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OST The Cowboys Deluxe Colored Black Friday Record Store Day 2022 Edition

Release: 2021 / UK – Reissue

Genre: Rock & Indie

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Future Past is the 15thstudio album from Duran Duran and boasts esteemed producersErol Alkan, Giorgio Moroderand Mark Ronsonbehind the board. It features special guests Graham CoxonofBluron guitar, Mike Garson from David Bowie's band on piano with vocal collaborations from Tove Lo, Ivorian Doll and Chai. ‘Future Past: The Complete Edition ’ features the 12 track album plus 3 bonus tracks and the band’s cover of David Bowie’s ‘Five Years’. The gatefold package also includes 2 12x12 art booklets designed by the band’s long term Creative Director.

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John Williams

2LP | 1971 | EU | Reissue (Varese Sarabande)

30,59 €* 33,99 € -10%

2 Hype Black Friday Record Store Day 2022 Edition

Release: 1971 / EU – Reissue

Genre: Soundtracks

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Black Friday Record Store Day 2022 Reissue. Color: Gold. Limitation: 50th anniversary release celebrating the John Wayne western with a score composed by the living legend, John Williams. The Cowboys was the maestro’s biggest pre-Star Wars score. A much needed restoration job featuring a complete rebuild, remix and remaster was done for a 3000 unit limited edition CD re-issue that came out in 2018 and sold out. This double LP is the first ever official LP release and is pressed on gold vinyl exclusively for Black Friday 2022

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Kid 'N Play

LP | 1988 | US | Reissue (Select)

Return Of The SP-1200 V.2 Black Friday Record Store Day 2022 Edition

Release: 1988 / US – Reissue

Genre: Hip Hop

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Late arrival, coming next week.
Black Friday Record Store Day 2022 Reissue. Color: Black. Limitation: Unavailable on vinyl for decades, Select Records presents 2 Hype in an opaque white pressing exclusive to RSD Black Friday. For a certain generation of hip hop fans, just the mention of Kid ‘n Play brings on wave of nostalgia. The group released three full-lengths between 1988 and 1991 with a focus on positive lyrics and pop friendly production. The success of the group’s music lead to countless House Party films, a Saturday morning cartoon show and even a series of comic books for Marvel (so, technically speaking, are Kid ‘n Play are part of the Marvel Universe?). It all started here on the 1988 full-length 2 Hype which features “Do The Kid 'n Play Kick Step”, the musical accompaniment to their trademark dance, “Rollin’ With Kid ‘n Play” which hit number 11 on the Billboard R&B Singles chart and of course Kid's now classic hi-top fade haircut, which measured up to over six inches high at its peak. Producer Hurby “Luv Bug” Azor, instrumental in the success of Salt-N-Pepa, was certainly a factor and the full length went on to chart in the Billboard Top 200 and to Riaa certified gold status.

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Pete Rock

LP | 2022 | US | Original (Tru Soul)

12" | 2004 | DE | Original (BPitch Control)

Release: 2022 / US – Original

Genre: Hip Hop

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Late arrival, coming next week.
Black Friday Record Store Day 2022 Original Release. Color: Black. Limitation: unknown. For RSD Black Friday, Pete Rock debuts Return Of The Sp-1200 Volume 2 in an exclusive opaque red pressing Pete Rock is widely recognized as one of the greatest hip hop producers of all time. His name is oft included in the pantheon of the greatest, alongside DJ Premier, RZA and J Dilla. In addition, Pete has one of the worlds most extensive vinyl collections, the sort of collection whose size can only be estimated, and that estimate stands in excess of 100,000 LPs. In 2019 Rock launched his own imprint, Tru Soul Records, with the release of Return Of The Sp-1200 which debuted exclusively on RSD 2019. For Black Friday, Pete Rock goes back to his roots - the Sp-1200 and his vinyl - to debut Return Of The Sp-1200 Volume 2.

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Smash TV

Queen Of Men (Rmx)

3,99 €*

LP | 1981 | US | Original (Columbia)

Release: 2004 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

label cover

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Manhattans

Black Tie

5,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2022 | UK | Original (Real Feel)

Toribio

Brown Cocoa Skin

Zen Koans For Subway Commuters

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Real Feel Records looks to blend old and new in paying tribute to the roots of U.S. house music. Real Feel is the vehicle intended to bring it back to basics and create a platform to boost US-based artists in an inclusionary way. The label is run out of DC, pressed in the US, and will look to elevate Black, Latinx, Aapi, women and Tlgbq artists—new and OG—in the US. The intention is not to come in and Columbus anything--we all know vets in Detroit, Chicago etc have been self-releasing material for a long time; but rather give a channel for new artists while blending in established names. For its first release, NY DJ, producer and multi-instrumentalist Toribio baptizes Real Feel Records with the Brown Cocoa Skin EP. The record is chock full of lush, swingy tracks built for the dancefloor. The legendary DJ Spinna contributes the finishing touches with a monster remix.

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Personas

Tape | 2022 | UK | Original (Personas)

15,99 €*

12" | 2022 | UK | Original (Redstone Press)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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It’s 2013 in Tokyo. The second worst heatwave in Japan’s history blazes across the land of the rising sun, the Democratic Party of Japan have lost control of the Tokyo Metropolitan Assembly to the Liberals and somewhere on the subway Nic (Pleasure Cruiser) and George (Smoke Thief) are meeting for the first time. Nic (Chinese-Irish producer with releases on High Hoops, Step Recordings and a participant of Red Bull Music Academy) and George (Tokyo based soundtrack producer and saxophonist with an MA in musical performance) brushed shoulders on the Tozai Subway line, got to talking and have been best friends ever since. The pair created the production duo of Personas – an ambient, soundtrack-leaning moniker – and have been quietly working on their debut album – Zen Koans for Subway Commuters, which features a special collaboration with Japanese electronic composer Soichi Terada under his Omodaka alias – an album that very much does what it says on the tin. Zen Koans for Subway Commuters plays out like the listener's own personal cinematic experience. It’s easy to draw comparisons with the lonerism scores of Tokyo based films such as the Scarlott Johanson and Bill Murray starring Lost in Translation (2003). There’s an isolated aesthetic to the album. It captures the melancholy and freedom that comes with a commute; catching the meditative relief of travel and channelling it into an inner-main character episode as we hurtle to and fro. Floating from the beatless, contemplative pads of ‘Elevation’ to the live-sax of ‘Northside Hibiya Sen’ and the heavily field-recorded experimentation of Ayako and Omodaka’s collaborative ‘Shuuten’, Zen Koans for Subway Commuters maintains it’s interest throughout thanks to it’s variety of ambient sonics and real-life manifestation. Footsteps from heeled shoes clip-clop across sterile white tiles, trains rattle as they pull into the station, voices call out in greeting to friends and loved ones. It’s a trip in every sense of the word, a form of meditative therapy designed to think about nothing or think about everything. Featuring live recordings from the pair's ventures throughout Tokyo, Personas have crafted a mesmerising debut album that pulls on the heartstrings whilst maintaining a complete sense of freedom. Getting on the train to go anywhere is exciting, not just because of the destination, but because of the liberation that comes with sitting down, reading a book or listening to music and knowing you can't do anything else apart from that for a few hours. Intimate, subtle and cinematic, it’s the perfect soundtrack to get lost to.

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Pseudopolis

High For Life

LP | 1982 | US | Original (RCA Victor)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Pseudopolis returns to Redstone Press with Eris Drew for a remix under her Bassbin 23 alias! Label co-boss Pseudopolis touches down on Redstone Press for the third time. If you’ve heard the last two you know the drill. Taking no prisoners from the outset, “High For Life” establishes the mood of the EP, combining unrelenting breaks, bouncing basslines and a big-room energy that acts like a pressure release after many nights making music with no clubs in sight, a track that doesn’t loosen its grip throughout. “Euphoria Inc.” keeps the room at boiling point with Pseudopolis expertly fusing climatic rave energy, broken breakbeats and a murky Reece bassline into an equally euphoric yet foreboding warehouse tool. “Haze Runner” continues with the ruffneck breaks but raises the bpms and dread level, sounding like something that would soundtrack your teenage weed psychosis or your current 6AMs spent in front of your favourite Jungle sound system’s bassbins. Speaking of bassbins… We are delighted to welcome Eris Drew to the label under her new guise “Bassbin23”. Years of dancing, rejoicing and playing dusty warehouse raves have informed this rendition of “High for Life”, stripping it back to a fun filled 4x4 rave weapon. We couldn’t think of anyone better to do the first remix on the label, bigups to you Eris!

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Evelyn King

Get Loose

30,99 €*

12" | 1997 | ES | Original (Max Music)

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

US Indianapolis Pressing. Original inner sleeve.

