale remix bringing a brooding and menacing darkness to any dance floor. The Force Mix of ‘The Crush’, harks back to the original power, energy and simplicity of how FM fans were first introduced to Terence and Douglas on their 2004 debut album ‘Between The Devil’. The brutal love story continues!

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Horace Tapscott

The Call

22,99 €*

Big Shots!: Polaroids From The World Of Hip-Hop And Fashion

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Available on vinyl for the first time in 40 years, Outernational Sounds is proud to present a masterpiece from the Los Angeles jazz underground – Horace Tapscott’s burning, spiritualised 1978 set, The Call.

One of the unsung giants of jazz music, the composer, bandleader, arranger, pianist and community activist Horace Tapscott was the undisputed keystone in the grassroots Los Angeles jazz scene. Throughout the 1960s and 1970s, his radical community arts and music formations the UGMA (Underground Musicians Association, later changed to UGMAA – Union of God’s Musicians and Artists Ascension), and his protean big band, the Pan Afrikan Peoples Arkestra, were at the epicentre of music, culture and politics in the Los Angeles area.

From their 1960s base at the Watt’s Happening Coffee House on 103rd St, to their decade-plus- long 1970s residency at the Immanuel United Church of Christ on 85thE St and Holmes Ave, Tapscott’s groups were the beating heart of underground music in LA. Hundreds of musicians passed through and played their part. Major figures in LA jazz such as Arthur Blythe, Azar Lawrence, Jimmy Woods, John Carter, Bobby Bradford, Sonny Criss, Ndugu Chancler and dozens of others all paid dues or just got down with Tapscott, not to mention the core Arkestra regulars who have since become celebrated names – Nate Morgan, Jesse Sharps, Adele Sebastian, Dadisi Komolafe, Gary Bias, to mention only a few.

Tapscott and the Arkestra were down on the ground – playing fundraisers in park and street, organising teach-ins and workshops for young and old, mixing it with radical theatre groups, firebrand poets, political radicals, Black separatists, community groups and churches. They lived communally, and built an ark for the Black arts in the heart of the city. But as a result of this grassroots community focus and Tapscott’s antipathy to the music industry, the Arkestra didn’t record for nearly two decades. That only changed when long-time jazz fan Tom Albach started Nimbus Records. The label was initiated specifically in order to document Tapscott and his circle, and the first three records showcased Horace and the Arkestra.

The Call was put together from two studio sessions in April 1978, one at Hollywood Sage and Sound, one at United Western – the latter session had the addition of a string section, who can be heard on the moody Cal Massey composition ‘Nakatini Suite’ and Jesse Sharps' swinging modal trip, ‘Peyote Song No. III’, with its swirling soprano solo. In keeping with the communal nature of the Arkestra, the other two compositions, ‘The Call’ and ‘Quagmire Manor at Five A.M.’ are also by Arkestra members. But at the centre of the music is the builder of the Ark, the visionary whose original call to action started a movement whose legacy continues to this day – Horace Tapscott.
Heed The Call!

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Phillip Leeds

Rizzoli

LP | 1976 | EU | Reissue (Wewantsounds)

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A unique record of hip-hop history from the late 1990s through to the present, captured through informal Polaroid portraiture.

Just as Andy Warhol: Red Books defined a generation of artists, Big Shots offers a collection of photos that captures the energy of the world of hip-hop and the greater worlds of music and fashion alike. Started as snaps of friends and visitors, this unprecedented volume shot by Phillip Leeds, former tour manager of Kelis and N.E.R.D., is a compilation of previously unpublished work documenting some of the biggest names in hip-hop and fashion. His collection of Polaroid portraits has effectively grown to capture an important moment in music and fashion.

With more than 250 Polaroids of artists and figures including Mos Def, Jay Z, Tyler the Creator, Quest-love, and Rita Ora, Big Shots gives readers a unique and oftentimes impromptu look into an era of music and fashion shared through the ever-nostalgic format of the Polaroid.

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Jaye P. Morgan

34,99 €*

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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12" | 2018 | EU | Original (Mysticisms)

Deep Dean

Ocean Groove

10,99 €*

Ricco, Pletnev, Ju-Ju83, Roe Deers & Markus Gibb

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Mysticisms eyes summer luv dancin’ as new-not-new Deep Dean emerges from the Antipodean well to offer sunrise anthems for the me generation.

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Various Artists #1

12" | 2017 | EU | Original (Kump)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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First release in a series of four compilations, which includes international artists of the slow-industrial, tribal and experimental scene.

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12" | 2016 | UK | Original (Multi Culti)

Moon Faze Sun Gaze II

The Brian Jonestown Massacre

Release: 2016 / UK – Original

Genre: Electronic & Dance

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The dawn of Multi Culti's astrological epic assault kicks off with exotic neo-hippie modulations from Von party, Red Axes, and 'The Australians' - Dreems, Ccolo, Nick Murray & Kris Baha. In pole party position of A1 on Vinyl #1 is 'Wet Raga' from Cult Leaders VON PARTY & DREEMS - This sprawling, 13-minute, raga-sampling main-room odyssey powers us into sunrise...and the journey begins. Prolific maestros RED AXES then kick things into darker territory with Boosha Gdola, a squelchy bleep-fest straight out of the Israeli underground. On the flip (which could be titled 'The Oz side') DREEMS comes up to bat again with the herbal Sine 'O' The Tymes, squeezing the groove into an acid genie bottle, bumping along with a few lazy cowbells in tow, until finally giving us melodic finish. Masterful. We are all feeling this one. Fellow Australian doof dingos NICK MURRAY & KRIS BAHA bring up the tempo, toting electrified guitars, and hypnotic grooves that speak to a lifetime of overhearing digeridoos. Finally, Ccolo sends us off with F33lings, a curious mix of lush ambient electronics and bush-ready downtempo acid.

