Search "the+soul+session+one" 27855 Items

The Others (Lustmord Deconstructed)

3LP | 2022 | UK | Original (Pelagic)

Keep Everything Your Self

Release: 2022 / UK – Original

Genre: Rock & Indie

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Pelagic Records commemorates the work of electronic music pioneer Lustmord by releasing The Other, based around his tenth studio album [ O T H E R ] (2008) The Others - Lustmord Deconstructed is a celebration of the fearless attitude of being different and the expression of unique ideas which have never existed before. The new 3LP is an album of Lustmord tracks reinterpreted by some of the spearheads of the contemporary heavy music scene – and beyond: Ulver, Enslaved, Godflesh, Zola Jesus, Bohren & DER Club OF Gore, Steve VON Till, Ihsahn, Jaye Jayle, JO QUAIL,SPOTLIGHTS, KATATONIA's Jonas Renkse , Alexander HACKE's (einstürzende Neubauten) new band Hackedepiciotto, as well as Mono, THE Ocean, Årabrot and Crown. Over 13 years after the release of [ O T H E R ] , 16 bands and solo artists have gathered to record their own unique takes on tracks from the Other-sessions. The result is an album that is more than a compilation, and more than the sum of its parts; covering a wide and diverse range of musical territories, but sharing the same underlying mood and vibe defined by Lustmord's timeless soundscapes: from the ambient solo performances provided by Ihsahn, Enslaved or Jonas Renkse to the subdued voice of Zola Jesus woven into Lustmord's sombre fabric to the industrial carnage that is Godflesh's version of 'Ashen'. What demonstrates the profound influence of Lustmord on this contemporary music underground showcased here is that these very different artists all felt inspired to explore the essence of his idiosyncratic sounds within their own realm: experimental electronica icons Ulver excel on a stunning, hazy rendition of ‘Godeater’, while Japanese post-rock act Mono deliver a crushing version of ‘Er Eb Os’, and THE Ocean take us on a cathartically heavy mindtrip back to our 'Primal [State of Being]'. In the end, each of these 16 artists delivers an interpretation that pays the deepest respect to this pivotal artist, while also standing out as a new track of its own. The Others - Lustmord Deconstructed is not only a tribute and an excellent entry point into the discography of the founding father of dark ambient. It is also a celebration of the most accomplished visionaries in the underground music scene of today, and a manifestation of what binds them together.

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Jerreau

LP | 2022 | EU | Original (Diggers Factory)

Flying Dream 1 Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Hip Hop

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THE Energy WE Give TO Things That DO NOT Serve US Could AND Should BE Allocated TO What Does. From Relationships TO Behavioral Habits, TO Your Thoughts. IT IS OK TO BE Your Self, BUT NOT Absent OF Introspective AND Self-REFLECTIVE Work. BE Self-AWARE, Walk IN Your Purpose AND THE Process IS Streamlined. Because IF YOU Don’t, What Quality OF Life Will YOU Have? I Want ONE OF Fulfillment. Some OF US Will Live Decent LiveS, Even BY Leading A Life OF Mediocrity. BUT Where’s THE Honor IN Just Doing Enough? Doing THE Work Does NOT Ensure Material Riches, Fame OR Money. Because There Will BE Doors, You’ll Open, That YOU Won’t Walk Through. AND That’S Fine - PAY IT Forward.

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Elbow

LP | 2021 | UK | Original (Polydor)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Pilgrimage Of The Soul Transparent Turquoise Vinyl Edition

Mono

2LP | 2021 | EU | Original (Pelagic)

Release: 2021 / EU – Original

Genre: Rock & Indie

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New and 11th Studio album from Mono!!! Pilgrimage of the Soul is the 11th studio album in the 22-year career of Japanese experimental rock legends, Mono. Recorded and mixed – cautiously, anxiously, yet optimistically – during the height of the Covid-19 pandemic in the summer of 2020, Pilgrimage of the Soul is aptly named as it not only represents the peaks and valleys where Mono are now as they enter their third decade, but also charts their long, steady journey to this time and place. Continuing the subtle but profound creative progression in the Mono canon that began with Nowhere Now Here (2019), Pilgrimage of the Soul is the most dynamic Mono album to date (and that’s saying a lot). But where Mono’s foundation was built on the well-established interplay of whisper quiet and devastatingly loud, Pilgrimage of the Soul crafts its magic with mesmerizing new electronic instrumentation and textures, and – perhaps most notably – faster tempos that are clearly influenced by disco and techno. It all galvanizes as the most unexpected Mono album to date – replete with surprises and as awash in splendour as anything this band has ever done. Mono began in Japan at the end of the 20th Century as a young band equally inspired by the pioneers of moody experimental rock (My Bloody Valentine, Mogwai) and iconic Classical composers (Beethoven, Morricone) who came before them. They have evolved into one of the most inspiring and influential experimental rock bands in their own right. It is only fitting that their evolution has come at the glacial, methodical pace that their patient music demands. Mono is a band who puts serious value in nuance, and offers significant rewards for the wait.

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The Harmonic Series Volume 2

3LP | 2021 | US | Original

Paul Ortiz Y La Orquesta Son

Release: 2021 / US – Original

Genre: Electronic & Dance

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A collection of long-form works in just intonation by Kali Malone, Duane Pitre, Catherine Lamb, Tashi Wada, Byron Westbrook, and Caterina Barbieri. Each artist occupies an entire side of the collection's three LPs.

Curated by Duane Pitre, Important Records returns with its second volume of compiled works in just intonation. The Harmonic Series II, issued as a triple LP collection, features a series of long-form compositions by six of the most important emerging voices of contemporary experimental music;

Unlike equal temperament - the tuning system most commonly encountered in contemporary music - which equally divides an octave into 12 fixed notes, just intonation utilizes intervals of whole number ratios - chosen by a composer - to determine tonal positions, which can result in a highly individualised tonal language and holds the potential for more nuanced relationships and striking, sympathetic resonances. Rooted in ideas that trace their way across the last 2500 years - seeking to mirror the natural behaviour of sound within music - just intonation lays at the foundation for numerous Indian, Persian, and East Asian musical traditions, as well as a substantial amount of European music prior to the 17th century. Reintroduced into western music during the 20th century by composers like Harry Partch, Ben Johnston, Lou Harrison, James Tenney, Terry Riley, and La Monte Young, it has left an indelible mark on experimental practice ever since.

In the years following the appearance of The Harmonic Series in 2009 - presenting works by Ellen Fullman & Theresa Wong, Michael Harrison, Pauline Oliveros, Charles Curtis, and others - the broad interest in just intonation has continued to swell, inspiring Duane Pitre to curate a second compilation, exploring the work of a new generation of composers that have been drawn toward its remarkable potential.

The full scope of The Harmonic Series II engages the possibility of a multitude of intertwining sequences and relationships between its works. Kali Malone’s "Pipe Inversions” - played by Malone on a small pipe organ, joined by Isak Hedtjärn on bass clarinet - belongs to a larger body of microtonal organ works that have increasingly placed the composer at the forefront of contemporary minimalism and drone music. Thick blankets of shimmering harmonics - sliding at a glacial pace within a fractal structure of rhythmical and melodic sequence - converge as a poignant unwinding of cultural, temporal, and historical location, embedded within the disarming beauty of its interwoven tones.

Across the length of Duane Pitre’s "Three for Rhodes” - a chamber piece for ”unknown instrumentation” - deconstructed rhythms and melodic fragments swell in a dance of harmonic interplay, rising and falling within the work’s engrossing architectural complexity. Imbued with a startling sense of humanity, tonal footsteps and syntactic patterns flower with life, delivering an exacting image of the metaphorical potential of sound.

Catherine Lamb’s "inter sum” - one of a tiny number of available works to encounter the composer and renowned violist working on synthesizer - endeavours to break the visualisation of harmony as a vertical reality, rendering it multidimensionally in space. With its materiality drawn from Lamb’s own environmental field and filtered by the synth - presenting a radical rethinking of the terms of composition and musical mater - subtle tonalities and harmonics, embedded within sheets of textural atmosphere, culminate as a spectral vision of the latent musicality of the natural world.

A canon for eight-violins played by Marc Sabat, Tashi Wada’s "Midheaven (Alignment Mix)” - guided by the internal logic of its tuning system - shape-shifts into an elegantly poetic form of musical conceptualism. Interlacing long-tones bloom with complex harmonic interplay and delicate overtones, as two mirroring, overlain realizations of the composition - one moving forward as the other simultaneously moves backward - slowly converge toward a crescendo of dissonance at the midpoint, imbuing the work with emotive tension, before returning to a final ecstatic release.

Byron Westbrook’s "Memory Phasings”, composed and recorded on a combination of computer controlled modular synthesizers and a Yamaha Tx802, employs the ratios of just intonation as harmonic building blocks for texture. Shifting long-tones and insectile buzzes underscore patterns of rapid appreciations and carefully balanced punctuations, forming a shimmering collective of abstractions, that blurs the lines between synthetic and organic readings of sound.

Deploying just intonation as a means for psycho-physiological exploration, Caterina Barbieri’s "Firmamento” - composed for synthesizer - deftly intervenes with the expectations of minimalism, durational music, and drone. Brooding and ecstatic - pushing the possibilities of organised sound into unexplored realms via the triggering of emotional and mental states of being - across the work’s slow evolution, sublime tonalities ride a razors edge between darkness and light, colliding in dense layers that rethink ancient modes in futuristic terms.

Taking form within the gestures of six crucial voices of contemporary experimental music - Malone, Pitre, Lamb, Wada, Westbrook, and Barbieri - The Harmonic Series II sculpts a profoundly human vision of the potential of art, where the historic becomes present and future, and the divisions imposed by cultural and temporal boundaries dissolve. Like the generations that have embraced it before them, each artist harnesses just intonation as a means to progress toward unknown territories of creative possibility and to readdress how we hear, arriving at a musical space that is highly individual and personal - captured by the diversity of the works presented within - while speaking within a collective whole.

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Los Que Son Splatter Record Store Day 2021 Edition

LP | 2021 (Nature Sounds)

The L.A. Session Record Store Day 2021 Edition

Release: 2021

Genre: Organic Grooves

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Record Store Day 2021 Release.

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Paul Kuhn

LP | 2021 (In+Out)

Live At The BBC White Vinyl Edition

Release: 2021

Genre: Organic Grooves

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Record Store Day 2021 Release.

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The Pretty Things

3LP | 2003 | EU | Reissue (Repertoire Entertainment)

Kaleidoscope Phonetics Bundle (Orange)

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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In the golden age of the British R&B revival, few groups created as much excitement and controversy as the Pretty Things. They came up alongside the Rolling Stones in the early 1960s, but were deemed by critics and fans as wilder and bluesier than even Mick Jagger & co. When long-haired Phil May sang and shook his maracas with manic intensity, audiences and record buyers knew they were in for a wild ride.

But the Pretty Things took their music seriously and developed into one of the more innovative rock bands of the 70s, much admired by groups and artists from Led Zeppelin to David Bowie. As well as recording hit singles and albums, the Pretties were also heard live in action on BBC radio shows that captured their dynamic performances with remarkable clarity and presence.

We are fortunate that this audio heritage has been carefully preserved and has now been digitally restored for future generations to enjoy. Repertoire is proud to present this comprehensive 6 CD collection that provides over seven hours of non-stop R&B, original songs and new concepts.

Such seminal BBC shows as Saturday Club presented by DJ Brian Matthew and Top Gear by John Peel, who also hosted his own regular Sunday Concert, welcomed the band to their studios where they’d romp into everything from Pretty Thing favourites like ‘Big Boss Man’, ‘Road Runner’ and ‘Buzz The Jerk’ to the experimental ‘Defecting Grey’. Check out 1968’s ‘SF Sorrow Is Born’, an hypnotic and mysterious ri! that might well have infuenced today’s groups like Kula Shaker.

There is more broadcast material from the 1970s and even into the 2000s with BBC shows hosted by Mark Lamarr and Marc Riley that bring the band’s history up to date with vibrant versions of ‘Belfast Cowboys’, ‘Singapore Silk Torpedo’ and even a revival of their first hit single ‘Rosalyn’.

This superb box set has informative liner notes by Richard Morton Jack, progressive rock historian and editor of Flashback magazine, and includes an interview with Phil May discussing the recordings. Repertoire’s Chris Welch also interviews founder member guitarist Dick Taylor, who reminisces about the early days of the Pretty Things and pays tribute to his old friend Phil May who sadly passed away in 2020.

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Science Of Sound

1 Piece | 2020 | Original (90's Tapes)

The Legendary Father Of Folk Blues 200g Vinyl Edition

Release: 2020 / Original

Genre: Hip Hop

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Limited edition of 100 bundles consisting of a black Science Of Sound logo tee plus the orange 2LP vinyl (limited to 500 copies in total) in a gatefold set incl. inlay card and sticker.

Here it is, one of THE lost albums from the golden era of Hip Hop: Science Of Sound's "Kaleidoscope Phonetics" from the Tribe Called Quest-sphere. With productions and cameos by A Tribe Called Quest and Phife Dawg, Godfather Don, Grandmaster Melle Mel and more. This is true-school rap at its finest and should not be missed by any fan of the classic 90's vibe.

Here's what Ali Shaheed Muhammad is saying about it:

"Science Of Sound, a group established during the 90's "golden era" of Hip Hop. These guys are my family. We were very excited when they signed their record deal and greatly disappointed their label mishandled them. This is the lost album that was recorded in the time I was working on "Beats, Rhymes & Life". There was a lot of back in forth between Tribe's sessions and S.O.S.'s sessions. You can hear the levels they were on and it's as fresh as 20+ years later as it was when it was recorded. Any proponent of golden era Hip Hop will appreciate this find of a lost album." - Ali Shaheed Muhammad, September 3rd, 2020

Available on limited 2LP vinyl, CD and cassette as well as digitally!

