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Name: R.E.M. - Out Of Time 25th Anniversary Edition
Brand: Concord
SKU: 504902
Price: 22.99 EUR
Availability: InStock

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R.E.M.

Out Of Time 25th Anniversary Edition

LP | 1991 | EU | Reissue (Concord)

22,99 €*

Incl. VAT plus Shipping Costs

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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“Out Of Time” is considered to be one of the most important albums ever of R.E.M. With tracks like "Losing My Religion", "Shiny Happy People" and "Radio Song" it became a classic in the history of music. According to the 25th anniversary of this record the album gets an official reissue.

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Taylor Swift

Speak Now

2LP | 2010 | EU | Reissue (Big Ma)

28,99 €*

Incl. VAT plus Shipping Costs

Release: 2010 / EU – Reissue

Genre: Pop

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Finally Taylor Swift’s album “Speak Now” from 2010 gets a vinyl reissue as a 180g 2 LP.

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Ralf Nowy

Lucifer's Dream

LP | 1973 | EU | Reissue (Wah Wah)

20,99 €*

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Release: 1973 / EU – Reissue

Genre: Rock & Indie

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Born in 1940 in Berlin, Ralf Nowy's musical interest was first exposed to an audience during his school years, when he formed his first rock'n'roll band in the late fifties. After graduation from the Konservatorium, he joined the German jazz scene and also worked for the Saaerland radio station. His recording career began recording exploitation albums designed for dance parties, following the path opened in Germany by artists like Paul Nero (a.k.a. Klaus Doldinger). But with the rise of the krautrock scene he became interested in new, more experimental sounds and joined forces with Paul Vincent (who had played in Klaus Doldinger's Motherhood, from which he would go on to form Hallellujah) and Keith Forsey (also from Hallellujah) - the three, under the name The Ralf Nowy Group, became on of the hottest acts of the Munich scene.

Lucifer's Deram was issued on Global in 1973 and offered an interesting mixture of instrumental sounds which moved freely from psychedelic pop to jazz, progressive rock, and ethnic touches... even some funky guitar is present! In addition to Ralf Nowy (flutes, alto saxophone, oboe), Paul Vincent (guitars) and Keith Forsey (drums) the recording sessions counted on the faboulous work of Al Gromer (Amon Düül, Popol Vuh, etc.) and Liz van Nienhoff on sitar, Gary Unwin and Lothar Meid on bass, Sylvester Levay and Don Anderson on pianos, Andy Marx on guitar, Bernie Prock on percussion and Sankha Chatterjee on tablas.

Ralf Nowy has also contributed on works by Drosselbart, Improved Sound Limited, Tender Aggression, a.o.

First time reissued on vinyl, comes in remastered sound, housed in a fantastic glossy laminated gatefold sleeve reproducing the original artwork, insert with liner notes and the attractive of being an exclusive 500 copies only edition!

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Fuckthegovernment LTD

Paris Traxx

2LP | 2016 | EU | Original (Skylax)

16,99 €*

Incl. VAT plus Shipping Costs

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Fuckthegovernment.Ltd, a.k.a. F.T.G (Alfredo Trastulli) and Music Box head honcho, Marco Riff, return to the Skylax fold in 2016 with a cache of house nuggets for our listening pleasure. Their last venture on Skylax saw F.T.G collaborate with a bunch of his friends, resulting in some of the best tracks we’d heard all year, including the unforgettable Fuckthegovernment theme. Their tracks have been celebrated and hailed by some of the best DJs in the game, names such as Derrick May, Ricardo Villalobos, Raresh, and DJ Harvey. The bar set by the first record remains sky high, and somehow, these two manage to raise the bar even higher. It may be the biggest cliche going when talking about an album, but the duo certainly do take us on a journey, through the past and present of house music. It’s a record not too dissimilar in tone to Paranoid London’s from a few years back, but F.T.G and Marco strip things back even further than those guys did, in our opinion; The sound is more raw with less frills, and no track names to predispose feelings in the listener either. This eight track project is cohesive and elaborate, with movements through sounds both acid and jazzy, minimal and maximal. It explores sounds that came to prominence in famous house locales such as Detroit and Chicago over in the U.S., but the underground European influence is definitely present, from Paris to Berlin, and of course F.T.G and Marco’s home of Italy. With this album, these guys add to the underground sound that has cultivated in the city of Perugia for years now, a place that has seen the likes of Simoncino and Nicholas hone their craft.Don’t miss out on a piece of Skylax history!

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Gensu Dean & Denmark Vessey

Whole Food Red Splattered Vinyl Edition

LP | 2016 | US | Original (Mello Music Group)

22,99 €*

Incl. VAT plus Shipping Costs

Release: 2016 / US – Original

Genre: Hip Hop

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These days everything you consume has to be checked - a vibrant outside can hide a genetically modified Frankenstein interior. Finding that 100% organically grown with no artificial rhymes can be difficult. This album is for those looking for something less calculated.

Powerful production runs the range from soulful, funk filled, and hard knocking to cool, laid back easy nodders. The rhymes are politically aware without taking themselves too serious - so from the occasional judo chop to the need for sexy, dirty slutty money - Denmark explores life from the perspective of a man who grew up on minimum wage and butter sandwiches but has grown into a self-aware scholar.

Lyrics don't sugar coat anything -no matter how rough that truth might appear: "The fleek shall inherit the Earth and the meek shall be buried in dirt - ain't nothing sweet." Denmark delivers existential truths while still throwing in a "where the hoes at?" A street savvy album that explores Black love, brutality, capitalism's grip on our daily thoughts, and the connection it all has to our ancestors. Gensu Dean has produced for David Banner, Large Professor, Roc Marciano, and more, while Denmark Vessey has had his praises sung by the likes of Earl Sweatshirt. This is that sh*t to get you through sh*t.

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Kid Sublime

I Like 'Em Dirty EP

12" | 2016 | EU | Original (People Must Jam)

11,99 €*

Incl. VAT plus Shipping Costs

Release: 2016 / EU – Original

Genre: Electronic & Dance

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People Must Jam's ninth record is from one of our favourite DJs and producers.
A guy who has a ridiculously large back catalogue and in our opinion it is a crime that some of his records haven't received bigger recognition.

A true master of House and Hip Hop music, Kid Sublime has been putting out amazing records since 2001. His own label Dopeness Galore literally does exactly what it says on the tin.

Even before we launched People Must Jam's label we wanted Kid Sublime to be a part of it. Now finally we are stoked to present this EP...
Four serious cuts for four different vibed floors - look out!

