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Captured Spirits Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Little Big Horn evolved from Luton-based pop-psych band Wild Silk. As occurred with many British bands from the 60s, they adopted different musical influences as the decade progressed and "underground" was the thing to be, so by the late 60s, Little Big Horn incorporated West Coast, Americana and hard-rock elements to their powerful sound. Their sole album was released only in Germany in 1971 as part of a deal between Shel Talmy Productions and the Bellaphon label (along with other obscure acts like Sunday and Diabolus) and it's an interesting mix of rootsy Americana and heavy rock. Here’s the first ever legit vinyl reissue, expanded to a double LP set with the addition of the killer 45 B-side “Just A Game” and excellent unissued material from the time. Transferred from original master tapes. Gatefold sleeve plus insert with rare photos and detailed liner notes by Alec Palao. Riyl: The Band, Led Zeppelin, Byrds, Badfinger, Grapefruit, Bronco, Plastic Penny, Youngbloods… “A fine example of its era, showcasing seasoned, but not slick, ensemble playing, and it has enough flashes of genuine inspiration to warrant reappraisal.” – Alec Palao

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Mammal Hands

2LP | 2020 | UK | Original (Gondwana)

29,99 €*

LP | 2019 | EU | Original (Digitmovies)

Release: 2020 / UK – Original

Genre: Organic Grooves

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"The semi-classical drums/sax/piano trio Mammal Hands mutate into a high-volume rave act" The Guardian

Mammal Hands are pleased to announce the release of their highly anticipated fourth album 'Captured Spirits', released 11thSeptember via Manchester tastemaker record label, Gondwana Records.

Consisting of saxophonist Jordan Smart, pianist Nick Smart and drummer and tabla player Jesse Barrett, the trio have forged a growing reputation for their hypnotic fusion of jazz and electronica and have recieved glowing recommendations from the likes of The Guardian and Gilles Peterson. Drawing on their love of electronic, contemporary classical, world, folk and jazz music, Mammal Hands take in influences including Pharoah Sanders,Gétachèw Mekurya, Terry Riley, Steve Reich and Sirishkumar Manji.

Forming in Norwich in 2012, brothers Nick and Jordan along with Jesse, developed their distinctive and polished sound with their meteoric live shows and release of three critically acclaimed albums: 'Animalia' (2014), 'Floa' (2016) and 'Shadow Work (2017). Landmark live performances have included shows at The Roundhouse London, the main stage at Field Day Festival, La Cigale Paris, Montreal Jazz Festival, Hamburg Elb Jazz, Athens Technopolis and Unit Tokyo.

Teaming up once again with trusted producer George Atkins (Wiley, The Courteeners) at 80 Hertz Studios in Manchester, 'Captured Spirits' explores themes including existence and displacement. "The name has multiple readings but was first inspired by something Jordan was reading about past experiences of ancestors being caught and coded into our DNA and having an effect on who you are today. This ties in with themes that we have touched on before relative to identity and the collective unconscious ('Shadow Work'). It also toys with the idea of feeling contained/trapped and the need to break out of something and also the idea of people being spirits that are "captured" in a body",says Nick.

Opening with the melodic rhythmic patterns of 'Ithaca', the tempo picks up with the mesmerising 'Chaser', as heavy percussion and Nick's frenetic keys draw the listener deep into Mammal Hand's distinctive soundsphere. North Indian influences dictate the meditative 'Versus Shapes' with Jesse's transcendental tabla playing taking centre stage while the dark and moody 'Spiral Stair' relies on a multitude of colliding and intersecting shapes and sounds.

All three members of the band contribute equally to the writing process: one that favours the creation of a powerful group dynamic over individual solos. "I think with this record, there was a strong and renewed sense of collective enjoyment and appreciation for the process and each other's contributions. After a long period of touring and a slow build up to the actual recording sessions we were able to mull over ideas for long periods, build on lessons from the past and pull our playing connection to an even deeper place. Realising each other's visions for the whole and clearly understanding how they intersect", says Jesse.

That vision is also realised by longtime collaborator and artist Daniel Halsall who designed the artwork for 'Captured Spirits'. His strong instinctive feel for the band's visual world is a key component to understanding the music. "Our work with Dan over such a long period of time now has become integral to the bands aesthetic and he always seems to grasp the themes and ideas that we send for each album and distills them into something striking and engaging that really complements the music. This is really important with instrumental music, as we need to be able to convey our ideas without being too literal or definitive and give the listeners space for imagination and to take their own journey when they listen to the music and look at the artwork", says Jordan.

Elsewhere across 'Captured Spirits', 'Riddle' and 'Rhizome' are rich in texture and heavy on groove and both compositions showcase a complex, emotional range and demonstrate three like-minded musicians with a dazzling understanding of jazz, electronica and cinematic rhythms. "Music has the capacity to fill so many spaces in our lives, as I think fundamentally it is a more direct form of communication than even language. In this way it can be refuge, it can be social, it can be revelatory, it can be memory, it can be what we need at a given point in time", says Jordan.

The high intensity of the trio's live shows is recreated with the spiritual jazz-influenced 'Into Sparks' as Jordan's sax exhibits an unrestrained energy and freedom but it's left to 'Little One' to bring down the curtain on arguably their most accomplished album to date, a soothing, breezy gift to Jesse's new daughter.

Gondwana Records is an independent record label founded by Matthew Halsall in 2008. The label has gone on to release music by, Allysha Joy, GoGo Penguin, Hania Rani, Matthew Halsall, Phil France, Portico Quartet and Sunda Arc.

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Luis Bacalov

OST Si Puo Fare...Amigo

32,99 €*

2LP | 1973 | US | Reissue (Pure Pleasure)

Release: 2019 / EU – Original

Genre: Soundtracks

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At the time of the film’s release only a 45 rpm single of this OST was issued which contained the song “Can be done”, with lyrics by Sergio Bardotti and sung by Rocky Roberts (in 1966 Bacalov had already collaborated with Roberts, performer of the main theme from the highly successful western movie “Django”). Only in 1995 Point Records released a CD (PRCD 120) which contained the istrumental score coupled with the OST from “Il grande duello”. For this our very brand new digitally restored and remastered CD, we again had access to the mono master tapes of the recording session that gave us the chance to discover some unreleased takes which we have assembled in a 7:46 suite. In addition a special bonus track (Tr.16) features the very rare stereo-mixed version of the original 45 rpm single song. Luis Bacalov succeeds in representing in his music the whole sentimental side of the plot (the friendship between the corpulent, but good-hearted Thompson and the child Chip) by writing a sweet and cheerful main theme that is introduced in Titoli di testa in a pop key and with a little Bacharach flavour called “Can be done”, sung by Rocky Roberts and accompanied by a children’s choir (Tr.1). This theme is reprised with orchestral variations sometimes dramatically, sometimes in an epic western context with the use of the harmonica of the great Franco De Gemini (Tr.2, Tr.3, Tr.4, Tr.5, Tr.9, Tr.11, Tr.14) and alternated with saloon as well as instrumental and choir folk music (Tr.6, Tr.8, Tr.12, Tr.13). This CD is dedicated to all the fans of the mythic Bud Spencer, of the Italian Western and of the music art of the Academy Award winner Luis Bacalov.

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Clifford Jordan Quartet

Glass Bead Games

49,99 €*

12" | 2017 | EU | Original (H.omevvork)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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* Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London / Fifth part of the Strata-East Dolphy Series, Glass Bead Games is arguably the crown jewel of the Strata East movement, an amorphous genre that treads an unusual path between post-bop, 70’s avant-garde and spiritual jazz, with a groove.

Glass Bead Games is full of revelations at many levels. First, the decade of the 1970s did produce genuinely creative, "human" new music flowing from the jazz mainstream; second, Bill Lee was more than Spike's dad: he was a superlative bassist, a team player of the first order, a powerful catalyst who, if anything, deserves to be better known than his son; third, Billy Higgins was, as so many musicians insist, a once-in-a-lifetime drummer—the bellows inspiriting the collective flame.

Most importantly, Clifford Jordan was an artist of the first order, his playing so effortless and unforced, unselfconscious and focused, mature and wise that, at a time when altissimo fury was all the rage, it's small wonder his authentic voice frequently went unheard. His musical rhetoric is so personally expressive, its substance so compelling, the listener couldn't care less about the extraordinary technique required to convey its captivating message. Compared to some of his more acclaimed peers he's a less aggressive yet paradoxically more directive and shaping influence. The climaxes, rather than spelled out, are merely suggested, registering with deep and lasting impact on the listener. It all comes down to learning the language, those precious little beads. Not every player, including Jordan or the listener, can use it like Shakespeare, but all can learn to read Shakespeare and understand its principles of arbitrariness and serendipity, of invariance and transformation.

Jordan, no less than Shakespeare, requires a like-minded cast of players—in this case four musicians of such redoubtable proficiency that each remains committed to keeping the beads in play. He's not a man content with a mere musical "dialogue" with his fellow musicians nor is he about to take the initiative in pulling his troops up to his level. Instead he begins to tell a musical story that's so compelling his three comrades are inspired equally to contribute to a collaborative narrative. This is brilliant music-making by a Coltrane- influenced successor who feels no obligation to mime the predecessor. It may be the most significant saxophone performance on record since Coltrane and, providing the listener stays with it for any length of time, the most deeply satisfying. Jordan's game—so effortless, unforced, and "level"—erases distinctions between composed and improvised, soloist and ensemble, narrator and narrative, the dancer and the dance. It seems incapable of wearing out its welcome.

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PVS

The Shelter

My Son's Smile EP Ge-ology Remix

Release: 2017 / EU – Original

Genre: Electronic & Dance

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After 3 years H.omevvork come back with his owner, four energy tracks with a little taste of 90's.

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Pablo Valentino

12" | 2017 | EU | Original (MCDE)

Lydia Lunch & Philippe Petit

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Finally a fresh MCDE is announced! New one from long time deep house/broken producer, Pablo Valentino...
Its been four years since label co-founder Pablo Valentino became a daddy, and almost as old is the idea of him releasing a record on our imprint. So what makes more sense than to dedicate this record to Hugo-João, his son? On "My Son's Smile" we can hear a recording of Hugo-João's laughter over a mellow, summery house track that has been a big favorite of Danilo over the years.
With a little help from Lyon producer Patchworks, who played bass on the track, Valentino pulls off one of his most sophisticated productions yet.
GE-OLOGY, legendary Hip Hop and House producer from New York, flips it into a more of a peaktime thing, replacing the Fender Rhodes from the original with layers of thick synthesizer chords and a very vibrant, musical vibe reminiscent of his earlier release on Sound Signature. "Atlantic’s Calling" is one of those signature, late night House tracks that Pablo Valentino has been championing both as a producer and Dj throughout the years.
Danilo and Pablo met in the late 90s through their mutual love for obscure Jazz, sampled based House and all things soulful, and 20 years later this sounds like the kind of track that sums it all up, a testament of their musical backbone. Pablo has, like his partner Danilo, started out producing Hip Hop instrumentals back in the 90s, and he continues to do so up until this day. While "Good Ol' Days" is of course a Hommage to that era, it still sounds fresh to our ears.
At MCDE, we have always believed in this sound, the rough-and-ready, smoked-out esthetic of 90s sampler based music, and whether its Hip Hop, House, Techno or anything in between, we are proud to carry that Torch.
All tracks written & produced by Pablo Valentino.

