Search "lil+wayne" 18873 Items

Release: 2020 / US – Original

Genre: Rock & Indie

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Round About Midnight Transparent Blue Vinyl Edition

Miles Davis

LP | 2019 | EU | Original (Waxtime In Color)

18,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Come Over When You're Sober Part 2

Lil Peep

LP | 2018 | EU | Original (Columbia)

Release: 2018 / EU – Original

Genre: Hip Hop

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LP | 2018 | EU | Original (Caroline)

John & Beverly Martyn

Stormbringer

Release: 2018 / EU – Original

Genre: Rock & Indie

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Birth Of The Cool Transparent Red Vinyl Edition

Miles Davis

LP | 2018 | EU | Original (Waxtime In Color)

20,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Music On Vinyl)

Judee Sill

29,99 €*

Vulnicura Remixes - Lionsong Juliano Huxtable Remix

Release: 1971 / EU – Reissue

Genre: Rock & Indie

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Judee Sill was an American singer and songwriter. She released two albums and partially completed a third album before her death in 1979. Sill encountered Graham Nash and David Crosby and toured with them for a time as their opening act, a year before the release of her eponymous debut album.

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Björk

12" | 2015 | UK | Original (One Little Indian)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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CD | 2010 | EU | Original (Aftermath)

Eminem

Recovery

17,99 €*

Release: 2010 / EU – Original

Genre: Hip Hop

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A Promise In The Cold Night EP

Lvca & Otis

12" | 2024 | EU | Original (Bordello A Parigi)

LP | 2024 | Original (We Buy Gold)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Two Italians step into the Bordello. Both are armed. Their weapons of choice? The synthesizer sounds of italo, new beat and wave. Lvca and Otis have been raised on the sounds of their homeland, adopting its analogue sound while adapting it to their own style. The result is a brooding mix of addictive lines and vocoder fire. “Ritmo Electronico” opens with a steel-edged snare driving smeared synths through the city dusk, robotic lyrics menace this sleazy neon-stained scene of cracked mirrorballs and flaring machines. Listeners are pulled into the underbelly of A Promise In The Cold Night with the murky “Tanzen”. Alex Vincent’s words are shrouded in glitch, bright burbling bars and a clean clap offering a path of light to help the listener navigate their way. The true coldness of the night arrives with the stabbing keys of “Synthesised Emotion”. Through a haze of hi-hats, an electrical smoke of blacks and greys fizz with juddering volts as passions pour through cable and wire. That haze grows thick in the close. Through a mist of distortion, a “Sphere Of Light” penetrates. Pin-pricks of percussion are dowsed in aquatic tones before a syrup of static is poured across proceedings, lost vocals ghost in this fog of bending bodies and forms.

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Dr. Dog

27,99 €*

7" | 2024 | UK | Original (Names You Can Trust)

Release: 2024 / Original

Genre: Rock & Indie

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For more than two decades, Dr. Dog have maintained a shared devotion to theunruly alchemy of making music. When it came time to create their eleventhstudio album, the Philadelphia-bred band adopted an entirely new way ofworking together, embracing a multilayered process designed to foster adeeper synergy among its five members (bassist Toby Leaman, lead guitaristScott McMicken, rhythm guitarist Frank McElroy, keyboardist Zach Miller, anddrummer Eric Slick). After beginning that journey with a close-knit session atLeaman's uncle's cabin in the Pennsylvania woods, Dr. Dog steadily madetheir way toward the joyfully unfettered psych-rock of their new self-titled LP.Mi...

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La Banda Chuska

Bar Secreto

18,99 €*

12" | 2024 | UK | Original (Central Processing Unit)

Release: 2024 / UK – Original

Genre: Rock & Indie

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You may ask yourself what lies beyond the cumbia? What psychedelic permeations reveal themselves in the breaks of the modern day tropical wave? La Banda Chuska's debut single on Names You Can Trust provides a glimpse into the broad benchmarks of this new noise and language, channeling and surfing through a barrel of rip-roaring guitar licks to create something decidedly distinct and du jour at the same time. Just imagine if the B-52s got trapped in some sort of demented Pacific-Peruvian time warp and were forced to shred their way back into existence, bongos in tow. Come along for this excellent adventure and experience for yourself, the tropical waviness of La Banda Chuska's colorful crush.

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Karsten Pflum

Liars

12,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In a convergence of two of the most celebrated names in contemporary electronic music, Karsten Pflum steps out on Central Processing Unit with the Liars EP. As anyone who has followed either Pflum's work for labels such as Worm Interface/Furthur Electronix or the Sheffield imprint's recent run of top-quality electro joints will have expected, this coming together proves to be a match made in heaven.
What we have here is a tour de force of modern machine music. With Liars, Pflum achieves that rare feat of making something that is at once boundary-pushing yet also thrillingly immediate, his attention to detail shining through with each well-placed snare hit or leftfield structural choice. Equally apt for home listening or dancefloor deployment, Liars is a delight for heads and hedonists alike.
Constantly evolving while also cleaving to a relentless groove throughout, opener 'wan1' is a brilliant scene-setter for Liars. The track slinks between sections of seething post-Drexciyan acid and eerie vignettes which balance out haunted house synth licks with the sort of punishing bass blasts that recall early grime classics like Youngstar's 'Pulse X'. A sly shift of key halfway through the track only serves to redouble 'wan1's restless brilliance.
After 'wan1', 'lola' represents something of a gear-switch. The track's wiggly opening bassline is a red herring - make no mistake that we're fully into braindance territory on this one, the drums skittering across the mix as Pflum fills the track out with jungle-adjacent delays and softly insistent synth pads. As 'lola' goes on, blurts of synth and some stiffening in the drum work pushes the track into pure rhythm workout territory.
First B-side 'mousfolk' somewhat splits the difference between Liars' A-sides. This track has 'wan1's unyielding stomp and prominent acid bass line, but the helter-skelter drum breaks and wandering keyboard lines are very much pulling from 'lola's zanier energy. As with the other joints here, 'mousfolk' is elevated by Pflum's composerly touch, the Dane frequently throwing in new sonic tidbits - a skippy snare tattoo, a single-note synth loop which sounds like a hovering spaceship - that reinvigorate the mix.
Pflum's musicality is at the fore once more on closer 'balm'. For the first section of 'balm', a rich and sombre keyboard fugue, you'd be hard pressed to say whether you're listening to a producer of club music or a contemporary classical maestro. The way Pflum builds this central motif up with deft broken-beat drum programming, a wheezing synth countermelody and distant vocal sighs is equally delightful, the whole track coming off like a kindred spirit of the electronica-infused experiments on Radiohead's 2000 masterwork Kid A.
A brilliantly unorthodox collection of electro-braindance hybrids, Liars is a barnstorming Central Processing Unit debut from the seasoned Karsten Pflum.
Riyl: AFX, Silicon Scally, DMX Krew, Matmos

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pinqponq

Blok Large Backpack

175,96 €* 219,95 € -20%

Contrast Alpine Anorak Jacket

Available Sizes: One Size

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No question, the pinqponq Blok Backpack looks great without lacking functionality. Besides being convenient, the pinqponq bags are also characterized by social awareness as the featured fabrics are made from 100% recycled PET bottles – that’s why pinqponq is able to economize large amounts of pollutants, wastewater and energy. Minimal, functional, timeless, that’s what pinqponq products are all about.

The pinqponq Blok Large Backpack is equipped with the following features:

• kitbag-inspired draw cord closure at main compartment's top opening
• front flap with 2-way U zipper as well as exterior plus interior organizer pockets
• 2 side pockets with hidden zipper
• compression straps at side walls
• adjustable, padded, and ergonomic shoulder straps
• removable sternum strap with clip closure
• padded 17 inch laptop compartment
• bottom compartment with U zipper for accessories
• padded back panel
• top handle
• side handles
• reinforced bottom
• YKK zippers
• pinqponq logo on front
• dimensions: approx. 30 x 66 x 22 cm
• dimensions laptop compartment: approx. 28 x 36 x 2 cm
• volume: approx. 40-45 liters
• weight: approx. 1,240 g
• 100% polyester pure woven fabric made from recycled PET bottles with water-repellent finish

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Butter Goods

189,95 €*

LP | 2023 | EU | Original (Det Nordenfjeldske Grammofonselskab)

Available Sizes: S, L, XL, 2XL

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The Contrast Alpine Anorak Jacket by Butter Goods is a stylish and functional garment known for its eye-catching aesthetics and thoughtful details. This Butter Goods jacket combines urban streetwear style with functional elements that make it a perfect companion for a variety of weather conditions.

Made from high-quality materials, the Contrast Alpine Anorak Jacket offers protection from the elements and is comfortable to wear. The sturdy nylon fabric ensures durability, while the design is both wind and water repellent, making the jacket perfect for changeable weather. The breathability of the material also ensures that you stay comfortable and dry even during more intensive activities.

The design of this Butter Goods jacket is characterized by subtle contrasts that give it a dynamic and modern look. These color accents make the Butter Goods Contrast Alpine Anorak Jacket a real eye-catcher and at the same time offer a way to express your individual style. The anorak cut with a half-length front zipper and a large front pocket creates a classic yet contemporary look.

The jacket is equipped with an adjustable hood that offers additional protection in wind and rain. The hood can be pulled tight for optimum protection or worn loose to emphasize the casual look. Elasticated cuffs and an adjustable hem ensure a good fit and prevent the cold from penetrating.