1 copy max. per customer.

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Son House

LP | 2016 | US | Original (Analogue Productions)

Alexander Gibson & The New Symphony Orchestre Of London

Release: 2016 / US – Original

Genre: Organic Grooves

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Mississippi's Son House was already legendary for a small collection of live field recordings made by folklorist Alan Lomax in 1941 and 1942, and for having taught some important licks to both Robert Johnson and Muddy Waters before he was rediscovered by a new generation of college-age fans in 1964.
The 'Father of the Delta Blues' recorded this namesake LP for Columbia Records a year later in 1965. It's become, in the words of Living Blues magazine — »Essential recordings by one of the greatest bluesmen ever.« And now, Analogue Productions presents a reissue unmatched in sonic quality and luxury presentation. For our version we turned to Ryan Smith at Sterling Sound to remaster the recording from the original master tapes. The freshly cut lacquers were then plated and pressed on 200-gram vinyl by our own Quality Record Pressings.
Son was born Eddie James House, Jr., on March 21, 1902, in Riverton, Miss. By the age of 15, he was preaching the gospel in various Baptist churches as the family seemingly wandered from one plantation to the next. He didn't even bother picking up a guitar until he turned 25; to quote House, »I didn't like no guitar when I first heard it; oh gee, I couldn't stand a guy playin' a guitar. I didn't like none of it.« But if his ambivalence to the instrument was obvious, even more obvious was the simple fact that Son hated plantation labor even more and had developed a taste for corn whiskey. After drunkenly launching into a blues at a house frolic in Lyon, Miss., one night and picking up some coin for doing it, the die seemed to be cast; Son House may have been a preacher, but he was part of the blues world now.

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Witches' Brew 200g Vinyl Edition

LP | 1958 | US | Reissue (Analogue Productions)

Mobley's 2nd Message 200g Vinyl Edition

Release: 1958 / US – Reissue

Genre: Organic Grooves, Classical Music

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This famous Alexander Gibson/New Symphony Orchestra of London collection from 1958 debuted at the dawn of the RCA Living Stereo era. It became one of the most sought-after Living Stereos with music by Arnold, Liszt and Mussorgsky amongst others, all with a spooky, witchy theme. The performances remain today as characterful and incisive as they were then.
We've taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany's Willem Makkee from the original analog tapes, and plating and 200-gram pressing by Quality Record Pressings. Toping it off is a thick cardboard Stoughton Printing tip-on jacket.
If such music didn't cast the right sort of spell, so many listeners wouldn't be returning to it on so many occasions, somehow feeling constantly refreshed.

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Hank Mobley

LP | 1956 | US | Reissue (Analogue Productions)

Abrahamic Godhead Besieged By Adversarial Usurpation Oxblood Vinyl Edition

Release: 1956 / US – Reissue

Genre: Organic Grooves

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The session for "Mobley’s 2nd Message" was recorded in July 1956, just one week after "Mobley’s Message" was recorded. The album features performances by Mobley, Kenny Dorham, Walter Bishop, Doug Watkins, and Art Taylo

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Nyogthaeblisz

LP | 2024 | US | Original (Hells Headbangers)

LP | 2024 | US | Original (Hells Headbangers)

Release: 2024 / US – Original

Genre: Rock & Indie

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HELLS HEADBANGERS is proud to present NYOGTHAEBLISZ's massively anticipated debut album, Abrahamic Godhead Besieged by Adversarial Usurpation on limited edition Oxblood vinyl!One of the most talked-about and divisive bands currently going in the metal underground, NYOGTHAEBLISZ patiently built a discography of incendiary short-length releases, each one bolder and more savage than its predecessor. Truly, there are few other sounds around as unique and illuminating as theirs - an endless vortex of chaos magick, in-the-red frequencies, ritualistic fervor and righteous fury. Now, some 17 years since their formation, NYOGTHAEBLISZ will finally unleash their first full-length work, Abrahamic Godhead Besieged by Adversarial Usurpation, which is being hailed in the underground (and above) as one of the most anticipated albums of the past decade.Few human words can accurately do this work justice. Unremittingly violent, deliriously feral, hypnotically dense, overwhelming in every sense and against all senses: NYOGTHAEBLISZ's Abrahamic Godhead Besieged by Adversarial Usurpation wields sound as a very literal weapon, and proceeds to desecrate and decimate the listener's very last thresholds of sanity and purity. To merely call this "black metal" or "death metal" would be to flagrantly miss the point; the zealous heretics of NYOGTHAEBLISZ draw from a far grander spectrum of sound than the mien of metal, incorporating power electronics and harsh noise wall and proceeding to mulch and malform both to fit their diabolical design. Indeed, Abrahamic Godhead Besieged by Adversarial Usurpation is an album of "design," of obscene and obtuse angles up-ended and abused by multi-dimensional grind chaotically coalescing into a swirling, beyond-cacophonous swell of hyper-Satanic hysteria. Metaphysical mayhem begets daemonic illumination - a conflagration for insurrection, and thus liberation.For many years, few bands approached the smothering intensity of NYOGTHAEBLISZ. Now, after Abrahamic Godhead Besieged by Adversarial Usurpation, none will be able to eclipse their revolutionary artistry and sheer uncompromising spirit. Here stands a new monument, a veritable modern classic in the making. 1. Abrahamic Godhead Manifested by Adversarial Usurpation 05:31 2. Sinistral Qlipho[tech] Mechanolatry / Exterminate the Tetragrammaton 04:56 3. Ordnance for Adamic Holocaust and Cosmocidal Entropy 03:30 4. Diabological Mutagenesis Eradicating the Magian Bloodlines 03:36 5. Qabalistic Matrix Parasitism by Extra[daemon]sional Omnimalevolence 04:07 6. Nihiliferian Theophagism / Dysefirotic Atrocities Cull the Demiurge's Progeny 03:42 7. Cryptomagickal Esoterrorism Targeting All Archontic Deifications 04:37 8. Khao-Psionic Merkabah Fragmentation and Godhead Simulation Decay 06:43

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Blood Feast

Infinite Evolution

LP | 2024 | US | Original (Hells Headbangers)

Release: 2024 / US – Original

Genre: Rock & Indie

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BLOOD FEAST has been transformed yet again. Nearly five years in the making, with many twists and turns along the way, the band’s fourth album, Infinite Evolution, will see international release via HELLS HEADBANGERS.Continuing on from 2017’s The Future State Of Wicked, the band keeps the thrash vicious, as one would expect. Yet, this time out, the boundaries are expanded. There have been changes in the ranks, as original guitarist Adam Tranquilli has now added lead vocal duties, and co-guitarist/producer CJ Scioscia has taken on more of the songwriting. Drummer Adam Kieffer remains (he came onboard for the band’s 2019 EP Chopped, Sliced & Diced), while bassist extraordinaire Mike LePond of Symphony X lent his impressive talents on the low end.Songs such as "Outbreak," "Never Will I Die," and "Of Hell" retain the BLOOD FEASTtradition of fast and furious. However, the limits are pushed out a bit further into a tech/prog direction on "Eye Of Glass" and album closer "The Chosen." With a production straddling the line between modern and old school, Infinite Evolution shows diversity, yet without sacrificing the speed or heaviness. 1.Crafting Carnage2.Ravaging the Loins of Mary3.Never Will I Die4.Of Hell5.Eye of Glass6.Outbreak7.The Preacher8.Evilution9.The Chosen

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Funeral Storm

Chthonic Invocations

2LP | 2024 | EU | Original (Lizdas Club)

Release: 2024 / US – Original

Genre: Rock & Indie

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HELLS HEADBANGERS is proud to present FUNERAL STORM's highly anticipated second album, Chthonic Invocations.It was but 2019 when FUNERAL STORM made their grand entrance onto the international metal stage with their acclaimed debut album, Arcane Mysteries, courtesy of HELLS HEADBANGERS. While their history goes back to 2001, activities didn't begin in earnest until 2012, and hard graft became their watchword. But it was Arcane Mysteries that majestically consolidated all of FUNERAL STORM's considerable promise into one grand statement of classic Greek black metal in an authentically early '90s style. It certainly didn't hurt that that debut album featured Varathron founder Necroabyssious on vocals. Two years came a split 7" with Greek comrades Synteleia, appropriately titled The Ancient Calling, also courtesy of HELLS HEADBANGERS.That split featured a scaled-back lineup of Necroabyssious and guitarist Arcania and founding guitarist/bassist/drum-programmer Wampyrion, and thus fortified does FUNERAL STORM's second full-length follow. Likewise appropriately titled, Chthonic Invocations further explores the steadfast theme of the Cthulhu mythos. More specifically, FUNERAL STORM's second album in general focuses on death, in every form, for Arcania and Wampyrion were totally isolated during the lockdown and Necroabyssious was heavily infected with Covid-19 to a point where the band didn't know what would happen. However, after he was healed, Necroabyssious delivered an exceptionally aggressive performance, suiting to his bandmates' more surging yet more mystical music. Truly, Chthonic Invocations sounds like FUNERAL STORM 666%, and harkens even further into the ancient past: to say that the album could've been released in 1993 on Unisound is an understatement to end all understatements. But again, just like its full-length predecessor, Chthonic Invocations easily avoids lazy "throwback" status on both the strength of its songwriting and its era-authentic synths, handled by both Arcania and Wampyrion. 1.Whispers From The Beyond2.Behold the Dark 06:433.The Void 05:254.Funeral Pyre5.The Epitaph of the Dead6.The Covenant of Old7.Mistress of the Night (The Gathering Begins)8.The Calling of the Father

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Exem

Atlanta

2LP | 2024 | EU | Original (Shukai)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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When the first cargo ships from Western Europe docked in Klaipėda after the fall of the Iron Curtain, no one could have imagined that a completely new and unknown musical culture would arrive in Lithuania along with them. It was the first city in this country to get a taste of what was then called electronic rave music. This is why it is unsurprising that the most iconic Lithuanian electronic music band of the 1990s was born in Klaipėda, the port city of this country.

The first release from Lizdas Records is a nod to the past. Because if it weren’t for Exem and their legendary tracks, which even made their way into the mainstream media in those days, today’s Lithuanian electronic music scene would be completely different.

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Cukor Bila Smert'

Ultra-Minimal White Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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The founders of Cukor Bila Smert’ (Ukrainian: Цукор– Біла Смерть, English: Sugar – White Death) band were Svitlana Okhrimenko (a.k.a. Svitlana Nianio), Oleksandr Kohanovs’kyi, and Tamila Mazur, who studied at the Reinhold Glier Kyiv Academy of Music in 1984-1988. In the summer of 1988, they got acquainted with Eugene Taran, a young guitarist and artist. He joined the band and also became the ideologist of Sugar – White Death. Moreover, Eugene coined the name for the band: the irony towards the Yellow Press. The musicians gathered at Kohanovs’kyi’s house, where they spent their free time not only playing music but also listening to and discussing new records and thinking about the conception of their new project.

For two years, the band recorded a few home-made albums, such as “Rhododendrons Coral Aspides” in 1988 (which is considered lost), where Kostyantyn Dovzhenko took part as a guitarist and sound engineer. He also replaced Taran during the recording session because Eugene was passing an exam at that time. The band also recorded another album – “Lilies and Amaralises,” in 1989, which is also considered lost. Eugene remembers that the band made a lot of recordings but did not pay so much attention to them. Sugar – White Death played live occasionally but spent more time creating their own sound, which was named by Oleksii Dekhtyar (a founder of “Ivanov Down”) as a “sugar calypso sound.” At that time, the music was mostly created by Oleksandr Kohanovs’kyi, and the lyrics were written by Svitlana Okhrimenko and Eugene Taran.

In February 1990, a quartet came to the Scientists House Studio in Kyiv, where they had one studio session only, recorded by Valerii Papchenko. Musicians played live for about one take. This session was represented on the “Mannered Music” compilation by several blocks – “Venus with Long Neck,” “The New Sissies,” and “Rhododendrons Coral Aspides,” which was shortened to “Rhododendrons” on the cassette (two songs from which – “Summer Will Not Come” and “The Great Hen-Yuan’ River,” dedicated to Grigorii Khoroshylov, the sinologist from Kyiv). The compilation cover design was created by Eugene Taran. Later, this tape got to Vlodek Nakonechnyj, the founder of Koka Records, a young Polish label, who released “Mannered Music” on cassettes and made efforts to invite Sugar – White Death to play several gigs in Poland.

In November 1990, Sugar – White Death played their last gig as a quartet in Kharkiv. They were invited by Sergii Myasoyedov, who curated the art association “Nova Scena” (The New Scene). The band played selected tracks from the albums “The New Sissies” and “The Shellfishes in Gold Wrappers” (the last one is also considered lost). Due to Sergii Myasoyedov's efforts, the performance was documented: he saved a lot of photos and fragments of soundboard recordings on reel-to-reel tape.

Later, Oleksandr Kohanovs’kyi and Tamila Mazur left Sugar – White Death: Oleksandr founded his own project Pan Kifared, and Tamila became a bass player of Shake Hi-Fi (whose co-founder was Eugene Taran). Sugar became a duo of Svitlana and Eugene. They started to focus on their next work: “Antinoy Is Leaving” in late 1990.