First up Kid's homage to Techno legend Ben Sims with 'Bang Like Sims' a driving deep Techno groove. Strong percussion, deep stabs and that unrelenting beat are going to ensure this one gets some love on the harder edged, heavier dance floors.

'We The People' heads a little down the tribal route with some afro inspired percussion, haunting samples and that kalimba!
Dropping a really infectious riff before beautiful piano melodies drift in and out of the mix. Wonderful stuff.

The title track 'I like 'em dirty'; we feel, is a lesson in proper Deep House.
Classic sounding house beats, little guitar licks, deep stabs and the vocal sample combine for this perfect house cut. Massive.
The EP is rounded out with another cut in tribute to the legend that was Kenny Hawkes.
Another master of his craft - Kenny sadly now passed on but his spirit is well and truly alive in this fitting tribute. 'One 4 Kenny' features strong percussion, low bass, deep stabs and slamming beats = cracking stuff.

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I.G. Off & Hazadous

Ready For Me / Crown Holders Red Vinyl Edition

7" | 2016 | US | Original (Ill Adrenaline)

13,99 €*

Incl. VAT plus Shipping Costs

Release: 2016 / US – Original

Genre: Hip Hop

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Limited to 150 copies!

The 90's introduced a slew of dynamic hip-hop duo's including Das EFX, Cella Dwellas and Mos Def & Talib Kweli. I.G. Off & Hazadous were one of these duos and put their name on the map in that era with several indie releases and countless underground radio sessions as a New York rap group known for their gritty raw street grammar and dope freestyle skills. The Bronx/Queens duo first appeared on the DJ Spinna produced and released 3-track 12" "Street Serenade" in 1997 and were featured on the classic Rawkus Lyricist Lounge Volume One compilation on the posse freestyle cut "Bathroom Cypher" in 1998. Within the next few years I.G. Off &Hazadous recorded a string of singles, working with DJ Spinna again on the "The Nicest"12" single, and getting a placement on the Superrappin Vol. II album. Around that time the duo also connected with Norway's finest producer and Guesswhyld Records affiliate Tommy Tee.
Ill Adrenaline Records and Tee Productions proudly presents I.G. Off & Hazadous "Ready For Me b/w Crown Holders (feat. Skam2?)" limited edition 7" – two rare and very dope tracks from 1998/99, originally released on two different Tommy Tee albums. Both tracks also were featured in the critically acclaimed documentary "Hip-Hop: A Tale from the Hood" (based on I.G. Off & Hazadous' life and their everyday struggle) by German filmmaker Harald Rumpf and have never been available on vinyl before.
After being hit by a drunk driver in 2007 and being paralyzed from then on, I.G. Off sadly passed away on June 12th in 2012. The 7" displays the lyrical street duo at their best and pays homage to the late, great veteran emcee and freestyle king I.G. Off.

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A1 Bassline

Technicality

12" | 2015 | UK | Original (Food Music)

15,99 €*

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Release: 2015 / UK – Original

Genre: Electronic & Dance

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Food Music welcomes A1 Bassline to the label to release his first LP - Technicality.

The album’s title draws from the club night “Technicality”, a monthly Drum & Bass night at Herbal in East London, which is run by Chris Inperspective and continued the sound of early Reinforced and Metalheadz records as well as pushing new forward thinking music. The album is centred around growing up as a teenager discovering this jungle/drumfunk sound through his college friend Rahim (Lab Creation), where the likes on Fold, Ben UFO, Breakage would attend the club.

In addition to well received records on DirtyBird, Pets Recordings and his collaborative work with Leon Vynehall as Laszlo Dancehall, the album is a stamp on A1’s sound and his influences from his teenage years to growing up and discovering House and Techno.

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Frank Sinatra Vs. Notorious B.I.G.

Blue Eyes Meets Bed-Stuy

2LP | 2015 | US

35,99 €*

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Release: 2015 / US

Genre: Hip Hop

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Back in 2006 DJ Cappel & Smitty mashed up Frank Sinatra with Notorious B.I.G. in a weird and wonderful mix CD called "Blue Eyes Meets Bed-Stuy". There was a vinyl sampler released but only now can you get all 12 mashups from the CD on vinyl. Pressed on double vinyl with color labels and picture sleeve.

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Akai

MIDImix

94,99 €*

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Total Mixing Performance in a Small Package
MIDImix is a portable compact high-performance mixer that has the unique ability to control your Digital Audio Workstation (DAW) with the press of a single button, giving all musicians and producers complete, uncomplicated mastery over mixing and processing of their digital music creations on the go.

Until now, you had to build and layer your mixes at the performance site first, then transfer that mix at a later time to your DAW for post-mix processing and manipulation. What a pain. This is not the way you’d like to do it, because of the time lag between constructing the initial mix and then not being able to work on it until later in your DAW. This meant you only had a limited ability to create the exact mix you wanted in real time.

The On-Site Mixing Problem Solved!
Akai Professional’s portable MIDImix solves this problem completely. With Akai Professional’s famous build quality and cutting-edge engineering, it combines a high-performance mixer with 8 individual line faders and a master fader, 24 control knobs arranged 3 per channel and 1 to 1 mapping with Ableton Live (Ableton Live Lite is included). You can send all the mixer’s settings to their DAW with a single press of a button, for unprecedented management and precise control over your DAW’s functionality. This is great—it means that you can mix and modify/manipulate your projects concurrently in real time, giving you a much wider array of creative options as a result of the far greater creative flexibility afforded by MIDImix.

Nothing Else Like it
Up until now, there was just no solution for musicians and producers who needed a compact, easily portable way to mix and process their projects on site. But MIDImix is the best solution for portable mixing on the go. MIDImix offers an intuitive, familiar mixer layout, solid connectivity with the most popular DAWs, and legendary Akai Professional quality. MIDImix is exactly what you need to do great mixes and professional processing on site—at the same time.