Functional details such as the front pockets offer plenty of storage space for important items. These pockets are not only functional, but also stylishly integrated into the design. Another highlight of the Contrast Alpine Anorak Jacket is the understated branding by Butter Goods. The Butter Goods label is cleverly placed and blends harmoniously into the overall look of the jacket without being obtrusive. This detail underlines the high quality and modern design of the Butter Goods brand.

The Contrast Alpine Anorak Jacket is versatile and can be easily combined with different outfits. Whether for a walk in the city, a hike in the countryside or simply as a stylish statement piece - this jacket is suitable for any occasion and always offers comfort and protection.

Butter Goods Contrast Alpine Anorak Jacket - features:

• high-necked, drawstring-adjustable hood with sturdy eyelets and toggles at the elastic draw cord
• sturdy nylon zip closure at chest placket
• raglan sleeves
• 2 welt pockets at lower front
• drawstring-adjustable bottom hem with sturdy eyelets and toggles at the elastic draw cord
• stretch cuffs
• Butter Goods woven label at left sleeve
• relaxed fit
• shell: 100% nylon
• body lining: 100% polyester polar fleece
• sleeve lining: 100% nylon taffeta
• sleeve insulation: 100% polyester

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Motorpsycho

Yay!

2LP | 2003 | EU | Reissue (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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After a series of epic, sprawling and headphones-friendly albums, Motorpsycho is back with a short, reasonably pop-formatted and intimate album of mainly acoustically based songs. For once playing the game instead of trying to reinvent it, this 10-song album of tunes is clearly a reaction in some way to too much architecture and too many grand visions, and dials the music down to more comprehensive and digestible sizes than have been the band's métier lately. While as ever clearly drawing on inspiration from late 60s/early 70s heroes, Yay! is as indebted to earlier iterations of Motorpsycho as anything else, and will be recognizable to fans of vintage Motorpsychodelia as well as a breath of fresh air to newer Psychonauts that only ever heard the heavy progressive side of the band.

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Moloko

Statues

Release: 2003 / EU – Reissue

Genre: Pop

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The North Face

92 Ripstop Nuptse Jacket

319,96 €* 399,95 € -20%

12" | 2023 | EU | Original (Nacht)

Available Sizes: GIRLS XS, GIRLS S, GIRLS M, GIRLS L

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The North Face 92 Ripstop Nuptse Jacket is a must-have down insulated design that is a mandatory addition to any outdoor wardrobe. Packed with lofty, RDS-certified 700 fill goose down for base camp or belay stance comfort, the TNF 1992 Nuptse Jacket is also equipped with a durable waterproof DWR finish that makes sure moisture will be kept at the surface. This is a 2024 rendition of the legendary Nuptse jacket, whose name is inspired by the towering Himalayan peak Nuptse. This The North Face down jacket is a favorite all-year around insulated style for cool urban landscapes or high altitude treks and climbs.

The North Face 92 Ripstop Nuptse Jacket - features:

• high-necked collar with stow-away hood
• 2-way metal front zipper with custom pulls
• 2 pockets with zip closure at lower front
• drawstring-adjustable bottom hem with metal eyelets and toggles at the elastic draw cord
• adjustable straps with hook and loop fastener at cuffs
• interior chest pocket with vertical zip closure at wearer's left
• The North Face logo embroidery on left chest
• The North Face logo embroidery at upper right back
• regular fit
• shell: 100% recycled polyester 50D rip-stop fabric, 82 g/m², with non-PFC DWR finish
• overlays: 100% recycled nylon taffeta 50D, 69 g/m², with non-PFC DWR finish
• insulation: 700 fill goose down (Responsible Down Standard - RDS-certified by Control Union)
• lining: 100% recycled nylon taffeta 50D, 69 g/m², with non-PFC DWR finish

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The Pilotwings

Leuven Works

What Do We Do Now Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In November 2021, right before the second lockdown, Guillaume and Louis were invited by the nacht crew in Leuven to play their first dj-set together since the start of the pandemic. At the time, the nacht crew had just received the first physical release on their brand new imprint, and the team was eager to get the record out into the world. For the second release, however, everything was possible. Before the show, somewhere between the obligatory nasal swab and the third drink, the idea of an unusual collaboration sprouted.

Since Louis recently moved to Athens and Guillaume lived in Lyon, the duo found less time and opportunities to work on their shared project. However, wouldn’t Stelplaats be the ideal venue for a temporary studio in which the two of them could create music? For all the frustration the new lockdown on clubs brought with it, one upside to it was that not that long after the birth of this idea, Louis and Guillaume found their way back to each-other and to Leuven. The duo found their workspace in the dark club that is Stelplaats’ staple. For the occasion, the room was equipped with studio monitors, a sofa, and instruments lended by Leuven based musicians.

Leuven Works compiles five tracks that flowed out of the sessions in Stelplaats and is a testament to the week that Louis and Guillaume had under the Stelplaats roof. During their stay, the blood brothers got looked after with love by the nacht team, who provided homemade pizzas and a well-stocked fridge full of Duvels, allowing The Pilotwings to truly root into the Leuven soil and enrich the local landscape with their colourful presence.

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J Mascis

LP | 2024 | US | Original (Sub Pop)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / US – Original

Genre: Rock & Indie

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What Do We Do Now is the fifth solo studio LP recorded by J Mascis since 1996. This is obviously not a very aggressive release schedule, but when you figure in the live albums, guest spots, and records done with his various other bands (Dinosaur Jr., The Fog, Heavy Blanket, Witch, Sweet Apple, and so on), well, to paraphrase Lou Reed, "J's week beats your year." What Do We Do Now began to come together during the waning days of the Pandemic. Utilizing his own Bisquiteen Studio, J started working on writing a series of tunes on acoustic with a different dynamic than the stuff he creates for Dino. "When I'm writing for the band," he says, "I'm always trying to think of doing things Lou and Murph would fit into. For myself, I'm thinking more about what I can do with just an acoustic guitar, even for the leads. Of course, this time, I added full drums and electric leads, although the rhythm parts are still all acoustic. Usually, I try to do the solo stuff more simply so I can play it by myself, but I really wanted to add the drums. Once that started, everything else just fell into place. So it ended up sounding a lot more like a band record. I dunno why I did that exactly, but it's just what happened." Two guest musicians are playing this time out; Western Mass local Ken Mauri (of the B52s) plays piano on several tracks. Since J himself has some experience with keys, when asked why he needed a hired gun, he says, "Ken is great, and he plays all the keys. I tried playing some keyboards on the first Fog album, but I'm really only comfortable playing the white notes, so it's kind of limiting. [laughs] Nowadays, I could just turn the pitch on a mini Mellotron to play different sounds, but black keys just seem hard. For whatever reason, I just like banging on the white ones. Seems like it's harder to figure out how to stretch your fingers around the other ones." Mauri has no such qualms and plays all the keys very damn well. He sounds especially great on "I Can't Find You," where he is Jack Nitzsche to J's Neil Young, creating one of the album's loveliest tunes. The other guest musician, Matthew "Doc" Dunn, is also prominent on this track. Dunn's steel guitar manages to both widen and soften the musical edges of the music, giving it a full classicist profile. Dunn is an Ontario-based polymath who J met through Matt Valentine. After J played on Doc's great 2022 Sub Pop single, "Your Feel," he figured it was time for payback. Both Dunn and Mauri add beautifully to the songs here, helping to transform them from acoustic sketches into full-blown post-core power ballads. What Do We Do Now is the finest set of solo tunes J has yet penned, and the way they're presented is just about perfect. Asked if he would be touring to support the album, J says he'll be doing some weekend dates, but he probably won't be putting a band together. And I'm sure these songs will sound great solo and acoustic, but the arrangements on this album are truly great and put a cool, different spin on Mascis' instantly Recognizable approach to making music. So, what do we do now? Not sure. But apparently, what J does is to make one of his most killer records ever. Hats off to him. - Byron Coley

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Living Colour

Vivid

Release: 2024 / EU – Original

Genre: Rock & Indie

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Nippon Acid Folk 1970-1980

LP | 2024 | UK | Original (Time Capsule)

2LP | 2005 | EU | Reissue (Sony)

Release: 2024 / UK – Original

Genre: Rock & Indie

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The birth of Japan’s nascent acid folk scene was rooted in the messy and invigorating political climate of the late 1960s. It is a story of Dadaists, communists, pharmacists and cult leaders, led by a young generation of upstart students, artists and dreamers hellbent on turning their world upside down.

Born on the campuses of Tokyo, Kyoto and Osaka, and centred around newly formed independent label and left-wing stronghold URC, this uniquely Japanese form of folk expression provided an outlet for musicians who were tired of aping Western sounds and instead found ways to sing in Japanese and integrate traditional forms in new ways.

At the forefront of this movement was Yellow Magic Orchestra’s Haroumi Hosono, a polymath innovator whose band Happy End released the first Japanese language rock album, and whose influence would go on to be felt across Japanese music for decades. Alongside, and informed by the Kansai scene’s Takashi Nishioka and Happy End collaborator Ken Narita, they experimented with cadences and accents of the Japanese language to open the door for others to experiment with their own forms of psychedelic folk too.

Some, like Nishioka, were more inspired by Dadaism than drugs, while others, like Kazuhisa Okubo, would ultimately find work as a chemist, having founded two further folk groups that flirted with varying levels of success. Obstinately uncommercial, relentlessly creative, the music featured on Time Capsule’s Nippon Acid Folk represents a broad church of influences.

Perhaps the wildest addition to this congregation however was Hiroki Tamaki, a classically-trained violinist and committed iconoclast, whose synth-prog odysseys hinted at his obsession with the divine. Subsumed by the teachings of Bhagwan Shree Rajneesh, he penned an album in praise of the infamous religious leader of which two superbly mind-bending tracks are featured on this compilation.