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Mini Album Thingy Wingy

LP | 2015 | UK | Original (A)

21,99 €*

12" | 2007 | DE | Original (Kindisch)

Release: 2015 / UK – Original

Genre: Rock & Indie

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Mini-LP on 180-gram clear vinyl. This 34-minute release contains four self written songs by Anton Newcombe, a co-write of the band's first Slovakian song ('Prsi Prsi') with Vladimir Nosal , another co-write ('Pish') with Tess Parks and a cover of the 13th Floor Elevators track 'Dust', which features Alex Maas from the Black Angels on jug.

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Einzelkind

*Pay 2 Play* E.P.

Release: 2007 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2014 | EU | Original (Tabernacle)

Kvaser

44.8 E.P.

9,99 €*

Release: 2014 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2000 | CA | Original (Stickman)

Joe Montana

Car Wash

6,99 €*

Release: 2000 / CA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Robert Junior & Danny Polanco

See The Lights

12" | 1998 | US | Original (Empire State)

Release: 1998 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Extrovert / Introvert E.P.

John Heckle

12" | 2011 | UK | Original (Tabernacle)

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2001 | SE | Original (Nusond)

Wide Road

Release: 2001 / SE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1997 | IT | Original (Chameleon)

Danny Ross

4 Your Love

6,99 €*

Release: 1997 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

That Was Then, This Is Now

Ten City

12" | 1994 | UK | Original (Columbia)

Release: 1994 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: G+

740 Boyz Feat. 2 In A Room

Shimmy Shake (Remix)

12" | 1995 | DE | Original (Motor Music GmbH)

Release: 1995 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

E-Smoove Featuring Latanza Waters

Deja Vu

12" | 1998 | US | Original (Nervous)

Release: 1998 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

The Vybe (That's Flowing)

Mount Rushmore

12" | 1997 | US | Original (i!)

Release: 1997 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Discerning Spirits Vinyl Edition

A Sinister Light

LP | 2024 | EU | Original (Cold Transmission Music)

21,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Resist Transparent Purple Vinyl Edition

Mark E Moon

LP | 2024 | EU | Original (Cold Transmission Music)

23,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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12" | 2017 | UK | Reissue (Mas O Menos)

>One

Applebush EP

15,99 €*

12" | 2024 | EU | Original (Enman)

Release: 2017 / UK – Reissue

Genre: Electronic & Dance

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International DJ/producer Levi Love (Manchester/South Africa) has just launched Mas O Menos. The label is designed to intertwine all that is good about Manchester and South Africa, with an open-minded attitude to genre.

The first record is a a global-unifying, upfront dance track that joins the dots between kwaito, house and Manchester's forward thinking techno prowess. A collaboration between Manchester artists Mako MCR and Metrodome (Red Laser, Wet Play, Levelz) under the alias >one. Made record of the week at Piccadilly Records and the Vinyl Factory, the physical release is already shifting copies in the UK, Europe and South Africa.

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G.E.N.E.

Mayonaka Jam EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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LP | 2013 | Reissue (Latitudes)

Aidan With Plurals Baker

Glass Crocodile Medicine

20,99 €*

Brendan Croker & The 5 O'clock Shadows

Release: 2013 / Reissue

Genre: Rock & Indie

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- Exclusive recording from Aidan Baker (Nadja) and touring partners Plurals (Brighton UK)- 500 hand packaged CDs and 500 180g blue vinyl with foil blocked sleevesIt's rare with Latitudes that we have an artist grace our studios more than once. Notable exceptions would be our dear and revered friends Daniel O'Sullivan (Miasma and the Carousel of Headless Horses and Grumbling Fur) and Alexander Tucker(his solo session, Grumbling Fur and Bardo Pond) and Josh Graham (A Fallen Black Deer, A Storm Of Light, Blood & Time). When Aidan Baker let us know he was back in the UK doing his solo material, we obviously had to ask him to join the exclusive club of repeaters and follow up his exemplary 2010 Nadja session with something entirely different. Aidan brought British tour-mates Plurals to the studio with him. Over the two tracks the collaboration has bore some beautiful and exoticfruit. A gradual unfurling of intricate layers of soundbuilds and envelopes the listener over "Dead Foxes In The Street"'s twenty minutes, creating a warm and uplifting aural atmosphere. The second half of the session is an entirely different affair. "Turning Children Into Mice" is a brooding, decidedly sinister beast, weaving a repetitive and increasingly dark threat, until it explodes into a hive of noise, and then slowly and poignantly dies a hero's death. This is truly a collaboration that makes the most of the musicians touring synchrony.

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LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Rock & Indie

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CD | 2024 | UK | Original (Ninja Tune)

Tycho

Infinite Health

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tape | 2024 | JP | Original (P-Vine)

Teflon

My Will

21,84 €* 22,99 € -5%

The Source Of Dreams 1982-1984

Release: 2024 / JP – Original

Genre: Hip Hop

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Teflon, a rapper from Brownsville, Texas, who rose to fame in Brooklyn for his participation in M.O.P.'s second album “Firing Squad”, for which DJ Premier provided beats. His first album, My Will, released in 1997, is being reissued on CD/cassette for the first time after a long blank period.

Teflon first caught DJ Premier's attention when he performed with Jay-Z on a track from M.O.P.‘s First Family 4 Life, released in 1998, and his popularity exploded in 2000 when he joined Busta Rhymes and Remy Ma on M.O.P.’s Ante Up (Remix). My Will, which was released earlier, included ‘Get Mine’, which sampled Marvin Gaye's ‘In Our Lifetime’, and was fully backed by the M.O.P.

