Search "john+roberts" 13255 Items

Release: 2001 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

LP | 2017 | DE | Original (HHV Records)

PB Louison & Twit One

Leatherback

10,99 €*

LP | 1968 | EU | Reissue (Wah Wah)

Release: 2017 / DE – Original

Genre: Hip Hop, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Limited edition of 500.

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Wynder K. Frog

Out Of The Frying Pan

20,99 €*

A Turn Of Breath Extended Version

Release: 1968 / EU – Reissue

Genre: Rock & Indie

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The Wynder K. Frog story evolves around Mick Weaver. After he switched from piano to organ he joined a band named The Chapters that would soon be renamed Wynder K. Frog and perform material from James Brown's Flames, Booker T. and The MGs or even songs learned through Georgie Fame's recordings and Graham Bond's repertoire. Wynder K. Frog moved to London and became regulars in the city's R&B scene playing at Swingin' London's clubs like the Tiles or The Marquee. A contract with Island Records was secured and -under the wings of producers like Chris Blackwell, Guy Stevens, Jimmy Miller or Gus Dudgeon- Wynder K Frog, a name that would eventually be used as a pseudonym for Weaver more than a proper band name, did some some amazing Hammond organ-ized recordings and issued in three LPs and a bunch of cool 45s.

At the end of the 1960s, Weaver would quit the "band scene" to become one of the most in demand session musicians and throughout his career he'd be heard backing names such as Eric Burdon, Roger Chapman, Dave Gilmour, Keef Hartley, Alexis Korner, Ralph McTell, Taj Mahal or Otis Rush a.o, but his LPs as Wynder K Frog are classic Hammond sound from the 1960s UK and will appeal to those into Brian Auger, Graham Bond, The Artwoods, Zoot Money, Jimmy McGriff, Booker T. & The MGs and the likes.

OUT OF THE FRYING PAN
Released at the end of the summer of 1968, and with a host of session musicians that included the brass section of John Mayall's Bluesbreakers, producer Gus Dudgeon helped Weaver / Wynder K Frog to improve the results obtained on the debut LP and get one step closer to the live action. The formula was more or less the same, instrumental hammond a go go covers of hits from the era, including The Rolling Stones' "Jumping Jack Flash", a funked up version of the classic Tommy Tucker blues number "Hi Heel Sneakers", an exploding cover of "Tequila" or the standard "Green Door", but it also included the sensational Weaver-penned "Harpsichord Shuffle".

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Ian William Craig

2LP | 2018 | EU | Original (Recital Program)

2LP | 2005 | EU | Reissue (Music On Vinyl)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Extended edition of Ian William Craig's landmark debut album A Turn of Breath. Here it is in it's final form, with an additional LP of unpublished material: Short of Breath EP (originally a CDr included with the first 125 orders from Recital in 2014), and all unreleased material to fill the final Fresh Breath side of the collection - culled from the same recording period as A Turn of Breath.

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Buddy Guy

Bring 'Em In

LP | 1999 | EU | Reissue (Music On Vinyl)

Release: 2005 / EU – Reissue

Genre: Organic Grooves

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Bring 'Em In is the 13th studio album by blues musician Buddy Guy, originally released in 2005.
The album is made up almost entirely of covers and features renditions of songs by artists from Bob Dylan to Otis Redding.
Bring 'Em In features Tracy Chapman, John Mayer, Keb Mo, Keith Richards, Carlos Santana and many more.

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Ministry

Dark Side Of The Spoon

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Dark Side Of The Spoon (1999) is the seventh studio album by Industrial Metal band Ministry. The song "Bad Blood" was nominated for the Grammy Award for Best Metal Performance in 2000. This is the first issue of Dark Side Of The Spoon on vinyl!

180g vinyl.

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2x12" | 2000 | JP | Original (Ki/oon)

Wire 00 Compilation

10,99 €*

Hot To Kill A Beat Part 1 & Part II

Release: 2000 / JP – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Vinyl 2 ONLY (Side C / D)

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Pitchhitters

12" | 1999 | US | Original (Chapter One)

5,99 €*

12" | 2007 | FR | Original (Roman, Photo)

Release: 1999 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG, Cover: VG+

promo copy Close to VG+

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Jin Choi

High Quality Schal

4,99 €*

Release: 2007 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

2LP | 2013 | US | Reissue (Content (L)abel)

Dday One

Heavy Migration

59,99 €*

Release: 2013 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Limited Edition, Features cover artwork done by Dday One visually remixing his original photography using "Image Transfer" technique. Each record is hand number out of 115 worldwide

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Ten Yexrs Of All Inn Part Two

2x12" | 2020 | Original (All Inn)

15,99 €*

12" | 2020 | US | Reissue (CSM)

Release: 2020 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

Disc 1 only.

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John Selway

CSM 1

Release: 2020 / US – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

12" | 2002 | US | Original (Igloo Music)

Kokee Anu & Korin Ladke

You're No Good

6,99 €*

Release: 2002 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Spencer Parker, Ian Pooley

Feel The Same

12" | 2011 | UK | Original (Tsuba)

7,99 €*

Release: 2011 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Want U Baby / Outta The Trench

Trench

12" | 1994 | US | Original (Groove On)

3,99 €*

Release: 1994 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

You Make Me Feel (Get Funky)

2 Men On A Trip

12" | 1989 | CH | Original (Panthera)

4,99 €*

Release: 1989 / CH – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

12" | 1996 | US | Original (Not On Label)

Flower

1 / 2

8,99 €*

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 1989 | US | Original (UNI)

Ice Cream Tee

Let's Work

6,99 €*

Release: 1989 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2022 | PT | Original (Nugs On Board)

Munir Nadir

Compass EP

Release: 2022 / PT – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2023 | DE | Original (Not On Label (Shunsuke Oshio Self-released))

Shunsuke Oshio

Karmic Dream Sequences

| 2022 | US | Reissue (Get On Down)

Release: 2023 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

small creasing upper seam.

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Cypress Hill

86,99 €*

Release: 2022 / US – Reissue

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

Dance To The Drummer's Beat Record Store Day 2024 Blue Vinyl Edition

Herman Kelly & Life

12" | 1992 | EU | Reissue (Music On Vinyl)

26,99 €*

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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LP | 1975 | EU | Reissue (Music On Vinyl)

Weather Report

Tale Spinnin'

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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John Prine Atlantic 75 Series

John Prine

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

46,99 €*

In The Right Place Atlantic 75 Series Sacd

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Sacd

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Dr John

CD | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

46,99 €*

John Prine Atlantic 75 Series

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Sacd

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John Prine

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

LP | 1961 | US | Original (Atlantic)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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180g 2LP 45rpm

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John Coltrane

My Favorite Things

90,99 €*

LP | 2023 | UK | Original (Butter Sessions)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Original US mono MGM pressing.

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Polito

Collapse Phase

17,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Proper full-length outing from Naarm quartet and venerable live show Polito! Though prior associations with Butter Sessions have birthed EP's and compilation appearances, Collapse Phase gathers the most cohesive body of work from the group to date. Self-described as "a meeting of improvised contemporary dance and live improvised techno music, working together to create entrancing performance experiences", the project translates impressively to the long-player format. Holding no pretence with its title, opening cut 'Chuggalug' swirls around the stereo field building upon sustained synth warbles with low-key basslines and breaks propelling the track. As the album progresses from the chug into gridlocked, Mills-ian loops and fast, extra-terrestrial sound design (all swinging 909s + decay), we're also treated to contrasting downtempo acid cuts and dubwise, day-time festival vibes ('Fortune Teller'). 'Nine Lines' layers various patterns in a classy exercise of dancefloor tension building, with an undoubtedly in-the-moment feeling evidencing Polito's live show foundations. Across the board the group showcase their mastering of a kind of addition/subtraction push and pull, but the varying influences in sound design provide an extra layer of depth to the whole thing and cement the Polito brand. On both 'Inside The Sphere' and 'The Sphere Is Collapsing', the dreamier, more reflective edges of 90s IDM are given a nod and these two strike as up there with the best on the album. Head for 'Mercado Waltz' for a super interesting fusion of loopy techno and modular dubstep.
Polito is a collaboration between musicians Robert Downie and Finnian Langham, and dancers Arabella Frahn-Starkie and Hillary Goldsmith.

