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12" Vinyl Frame Set (3 Stück) - MDF

33,99 €*

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As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from MDF. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. The Record Box Vinyl Frame MDF is a rugged construction with a plexiglass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Not to mention, our MDF frames always include a passe-partout made of high-quality cardboard to highlight the record's cover artwork. In addition, they are very easy to attach and plate, and the holder is adjustable.

Record Box - Vinyl Frame 12" Vinyl Frame MDF (triple pack) - features/specifications:

• color: black
• sturdy frame made of medium density fiberboard for 12 inch records with plexiglass cover
• outer dimensions: approx. 350 x 350 x 20 mm
• inner dimensions: 310 x 310 mm
• max. LP thickness: approx. 10 mm
• weight: 720 g (per frame)

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12" Vinyl Frame Set (3 Stück) - MDF

33,99 €*

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As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from MDF. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. The Record Box Vinyl Frame MDF is a rugged construction with a plexiglass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Not to mention, our MDF frames always include a passe-partout made of high-quality cardboard to highlight the record's cover artwork. In addition, they are very easy to attach and plate, and the holder is adjustable.

Record Box - Vinyl Frame 12" Vinyl Frame MDF (triple pack) - features/specifications:

• color: white
• sturdy frame made of medium density fiberboard for 12 inch records with plexiglass cover
• outer dimensions: approx. 350 x 350 x 20 mm
• inner dimensions: 310 x 310 mm
• max. LP thickness: approx. 10 mm
• weight: 720 g (per frame)

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12" Vinyl Frame Set (3 Stück) - Aluminium

37,99 €*

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As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from lightweight aluminum. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. This Record Box Vinyl Frame is a rugged yet lightweight aluminum construction with a acrylic glass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Record Box - Vinyl Frame 12" Vinyl Frame Aluminum (Triple Pack) - features/specifications:

• color: black
• rugged, lightweight aluminum frame for 12 inch records with acrylic glass cover
• outer dimensions: approx. 320x320 x 15 mm
• inner dimensions: 316 x 316 mm
• max. LP thickness: approx. 10 mm
• weight: 525 g (per frame)

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12" Vinyl Frame Set (3 Stück) - Aluminium

37,99 €*

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As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from lightweight aluminum. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. This Record Box Vinyl Frame is a rugged yet lightweight aluminum construction with a acrylic glass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Record Box - Vinyl Frame 12" Vinyl Frame Aluminum (Triple Pack) - features/specifications:

• color: white
• rugged, lightweight aluminum frame for 12 inch records with acrylic glass cover
• outer dimensions: approx. 320x320 x 15 mm
• inner dimensions: 316 x 316 mm
• max. LP thickness: approx. 10 mm
• weight: 525 g (per frame)

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12" Vinyl Frame Set (3 Stück) - Aluminium

37,99 €*

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As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from lightweight aluminum. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. This Record Box Vinyl Frame is a rugged yet lightweight aluminum construction with a acrylic glass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Record Box - Vinyl Frame 12" Vinyl Frame Aluminum (Triple Pack) - features/specifications:

• color: silver
• rugged, lightweight aluminum frame for 12 inch records with acrylic glass cover
• outer dimensions: approx. 320x320 x 15 mm
• inner dimensions: 316 x 316 mm
• max. LP thickness: approx. 10 mm
• weight: 525 g (per frame)

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12" Vinyl Frame - MDF

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As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from MDF. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. The Record Box Vinyl Frame MDF is a rugged construction with a plexiglass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Not to mention, our MDF frames always include a passe-partout made of high-quality cardboard to highlight the record's cover artwork. In addition, they are very easy to attach and plate, and the holder is adjustable.

