Search "twit+one" 31443 Items

Release: 1957 / US – Reissue

Genre: Organic Grooves

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My Pussy Belongs To Daddy Black Vinyl Edition

V.A.

LP | 1957 | EU | Reissue (Ebalunga!)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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My Pussy... was one of the first albums which captured the audience’s attention by means of double entendres in the songs.
The release became one of the most eccentric and scandalous albums of its time and remains one of the most sought-after gems in the history of discography.

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LP | 1957 | Reissue (Jazz Images)

Blue Train

18,99 €*

Release: 1957 / Reissue

Genre: Organic Grooves

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Tony Scott In South Africa

Tony Scott

LP | 1957 | EU | Reissue (Honeypie)

13,99 €*

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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This is the incomparable Tony Scott, one of the greatest American jazz clarinetists of all times caught while touring South Africa in 1957. The album sees Scott joining a local Marabi dance band called Alexandra Dead End Kids and playing live with his jazz quartet in front of hyper-enthusiastic crowds. It's great to hear his masterful clarinet splitting between the penny whistle sound of South African folk tunes and the virtuosity of a real jazz performance. This disc reveals Scott's great versatility, high spirit and deep love for music and people.

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Blue Train The Complete Masters Tone Poet Stereo Edition

2LP | 1957 | EU | Reissue (Blue Note)

60,99 €*

Soulville Acoustic Sounds Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Tiny wear. 2022 reissue.

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Ben Webster

LP | 1957 | UK | Reissue (Verve)

43,99 €*

Release: 1957 / UK – Reissue

Genre: Organic Grooves

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"Soulville" is quintessential Ben Webster: intimate, tender, endlessly expressive. Webster was internationally recognized as one of jazz's elder statesman when he recorded this album in 1957. Leading a stellar combo through a program consisting mostly of vintage pop tunes, the great tenor saxophonist is at his peak.

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Cookin' Black Vinyl Edition

LP | 1957 | EU | Reissue (SAAR)

Mobley's Message Black Vinyl Editoin

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Cookin’ is the first of four albums derived from the Miles Davis Quintet’s fabled extended recording session on Octobre 26, 1956; the concept being that the band would document its vast live-performance catalog in a studio environment, rather than preparing all new tracks for its upcoming long-player. The bounty of material in the band’s live sets– as well as the overwhelming conviction in the quintet’s studio sides– would produce the lion’s share of the Cookin’, Relaxin’, Workin’ and Steamin’ albums. As these recordings demonstrate, there is an undeniable telepathic cohesion that allows this band– consisting of Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums)– to work so efficiently both on the stage and the studio. This same unifying force is also undoubtedly responsible for the extrasensory dimensions scattered throughout these recordings. The immediate yet somewhat understated ability of each musician to react with ingenuity and precision is expressed in the consistency and singularity of each solo as it is maintained from one musician to the next without the slightest deviation. « Blues by Five » reveals the exceptional symmetry between Davis and Coltrane that allows them to complete each others’ thoughts musically. Cookin’ features the pairing of « Tune Up / When the Lights Are Low » which is, without a doubt, a highlight no only of this mammoth session, but also the entire tenure of Miles Davis mid-‘50’s quintet. All the éléments converge upon this fundamentally swinging medley. Davis’s pure-toned soloes and the conversational banter that occurs with Coltrane, and later Garland during « When the Lights Are Low », resound as some of these musicians’ finest moments.

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Hank Mobley

LP | 1957 | EU | Reissue (SAAR)

Girlesque Black Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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This is tenor saxophonist Hank Mobley’s first release on the Prestige label, after one previous Blue Note release. Here he is joined by Donald Byrd (trumpet), Barry Harris (piano), Doug Watkins (bass) and Art Taylor (drum) with a guest appearance from Jackie McLean (alto saxophone) on one track.

As one might expected, the program is quite « beboppy », with the band running through bop standards like Bud Powell « Bouncing with Bud », Monk’s « 52nd Street » and Parker’s « Au Privave ».

Mobley’s supremely confident solos are highlights of these tracks and he swings through the rather plain arrangements of « Bouncing with Bud » and « Au Privave » , with exceptional phrasing and melodic finesse, through Byrd’s and Harris’s solos as satisfying as well.

« 52nd Street » is taken at a very quick tempo and has a short horn interlude between the solos.

It’s a small detail but it’s enough to elevate the piece beyond being just a blowing tune. Donald Byrd seems to struggle a little with the tempo, but Mobley and Harris excel. Jackie McLean takes a nice guest solo on « Au Privave » through for the first half of his solo a recording malfunction gives his sax an odd, muted sound.

Byrd sits out for a lovely ballad version of Rodgers’ and Hart’s « Little Girl Blue ». Mobley’s affecting read of the melody manages to recall the sentimentality of the old tenor ballad masters, while maintaining his own tone and distinctive melodic flair. Two Mobley’s originals round out the record with more bebop attitude. « Minor Disturbance » has a catchy melody and somewhat interesting changes but « Alternating Current » has no written melody and instead jumps right into solos and trading from the band.

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Faye Richmonde

LP | 1957 | EU | Reissue (Ebalunga!)

Pat Boone and Shirley Jones

Release: 1957 / EU – Reissue

Genre: Pop

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The solo album from one of the artists from the foumous "My Pussy Belongs To Daddy" compilation from 1957. Hot and kinky grooves for warm and pleasurful winter nights by the underground exotica femme fatale Faye Richmond.

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April Love (Music From The Sound Track Of The 20th Century-Fox Cinescope Picture)

LP | 1957 | CA | Original (Dot)

3,99 €*

Girlesque Pink Vinyl Edition

Release: 1957 / CA – Original

Genre: Soundtracks

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Used Vinyl

Medium: G+, Cover: G+

Japanese pressing.
Sleeve has heavy foxing and wear.

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Faye Richmonde

LP | 1957 | EU | Reissue (Ebalunga!)

29,99 €*

Buddy & The Crickets Holly

Release: 1957 / EU – Reissue

Genre: Pop

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The Chirping Crickets

LP | 1957 | Reissue (Waxtime In Color)

Release: 1957 / Reissue

Genre: Rock & Indie

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LP | 1957 | EU | Reissue (Sam)

John Lewis/Sacha Distel

Afternoon In Paris

31,99 €*

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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LP | 1957 | EU | Reissue (Honeypie)

Tito Puente

Afro-Cuban Percussion

23,74 €* 24,99 € -5%

Here's Little Richard Vinyl Me, Please Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Timbalero and vibraphonist Ernesto Antonio "Tito" Puente (1923–2000) is known for his Latin albums, their convoluted but accessible and feisty percussion segues and the introduction of the Mambo subgenre to North American ears. There is, however, only one album where he truly concentrates on the Latinized percussion side of things, and it may be both his most experimental or reduced and his best exotic work at the same time. This 1957 recordings - originally by the name of Top Percussion - brought together Tito, Mongo Santamaria, Willie Bobo, Aguabella and Julito Collazo on percussion with vocalists that included Mercedita Valdez, in seven wonderful cuts of traditional and (then) contemporary Afro-Cuban skin-on-skin. Then as an unexpected gift, there is a seven-minute Latin-jazz suite featuring Puente's considerable jazz-arranger head and a powerful band with Doc Severinson on lead trumpet.