In 1992, they were also invited by Sergii Myasoyedov for a studio session in Kharkiv, where due to the efforts of Oleksandr Vakulenko, Sugar recorded the new album called “All Secrets Of A Poem”. Some tracks from the work (“Dead Ceremony,” “Vienna Is Sleeping,” and “Untitled”) were released on their next and last album, “Selo” (“The Village”). The rest compositions were published as a part of the compilation for the first time.

In the autumn of 1992, the musicians went to Poland, where Vlodek Nakonechnyj, who wanted Sugar to come to a “real” studio, organized their last recording session. Although the journey’s beginning was unsuccessful (Eugene’s guitar was taken away by a customs officer when crossing the border), the musicians worked fast during the session at the Arek Was studio at Marki on an 8-track reel-to-reel machine. Boleslav Blazhchyk took part as a cellist, playing the parts created by Svitlana. The album was completed in three days – the musicians spent two days recording and one-day mixing, mostly done by Eugene Taran. In 1993, this work was released as “Selo” (“The Village”) album on cassette tapes by Koka Records (remastered by Tadeusz Sudnik). Later, Sugar – White Death was disbanded.

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Sylvain Chauveau

LP | 2024 | EU | Original (Sonic Pieces)

Chuck Ragan of Hot Water Music

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sylvain Chauveau has been releasing quiet and minimal compositions on various labels for more than two decades. »ultra-minimal« marks his debut for Sonic Pieces and takes the minimal approach even further, centring on reduction and limitation. Itwas recorded live at Café Oto, at one of Sylvain’s rare solo concerts and the first time he performed publicly with only acoustic instruments; no machines, no recorded sounds have been used, only piano, guitar, harmonium and melodica, played one at the time.

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Blueprint Sessions Milky Clear / Aqua Blue And White / Sea Blue Half / Half Vinyl Edition

2LP | 2023 | EU | Original (End Hits)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Chuck Ragan of Hot Water Music

Blueprint Sessions Eco Blue / Eco Green Recycled Vinyl Edition

2LP | 2023 | EU | Original (End Hits)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Aleatory Chaos Fourth Chapter - Selected By #Coldroom103

2LP | 2023 | EU | Original (Oraculo)

OST Joe 90 Green Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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#Coldroom103 is a Barcelona social media private club composed of truly fanatics of the dark sounds in all its subgenres. They’re the responsible for the curation / selection of the new edition of the acclaimed Aleatory Chaos series. You could expect a mix of different styles, from post-punk to industrial and from modern techno new beat to electro. It comes presented in Double Gatefold format in a One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid Black vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

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Barry Gray

2LP | 2023 | UK | Original (Silva Screen)

2LP | 2023 | US | Original (Drag City)

Release: 2023 / UK – Original

Genre: Soundtracks

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First appearing on TV screens in September 1968, Joe 90 was a unique nine year old boy with the ability to absorb the brain patterns of top experts enabling him to become the most special agent of W.I.N. (World Intelligence Network). Whilst there are arguably better-known scores amongst Barry Gray's sublime catalogue of work with the Andersons, the composer's work for Joe 90 is in many ways the most consistent and inventive selection he ever wrote. Developing a theme for the new series was always the musician's starting point, and for Joe 90, the pop charts breezed into Gray's studio, with an opening tune featuring a genuine groove. Mixing Gray's inventive electronics with 60s "surf rock" guitars was an inspired decision. It is no wonder that this piece has gone on to enjoy a second life as a Northern Soul disco floor-filler. For episodic incidentals, Gray was freed from the detached unearthly premise of Captain Scarlet and able to bring back a playful sensibility and a more mature musical palette which are amply illustrated in this 24 track collection.

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Prison

Upstate

Bees Made Honey In The Vein Tree

Release: 2023 / US – Original

Genre: Rock & Indie

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Straight outta Rockaway Beach, Queens, New York City, USA, THE World, Prison is a state of mind, an experience, a loose collective, a band, a jam band and a bunch of psychedelic dudes who aren"t your average bunch of jambanders. All that, all at once, ALL THE Time. You get what you"re dealing with here? No...you don"t. The only way to Really get it is to go to Prison -- and if you"re not from greater NYC and haven"t showed at any of the shows, here"s your best bet: their breakout album, Upstate. And whatta breakout! So high, you can"t get under it; so wide, you can"t get over it! How wide? Every song has two titles, that"s how wide. And almost everybody sings, like, all the time. That wide. Sure, you can break down the numbers -- five guys, five songs and four sides of vinyl in one gatefold sleeve -- but that won"t get you Upstate, either. Prison is the sound of everybody in the room figuring out where to go, individually and collectively. As they go through it, the meaning changes, the destination changes, the words mean something different. It"s meaning and no meaning, rising and falling, sinking and flying on the back of something massive cacophonized by three guitars, four vocals, a bass and drums. A lot of information bouncing around and enough time to really get you out of yourself! Take a look at the titles: each one a dichotomous inquest that the assembled Prison-ers march upon with fervor, glee, vengeance -- a whole spectrum of feels and perspectives woven into the jam for you to see. The Prison population changes with the seasons, and during the season this album was recorded, Sarim Al-Rawi, Mike Fellows, Sam Jayne, Matt Lilly and Paul Major were in Prison. Sarim you might know from Liquor Store, Mike"s made a bunch of scenes and records as Mighty Flashlight, Sam, who passed away in 2020 (R.I.P., brother) was in Love as Laughter -- and Paul Major you know from Endless Boogie, who Matt had roadied for -- and despite being "just a skateboarder who loves music" with no previous experience on the drums, he and Sarim inaugurated the Prison experience, like, seven years ago. Since then, it just fell together and it keeps doing so. A free thing called Prison.

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Aion White Vinyl Edition

2LP | 2023 | EU | Original (Magnetic Eye)

Release: 2023 / EU – Original

Genre: Rock & Indie

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OST Roma Drogata: La Polizia Non Puo' Intervenire Colored Vinyl Edition

Albert Verrecchia

2LP | 2023 | EU | Original (Sub Ost)

Pan Afrikan People Arkestra

Release: 2023 / EU – Original

Genre: Soundtracks

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This is a record of rare beauty that collects the soundtrack of a 1975 film called "Drugged Rome: the Police Can't Intervene" (in English "Hallucination Strip") directed by Lucio Marcaccini. The soundtrack was written by Alber Verrecchia, a French composer (but I presume originally from Italy) who came to Italy in the 1960s and formed the group I Pyranas, with whom he recorded two albums released by Arc. In the 1970s Verrecchia devoted himself mainly to making soundtracks, including the one presented here. Unlike other soundtrack composers, Verrecchia preferred electric sounds to orchestral arrangements. This disc contains interesting tracks in rock and blues styles, with some psychedelic influences. Musicians featured on the record include Cyan, Baba Yaga, Toni Esposito, and singer Sammy Barbot (whom we may remember best as the host of two 1980s TV shows, Piccolo Slam and Popcorn). The Cyans are an old acquaintance of ours, who are credited with a 33 rpm in 1972 and a handful of singles; Le Baba Yaga were a female trio who made a single in 1972; and finally Toni Esposito who needs no introduction. Singer Edda Dell'Orso, with her soprano voice, also appears on two tracks. In short, a unique record in the panorama of soundtracks

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60 Years

2LP | 2023 | UK | Original (The Village)

47,19 €* 58,99 € -20%

The Kick Inside 2018 Remaster Mango Chutney Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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"60 Years" is a compilation of previously unreleased Papa recordings, featuring one track from each decade of the band's history, carefully picked by our team along with Papa members. From a recording of a small ensemble in Horace Tapscott's garage in the very early 60s to the Arkestra playing in its current form in 2019, from artists like Butch Morris all the way to Angel Bat Dawid, the range of Papa is shown in incredible detail. In 1961, a giant awoke in South Central Los Angeles: a musically radical, deep-rooted, politically engaged band, its members drawn from the community it represented and served, and its music composed by them alone – The Pan Afrikan Peoples Arkestra. The brainchild of pianist and composer Horace Tapscott, the Arkestra was intended to preserve Black music, nurture Black musicians, and above all contribute positively to community building in South Central LA.

60 Years celebrates six decades of his radical and uplifting musical and social vision. Digging deep into the Arkestra’s archives, the album gathers breath-taking unreleased material, including previously unheard compositions, from every stage of the band’s development – from Tapscott’s earliest iterations of the group, recording at home in 1961, to the current incarnation of the band, led by the new generation of young musicians. Tapscott passed on in 1999, but the Pan Afrikan Peoples Arkestra was built to outlast him: over more than half a century it has stayed true to its roots and to Tapscott’s vision, welcoming multiple generations of players into its fold, and celebrating their music. And with current leader Mekala Session – son of the Arkestra’s veteran altoist Michael Session – at the helm, the Ark is still going strong. 60 Years selects a song from every decade of its life, show-casing a musical family tree that includes renowned musicians such as Arthur Blythe, Dwight Trible, Phil Ranelin, Butch Morris, Kamau Daáood, Sonjia Maia Harper, Nate Morgan, Linda Hill, Adele Sebastian, Michael Session, Jesse Sharps and of course the late, great Horace Tapscott himself.

Remastered from archival sources by the Arkestra’s longstanding engineer Wayne Peet, 60 Years is presented by The Village – a label operated by members of the Pan Afrikan Peoples Arkestra. With archival photographs documenting the Arkestra’s history, the album arrives with liner notes featuring track-by-track commentary from Arkestra members past and present. In the words of Mekala Session, ‘This release is the culmination of 60 years of Black history through sound’. South Central’s musical colossus is still very much awake, and 60 Years reveals the secrets of the Ark.

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Kate Bush

LP | 1978 | EU | Reissue (Fish People)

47,49 €* 49,99 € -5%

Travels Over Feeling: Arthur Russell, A Life

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Pressed on 180g, comes with Obi-Strip. Kate's debut album "The Kick Inside" was released on 17 February 1978 and contains the UK number one hit, "Wuthering Heights".

The album peaked at number three in the UK album charts and has been certified Platinum by the British Phonographic Industry.

The production included contributions from Duncan Mackay, Ian Bairnson, David Paton, Andrew Powell, Stuart Elliott and David Gilmour. Fish People are proud and excited to announce new pressings of all 10 of Kate Bush's albums, featuring a special new edition for independent retailers.

"It’s very exciting to see people appreciating the physical presence of an album released on vinyl. It’s how it’s always been for me, especially when I was a teenager. The whole buzz of the record store was part of the experience. Buying an album was an event." Kate Bush.

The records are all pressed on 180g vinyl at the world-renowned Record Industry plant in the Netherlands. New lacquers were cut from the 2018 remasters by Bernie Grundman and overseen by mastering engineer James Guthrie.

Indie editions were all designed by Kate and feature new Fish People label designs, stunning Color Vinyl combinations and obi strips with pressing date. They are protected in resealable poly-bag liners with a 'Fish People Reissue' sticker, bottom right.

These are unlimited editions and will be in production constantly.

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Richard King

Anthology

47,59 €* 55,99 € -15%

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A landmark publication celebrating the life and work of American musician and composer Arthur Russell, the man the Guardian called 'One of the 20th century's true musical visionaries'

The music of Arthur Russell defies classification. From his pioneering compositions as part of New York's vibrant avant-garde scene (alongside artists including Philip Glass, David Byrne, Laurie Anderson, John Cage, and Allen Ginsberg) to his genre-expanding disco productions, from his new wave and art pop to his posthumously released folk songs, Russell crafted timeless and foundationally influential work until his premature death in 1992 from AIDS-related illnesses.

Now, in a landmark publication assembled by critically-acclaimed writer Richard King, Travels Over Feeling collects the extensive ephemera found in Russell’s New York Public Library archive, along with pieces from the personal collections of those who were closest to him. Combining unseen visual material—handwritten scores, lyrics, photos, letters, and drawings—with new texts by King and extensive original interviews with Arthur’s collaborators, contemporaries, family, and friends, Travels Over Feeling paints a portrait of Arthur Russell unlike any which has come before, revealing a true picture of one of the most distinctive artists of the last fifty years.

Charles Arthur Russell Jr., better known as Arthur Russell (May 21, 1951—April 4, 1992) was an American cellist, composer, producer, singer, and musician from Iowa whose work spanned a disparate range of styles. After studying contemporary composition and Indian classical music in California, Russell relocated to New York City in the mid-1970s, where he became involved with both Lower Manhattan's avant-garde community and the city's burgeoning disco scene. His eclectic music was often marked by adventurous production choices and his distinctive voice. He died from AIDS-related illnesses in 1992.

Richard King was born in South Wales and for the last twenty years has lived in the rural county of Powys, in mid-Wales. He is author of Original Rockers (2015), which was shortlisted for the Gordon Burn Prize, and How Soon Is Now? (2012), which was Sunday Times Music Book of the Year. The Lark Ascending was published in 2019, and was a Rough Trade, Mojo, and Evening Standard Book of the Year. His latest book, Brittle with Relics, was published in February 2022.

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3x12" | 2024 | EU | Original (541 Label)

La Rocca Classics

47,69 €* 52,99 € -10%

Lowell Graham Conducts National Symphonic Winds

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Limited Edition Triple Gatefold Vinyl including DJ Marko's Theme, Miro, Junior Jack, Blaze, Pirupa, Street Corner Symphony and more.

We are excited and honored to announce the release of a La Rocca Classics vinyl. A Limited Edition Triple Gatefold Vinyl release that celebrates all monumental milestones from La Rocca's club culture. A selection, carefully curated by Wim Van Ouytsel, founder and moving spirit of the legendary nightlife brand since 1988.