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996

55,99 €*

On x Post Archive Faction

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic Records proudly presents Even the Forest Hums: Ukrainian Sonic Archives 1971-1996—the first comprehensive collection of Ukrainian music recorded prior to, and immediately following, the Ussr’s collapse. From subtly dissenting Soviet-era singles to DIY recordings from Kyiv’s vibrant underground scene, the compilation chronicles the development of Ukraine’s rich musical landscape through rare folk, rock, jazz, and electronic recordings.

“This record is a labor of love and a long time coming,” says label owner Matt Sullivan. Over the course of the last five years, Sullivan, alongside producers David Mas ("dbgo”), Mark “Frosty” McNeill, and Ukrainian label Shukai Records worked tirelessly to compile a carefully curated, chronological playlist. But behind the scenes, ongoing war & politics would shape the evolution of the tracklist, which originally featured both Ukrainian and Russian artists. “We found ourselves in the midst of a larger political issue; what began as a broader overview of a sonically underrepresented region suddenly became quite the controversial project,” Sullivan continues, “so we decided to pivot and focus only on Ukrainian music. There were times when it felt impossible to bring this project to fruition, so to be sharing it with the world today is truly humbling and long overdue.”

Guiding listeners through the physical editions of the album are insightful liner notes and track-by-track details by Vitalii “Bard” Bardetskyi—a Kyiv-based filmmaker, DJ, and writer. The 2xLP is housed in a beautiful gatefold package showcasing Ukrainian artist Maria Prymachenko’s beloved and iconic folk paintings. The vinyl edition features a 20-page booklet with artist photos & liner notes in both English and Ukrainian, pressed on Clear Blue Sky & Sunflower Yellow wax; the CD edition features bonus content housed in a deluxe, 64-page hardbound book.

Light in the Attic will donate a portion of proceeds directly to Livyj Bereh, a Kyiv-based volunteer group working to rebuild in the regions affected by ongoing war in Ukraine.

“Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in his liner notes for Even the Forest Hums: Ukrainian Sonic Archives 1971-1996. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.”

While the songs collected in Even the Forest Hums were recorded during periods of immense societal and political upheaval—and certainly reflect the resilience of the Ukrainian people—they are rooted in the universal spirit of exploration: from post-war teenagers seeking fresh rhythms and artists experimenting with DIY recording technologies to an entire nation being introduced to decades-worth of previously-embargoed albums. Yet, until now, it has been nearly impossible for anyone outside Ukraine to explore the country’s flourishing music scene for themselves.

Much of this can be attributed to Soviet-era restrictions. Music, much like any other commodity, was tightly controlled before the fall of communism. “Only state-authorized performers who had gone through hellish rounds of the permit system could record at the few monopolistic, state-run studios,” explains Bardetskyi. While many of these compositions were released and performed to mass audiences, however, they weren’t necessarily what they seemed. “Some of the artists managed, even under difficult ideological circumstances, to build a whole aesthetic platform which was essentially anti-Soviet.”

Bands could slide under the radar by changing the lyrics of rock songs to reflect Soviet ideals or by performing traditional folk music with subtle outside influences. “This resulted in a whole scene that combined central-eastern Ukrainian vocal polyphony, Carpathian rhythms, and overseas grooves,” writes Bardetskyi, who refers to this era of music as “Mustache Funk.”

Examples featured in Even the Forest Hums... include 1971’s “Bunny” by Kobza. While the folk-rock group was known for their polyphonic vocals, this particular composition is an instrumental waltz, which blends elements of traditional Ukrainian music with progressive rock, British beat, and jazz-rock. Another example of “Mustache Funk” comes from the latter half of the decade, with the Caribbean-influenced “Remembrance” by Vodohrai. While the group—which included some of the best jazz musicians in the country—had a multitude of traditional hits, inspired jams like this one could, for a lucky few, occasionally be heard live.

While the 70s proved to be a golden age for Ukrainian music (complete with pop stars, large-scale tours, and legions of adoring fans), the excitement was short-lived. “The Soviet system finally understood that funkified beats quite strongly contradict[ed] [its] principles,” notes Bardetskyi, who adds that by the 80s, “The once prolific scene was almost completely colonized, appropriated, and largely Russified; the state radio and TV waves were occupied by banal VIAs and cheezy schlager singers.”

With tighter restrictions, however, came the rise of the underground. While the decade leading up to Ukraine’s independence was marked by great turmoil—including the political reform of Perestroika in the Ussr and the Chernobyl disaster—it also marked a time of incredible creativity.

Mirroring global trends, the first half of the decade found many composers and producers experimenting with electronic music. Among them was Vadym Khrapachov, whose scores have appeared in over 100 films. His moody, Moroder-esque “Dance” (written for Roman Balaian’s iconic 1983 film, Flights in Dreams and Reality) is notable in that it was recorded on the Ussr’s only existing British EMS Synthi 100 synthesizer.

Producer Kyrylo Stetsenko, meanwhile, was reimagining traditional songs for the dancefloor. Among them is 1980’s “Play, the Violin, Play,” by Ukrainian pop star Tetiana Kocherhina. Stetsenko, who produced the album for Kocherhina, created a hypnotic remix of the folk tune that was fit for a disco. Stetsenko is also featured here with 1987’s “Oh, how, how?,” in which he transforms a melancholic ballad by Natalia Gura into a synth-forward, breakbeat jam.

As the fall of communism approached, the scene continued to diversify—particularly as music from around the world became increasingly available. Kyiv, in particular, became an epicenter of creativity. In the early days, bands like Krok offered a preview of what was to come. Described by Bardetskyi as “The first real Kyiv supergroup,” Krok was led by guitarist Volodymyr Khodzytskyi and featured musicians from local Beat bands. In addition to backing the biggest pop acts of the day, the versatile collective explored a spectrum of styles in their own recordings, including fusion and electro-funk. They are represented here with the mellow “Breath of Night Kyiv.”

By the late 80s, Kyiv “was buzzing like a beehive,” recalls Bardetskyi. “It was a period of very active socialization and exchange of musical information and ideas; local musicians evolved with supersonic speed, absorbing decades of the world's musical background and transforming it into their sound.” While rock bands comprised much of this era’s first wave, artists continued to expand their repertoire as new influences pervaded the scene. The global rise of DIY recording technology and electronic instrumentation, meanwhile, also contributed to the growing sonic landscape.

Highlights from this period include the avant-garde improvisations of violinist Valentina Goncharova. Recordings like 1989’s “Silence” were created by a series of layered tracks and custom pickups. Similarly, composer Iury Lech paints a warm ambient soundscape with 1990’s “Barreras.” On the other end of the spectrum is the industrial “90” by Radiodelo (the project of Ivan Moskalenko—aka DJ Derbastler), which combines frenetic drum machine beats and haunting, reverb-soaked instrumentation. Post-punk was also thriving, with acts like Yarn (a large, loosely based collective) dominating the scene. “The interests of [Yarn’s] members extended all the way to medieval chamber music, which would clearly be noticeable in ‘Viella,’” writes Bardetskyi. The track features two of Yarn’s co-founding members: multi-instrumentalist and graphic designer Oleksander Yurchenko (who became a significant figure in modern Ukrainian music) and Ivan Moskalenko. Yurchenko is also represented here as part of Omi, a parallel project by the chart-topping electronic group, Blemish. 1994’s dramatic “Transference” (which features contributions by legendary Japanese musician Ryuichi Sakamoto and American singer-songwriter Diamanda Galas) serves up horror-movie-soundtrack vibes, particularly with the addition of eerie vocalizations.

Cukor Bila Smert’ (which translates to “Sugar White Death”) were also major players in the Kyiv underground. Interestingly, Bardetskyi notes, “In the reality of the general dominance of post-punk, the aesthetic message of Cukor Bila Smert’ was countercultural to the countercultural process itself.” For their contribution to the compilation, the experimental quartet provides 1995’s “Cool, Shining.”

In the years following Ukraine’s independence, Kyiv’s underground scene continued to flourish, particularly as Western trends became more accessible and Ukrainians found themselves at the forefront of their own cultural output. While the country’s music would largely evolve in new directions throughout the 90s, the final entry on Even the Forest Hums... provides a glimpse at what the future held. The album closes with 1996’s “Lion,” by Belarusian transplant German Popov, whose project, Marble Sleeves, was “one of the few Kyiv formations that tried to master jungle/drum-n-bass,” per Bardetskyi.