Midi mixer to control virtually any DAW
8 individual line faders, 1 master fader
24 knobs, arranged 3 per channel
16 buttons arranged in 2 banks provide mute, solo and record arm functionality per channel
Sends all mixer settings to the DAW with a single button press
1 to 1 mapping with Ableton Live (Ableton Live Lite included)

Requirements:
Macintosh: 1.25 GHz G4/G5 or faster (Intel Mac recommended); 1GB RAM (2GB recommended); Mac OS X 10.4.11 (10.5 or later recommended)
PC: 1.5 GHz Pentium 4 Celeron-compatible CPU or faster (multicore CPU recommended); 1 GB RAM (2GB recommended); Windows 8, Windows 7, Windows Vista, or Windows XP; Windows-compatible sound card (ASIO driver support recommended); QuickTime recommended
Available USB port

Manual: http://6be54c364949b623a3c0-4409a68c214f3a9eeca8d0265e9266c0.r0.cf2.rackcdn.com/1415/documents/MIDImix-UserGuide-v1.0.pdf

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The Bambi Molesters

Dumb Loud Hollow Twang

LP | 2003 | EU | Reissue (Dancing Bear)

23,99 €*

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Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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180 gram vinyl

Not many acts who continue for a few albums get a chance to go back and take care of what they might see in retrospect as mistakes or tentative starts — but there are always glorious exceptions. Thus the course of events that led to the Croatian surf-rock quartet The Bambi Molesters rerecording their 1997 debut Dumb Loud Hollow Twang in a ‘deluxe’ edition, with special guests, bonus tracks and more besides.

What might have seemed a quixotic exercise gets explained in the liner notes — the album’s original run, though popular in surf-rock obsessive circles, had not resulted in a reprint, while the group’s growing popularity resulted in further demand and attention for the start. The band themselves felt the debut was far too rushed — it was literally recorded in three hours as a one-take rip with instrument leakage and bad mixing ruining the impact — so with more time to spare and a chance to flesh out the sound, the result was 2003’s Deluxe.

The quartet’s command of the surf vernacular is unparalleled — guitarists Dalibor Pavicić and Dinko Tomljanović have the reverb down and rhythm section Lada and Hrvoje Zaborac shift between mania and moodout with ease. The guest musicians add just the right touches — keep an ear out for Neven Franges’s piano on the late-night menace of “Pearl Divin’”, as well as on the smoky Eurospy vibe of “Sun Stroke” and a trumpet/sax duo on a variety of songs adding some further sting.

If the overall effect is pleasantly reverential rather than a striking new reworking of surf and garage roots, it’s still a solid result that works beyond mere genre exercise. The bonus tracks are all covers, and winners they are — the Molesters collaborator in the Strange project, Chris Eckman, adds whispering menace to “Restless”, the album’s sole vocal track. Best song title of the bunch — “Beach Murder Mystery.” (Ned Ragget, All Music Guide, 2005)

Nothin’ dumb about this one! The Bambi Molesters hail from Sisak, Croatia, and they play a slightly dark brand of traditional instrumental surf music. They’re all about subtlety. Lead guitarist Dalibor Pavicić lays back in the mix, painting the sound with dreamy apparitions of melody and tone. How much of this was always part of their formula, and how much producer Phil Dirt created at the console, I don’t know, but either way they’re onto something good here.

All fifteen tunes were written by Pavicić and guitarist Dinko Tomljanović, and that’s surprising enough for such a young band, but on top of that, all fifteen are exquisitely crafted and fully realized. “Sun Stroke” is one of the most beautiful surf tunes of the year, filled with passion and power and delivered with a delicate touch. If you fancy a twist of spy in your surf, “Beach Murder Mystery” is the bomb. By the way, if you’re voting for great titles of the year, you may want to consider “Standing on the Nose in a Stylish Manner”, which also happens to be a killer surf tune. So add Croatia to your surf scene map and keep an eye on The Bambi Molesters, because they’ve officially taken their place in the book of who’s who. (DJ Johnson, Cosmik Debris, 1998)

A stunningly good set of tracks from the only surf band in Croatia. Their writing is melodic, pristine, well structured, and unique. I find their slower material to be the best, with its stellar beauty and delicate balance between lead and rhythm. I’ve been communicating with the band for about a year, and earlier this year, they asked me to produce their album. I was honored. They laid down 16 track ADAT in Croatia, and mailed them to me in the US. I mixed them here, and mastered them as well. Based on the DAT I’d received late last year, I was expecting good tracks. I was not prepared for just how good they’d turn out to be. This will be a classic of the future. (Phil Dirt, DJ KFJC)

Dancing Bear Band Information (from 2005)

Formed in 1995 under the influence of 60’s garage and surf classics, the Croatia based band The Bambi Molesters won sympathies of rock critics and underground rock audience with their first album “Dumb Loud Hollow Twang” which was released in 1997. Since then they have been playing regularly in Croatia and all over Europe and their fiery and energetic live performances have helped to build their reputation as one of the finest and most original contemporary instrumental bands.

In 1999 the band signed the record deal with Dancing Bear. They released their second album called “Intensity”. The same LP was also released in Germany on Kamikaze Records. Both “Intensity” and “Dumb Loud Hollow Twang” gained positive reviews in the music press and were nominated in various categories of the Croatian music award.

In December 2001 The Bambi Molesters released their 3rd CD “Sonic Bullets: 13 from the Hip” (the LP version is from 2003) with the following guests: Peter Buck (REM), Scott McCaughey (Minus Five, REM touring band), Chris Eckman (The Walkabouts), Terry Lee Hale and Eduardo “Speedo” Martinez (The Flaming Sideburns). Just like the previous one, the new The Bambi Molesters album was published by the Croatian record label Dancing Bear. The CD got excellent reviews in various magazines (Mojo, Uncut, Pitchfork, ...) and received the Croatian journalist award for the best album of the year 2001.

In June 2002 “Sonic Bullets: 13 from the Hip” was licensed by ACE Records and was released on their Big Beat label.

The Bambi Molesters’ songs are regularly played on American (KFJC, KFAI, KXLU, WREK, WHUS) and British (BBC RADIO 1 in London) radio stations. The song “C Alpha E” was included in the movie called “The Treat” by Jonathan Gems (screenwriter for “Mars Attacks” and “1984”). Their music can also be heard in videos (“Cross Cuts” for Tonix Pictures and Dragonfly BMX video). Three songs from the first LP are included in the movie “Barabe” (Viba film, Slovenia). During the last couple of years the band has played more than 100 gigs and supported well known acts including The Cramps, REM, Chrome Cranks, Man or Astroman,...

In July 2003 the band played as a support at the R.E.M. European tour. The Bambi Molesters played at three gigs in front of 50000 people altogether.

In June 2004, together with The Walkabouts singer Chris Eckman they formed The Strange. Their debut album “Nights of Forgotten Films” is out on Dancing Bear.

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Moloko +

LP | 1986 | EU | Reissue (Domestica)

18,69 €* 21,99 € -15%

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Release: 1986 / EU – Reissue

Genre: Pop

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Founded in December 1984, they started to make a name for themselves (the name comes from Stanly Kubriks classic "Clockwork Orange" and stands for a special drink which was available at the Korova Milkbar. In the russian translation "Moloko +" means "milk with knives"). At the same time in Great Britain bands like Bauhaus, Dead Can Dance, or Southern Death Cult started a new era in music: Gothic Underground.

