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Name: Technics x Automobili Lamborghini - SL-1200M7B
Brand: Technics
SKU: 1133561v1
Price: 1499.0 EUR
Availability: InStock

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Technics x Automobili Lamborghini

SL-1200M7B

1.499,00 €*

Incl. VAT plus Shipping Costs

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

SL-1200M7B Direct Drive Turntable System

Technics for Automobili Lamborghini SL-1200M7B

Technical Data:
• Technics for Automobili Lamborghini collaboration model
• Coreless Direct-Drive Motor Achieving Stable Rotation
• Diverse New Functions Adapt to Various Playing Styles
• High Sensitive Tonearm
• Stylus Illuminator Featuring a High-brightness and Long-life White LED
• High-rigidity Cabinet and High-damping Insulator

Design Inspired by Automobili Lamborghini DNA
The functions of the SL-1200M7B are based on the SL-1200MK7/SL-1210MK7 models, while the design is inspired by Automobili Lamborghini’s iconic Y-shape pattern. Orange, Green and Yellow are the colours of the SL-1200M7B, based on the most iconic liveries of the Italian automotive super sports cars brand. Automobili Lamborghini and Technics operate in completely different markets but share the same values with cutting-edge ideas and approaches: disruptive technological development, a corporate culture rooted in a spirit of uncompromising craftsmanship, and the pursuit of emotional sounds inspiring customers—with Automobili Lamborghini, the sound of its engines, and with Technics, the sound of its audio. The SL-1200M7B is the powerful result of the collaboration and innovative ideas of the two brands.
*Consumption and emission values of Revuelto: Fuel consumption combined: 11,86 l/100km; Power consumption combined: 10,1 kWh/100 Km; CO₂-emissions combined: 276 g/km; Efficiency class combined: G; Fuel consumption with discharged battery combined: 17,8 l/100km; CO₂ efficiency class with discharged battery: G; WLTP values

Exclusive Gifts
The SL-1200M7B comes with an original vinyl record containing the powerful V12-engine and driving sounds of six different Automobili Lamborghini super sports cars, a slipmat and two stickers with Automobili Lamborghini and Technics logos. The picture disc features a design inspired by the tires of one of the Automobili Lamborghini's latest models, the Revuelto. As you listen to the sounds of Automobili Lamborghini V12-engines, you can also enjoy the visual effect of the tire spinning on your turntable.

Coreless Direct Drive Motor Achieving Stable Rotation
The direct drive system uses a slow-turning motor to directly drive the platter. This system has various advantages. It offers high performance, such as rotation accuracy and powerful torque, does not require replacement of parts and maintains high reliability over a long period of time. On the other hand, the direct drive system was said to produce a rotation irregularity called cogging. For the SL-1210MK7, a new coreless direct drive motor was developed. This motor employs a coreless stator. The removal of the core (iron core) from the stator eliminated the root cause of cogging. Furthermore, the magnetic force of the rotor magnets was improved to the highest possible level, and the gap between the coreless stator and rotor magnets was optimised, thus achieving high-torque-performance equaling that of the SL-1210MK5. Boasting smooth rotation and powerful torque, this motor reproduces sound accurately and faithfully from the groove on an analogue record.

Diverse New Functions Adapt to Various Playing Styles

Torque / Brake Speed Adjustment
The newest digital motor control technology, accumulated through the development of Blu-ray disc products, is applied to improve adjustment by allowing the torque and brake speed to be adjusted individually in four steps.

The Pitch Control Function
The pitch control function allows fine adjustment of the rotation speed within ±8% / ±16%. It does this through digital control, from positional detection of the slider to rotational control of the motor, eliminating the unnecessary DA conversion. This greatly improves tracking performance to achieve accurate and stable pitch adjustment.

Reverse Play Function
The reverse play function, which brings forth new possibilities of creative performance, makes its first appearance in the SL-1210 Series. In addition to 33-1/3 rpm and 45 rpm, a rotation speed of 78 rpm is supported.
*The torque / brake speed adjustment, rotation speed switch, and reverse play can be adjusted by switches on the main unit.

High Sensitive Tonearm
The tonearm, which has continued to support the leading edge of the DJ scene for many years, inherits the highly reliable static-balance universal S-shape tonearm. Using high-precision bearings, it achieves a higher initial-motion sensitivity than the SL-1210MK6. This accurately tracks the groove on the phonorecord to assure excellent tracking performance with minimum stylus jumping even in harsh playing conditions such as scratching.

Stylus Illuminator Featuring a High-brightness and Long-life White LED
The stylus illuminator features a new push-type structure for intuitive operation, and employs a high-brightness and long-life white LED. The illumination area and intensity were reviewed to provide improved visibility of the stylus tip even in a dark environment.

High-rigidity Cabinet and High-damping Insulator
The chassis, an essential part for reducing external vibrations, inherits the audio quality enhancement technology fostered through the development of high-end turntables. The aluminium die-cast chassis is rigidly integrated with a special material consisting of ABS mixed with glass fibre to achieve a two-layer construction. The combination of this special high-rigidity material and a metal chassis raised the rigidity and vibration-damping performance to higher levels, realising a robust cabinet for beautiful sound reproduction. The insulator is comprised of a spring and rubber to provide optimal frequency characteristics. This not only assures high sound quality and superb howling resistance, but also effectively shuts out external vibrations under high sound level conditions.