Charting the decade from 1970 to 1980 as the dreams of political and spiritual liberation seeded in the ‘60s turned to dust, Nippon Acid Folk surveys a little explored corner of Japanese music history, but one which ultimately laid the foundations for an independent music industry, launching the careers of Hosono and others in the process.

Nippon Acid Folk 1970-1980 is pressed on 12” vinyl and represents the start of Time Capsule’s deep dive into Japan’s rich history of folk and psychedelic soul music.

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Fiona Apple

Extraordinary Machine

31,99 €*

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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Joni Mitchell Archives Volume 3: The Asylum Years

Joni Mitchell

4LP | 2023 | EU | Original (Rhino)

124,99 €*

Release: 2023 / EU – Original

Genre: Pop

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A Love Supreme Uhqr Limited Edition Box Set

John Coltrane

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*

LP | 2005 | EU | Reissue (Music On Vinyl)

Release: 1964 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

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Lifehouse

Release: 2005 / EU – Reissue

Genre: Rock & Indie

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LP | 2023 | JP | Original (Time Capsule)

Tokyo Riddim 1976-1985

29,99 €*

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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The smooth and funky sound of prime-time Japanese reggae pop in the 1970s and ‘80s fired up an obsession with Jamaican music that persists to the present day.

If there is a year zero for the introduction of reggae music to Japan, you’d be forgiven for thinking it was 1979 when Bob Marley and the Wailers toured the country, trailed by an entourage of journalists, photographers and fans ready to spread the message of the music into all corners of Japanese society. But the story of Japanese reggae is not a linear one, and the music that is collected on Tokyo Riddim 1976-1985 captures the moment J-reggae entered the broader public consciousness, merging commercial city pop style with an infectious backbeat, that has drawn comparisons with the emergence of Lovers Rock in the UK.

Rather than look directly to Jamaica, many producers and artists in Japan were inspired instead by the more approachable sounds of The Police and Ub40, their reggae fix arriving pre-filtered through the lens of new wave pop from the UK. Playful and groovy, these album deep cuts have been overlooked for too long. Among them are Miki Hirayama, the idol singer who borrowed the bassline from Bob Marley’s Natural Mystic on ‘Denshi Lenzi’, Chu Kosaka, who headed to Hawaii to cut the Jimmy Cliff-inspired ‘Music’ and Marlene, the Philippine songstress whose cover of Roberta Flack’s ‘Hittin’ Me Wear It Hurts’ owed much to her producer’s obsession with Sly & Robbie’s Compass Point sound. Then there was Izumi “Mimi” Kobayashi, who enlisted the Babylon Warriors to perform on a dubbed-out version of her own track ‘Lazy Love’, the city pop-meets-new wave reggae sound of Miharu Koshi’s ‘Coffee Break’, Junko Yagami’s anti-apartheid deep cut ‘Johannesburg’ and Lily, whose ‘Tenkini Naare’ was produced by Ryuichi Sakamoto and closes out the compilation with a flourish.

While these stories may not always conform to neat narratives, they do provide a more accurate reflection of the indirect ways in which styles infiltrate one another and, in their naivety, have the potential to create something beautifully strange and entirely new. Previously only available in Japan, the tracks on this compilation are a testament to that curious alchemy.

Tokyo Riddim 1976-1985 is released on vinyl and as a full album download (no streaming), featuring original artwork by Japanese Fukuoka-based artist Noncheleee, whose cover pays homage to the iconic dancehall album art of Wilfred Limonious. Released on 1st September, Tokyo Riddim 1976-1985 is part of Time Capsule's Nippon Series, a loose series of compilations exploring different musical scenes from Japan between the 1960s and 2010s.

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Arc'teryx

Kyanite Jacket

161,45 €* 169,95 € -5%

Natalie Ofenböck & Der Nino Aus Wien

Available Sizes: M, L, XL, 2XL

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The extremely versatile Arc'teryx Kyanite Jacket is the perfect choice for climbing tours, ski days on the slopes, hikes in freezing cold or to warm up after getting up. Whether as a mid-layer or outer layer, the Arc'teryx Kyanite Jacket warms, gives freedom of movement and wears comfortably soft. The Polartec® Power Stretch® Pro used for this design features an abrasion-resistant nylon shell, a warming brushed interior and four-way stretch. The cut of the Arc'teryx Kyanite Jacket offers unrestricted comfort and fits well under a softshell jacket.

The Arc'teryx Kyanite Jacket´s features include:

• perfect moisture management
• high-necked collar with interior tape
• No-Slip-Zip™ front zipper with custom pull
• 2 pockets with water-repellent zipper sat lower front
• cuffs, hem and collar have been trimmed with durable Tanica™ stretch fabric
• underarm gussets
• preformed regular cut for maximum freedom of movement
• bluesign® approved Polartec® Power Stretch® made of 53% polyester, 38% nylon, 9% elastane

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Songs Aus Dem Wiener Wald

12" | 2023 | UK | Original (Sony Music)

Release: 2023 / UK – Original

Genre: Pop

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Marshall Suite Red Vinyl Edition

The Fall

2LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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180 GRAM AUDIOPHILE VINYL
FEATURES 3 SIDES OF MUSIC (BLANK D-SIDE)
INCLUDES THE TRACK “FINALE: TOM
RAGGAZZI” & A COVER VERSION OF THE

SAINTS “THIS PERFECT DAY”

LIMITED EDITION OF 1500 INDIVIDUALLY
NUMBERED COPIES ON TRANSLUCENT RED

COLOURED VINYL

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Barbour

Hooded Beaufort Wax

365,45 €* 429,95 € -15%

Brous One & Felipe Gordon

Available Sizes: S, M

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With the latest collection's Hooded Beaufort Wax Jacket, Barbour takes the classic outdoor parka design to add a few extra details for a unique twist. While packed with premium fabrics plus high-end processing, this Barbour jacket is the ultimate signature design of the brand, blending heritage and functionality.

Barbour Hooded Beaufort Wax Jacket - features:

• high-necked, drawstring-adjustable hood with metal eyelets and leather toggles at the draw cord
• hidden YKK 2-way metal front zipper with custom pulls
• branded metal snap button closure at storm flap
• raglan sleeves
• 2 flap pockets with snap button closure at lower front
• metal eyelets at armpit vent holes
• quilted lining
• interior chest pocket with snap button closure at wearer's left
• Barbour branding embossed at snap buttons
• regular fit
• shell: 100% cotton, waxed
• lining: 100% polyamide
• insulation: 100% polyester

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Nod Your Head Limited Colored Vinyl Edition

LP | 2023 | EU | Original (55 Music)

21,99 €*

CD | 2024 | EU | Original (Sony Classical)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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“Nod Ya Head“ is not only the name of the new EP by the two talented artist Brous One & Felipe Gordon but it’s also what the tracks wants you to do. So nod your head to some experimental acid house vibes and let the atmosphere of this tune take control of you. You will get some mellow but also funky acid jazz vibes that will get you in the right relaxing mood.

This records has the right mix between house tracks that will make you start dancing and jazzy & laid-back tracks which were produces with lots of love for details.

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John Williams

OST Home Alone

18,99 €*

Release: 2024 / EU – Original

Genre: Soundtracks, Christmas

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12" | 2024 | UK | Original (Find Your Own)

Ceri, Alex Arnout & Cna

Higher

13,99 €*

12" | 2024 | EU | Original (Sub Series)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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THE Remix IS Vinyl Only!

With Early DJ support from: Lakuti, DJ Deep, Kerri Chandler, Chloe Caillet, Fred P, Jeremy Underground, Cici, D'Julz, Chez Damier and more…
Ceri and Alex Arnout launch their new collaboration alias 'CnA', for the eagerly anticipated third release on Ceri's Find Your Own Records label.

The A Side 'Higher' is a happy house summer festival banger, inspired by getting High from the Music, and the B side 'Show me What you Got' is an eerie slice of breaksy techno, reminiscent of the early UR sound.
On the remix is Ukranian Se62, famed for his releases on labels like My Love is Underground and Slapfunk. He reworks the original into a dubby summer laid back deep house minimal cut.

The first two releases sold out on vinyl, had plays on BBCRadio1, BBC6Music, Have rave reviews in dance music press, as well as being MixMag's Techno 'tune of the month', and was also supported by some of the biggest and most respected selectors in the scene (such as Ben UFO. Fred P, Mr G, Midland, George Fitzgerald, Paranoid London, Move D and more).

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Subb-an

Amnesia EP

15,99 €*

Ivan The Tolerable & Bhajan Bhoy

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Subb-an returns with the third instalment on his own Sub Series Records, delivering Amnesia EP—a four-track collection of club-ready cuts that dive deep into his signature sound.

Crafted with the dance floor in mind, Amnesia EP showcases Subb-an’s unmistakable ability to blend raw underground energy with polished, sophisticated beats.

Known for his infectious grooves and dynamic production, Subb-an brings his unique style to the forefront once again, with each track offering an immersive blend of driving basslines, hypnotic rhythms, and lush uplifting atmospheric elements that reflect the essence of his creative vision.

The label has gained widespread support from the likes of Peach, Sonja Moonear, Saoirse, Enzo Siragusa, Raresh, Sedef Adasi, Shanti Celeste, Priku, Midland Anotr and Chris Stussy.

