Search "airhead+wait" 16734 Items

Release: 2004 / UK – Reissue

Genre: Rock & Indie

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Preorder shipping from 2024-11-01

LP | 2020 | EU | Original (Elefant)

A Girl Called Eddy

Been Around

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Elefant)

A Girl Called Eddy

Been Around

Release: 2020 / EU – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

The Road To Nuclear Holocaust Black Vinyl Edition

Ä.I.D.S.

LP | 2022 | EU | Original (La Vida Es Un Mus)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The Road To Nuclear Holocaust Green Vinyl Edition

Ä.I.D.S.

LP | 2022 | EU | Original (La Vida Es Un Mus)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Victim 1 Black Vinyl Edition

A Killer's Confession

LP | 2024 | US | Original (Mnrk Heavy)

Victim 1 Graphite Vionyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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A Killer’s Confession tells it out loud on their fourth full-length offering and MNRK Music Group debut LP, Victim 1. Fronted by vocalist and mastermind Waylon Reavis, the band plunge past the point of no return, channeling the captivating repugnance of true crime set to a soundtrack of melodic hard rock dosed with fits of pummeling metal and insidious industrial.A near-decade journey led to this point. After three seminal albums with Mushroomhead, Waylon retreated from music, only for it to draw him back in 2016. He resurfaced at the helm of A Killer’s Confession, delivering three cult favorite albums—Unbroken [2017], The Indifference of Good Men [2019], and Remember [2021]. Along the way, the band tallied tens of millions of streams in addition to collaborating with everyone from Brian “Head” Welch of Korn and Love And Death to Chad Gray of Mudvayne and HELLYEAH.During 2022, Waylon hit the studio with collaborators and producers Dusty Boles [Make Me Famous] and Evan Mckeever [Nine Shrines]. Shocking this vision to life, he emerged with the ten-track equivalent of “falling down a YouTube rabbit hole of unsolved mysteries.” In the end, A Killer’s Confession tells a story you won’t be able to turn away from. 1. Tongue2. Sun3. Greed4. Voices (ft. Aaron Nordstrom)5. Purpose6. Martyr7. Kill Or Be Killed8. Filth9. Rain10. Wasteland

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A Killer's Confession

LP | 2024 | EU | Original (Mnrk Heavy)

12" | 2023 | EU | Original (Label Affaire)

Release: 2024 / EU – Original

Genre: Rock & Indie

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A-Link

Global Warning

Release: 2023 / EU – Original

Genre: Electronic & Dance

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After more than a year of frenzied production, A-Link unveils his first physical EP, "Global Warning"

Mindful of current environmental issues, the artist expresses through this project a sense of nostalgia, for a world where the carefree disregard of humanity's impact on its habitat prevailed - a form of solastalgia. Supported by meaning-laden track titles, they describe states of mind, sensations, and thoughts on the actions to be taken today.

This melancholic atmosphere, crafted with jazzy chord progressions and retro/dreamy synth sounds, serves as the cornerstone of this record, at times ethereal, at times energetic, perfectly representing A-Link's universe. This project is elevated by our friend Maxime Génier, who flawlessly captures the essence of this vinyl. Don't wait any longer and immerse yourself in this auditory journey that, we hope, will make you experience unique emotions!

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A.P.C.

Camera Bag Soho

331,45 €* 389,95 € -15%

Available Sizes: One Size

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The Camera Bag Soho by A.P.C. is an accessory made of vegetable-tanned smooth leather, equipped with a sturdy metal zipper and double leather loop. Internal compartments provide organized storage and the shoulder strap, also made of high-quality leather, can be removed and adjusted, allowing the A.P.C. Camera Bag Soho to be used in a variety of ways. This leather bag is finished with a metallic embossing of the A.P.C. Rue Madame logo at the bottom of the front. Weight: approx. 376 g; Dimensions: approx. 18 x 12 x 5.5 cm. 100% vegetable-tanned calfskin made with natural tannins.

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A.P.C.

Shopping Daniela

87,96 €* 109,95 € -20%

Available Sizes: One Size

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The Daniela shopping bag by A.P.C. is a prime example of minimalist design and first-class craftsmanship. Made from high-quality Japanese denim, this A.P.C. shopper offers a combination of sturdy and timeless style that makes it an indispensable accessory for everyday life.

The fabric, Japanese denim, is known for its excellent quality and durability. This fabric not only gives the bag an appealing texture, but also ensures that it can withstand everyday wear and tear. The denim comes in a classic blue shade that's versatile and goes with a variety of outfits.

The Daniela shopping bag by A.P.C. is equipped with two large handles that offer versatile carrying options. The handles are long enough to carry the bag comfortably over your shoulder and short enough to hold it in your hand. This flexibility makes the bag perfect for different usage scenarios, whether you're out shopping, strolling around town or on your way to work.

A special highlight of the bag is the eye-catching V.P.C. screen print on the front. This A.P.C. branding detail gives the bag a striking touch and is a subtle sign of the high-quality origin of the product. The tonal topstitching of the denim blends harmoniously into the design and provides additional stability and durability.

The inside pocket of the A.P.C. Daniela shopping bag offers functional storage space for smaller items such as keys, smartphone or wallet. This functionality ensures that important items are easily accessible and safely stowed away, which increases the functional benefits of the bag.

The design of the Daniela shopping bag is characterized by A.P.C.'s signature minimalist aesthetic. The clean lines and simple yet elegant appearance make the bag a timeless accessory that can be effortlessly integrated into any wardrobe. The combination of functionality and style makes the Daniela bag the perfect companion for the modern, fashion-conscious person.

In summary, the Daniela shopping bag by A.P.C. is an elegant and functional choice for anyone who values high-quality materials and simple yet stylish design. With its sturdy Japanese denim, versatile carrying options and well thought-out details, this bag is perfect for everyday use and makes a fashion statement at the same time. Whether for shopping, traveling or everyday use - the Daniela bag offers the perfect balance between functionality and timeless elegance.

Dimensions: approx. 45 x 35.5 x 14 cm; 98% cotton. 2% polyurethane.

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A.P.C.

Veste Aurelien

255,96 €* 319,95 € -20%

A Place To Bury Strangers

Available Sizes: M, L, XL

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The Veste Aurelien by A.P.C. is an exceptional garment that combines the characteristics of a sports coat and a cardigan in a stylish way. This unique blend of textured neoprene felt makes the A.P.C. Veste Aurelien a modern and versatile addition to any wardrobe.

The textured neoprene felt material gives the jacket an interesting texture while providing excellent shape retention and a comfortable feel. This innovative fabric not only offers a contemporary look, but also functional benefits such as warmth and durability, making the Veste Aurelien by A.P.C. perfect for different seasons.

The straight cut of this A.P.C. jacket creates a casual yet elegant silhouette that can be effortlessly integrated into a variety of outfits. The narrow stand-up collar at the back and the V-neckline at the front give the Aurelien vest a modern touch and also offer versatile combination options with shirts or T-shirts.

The A.P.C. Veste Aurelien is equipped with a traditional button placket at front opening, which emphasizes the simple yet sophisticated design. A patch pocket on left chest as well as two additional patch pockets at the bottom of the front offer functional storage space and add functional details. All pockets are made from the same textured neoprene felt, creating a harmonious overall look.

A special highlight is the tonal embroidery of the A.P.C. logo on the chest pocket, which gives the design a subtle but recognizable branding. This fine embroidery reflects the high quality and attention to detail that characterize A.P.C..

The regular cut of the Veste Aurelien by A.P.C. ensures a comfortable fit that offers sufficient freedom of movement while maintaining a stylish look. This jacket is perfect for everyday wear, but can also be worn for more formal occasions, making it a versatile and essential piece of clothing in any wardrobe.

In summary, the Veste Aurelien by A.P.C. is a successful fusion of a jacket and cardigan that impresses with its textured neoprene felt material, modern cut and functional details. This A.P.C. jacket is the perfect choice for anyone who values stylish, high-quality and versatile clothing. With the Veste Aurelien, you can rely on timeless design and first-class craftsmanship - a real highlight for any fashion-conscious person.

50% polyester, 35% acrylic, 15% virgin wool; made in Portugal.

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Change Your God / Is It Time White Vinyl Edition

7" | 2024 | US | Original (Dedstrange)

13,99 €*

A Place To Bury Strangers

Release: 2024 / US – Original

Genre: Rock & Indie

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Introducing "The Sevens” - A Sonic Revelation from A Place To Bury Strangers Prepare to embark on a transcendent auditory journey with "The Sevens” a series of four 7-inch vinyl records that unveil a treasure trove of previously unreleased tracks from A Place To Bury Strangers' critically acclaimed 6th album, "See Through You." Renowned for their visceral sonic assault and immersive live performances, A Place To Bury Strangers has cemented the end-all-be-all space for over-the-top post-punk / shoegaze destruction. With this special vinyl collection, the band invites listeners to delve deeper into their sonic universe, exploring uncharted territories and hidden gems. Change Your God/Is It Time is the first release coming February 23. "When looking back at the recordings that were done around the time of See Through You there were a bunch of great tracks that just captured life back then and really had something incredible going on. Even though they are a bit raw and a bit personal, I thought it would be a mistake if they didn't come out. I thought it would be best to go back to my roots and put out a series of 7"s the way A Place To Bury Strangers started. That strange weird format where the tracks each speak for themselves, no album context to muddy the water. These tracks are such a contrast to the way I am feeling now and the current songs we've been working on so slip back into this moment in time.” says Aptbs’ Oliver Ackermann.

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See Through You Black Vinyl Edition

LP | 2022 | US | Original (Dedstrange)

A Place To Bury Strangers

Release: 2022 / US – Original

Genre: Rock & Indie

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A Place to Bury Strangers defund post-punk orthodoxy with the most audacious and varied songwriting of their career on their sixth album, See Through You' out February 4, 2022, on Oliver Ackermann's label, Dedstrange. Following up on 2021"s highly acclaimed Hologram EP, the rebooted lineup' vocalist/guitarist Oliver Ackermann plus drummer/vocalist Sandra Fedowitz and bassist John Fedowitz (both of Ceremony East Coast)' delivers an overclocked set of futuristic electronic punk music encoded with punishing industrial rhythms, swirling voltage-starved guitars and unclassifiable auditory annihilation. Across thirteen tracks recorded in seclusion throughout the nihilistic absurdity of the coronavirus pandemic, See Through You is proof-positive that the group hailed as 'The Loudest Band in New York' is still finding new ways to push the needle deeper in the red.