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Little Richard

LP | 1957 | US | Reissue (Vinyl Me, Please)

35,99 €*

Rusty Bryant And The Carolyn Club Band

Release: 1957 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
We call Little Richard “the architect of rock ’n’ roll” largely because of his very first album — the wild, frenetic, and fun Here’s Little Richard, 12 tracks of something no one had ever played before and no one had ever heard before from any recording artist, Black or white. Accompanying his own orgasmic wails and raspy coos by pounding on the piano, he invented an eight-note pattern that we now take for granted as what so much contemporary music sounds like.

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America's Greatest Jazz

LP | 1957 | US | Reissue (Dot)

5,99 €*

LP | 1957 | US | Original (Jubilee)

Release: 1957 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G, Cover: F

Both seams completely opened.

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Teddy Charles Trio

3 For Duke

6,99 €*

Release: 1957 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

LP | 1958 | UK | Reissue (Sam)

Donald Byrd Quintet

Parisian Thoroughfare

35,99 €*

LP | 1958 | UK | Reissue (Sam)

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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In its October ‘58 issue, the title carried by Jazz Hot magazine was: »Revelation at the Chat Qui Pêche. The spirit of jazz (which some thought was dying) is sparkling with life in the Donald Byrd Quintet.« And indeed, on its first appearance at the Cannes Festival in July (the Jazz Festival, not the other one), the Donald Byrd Quintet brought the house down. Its members were hardly the Who’s Who of jazz, however. People vaguely knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins had played bass with them, and that pianist Walter Davis Jr. had been with Charlie Parker before he was 19. As for Art Taylor, if he’d already enjoyed a career longer than that of his colleagues, it hadn’t yet brought him recognition beyond a small circle of cognoscenti. Only Bobby Jaspar – who’d shone at the Club St. Germain – was famous with the Parisian audience.

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Donald Byrd

Byrd In Paris

37,99 €*

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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»They’d been living in Europe for months. They’d appeared in Cannes and at Knokke (…) yet the only thing missing was the consecration that a great concert in Paris would bring. They won that last battle with astounding brio, in front of an audience of connoisseurs. There were many there who thought modern jazz had never been so well-served in Paris.« (Jazz Magazine). Hard bop had arrived! Hallelujah! On its first French appearance, in July ‘58 at the Cannes Festival – the first and only Cannes jazz festival – the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France … The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers’ bassist, and that pianist Walter Davis Jr. was still only 18 when he’d played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who’d decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 – J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe. This new tour would climax at the Olympia theatre during one of the “Jazz Wednesdays” that were organised there, ever since the "Jazz At Carnegie Hall” tour – Zoot Sims, JJ. Johnson, Lee Konitz, Phineas Newborn – had inaugurated the series a little earlier. Byrd and his band took pains not to disappoint a Paris audience they knew to be particularly fickle, and they astutely varied the public’s pleasures throughout the evening. The complicity that united the rhythm section – Walter Davis Jr., Doug Watkins and Art Taylor – was much in evidence on Ray’s Idea; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion’s share of the honours on a theme that was then much in fashion, "Dear Old Stockholm", adapted from a Swedish traditional song; on "Flute Blues", Bobby Jaspar proved he was still a specialist on that instrument, and Paul’s Pal showed that, on tenor, the playing of Sonny Rollins hadn’t gone unnoticed. It must be said that it didn’t have much effect on the discreet lyricism underlying the choruses he played during his “St. Germain” period. The Olympia spectators weren’t sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like "The Blues Walk"? It wouldn’t take much for us to applaud, too, even if it is fifty-five years later…

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Soultrane 180g Vinyl Edition

LP | 1958 | EU | Reissue (Dol)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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LP | 1958 | UK | Reissue (Fat Cat / Not Now)

Soultrane

17,99 €*

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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Alexander Gibson & The New Symphony Orchestre Of London

Witches' Brew 200g Vinyl Edition

LP | 1958 | US | Reissue (Analogue Productions)

46,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves, Classical Music

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This famous Alexander Gibson/New Symphony Orchestra of London collection from 1958 debuted at the dawn of the RCA Living Stereo era. It became one of the most sought-after Living Stereos with music by Arnold, Liszt and Mussorgsky amongst others, all with a spooky, witchy theme. The performances remain today as characterful and incisive as they were then.
We've taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany's Willem Makkee from the original analog tapes, and plating and 200-gram pressing by Quality Record Pressings. Toping it off is a thick cardboard Stoughton Printing tip-on jacket.
If such music didn't cast the right sort of spell, so many listeners wouldn't be returning to it on so many occasions, somehow feeling constantly refreshed.

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Ascenseur Pour L'Echafaud

10" | 1958 | EU | Reissue (Sam)

Hip Harp On A Minor Groove

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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In 1957, Miles Davis is in Paris for an engagement at the Club Saint-Germain and a wonderful concert at the Olympia Theatre. Once in Paris, Miles came into contact with many members of the modern existentialist cultural environment in the neighborhood of Saint-Germain-des-Près. These include the director Louis Malle who had just finished his first movie : "Ascenseur Pour L'échafaud". Jean-Paul Rappeneau, a Jazz fan and Louis Malle's assistant at the time, suggested asking Miles Davis to create the film's soundtrack. A private sceening has been organized.
On December 4 1957, Miles Davis brought three French Jazzmen - Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and his american compatriot Kenny Clarke on drums - to the recording studio Le Poste Parisien without having them prepare anything. Miles Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. This recording was made at night in a most informal atmosphere.
The soundtrack was not released on it's own in the USA but ten songs from this soundtrack were released as one side of the album "Jazz Track" which received a 1960 Grammy nomination for Best Jazz Performance, Solo or Small Group.
"Ascenseur Pour L'échafaud" has become a great achievement of artistic excellence.