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In Comfort EP

12" | 2011 | EU | Reissue (Comfort Zone)

LP | 2023 | EU | Original (Matador)

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Late Saturday night turns Sunday morning mistysomewhere, someone is playing some strings...snatches of thoughts whispereda stolen text from dirty old Henry Millerthe stereo scratches out a scrap of a poem penned to a dead manlike a song to a lover who leftwithout saying goodbye.With the new release of "in Comfort" the duet of Lydia Lunch and Philippe Petit move out of the dark Psycho-Ambience of their previous "Twist of Fate" and into a more intimate atmosphere. Using orchestral strings, vanguard soundscapes and collected field recordings to conjure up a dense, cinematic world, the sinister, yet inviting "in Comfort" mixes acoustic instrumentation with digital filtering, swaying and unfolding amid the psycho-film-noir syntax of a Lunchian universe. Featuring Joseph Budenholzer ( founder of Backworld, has worked with Jarboe, Little Annie, David Tibet, Isobel Campbell, ..), James Johnston ( founding member of Gallon Drunk, and plays with Krautrock legends FAUST, was a member of Nick Cave and the Bad Seeds from 1994 to 2008, ..), Fred Lonberg-Holm ( Valentine Trio, Lightbox Orchestra, member of The Peter Broetzmann Chicago 10tet, Vandermark5, ..), Perceval Bellone ( Strings of Consciousness), Manuel Zurria and Bela Emerson.

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Bar Italia

The Twits

27,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Love + Pop Neon Green Vinyl Edition

Current Joys

LP | 2023 | US | Original (Secretly Canadian)

29,99 €*

12" | 2006 | EU | Reissue (Soul:r)

Release: 2023 / US – Original

Genre: Rock & Indie

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Love + POP is a snapshot of a moment in not-so-far-away time; something fast, loud, moody and a little dangerous. It is, in some ways, classic Current Joys: full of wild ambition, sneaky hooks, and songs that move from concept to completion with prolific speed. But Love + POP also explodes myriad expectations with aggressive, deconstructed production, house music influence, and a guest appearance from Lil Yachty. It is not so much a twist as it is a unique multiverse identity for Current Joys, as Nick Rattigan's set out to "capture this sonic moment and harken back to the way I first released music." The story of Love + POP begins with one of those house parties: the kind that bulldozes your home and, in its aftermath, leaves a wreckage that finds you flattened but also ready to be new. In that mess and mayhem, Rattigan watched Everybody's Everything, the documentary of Lil Peep, and recorded a cover of "walk away as the door slams". But the itch wasn't scratched, and what began as a moment of homage morphed into something bigger, deeper and more fundamental, a point where the seemingly haphazard - in his home, in Peep's process - opened Rattigan up to an entire creative space and a new approach to bending or even detonating genre. Crucially, all of this was recorded at home, in what Rattigan calls a "tribute to the process of creating" in a DIY space. And what began as a singular passion project unexpectedly grew into a uniquely collaborative record for Current Joys. "I've set out to make collaborative records before," Rattigan explains, "but they often end up totally me, with just a couple exceptions. But then this record gave me the opportunity to be extremely collaborative, to let other people write instrumental tracks, sending links around for people to mess with and weigh in on. I sat down to do credits and realized here were all these people and styles and they all came together and worked." Love + POP's cover art is an airbrush/spraypaint rendition of the Wild Heart album cover, which is itself a photo of Rattigan's grandparents kissing. It is sacred in some ways and shredded in others. This idea - the aggressive reimagining of something timeless into a present, finite style - is Love + POP.

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Mist:ical

Just A Little Herb

LP | 1993 | Reissue (Touch And Go)

Release: 2006 / EU – Reissue

Genre: Electronic & Dance

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2023 Repress in Classic Soul:r House Sleeve

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Slint

Tweez Red Vinyl Edition

32,99 €*

Tweez Black Vinyl Edition

Release: 1993 / Reissue

Genre: Rock & Indie

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Red Vinyl.It's almost always muddy in the lousy little shanty town by the river. All the children's toys are old and rusty, even the plastic ones. Jimmy and Mel fashioned their own toy out of a live chicken that they stole. A knot was tied around the bird's feet with a shoe lace. The two boys painted their plaything yellow and silver and swung it around like a lasso, screaming gibberish and laughing the whole time. Mel got so excited that he wet himself. So, Jimmy slugged him square in the eye. About five or eight miles south east of the shanty town all the fellows in SLINT were suffering from headaches, except the drummer, who only got them when the others didn't.

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Slint

LP | 1993 | Reissue (Touch And Go)

30,99 €*

Live At Antibes Jazz Festival In Juan-Les-Pins 1968

Release: 1993 / Reissue

Genre: Rock & Indie

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It's almost always muddy in the lousy little shanty town by the river. All the children's toys are old and rusty, even the plastic ones. Jimmy and Mel fashioned their own toy out of a live chicken that they stole. A knot was tied around the bird's feet with a shoe lace. The two boys painted their plaything yellow and silver and swung it around like a lasso, screaming gibberish and laughing the whole time. Mel got so excited that he wet himself. So, Jimmy slugged him square in the eye. About five or eight miles south east of the shanty town all the fellows in SLINT were suffering from headaches, except the drummer, who only got them when the others didn't.

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Pharoah Sanders

LP | 2019 | EU (Alternative Fox)

12" | 2024 | UK | Original (Slacker 85)

Release: 2019 / EU

Genre: Organic Grooves

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Pharoah Sanders: Live at the Antibes Jazz Festival in Juan-les-Pins July 21, 1968 Experimental jazz titan Pharoah Sanders made a lasting impact with his unorthodox approach to tenor saxophone. Born Farrell Sanders in Little Rock, Arkansas in 1940, he was given the nickname Pharoah by grandmother, in reference to the potential regal lineage of his African heritage. Playing clarinet at church services during his youth, he began playing tenor sax at high school. In 1959 he moved to Oakland, California, where he played with rhythm and blues bands and befriended John Coltrane. Moving to New York in 1961, he drifted into Sun Ra’s Arkestra after experiencing a difficult period of homelessness. His status began to rise upon joining Coltrane’s band in 1965, where his discordant solos formed a strong contrast to Trane’s more melodious sound, though each player had a strong impact on the other’s subsequent work. Following Coltrane’s untimely death in 1967, Sanders formed a quartet of his own with former Jazz Messengers pianist Lonnie Liston Smith, bassist Norman ‘Sirone’ Jones of the Untraditional Jazz Improvisational Team, and drummer Majeed Shabazz. For this blistering performance, given at the Antibes Jazz Festival of 1968 and broadcast on French radio station WDR3, the quartet moves through various Sanders free-jazz workouts, taking in “Venus” from the Tauhid album and “The Creator Has A Master Plan” from Karma along the way, with the rhythm section holding down the fort as Sanders blows himself into the stratosphere.

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Tres Mortimer

M1 City

18,99 €*

Vusi Mahlasela / Norman Zulu / Jive Connection

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Kicking off ‘M1 City’ is the simplistic, but refined and booth-rattling ‘Work That Body’. A crisp M1 stab is the main character in this, amplified by thunderous and high energy drums.

Then there’s ‘Secrets’, a house jam inspired by the likes of MK that utilises TR-909 drums, a subtle rolling bassline, intimately whispered and soulfully sung vocal shots, and, of course, classic Korg M1 synth stabs. Together with dramatic contemporary builds, a highly danceable house smasher is formed.

‘No More’ is pure gasoline for the dancefloor. Très pairs another barrage of clean M1 stabs with a rousing vocal sample that leads into, with the help of a rolling snare, another highly effective house drop. Following the extremely saucy ‘Big Daddy’ skit, we’re dropped straight into ‘One Of Those Nights’, a show-stopping track complete with cutting, sharp stabs, a bulging bassy synth and a West Coast-esque synth sound.

‘Bitch I’m From Chicago’ feat. Gleebz is, as the title suggests, a dedication to the city where house music found its name. Batting off all the poser cities like LA and Miami in the sassy lyrics, it embodies the spirit of Chicago with hefty kick drums and weighty chord stabs.

At the tail end of the release, ‘Let Me Go’ and ‘Love’ (featuring vocalist 7000 (7K)), bring things to a rousing emotive close. Both tracks see Très put clean vocals over piano riffs, giving off differing moods – the former is euphoric, the latter melancholic. Synths bubble beneath, and each track funnels their own respective house grooves, resulting in two tracks fit for both the dancefloor and headphones.

Très Mortiner explains: “The M1 sound is classic. It automatically transports you back to those timeless house songs that never get old. For me, house music is all about connection. People experiencing a little moment of euphoria together when they hear a riff that they all know on the dance floor. That’s what it’s all about. With this project I wanted to tap into that 90s rave sound and spirit. I wanted it to sound like the OG Chicago rave scene.”

“M1 City is my first project to be released on vinyl. I think vinyl is very much alive. It’s essentially for music connoisseurs now. I don’t expect people to have a vinyl collection when all music is always available to everyone on their phones. Nevertheless, I love the idea of some random DJ finding this record in a shop in 10 years. Who knows what I’ll be producing then?”

Très Mortimer is a key figure in Chicago's house scene, steadily building a strong following with his no-nonsense, dancefloor-driven sound. Drawing inspiration from his Polish roots, Trés has signed with major labels like Mad Decent, Insomniac’s IN/Rotation, and Ministry of Sound, while also launching his own imprint, Optics Records. He made his mark with a clever rework of Zombies' 1968 hit ‘Time Of The Season’ (1M+ streams). Standout releases include his downtempo collaboration with plumpy, "BAMBU," and his latest single, "At Night I Think Of You," which was recently given a remix makeover by Seth Troxler and Nick Morgan.

Slacker 85, launched in 2023, is the record label behind ‘M1 City’. Founded by Seth Troxler, it aims to give a platform to "oddball, esoteric and diverse sounds," positioning itself as a counter to the polished, refined dance artists dominating the scene. Troxler, upon the label’s launch, declared that he wanted to create something for "the anti-hero, the kids who could have done it but didn’t care to try”—essentially, "the slacker." So far, it’s delivered a range of releases from artists like Jackmaster, Danny Daze, Dan McKie, and Andre Salmon, offering tracks rooted in house music's past but evolving within its present boundaries.

‘M1 City’, this ode to a piece of gear that consistently finds itself at the heart of house music history, highlights Très Mortimer’s respect for and knowledge of the scene and its key gear. Trè combines this admiration and inspiration of house music’s greats with a modern sensibility, resulting in eight tracks worthy of today’s dancefloors and today’s ravers.

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Face To Face

LP | 2023 | EU | Original (Strut)

27,99 €*

Yellow House 15th Anniversary Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Strut revives a lost recording from the archives in January with a 2002 collaboration between acclaimed South African folk singer Vusi Mahlasela, singer songwriter Norman Zulu and Swedish jazz / soul collective Jive Connection. Sotho folk singer Vusi Mahlasela, dubbed "The Voice" Of South Africa, performed at Mandela"s inauguration in 1994 and has enjoyed his own long relationship with Sweden, regularly embarking on cultural exchanges and forging a strong bond with the Jive Connection band, featuring guitarist / bassist Stefan Bergman and Little Dragon drummer Erik Bodin within its line-up. Although touring regularly, the collaboration has rarely been documented beyond a lone studio album in 1994. This "lost" recording, discovered in the archives of producer Torsten Larsson, also features songwriter / vocalist Norman Zulu and showcases their natural musical chemistry together. Vusi"s songs have traditionally addressed the struggle for freedom and the need for reconciliation and, here, his lyrics are as powerful as ever, ranging from parables ("Prodigal Son") to an unflinching lament on child abuse ("Faceless People"). Jive Connection vary the soundtrack, bringing in hints of reggae, jazz and post-punk alongside traditional township arrangements.