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See Through You Indie Exclusive Yellow Vinyl Edition

LP | 2022 | US | Original (Dedstrange)

4LP | 2023 | UK | Original (Rocket Girl)

Release: 2022 / US – Original

Genre: Rock & Indie

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A.R. Kane

A.R. Kive

147,99 €*

2LP | 1989 | UK | Reissue (Rocket Girl)

Release: 2023 / UK – Original

Genre: Pop

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A.R. Kive collates the three most astonishing works from that most miraculous of

duos - A.R. Kane - comprising the ‘Up Home' EP from 1988 that signified the

band's dawning realisation of their own powers and possibilities, their legendary

debut LP ‘sixty nine' (1988) and its kaleidoscopic, prophetic double-LP follow up ‘i'

(1989).

In founder-member Rudy Tambala's new remastering, the music on these pivotal

transmissions from the birth of dream pop, have been reinvigorated and re-infused

with a new power, a new depth and intimacy, a new height and immensity. Vivid,

timeless and yet always timely whenever they're recalled, these records still force

any listener to realise that despite the habits of retrospective myth-making and the

safe neutering effects of ‘genre', thirty years have in no way dimmed how resistant

and dissident to critical habits of categorisation A.R. Kane always were. Never quite

‘avant-pop' or ‘shoegaze' or ‘post-rock' or any of those sobriquets designed to file

and categorise, A.R. Kive is a reminder that those genres had to be coined, had to

be invented precisely to contain the astonishing sound of A.R. Kane, because

previous formulations couldn't come close to their sui generis sound and

suggestiveness. This is music that pointed towards futures which a whole generation

of artists and sonic explorers would map out. Now beautifully repackaged,

remastered and fleshed out with extensive sleeve notes and accompanying

materials, ‘A.R. Kive' reveals that 35 years on it's still a struggle to defuse the

revolutionary and inspirational possibility of A.R. Kane's music.

A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-

generation immigrants who grew up together in Stratford, East London. From the off

the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian)

milieu of the East End, with Alex and Rudy's folks first generation immigrants from

Nigeria and Malawi, respectively. The two of them quickly developed and fostered an

innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious

autodidacts in all kinds of areas, especially around music and literature. Diving deep

into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and

Hendrix, as well as devouring the explorations of lysergic noise and feedback from

contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly

immersed themselves in the alternate literary realities of sci-fi and ancient history

(the fascination with the arcane that gave the band their name), all to feed their

voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that

spurred A.R. Kane into being - “They had no drummer. They used tapes and

technology and Liz Fraser looked completely otherworldly with those big eyes. And

the noise coming out of Robin's guitar! That was the ‘Fuck! We could do that! We

could express ourselves like that!' moment”, recalls Tambala - and through a mix of

confidence, chutzpah, ad hoc almost-mythical live shows and sheer innocent will the

duo debuted with the astonishing ‘When You're Sad' single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain' by a press unsure of

Where to put a black band clearly immersed in feedback and noise, what was

immediately apparent for listeners was just how much more was going on here - a

tapping of dub's stealth and guile, a resonant umbilicus back to fusion and jazz, the

music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the

press, but it was the ‘Up Home EP' released in 1988 on their new home, Rough

Trade that really suggested something immense was about to break. Simon

Reynolds noted the EP was: Their most concentrated slab of iridescent

awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home' that forms the first part of ‘A.R. Kive' is even

more dazzling, even more startling than it was when it first emerged, and listening

now you again wonder not just about how many bands christened ‘shoegaze' tried to

emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy

those words imply. A.R. Kane, thanks to that second generation auto-didacticism

were always supremely aware about the interstices of music and magic, but at the

same time gloriously free in the way they explored that connection within their own

sound, fascinated always with the creation of ‘perfect mistakes' and the possibilities

inherent in informed play.

‘sixty nine' the group's debut LP that emerged in 1988 had

critics and listeners struggling to fit language around A.R. Kane's sound. As a title it

was telling - the year of ‘Bitches Brew', the year of ‘In A Silent Way', the erotic

möbius between two lovers - and as originally coined by the band themselves,

‘dream pop' (before it became a free-floating signifier of vague import) was entirely

apposite for the music A.R. Kane were making. Crafted in a dark small basement

studio in which Tambala recalls the duo had “complete freedom - We wanted to go

as far out as we could, and in doing so we discovered the point where it stops being

music”. There was an irresistibly dreamy, somnambulant, sensual and almost surreal

flow to ‘sixty nine's sound, but also real darkness/dankness, the ruptures of the

primordial and the reverberations of the subconscious, within the grooves of

remarkable songs like ‘Dizzy' and ‘Crazy Blue'. Alex's plangent vocals floated and

surged amidst exquisite peals of refracted feedback but crucially there was Bass

here, lugubrious and funky and full of dread, sonic pleasure and sonic disturbance

crushed together to make music with a center so deep it felt subcutaneous, music

constructed from both the accidental and the deliberate, generous enough to dance

with both serendipity and chaos. ‘sixty nine' remains - especially in this remastered

iteration - ravishing, revolutionary.

The final part of this ‘A.R. Kive' contains 1989's astonishing double-LP ‘i' which

followed up on ‘sixty nine's promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo's strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i' now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space' to the liquid dub of ‘What's All This Then?', from the alien drone-pop of

‘Conundrum' to the sinister shoegazer miasma of ‘Supervixens' — it's all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i' bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i' the duo's output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994's ‘New Clear

Child' a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane's music has endured, not

thanks to the usual sepia'd false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

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A.R. Kane

36,99 €*

LP | 2024 | UK | Original (Rocket Girl)

Release: 1989 / UK – Reissue

Genre: Pop

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The final part of this ‘A.R. Kane reissue collection is 1989’s astonishing double-LP ‘i’ which

followed up on ‘sixty nine’s promise and saw the duo fully unleash their experimental

pop sensibilities over 26 tracks, plunging the A.R. Kane sound into a dazzlingly

kaleidoscopic vision of pop experiment and play. Suffused with new digital

technologies and combining searingly sweet and danceable pop with perhaps the

duo’s strangest and boundary-pushing compositions, the album did exactly what a

great double-set should do - indulge the artists sprawling pursuit of their own

imaginations but always with a concision and an ear for those moments where pop

both transcends and toys with the listeners expectations. Jason Ankeny has noted

that “In retrospect, ‘i’ now seems like a crystal ball prophesying virtually every major

musical development of the 1990s; from the shimmering techno of ‘A Love from

Outer Space’ to the liquid dub of ‘What’s All This Then?’, from the alien drone-pop of

‘Conundrum’ to the sinister shoegazer miasma of ‘Supervixens’ — it’s all here, an

underground road map for countless bands to follow.” Perhaps the most

overwhelmingly all-encompassing transmission from A.R. Kane, ‘i’ bookended a

three year period in which the duo had made some of the most prophetic and

revelatory music of the entire decade.

After ‘i’ the duo’s output became more sporadic with Tambala and Ayuli moving in

different directions both geographically and musically, with only 1994’s ‘New Clear

Child’ a crystalline re-fraction of future and past echoes of jazz, folk and soul, before

the duo went their separate ways. Since then, A.R. Kane’s music has endured, not

thanks to the usual sepia’d false memories that seem to maintain interest in so much

of the musical past, but because those who hear A.R. Kane music and are changed

irrevocably, have to share that universe which A.R. Kane opened up, with anyone

else who will listen. Far more than other lauded documents of the late 80s it still

sounds astonishingly fresh, astonishingly livid and vivid and necessary and NOW.

Go to Item

A.R. Kane

Up Home!

Overworld Sarah's White Vinyl Edition

Release: 2024 / UK – Original

Genre: Pop

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A.R. Kane were formed in 1986 by Rudy Tambala and Alex Ayuli, two second-generation immigrants who grew up together in Stratford, East London. From the off the pair were outsiders in the culturally mixed (cockney/Irish/West Indian/Asian) milieu of the East End, with Alex and Rudy’s folks first generation immigrants from Nigeria and Malawi, respectively. The two of them quickly developed and fostered an innate and near-telepathic mutual understanding forged in musical, literary and

artistic exploration. Like a lot of second-generation immigrants, they were ferocious autodidacts in all kinds of areas, especially around music and literature. Diving deep into the music of afro-futurist luminaries such as Sun Ra, Miles Davis, Lee Perry and Hendrix, as well as devouring the explorations of lysergic noise and feedback from contemporaries like Sonic Youth and Butthole Surfers, they also thoroughly immersed themselves in the alternate literary realities of sci-fi and ancient history (the

fascination with the arcane that gave the band their name), all to feed their voracious cultural thirsts and intellectual curiosity.

It was seeing the Cocteau Twins performing on Channel 4 show the Tube that spurred A.R. Kane into being - “They had no drummer. They used tapes and technology and Liz Fraser looked completely otherworldly with those big eyes. And the noise coming out of Robin’s guitar! That was the ‘Fuck! We could do that!

The duo debuted with the astonishing ‘When You’re Sad’ single for One Little Indian in

1986. Immediately dubbed a ‘black Jesus & Mary Chain’ by a press unsure of Where to put a black band clearly immersed in feedback and noise, what was immediately apparent for listeners was just how much more was going on here – a tapping of dub’s stealth and guile, a resonant umbilicus back to fusion and jazz, the music less a conjuration of past highs than a re-summoning of lost spirits.

The run of singles and EPs that followed picked up increasingly rapt reviews in the press, but it was the ‘Up Home EP’ released in 1988 on their new home, Rough Trade that really suggested something immense was about to break. SimonReynolds noted the EP was: Their most concentrated slab of iridescent awesomeness and a true pinnacle of an era that abounded with astounding

landmarks of guitar-reinvention, A.R. Kane at their most elixir-like.

If anything, the remastered ‘Up Home’ is even more dazzling, even more startling than it was when it first emerged, and listening now you again wonder not just about how many bands christened ‘shoegaze’ tried to emulate it, but how all of them fell so far short of its lambent, pellucid wonder. This

remains intrinsically experimental music but with none of the frowning orthodoxy those words imply. A.R. Kane, thanks to that second generation auto-didacticism were always supremely aware about the interstices of music and magic, but at the same time gloriously free in the way they explored that connection within their own sound, fascinated always with the creation of ‘perfect mistakes’ and the possibilities inherent in informed play.