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Thin Air

LP | 2024 | Original (Bristol Archive)

Release: 2024 / Original

Genre: Rock & Indie

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Y-3 Fitted Short Sleeve Tee

Y-3

119,95 €*

Available Sizes: GIRLS XS, GIRLS S, GIRLS M, GIRLS L

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According to designer Yohji Yamamoto, Y-3 stands for the ultimate crossover of sport and style and a progressive mix of tradition and modernity. We can co-sign that. Once again, Y-3 presents performance wear in a new context, relying on Yohji Yamamoto's rebellious creativity. The basis is provided by classic silhouettes from the adidas archive. The result is innovative looks that invite for experimentation.

The Y-3 Fitted Short Sleeve Tee is equipped with the following features:

• rib crew neck with interior tape
• vertical seams at front and rear panels
• tonal Y-3 branding at bottom left
• slim fit, slightly waisted cut
• 100% organic cotton single jersey (Better Cotton)

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Old Boys In Town

Our Present World

LP | EU (Rusty Knife)

Release: EU

Genre: Reggae & Dancehall

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LP | 2024 | EU | Original (Batov)

Rasco (Band)

Dmaot

12" | 1993 | UK | Original (A&M)

Release: 2024 / EU – Original

Genre: Pop

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Sun, sea, and surf rock converge with dreamy hypnagogic pop on 'Dmaot,' the enchanting sophomore album by the guitar-wielding, vocal-harmonising trio, Rasco.

Named after Charlie Megira's acclaimed track "At the Rasco" and influenced by iconic artists like The Cramps, Beach Boys, Elvis, April March, and others, Rasco carefully extracts the essence and distinctive sound of sixties surf and garage bands and distils them into a modern and distinctly Mediterranean context. Blending ethereal vocal harmonies with irresistible guitar riffs, Rasco skillfully creates a one-of-a-kind sonic blueprint that sounds like something you dreamed of hearing at Twin Peaks infamous Roadhouse.

Electric guitarist Eden Atiya and bass guitar Gaya Wajsman first crossed paths in a smoky cave in Jerusalem, eventually teaming up with drummer Itay Hamudi to form Rasco. Their self-titled debut album, characterised by catchy guitar riffs entwined with mysterious, ethereal vocals, sung in Hebrew, garnered attention and playlistings from the likes of acclaimed pianist, singer, and composer Hania Rani, and Spotify’s editorial team.

Rasco’s hypnotic guitar and vocal-heavy sound have earned the group coveted opportunities to share the spotlight on stage alongside global psych bands such as Altin Gun, Boom Pam, and Messer Chups. The trio’s musical journey has taken them on tour in Germany and led to their billing on Cologne's famed c/o pop Festival, solidifying their place in the contemporary psych and surf rock scene.

'Dmaot' (Tears) represents a significant evolution from Rasco's debut, showcasing a darker, and denser side with a shift towards the shoegazing sounds of the '80s. The album, produced by multi-instrumentalist Uri Brauner Kinrot, leader of Boom Pam, pioneers of today’s resurgence in Middle Eastern surf rock and now labelmates on Batov Records, packs a heavier punch while maintaining Rasco's signature hypnotising power.

The album delves into dreamlike landscapes, capturing the essence of different scenarios. "Layla" conjures hazy night-drives into the mountains, whilst "Nahar/Rau" reflects prophecies in rivers, birds, and sand. "Suzi Suzuki" is an ode to Japan, and "Louisa" pays homage to Hamudi's Grandma. According to Eden, there's a prevalent theme of "nostalgia for something you've never experienced." Similarly, “Sleeping Sea”, hints at the omnipresent power of the sea, even at its stillest, with its brooding hammond chords and almost C&W guitar, paints memories of Chris Isaak’s “Wicked Games”.

'Dmaot' also explores the dichotomy between life in the city and life in the countryside. Eden notes, "It's definitely something to define our songwriting by - the mix between electric heavier sounds and mystical, nature-inspired lyrics”.

Commencing with a chime-like guitar motif before the first heavy wave of shoegaze-like tremolo hits, “Layla” alternates with an almost Lynchian pre-chorus, whilst the song earworms its way to your brain. “Nahur Rau” almost screams “garage rock anthem” with it’s clap-accompanied beat group rhythm, and fuzz guitar riffs, but the energetic delivery is balanced by Rasco’s laidback style. It would be remiss to omit mention of the group’s incredible cover of Tears For Fears’ “Head Over Heels”, that seamlessly connects The Smiths, Julee Cruise and the B-52s, in the group’s own haunting style.

Rasco is a genre-defying trio that transcends the boundaries of surf rock and psych, creating a mesmerising blend of sound and emotion. 'Dmaot' is a testament to their evolution as artists and their ability to weave a tapestry of sonic landscapes into their own world.

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Dina Carroll

The Perfect Year

Release: 1993 / UK – Original

Genre: Electronic & Dance, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Price tag.

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Live On Mountain Stage: Outlaws & Outliers

2LP | 2024 | EU | Original (Oh Boy)

34,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | US (Joe Gibbs Music)

Dennis Brown

Stage Coach Showcase

Release: US

Genre: Reggae & Dancehall

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The Lost Album Metallic Gold Vinyl Edition

The Smithereens

LP | 2024 | US | Original (Tollie / Sunset Blvd.)