Moloko + with its singer Martin Holm gave great concerts and got a well known name in the scene in Southern Germany. TV, Radio and the press followed closely the rise of the band from Landshut. The 1986 published first record is still an admirable jewel and should not be missed on any searching list. They got prepared to record a second album when "suddenly a comet burned out, near the sun, on distant skys".

"In meinen Taschen die Sterne wie Staub" (Translation: In my pockets the stars like dust) - The song from the first album and our thoughts are dedicated to our leadsinger Martin Holm, who left our world much to early.

Mastered 2014 by Yves Roussel.
Edition of 400 numbered copies. Hand printed with photoengraving (each cover is different). Comes with DIN A3-sized poster printed double sided.

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Flip

Reflections

Tape | 2015 | US | Original (Ill Adrenaline)

14,99 €*

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Release: 2015 / US – Original

Genre: Hip Hop

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What happens when an Austrian rap producer with a history of more than 20 years in the game, teams up with some of his favorite MC's from the US? First of all, great music. But wait a second, who's that guy? Flip is a veteran producer and rap enthusiast from Linz, Austria who got addicted to hip-hop and its culture in the early 80's when he first heard joints by The Fat Boys and Melle Mel on Austrian radio. A couple years later, heavily being influenced by the sound of Public Enemy, Eric B & Rakim and EPMD, Flip and a bunch of other rap-nerds founded the nationally critically acclaimed group Texta in 1993 and became the originators of the Austrian rap scene. Flip also has been organizing hip-hop shows in his hometown Linz since 1994 and started building connections to the US indie rap circuit since 2000. So as these connections grew, Flip began to record songs with the artists passing through and doing shows. Out of many tracks Flip recorded, he picked the best collabos for his "Reflections" album, with a line-up boasting artists from all corners of the US, like AG (of D.I.T.C.), Killah Priest of the Wu-Tang family, Elzhi, Guilty Simpson, Phat Kat, Edo. G, Kev Brown, LMNO, Tragic Allies and many more.

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Julie London

Latin In A Satin Mood 200g Vinyl Edition

LP | 1963 | US | Reissue (Analogue Productions)

46,99 €*

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Release: 1963 / US – Reissue

Genre: Organic Grooves

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She was the sultry film starlet-turned-torch singer-come-TV actress whose dusky alto captivated a generation. Julie London was 'discovered' while running a department store elevator in Hollywood.
Just three years earlier the bountiful 15 year old, born Julie Peck to her parents, a song-and-dance duo of the vaudeville era, was singing on her parents' radio show. When she started working in the movies in the 1940s, she changed her name to London. During the course of a celebrated career in acting and music, she made more than 30 albums.
The sultry-voiced actress, who was once married to "Dragnet" producer-star Jack Webb, had a hit record with the 1950s single "Cry Me a River". The single debuted in 1955, sold three million copies and remained in demand into the 1960s.
Analogue Productions has brought back Julie London sings Latin In A Satin Mood in damatic, deserving fashion. Remastered by Kevin Gray at Cohearent Audio, and plated and pressed on 200-gram vinyl at Quality Record Pressings, the crispness and vibrancy of this recording is spectacular.
Exotic and Latin albums were big deals in the 1950s and early '60s, and singers as diverse as Dean Martin, Lena Horne, and Peggy Lee were recording with castanets and bongo drums. Like Peggy Lee, London combines a restrained vocal approach with jazz phrasing and a cool attitude with icy sex appeal on this album of relaxing Latin standards. Julie does look beautiful on the cover, and the backup male 'mariachi-esque' serenade adds to the romantic ambiance.
And as to the cover, expect only top-notch reproduction for our Analogue Productions reissue. Originally a single LP jacket, we've upgraded to a gatefold incorporating more original photographs provided by Universal Music.
Describing her smoky vocal style, London once said, »It's only a thimbleful of a voice, and I have to use it close to a microphone. But it is a kind of over-smoked voice, and it automatically sounds intimate.« A style inimitable, in our estimation.

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Rodion G.A.

Behind The Curtain: The Lost Album

2LP | 2014 | EU | Original (BBE Music)

21,99 €*

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Release: 2014 / EU – Original

Genre: Electronic & Dance

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Kraut & Electronica Pioneer from Romania!

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Animals

Complete Animals

3LP | 1964 | EU | Reissue (Music On Vinyl)

41,99 €*

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Release: 1964 / EU – Reissue

Genre: Pop

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This triple vinyl package includes the complete sessions that The Animals recorded with producer Mickie Most in 1964 and 1965. The 40 songs capture the band at their peak, including most of their best and biggest hits: "House of the Rising Sun", "Don't Let Me Be Misunderstood", "Bring It on Home To Me", "We Gotta Get Out Of This Place", "I'm Crying", "It's My Life" and "Boom Boom."

180g vinyl.3

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Record Sleeve

7" Single Vinyl Cover (Mittelloch) (Schwarz)

7,99 €*

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Black, unprinted cardboard sleeve for storing 7 inch records. This cover is equipped with a centered die-cut hole, so label infos are available at first glance. This sleeve is also perfect for getting printed or inscribed, and it's suited for 17.8 cm diameter vinyl records, including lined or unlined inner sleeves.

Record Sleeve 7" Single Vinyl Cover (Mittelloch) - specific details:

• measures: 185 mm x 185 mm x 3 mm
• material: 300g GC1 cardboard
• die-cut diameter: 80 mm centered
• selling unit: 20 pieces
• Made in Germany

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Clipse

Hell Hath No Fury White Vinyl Edition

LP | 2006 | US | Reissue (Get On Down)

28,99 €*

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Release: 2006 / US – Reissue

Genre: Hip Hop

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In the 4 years after The Clipse dropped their sophomore classic Lord Willin’ the duo was able to build a legacy that had
fans hungry for new material. After the smoke cleared and they hit the studio the Virginia brothers recorded the confidently mature sophomore effort, Hell Hath No Fury. Best known for
their unconventional radio smash “Grindin’,” Clipse are no strangers to taking risks with the boundary-pushing Neptunes, who return as trusted co-pilots for Hell Hath No Fury. As
always the duo is right at home over The Neptunes crafted beats which perfectly embrace Pusha’s inventive drug-game
metaphors and Malice’s soul-baring confessionals.