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A.R.T Wilson

LP | 2014 | EU | Reissue (Numero Group)

Return To Telepathic Heights

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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A new age album that draws as much from ethno-groove, Chicago house, and G-funk, as it does from primitive percussion and '80s library music. Relaxing, gentle, and warm, the 10-song ambient suite was made for a multidisciplinary modern dance performance described as "Neo-Paganism, Pop Divas, YouTube, Yoga, and Death Metal side by side in a live performance that searches for transcendence in the most unlikely places."

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A Sagittariun

LP | 2019 | EU | Original (Running Back Incantations)

19,99 €*

12" | 2022 | EU | Original (Discarded Gems)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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A Sagittariun’s third album chronicles the journey back to Telepathic Heights; an expedition that encounters many obstacles along the way. The feuding parties of the two planets make for a journey of determination and self-discovery for our techno lone ranger that will ultimately deliver him to the sacred site on which Telepathic Heights stands. Conceived as a space western soundtrack to the cinematic interpretation of this tale, Return To Telepathic Heights delivers ten chapters that journal the ultimate mission to reach the imposing tower of Telepathic Heights, where dream telepathy has become the primary communicative tool amongst its peaceful and harmonious community who have opted out of the planetary war that continues to rage, seemingly with no armistice anytime soon. The score fittingly winds its way through the trials and tribulations of this journey, blending minimal and harmonic rhythms, industrial funk, dreamy synthwave and transcendental techno into the rich tapestry of music that documents the ‘Return To Telepathic Heights’. The album features original artwork by Johnny Bruck, fully licensed, and taken from the legendary German science fiction novel series, ‘Perry Rhodan’, which ran weekly from the early 1960s, and was the most successful sci-fi book series ever written.

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A.T.

Overseas

The Only Thing That's Real

Release: 2022 / EU – Original

Genre: Electronic & Dance

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We are glad to welcome the Italian veteran A.T. aka Ivan Iacobucci in our crew! This 3 tracker EP is a journey into the deep and hypnotic side of House and Techno. “Overseas” is a gritty jam for the dancefloor, while on B side two versions of “Bluephonic” explore a more atmospheric, trippy but yet groovy sound.

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A Tale Of Golden Keys

LP | 2020 | EU | Original (Lisenrecords)

12,09 €* 21,99 € -45%

A Vision Of Panorama Feat. Eiko Hara

Release: 2020 / EU – Original

Genre: Pop

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With their Debut „Everything Went Down As Planned“ A Tale Of Golden Keys made it to numerous club and festival stages, into the good radios and Spotify playlists. Their sophomore album continued their way of releasing beautiful songs for the indie pop crowd. „Shrimp“ is a critically acclaimed record and was one of the most successful indie pop albums from Germany in 2018. In 2019 the band released the soundtrack for the adventure documentary "Tyry" called "Tyry (Music for the Film)".

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Unconditional

12" | 2023 | UK | Original (Cala Tarida Musica)

LP | 2013 | US | Original (No Idea)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Russia's mellow music phenomenon Mikhail Khvasko aka A Vision Of Panorama teams up with lovely Japanese vocalist Eiko Hara for one of the smoothest yet danceable tunes of 2023.

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A Wilhelm Scream

Partycrasher

25,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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A Winged Victory For The Sullen

Atomos

2LP | 2014 | US | Original (Kranky)

29,99 €*

12" | 2015 | UK | Original (Food Music)

Release: 2014 / US – Original

Genre: Electronic & Dance

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Received a 7.3 rating from Pitchfork.

After releasing a first glimpse in the form of the ‘Atomos VII’ EP earlier this year, A Winged Victory For The Sullen finally reveal their second full-length album entitled ‘Atomos’, which besides familiar piano, string and drone sounds also sees the duo introduce flurries of electronics, harp and modular synthesisers.

Wayne McGregor, founder of Random Dance Company and resident choreographer at the Royal Ballet, chose to play the album repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam and Dustin to see if they could write the score for his new oeuvre. The duo were given complete artistic freedom and they treated the score with the same care and attention as their debut album. They recorded more than sixty minutes of music over a four-month period during the summer of 2013 across studios in Brussels, Berlin and Reykjavik, with the help of their long time collaborative sound engineer Francesco Donadello. During the recording process they realised, that this would become their official second studio album. McGregor provided them with the inspiration to expand their sound palette into more electronic territory, whilst keeping their signature chamber sound, resulting in a very unique record.

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A1 Bassline

Technicality

CD | 2010 | EU | Original (Eat Concrete)

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Food Music welcomes A1 Bassline to the label to release his first LP - Technicality.

The album’s title draws from the club night “Technicality”, a monthly Drum & Bass night at Herbal in East London, which is run by Chris Inperspective and continued the sound of early Reinforced and Metalheadz records as well as pushing new forward thinking music. The album is centred around growing up as a teenager discovering this jungle/drumfunk sound through his college friend Rahim (Lab Creation), where the likes on Fold, Ben UFO, Breakage would attend the club.

In addition to well received records on DirtyBird, Pets Recordings and his collaborative work with Leon Vynehall as Laszlo Dancehall, the album is a stamp on A1’s sound and his influences from his teenage years to growing up and discovering House and Techno.

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Aardvarck

Choice

LP | 2024 | US | Original (Aaron Abernathy Music)

Release: 2010 / EU – Original

Genre: Electronic & Dance

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Into his 25th year as a DJ, Aardvarck comes with his second full length album for Eat Concrete Records. Much in the vein of his Bloom series, but in an album context with songs and lush internoodley bits.. currently on rotation from Thom York.. TIP!
With 'Choice', Aardvarck has created one of his finest selections to date. The 22 tracks go in all directions Aardvarck is known for: from bass-heavy dub to lush soundscapes, broken beats and soul vocals. After a few introducing words by Gaslamp Killer, the beautiful 'Lucky Shot' features vocals by Alexandra. The following cinematic and hypnotising ambient-like pieces are sometimes reminiscent of Boards of Canada and the Aardvarck classic ‘Find the Cow’. From then onward we are treated with songs similar to some of the recent 'Bloom' releases, displaying a taste for heavy bass, beats and dub samples. Yet 'Choice' has more to offer than dj-food alone; the album flows like a mix and keeps a light and fresh vibe along the way with lots of sketches and interludes. Aardvarck also offers some definite classics with 'Heal' and 'Find the Cow Almost', featuring guest vocals on both tracks. Timeless.

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Aaron Abernathy

From The Throne Room

Johann Sebastian Bach: Six Sonatas For Organ Bwv 5

Release: 2024 / US – Original

Genre: Organic Grooves

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Aaron Abernathy has been firmly established in the modern soul scene for almost two decades, and he continues to elevate his craft as a songwriter and performer. His latest LP “From the Throne Room” once again demonstrates a rare ability to seamlessly shift between lyrical themes and musical styles, and it is his most inspired and uplifting album to date. The turmoil caused by the pandemic was especially hard on touring musicians, and as a veteran musical director and bandleader who has regularly traversed the globe, Abernathy was certainly affected. Instead of wallowing in grief and darkness, he tapped into his gifts as a songwriter and lyricist to manifest light and optimism in his own life. As expressed on the opening track “New Relationship,” this “new way of seeing” kicked open some new creative doors for him as a musician and producer, with a wide variety of influences. The four-to-the-floor push of “A Reason to Smile” brings to mind 80’s post-disco boogie, “Show Off” shows off a modern rock edge, and the booming, driving energy in tunes like “Hope Song” and “Joy” is reminiscent of the electric 60’s soul of Wilson Pickett and Otis Redding. With its catchy hooks, powerful lead vocals, and slick self-produced arrangements, “From the Throne Room” proves that Aaron Abernathy remains one of the most talented singer/songwriters of his generation in contemporary soul music.

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Aart Bergwerff

CD | 2024 | EU | Original (Challenge Classics)

19,99 €*

Release: 2024 / EU – Original

Genre: Classical Music

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12" | 2003 | DE | Original (Black Out)

AB Project

Get Real

4,99 €*

Release: 2003 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2024 | EU | Original (Analogue Foundation & Oshu)

Àbáse

Awakening

37,99 €*

LP | 1979 | EU | Reissue (Polar)

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP on 180g vinyl. Housed in a deluxe gatefold 'tip on' sleeve with full liner notes (Jeff Mao) and studio photography.

On a quest for cosmic grooves of unity, Àbáse is the imagination of Hungarian producer and keyboardist Szabolcs Bognár. Now based in Berlin, he’s become a protagonist of a fast-rising jazz movement in the German capital. Bringing together musicians from Hungary, Germany, Ghana and Australia for moving project with a global outlook - here is his highly anticipated new album ‘Awakening’ released by Analogue Foundation and Oshu Records

Created following a move to Berlin, marriage, new parenthood, and the inevitable interrogation of mortality that takes place when a loved one has transitioned, ‘Awakening’ demonstrates a deep understanding of music’s ability to cross time and geographic boundaries, conveying a message of unity, dialogue and self-reflection. Recorded in four days at Berlin's Brewery Studios, the album coalesces Àbáse’s varied musical influences and reference points (classic Lagos Afrobeat, traditional Hungarian folk, Yoruba rhythms, house and techno, hip-hop et al) with exquisite modalimprovisation à la Coltrane, spurred by Szabolcs’ introspection.

“Awakening was the first working title I gave to the project, and I decided to stick with it as it felt authentic and descriptive of what I wanted to express. The name comes from the concept that babies can hear and remember their parents voices from the belly, they recognise the voices upon birth and can be soothed with them. Being born is to enter an elevated state of existence, transitioning from just sounds and feelings to sight upon birth. I believe the way we experience life on earth and trying to make sense of the universe will shift upon our transition or ‘death’, and its only a pathway to something higher. The imagined moment of rebirth and entering to this new realm of existence is what I call “Awakening”.

Mostly composed of first and second takes with minimal overdubs, a striking level of intimacy is achieved between Szabolcs, Ziggy Zeitgeist (drums), Ori Jacobson (saxophone), Fanni Zahár (flute), Andras Koroknay (bass, synths), Ernö Hock (double bass) and Eric Owusu (vocals, percussion). This intimacy extends to the listening experience, with moments like atmospheric opener ‘Greeting Mother Sea’ and ‘Bloom (Flora)’ welcoming listener’s into Ábàse’s world through trance-inducing, glistening piano motifs, swirling synths and fluttering woodwinds.