Gyrate Metallic Gold Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Lost in 1993, found in 2022. Limited Edition Metallic Gold Vinyl - Only 1000 units pressed / Gatefold. In the Fall of 1993, between contracts with Capitol and RCA, The Smithereens ventured into Crystal Sound Studios NYC to write and record a new album for their own label. The results of those one month marathon recording sessions is this album, unheard by the outside world until now, and appropriately titled "Lost Album". The Smithereens' take no prisoners sound, reflecting their Garden State roots, has resonated with fans worldwide over the course of 17 albums and 2500+ live shows. They've also inspired generations of musicians, including Kurt Cobain, who counted The Smithereens as a major influence. Founded in New Jersey in 1980, The Smithereens have been creating electrifying, original rock'n'roll for 41 years. The Smithereens' fame escalated, they were in heavy rotation on MTV and appeared on The Tonight Show, Conan O'Brien, and Saturday Night Live. Songs Include, Out Of This World, Dear Abby, Don't Look Down, A World Apart, Stop Bringing Me Down, Pretty Little Lies, Monkey Man, Everyday World, Face The World With Pride, Love Runs Wild, I'm Sexy and All Through The Night.

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Pylon

LP | 2023 | US | Original (New West)

25,19 €* 27,99 € -10%

LP | 2023 | EU | Original (Bretford)

Release: 2023 / US – Original

Genre: Rock & Indie

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In the late 1970’s Athens, Georgia was buzzing with a raw but sophisticated music scene. The turn of the decade began producing new sounds from bands like the B-52’s, R.E.M. and Art-Rock luminaries, Pylon. Before they were a band, Pylon were art-school students at the University of Georgia: invigorated by big ideas about art and creativity. In 1980 the band released its first record, Gyrate and began touring across the country in support of the release. Following the critical acclaim of Gyrate, Pylon went back into the studio. They gleefully pulled their songs apart and put them back together in new shapes, revealing a band of self-proclaimed non-musicians who had transformed gradually but noticeably into real ones. The resulting album was, Chomp. Now, more than three decades later, both studio recordings have been remastered from their original audio tapes and are set for release on New West Records.

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Waxlegs

Horny Tears From Hell

27,99 €*

Max Raabe & Palast Orchester

Release: 2023 / EU – Original

Genre: Rock & Indie

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'Horny Tears From Hell' combines a fusion of sounds from ominous genres that collide together in a dark, hauntingly endearing manner. Hard rock escalating electrocuted riffs slide you back onto your childhood sofa, Guitar-Hero guitar resting on your chest as you hear your pal play 'Through The Fire And Flames' on expert difficulty. Doomy metal aesthetics avalanche you into sweaty, hilariously middle-aged death pits at your local black facaded headbanger joint. Setting up camp in O'tool Studio just outside of Berlin, Wax Legs bugged out to create something that seeks musical integrity. Keeping some natural amp hums and hisses whilst adding eerie noises from worlds we don't want to find.

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Mir Ist So Nach Dir Klassiker Der 20er Und 30er

LP | 2023 | UK | Original (We Love Music)

28,99 €*

Release: 2023 / UK – Original

Genre: Pop

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V/A - Dr.Lond, Ital Foundation Sound, Dub Manza, Etc

Danish Dub Part 1

2LP (Dubfabrikken / Tribe 84)

24,99 €*

Genre: Reggae & Dancehall

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Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhiro Yamamoto

Album I HHV Exclusive Transparent Red Vinyl Edition

LP | 2024 | EU | Original (Bureau B)

30,99 €*

Von Spar / Eiko Ishibashi / Joe Talia / Tatsuhiro Yamamoto

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited to 100 copies, exclusively available at HHV.

The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spar who featured Ishibashi on their then new album "Under Pressure".

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Album II HHV Exclusive Transparent Turquoise Vinyl Edition

LP | 2024 | EU | Original (Bureau B)

30,99 €*

2LP | 2022 | EU | Original (FKJ)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited to 100 copies, exclusively available at HHV.

'The inspiration for 'Album l' and 'Album Il' began with a performance by Japanese musician Eiko Ishibashi at Cologne's Week-End Fest in 2019. For this appearance the renowned experimental musician and composer of the Oscar-winning film „Drive My Car" was joined on drums by Tatsuhisa Yamamoto and Joe Talia; both integral members of the top-level improvisational/ experimental scene in Tokyo. While in town for the festival, Ishibashi met up with the members of the Cologne-Berlin based group Von Spar who featured Ishibashi on their then new album "Under Pressure".

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FKJ

V I N C E N T

32,99 €*

LP | 2000 | US | Original (Nitro)

Release: 2022 / EU – Original

Genre: Pop

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„V I N C E N T“ ist FKJs zweites Album. Es markiert den Beginn eines neuen Kapitels für FKJ, der damit nach seinen Arbeiten als gefragter Produzent und zentrale Remix-Adresse für andere Künstler:innen wie PinkPantheress und Moses Sumney das nächste künstlerische Solo-Statement macht – nachdem er zuletzt schon ausverkaufte Konzerte in aller Welt mit seinen gefeierten „One-man-Shows“ verbuchen konnte. Kombiniert liegt auch die Zahl seiner Streams inzwischen im Milliardenbereich.