Specs:
Turntable section:
• Type: Direct Drive Manual Turntable
• Turntable Speeds: 33-1/3, 45 rpm (with switch 78 rpm)
• Starting Torque: 0.18 N・m / 1.8 kg･cm
• Build-up Characteristics: 0.7 s. from standstill to 33 1/3 rpm
• Wow And Flutter: 0.025 %　W.R.M.S.
• Turntable Platter:
- Aluminium diecast
- Diameter : 332 mm
- Weight : Approx. 1.8 kg (Including slipmat and slipsheet)

Tonearm Section:
• Type: Universal Static Balance
• Effective Length: 230 mm
• Overhang: 15 mm
• Tracking Error Angle:
- Within 2° 32' (at the outer groove of 30cm (12") record)
- Within 0° 32' (at the inner groove of 30cm (12") record)
• Offset Angle: 22°
• Arm-height Adjustment Range: 0 - 6 mm
• Stylus Pressure Adjustment Range: 0 - 4 g (Direct Reading)
• Head Shell Weight: Approx. 7.6 g
• Applicable Cartridge Weight Range:
- 5.6 - 12.0 g (without auxiliary weight)
- 14.3 - 20.7 g (including head shell)
• Head Shell Terminal Lug: 1.2 mmφ 4-pin terminal lug

Terminals:
• Audio Output:
- PHONO (Pin Jack) x 1
- EARTH TERMINAL x 1

General:
• Power Supply: AC 110 - 240 V, 50 / 60 Hz
• Power Consumption:
- 8 W
- Approx. 0.2 W (Standby)
• Dimensions (W x H x D): 453 x 169 x 353 mm
• Weight: Approx. 9.6 kg

Accessories:
Turntable, Slipmat, Slipsheet, Dust cover, EP record adaptor, Balance weight, Head shell, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Original vinyl record, Brand logo stickers, Owner's Manual

Go to Item

Technics x Automobili Lamborghini

SL-1200M7B

1.499,00 €*

Incl. VAT plus Shipping Costs

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Cambridge Audio

Melomania M100

169,00 €*

Incl. VAT plus Shipping Costs

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

True Wireless Headphones With Active Noise Cancellation

• Immersive Sound – with aptX Lossless and customisable EQ
• Extended Play Battery – up to 10hrs + 23 (ANC on), 16 + 36 (ANC off)
• Active Noise Cancellation – adaptive hybrid with 3 modes + transparency
• Comfort Fit – choice of 5 pairs of ear tips, in silicone and foam
• aptX Adaptive – interruption-free sound up to 24bit/96kHz
• Bluetooth 5.3 – with greater speeds & data capacity for music transmission
• Clear Voice Capture – Qualcomm 3 mic cVc separates your voice from environmental noise

Designed by Hi-Fi Engineers, Made By Music
We’re obsessed with helping your music sound its best. M100 are our 3rd gen wireless headphones – so we’ve had a chance to really polish them.

aptX Lossless and customisable EQ settings get the most from your music. And so you don’t miss a beat – or a call – in busy areas, we added aptX Adaptive and Bluetooth 5.3 tech. They give a more stable connection for interruption-free listening.

Adaptive hybrid ANC keeps the everyday at arms-length, so you can escape into your own world. Simple touch controls, a comfy fit, and a battery that goes way beyond the ordinary round things up.

Feel Every Beat
Melomania M100 feature two generous 10mm drivers and magnets made from recycled Neodymium. The resulting powerful, but controlled, sound is one that maintains your music’s energy without sacrificing detail – regardless of genre.

Experiment with the choice of ear tips for the best seal, and to keep the sound firmly where it belongs.

Music First
Everyone deserves a great soundstage, low distortion, and high dynamic range. It’s what makes recorded music come alive.

Melomania M100 use Class AB amplification, the same type found in many of our award-winning amps, to deliver the authentic sound quality we’re known for – even when you’re on the go.

Let’s Get Personal
We’ve tuned M100 to deliver our authentic signature Cambridge sound, but we know many people have their own style.

We’ve specified a 7-band graphic equaliser in the all-new Melomania Connect app to build your own custom EQs. Plus, we’ve included 6 pre-set profiles for different music genres or spoken word listening.

Keep the Outside Out
M100 feature adaptive hybrid ANC, which uses information from Feed Forward mics, for external sound, and Feed Back mics, that detect unwanted sound in your ear canal. It automatically adjusts the noise cancellation level based on sound ingress and tightness of fit in the ears.

Enjoy music, podcasts, and calls, uninterrupted by irritating background noise.

Let the Outside In
Activate Transparency mode and shift your attention to what’s going on around you.

With Melomania M100, you can tune into the sound of your surroundings, hold conversations, and listen to public announcements – all without removing your earphones or pausing your playlist.

All Day and All of the Night
M100 continue our tradition of consigning battery anxiety to history, with up to 10 hours of continuous playback possible from a full charge – even with ANC on.

The compact, Qi wireless-compatible charging case stores an extra 23 hours (ANC on) – a lot more albums, podcasts, videos and calls! Take a 10-minute coffee-break charge for a 1.5-hour energy boost.

Your Fit, But You Know It
We supply 5 pairs of ear-tips with every pair of M100 – S & L in premium memory foam or S,M,L in silicone. Experiment to find the best combination for fit, seal and, of course, comfort.

So, whether you’re working, commuting, or simply listening to music, you’ll barely notice you’re wearing them.

High-Tech. As Standard
aptX Lossless works with compatible devices to deliver bit-exact, CD-quality audio with no compression, whilst aptX Adaptive automatically adjusts to keep the music going in busy areas like railway stations at up to 24bit/96kHz.

Bluetooth 5.3 adds extra capacity, speed, stability, and efficiency over its predecessors, helping music, podcasts, video, games and calls to sound their best.