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Dorothy Ashby

2LP | 1958 | EU | Reissue (Doxy)

32,99 €*

LP | 1958 | EU | Reissue (Fantome Phonographique)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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This LP brings together for the first time, HIP HARP and IN A MINOR GROOVE, the two albums recorded in 1958 by the legendary jazz harpist and polistrumentist Dorothy Ashby. Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of in terms of bedtime lullabies, she actually makes it swing nicely, and with a soulful sound that draws back to traditions of African stringed instruments. Ashby was part of the same scene as Yusef Lateef, and like Lateef, she managed to use odd instrumentation in new contexts, to get a very unique jazz sound.
“In HIP HARP in addition to the interpretations of standards like Moonlight In Vermont, Dancing In The Dark, Charmaine and There’s A Small Hotel, Dorothy and Frank work out on three Ashby tunes: Pawky, a minor-key blues, Back Talk, major-key blues and Jollity, a medium-up original. Dorothy Ashby has added to the basic territory that the harp previously occupied. In fusing her sometimes guitar-like, swinging line to the expected harp effects, she has added another step to the instrument-scope of jazz(...) (from the original liner notes)

“IN A MINOR GROOVE is so named because all of the tunes are set in that particular mode. They represent a mixture of standards, jazz originals and one fairly recent pop song. Like the first set featuring Dorothy Ashby and Frank Wess (Hip Harp), this is not rock ‘em, sock ‘em jazz; it is far from the cloying effects of the kind of performances often associated with jazz of a low decibel nature” (from the original liner notes)

Numbered first press of 500 copies.

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Jean-Jacques Perrey

Prelude Au Sommeil

21,99 €*

Tito Rodriguez And His Orchestra

Release: 1958 / EU – Reissue

Genre: Electronic & Dance

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One of the pioneers of musique concrète and electronic tape manipulation, 'Prélude Au Sommeil' is Perrey's debut recording but shows a composer already at maturity. Originally released at the end of the fifties, as a private press under the fake institutional name "Institut Dormiphone", it consisted of 2 side-long tracks played on the Ondioline (a vacuum-tube based, spring-loaded electronic instrument). The music contained in this mysterious vinyl is like something between dreamy church organ hymns and the keyboard-based minimalism that Philip Glass and Terry Riley developed a decade later. It was intended as sleep-inducing and tranquilizing for use in mental hospitals. It is unclear if the copies pressed actually had been distributed to mental hospitals or if the whole story was just a fantastical joke on the part of Mr. Perrey. Essential. Limited to 500 copies.

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Three Loves Have I

LP | 1958 | UK | Reissue (Pure Pleasure)

34,99 €*

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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LP | 1958 | US | Reissue (Sony Legacy)

Johnny Mathis

Merry Christmas

Release: 1958 / US – Reissue

Genre: Rock & Indie, Christmas

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LP | 1958 | Reissue (Music On Vinyl)

Porgy & Bess

Release: 1958 / Reissue

Genre: Rock & Indie

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Ray Draper Quintet Feat. John Coltrane Clear Vinyl Edtion

Ray Draper Quintet

LP | 1958 | EU | Reissue (Sowing)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1957 by Rudy Van Gelder and released in the same year on the New Jazz label, this was a major statement from Ray Draper, who besides working with the likes of Max Roach, Jackie Mclean and Donald Byrd, he has been one of the few tuba players who have made a name as band leader. In particular this quintet date was a courageous step with Draper sharing the frontline with John Coltrane. In fact the two gave voice to a very unusual combination of tuba and tenor sax. An unprecedented instrumental choice backed here by a tight dynamic rhythm section featuring Gil Coggins – piano, Spanky DeBrest – bass and Larry Ritchie – drums.

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LP | 1958 | UK | Reissue (Intermusic)

Soultrane

Release: 1958 / UK – Reissue

Genre: Organic Grooves

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LP | 1958 | Reissue (Celson And Music)

Relaxin'

Release: 1958 / Reissue

Genre: Organic Grooves

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* Originally released in 1958 * Pressed on Black Vinyl * Featuring tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones... / Relaxin’ with the Miles Davis Quintet is in every way a masterpiece. When Miles Davis, the trumpeter (1926-1991), had formed the band in 1955, his colleagues - tenor saxophonist John Coltrane, pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones - were not considered jazz-world A-listers. And before conquering his narcotics addiction earlier in the ’50s, Davis had seen his once-promising career go into eclipse. By 1956, however, his sound, especially when muted, was an achingly personal counterpart to the vocals of Billie Holiday and Frank Sinatra. Relaxin’ (plus its prestige companions, Miles, Cookin’, Workin’ and Steamin’) reestablished Davis, and elevated his quintet as the gold standard of small groups. This set is called Relaxin’ because of the ballad performances in several different bright tempos. From medium-bounce to crisply up, Relaxin’ remains one of Davis’s sunniest outings, a prime example of one of the outstanding ensembles of the 20th century reaching the summit of their artistry.

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LP | 1958 | Reissue (Concord)

Soultrane

Release: 1958 / Reissue

Genre: Organic Grooves

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Milestones Numbered Limited Edition 180G LP SuperVinyl

Miled Davis

LP | 1958 | US | Reissue (Mobile Fidelity Sound Lab)

74,99 €*

King Pleasure / Annie Ross

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Miles Davis created just one studio album with his original sextet: Milestones. And he made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, Davis not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Sandwiched between the more famous 'Round About Midnight and the epochal Kind of Blue, Milestones remains a seminal work of art.

Sourced from the original master tapes and pressed on dead-quiet SuperVinyl, Mobile Fidelity's numbered-edition 180g LP grants each musician their own space amid broad soundstages. Afforded the benefits of a nearly non-existent noise floor and supreme groove definition, this vinyl reissue doubles as a time machine back to the February-March 1958 recording sessions.

Colors, shapes, and dimensions appear in the manner that resembles what you'd glean from behind a studio control room's window. Davis' burnished trumpet is rendered in three-dimensional perspective and seemingly coaxes the band to play with unburdened zest. Coltrane's trademark saxophone teems with lifelike tonality and images with specificity; his solos work in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the keys as he hits full stride, the chords and fills slithering around skeletal frameworks.

Inducted into the Grammy Hall of Fame and selected as a "Core Collection" record by the Penguin Guide to Jazz, Milestones is as famous for its title track – widely considered ground zero for modalism and bolstered by Jones' hallmark "Philly Lick" rim shot – as the players that produced it. The launching pad for many of Davis' improvisational flights, the album teases the explorations Coltrane would soon chase. Davis' own solo work broaches territories that far exceed what he had done in his bop-rooted past. Every song is a highlight.

Take the bravado "Dr. Jackle," featuring a hot-foot pace and bebop strains, or "Sid's Ahead," which continues the album's blues theme while juggling edgy harmonics and inside-out structures. On "Billy Boy," distinguished with an arco bass solo from Chambers, Garland gets a turn in the spotlight and channels the openness practised by one of his heroes, Ahmad Jamal. Even more instructive is the band's reading of Dizzy Gillespie's "Two Bass Hit." Three years removed from the version Davis and company recorded for the trumpeter's Columbia debut, this interpretation demonstrates the extent to which the group had jelled in a relatively short amount of time.

Then there's "Straight, No Chaser," the definitive rendition of Thelonious Monk's signature piece. Coltrane's marbled playing pulls at the tune's borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting "When the Saints Go Marching In" while demonstrating his knowledge of tradition and casting an eye towards the future.