Das Konzept des „V I N C E N T“-Albums entstand während eines Soloabstechers nach Los Angeles, den er schon vor dem Jahr 2020 antrat. „Ich wohnte dort dann ganz allein in so einem Haus … und schaltete auch mein Telefon ab, um wirklich runterzukommen. Ich brauchte einfach etwas Abstand und Zeit für mich, weil ich herausfinden wollte, was ich eigentlich als nächstes machen wollte.“ Schon bald wurde ihm klar, dass er demjenigen Freiheitsgefühl nachspüren wollte, das man als Teenager hin und wieder spürt. „Damals habe ich einfach nur gespielt, es ging beim Musikmachen um nichts anderes. Ich hab über nichts nachgedacht“, so FKJ. Genau dieses Gefühl kommt schon im Eröffnungs- und dem Abschlusstitel der neuen LP durch: einerseits der Future Jazz von „Way Out“ – eigentlich ein verspielter Mini-Soundtrack: eine anmutige Pianomelodie, unterfüttert mit wilden Trap-Beats und ruhigen Streichern – und das fast wie ein Schlaflied wirkende „Stay A Child“. „Ich wollte einen Teil von dieser verlorenen Unschuld zurückholen … diesen Augenblick, wenn man einfach nur aus purem Vergnügen Musik macht.“

Wieder zurück im eigenen Home Studio auf den Philippinen angekommen, dort sogar ohne Wlan und zunehmend abgeriegelt durch internationale Lockdown-Maßnahmen, war FKJ nun tatsächlich abgeschnitten vom Rest der Welt. Was auch bedeutete: noch weniger Ablenkungen. Es war die ideale Gelegenheit, um ganz allein die endlosen Möglichkeiten der Musik zu erkunden. „Manchmal habe ich die ganze Nacht durch an den Songs gesessen und bin erst ins Bett gegangen, als schon wieder die Sonne aufging.“ Dieser unbefangene Ansatz war entscheidend: Basierend auf dieser Freiheit ist ein expressionistisches, wirklich berührendes Album entstanden, das man unmöglich einordnen kann. Auch versteckt sich FKJ nicht mehr hinter irgendwelchen grünen Zweigen, wie er es auf dem Cover seines Solodebüts getan hatte: Mit „V I N C E N T“ tritt FKJ heraus aus dem Schatten und zeigt sich, seine Stimme als Musiker, seinen Sound. Indem er Saxophon und Klavier aus Late Night Jazz-Sessions mit geerdetem Flüstergesang (à la Bon Ivers Frühwerk) und Gitarren à la Santana zusammenbringt, gibt er sogar dem schwierigen Begriff Chillout Music eine ganz neue Bedeutung.

Während weite Teile von „V I N C E N T“ vor allem romantisch klingen, geht’s ab und zu auch richtig sexy zu, dann wieder verträumt, den Kopf hoch oben in den Wolken – wie etwa bei „Us“, den er seiner Frau June widmet. „ihm“ kommt mit Nineties-Hip-Hop-Einschlag daher, wobei er jedoch immer weiter das Tempo drosselt und das Licht dimmt. Genau genommen doch nicht 100% solo eingespielt, hilft ((( O ))) schließlich beim Song „Brass Necklace“ aus – was ähnlich eindringlich klingt wie The Internet oder die Keys, wenn Stevie Wonder sie spielt. Zusammen mit Toro Y Moi setzt er für die Leadsingle „A Moment of Mystery“ auf astreine Space-Trip-Vibes, die tatsächlich aus nicht ganz nüchternen Parallelwelten stammen: Während der Arbeit in San Francisco tranken FKJ, Toro und dessen Keyboarder Tony eine Flüssigkeit, die Tony als „heiliges Wässerchen“ bezeichnete … „Wir teilten uns dann die ganze Flasche, was in einen ziemlichen Trip mündete“, erzählt FKJ und lacht. Zurück in der Realität, ist das Ergebnis dieses Trips eine sanfte Electro-Ode auf dauerhaftes Liebesglück. Vor allem ist es ein Track, der in Sachen Eingängigkeit und dezentem Prog-Faktor selbst Tame Impala in nichts nachsteht.

Auch Yukimi Nagano (Little Dragon) ist am Mikrofon zu hören – auf dem umwerfenden „Can’t Stop“ –, und mit „Let’s Live“, einem treibenden Technopop-Song, in dem Handclaps, Klavier und Vocals perfekt miteinander verschmelzen, besinnt sich FKJ noch einmal auf seine Anfangstage zurück, als seine Produktionen noch größtenteils ins Dance-Genre passten. Obwohl er immer wieder Kategorien aufsprengt und seine Stücke kontinuierlich mit neuen Ideen erweitert, wirken die Tracks nie aufgeblasen, nie zu dick aufgetragen. Trotz der Vielschichtigkeit wird einem nie schwindelig.

Insgesamt ist „V I N C E N T“ ein kleines Wunder. Es ist der Beweis, welche Magie entstehen kann, wenn man nur tief genug gräbt, Inspirationen lange genug reifen lässt. „Das war schon eine echte Herausforderung, diese Platte aufzunehmen“, sagt er abschließend. „Ich bin nun mal eigentlich ein Perfektionist – und das kann man nicht einfach so abschalten. Als ich es dann jedoch geschafft hatte und die Musik selbst tonangebend war, fühlte ich mich mit einem Mal vollkommen frei.“

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AFI (A Fire Inside)

The art of drowning

35,99 €*

Rocksession Colored Vinyl Edition

Release: 2000 / US – Original

Genre: Rock & Indie

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Colored Vinyl!

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Embryo

LP | 1973 | EU | Reissue (MIG)

26,99 €*

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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LP | 2024 | US | Original (Drag City)

Ty Segall

Love Rudiments

32,99 €*

LP | 1977 | US | Reissue (Superior Viaduct)

Release: 2024 / US – Original

Genre: Rock & Indie

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Love Rudiments is a meditation by Ty Segall on his first love: the drums. Known popularly as a singing guitar player, he generally starts the recording of his songs by laying down a drum track. Love Rudiments kicks off with drums and percussion then adds a few other percussive and production aspects. It travels a great journey in this configuration. However, Love Rudiments wasn"t written or performed to present as some kind of solo drums album - it"s just another music album, with vibes (figurative as well as literal), feels, a theme and a through-line.Never one to shy away from a challenge, Ty"s made an instrumental album of percussive music that rides the wild surf of a waxing-then-waning love affair - from the first blinding look, to the eventual recognition, that look back at love"s rudiments, viewed from beyond and outside that seemingly infinite sensation.And why not? Drums are a melody instrument too. Ty plays them with precision and sensitivity, delving deep into the textures of timpani, vibraphone, xylophone, percussion and e-drums, all of them occupying space within the luxe stereo spread of the drum kit. In the process, a psychological space is opened - a private emotional location where only two can meet.Love Rudiments reembodies the passion and compulsion that drives all of Ty Segall"s music in a suite of moments played on orchestral batterie to explore the most delicate passages of human interaction - playing on the bones of love.