Available on both vinyl and digital formats, Amnesia EP is a testament to Subb-an’s enduring influence in the world of electronic music

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Infinite Space

LP | 2024 | UK | Original (Stolen Body)

12" | 2000 | US (Not On Label (James Brown))

Release: 2024 / UK – Original

Genre: Rock & Indie

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Ivan The Tolerable Trio are back with an alternate version to the amazing Infinite Peace. 2 epic tracks to take you away into infinite space! "When we went in to ATA studios in Leeds to record the Infinite Peace LP - it was always the plan to have two versions of the album - a straight mix that documented what we actually recorded there in its pure form and another version that would rearrange everything into a new shape. Once the LP was out, I passed all the stems to my old pal/former bandmate and frequent collaborator Ajay Saggar (Bhajan Bhoy/King Champion Sounds/University Challenged) and asked him to remix it in a way that sounded nothing like the original record. Its a much more ambient and floaty affair - more Popol Vuh than Sun Ra a full drift spread across two 22 minute suites. This is what he did - infinite space - we hope you like it." Oli Heffernan, September 2024

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James Brown

DJ Tool: Volume 1

16,99 €*

Classic Vest "Dearborn" Canvas, 12 oz

Release: 2000 / US

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

promo

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Carhartt WIP

112,46 €* 149,95 € -25%

The Endless Coloured Ways: The Songs Of Nick Drake

Available Sizes: S

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The Carhartt WIP Classic Vest's features include:
• curved rib collar
• 2-way metal front zipper with custom pull
• 2 self-fabric patch pockets at lower front
• extended rear panel with curved bottom hem
• diamond-quilted lining
• interior chest pocket with hook and loop fastener at wearer’s left
• Carhartt woven square label at left front pocket
• regular fit
• exterior fabric: 100% organic cotton Dearborn canvas, 385 g/m²
• lining: 100% polyester

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Emeli Sande / John Grant

7" | 2023 | UK | Original (Chrysalis)

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 1992 | EU | Reissue (Music On Vinyl)

Soul Asylum

Grave Dancers Union

Thriller Limited Edition Numbered Hybrid SACD

Release: 1992 / EU – Reissue

Genre: Rock & Indie

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LIMITED BLACK & GOLD MARBLED 180 Gram Audiophile Vinyl, 30th Anniversary Edition, insert, deluxe sleeve with leather laminate finish, numbered to 5000. Grave Dancers Union is the sixth studio album by the American Alternative Rock band Soul Asylum, released in 1992. The album spent 76 weeks on the Billboard music charts and was certified triple-Platinum in 1993, establishing Soul Asylum as one of the most successful Rock groups of the first half of the 1990s. The album yielded the mega-hit 'Runaway Train', which by winning a Grammy, put the band in a whole new league. Tracks like 'Home Sick' and 'New World' bear the roots of the Country-Rock revival. 'Somebody to Shove' is pure joy Soul Asylum style.

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Michael Jackson

CD | 1982 | US | Reissue (Mobile Fidelity)

49,99 €*

LP | 2022 | EU | Original (We Run This)

Release: 1982 / US – Reissue

Genre: Pop

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Putting into perspective the incalculable impact and pioneering significance of the best-selling album of all time – Michael Jackson's Thriller – has never been easy. Though Thriller lays claim to mind-boggling statistics that serve as reminders of how pervasive and indispensable it remains to music snobs and casual listeners alike, its essence always traces back to the greatness, power, and scope of the music. Now, as it celebrates its 40th anniversary, the record that reimagined pop; united audiences; made strides towards achieving racial equality; established the video as an artistic and commercial format; and taught the world how to dance sounds even more invigorating than it did during the advent of the Walkman. Mastered from the original analog master tapes, pressed at RTI, and limited to 40,000 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 33rpm LP set does for Thriller what Jackson's unforgettable appearance on the "Motown 25" TV special in 1983 did for his career: It makes the music personal, human, desirable, relatable, imaginative – the definition of cool. This extraordinary reissue does so by presenting the songs in lifelike fashion, zeroing in on the fundamentals with laser focus, and magnifying the brilliance of the production, arrangements, and vocals in ways that let everyone experience Thriller as if hearing the album for the first time.

Surpassing the sonics of earlier reissues and pressings, Mobile Fidelity's 180g LP set strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism.

The gorgeous packaging of the Thriller Ud1s pressing befits the album's select status. Housed in an open-ended slipcase, the set features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the recording. Aurally and visually, this reissue exists as a curatorial artifact meant to be preserved and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in everything involved with the album.

Given that no album released during the past four decades even approaches the magnitude of Thriller, everything about it remains important. Numbers – even the "40" tied to its anniversary – don't even tell half the story. The 1982 blockbuster has sold more than 34 million copies in the U.S.; globally, it has moved upwards of 70 million units. Thriller dominated the 1984 Grammy Awards, winning a record-breaking eight trophies and sweeping every major category. It repeated the feat at the American Music Awards. Seven of its nine songs were released as singles; each charted in the Top 10. Perhaps most astonishingly, Thriller topped the Top 200 Albums chart for 37 weeks during a 59-week stretch. Fast forward 24 years, and the album was the biggest-selling catalog title of 2008.

The record's unimpeachable accolades and archival standing help provide another frame of reference. Acclaimed upon arrival, Thriller topped The Village Voice's comprehensive Pazz & Jop poll in 1983. Included in both the Library of Congress' National Recording Registry and the Grammy Hall of Fame, Thriller was ranked by the Rock and Roll Hall of Fame at No. 3 on its Definitive 200 Albums of All Time. Rolling Stone named it the 12th Greatest Album of All Time. Time deemed it "the greatest pop album of all time." The Independent called it "the most inspiring album of all time."

Thriller proved as influential as it did inspiring. Its unparalleled success, dazzling style, and sleek architecture changed every facet of culture and entertainment. The reverberations echoed throughout society. Thriller crossed over to mainstream channels and white audiences with a degree that no Black musician managed in decades (if ever); prompted MTV to give Black artists a widespread platform; elevated choreography and dance to higher-level artforms; shattered long-standing racial boundaries; and reconceptualized music via a genre- and color-blind blend of fleet pop, funk, disco, soul, and rock sent up with cinematic panache, oversized ambition, and dynamic energy.

Its effect on multitudes of subsequent artists cannot be overstated. Thriller opened up a new galaxy in which Prince soon strolled. It's the same universe that Usher, Maxwell, and Jamiroquai joined in the ‘90s and that contemporary headliners like Beyonce, Justin Timberlake, and Bruno Mars orbit today. Their style-blurring identities, R&B-rooted foundations, and interdisciplinary approaches directly link to those on Thriller. Notably, the album's first single – "The Girl Is Mine," a duet and co-write with Beatles legend Paul McCartney – captured the record's unwillingness to cater to a specific race, generation, class, or style. Eddie Van Halen – at the time, the world's premier rock guitarist – performed a similar bridge role by supplying the electrifying solo on "Beat It."

Jackson, Quincy Jones, and company do the rest. Drop the needle on any track on Thriller and the insatiable desire to move takes hold. So do sensations of familiarity, pleasure, fun, and soulfulness. Be it the breathless, bass-laden swagger of the Moonwalking "Billie Jean"; horn-accented, post-disco slide of the gossip critique "Wanna Be Startin' Somethin'"; rousing tempo of the lush, sequin-adorned "P. Y. T. (Pretty Young Thing)"; gentle balladry and liquid vocal phrasing of "Human Nature"; vivid hybrid of funk-disco and horror-film drama of the title track; or streetwise strut and rhythmic fantasia of "Beat It," Thriller never lets up.

Sacd

Surpassing the sonics of earlier reissues and pressings, this hybrid Sacd strips away prior limitations and provides a clear, dynamic view of a landmark that crashed through every conceivable barrier and permanently transformed music, culture, and society. The expanse and depth of the soundstage, range of detail, percussive textures, air around the vocals, and natural decay of notes come through with demonstration-grade realism. Put simply, this reissue makes the phenomenon that is Thriller eternal.

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B-Side

Inner Life

21,99 €*

State Of The World Address Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Hip Hop

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B-Side is one of the cornerstones of the german Instrumental-beats scene and has been here for a minute. His unique approach for cutting and programming drums made him well known and gave his music a very distinct touch. His last LP came out three years ago and since then he released a number of collaborations with other international producers, rappers and singers. But now it’s time to show the world his interpretation of modern Instrumental-beats. Of course is he a man of the classic retro jazzsound but his record „Inner Life“ is pushing boundaries to the next level. Rhythmical Trap patterns clash with head nodding Boom-Bap vibes. B-Side really took his time. Three years of constant work on the right sound for this album did certainly pay off. This Record takes you on a journey that is not your average sleepy sound. It is hypnotizing and straight up futuristic, both sonically- and productionwise. It just sounds grown up, but in a good way.

He gathered a bunch of his friends for some partial collaborations. Devaloop, Tesk, OG Nuage, Ødyssee and Flitz&Suppe are really contributing to the whole picture of „Inner Life“.

While the world is busy chasing the right sound for playlists, B-Side made an album that will stand the test of time. Purely good music by an artist that is passionate about his art. He mixed and mastered every single track and also took care of the complete artwork himself with photos shot by Flitz&Suppe. Inner Life is released on The Breed's WE RUN This Records.

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Biohazard

LP | 2019 | EU | Reissue (Music On Vinyl)

27,99 €*

12" | 2022 | EU | Original (City Of 3000)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Limited To 1000 Copies On Silver Vinyl

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FSK24

Special Distance

LP | 2022 | EU | Original (Running Back)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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French label City of 3000 Records returns with a fourth EP from Fsk24, expect breaks and 90's style techno all the way.