About that future. Garland already had one foot out the door during the Milestones sessions to the extent Davis spells him on "Sid's Ahead." Jones would stick around for a bit longer but soon plot his exit. History proves Davis navigated the changes with visionary aplomb. Yet the chemistry, excitement, and beauty the sextet achieves on Milestones cannot be overstated. This reissue helps put the album in proper perspective – and presents the music the fidelity it deserves.

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King Pleasure Sings / Annie Ross Sings

LP | 1958 | US | Original (Prestige)

17,99 €*

LP | 1958 | JP | Original (Dot)

Release: 1958 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover has seam splt and light water damage

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V.A.

Down Beat Jazz Concert

11,99 €*

LP | 1958 | US | Original (Dooto)

Release: 1958 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese Pressing.
Includes original insert.

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Buddy Collette Quintet

Buddy's Best

19,99 €*

Piaf ! Clear Vinyl Edtion

Release: 1958 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Red Translucent Vinyl.
Writing on label.
Writing on back cover, upper cover seam is split.

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Edith Piaf

LP | 1958 | EU (Destination Moon)

17,09 €* 17,99 € -5%

LP | 1958 | JP | Original (Dot)

Release: 1958 / EU

Genre: Organic Grooves

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One of the most celebrated vocalists of the 20th Century and the best-known French singer of all time, the iconic cabaret and chanson performer Edith Piaf had an incredible life and an equally amazing career. Abandoned by her mother at birth and raised partly in a brothel by her granny, Piaf began performing in her father’s acrobatic street troupe as a teen and made her name in occupied Paris. For 1958’s Piaf! her torch-song deliveries are aided by the subtle strings of the Orchestra of Robert Chauvigny; if you’re an Edith Piaf fan there is plenty to savour here, especially ‘En Pourtant,’ ‘Les Orgues De Barbarie’ and ‘Le Gitan Et La Fille.’

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Pat Boone

Star Dust

11,99 €*

Joe Williams, Dave Lambert , Jon Hendricks, Annie Ross Plus Count Basie Orchestra

Release: 1958 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. Discoloured cover.

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Sing Along With Basie

LP | 1958 | JP | Reissue (Roulette)

Johnny Mandel's Great Jazz Score I Want To Live!

Release: 1958 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing!

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Johnny Mandel

LP | 1958 | US | Original (United Artists)

Release: 1958 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Johnny Mandel's Great Jazz Score I Want To Live!

Johnny Mandel

LP | 1958 | US | Original (United Artists)

6,99 €*

Release: 1958 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Cover has splits in seams.

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Soultrane Hybrid Mono Sacd Mini "Old Style" Gatefold Jacket

CD | 1958 | US | Reissue (Analogue Productions)

38,99 €*

Release: 1958 / US – Reissue

Genre: Organic Grooves

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LP | 1958 | EU | Reissue (Blue Note)

Blue Train

29,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 1959 | EU | Reissue (Music On Vinyl)

Kind Of Blue Mono

Belafonte At Carnegie Hall

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Limited edition for Black Friday RSD 2013.

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Harry Belafonte

2LP | 1959 | EU | Reissue (Speakers Corner)

55,99 €*

LP | 1959 | EU | Reissue (Waxtime)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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To perform in Carnegie Hall must surely be the greatest ambition of every artist, regardless of his or her style of music. But it also presents an enormous challenge, because on such an evening 'good' isn’t good enough. The artist is not merely expected to perform to his or her usual high standard – the evening must be exceptional. Harry Belafonte, the charismatic and highly experienced performer, certainly managed to fulfil such expectations, as is testified to by the present double album, which has retained its place as a best-seller at the top of the charts over many years.
This performance contains three acts, as it were: Afro-American moods, Caribbean songs and excursions into music of the world. Belafonte is in top form and celebrates an exciting, sparkling festival of song, including spontaneous comic interludes, which arise from direct interaction with his enthralled and enthusiastic audience. He is brilliantly supported by Bob Corman and his 47-man orchestra, an ensemble which is reduced to a small combo when the maestro raises his husky voice. It goes without saying that all the favourites are there such as "Jamaica Farewell", "Day-O" and "Mama Look A Boo Boo", making this Carnegie Hall event one of the most mesmerizing live performances of all time, which captures the essence of the performer in his prime (All Music Guide). With this double album you too can sit in the audience and enjoy this great event.

Recording: April 1959 live at Carnegie Hall, New York, by Bob Simpson
Production: Bob Bollard

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Jonny Cash

Songs For Our Soil

18,99 €*

Time Out 180g Vinyl Edition

Release: 1959 / EU – Reissue

Genre: Rock & Indie

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180g vinyl including two bonus tracks.

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The Dave Brubeck Quartet

LP | 1959 | EU | Reissue (Dol)

LP | 1959 | UK | Reissue (Pure Pleasure)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection. - allmusic.com

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Annie Ross & Zoot Sims

A Gasser

37,99 €*

Luc Pestang & Pierre Henry

Release: 1959 / UK – Reissue

Genre: Organic Grooves

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Although best known as a member of the vocalese supergroup Lambert, Hendricks & Ross, the great jazz singer Annie Ross's solo albums are gems unto themselves and "A Gasser!" from 1959 is the finest of them all. Miss Ross is in peak vocal form here and is joined by the great Zoot Sims on saxophone and much of the same band featured on the Lambert, Hendricks & Ross classic "The Swingers". Don't expect any of the vocal acrobatics of the Lambert, Hendricks & Ross recordings however. This is straight-ahead jazz singing by one of the great singers in her prime. From the wry wit of "Everything I've Got" through the sheer perfection and beauty of "You're Nearer", this set is a must-have for jazz vocal fans. Highly recommended.

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Saint-Exupery

LP | 1959 | EU | Reissue (Fantome Phonographique)

14,99 €*

Release: 1959 / EU – Reissue

Genre: Soundtracks

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During his long and illustrious career the French composer and musique concrète pioneer Pierre Henry created a lare amount of incidental music to accompany literary texts, both on record and for the stage, from Jules Verne to Victor Hugo, from Lautréamont to Antonin Artaud. This incredibly rare LP from 1959 is a radio play about the life of French pilot and writer Antoine de Saint Exupéry, based on the 1956 book by Luc Estang on the subject. The interpreters are a small theater troupe including French actor Paul Meurisse (1912-1979), famous for popular films and as a member of national theater company, La Comédie Française. Underlying key scenes, Pierre Henry’s contribution to the play consists of electronic and musique concrète sounds, adding a contemporary dimension to the text. A beautiful piece from one of the mid-20th century's truly brilliant sonic explorers.