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DJ Schwede

Boom... Boom...

3,99 €*

LP | 2022 | UK | Original (Tankcrimes)

Release: 1997 / ES – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG+

Record is close to VG+.
Sticker on cover.

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Morbikon

Ov Mournful Twilight

25,99 €*

LP | 2022 | UK | Original (Voices Of Wonder)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Morbikon is the creative effort of Phil “Landphil” Hall exploring the dark corners of extreme music. Guided by the second wave of Black Metal and Melodic Death Metal scenes of 1990s Scandinavia he crafted the bands sound. He then recruited his Municipal Waste bandmate, Dave Witte to handle the drums and reached out all the way to Finland for vocalist Matthias "Vieth" Lillmåns of Finntroll. The studio efforts result in a euphony of blackened and evil extreme metal.

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The Loch Ness Mouse

III

LP | 2022 | UK | Original (Apollon)

Release: 2022 / UK – Original

Genre: Pop

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The Loch Ness Mouse celebrate 30 years as a band and release a new album to coincide with the anniversary. Album III completes the trilogy that began with the self-titled record from 2016 and was followed up by II in 2019 (both also released on the well-respected Japanese label P-Vine). Where the first was the tight and elaborate pop record, the next one more moody and atmospheric, the new record is possibly a bit more extreme, free-spirited and cheerful. Together, the trilogy nevertheless gives a coherent picture of what has been the band's project for the past ten years: melodic and sophisticated pop from a working-class perspective, with strong elements of soul and jazz, based on the songwriting of the brothers Jørn and Ole Johannes Åleskjær. The new album features, among others, ex-member Hilma Nikolaisen and jazz/contemporary names such as Morten Barrikmo (Trondheim Jazz Orchestra, Oslo Sinfonietta) and Lars Tormod Jenset (Espen Eriksen Trio).

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Separate Bed

7" | 2022 | UK | Original (Detour)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Separate Bed’s self-titled debut album features several collabs with electro-acoustica artist Mari Kvien Brunvoll. The album is produced by Robert Jønnum (Kings Of Convenience, St. Thomas). Bosse Litsheim is a permanent member of the critically acclaimed band Ai Phoenix. For a number of years he has toured and worked in studios with artists such as St Thomas and Hotel Hotel. Separate Bed is Bosse's first solo project, where he has worked on songs in collaboration with Tarjei Thomassen and Robert Jønnum (Kings Of Convenience, St. Thomas).

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Dc10

Isabella EP

Second Nature Gold Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Like all “cult “ underground bands, people hear a bands name before their music..... This gem from Detour will enable some of the enigmatic, unique, mysterious and individual sounds from Dc10 emerge from the vaults from 1984, highlighting their raw energy, individually and uniqueness that shows their pedigree was second to none. YES!! Dc10 should have gone much further - but by doing their own thing and refusing to conform to archaic pop protocols, this was not to be....... Tune in - Turn on :- Play Loud! enjoy Dc10 at their best - the classic "Isabella", the melodic "I Forgot Your Birthday" and probably my favourite the charismatic "Fallen Star" - Gaz Poundall / What's Happening today Fanzine

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Lionheart

43,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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In 2017, the album 'Second Nature' celebrated Lionheart's triumphant return to the melodic rock music scene with a collection of powerful and memorable songs. Due to contractual circumstances, the album disappeared from the market outside of Japan in 2020. Now the album has been remastered to sound punchier than ever, here comes the Ltd. LP Gatefold Edition in golden colour.

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After All

Eos

Release: 2022 / UK – Original

Genre: Rock & Indie

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With their new album 'Eos' the Belgian speed metal band introduces vocalist Mike Slembrouck and drummer Bert Guillemont, who add an impressive dose of melody and intensity to the band's sound. With 'Eos', founders Dries Van Damme (guitar) and Christophe Depree (guitar), along with long-time bass player Frederik Vanmassenhove, once again confirm their position as one of Belgium's finest metal bands.

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Seraina Telli

Simple Talk

LP | 2002 | UK | Reissue (Hells Headbangers)

Release: 2022 / UK – Original

Genre: Rock & Indie

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The former front woman of the Swiss heavy metal band "Burning Witches" - with whom she rocked the stages of big rock festivals like "Bang your Head" and "Leyendas del Rock" for four years - comes up with her solo debut album! "Simple Talk" is as colourful and varied as her hair colours, and Seraina impressively shows the creative path the multi-faceted artist is taking here.

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Unlord

Lord Of Beneath

30,59 €* 35,99 € -15%

LP | 2022 | UK | Original (Hells Headbangers)

Release: 2002 / UK – Reissue

Genre: Rock & Indie

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Hells Headbangers is proud to present a long-overdue reissue of Unlord’s cult third album, Lord of Beneath. Formed in 1989, Unlord are widely considered among the Netherlands’ very first black metal bands, if not THE first. Although they never publicly released any demos, their three albums for the sorely missed Displeased Records – 1997’s Schwarzwald, 2000’s Gladiator, and 2002’s Lord of Beneath – stand as a nigh-untouchable trio of freezing-fire black metal incarnate. Unlord’s proud ‘n’ pure synthesis of bazooka-blown speed and violently melodic riffing reeks of late ‘90s nostalgia but also sounds remarkably fresh today, nearly 20 years after their untimely breakup. In 2002, with ultra-violent black metal on the wane, Unlord stuck to their guns and released Lord of Beneath. While its cover hues evinced a mysterious blue, Lord of Beneath was just as fiery as its two full-length predecessor – arguably, even more so! Indeed, Unlord remained as uncompromising as ever: they knew who they were, and they weren’t gonna change for the scene’s ever-fickle tastes. As such, their third (and sadly, final) album finds a rarely rivaled balance between utterly unhinged speed and powerfully precise execution.

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Unlord

Schwarzwald

LP | 2022 | UK | Original (Hells Headbangers)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Hells Headbangers is proud to present a long-overdue reissue of Unlord’s cult debut album, Schwarzwald. Formed in 1989, Unlord are widely considered among the Netherlands’ very first black metal bands, if not THE first. Although they never publicly released any demos, their three albums for the sorely missed Displeased Records – 1997’s Schwarzwald, 2000’s Gladiator, and 2002’s Lord of Beneath – stand as a nigh-untouchable trio of freezing-fire black metal incarnate. Unlord’s proud ‘n’ pure synthesis of bazooka-blown speed and violently melodic riffing reeks of late ‘90s nostalgia but also sounds remarkably fresh today, nearly 20 years after their untimely breakup. In that black metal-rich year of 1997 did Unlord unleash their debut album, Schwarzwald. Adorned with appropriately fiery cover art, Schwarzwald very much sounded – and looked – like its era, and was all the better for it. And yet, crucially, Unlord here offer a variety of songcraft across the 13-track album whilst keeping the focus on cryogenically-cold violence. What’s more, their usage of synths is sparing and tasteful, and on Schwarzwald did they set forth a sterling standard of production: remarkably clear and crisp, but not once sacrificing an iota of power.

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Unlord

Gladiator

30,59 €* 35,99 € -15%

LP | 2022 | UK | Original (Rockshots)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Hells Headbangers is proud to present a long-overdue reissue of Unlord’s cult second album, Gladiator. Formed in 1989, Unlord are widely considered among the Netherlands’ very first black metal bands, if not THE first. Although they never publicly released any demos, their three albums for the sorely missed Displeased Records – 1997’s Schwarzwald, 2000’s Gladiator, and 2002’s Lord of Beneath – stand as a nigh-untouchable trio of freezing-fire black metal incarnate. Unlord’s proud ‘n’ pure synthesis of bazooka-blown speed and violently melodic riffing reeks of late ‘90s nostalgia but also sounds remarkably fresh today, nearly 20 years after their untimely breakup. At the dawn of the new millennium did Unlord unleash their second album, Gladiator. Aptly titled and again adorned with appropriately fiery cover art, Gladiator was a consolidation of all-too-considerable strengths. The blitzkrieg speed of the preceding Schwarzwald is amazingly taken up a notch here, and the riffing clangs & churns with even more authority; if anything,Gladiator is the sound of Unlord at their most berserk. And yet, the icy melodicism remains, and the production is powerfully clear and crisp.