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Joe McPhee

Tenor

LP | 1976 | US | Reissue (Superior Viaduct)

Release: 1977 / US – Reissue

Genre: Organic Grooves

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“There are lots of outstanding Joe McPhee LPs. Nation Time being chief among them, but there’s also Pieces Of Light, Oleo and Topology. The Poughkeepsie, New York-based multinstrumentalist, by now an international star of free music, has amassed a daunting discography, no doubt. If you want to peer deeply into the soul of Joe McPhee, however, there’s no way around it, you need to spend some quality time with Tenor. “Tenor is McPhee’s first solo record. He did not set out to make it. It was an afterthought, quite literally, born of a gathering of friend s at the Swiss farmhouse of cellist Michael Overhage. A beautiful meal, some drinks, warm conversation, and ... why not, an impromptu recital. Hat Hut producer Werner X. Uehlinger was there and a year later issued it as McPhee’s third LP for the label (Hat Hut C in their famed letter series). “The existential blues ‘Knox’ sets the stage, indicating that this will not just be a toss-off postprandial singalong. ‘Good-Bye Tom B.’ carries on with aching melancholy, through burred notes and hushed harmonics. The relatively jaunty ‘Sweet Dragon’ is also emotionally loaded with Ayler-esque vibrato, slurs, wipes, and blasts of tone. The side-long title track comes without a theme, as a kind of pure investigation of the horn, its potential, its limits, its expressive capacity. There have been few solo sessions as comprehensive and devastating as this spontaneous after-dinner diversion in rural Switzerland in 1976. We’re very lucky someone pressed record.” John Corbett (excerpt from the liner notes)

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Joe McPhee

The Willisau Concert

LP | 1975 | US | Reissue (Superior Viaduct)

Release: 1976 / US – Reissue

Genre: Organic Grooves

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“Joe McPhee’s first international release, Black Magic Man, was issued on the newly formed Hat Hut imprint in 1975. It was a watershed moment for the 35-year-old musician. Based in Poughkeepsie, New York, he was too far away from Manhattan to have participated extensively in the Loft Jazz happenings of the decade. European exposure, however, would give McPhee an alternative circuit, something of an escape route from the trappings of American cultural myopia. “In support of the new record for this Swiss label, McPhee invited John Snyder on a European tour in October 1975. Snyder was a synthesizer player with whom McPhee had made the duet LP Pieces Of Light, released a year earlier on CjR. The two musicians developed an extensive repertoire, playing diverse spaces in the Hudson Valley. Geographically close gigs were a plus, since it took extra energy to hoist Snyder’s ARP 2600. “McPhee and Snyder were invited to play at the Willisau Jazz Festival in Switzerland. If you compare this live record with Pieces Of Light, a studio effort, it’s considerably more open. South African drummer Makaya Ntshoko is rolling thunder on the choral ‘Voices,’ shuffling under Snyder’s bubbly beat on ‘Bahamian Folksong.’ It is quite a special combination, enough so that Hat Hut chose to release it as their next LP, Hat Hut B in their alphabetical series. The Willisau Concert represents the sound of Joe McPhee opening up, opening out, expanding his field of operations to include new figures, fresh experiences, new continents of sound.” John Corbett (excerpt from the liner notes)

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Joe McPhee

Black Magic Man

26,99 €*

12" | 2024 | UK | Original (Outlaw)

Release: 1975 / US – Reissue

Genre: Organic Grooves

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“Black Magic Man is arguably the pivotal Joe McPhee release. It bridged the span between the regional and the international, bypassing the national altogether. “Recorded in the same sessions that produced Nation Time, Black Magic Man consists of music not chosen for that LP. Like its much-feted sister, technically it falls under the domain of CjR, Craig Johnson’s herculean effort in support of McPhee. An erstwhile painter, Johnson became a self-taught audio engineer, acquiring equipment expressly to document McPhee’s music. In December 1970, five years after Johnson and McPhee had met, they recorded two days of activity —a concert followed by an additional day of recordings—at Vassar College where McPhee was teaching in the Black Studies department. About half of the material was used to make Nation Time. While they had planned to issue a follow-up, the money wasn’t there, so the tapes sat dormant. “Fast-forward five years—Werner X. Uehlinger, a Swiss businessman who worked for Sandoz Pharmaceuticals, contacted Johnson while on a trip to the US, and over dinner with McPhee, they discussed putting out some of the unused tracks from the Nation Time sessions. With this casual encounter in 1975, Hat Hut Records was inaugurated. The new label’s maiden release was Black Magic Man, dubbed Hat Hut A, the first in what would become Hat Hut’s letter series. Along the way, the series would feature seven Joe McPhee records, including the first four in a row.” John Corbett (excerpt from the liner notes)

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Matthew Oh

Unseen

12" | 2024 | EU | Original (Canopy)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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After a long hiatus from the imprint over the past six years, white label Italian imprint Outlaw delivers welcomes the return of its label boss, Matthew Oh. Comprised of four originals with the labels dub-tinged aesthetic.
300 copies vinyl only! hand made stamped.