London Calling
When you buy new headphones, they need to be great for calls too. M100 use 3-microphone cVc, a system developed by Qualcomm that helps your voice stand out above environmental noise.

A series of convenient features like Multipoint Connection, Siri and Google Assistant compatibility, reduced-latency gaming mode, and our new Melomania Connect app complete the story.

Designed for Life
Like all our products, Melomania M100 are made to last. They’re designed in London, so IPX4 water resistance was a must. Their compact case protects and charges them in your pocket. The packaging is 100% recyclable and free from plastic.

Technical Specifications:
• HIGH-PERFORMANCE AUDIO MODE: Class A/B amplification
• DRIVER: 10mm Driver Recycled Neodymium Magnets
• BATTERY PLAY TIME (EARBUDS): Up to 16 hours
• BATTERY PLAY TIME (EARBUDS - ANC ON): Up to 10 hours
• BATTERY PLAY TIME (TOTAL): Up to 52 hours
• BATTERY PLAY TIME (TOTAL - ANC ON): Up to 33 hours
• CHARGING TIME: 2.5 hours
• WIRELESS CHARGING: Yes - Qi charging
• POWER SUPPLY: USB-C, Wireless charging
• FAST CHARGE: 10 mins charge = 1.5hrs ANC On | 2.4hrs ANC Off
• NOISE ISOLATION: Qualcomm™ Adaptive Active Noise Cancelling
• TRANSPARENCY MODE: Yes
• MICROPHONES: 6 microphones, 3 per earbud
• VOICE PROCESSING: 3-microphone Qualcomm® cVc™ Echo Cancelling and Noise Suppression (ECNS)
• MELOMANIA CONNECT APP: Compatible
• VOICE ASSISTANT ACTIVATION: Siri / Google Assistant
• IPX RATING: IPX4 water splash resistant
• FIRMWARE UPGRADABLE: Yes
• BLUETOOTH VERSION: Bluetooth 5.3
• TRIPLE-CORE PROCESSOR ARCHITECTURE: Qualcomm QCC3071, Powerful tri-core processor architecture – supporting complex use cases Dual core 32-bit processor application subsystem (up to 80MHz) Single core 240 Mhz configurable Qualcomm® Kalimba™ DSP audio subsystem
• SUPPORTED PROFILES: A2DP, AVRCP, HSP, HFP
• SUPPORTED CODECS: aptX™ Lossless, aptX™ Adaptive, AAC, SBC
• WEAR DETECT: Yes
• LOW LATENCY: <80ms - Gaming Mode accessible via Melomania Connect
• NOISE CANCELLATION: Qualcomm™ Adaptive Active Noise Cancelling
• WIND NOISE REDUCTION: Yes
• GOOGLE FAST PAIR: Yes
• ADJUSTABLE EQ: Yes - 7-band adjustable EQ accesible via Melomania Connect
• OPERATING TEMPERATURE: 0°C to +40°C / 32°F - 104°F
• OPERATING RELATIVE HUMIDITY: 10 to 80%, Non-condensing
• DIMENSIONS (EARBUDS): 22 x 19.2 x 23mm
• DIMENSIONS (CHARGING CASE): 44.5 x 80.2 x 27mm
• WEIGHT: Earbuds: 6.65g each / 0.235 Ounce Charging case: 53.3g / 1.880 Ounce Total: 66.6g / 2.35 Ounce
• WHAT'S IN THE BOX?: Quick Start Guide, USB-C to USB-C charging cable, 3 x silicone eartips (S, M & L), 2 x memory foam eartips (S & L), Brand booklet, Function controls card, Safety instructions

Go to Item

Audio-Technica

ATH-CKS30TW+

99,00 €*

Incl. VAT plus Shipping Costs

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ATH-CKS30TW+ Wireless Headphones
Enhance the everyday with the ATH-CKS30TW+: the true wireless earbuds that stimulate the senses with chest-thumping bass and immersive active noise-cancellation.

Coming in four unique colours to suit your personal style, these pocket-sized truly wireless headphones offer high resolution sound for realistic music and movies. For beats that make your whole body move, activate the ultra-low-frequency equalizer to enjoy the richest depths of your music.

Combining super deep bass with noise-cancelling smarts, these in-ear headphones allow you to fully engage with your sound, wherever you are. Need to tune into your surroundings? You can safely let the outside in with hear-through and talk-through functions.

Enjoy up to 6.5 hours of use from each earbud when fully charged—even with noise-cancelling turned on—or 17.5 hours of use with both the headphones and charging case fully charged. Turn noise-cancelling off to get up to 7.5 hours of use from each earbud or 20 hours of use with the charging case.

Taking you from morning workouts to evening relaxation, these securely-fitting waterproof earbuds feature a snug fit to keep the bass intact and feel comfortable all day – and should they ever be misplaced, our handy Out of Range Alert keeps you in the loop.

Sound That Goes Deeper - Heavy Bass Beats
Dive even deeper into music with the ultra-low-frequency equalizer, Bass Boost – Deep, for a bass response that must be heard to be believed. Or, customise your sound in the A-T Connect App with four additional equalizer presets that enhance everything from vocal clarity to dynamic gaming experiences.

Acoustic ducts and proprietary 9mm drivers control airflow to ensure a rich and detailed performance that brings the excitement of a live show to everyday life.

Waterproof Design - Ready For Anything
The perfect companions to take you from the gym to the beach, the earbuds are highly waterproof and dustproof with an IP55 (1) rating – so there’s no need to worry about life’s splashes and spills.

High intensity workout? Don’t sweat it. The earphones can be safely rinsed off with water when your routine is finished.