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Thy Row

Unchained

30,99 €*

2LP | 2022 | UK | Original (The Sinister Initiative)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Originally released as a CD version in 2021, Finland's THY ROW, which is helmed by Metal De Facto and Everfrost vocalist Mikael Salo, is releasing the vinyl version of their highly acclaimed debut album "Unchained" via Rockshots Records. Thy Row offers up a fresh mix of old-school heavy metal with modern hard rock. The debut album "Unchained" featurea guest artists Ben Varon (Oceanhoarse, ex-Amoral), Ilja Jalkanen (Raskasta Joulua, Kiuas), and Teemu Mäntysaari (Wintersun, Smackbound). The full length is mixed by Jussi Kraft (Starkraft Studio) and partly by Nino Laurenne (Sonic Pump Studios). Mastering was handled by Grammy-nominated Svante Forsbäck of Chartmakers Mastering (Rammstein, Volbeat)."Unchained" follows Thy Row's 2019 independently released self-titled EP with its lead single "The Round" that reached over 110k streams on Spotify. The success of that EP gave the band the opportunity to tour Japan in 2019 with Beast In Black and Swallow The Sun.

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Cold Prophet

A Swan By The Edge Of Mandala

Release: 2022 / UK – Original

Genre: Rock & Indie

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The self-titled debut album of Tuomas Tahvanainens Death Ambient act Cold Prophet!Nightmarish Debut by one of the most prominent individuals in the Finnish Black Metal Scene! Released by SHININGs Niklas Kvarforth on his own label THE Sinister Initiative

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Vorbid

2LP | 2022 | UK | Original (Indie)

44,99 €*

2LP | 2022 | UK | Original (Apollon)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Norwegian experimental progressive thrashers Vorbid are finally back with new music! 4 years after the release of their critically acclaimed debut album Mind, Vorbid is set to further explore the outpost of progressive metal. Vorbid is a young, fresh, and incredibly energetic metal band from Arendal, Norway. Both the band’s previous releases, a self-titled EP from 2016 and their debut album Mind from 2018 received amazing reviews and got lots of media attention, landing them tours with Norwegian underground heavyweights such as Aura Noir, Obliteration and Einherjer. In 2022 Vorbid has returned with even more technically challenging and intriguing music, stepping up the game and proving themselves worthy of a place at the prog metal table.

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Major Parkinson

Valesa Red Vinyl Edition

58,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Valesa Black Vinyl Edition

Major Parkinson

2LP | 2022 | UK | Original (Apollon)

49,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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LP | 2022 | UK | Original (Karisma)

Jordsjo

Jord Sessions

LP | 2022 | UK | Original (Hells Headbangers)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Jordsjø is a duo from Oslo, Norway inspired by old horror movies, German 70s synth music, Swedish prog, fantasy novels and Norwegian nature. After three cassette demos, the album “Jord” was what the band considers to be their first “proper” album. Up until that point, the band only sold homemade tapes to friends and a few die-hard collectors - but Jord got a bigger audience, also outside Norway. The band has never been happy about the mix, done quickly with the intent of only a tape release – so they decided to give it a fresh mix from scratch, and include the other songs recorded at the same weekend in the Summer of 2016. Therefore, the «Jord Sessions». There’s a new organ track on «Abstraksjoner..» and some bells and percussion on «Valinors Lamper», otherwise, all tracks remain as the original. There’s an underlying theme of alienation, roots and dreams on Jord Sessions – with an organic and dynamic sound which gives associations to 70s prog, with traces of electronic music and folk. Plenty of flute, guitars and a vast array of vintage synths give the album a warm and vintage sound, while still sounding fresh and interesting. The band consists of multiinstrumentalist Håkon Oftung (Tusmørke, Black Magic) and drummer Kristian Frøland.

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Hunters Moon

The Great Pandemonium

32,99 €*

LP | 2022 | UK | Original (Season Of Mist)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Hells Headbangers is proud to present Hunters MOON's long-awaited debut album, The Great Pandemonium.

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Constellatia

Magisterial Romance

41,99 €*

LP | 2022 | UK | Original (M-Theory Audio)

Release: 2022 / UK – Original

Genre: Rock & Indie

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South African duo Constellatia takes an existential dive into human nature with their elegant and somber new album, ‘Magisterial Romance.’ In addition to its deep and thought-provoking lyrics, the band’s atmospheric and progressive brand of black metal encapsulates the spectrum of human emotions with its larger-than-life romantic compositions and soulful ambience, creating an offering that is just as powerful and beautiful as it is vulnerable and devastating.

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Guillotine A.D.

Born To Fall

LP | 2022 | UK | Original (Season Of Mist)

Release: 2022 / UK – Original

Genre: Rock & Indie

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M-Theory Audio will be releasing “Born to Fall,” the second album – and label debut – from Southern death metal slingers Guillotine A.D. on vinyl. The band's music blends the sounds of old-school Florida death metal, Scandinavian black metal, and New Orleans sludge into a wholly unique brew. The Athens, GA-based brother duo of Adam Miller (bass/vocals) and Lance Miller (guitars/vocals) – joined by drummer Evan Posey – take inspiration from the classic death metal of Cannibal Corpse and Six Feet Under, the New Orleans sludge of Crowbar and Eyehategod, and the Scandinavian black metal of Mayhem and early Enslaved. The trio self-describes the motivation of their sound as wanting “to sound like if Obituary moved to New Orleans and tried to play down-tuned versions of Satyricon songs.” Since the October 2017 release of their self-released and self-titled debut album (originally under the name Guillotine), the group has taken their sound to live stages all over the Southeast United States, supporting bands such as Goatwhore, Cannibal Corpse, and Hate Eternal. The band also participated in Slaughter Que 2019, which was headlined by acts such as Exodus, Kataklysm, Exhorder, and more. The trio also shared stages alongside fellow rising extreme metal acts such as Cloak, Frozen Soul and Sanguisugabogg. The group officially changed their name to Guillotine A.D. in December 2021 and signed with M-Theory Audio to formally usher in a new era for the band along with the new album. “Born to Fall.” The new album was produced by Matt Washburn at LedBelly Sound Studio (Atheist, Mastodon, Withered), and features cover art by Eliran Kantor (Testament, Soulfly, Trivium, Crowbar).

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Black Lava

Soul Furnace

31,99 €*

LP | 2022 | UK | Original (Flatspot)

Release: 2022 / UK – Original

Genre: Rock & Indie

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During the turbulent and uncertain years of 2020-2021, perhaps none were plunged deeper into darkness than those from down under. However, through solitude and desolation, some of the greatest art is created, as is the case with Black Lava, the emerging blackened death metal quartet from Melbourne (au). Founded by drummer Dan Presland (Vipassi, Amdbl, Ne Obliviscaris) and guitarist Ben Boyle (Vipassi, Amdbl, Hadal Maw), Black Lava draws influence from old school death and black metal bands while injecting groove-laden melodies and progressive elements to create their own experimental sound.

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Regulate

32,99 €*

LP | 2022 | UK | Original (Season Of Mist)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Breaking onto the hardcore scene in 2013, New York’s Regulate has shown a resilient and earnest approach in everything they do. This rings true on the band’s upcoming, self-titled LP that will drop September 30th on their new label home, Flatspot Records. The ten tracks on the album developed organically throughout the brunt of the pandemic, inspiring vocalist Sebastian Paba’s most personal lyrics to date. Regulate has always been an outlet for vulnerability.

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Vevaki

Fornspeki

Rad Wings Of Destiny Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Vévaki is a folk band which draws from Nordic heathenism and animistic traditions. Myth, ritual and a connection with the natural world inform Vévaki’s music, which is both contemporary in sound and wide-ranging in instrumentation. Vévaki employ various stringed instruments and percussion throughout their music, its dynamics buoyed by the complementary vocal styles of Will, Sigurboði and Hrafnhildur and the cinematic soundscapes sculpted by Gísli Gunnarsson. This comes to the fore on ‘Fórnspeki’.

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Ugly Kid Joe

31,99 €*

2LP | 2022 | UK | Original (Blues Funeral)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Rad Wings of Destiny" is the first new album from Californian band Ugly Kid Joe since 2015's 'Uglier Than They Used Ta Be'. For this album teamed up with producer Mark Dodson - who was behind the desk for Ugly Kid Joe's multiplatinum debut album release 'America's Least Wanted' in 1992.

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The Otolith

Folium Limina

Catcher In The Rye Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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A wrenching, cathartic hour of tar-thick hymns from the former members of SubRosa that fuses sludge, post-metal, darkwave and neofolk. Giving equal attention to speaker-rupturing riffs and dark, immersive atmospheres, The Otolith's debut is both a continuation of an existing musical conversation begun by the members' previous band SubRosa and a herald of something entirely new. A wrenching, stirring hour of tar-thick hymns that fuses sludge, post-metal, darkwave and neofolk during a hard-earned journey toward catharsis.