Though this compilation only scratches the surface of Ukraine’s vast and diverse music scene, Even the Forest Hums offers an in-depth overview of a significant period in the country’s cultural history and unites a number of influential figures in the same collection for the first time. As Ukrainian artist Oleksandr Schegel writes in the foreword, “This is our Ukrainian treasure. It is impossible to lose and impossible to win.”

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Cloudventure Peak PAF

209,95 €*

On x Post Archive Faction

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With the Post Archive Faction collabo, On has achieved a great success! Founded in 2018 by Dongjoon Lim and Sookyo Jeong, the Japanese company Post Archive Faction has formulated a vision by disregarding the norms of the established design landscape - instead, PAF deconstructs garments and objects and reassembles them to explore what is possible with creativity and free spirit. As a result, the familiar appears in a completely new light. The designs from the Post Archive Faction collection are put together in experimental cuts that deliberately ignore conventional design craftsmanship and use asymmetrical constructions or creasing techniques to create a new interpretation of individual design language aimed at uniqueness. And it's exactly this approach that makes the On x Post Archive Faction collaboration in general, and the avant-garde Cloudventure Peak PAF in particular, so appealing.

The On x Post Archive Faction Cloudventure Peak blends the brand's extensive knowledge about trail running technology into an advanced design that puts its focus on getting you to the top of the mountain. At the On x Post Archive Faction Cloudventure Peak, technical engineered two-layer mesh upper provides optimal ventilation for cooling comfort, and the Missiongrip™ outsole of On's Cloudventure Peak PAF combines multiple grip patterns to keep you in control on the trail. The "sticky" grip of the specially developed Missiongrip™ rubber is enhanced by reversed lugs.

On x Post Archive Faction Cloudventure Peak PAF - features/specifications:

• technical engineered two-layer mesh upper made from recycled polyester with welded PU overlays
• asymmetric lacing with textil Ghilly loopsl
• soft and highly breathable fabric lining with anti-microbial finish
• external oversized heel counter with side-wall extension
• updated 30% carbon Speedboard™ adds comfort for a responsive ride
• CloudTec® cushioning for maximum energy return, impact protection and durability
• non-slip Missiongrip™ outsole with reversed lugs to keep you in control on the trail
• 4 mm drop

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Cloudventure Peak PAF

209,95 €*

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Even The Forest Hums: Ukrainian Sonic Archives 1971-1996 Colored Vinyl Edition

58,99 €*

Byrne & Barnes / Robert Byrne

Release: 2024 / US – Original

Genre: Rock & Indie

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Love You Out Of My Mind / Do You Wanna Make Some Love

7" | 2024 | EU | Original (Favorite)

13,99 €*

On x Post Archive Faction

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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8 years after the official reissue of the LP “An Eye For An Eye” by Byrne & Barnes, Favorite Recordings proudly presents this new single release. The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors. The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.

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Cloudmonster 2 PAF

249,95 €*

Quixotism 10th Anniversary Remastered Edition

Available Sizes: EU 41, 42½, 43, 44½, 45, 46, 47½, 48

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With the Post Archive Faction collabo, On has achieved a great success! Founded in 2018 by Dongjoon Lim and Sookyo Jeong, the Japanese company Post Archive Faction has formulated a vision by disregarding the norms of the established design landscape - instead, PAF deconstructs garments and objects and reassembles them to explore what is possible with creativity and free spirit. As a result, the familiar appears in a completely new light. The designs from the Post Archive Faction collection are put together in experimental cuts that deliberately ignore conventional design craftsmanship and use asymmetrical constructions or creasing techniques to create a new interpretation of individual design language aimed at uniqueness. And it's exactly this approach that makes the On x Post Archive Faction collaboration in general, and the Cloudmonster 2 PAF in particular, so appealing.

The On Cloudmonster 2 blends everything the brand's knowledge about running tech with a chunky shape - responsive comfort meets urban energy. At the On Cloudmonster 2, next-level CloudTec® cushions impact and a bespoke Speedboard™ offer the highest support you can imagine, while rubber reinforcements support the natural rolling motion of the foot, and the redesigned tongue piece offers an unrivaled fit. Helion Superfoam™ in the midsole guarantees maximum impact protection, flexibility, cushioning and energy return when running in these all-day On performance runners. The padded heel section and the individually adjustable lacing guarantee a perfect fit with maximum freedom of movement, while the On Cloudmonster 2 is also more dynamic and stable than its predecessor.

On x Post Archive Faction Cloudmonster 2 PAF - features/specifications:

• breathable mesh upper
• padded bootie construction with elastic gussets and breathable fabric lining
• open lace configuration over the metatarsals for flex
• externally stabilized heel area
• Speedboard™ adds comfort and kick
• new-generation CloudTec® for for maximum cushioning and energy on easy or longer runs
• Helion Superfoam™ for maximum energy return, impact protection and durability
• EVA sole with rubber reinforcements and lateral grooves for maximum flexibility
• 6 mm drop (29 mm forefoot / 35 mm heel)

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Oren Ambarchi

LP | 2024 | EU | Original (Black Truffle)

LP | 2006 | US | Reissue (Get On Down)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Black Truffle is pleased to announce a tenth anniversary reissue of Oren Ambarchi’s Quixotism, originally released on Editions Mego in 2014. Recorded with a multitude of collaborators in Europe, Japan, Australia and the USA, Quixotism presents the fruit of two years of work in the form of a single, LP-length piece in five parts. Quixotism takes the driving rhythmic aspect of works such as Sagittarian Domain to new levels, with the entirety of this long-form work built on a foundation of pulsing double-time electronic percussion provided by Thomas Brinkmann. Beginning as almost subliminal propulsion behind cavernous orchestral textures and John Tilbury’s delicate piano interjections, the percussive elements (elaborated on by Ambarchi and Matt Chamberlain) slowly inch into the foreground of the piece before suddenly breaking out into a polyrhythmic shuffle around the halfway mark, and joined by master Japanese tabla player U-zhaan for the piece’s final, beautiful passages.

The pulse acts as thread leading the listener through a heterogeneous variety of acoustic spaces, from the concert hall in which the Icelandic Symphony Orchestra were recorded to the intimacy of crys cole’s contact-mic textures. Ambarchi’s guitar itself ranges over this wide variety of acoustic spaces, from airless, clipped tones to swirling, reverberated fog. Within the complex web Ambarchi spins over the piece’s steadily pulsing foundation, elements approach and recede in a non-linear fashion, even as the piece plots an overall course from the grey, almost Nono-esque reverberated space of its opening section to the crisp foreground presence of Jim O’Rourke’s synth and Evyind Kang’s strings in its final moments. Formally indebted to the side-long workouts of classic Cologne techno, the long-form works of composers such as Éliane Radigue and the organic push and pull of improvised performance, Quixotism is constantly in motion, yet its transitions happen slowly and steadily, often nearly imperceptible, the diverse elements which make up the piece succeeding one another with the logic of a dream.

At the time of its first release, Quixotism was clearly a summation of Ambarchi’s work in the years leading up to it. Now, listening back a decade later, it also seems like an arrow pointing to the future, suggesting paths that would be explored further in works to come: the pulsating guitar layers of Hubris, the album-length collaboration with Jim O’Rourke and U-zhaan on Hence, Shebang’s joyous layering and percussive drive. Now sounding better than ever in a new remaster by Joe Talia, the time is ripe to rediscover its quixotic charms.

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Too $hort

Blow The Whistle

36,99 €*

Release: 2006 / US – Reissue

Genre: Hip Hop

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Presented FOR THE First Time Ever ON Vinyl AS A Double LP IN A Gold Vinyl Pressing With A Fold-out Insert In 1996 Too $hort almost retired with album number ten, but of course, he couldn't stay away from the game. In 1999 he returned with Can't Stay Away and would pick back up his streak and release a new album every year until 2003. He had been living in Atlanta for several years and the ATL influence was growing on him as each album would feature more southern Hip-Hop artists and producers. Too $hort was starting to get crunk and made appearances on Lil Jon and The Eastside Boyz albums as their sound was growing in popularity in the early aughts. Lil Jon jumped on Too $hort's 14th album What's My Favorite Word in 2002 and would produce five songs on the 2003 follow up Married To The Game. $hort was not about to retire but took a three-year hiatus after the release of his 15th album. He returned in 2006 and dropped the hyped-up Lil Jon single "Blow The Whistle" and followed with his 16th studio album of the same name with Lil Jon and Jazze Pha behind the boards. The album is a mix of crunk, club, classic pimp tales, and some East Oakland hyphy courtesy of Droop-E and Rick Rock. Almost 20 years later "Blow The Whistle" can get any club or stadium bouncing and Too $hort don't stop rappin'.... Get On Down is proud to present Blow The Whistle for the first time on vinyl.