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Grizzly Bear

2LP | 2021 | UK | Original (Warp)

36,99 €*

Little Robot EP Transparent Vinyl Edition

Release: 2021 / UK – Original

Genre: Rock & Indie

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Poised between the purposeful lo-fi mustiness of Horn of Plenty and the flawless indie rock mega-hit Veckatimest, Grizzly Bear came into their Warp debut Yellow House sounding like no other group in 2006. Yes, this was indie rock to challenge the genre’s zeitgeist acts — Animal Collective, The Microphones, Arcade Fire et al — as the Brooklyn group demonstrated an auto-didactic and idiosyncratic way of generating psychedelic music with laser-sharp focus and serious songwriting chops quite distinct from their peers.

Quietly experimental in its organic production and winding structure, LP opener ‘Easier’ lays out Grizzly Bear’s vast yet humble array of instruments — banjos, guitars, pianos, woodwinds, timpani-like percussion, a touch of brass — and breathes life into their little corner of the world, as spontaneous and playful as an attic jam session. Just when the group are setting themselves up as a rootsy take on The Beach Boys, a burst of Velvet Underground chugging propels the likes of ‘Knife’ to another corner of the loft, along with a surreptitiously anthemic lyrical volley of “it’s alright”. While the music of Yellow House is often dark and dusky with ghostly vocal harmonisations and discordant death rattles, we never lose sight of just how life-affirming a record this is — as it’s put in ‘Lullabye’, “chin up, cheer up”.

Yellow House is a ground zero album that went on to shape all alternative rock music in its wake — 15 years on and its deep mystery is still singularly resounding.

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Amelie Lens

12" | 2019 | EU | Original (Lenske)

12,99 €*

12" | 1981 | US | Original (Prelude)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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This is transparent vinyl in custom transparent sleeve. All set to push the dance floor forward Amelie Lens returns to drop her second solo release on Lenske following 2018's 'Basiel' EP. True to her reliable productions of pumping kicks,nasty acid lines and spiralling groove dynamics, energetic 4/4 winds blow fiercely across the four cuts of 'Little Robot', offering a much compelling arsenal of powerhouse techno to top the summer off in the most epic way.

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Nick Straker Band

A Little Bit Of Jazz

19,99 €*

Little Anthony & The Imperials

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

Record is slightly warped but still enjoyable.

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The Best Of Volume 2

LP | 1968 | US | Original (Veep)

4,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

12" | 2024 | EU | Original (Get Physical)

Roland Leesker

Respect

LP | 1984 | JP | Original (EMI America)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Roland Leesker has kept the legendary Get Physical label right at the forefront of the scene in his years at the helm. His music has been a small but vital part of that: he doesn't release often, but when he does it is timeless house music that always makes its mark. As well as a steady stream of singles, he also curated and mixed the crucial 20 x Get Physical compilation back in 2022. He has collaborated with greats of the scene like DJ Pierre, Roland Clark and Terrence Parker and will soon serve up his latest sonic statement with new full-length 'Searching For Peace' which will arrive in August following two more singles after this one.

The brilliant 'Respect' is a spritely and serene deep techno journey. The shimmering chords echo early Detroit techno and the supple drums are packed with warmth and bounce. Together they make for a cut that subtly uplifts as it unfolds in an engaging fashion over seven fantastic minutes.

Remixer Robert Hood is one of the foundational figures of techno. The Motor City innovator works under his own name and as Floorplan and has mastered the art of seductive loops, whether making stripped-back minimal or gospel-laced house. Here, he flips 'Respect' into a thumping and emotionally intense cut with faster drums than the original but just as much machine soul and a little extra texture in the percussion.

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Little Steven

Voice Of America

9,99 €*

Release: 1984 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

12" | 2023 | UK | Original (Rekids)

Radio Slave

Strobe Queen

2x12" | 2000 | UK | Original (Primate)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Radio Slave drops ‘Strobe Queen’ this June, complete with Eric Kupper and Kirk Degiorgio Remixes

Following a string of massive singles over the course of 2022 and 2023, in tandem with the continued success of his acclaimed Rekids and Rspx imprints, Radio Slave prepares his latest single ‘Strobe Queen’, a 12-minute, slow-burning house epic landing this March.

Eric Kupper and Kirk Degiorgio remix Radio Slave’s ‘Strobe Queen’ this June. Heard in clubs courtesy of Honey Dijon, Laurent Garnier, and Sean Johnston, amongst others, and on the airwaves via the likes of BBC Radio 1, Radio Slave now recruits two legendary remixers for thw remixes of ‘Strobe Queen’. Requiring little introduction, Eric Kupper and Kirk Degiorgio both turn in exceptional versions of the original, while Radio Slave contributes a stunning reprise of his own, continuing to explore his love of slower tempos and long arrangements of golden era NYC, as seen in subsequent singles ‘Wild Life’ and ‘Wake Up’.

Radio Slave aka Matt Edwards is one of dance music’s undisputed heavyweights. Having made his name as a DJ in the 90s, he went on to become the king of edits, twisting pop, R&B and indie cuts into essential versions that consistently set clubs alight. Since the mid-2000s, Edwards’ originals have helped define modern dance music, tackling techno, house, breakbeat, minimal and disco whilst exploring dub, balearic sounds and ambient across the myriad of other aliases and projects.

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Ben Sims

Manipulated Remixes

19,99 €*

This Wasn't Meant For You Anyway Transparent Red Vinyl Edition

Release: 2000 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Gold edition.

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Lola Young

LP | 2024 | PL | Original (Island)

Release: 2024 / PL – Original

Genre: Pop

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12" | 1982 | EU | Reissue (Be With)

Sass

Much Too Much

Joe Tex / Little Willie John

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Be With hereby presents aural perfection. Don’t let the title mislead you, “Much Too Much” by Sass has just the right amount of everything, whether you’re talking about the vocal or the instrumental. And that’s as true now as it was when it was originally released back in 1982. In 1981 The Jack Sass Band, as they were known, were still working the NYC club circuit. Along with the likes of Change, The BB & Q Band and High Fashion, they were part of the Little Macho Music phenomenon and that’s how they ended up in an 8 track studio on 7th Avenue near 20th Street, where Little Macho recorded demos.

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Pneumonia / Fever

7" | 2019 | EU | Original (Outta Sight)

Release: 2019 / EU – Original

Genre: Organic Grooves

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2LP | 2023 | UK | Original (Circus Company)

The Mole

The River Widens

30,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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7" | 2022 | UK | Original (Tramp)

The Echomen

Let's Get Together

10,99 €*

LP | 2021 | US | Original (Nature Sounds)

Release: 2022 / UK – Original

Genre: Organic Grooves

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** Little Known BUT Fantastic Funky-soul Double-sider **
The Echomen's song "Let's Get Together" appeared first on the third volume of the Movements compilation series many many years ago. Sadly, its lyrics are still relevant today even 50 years after its recording.

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Your Old Droog

Dump Yod: Krutoy Edition

37,99 €*

Little Dominique's Nosebleed Black Vinyl Edition

Release: 2021 / US – Original

Genre: Hip Hop

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Your Old Droog is back with the much-anticipated new album "Dump YOD: Krutoy Edition". Once again, the rap savant is putting his personal story at the forefront, going even further than the themes of his previous collection "Jewelry". “My last project was about unapologetically claiming my heritage as a Jew,” explains Droog. “This one is about embracing my Ukrainian and Eastern European roots”. Executive produced by Mach-Hommy and Tha God Fahim , the album features appearances from both of those artists along with El-P (Run The Jewels), Black Thought (The Roots), Phonte (Little Brother), and Billy Woods. Rooted in raw, minimalist production, "Dump YOD: Krutoy Edition" is a perfect showcase for Your Old Droog’s transcendent lyrical skills and vivid storytelling, imbued with the Ukraine-born emcee’s reflections on growing up as a Russian-speaking immigrant in Brooklyn.

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The Koreatown Oddity

2LP | 2020 | US | Reissue (Stones Throw)

Exquisite Chaos Roman Flügel Remix

Release: 2020 / US – Reissue

Genre: Hip Hop

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Limited repress, only 1 per customer!

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DC Salas

12" | 2020 | EU | Original (Slowciety)

Mamie Perry / Anna Belle Caesar

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Having studied the complicated art of dreaming on Live At The Robert Johnson earlier this year, DC Salas returns with another remarkable clutch of cosmic excursions. Linking up with long-standing Parisian chic beat connaisseurs Slowciety, it’s time for Salas to show us a little ‘Exquisite Chaos’… Presentation (long version) The clue is in the title; ‘Exquisite Chaos’ is smooth, classy, hi-definition piece of intergalactic drama. Sweeping synths, rocket-fuelled kicks and a bassline that could circumnavigate the universe many times over without needing to refuel, it’s a classic DC Salas trip, the likes of which we’ve soaked up on labels such as Correspondant, Nein, BPitch and beyond. It’s backed up by the poignantly titled ‘Undivided’. A call for unity, it’s rattled with acid and sinewy synth lines all thrusting upwards with the positivity we missed for so long this year.

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Lament / Little Annie

7" | 2019 | EU | Original (Outta Sight)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Tiny Topsy / Jo Ann Henderson

Just A Little Bit / Baby Please Don't Go

7" | 2019 | EU | Original (Outta Sight)

Release: 2019 / EU – Original

Genre: Organic Grooves

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The Silencer / Little By Little

Chuck Jackson

7" | 2019 | UK | Original (Outta Sight)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Patchouli Brothers & Gmgn

Burnin

7" | 2023 | US | Original (Studs)

Last Train To Mashville Vol.2

Release: 2023 / US – Original

Genre: Electronic & Dance

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Toronto Vs Boston: Lace up those skates, The Patchouli Brothers face off against Gmgn on the hockey rink of destiny, who's edit will burn hotter and melt the ice, transforming this frozen dance floor into a disco roller rink for the ages? The disco brothers from Canada kick things off with "burnin'", dark and sexy, with textural percussion, sultry vocals, and a straight ahead piano focused groove. After a short flight to Boston, Gmgn comes in on the B-side with the instant classic "A Little Bit". Cutting up 70s funk over a solid disco base and diva vocals that will have you proclaiming "All you need is a little bit of Soul!"

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Alabama 3

LP (One Little Independent)

34,99 €*

Genre: Rock & Indie

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Elzhi & Georgia Anne Muldrow

Zhigeist

LP | 2022 | US | Original (Nature Sounds)

Little Anthony & The Imperials

Release: 2022 / US – Original

Genre: Hip Hop

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With vivid flows that radiate effortless complexity, Detroit rapper Elzhi is among the most masterful lyricists on the planet. The gifted emcee rose to fame as the youngest member of legendary group Slum Village, but has since graduated from prodigy to sensei, with a thriving solo career bolstered by several acclaimed projects, plus memorable collaborations with artists like Westside Gunn, Royce Da 5’9”, Ghostface Killah, Conway, Danny Brown, Little Brother, and many more.

Georgia Anne Muldrow is a supremely talented musician, producer, and vocalist whose eclectic work blends elements of jazz, hip-hop, funk, soul, rock, and beyond. The prolific artist has released more than 20 albums, earned a Grammy nomination without a major label, and worked with the likes of Erykah Badu, Mos Def, Madlib, Bilal, Kool G Rap, Robert Glasper, and more.

Now, Elzhi and Georgia Anne Muldrow are joining forces for the collaborative album "Zhigeist". A carefully crafted mix of psychedelic instrumentation and whirlwind lyricism, the project is entirely produced by Georgia, who also contributes vocals on several tracks. An inspired fusion of styles and textures, Zhigeist is an aesthetic triumph infused with an undeniable message.