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Five Thirty

LP | 2022 | UK | Original (Audioplatter)

12,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Unseen Color Clear Vinyl Edition

Maraton

LP | 2022 | UK | Original (Indie)

38,99 €*

2LP | 2022 | UK | Original (Audioplatter)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Maraton break boundaries between genres, creating progressive alternative rock with roaring bass, massive guitars and exceptional vocals. Described as "shamelessly melodic", the band experiments with sounds and creates music that can be described as a dynamic journey through sensory impressions. Thematically, lines are drawn between the emotional and the philosophical, and the songs are based on human receptivity to new impressions and developments. Maraton released their debut album "Meta" in 2019, with great success and very good reviews internationally. At the time of writing, the debut has almost 3 million plays on Spotify alone, and despite the pandemic and little opportunity for concerts, the band's fan base is constantly growing. The band has been praised for their fantastic and energetic live performances with such claims as: "Bergersen's falsetto delivery is simply amazing" and "With a voice driven by power and clarity, I was left with goosebumps in places you did not know you could get goosebumps " - Heavymetal.no. Maraton has previously played at festivals such as Roskilde Festival in Denmark, By:larm- and the Trondheim Rocks festival in Norway, and after the debut album they went on an extensive European tour with Leprous. By combining and experimenting with different genres, the band creates a distinct and iconic soundscape that is characterized by technical drumming performed with mechanical precision, earthquake-awakening bass, shimmering guitars and almost sacred vocals. Despite this strange and wonderful mix, the songs present themselves as surprisingly catchy, but at the same time timeless, and as something that should be enjoyed and absorbed through more than one listening.

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Iggy & The Stooges

Move Ass Baby

LP | 1987 | UK | Reissue (Greyhaze)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Exploring the creative process that gave birth to nearly all the Stooges albums, starting with a jam session, an oldie or two, or maybe a blues riff, songs gradually took shape and were refined from there... Here we find the Stooges in rehearsal, messing around with songs by Bo Diddley, Bob Dylan, Cream, and the Paul Butterfield Blues Band. We hear the beginnings of songs that never went any further, such as `Old King Live Forever', `I Come From Nowhere' or `Wild Love', which had as much potential as any of their best material. We also have some very impromptu jams such as `Move Ass Baby'!

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Sarcofago

Inri

LP | 1987 | UK | Reissue (Greyhaze)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Alternate Blue Cover. "Inri" is the 1987 debut album by Brazilian extreme metal band Sarcofago. "Inri" would become the unofficial staple of the emerging extreme metal subgenres, and today it still stands as one of the most iconic and influential releases of the decade, if not all time. It’s been impersonated, emulated, and ripped off countless times, yet there’s something about makes it stand head and shoulders above the countless imposters it spawned.

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Sarcofago

Inri

LP | 2022 | UK | Original (Pelagic)

Release: 1987 / UK – Reissue

Genre: Rock & Indie

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Classic Cover. "Inri" is the 1987 debut album by Brazilian extreme metal band Sarcofago. "Inri" would become the unofficial staple of the emerging extreme metal subgenres, and today it still stands as one of the most iconic and influential releases of the decade, if not all time. It’s been impersonated, emulated, and ripped off countless times, yet there’s something about makes it stand head and shoulders above the countless imposters it spawned.

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Lost In Kiev

Rupture

23,99 €*

We Are Looking In On You Too

Release: 2022 / UK – Original

Genre: Rock & Indie

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For over ten years French cinematic postrockers Lost IN Kiev have been creating massive, narrative-driven atmospheric rock opuses that have brought them to play on renowned festivals like Dunk!festival and AMFest, as well as on tours with acts like Enslaved or Maserati. After three years of pandemic-induced inertia, the four gentlemen from Paris return with their new record Rupture which sees them turn the page to a new chapter in their considerable career. Being recorded in a live-setting, Rupture concerns the band’s feelings about the drastic environmental changes that can be perceived all over the world. Casting their eco-angst into nine soaring and explorative tracks, Lost IN Kiev channel a sound that’s raw and pristine, reaching an emotive power beyond anything they have done before.

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Hawkwind

LP | 2022 | UK | Original (Cherry Red)

2LP | 2022 | UK | Original (Cherry Red)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Prolific space rock band Hawkwind return with a brand-new live album. Choosing the best cuts from their recent live dates across the UK, We Are Looking In On You Too is the perfect companion to their We Are Looking In On You vinyl release, and celebrates their legendary past, superbly capturing highlights from Hawkwind’s illustrious canon, including 'Hurry On Sundown', 'The Watcher', 'Star Explorer', 'Born To Go' and many more. A must have for any Hawkwind fan, ‘We Are Looking In On You Too’ is presented on double black vinyl, and is the latest instalment from Hawkwind, (Dave Brock, Richard Chadwick, Magnus Martin, Doug MacKinnon and Tim "Thighpaulsandra" Lewis), as they continue on their galactic journey.

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Hawkwind

We Are Looking In On You

51,99 €*

LP | 1983 | US | Original (RCA)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Prolific space rock band Hawkwind return with a brand-new live album. Featuring the best cuts from their recent live dates across the UK, ‘We Are Looking In On You’ celebrates their legendary past alongside their critically acclaimed new music. Superbly capturing highlights from Hawkwind’s illustrious canon, including ‘Uncle Sam’s On Mars’, ‘Spirit Of The Age’ and ‘Levitation’, all sitting seamlessly alongside current classics such as ‘Unsomnia’, ‘Cave Of Phantom Dreams’ and ‘It’s Only A Dream’ from 2021’s acclaimed studio album ‘Somnia’. A must have for any Hawkwind fan, ‘We Are Looking In On You’ is presented on double black vinyl, and is the latest instalment from Hawkwind, (Dave Brock, Richard Chadwick, Magnus Martin, Doug MacKinnon and Tim "Thighpaulsandra" Lewis), as they continue on their galactic journey.

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Diana Ross

Ross

12,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves, Electronic & Dance, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 1993 | DE | Original (ZYX Music)

Def Dames Dope

It's Ok, All Right

5,99 €*

Release: 1993 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

12" | 2007 | IT | Original (Groucho)

Headfucker

The Law

1,49 €* 5,99 € -75%

LP | 2022 | EU | Original (Sub Rosa)

Release: 2007 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

label cover

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Phil Maggi

The Encrimsoned

LP | 2022 | EU | Original (Kernkrach)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Sound architect and filmmaker from Liège, Belgium Phil Maggi is known as the lead singer of heavy-rock combo Ultraphallus. He has shared the bill with Jerusalem In My Heart, Keith Rowe, Phill Niblock, Tuxedomoon, Sote, Thisquietarmy, and many others. The Encrimsoned is the second part of his diptych inspired by Henry Corbin's writings, which started with his previous album Animalwrath. Ranging from free-jazz to ambient-electronic contemporary art sound, this adventurous second and final chapter is an homage to Hardy Fox, pioneer and primary composer for The Residents.

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V.A.

Swedish Radar Control

LP | 2022 | EU | Original (Amphase)

Release: 2022 / EU – Original

Genre: Pop

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Minimal Synth, Darkwave, EBM, Synthwave and New Wave from Sweden.

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Guido Möbius

A Million Magnets

24,99 €*

LP | 2022 | EU | Original (Wax Nine)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Much of a million magnets sounds as if Möbius has left the music to its own devices. As if he has given it space instead of closing it in and channelising. Little seems to be organised, reflected or calculated. Rather it booms and pulses and chugs and swells.

In 2015 Möbius invited the drummer Andrea Belfi to record with him for his album Batagur Baska (Shitkatapult 2016). They spent a whole day in the studio at Funkhaus Nalepastraße, Berlin. Belfi implemented ideas from Möbius for various pieces and contributed his own ideas. Everything was recorded although in the end only one hi-hat track was used. All the other recordings were left to snooze and be forgotten in a folder on the computer. Years later Möbius discovered them again by chance during a train journey. He decided to answer Belfi’s powerful and concentrated drumming.

If sound recordings are used on specific tracks they start to lead a life of their own. Möbius mostly left Belfi’s recordings unedited. He took them as a trigger for the structure and character of new tracks. So we get the opening track Abayanga with its stoic pulse and airy cymbals. Or Schlucht with such restless drums, fluttering feedback and the mantra-like spoken-song of Yuko Matsuyama. The magical How To Never Make Up is almost a song: feverish percussion (Andrea Belfi on rimshots, Ansgar Wilken on the table top), a rich bass and the other worldly singing by Jana Plewa.

The accordion on Windjammer seems to blow in all directions at the same time, propelled by Belfi’s hounding cymbal playing. Side B starts with a reflection of Windjammer: Discrete Wiring. Guitar riffs in endlessly circling movement and Yuko Matsuyama’s voice and all that it conjures up. Feed Me Fog freely improvised with on drums and feedback is simply complete as a self-contained piece. The singing on Chayyam comes from the Cambodian Prak Chum, who’s voice can also be heard on the title track of Batagur Baska.