Singles ‘Destruction Everywhere’ and ‘Menidaso’, paired with ‘Shango’, perhaps best highlight Szabolcs’ worldview and efforts to bridge creative ideas and cultural viewpoints. All three tracks are a bold fusion of spiritual jazz and afrobeat, with the latter two featuring the Twi vocal and driving percussion of Eric Owusu. Elsewhere, Szabolcs explores his own heritage with a stirring iteration of Hungarian folk song ‘Gyászba Borult Isten Csillagvára (God’s Star Castle Has Fallen To Grief)’, whilst also nodding to musical lineage through J Dilla homage ‘Shining’, and ‘Sunisaway’, a tribute to Sun Ra upon which Sun Ra Arkestra members Cecil Brooks and Knoel Scott are warmly welcomed to contribute.

‘Awakening’ is a new chapter for Àbáse, whose work has already drawn widespread critical acclaim. Debut album ‘Laroyê’, recorded entirely during a five- month trip to Brazil, found global praise from the likes of The Guardian, BBC Radio 6, Soulection, KEXP and Complex. Szabolcs has toured and collaborated as a keyboardist with the likes of Wayne Snow, Dele Sosimi, Pat Thomas and Zeitgeist Freedom Energy Exchange. The new album begins an era of partnership with Analogue Foundation, who are dedicated to preserving and furthering analogue creation via record releases, international events, and activities at its recording studio and hi-fi listening bar. The Foundation is headed up by Grammy-winning New York City recording and mixing engineer Russ Elevado (D’Angelo, Erykah Badu), Audio-Technica, Soundwalk Collective, and Berlin recording and mix engineer Erik Breuer.

Personnel:

Fanni Zahár, Ori Jacobson Szabolcs Bognár, Eric Owusu,
Ernő Hock & Ziggy Zeitgeist, drums

With Special Guests: Flóra Bognár, Youka Snell, Cecil Brooks Knoel Scott, Dumama, Rhea Sodemann, Wayne Snow.

Liner notes by Jeff 'Chairman' Mao and session photos by Dario Raspudic.

"Certainly a producer to watch" -Gilles Peterson
“ Hungarian producer Àbáse blends west African and Brazilian rhythms with a satisfying and uncluttered efficacy on Laroyê” -The Guardian
“We were instantly gripped upon hearing the work of Hungarian jazz collaborative project Àbáse” Stamp The Wax

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ABBA

Voulez-Vous

24,99 €*

Abbey Lincoln, Hank Jones

Release: 1979 / EU – Reissue

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Wax residue on the outer rim of side B, It affects the grooves of the first track in minimal way, otherwise the record is NM. Still in shrink, but opened, with hype sticker

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When There Is Love

LP | 1992 | EU | Reissue (Verve)

42,99 €*

LP | 2023 | EU | Original (Earth Libraries)

Release: 1992 / EU – Reissue

Genre: Organic Grooves

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In her intimate 1992 recording with jazz piano legend Hank Jones, Abbey Lincoln contemplates the subject of love, sounding more optimistic than usual. About "When There is Love" Lincoln noted in 1992: “I have a sombre outlook and assessment of the world in which we live, but I also have love, love for the beautiful man that makes life bearable in an otherwise unbearable world. So this is my offering on the altar of conjugal love.” She offers highly personalized interpretations of four of her originals and ten standards, among which Duke Ellington's "Black Butterfly," "The Nearness of You," "You Came a Long Way from St. Louis," Fats Waller's "Jitterbug Waltz" and "You Won't Forget Me" are most memorable. A truly moving testament from two of jazz's finest artists.

This 140-gram vinyl is the first international vinyl reissue, pressed at Pallas, and is presented in a wide-spine, single-sleeve jacket.

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Abby Johnson

Release: 2023 / EU – Original

Genre: Pop

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Abderraouf B Grissa & Dan Drohan

RBGxDD

LP | 2023 | EU | Original (Uno Loop)

22,49 €* 29,99 € -25%

12" | 2013 | EU | Original (Abdulla Rashim)

Release: 2023 / EU – Original

Genre: Hip Hop, Organic Grooves

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"Some albums act as tickets to travel through time and space, ones where you hear history and venture to worlds familiar, yet undeniably foreign and exciting. RBGxDD, the inaugural release for indie-label Uno Loop Records, is one of these albums. The LP is the beginning of a collaboration between two virtuosos you’ll want to keep an eye (and ear) on: producer Abderraouf B Grissa (Pink Siifu, Abstract Abder on Radio alHara) and drummer/producer Dan Drohan (Nick Hakim, Olden Yolk, Carrtoons, Andrew VanWyngarden of Mgmt).

Think CAN, Makaya McCraven, Sun Ra, or Madlib, and you’ll scratch the surface of what this LP has to offer, what it reminds you of, what it's inspired by. Grissa says of its creation, ""what began as a clear cut, beat-album featuring blistering acoustic drums evolved into a fluid, sonic journey that throws time- signature and structure to the wind."" RBGxDD is an album that expands the notion of how live instrumentation and sampling can continually innovate in unexpectedly catchy ways. The arrangements give space for both dancing and relaxing, with no shortage of finding the groove.

Joining them are artists who have perfected their craft upon arrival. Bobbie Johnston(Ear Yoga Ensemble,élan)delivers guitar riffs so smooth that they somehow blend into the music yet stand out in crispness and quality. Jarrett Gilgore (Heart of the Ghost; Jaimie Branch) takes a scorching approach to the saxophone that rejuvenates us, feeling as if we've been hit with a splash of cold water. Ahmad Kafari's (Sudan Archives, Pink Siifu, Jaw Gems, Chakram) piano playing is a gift, you hear expertise - years of influence by spiritual jazz and classical piano music emerge in a language first developed by Dorothy Ashby and honed by Dilla. Mastering was done by Kelly Hibbert (The Heliocentrics, Knxwledge, Flying Lotus, Karriem Riggins) who sends your ears to another sonic planet.

The LP is physically surrounded by something just as beautiful as the music it houses. We have artist Carol Summers and designer Daniel Rocha to thank for that. LP and artwork was licensed directly from Summers’ family. One of America's foremost printmakers with a career spanning over half a century, Summers has his works found in the Moma Lacma, NGA, and more. Rocha's LP designs are impeccably on cue with the music contained within, making the release look like it could’ve been released in 1973 or 2023. "

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Abdulla Rashim

Aksum

Abdullah Miniawy x DJ Hvad

Release: 2013 / EU – Original

Genre: Electronic & Dance

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Journey through vivid sonic currents and a state which might as well be regarded as Rashim's magnum opus: this is a new height with a mini album as the sixth release on ARR. The more basic and primal spirit of this release encapsulates Rashim's music in a way which makes total sense. Bound over for tracks, which all displays a different perspective of this dramatic colossus

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Notice A Tiny Scratch For The Blue Behind

LP | 2022 | DK | Original (Ulllu)

49,99 €*

12" | 2024 | UK | Original (Atjazz Record Company)

Release: 2022 / DK – Original

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl with a couple of light scuffs. Cover with light ring wear

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Abel feat. Brutha Basil

Hand Made

12" | 2022 | EU | Original (Dig This Way)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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A slick techy dance-floor banger featuring the sultry tones of US Vocalist ‘Brutha Basil’.

Hand Made has been a go-to number from Abel’s well-received ‘Cosmic Law’ album. Taking a deeper and much more techy approach to sound design, Abel and Atjazz enlisted the brilliant ‘Brutha Basil’ to lay down some truth about ‘doing this music thing for the right reasons’. With some incredible remixes from Peacey who swipes things up to a new energy level, Rocco Rodamaal whose punchy re-work takes us way back to NYC’s early days of house music, and South Beach Recycling’s Chicago and Detroit-inspired late-night groover. This is one of those releases that will stay on target for a long time, no doubt!

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Abeng

Sun Will Rise

13,99 €*

Abeng & The Co-Operators / Eeyun Purkins

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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We are glad to present to you the 1st Abeng Maxi 12'' : "Sun Will Rise" and "Eastern Lights" are two instrumentals based on the same riddim, one a way style Roots & Culture Music done during the LockDown of 2020. Mix and Dubwises are handled by Roberto Sanchez at A-Lone Ark Muzik Studio (es) , ready to play loud on your HiFi or Sound System!

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The Moonlight Runner / Fugative Dub

7" | 2020 | EU | Original (Dig This Way)

11,99 €*

Aberration / Diabolic Oath

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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In the last months we had the pleasure to open a connection with Eeyun Purkins, he helped us to mix some Abeng riddims and sent us some riddims to work with. February/March/April /May , the "lockdown months" have been very active and "Moonlight Runner" is one of the results of the collaboration we created during that period , Ian ‘Upsettah’ Burgess , Eeyun Purkins & Abeng worked independently on it so it's for us a pleasure to publish this music on our Dig This Way Records! We hope you enjoy this moody roots music... In the next months we will press more chunes born from this Roots-Heads meeting!

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Divinations

7" | 2024 | US | Original (Sentient Ruin Laboratories)

16,49 €* 21,99 € -25%

2LP | 2022 | EU | Original (Afar)

Release: 2024 / US – Original

Genre: Rock & Indie

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In anticipation to greater, more horrific things to come in the new year, we proudly bring you the Divinations split 7” between Aberration and Diabolic Oath, two rising forces of surrealistic extreme metal darkness. This two-song declaration of war upon human psyche showcases the two US-based sorcerers of omnipotent aural terror in complete command of control of their respective crafts as they summon each their own staple idealization of humongous and hallucinatory black/death deformations. Divinations serves as a precursor and taste to what's to come, namely the spring 2024 release of the bands’ two new full length albums, Aberration’s colossal Refracture, and Diabolic Oath’s still secretive but completed second full length abomination.

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Abiodun Oyewole

Gratitude

33,99 €*

LP | 2024 | UK | Original (World Of Echo)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Gratitude is the eagerly anticipated new solo album from Abiodun Oyewole, the poet, teacher and founding member of The Last Poets. The album liner notes include an extensive new interview with Abiodun himself, detailing the writing process of the album. Looking back, the Last Poets are often referred to as the godfathers of rap, and by listening to their early recordings; it's easy to hear why. Their words encompass revolution, sex, death, drugs, and Black Power - they own their words. From their mouths - words are a sense of pride, a statement, and a feeling of empowerment. There's no self-conscious hang-up with the Last Poets using words as an art form. On May 19th, 1968 (in celebration of Malcolm X's birthday), The Last Poets performed their first ever concert in Mount Morris Park (in Harlem), now called Marcus Garvey Park. Their debut album was released in 1970 including poet/singer Abiodun Oyewole. Now AFAR is proud to present a whole new way of thinking socially, politically, emotionally, and humanly - via the perspective of Abiodun Oyewole of The Last Poets with his new solo album 'Gratitude' - it's not a protest album, it's an inspirational LP/CD via the inclusive words and God-like voice of Abiodun - this is not an angry man, but an older wiser man - reflecting on his life and spiritual quests. Rappers love him for coining the phrase "Party and Bullshit" decades ago - but this is not that - this is a sacred journey with a universal message for all people regardless of their background and nationality. // "One Of The Most Influential Spoken-Word Groups That Pioneered Hip-Hop" NPR // "Experimenting With Street Poetry And Percussive Sound, The Music Of Harlem's Last Poets Helped Lay The Groundwork For Hip-Hop" Rolling Stone //Ltd edition Double Black Vinyl + Interview booklet. CD, Capacity wallet + interview booklet.