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Red & Gold Vinyl Edition

57,99 €*

12" | 1991 | EU | Reissue (Only One)

Release: 2024 / US – Original

Genre: Rock & Indie

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Light in the Attic, in cooperation with Laurie Anderson and the Lou Reed Archive, is thrilled to announce the forthcoming release of Why Don’t You Smile Now: Lou Reed at Pickwick Records 1964-65. Due out September 27th, the latest installment in LITA’s critically acclaimed Lou Reed Archive Series is a compilation of pop songs penned by Reed during his mid-60s stint as a staff songwriter for the long-defunct label Pickwick Records. The compilation follows on the heels of Lou Reed’s Hudson River Wind Meditations (2023) and Words & Music, May 1965 (2022).

One of the most original and innovative figures in music history, Reed (1942-2013) first gained recognition as co-founder and frontman of the massively influential Velvet Underground. Over the course of his five-decade career, the two-time Rock & Roll Hall of Famer brought his singular vision to an eclectic expanse of musical endeavors, including era-defining albums like 1972’s Transformer and wildly experimental works like the 1975 avant-garde noise classic Metal Machine Music. But before establishing himself as an enduringly iconic singer, songwriter, musician, and poet, Reed got his start as an in-house songwriter (and occasional session guitarist/vocalist) for Pickwick Records—a label specializing in sound-alike recordings that emulated the major pop hits of the day. Encompassing everything from garage-rock and girl-group pop to blue-eyed soul and teen-idol balladry, Reed’s output for Pickwick ultimately offers a fascinating early glimpse at his ever-evolving and truly limitless artistry.

The album has been restored and remastered by GRAMMY®-nominated mastering engineer John Baldwin. Both the 2xLP & CD editions feature in-depth booklets with unseen photos, liner notes by Richie Unterberger (renowned music journalist and author of such acclaimed titles as White Light/White Heat: The Velvet Underground day-by-day), and an essay by Lenny Kaye (the legendary guitarist, Patti Smith Group co-founder, writer, producer, and curator of seminal garage-rock anthology Nuggets). The double-LP package is designed by multi-GRAMMY®-winning artist Masaki Koike and pressed at world-renowned plant Optimal (Germany). A special color vinyl edition is pressed on “Oxblood” wax (a/b side) and “Gold” wax (c/d side). This release marks the first official anthology of Lou Reed’s work for Pickwick Records and features rarities, cult classics (The Primitives’ “The Ostrich”), & previously unreleased material (The Beachnuts’ “Sad, Lonely Orphan Boy”).

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Format (Orlando Voorn)

2LP | 2024 | US | Original (Columbia)

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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Only One Music presents Format aka Orlando Voorn! This classic masterpiece from 1991, originally released on ESP records, comes re-mastered to you back on vinyl!

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Jean-Michel Jarre

Versailles 400

60,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Why Don't You Smile Now: Lou Reed At Pickwick Records 1964 -1965 Black Vinyl Edition

53,99 €*

Solid State Survivor Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Yellow Magic Orchestra

LP | 1979 | EU | Reissue (Music On Vinyl)

30,99 €*

LP | 1993 | EU | Reissue (Music On Vinyl)

Release: 1979 / EU – Reissue

Genre: Pop

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YMO's second album Solid State Survivor was released in 1979, and represented numerous crossover tracks from Techno to New Wave. Solid State Survivor is probably the most sampled YMO album, as over the years several artists performed numerous covers of "Behind The Mask". This extremely popular album peaked at # 1 in several charts all over the world.

180g vinyl.

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Funkdoobiest

Which Doobie U B?

2LP | 2024 | UK | Original (Counter)

Release: 1993 / EU – Reissue

Genre: Hip Hop

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180 gram black vinyl pressing!

Funkdoobiest is an American rap group from Los Angeles, California.
The original members were Son Doobie, DJ Ralph M and Tomahawk Funk. Which Doobie U B? is the debut studio album by the Latino rap group Funkdoobiest.
DJ Muggs was the executive producer for this album. Tracks on the album are performed by Son Doobie and Tomahawk Funk, including additional Cypress Hill member B-Real on the track "Wopbabalubop".
Hence the album is very much in line with the Cypress Hill productions. "It all works anyway", according to Allmusic review writer Steve Huey, he continues "Muggs is in his absolute prime as a producer here, and Son Doobie's rhymes are fittingly surreal and stoner-friendly, albeit more cartoonish than menacing like his Cypress counterpart".
The album title derived from a line in an episode of the 1970s sitcom What's Happening!!, when the main character, Raj, is introduced to special guests The Doobie Brothers.

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LP Giobbi

Dotr White Vinyl Edition

34,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Seasons Of Your Day Black Vinyl Edition

Mazzy Star

2LP | 2013 | US | Reissue (Rhymes Of An Hour)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2013 / US – Reissue

Genre: Rock & Indie

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Reissue der letzten Mazzy Star-LP aus 2013 auf schwarzem 180g Doppelvinyl.

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Ken Boothe

Let's Get It On

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 1980 | EU | Reissue (Polydor)

The Cure

Seventeen Seconds

22,99 €*

Love In The Time Of Science

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Finally this classic album is available again. All recordings have been mastered by Robert Smith himself.

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Emiliana Torrini

LP | 2009 | EU | Reissue (One Little Indian)

Release: 2009 / EU – Reissue

Genre: Pop

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The Metal Opera Pt. II Platinum Edition

Avantasia

2LP | 2023 | EU | Original (Afm)

39,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2023 | EU | Original (Field)

Monolake

Hongkong

LP | 2022 | EU | Original (Ktba)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.

The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.

While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.

Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”

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Joanne Shaw Taylor

Nobody's Fool

26,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 1981 | US | Reissue (Get On Down)

Miles Davis

The Man With The Horn

17,99 €*

Release: 1981 / US – Reissue

Genre: Organic Grooves

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2LP | EU (Music On Vinyl)

Tindersticks

Tindersticks (2nd Album)

35,99 €*

Release: EU

Genre: Pop

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Warte Mein Land, Warte Black Vinyl Edition

Ozan Ata Canani

LP | 2021 | EU | Original (Fun In The Church)

20,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds Of Japan 1980-1988 Cloudy Clear Vinyl Edition

2LP | 2021 | US | Original (Light In The Attic)

16,99 €*

Cypress Hill Colored Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Somewhere Between: Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988 hovers vibe–wise between two distinct poles within Light In The Attic’s acclaimed Japan Archival Series—Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980–1990 and Pacific Breeze: Japanese City Pop, AOR & Boogie 1976–1986. All three albums showcase recordings produced during Japan’s soaring bubble economy of the 1980s, an era in which aesthetic visions and consumerism merged. Music echoed the nation’s prosperity and with financial abundance came the luxury to dream.

Sonically, Somewhere Between mines the midpoint between Kankyō Ongaku’s sparkling atmospherics and Pacific Breeze’s metropolitan boogie. The compilation encompasses ambient pop, underground electronics, liminal minimalism and shadow sounds—all descriptors emphasizing the hazy nature of the nebula. Out–of–focus rhythms wear ethereal accoutrements, ballads are shrouded in static, and angular drums snake skyward on transcendent tones. From the Avant–minimalism of Mkwaju Ensemble and Yoshio Ojima, to the leftfield techno-pop of Mishio Ogawa and Noriko Miyamoto (featuring members of Ymo), and highlights from the groundbreaking Osaka underground label Vanity Records, these are blurry constellations defying collective categorization.

These tracks also exist in a space of transition when the major label grip on the Japanese recording market began to give way to the escalation of independents. Thanks to the idyllic economic climate and innovations in domestically–manufactured music gear, creators on the edges were empowered to focus on satisfying their artistic visions in the open headspace of home studios. While labels like Warner Music and Nippon Columbia explored new sounds through traditional channels, it was possible for Vanity, Balcony and other indie labels, not to mention self–released artists like Ojima and Naoki Asai, to publish their work via affordable media such as cassettes, 7" vinyl, and flexi–discs.