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Chinaski

No Pop No Fun

19,99 €*

Glow In The Dark Splatter Vinyl Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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For an understanding of the past, you have to look to the future – or was it the other way round? No matter how you want to put it, some things are an aesthetic choice, and the meaning of style does not necessarily go hand in hand with the latest fashion fad or an incurable retromania. Chinaski’s debut (album under that name) on Running Back seems predestined to resume these discussions. Drenched in sepia colors and faded VHS tapes memories, fed by a science-fiction that never became a fact, essentially made with the ultramodern instruments of yesteryear (see back cover for further reference) that became redundant through their own relatives and a need to ensure efficiency (time, space, money), it’s either concept art, an ode to Disco Piu, a post card from the early days of Frankfurt’s Dorian Gray or the search and itch for a time machine. All of the debate above is rendered useless by the title though: No Pop, No Fun! And those are the main musical reference points here: instrumental pop that you can dance to, pastel melodies that stick with you and fun frequencies. Downtempo ballads for video game characters in love meet cabriolet anthems and scooter songs. Perfectly composed and carefully made. If John Hughes would have ever aspired to make a high school movie set in a post-apocalyptic Italy: this is what the score would probably sound like.

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Death Valley Girls

LP | 2021 | EU | Original (Suicide Squeeze)

24,99 €*

Mysteria (Electric Remix)

Release: 2021 / EU – Original

Genre: Rock & Indie

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+ Reissue Of Long Out Of Print Sophomore Album+ Lp Package Comes With A Double-Sided Insert + Dl Coupon+ First Pressing Limited To 1500 Copies Worldwide Onunite, Multiply, & Conquer Splatter Vinyl// You Often Hear People Talking About How A Certain Artist Saved Their Life. You Also Frequently Hear People Talk About How Certain Shows Can Be Borderline Spiritual Experiences. Sure, It Might Be Hyperbole, But Any Music Head Knows Those Experiences Are Very Real. And For Death Valley Girls, The Mortal Stakes And Transcendental Power Of Music Was At The Core Of Their Mission. The Band Quite Literally Began As A Haven For Vocalist/Guitarist/Keyboardist Bonnie Bloomgarden And Guitaristlarry Schemel As They Navigated Getting Clean From Hard Drugs. It Was A Kind Of Rebirth, An Outlet For A New Way Of Living. And With That Newfound Appreciation For Life Came A Thirst For Communal Celebration. Their Shows Took On A Mystical Fervor. They Were A Pure Manifestation Of All The Great Moments Of Rock N' Roll_the Adrenalized Swagger Of The Electric Pioneers, The Razor Edge Of Those Early Metal Masters, The Rough-Hewn Heft Of Rst-Generation Punk_with Any Hint Of Nihilism Swappedout For An Afrmation Of Life. Death Valley Girls' Sophomore Album Glow In The Dark (2016) Is A White-Hot Distillation Of Their Sound And Spirit_a Jittery And Jubilant Joyride Of Barnburner Guitar Riffage, Goosebump-Inducing Choral Hooks, Pounding Rhythms Provided By Drummer Laura "The Kid" Kelsey And Bassist Alana Amram, And An Overarching Aura Of Some Secret And Subversive Power. The Band Wastes No Time Detailing Their Strategies As They Crash Out Of The Gate With The Title Track. Bloomgarden And Auxiliary Vocalist Jessie Jones Issue The Song's Call To Arms_"Unite, Multiply, And Conquer"_as A Rallying Cry To Likeminded Souls. "Once You Realize That Money, Government, And This Whole System Is A Shitty Construct That Doesn't Work And Stands In The Way Of Our True Magical Innite Potential, We Start To Glow," Says Bloomgarden About Glow In The...

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Jimi Tenor

7" | 2021 | EU | Original (Variophon)

LP | 2014 | US | Original (Content (L)abel)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Variophon is Philophon's newly established sub-label. As the name suggests, Variophon is designed to release variations, or more commonly expressed, remixes of songs taken from the Philophon catalog. The beginning on Variophon makes the all around the world beloved Jimi Tenor by remixing himself.

Jimi has chosen one title each from his two albums released on Philohon. From his first, "Order of Nothingness", it is the gently dancing "Myteria" and from his recently released "Aulos" the driving "Vocalize My Luv" (featuring Florence Adooni and Lizzy Amaliyenga). He electrified both pieces in his own very personal, subtle way in order to achieve what he does best: make people happily dancing!

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Dday One

Dialogue With Life

19,99 €*

Release: 2014 / US – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear vinyl.

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The Roger Advantage

149,95 €*

2LP | 2020 | EU | Original (Fun In The Church)

Available Sizes: EU 40½

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Co-designed by the world-famous tennis pro, the On The Roger Advantage has been billed as the most comfortable design of the Mr. Federer series. The Roger Advantage by On is agile at every step, thanks to the hidden Speedboard™ that offers maximum energy return to the all-day shoe, and CloudTec® technology for next-generation comfort. Inspired by tennis shoes, the On The Roger Advantage was constructed to be worn all day. A sock construction delivers On's signature step-in feel, while the perforated vegan leather upper combines a timeless look with ventilated comfort.

On The Roger Advantage - features/specs:

• synthetic leather upper with recycled polyester mesh collar
• lining: 100% recycled polyester mesh
• comfortable inner-sock construction
• suede patch on tongue
• custom Speedboard™ for smooth rolling motion
• hidden CloudTec® technology for ultimate comfort
• EVA and abrasion-resistant rubber sole construction with herringbone tread pattern for traction

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Tau 5

Kreise

22,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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State Of The Tenor Volume 1 Tone Poet Vinyl Edition

Joe Henderson

LP | 1986 | EU | Reissue (Blue Note)

38,99 €*

12" | 2019 | EU | Original ([Oam])

Release: 1986 / EU – Reissue

Genre: Organic Grooves

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The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.

Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.

Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).

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Lydia Eisenblätter

Ground Zero

10,99 €*

Release: 2019 / EU – Original

Genre: Electronic & Dance

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OAM goes in for round two with the Ground Zero EP. The Shrine of Oinari-san is used here as a metaphor. It is a well-known passage in Japan that leads to the sacred ground on the mountain of Inari. Lydia uses the production and titles of tracks such as "Walk" and "Modulate" to describes her personal way of life on her own Inari. The remixers E110101 and Lenson complete the EP and the second story of OAM.

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Patagonia

Jackson Glacier Jacket

303,96 €* 379,95 € -20%

Danger Zone / Mic Messiah

Available Sizes: 2XL

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The Patagonia Jackson Glacier Jacket is one of the greatest quilted jackets this fall/winter season has to offer. Bonded channels hold the down in place to offer impressive warmth, while the DWR finish makes sure your body will stay dry and comfortable.

Patagonia Jackson Glacier Jacket - features:

• high-necked, drawstring-adjustable hood with metal eyelets and toggles at the elastic draw cord
• waterproof, PU-coated YKK 2-way metal front zipper with custom pull and interior storm flap
• 2 front pockets with hidden zip closure at lower front
• drawstring-adjustable bottom hem with metal eyelets and toggles at the elastic draw cord
• hidden rib cuffs
• 1 inside pocket with zip closure plus cable port at wearer’s left
• Patagonia branding printed at left chest
• relaxed fit
• shell: bluesign™-approved 2-layer 50 denier fabric with DWR (durable water repellent) finish made from 100% recycled polyester, 122 g/m²
• lining: 50 denier rip-stop fabric with DWR (durable water repellent) finish made from 100% polyester, 75 g/m²
• insulation: 700-fill-power 100% Recycled Down (duck and goose down reclaimed from down products)
• Fair Trade™-certified

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DJ Sat-One

12" | 2001 | US | Original (Soulspazm)

5,99 €*

Release: 2001 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2017 | DE | Original (HHV Records)

PB Louison & Twit One

Leatherback

10,99 €*

LP | 2018 | EU | Original (Bordello A Parigi)

Release: 2017 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition of 500.

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Heinrich Dressel

Lost In The Woodland

Numark x Jesse Dean Designs

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Few producers can capture atmospheres and moods like Heinrich Dressel. The Minimal Rome boss left jaws on the floor with his first appearance on Bordello A Parigi, The House of the Rising Synth demonstrating the breadth of this Italian musician’s sound. Now Dressel returns, this time with a full eight tracks for Lost in the Woodland. In this analogue forest anything is possible. From the whimsical resonance of the title piece, a sonic pathway through a verdant soundscape is laid. Gentle melodies caress and embrace before the road bends into shadows filled with dramatic twists and unseen dangers. Romantic moments are juxtaposed by triumphal chords and daring drums signalling immediate panic or outright victory. This is a woodland of divergent emotions, one where sounds give way to feelings and where Heinrich Dressel is the piper leading his followers through what can only be described as an unforgettable journey.

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PT01 Scratch x JDDX2RS-A Fader (HHV Bundle)

199,99 €*

Numark x Jesse Dean Designs

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The New Era of Scratch
It’s a new era for DJs! With the PT01 Scratch portable turntable, you can scratch and cut—anywhere. Built with Numark’s exclusive Adjustable Scratch Switch™, PT01 Scratch enables you to grab your favorite scratch record (not included) and perform any turntablist scratch routine, whether you have access to AC wall power or you’re outdoors with your friends.

While keeping FRESH with a dope paint job, PT01 Scratch is designed for any DJ that is passionate for the art of turntablism and enjoy digging for vinyl records.