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Johanna Warren

Lessons For Mutants

23,99 €*

LP | 2022 | EU | Original (Blumrec)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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“I think it’s a mistake to equate ‘perfection’ with flawlessness. To be human is to be perfectly flawed,” Johanna Warren observes while describing the joys of analog recording. Her new LP Lessons for Mutants was tracked live with a band to two inch tape—a revelatory new way of working for Warren. “Tape forces you to commit to a performance, eccentricities and all. The little glitches and anomalies that we’re tempted to ‘correct’ are often what make a thing magical.”

Lessons for Mutants is the prolific songwriter’s sixth solo LP and her second for Wax Nine/Carpark Records. The album’s running theme of metamorphosis (the title of the closing track, “Involvulus,” is Latin for “caterpillar”) reflects major changes in Warren’s personal life: after a decade of relentless touring, as the world was closing its borders, the American multi-instrumentalist unexpectedly found herself quarantining in rural Wales, where she’s now permanently homesteading.

Though tracking for the new album began in New York in 2018 in tandem with the sessions for 2020’s Chaotic Good, the majority of Lessons for Mutants was recorded in the UK surrounded by sheep, cows and a forager’s paradise of wild edible plants—a far cry from the urban jungle of LA that Warren had most recently called home. The body of work that emerged from this dramatic about-face is Warren’s most dynamic to date, shapeshifting seamlessly from searing punk screams to sparkly psych-folk soundscapes, from the bootleg ambivalence of Dylan’s Basement Tapes to cosmic stoner grooves reminiscent of Black Sabbath’s acoustic moments.

“Sometimes I can relate to myself/ I disassociate more than I’d like to, but what can you do?” Warren croons in “Tooth for a Tooth,” a wistful piano ballad that conjures the grainy romance of some smoke-filled 1940s jazz club. This kind of to-the-bone lyrical honesty has always been one of Warren’s strong suits, but these latest reflections are especially unflinching. Being forced to stop touring brought no shortage of self-examination for Warren, who quickly came to view her history on the road as an addiction from which she’s been detoxing. This sentiment dances through opening track “I’d Be Orange,” a drum-driven indie rock number replete with Beatles-esque male backing vocals: “Thirst for power, hunger for fame/ Always was a junkie for pain,” Warren confesses. This exploration of masochistic ambition and artistic martyrdom overflows into grunge anthem “Piscean Lover”: “It’s alright, we’re not ok/ We burn out not to fade away.”

“There’s this unspoken rule in modern music—modern life, really—that everything needs to be Auto-Tuned and ‘on the grid,’” Warren concludes. “This record is an act of resistance against that. There’s beauty and power in our aberrations, if we can embrace them.”

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F.S. Blumm

Kiss Dance Kiss

18,99 €*

12" | 2006 | FR | Original (Nord-Way Productions)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Dirtiness and Divergency It's a mystery what the handwriting of an artist is made of. What are the ties between artist and art? Why do we recognize the sound of a music producer even if they suddenly create music of a differnet genre?

On his new album "Kiss Dance Kiss" F.S.Blumm remains unmistakably himself, even if he assembles dub- infected, saturated, overdriven instrumental tracks. It may be his signature guitar sound, the disarmingly straightforward melodies, or the irresistible groove: This groove is compelling but unobtrusive. Three, sometimes four notes create timeless melodies. F.S.Blumm unleashes his love for beats and dub by allowing the bone-dry riddims to dive deeply into the genre typical echo-chamber, combined with sweet guitar arpeggios and melodic basslines. These are friendly dub monsters. It doesn’t all fit seamlessly into the homogeneous sound. Take "Nimbb" with it's angular electronic groove, devoid of any melody, or the surprising horn timbres on "Twistert".

As with all of Blumm‘s works, there is a familiar intimacy even within big echo chambers.

His music searches for the sweet spot. He waits for the right time to record a piece, allowing for the exact degree of maturity of an idea, the magical moment when guest musicians meet, the collision between a well-planned process and happy coincidence. Finding the perfect spot for microphone placement, walking the fine-line between too slow and too fast, pinpointing the right delay-time are all inherent in Blumm's craft. It is a music full of these fragile constellations, interferences and synergies.

The concept of 'composition through duplication' is repeated visually on the cover:

Repetition creates blur and noise. Patterns rub against each other. Sound waves flutter in the wind. A simultaneous sunrise and sunset indicate the search for the perfect overlap. Each track acts like a rhythmic serving suggestion for individual dance moves. Music for the daily dance around the kitchen table. A lookbook for kraut-dub, analog-electro or adult-instrumental-pop.

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Mikado Punchers

Babycore

3,99 €*

Release: 2006 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 1983 | DE | Original (The Boardwalk Entertainment Co)

Syl Johnson

Ms. Fine Brown Frame

8,99 €*

12" | 2007 | IT | Original (Trance Communications Records)

Release: 1983 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Writing on cover.

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Zenith

Once Again

2,79 €* 7,99 € -65%

Release: 2007 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2022 | US | Original (Students Of Decay)

Angelo Harmsworth

Singe

21,99 €*

LP | 2022 | EU | Original (Cellule 75)

Release: 2022 / US – Original

Genre: Electronic & Dance

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»Singe« is the new record by Angelo Harmsworth, a musician who hails from the American Southwest and is operating now out of Berlin. Harmsworth’s work deals resolutely in extremes, but this music is not concerned with presenting binary or dichotomous relationships so much as it is with reconciling disparate sensibilities and sounds. Layers of meticulously edited and sculpted tones swirl around one another, creating kaleidoscopic patterns and hallucinated choral motifs that seem to thrive on amplitude or the position of the listener’s head. There is a visceral physicality to this music that aligns it with some of the core tenets of harsh noise, even while its tonal and timbral choices recall those of ambient music.

This record follows excellent releases on enmossed/Psychic Liberation, Angoisse, Opal Tapes, Vaknar, and Harmsworth’s own Lime Lodge imprint and may be the high water mark of his published output thus far. There is drama and implied narrative in these seven compositions that seethes and hums as if reveling in a sort of violent gracefulness.

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Marc Richter

Diode, Triode

20,99 €*

LP | 2022 | UK | Original (Miasmah)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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This album presents two multichannel works recorded at the seminal INA GRM Studio in Paris and ZKM Institute in Karlsruhe respectively, mixed to stereo at the composer's Cellule 75 Studio in Hamburg with excellent mastering by Rashad Becker. While his releases under the Black To Comm moniker often touched the fringes of acousmatic techniques and Musique Concrete this is Richter's first foray into a more abstract spatial music.

Recorded in the week leading up to the Paris terror attacks at the GRM studio, "Diode, Triode" (21:57) is loosely based on a reading of (and, in parts, a failure to understand) "Le Parasite" (1980) by Michel Serres, a philosophic metaphor about human interaction and communication (which can also be interpreted as a lyrical essay on capitalism; part confusion, part enlightenment).

As core elements Richter is using speech synthesis and the transformation and distortion of concrete sounds, instruments, voices and breathing. Abstract incognisable sounds are combined with strings, reeds and percussion while dismembered musical fragments emerge and vanish rapidly. Chunks of interfering noise are followed by long periods of silence; chaos and order are alternating. Choirs of synthetic and processed human voices are recounting stock market values, seemingly random sequences of numbers and inscrutable lyrics while parasitic sounds are trying to crack, collapse and fractionise the compositional stream and sonic interactions. Finally, a haunting piano chord is wrestling with a broken Publison machine. Like the book, it's part confusing, part enlightening - and a radical piece of sonic art.

"We are buried within ourselves; we send out signals, gestures, and sounds indefinitely and uselessly. No one listens to anyone else. Everyone speaks; no one hears; direct or reciprocal communication is blocked." (Le Parasite)

"Diode, Triode" was premiered on the Acousmonium at INA GRM's Akousma Festival in Paris, January 22, 2016 alongside new works by François Bayle, Robert Hampson, Leo Kupper and Ragnar Grippe.

The second piece "Spiral Organ of Corti" (17:00) has been composed in 2014 for the 47-speaker Klangdom concert hall at ZKM Karlsruhe at the foot of the Black Forest (where Richter was born and raised).

How does one listen with closed ears? Sine tones, alienated human voices and breathing noises build a labyrinthine puzzle alternating between the natural and the artificial. Human sounds merge with winds and strings, sine tones morph into metal sounds. Acoustic illusions confuse the listener, and dense noise-clouds slowly emerge from deceptive silence. Deep base sounds define space. Temporary focus glides into chaos. "Spiral Organ of Corti" is yet another extended composition that proves Richter is on a path of his very own.

"Spiral Organ of Corti" is dedicated to the late Gary Todd.