Expertly curated by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab), Somewhere Between is a collection of music, much of it released for the first time outside Japan, that is bound more by energetic vibration than shared history, genre or scene. They are the sounds of transition and searching—a celebration of the freedom found in floating.

Note: The track “Days Man” by Yoshio Ojima is only available on the LP and Cassette versions.

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Cypress Hill

LP | 1991 | EU | Reissue (Get On Down)

24,99 €*

12" | 2018 | EU | Original (Kompakt Extra)

Release: 1991 / EU – Reissue

Genre: Hip Hop

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Cypress Hill’s self-titled debut album was hard as nails, with very few pop concessions. There was humor, but it was laced by cackling, homicidal sneering. Not well known outside of the hardcore hip-hop scene at first, faces of the three group members weren’t usually shown clearly in press photos; they preferred the shadows. As their first singles began hitting the airwaves and record racks, the press and music fans started to take notice. From the opening notes of the group’s first single, “The Phuncky Feel One,” to deeper album cuts like “Stoned Is The Way Of The Walk” and “Tres Equis,” it was clear that Cypress Hill was something different. And very, very dope.
The world Cypress Hill espoused was gang-ridden and far from cheery, but they managed to laugh through the pain. Lead rapper B-Real took each fuzzed-out, rock-hard DJ Muggs beat as a challenge, jumping around it like a spark off a joint as it makes its way to the concrete. MC Sen Dog always had B-Real’s back, to bringintensity and a no-bullshit gruffness that made the group both menacing and unpredictable. When they introduced percussionist Eric Bobo to the mix in the early 90s, it brought new dimension to the band, making their live performances one of the most unique and accomplished shows in hip-hop. Journalist and author Chris Faraone highlights the group’s relationship in the reissue’s liner notes (which is included only in limited edition Skull) saying, “[By the late ‘80s] the undisputed
Cypress unit finally formed. B and Sen realized that their diametric styles - the latter’s deep wrangle, the former’s inimitable high notes -
complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop’s most formidable young producer, while straddling the bi-coastal gap.” Cypress Hill’s debut went gold by the end of 1991 and has since pushed past double platinum status, making it the first album for a Latino-American hip hop group to do so. The album received raves from the likes of Rolling Stone and the Los Angeles Times, saw a #1 Hot Rap Single with the release of “The Phuncky One” and helped the band win Artist Of The Year at the 1992 Source Awards. After 25 years, it should come as no surprise that Cypress Hill is a cornerstone of the group’s live set to this day.

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Anna

Speicher 101

CD | 2017 | EU | Original (eOne)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Brazil-born, Barcelona-based DJ and producer Anna has garnered international accolades from Mixmag, BBC Radio 1 and others with recent releases on the likes of Diynamic and Turbo Recordings. But her skill set reaches far beyond the studio realm as 2017 marked her busiest year to date. Beyond a whirlwind of festival appearances (including Movement and Awakenings), Anna had the opportunity to perform at iconic clubs such as DC-10 and Fabric.

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Wu-Tang Clan

The Saga Continues

Release: 2017 / EU – Original

Genre: Hip Hop

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James Brown's Funky People Part 1

LP | 1986 | US | Reissue (Get On Down)

2LP | 1996 | EU | Reissue (Music On Vinyl)

Release: 1986 / US – Reissue

Genre: Organic Grooves

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Some have made the claim that Get On Down may love James Brown just a little too much. To which the label replies, it’s not possible to love James Brown too much. The label’s welcome obsession with Mr. Brown and the incredible line up of talent found on his People Record imprint continues with the reissue of “Funky People Part 1”. Long out of print on vinyl, “Funky People Part1” features the top tier of artists from Brown’s People Records label, including The J.B.’s, Lyn Collins, Fred Wesley and Maceo Parker. Some of the James Brown organizations all-time best material is collected here, including The J.B.’s “Pass The Peas” and “Hot Pants Road”, Fred Wesley’s in your face politics through funk statement “Damn Right, I Am Somebody”, Lyn Collins smash hit “Think (About It)” and many more. Newcomers and diehard fans alike continue to dig into the James Brown and People Records vaults, and the more they do so, the more they realize that it’s a nearly never ending source of truly next-level funk and soul music. And you can be sure this aural goodness will keep flowing to the public, thanks to the exhaustive efforts of Get On Down.

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Delinquent Habits

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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12" | 2016 | EU | Original (Dubwax)

Bandulu

New Foundation

LP | 1995 | EU | Reissue (Music On Vinyl)

Release: 2016 / EU – Original

Genre: Reggae & Dancehall

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Rawax proudly welcomes Bandulu to the family! Together with Jamie Bissimire, John O'Connell & Lucien Thompson we came to the point that the time is right to present some of Bandulu's great productions on the Foundation Series. Stay tuned!

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Slowdive

Pygmalion

American IV: The Man Comes Around

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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Where the band attempted to put more song structures in place on Souvlaki, they began to incorporate more elements of ambient electronica on Pygmalion. Which resulted in a more complete album than the two previous albums.

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Johnny Cash

2LP | 2002 | US | Reissue (American)

48,99 €*

2LP | 2010 | EU | Reissue (Music On Vinyl)

Release: 2002 / US – Reissue

Genre: Rock & Indie

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Reissue of this classic produced by Rick Rubin!

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Opeth

Blackwater Park

Release: 2010 / EU – Reissue

Genre: Rock & Indie

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Seventy Nine Alternate Art Edition

Planet Asia & DJ Concept

LP | 2019 | US | Reissue (Coalmine)

Tom Holkenborg aka Junkie XL

Release: 2019 / US – Reissue

Genre: Hip Hop

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This special edition repress of Planet Asia & DJ Concept’s collaborative LP, ‘Seventy Nine’ is released in commemoration of the album’s three year anniversary. Limited to just 300 Units, this repress is manufactured with an alternate NYC-themed cover on classic black vinyl, to contrast with the LA-themed artwork/gold vinyl, akin to the original pressing which has long since sold out. The LP boasts a strong line-up of guest features which include DJ Revolution, TriState, Marvelous Mag, SmooVth, John Robinson, Blu, Agallah, and the late Sean Price. 'Seventy Nine' has been co-signed by DJ Premier, who refers to the merger of Planet Asia and DJ Concept as a 'Win-Win.' The album has been featured through several top tier webzines such as NOISEY, Ambrosia For Heads, VIBE, HipHopDX, XXL, and more."

In commemoration of the three year anniversary of Planet Asia & DJ Concept's collaborative LP, 'Seventy Nine,' Coalmine Records is pleased to release a special edition repress with a NYC-themed alternate cover, pressed on classic black vinyl. Since debuting nearly 20 years ago, Planet Asia has continued to cement himself as one of the best to ever touch the mic. And that’s become especially apparent these past few years as the Fresno, CA rapper has dropped one distinguished project after the next. That trend has continued with ‘Seventy Nine,’ a tightly constructed and ambitious concept album from Planet Asia and Long Island producer, DJ Concept. This special edition repress is limited to just 300
copies

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Mad Max: Fury Road

2LP | 2024 | EU | Original (Music On Vinyl)

38,99 €*

Release: 2024 / EU – Original

Genre: Pop

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The Ritual Of The Savage Colored Vinyl Edition

Les Baxter

LP (Waxtime In Color)

22,99 €*

Genre: Organic Grooves

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2LP | 2023 | Original (Verve)

Jon Batiste

World Music Radio

Velvett Fogg Green & White Marbled Vinyl Edition

Release: 2023 / Original

Genre: Organic Grooves

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Jon Batiste is a jazz multi-talent, late-night legend, convincing protest song protagonist (Best Album Grammy 2022 for "We Are") and Oscar winner (Pixar's "Soul"). With his new, most pop-oriented album to date, he wants to prove that there is one thing that can connect everyone on this planet: the magic of music. To his “World Music Radio” he has also invited Jon Bellion, Lil Wayne, Lana Del Rey, Fireboy Dml, J.I.D, Camilo, Newjeans and others.