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Kind Of Blue Black Vinyl Edition

LP | 1959 | EU (Destination Moon)

The Shape Of Jazz To Come

Release: 1959 / EU

Genre: Organic Grooves

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A modal masterpiece from 1959, Kind of Blue is a true classic that never gets old, no matter how many times you listen to it. Bill Evans’ understated piano is the perfect foil for Miles’ melodies, contrasted by the soaring alto sax of Cannonball Adderley; Jimmy Cobb and Paul Chambers keep the rhythm section steady but unobtrusive, allowing Miles and Cannonball to shine. ‘So What’ and ‘Freddie Freeloader’ are seductive, deceptive gems, imparting all the frustration, begrudging and joy as only a great jazz record can; ‘Blue In Green’ and ‘All Blue’ have melancholy hues and ‘Flamenco Sketches’ a precursor to Sketches Of Spain. Every household should have at least one copy of Kind Of Blue, one of the greatest records ever made.

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Ornette Coleman

LP | 1959 | EU | Reissue (Speakers Corner)

34,99 €*

Folk Songs For Far Out Folk

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – "The Shape Of Jazz To Come". After the rather worn-out hard bop routine of the past years, this music was like a breath of fresh air. The fast numbers ("Eventuality", "Chronology") remind one of wildly hyped-up bebop. Other numbers ("Congeniality", "Focus On Sanity") juggle with catchy, almost folk like short motifs. This album contains two of Coleman’s most beautiful compositions: "Peace" and "Lonely Woman", which was later given lyrics and often heard in its vocal version. The Mulligan-Baker Quartet provided the model for the pianoless quartet – and when the band swings along once in a while with a moderato tempo, it is truly reminiscent of cool jazz. Be that as it may, the two wind instrumentalists just love the frenetic 'cry' and the intentionally 'imprecise' interplay. Clearly defined stanzas or traditional harmonic forms were not for them. The jazz musicologist Peter N. Wilson wrote: »A record, which is not unjustifiably so entitled« about this LP which was given 5 stars by the magazine Rolling Stone.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May 1959 at Radio Recorders, Hollywood, CA, by Bones Howe Production: Nesuhi Ertegun

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Fred Katz

LP | 1959 | EU | Reissue (Life Goes On)

12,99 €*

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Cellist Fred Katz is best remembered as a sideman with the Chico Hamilton Quintet, Paul Horn, and Pete Rugolo, though on this famous, long unavailable record of his own, he serves as conductor and arranger rather than player. Folk Songs for Far Out Folk consists of his tantalizing, imaginative adaptations of African, Hebrew, and American folk tunes. The musical cast varies with each group of selections. The three African songs, highlighted by the explosive "Mate'ka," include trumpeters Pete Candoli, Don Fagerquist, and Irving Goodman, with a six-man percussion section that features Larry Bunker and Nat King Cole sideman Jack Costanzo. Four American songs include treatment of "Sometimes I Feel Like a Motherless Child" that alternates between brooding and upbeat cool, with vibraphonist Gene Estes, pianist Johnny Williams, and guitarist Billy Bean lending a hand. The two Hebrew songs focus on reeds exclusively (excepting Mel Pollen's bass). The playful setting of "Ray's Nigun" showcases Justin Gordon on bass clarinet with Paul Horn and Buddy Collette providing whimsical accompaniment on flutes. This CD reissue by Reboot Stereophonic expands considerably on the original Warner Bros. LP, adding updated liner notes and photos of Katz in addition to reproducing the original notes and poetry that were part of the original package. Highly recommended. (all music guide).

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Coltrane Time Clear Vinyl Edtion

LP | 1959 | EU | Reissue (Sowing)

Lightnin' Hopkins Clear Vinyl Edtion

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Recorded in NYC in 1958 and originally released in 1959 as "The Cecil Taylor Quintet - Hard Driving Jazz" this is in fact the only existing document of the meeting between John Coltrane and Cecil Taylor. Even if caught at an early stage in their career the two masters show great personality and deep respect for each other while trumpeter Kenny Dorham sticks more to his familiar bop idiom. Cordially backed up by Chuck Israel on bass and Louis Hayes, Coltrane swings madly on Taylor's dissonant comping producing a rare, fascinating friction between two worlds. A must for every Coltrane maniac out there.

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Lightnin' Hopkins

LP | 1959 | EU (Destination Moon)

Big Joe Is Here Colored Vinyl Edition

Release: 1959 / EU

Genre: Organic Grooves

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Texan country blues legend Lightnin’ Hopkins was a fingerpicking genius with a mournful voice who, after a spell in prison, first came to prominence through recordings for Aladdin and Gold Star in the late 1940s. Somehow, by the mid-1950s, his star had waned, but when Samuel Charters appeared at his one-room Houston apartment with a bottle of gin, Hopkins agreed to cut ten unaccompanied songs for Folkways, the resultant Lightnin’ a pivotal success that reignited his career, sparking the blues revival in the process. Full of haunting loneliness, despair, sly innuendo and doses of good humour, this must-have LP is absolutely brilliant!

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Joe Turner

LP | 1959 | EU | Reissue (Music On Vinyl)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 1000 individually numbered copies on silver coloured 180-gram vinyl. Joe Turner was an American blues singer who is known by his nickname of "Big Joe Turner" (because of his corpulent stature), but is also known as various other nicknames, such as "Boss of the Blues". Big Joe Is Here, which is Turner's post-R&B era album. The album focusses on the jazzy blues side of Turner's career, closer to Kansas City jazz and traditional pop than his pioneering R&B hits.

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LP | 1959 | UK | Reissue (20th Century Masterworks)

Blue Train

Release: 1959 / UK – Reissue

Genre: Organic Grooves

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LP | 1959 | EU | Reissue (Life Goes On)

Ethel Azama

Exotic Dreams

13,99 €*

Blowin The Blues Away (Blue Note Classic Vinyl)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Exotica masterpiece finally re-issued ! Which record is produced by Martin Denny, arranged by pianist Paul Conrad and features vintage Exotica's second lady who is only outclassed by the Peruvian chantress Yma Sumac? It's Exotic Dreams, released in 1958 that puts – so tells the cover artwork – "the enticing voice of Ethel Azama" (1934–1984), a Hawaiian Jazz singer, into the spotlight. Martin Denny discovered her a few years later and was able to negotiate with his house label Liberty Records, which granted Azama the opportunity to release one LP on which Denny also provides the liner notes (on a side note, Jimmie Rodgers succeeded with his negotiations as well, granting Azama a contract for a second LP in 1959). Exotic Dreams is one of those superb records that live up to the hype due to both the beautiful voice of the singer and the exotic arrangement alike, causing the listener to execrate the missed opportunities of releasing further material, as Azama faded into obscurity shortly thereafter despite her obvious talent, various gigs in Hawaiian and Australian night clubs and her recurring role in the 70's TV series Hawaii Five-0.