Record Box - Vinyl Frame 12" Vinyl Frame MDF - features/specifications:

• color: black
• sturdy frame made of medium density fiberboard for 12 inch records with a plexiglass cover
• outer dimensions: approx. 350 x 350 x 20 mm
• inner dimensions: 310 x 310 mm
• max. LP thickness: approx. 10 mm
• weight: 720 g

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12" Vinyl Frame - MDF

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from MDF. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. The Record Box Vinyl Frame MDF is a rugged construction with a acrylic glass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Not to mention, our MDF frames always include a passe-partout made of high-quality cardboard to highlight the record's cover artwork. In addition, they are very easy to attach and plate, and the holder is adjustable.

Record Box - Vinyl Frame 12" Vinyl Frame MDF - features/specifications:

• color: white
• sturdy frame made of medium density fiberboard for 12 inch records with acrylic glass cover
• outer dimensions: approx. 350 x 350 x 20 mm
• inner dimensions: 310 x 310 mm
• max. LP thickness: approx. 10 mm
• weight: 720 g

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12" Vinyl Frame - Aluminium

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As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from lightweight aluminum. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. This Record Box Vinyl Frame is a rugged yet lightweight aluminum construction with a acrylic glass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Record Box - Vinyl Frame 12" Vinyl Frame Aluminum - features/specifications:

• color: black
• rugged, lightweight aluminum frame for 12 inch records with acrylic glass cover
• outer dimensions: approx. 320x320 x 15 mm
• inner dimensions: 316 x 316 mm
• max. LP thickness: approx. 10 mm
• weight: 525 g

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12" Vinyl Frame - Aluminium

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from lightweight aluminum. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. This Record Box Vinyl Frame is a rugged yet lightweight aluminum construction with a acrylic glass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Record Box - Vinyl Frame 12" Vinyl Frame Aluminum - features/specifications:

• color: silver
• rugged, lightweight aluminum frame for 12 inch records with acrylic glass cover
• outer dimensions: approx. 320x320 x 15 mm
• inner dimensions: 316 x 316 mm
• max. LP thickness: approx. 10 mm
• weight: 525 g

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12" Vinyl Frame - Aluminium

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

As a new member of the HHV Record Box family we would like to introduce the special 12 inch vinyl frame made from lightweight aluminum. The Record Box Vinyl Frame is not only of high quality but also a beautiful design element of a modern interior - and besides, it's the most stylish addition to the Record Box modular system. This Record Box Vinyl Frame is a rugged yet lightweight aluminum construction with a acrylic glass cover, which protects the artwork of the 12 inch and emphasizes the noble design.

Record Box - Vinyl Frame 12" Vinyl Frame Aluminum - features/specifications:

• color: white
• rugged, lightweight aluminum frame for 12 inch records with acrylic glass cover
• outer dimensions: approx. 320x320 x 15 mm
• inner dimensions: 316 x 316 mm
• max. LP thickness: approx. 10 mm
• weight: 525 g

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2LP | 1997 | UK | Reissue (Mute)

Unsound Methods

31,99 €*

Release: 1997 / UK – Reissue

Genre: Rock & Indie

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2LP | 2007 | EU | Reissue (Mute)

subHuman

44,99 €*

Release: 2007 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Sealed, Cover: Sealed

Blue coloured vinyl Limited edition. 2022 reissue. Still sealed.

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2LP | 2007 | UK | Reissue (Mute)

Subhuman

31,99 €*

Release: 2007 / UK – Reissue

Genre: Rock & Indie

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2LP | 2000 | UK | Reissue (Mute)

Liquid

31,99 €*

Release: 2000 / UK – Reissue

Genre: Rock & Indie

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LP | 2023 | UK | Original (Chopped Herring)

Recognize Ali

Back To Mecca II

LP | 2023 | UK | Original (Chopped Herring)

Release: 2023 / UK – Original

Genre: Hip Hop

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And we're back for the Autumn 2023 with the stunning sequel to the 2019 drop on Herring produced almost exclusively by Anu El. The drums on this project knock hard like a goddam door to door salesman! Probably the flyest project Rec has dropped to date and for me it's an undeniable Aoty contender. Yeah yeah, more superlatives, but I think heads will agree, this is a special joint and destined to be a modern classic. Mark my words!!!