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Velvett Fogg

LP | 1969 | EU | Reissue (Music On Vinyl)

LP | 1973 | EU | Reissue (Transversales Disques)

Release: 1969 / EU – Reissue

Genre: Pop

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180 GRAM AUDIOPHILE VINYL
FIRST AND FINAL STUDIO ALBUM BY BRITISH PSYCHEDELIC ROCK
BAND VELVETT FOGG

LIMITED EDITION OF 750 INDIVIDUALLY NUMBERED COPIES ON
TRANSLUCENT GREEN & WHITE MARBLED VINYL

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Jean-Michel Jarre

OST Les Granges Brûlées

27,99 €*

Release: 1973 / EU – Reissue

Genre: Soundtracks

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Transversales proudly presents the first LP reissue of “Les granges brûlées”, original soundtrack written and performed by Jean-Michel Jarre shortly after his work experience at G.R.M (Groupe de Recherches Musicales). Probably one the first ever electronic music score, recorded with very scanty means: a Vcs3 synthesizer, a Farsifa organ and three synchronized Revox tape recorders. Director Jean Chapot, who understood immediately the interest in the gap between this hyper classical rural thriller and this groundbreaking music, let Jarre absolutely free to compose. Built up around several melodic leitmotifs, the score of “Les granges brûlées” allowed Jarre to pursue his personal research: to bridge the gap between experimental music and pop music. This deluxe reissue also contains the bonus track “Happiness Is a Sad Song” composed during Jarre's time at the G.R.M. “Aphex Twin told me once that the original soundtrack of “Les granges brûlées” was one of his favorite records” JeanMichel Jarre

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2LP | 2023 | EU | Original (Music On Vinyl)

Eurovision Collected

35,99 €*

Don Cherry & Jean Schwarz

Release: 2023 / EU – Original

Genre: Pop

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Limited edition of 2000 individually numbered copies on blue coloured 180-gram audiophile vinyl. Eurovison Collected Eurovison Collected contains contains the #1 hit songs from earlier winners such as France Gall "Poupée de Cire, Poupée de Son" (France, 1965), Sandie Shaw "Puppet On A String" (United Kingdom, 1967), Sandra Kim "J'aime La Vie" (Belgium, 1986), Johnny Logan "Hold Me Now" (Ireland, 1987), Lordi "Hard Rock Hallelujah" (Finland, 2006), Loreen "Euphoria" (Sweden, 2012), Duncan Laurence "Arcade" (The Netherlands, 2019) and recent winners Måneskin "Zitti e Buoni" (Italy, 2021) and Kalush Orchestra "Stefania" (Ukraine, 2022).

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Roundtrip - Live At Théatre Récamier - Paris 1977

LP | 2023 | EU | Original (Transversales Disques)

CD | 1993 | US | Original (Jive)

Release: 2023 / EU – Original

Genre: Organic Grooves

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After more than 45 years forgotten in the personal archives of Jean Schwarz, Transversales Disques is very happy to release this previously unpublished recording which brings together the great Don Cherry and his friend, composer Jean Schwarz, pioneer in electro-acoustic music and member of G.R.M. This concert was recorded in 1977 at the Paris MIX festival (Théatre Récamier) organised by G.R.M and hosted by director François Bayle. An elegant mix of spiritual jazz and electronic sounds around this astounding quintet made up of JF Jenny Clark, Nana Vasconcelos and Michel Portal. Remastered from the original master tapes. Exclusive pictures and liner notes

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A Tribe Called Quest

Midnight Marauders

Release: 1993 / US – Original

Genre: Hip Hop

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lyricism, and impactful social commentary. The album helped cement A Tribe Called Quest as pioneers of the alternative hip-hop movement.

Midnight Marauders continues the group’s fusion of jazz samples and boom-bap beats, much like their previous album, The Low End Theory. However, the production on Midnight Marauders is tighter, more polished, and showcases a richer sound with more layers of sampling and instrumentation.
The album features both Q-Tip (Kamaal Ibn John Fareed) and Phife Dawg (Malik Taylor) at the height of their lyrical powers. Q-Tip delivers introspective, philosophical verses with his signature smooth, laid-back delivery, while Phife Dawg provides sharp, witty, and streetwise commentary, offering a perfect contrast to Q-Tip’s style.

The album addresses a range of topics, from the complexities of Black identity and the state of hip-hop to reflections on love, competition, and the music industry. The lyrics are often intellectual yet grounded in everyday experiences, making them accessible and thought-provoking.
The themes in the album extend to the critique of societal issues like police brutality and systemic racism, but they are presented in a conversational, unpretentious manner.

Key Tracks and Highlights:
"Award Tour" (featuring Trugoy from De La Soul) – One of the album’s biggest singles, this track celebrates Tribe’s success while maintaining a humble, down-to-earth tone. It’s driven by a catchy, upbeat beat and has an infectious hook.
"Electric Relaxation" – A classic, smooth track known for its laid-back vibe and jazzy production. The song features witty, flirtatious lyrics, where both Q-Tip and Phife Dawg reflect on relationships and romance. It remains one of the group’s most popular songs.
"Oh My God" (featuring Busta Rhymes) – A high-energy track that blends frantic, lively production with sharp lyricism from Q-Tip and Phife, while Busta Rhymes brings his signature hype-man energy on the chorus.
"Sucka Nigga" – In this controversial track, Q-Tip delves into the history of the N-word, its reclamation, and the complexities of language in African American culture. The track is a reflective and thought-provoking commentary on racial identity.
"We Can Get Down" – A track that highlights the camaraderie between Q-Tip and Phife Dawg as they rap about friendship and mutual respect, reinforcing the tight bond within the group.
"Clap Your Hands" – With its boom-bap beat and jazz-heavy instrumentation, this track is a quintessential Tribe song, showcasing their ability to create music that is both catchy and intellectual.

Midnight Marauders was produced by A Tribe Called Quest themselves, with the assistance of their longtime collaborator Ali Shaheed Muhammad. The production continues to focus on sampling jazz records, but it’s more refined, with a greater emphasis on layered sounds, creating a warmer, fuller sonic experience.
The album also features funk, soul, and R&B influences, giving it a dynamic, genre-blending feel that set it apart from the more sample-heavy hip-hop albums of the time.

Midnight Marauders was both a critical and commercial success, debuting at #8 on the Billboard 200 and receiving widespread acclaim for its innovative production and insightful lyricism. Critics praised the album for its balance of jazz-inflected beats and clever wordplay, as well as its thoughtful approach to social issues.
The album is often included in "greatest albums" lists and is considered one of the essential works of 90s hip-hop. It influenced a wide range of artists, from Kendrick Lamar to J. Cole, and helped solidify A Tribe Called Quest’s legacy as one of the most innovative and impactful groups in hip-hop history.

Midnight Marauders represents the perfect blend of jazz, hip-hop, and social commentary, with A Tribe Called Quest striking a balance between intellectual exploration and accessible, feel-good music. The album’s cohesive sound, sharp lyricism, and cultural relevance have made it a cornerstone of hip-hop and one of the genre’s most beloved records.

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John Sinclair Presents Detroit Artists Workshop

2LP | 2022 | EU | Original (Strut)

Gudrun Gut & Nathan Wooley

Release: 2022 / EU – Original

Genre: Organic Grooves

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Strut and Art Yard present the culmination of a 5-year project researching the archives of author, DJ and activist John Sinclair with the first ever retrospective of the influential Detroit Artists Workshop spanning 1965 to 1978. This first compilation of Detroit Artists Workshop is a revelation for any fan of jazz, featuring previously unreleased recordings by Byrd, Moore, English, Woodard, Bennie Maupin and Teddy Harris accompanied by extensive sleeve notes from John Sinclair, Robin Eichele and Herb Boyd. All tracks are remastered from the original tapes by Technology Works.

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OST The Painter

LP | 2022 | EU | Original (JUBG)

24,99 €*

LP | 2022 | US | Original (Dirt Cult)

Release: 2022 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Since its opening in spring 2021, Jubg, a still young Cologne gallery for contemporary art, has specialized in the broad field of artists and collaborations working along artistic interfaces, especially those between visual art and experimental and/or electronic music. For example, Jubg has already hosted exhibitions by Markus Oehlen, Kim Gordon, Wolfgang Voigt, Matthias and Aksel "Superpitcher" Schaufler, Sven-Åke Johansson, and Emil Schult. Albert Oehlen, who is a kind of mentor and supporter of the gallery, was also a guest at Albertusstraße this summer, where he presented the exhibition D-i-e Orpheusmaschine together with Michael Wertmüller, Thomas Stammer and the poet Rainald Goetz.

It is only logical that the gallery now expands its sphere of activity to include its own label, on which music appears that comes from similar contexts as the artists listed above already suggest.