(1) The IP5X rating provides protection against dust that can interfere with functions. The IPX5 rating provides protection against water jets. This rating does not ensure protection in hot and humid locations such as baths and showers. The product is not completely waterproof. The main body of the headphones is waterproof and dustproof equivalent to IP55, except for the openings where sound comes out.

Lose Yourself In Music - Active Noise Cancellation
Sit back and tune in: these active noise-cancelling earbuds let you fully engage with your favourite music or movies. Accessible with a single tap of the built-in touch sensors, you can also use the hear-through function to engage with your surroundings when listening to music on the go.

For when you need to hear travel announcements or have quick in-person conversations, the talk-though function lets you listen to those around you.

Unmatched Comfort And Fit - A Snug Design That Keeps The Bass Intact
Fitting snugly in the ear for a natural, strong hold, the wireless earbuds stay firmly in place during exercise, prevent bass from escaping, and supress unwanted outside noise with superior sound insulation.

Out of range alert - Easy location
Never lose your earbuds again. The Out of Range Alert notifies you when the Bluetooth signal is weak, so you’ll always know if you’re getting too far away from the headphones before the connection is lost.

Misplaced your buds? Open the Connect app to see the last location where the headphones were disconnected on a handy map.

Relax & Focus - Customisable Listening Experience
Whether you’re focussing on work or making time to unwind, the A-T Connect App’s soundscape function has your back.

Listen to the relaxing sounds of nature carefully recorded using Audio-Technica microphones, use masking noise to enhance concentration, or tune into healing sounds for mental rejuvenation.

Features:
• Available in four colors: standard matte black, discreet light beige, lively evergreen, or the unique translucent skeleton (translucent black)
• Up to 6.5 hours of use from each headphone when fully charged—even with noise-cancelling turned on—or 17.5 hours of use with both the headphones and charging case fully charged
• Turn noise-cancelling off to get up to 7.5 hours of use from each headphone or 20 hours of use with the charging case
• LED indicator lamp on the charging case for quickly checking remaining battery power
• Out of Range Alert and Product Locator for finding the earbuds’ last location
• Soundscape function via the A-T Connect App for improved focus or relaxation
• Customisable touch sensor control to play or pause music, skip between tracks, answer calls, and adjust the volume
• Adjustable touch sensor sensitivity to improve operation and adjustable volume steps to get the perfect listening comfort for your ears
• Clear and satisfying calls wherever you are, with selectable sidetone circuitry to improve conversations by letting you hear your voice in the headphones when making calls on most smartphones
• Multipoint pairing function to stay connected to two Bluetooth devices at once and re-pair easily through the A-T Connect App
• Low latency mode to watch videos or play games with minimal sound delay (2)
• Fast Pair support for convenient connection with Android devices (3,4)
• Siri and Google Assistant support at the touch of a button for voice control (5,6)
• Flexible dual or single-ear usability
• Automatic power-on when removed from the case (7)
• Selectable sidetone circuitry to improve conversations by letting you hear your voice in the headphones when making calls on most smartphones
• Voice guidance in English and Japanese
2 - Low Latency Mode can also be turned on/off from the A-T Connect App. Bluetooth connections may be affected by obstacles and ambient radio wave conditions.
3 - Only one Android device can be paired using Fast Pair.
4 - Google and Android are trademarks of Google LLC.
5 - Siri® is a registered trademark of Apple Inc.
6 - Google and Android are trademarks of Google LLC.
7 - Pairing is required on first use.

Specifications:
Headphones
• Type Dynamic
• Driver 9.0 mm
• Sensitivity 110 dB/mW
• Frequency response 5 to 20,000 Hz
• Impedance 20 ohms

Microphone
• Type MEMS type
• Polar pattern Omnidirectional
• Sensitivity -38 dB (1 V/Pa, at 1 kHz)
• Frequency response 100 to 8,000 Hz

Communication specifications
• Communication system Bluetooth version 5.1
• Maximum RF output 10 mW EIRP
• Maximum communication range Line of sight -approx. 10 m
• Frequency band 2.402 GHz to 2.480 GHz
• Modulation method GFSK, Pi/4DQPSK, 8DPSK
• Spread spectrum method FHSS
• Compatible Bluetooth profiles A2DP, AVRCP, HFP
• Supported codec AAC, SBC
• Supported content protection method SCMS-T Transmission band 20 ～20,000Hz

Other
• Power supply: Headphones: DC 3.7V lithium ion battery / Charging case: DC 3.7V lithium ion battery
• Charging time: Headphones: Approx. 2.5hours*1 / Charging case: Approx. 3.0 hours

Operating time
Continuous transmission time (music playback, ANC on):
• Max. approx. 6.5 hours*1 (headphones)
• Max. approx. 17.5 hours*1 (if charging case is used in combination)
Continuous transmission time (music playback, ANC off):
• Max. approx. 7.5 hours*1 (headphones)
• Max. approx. 20.0 hours*1 (if charging case is used in combination)

• Weight: Headphones: Approx. 4.5 g (L side), approx. 4.5g (R side), Charging case: Approx. 28.0g
• Water-resistant (drip-proof) performance IP55 *2
• Operating temperature 5 °C to 40 °C

Accessories
• USB charging cable (30 cm , USB Type-A / USB Type-C),
• Eartips: Standard (XS, S, M, L), Soft (XS, S, M, L)

Go to Item

V.A.

30 Jahre Muna

5LP | 2024 | Original (Muna Musik)

134,99 €*

Incl. VAT plus Shipping Costs

Release: 2024 / Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

21 exclusive tracks.