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Horace Silver

LP | 1959 | DE | Reissue (Blue Note)

Cuban Music In Jam Session

Release: 1959 / DE – Reissue

Genre: Organic Grooves

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The Horace Silver Quintet of 1959 was a hard bop juggernaut featuring the pianist with trumpeter Blue Mitchell, saxophonist Junior Cook, bassist Gene Taylor & drummer Louis Hayes. Timeless originals like ‘Sister Sadie’, ‘Peace’, and the blustery title track make Blowin’ The Blues Away one of the finest entries in Silver’s formidable discography. Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

Horace Silver (piano); Blue Mitchell (trumpet); Junior Cook (sax); Gene Taylor (bass); Louis Hayes (drums)

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Cachao

LP | 1959 | EU | Reissue (Honeypie)

23,74 €* 24,99 € -5%

Tommy Flanagan, John Coltrane, Kenny Burrell, Idrees Sulieman

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Double bassist and composer Cachao Lopez was one of the greatest personalities in the history of Cuban music. A true innovator who already in the 40's pioneered a new exciting form of dance music subsequently worldwide known as mambo. "Cuban Music in Jam Session'' stands as one of his classic albums from the late 50's. A great example of Cachao's innovative jam sessions called "descargas" where various legendary musicians such as tenor sax player Emilio Penalver and trumpeters Armando "Chocolate" Armenteros and Alejandro "Negro" Vivar, improvise over highly infectious grooves and rhythms laid down by Cachao himself on bass and a bunch of super tight percussionists. A great statement from the latin music golden era!

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The Cats

LP | 1959 | US | Reissue (Craft)

45,99 €*

Release: 1959 / US – Reissue

Genre: Organic Grooves

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A Night At The Vanguard Verve By Request Edition

Kenny Burrell

LP | 1959 | EU | Reissue (Verve)

35,99 €*

Serge Gainsbourg Avec Alain Goraguer

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Kenny Burrell's "A Night At The Vanguard" features an extraordinary guitar trio at the height of their powers in one of jazz's most sacred spaces, making Burrell one of the most influential voices on his instrument. At times relaxed, at times poignant, but at others energetic and swinging, Kenny Burrell's live performance of "A Night At The Vanguard" can be counted among his finest achievements, full of spontaneity and freshness, supported by the brilliant musicians Richard Davis on bass and Roy Haynes on drums.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve.

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Serge Gainsbourg N° 2

LP | 1959 | EU | Reissue (Life Goes On)

Duke Ellington & Johnny Hodges

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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N° 2 is the second studio album by Serge Gainsbourg, originally released in 1959. It features Gainsbourg backed by the Alain Goraguer Orchestra. Definitely a mutant jazz-pop album with a strong chansonnier feel and a touch of French literature. The album cover is a reference to French author and musician Boris Vian.

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Back To Back Acoustic Sounds

LP | 1959 | Reissue (Verve)

43,99 €*

Release: 1959 / Reissue

Genre: Organic Grooves

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Reflections Clear Vinyl Edtion

Steve Lacy

LP | 1959 | EU | Reissue (Sowing)

Gerry Mulligan & Ben Webster

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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All of soprano saxophonist Steve Lacy's early recordings are quite fascinating, for during 1957-1964, aspects of his style at times hinted at Dixieland, swing, Monk, and Cecil Taylor, sometimes at the same time. Here, Lacy teams up with pianist Mal Waldron, bassist Buell Neidlinger, and drummer Elvin Jones for seven Thelonious Monk compositions. The typical standbys (such as "Round Midnight," "Straight No Chaser," and "Blue Monk") are avoided in favor of more complex works such as "Four in One," "Bye-Ya," and "Skippy"; the sweet ballad "Ask Me Now" is a highpoint.

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Gerry Mulligan & Ben Webster Acoustic Sounds Edition

LP | 1959 | EU | Reissue (Verve)

38,99 €*

The Jonah Jones Quartet = The Jonah Jones Quartet

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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This classic 1960 album by Mulligan, the Cool Jazz innovator, and Webster, the legendary Ellingtonian, is one for the ages. The tunes they recorded, from “Chelsea Bridge” to “Go Home”, are smooth, lush and emotional, driven along by a rhythm section of Jimmy Rowles, Leroy Vinnegar and Mel Lewis that swings with just the right amount of bop.

Verve Acoustic Sounds Series: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Swingin' At The Cinema = シネマでスウィング

LP | 1959 | JP | Original (Capitol)

7,99 €*

Release: 1959 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1959 | US | Reissue (Jubilee)

Teddy Charles Trio

3 For Duke

8,99 €*

The Enchanted Sea Tiki Green Colored Vinyl Edition

Release: 1959 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US reissue from 1959.

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Martin Denny

LP | 1959 | US | Reissue (Jackpot)

Ben Webster Meets Oscar Peterson Acoustic Sounds Edition

Release: 1959 / US – Reissue

Genre: Organic Grooves

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Sourced From The Original Master Tapes; Original iconic artwork; Out of print since the 1960s

Long before Denny started heading into outer space with his Moog work, he was keeping us just floating slightly above the ground with the sounds of the earth-and The Enchanted Sea is one of his most grounded and beautiful works. Unlike many of his other exotica records (which are filled with the sound of the jungle, its wildlife, and the smell of the tiki bar smoke) this one has the feeling of a tumbler full of ice, walking barefoot on a sandy beach in the twilight, while breathing in the salt air. There are early glimpses here of where he was starting to head with Psychedelic-treated pianos, ethereal female vocals, and abstract orchestration beginning to find their way into the listener's ears. It's an album that seems less comical than some of his earlier work, with an allure more from the heart, without the heartbreak (even though the occasional tinge of wistfulness surrounds it).

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Ben Webster

LP | 1959 | EU | Reissue (Verve)

38,99 €*

Blue Soul Clear Vinyl Edtion

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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Sales Text (E) A meeting between two jazz giants that became one of the great classics in the Verve catalog. Ben Webster was, without a doubt, one of the most important and influential tenor saxophonists in jazz. “Ben Webster Meets Oscar Peterson“ features some of his finest, most swinging collaborations with Oscar Peterson, who the saxophonist often stated was his favorite accompanist.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve.

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Blue Mitchell Sextet

LP | 1959 | EU (Destination Moon)

Chega De Saudade 8 Tracks Limited Edition

Release: 1959 / EU

Genre: Organic Grooves

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Originally released in 1959, this is Blue Mitchell's third release as a leader. The brilliant trumpeter is joined by an all-star lineup that includes Wynton Kelly on piano, Philly Joe Jones on drums, Sam Jones on bass, Curtis Fuller on trombone, and Jimmy Heath on tenor sax. A great piece of forgotten late '50s hard-bop, it is truly a treasure of an album finally resurrected by Wax Love. This is one of the most precious jazz recordings of a year that would soon give sway to the Blue Note sound, and is in many real and important ways as much of a prelude as any other statement. It's a must-have for all serious mainstream jazz fans.