"Tongues that came from wind and noise. To speak in tongues after the fire." (Le Parasite)

Marc Richter records as Black To Comm for Thrill Jockey, Type and Dekorder and under the Mouchoir Ètanche and Jemh Circs monikers for his own Cellule 75 imprint. He collaborated with visual artists such as Ho Tzu Nyen, Jan van Hasselt and Mike Kelley. Under his own name he is composing for film and installations.

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All That We See Or Seem

LP | 2017 | EU | Reissue (Spectrum Spools)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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“Is all that we see or seem but a dream within a dream?” This quote from a poem by Edgar Allan Poe sums up the lamenting, primal work that is "All That We See or Seem"; a project conceived between Finland, England and Brazil. The self-titled album consists of two long-form pieces of droning mysticism hailing from the trio of Gruth (concept, production, electronics), Ellen Southern (vocals, field recordings, percussion) and Johanna Puuperä (violin, modular synthesizer, additional vocals). The album opens straight into a thousand yard stare with “Myrskymielellä", adapted from a 1891 poem by the Finnish national poet, Eino Leino, who wrote it at the tender age of 13. Here a blank distant droning of synths and the sounds of flowing water hover underneath like a dark river observed from the air. This is a sound and feeling that will stay constant for the entirety of the piece´s thirty minute duration. It is a trance-inducing composition that slowly unfolds elements of pagan ancestry into its own life. At first, faint female vocals are introduced as distant spatial elements, which gradually advance into waves of cries and anguish as the piece progresses and moves further into the storm. The tranquility of the first half is slowly morphed into a full blown ceremony as driving ritualistic percussion and a foreboding witch-like presence shifts the piece into a Dead Can Dance-like territory. Here a constant enveloping mixture of violins, modular synths, field recordings and vocal screams creates the feeling of a grande finale. It is an astounding piece of music that develops like a drone symphony for the beginning of time. With the second piece, “A Dream Within A Dream”, from Edgar Allan Poe´s 1849 poem, you are transported to the shores of an undisclosed island; a place where it´s only you, your thoughts and the endless emptiness. The continual sound of waves is soon brought together with a cloud of synths and mourning violins that will keep a steady dreamlike state during most of the piece´s duration. This time the wordless vocals feel almost angelic in their pageantry. The composition flows like a slow caress of the soul and feels like the spirit twin of Gavin Bryars' “The Sinking of the Titanic” with its lamenting slow movements towards the unknown. Truly a ghost of a record, “All That We See or Seem” is an experience hard to shake and feels like entering sacred ground. We are in a place surrounded by earth, both ancient and present. "Let loose, Vanha, the rage of an earthly storm! Detach the elements, completely open the sky! In the Earth, let an incessant storm prevail, so that in my chest I would not feel the miserable pain” - Eino Leino

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Second Woman

S/W Clear Vinyl Edition

LP | 2017 | EU | Reissue (Spectrum Spools)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Future music duo Second Woman’s sophomore full-length for Spectrum Spools further hones their distinctive fusion of shapeshifting software sculpture and tessellated footwork. Shivering digital textures oscillate with and against algorithmically mapped percussion samples; smeared synthetic chords levitate in the distance; stabs of digital noise punctuate the mix in twitchy, time-distorting patterns. Their anamorphosis verges on ascetic: stark, splintered waveforms rendered into unique fiber optic hieroglyphs.

Multi-instrumentalists Josh Eustis and Turk Dietrich share a deep history going back to their days in the New Orleans ambient electronic community, as part of Telefon Tel Aviv and Belong, respectively. Even so, S/W pushes beyond their combined discographies to date, flexing impossibilities, building rhythms from arrhythmia, teasing veiled emotion from bold iterations of cold code.

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Second Woman

S/W Black Vinyl Edition

2LP | 2002 | EU | Reissue (Keplar)

Release: 2017 / EU – Reissue

Genre: Electronic & Dance

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Ekkehard Ehlers

Plays

33,99 €*

Love Don't Live Here Anymore

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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Ekkehard Ehlers' seminal plays series was originally released on three 12inches (Staubgold) and two 7inches (Bottrop-Boy) in very limited runs. The entire series was previously only available as a CD compilation or digitally. Keplar finally presents it on double vinyl for the first time, featuring a new cover artwork. Domestic ethnology: Ekkehard Ehlers plays. ‘Play’ is a word in English with many meanings attached. Each one sends you down a different cognitive pathway. When I think of ‘playing’, in the sense of a game, I think of an activity involving more than one person. When Ekkehard Ehlers plays, he is very much on his own. Or, at least, alone but at the same time keeping intimate company with the artistic innovators named in his titles. Robert Johnson. John Cassavetes. Albert Ayler. Cornelius Cardew. Hubert Fichte. Is he playing with them, against them, about them, for them, to them? This can never be known. It is certainly a mistake to try to hear the ‘work’ of these originals in the sounds played by Ekkehard. They’re not cover versions. They’re hardly tributes in the conventional sense. Cassavetes and Fichte are not even musicians, although music played an important part in both their careers. Sure, there are little nods and flashes of recognition – tiny guitar licks among the minimal beats of ‘Robert Johnson 2’; rich bowed instruments in ‘Albert Ayler’, recalling the violin, cello and double bass arrangements on Ayler’s 1967 Live in Greenwich Village LP; the elongated organ lines of ‘Cornelius Cardew 1’ gesturing towards passages in Paragraph 1 of the British composer’s 1971 Marxist monolith, The Great Learning. Ekkehard is not so much playing these figures as allowing himself to be played by them. Playing as an activity also suggests freedom. Maybe the only thing all five named persons have in common is that they were all quiet radicals. In music, literature and cinema, they all stepped, without self-promotion or fanfare, into unmapped territories. Once there they found it necessary to invent new languages in order to survive. Necessity was the mother of their inventiveness. They were also uncomfortable avant gardists. Lonely types, fighting their corners out on the margins, with little reward, often misunderstood, ridiculed or ignored. All died unfairly young. Fichte a victim of Hiv/aids, Cassavetes of cirrhosis of the liver. (‘Cassavetes 2’ sounds like a tender farewell played across the 59 year old alcoholic director’s death bed.) The deaths of Johnson, Ayler and Cardew have never been satisfactorily explained, and remain shrouded in myths and conspiracy theories. The pioneering expeditions of all five began in that spirit of playful freedom, but inexorably drew them towards the heart of darkness. So these ‘plays’ are micro-dramas, sonic soliloquies, monolog-ins to the private accounts of various geniuses in Ekkehard’s ‘follow’ list. Hacked sensibilities. Artistic manifestos boiled down and distilled, skinned and dried in the digital smokehouse. (Ekkehard Ehlers Flays.) Each of these plays was originally floated out into the world alone on its own disc. The collected works play well as a team – a tranquil, introspective experience where each artist has his own identifiably unique sound character. As an album, Plays is a ‘Plattenragout’ – a ‘record stew’ – which was the title of Hubert Fichte’s LP review column in the leftist culture magazine konkret in the 1960s. The novelist’s work investigating the cultures of South America and the Caribbean islands has been called ‘domestic ethnology’. The writer himself referred to his ‘ethnopoesie’. Ekkehard Ehlers’s intuitive electronic portraits are a form of domestic ethnology in themselves. Invoking another of Ekkehard’s musical aliases, they are portraits of cultural ‘autopoiesies’ – creators whose works were strong enough to have their own self-regenerating life force. (by Rob Young)

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Sharon Forrester

12" | 2022 | UK | Original (Freestyle)

15,99 €*

What's A Woman? Parce Que - La Collection

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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"Good music never dies!" - This was Diane Ellis' mantra when she set out to produce this, her first record, in 1979. She recalls hearing the Rose Royce classic Love Don't Live Here Anymore on the radio and instantly thinking it would make for a great reggae cover, immediately envisioning the sound she was looking for. Drafting in the legendary Boris Gardiner and vocalist Sharon Forrester they created this timeless version of a perennial classic - now available here in it's full extended discomix glory for the first time on 12" since it's original outing, and backed with hornsman cut placing Dean Fraser's sax front row center.

The record was made when Ellis was studio manager for the world-famous Tuff Gong studios, but wanted her outing as a record producer to be a totally independent venture - gaining the great Bob Marley & the TG team's blessings in the process. And so Aquarius Studio in Half Way Tree was where it was all laid-down. Diane credits the Legendary owner and pioneering producer, Herman Chin Loy, as also being of great help on the record, providing a guiding ear throughout the process.

Despite this the evident strength of this first production, Ellis would follow up with only one other production, Junior Tucker's cover of "One of the Poorest People" (this time one recorded at Tuff Gong studios, and releasing the 56 Hope Road subsidiery). While both records performed well on local radio and charts, Diane exited the music industry shortly after. Now 43 years later, Diane is overjoyed her production is having a comeback, saying that "the support and love felt during the project can never be replicated, and I give thanks to all who supported then and now".