As catalog number 1, Jubg is now releasing the official soundtrack to "The Painter" from 2021. The film, German title "Der Maler", is a mixture of feature film and documentary and a collaboration between German director Oliver Hirschbiegel, best known for his Oscar-nominated film "Downfall", and Albert Oehlen, with whom Hirschbiegel has a long friendship, as they both once studied together at the Hochschule der Bildenden Künste in Hamburg.

The docu-fiction shows Oehlen struggling with a painting and pondering the meaning of his work. Oehlen is played by German actor and musician Ben Becker, accompanied by the off-screen voice of Charlotte Rampling. In the film, Becker makes a painting that Oehlen himself creates step by step behind the camera, while the actor improvises the process in front of the camera.

The wonderful music for this film comes from no less than two outstanding personalities whose individual biographies and musical signatures could hardly be better suited to this project. On the A-side it is Gudrun Gut, icon not only of the German electronic music scene since at least the 90's, singer, composer, DJ, label owner (Monika Enterprise) and of course founding member of the legendary 80's New Wave band Malaria. On the B-side it’s the world famous and award winning US avant-garde trumpeter and improvisational musician Nathan "Nate" Wooley, who has played with Fred Frith and John Zorn among others.

Gudrun Gut's tracks bear such beautiful titles as "Bewegung", "Küste" or "Weinen" and she once again pulls out all the stops of her great skills and decades of experience as a producer of the most diverse electronic music genres. These are unusual and much more experimental musical paintings that she creates here than on her recent solo works. Edgy, angular, raw and unpolished, yet always elegant and clever, she subverts the male artist madness depicted extensively in the film in her own unique way.

Nathan Wooley answers with the instrument he has been familiar with since childhood, the trumpet, with which he is able to create a ravishingly virtuosic noise. His pieces are more like sketches, often only 90 seconds or a few minutes long, but in all their abstractness underpin the narrative of the film almost perfectly.

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Fleshies

Introducing The

20,99 €*

Infamy Marbled Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Fleshies (est. 1999) are a loud punk band from Oakland, California. They are noted for their intense, wild, and often homoerotic stage presence, abrasive-yet-catchy songs that warp and invert countless rock and punk tropes, radical (verging on wingnut) left-wing politics, and punishing tour schedules from the past (133 shows in 131 days at one point in 2003). They have released numerous well-received albums and singles on labels such as Alternative Tentacles, Recess, Life Is Abuse, Thrillhouse, and Adeline, and are on countless compilations (such as MaximumRocknRoll’s “Noise Ordinance” LP). “Introducing The Fleshies” (Dirt Cult Records), the band’s new full-length album, represents a return to form, capturing the energy, raw power, incisive lyrical commentary/humor, and brutalist melodicism of their earlier releases like “Kill The Dreamer’s Dream” (2001) and “The Sicilian” (2003). Recorded and engineered by Brian Plaskett, mastered by Daniel Husayn (North London Bomb Factory). (The) Fleshies are Mattowar, Yvan Kawecki, John No, Brian Plaskett, and Hamiltron (all of whom are original members). “Fleshies are one of those rare punk treasures that always knows how to kick out the jams live. And while the band labels its genre ‘Mysterious Guy Softcore’ — a play off the once trendy micro-genre of Mysterious Guy Hardcore — its sound is anything but. If you're into frenetic, fast-paced rhythms and off-kilter guitar and vocal workouts, expect to receive your just rewards. Singer John No doesn't sit idle during the band's shows; he can often be found working the crowd into a frenzy.” --Eddie Jorgenson, SF Weekly "These hyperactively yelping Oakland artcore minutemen very much deserve to suck. Yet, somehow, they don't." - Chuck Eddy, Village Voice

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Mobb Deep

2LP | 2022 | US | Reissue (Get On Down)

2x12" | 2022 | EU | Original (Chiwax Classic Edition)

Release: 2022 / US – Reissue

Genre: Hip Hop

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The 5th studio album by the Infamous duo of Prodigy and Havoc was originally released 20 years ago on December 11, 2001. The album features Mobb Deep Queensbidge affiliates Infamous Mobb and Big Noyd and was certified Gold. To commemorate the 20 Year Anniversary Get On Down is proud to present this reissue for Mobb Deep fans worldwide. RIP Prodigy.

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Ian Pooley

Relations

21,99 €*

The Hope Six Demolition Project Demos

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Overthirty years into his career, Ian Pooley continues to be a favourite of house & techno fans and DJs, remaining a highly respected figure within electronic music. He is enjoying one of the most fruitful periods of his career, with fresh material drawing more house and techno lovers to his fanbase, while classic older cuts are being reintroduced to new generations. We are pleased to present you in future some of his timeless past & present releases. Starting with "Relations". This 2x12" came out originally in 1996 on iconic Definitive Records, runned by Richie Hawtin & John Acquaviva. The re-mastered version will be available on solid 180 Gramm vinyl in september. Don't miss!

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PJ Harvey

LP | 2022 | UK | Original (Island)

18,99 €*

LP | 2021 | EU | Original (Ktba)

Release: 2022 / UK – Original

Genre: Rock & Indie

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Collection of ten unreleased demos written for the ninth PJ Harvey studio album The Hope Six Demolition Project, including demos of ‘The Wheel’ and ‘The Community Of Hope’. Features brand new artwork with cover art based on a drawing by Polly Jean Harvey, plus previously unseen photos by Maria Mochnacz and Seamus Murphy. Artwork is overseen by Michelle Henning with Rob Crane. Mastering by Jason Mitchell at Loud Mastering, under the guidance of long time PJ Harvey producer John Parish.

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Joanne Shaw Taylor

The Blues Album

24,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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12" | 2021 | EU | Original (Live At Robert Johnson)

Perdu

Soaring Flight

14,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Live At Robert Johnson welcomes Amsterdam-based DJ and Producer Alain van der Born aka Perdu to the Club, who already made his marks with Releases on Dgtl Records, Heist, and Let’s Play House amongst others. His contribution is a Four Track EP called Soaring Flights, including a Digital only Bonus Track. On this EP, Perdu champions a full-on 1980s sound, which hits more than one Chord in Live At Robert Johnson’s very own set of Styles. Dystopia (co-produced by Tjade) is a High Energy Track, in which a raw and stoic Bass Riff slowly working its way into a Break. It’s the first Break in which the Atmosphere heats up significantly and subsequently sustains for the remainder of this quite enjoyable, and not quite dystopian rush on the Dance Floor. Retrograde immediately kicks off with a South American infused Rhythm Loop, joined by a deep and analogue Bass Serpentine, with bubbly Acid sprinkled along the way. Rise Of F5 brings back those 1980s signature pumping Kick and gated reverb Snare Drums, employing melodic and slightly haunting elements, which eventually dissolve in Euphoria and a Melody to hum along with (or shout, if you prefer). Somehow It’s Different Now concludes in a slightly different and quite mellow vein, that lets you leave this EP on the easy side. Available Digital Only is the Bells Mix Version of Perdu and Tjade’s Dystopia, for those inclined to a more melodramatic Dystopia with added playfulness thanks to, you guessed it, Bells (no whistles, we promise).

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500 Episodes Of Bleep Radio

4x12" | 2021 | EU | Original (Fun In The Murky)

63,99 €*

3LP | 2020 | US | Original (Sony Legacy)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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This 4×12″ Boxed Set represents the artists whose music is played the most on Bleep Radio. Literally and objectively played the most. I’m a big number crunching statistics nerd and have trended my own track-lists for years as many of you know. As a Canadian, far removed from where the music I like shines the brightest I consider myself very fortunate to have been able to meet with and play alongside a lot of these folks in person and not just via the stream.

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Jimi Hendrix

Live In Maui

59,99 €*

Organized Konfusion (Pharoahe Monch & Prince Po)

Release: 2020 / US – Original

Genre: Rock & Indie

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Numbered edition.