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Able Noise

High Tide

25,99 €*

From The Depths Black Vinyl Editoin

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

Able Noise are a cross-continent duo based between The Hague (nl) and Athens (gr), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock anti-formalism, emerged in low-key fashion in 2020 as a cassette through Glasgow’s famed Glarc label. Numerous European wide tours and left-of-centre festival appearances led the pair back to the studio for the recording of debut LP, High Tide, to be released via World of Echo on 1st November.

The shift to a studio environment was a significant one, since Able Noise was primarily conceived as a live band, thinking of and writing for the live concert experience specifically. Consider their practice an Active Performance of sorts, one that seeks to challenge understandings of the medium of the live arena, how its properties and limitations can be addressed creatively, and the dialogical relationship between performer and the audience. Those who have caught them live will have witnessed very physical yet malleable performances, shaped each time by the context at hand, be that the time of day, the acoustic properties of the space, and the shared energy of the assembled patrons.

True to this approach, the pair have embarked upon the recording of their debut album with a similar exploratory impetus. In a studio without a physical audience to confront, the questions are suddenly quite different: how does one create a definitive recorded music initially rooted in improvisation, how is that recording then listened to and understood, and, without the spectacle of performance, how is it possible to work with the sense of hearing alone. Unsurprisingly, the music of High Tide is significantly different to that of an Able Noise live set. Minimalism has been traded for a detail-oriented approach, the limitations of two sets of hands suddenly lifted by the possibilities of multi-tracked thinking, post-production and various processing techniques. Real-time gives way to fragmentation, distortion and dilation, and the shift is notable - High Tide is a woozy and often disorientating listen that plays quick and easy with conventional notions of structure, at once both centreless and impressionistic, yet somehow guided by an imagined formless space.

Reliant much less on their own capabilities - and limitations! - as musicians, Knegtel and Andropoulos heartily invited the contributions of friends from both their local Athenian music community and those made while playing the UK, with the important disclaimer given that anything played during the recording session will not sound the same once on record. The result is duos, trios, quartets and sextets playing in different experiences of time, and on dynamic scales vastly different from one another, brought to equal footing.

Critically, the wholesomeness of their creative communion belies the darker theme of inertia that the pair acknowledge runs throughout the album, a sense of bodies of very different weights and momentums existing alongside each other, either adapting to or clashing with one another. In short, the outside world can’t help but seep in, even as you create within your own hermetic universe - the feeling of hopelessness amidst endless political and social strife, obsolescence in the face of technological development, time’s inexorable march. These are things we’ve all felt, and while High Tide, like much before it, doesn’t provide any definitive resolution for these challenges, it does present its own set of unique possibilities written in the shared language of its creators.

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Abolish

LP | 2023 | EU | Original (F.D.A.)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2024 | EU | Original (Reliefs)

Abran

Doppler

17,99 €*

LP | 2018 | EU | Original (Bigamo)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Abran, the young French electronic music producer, presents 'Doppler'. This new EP is the fruit of new experiments in the studio. He has found a way to distort the sound and spatialise the instruments so as to immerse the listener in a unique sensory journey. The aim: to translate the famous scientific phenomenon of the Doppler effect into sound and image. Embark on a journey that combines space observation, underwater movements, interstellar travel and extraordinary sensory phenomena... 'Doppler': new EP soon available in Dolby Atmos!

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Abrao

Omnam

The Riot City Years 1981-1982

Release: 2018 / EU – Original

Genre: Organic Grooves

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Bigamo come with another nugget which crossed the path of Frank Wiedemann’s way. Modern tropicalia soundtrack coproduced by Red Axes. It totally has this Honest Jon’s vibe.

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Abrasive Wheels

LP | 2022 | UK | Original (Audio Platter)

Is It Raining In Berlin? Yellow & Green Marbled Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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The Riot City Years 1981-1982 from punk rock band of the late 1970s – early 1980s Abrasive Wheels! Hailing from Leeds, England and by far the biggest punk band from the area they were seldom out of the Independent charts between 1980 and 1984. Specialising in the sort of massive rowdy choruses that could put an ear-to-ear smile on the face of a dead man. Like so many of those intense bands of the time, their fire burnt brightly for just a relatively short time, but the shadows it cast, and the colourful musical legacy they bestowed the punk scene, were both important and influential!

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Absolute

12" | 2023 | EU | Original (Shall Not Fade)

12" | 2021 | EU | Original (Amphase)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Absolute. joins the Shall Not Fade family with five massive dance-floor anthems, bringing out all the best of rave, breaks and acid!

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Abston

Different Frequencies

10,19 €* 11,99 € -15%

LP | 2023 | US | Original (Flowing Downward)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Phase 001 is an exploration of culture and emotion. Travel, landscape, people have shaped this record in order to make the listener’s mind entering a world that belongs to him. Modular synthesizer is the heart of the EP and acoustic instruments are jamming around in a genuine and deep way.

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Abstract Void

Forever

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Ad 93)

Abyss X

Freedom Doll

Release: 2023 / EU – Original

Genre: Rock & Indie

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Composed, produced and arranged by Evangelia VS, the artist behind Abyss X, Freedom Doll is the culmination of a year of emotional unloading through songwriting, offering an introspective journey into the ocean of her mind. Produced and recorded between an artist residency near the Mayan jungle in Mexico and her Berlin home, the album chronicles transformations the performer tackled mentally during the writing process, tracing the rollercoaster of falling in love during the pandemic, as well as the pleasures and tribulations of womanhood.

Freedom Doll encapsulates the romantic escapade between her voice and the guitar. The amalgamation of seduction, sexual tension, vulnerability and assertiveness pulses throughout the entirety of the album, spiralling out of the cracks spawned from her vocal chords. From the twirling dance between her lush harmonies and the progressions of the acoustic guitar in tracks such as Ascend and From Hot to Cold, to the explosive confrontation between the metallic and operatic qualities of her voice, the searing sound of the electric guitar in industrial rock / psychedelic anthems such as Torture Grove and Banyana and the cathartic momentum found in the gospel inclined chants in A Chew - Freedom Doll untethers the dramatics and theatricality that defines Abyss X’s vocal performance and music production, while maintaining the sensual vibrations of her creative essence.

Freedom Doll is the encapsulation of the Minoan woman, the elusive harlequin tiptoeing her way through the “circus of terror” that is living and loving her way through womanhood. With this visual reference, Abyss X pays tribute to her ancestors and their groundbreaking ancient artistry. The back cover of the vinyl features a reiteration of depictions of bulls leaping found in Minoan frescoes; an inherently male cultural act that in the ancient Minoan times presumably gave expression to a tension that underlies man's somewhat tenuous mastery of nature. Freedom Doll’s artwork challenges this preconceived notion through an eco-feminist approach, bringing the Minoan woman slash Gaia in the seat of the bull leaper, taming the unhinged and predominantly male earth - threatening human force.

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Black Ice 50th Anniversary Golden Vinyl Edition

2LP | 2008 | EU | Reissue (Sony Music Catalog)

46,99 €*

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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Blow Up Your Video 50th Anniversary Golden Vinyl Edition

LP | 1988 | EU | Reissue (Sony Music Catalog)

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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Flick Of The Switch 50th Anniversary Golden Vinyl Edition

LP | 1983 | EU | Reissue (Sony Music Catalog)

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Fly On The Wall 50th Anniversary Golden Vinyl Edition

LP | 1985 | EU | Original (Sony Music Catalog)

Release: 1985 / EU – Original

Genre: Rock & Indie

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Live At River Plate 50th Anniversary Golden Vinyl Edition

3LP | 2012 | EU | Reissue (Sony Music Catalog)

53,99 €*

Release: 2012 / EU – Reissue

Genre: Rock & Indie

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Power Up 50th Anniversary Gold Color Vinyl Edition

LP | 2020 | EU | Reissue (Columbia International)

33,99 €*

Release: 2020 / EU – Reissue

Genre: Rock & Indie

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7" | 2024 | UK | Original (Z)

Ac Soul Symphony

Special 45 Versions

Tape | 2022 | EU | Original (Sucata Tapes)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Dave Lee's "AC Soul Symphony" alias has been releasing delectable and sultry disco since 2005 but reached his magnus opus in 2023 with the release of the "Metamorphosis" LP. Here we find two tracks handpicked from the album and delivered, for the first time, in a 7" format. The single starts much as the album does with the track "Windy City Theme", beautifully scored, recorded, and produced legato strings envelope the track, punctuated with horns and vocals reminiscent of a Love Unlimited Orchestra production. This version of the track has been rearranged, speeding up the pacing of the track and reaching the juicy parts in a really satisfying way. On the flip side we have the title track from the album "Metamorphosis", which is the first time the vocal version has been made available on Vinyl. A bass laden intro gives ways to glistening pianos and those signature strings (have we mentioned how good the strings are?). A more laid back and seductive track than the A side, but no less appealing. Again, due to the limitations of the 7" format, "Metamorphosis" has been expertly rearranged with loving care and attention.