Embark on ajourney through the annals of dance music history, where each track has been handpicked to evoke cherished memories of euphoria and transcendence. From the ethereal melodies of trance anthems like 'DJ Marko's Theme' and the electrifying remix of Miro's 'Spaceman' by Mr Sam, to the infectious rhythms of Junior Jack and the soulful vibes of Blaze, and not forgetting the soul-stirring house gems by Pirupa and Street Corner Symphony, this vinyl encapsulates the essence of Belgium's iconic club.

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Winds O War And Peace 180g Vinyl, 45rpm Edition

2LP | 2021 | US | Original (Analogue Productions)

47,87 €* 75,99 € -37%

Release: 2021 / US – Original

Genre: Organic Grooves

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On "Winds Of War And Peace", conductor Lowell Graham takes the National Symphonic Winds ensemble through a program of stirring orchestrations and marches. "Liberty Fanfare" was composed for the centennial celebration of the Statue of Liberty in 1986. The fanfare set the stage for one of the most spectacular celebrations in America's history. Samuel Barber's "Commando March" composed in 1943, represents Barber's first band work. Written in a quadruple meter, this work utilizes the constant contrast of dotted and triplet rhythms. Roger Nixon's "Festival Fanfare March" was recognized for superb composition by the American Bandmasters Association in 1973. It is a work that's technical, bright in color and effervescent in spirit. The album also includes "Victory at Sea", "El Camino Real", "A Santa Cecilla" and "Symphonic Dance No. 3". Although the 33 1/3 reissue of this recording by Analogue Productions was outstanding, our 45 RPM version raises the quality bar even higher. With wider grooves, you'll hear sound that reveals more depth and space to the orchestra as a whole, as well as individual instruments. This disc sports more detail, more human presence, more of what we as audiophiles, listen for. Graham, a native of Greeley, Colorado, has earned recognition as one of America's most talented young conductors. He graduated from the University of Northern Colorado with both his Bachelor of Arts and Master of Arts degrees. He was also the first person to be awarded the Doctor of Musical Arts Degree in Orchestral Conducting from the Catholic University of America. Graham has led orchestras and bands on record and in performance throughout the world. He is the current conductor and commander of the United States Air Force Tactical Air Command Band.

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Karhu x Sasu Kauppi

Fusion 2.0

47,98 €* 159,95 € -70%

Ultravisitor 20th Anniversary Deluxe Edition

Available Sizes: EU 39½

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ATTENTION: Karhu sizes turn out to be 1/2 a size smaller than tagged, so please take 1/2 size larger than your regular size!

Karhu joins forces with the one and only Sasu Kauppi, former head of menswear at Yeezy, to create a special capsule collection for SS23. This version of the Fusion 2.0 has been co-designed by Finnish fashion designer Sasu Kauppi who took inspiration from Karhu’s mid 80s period, when sportswear featured bright colors and flashy patterns. It's all about Team College, so better Join The Team!

With Sasu Kauppi's version of the Fusion 2.0, Karhu pays tribute to the iconic Fusion silhouette. Back in 1996, the Karhu Fusion was rated the top runner of the brand's range, and to stage a comeback, Karhu worked with the shoe's original designer. The sole unit and upper measurements have been revamped to make the silhouette more appealing, but to keep it as authentic as possible, the Karhu Fusion 2.0 is equipped with lots of original details such as the Karhu tongue label and the rubberized collar print.

Karhu x Sasu Kauppi Fusion 2.0 - features:

• leather and mesh upper
• soft and breathable fabric lining
• rope laces plus plastic Ghilly-inspired triangle loops
• loop at heel
• foam-padded insole with Karhu x Sasu Kauppi branding
• foamed midsole cushioning
• outsole made from abrasion-resistant rubber
• Karhu x Sasu Kauppi woven label at padded mesh tongue
• Join The Team lettering embossed at heel

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Squarepusher

3LP | 2024 | UK | Original (Warp)

Betty Black Friday Record Store Day 2024 Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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An album beloved by fans since its release in March 2004, Ultravisitor is one of the most popular records in Squarepusher’s entire discography. A unique blend of studio and live recordings, it’s an excellent showcase for the diversity of his music: from the frenetic title track to the funky jazz of “Iambic 9 Poetry” to the sunlit bliss of “Tommib Help Buss” and beyond. For the 20th anniversary, Warp is proud to present this expanded deluxe version, a limited edition one-time pressing, carefully remastered from the original tapes by Jason Mitchell at Loud Mastering and overseen by Tom Jenkinson. Never entirely happy with the sound of the original release, Tom has relished the opportunity to revisit the tapes, bringing out fresh dynamics and details in the tracks. Bonus album Venus No.17 Maximised is compiled from tracks originally released as part of the Ultravisitor promo EP, released 26 January 2004; the Square Window 3” CD, a free bonus disc given out with WarpMart pre-orders of the Ultravisitor album; and the Venus No.17 EP. The accompanying booklet contains rare photos, flyers, and recording documentation.

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Helmet

2LP | 1994 | Reissue (Interscope)

4LP | 2022 | EU | Original (Nervous)

Release: 1994 / Reissue

Genre: Rock & Indie

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RSD First, Limitation: 3500

Now considered a cult classic, Betty was originally released on June 21, 1994, on Interscope Records. Helmet and T-Ray produced all the songs except “Milquetoast,” which was produced by Butch Vig. Rolling Stone would go on to hail it as “one of Helmet’s most beloved albums, as well as a landmark of mid-Nineties metal” and note that “…tracks like ‘Wilma’s Rainbow,’ ‘I Know’ and ‘Milquetoast’ [which had appeared earlier that year, as ‘Milktoast,’ on the soundtrack to the Brandon Lee film The Crow] continue the band’s riff-as-power-tool aesthetic, while also expanding on it…exploring jazz (‘Beautiful Love’), blues (‘Sam Hell’) and oddball funk (‘The Silver Hawaiian’).”

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Louie Vega

Expansions In The NYC

Release: 2022 / EU – Original

Genre: Electronic & Dance

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What is it about New York City, that concrete jungle that continually inspires the creative spirit? From Warhol’s Factory to Larry Levan’s Paradise Garage to David Mancuso’s Loft, collectives that celebrate and nurture unfettered, organic artistry have been absolutely intrinsic to the story of this sprawling metropolis. Its latest chapter is being written at the hands of ‘The Maestro’, Grammy Award winner Louie Vega and his Expansions NYC parties, the sound documented in his latest album Expansions In The NYC (Nervous Records).

Starting in February 2019 in Manhattan and Brooklyn venues, Vega’s Expansions NYC parties have their origin not in his revered prowess as a DJ but rather his whole-hearted appreciation of the different elements of the dance floor surrounding him: the dancers, the musicians who bring their instruments to join him ad-hoc on the night, the small, dedicated crowd of clubbers whose ears to the ground keep them informed on the underground party information. The events included 6-hour DJ Sets with Louie under his select curation, and would usually end with 3 AM jam sessions involving keyboardists, guitar players and poets all performing in front of a jam packed crowd. In just a few short years the Expansions NYC events have evolved into an NYC-clubland institution, an intimate celebration of house, funk, disco, afro, R&B and more.

As with his parties, so goes his album. The collective vibe that forms the beating heart of Expansions NYC parties is absolutely front and centre in Expansions In The NYC, Vega drawing in one of the most comprehensive lists of collaborators in recent memory. House heavyweights Honey Dijon, Joe Claussell, Moodymann, Kerri Chandler and Anané rub up against legendary vocalists Bernard Fowler, Cindy Mizelle, Lisa Fischer, Audrey Wheeler and Tony Momrelle. Gospel royalty BeBe Winans and Debbie Winans, pop icon Robyn and rising star Karen Harding sit alongside disco-era champions Unlimited Touch, Cuban jazz pianist Axel Tosca, Nico Vega, Two Soul Fusion with Josh Milan and Vega and underground legend DJ Spinna. At the centre of it all, fingerprint on every beat, touch on every groove, sits a master at work, weaving the individual threads into a rich dance music tapestry.

"In the past few years I’ve found new inspiration both from the musicians I’m working with and the audiences coming to see me at my DJ shows,” Vega says. “So for me this album represents new beginnings, bringing together a beautiful mosaic of artistic perspectives to express musically what we call Expansions In The NYC."

At its heart, Expansions In The NYC is a love letter to New York, as much as melting pot as the city it represents, the scope of its line-up possible only because of the influence and reverence of Vega the artist, the DJ, the producer, the curator. In creating this album, Louie Vega has once again utterly enriched the lives and libraries of music lovers the world over, far beyond the hustling streets of NYC that have so indelibly left their mark on his work.

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Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 Pink Vinyl Edition

2LP | 2019 | US | Original (Light In The Attic)

Hard Believer 10 Year Anniversary Edition

Release: 2019 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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**Note: Silver and black vinyl may or may not have audio distortion intermittently during playback, depending on your system. This was discovered after the press had been completed and packed, so we have included a red repress without audio issues. All purchases will ship with both silver and red copies.

After a busy 2018, which saw worriedaboutsatan release a steady stream of new material, the Yorkshire based duo start the new year with the release of their fourth full length album, ‘Revenant’.

The record marks a slight departure from their previous critically acclaimed album Blank Tape, by venturing into more synthesiser heavy pieces, based around dark brooding atmospheres, and switching from the bouncing arpeggios and slow hypnotic rhythms like the 10 minute album opener ‘Skylon’, to the jittering, cinematic rush of ‘Making Your Masks’.

Six tracks recorded over three weeks in Tom’s rural Yorkshire studio. The band channelled their signature post-rock guitars and skyscraping atmospherics into something more synthetic, but without losing what makes them the band that garnered attention for soundtracking Adam Curtis’ Hypernormalisation documentary back in 2016.

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Fink

LP | 2024 | Original (R'COUP'D)

Colourmeinkindness Deluxe Anniversary Clear Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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The 3LP reissue includes session & live versions of album tracks available on vinyl for the very first time. It also includes an expanded booklet featuring additional photos & "writing off” extract about the album.

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Basement

2LP+12" | 2012 | US | Reissue (Run For Cover)

Studio Recordings Intro To The Matrix

Release: 2012 / US – Reissue

Genre: Rock & Indie

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On it's initial release in 2012, Colourmeinkindness found Basement pulling from not only one of emo's zeniths-early Sunny Day Real Estate-but also channeling heavy and sometimes hazy `90s alt-rock, with hints of behemoths like Pixies, Silverchair, and Catherine Wheel shaping the sound. Vocalist Andrew Fisher fit that grunge mold of a maudlin-but-thoughtful protagonist, ruminating on toxic relationships, personal desolation, and desperate longing, with slivers of optimism occasionally peeking through. From the dynamic one-two punch of churning opener "Whole" into the balladic doom of "Covet", to the sneering grunge of "Black" and gentle ease of "Comfort", Basement effortlessly moved between sounds and styles while keeping the underlying energy of their roots in punk and hardcore.Colourmeinkindness quickly won over fans old and new, but the members of Basement had already committed themselves to exploring other avenues in their lives and after a few impressive record release shows, the group went on hiatus. When they eventually returned the ripples of Colourmeinkindness were already clear: A thriving scene had begun to crop up around Basement's like-minded peers. Bands such as Balance and Composure, Superheaven, and Title Fight were reviving alt-rock radio for the YouTube generation and moving from being VFW staples to playing sizable venues. Post-hardcore, shoegaze, and grunge were becoming prevalent influences amongst new punk and emo bands. Newer acts were forming with a nod very much towards that `90s rock/emo crossover sound that Colourmeinkindess had captured so astonishingly well.With Colourmeinkindess Basement had begun to signal a sea change that would shape the next decade of big-room guitar music in a major way. Now the album's 10th anniversary expanded reissue offers a chance to rediscover the record. This unforgettable release has been updated with an embossed slipcase, updated artwork with photos and retrospective liner notes from the band, as well as a second disc that features an etched D-sid...

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Bob Marley & The Wailers

2LP | 2023 | JP | Original (P-Vine)

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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Recordings from a studio jam session before Bob Marley & The Wailers’ legendary performance at San Francisco's The Matrix reissued on vinyl for the first time ever! After the release of their world debut Catch A Fire, Bob Marley & The Wailers would embark on a U.S. tour supporting the legendary Sly And The Family Stone. Yet after five dates, they were fired from the tour, supposedly for upstaging the main acts! Left with no money and nowhere to go, they performed one legendary show at San Francisco's The Matrix. These recordings, taken from a studio session before their legendary performance, find Bob Marley and The Wailers at their best. Featuring the classic lineup of Bob Marley (vo/gt.), Peter Tosh (vo/gt), Joe Higgs (per.), Earl Lindo (pf.), Family Man Barrett (b.), and Carlton Barrett (ds.), the Wailers are imbued with the kind of Rock and Roll energy that could only come from outshining Sly Stone. Even sweet rocksteady ballads such as “Stir It Up” take on the form of a rock and roll anthem in this session! Despite internal tensions that would result in Tosh leaving the band the following year, The Wailers are tight as they ever were, with their iconic vocal harmonies and rhythmic prowess on full display. Discovered and released on CD by P-vine in 2005, these mythical studio recordings are finally getting a long deserved analog release! The double LP on black vinyl comes complete with an obi-strip! Put this on your player and let Kingston come to you!