5x12" Klapp-Box Set MMLP 003, colored vinyl, incl. download code, “30 Jahre Muna” Poster, “10 Jahre Muna Musik” Poster, stickers

- blue marbled vinyl - LP1 (Side A/AA)
- green marbled vinyl - LP2 (Side B/BB)
- yellow marbled vinyl - LP3 (Side C/CC)
- pink marbled vinyl - LP4 (Side D/DD)
- gold marbled vinyl - LP5 (Side E/EE)

A1. Super Flu – Nos Crub
"Nos Crub" is another work by the Halle-based tech house export Super Flu that lands on our 30 years of Muna sampler. In typical Super Flu style, there is a harmonious composition with a synthesizer theme, subtly spiced strings and piano tracks, as well as a psychedelic-tinged vocal. The whole thing is based on a bassline that is absolutely suitable for clubs and goes wonderfully with everything from a club to a huge open air venue.
A2. Marco Resmann - Zero In
There is also a contribution from Marco Resmann to our 30 years of Muna compilation. "Zero In" is a beautiful piece of house music, starts atmospherically, builds up with added instrumental tracks and a kind of psychedelic vocal to create a beautifully saucy listening experience, far from prime time mass-produced algorithm optimized house! Category: Morning hours, recommendation: listen on repeat!
AA1. Sarah Wild – Night Shift
Sarah Wild adds "Night Shift" to our 30 years of Muna compilation. The driving piece starts with some break beats in the first few seconds, builds up nicely with some electronica elements and a spherical synth pattern and stands on a stable base of a club-friendly bassline!
AA2. Sierra – Dirty Thirty
Our local hero Sierra contributed the piece called "Dirty Thirty" with a wink to our 30 years of Muna compilation. A clean house piece with a bassline that could be described as well-fed. A subtle vocal, little acid and some synth sounds finish the tune wonderfully.
B1. Mathias Kaden – Muna 1994
With Mathias Kaden an artist who truly and undoubtedly belongs to the DNA of Muna also delivers a work to our 30 years of Muna compilation. With "Muna 1994" the title itself is a homage to the club and in 6:16 minutes it accurately describes what happens here regularly in the hall and foyer - driving powerhouse with a typical Mathias Kaden sound! An energetic bassline mixes with hi hat and clap, along with harmoniously arranged synth themes and vocals that come in at exactly the right time.
B2. Douglas Greed – Sleeping in Shifts
A song by the Berlin based Douglas Greed, “Sleeping in Shifts,” also ends up on our 30 years of Muna compilation. A wonderfully complex and melodic piece of electronic dance music. Spherical sounds, synths or vocals, the individual tracks begin smoothly and are arranged in a melancholic mood with an almost instrumental like drum loop. As usual from him, much more than just a dance floor tool!
BB1. Kristin Velvet – Katamaran
Kristin Velvet's "Katamaran" is part of our 30 years of Muna compilation. A beautiful, slightly twisted house piece that fits perfectly with the first rays of sunshine on an open air floor in summer. A dominant synth theme runs through the entire tune, varies very pleasantly and
increases the atmosphere in the tune until a break in the last third. The danceability of the bassline remains constant.
BB2. Norman Weber feat JuKa – Fabulous Muna
We'll take that as a compliment! With "Fabulous Muna", a tune by Norman Weber also appears on our 30 years of Muna compilation. Together with JuKa, he serves up a wonderfully soulful piece of house. Percussion, kick drum and a wavy bass track form the basis, plus there are subtle synth sounds, pads and vocals. Diverse, Latin-like and groove in its DNA! This Sound fits the Muna like photo dumps in the timelines of people under 30 and really makes you want to dance!
C1. Robag Wruhme – Trip-This
As an artist and person also part of the history and present of the Muna club - with "Trip This" there is also a piece of music on our 30 years of Muna sampler created by Robag Wruhme. The connoisseur can certainly name the artist and year of production after the first 15 seconds. The typical floating Robag Wruhme bassline can also be found here. After all the elements are introduced in the first half, a break is followed by a wonderful marriage of all tracks to a deep, melancholic finale of this tune!
C2. Thomas Stieler – Meet You At Foyer
Full-time nice guy and Munich resident by choice Thomas Stieler also sends us a tune for our 30 years of Muna compilation. “Meet you at the Foyer” can and should be understood as an invitation to visit us! The modern, clean piece of house music grooves excellently and arranges all tracks wonderfully equally and without any hecticness. The wobbly bassline creates an energetic and danceable base to this great produced song.
CC1. Daniel Stefanik – In Search of Slowly
Daniel Stefanik from Leipzig, a Muna veteran, has also created a tune for our 30 years of Muna long player "In Search of Slowly" is a wonderfully slightly swirly, deep piece of house music. The powerful bassline, together with a surface sound in the background, frames a dominant, spacey synth theme. A tune for the early hours of the morning, not packed, just right and with a lot of pressure from the subs!
CC2. TKR – Anymore
Muna stands for diversity since its birth! So our 30 years of Muna compilation also includes broken beats, which have always been part of Muna. With "Anymore", Jena based drum'n bass veteran TKR contributes a wonderfully melancholic liquid DnB tune. Surfaces that are reminiscent of early Chase & Status works, a smooth and very subtle piano and a never intrusive.
D1. Matthias Tanzmann – You Just
With "You Just" there is a piece of house music by Matthias Tanzmann that practically screams for the dance floor on our 30 years of Muna compilation. The first few seconds of crisp hi-hats get you dancing straight away, and the beat that starts after makes it clear. What follows is an energetic interplay of percussion, deep synth sounds and a very subtle vocal, all that in a harmonic way. Makes you want to go to Ibiza, whether it's a club or a beach party!
D2. youANDme – All Fine
In addition to a calendar jam-packed with international gigs and productions for many other labels, youANDme also contributes a tune to our 30 Years of Muna sampler with "All Fine". The deep, atmospheric piece of house music comes minimally from the speakers, but feels absolutely complete. The deep bassline is complemented by slightly broken percussions, a minimalistic piano sound and is crowned by a subtle vocal.
DD1. Leeni & Danilo Kupfernagel – Vida Única
With "Vida Única", a fresh piece of House Music by Leeni & Danilo Kupfernagel also lands on our 30 years of Muna record. What comes along as a classic house stomper in the first few seconds develops into a beautifully melodic, atmospheric tune through the spherical surface that starts as smooth as peach skin after 30 seconds. It slowly builds up over the next 4 minutes, always leaving room for the absolutely danceable bass line.
DD2. 2HundredEight feat Matti – Pretend
Electronic dance music has also included broken beats since the end of the 80s. It's all the better that we have included some of these tunes on the 30 Years of Muna sampler as well. "Pretend" is contributed by 2HundredEight, who brings in the otherwise guitar-experienced singer MATTI and creates a wonderfully melancholic piece of work. A minimalist piano sample, a broken DnB beat and an ever-present deep bassline, all spiced up with the powerful, bright vocals of the Leipzig based singer. Great cross-genre work!
E1. Luna City Express feat. Kenneth Avera – 30 YRS of Muna
Luna City Express were a little uncreative when it came to choosing a name, but "30 YRS of Muna" with Kenneth Avera is a piece of music bursting with positive energy that ends up on our 30 Years of Muna compilation. After a standard house intro with a powerful kick drum, a very present hi-hat and clap, there are synth sounds, vocals and a saxophone track. The whole thing comes together to form an energetic tune that leads to an shaking musculoskeletal system and simply puts you in a good mood!
E2. Click Click & Defex feat. Leah Raider – Raw Cutz 6.1
With “Raw Cutz 6.1” Click Click & Defex feat. Leah Raider contribute a piece to the 30 years of Muna compilation too. A house kind club tool with a slightly overdriven, snotty bassline an acid pattern and a subtle, breathy vocal. Definitely gets in your leg and leads to acute dance movements!
EE1. Langstrumpf – Drop Out
Langstrumpf also insisted on serving up a song for our 30 years of Muna compilation. "Drop That" comes with a powerful bassline, flanked by an acid-like sound, and the whole thing is spiced up with playful, choral sounds. It fits from warm-up to the morning, builds up nicely and pushes!
EE2. TimBrix – Sound Invasion
With "Sound Invasion" TimBrix also delivers a drum'n bass tune for our 30 years of Muna LP. This thing can easily do 20 pull-ups, pushes 174 kilos and combines an energetic bassline suitable for prime time with a clear vocal and razor-sharp synth sounds that are slightly
reminiscent of neurofunk. All of this is served on a typical DnB drum pattern that seems to scream: Go ahead mate!
EE3. Politone – Thirty Prayers
Politone, one of our residents, also contributes a piece to the 30 Years of Muna sampler. With "Thirty Prayers", he has created a minimalistic but absolutely well-trained house record. The few tracks complement each other and blend together very smooth. The symbiosis of the synth theme and the slightly reggae-like echo vocal go perfectly with the powerful kick drum and can lead to stomping dance moves at any time of day or night.