There are 450 copies on Clear WAX in full colour jacket.

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Recognize Ali

Back To Mecca 2 w/ Obi

49,99 €*

Recent Arts (Tobias Freund & Valentina Berthelon)

Release: 2023 / UK – Original

Genre: Hip Hop

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Hypertext

LP | 2022 | EU | Original (Reiten)

7" | 2023 | UK | Original (Names You Can Trust)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Hypertext' is the third album by Recent Arts, the A/V duo formed by media artist Valentina Berthelon and multi-disciplinary artist Tobias Freund. Out next February via Japan's Reiten, its 9 tracks mirror Recent Arts new, forthcoming A/V show, following their previous debuts also at Atonal and Berghain's Säule of the recent years.

'Hypertext' video projections and experimental electronic music synergise ideas of non-linear data and information processing, drawing parallels to computational thinking with the way our human brains biologically process information. Visuals are the catalysts for the music, inspired by the overwhelming amount of information and the speed at which we consume different media, featuring a cacophony of hundreds of different media, poetry, images of surveillance and clips of Artificial Intelligence and Machine Learning.

For the visuals, Valentina uses jarring and intense visual juxtaposition to create moments of both connection and displacement. References mix and intermingle, creating new meanings. Symbols become charged, inviting the audience deeper into the vortex. Computers similarly digest information, but unlike the human brain, their ability to generate information is not exceeded by their capacity to understand.

For the sound, Tobias and Valentina made together droning, moody soundscapes, almost as though the internal voice of our computers world was captured and recorded. Inspired by the visual aesthetic of hyperlinks collaged and non-linear nature, the album reflects this in the ambience, where samples float in and out of contact with the listener, catching and holding attention before floating away awash by more elements and compositions. There is a definite blurring of the digital and the biological, voices sound distant and robotic, but droning soundscapes feel natural and textured with an organic tone.

In the first track 'Just Be There' spoken word samples mix with ethereal chiming, reminiscent of the start-up modems from Web 1.0. The A5 'Pull The Emergency Breaks' similarly mixes poetry with uncanny atmospheres popping in and out until it finally climaxes in a collage of sounds. On the B- side 'Invisible Waves' finishes off the record with a volatile dervish of digital strings and deep breathing.

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Rebolu

Que Es Contigo

18,99 €*

12" | 1997 | EU | Reissue (F Communications)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Grupo Rebolu has been a mainstay in the extensive Colombian community of New York City for well over a decade, bringing the quintessential sounds of their home country to countless live shows and events throughout the five boroughs. Musically steeped in the folkloric traditions of the Afro-Caribbean discourse, the band has consistently combined first class musicianship with the echoes of their upbringing. Throughout their four self-produced albums, they have incorporated some of Colombia's most cherished traditions —gaita,cumbia, andbullerenguebeing just a few of the disciplines that Rebolu has infused with the modern songwriting and compositions of band leader Ronald Polo. As a natural step in the band's continued musical evolution, Rebolu has connected with Names You Can Trust for a one-off recording to deliver two original songs and productions that seamlessly fit the preferred format and the label's catalog, while further incorporating the group's sound into the wider NY musical spectrum. Whether it's champeta gone disco, or bullerengue gone reggae, this handy double-sided single packs a fresh take on the roots and traditions of Rebolu's musical lineage.

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Ready Made

Opack

12" | 2020 | FR | Reissue (F Communications)

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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25th Anniversary Edition. Originally released on F Communications 1997. Opack premier EP on F Communications had already stood out for its unique programming and production. It had traced a furrow for French electronica "and established Readymade as an essential composer / producer / arranger, developing a falsely crazy and deeply melancholy universe fed by hip-hop, pop, electronica, dub, house and techno.