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Pacific Breeze Volume 3: Japanese City Pop, AOR & Boogie 1975-1987 Pink Vinyl Edition

2LP | 2023 | US | Original (Light In The Attic)

The Gold Experience Deluxe Record Store Day 2022 Translucent Gold Vinyl Edition

Release: 2023 / US – Original

Genre: Pop

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* The latest chapter in the acclaimed Pacific Breeze series! * Artwork by renowned illustrator Hiroshi Nagai * Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab) * Newly remastered audio * 2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI * Extensive artist bios by Yosuke Kitazawa * Digital mockups are not an exact representation of colors * Available in two vinyl variants: Pink or Black Vinyl

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

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Prince

2LP | 1995 | EU | Reissue (Legacy)

4LP | 2021 | EU | Original (Herzblut)

Release: 1995 / EU – Reissue

Genre: Organic Grooves

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Limited to 24.150 copies. The Gold Experience was the first full-length Prince album to be credited to his unpronounceable symbol, and was released at the most public, heated stage of his battle with the major label industrial complex. With the word “slave” written on one cheek, Prince shined on the opulent ballads “The Most Beautiful Girl in the World” and “Gold” and the defiant single “Eye Hate U,” and the album earned widespread critical acclaim.

The Record Store Day 2022 re-release of The Gold Experience is an homage to the rare US-only promo version of the album released in 1995. The two-LP set is pressed onto translucent gold vinyl with a bonus suite of “Eye Hate U” remixes on Side D.

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Stephan Bodzin

Boavista

Human - The Complete Singles

Release: 2021 / EU – Original

Genre: Electronic & Dance

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4x12" 180gr Heavy Weight Vinyl, 6-page Gatefold Cover with 4 printed Inner Sleeves, Front cover with Lenticular print. Stephan Bodzin proves once again why he is one of the most innovative techno artists in the world with new album ‘Boavista’. The expressive 17 track full length lands on Herzblut Recordings on October 8th, 2021 and is proceeded by lead single 'Boavista' on the Afterlife label.

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Brief Encounter

2LP | 2021 | EU | Original (P-Vine)

In Search Of... White Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Brief Encounter is an 8 piece Soul/Funk group from North Wilkesboro who is widely known by vinyl collectors because of rariity of their records. After the successful reissue of their first album (plp-6843), P-vine presents the brand new compilation album which includes all of their singles released in the 70's! come with Japanaese OBI-strip.

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N.E.R.D

2LP | 2002 | US | Reissue (Virgin)

Carlos Santana / Mahavishnu John

Release: 2002 / US – Reissue

Genre: Hip Hop

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N.E.R.D’s "In Search Of..." is the debut studio album by the American band, originally released in 2001, and reissued in 2002 with a significant change in sound. The band, consisting of Pharrell Williams, Chad Hugo (both also known as the production duo The Neptunes), and Shay Haley, crafted a genre-blending project that marked a shift in the way hip-hop, funk, and rock could come together in mainstream music.

"In Search Of..." fuses hip-hop, rock, funk, and R&B into an eclectic sound that was highly innovative at the time.

The album was released in two versions:
2001 Version: Heavily electronic, incorporating synthetic beats and drum machines, typical of The Neptunes' production style.
2002 Version: Re-recorded with live instruments, featuring the band Spymob. This second version has a rawer, more organic rock feel, giving the album a different energy and appeal.

The lyrics on "In Search Of..." are a mix of youthful rebellion, self-reflection, and social commentary. Some recurring themes include:

Personal freedom and identity: The album often explores the idea of breaking free from societal norms and expectations.
Power and politics: Tracks like "Lapdance" offer a cynical take on politicians and authority figures.
Relationships and desire: The album also delves into personal relationships, touching on lust, romance, and heartache.

Notable Tracks:
"Lapdance": A standout track known for its aggressive beat and politically charged lyrics, criticizing corruption and manipulation in politics.
"Rock Star": A high-energy anthem that channels frustration with societal pressures and celebrates nonconformity.
"Provider": One of the more introspective songs on the album, telling the story of a man struggling to provide for his family while making difficult choices.
"Truth or Dare": Featuring Kelis, this track mixes funky beats with provocative lyrics, offering a lighter, playful side to the album.
4. The Concept Behind the Album Title:
The album's title, "In Search Of...", reflects the band's desire to explore new musical and thematic territories. It’s also a nod to the 1970s American TV show In Search Of..., which investigated mysterious phenomena, paralleling N.E.R.D.'s exploration of uncharted musical landscapes and personal identity.

"In Search Of..." was groundbreaking in its approach to combining genres, breaking the mold of what was expected from a hip-hop project. Pharrell, Chad, and Shay’s ability to blend live instrumentation with hip-hop production created a blueprint for future artists to mix rock and urban sounds. The album became a touchstone for genre-bending artists and a precursor to Pharrell’s later solo work.

Although "In Search Of..." did not achieve massive commercial success upon its initial release, it was critically acclaimed and has since gained a cult following. The innovative sound and unique blend of genres helped establish N.E.R.D. as pioneers in the music world, influencing a wide range of artists across various genres.

N.E.R.D.'s "In Search Of..." remains a seminal album that pushed the boundaries of genre and sound. Its blend of live instrumentation with hip-hop, rock, and funk created a distinctive sonic identity that resonated with listeners seeking something outside the norm. The album not only showcased the diverse musical talents of Pharrell Williams, Chad Hugo, and Shay Haley but also laid the groundwork for the genre-fusion movement that would follow in the years to come.

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Love Devotion Surrender Supervinyl 180g Vinyl Edition

LP | 1973 | US | Reissue (Mobile Fidelity Sound Library)

2LP | 2024 | JP | Original (P-Vine)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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1973 Meeting OF Santana AND John Mclaughlin Yields Spiritual Transcendence: Love Devotion Surrender IS Inspired BY John Coltrane AND A Quest FOR Enlightenment

Sourced from the Original Master Tapes: Tones, Textures, and Notes Float Amid a Large, Open Soundstage on Mobile Fidelity's Numbered-Edition 180g LP 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Two guitar giants. A band comprised of virtuosic instrumentalists. One shared goal. And one tremendous album. The only meeting of Santana and John McLaughlin on record, Love Devotion Surrender more than lives up to the promise offered by its principal creators. Based in divine faith, religious toleration, meditative intent, and the forward-thinking philosophy that music can take us closer to the truth, it is a spiritual journey. These enlightening concepts are reflected in the inspired playing of Santana and McLaughlin, who repeatedly hit a higher plane on this 1973 set.

Sourced from the original analogue master tapes and pressed at Fidelity Record Pressing in California, Mobile Fidelity’s numbered-edition 180g LP of Love Devotion Surrender benefits from the reissue label’s painstaking engineering efforts. The windows on the record’s give-and-take passages, sustained notes, and varied textures are thrown open with palpable transparency and detail. Laden with delicate acoustic touches and gentle piano touches, as well as powerful staccato bursts and fast-paced percussion, Love Devotion Surrender contains a dynamic mix of tempos, tones, and contrasts crucial to its optimal enjoyment. This collectible edition brings those aspects to the fore with extraordinary realism.

In addition, the pinpoint imaging — Santana primarily on the left, McLaughlin on the right — invites you to picture the musicians in the act. You’ll sense a newfound freedom and naturalism to the playback, as well as black backgrounds and an openness that allow the widespread array of textures, atmospherics, echoes, and neo-psychedelic shapes to float in the air. Call it jamming guided by a higher power or surreal art brought together by time, circumstance, and purpose; there really is no other album completely like it.

Having each become a follower of Indian guru Sri Chinmoy, who wrote the album’s extensive liner-note essay and is seen in several jacket photos, Santana and McLaughlin began playing together in 1972. Both legends found themselves in the midst of personal and creative transition. Santana was moving away from rock-based songs in favour of exploratory jazz-rock. A contemporary of Miles Davis, McLaughlin had already achieved fame with the Mahavishnu Orchestra, then on the brink of collapse due to internal disagreements.

On Love Devotion Surrender, the duo pools its interests in discovery and transcendence into gorgeous music steeped in improvisational lines, ecstatic chords, and sensitive organ accompaniment courtesy of the record’s best-kept secret, Larry Young. The former Blue Note recording artist had already connected with McLaughlin in the Tony Williams Lifeline, which began as a power trio and turned jazz on its head with its groundbreaking 1969 debut. Young’s ear for melody and fearless penchant for chasing down adventurous fusion leads — not to mention keeping pace with the headliners, no small feat — make him an ideal foil for the proto post-rock happening throughout.

Credited under his Muslim name, Khalid Yasin, Young isn’t the only standout. Several Santana contemporaries — bassist Doug Rauch, drummers Mike Shrieve and Billy Cobham, percussionists Mingo Lewis and Armando Peraza — play alongside Mahavishnu Orchestra member Jan Hammer and Tony Williams Lifeline drummer Don Alias, who already had credits on Davis’ seminal Bitches Brew and On the Corner. Complemented by Santana and McLaughlin, the ensemble sounds and feels unstoppable. In addition to the band’s search for sacred soulfulness, the common denominator throughout is John Coltrane, who engaged in similar pursuits during the 1960s. Two of the five compositions — “A Love Supreme,” “Naima” — are interpretations of Coltrane standards while the lynchpin, a nearly 16-minute investigation into the traditional “Let Us Go Into the House of the Lord,” integrates free-form structure, jazz phrasing, gospel mysticism, cross-cut dynamics, and tonal shaping into one of the most uplifting pieces of music you’ll ever hear. The same can be said for the entirety of Love Devotion Surrender. Bow down.

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Underground Canopy

Uncut Gems

Lazy Afternoon: Gentle Ballads Iv

Release: 2024 / JP – Original

Genre: Organic Grooves

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Underground Canopy is Hip-hop fed, Groove infused, Jazz band based in Paris, France. Uncut Gems is a raw exploration of what makes the cornerstone of our world. Dug up from a year long of free playing and experimentations at the Uchq, these pieces were brought to the surface, like diamonds in the rough, through the direct and spontaneous energy connecting us. These precious moments, these ‘gems’, were invented and collected during the sessions attended by all the members of Underground Canopy. They are now presented to you, in the form of this authentic record, illustrated by the heartfelt imagery of Davor Gromilovic’s artwork which perfectly synthesizes the visual incarnation of the project.

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Eric Alexander Quartet

LP | 2023 | JP | Original (Venus)

Release: 2023 / JP – Original

Genre: Organic Grooves

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Live At The Quiet Night Club 1975

Bob Marley & The Wailers

2LP | 2023 | JP | Original (P-Vine)

LP | 1974 | JP | Reissue (P-Vine)

Release: 2023 / JP – Original

Genre: Reggae & Dancehall

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Recorded after the release of “Natty Dread” in 1974, Live At The Quiet Night Club June 10th, 1975, sees Bob Marley & The Wailers deliver a true “Trenchtown Experience” live! Delivered to you on vinyl for the first time ever, this double LP is a must have for all music lovers!

Recorded in a small, predominantly African American club on the Chicago leg of their US tour, this recording sees Bob Marley & The Wailers at the height of their powers, with reggae rhythms that’ll instantly transport you to Kingston! Even among the plethora of posthumous Bob Marley live recordings, Live At The Quiet Night Club June 10th, 1975 stands out as one of the best. The Wailers, despite changes to their lineup, are in tip-top shape. Compared to the heavily Rastafarian, almost ritualistic live shows that would become a hallmark of later shows by Bob Marley and The Wailers, this show is pure, unadulterated good reggae vibes. With sound quality that’ll have you shocked that it was recorded in 1975, an obi-strip, a gatefold jacket, and photos from Japanese photographer Mitsuhiro Sugawara, this is one of the best sounding, and best looking Bob Marley records ever!

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Clifford Jordan Quartet

Glass Bead Games

Release: 1974 / JP – Reissue

Genre: Organic Grooves

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There are few saxophonists who were able to hold their own against the late great Eric Dolphy. Clifford Jordan is one of them. As a member of the Charles Mingus sextet on his legendary 1964 European tour with Eric Dolphy, Jordan is featured on iconic albums such as The Great Concert of Charles Mingus and Town Hall Concert. Born in 1931, the tenor saxophonist was a giant of the hard bop genre, with an adaptable style that could match the earthsy avant-blues of Mingus, or soar into space alongside Dolphy. Originally released in 1974 and recorded the year prior, Glass Bead Games was the fifth and final installment in Strata-East’s Dolphy series, and undoubtedly one of the fantastic series’ highlights. The recording features two different quartets, with only Billy Higgins (ds.) and Jordan (ts.) appearing on all tracks; Cedar Walton and Stanley Cowell take turns on piano, while Sam Jones and Bill Lee (father of Spike!) take turns on bass. Across 12 tracks and two sides, Clifford Jordan’s two quartets are consistent, with some of the tightest grooves and most spiritual playing of the 70’s being recorded during these two sessions. Album opener “Powerful Paul Robeson” is an homage to the legendary singer and activist, and is the kind of spiritual jazz that immediately sends chills down your spine. It opens with atmospheric piano rolls and percussion, over which Jordan’s free improvisations take on an almost devotional sound. Homages to great jazz men are frequent throughout, with half of the tracks being named after musicians, including the Lee penned “John Coltrane”. The song opens with a bass solo from Lee, before the quartet settles into a steady mid-tempo groove. Jordan plays the angular melody alone, and with every refrain, the melody takes on a haunting quality, until it descends into a subdued bass solo. The chant-like choral refrain that follows, laid gently over a repetitive bassline and delicate percussion is hypnotic, and as Jordan picks up the melody once more, you’ll feel as though this is somehow different. Glass Bead Games is undoubtedly one of the finest spiritual jazz recordings to come out of the 70s, and is one that you absolutely must not miss! We are proud to be reissuing Clifford Jordan’s Glass Bead Games, available on limited edition vinyl with an obi-strip, only from P-vine Records.