Go to Item

Rathauz

Ciccio Bomba Cannoniere

LP | 2024 | UK | Original (Drowned By Locals)

13,99 €*

Incl. VAT plus Shipping Costs

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

ciccio bomba cannoniere (chunky monkey)
Is the sound weapon of the A-zienda rthz, illustrated by the render called M.E.R.I.C.O.O. (Erect, rechargeable intelligent machine with organic dog) This project of a definitive media A-ssailant presents all the necessary elements for the domination of social hierarchies:
trace of a human face for identification
a stalker server for omnipresence in digital field
a system of locomotion for moving in any field
a genetically modified dog for keeping counterfeiters away
comfy clothes and an M60 around the neck
The name derives from an A-ncestor rthz called Merico. Police officer who in the late 1800s left a tavern and rode on the back of his mule Cina with the objective of stopping a train so that he could light his cigar. And this happened. Merico was then tried and dishonourably discharged.
- rathauz, translated from Italian -
------------------------------------------------
"*warning In my research for this piece I downloaded an app I found buried in the press release, drove around an airfield as a wolfman with a rifle, then unlocked a wrestling concept album on Youtube by jumping towards the light, became a subscriber for 20 Euros a year to get access to exclusive content and almost bought 5 grams of dirt harvested from the area surrounding the Rathauz studio.*

ciccio bomba cannoniere is a gateway drug, a gateway into the cybernetic multimedia cvlt of Rathauz.
And while a physical release might run counter to the insanely futuristic drive of the Rathauz, it's probably the album of the year so buckle up.

For the uninitiated the A side might play out like merely the best goddam side of actually fun techno you've heard in 2020s. Rollicking acidic galompers. Tbh most techno can get in the bin these days but this swinging evil continuum championed by Acidic Male / Giant Swan / Missterspoon is more than right by us. Rathauz add internet dial up noises, reggaeton shuffle, distorted screams and frayed EBM arps into this heady heady mix, showing they're about twice as interesting as the top 10 techno on Bandcamp already. Seriously RA would be creaming themselves to hit the recommend button if they could grow a spine in the office between them.