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Better Use Your Head / Gonna Fix You Good

7" | 2022 | EU | Original (Outta Sight)

17,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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CD | 2020 | EU | Original (Nature Sounds)

Tha God Fahim

Lost Kingz

17,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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Known for impressive lyricism and streetwise wordplay set to dusty soul and jazz loops, Atlanta native Tha God Fahim has defied expectations for hip-hop from his city, and his steady stream of output continues to draw attention. Just a few years into his career, the talented emcee/producer has already released more than 100 projects, establishing himself as one of the most prolific artists in rap today. Despite his rapidly growing audience, Tha God Fahim remains an enigma, releasing little background information and maintaining an air of mystery about himself, similar to frequent collaborator Mach-Hommy. Now, Nature Sounds is proud to announce "Lost Kingz", a brand new album from Tha God Fahim. Available worldwide on CD, vinyl, and digital outlets, "Lost Kingz" features appearances from Mach-Hommy and Vinnie Paz, plus production by DJ Muggs, The Architect, C-Lance, and Fahim himself.

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Studio One Black Man's Pride Volume 2

2LP | 2018 | UK | Original (Soul Jazz)

28,99 €*

Release: 2018 / UK – Original

Genre: Reggae & Dancehall

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This is the second installment of deep roots Rastafarian reggae at Studio One and features classic music from some of the most important figures in reggae music – Alton Ellis, The Heptones, Jackie Mittoo, The Gladiators – alongside a host of rarities and little-known recordings, such as a truly rare Mystic Revelation of Rastafari seven-inch single, Willie William’s first ever recording ‘Calling’ and Horace Andy’s righteous (and equally rare) masterpiece ‘Illiteracy.’
Black Man’s Pride 2 extends the legacy of Studio One’s ground-breaking path in roots reggae which began at the end of the 1960s and continued throughout the 1970s. The album tells the story of how the rise of Studio One Records and the Rastafari movement were interconnected, through the adoption of the Rastafari faith by key reggae artists – everyone from the Skatalites and Wailers in the 1960s, major singers such as Alton Ellis and Horace Andy at the end of the decade, through to major roots artists such as The Gladiators in the 1970s – and how Clement Dodd consistently recorded this heavyweight roots music throughout Studio One’s history.
The sleeve-notes to this album also discuss the links between Rastafari and Studio One in time and place, noting how both the religion and Clement Dodd’s musical empire had their roots in the intense period of pre-independence Jamaica in Kingston, expanded in the 1960s following the visit of Haile Selassie in 1966, and how roots music then came to dominate reggae music in the early 1970s. Also discussed is how the outsider stance of both reggae music and the Rastafari movement relate back many hundreds of years to the original rebel stance of the Maroons, escaped slaves who set up self-sufficient enclaves in the hills of the Jamaican countryside.

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Satisfy

Pertex 3L Rain Pants

349,95 €*

Pertex 3L Fly Rain Jacket

Available Sizes: M, XL

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The Satisfy Pertex® 3L Rain Pants are engineered to protect from wind, rain and snow. Constructed from ultra-lightweight Pertex® Shield Air, a recycled nano-rip-stop fabric from Japan, the Satisfy Pertex® 3L Rain Pants are waterproof, windproof and highly breathable, and equipped with taped seams and minimal construction for waterproofing, increased comfort and durability.

Pertex® Shield Air provides extremely breathable waterproof protection. The Shield Air membrane is a precisely engineered, electrospun nanofibre web, with an open network of interconnected pores. These small and consistently sized pores present little resistance to moisture vapour, whilst providing an effective barrier to liquid water. The unique open structure of the Shield Air membrane allows air to pass through, whilst still offering effective wind resistance and remaining durably waterproof. The result is an extremely lightweight, flexible material with remarkable properties.

Satisfy Pertex 3L Rain Pants - features:

• elastic, drawstring-adjustable waistband with sturdy eyelets and toggle at the draw cord
• zip pocket at wearer's left
• snap button closure plus side zippers at leg openings
• Satisfy reflective logos at left knee and upper left rear
• removable Satisfy label
• stowable in its own pocket
• relaxed fit
• waterproof Pertex® Shield Air made of 100% recycled nylon (14,000 mm waterproof)

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Satisfy

489,95 €*

Available Sizes: M, L, XL

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The Satisfy Pertex® 3L Fly Rain Jacket is engineered to protect from wind, rain and snow. Constructed from ultra-lightweight Pertex® Shield Air, a recycled nano-rip-stop fabric from Japan, the Satisfy Pertex® 3L Fly Rain Jacket is waterproof, windproof and highly breathable, and equipped with reinforced articulated sleeve for increased resistance to abrasion, taped seams and minimal shoulder construction for waterproofing, increased comfort and durability as well as gusseted back construction for an optimized comfortable fit when worn over a hydration vest. The ergonomic storm hood features pull-back adjustment system for personalized fit. The Satisfy Pertex® 3L Fly Rain Jacket packs down into zipped pocket.

Pertex® Shield Air provides extremely breathable waterproof protection. The Shield Air membrane is a precisely engineered, electrospun nanofibre web, with an open network of interconnected pores. These small and consistently sized pores present little resistance to moisture vapour, whilst providing an effective barrier to liquid water. The unique open structure of the Shield Air membrane allows air to pass through, whilst still offering effective wind resistance and remaining durably waterproof. The result is an extremely lightweight, flexible material with remarkable properties.

Satisfy Pertex 3L Fly Rain Jacket - features:

• high-necked, drawstring-adjustable hood with sturdy eyelets and toggles at the elastic draw cord
• waterproof, laminated metal front zipper with custom pull
• zip pocket at lower right side seam
• drawstring-adjustable bottom hem with sturdy eyelets and toggles at the elastic draw cord
• snap button straps at cuffs/adjustable straps with hook and loop fasteners at cuffs
• reflective Satisfy logos printed at left chest and upper right rear
• exterior detachable care label so nothing rubs against your skin
• relaxed fit
• Pertex® Shield Air made of 100% recycled nylon
• weight: approx. 154 g
• made in Portugal

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Engineered Garments

Cover Vest

379,95 €*

Available Sizes: M, L, XL

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The Cover Vest by Engineered Garments is another impressive example of the brand's innovative and unconventional design. This vest, made from synthetic suede, combines a modern choice of materials with Engineered Garments' signature asymmetrical elements and functional details.

The absence of a collar gives the vest a minimalist and unembellished look that makes it highly versatile. However, this simplicity is broken up by the interesting pocket arrangement, which is a central feature of this Engineered Garments design. At the front, there are two patch pockets that are not only different sizes but are also placed at different heights. This asymmetrical arrangement is a typical style feature of engineered garments and gives the cover vest a unique look that sets it apart from classic, symmetrical vests. These pockets not only provide functional storage space but also add visual interest by reinterpreting the classic silhouette of a vest.

Another unusual detail is the additional pocket on the back right, which consistently continues the asymmetrical design. This pocket not only adds another practical use to the vest, but also underlines the brand's typical functional aesthetic, in which design and practicality always go hand in hand.

The material, synthetic suede, is a deliberate choice that was made for both aesthetic and practical reasons. Synthetic suede has the soft feel and sophisticated look of real suede, but is easier to care for and more resistant to everyday wear and tear. This combination of comfort, durability and style makes the Cover Vest by Engineered Garments an ideal companion for a wide range of occasions, from everyday wear to special events.

This Engineered Garments vest is perfect for adding a little something extra to a simple outfit. By avoiding a collar, it remains simple and modern at its core, but it is excellent to wear over shirts or light sweaters to make an outfit more interesting. The unusual pockets and high-quality material make the Cover Vest by Engineered Garments a statement piece that is both functional and stylish.

Overall, the Cover Vest by Engineered Garments embodies the brand's signature approach of taking traditional garments and transforming them into something new and contemporary through asymmetry, interesting material choices and functional details.

Engineered Garments Field Vest - features:

• crew neck
• 2-way metal front zipper
• 2 asymmetric flap pockets with snap button closure on front
• additional flap pocket with snap button closure at right rear
• Engineered Garments branding embossed on snap buttons
• regular fit
• fabric: 100% polyester faux suede
• made in USA

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Patagonia

Retro Pile Marsupial

149,95 €*

12" | 2024 | EU | Original (Alzaya)

Available Sizes: GIRLS XS, GIRLS S, GIRLS M

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The Patagonia Retro Pile Marsupial is a monochrome fleece top that can be used solo or as a layer with a soft shell if you're into snowboarding or skiing. Made from bluesign®-certified fleece, the Patagonia Retro Pile Marsupial is equipped with a straight cut as well as three zip pockets to keep your little things organized.

The Patagonia Retro Pile Marsupial's features include:

• curved stand-up collar
• chest zipper with custom pull
• left chest pocket with zip closure
• 2 additional zip pockets at lower front
• elastic micro-polyester binding at bottom and sleeve hem
• Vislon® zippers
• Patagonia woven label at left chest
• regular fit
• 100% recycled polyester Polartec® double-sided solid shearling (bluesign® approved)
• pocket lining: 100% recycled polyester warp-knit brushed mesh, 119 g/m²
• Fair Trade Certified™ sewing
• weight: approx. 431 g

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Anastasia Zems

Atlantika EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Anastasia Zems lands on Alzaya with a new EP that results from a self-reflective journey marked by hypnotic electronic rhythms that echo the passage of time and the change of life. Atlantika EP is a rolling cycle of inspiration, mirroring new experiences and sonic explorations that oscillate from warm memories with ‘Pastel de Nata’ & ‘Bairro Alto’ to dark atmospheres aligned with current events in ‘Casa Amarela’. The EP ends with ‘Push The Tempo Down’, which stands out as a reminder to slow down with a unique reinterpretation by Eklektique, a remix able to uplift its essence and message.

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KINTO

Hibi Chopstick Rest

5,95 €*

Bing Crosby & David Bowie

Available Sizes: One Size

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Transform your table and experience style and relaxation every day with the KINTO Hibi Chopstick Rest.

Your everyday experience takes on a stylish and relaxed vibe with the KINTO Hibi Chopstick Rest. The Japanese word "HIBI," meaning "Day by Day," reflects the timeless foundation of this product for your daily table. With dimensions of B45 x T40 x H13 mm and a weight of approximately 30g, this little companion effortlessly integrates into your daily routine.

Features:
• Practical dimensions: B45 x T40 x H13 mm
• Lightweight: Approx. 30g

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Peace On Earth / Little Drummer Boy

LP | 2023 | EU | Original (Virgin Music Las)

Release: 2023 / EU – Original

Genre: Rock & Indie

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12" | 2023 | EU | Original (Siamese Twins)

Temple Rat

The Composition Of Air

12" | 2024 | UK | Original (Toolroom)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Siamese Twins Records presents Temple Rat, known offstage as Mei Yuxin, and her highly anticipated debut EP, "The Composition of Air." This album signifies her first solo release with Siamese Twins, following her contribution to the Kāthā V.A. (st-๐๐ห้า), which Higher Intelligence Agency later reworked on St-๐๐๘. Each track gracefully transitions, creating a harmonious blend of ethereal haze yet grounded echogenic brushstrokes. Despite the otherworldly ambiance, the EP remains deeply rooted in an ancient mystique, which Mei has skillfully crafted.

Hailing from Chengdu, Mei is a master of the traditional Chinese Erhu, a two-stringed folk instrument made of wood and snakeskin. The soulful resonance of this time-honored instrument intertwines with Mei's productions and live performances.

The opening track, "Dreaming of Electric Sheep," immerses listeners in a dystopian sci-fi atmosphere, masterfully merging rustic ambiance with hissing field recordings and IDM-inspired elements. Hypnotic rhythms envelop and wash over meditative alchemy.