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Vaya Con Dios

LP | 2022 | EU | Original (Pias)

27,99 €*

Release: 2022 / EU – Original

Genre: Pop

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Dennis Alcapone & The Ethiopians / Mighty Sould Rebels

Solid As A Rock / Judgement Day Is Near

7" | UK | Reissue (Archive)

12,99 €*

Release: UK – Reissue

Genre: Reggae & Dancehall

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Park Jiha & Roy Claire Potter

To Call Out Into The Night

LP | 2022 | UK | Original (Otoroku)

26,99 €*

LP | 2022 | UK | Reissue (Otoroku)

Release: 2022 / UK – Original

Genre: Organic Grooves

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"Full recording of one of the most engaging and beguiling Late Junction live sessions we’ve ever heard - the one off first meeting between Korean multi-instrumentalist Park Jiha and writer and performer Roy Claire Potter. It’s an unlikely pairing which works from the first breath. Park Jiha plays the saenghwang, a Korean mouth organ which she blows in long multiphonics to set pace for Potter’s words. They unfurl a scene slowly in front of you, rich and focused, shifting your field of vision and drawing you in, elsewhere. It’s impossible not to follow, not to look for where they point. When the piri sounds for a flooded town on the B side, the water flows between your own feet; Potter’s words a sometimes frightening hörspiel in scouse.

Though the details are fine, the space each artist gives one another and their instruments, their language, is given to the listener in turn. A careful melody picks out a route for words with no fixed meaning, a body with no fixed direction, and we are invited to listen and see a kind of music made visible in its inference. A truly very special record we are very proud to share. — Influenced by linguistics and performance theory, Roy Claire Potter makes performance, text, drawing, installation and film, and oen collaborates with musicians and sound artists to make audio for music festivals and radio. Across the wide range of their practice, Roy tells stories built from fragmented, intense images that depict moving bodies or domestic scenes and architectural settings. Roy’s interest in subtext and narrative sequencing is felt in the way they use fast-paced talking or reading speeds, and restricted or partial views of space. Complicated social or group dynamics, and the aftermath of violent events are common themes in Roy’s work and are usually treated with a dark, sometimes wilful humour.

Park Jiha creates exploratory music rooted in traditional Korean instrumental performance. To this session she brings three instruments: a Korean hammered dulcimer called a yanggeum, a saenghwang which is an instrument made of 24 slender bamboo pipes attached to a bowl and played like a harmonica and a double-reed bamboo flute called a piri, which sounds similar to an oboe. — Recorded and mixed on: 30 January 2020 by Rob Winter, Pete Smith and Andy Rushton at Maida Vale Studios, London for “Late Junction - Roy Claire Potter and Park Jiha in session”. Produced by Rebecca Gaskell, Katie Callin and Alannah Chance at Reduced Listening for BBC Radio 3."

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Blue Notes

For Mongezi

32,99 €*

No Easy Game / Show A Little Love

Release: 2022 / UK – Reissue

Genre: Organic Grooves

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The first vinyl reissue of Blue Notes for Mongezi, one of the most passionate celebrations of a life in music ever laid to tape. Recorded in late 1975 by Blue Notes, then reduced to a quartet - Dudu Pukwana on alto sax, whistle, percussion, and vocals, Johnny Dyani on bass, bells and vocals, Louis Moholo-Moholo on drums, percussion and vocals, and Chris McGregor on piano and percussion - and issued the following year by Ogun, the album is a kairos; the first commercial release by one of free jazz’s seminal ensembles, captured them 13 years after their founding - at the height of their powers - delivering an explosive dirge dedicated to Mongezi Feza, their former bandmate and friend.

Blue Notes were founded in Cape Town in 1962 and stand among the most important ensembles in the history of jazz. Artistically brilliant and groundbreaking - gathering, within a few short years, a devoted following that included Don Cherry, Steve Lacy, Abdullah Ibrahim, Dexter Gordon, Kenny Drew, Keith Tippett, Evan Parker, John Stevens, and numerous others - they were also the first widely visible multiracial band in South Africa. As a mixed race band under South African apartheid; this group of friends and like-minded artists - Chris McGregor, Mongezi Feza, Dudu Pukwana, Nikele Moyake, Johnny Dyani and Louis Moholo-Moholo - existed within a context that viewed their mere existence as a dangerous and subversive act. In 1964, as the pressure mounted, they joined an exodus of musicians leaving for Europe, eventually settling in London during the following year. Sadly, not long aer arriving and facing continued economic peril, the group buckled. Johnny Dyani le to join Don Cherry’s band. Moholo-Moholo and Dyani followed suit and joined Steve Lacy on tour, and the remaining members morphed into a number of ensembles that eventually grew to become Chris McGregor's Brotherhood Of Breath.

In late 1975 however, Mongezi Feza - in the midst of a fruitful period collaborating with Dudu Pukwana, Johnny Dyani, and Okay Temiz - suddenly passed away at the age of thirty from pneumonia. Nine days later, on the 23rd December, following the memorial service to their friend, Pukwana, Dyani, McGregor, and Moholo-Moholo gathered in a rehearsal room in London and set out to play. Fittingly, no discussion took place before or during the session. The music was left to say it all.

The resulting double LP coalesced into four long-form movements that occupy a side each, collectively unleashing an onslaught of free jazz fire, fluidly covering a remarkable range of moods and tactical approaches across its length. For anyone encountering the Blue Notes for the first time, the album must have felt like being blindsided by a brick, adding a profound sense of credence to Moholo-Moholo’s belief that free improvisation was intrinsically linked to the Pan-African temperament. In the band’s hands, the idiom sounds like nothing else and exactly as it should. A frenzied funeral dirge, a cry, and catharsis, the record rises and falls between playful and joyous movements of deconstructed song, rhythmic and vocal tribalism, and churning, instrumental free expression. It indicates not only a possible future for musical expression - as all truly avant-garde music does - but also the very roots of music itself, illuminating, through abstraction, the far-flung, ancient roots currently carried by the New Orleans”first line” march to the grave. It is a decidedly African vision of free jazz, coalescing as a collective expression of celebration and loss on a cold London day. It is a masterpiece unfolding in real time - out on a limb and laden with risk - created by four of the most talented voices the idiom has known.

This 2022 re-issue has been made with permission and in association with Ogun records. Transferred from the original masters and featuring an exact reproduction of the original artwork. Remastered by Giuseppe Ilelasi and packaged in a high gloss sleeve. Produced by Keith Beal and Chris McGregor.

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Patrick Andy / Yabby You

10" | 2022 | UK | Original (Pressure Sounds)

LP | 2022 | UK | Original (Pressure Sounds)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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A conscious roots celebration on the A side with Patrick Andy on lead vocal and Yabby You on harmony. A thumping rhythm with Tommy McCook leading the horns on a tasteful arrangement. The flip side is a plea to ’Show a little love’ You can hear all the familiar trademarks of Yabby’s production techniques, attention to detail on the rhythm and the recording. Yabby, like may top quality producers undoubtedly involved in the songs text as well as production. Quality music. Comes in a grey Pressure Sounds custom disco bag.

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Patrick Andy / Yabby You

Living In Mount Zion

25,99 €*

2LP | 2022 | UK | Original (Japan Blues)

Release: 2022 / UK – Original

Genre: Reggae & Dancehall

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The seed for this album comes from a tape compiled but never released by Vivian “Yabby You” Jackson, labelled “The Best Of Patrick Andy”. On the tape were three unreleased tunes, one unreleased dub, and stereo mixes of several singles which had only been heard in mono before. So “Living In Mount Zion” is in full stereo on the tape, as opposed to mono on the released 7”, with Yabby’s characteristic production trick of switching the panning of the horns and rhythm tracks back and forth from left to right, as also heard on several of his albums. “You Don’t Want Me” is also different to the 7” cut, presented in stereo and with extra horns overdubbed. The three unreleased songs are all well worthy of inclusion in this compilation, showing Patrick Andy’s spiritual side over some heavy rhythms. Together they form a fitting tribute to a fine singer and a legendary producer.

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Lily

O Genki Desu Ka

34,99 €*

12" | 2022 | UK | Original

Release: 2022 / UK – Original

Genre: Organic Grooves

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Genki Desu Ka (How Have You Been)

Lily’s early life runs parallel to an untold story of post-war Japan, that of the marginalised hafu - children of half Japanese / half foreign parents. Likely to be a target, a vessel for the bitterness, from the humiliation of the American Occupation, to the buried guilt of Japan’s own atrocities, enacted on their Asian neighbours. Her troubled formative years - an absent father, and losing her mother in her teens - possibly contributed to the development of the bluesy edge of her vocal style, or maybe it was the smoke from the jazz bar her mother ran.