But Then side B gets rolling with boom baps and distorted guitars in a kinda frat-trap circle pit. This is the sound online Rathauz disciples know and love; electro-punk-trap-pop twisted genius. Their scifi vision and demented humour reminds us most closely of our beloved Kinlaw & Franco Franco if Franco had spent more time living in Milanese squats. Policepunk=S.W.A.T. is classic anarcho scuzz hxc on speed and trap and.....maybe Show Me The Body albums and not enough sleep. Venetia-monitor rips off the riff to Smells Like Teen Spirit in glorious Midi chaos. TLC is the most fun you can have in 2 minutes.

After listening we have only one question: Where ARE THE Techno Punx Making Actual Fucking Punk EH? And why not do it on the same album?

Cos you are never gonna get to crowdsurf at Tresor, kid. The bouncers will make you disappear and you Will miss your flight back to Kansas.

God bless Drowned By Locals.
Vinyl with printed sleeve (with the best art you've probably ever seen)."

- Miles Opland, Rwdfwd -
------------------------------------------------
A-Biography (translated from Italian)
RAT is the surname Hauz is the survival place, we make house music in the municipality of the web like the pharmaceutical industry.

Rathauz is the A-zienda or company that produces perceptible frequencies from its works in reinforced concrete located in a farming plot forever ploughed and fertilised, the whole area surrounded by barbed wire. You can visit the works through A-ndroid A-pplication A-zugo ( play.google.com/store/apps/details?id=com.rthz.Azugo&gl=IT&fbclid=IwAR3VKIQzcLIoipGeeEBpGkE6vJg0NXC6MGe9_Ev6X5aRFi_W2gp8xN_n7iE ). Its workers have been embedded into the factory's walls and their names disappear absorbed in the structure. When they A-ppear they always wear their A-gro wear; wrestler shirts (emblems of expository hyperreality). In their productions they insert their singular individuality and relativistic abilities merging into a single quantum machine. They are the perfect emblem of the band: two brothers who share blood (a-), surname (Rat) and produce frequencies made at home (house music) but are almost always in conflict. Often during the A-ssembling of the frequencies they A-ttack each other as was reconstructed in WRESTLA-live, each product is then a derivation of a complex human skimming. Rathauz is focused A-utonomously on the primary sector, secondary, tertiary everything in the quaternary. They sow, grow, distil, peddle and often are the first consumers of the complexity of the material, creating their own A-utarchic world. They compete with other international labels but while those are associations made of many identities with different styles (the many Artists), Rathauz is the assembly of any frequential style recast by a single unique A-rtistic individualism, which has to overcome such role becoming the inhumane machine that produces and exports. The A-zienda only exists in relation to the A-utoproduction of the media, everything is developed only by the two laboratories. Both have productive activities in full with their identifiable subjective relativisms and these are not secondary but coexistent with the A-zienda A-ctivity. While the single A-'s (both laboratories with their own identities) work in a global context, Rathauz is simultaneously and exclusively dedicated to the cultural, media and technological development of the Italian state. This doesn't mean productions are inferior or superior but of a certain quality that differs from the products of individuals. The themes of both representatives in their individualistic projects are the visions of two Europeans squashed by imported capitalism and globalisation while Rathauz gathers the traditions and cultural movements of a particular region of Italy, Veneto, under the influence and the techniques of an imported capitalism and globalisation. Either when displaying their individual identities and when they act as the A-zienda, they confront a global context, but if they happen to emerge with their individualism of relative beings on the sea of international connection, the A-zienda is always the maker of a locally defined product, precise and calculated, which does not deny the inspiration but refines it to the limits of incomprehensible complexity. The A-zienda is a company that produces product (a metaphor for the identity of any artist under a label) but ultimately being the A-rtist as well, there are no thematic links or expressive limits, that is within the view of Italian cultural implantation in many demographic A-spects. The name Rathauz is the union of two concepts rat and hauz as A-forementioned, and yet the Anglosaxon A-nti-Italian sound that emerges recalls the great capitalist Corporations. Before launching the project Rathauz we had to clear the road as Rat-truppen. We fought club after club, we broke moulds with too-powerful basses, moshing where it was previously culturally inadmissible (only white shirts). With our dj-sets we imported the sound textures that later became the culture that "A-cquired value". Rathauz and many like it. As we moved from record to record many evenings a week we continued to produce a sound material yet to be emitted and which later contributed to lay the groundwork for the stable A-zienda. The first A-bsolute A-lbum we produced was in *2003 "Music Fear" (both laboratories had 8 and 12 years respectively) and this was the real starting point seeped in electronic textures, house and Drum'nBass and you can hear a first example of modern Base Trap, where we created a rap beat with a horror sample and used a distorted kick.
P.S.:
Usually as in the case of track 3030 (which deserves pages of in-depth A-nalysis), the sound is not only the basis but it is linked to the themes of production and later happened to become a sound standard as in the case of hdma where the distorted bass we came up with was an emulation of the stereo system at maximum volume of A- friend's car.

Original text by rathauz:
ciccio bomba cannoniere
È l'arma sonora dell'A-zienda rthz, illustrata con il render di M.E.R.I.C.C.O. (Macchina, eretta, ricaricabile, intelligente con cane organico). Questo progetto di definitivo A-ssaltatore mediatico presenta tutti gli elementi necessari alla dominazione delle gerarchie sociali:

parvenza di viso umano per l'identificazione

Uno stalker server per l'onnipresenza su campo digitale

Un sitema di locomozione per muoversi su ogni campo

Un cane geneticamente modificato per non lasciare avvicinare alteratori

Abiti comodi e al collo un M60

Il nome deriva da un A-ntenato rthz chiamato Merico. Carabiniere che a fine '800 uscì dall'osteria e salì in groppa della sua cavalla Cina con l'obbiettivo di fermare un treno per farsi accendere un sigaro. E ciò avvenne. Merico fu poi processato e congedato con disonore.