"Rooted in the Soil of Your Heritage" features a captivating collaboration with Portuguese vocalist Meta_, taking on a contemporary darkwave approach. This track spirals into the horizon, offering solace through interlacing oscillations, and perfectly illustrates Mei's ability to facilitate interethnic dialogue with her distinct and enthralling Erhu sound.

The true story unfolds in the title track, "The Composition of Air," as Mei expertly employs organic synths to create absorbing arpeggios and sequences. The final piece, "东风," feels familiar and otherworldly, as drums pirouette beneath melodies that balance delicately, culminating in an intriguing and welcoming soundscape—the ideal conclusion to a captivating EP.

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Weiss Vs. James Hype

Feel My Needs

OST Raw ('That Little Ol' Band From Texas')

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Arguably the biggest and most in-demand electronic artist in the World, James Hype, puts his spin on Toolroom’s classic ‘Feel My Needs’. James needs little introduction, attracting more than 12 million listeners to his music monthly, accumulating over a billion streams and selling out arena’s all over the globe including his weekly residency at Hi, Ibiza.

The record is a peak-time monster and has become the ‘id’ everyone is asking for on his social media and in his DJ sets! James has taken the essence of the original and added trademark tough drums and bundles of energy, very much akin to the vibe of his DJ sets.

Included on the flip is the unmistakable original from Weiss.

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ZZ Top

LP | 2022 | EU | Original (BMG Rights Management)

26,99 €*

Release: 2022 / EU – Original

Genre: Soundtracks

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LP | 2021 | US | Original (Next)

Benny The Butcher

The Plugs I Met 2

12" | 2024 | EU | Original (Forest Jams)

Release: 2021 / US – Original

Genre: Hip Hop

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Mere months after releasing an undisputed Aoty contender for 2020 with Burden Of Proof and only three months after being shot, Benny got back on his feet (way ahead of schedule) and re-immersed in his element “back to that little pot, that little flame”. While he has separated himself from his peers, Benny from Montana Ave knows the game is to be sold and never told and he has put all of these accolades in his rearview mirror to focus on his next lick; The Plugs I Met 2. The Plugs I Met 2 is the coronation of a true G going from worker to the PLUG---and never looking back. “I came in as an underdog, to filling out my position as one of the elite rhymers in the industry. Plugs 2 expands upon that mindset; the same confidence, same attitude, cocky, but I still have something to prove” Benny asserts. Produced entirely by Harry Fraud, the Brooklyn bred producer describes The Plugs I Met 2 as “the story of a hustler who’s realized success but understands how fragile it is. Lyrically the album shows Benny reflecting on what he’s sacrificed to get here and what he’ll need to do to continue his rise to the top. With this project we set out to transport the listener into a world that was lush but still gritty, triumphant but still emotional and sonically diverse across the board.”

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Kelly Lane

J'Voudrais Qu'Tu M'Dises

Luude / Bru-C / Kevin Lyttle / Mattafix Featuring Moby / Issey Cross

Release: 2024 / EU – Original

Genre: Pop

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J’Voudrais Qu’Tu M’Dises marks another official 12″ French re-issue from the Forest Jams label. Like the previous ‘Nathalie Letertre’ record we have a name on the front of the jacket but with little information behind it. What we do know is that Kelly Lane’s vocals sit atop this obscure synth-pop meets house meets slight boogie with a smooth aggression, equally cute as it is equally strong, funky indeed. For those that just want the music there’s an instrumental version on the B-side. Two extra versions taken from the CD are re-mastered and included on this release with a surprisingly dancey ‘radio’ version and a pumping/housier ‘version dance remix’. Let Kelly Lane’s “J’Voudrais Qu’Tu M’Dises” find its way to your heart.

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Tmo (Turn Me On)/Big City Life/Oh My

12" | 2024 | UK | Original (Sweat It Out)

15,99 €*

7" | 2023 | UK | Original (Athens Of The North)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Three certified anthems get brand new drum and bass reimaginations as Aussie superstar Luude teams up with Bru-C, Mattafix and Issey Cross respectively to give fresh flavour to these mega hits.

Up first, Kevin Lyttle’s early 2000’s, R&B singalong heater ‘Turn Me On’ gets an explosive, sub heavy DnB remake complete with slick new bars from Nottingham rapper Bru-C. Hot property Borai and Denham then stamp their signature sound on the track as they step up on remix duties.

On the flip, Mattafix’s infectious 2005 classic ‘Big City Life’ gets a trademark Luude reworking before Moby’s ‘Porcelain’ is weaved into an amen-infused, drum and bass banger ‘Oh My’ with UK singer Issey Cross providing the vocals.

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Marion Javius

Waiting In The Wings

2LP | 2018 | EU | Original (Strut)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Sometimes it is meant to be. I remember years ago Ian Wright (a notorious 45s collector, not a footballer) played me Marion Javius, it was about $1 at the time. I really love the record, but the "sshumwere" vocal in the chorus and the cha cha at the end of the bars did my head it a little.

Roll on 15 years and I was speaking to my record fiend and friend David Haffner who helps with releases on Aotn. It turned out he had been sitting on the multi-track tapes for Marion Javius for some time and was cool with us doing a 45. Having multi-track was an opportunity for me to fix the little bug bears with the OG mix. On first listen, I was delighted to hear a vocal take without the "Shamwooon" on the chorus, so myself and Linkwood got on the case to rebuild an Ecla version without the Game Show bar ends and "Shamons" that had been haunting me for years.

So here we are, the Ecla version, with the OG on the flip in case you think I'm talking rubbish.

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The Beginning Of The End

26,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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Strut presents the definitive reissues of two all-time classic Caribbean soul and funk albums, The Beginning Of The End’s ‘Funky Nassau’ (1971) and ‘Beginning Of The End’ (1976).
Emerging from Nassau in the Bahamas in 1971, the band was formed around the Munnings brothers (Ray, Leroy and Frank) and the first song they recorded, ‘Funky Nassau’, became a No. 1 Billboard R’n’B hit, selling over a million copies. “We wanted to create something new,” remembers Ray Munnings, “something that was truly Bahamian. We loved funk but wanted to include elements of junkanoo, the indigenous music of The Bahamas.” An album was written within a week and recorded at Criteria Studios in Miami. “We brought in more Bahamian themes, like ‘Monkey Tamarind’, a wild fruit that grows there.”
By the time of their second album in 1976, the band was managed by Don Taylor, also Bob Marley’s manager. “Don took us to Byron Lee’s studio in Jamaica and used Teddy Randazzo (Little Anthony & The Imperials) to direct the sessions,” recalls Munnings. “He gave us more of an uptempo jazz funk sound with Chicago-style horns.” The album led to a run of incredible bad luck. Booked to support Marvin Gaye’s ’What’s Goin’ On’ tour, the US Musicians Union stepped in and ordered a US group to fill the slot. They were then added onto a major Bob Marley tour in 1976 before he injured his foot, cancelling all dates.
These definitive official reissues of ‘Funky Nassau’ and ‘Beginning Of The End’ are remastered by The Carvery from original tapes and feature full length tracks from the studio sessions. Both albums feature a history of the albums and the band by vocalist Ray Munnings, alongside rare photos. ‘Beginning Of The End’ appears on loud-press 2LP for the first time.

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LP | 2017 | EU | Original (Wagram)

Wanted Funk

20,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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12" | 2024 | UK | Original (RZ)

Rezzett

Puddings

LP | 2024 | UK | Original (Lightwell)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Rezzett offer up a little something for afters on their new self-released EP

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The Silver Abduction

24,99 €*

St. Petersburg E.P. Record Store Day 2023 Plum Colored Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Silver Abduction release their debut self-titled album. Following on from two singles, Quarter To Two and Castle Rock, the album is released on August 30th. The Silver Abduction is a collaboration between singer Allison Brice (The 18th Day Of May, Lake Ruth) and musician/producer Andy Dragazis (Blue States). The Silver Abduction's history dates back to 2006. Instantly taken by Brice's haunting voice a musical friendship blossomed - with Brice's sweet, haunting melodies and Dragazis's dense and lush orchestration.

To date The Silver Abduction have had radio play from John Kennedy on Radio X, BBC Radio Wales, RTE 2XM, Amazing Radio amongst others. They have press reviews confirmed for Mojo and four star review in Shindig.

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Supergrass

10" | 2023 | Reissue (Echo)

22,99 €*

Play With Fire Gold Vinyl Edition

Release: 2023 / Reissue

Genre: Rock & Indie

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Record Store Day 2023 exclusive release limited to 920 copies,
This limited edition Record Store Day, 10” plum Colored Vinyl release features four of Supergrass’ key tracks from 2004-2005. Opening with the melancholic "St. Petersburg" the slow paced thinker that features an iconic and haunting piano riff that charted #22 in 2005 and as of 2022 is their most recent UK Top 40 Hit. Next up is a live version of the classic Supergrass stomper ‘Road To Rouen’ recorded at Somerset House in 2005. The B side opens to a notably different arrangement of their classic track ‘Kiss Of Life’ recorded live at the Portsmouth Pyramid in 2005. Things take a turn as the EP signs off with ‘Coffee In The Pot’, a lively little Surf Rock inspired number that reminds the listener of Supergrass’ unique sense of humour. The artwork has been recreated from the original ‘St Petersburg’ single artwork originally released in 2005, and features the famous statue of Peter the Great, from Saint Petersburg in Russia. Matte paper print finish and printed inner bag.

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L.A. Witch

LP | 2020 | US | Reissue (Suicide Squeeze)

26,99 €*

7" | 2023 | EU | Original (Terra Magica)

Release: 2020 / US – Reissue

Genre: Rock & Indie

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Where L.A. Witch's self-titled album oozed with vibe and atmosphere, with the whole mix draped in reverb, sonically placing the band in some distant realm, broadcast across some unknown chasm of time, Play With Fire comes crashing out of the gate with a bold, brash, in-your-face rocker "Fire Starter." The authoritative opener is a deliberate mission statement. "Play With Fire is a suggestion to make things happen," says Sanchez. "Don't fear mistakes or the future. Take a chance. Say and do what you really feel, even if nobody agrees with your ideas. These are feelings that have stopped me in the past. I want to inspire others to be freethinkers even if it causes a little burn." And by that line of reasoning, "Fire Starter" becomes a call to action, an anthem against apathy. From there, the album segues into the similarly bodacious rocker "Motorcycle Boy"_a feisty love song inspired by classic cinema outlaws like Mickey Rourke, Marlon Brando, and Steve McQueen. At track three, we hear L.A. Witch expand into new territories as "Dark Horse" unfurls a mixture of dustbowl folk, psychedelic breakdowns, and fire-and-brimstone organ lines. And from there, the band only gets more adventurous. Play With Fire is a bold new journey that retains L.A. Witch's siren-song mystique, nostalgic spirit, and contemporary cool. Despite the stylistic breadth of the record, there is a unifying timbre across the album's nine tracks, as if the trio of young musicians is bound together as a collective of old souls tapping into the sounds of their previous youth.

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Hektisch Sprengen DJ's

Chiqui Tan

12" | 2022 | UK | Original (Central Processing Unit)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Terra Magica Rec. first 7’’ release „Chiqui Tan“ by the label heads Hektisch Sprengen DJs will be limited to 250 copies. The A-side hits the listener with some 1980s early Electronic-Downtempo-Cumbia-Colombian-Venezuelan-Tablemountain-Dub-Grooves. This reminiscence is leading to an extra full blown up 21st century Bass-Queen alert. And these Hsdj dials hit you into a stripped naked sample of Nigerian-Swedish DJ-dentist-mainstream-star Dr. Alban and his Eurotrash-90s-Pophouse-anthem “No Hash Hash, No Cocaine”. This is for sure no “Ottonormal”-90s-revival thing! On the flip side Hektisch’s haptic wood razzle move covers the classic 1994-Liquid-Deep-Netherlands-Trance-House-Track “Paper Moon” by 51 Days which back then sampled the rare 1972-MPB-Funk-Cover-Version of Carol Kings “Corazón”. Guess what! It drops like a late 1990s-Ed-DMX-London-classic gone Electroboogie-Miamibass-Break with a SH101-baseline and Sprengen’s take on Spanish-90s-Trance-Vocals. Watch out 4 TERRAMs “Asi me gusta” title caps series as well! Trigger warning: That hidden Sequential Circuit Sixtrack loves you like a windy horse on Acid. Loads to experience on this little innocent wax disc!