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Ready Made

Opack

Release: 2020 / FR – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2023 | UK | Original (Butter Sessions)

Rbi

Disseminate

12" | 2024 | UK | Original (Rare Wiri)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Following multiple appearances on local Naarm label digital compilations, RBI lands on Butter Sessions with a full lengths worth of downtempo, ambient and full throttle, braindance-inspired dnb/jungle cuts. Whilst 'Proximity' and 'Return to Nature' presented RBI as one amongst many contemporary vanguards of the Australian electronic underground, her production style is allowed to shine in full effect on debut album Disseminate.

There is an undeniable influence of early breakbeat, 90s IDM and UK sound system pressure at play, though RBI's sound design is knowingly modern. Rarely dropping the tempo below 140 aside from brief, beatless interludes ('100o10o1hz' / 'Gossip'), the result is a fine balance of unrelenting rave music and thoughtful, introspective glitch. Penultimate jam 'Subterranean Dub' seems like a nod to the living-room techno of the Artificial Intelligence series, occasional soft breaks mixing with murky, aquatic ambience, whilst things close with an eerie avant-garde electroacoustic piece. 'Arrivée Les Nuages' strikes as a participation in the current re-evaluation of psytrance, though follows on from 'Vault Ultra' which clearly references the atmospheric breakdowns of golden era dubstep. All in all, an impressive collection of dance productions which combines elements from scenes of the past 40 years. NB: The tracks on Disseminate sit within a wider audio-visual context where they soundtrack various Naarm cityscapes rebuilt as immersive digital worlds: "I was lucky enough to collaborate with an incredibly talented friend and training architect Dom who came up with the idea of videos exploring digital spaces and worlds extracted from real locations. To create the work she filmed a number of locations near where we live, a warehouse party location, artist spaces, liminal spaces, objects..."

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Rayko

Vadillo Vice Volume 2

Ray Pérez Y Perucho Torcat

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Rayko the Spanish Disco Producer and DJ extraordinaire has been busy in his Madrid based Studio burning the midnight oil to deliver Vadillo Vice Volume two.

Four reworked funk fuelled bass heavy cuts, tried and tested by the man himself on dancefloors across the globe and due to be released on vinyl only later in the year.

Deeply rooted in the golden era of the 70s and 80s, Rayko’s influences are masterfully interpreted and transformed into modern day dancefloor bombs, and are a key signature sound of his long established label Rare Wiri (Since 2008) an outlet for his productions alongside other likeminded artists such as Daniele Baldelli, Man Parrish, Gazeebo, Ilija Rudman, Ichisan, Spirit Catcher, Mushrooms Project, Eric Duncan among many others.

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They Do It

LP | 2022 | EU | Original (Vampisoul)

17,99 €*

Ray Charles Atlantic 75 Series

Release: 2022 / EU – Original

Genre: Organic Grooves

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One of pianist Ray Pérez's rarest releases and his first on his own label Pyraphon, "They Do It" (1971) was also his final collaboration with Perucho Torcat, a talented sonero who died tragically young in NYC the following year.The record sports an impressively diverse array of rhythms and genres, including the popular Cuban, Puerto Rican and New York sounds that the young Venezuelan salsa groups excelled in at the time (guaguancó, bolero son, son montuno and Latin soul / boogaloo). Other Caribbean modes like calypso (the coast of Venezuela is very near Trinidad and Tobago), pambiche (a slow form of Dominican merengue developed for tourists), and even traditional Venezuelan merengue (a completely different rhythm from the Dominican genre of the same name) appear on the album.Full of classic dance floor burners, the album has been lovingly restored, mastered from the original tapes, fully licensed, with its original artwork intact, preserving the legacy of this great Venezuelan music for today's generation of salsa dura lovers everywhere.The LP is highly collectible and is now being reissued by Vampisoul for the first time.