A-biography
"Ing: RAT is the surname Hauz is the survival place, we make house music in the municipio della rete like the industrie farmaceutiche."
Rathauz è l'A-zienda che produce frequenze percepibili dal suo stabilimento in cemento armato situato in un campo agricolo perennemente arato e concimato, tutta l'area è circondata da filo
spinato. E' possibile visitare lo stabilimento tramite l'A-pplicazione per Android A-zugo (https://play.google.com/store/apps/details?id=com.rthz.Azugo&gl=IT&fbclid=IwAR3VKIQzcLIoipGeeEBpGkE6vJg0NXC6MGe9_Ev6X5aRFi_W2gp8xN_n7iE). I lavoratori sono stati inglobati
nelle pareti della fabbrica e i loro nomi singoli scompaiono assorbiti dalla struttura. QuandoA-ppaiono indossano sempre la loro divisaAziendale; maglie di wrestler (emblema dell'iperrealtà espositiva). Nelle produzioni inseriscono le loro singole individualità e le loro relativistiche abilità fondendosi in un unica macchina quantica. Sono l'emblema perfetto della band: due fratelli che condividono sangue (a-), cognome (Rat) e producono frequenze fatte in casa (house music) ma sono quasi sempre in contrasto. Spesso durante l'A-ssemblamento frequenziale fannoA-botte come è stato ricostruito in WRESTLA-live, ogni prodotto è quindi derivazione di una complessa scrematura umana. Rathauz si occupa in modoA-utonomo del settore primario, secondario, terziario tutto nel quaternario. Coltivano, lavorano, raffinano, smerciano e spesso ne sono i primi fruitori data la complessità del materiale, creando il loro mondoA-parte. Competono con le altre etichette internazionali ma mentre esse sono associazioni con all'interno più identità con diversi stili separati tra loro ( i vari Artisti), Rathauz è l'assemblamento di qualsiasi stile frequenziale rielaborato da un solo ed unico individualismoA-rtista, che deve superare tale ruolo diventando anche l'inumana macchina che produce ed esporta. L'A-zienda esiste solo in base all'A-utoproduzione dei media, tutto viene svolto solo dai due lavoratori. Essi hanno entrambi attività produttive in proprio con i i loro relativismi soggettivi identificabili e tali non sono secondarie ma coesistenti all'A-ttività A-ziendale. Mentre i singoliA-( i due lavoratori con le proprie identità) lavorano in contesto globale, rathauz è parallelamente e prettamente dedito allo sviluppo culturale, mediatico e tecnologico dello stato Italiano. Ciò non significa che le produzioni siano inferiori o superiori ma di un certo tipo di qualità che risulta differente dai prodotti dei singoli. Le tematiche dei due esponenti nei loro individualistici progetti sono la visione di due europei pressati da un capitalismo e un globalizzazione importata mentre Rathauz raccoglie le tradizioni i movimenti culturali di una determinata regione d'Italia, Veneto, sotto l'influsso e le tecniche di un capitalismo e una globalizzazione importata. Sia quando hanno le loro identità singole che quando sono l'A-zienda si confrontano con un contesto globale ma se in un caso emergono con il loro individualismo di essere relativo a galla nel mare della connessione internazionale, l'A-zienda è sempre fautrice di un prodotto localmente definito, preciso e calcolato che non nega l'ispirazione ma la raffina a limiti di incomprensibile complessità. L'Azienda è un'azienda che produce prodotti (metafora dell'identità di qualsiasi artista in una etichetta) ma essendo comunque direttamente anche l'A-rtista non vi sono vincoli di tematiche o limiti espressivi, sempre però nell'ottica dell'implentazione culturale italiana in variAspetti demografici. Il nome Rathauz é unione di due concetti rat e hauz come giàA-ffermato prima, tuttavia il suono AnglosassoneA-ntItaliano che emerge richiama le grandi Corporation capitalistiche. Prima di avviare il progetto Rathauz Abbiamo dovuto spianare la strada come Rattruppen. Abbiamo combattuto club per club, rotto impianti per via di bassi troppo potenti, pogato in luoghi dove prima era culturalmente inammissibile (solo camicie bianche). Con i nostri dj-set abbiamo importato le sonorità che poi sono divenute la cultura che ha potuto "Apprezzare" Rathauz e vari simili. Mentre ci muovevamo di disco in disco facendo varie serate ogni settimana continuavamo a produrre materiale sonoro tutt'ora non rilasciato che ha contribuito poi a fornire le fondamenta dallo stabileA-ziendale. Il primoA-lbum inA-ssoluto che abbiamo prodotto è stato nel *2003 "Music Fear" (i due lavoratori avevano rispettivamente 8 e 12 anni) ed è stato il primo vero punto di partenza in quanto in mezzo a sonorità elettroniche, house e Drum'nBass si può ascoltare un primo esempio di Base Trap moderna, dove abbiamo creato un beat rap con un campionamento horror e usato kick distorti.
P.S:
Spesso come nel caso della traccia 3030 (che meriterebbe pagine diApprofondimento), il suono non è solo base ma legato alle tematiche della produzione e poi casualmente diviene culturalmente uno standard sonoro come nel caso hdma dove il basso distorto che abbiamo ideato era un'emulazione delle stereo a volume estremo dell'auto di un nostroA-mico.

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