From the bouncy lead single “Mr. Me Too” and the Slim Thug assisted “Wamp Wamp” to the oddly haunting "Keys Open
Doors" to "Momma I'm Sorry", Hell Hath No Fury represents some of the duo’s best work. On the hypnotic “Keys Open
Doors,” over the eerie mix of screwed-up angelic voices, chimes and congas, the brothers run circles around the
competition, while the spine-tingling boom-bap of “Ride Around Shining” sets the stage for Pusha’s hilarious boasts.
Whether rhyming over distorted, lo-fi guitar plucks (“Dirty Money”) or overblown 808s (“Trill”), the brothers come with colorful references and inventive word play that easily places
them in a lyrical class of their own. Get On Down now proudly issues this Neptunes produced favorite on LP for the first time ever with the first run on white vinyl.

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Pioneer DJ

PLX-1000

769,00 €*

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A REBORN CLASSIC.
The PLX-1000 is precision engineered for the booth, drawing on 50 years’ experience of making high-end turntables. This high-torque direct drive turntable is equipped with a classic layout and a rubber-lined, S-shaped tone arm that improves isolation and prevents feedback. It is solidly built for excellent vibration damping and ultra-precise, high grade audio playback.

Featuring next generation improvements, the PLX-1000 is the perfect score for professional DJs and vinyl enthusiasts. Combine this turntable with your Pioneer DJM mixer and get the ideal DJ system set-up.

TURN THE TABLES
The high-torque direct drive makes sure that your tracks reach a rotation speed of 33⅓ rpm in merely 0.3 seconds thanks to a starting torque of 4.5kg/cm (or more). Plus it ensures stable rotation and exceptional control.

PICK UP THE PACE
Unique to this turntable is the multi-pitch tempo control. Next to a standard variable width of ±8%, you can also select a variable width from ±16% and ±50%. A simple reset button instantly reverts to the fixed rotation speed at ±0%.

EASILY CONNECTED
For low impendance and amazing sound quality output, you can easily connect to the professional-grade, gold-plated RCA jacks. Ideal for a DJ on the road, the PLX-1000 has interchangeble power and audio cables.

ncluded Accessories
Turntable sheet
Slip mat and sheet
Dust cover
Head shell
Balance, sub and shell weights
Audio cable
Ground wire

Width
453 mm
Height
159 mm
Depth
353 mm
Weight
13.1 kg
Power Requirements
220-240 V / 50/60 Hz

Drive Method
Quartz lock, servo-type, direct drive
Platter
Aluminium, die-casting diameter: 332 mm
Motor
3-phase, brushless DC motor
Braking System
Electronic brake
Rotation Speed
33⅓-45 rpm
Rotation Adjustment Range
±8, ±16, ±50 %
Wow and Flutter
<0.01% (Measured by obtaining signal from built-in frequency generator of motor assembly.)
Signal-to-Noise Ratio
70 dB
Starting Torque
> 4.5 kg/cm
Start Time
0.3 sec (at 33⅓ rpm)

Arm Type
Universal type S-shape tone arm
Gimbal-supported type bearing structure
Static balance type
Overhang
15 mm
Effective Length
230 mm
Tracking Error
Within 3°
Height Adjustment Range
6 mm
Stylus Pressure Variable Range
0-4 g (1 scale 0.1 g)
Single Cartridge Weight
3.5-13 g

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Adrian Younge presents Souls Of Mischief

There Is Only Now Instrumentals

LP | 2014 | US | Original (Linear Labs)

26,99 €*

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Release: 2014 / US – Original

Genre: Hip Hop

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The sixth album from legendary hip-hop group Souls of Mischief, There Is Only Now, is a unique cinematic 90s crime
tale of love, loss, and revenge. A conceptual collaboration with producer Adrian Younge and the first release on his freshly launched Linear Labs Records label, There Is Only Now gets its inspiration from a near fatal incident involving group members A-Plus, Opio, Tajai, and Phesto early in their careers. Set in 1994, There Is Only Now serves as a bookend to two decades of music since the release of their seminal debut album, ‘93 Til Infinity.

There Is Only Now sees the Souls of Mischief crew members trading bars with a cast of hip-hop and soul luminaries.
Narrated by A Tribe Called Quest member Ali Shaheed Muhammed—as DJ for fictional local Oakland radio station K-NOW—the album’s story unfolds under his all-seeing eye. Busta Rhymes makes an appearance as the story’s villain, Womack, on “Womack’s Lament,” while William Hart of the legendary vocal soul group, The Delfonics, lends his buttery falsetto to the contemplative “Another Side of You.” Snoop Dogg drops knowledge on the situation between Stoney and Womack with an ice cold verse on the title track “There Is Only Now,” and Scarub from Living Legends goes in on “Stone Cold.”

Souls of Mischief and Adrian Younge have created a hip-hop album like no other. The result of a special moment for all
involved, There Is Only Now proves that after two decades in the rap game hip-hop’s Fab Four remains committed to
the expansion of their legacy as hip-hop innovators and pioneers.

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Severed Heads

Dead Eyes Opened

12" | 1984 | US | Reissue (Dark Entries)

16,99 €*

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Release: 1984 / US – Reissue

Genre: Pop

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Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knuckey, Severed Heads became the solo vehicle for composer Tom Ellard.

In 1983 they released a C-60 cassette called “Since The Accident” that grabbed the attention of Ink Records, a subsidiary of Virgin in the UK. Ellard added a throwaway track at the last minute to fill out the cassette, not wanting to leave an unseemly gap on a C60 tape. This track, “Dead Eyes Opened” was catchy enough to get a lot of airplay on the main non-commercial radio station in Sydney. The band was asked to make this song into a 12” single. For this extended version, Tom Ellard and producer Patrick Gibson went to M Squared studio and passed the multitracked recordings through various EQ's and delays. “Dead Eyes Opened” features samples from a radio program narrated by Edgar Lustgarten, a crime journalist from England, referencing a double murder case that occurred in 1924. The rhythms are made by a TR-808 drum machine and an SH-1 synthesizer. A KORG PolySix was used for strings and additional atmospheric elements. The lead solo was a Casiotone run through an Octaver foot pedal. On the B-side are two solo compositions “Bullet” and “Mount” that Ellard recorded at Terse Tapes in 1982.

All songs are remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring the iconic photograph of a girl with a painted face wrapped in some cloth by Juilee Pryor. Each copy includes a fold-out newsprint poster with a large photo of the band wearing Art Unit skull shirts on one side and liner notes and press clippings on the other. 30 years later Severed Heads are still paving the way for powerful, imaginative, and challenging music.