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Joao Gilberto

LP | 1959 | Reissue (Number One Essentials)

19,99 €*

Release: 1959 / Reissue

Genre: Organic Grooves

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LP | 1959 | US | Reissue (EMUS)

Sarah Vaughan

The Divine One

4,99 €*

Improvised Meditations & Excursions

Release: 1959 / US – Reissue

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG

Cover has split top seam.

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John Lewis

LP | 1959 | US | Original (Atlantic)

Release: 1959 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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LP | 1960 | EU | Reissue (Atlantic)

Giant steps

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | US | Reissue (Vee Jay)

John Lee Hooker

Travelin'

Release: 1960 / US – Reissue

Genre: Organic Grooves, Rock & Indie

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LP | 1960 | UK | Reissue (Not Now)

Giant Steps

LP | 1960 | EU | Reissue (Intermusic)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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180g vinyl

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John Lee Hooker

House Of The Blues

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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The Wonderful World Of Jazz

John Lewis

LP | 1960 | UK | Reissue (Pure Pleasure)

34,99 €*

LP | 1960 | EU | Reissue (Wagram)

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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There is nothing hurried about this disc. That said, the music is focused and will stretch your mind. Lewis employed masterful melodic improvisers here: Paul Gonsalves, Eric Dolphy, Jim Hall among others. Listen to "Body And Soul" as it builds powerfully and the soloists explore every possible melodic theme, where the quiet power of these master musicians is almost too much to take. Listen to "I Remember Clifford" where the players are essentially the MJQ with Jim Hall replacing Milt Jackson. This set swings, but oh-so-elegantly. Just like Mr. Lewis.
S.C.Berry
Whether you're an old-time jazz afficionado or new to the genre, this album is essential. In my opinion, Lewis' lovely solo on "Body & Soul" makes his version virtually definitive - 15 minutes of bliss. The rest of the album, particularly "Afternoon In Paris", is at the same level. "Wonderful" is the perfect title for this record.
E Barrios

Recording: July and September 1960
Production: Nesuhi Ertegun & Tom Dowd

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Joan Baez

Donna Donna

Release: 1960 / EU – Reissue

Genre: Pop

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LP | 1960 | EU | Reissue (Fantome Phonographique)

Pierre Henry

Orphée Ballet

We Insist! Max Roach's Freedom Now Suite Clear Vinyl Edition

Release: 1960 / EU – Reissue

Genre: Electronic & Dance

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Scored for Maurice Béjart's choreography to the 'Orphée Ballet', based on the Greek god Orpheus, this is one of Pierre Henry's finest works of musique concrète, the genre in which Henry was an early innovator and to which he devoted his career. After years working for the French national radio (RTF) and honing his studio chops on radio spots and editing/composition, Henry formed his own studio in 1958 and began working on modern dance and ballet and soundtrack work. Incorporating percussion, industrial soundscapes, nature sounds, spoken French narrative, and synthesized tones, 'Orphée Ballet' is a beautiful piece that, while less known than what is perhaps his most famous work, also for Béjart's ballet production, 1967's 'Les Jerks Électroniques De La Messe Pour Le Temps Présent Et Musiques Concrètes Pour Maurice Béjart', is equally compelling and groundbreaking. Following his passing in 2017 at age 89, Henry's work has found renewed interest, and this is a welcome reissue of one of his rarest and finest works. Truly brilliant.

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Max Roach

LP | 1960 | EU (Sowing)

16,79 €* 20,99 € -20%

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU

Genre: Organic Grooves

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One of the major statements in the history of Jazz and African American liberation movements. Originally released in 1960 on Candid Records, Max Roach’s Freedom Now Suite consists of five original compositions and performances staging and celebrating different moments and aspects of the African American history and culture. Here is a wonderful cast of musicians reunited around Max Roach – drums and Abbey Lincoln – vocals. Throughout the album you can find great contributions from the likes of Booker Little – trumpet, Julian Priester – trombone, Walter Benton – tenor saxophones, James Schenk – bass and three percussionists Michael Olatunji, Raymond Mantilla and Tomas du Vall. Highlights include the highly intense triptych for Drum and Voice by Roach & Lincoln and a special appearance of tenor sax giant Coleman Hawkins on the opening Driva Man.

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Harold Land

West Coast Blues!

23,99 €*

O Amor, O Sorriso E A Flor Clear Vinyl Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"[...] Tenor saxophonist Harold Land leads an all-star sextet that includes guitarist Wes Montgomery, trumpeter Joe Gordon, pianist Barry Harris, bassist Sam Jones and drummer Louis Hayes. Together, they perform three of Land's originals, "Don't Explain," and Charlie Parker's "Klactoveedsedstene," and an early version of Montgomery's "West Coast Blues." The music is as well-played and swinging as one would expect from this superior bop group." Scott Yanow -All Music Guide

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Joao Gilberto

LP | 1960 | EU | Reissue (Sowing)

22,49 €* 24,99 € -10%

LP | 1960 | EU | Reissue (Jazz Workshop)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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First released in Brazil in 1960 this is Joao Gilberto's second studio effort. A seminal album that just one year later introduced Bossa Nova to the United States. Joao Gilberto, one of the true masters of the genre, displays a great selection of songs including various Tom Jobim's classic gems such as "Samba de Uma Nota Só" ("One Note Samba"), "Corcovado" and "Outra Vez". An essential piece of work in the whole history of Brazilian music.

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The John Wright Trio

South Side Soul

23,99 €*

Original Grooves: Ella In Berlin: Mack The Knife / Summertime Record Store Day 2021 Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Originally issued in Stereo on Prestige LP (PR 7190) Subsequently reissued in the Prestige/New Jazz budget subsidiary label Status (ST 7190) The John Wright Trio John Wright (piano), Wendell Roberts (bass), Walter McCants (drums). Recorded at Rudy Van Gelder Studios in Englewood Cliff, New Jersey, August 30, 1960 Engineered & mastered by Rudy Van Gelder Cover photo & design: Esmond Edwards Back-liner notes: LeRoi Jones Recording supervised by Esmond Edwards

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Ella Fitzgerald

LP | 1960 | EU | Reissue

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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LP | 1960 | EU | Reissue (Life Goes On)

Eden Ahbez

Eden's Island

13,99 €*

LP | 1960 | UK | Reissue (Public Domain)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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It is 1960, Rock’n’Roll has just lost a couple of its protagonists during this and the previous year, the time of the great balladeers has just begun but soon will run out due to the new and exciting beat invasion. In US mainstream the tiki culture has reached a certain peak and is about to collapse but still goes strong and with it comes the so called “exotica” music, a crossover between smooth jazz and swing, Latin grooves, haunting melodies that are rooted in the folkloristic sounds from different parts of this world plus weird sound effects that often create a spooky jungle or dreamy island beach atmosphere. It can even bend your mind that far you would see palm trees growing out of your speakers and witness monkeys and parrots having fun in your room. Eden Ahbez, born in 1908, passed in 1995, a man living an even more consistent dropout and hippie lifestyle way before the movement was born in the mid 60s, a beat poet and composer who wrote the hit tune “Nature boy” that gave Nat King Cole his first big success in 1947, approaches the field of exotica music from a different point of view creating an epic concept album about an utopian society living in peace and harmony on an island far away from the modern western world as we know it. And indeed we find many trademarks of the prototypical exotica music beginning with this relaxed groove combining easy listening swing and Latin patterns, peaceful, dreamy and even transcendental vocal melodies, tinges of folk music from around the world including powerful dances and a whole color palette of mind expanding sounds giving the whole music an even greater depth and width.