Transform, Cut, and Scratch
Yes! There’s an Adjustable Scratch Switch™ that gives you the perfect way to scratch, plus it’s adjustable for either right-handed or left-handed scratching styles. You can simply unscrew the scratch switch and adjust it to your style. Our scratch and slide switch performs longer than ordinary sliders, plus, unlike others, it’s user-replaceable, so the action never stops! PT01 Scratch comes equipped with a red slip-mat to perform light to heavy-handed scratches with your scratch records.

Battle anybody—we don’t care who you tell!
Connect your phone or any audio source to play a background beat through the 1/8” stereo input and scratch along to the beat. Increase the volume with the gain control and play it loud and strong on the built-in speaker. You can also connect PT01 Scratch to other equipment via the RCA stereo outputs or use the headphone output for private listening.

Record digitally to your laptop
In addition to scratching and having fun, you also have the capability to record your vinyl digitally via USB to your laptop (with free downloadable software).

Portability and Battery
PT01 Scratch plugs into a wall outlet (AC wall adapter included) and it also runs on batteries. It’s enclosed in a hard case for protection and has a sleek red handle to carry it anywhere.

FEATURES:

• Built-in adjustable Scratch Slide Switch
• User-replaceable scratch slide-switch keeps the action going
• Protective dust cover and integrated carrying handle
• Wall-powered with included AC adapter or six batteries(not included)
• Built-in speaker
• Cartridge included
• Removable slip-mat
• Class-compliant USB connection for PC recording
• 33 1/3, 45 and 78 RPM settings
• RCA line and headphone outputs
• 1/8" Aux input with adjustable volume

The JDDX2RS-A PT01SCRATCH Scratch Fader is a creation of Jesse Dean Designs. This Fader is a
direct replacement for the factory switch. It’s dual rail slide contact-less element gives it durability for an
aggressive environment. This long-lasting fader has no audio bleed thanks to its magnetic sensors
and circuitry. There is virtually no cleaning needed with this contact-less element. Here are the main
features of the JDDX2RS-A Pt01Scratch Fader:
Magnetic Sensor Contact-less Circuitry
Two Side Cut-in Adjustment
Dual Rail Slider for Stability and Smooth Action
Full Size Fader Knob (COOLOR CAPS), Feels Like a Full Size Mixer when Scratching.
Easy Installation with No Soldering Required!
Using highest quality components and relentless testing, we designed this Fader for the Artist that requires
the best from their gear. We feel that this Fader will keep the artist innovating and excelling in their art form.

Installation Video: https://www.youtube.com/watch?v=J5b0QzA9ZxE&feature=youtu.be

PLEASE NOTE: THE WARRANTY FOR YOUR PT01 SCRATCH PORTABLE TURNTABLE IS NO LONGER VALID ONCE INSTALLING THE JDDX2RS-A.

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PT01 Scratch x JDDX2RS-A Fader (HHV Bundle)

199,99 €*

Numark x Jesse Dean Designs

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PT01 Scratch x JDDX2RS-A Fader (HHV Bundle)

199,99 €*

A Turn Of Breath Extended Version

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Ian William Craig

2LP | 2018 | EU | Original (Recital Program)

31,99 €*

2LP | 2005 | EU | Reissue (Music On Vinyl)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Extended edition of Ian William Craig's landmark debut album A Turn of Breath. Here it is in it's final form, with an additional LP of unpublished material: Short of Breath EP (originally a CDr included with the first 125 orders from Recital in 2014), and all unreleased material to fill the final Fresh Breath side of the collection - culled from the same recording period as A Turn of Breath.

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Buddy Guy

Bring 'Em In

PT01 Scratch x 7" Control Vinyl (Pair) HHV Bundle

Release: 2005 / EU – Reissue

Genre: Organic Grooves

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Bring 'Em In is the 13th studio album by blues musician Buddy Guy, originally released in 2005.
The album is made up almost entirely of covers and features renditions of songs by artists from Bob Dylan to Otis Redding.
Bring 'Em In features Tracy Chapman, John Mayer, Keb Mo, Keith Richards, Carlos Santana and many more.

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Numark x Serato

144,00 €*

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The New Era of Scratch
It’s a new era for DJs! With the PT01 Scratch portable turntable, you can scratch and cut—anywhere. Built with Numark’s exclusive Adjustable Scratch Switch™, PT01 Scratch enables you to grab your favorite scratch record (not included) and perform any turntablist scratch routine, whether you have access to AC wall power or you’re outdoors with your friends.

While keeping FRESH with a dope paint job, PT01 Scratch is designed for any DJ that is passionate for the art of turntablism and enjoy digging for vinyl records.

Transform, Cut, and Scratch
Yes! There’s an Adjustable Scratch Switch™ that gives you the perfect way to scratch, plus it’s adjustable for either right-handed or left-handed scratching styles. You can simply unscrew the scratch switch and adjust it to your style. Our scratch and slide switch performs longer than ordinary sliders, plus, unlike others, it’s user-replaceable, so the action never stops! PT01 Scratch comes equipped with a red slip-mat to perform light to heavy-handed scratches with your scratch records.

Battle anybody—we don’t care who you tell!
Connect your phone or any audio source to play a background beat through the 1/8” stereo input and scratch along to the beat. Increase the volume with the gain control and play it loud and strong on the built-in speaker. You can also connect PT01 Scratch to other equipment via the RCA stereo outputs or use the headphone output for private listening.

Record digitally to your laptop
In addition to scratching and having fun, you also have the capability to record your vinyl digitally via USB to your laptop (with free downloadable software).

Portability and Battery
PT01 Scratch plugs into a wall outlet (AC wall adapter included) and it also runs on batteries. It’s enclosed in a hard case for protection and has a sleek red handle to carry it anywhere.

FEATURES:

• Built-in adjustable Scratch Slide Switch
• User-replaceable scratch slide-switch keeps the action going
• Protective dust cover and integrated carrying handle
• Wall-powered with included AC adapter or six batteries(not included)
• Built-in speaker
• Cartridge included
• Removable slip-mat
• Class-compliant USB connection for PC recording
• 33 1/3, 45 and 78 RPM settings
• RCA line and headphone outputs
• 1/8" Aux input with adjustable volume
Aufgrund der überwältigenden Nachfrage aus der Serato Community hat Serato die neue Performance-Serie 7" Control Vinyl released. Diese Control Vinyl wird als Pärchen in der beliebtesten Farbe schwarz ausgeliefert und beinhaltet auf beiden Seiten das neuste Serato NoiseMap Control Signal in einer neu gemasterten Form. Dieses Signal ist nun 6dB lauter als zuvor, was ein deutlich präziseres Tracking und angenehmeres Vinyl-Feeling zur Folge hat.

Features

• 2x 7“ Control Vinyl (CV 2.5) in schwarz
• Control Vinyl zur Steuerung der Serato DJ und Serato Scratch Live Software
• A-Seite und B-Seite mit 4 Min. Control Signal
• Das bewährte Serato NoiseMap Control Signal, remastered und 6dB lauter als bisherige Control Vinyls
• „Vinyl Select“ Funktion ermöglicht das Steuern der MP3 Files in der Library
• Durchgehendes Steuersignal auf der Control Vinyl erlaubt ein problemloses exaktes Scratchen und mixen
• Innovatives Positionierungssystem für ein schnelles und genaues Positionieren der Nadel (Needle Droping)
• Sichtbare in Minuten unterteilte Zeitmarkierungen auf der Control Vinyl

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Numark

PT01 Scratch

139,00 €*

LP | 1999 | EU | Reissue (Music On Vinyl)

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Ministry

Dark Side Of The Spoon

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Dark Side Of The Spoon (1999) is the seventh studio album by Industrial Metal band Ministry. The song "Bad Blood" was nominated for the Grammy Award for Best Metal Performance in 2000. This is the first issue of Dark Side Of The Spoon on vinyl!

180g vinyl.

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2x12" | 2000 | JP | Original (Ki/oon)

Wire 00 Compilation

10,99 €*

Hot To Kill A Beat Part 1 & Part II

Release: 2000 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl 2 ONLY (Side C / D)

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Pitchhitters

12" | 1999 | US | Original (Chapter One)

5,99 €*

12" | 2007 | FR | Original (Roman, Photo)

Release: 1999 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

promo copy Close to VG+

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Jin Choi

High Quality Schal

4,99 €*

Release: 2007 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 2013 | US | Reissue (Content (L)abel)

Dday One

Heavy Migration

59,99 €*

Release: 2013 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Limited Edition, Features cover artwork done by Dday One visually remixing his original photography using "Image Transfer" technique. Each record is hand number out of 115 worldwide

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Ten Yexrs Of All Inn Part Two

2x12" | 2020 | Original (All Inn)

15,99 €*

12" | 2020 | US | Reissue (CSM)

Release: 2020 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Disc 1 only.

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John Selway

CSM 1

Release: 2020 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2002 | US | Original (Igloo Music)

Kokee Anu & Korin Ladke

You're No Good

6,99 €*

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Spencer Parker, Ian Pooley

Feel The Same

12" | 2011 | UK | Original (Tsuba)

7,99 €*

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Want U Baby / Outta The Trench

Trench

12" | 1994 | US | Original (Groove On)

3,99 €*

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

You Make Me Feel (Get Funky)

2 Men On A Trip

12" | 1989 | CH | Original (Panthera)

4,99 €*

Release: 1989 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1996 | US | Original (Not On Label)

Flower

1 / 2

8,99 €*

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1989 | US | Original (UNI)

Ice Cream Tee

Let's Work

6,99 €*

Release: 1989 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2022 | PT | Original (Nugs On Board)

Munir Nadir

Compass EP

29,99 €*

Release: 2022 / PT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2023 | DE | Original (Not On Label (Shunsuke Oshio Self-released))

Shunsuke Oshio

Karmic Dream Sequences

12,99 €*

| 2022 | US | Reissue (Get On Down)

Release: 2023 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

small creasing upper seam.