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The Clean

Anthology

4LP | 2014 | US | Original (Merge)

65,99 €*

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Release: 2014 / US – Original

Genre: Rock & Indie

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Anthology serves as a celebration of The Clean, a band whose influence extends so far beyond their New Zealand home that even if you have never heard of The Clean before, you have surely heard of some of the bands (Pavement, Yo La Tengo, and Superchunk, to name a few) who have been influenced by their unique blend of homemade garage rock, hook-filled melodies, and psychedelic experimentalism.

The album is a compilation of songs from across The Clean’s legendary musical career, which began in 1981 and continues today.

The Clean’s story is on-again/off-again purely by design. It suits the trio’s creative desires and keeps them clear of the machinery that threatened to interfere with that process from the moment they threatened to get awfully popular awfully quickly over thirty years ago. The Clean’s modern age has seen them splitting time and hemispheres: David Kilgour has a reputable solo catalog; Robert Scott has The Bats; and Hamish Kilgour has been an endearing and enduring fixture in New York City, playing with assorted combos.

180g vinyl.

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Feeling Of Love

Reward Your Grace

LP | 2013 | EU | Original (Born Bad)

16,99 €*

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Release: 2013 / EU – Original

Genre: Rock & Indie

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Since its beginning, The Feeling Of Love evolved from a one-man-band playing minimal and nihiliste garage blues with a no wave borrowing, to a trio still in the garage vibe but with more complexity and stronge krautrock and psychelic influences. The band, mostly based in Metz (France), comes from the mind of Guillaume Marietta, who was joined by Seb Normal and Sebastien Joly for their first studio album released through Born Bad Records in april 2011. Dissolve Me (also released on Kill Shaman Records in USA) is the band's kraut space garage manifesto. Songs stretch out, the drums go more tribal, the synth hammers out his keys on an infinite highway, and the guitar gets lost in delay pedal's fog. One thinks Suicide, Spacemen 3, The Velvet Underground, Can, Syd Barrett. After countless shows all over Europe and two tours in U.S.A., sharing the stage with bands such as Ty Segall, Thee Oh Sees, White Fence, The Intelligence, Girls, Strange Boys etc., The Feeling Of Love will release early 2013 a new album titled Reward Your Grace. Even if the songs keep their psychedelic and melancolic garage essence, the band re-think their music by exploring shoegaze and pop territories. Reward Your Grace is a much more light full records, more accomplish but never steady. Something between psyche pop balades and long sound tracks of trance disturbed by sonic blasts.

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Mr. G

Frenetic EP

12" | 2014 | EU | Original (Phoenix G)

10,99 €*

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Release: 2014 / EU – Original

Genre: Electronic & Dance

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Mr.G opens the new year with a bouncy and oldschoolish 12 on his home label Phoenix G. Ferm and deep kickdrums that are being accompanied by lengthy chords and a frequently return male vocal that states, bounce. All and all this is the dancefloor music we are used to from Mr.G. The A2 brings a more technoish vibe to dance to. This fits perfect in the modern trend of bass producers turning techno. While of course G is somewhat more of a legend and he didnt just turn to this type of music recently. It does proove that he is still abel to catch any kind of vibe to get the people moving. On the B1 we find a Ben Sims remix. Which of course is enough said. Mr Sims turns the A2 original into an absolute floor wrecker.

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G-Shock

GA-100-1A1ER

98,95 €* 109,95 € -10%

Incl. VAT plus Shipping Costs

Available Sizes: One Size

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Living up to G-Shock's reputation for big case designs, comes a revolution in case size with the introduction of the XL Casio G-Shock GA-100. This Ana-Digi, "three-eyed" phenomenon measures in at a whopping 55 x 51.2 x 16.9 mm size, with an attention to detail that is second to none. Large anti-skid buttons provide easy operation, embossed indexes gives a 3-D look and a rivet bezel design adds strength to it's overall appearance.

G-Shock GA-100-1A1ER -main features:

• water resistant 200 m
• world time 29 time zones (48 cities), city code display, daylight saving on/off
• mineral glass resists scratching
• shock resistant (G-Shock)
• magnetic resistant
• LED light afterglow
• auto-calendar (to year 2099)
• 4 daily alarms
• 1 snooze alarm
• hourly time signals

Technical specifications:

• measuring capacity: 99:59'59.999"; others: Speed (0-1998 units/hour), selection distance input (0.0-99.9)
• battery type CR1220
• 1/1000 sec stopwatch
• 12/24 hour format
• measuring modes: Elapsed time, lap time, split time
• approx. battery life: 2 years
• accuracy: +/- 15 seconds per month
• countdown timer measuring unit: 1 second
• countdown range: 24 hours
• countdown start time setting range: 1 minute to 24 hours (1-minute increments and 1-hour increments)

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Bappi Lahiri

Come Closer Feat. Salma Agha / Jimmi Jimmi Jimmi Aaya Feat. Parvati Khan

7" | 2014 | EU | Original (Halwasa)

12,99 €*

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Release: 2014 / EU – Original

Genre: Organic Grooves

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This is essential for all rare groovers, so get your hands on these two indian disco classics and fill the dancefloor!

"Jimmi Jimmi Jimmi Aaya", the indian version of Ottowan's "T'es OK!", made "Disco Dancer" to a legendary Bollywood movie and was later sampled for M.I.A.'s "Jimmy". "Come Closer" is a sentimental merry-go-round groove used in the movie "Kasam Paida Karne Wale Ki" and got sampled by the likes of Onra, Guts, Masta Ace, Dabrye & AG and many more. Tip!

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Clipse

Lord Willin'

2LP | 2002 | US | Reissue (Get On Down)

33,99 €*

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Release: 2002 / US – Reissue

Genre: Hip Hop

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The first act signed to The Neptunes' newly formed Star Trak label was a Virginia based duo known as the Clipse. The first single “Grindin’” impacted the streets with its bare boned but infectious drum beat in the same way that “Sucker MC’s” did almost 20 years earlier. These brothers - Pusha T and Malice combined with The Neptunes groundbreaking production sent a clear message to the rap world – “we are not the same” (as rapped by Malice on his opening verse on “Cot’ Dam”). Clipse brings an authentic Virginia sound into the game and created a movement, with not only their darkly layered raps but The Neptunes as well. Pharrell Williams and Chad Hugo were able to combine their cyberpunk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z, and Mobb Deep, the Clipse offer the Virginia hustler's viewpoint with clever, hard-hitting lyrics that is sprinkled throughout the entire album. With so many standout tracks on Lord Willin’ the album starts pulling no punches. On Track 1 simply (or maybe not) titled “Intro” you get a very personal and deep testament of crack and the drug game, a theme that is throughout this album...HEAVY. Songs like “Virginia” or “I’m Not You” (featuring Jadakiss, Styles P and Roscoe P Coldchain), have lyrics that play as a musical notes alongside The Neptunes tailored beats. “Young Boy”, “Comedy Central”... all fit perfectly alongside “When the Last Time” and “Cot Dam” as each song plays its part as chapters to the Lord Wilin’ masterpiece. “Gangsta Lean” (another one of the albums standout tracks) features a slightly lighter feel while paired with Pharrell's trademark falsetto hook. The truth of it is, it’s hard to just pick one track, or point out which is the albums star. Each song on Lord Willin’ is essential to making it the classic that it is. The Neptunes (who were busy turning out every other Pop hit on the radio) crafted an album that was deemed an instant classic, and cemented Clipse as Rap’s newest superstars.