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Ray Charles

2LP | 2023 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

Modern Sounds In Country And Western Music Vol. 2

Release: 2023 / US – Reissue

Genre: Organic Grooves

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Analogue Productions (Atlantic 75 Series)

Celebrating the 75th Anniversary of Atlantic Records!

Iconic musician and singer Ray Charles' classic 1957 album!

Includes the hits "Hallelujah I Love Her So," "Ain't That Love" and "I Got a Woman"

180-gram 45 RPM double LP

Mastered directly from the original master tape by Bernie Grundman

Pressed at Quality Record Pressings and RTI

Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing

Ray Charles' self-titled 1957 album was one of the first handful of LPs issued by Atlantic (and was later retitled Hallelujah I Love Her So). As AllMusic reviewer Bruce Elder notes, the album is weighted about three to one in favor of Charles' own compositions, with the hits "Hallelujah I Love Her So" and the pounding, soaring "Ain't That Love," which opens the LP, its raison d'etre.

Charles does just as well with his interpretations of others' work, most notably the ominous, gospel-focused rendition of "Sinner's Prayer" (which offers a virtuoso piano performance, and comes courtesy of the pen of Charles' former mentor Lowell Fulson) and Henry Glover's wrenching ballad "Drown in My Own Tears," which is topped out on each verse by a gorgeous chorus. "Funny (But I Still Love You)" offers a guitar break played in such an understated fashion that it almost doesn't seem so much a part of R&B as it was usually being offered in 1957 as it does a part of Charles' early career output.

The second side of the LP is even better, opening with the title track, a number that is almost too ubiquitous in its various cover versions — the original has a mix of urgency and playfulness that's absolutely bracing, and the album carries this mood forward with "Mess Around," an Ahmet Ertegun-authored piano- and sax-driven romp with Charles at his most ebullient as a singer. "This Little Girl of Mine" offers him in a surprisingly light, almost acrobatic vocal mode, while "Greenbacks" is a knowing, clever cautionary narrative that is almost a throwback to 1940s-style R&B. "Don't You Know" is as salacious a piece of R&B as one was likely to hear in 1957, and "I Got a Woman" closes the record out on a pounding, driving note.

All the hallmarks of a top-notch Analogue Productions reissue are here for you to savor: Mastered directly from the original master tape by Bernie Grundman and cut at 45 RPM. Pressed on 180-gram at Quality Record Pressings and RTI, and housed in tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

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Ray Charles

LP | 2024 | Original (Tangerine)

Modern Sounds In Country And Western Music

Release: 2024 / Original

Genre: Rock & Indie

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The iconic, game changing Modern Sounds in Country And Western albums, combined into a single release for CD in the 2000s, will be restored and released individually, as originally intended. The significance of these records cannot be overlooked. They are proof that great country music is malleable, and open to interpretation.

Volume 1 quickly became one of the best-selling albums recorded by a Black musician of the time, as well as one of the best-selling country albums. It topped the Billboard Pop Album Chart of a month, and spawned four hit singles, including “I Can’t Stop Loving” which reached number one on the Billboard Hot 100, R&B, and the Adult Contemporary Charts, was nominated for Record Of The Year, and won the GRAMMY for Best Rhythm & Blues Recording at the 5th Annual Grammy Awards in 1963. “You Don’t Know Me” met with similar success. Ray Charles remains the first and only Black performer to earn a GRAMMY Award and a #1 Billboard Pop Chart Hit with a country and western song as he did with “l Can’t Stop Loving You.”

Volume 2 followed its predecessor by just six months, and is widely regarded as just as strong, if not stronger than the first - the second made with the confidence that this formula or country & soul works. With three hit singles on both the R&B and Pop charts, including the #1 hit You Are My Sunshine, both volumes changed the course of popular music and remain a testament to the genius of Ray Charles.