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Kenny Dorham

Quiet Kenny

James Clay & David Fathead Newman

Release: 1960 / UK – Reissue

Genre: Organic Grooves

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One of the most active bebop trumpeters, Kenny Dorham started in the big bands of Mercer, Ellington, Lionel Hampton, Billy Eckstine and Dizzy Gillespie and eventually landed in the Charlie Parker Quintet. In addition, he was a charter member of Art Blakey’s Jazz Messengers, recorded as a sideman with Thelonious Monk and Sonny Rollins and replaced Clifford Brown in the Max Roach Quintet. Throughout his career he can be heard playing trumpet on various recordings with Lou Donaldson, Sonny Stitt, Fats Navarro, Kenny Clarke, Mary Lou Williams and many more musical legends. “Quiet Kenny” is a jazz masterpiece. Recorded by the great Rudy Van Gelder with a group of musicians playing at the top of their game, this title continues to be one of the most collectible Jazz LPs due to its high demand and short supply.

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The Sound Of The Wide Open Spaces!!!!

LP | 1960 | EU | Reissue (Jazz Workshop)

LP | 1960 | EU | Reissue (Intermusic)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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"James Clay's debut album as a leader (and one of only two that he cut before moving back to Dallas for nearly 30 years) matches him with fellow Texas tenor David 'Fathead' Newman, pianist Wynton Kelly, bassist Sam Jones and drummer Art Taylor. Cannonball Adderley supervised the session, putting the spotlight on the competitive horns who really battle it out on the Babs Gonzales blues "Wide Open Spaces." Clay, who plays flute on the date's lone standard "What's New," holds his own with Newman and plenty of sparks fly." —Scott Yanow (All Music Guide)

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John Lee Hooker

House Of The Blues

21,99 €*

Release: 1960 / EU – Reissue

Genre: Rock & Indie

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LP | 1960 | EU | Reissue (20th Century Masterworks)

Joan Baez

Debut Album

18,99 €*

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Clark Terry & His Orchestra

Clark Terry

LP | 1960 | EU | Reissue (Sam)

31,99 €*

Wishes You A Swinging Christmas Red Vinyl Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Re-mastered from a copy of the Mono Master Tapes. Limited edition 2000 copies. 180 gr vinyl pressed by Pallas in Germany. Deluxe high-gloss flipback album jacket. Facsimile reissue using the original photo by JP Leloir. Double insert using an original photo by JP Leloir from 1959. Each record has been visually checked to prevent defects.

Recorded October 1959, Paris.

Original LP issue: Decca 153.924

Critics often complain that small-group sessions comprised of members of the Duke Ellington Orchestra are somewhat disappointing; this is definitely not the case with this session led by Clark Terry, recorded during a 1959 tour of Europe in the final month of the trumpeter’s almost eight-year tenure with the band. Fellow Ellington sidemen Paul Gonsalves, Jimmy Woode, and Sam Woodyard are present, along with Raymond Fol at the piano. Terry was one of the most gifted trumpeters to grace the Ellington band and he blossoms when he has more opportunities to solo in a small group setting like this one. Gonsalves proves to be the perfect foil for Terry as they trade lines on several of the numbers. Unlike many dates led by Ellington veterans, this one doesn’t rely heavily on songs from the vast Ellington songbook; instead, Terry includes only ‘Satin Doll’, a Monk’s tune, one by Babs Gonzales and three of his own compositions, with ‘Serenade to a Bus Seat’ (a remake of his upbeat instrumental interpretation of the hectic life of a touring musician) proving to be the most memorable.

This studio date was recorded for French Decca label and was almost impossible to find until now.

Clark Terry (Trumpet) Paul Gonsalves (Tenor saxophone) Raymond Fol (Piano) Jimmy Woode (Bass) G. T. Hogan (Drums)

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Ella Fitzgerald

LP | 1960 | EU | Reissue (Verve)

Little Willie John / Hank Ballard & The Midnighters

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Christmas

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On top of tree and cookies, a successful Christmas should also include proper music. If your household only holds one Christmas album, it should definitely be “Ella Wishes You A Swinging Christmas”. Ella Fitzgerald sings like an angel and swings so hot that it's barely allowed at that celebration. The classic album from 1960, which Rolling Stone placed at number 10 on its “25 Greatest Christmas Albums of All Time” list, is now available in the most appealing edition ever, as a festive red, remastered LP with a fresh new cover design. Give it to your loved ones - or to yourself.

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Sleep / Let's Go, Let's Go, Let's Go

7" | 1960 | DE | Original (Odeon)

Release: 1960 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: G+, Cover: Generic

LP | 1960 | EU | Reissue (Blue Note)

Tina Brooks

True Blue

LP | 1960 | EU | Reissue (Honeypie)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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The only one of tenor saxophonist Tina Brooks’ albums as a leader to be released during his too-brief lifetime, 1960’s True Blue is a hard bop masterpiece featuring Brooks’ distinctive compositions performed by an exceptional quintet with Freddie Hubbard on trumpet, Duke Jordan on piano, Sam Jones on bass, and Art Taylor on drums.

Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

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Ahmed Abdul-Malik

East Meets West

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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Ahmed Abdul-Malik was best known to jazz listeners as a bassist with Thelonious Monk, Randy Weston, Coleman Hawkins, and many others. He made a few records as a leader, with this one being his most exotic. The Brooklyn native was of Sudanese descent; in addition to playing bass, he also plays oud, the forerunner to the lute. Originally released in 1960 the album is rich and heady, a multi-layered set of tonal grooves that are wrapped tight beneath the melody lines. The musicians on Malik's eight originals vary from track to track. On the mournful "La Ibky (Don't Cry)," Malik's oud shares the spotlight with a tenor sax (either Benny Golson or Johnny Griffin) plus trumpeter Lee Morgan. "Rooh (The Soul)" features the 72-string kanoon (which is sort of a brittle sounding and much smaller harp) played by Ahmed Yetman, along with Malik's arco bass and the droning violin of Naim Karacand. His ability to fuse Western Jazz with the driving rhythms created by his oud that seems almost sequenced, are startling.

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Sketches Of Spain Clear Vinyl Edtion

LP | 1960 | EU | Reissue (Destination Moon)

19,99 €*