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Half Pint

One In A Million

LP | 1984 | UK | Reissue (Greensleeves)

24,99 €*

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Release: 1984 / UK – Reissue

Genre: Reggae & Dancehall

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Patrick Sjeren

12" | 2013 | US | Original (Fit Sound)

10,99 €*

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Release: 2013 / US – Original

Genre: Electronic & Dance

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New 12" from veteran producer Patrik Sjeren, last seen on FXHE with a heavy techno track on the Omar-S' 998 12". On this EP, Sjeren comes with two smooth and bumping House tracks for the A side. On the B side, Sjeren changes it up and gets dark and dirty with two acidic techno tracks. Essential!

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The Otis And Carla Band / Louise McCord

Tramp / Better Get A Move On

7" | 2013 | UK | Reissue (BGP)

12,99 €*

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Release: 2013 / UK – Reissue

Genre: Organic Grooves

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Masta Ace

A Long Hot Summer Orange Vinyl Edition

2LP | 2004 | EU | Reissue (M3 / HHV Records)

24,99 €*

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Release: 2004 / EU – Reissue

Genre: Hip Hop

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The instant classic "A Long Hot Summer" from 2004 finally gets a proper vinyl reissue on orange colored wax.

Includes features and productions by the likes of 9th Wonder, Big Noyd, Marco Polo, Ed O.G., DJ Spinna, Rahzel of The Roots, The Beatnuts and many more.

One of the essential Rap albums of the 2000 era that shouldn't be missed in any serious Hip Hop vinyl collection!

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HHV

Vinyl Diggers Crest Poster

HHV Records

50 Bonus Coins

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Bonus Coins

For our anniversary, we knew we had to do something special to please all the vinyl heads that supported us for the last ten years. So we approached the legendary Legend Bros and asked 'em to create a couple of designs dedicated to the dying species of vinyl diggers. As it turned out, it was a wise move in two different ways: First, we have a few very special exclusives to offer in our shop, and secondly, we are now able to cover our walls with a message that describes our lifestyles perfectly. 100 g/m² glossy paper; dimensions: 42,0 cm x 59.4 cm (DIN A2).

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Dennis Busch

Total Youth

LP | 2012 | EU | Original (Pingipung)

15,99 €*

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Release: 2012 / EU – Original

Genre: Electronic & Dance

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Dennis Busch is an artist who is well-known to all Pin- gipung fans for his “James Din A4” contributions to our catalogue. This man of many faces has also developed a reputation as visual artist. Therefore he decides to present his music under the same name: Dennis Busch - which we think might be his real one. Dennis Busch has delivered an enormous output of odd, melodic techno tracks in the last decade – mostly on his own now unfortunately vanished “Esel” imprint (this means “donkey”). We have featured this sound in a dedicated compilation of his archive in 2008, called “Fistel Rose Power”. “Music for dance floors which haven't been invented yet”, someone wrote. Today he presents a fresh sound, each track bouncing and swaying in a different shade of good humor. We think it's his best album yet, in terms both of composi- tion and sound. Deep chords from Detroit meet skweee- ish melodies, a brassy bass says “wob”, and hip-hop hi-hats hold those guitars and vinyl samples to - gether. The entire album has been mixed down in real-time sessions on his MPC - this famous sampler is actually the only device with which Dennis Busch produces his tracks. Maybe it is the technological simplicity and his ease to ignore the temptations of endless digital sonic possibilities which shape the peculiar charms of this whole album. If deep-house were a discipline at the Paralympics, “New Yor” or “Happy Stranger” would defin- itely qualify. The title track “Total Youth” sounds like brewing the world's finest mocha coffee for Jan Jelinek (footnote: Jan Jelinek and Dennis Busch are musical mates, and Jan even considers to create a collage album from Dennis' sounds on his own “faitiche” label in the near future - what a good idea!). “Love Is Evol” is an old man crooning his wisdom quietly in our ears. The raise-your- fist-up-high-contest goes to the last track's cowbell, “Keiner Vice mehr”. The artwork has entirely been created by Dennis Busch. By the way, those who buy the LP get a colored inner sleeve with two more of his works. An online archive of Dennis Busch's visual works can be found here: www.dennisbusch.tumblr.com

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Baldo

Spies & Lies

12" | 2012 | EU | Original (Good Ratio Music)

10,99 €*

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Release: 2012 / EU – Original

Genre: Electronic & Dance

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Uku Kuut

Vision Of Estonia

LP | 2012 | US | Original (Peoples Potential Unlimited)

18,99 €*

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Release: 2012 / US – Original

Genre: Organic Grooves

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PPU's first long-play LP highlights some of the early beginnings of one of our favorite producers, Uku Kuut. Written and recorded at Uku's home studio in Los Angeles and Stockholm between 1982 & 1989. Some tracks co-written with Maryn E. Coote, famous jazz vocalist who had her beginnings in 1960s Soviet Union. "That's my mom" recalls Uku, "I remember when I was little, sitting under the mixing board at her sessions". Growing up in studios, Uku's love of music production began early, and over the years he has amassed a vast collection of domestic and soviet electronic gear. In true PPU style this LP is a mix of Uku Kuut's raw cassette demos, forgotten masters and unreleased magic.

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Record Sleeve

10" Vinyl Cover (Mittelloch) (Weiß)

15,99 €*

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Blank, unprinted cardboard sleeve for storing 10 inch records. This cover is equipped with a centered die-cut hole, so label infos are available at first glance. This sleeve is also perfect for getting printed or inscribed, and it's suited for 25 cm diameter vinyl records as well as Schellack records, including lined or unlined inner sleeves.