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Ray Charles

LP | 2024 | Original (Tangerine)

Acid Vinyl Me, Please Edition

Release: 2024 / Original

Genre: Rock & Indie

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Ray Barretto

LP | 1969 | US | Reissue (Vinyl Me, Please)

35,99 €*

2LP | 2021 | EU | Original (Kompakt)

Release: 1969 / US – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

Why you'll love it...
Ray Barretto’s songs are cinematic. Artfully composed, richly orchestrated, each one feels like something deserving of big-screen wonderment. And, indeed, from Martin Scorsese’s Mean Streets (''Ritmo Sabroso'') and Oliver Stone’s JFK (''El Watusi'') to Lee Daniels’ Precious (''Teacher of Love'') to Tom McCarthy’s Spotlight (''Cocinando Suave''), his music as a bandleader made it into movies of major importance across the decades. Of course, you don’t need to be a card-carrying cinephile to appreciate the moods and magnitudes expressed by his work, especially his seminal 1968 album Acid for Fania Records.

It takes more than a minute into ‘’Acid'' before Barretto begins showing off on the congas, leading into a nearly three-minute solo marked by fabulous flourishes that culminates with the full band, including pianist Cruz, showing their united might. Elsewhere on Acid, the group would have dutifully jumped headfirst into this mode, but here it is just a spectacular finish to a rhythmic story — Barretto’s story — told like the best film you’ve never seen.

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Raxon

Sound Of Mind

24,99 €*

12" | 2020 | EU | Original (Drumcode)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Over the past decade, Egyptian-born, Barcelona-based DJ and techno producer Raxon, known to friends and family as Ahmed Raxon, has popped out a steady stream of twelve-inch singles, precision-tooled, for labels like Cocoon, Drumcode, Diynamic, Truesoul, and Ellum Audio. An alumni of Kompakt’s Speicher series – check the insistent, vibrating pulses of “The Ancient” and “Dark Light” on 2019’s Speicher 107 – with Sound Of Mind, Raxon has produced a long-awaited debut album that’s ready and aching both for the dancefloor and the boudoir, traversing the heat of the club and the warmth of the home.

“The idea of an album has always floated around in my head for the past few years,” Raxon confirms, “but it was never the right moment in my mind.” Instead, he’s been insistently pursuing his vision of deep, elegant techno, taking him from early DJ gigs in Dubai, including the legendary audio tonic night, then relocating to Europe on the recommendation of Herman Cattaneo, all the while allowing his experiences to inform and transmute his producer’s thumbprint. He’s an architect by training (though he gave architecture up for electronic music), which might explain why Raxon productions are so sturdy and well-designed; but remember also that architecture is a field filled with brave experimentation, something Raxon definitely draws on throughout Sound Of Mind.

Like many albums from the past twelve months, Raxon’s debut developed partly thanks to the unique social situation the planet has found itself caught within. “In the beginning of 2020 I started working on a few tracks with the album in mind,” he recalls, “with no idea of what’s to come in the next few months. As catastrophic as the situation was/is, I found myself in the studio; in a way the lockdown gave me that creative freedom in the studio, [to] try to tell my story through sound.” And indeed, there is something in the way of ‘life writing’ about Sound Of Mind, particularly in the way Raxon’s productions pay subtle homage, perhaps, to his formative listening experiences in the late nineties.

It’s no retro trip, but there’s plenty of variety here, and a few moments that’ll tickle the collective memory – see the prowling pulsations of the opening “Majestic”, the alien breakbeat action of “Vice” and “Journey Mode”, where the interstellar tones feel like Foul Play or Steve Gurley, the leaking gas and woozy keys that make “Droid Solo” so subtly destabilising, or the strobelight drones that sputter and flare throughout “El Multiverse”, where dappled organ tones fight it out with interdimensional transmissions, all sucked into the vortex of a late-night techno mantra. Beautifully sculpted, Sound Of Mind feels consummate, an elegant set that pulls Raxon’s vision into its sharpest focus. Alive with possibilities, it’s a fever dream of creativity.