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Splitradix

Synthesizing Your Future

2LP | 2022 | EU | Original (Mule Musiq)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Splitradix FFT is a fast Irish transform (fft) rhythm for computing the discrete musical acid (aux note relative), and was first described in an initially little-appreciated paper by R. Yavne (1978) and subsequently rediscovered simultaneously by Central Processing Unit label owners in 2021. (The name "Splitradix" was coined by one of these re-inventors, S. Hennelly.) In particular, Splitradix is a variant of the Electro-Vocoder FFT rhythm that uses a blend of analogue 2 and 4: it recursively expresses an emotion of length N in terms of one smaller aux of musical N/2 and two smaller DFT of Fenix Pcm/70.

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Kuniyuki Takahashi

Remix Works

27,99 €*

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It works in clubs. it works at after hours. Also, small bars vibrate meaningful on it: the music of Kuniyuki Takahashi enthralls everywhere and is made for heedful listeners, that love the thrill of little musical nuances, shifting in a deeply composed ocean of sound.

In terms of composition, melodic sensitivity, and subtle progression the music of japanese producer, Sound designer and dj stands out. Ambient, Future-Jazz, Deep House, Leftfield Elec-tronics: since more then 25 years the man from Sapporo expresses his emotions with a wide stylistic range.

As Kuniyuki or under pseudonyms like Koss or Newwave project, he released a body of work consisting of numerous albums and EP’s, that display his deep musical consciousness pro-foundly. Now his home label Mule Musiq drops “Remix Works “, an eighth tune strong compila-tion featuring for the second time since 2013 Kuniyuki Takahashi’s very own virtuosity of re-mixing.

A double vinyl that carries the full pallet of his skills – from yacht rock leaning synth-pop and balearic dreams to sweet wave signals and soulful Pop House.

It all starts with Kuniyuki’s Remix of “Plateau”, a tune by japanese Nu-Jazz / Post‐Rock band mouse on the keys, released in 2013 on the short living japanese retalk label. An epic, almost ten-minute-long house voyage, full of discreet acid shades and enlightening Jazz chords, that play spirited tricks on each other’s manic musical preaching.

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MRBT-Mini 2 Bluetooth Speaker

119,99 €*

Teen Babes From Monsanto Limited Peak Edition

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Using the latest technology and high quality design we bring to you the new Minirig Mini 2 Bluetooth rechargeable speaker.
NOW 3dB LOUDER. NEW AND IMPROVED SOUND. With 15 watts of power this little speaker will be the soul of any party!
20% more battery life than minirig MRBT-Minir 1.

MADE WITH PASSION - DESIGNED & BUILT IN BRISTOL, UK
All minirig products go through years of passionate research and fine tuning. Then carefully hand assembled and tested in-house for the highest possible quality.

Can be used as Bluetooth Receiver.
Is linkable with other minirigs.

Comes with charging cable and 3.5mm aux cable.

•Dimensions: W = 84mm H = 53mm
•Weight: 312g
•Driver: Custom 52mm with neodymium motor system
•Frequency response(1): 65-16000Hz
•Battery life max volume: 3 hours
•Battery life average use: 12 hours
•Battery life low volume: 36 hours
•Input power: USB (5V DC @ 800mA)
•Amplifier power: 1 x 15Wrms
•Bluetooth: 4.2 with aptX, AAC and wireless stereo
•Bluetooth Reciever Mode: Yes (line out / headphones)
•Bluetooth range: >10-30 meters line-of-sight
•Charging time: 2.5-3.5 hours
•Audio input/output: 2 x 3.5mm mini jack socket
•Construction: Anodised aluminium and ABS / polycarbonate
•Weatherproofing: Splash resistant
•App: IOS and Android

Made in the UK

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Redd Kross

LP | 1984 | EU | Reissue (Merge)

19,99 €*

Ruff Draft: The Dilla Mix Instrumentals

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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Translucent Pink Vinyl! A little drums, a little atmosphere, and it wails like this! Hotter than anything printed by a Hearst daily, the 12-song Version Especial of Redd Kross' Teen Babes from Monsanto - all art, no filler, direct from the source, pure from the tap - reissued by Merge Records. The album features specially designed packaging that allows you to choose between two different front covers with just a flip of the wrist! Experience vintage teenaged Redd Kross as presented by Monsanto: 100% genuine, chemically inspired brilliance fueled by processed junk food.

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J Dilla

2LP | 2018 | US | Original (Pay Jay)

12" | 2018 | EU | Original (Wulf)

Release: 2018 / US – Original

Genre: Hip Hop

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The producer’s own mixes – recently rediscovered – of his seminal EP, expanded with bonus tracks and now available in a special instrumental edition.

When Ruff Draft saw its initial release in 2003, J Dilla possessed production skills on par with anyone in hip-hop – technically and creatively. “At the top of his game,” says longtime friend and collaborator, Karriem Riggins. After years of building while modestly deferring to others of both greater and lesser notoriety, Dilla finally completed the first solo endeavor on his own label, entirely on his own terms. The significance of such an autonomous success often gets overlooked, and partly accounts for why Ruff Draft is one of the lesser-referenced entries in Dilla’s oeuvre. “It’s a mysterious little project,” says his mother, Maureen Yancey. “But out of his entire career, that was the happiest time.”
Prior to recording the EP, Dilla found himself at a crossroads. Estranged from his label, MCA, and separated from the mother of his youngest daughter, frustration abounded both personally and professionally. Dilla spent parts of 2002 and 2003 working on an album for MCA that featured his rapping over contributions from other producers with whom he had connected and whose music he respected. At the time, he was known primarily for his beats, yet reviled for his MCing by most anyone not from his hometown of Detroit. The project was to be an intentional freak of the industry.
The project would go on to spur his collaborative album with Madlib, Jaylib, and would first showcase the template that he would take to his greatest heights with 2006’s Donuts. The Stones Throw reissue of Ruff Draft from 2008 featured remixes of the songs from the album, done without Dilla’s involvement. This version of the album takes Dilla’s recently discovered mixes of the album and restores his vision for the project.

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Letherette

Ep5

10,99 €*

12" | 2017 | EU | Original (EEE)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Letherette return to their WULF imprint, this time with EP5. Whilst EP4 was aimed at the dance floor, EP5 sees Letherette slow it down a little. Featuring the velvet pipes of Olivier St Louis on EP opener, 'Love Lust', as well as signature Letherette chops on Pal Mal, After8, Fresh & Clean and Pianto.

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The Unknown Artist

Rose Rouge rEdit

15,99 €*

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Cheeky little edit of a stone cold classic for the dancefloor……..

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12" | 2024 | EU | Original (Into The Woods)

ITW005

12,99 €*

12" | 2024 | UK | Original (Truesoul)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Into The Woods London returns with their first VA of the series. They have curated a collection of artists for the heads on this one as they welcome seasoned production warriors, Crihan, Jay Tripwire & Miller and Vlad Arapasu alongside the up and coming t.na. The VA is very much sequenced for the club as Vlad leads this release with an A1 roller made strictly for the dance floor. On the B1 t.na adds something with a little bit more grit as quirky vox drops and a sub filled baseline carry the track throughout. On the inner sides you’ll find the deep and textured craftsmanship from both Jay Tripwire & Miller A2 and Crihan B2 have a palpable effect! In the world of minimal and tech, there is something for everyone here!

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Adam Beyer / Raxon

The Signal

15,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Adam Beyer shares his first Truesoul release in eight years, linking with Raxon for a rare collaborative outing. This year has been one of Adam Beyer’s most prolific of his career, so it seems fitting he’d end it with a return to Drumcode’s little brother imprint Truesoul. His last dance on Truesoul was way back in 2015 with the masterful quartet of rollers ‘Time Flies’, which highlighted the Ibiza summer back then. Meanwhile the Barcelona-based Egyptian Raxon has contributed a pair of EPs to Truesoul, ‘Heliopolis’ and ‘Cosmic Cure’, since his debut in 2017. A Raxon production is a special thing – otherworldly and colourful, inspired by the vastness of the universe. The pair took their time swapping ideas back and forth until Beyer shared the main bassline groove for the Day Mix of ‘The Signal’ and the collaboration immediately started to take shape. The track is built around a riveting call-and-response synth lead, while a mélange of gritty drums with a foot in electro, cosmic and psy, drive proceedings forward. The Night Mix increases the intensity, tuning the main melody for late-night, pumping dancefloor moments.

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The James Brand

The Rowan

35,95 €*

12" | 2024 | UK | Original (Easy Listening)

Available Sizes: One Size

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The Rowan by The James Brand leverages a simple hook design to give you key-carry security in a straightforward package. With no moving parts, it doesn't get any more minimal than the Rowan. It shares the same overall design language as The James Brand's Holcombe snap hook, and also packs in a bottle opener and ruler, if you ever need to measure something small (insert inappropriate joke here). If you are looking for a minimal and approachable way to get your keys out of your pocket, and a little extra utility to boot, The James Brand's Rowan is for you.

The James Brand The Rowan - features/deails:

• The James Brand's simplest carry solution: one piece construction and no moving parts
• integrates a bottle opener and a ruler
• packs in a lot of features, and doesn’t break the bank
• includes one titanium keyring for threading your keys and whatever else you can fit on there
• weight: approx. 14.2 g
• length: approx. 7.8 cm
• width: approx. 1.6 cm
• 420 stainless steel

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Teen Daze

Elegant Rhythms

22,99 €*

Sam Gendel & Shin Sasakubo

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Back yard - Back yard is the first single from the new Teen Daze album, Elegant rhythms, and features singer-songwriter Andy Shauf on drums, and LA jazz staple, Sam Wilkes, on bass. This is a stark change in sound for Teen Daze, who’s last album Interior was an exploration of neon-lit House music. Back yard is a mellow groover, conjuring up images of Laurel Canyon in the 70s, yet still with its flourishes of contemporary sounds.

We’re out of phase again - We’re out of phase again is another vulnerable glimpse into the inner world of Teen Daze, and marks the release of his most personal album to date, Elegant rhythms. In contrast to the synthesized, digital world of his prior album, Interior, here we’ve been brought into a lush, organic arrangement, brought to you in large part to the stunning bass playing by Sam Wilkes. While the verses pulse forward, the chorus slows things down, and evokes the sophisti-pop sounds of The Blue Nile. This track is a stunning showcase of the world of Elegant rhythms.

Nothing’s gonna change my love - Teen Daze returns with his second single of the year, Nothing’s gonna change my love. The stark change in sound, as heard on previous single Back yard, is on display here again: a smouldering, 2 and a half minutes of slow jazz-pop, indebted to the great Sade, or perhaps the feeling of leaving downtown LA at 2 AM. Lyrically, we hear a story of a love, challenged by the unpredictable nature of our lives. This may be Teen Daze’s smoothest song to date.