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Pacific Breeze Volume 3: Japanese City Pop, AOR & Boogie 1975-1987 Green Vinyl Edition

2LP | 2023 | US | Original (Light In The Attic)

LP | 1977 | JP | Reissue (P-Vine)

Release: 2023 / US – Original

Genre: Pop

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* The latest chapter in the acclaimed Pacific Breeze series! * Artwork by renowned illustrator Hiroshi Nagai * Compiled by Yosuke Kitazawa and Mark “Frosty” McNeill (dublab) * Newly remastered audio * 2xLP housed in a deluxe wide spine jacket with full color inner sleeves and custom die-cut OBI * Extensive artist bios by Yosuke Kitazawa * Digital mockups are not an exact representation of colors

Light in the Attic’s Pacific Breeze series has supplied the world’s growing legions of Japanese music fans with an expertly curated selection of the most sought-after City Pop recordings—the mesmerizing and nebulous genre of Japanese bubble-era music of the ‘70s-’80s that encompasses AOR, R&B, jazz fusion, funk, boogie and disco. These familiar sounds are spun through the unique lens of optimistic, cosmopolitan fantasy colored by Japan’s affluence at the time. Much of the music has previously been nearly impossible to acquire outside of Japan and continues to captivate listeners with its unique blend of groove-laden escapism, even birthing wholly new genres such as Vaporwave.

Pacific Breeze 3: Japanese City Pop, AOR & Boogie 1975-1987 marks the latest chapter in the famed series and features holy grails plus under-the-radar rarities. The collection bursts at the seams to reveal some of the greatest Japanese tracks ever laid to tape, pushing towards the edge of City Pop to reveal glimmers of the next waves of styles to spring forth from the country’s creative minds. The appearance of Pizzicato Five hint at the emergence of Shibuya-kei while the influence of hip hop and electro as an emerging global trend are also evident here through the prevalence of heavier programmed drum beats on tracks such as “Heartbeat” by Miho Fujiwara.

This volume of Pacific Breeze, like its predecessors, is a female-forward offering with many tracks being voiced by women who would become household names in Japan as actresses and pop idols. Their songs here subvert the norm and brim with an innovative spirit that shatters gender roles in favor of sonic transcendence. Techno-pop classics from Susan, Miharu Koshi and Chiemi Manabe sit alongside sublime funk from Atsuko Nina and Naomi Akimoto while Teresa Noda slides into the mix with a sultry reggae jam. The genre span is stretched wider with hypnotic jazz fusion by Parachute and Hiroyuki Namba, a synthesizer fantasy from Osamu Shoji, and magnetic pop by Makoto Matsushita and Chu Kosaka.

Although not front and center, the visionary members of Yellow Magic Orchestra are still very present on Pacific Breeze 3, with Haruomi Hosono, Ryuichi Sakamoto, and Yukihiro Takahashi taking up producer and musician roles on many of these tracks. Pacific Breeze 3 serves up a captivating musical journey that adds an essential chapter to the iconic compilation series.

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Erik Tagg

Rendez Vous

Rane TTM-56s / 57SL / Sixty-One / Empath

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Erik Tagg’s blend of warm, deeply resonating vocals spread like butter over the smooth instrumentation of this AOR and modern soul classic. 1976’s Rendez Vous was the second album from Tagg who had played in the Dutch bands Beehive and Rainbow Train outside his activity as a solo artist. From his debut two years prior, his emergence as a solo artist had always been full of promise. Yet Rendez Vous still came as a surprise with its expanded instrumentation, and the added weight of his voice on tracks, like the soul-searching “Life Goes On,” fine-tuned a winning formula.

Back in 2020 P-vine reissued the album for the first time on vinyl format through its Groove-Diggers imprint, and will again repress the album as a deluxe double gatefold edition with clear vinyl. Also included are four tracks that weren’t originally compiled on the album bringing the total tracklisting to thirteen.

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Decksaver

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A Tribute To Curtis Mayfield Record Store Day 2021 Edition

2LP (Warner)

Genre: Organic Grooves

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Record Store Day 2021 Drop 2 release limited to 3000 copies. 17 distinguished artists come together in tribute to one of the most influential musicians behind soul and political conscious African-American music. On vinyl for the first time. This 2LP Record Store Day exclusive is pressed on custom Light Blue and Gre

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Pacific Breeze: Japanese City Pop, AOR & Boogie 1976-1986 Black Vinyl Edition

2LP | 2019 | US | Original (Light In The Attic)

2LP | 1996 | US | Reissue (Geffen)

Release: 2019 / US – Original

Genre: Organic Grooves, Rock & Indie, Pop

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• Cover art by famed artist Hiroshi Nagai
• Extensive liner notes and bios
• Compiled by Andy Cabic (Vetiver), Zach Cowie (DJ & music supervisor) and Mark “Frosty” McNeill (dublab)
• 2xLP housed in a deluxe wide spine jacket with over sized fold-out booklet, full color printed inner sleeves, and custom die-cut obi card
• Remastered audio

Pacific Breeze documents Japan’s blast into the stratosphere. By the 1960s, the nation had achieved a postwar miracle, soaring to become the world’s second largest economy. Thriving tech exports sent The Rising Sun over the moon. Its pocket cassette players, bleeping video games, and gleaming cars boomed worldwide, wooing pleasure points and pumping Japanese pockets full of yen.

Japan’s financial buoyancy also permeated its popular culture, birthing an audio analog called City Pop. This new sound arose in the mid ’70s and ruled through the ’80s, channeling the country’s contemporary psyche. It was sophisticated music mirroring Japan’s punch-drunk prosperity. City Pop epitomized the era, providing a soundtrack for emerging urbanites. An optimistic spirit buzzed through the music in neon-bathed, gauzy tableaus coated with groove-heavy strokes.

Pacific Breeze is an expertly compiled collection of choice cuts that range from silky smooth grooves to innovative techno pop bangers and everything in between. Long-revered by crate diggers and adventurous music heads, this music has never been released outside of Japan until now. Including key artists like Taeko Ohnuki and Minako Yoshida, as well as cult favorites Hitomi Tohyama and Hiroshi Sato, the long-awaited release also features newly commissioned cover painting by Tokyo-based artist Hiroshi Nagai, whose iconic images of resort living have graced the covers of many classic City Pop albums of the 1980s.

Many of the key City Pop players evolved from the Japanese New Music scene of the early ’70s, as heard on Light In The Attic’s acclaimed Even a Tree Can Shed Tears: Japanese Folk & Rock 1969-1973, the first release of the ongoing Japan Archival Series. In fact, you could say City Pop set sail with a champagne smash from Happy End, the freakishly talented subversives who included amongst their ranks Haruomi Hosono and Shigeru Suzuki, both featured on this compilation. As Michael K. Bourdaghs noted in his book, Sayonara Amerika, Sayonara Nippon, this music was, “Deconstructing the line between imitation and authenticity.” Some of the best City Pop teeters in this zone—easy listening with mutant exotica, tilted techno-pop, and steamy boogie bubbling beneath the gloss.

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The Roots

Illadelph Halflife

Release: 1996 / US – Reissue

Genre: Hip Hop

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Illadelph Halflife is the third studio album by The Roots. It features a tougher and broader sound than their previous album, Do You Want More. The album was selected as one of The Source's 100 Best Rap Albums. In 2006, the album was selected as one of Hip-Hop Connection's 100 Best Rap Albums from 1995 to 2005. Continuing with its Respect The Classics campaign UMe will be reissuing this classic back on standard weight vinyl.

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Eccentric Soul - The Bandit Label

3LP | 2013 | US | Original (Numero Group)

2LP | 2008 | US | Reissue (Geffen)

Release: 2013 / US – Original

Genre: Organic Grooves

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Eccentric Soul: The Bandit Label takes a look at the underside of Chicago soul through twenty tracks of blistering R&B, sweet soul, and discofied funk. Hundreds of hours were spent researching, interviewing, re-mastering, and compiling the history of Bandit and the life of Arrow Brown. Unearthed in the process were two cassette tapes worth of acappella rehearsals that we've done our best to preserve in their lo-fi, in-the-red state. Numero 003 might be the deepest we'll ever dig. No map, no shovel, just a stack of 45's and a city of three million people.

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Sonic Youth

Hits Are For Squares

Keiji Haino / Jim O'Rourke / Oren Ambarchi

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Double vinyl LP pressing. Hits Are for Squares was the first greatest hits album by American rock band Sonic Youth, originally released in 2008. The album features 15 songs spanning Sonic Youth's career since the release of their debut studio album in 1983, Confusion Is Sex. It also includes one new song: "Slow Revolution". The band intended to create a compilation album that appealed to the casual consumer.

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With Pats On The Head, Just One Too Few Is Evil One Too Many Is Good That's All It Is

3LP | 2024 | EU | Original (Black Truffle)

OST Rent A Girlfriend Pink Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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The heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (bt011), this wide-ranging release also offers up some of their most blistering free rock performances yet.

The side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.

For the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar. Arriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.

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Kenichi Maeyamada

LP | 2024 | EU | Original (Microids)

LP | 1983 | JP | Reissue (Sony Music Japan)

Release: 2024 / EU – Original

Genre: Soundtracks

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Preorder shipping from 2024-11-15

From the composer of the "Share the World" theme song from One Piece and songs for Akb48!

**Synopsis:** Kazuya Kinoshita is a fairly ordinary college student who has just been dumped by his girlfriend, who decided to move on. Devastated and feeling at rock bottom, he decides to download the new trending app, Diamond, on his phone and rents a new girlfriend to feel better. He ends up meeting a certain Chizuru Mizuhara, a young woman who, at first glance, seems to have everything he's looking for.

This vinyl includes songs dedicated to each girl from the anime (Ruka, Chizuru, Nami, Sumi) sung by their respective Japanese voice actresses, as well as the corresponding instrumental versions. Each song reflects the adventures, thoughts, and emotions that each of the girls experiences.

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Seaside Lovers

Memories In Beach House

2LP | 2016 | JP | Reissue (P-Vine)

Release: 1983 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

Originally released in 1983, "Memories in Beach House" is back on heavy weight black vinyl. With music by legends Akira Inoue, Hiroshi Sato and Masataka Matsutoya (performing under the name Seaside Lovers), the album weaves a tapestry of island beats and rhythms that will transport you to another place and another time. From the lush production of Lovers Paradise to the emotionally stirring strings of Blue Memories, if you close your eyes and listen very closely, we’re sure you’re bound to hear a wave or two in the background.

Highly sought after on the vinyl aftermarket since it was released, we are happy to offer this under-recognized gem to the public again! Newly remastered by Sony Music for this release, after spinning this one you’ll agree it’s never sounded better!

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King

We Are King

From Heaven To Heaven - New Order Live (1981-1984)

Release: 2016 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-12-27

"We Are King" is the debut album by R&B trio King (currently named We Are King), released on February 5, 2016. It was nominated for Best Urban Contemporary Album at the 59th Grammy Awards, making them the first independent artists to be nominated in that category. As soon as this debut album was released in 2016, it attracted tributes from many artists, including Prince, Kendrick Lamar, Robert Glasper, Erykah Badu, Quest Love, Giles Peterson and Avicii. The original version and even the 2017 reissue of the album is currently highly priced on the second-hand market. The entire album is a neo-R&B masterpiece, with the three's endlessly beautiful and sweet chorus work dancing over a nostalgic and futuristic sound that connects soul's past and future.

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Dec Hickey

Damaged Goods Books

Dali's Picture / Aufführung In Berlin

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Out of print since its initial 2012 very limited first edition run. Contains exclusive 7" featuring previously unreleased 1983 interview with Barney Sumner conducted by the author. Over 400 unique-to-this-publication photos of the band and 200 plus images of rare memorabilia.Forewords by Peter Hook and Stephen Morris. Introductions by Moby and Paul Morley.Hardback: 198 full colour pages - 252mm(H) x 305mm(w), landscape, art book-style format in slipcase. No one has ever documented the early live career of a truly iconic band in such detail. Dec Hickey saw every New Order UK gig between Feb '81 and June '84 - some fifty plus nights!"Up until about 10 minutes ago I thought that the depths of my Joy Division/New Order obsession were untouched/unmatched. Then I looked through this book. Ah boy, I'm beaten. And in awe_ " - Moby"I can very much understand someone having an obsession with New Order... It was inevitable that a fan, a loyal, attentive follower, of such a group on such a meticulous label releasing records packaged with such scrupulous suggestive care would themselves be particularly obsessive... The fan(atic) symbolises the idea that without obsession, life is nothing... For the fan, New Order are an ideal object of desire, the perfect pop group - in the form of a perfect puzzle, an actual sign of fluid intelligence - to obsess over, to collect, analyse, interpret, treasure and ultimately possess." - Paul Morley (Tiny extract from his Introduction to the book)"The epic book... one amazing tome... a cultural history and an essential addition to any New Order fan's life... a much-treasured item..." - John Kennedy (X-posure/Radio x) Rough Trade, London - "Lavish and stunning book" Damaged Goods Books, DAMBOOK5. ISBN: 9781916232730

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The Chameleons

2LP | 1993 | EU | Reissue (Blue Apple Music)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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Available on vinyl for the first time in thirty years this double LP showcases The Chameleons in the early stages of their career, bursting with unbridled passion and raw energy as they explore and develop their distinctive sound. A sound that influenced a generation of musicians and still reverberates across the globe today with fans old and new. The LP is presented on 2 x heavyweight Colored Vinyl discs in a wide spine sleeve featuring a brand new cover drawing by guitarist Reg Smithies. All tracks have been expertly re-mastered for this release. Disc 1 - Dali's Picture - is a collection of early studio recordings that pre-date Script of the Bridge and features early versions of well-known songs such as 'Monkeyland', 'Nostalgia' and 'Less Than Human' as well as 'Dreams in Celluloid', an early take on 'Second Skin' with entirely alternative lyrics. Disc 2 - Auffuhrung in Berlin - is a live concert from 1983 showing the band on full throttle belting out songs from Script of the Bridge and showcasing early versions of songs that would later appear on the band's second studio album - tracks such as 'Singing Rule Britannia', 'One Flesh'; and 'Perfume Garden' performed here with many interesting lyrical differences.