As with many outsiders of the 60s and early 70s, she turned up in Tokyo’s Shinjuku, a famed spot for many a writer, actor, artist and musician. It was here her songs first aired, and she was swiftly booked to record her music.

With a groove set in stone with her Bye-Bye Session Band - later including Ryuichi Sakamoto and jazz keyboardist Hiroshi Sato - this selection covers her 70s period, with strong seams of soul, funk, touches of folk- and space-rock, and her signature (in Japan) heartbreaking ballads.

Vibrations from the other side of the globe, in the same period as classic Curtis Mayfield, Stevie Wonder, Cymande, Sly & The Family Stone, and the rest, all with Lily's voice make this music utterly unique.

Compiled by Howard Williams, whose Japanese music show Japan Blues has been a mainstay on NTS Radio since 2014. He has released several retrospectives of Japanese music for various record labels, covering traditional folk (Nippon Folk, Japan Blues for The Trilogy Tapes); kayoukyoku & Nihon Indigo (also Ttt); 70s female gangster soundtracks (Killing Melody, Ethbo); 50s rockabilly (Nippon Rock’n’Roll, Big Beat); surf guitar and funk rock (Nippon Guitars, Big Beat); soul, funk and disco (Lovin’ Mighty Fire, Bgp); and the jazz singer Maki Asakawa for Honest Jons, after co-compiling their Moondog retrospective, Viking of Sixth Avenue.

With liner notes written by Lily’s original producer, Yukiji Teramoto translated by Alan Cummings, and the photography of Jin Tamura

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Nothus

Angulo Angusto

15,99 €*

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The Doudou Ndiaye Rose Family

Twenty-One Sabar Rhythms

2LP | 2022 | UK | Original (Honest Jon's)

27,99 €*

2LP | 2022 | UK | Original (Mana)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Magnificent Wolof drum music, performed by an extended griot family over seven consecutive days, in the mystical setting of Lac Rose, outside Dakar.

Doudou Ndiaye Rose — who died in 2015 — is a key drummer in the musical history of the world. He developed a system of five hundred original drumming patterns, ancient and new. Amongst the modern rhythms here is Bench Mi — ‘under the Baobab tree,’ a spot where where problems get solved. Also Hibar Yi — ‘passing on information’ — the theme-tune of Senegalese TV national news for decades — and Les Rosettes, the signature rhythm of Senegal’s first ever all-female percussion group, convened by Doudou, and named after his grandmother.

These original compositions sit alongside important traditional rhythms, familiar to every Sabar player, such as Farwu Jar (a courtship game sometimes resulting in a wedding), Ceebu Jin (also the name of the national dish of fish and rice), and Gumbé, often played after a successful harvest.

Recorded in joyful single takes, with no overdubs, mastered by Rashad Becker, the music is deep and thrilling, polyrhythmic to the bone, with a complex, pointillistic intensity at times evoking Jeff Mills in full flight.

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Leda Maar

Stairway 13

23,99 €*

LP | 2022 | EU | Original (Morning Crash)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Swooping, sub-heavy sci-fi from Riz Maslen. Leda Maar is a new moniker for the established artist who’s released a crop of downtempo and electronic music as Neotropic and Small Fish With Spine, as well as collaborated with the likes of Future Sound of London, filmmaker Andrew Kötting, and featured in PSP-era Grand Theft Auto soundtracks.

Mana’s long lasting love of Riz’s 1996 Laundrophonic EP, released under her Neotropic name, spurred this new release. That 12” was a deep and dark web of rhythm and ghostly urban found sound that one Discogs reviewer aptly named “coin-slot Dubstep”. With elements mostly sourced from tape recordings made in and of her local laundromat, it still stands out as a remarkably contemporary feeling work; more like a post-Fisher, post-hauntology observation of urban life from the last decade, taking the ambient temperature and undercurrent pressures of the 90s. Asking if she had anything in continuity with this slice of her discography, and describing our interest in her take on “space and bass”, Maslen returned to us with Stairway 13.

Heavy-lidded and ethereal in long form, the album’s balance of bass weight, mechanical metre, and darkly tinted new age feels like a cinematic re-approach to some of the textures, moods, and themes of Laundrophonic. Originally designed for an installation, Stairway 13 folds in her decades’ experience in sound design and theatre, along with shards and elements abstracted from her more recent folk-like music, zoning into a deep, retreated, altogether dreamlike and expansive atmosphere. The scale and soundscape is reminiscent of Geinoh Yamashirogumi and their Ecophony album series, resonating to similar frequencies and exploring themes of chaos and re-birth in feature-length form.

Stairway 13’s four parts spread and swoop as single extended sides across this double LP. Carried by waves of sub bass and heavenly chorus, and later punctuated with autonomic clicks of machinery, whirrs, and pulses - sometimes reminiscent of FSOL’s weirder and more clipped staccato sampling in sections of their cyberpunk Isdn - the work forms a gothic, otherworldly ambience. A subtle space opera.'

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Les Gordon

Nuances

21,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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LP | 2022 | EU | Original (Ekleroshock)

Kids Return

Forever Melodies

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 1992 | IT | Original (GFB)

P.W.M.

Slave To The Rhythm

4,99 €*

Derrick Parker & Bunny Hewitt

Release: 1992 / IT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Record is close to VG+. Label sleeve.

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Black People / Version

12" | UK (Wince)

Release: UK

Genre: Reggae & Dancehall

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Big Brother Marcus / Version

Ras Talent

7" | UK (I Aim I Destiny I Jah)

Release: UK

Genre: Reggae & Dancehall

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Bunnington Judah, Keety Roots / Sabolius, Keety Roots

Trench War Soldier, Dub / Jubilant Call, Dub

10" | UK (Sir Logie)

Release: UK

Genre: Reggae & Dancehall

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Danny Kalima / Roots Unity

Jah Save Me / Dubwise

7" | UK (Roots Unity)

Release: UK

Genre: Reggae & Dancehall

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Amsterdam Special / Binghi Dub

Roots Unity

7" | UK (Roots Unity)

Release: UK

Genre: Reggae & Dancehall

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Teddy Dan / Roots Unity

Ayzoh / Version

7" | UK (Roots Unity)

Release: UK

Genre: Reggae & Dancehall

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Carlton Alphonso Karl Bryan & The Hippy Boys

Keep Your Love / Rough Ways

7" | UK (Hotshot)

11,69 €* 12,99 € -10%

Release: UK

Genre: Reggae & Dancehall

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Take It Easy Girl / Version

Carl Dobson

7" | UK (Spade)

11,69 €* 12,99 € -10%

Release: UK

Genre: Reggae & Dancehall

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Hungry Song, Dub Hungry Anthem / 30 Second Selector, Dub

Di Namic / Vivian Jones

12" | UK (Mellow Vibes)

14,99 €*

Release: UK

Genre: Reggae & Dancehall

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Winston Reedy / Rits Riddim Force

Stars / Moonlighting Inst.

7" | UK (R.I.T.S.)

11,99 €*

Release: UK

Genre: Reggae & Dancehall

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Erika Crymson / Koji Shiono

Love Can Move Mountains / Dub

7" | JP (Loop Dub)

Release: JP

Genre: Reggae & Dancehall

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Erika Crymson / Koji Shiono

We 'A' One / Dub To Unite

7" | JP (Loop Dub)

Release: JP

Genre: Reggae & Dancehall

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Release: UK

Genre: Reggae & Dancehall

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Release: UK

Genre: Reggae & Dancehall

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Dixie Peach / Mystic Warrior

Step Step / Dub

7" | UK (Itection)

Release: UK

Genre: Reggae & Dancehall

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Donovan Kingjay / Interrupt

Little Herb Tree / Dub

7" | UK (Interrupt Music)

Release: UK

Genre: Reggae & Dancehall

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Release: UK

Genre: Reggae & Dancehall

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Ras Taro, Red-I, One Love Keys / Ras Taro, Red-I, Dakila Horns

War, Dub, Melodica / Criminal, Dub, Horns

12" | UK (Oto)

18,99 €*

Release: UK

Genre: Reggae & Dancehall

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Fikir Amlak / Michael Exodus

Resist Dem / Dub Dem

7" | UK (Dubomatic)

9,99 €*

Release: UK

Genre: Reggae & Dancehall

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Release: UK

Genre: Reggae & Dancehall

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What Can I Say / Dub Version

J.R.

7" | UK (Must Dance)

14,99 €*

Release: UK

Genre: Reggae & Dancehall

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Twain Brown / Keety Roots

Best Of Thoughts / Dub 1, Dub 2

10" | UK (Black Legacy)

Release: UK

Genre: Reggae & Dancehall

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