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Opolopo X Alafia

Axxanxxan / Axxiove

20,99 €*

12" | 2023 | EU | Original (0)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Canopy & Opolopo collaborate on a new transmission, resulting in an alchemical amalgam to elevate dancefloors from Mos Eisley to Jades-GS-z13-O.

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Countdown To Ecstasy 200g Clarity Vinyl Uhqr 45rpm Vinyl Deluxe Limited Edition Box Set

Release: 2023 / EU – Original

Genre: Electronic & Dance

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New release on 0 Records by hashman and c3d-e - deeply recycled full record length electronic outings of all formats - a lot of music to listen to. I mean, I know that there is a lot of shit out there on this stuff. The only thing that sucks is how easy it is. I mean, you look at a bunch of new music, we're just so small, so… shit. Anyway, the thing that actually sucks is there are so few tracks in this song that don't have the right mix, I mean, listen to every single thing! So, there are so many different things out there.

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Steely Dan

Box | 2022 | US | Reissue (Analogue Productions)

201,99 €*

7" | 2020 | EU | Original (Buenritmo)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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Analogue Productions are giving us the Ultimate Steely Dan experience. Their first seven classic albums are being released on Uhqr vinyl. You will never have had heard these recordings sounding so good, period! They are super deluxe packages with booklets, pressed on clarity vinyl using the best techniques to extract the maximum analogue information. They will be strictly Limited to 20,000/15,000 respectively worldwide. Expect huge demand. Pre-order now! The first two titles are due to ship in November/December with the rest to follow next year. Countdown To Ecstasy — Steely Dan's gold-selling second studio album now on Uhqr! Definitive reissue Ultra High Quality Record, the pinnacle of high-quality vinyl! 45 RPM LP release limited to 15,000 numbered copies Mastered directly from the original master tape by Bernie Grundman Pressed at Quality Record Pressings using 200-gram Clarity Vinyl® Purest possible pressing and most visually stunning presentation and packaging! Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Steely Dan's second studio album, originally released in 1973 by ABC Records, was certified gold-selling by the Recording Industry Association of America (riaa) for selling 500,000 copies in the U.S.

Founded by core members Walter Becker (bass) and Donald Fagen (vocals, keyboards), Steely Dan's popularity rose throughout the late 1970s on, and their seven albums throughout that period of time blended elements of jazz, rock, funk, R&B, and pop. Steely Dan created a sophisticated, distinctive sound with accessible melodic hooks, complex harmonies and time signatures, and a devotion to the recording studio. Becker and Fagen, with producer Gary Katz, gradually changed Steely Dan from a performing band to a studio project, hiring session musicians to record their compositions. The duo didn't perform live between 1974 and 1993. But their popularity nevertheless grew throughout the '70s as their albums became critical favorites and their singles became staples of Adult Oriented Radio and pop radio stations.

Like Steely Dan's 1972 debut album Can't Buy A Thrill, Countdown to Ecstasy has a rock sound that exhibits a strong influence from jazz. It comprises uptempo, four-to-five-minute rock songs, which, apart from the bluesy vamps of "Bodhisattva" and "Show Biz Kids," are subtly textured and feature jazz-inspired interludes. Countdown to Ecstasy was the only album written by Steely Dan for a live band. "My Old School" features reverent horns and aggressive piano riffs and guitar solos. "The Boston Rag" develops from a jazzy song to unrefined playing by the band, including a distorted guitar solo by Jeff "Skunk" Baxter. Jim Hodder's drumming eschews rock music for pop and jazz grooves. Bop-style jazz soloing is set in the context of a pop song on "Bodhisattva." Commenting on the album's style and production, Tom Hull says it is "clean, almost slick," with "no dissonance, no clutter," reminiscent of 1940s bop and "the overproduced early 60s pop rock."

Countdown to Ecstasy has lyrical themes similar to Can't Buy A Thrill. It explores topics such as drug abuse, class envy, and West Coast excess. "My Old School" is inspired by a drug bust involving Walter Becker and Donald Fagen at Bard College, "King of the World" explores a post-Nuclear holocaust United States, and "Show Biz Kids" satirizes contemporary Los Angeles lifestyles.

Rolling Stone described Countdown To Ecstasy as "another dose of mainstream rock and roll, restating the basic themes of Can't Buy A Thrill, but this time concentrating a bit more on the rocking side of their style."

The original cover painting was by Fagen's then-girlfriend Dorothy White. At the insistence of ABC Records president Jay Lasker, however, several figures had to be added when he found the discrepancy between five band members and three figures on the cover unacceptable. The proofs for the album cover were later stolen during a dispute over the final layout. The back cover features an orchid surrounded by the band and their recording equipment.

After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.

This stereo Uhqr reissue will be limited to 15,000 copies, with gold foil individually numbered jackets, housed in a premium slipcase with a wooden dowel spine.

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Fundacion Tony Manero

Very Important Remixes

8,99 €*

Ego Tripping / Funky Potion

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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This rare single offers two remixes from tracks from their covers EP V.I.D. (Very Important Discotecas). One is ‘Dame Un Poco De Tu Amor’, starring Baccara, remixed by Rayko. The other is a cover of Radio Futura’s ‘Dance Usted’ remixed by Fundacion’s Miguelito Superstar.