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ACA

Grillito

Too Mean To Die Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Andean inspired home recordings from Tomás Tello - solo and with friends. ACA (roughly translated as right here) is a new project by Tomás Tello enabling him to collaborate with whoever crosses his paths creating a truly mystifying journey of highland mysticism crossed with late night bonfire jams, whichever way you look at it Tello keeps the South American experimentalism torch flying high above in the starry sky. Tomás had this to say about the album: ‘’Where I live the crickets never stop chirping… and during quarantine they kept going and going and going … Grillito (small cricket in Spanish) was recorded in Tavira, Portugal between 2019 and 2020 in various impromptu sessions. Side A begins, appropriately, with the theme Grillito ... the opening is inspired by the music of the Sikuris. Next comes Yarabits, recorded with Raul Jardín and Aya. I recorded the rest of the side by myself including some field recordings of the Quelccaya glaciar in Cuzco, Peru. Side B extends the concept to its illogical conclusion with an infinity mix between the Quelccaya recordings and various songs that I recorded with Daniel Llermaly on bass and a Nintendo making simple beats...I also decided to include an homemade cover of Olas de Verano by Los Pakines and a cumbia samba by Juaneco y su combo. Eventually the album peaks with a long section I recorded with Laura Robles using the Cajón... I mixed those recordings with others of the Pacific Ocean spray in Lima. It’s really nice to have this music committed to tape because when I started playing music it was with Laura Robles, so it's really special to have recorded this! Grillito, for me, is a displacement between different memories and fantasies that appear when I remember traveling on Peruvian roads... each theme is like looking through a window on a bus...you sleep and wake up and you are in another type of territory...in the desert...in the highlands....in the city... in a small town ... next to the sea … inside your memory... these are long, long trips ... The little crickets are there to remind us that we are not alone... a nature musical gift. ‘’

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2LP | 2021 | EU | Original (Nuclear Blast)

37,99 €*

12" | 1989 | EU | Reissue (Thank You)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Accept ARE Back! The German kingpins of heavy metal will release their new, eagely-awaited studio album via Nuclear Blast on January 15th 2021. The ingenious title of the masterpiece is “Too Mean To Die”. Special circumstances often lead to very special albums. This is certainly true for “Too Mean To Die”, which of course alludes to the Corona period, although in a different way than one might assume. The title track is a classic Accept cracker: dynamic and unwavering, turned up to eleven! 'Zombie Apocalypse', also relentless and hard, strikes the same note in the band’s signature style. The first single - which will be released on October 2nd 2020 together with a remarkable video - is different. Titled ‘The Undertaker’, its a terrific midtempo number with great vocals and a built-in character that chugs along – certain to deliver some mermorable live moments! According to Wolf Hoffmann its one of the most catchy, pleasing pieces of the album. Just how varied the Accept guitar trio performs on the new album is proven by one of the secret highlights: ‘The Best Is Yet To Come’ – a beguiling ballad in which Mark Tornillo is at his best. The metal world knows that Mark can scream like no other, but here it shows once again that the frontman can also sing magnificently.

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Ace Buzz

Moskitos

Arts & Entertainment Seaglass Blue Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Ace Buzz is one of the various projects of Tony Baron and Gery Francois (the minds behind projects like "Teknokrat's" and others that would found their output on labels like Carrere). Potentially naive for some, but surely playful and raw, an exquisite example of the sound of Belgian "New Beat". Void of the usual aggressive temper known to the genre, "Moskitos" comes in with a slight juxtaposition of Balearic accents in the form of those classic, very simple, piano chords we might have heard enough of. The samples employed invoke the image of someone in a cheap hotel room in Ibiza without AC trying to kill the airborne vermin celebrated in the title while hallucinating from an August drug infused heatwave, who knows. On the B-side, things slow down into a deeper more serious mood, "Nuevo Mondo" departs from the usual New Beat potency into something a bit more digestible to the ear in a rather unique way, followed by a Remix that sounds more like a complete facelift of a cover version by studio maestro Anatolian Weapons.

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Ace & Edo

2LP | 2001 | US | Reissue (M3 Macmil Music)

35,14 €* 36,99 € -5%

7" | 1974 | UK | Reissue (Not Bad)

Release: 2001 / US – Reissue

Genre: Hip Hop

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Limited to 500 copies worldwide. Pressed on Seaglass Blue Vinyl!

Limited to 500 Copies Worldwide!

When asked at the time about what to expect from this collaboration with Edo G, the legend Masta Ace fired back without hesitation: “People are gonna be surprised when they hear the mixture of styles. We both have a different approach. It’s like the old Reeses commercial... Ya got peanut butter walking down the street. Coming from the other direction is chocolate. Someone trips and blam, a peanut butter cup was born. Something new and amazing was created that no one had ever thought of!” When one thinks of Boston and New York, the first thing that comes to mind is the infamous Red Sox/Yankees rivalry. But this time when Boston met New York, it was a collaborative effort to bring the world one of the tightest Hip Hop efforts of 2009. Two of the game’s most exceptionally creative and well-rounded artists, Edo. G and Masta Ace brought the two cities together with Arts & Entertainment. Like their home cities, these artists have a long history and have influenced the world.

Hailing from Brownsville, Brooklyn, Masta Ace got his proper introduction setting off the quintessential Juice Crew posse cut, “The Symphony.” Not long after, Edo G’s debut Life Of A Kid In The Ghetto and it’s lead single “I Got To Have It” went to the top of the Billboard Rap Singles chart with heavy rotation on Yo! MTV Raps. Both Ace and Edo have continued to stay relevant, drop albums, tour the globe, and influence up and coming artists everywhere. Joining the duo on Arts & Entertainment was a notable list of prominent artists from NYC and the Bean including Posdanus of De La Soul, Large Professor, DJ Spinna, KRS-One, Marsha Ambrosius, Mr. Lif, Akrobatik, Chester French, Double O of Kidz in the Hall, M Phases, and more. The album continues to be a fan favorite to this day, especially the never-gets-old cuts “Little Young” and “Dancin’ Like A White Girl,” and this re-issue is sure to be well received once again.

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Ace

How Long / Sniffin About

13,99 €*

2LP | 2017 | Reissue (Light In The Attic)

Release: 1974 / UK – Reissue

Genre: Rock & Indie

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Formed in 1972, Ace released three albums on the Anchor label between 1974 and 1977, but will always be remembered for one song from their Number 11 album ‘Five-A-Side’. That song, ‘How Long’, made Number 20 in their native United Kingdom but went all the way to Number 3 in the States in 1975 – quite an achievement for a band that unashamedly took its musical inspiration from that side of the Atlantic. Enjoy their best as originally delivered, on vinyl.

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Acetone

1992 - 2001

34,99 €*

LP | 2017 | EU | Original (Fuzz Club)

Release: 2017 / Reissue

Genre: Rock & Indie

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* New vinyl pressing on black wax * First time band anthology * Includes 9 unreleased tracks * Audio restored and remastered from original tapes * Double LP housed in a gatefold jacket * Liner notes by Sam Sweet / “Acetone are into it for what they get out of it. Their music reflects who they are, and that's so rare in music today. It's a soul music thing.” - Jason Pierce (Spiritualized) 'Acetone are one of my all time favorite bands. Their music is still as electrifying and beautiful now as it was back then.” - Hope Sandoval (Mazzy Star)

'A lovely mix of what would it be like if Dick Dale and Neil Young played with Isaac Hayes and The Velvet Underground. A seminal American band.” - Richard Ashcroft (The Verve) This fall, the independent literary press All Night Menu will publish Sam Sweet’s _Hadley Lee Lightcap_, a nonfiction novel that traces the backstories of the three members in Acetone, a band that played in Los Angeles for nine years. Though few heard them, their recordings are time capsules of who they were, how they lived, and where they came from. Light In the Attic has partnered with All Night Menu to present Acetone 1992-2001, the first anthology of the trio’s music. The book and the album will be released concurrently on September 22. Counting their early years in the scuzz-rock band Spinout, whose sole self-titled release came out in 1991 on Delicious Vinyl, guitarist Mark Lightcap, bassist Richie Lee, and drummer Steve Hadley played together for a total of 15 years. They disbanded in July 2001, when Lee committed suicide in the garage next to the house where the trio practiced. Afterwards, _Rolling Stone_ ran a short obituary saying Acetone’s albums were “well received” but “failed to make any waves.” It was the first and only time they were featured in the national music press. Between 1993 and 2001 the trio released two LPs and an EP on Vernon Yard—a Virgin subsidiary—and two LPs on Vapor, the L.A.-based label founded by Neil Young and manager Elliott Roberts. In that span, they were selected to tour with Oasis, Mazzy Star, The Verve, and Spiritualized. Against a rising tide of post-Nirvana grunge and slipshod indie rock, Acetone tapped into a timeless Southern California groove by fusing elements of psychedelia, surf, and country. They rehearsed endlessly in an empty bedroom in northeast Los Angeles, recording hours of music onto cassettes that were subsequently stuffed into shoeboxes and left in a shed behind the drummer’s house. Those tapes are being released for the first time in this anthology, which also includes highlights from Acetone’s official releases. Taken together, the songs form a companion soundtrack to Sam Sweet’s book, which maps the character of Los Angeles as a place through the lens of these three unique characters bonded by music. “I think our music is all about moods and feeling but hopefully it will get as weird as it possibly can,” said Richie Lee in 1997. “We want things to get weird in the way that you could hear an Acetone song and know that no one else in the world could make that kind of music but us.”

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Acid Baby Jesus

Lilac Days

21,99 €*

LP | 2024 | US | Original (VHF)

Release: 2017 / EU – Original

Genre: Rock & Indie

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180g vinyl. It's easy to guess Acid Baby Jesus' shtick just going on their name but to those who aren't already in the know: don't be fooled into thinking these are just another quasi-religious, LSD-loving psych-rock band - there's a reason these Greek garage-rockers have been championed so highly in the European scene. Acid Baby Jesus are less concerned with the spiritual and tripped-out realms that their name foreshadows than they are with pure hip-shaking, rock'n'roll hedonism. After a long three-year wait the Athens four-piece are back with their third albumilac Days' - their first on Fuzz Club Records. The LP sees ABJ at their best; their frenetic garage-rock distilling a hazy mix of 60s Western psychedelic pop, traditional Eastern folk and the scuzzy R'n'R sounds of The Stooges or Brian Jonestown Massacre.

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Acid Mothers Reynols

Vol. 3

27,99 €*

12" | 2021 | US | Original (Detroit Underground)

Release: 2024 / US – Original

Genre: Rock & Indie

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Volume 3 of a set of collaborations between the prolific Argentine polymaths Reynols and the inescapable Acid Mothers Temple. Recorded in Buenos Aires on AMT’s 2017 South American Tour, the music has identifiable sonic elements from both groups but ends up sounding like neither, with a surprising weightlessness that keeps things jammy and psychedelic until the final track’s blustering rock. Taking up most of side 1, “Kicking Air Bricks” has a loose Gong/’70s Euro-classic vibe, with Satoshima Nani getting to swing on the drums in a way that isn’t always part of AMT’s steamroller, while the rest of the gang layers in abstract piano, percussion, glissando guitar, etc. “Multiverse Turtle Reflex” closes the side with a thick drone coda. Side two starts with Miguel Tomasin’s gentle vocal and organ accompaniment on “Smelling Oneiric Asado” before the group gradually gathers momentum with Wolf’s thick bass anchoring layers of clean and loose guitar interplay. “Lemurian Tsunami Inside A Hat” is a thriteen-minute heavy rock epic, with the Reynols’ guitars going head to head with Makota Kawabata’s easily recognized interjections, ramping up into a riffy crescendo.