Neighbourhood - Neighbourhood is the third single from the recently announced LP from Teen Daze, Elegant Rhythms. Along with Andy Shauf on the drums, and Sam Wilkes on the bass, Teen Daze gives us a languid tour of his quiet neighbourhood. The sun has set on the pleasant, tree-lined streets, and a stranger, more surreal environment presents itself. The song plods forward at an extremely comfortable pace, held down by the paradoxically loose-yet-tight rhythm section. Lyrically, we walk around the Neighbourhood at night, and while the chorus reveals a type of sobriety, the vibe of the song makes it easy to feel a little…effected.

Fade away - Fade away sets the tone for Elegant Rhythm’s side B: a deeply personal, though somewhat veiled, confession of loss. How does it feel to grieve something that was never really here? A smouldering, slowly progressing first half erupts in synthetic noise, and then fades into the ether with it’s repeating refrain, “I can feel you / feel you fade away / when there’s nothing / nothing left to say”.

Fall ahead - A sweet piano tune which serves as a quiet break in the record, intended to help the listener reflect and take a moment of pause before we reach the final two songs on the album.

HST underwater - The penultimate track on the record tells a story where the narrator finds themself in an alien, yet oddly familiar place. Arpeggios soaked in crystal blue water flow through the stereo field, while the narrator, vocoded and drenched in autotune, searches for meaning and purpose in a confusing world. This is one of Teen Daze’s most cinematic, emotional songs yet.

In the rain - It’s never really made explicitly clear on this record, but a lot of these songs find Teen Daze wrestling with life as a new father, and this song, the final on the album, expresses the fears of generational trauma. A touching, tender ode to his children, we hear Teen Daze at his most personal and vulnerable. The falling rain surrounds some absolutely breathtaking bass playing from Sam Wilkes, and Teen Daze’s signature ambient keyboard sounds.

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Sam Gendel & Shin Sasakubo Colored Vinyl Edition

LP | 2021 | JP | Original (Carnet)

44,99 €*

LP | 1961 | EU | Reissue (Candid)

Release: 2021 / JP – Original

Genre: Organic Grooves

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Sam Gendel/Shin Sasakubo" was co-written with Sam Gendel, a standard-bearer of "modern outsider jazz" based on the West Coast of the United States.

Sam Gendel played Side A and Shin Sasakubo played Side B. It is a conceptual work in which the final song of each side was co-written. A little more released.

This time, with the cooperation of Cafe Carnet, we will change to a mixed Color Vinyl specification based on gold, remodel the artwork by popular illustrator Masukoeri, and release it in a new form.

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Abbey Lincoln

Straight Ahead

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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12" | 2021 | EU | Original (Wrekin Havoc)

Wrekin Havoc

Playing With Fire EP

7" | 2021 | UK | Original (Bridge Boots)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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A little info about the guys. All three of them as you'll hear are music fiends/collectors/diggers and lovers. They met whilst attending a pagan mushroom festival on the Wrekin hills and have been firm friends ever since they decided that night/morning to go on a quest to find some musical magic in the far-off lands (ye old music shoppes). They only made it as far as the cave around the corner (which happened to have a stack of records and a computer) and thus have remained there ever since much to the joy of their respective wives, cooking up some late-night cosmic melters for the enlightened to enjoy whilst at the dance.

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Caserta

(M)

7" | 2021 | UK | Original (Bridge Boots)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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A little known release on Scott Diaz’s now defunct Connectd records makes its first appearance on vinyl! Anyone that knows Caserta knows his affinity for '90s r&b. For (M) he snags a vocal from one of the most underrated and under appreciated vocalists of that time period. With two mixes featuring the keyboard stylings of the incomparable Yuki 'U-Key' Kanesaka the Dub version gets top billing on the A Side. Smooth keys by the aforementioned Kanesaka with a stripped down arrangement are sure to keep you 2 stepping no matter where your are. On the B Side Caserta uses the same set up but this time with the classic 909 Drum Machine to keep take things to the next level!

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Caserta

Ricky 2

Release: 2021 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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With a little bit of research you'll realize that Ricky 1 actually didn’t come out on Bridge Boots but on thatmanmonkz imprint Shadeleaf back in 2015 and received loved from Matthew Dear and Sam Divine to name a few. A little over 5 years later and Caserta is back with the sequel! Contrary to popular belief Caserta doesn’t usually 'edit' (with the exception of Bb45003 release Diana). But he decided to bust out the ole’ Razor-N-Tape for the 40 year anniversary of this dancefloor classic! While anyone with party rock capabilities can improve on an already classic composition. 'Supa Engineer Caserta' made sure to take his time to take make sure the sonics went for 1981 to 2081. The flip side delivers more of the tried and true Bridge Boots formula people have come to love with a hard hitting deep house joint sure to light up the dance floor once we start to put Roni-19 behind us! Lastly...who the hell is Sheldon??

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MRBT-Mini 2 Bluetooth Speaker (2.0 Stereo HHV Bundle)

219,99 €*

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MRBT-Mini 2 Bluetooth Speaker (2.0 Stereo HHV Bundle contains:
• 2x MRBT-Mini 2 Bluetooth Speaker

Using the latest technology and high quality design we bring to you the new Minirig Mini 2 Bluetooth rechargeable speaker.
NOW 3dB LOUDER. NEW AND IMPROVED SOUND. With 15 watts of power this little speaker will be the soul of any party!
20% more battery life than minirig MRBT-Minir 1.

MADE WITH PASSION - DESIGNED & BUILT IN BRISTOL, UK
All minirig products go through years of passionate research and fine tuning. Then carefully hand assembled and tested in-house for the highest possible quality.

Can be used as Bluetooth Receiver.
Is linkable with other minirigs.

Comes with charging cable and 3.5mm aux cable.

•Dimensions: W = 84mm H = 53mm
•Weight: 312g
•Driver: Custom 52mm with neodymium motor system
•Frequency response(1): 65-16000Hz
•Battery life max volume: 3 hours
•Battery life average use: 12 hours
•Battery life low volume: 36 hours
•Input power: USB (5V DC @ 800mA)
•Amplifier power: 1 x 15Wrms
•Bluetooth: 4.2 with aptX, AAC and wireless stereo
•Bluetooth Reciever Mode: Yes (line out / headphones)
•Bluetooth range: >10-30 meters line-of-sight
•Charging time: 2.5-3.5 hours
•Audio input/output: 2 x 3.5mm mini jack socket
•Construction: Anodised aluminium and ABS / polycarbonate
•Weatherproofing: Splash resistant
•App: IOS and Android

Made in the UK

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MRBT-Mini 2 Bluetooth Speaker (2.0 Stereo HHV Bundle)

219,99 €*

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MRBT-Mini 2 Bluetooth Speaker

119,99 €*

7" | JP | Original (Pillow Union / Lawson Entertainment Co., Ltd.)

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Summer Eye

Sankyu

Release: JP – Original

Genre: Pop

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Summer Eye's big gratitude song "Sankyu" has been released as a 7-inch version! ! The hip, boogie, Latin, and dubby number "Sankyu", which was released on Bandcamp at 3:09:39 p.m. on March 9th, is now available in analog form! !

Last year, after releasing the album "Daikichi", we performed live in various places. Tokyo, Hokkaido, Sendai, Tochigi, Gunma, Ise, Matsumoto, Fukui, Osaka, Nagoya, Hiroshima, Oita, Nagasaki, Kumamoto, Kagoshima, Fukuoka, Hyogo, Matsue, Naha, there may be more. I also went to Bangkok.

The people who invited me and the people who came to listen to my music generally had the same ideas as me, and I felt like they were a bit on the outskirts of society. But when I thought about it, I wondered how many people actually fit into the world. I feel like everyone is doing it in different places.

The Clash has a song called "Rudie Can't Fail." Rudy is a Jamaican slang term for a juvenile delinquent. There's also a song by The Specials called "A Message to You, Rudy." The original song was sung by Dandy Livingstone. Both songs are not boasts or praises for delinquents, but are an encouragement to the rude boys to "get serious."

As I continued my journey, I thought, ``The people who are involved with me now could be called the current Rudy.'' I want to write a song for these beloved compatriots right away that says, ``Do it as a master! Thank you! See you again!'' I'll be 39 years old soon. It was released on March 9th and sold for 390 yen, with T-shirts also selling for 3,900 yen...Wouldn't it be interesting if the title was of course the song "Sankyu"? Isn't it funny? Based on that idea, I made a demo around the latter half of January this year, and slowly completed it.

While playing around with my favorite Elektron digitakt, I came up with the breakbeat that became the basis for the song. I applied spring reverb to the snare to make it look like a DUB. The intro grooves with guitar and horns, and then the singer appears. I would be very happy if you could dance with the main character, who is a little embarrassed about turning 39 years old.

The jacket is by Maeda. It's still the best!

The release date is my Summer Eye birthday! The day before, on the 12th, we have decided to have a one-live show at Shibuya Quattro! I also go on tour. We will also visit Kyoto and Nagoya. With a band, of course. Please look forward to it.

■live info

Summer Eye

6/8 (Sat) @ Kyoto Crucifixion 6/9 (Sun) @ Nagoya Kanayama Brazil Coffee 6/12 (Wed) @Tokyo Shibuya Club Quattro

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Salvia No Hana / Fireplace

Release: JP

Genre: Pop

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"The A-side of 7inch, which will be released for the first time in two years, is a rocksteady cover of Yoshio Hayakawa's ""Salvia no Hana"".
It was included in Yoshio Hayakawa's solo album ""Kakkoīkoto wa nante kakko waruindarou"" released by URC (label) in November 1969, and is said to have had an influence both in Japan and abroad. In recent years, it has often been used in memorable scenes in the movie ""Anokoro"" written by Mikito Tsurugi, and he sings famous songs that continue to influence Reiwa even now with qimygo's clear voice.
The B-side is an original song ""Fireplace"" with an atmosphere somewhat reminiscent of Fishman's. The electric drum with the impressive sound of the popping snare of Roland's 80's drum machine ""TR-909"" is overlaid with sad lyrical Japanese lyrics, and this song is reminiscent of a solo night. The performance was performed by the MAYONAKA band, which includes Koji Oishi (LITTLE TEMPO) on drums, Takashi Nozuki (Amefurashi Quartet, THE SKAMOTTS) on bass, Takao Suzuki (FRISCO) on guitar, and qimygo on keyboards and vocals. With Naoyuki Uchida as the recording engineer and e-mura (Bim One Production) as the mix and mastering engineer, the album will be released in limited quantities in 7inch as a single cut from the full album released in August."

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Kimigo A.K.A Qimygo

7" | JP (Lawson)

18,99 €*

A Little Deeper Black History Month Colored Vinyl Edition

Release: JP

Genre: Pop

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Ms. Dynamite

2LP | 2002 | UK | Reissue (UMR)

48,99 €*

Release: 2002 / UK – Reissue

Genre: Hip Hop

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2LP | 2023 | UK | Original (Lugar Alto)

Akira Umeda

1988 2018

36,99 €*

Last Night Changed It All

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"In this album, Akira Umeda mixes 42 recordings, dated between 1988 and 2018, which, in a sense, reflect the incredible range of his creative work: from songs, to ambient music; from field recordings to prank calls. The cassette tapes, whose contents make up this double-LP, had been stored in Umeda’s house in São José dos Campos, in São Paulo, Brazil.

Restless, and easily bored, Akira moved seamlessly from one activity to another – he was a little bit of everything (and nothing at all). Such people usually go unnoticed and unrecognized, something which Umeda found perfectly acceptable. Nevertheless, unlike most people, he had no right to see himself in this light – in the light of ephemerality and anonymity –, for in everything he tried his hand at, he inevitably left an impressive and distinctive mark.