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The Endless Coloured Way: The Songs Of Nick Drake Grey Vinyl Edition

2LP+7" | 2023 | UK | Original (Chrysalis)

Aaron Heick And John Di Martino Jazz Trio

Release: 2023 / UK – Original

Genre: Rock & Indie

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The Endless Coloured Ways is a collection of songs by legendary singer/ songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic "Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set." - Cally Calloman, Bryter Music "Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically, we were asking them to reinvent the song. First of all, it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own." - Jeremy Lascelles, Chrysalis Records

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Smooth Operator

LP | 2022 | JP | Original (Venus)

Release: 2022 / JP – Original

Genre: Organic Grooves

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LP | 2022 | JP | Original (Venus)

Luca Mannutza Trio

Airegin

Release: 2022 / JP – Original

Genre: Organic Grooves

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The World Of Monnom Black II

3x12" | 2019 | EU | Reissue (Monnom Black)

Release: 2019 / EU – Reissue

Genre: Electronic & Dance

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To celebrate its landmark 20th release, Monnom Black invites you to enter The World of Monnom Black II - a return trip to techno's most uncompromising landscape. The triple vinyl release features 14 hand-picked contributions from the label's trusted collaborators alongside cutting-edge artists new to the roster; making this compilation one of the label's most varied and innovative collections yet.

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Pacific Breeze Volume 3: Japanese City Pop, AOR & Boogie 1975-1987 Black Vinyl Edition

2LP | 2023 | US | Original (Light In The Attic)

2LP | 2022 | EU | Original (Deko Music)

Release: 2023 / US – Original

Genre: Pop

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Bird Streets

Lagoons

LP+7" | 1980 | JP | Reissue (P-Vine)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Acclaimed Brooklyn artist Bird Streets has returned with Lagoon, an album about separation, rumination, regret, and recurrence. For his second album under the Bird Streets name, John Brodeur has widely expanded on the project's collaborative foundation, enlisting production by Patrick Sansone (Wilco), Michael Lockwood (Aimee Mann, Fiona Apple), and Zach Jones (Sting) and Oscar Albis Rodriguez (A Great Big World), plus guest appearances from the likes of Aimee Mann, Ed Harcourt, John Davis (Superdrag), Jody Stephens (Big Star), and an array of top-shelf session players. With mixing split between Sansone and Grammy winner Michael Brauer (Coldplay, John Mayer), and mastering by Grammy nominee Pete Lyman (Brandi Carlile, Chris Stapleton), Lagoon is an enormous step forward from an artist who has been hailed or his evocative storytelling and keen attention to craft. Producer and multi-instrumentalist Patrick Sansone helmed sessions in Nashville ("Burnout", "Leave No Trace", the bossa-flavored "The Document") and later in Memphis, where he and Brodeur were joined by John Davis on guitar and Jody Stephens on drums, forming a power-pop fantasy band of sorts. ("Machine", "Go Free", and wistful "SF 1993" come from the Memphis dates.) Back in Brooklyn, Brodeur cut several tracks with the production team of Zach Jones and Oscar Albis Rodriguez, including "Ambulance," the catchy AM Gold of "Let You Down," and the Last Waltz-styled soul-rock of "Disappearing Act." When the pandemic threw a wrench in the works, Brodeur turned to Los Angeles-based producer Michael Lockwood to remotely helm Lagoon's final stretch.

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Wendell Harrison

Dreams Of A Love Supreme

Mike Mcgonigal / Galaxie 500

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Wenha’s inaugural release! From Wenha and Tribe co-founder Wendell Harrison comes Dreams Of A Love Supreme with the never before-reissued 7” single “No Turnin’ Back / Rocket Love” for the first time ever!

Following the untimely collapse of Tribe Records, Tribe co-founder Wendell Harrison established the Wenha record label in 1980, followed that same year by its inaugural release : Dreams Of A Love Supreme. Spirituality and themes of Black Consciousness are apparent throughout, yet compared to the fiery hymnals of its namesake, or even the funky avant-garde jazz of The Tribe, Dreams Of A Love Supreme is mellow - a reflection of the changing landscape of Detroit’s jazz scene. Electric guitars and pianos twinkle behind Harrison’s always impressive playing, with soft tones tempering the fiery spirituality of his solos. Featuring many of Detroit’s greatest musicians, including Tribe co-founder Phil Ranelin (Tb.), Harold McKinney (pf.), and Roy Brooks (perc.), Dreams Of A Love Supreme is filled to the brim with spiritual jazz royalty! Reissued for the first time ever alongside a never before reissued 7” single “No Turnin’ Back / Rocket Love”, as well as one of our iconic obi-strips, everything about this screams deluxe! Don’t miss Dreams Of A Love Supreme (Deluxe Edition) available only from P-vine Records!

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Temperature's Rising: An Oral And Visual History Of Galaxie 500

Exact Change

The End, So Far Neon Yellow Vinyl Edition

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A fascinating oral history of one of American indie rock's most enduring and influential acts. Slow, deliberate and deceptively simple, the music of Boston-based band Galaxie 500 was wonderfully at odds with the prevailing underground sounds of the late 1980s and early 1990s. Formed in 1987, the band split up in 1991 after releasing three acclaimed albums—Today, On Fire and This Is Our Music—as well as a Peel Sessions recording. The primary contributors to this long unavailable history of the band are the three band members—bassist/vocalist Naomi Yang, drummer Damon Krukowski and guitarist/vocalist Dean WAREHAM—but dozens of people were interviewed in all, including fellow musicians, record business folks, music critics and scenesters. Galaxie 500: Temperature’s Rising provides a complex, sometimes contentious account of the band’s rise to indie stardom and their acrimonious breakup. It also includes dozens of rare and never-before-seen photographs, as well as posters and other ephemera from the personal collection of Naomi Yang, who provides a running commentary to the images. This is the definitive book about Galaxie 500, and a crucial chapter in the story of indie rock.

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Slipknot

2LP | 2022 | EU | Original (Roadrunner)

Release: 2022 / EU – Original

Genre: Rock & Indie

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The End, So Far Ultra Clear Vinyl Edition

Slipknot

2LP | 2022 | EU | Original (Roadrunner)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Sunshine On Leith Record Store Day 2022 Marbled Vinyl Edition

The Proclaimers

2LP | 2022 | UK (Parlophone)

The New Backwards Black Vinyl Edition

Release: 2022 / UK

Genre: Rock & Indie

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Limited to 2500 copies.

Includes the original album + BBC Radio Session & Live at Glastonbury. Scotland’s The Proclaimers were originally formed in 1983 by twin brothers Charlie and Craig Reid. With a folk-rock sound, they made an instant impact with their 1987 debut, “This Is The Story”. Wasting no time, their follow-up, “Sunshine On Leith”, was released in 1988. Kicking off with the hit single “I’m Gonna Be (500 Miles),” not only would the album become a huge, worldwide success, it would also inspire a stage musical of the same name. This expanded 2LP version now includes a vinyl side of rarities, including non-album tracks from their “King Of The Road” EP, plus another whole side of vinyl of sessions recorded for the BBC. “(I’m Gonna) Burn Your Playhouse” from their 1989 Glastonbury performance acts as a fitting finale to this Colored Vinyl set.

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Coil

3LP | 2008 | EU | Reissue (Infinite Fog)

Release: 2008 / EU – Reissue

Genre: Rock & Indie

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"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray

tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of

Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to

his then recently deceased partner John Balance.

Significantly different to its sister release, this album collects the brilliantly chaotic and outrage-

ously rhythmic material from the original sessions for the album that was begun as early as 1993

and had originally been conceptualised as the follow-up to "Love's Secret Domain".

These songs are as diverse and wild as the places they originated from, partly infamously

spawned in Sharon Tate's former home in the Hollywood Hills, the Nine Inch Nails home base

in New Orleans and London's Swanyard, remixed and restructured with the help of long-term

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Strum & Thrum: The American Jangle Underground

2LP | 2020 | Original (Captured Tracks)

12" | 2020 | EU | Original (Nyami Nyam)

Release: 2020 / Original

Genre: Rock & Indie

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North America's Answer To The Legendary Uk C86 Compilation Includes An 80+ Page Booklet With A Comprehensive Oral History Of The American Jangle Pop Scene And Tons Of Photos And Ephemera //Strum & Thrum: The American Jangle Underground 1983-1987 Is The First Volume Of Captured Tracks' New Venture Into Compilations - Excavations.Inspired By Pebbles, Killed By Death, Soul Jazz And Numero Group Compilations, Excavations Is A Series Dedicated To Compiling Forgotten Music From The 1970s - 1990s That Has A Connection To Captured Tracks' Sound And Aesthetic. Much Like The Cleaners From Venus, The Wake, And Saäda Bonaire Reissues We've Put Out, Excavations Releases Will Bridge The Past To Our Current Roster And Showcase The Kinds Of Sounds That Inspire Us.It Makes Sense That The First Volume Of Excavations Is Strum & Thrum. As An American Label, We've Often Wondered Why British, Aussie, And Kiwi Indie Rock From The `80s Has Had The Most Influence On Modern Acts And The Collector's Market. Granted, The Music Released On Creation, Sarah, Cherry Red, Postcard, Flying Nun, Et Al. During That Era Was Fantastic, But A Parallel To This Sound Existed In The Us And Canada As Well. Outside Of Bands Like R.E.M., The Rain Parade, The Dream Syndicate, And A Few Others, Most Of These Bands Received Little Attention From National Or International Press Outlets And Markets - Unless They Opted For A "Big `80s" Sound And Signed To A Major. The Acts On This Compilation Are The Antithesis Of That, With A True Diy Spirit That Lead Many Of These Bands To Self-Record And Self-Release Within Tiny Local Scenes In Small Cities And College Towns Across America.Though Hardcore Dominated The American Underground At The Time, The Indie Scene Was No Less Vital And Operated Utilizing Many Of The Distribution Channels Hardcore Set Up. The Two Genres May Have Sounded Nothing Alike, But The Diy Ethos And Dedication To Community Was The Same_ But This Isn't The Story We're Used To Hearing. While Noted Underground Archivist And Com...

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Forward Kwenda

Chawapiwa Deluxe Edition

LP | 2019 | US | Original (Intervention)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Forward Kwenda was born in the Buhera area of Manicaland, Zimbabwe. This area is known for its fierce resistance to colonial rulers and respect for Shona tradition. Forward Kwenda has always played Mbira, for the spirits, the ancestors, the land of Zimbabwe and the world around it. An undisputed master of this eminently spiritual instrument, he has developed a complex and unique melodic technique that has led him to perform and teach in the United States, Europe and Japan.
The EP Chawapiwa is the result of a collaboration with two of his students: Yann Dubois and Shiho Manabe.
The B-Side of this 12” is a remix and a loving tribute to Zimbabwe by Dj Oil, a french producer and dj, and a true veteran of the underground music and party scene in his native Marseille, Lionel Corsini, aka DJ Oil released his well-received solo debut as recently as 2012 (Black Notes for French label Discograph) but is probably better known as one part of The Troublemakers, who had the (probably unique?) distinction of being signed to both the legendary ‘90s house label Guidance and the most famous of all jazz labels, Blue Note.
The cover artwork is taken from Georgina Maxim's work: "Letters I wasn't supposed to read". Presented as textile sculptures like a diary made from second-hand clothes, the pieces bear the history and memory of the ghost corps that once wore them. Georgina Maxim lives and works in Zimbabwe where she founded the artistic collective, Village Unhu.
The visual adaptation and screen-printing was done by Vivien Le Jeune Durhin from PPP studio, Paris. This is a screenprinted limited edition release of 100 copies.

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Joan Armatrading

Electronic Music From The Eighties And Nineti

Release: 2019 / US – Original

Genre: Organic Grooves

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Intervention Records is absolutely thrilled to RE-introduce another classic record in its (Re)Discover Series, Joan Armatrading. Produced and recorded by legend Glyn Johns, Joan Armatrading is the breakout record that saw Joan assume full command of her extraordinary talents and leap to the forefront of rock's great female stars. A soulful, soaring voice and a powerful and evocative songwriter. The smash hits include "Love and Affection," "Down to Zero," and "Somebody Who Loves You."

Joan Armatrading's 180-gram LP is 100% Analog Mastered by Kevin Gray at CoHEARent Audio from the best source available- phenomenal-sounding 1/2" safety copy of the original stereo master tape. The remastering is amazing! Thanks to Glyn Johns' recording and production work, Joan's vocals and guitar playing have never sounded so rich, resonant and dynamic. This is an audiophile demo disc all the way, with depth, realism and a breathing dimensionality.

The album art is beautifully restored by IR's Tom Vadakan and housed in a film-laminated, Old Style "Tip-On" single-gatefold jacket printed by Stoughton.