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Ultramagnetic MC's

7" | 1986 | EU | Reissue (Mr Bongo)

15,99 €*

TTW10H Turntable Weight For 12" And 7" (Heavy Weight Edition)

Release: 1986 / EU – Reissue

Genre: Hip Hop

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Melvin Bliss’ iconic ‘Synthetic Substitution’ (1973) has been sampled hundreds of times. Gracing records from Naughty by Nature’s ‘O.P.P’ to Public Enemy’s ‘Don’t Believe the Hype’, it’s one of the foundations of hip-hop. However, there’s a school of thought that says the sample could have been retired forever after Ced Gee used it for ‘Ego Tripping’. It was the first song to use those wonderful Bernard Purdie drums, and arguably the best.
Their first release on Next Plateau Records, this instant 1986 classic slams from the first bar, that hard-as-hell beat underpinned by stabs and the breathy ‘ultra-magnetic-magnetic’ chant beneath. Meanwhile, Ced and future legend Kool Keith go to town with pseudo-science and a thinly veiled diss of Run DMC – ‘Say what, Peter Piper, to hell with childish rhymes’. It’s a song shot through with promise they’d more than fulfil on their debut album, 1988’s landmark ‘Critical Beatdown’.
The flip, ‘Funky Potion’, doesn’t coalesce with quite the same genius but is still more than a curio, with the MC’s doubling down on their futuristic nonsense approach to lyricism. Rufus Thomas’ ‘Do the Funky Penguin’ is the base for yet more stabs, discordant scratches and a kitchen-sink approach that shows just innovative the group were prepared to be.
Never before released before on 7”, this undeniable hip-hop classic comes complete with bespoke hype stickers incorporating one of the great rap logos of all time.

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Varia Instruments

149,99 €*

Betonkunst & Palmbomen II

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The TTW10H is our turntable weight which combines two needful features for every vinyl DJ:
A disc stabilizer and an adapter for 7“ records.
The difference to the classic TTW10 is the material used for the outer part: The heavy weight edition is machined out of high-grade stainless steel which results in a final weight of 808g / 1.78lbs.

OUR HANDCRAFTED TURNTABLE WEIGHTS WORK EITHER FOR 12“ AND 7“ RECORDS.

Our turntable weights feature a smart mechanism: The 7“ adapter inside the weight is moveable- as soon as you put the weight on a 7", the adapter will fall down through the big hole of the vinyl. Your record is now centered and stabilized by the TTW10H. If you place the kit on a 12“ record, the adapter will remain in the rear position and stabilizes your warped records. A sticky rubber mat on the bottom side protects your vinyl and allows you to control the record in a very direct way. The TTW10H comes in a neat printed box with a linen bag to take it out to your gigs.

The difference to the classic TTW10 is the material used for the outer part: The heavy weight edition is machined out of high-grade stainless steel which results in a final weight of 808g / 1.78lbs.

STAINLESS STEEL BODY WITH A SOLID BRASS CORE.

• DIMENSIONS: Ø75mm × 33mm (Ø2.9 × 1.3 inches)
• WEIGHT: 808g (1.78 lbs)

Handmade in Switzerland

Video: https://youtu.be/e1be_0Ijhms
https://youtu.be/Z8ng431G528?list=PLcGzoHkRXIiapmclhU9L9GtVyQcTGCz1g

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Leo / Mirjam Legowelt Remix

12" | 2018 | EU | Original (Dekmantel)

LP | 1983 | US | Reissue (Superior Viaduct)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Taken from the forthcoming Dekmantel LP Center Parcs by esoteric Dutch production duo Betonkust & Palmbomen II, comes the 'Leo/ Mirjam’. The track is a rendition of upbeat-melancholic, future- retroism, and a slice of saturated house music. The flip features a special, unyielding, acid-tempo rework by Legowelt. Likely to vanish soon.. TIP!

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The Fall

Perverted By Language

28,99 €*

Childstar Orange Vinyl Edition

Release: 1983 / US – Reissue

Genre: Pop

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The Fall returned to Rough Trade in 1983 to release a pair of singles (“The Man Whose Head Expanded” and “Kicker Conspiracy”) and Perverted By Language, their sixth proper studio album. Perverted By Language hints at the band’s shift towards a distinctly pop approach, one that they would perfect via their Beggars Banquet output that immediately followed. Yet again, the force and panic of their initial Rough Trade recordings remains the foundation for much of the album. A transitional recording in the absolute best sense, Perverted By Language is The Fall both as they were and as they would become.

The emergence of Brix Smith is often cited as the impetus for The Fall’s move toward outward pop, and she first makes her first appearance with the band on Perverted By Language. Nowhere is her presence felt more than on “Hotel Blöedel,” where she handles lead vocal duties alongside Mark E. Smith whose mangled violin accompaniment roots the song’s cold romanticism in his unmistakable brand of strange. “Garden” provides a new take on The Fall’s stretched-out tendencies—using ringing, clean guitars to build a nearly 10-minute epic more subtly than ever before. The opener, “Eat Y’self Fitter,” is wholly classic Fall: a playfully circular bass line drives the album’s strongest vocal spout, complete with emphatic breaks where Mark E. Smith issues the song’s spiteful decree with equal parts glee and scorn.

Superior Viaduct’s edition is the first time that Perverted By Language has been available on vinyl domestically.

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Danna Paola

LP | 2024 | Original (Universal)

65,99 €*

Release: 2024 / Original

Genre: Pop

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7" | 2021 | UK | Reissue (Orginal Gravity)

Nestor Alvarez

Plata O Plomo

Release: 2021 / UK – Reissue

Genre: Organic Grooves

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They Are Gutting A Body Of Water (TAGABOW)

Destiny XL

LP | 2019 | US | Reissue (Smoking Room)

Release: 2019 / US – Reissue

Genre: Rock & Indie

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They Are Gutting A Body Of Water (TAGABOW)

Lucky Styles

LP | 2022 | US | Reissue (Smoking Room)

Release: 2022 / US – Reissue

Genre: Rock & Indie

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12" | 2024 | EU | Original (Not For You)

N-Gynn

NFY005

12" | 2023 | EU | Original (0)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Not For You’s 5th Release with N-Gynn.

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