The term cruising refers to the practice of seeking and obtaining instant, no-strings-attached sexual gratification with strangers. Akira Umeda was well-acquainted with this term, but his practice of it was not restricted to the aforementioned context. Rather it extended into all spheres of his life and work. A historian by training, he later became a ceramicist, a photographer, a visual artist, a draftsman, a graphic designer, a DJ, a musician, an audio technician, a writer, a researcher... He made forays into a myriad of artistic and academic fields – with a single intention: to achieve a specific objective and promptly exit stage left, as it were."

Music & mix by Akira Umeda. Mastering by Dubplates & Mastering (d&m). Artwork by Sometimes Always. Cover Photo from Arquivo Público do Município de São José dos Campos, 1997. Gatefold by Akira Umeda. Special thanks to Laura Deckers and Victor Meyer.

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Bishop88

7" | 2024 | US | Original (Bishop88)

Queen Of Latin Soul / Reina De La Cancion Latina Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Last Night Changed It All (Edit) by Esther Williams b/w I’m Gonna Love You Just A Little More, Baby (Edit) by Kellee Patterson | Bishop88 — BIS88-01 | Stoked to get my hands on test pressing of a forthcoming release via the new imprint Bishop 88. The folks at @galaxy_sound_company are distributing a limited run of this special donut of 2 killer edits of funky female soul heaters. Those in the know recognize the GSC 45 series as a cop-on-sight affair, & this release is cut from the same cloth.

We start things up with a tight & tasty drumbreak edit (with cowbells a plenty) of “Last Night Changed It All (I Really Had A Ball)” by Esther Williams. The track is taken from the 1976 funk-soul-disco LP “Let Me Show You”. It has been a go-to sample source for many a producer of the years; including “Super Hoe” by Boogie Down Productions (1987), “Last Night” by Kid ’N Play (1988), “So Here I Come” by Neneh Cherry (1988), “Anti-nigger Machine” by Public Enemy (1990), “Tonite” by DJ Quik (1991), “Do You Remember This” by Stetsasonic (1991), “Stop Jockin Me” by Ultramagnetic MC’s (1992), “Throw Ya Gunz” by Onyx (1992), “When You’re Near” by Guru (1993), “All I Think About Is You” by Jungle Brothers (1993), “Hight Times” by Jamiroquai (1996), “Forget Me Not” by Inspectah Deck (1999), “Late Night” by 2Pac (2002), “Come On Down” by De La Soul & Flavor Flav (2004), among many others.

On the flipside, we have another subtle edit of “I’m Gonna Love You Just A Little More, Baby” by Kellee Patterson. The track, taken from the 1976 LP “Kelee”, is a cover of the 1973 Barry White song (which has been massively sampled by the likes of Daft Punk, Nas, The Notorious B.I.G., Eric B & Rakim, Beastie Boys, Mary J. Blige, NWA & many more). Here we have amazing the Patterson version, which I prefer, hasn’t been lifted as well. But as this edit demonstrates, that will most likely change. So happy to have this one on 45.

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La Lupe

LP | 1968 | US | Reissue (Vinyl Me, Please)

33,99 €*

El Chicotazo / Matando Los Chivos

Release: 1968 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
There is something raw and disruptive about La Lupe and her modalities of performance, something that far exceeds tropes of so-called hysteria and all the gendered and racial scripts that come along with it. Uncontrolled expression opens up new routes; it presses against obligatory composure.

The boleros, boogaloos and salsas of Reina de la Canción Latina contain lessons about love, about a willingness to stay alive, about what it means to push against the confines. Reina de la Canción Latina asks us to listen to La Lupe outside of a binary mode — to look a little deeper, to find her personhood and to search for flashes of freedom wherever we can.

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Sylvia De Grasse

7" | 2024 | US | Original (Devin's 7s)

21,99 €*

LP | 2024 | US | Original (Ba Da Bing!)

Release: 2024 / US – Original

Genre: Organic Grooves

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An absolute Banger from Ms. De Grasse’s 1959 LP La Cita.

I first got hip to her a few years ago on the @Panama45s account on instagram a few years ago with the title track from that album and was instantly taken with her voice—it’s fucking killer. And not that it matters, but she happens to have been stunning as well. I found a copy that’s been in heavy rotation ever since at my house and found myself wishing that I had 'El Chicotazo' on 7-inch. She was one of the first on my long list of dream 7s to put out, and I can’t front; I got a little emotional when I heard back from the amazing folks at Ansonia Records that they were willing to work with me on this.

The flip side is 'Matando Los Chivos', another smash hit in my opinion. A very similar rhythm but a slightly different vibe, and would probably mix very well, should you be so inclined to do so."—Devin

Limited run of 500 copies.

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The Wickies

24,99 €*

NY's Finest Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Quinnisa Kinsella-Mulkerin recorded her first song at five years old with her parents, who comprise the adventurous Maine band, Big Blood. Ever since the age of five, she was writing songs, banging on chimes, strumming guitars, and clanging together whatever else she could find. Improvisation was natural, and she stuck to the approach. Kinsella-Mulkerin brings this innate sense of songwriting to The Wickies, a duo she formed with Aiden Arel a year ago at age 16, whose chill approach and fluid delivery belie true inventiveness in the underneath mechanics.

Inspired by seventies folk icons like Stevie Nicks, Krautrock bands like Can, and modern indie-rockers like Alex G, The Wickies feel like an amalgamation of these decade-spanning sounds, but uniquely their own. Kinsella-Mulkerin’s voice croons like a seventies folk star, but it possesses a great and controlled tone. Her vocals feel like another instrument within the mix, building and growing each song to its fullest sound, leaving no detail within the mix unheard. Their use of echoing guitar lines recalls sixties psych, a springboard for their unique take.

Kinsella-Mulkerin’s lush, free-flowing lyrics, created on the spot, complement Arel’s fleshed out backing instrumentation and over-dubbing. Quickly, the pair created more material than they ever needed, allowing them to mold their recordings into a self-titled debut album. Like a painter crafting the perfect exhibition of their finest work, Arel and Kinsella-Mulkerin condensed their improvisations to all the best parts. Tracks like “Campfire Song” and “Skipping Pond” exemplify the ethereal and lackadaisical atmosphere of their sound. “I keep finding these weird, obscure bands from the seventies that have one album and nothing else, which is awesome,” Kinsella-Mulkerin says, “I want my music to sound like somebody found it in a record store that no one has ever heard of and uploaded it to YouTube. I want it to sound a little strange.”

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Pete Rock

2xLP | 2008 | US | Reissue (Nature Sounds)

Little Barrie & Malcolm Catto

Release: 2008 / US – Reissue

Genre: Hip Hop

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He made remixes matter more than the original songs. He introduced dramatic, forceful horns to rap’s sonic discussion. It almost goes without saying that Pete Rock is among the greatest hip-hop producers of all time, and Soul Brother #1 is still crafting timeless music. Now back on vinyl for the first time in years, Pete’s acclaimed album NY’s Finest features an impressive lineup of vocalists, including Wu-Tang emcees Raekwon and Masta Killa, Jim Jones, Little Brother, Styles P, Redman, Max B, Papoose, and more. Entirely produced by Pete Rock, the album is a modern masterpiece from a legendary artist. This repress also includes the bonus track “It’s So G” featuring Roc Marciano, a lost treasure from the NY’s Finest sessions that wasn’t on the original tracklist.

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Quatermass Seven

LP | 2020 | US | Original (Madlib Invazion)

2LP | 2005 | US | Original (Interscope)

Release: 2020 / US – Original

Genre: Organic Grooves

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Little Barrie And Malcolm Catto Team Up For Seven Tracks Of Breaks And Sci-Fi Fuzz For Maverick Producer Madlib's Label

Quatermass Seven, the meeting of minds between guitarist Barrie Cadogan, bassist Lewis Wharton and drummer Malcolm Catto represents a re-birth of sorts for Little Barrie, with these their first recordings since 2017’s Death Express and the untimely passing of their gifted drummer and friend Virgil Howe. As Lewis explains, the sessions played a part in the healing process, a way to re-connect through music without any intentions to necessarily come away with a finished record. “It was good to get in the studio again after such a long break especially as we didn’t go in with any agenda or expectations,” he explains. There was no preconceptions that we would make a new Little Barrie record, it was just an opportunity to work on some things Barrie had written for fun with zero pressure.” With most tracks recorded live with minimal overdubs, and produced by Malcolm at his Quatermass studios, The Heliocentrics’ main man brings new flavour to the band’s rhythm section by blending his power behind the drum kit and his expansive skills behind the mixing desk to take Little Barrie’s music forward into new territories. Recorded on Catto’s treasure trove of analogue gear, and mastered onto ¼” tape, the overall effect is guitar, bass and drums finding a sweet spot where genres collide, delivering a record that takes the influences of the past and pushes them towards somewhere more contemporary. “I definitely hear in Barrie’s songs a lot of common musical ground’” explains Malcolm. “It felt like a great thing to do, work with Malcolm while we’re figuring out what we wanna do,” Barrie concludes, “let’s just go in and do some playing and see what happens, and we came out with more than we ever intended.” Quatermass Seven delivers a dark, deep and expansive set of grooves, layered with frazzled and flawless guitar and flowing melodies, as well as pointing toward a future of exciting new musical opportunities. “Still here, so fine, just a little darker state of mind” sings Cadogan on ‘Steel Drum’, words which sum up hope in times of uncertainty, whilst unintentionally offering a perfect description of Quartermass Seven.

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Beck

Guerolito

43,99 €*

12" | 2024 | EU | Original (Ilian Tape ITX Series)

Release: 2005 / US – Original

Genre: Rock & Indie, Electronic & Dance

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... 'guero's' little remixed companion 'guerolito' ... with remixes by Air, El-P, Subtle, Boards Of Canada and many more!

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Struction

Basis

LP | 2024 | US | Original (Feel It)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Ilian Tape is back with a new entry into their ITX Series and as always it comes with four interesting but unhelpful keywords from the Munich crew themselves: Mind-expanding Spaceship Customer Support. The music sure is cosmic and mind-expanding from Struciton, who opens with the thrilling breakbeats of 'Just' which are wired up with fizzing synths and whirring machine noises. 'Flip' then gets busy with a nimble rhythm and bright, pixelated synth sequences and spangled percussion. 'Givven' strips things back a little to a more deep and dubbed-out but still vital groove while 'Sunray' is a mind-melting deep space trip. Unique as always, this one.

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Artificial Go

Hopscotch Fever

29,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Artificial Go is a new four piece hailing from the DIY post-punk scene of Cincinnati, Ohio. Local labels Feel It and Future Shock have teamed up to co-release Artificial Go's debut album, Hopscotch Fever. Consisting of eight tight tracks, this debut is just that: an introduction. A little bit mercurial, a little bit iconic. Artificial Go is operating out of their own genre - not quite post-punk, not quite pop. Hopscotch Fever seems to have been recorded just outside of the collective-genre-periphery to form some sort of extraterrestrial kind of music. With angular guitar breaks, bouncing rhythms, and jolting vocals, Artificial Go is truly here on their own terms."—Jacob Mouser

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LP | 2012 | DE | Reissue (Geffen)

OST Reservoir Dogs

22,99 €*

I Stayed Away Too Long / Kick Out Instrumental

Release: 2012 / DE – Reissue

Genre: Soundtracks

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Only five songs here were featured prominently in Quentin Tarantino's rousing crime film ("Little Green Bag," "Hooked on a Feeling," "I Gotcha," "Stuck in the Middle with You," and "Coconut"), but the record includes Steven Wright's introductions from the film, as well as Tarantino's infamous interpretation of the meaning of Madonna's "Like a Virgin" and Harvey Keitel's monologue on how to rob a jewelry store. Padding out the rest of the disc are three new songs that were heard in passing in the film.

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Manuel B. Holcolm

7" | 2021 | US | Original (Ubiquity)