Record Sleeve 10" Vinyl Cover (Mittelloch) - specific details:

• measures: 265 mm x 265 mm x 3 mm
• material: 300 g GC1 cardboard
• die-cut diameter: 100 mm centered
• selling unit: 25 pieces
• Made in Germany

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Record Sleeve

7" Single Vinyl Cover (Mittelloch) (Weiß)

7,99 €*

Incl. VAT plus Shipping Costs

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Blank, unprinted cardboard sleeve for storing 7 inch records. This cover is equipped with a centered die-cut hole, so label infos are available at first glance. This sleeve is also perfect for getting printed or inscribed, and it's suited for 17.8 cm diameter vinyl records, including lined or unlined inner sleeves.

Record Sleeve 7" Single Vinyl Cover (Mittelloch) - specific details:

• measures: 185 mm x 185 mm x 3 mm
• material: 300g GC1 cardboard
• die-cut diameter: 90 mm centered
• selling unit: 20 pieces
• Made in Germany

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Dojo Cuts

Grand Carnival

7" | 2010 | EU | Original (Record Kicks)

8,79 €* 10,99 € -20%

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Release: 2010 / EU – Original

Genre: Organic Grooves

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This double-sider 45 confirms that this band from Down Under is headed straight for the top. On side A’s “Grand Carnival” Dojo get raw n dirty with a killer deep funk groove complete with scratchy guitar, flying horns and some bass action. On the flip, the band provides a more soulful number with a super crossover cut.

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Joe Kickass

Mind Joe

LP | 2010 | EU | Original (Project: Mooncircle)

11,99 €*

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Release: 2010 / EU – Original

Genre: Hip Hop

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… and then suddenly there was Joe Kickass. Seemingly out of the blue but with careful planning he dropped his well received ‘Let Me Introduce EP’ earlier this year on Project: Mooncircle.

His track with Morlockk Dilemma called ‘Real Emcee’s’ of the ‘Zeitgeist EP’ featuring a.o. Lewis Parker, Obba Supa and John Robinson added some more heads to his rapidly expanding fan base.

Now, Joe is back to bring you his first full length album entitled ‘Mind Joe’. It’s a diverse soul, jazz and oldskool infused ride, laced with witty and gritty vocals and wrapped in a sick
cover design sporting Joe’s own illustrations. Besides getting Portformat, Arts The Beatdoctor of The Q4 and of course Killing Skills on board, Joe again composed the majority of the beats himself proving himself as versatile as some kind of walking computer car that has yet to be invented.

This 12 track album selection brings your beloved hiphop back to life with it’s raw but musically underpinned sound and lets you dive in Joe’s mind as well as making you mind Joe for a long time
to come.

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Lou Donaldson

Hot Dog

LP | US | Reissue (Blue Note)

19,99 €*

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Release: US – Reissue

Genre: Organic Grooves

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- "It's Your Thing" sampled by Brand Nubian for "Punks Jump up to Get Beat Down",
Casual for "That's How it is (Pt II)",
Chocolate Bamboo & Nubian Crackers for "Test Da Rocket Launcher",
De La Soul for "Bitties in the BK Lounge",
Funkmaster Flex & 9DoubleM for "6 Million Ways to Die",
Lord Finesse for "Stop Sweating the Next Man",
Madonna for "I'd Rather Be Your Lover",
Real Live for "Turnaround",
Skoolbeats for "It's Your Thing",
Super Cat for "Ghetto Red Hot",
The LOX for "Get this $",
The Roots for "It's Comin'" and
Tragedy for "Funk Mode" & "Pass the Teck"

- "Hot Dog" sampled by De La Soul for "3 Days Later"

- "Turtle Walk" sampled by Kool Keith & Percee P for "You're Late",
Pete Rock & CL Smooth for "All Souled Out" and
Yo-Yo for "You Better Ask Somebody"

- "Who's Making Love?" sampled by A Tribe Called Quest for "Hot Sex",
Craig G for "Droppin' Science" & "U R Not tha 1",
Das EFX for "Kaught in Da Ak",
De La Soul for "Once again Strong Island",
Mary J. Blige for "Everyday it Rains",
MC Lyte for "Why U Wanna Get Fly",
Nice & Smooth for "Pump it Up",
Notorious B.I.G. for "One More Chance",
Run-DMC for "Wreck Shop" and
Skoolbeats for "Science"

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Das Bierbeben

LP | 2009 | EU | Original (Shitkatapult)

18,99 €*

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Release: 2009 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Elektro-Punk von Jan Müller (Tocotronic, Dirts Dishes), Rasmus Engler (Herrenmagazin, Dirty Dishes, u.a.), Thies Mynther (Stella, Superpunk), Julia Wilton (Pop Tarts) u.a.

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UGK

Underground Kingz

2CD | 2007 | US | Original (Jive)

16,99 €*

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Release: 2007 / US – Original

Genre: Hip Hop

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Bun B & Pimp C get crowned once again ... the kings are rigggggggggght here ... 2 CDs featuring Dizzee Rascal!!!, Outkast, Slim Thug, Talib Kweli, Big Daddy Kane & Kool G Rap, Rick Ross, Too Short and more!

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Von Spar

LP | 2007 | EU | Original (Tomlab)

8,49 €* 9,99 € -15%

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Release: 2007 / EU – Original

Genre: Rock & Indie

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Some last copies, found in the bands rehearsal room. When Von Spar made their ciritcally acclaimed entrance in the pop circuit in 2003 (e.g. coverstory in Spex Magazine) they were regarded as the German answer to the Post-Punk/No-Wave-renaissance. But their debut was more a clever parody about eighties-style-hipster-bands. Three years later and wiser the supergroup (with members of Urlaub in Polen, Oliver Twist, Aggro Cologne) returns with an uncompromising album that gets ahead of all expectations and will surprise their audience and critics who will be shocked. This is not a band following the latest trend. Detached from the usual style issues Von Spar have exorsized the Zeitgeist and overtaken the discourse. There is no scheme. Anything goes. Their new musical language is inspired by seventies Krautrock taking lines of flight to Fluxus art, Minimal Music and early TripHop. Apart from ringtone-compatible hits Von Spar reanimate the classical album-format. The two 20-minute long songs combine the spirit of exploration from Can and Kraftwerk with the conceptual aesthetics of Steve Reich and John Cage and techniques of dark, psychedelic multi-layering by Neurosis and Bohren & Der Club of Gore. All references are permantly ruptured, adopted and newly interweaved. With two new members the five-headed pack recorded in the legendary Electric Avenue Studio, Hamburg, with producer Tobias Levin (Tocotronic, Blumfeld, Kante). Their new labelbase Tomlab offers the congenial platform for this unusual journey. The new album of Von Spar reclaims music as a truthful place for concentration and collective energy from which newness enters the world.

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