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Acid Queen + Sickboy

Buildings

Acker Bilk With The Leon Young String Chorale

Release: 2021 / US – Original

Genre: Electronic & Dance

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Buildings was born out of a creative merger between Detroit’s 313 Acid Queen (Rebecca Goldberg) and Italian maestro Sickboy (Stefano Piseddu), their 4th and 2nd releases on Detroit Underground respectively. The duo have thoughtfully arranged a half dozen tracks inspired figuratively and literally by the landscape of Detroit. Working 7,000km and multiple time zones apart, having never met in person, their individual expressions intertwine in soundscapes reminiscent of techno’s origin and exist in a way only capable in our present time. Devoted as ever to the roots of Detroit techno, Goldberg and Piseddu have built a magnificent album around the Detroit Map Series theme conceptualized by DU label founder Kero and designed by Neubau Berlin.

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Clarinet Mood

LP | JP | Original (Odeon)

Illegal Rave Tapes Selektion 1999 - 2012

Release: JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.
Red vinyl.

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Acrelid

2x12" | 2024 | UK | Original (Dance Data)

Burning Throne Transparent Red Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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“Illegal Rave Tapes” is the first ever wax treatment for Acrelid, courtesy of Dance Data Records. Originally comprised of 134 tracks, this distilled selection by label head Dreams is a snapshot of John Lee Richardson’s archive of music from between 1999-2012. Since the ripe age of 12, he’s been drawing inspiration from the UK rave scene in the 90’s that he found himself in. That spark was the beginning of a lifelong obsession. He set out to capture the essence of what he felt and saw surrounding him during that time; whether it was via recording loops out of a playstation 1 to cassette / CD or borrowing any other gear he could get his hands on / that people would lend him. What’s less important than all the gear he used are the sounds he captured with them. “Sinister beats” that all share a driving quality of rhythm, spanning across smudged influences from jungle to acid and the BBC Radiophonic Workshop transmissions. It’s clear from the tunes that this is someone who’s clocked 1000’s of hours tinkering and refining his sound, and who has squeezed every function out of his machines, just for the fun of it all. Having seldom released music since the 90’s, John’s been waiting for the right moment to share it with the world, and this collection has very much been worth the wait." Words by Jesse Sappell ***Includes a 16-page colour zine designed by Acrelid, transforming thatcheraian-era anti-rave news propaganda and 90’s UK culture into incredibly thoughtful lore, providing a never before seen look into the world of the artist behind the Illegal Rave Tapes.**

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Acres

LP | 2023 | EU | Original (A Wolf At Your Door)

34,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Strange Bounty / About Life

Act!

LP | 2022 | EU | Original (Halocline Trance)

Drowning Out The Big Jets (Bbc Radio Sessions 1982-83)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Toronto-based musician and producer David Psutka aka ACT! (fka Egyptrixx / Anamai / Ceramic TL) releases his latest project ‘Strange Bounty / About Life’ for his own Halocline Trance imprint.

‘Strange Bounty / About Life’ is Psutka’s debut album proper as ACT! following the release of the “sonic mixtape” ‘Universalist’ in 2018 and the augmented reality soundtrack ‘Grey Matter AR’ in 2021; a series of Snapchat filters created by artist Karen Vanderborght and soundtracked by ACT! which explored the poetic and existential potential of AR and social media.

The new album represents a refinement of aesthetic and compositional ideas that exist across Psutka’s various projects and collaborations. It is a bold blend of new psychedelia braided with ecstatic groove. It’s a collage of physical sound, composition and freeform electronics that is simultaneously original, bold, and balmy whilst retaining a certain timeless familiarity and the obvious, indelible hallmarks of Psutka’s creative vision.

“‘Strange Bounty / About Life’ is in some ways my most refined record. The previous period of solo material was quite experimental and spontaneous, whereas this was written slowly and with more intentionality, and as a result, feels very clarified. Robin Dann of Bernice, and Alanna Stuart of Bonjay both contributed lovely vocal work to the record and it was written and performed primarily on guitar. I think it is fair to call this an 'experimental guitar record'.” David Psutka (ACT!)

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Action Pact

LP | 2023 | EU | Original (Fall Out / Jungle)

Karma & Desire Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Action Pact were a punk rock band from Stanwell, an isolated village right under the flight-path of London Heathrow Airport, inspiring this album title-song.àFormed in 1981 by guitarist Wild Planet, bassist & lyricist Dr. Phibes, and the then 15-year-olds drummer Joe Fungus and singer George Cheex, still school-kids when their Heathrow Touchdown EP was released in October 1981. BBC Radio 1 DJ John Peel played the single many times and booked them for their first session, recorded February 1982.àSigned to Jungle's Fall Out Records imprint, Action Pact"s label debut Suicide Bag EP went to the top of the British punk chart in July 1982.àFive more singles entered the indie charts including Yet Another Dole Queue Song, and a reworked London Bouncers, along with two albums, 'Mercury Theatre - On The Air' and 'Survival of the Fattest'.àA second John Peel session in '82 and a David Jensen BBC session in '83 were also recorded and broadcast - all collected together here for the first time.

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Actress

2LP | 2020 | UK | Original (Ninja Tune)

27,99 €*

Karma & Desire Clear Vinyl Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Ever since Actress hinted at a new album back in May 2019, we have been waiting with open ears and arms, for Karma & Desire to arrive. With a single 49-minute track '88' uploaded on Bandcamp earlier this year, it was a palette cleanser for what is to come. For this new record, we see Darren Cunningham returning in true Actress form, alongside the now revealed list of mystery collaborators - Mercury Prize winner Sampha, singer and songwriter Zsela, Aura T-09, pianist and conductor Vanessa Benelli Mosell and vocalist Rebekah Christel.

Several of the tracks on Karma & Desire find Darren Cunningham leaning into the sort of hazy, slightly hypnagogic synthscapes which have cropped up repeatedly throughout his output as Actress. Cuts such as ‘Gliding Squares’ have a quality about them which is pitched between dreamy reverie and something more unsettling. It is a sound which means that Karma & Desire can count both Dean Blunt and David Lynch as points of reference. When house and techno beats enter the fray they almost emerge out of these synthetic fogs - even the more lively joints still crackle and hiss with an alluring softness. In this manner, Karma & Desire harks back to previous Actress LPs such as AZD, though there is often a wintry quality to the more beat-driven tracks here which mark them out as unique to this LP.

There are several moments on Karma & Desire where Actress follows his nose to end up in electronic terrain that is difficult to name. The rhythms on ‘Loose’, for instance, draw from juke and ‘Pulse X’-era Eskibeat, but the way in which strange clouds of sound are created from keyboards and Rebekah Cristel’s faraway vocals means that the track is only really comparable to the experiments of Inga Copeland. Furthermore, the points where the piano is played, frequently deliver some of the most beautiful moments here, be they the sparse ‘Public Life (feat. Vanessa Benelli Mosell)’ or the soulful lilt of ‘Walking Flames (feat. Sampha)’.

Karma & Desire brings a surreal beauty to Actress’ typically innovative brand of electronic composition.

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Actress

2LP | 2020 | UK | Original (Ninja Tune)

Karma & Desire HHV Exclusive Clear Vinyl Art Print Edition

Release: 2020 / UK – Original

Genre: Electronic & Dance

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Actress

2LP | 2020 | UK | Original (Ninja Tune)

29,99 €*

Actress X London Contemporary Orchestra

Release: 2020 / UK – Original

Genre: Electronic & Dance

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This edition includes an art print only available at HHV. One copy per customer.

Ever since Actress hinted at a new album back in May 2019, we have been waiting with open ears and arms, for Karma & Desire to arrive. With a single 49-minute track '88' uploaded on Bandcamp earlier this year, it was a palette cleanser for what is to come. For this new record, we see Darren Cunningham returning in true Actress form, alongside the now revealed list of mystery collaborators - Mercury Prize winner Sampha, singer and songwriter Zsela, Aura T-09, pianist and conductor Vanessa Benelli Mosell and vocalist Rebekah Christel.

Several of the tracks on Karma & Desire find Darren Cunningham leaning into the sort of hazy, slightly hypnagogic synthscapes which have cropped up repeatedly throughout his output as Actress. Cuts such as ‘Gliding Squares’ have a quality about them which is pitched between dreamy reverie and something more unsettling. It is a sound which means that Karma & Desire can count both Dean Blunt and David Lynch as points of reference. When house and techno beats enter the fray they almost emerge out of these synthetic fogs - even the more lively joints still crackle and hiss with an alluring softness. In this manner, Karma & Desire harks back to previous Actress LPs such as AZD, though there is often a wintry quality to the more beat-driven tracks here which mark them out as unique to this LP.

There are several moments on Karma & Desire where Actress follows his nose to end up in electronic terrain that is difficult to name. The rhythms on ‘Loose’, for instance, draw from juke and ‘Pulse X’-era Eskibeat, but the way in which strange clouds of sound are created from keyboards and Rebekah Cristel’s faraway vocals means that the track is only really comparable to the experiments of Inga Copeland. Furthermore, the points where the piano is played, frequently deliver some of the most beautiful moments here, be they the sparse ‘Public Life (feat. Vanessa Benelli Mosell)’ or the soulful lilt of ‘Walking Flames (feat. Sampha)’.

Karma & Desire brings a surreal beauty to Actress’ typically innovative brand of electronic composition.

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Lageos

2LP | 2018 | UK | Original (Ninja Tune)

LP | 2024 | EU | Original (Napalm)

Release: 2018 / UK – Original

Genre: Electronic & Dance

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After the release of the EP "Audio Track 5" and his live shows at the Strelka Institude in Moscow, Barbican Centre and Tate Tanks in London, iconic British musician and producer Darren Cunningham aka Actress joined forces with the London Contemporary Orchestra to release at Ninja Tune an album declined from their collaboration entitled "LAGEOS".
The project, which is originally a performance at the Barbican in 2016 commissioned by Boiler Room and the LCO with the support of Arts Council England and Ninja Tune and in which electronics and acoustics were in perfect synergy, not only from a harmonic point of view but also in the way in traditional instruments were reworked to give rise to hybrid instruments. The show which was a massive success, announcing full very quickly pushed them to decline this project in the form of an album.