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Cypress Hill

86,99 €*

Release: 2022 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Cambridge Audio

Melomania P100

279,00 €*

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Over-ear Headphones with Active Noise Cancellation

• Crafted for stunning sound – Class A/B amplification through custom 40mm diaphragm drivers
• 100-hour battery life – five minutes of charge gives up to four hours' playback
• Designed for life – with adaptive hybrid Active Noise Cancelling, seamless multi-device pairing, wear detect and gaming mode.
• Engineered by experts – aptX™ Adaptive Audio, aptX™ Lossless, Clear Voice Capture™ Echo Cancelling, Noise Suppression and Bluetooth 5.3 Multipoint Connection
• Environmentally conscious – User-replaceable battery and earpads, premium reclaimed materials and plastic-free packaging

Feel your music, everywhere
We believe exceptional sound should be a part of everyday life. Our new headphones take the incredible quality of our award-winning audio systems on the go, so you can immerse yourself in the music you love, wherever you are.

Every beat counts
Good music deserves to be played right. We’ve designed and fine-tuned the P100 across a wide range of genres, to deliver phenomenal sound, no matter what you’re listening to.

Superior amplification
Class AB amplification — core to our award-winning CX-series amplifiers — powers our signature sound. A proven technology that’s audibly better than the standard tech found in 99% of headphones.

Discovery is in the detail
Our meticulously crafted 40mm drivers preserve all your music’s energy, immersing you in sound and uncovering nuances in your music in ways you’ve never heard before.

Lossless clarity, adaptive connectivity
aptX Lossless Bluetooth delivers flawless bit-by-bit transmission of your music, maintaining uncompromised sound quality during wireless listening. Snapdragon Sound also streams at an astounding 24bit/96kHz – better than aptX HD.
aptX Adaptive intelligently monitors and maintains connection quality, for uninterrupted performance in challenging locations.

One charge. 100 hours.
Enjoy up to 100 hours of listening on a full single charge (60 hours with active noise cancelling). And if you’re running low, a 5-minute charge provides up to four hours playtime.

Active Noise Cancellation
Turn the bustling noise of the city into a sanctuary of calm. High performance adaptive hybrid noise cancelling combines an array of mics and cutting-edge technology for a truly immersive experience. To hear the environment around you, activate transparency with a single tap.

Premium Comfort, Conscious Design
Viscoelastic memory foam earcups and a soft vegan leather headband offer unparalleled all-day comfort. Lightweight aluminum details ensure maximum durability, so you can enjoy your music as it should be — anytime.

Effortless listening
Easily control your listening experience with simple, intuitive controls, and enjoy seamless compatibility with Siri and Google Assistant.
A smartphone screen displaying an equalizer app for the Melomania P100 headphones, allowing users to tailor the audio experience to their preference.

Customisable sound
We’ve tuned P100 to deliver precise highs and dynamic lows, but we get that you might want to do your own thing. Customise your listening with Melomania Connect. Create your own presets or choose from six expertly curated profiles.

Independent sound, intricate engineering
Made by music and crafted by experts, the P100 pushes the envelope in audio engineering for headphones, combining industry-leading acoustic technologies, fine-tuned for a fantastic listening experience.
Certified for superior sound quality, it guarantees lossless music, low latency, and high-resolution glitch-free audio with lower power consumption. Echo-cancelling and noise-suppression means calls are uninterrupted and crystal clear, so it’s great for both dedicated listening and daily life.

Crystal clear phone calls
Multiple beamforming microphones and Qualcomm’s latest Clear Voice Calling cVc 8.0 technology suppress background noise and deliver outstanding voice clarity.

Make the most of your music
Connect to two devices simultaneously and seamlessly switch between your playlist, a movie on your laptop, or calls on your phone—without the need to reconnect. Connect with the provided cable too, at 24bit/96kHz.

For music and for the planet
Promoting circularity and minimising waste, 100% of our rare earth neodymium and 50% of the plastic used are recycled. All of our packaging is eco-friendly and plastic-free. Both the battery and earpad cushions are user-replaceable with standard tools, ensuring long-term use.

What's in the box:
• Melomania P100
• Carry Case
• Quick Start Guide
• USB-C to 3.5mm Jack
• USB-C to USB-C

Technical specifications:
• AMPLIFICATION: Class A/B amplification
• DRIVER: 40mm three-layer composite (PEEK+PU+PEEK)
• BATTERY PLAY TIME: Up to 100 hrs (dependent on volume, settings and other factors)
• BATTERY PLAY TIME (ANC ON): Up to 60 hrs
• CHARGING TIME: <160 minutes
• FAST CHARGE: 5 minutes gives 4 hours playback (ANC Off)
• POWER SUPPLY: USB-C
• WIRED MODE: USB-C or 3.5mm Jack
• NOISE ISOLATION: Hybrid ANC
• TRANSPARENCY MODE: Yes
• WEAR DETECT: Yes
• WIND NOISE REDUCTION: Yes
• GOOGLE FAST PAIR: Yes
• VOICE ASSISTANT ACTIVATION: Yes
• MICROPHONES: 6 Mics total
• VOICE PROCESSING: 2-Mic Qualcomm® cVc™ Echo Cancelling and Noise Suppression Technology
• LOW LATENCY: <80ms - Gaming Mode accessible via Melomania Connect
• MELOMANIA CONNECT APP: Yes
• FIRMWARE UPGRADABLE: Yes - via Melomania Connect
• BLUETOOTH VERSION: 5.3
• SUPPORTED PROFILES: A2DP, AVRCP, HSP, HFP
• SUPPORTED CODECS: aptX™ Lossless, aptX™ Adaptive, AAC, SBC
• TRIPLE-CORE PROCESSOR ARCHITECTURE: Qualcomm QCC3084, Powerful tri-core processor architecture, Dual-core application subsystem 32/80 MHz operation, Single core 240 Mhz configurable Qualcomm® 32‑bit Kalimba audio digital signal processor (DSP) core, flexible clocking from 2 MHz to 240 MHz to enable optimization of performance vs.power consumption, Analog Devices ADAU1787 dedicated low power codec with FastDSP for ANC processing
• OPERATING TEMPERATURE: 0°C to +40°C
• OPERATING RELATIVE HUMIDITY: 10 to 80%, Non-condensing
• DIMENSIONS (HEADPHONE): 250 x 204 x 59mm
• WEIGHT (HEADPHONE): 330g
• COLOUR/FINISH (HEADPHONE): Black or White

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Cambridge Audio

Melomania P100

279,00 €*

UNIT-4 Wireless+ Single Unit

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AIAIAI

450,00 €*

Tape | 2024 | US | Original (Topshelf)

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AIAIAI introduces world’s first professional wireless studio monitor

UNIT- 4 frees the music creation process with battery powered portability and ultra-low latency wireless audio.
With UNIT-4, what was previously confined to the traditional studio is now liberated in the hands of the creator, enabling them to break free from boundaries. Whether at home, on the road, or with friends, UNIT-4 allows for freedom of movement and increased opportunity for collaboration.

AIAIAI brings innovation in audio technology and acoustic design that packs professional studio monitor performance into a compact size of only 2.5kg. UNIT-4’s advanced wireless technology allows for wireless, uncompressed audio with only 16ms of latency. Three different modes of connection means complete versatility in one speaker with Wireless+ ultra-low latency, Bluetooth and cabled options. Designed from the inside out without using glue, UNIT-4 allows for total disassembly and component replacement, and is made from 100% recycled plastic.

The introduction of UNIT-4 is AIAIAI’s latest step in expanding its family of products using the W+ Link technology, which began with the introduction of the TMA-2 Wireless+ headphones in December of 2021. The W+ Link has been specifically developed for wireless audio with ultra-low latency in a stable and robust connection, designed for enhanced freedom for music making.

The UNIT-4 Wireless+ studio monitors allows creators to finally break free from the cable and expand their creative freedom. Experience unparalleled flexibility and truly liberating mobility in your creative process as a music producer. These studio monitors allow you to create and mix music with accurate sound representation and powerful performance wherever you are. Connect wirelessly to your devices and enjoy crystal clear audio without the hassle of cables.
Take control of your creativity and elevate your music to the next level with these wireless portable studio monitors.