Triple vinyl LP pressing + Blu-ray edition. Experience Hendrix announces a collection that couples the brand new feature length documentary Music, Money, Madness... Jimi Hendrix In Maui with the accompanying live performances on both audio and video. The film chronicles the Jimi Hendrix Experience's storied visit to Maui, their performance on the dormant lower crater of Haleakala volcano on the island and how the band became ensnared with the ill-fated Rainbow Bridge movie produced by their controversial manager Michael Jeffery. Directed by John McDermott and produced by Janie Hendrix, George Scott and McDermott, the documentary incorporates never before released original footage and new interviews with firsthand participants and key players such as Billy Cox, Eddie Kramer, Warner Bros. Executives and several Rainbow Bridge cast members, as well as it's director Chuck Wein. The Blu-ray will include the full documentary as well as the 16mm color film shot of the two afternoon performances captured on July 30, 1970 mixed in both stereo and 5.1 surround sound. Also included in the package will be Live In Maui - both of the aforementioned sets spread across 2 CDs, newly restored and mixed by longtime Jimi Hendrix engineer Eddie Kramer, and mastered by Bernie Grundman. Included are breathtaking renditions of crowd favorites like "Foxey Lady, " "Purple Haze" and Voodoo Child (Slight Return), " as well as then-unreleased songs like "Dolly Dagger" and "Freedom" that showcased the new direction Hendrix was moving toward.

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The Demos

CD | 1990 | EU | Reissue (Smoke On)

15,99 €*

Jonny Kurt Und Die Hühnerficker Kombo

Release: 1990 / EU – Reissue

Genre: Hip Hop

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30th Anniversary of the demo tape, limited to 500 copies worldwide. Comes with sticker.

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LP | 2020 | EU | Original (Phantom)

14,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 1969 | US | Reissue (Traffic)

Bukka White

Parchman Farm

19,99 €*

Kiss The Sky (Melinda Camille, John Robinson & Pat Van Dyke)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Born Booker T. Washington White, Bukka’s trajectory as a blues performer follows a familiar template for his
time. Born in Mississippi, maybe in Houston, MS – maybe in Aberdeen, MS – maybe in 1902, maybe in 1909
or even 1906 he recorded throughout the 1930s. Bukka even recorded while incarcerated in the Mississippi
State Penitentiary aka Parchman Farm. Asked about his time at Parchman White commented “Well, I mostly
played guitar.”
During the 1940s and 50s as Blues moved from the Delta to Chicago, from rural to urban, Bukka’s career went
dormant. And then, like many of his time, his talent was “rediscovered” in the early 60s, in no small part thanks
to a brilliant guitarist in his own right, John Fahey. Performances and all new recordings happened throughout
the 60s, building interest in Bukka White’s Delta roots. This compilation of White’s best early material was first
issued in 1969 (1970 in the US), collecting Bukka’s 78s recorded for Vocalion and Okeh. His influence on rock
performers of that day cannot be understated. He opened for rock bands he’d inspired at venues like The
Fillmore, played his instrument in such a fashion that some said it’s like he was trying to destroy that guitar, his
most famous guitar, a 1933 National Duolian, was even known as “Hard Rock.” And then there’s the fact that
his song “Shake‘em On Down” was so influential on Led Zeppelin that they, “borrowed” from the song for both
“Hats Off To Roy Harper” and “Custard Pie.”
Bukka White was many things, a strong influence on his cousin B.B. King, a cotton picker, a mule driver, a hobo,
a player in the old Negro Leagues, a boxer, a preacher, a convict, a factory laborer and, as celebrated here,
one of America’s blues pioneers.

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Sugar Pie / Glory Black Vinyl Edition

7" | 2018 | US | Original (Ill Adrenaline)

13,99 €*

LP | 1970 | EU | Reissue (Music On Vinyl)

Release: 2018 / US – Original

Genre: Hip Hop

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Limited edition vinyl!
"Kiss The Sky" is Melinda Camille, John Robinson, and Pat Van Dyke; a collective of soulful singer/songwriter, veteran MC, and multi-instrumentalist. Funky organic production, intelligent wordplay, and soulful songwriting define the group's sound.
"Kiss The Sky" is Melinda Camille, John Robinson, and Pat Van Dyke; a collective of soulful singer/songwriter, veteran MC, and multi-instrumentalist which first came to fruition in 2012 on the B-Side of the Cotter Records' release "Miles & Trane" from John Robinson & PVD. The organic chemistry between the 3 artists continued to flourish on the "Modern Vintage" LP as Camille lent her vocals and songwriting skills to 3 tracks from JR & PVD's full length debut.
Here with "Sugar Pie" b/w "Glory", we witness the formal debut of the project from the 3 artists now known as "Kiss The Sky".
Recorded in Jersey City off and on over the course of the past few years, these two tracks introduce the world to what's to come from "Kiss The Sky". Funky organic production, intelligent wordplay, and soulful songwriting define the group's sound.

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The Meters

Struttin'

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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2LP | 2005 | US | Original (Side One Dummy)

Gogol Bordello

Gypsy Punks

Release: 2005 / US – Original

Genre: Rock & Indie

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2LP | 1971 | EU | Reissue (Music On Vinyl)

Curtis Mayfield

Live! Expanded Edition

LP | 1985 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Curtis/ Live! is Curtis Mayfield's first live album, after leaving The Impressions. Many critics feel Live! is a powerful demonstration of Mayfield's pre-Superfly accomplishment, and some even said it's one of the greatest concert albums ever cut on a soul artist, and one of the legendary live albums of all time.

180g vinyl.

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Yello

Stella

26,99 €*

Dreamin' Wild Black Vinyl Edition

Release: 1985 / EU – Reissue

Genre: Pop

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Stella is the fourth studio album by the Swiss electronic band Yello, first released in 1985. It was the band's breakthrough album internationally, helped by the success of the song "Oh Yeah", which gained the band worldwide attention the following year after it was prominently featured in the 1985 film Ferris Bueller's Day Off and then two years later in The Secret Of My Success.

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Donnie & Joe Emerson

LP | 2012 | US | Reissue (Light In The Attic)

34,99 €*

LP | 2011 | EU | Original (Music On Vinyl)

Release: 2012 / US – Reissue

Genre: Organic Grooves

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Essential pick! These buddy's "Baby" was recently covered by Hype Williams on their "Ebony" album, and both tunes are hella fresh!

Pacific Northwest isolation mixed with wide-eyed ambition, a strong sense of family and the gift of music proved to be quite the combination for teenage brothers Donnie and Joe Emerson. Originally released in 1979, Dreamin’ Wild is the sonic vision of the talented Emerson boys, recorded in a family built home studio in rural Washington State. Situated in the unlikely blink-and-you-missed-it town of Fruitland and far removed from the late 1970s punk movement and the larger disco boom, Donnie and Joe tilled their own musical soil, channeling bedroom pop jams, raw funk, and yacht rock.

Spurred on their high school’s music program, Donnie and Joe received a further push from their lifelong farmer father, who drew up a contract stating that he’d support his sons lofty ambitions with their very own recording studio as long as they focused on original material, sage advice for a man with zero experience in the music business. After taking out a second mortgage to help cover costs, Don Sr. also built his children a 300-capacity concert hall (dubbed Camp Jammin’) replete with ticket booth, stage, and fully functioning snack bar. The only problem was that the projected audience never quite materialized, despite a prime time TV profile entitled “The Rock And Roll Farmers” from nearby Spokane, Washington. Even the Emerson brother’s school pals were nonplussed at their privately pressed long player; hand distributed to local music stores, but not as far as Seattle, five hours away from their rural home. Somewhat rejected by the muted response, but never surrendering, both Donnie and Joe continued down a musical path and are still active as performers today.

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Slowdive

Just For A Day

Tha Carter Volume 3 Pt. 1

Release: 2011 / EU – Original

Genre: Rock & Indie

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Pressed on 180g audiophile vinyl.

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Lil Wayne

2LP | 2008 | US | Original (Universal)

43,99 €*

Songwriter Clear With Black Splatter Vinyl Edition

Release: 2008 / US – Original

Genre: Hip Hop

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a selection from the multi platinum album incl. 8 tracks feat. Jay-Z, T-Pain, Babyface and Robin Thicke

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Johnny Cash

LP | 2024 | Original (Universal)

60,99 €*

LP | 2017 | Original (Wilderland)

Release: 2024 / Original

Genre: Rock & Indie

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Limited Clear with Black Splatter Colored Vinyl. Johnny Cash recorded an album's worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world's greatest songwriters, introducing him to a new generation of fans. Songwriter's unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.

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Anais Mitchell

Young Man In America

25,99 €*

Release: 2017 / Original

Genre: Pop

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Seasons Clear Green Vinyl Edition

Pete Jolly

LP | 1970 | US | Reissue (Future Days)