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Ad Infinitum

Abyss Black

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Napalm)

Ad Infinitum

Chapter II-Legacy

Release: 2021 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Napalm)

Ad Infinitum

Chapter III Downfall

Release: 2023 / EU – Original

Genre: Rock & Indie

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Fear Unknown Ruffneck Prime Remix Clear Red Marbled Vinyl Edition

Ad Nauseam

12" | 2020 | EU | Original (Tension Music)

9,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

LP | 2024 | EU | Original (Non Serviam)

Ad Patres

Unbreathable

31,99 €*

Ad & The Persuader Feat. Bella Hardcover

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ad Patres, the French death metal band hailing from Bordeaux, has marked nearly two decades of existence. In 2010, the band released their first promo EP, featuring three intense and brutal tracks that drew inspiration from death metal giants like Morbid Angel and Suffocation. The EP laid the foundation for their unique sound, blending classic death metal standards with modern influences. After its first full-length offspring "Scorn Aesthetics" in 2012, the band quickly gained recognition for their brutal and uncompromising approach to death metal. The band is known for a style that seamlessly oscillates between melodic elements and unbridled aggression. Rejecting a calculated approach, Ad Patres focuses on crafting music that resonates with their personal tastes, involves meticulous refinement, and undergo extensive rehearsal. Describing their sound as clean, direct, and devoid of unnecessary frills, they aim for a music experience that is unequivocally "in your face." Following it’s 2019 release "A Brief Introduction to Human Experiments", the band is now ready to father it's new ill conception. Ad Patres will release its new album "Unbreathable" in 2024 through Non Serviam Records. Main composer Olivier's clear vision shaped the album. Fostering a suffocating and claustrophobic atmosphere, the album seamlessly integrates new technical horizons with the band’s signature sound, resulting in a work of heightened accomplishment. 1.Intro2.The Dream Chaser3.Versus4.Deserter5.Exodus6.Interlude7.Chapter X8.The Medium9.Rebellion Grief10.Deus Deceptor

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The Truth EP

12" | 2024 | EU | Original (Kwench)

12" | 2005 | DE | Original (Areal)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Kwench Records is synonymous with homage-driven house and techno. Cassy's guilefully-curated selection of releasing DJs and producers is to be admired yet again with the arrival of heritage artists Jesper Dahlbäck and Alexi Delano under their respective aliases The Persuader and AD. Together they collaborate on a deftly-cut four-tracker with artist and writer Bella Hardcover adding her touch in spoken word.

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Ada

I Love Asphalt

4,99 €*

Release: 2005 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2015 | Original (Third Wave Black)

Es Pera EP

Release: 2015 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2022 | EU | Original (Apollo)

Nodus Tollens

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Romanian composer and DJ, Ada Kaleh, reveals a more intricate and textured side to his compositional dexterity, releasing a new album ‘Nodus Tollens’ on the legendary ambient label, Apollo Records.

Composed and recorded between 2010 and 2020, ‘Nodus Tollens’ finds Ada Kaleh departing from the confines of minimal house and techno, and instead exploring the many facets of ambient electronica and minimalism. Drawing inspiration from minimalist artists such as Steve Reich and Terry Riley, four expansive compositions are offered up, each one transcending the boundaries of dance music dogma, and focusing on natural free-form rhythms; meditative and healing frequencies intertwine with special textures, resulting in soothing psychedelia.

Questioning the linear nature of time, each production guides the listener though whirling soundscapes, DMT realms and time loops, creating an aural safe space in which to explore. Propelled by a passion for 60’s & 70’s spiritual jazz, afro-beats and other psychedelic inducing textures, Ada Kaleh describes these musical endeavours as Quantum Techno.

Across two slabs of 12” vinyl, and four distinct passages and states of time (Future, Past, Present and Entropy), ‘Nodus Tollens’ is a seamless listening experience that heralds the development of the composer’s musical journey, which has to date afforded magnetic releases for labels like Dialogue, Rawax, R&S Records and his very own Ada Kaleh Romania imprint. Sleeve artwork on thew album comes courtesy of the super talented artist Anca Popa, now based in Cape Town after a move from her native Romania.

‘Nodus Tollens’ by Ada Kaleh is available on Apollo Records from 25th March 2022.

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12" | 2023 | EU | Original (Ada Kaleh Romania)

O Seara De Ragaz EP

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Amazing minimalism! Incl. Aubrey and Prins Thomas Remixes. 190g Eco Waxx!

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O Seara De Ragaz Ep Part Two

12" | 2024 | EU | Original (Ada Kaleh Romania)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Big Remix package on Ada Kalehs very own imprint. Gez Varley aka G-Man, Ohm & Octal Industries, H-Foundation and Crihan.

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O Seara De Ragaz Ep Part Two Colored Vinyl Edition

12" | 2024 | EU | Original (Ada Kaleh Romania)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited colored vinyl. Big Remix package on Ada Kalehs very own imprint. Gez Varley aka G-Man, Ohm & Octal Industries, H-Foundation and Crihan.

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Solace In Repetition Sit & Shaun Reeves Remixes

12" | 2021 | EU | Original (Dialogue)

11,99 €*

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Dialogue made its entrance into the Los Angeles events space six years ago, transforming the citys forgotten spaces into temporary windows to global clubland. In continuation of this legacy, the brand has launched a vinyl-only label with the same forward-thinking and minimally minded curation, Dialogue Records. Ada Kaleh rings in this next chapter with the labels inaugural release, Solace In Repetition. Solace In Repetition? bursts with the nuanced, left-of-center sound that the Romanian minimal stalwart is known for. Its mesmeric title track takes listeners down a melodic path, punctuated by hints of breakbeat. ?Affection Over Reason? is equally hypnotic, with a focus on groove and creative filtering. Joining Kaleh on the record are fellow Romanian duo SIT and Visionquest legend Shaun Reeves?a fitting debut for what will become a staple label amongst collectors worldwide. ?Solace In Repetition? already sits at the #1 pre-order spot on Decks ahead of its April release.

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Unravelling Ft. Eric Leeds

12" | 2024 | UK | Original (R&S)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Ada Kaleh, the Romanian composer and DJ, follows up on his recent releases for R&S Records and Apollo with a brand new single, ‘Unravelling’.

Featuring the vocals of Fela Kuti at his most potent, ‘Unravelling’ also includes a featured performance from Eric Leeds, the American saxophone player most noted for his work with Prince, both in the studio and as part of the Purple One’s touring band.

Ada Kaleh constructs a hypnotising and minimalistic rhythm, reminiscent of Tony Allen's drumming style, speckled with dubbed out complexions and kaleidoscopic sonics that provide the perfect bed for Fela Kuti’s distinguished vocal delivery and conscientious lyric. The illustrious jazz musician Eric Leeds lends his prowess to the main mix here, as his smoky saxophone tones glide across ‘Unravelling’ with pure professional class!

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12" | 2019 | EU | Original (Rawax)

Venere Pribegind

Release: 2019 / EU – Original

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Lalabeam)

Ada Morghe

Lost

Release: 2023 / EU – Original

Genre: Organic Grooves

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12" | 2023 | UK | Original (Drumcode)

Adam Beyer

Desert Queen

Adam Beyer / Green Velvet

Release: 2023 / UK – Original

Genre: Electronic & Dance

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‘Desert Queen’ stands as Adam Beyer’s fourth original release of the year, making 2023 one of the most prolific of his career. The boss has set the standard in 2023, with a string of first-rate EPs and singles highlighting the year. From the ‘Legend’, to ‘Simulator’ with Green Velvet and more recently the excellent AI-referencing ‘Robotic Arms’ which dropped in August, he’s been on an inspired run of form. Next up is ‘Desert Queen’, a momentous cut only finished in late September that mixes up formidable bass tones, a celestial chord-driven melody and a striking vocal effect utilising a re-sung vox from the iconic Israeli singer Orfa Hazra. This is large in every sense. We can’t wait to see it light up the Gashouder during the massive Drumcode x Awakenings party at ADE. ‘Soulful’ delivers on its promise, a richly satisfying jam imbued with bags of warmth and groove that’s primed for a variety of dancefloor scenarios.

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Simulator Remixes Neon Green Ripple Effect Vinyl Edition

12" | 2024 | EU | Original (Drumcode)

12" | 2012 | SE | Original (Drumcode)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Adam Beyer and Green Velvet’s behemoth co-production ’Simulator’ gets a trio of fresh remixes.

Something special happens with Beyer collaborates with Curtis Jones aka Green Velvet, with last year’s ‘Simulator’ a timely reminder of their musical synergy, following the 2019 classic ‘Space Date’ with Layton Giordani.
A year on from its release, Drumcode treats us to three contrasting interpretations that epitomise the sonic breadth of the label in 2024.

Mha Iri is first up having established herself as one of Drumcode’s most vital go-to producers in recent times. The Scottish artist turns in a blazing masterclass, taking the nasty bass stabs of the original and utilising them as thunderous motifs throughout her remix, as she brings intensity in spades with plenty of thrilling builds and drops along the way.

Emerging Australian artist Odd Mobb is next, whose music has been championed by the likes of Fred Everything and Skrillex. He brings the energy throughout the four-minute rework, amplifying all the low-end elements, while adding fresh bursts of colour. It’s a dynamic reinterpretation that will keep listeners on their feet.

Chris Avantgarde, whose contributions to Drumcode have so far comprised an outstanding collab with Kevin de Vries ‘Mind Control’ and an A-Sides contribution ‘The Last Time’, returns with the goods and lives up to his boundary-pushing pseudonym. This has more sides than a rubix cube and shows the German’s sound design class, encompassing elements of breaks, bass, electronica and techno, yet still manages not to sound like anything else out there.

Pressed on Limited Edition Neon Green Ripple Effect vinyl in the DC House bag.

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Adam Beyer & Ida Engberg

The Color Out Of Space

11,99 €*

12" | 2018 | EU | Original (Drumcode)

Release: 2012 / SE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

close to NM

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Adam Beyer & Ida Engberg

The Color Out Of Space

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Adam Beyer, Layton Giordani & Green Velvet

Space Date Remixes

12" | 2019 | EU | Original (Drumcode)