The key features uniquely designed for enhanced freedom and set UNIT-4 apart from other speakers are the following:

Complete wireless freedom
• Battery powered with 20H+ of playback time
• W+ Link ultra low latency wireless audio for music creation - only 16ms of latency, uncompressed audio and robust connection
• Complete wireless freedom - both audio and power cables

Reference monitor performance
• 2 way active monitor featuring a 4 inch high-excursion woofer and 1 inch silk-dome tweeter
• Precision tonal accuracy over a flat +/-2dB frequency response from 50Hz to 20kHz
• Bass vent and boosting EQ tuned to provide a clean bass extension down to 40Hz
• Precise soundstage and point-source accuracy provided by the minimal front panel design, incorporating a directivity controlling tweeter waveguide
• Stage monitor design enables you to place the speaker upright or angled horizontally, to optimise your sound field in changing workspaces
• Shape UNIT-4’s sound to your environment or preference using the AIAIAI app customisable 5-band EQ

Portable, compact and rugged
• Size and weight of only 3 litres / 2.5kg
• Rear bass vent designed to be a comfortable carrying handle when on the move
• Removable steel grille provides sturdy protection for the woofer and tweeter

Connect to everything
• W+ Link - use the X02 transmitter for low latency wireless music creation
• Bluetooth 5.2 - listen to music from your Bluetooth enabled devices
• Cable - connect directly via 3.5mm mini-jack and 6.3mm balanced TRS inputs

Responsible design
• Main components produced from 100% recycled plastics, from post-consumer sources
• Designed for disassembly in a glue-free design - take the whole speaker apart using twoscrewdrivers
• Replace worn out components including battery and drive units
• Future-proofed for new technologies with upgradeable wireless electronics

WHAT’S IN THE BOX?
• UNIT-4 Wireless+ Studio Monitor

TECHNICAL SPECIFICATIONS:
UNIT-4 AUDIO
• Response: +/-2dB 50Hz-20kHz
• Low cut-off: 40Hz
• Peak SPL: 104dB
• Enclosure: Bass reflex
• Woofer: 4 inch high excursion
• Tweeter: 1 inch silk dome
• Crossover: 3kHz
• Amplifier: Class D 2x 80W peak
• DSP: Loudness adaptive bass EQ
• EQ adjustment: 5-band (AIAIAI app)

UNIT-4 AUDIO CONNECTIONS
• Low latency audio: AIAIAI W+ Link
• Bluetooth version: 5.2
• Analog inputs: 3.5mm aux / 6.3mm balanced

UNIT-4 POWER
• Battery playback time: 20 hours
• Charging time: 2 hours
• Battery capacity: 77Wh
• Power supply: 120-240VAC - 15VDC

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Knifeplay

Pearlty

16,99 €*

Dance To The Drummer's Beat Record Store Day 2024 Blue Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Over atmospheric instrumentation expanded by cinematic structure and pacing, Pearlty presents Knifeplay somewhere between dream-pop influenced shoegaze and lofty slowcore, never fully committing to one or the other in its insistence on creating an immersive, organic world.

Originally released in 2019, Knifeplay’s vivid debut Pearlty documents songwriter Tj Strohmer’s expressions of early adulthood in what he describes as “the journey from innocence to experience.”

Written during a time of immense inspiration, Strohmer was able to peel himself away from detached nihilism, uncovering the physicality and therapeutic powers of songwriting. Newly emboldened by this discovery and the talented community surrounding him, Strohmer channeled this revelation into his work, taking Knifeplay from a bedroom experiment that merely wrote songs to a more substantial project with a purpose.

Pearlty’s various climactic passages, like those heard on the impressionist album opener “Tears”, envelop listeners in textured walls of distorted guitar and noisy breakdowns, a distinct hallmark of shoegaze – but Knifeplay’s compositions go far beyond such conventions.

Also featured are downtempo compositions – such as the tribute track “Angel” – that call on a range of influences, from grunge to lofi pop, all the way back to slowcore. Layers of Strohmer’s falsetto lilt adorn the songs with another dimension of sentimentality, while rounding out the sonic vastness of the group’s emotionally enrapturing style, lending impressive depth to the band’s debut full-length.

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Herman Kelly & Life

12" | 1992 | EU | Reissue (Music On Vinyl)

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Music On Vinyl)

Weather Report

Tale Spinnin'

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Fred Perry

Towelling Overshirt

161,95 €* 179,95 € -10%

John Prine Atlantic 75 Series

Available Sizes: S, L, XL

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Fred Perry Towelling Overshirt - features:
• high-necked collar
• 2-way metal front zipper with custom pulls
• 2 side-entry welt pockets at lower front
• straight bottom hem with side notches
• back yoke
• Fred Perry's laurel wreath logo embroidered at left chest
• regular fit
• 75% cotton, 25% recycled polyester terry cloth

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John Prine

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

46,99 €*

In The Right Place Atlantic 75 Series Sacd

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Sacd

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Dr John

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

46,99 €*

John Prine Atlantic 75 Series

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Sacd

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John Prine

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

LP | 1961 | US | Original (Atlantic)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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John Coltrane

My Favorite Things

90,99 €*

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono MGM pressing.

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ROA

Windbreaker

247,47 €* 549,95 € -55%

LP | 2021 | EU | Reissue (Astigmatic)

Available Sizes: M

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ROA Windbreaker - features:
• color-blocked cut and sew construction
• high-necked, drawstring-adjustable hood with sturdy eyelets and toggle at the rear opening of the elastic draw cord
• 2-way front zipper with custom pulls and interior storm flap
• dual chest pockets with vertical zip closure
• drawstring-adjustable bottom hem with sturdy eyelets and toggles at the elastic draw cord
• stretch bordering at cuffs
• contrast zip pocket at the rear
• ROA logo printed on left chest
• relaxed fit
• fabric 1: 84% polyamide, 16% spandex
• fabric 2: 85% polyamide, 15% spandex
• made in Italy

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Jaubi

Nafs At Peace 6th Press

23,99 €*

LP | 2023 | EU | Original (Mutombo)

Release: 2021 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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JAUBI continue the Nafs journey, which commenced with the single “Satanic Nafs” (featuring the remix by legendary LA producers The Gaslamp Killer & Mophono) released in March 2021. Now JAUBI draw on the elements of North Indian classical music, Hip-Hop and modal/spiritual jazz in their debut LP entitled “Nafs At Peace”.

The journey officially began back in April 2019 when London’s multi- instrumentalist and 22a Record label boss Ed “Tenderlonious” Cawthorne and Polish pianist/composer Marek “Latarnik” Pędziwiatr of EABS/Błoto, visited the group to record in Lahore.

Together they channelled their personal struggles at that time into the two recording sessions allowing the musicians to find a spiritual path to transcendence through this musical purge.

Nothing whatsoever was written down during the recording sessions - no sheet music and no song titles, which allowed the six musicians to forget about their worldly issues. In many ways, the journey represents a struggle for purity, an expression of gratitude, and an acknowledgement that the musician's inspiration comes from a higher power.

The album cover portrays the mother of JAUBI’s bandleader, tearfully praying to God to get her son through that dark period of his life, which is what the mothers of the other musicians also did for their children.
The first step of the journey can be heard on “Satanic Nafs” which refers to the lowest level of the Self which was released 26th March 2021 through Astigmatic Records.

The album title ‘Nafs At Peace’ refers to the last purification step the self has been through. At this level, the Self no longer struggles because one has complete love of God, by becoming at peace and tranquil with God’s will. We hope all can achieve the stage of “Nafs At Peace” … Inshallah.

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Duan Wasi

Sun City

LP | 2023 | EU | Original (Nyege Nyege Tapes)

Release: 2023 / EU – Original

Genre: Hip Hop

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Limited edition of just 100 (hand numbered) copies worldwide

Step into the world of "Sun City" by Duan Wasi, where jazzy summer vibes meet a playful chords and piano melodies, creating an atmosphere of pure relaxation and bliss.

The album title refers to a well-known graffiti piece by the french street artist Victor Ash from 1986, and musically ties in with the current discourse on how the modern polis of the future must be designed and constructed. As a living space, as a dynamic system, a creative center of an open society. Duan Wasi gives a musical suggestion for this idea.
The central metaphor here is the sun as the main element by evoking wide open spaces and room for light and carefree feelings, akin to lay back on jazzy summer vibes meeting playful chords and piano melodies, creating an atmosphere of pure relaxation and bliss.

Playful notes dance effortlessly, imbuing the composition with a delightful sense of joy and ease. Soft melody weaves on their way through the tracks, intertwining with subtle jazz elements, infusing the beat with a sophisticated and laid-back ambiance.

"Sun City" embraces the essence of a sun-soaked vibe, where worries melt away, and a lightness of being takes over. It paints a vivid sonic picture of welcomeness. It's an invitation to relish the easy way of life.

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Nakibembe Embaire Group

Release: 2023 / EU – Original

Genre: Organic Grooves

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In Nakibembe, a small village in Uganda's Busoga kingdom (one of the country's four remaining constitutional monarchies), locals have long reserved a communal area for musical performances and social events. In the middle of this space lies a deep pit that serves a single purpose: to amplify the embaire, an immense xylophone made up of between 15 and 25 wooden keys that stretches across the trench. Log xylophones are common throughout East Africa, but the way the music is played by the Basoga - an Eastern Bantu ethnic group - is specific and unique, with its own tuning, dances and supplemental instrumentation. Up to eight players can surround the embaire and play simultaneously, overlaying hypnotic polyrhythms while additional members of the ensemble add vocals or play shakers and drums.Nakibembe Embraire Group are one of the last remaining groups that perform with the embaire, and as anyone who's caught their live performances will know, they create a complex and layered wall of sound that's completely transfixing wherever it's presented. The band are a regular fixture at Nyege Nyege festival, and in 2020 appeared in Berlin at the legendary Berghain nightclub alongside Jakarta-based vanguards Gabber Modus Operandi and Harsya Wahono. On the group's debut album, they present five tracks as an ensemble and three tracks in collaboration with Indonesian trio. Heard together the music demonstrates not only the remarkable sound of Nakibembe's own kinetic interaction, but sonic ripples that correlate with more distant forms, from Indonesia's metallophone-led gamelan music to the heady digital processes of the sound art sphere.Undulating eight-minute epic 'Omukazi Iwe Ongeyengula Nguli Zna Ntyo Bwenkola' draws us into the album, offering the perfect introduction to Basoga musical traditions. Triplet-led melodic percussive phrases provide an ever-fluxing backbone, leaving space for call-and-response vocals in Lusoga and shakers for rhythmic clarity. 'Omulangira Mpango' develops the scope even further, pushing u...

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

2LP | 2024 | US | Original (Light In The Attic)

55,99 €*

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Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Cloudventure Peak PAF

209,95 €*