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Carl Stone

2LP | 2018 | EU | Original (Unseen Worlds)

Tom Petty & The Heartbreakers

Release: 2018 / EU – Original

Genre: Electronic & Dance

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First time vinyl collection for some of Carl Stone's most
beloved tracks from the 1980s and 1990s, and the first ever release in any format
of "Mae Yao". For Fans of The Caretaker, Elysia Crampton, Editions GRM,
Oneohtrix Point Never, Ryuichi Sakamoto. Following the widely acclaimed 3LP
collection, Electronic Music from the Seventies and Eighties, Unseen Worlds has
compiled a second, 2LP collection of favorite and unreleased Carl Stone works.
Electronic Music from the Eighties and Nineties presents the soothing,
hallucinatory side of Stone's slow-evolving, time-bending composition. While we
can't always identify the source, we can hear that his sounds come from
somewhere, and that there is a "correct" or "complete" version of them in theory;
and so we can hear when they are being changed. What drives Stone's music is the
flow that he draws out of those differences: the way an Indonesian gamelan
morphs into a chorus built from one female vocalist over the course of "Mae
Yao"'s twenty-three minutes, the surprise emergence of a Mozart chorus out of
the synths and skip-glitches of "Sonali," or the slow, ambient evolution of "Banteay
Srey". "Woo Lae Oak," issued in a single side edit for the first time, is an
exception. It s samples - a tremolo string and a bottle being blown across the top
like a flute - are simple in the extreme. Yet the Stone locates the inherent
emotional properties of the sounds and takes them into unexpected expressive
territory.

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Greatest Hits

2LP | 1993 | US | Reissue (Geffen)

The Flight & Christian Henson

Release: 1993 / US – Reissue

Genre: Rock & Indie

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Greatest Hits is the biggest selling title in the band's illustrious catalog, with sales surpassing twelve million copies since it's release. The album contains nineteen classics including "American Girl," "Refugee," "Don't Come Around Here No More" and many others. The collection also features the singles from Tom Petty's solo album Full Moon Fever including "Free Fallin," "I Won't Back Down" and "Runnin' Down A Dream." Two 'new' songs were also featured: "Mary Jane's Last Dance" became one of Petty's most popular songs, reaching #14 on the Billboard Hot 100 and #1 on the Billboard Mainstream Rock Tracks chart. The other new song on the album is a cover of the Thunderclap Newman hit "Something in the Air".

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Alien: Isolation Blood Green Vinyl Edition

LP | 2025 | US | Original (Iam8bit)

Release: 2025 / US – Original

Genre: Soundtracks

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Preorder shipping from 2025-03-21

In a world filled with quick cash-in licensed games, Alien: Isolation was a gasp of fresh air. Its release in 2014 marked a watershed moment for what inspired and faithful adaptations could look like in video games as a medium.

With its retro-futuristic visuals, subtly haunting sound design, nail-bitingly tense gameplay, and brilliantly ahead-of-its-time AI, Creative Assembly’s masterwork presented a different sort of vent-crawling survival horror, one well-suited for the world of Weyland-Yutani.

Now, a decade later, we at iam8bit are proud to celebrate Alien: Isolation’s 10th anniversary by offering fans something never before available: The game’s legendary soundtrack, presented on high-quality vinyl. This is the Alien: Isolation Vinyl Soundtrack, a 1xLP loaded up with the very best songs from composers The Flight and Christian Henson’s famous score, pressed on Blood Green vinyl.

Keeping in line with the game’s grimy, lo-fi art design, the music of Isolation is a journey through tense corporate steel, dripping with an unforgiving atmosphere that often transports the listener right into the cold, unending expanse of outer space. It’s not all doom and gloom, though — like Amanda Ripley herself, Isolation’s music buoys forward through sheer will and unexpected moments of warm hope.

For the artwork, we tapped longtime iam8bit friend Nimit Malavia to craft a piece that captures the vast, unending terror of Alien’s world; not just terror in the wake of an unspeakable monstrosity, but terror in the realization that we are cosmically alone.

Because, after all: In space, no one can hear you scream.

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Decksaver

Oxi Instruments Oxi One

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Preorder shipping from 2024-11-22

Carte Blanche Splatter Vinyl Edition

Phat Kat

2LP | 2007 | EU | Reissue (Rrc Music)

LP | 2024 | JP | Original (Universal Music)

Release: 2007 / EU – Reissue

Genre: Hip Hop

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“For fans old and new, they can expect to be reintroduced to some raw, authentic, classic Detroit Hip-Hop from beginning to end.”-Phat Kat on the Deluxe Edition re- release of “Carte Blanche”. Phat Kat’s phenomenal sophomore solo LP, “Carte Blanche”, fi rst released in ’07 via Look Records, is the sound of Detroit. It’s gritty, soulful, and raw, three key ingredients in bringing the blue-collar city’s vibe to life in music form. It’s also a modern classic that is getting the deluxe edition re-release it deserves, Below System Records is adding two rare bonus tracks produced by late Detroit legend, J Dilla. Anyone familiar with Kat or Dilla’s work knows the two shared a special bond. In fact, Dilla would often go to the gruff-voiced emcee whenever he was looking to create a particularly tough track. This friendship led to them forming the group 1st Down, and this re-release’s two bonus cuts, “World Premiere” and “It Don’t Get No Liver Than This (feat. La Peace),” which were recording in 1996 and ’97, respectively. Despite 1st Down never taking off due to label issues, Kat and Dilla remained close and recorded a number of underground classics. Those include several joints off “Carte Blanche”, such as the stirring “Don’t Nobody Care About Us”, “Game Time”, and the Elzhi-featured “Cold Steel”. It’s actually that last track that Kat picks as his favorite cut off the record. “If I gotta choose one, it would have to be ‘Cold Steel’ because it makes you wanna wild out as soon as the beat drops”, he says, adding that this was the fi rst time he got to choose a Dilla beat to rap over. “He would never let me rock over beat tape beats-he use to say ‘Nah Kat, just write to them cause I’m gonna make all ya shit from scratch.’ ” The album also boasts collaborations with other Detroit rap heavy-hitters, such as Black Milk, Guilty Simpson, Nick Speed, and T3 & Young RJ (of Slum Village). With Kat as their host, they were able to not only capture the sound of the Motor city in 2007 (when the album was originally released), but also cement its place in the greater canon of hip-hop as we know it today.

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Answer To Remember

Answer To Remember II

3xLP | 2024 | Original (Lmlr)

Release: 2024 / JP – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

Renowned as Japan's No. 1 drummer, Shun Ishiwaka has gained immense popularity and recognition through various sessions and recordings with artists across genres, including millennium parade, Quruli, Ringo Sheena, Kenshi Yonezu, and KID Fresino. His musical base is Answer to Remember (commonly known as Anrime). Following their critically acclaimed debut album "Answer to Remember," praised by Thundercat and released in 2019, the band now presents their long-awaited second album after a 4.5-year hiatus. This new album captures the band's spirit cultivated through live performances, exploring unprecedented sounds with a spirit of adventure and intuition. The band features a powerful lineup: Yusuke Sase (trumpet), Melraw (alto sax, guitar), Akina Nakajima (alto sax), Tomoaki Baba (tenor sax), Yuya Wakai (piano, keyboard), Kota Umihori (piano, keyboard), Marty Holoubek (bass), and Taikimen (percussion), most of whom are prominent leaders in their own right. Guest artists include KID Fresino, Himi, Mahiru Koda, ermhoi, Jua, Tomoki Sanders, Karai, and Akira Inoue. Answer to Remember will perform as the host band at Shun Ishiwaka's 20th anniversary live event, "Live Natalie Shun Ishiwaka 20th Anniversary What's Up Festival ~ At That Time I Was 11 Years Old ~," held at Ebisu Garden Hall on September 2nd (Monday) and 3rd (Tuesday).

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Fats Domino

Antone Fats Domino

Lost Shot At Heaven Clear Smoke Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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Three LP vinyl set, collectors edition, one pressing worldwide.

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Skullflower

LP | 2024 | Original (No Holiday)

The Bbc Session Recordings Record Store Day 2024 Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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First vinyl pressing of the long out of print 1993 classic many consider not only Skullflower's apex, but one of the finest noise rock records of the 90's. Edition of 600 clear smoke 2xLP in deluxe embossed sleeve.

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Faces

LP | 2024 | Original (Rhino (Pure))

47,99 €* 59,99 € -20%

Takeo Yamashita And Otomo Yoshihide

Release: 2024 / Original

Genre: Pop

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Faces Live at the BBC is the second set of highlights from the band's many memorable performances at the BBC over the years. Collected mostly from Top Gear and the David Lee Travis Show, this compilation highlights top performances from 1970 and includes rarer tracks and fan favorites like "Wicked Messenger", "Shake, Shudder, Shiver", and of course, "Had Me A Real Good Time."

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OST Lupin Zero Red Vinyl Edition

LP | 2024 | EU | Original (Microids)

2LP | 2024 | EU | Original (Oraculo)

Release: 2024 / EU – Original

Genre: Soundtracks

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- Pressed on red vinyl - Soundtrack to the 2022 anime series - Composed by the leader of experiemental rock group, Ground Zero, Otomo Yoshihide - Arranged by Takeo Yamashita Original soundtrack of the acclaimed anime, printed on red vinyl.

Composed by Takeo Yamashita & Otomo Yoshihide
Arranged by Otomo Yoshihide

Original soundtrack of the acclaimed anime, printed on red vinyl.

Thus begins the story of the man who would become the greatest thief of all time...While Tokyo is experiencing tremendous economic growth, a young schoolboy leads a boring life. One day, he catches a guy pointing a gun at a delinquent. When he meets up with this person again a little later, something happens that leads them to team up...

Thus begins the story of the man who would become the greatest thief of all time...While Tokyo is experiencing tremendous economic growth, a young schoolboy leads a boring life. One day, he catches a guy pointing a gun at a delinquent. When he meets up with this person again a little later, something happens that leads them to team up...

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Synths Versus Me + Nea

Default Mode Network

Thinking Fellers Union Local 282

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After almost 6 years of silence since “Akelarre”, Synths Versus Me, the personal musical project of Nico Cabañas, co- founder of Oráculo Records alongside the young Italian promise India Nardone. Recorded analogically in just 2 months, fluctuates in a futuristic way between different kinds of unusual dark sub styles such as industrial noise, proto- tribal, synthpunk or krautwork, and, of course, among other dance-oriented such as EBM, new beat, synthwave, electro/breakbeat or trance. Presented in One-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid Black vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

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These Things Remain Unassigned

2LP | 2023 | US | Original (Bulbous Monocle)

Dream Backwards Black Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Bulbous Monocle focuses its lens further into the legacy and archives of the Thinking Fellers Union Local 282. These Things Remain Unassigned—a phrase coined by Brian Hageman, one of the band’s musical snake appendages emanating from its Medusa crown—is presented as a double LP (gatefold jacket with a twelve page libretto). It gathers together the band’s singles, compilation tracks, outtakes and never before released gems encompassing the arc of Tful’s musical corpus. Every track has been surgically remastered by Mark Gergis (Porest / Sublime Frequencies / Mono Pause) with his signature craftsman approach.

This collection is an auditory and visual feast. The extensive booklet included features band ephemera, concert flyers, photographs, and commentary about each track from Mark Davies. Beyond the rare singles and unreleased tracks from the Tful archives, are cover versions from such disparate artists and composers as Ennio Morricone, Krzysztof Komeda, The Residents, The Shaggs, Caroliner Rainbow and Pérez Prado.

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C-Clamp

3LP Box | 2023 | US | Original (Numero Group)

When Losing A Dream To Reality Grey Marble Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Percolating in the same watery diner coffee that spawned American Football and Hum, C-Clamp shrugged on and off the '90s slowcore and emo scenes in a hurry. Compiled here are the band's two albums for the venerable Ohio Gold label - Longer Waves and Meander + Return, plus a third LP of singles andcompilation tracks, and a meticulously annotated book stuffed with lyrics, photos, flyers, and ephemera from their all-too-brief existence. This one's colder than a Chicago winter - better plug in that space heater.

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Hannes Bennich

2LP | 2023 | EU | Original (Second)

LP | 2023 | JP | Original (Lawson)

Release: 2023 / EU – Original

Genre: Organic Grooves

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2LP - 180 Gram, Grey Marble Vinyl / Handnumbered Edition limited to 200 UnitsWhen Losing A Dream To Reality is the debut album from Swedish alto saxophonist and composer Hannes Bennich. Bennich is one of the most interesting new voices on the Scandinavian scene and presents all-original compositions for his first outing written for his band of pianist Britta Virves, double bassist Tomas Sjödell and drummer Emil Norman. Special guest vocalist Helen Salim joins for one track. The album is based around dream narratives: "I wrote music with different versions of dreams ending up perhaps not the way you want to. Like a winding path that can go in any direction," explains Bennich.

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Juni & Too Much

Too Much

Release: 2023 / JP – Original

Genre: Rock & Indie

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I Don T Live Here Anymore

The War On Drugs

2LP (Atlantic)

Genre: Rock & Indie

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5: The Gray Chapter Pink Vinyl Edition

Slipknot

2LP | 2014 | EU | Reissue (Roadrunner)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Baby Ford & The Ifach Collective

Sacred Machine

3LP | 2023 | UK | Original (Ifach)

LP | 2023 | EU | Original (Microids)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Ifach continues its new series of reissue projects with an expanded version of Baby Ford & The Ifach Collective's Sacred Machine album, which has been lovingly remastered by Dubplates & Mastering for the occasion. The 2001-released album set a new benchmark for minimal techno that has rarely been bettered since. The sound design is of course the first thing to mention - impossibly fine and subtle, with plenty of quirky twists and experimental ideas. 'Bad Friday' is blissful minimal trance, 'Carpet' explores darker progressive moods and there are two previously unreleased gems from the same sessions - Mark Broom's mix of 'rtdc' and 'In The Bag'. As good for mind as it is for the body, Sacred Machine remains a stone cold classic.

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Yoshiaki Fujisawa

OST No Game No Life/Zero