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Raxon

Orbit Connection

Land Of The Rising Spaghetti

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Raxon lands his first richly-deserved Drumcode EP. There’s something distinctive about the Egyptian-born artist’s productions that provoke a special response. His debut outing on Drumcode, ‘Dream Space’ soundtracked our favourite takeaway moment from Awakenings Festival in 2019, as Adam Beyer and his three daughters danced along to their mum Ida Engberg’s set, wearing smiles the size of watermelons. More recently, when Beyer played ‘Connection’ during the ‘Drumcode Indoors II’ stream from his Ibiza home, once more, his daughters sprang into dance mode, their fists striking the sky. Raxon’s music just touches you, it’s unavoidable.

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Raw Power & Ananas

7" | 2021 | EU | Original (Pig)

Space Beyond The Solar System

Release: 2021 / EU – Original

Genre: Rock & Indie

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Raw Power was formed in 1981 by two brothers from Poviglio, Italy, Mauro on vocals and Giuseppe on guitars. Land of the Rising Spaghetti commemorates their 40th Anniversary release and their pre-Covid 19 tour of Japan with the Ananas opening. The line-up for Raw Power's side of the record includes Mauro Codeluppi on vocals, Marco Massarenti on bass, Paolo on guitars, Berta on drums and Giuseppe in spirit. Sadly, Giuseppe left the planet on October 6th, 2002 but his guitar can still be heard screaming from the gutters. He was with Raw Power for slightly over a quarter of a century and is the driving force between Mauro's desire to keep the band functioning until he too passes on. Executive producer, David Ulysses Portnow first saw Raw Power in 1986 at the Gorilla Gardens all-ages club where he worked until its closure. "Funny thing about that night, the opening band was Guns & Roses," he recalls. In 1987, Raw Power returned to the US and headlined a massive US and Canadian tour with the Dayglo Abortions and Dehumanizers in tow. Raw Power have also performed with the Ramones, Dead Kennedys, Circle Jerks, Adolescents, DOA, Agnostic Front, Suicidal Tendencies, Motorhead and a list of heavy hitters that goes on and on, including Japan's female fronted Ananas. PIG Records was searching for more female representation in punk and found it with the Ananas. PIG Records wants to emphasize the importance of women in rock. Mauro gave his full support to the concept and describes front lady Karina Friday as the modern-day version of Mr. Chi Pig from Snfu, may his soul rest in peace as well. The Ananas are from Kyoto, Japan and Karina is supported by Junichi on guitars, Awaji on bass and Kazu on drums.

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Raw Poetic

3LP | 2023 | UK | Original (Def Presse)

36,99 €*

Release: 2023 / UK – Original

Genre: Hip Hop

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12" | 2021 | EU | Original (Where We Met)

You Can Still Dance

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Where We Met is proud to welcome RAW M.T. for its ninth chapter. The record is an excursion on Giorgio’s introspective world, showing all spectrum of his sounds and shades.

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12" | 2016 | Original (Lobster Theremin)

Richard's Revenge

5,99 €*

Release: 2016 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

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12" | 2013 | UA | Original (Wicked Bass)

Raw Music Theory

Release: 2013 / UA – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

12" | 2015 | UK | Original (Mörk)

La Duna

7,99 €*

Release: 2015 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

LP | 2023 | EU | Original (Träumer & Helden)

Raum27

Anfangen Anzufangen

27,99 €*

Release: 2023 / EU – Original

Genre: Pop

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Tape | 2024 | EU | Original (Time To Kill)

Rats Will Feast

Hellhole

LP | 2024 | EU | Original (Time To Kill)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Experimental hardcore outfit Rats Will Feast draws their musical landscape from extreme aggression and hallucinatory chaos. Hailing from Jyväskylä, Finland, the band has been touring actively in its current form since 2018. Varying between crushing hardcore, noisy psychedelia and more mellow postrock sounds on their 2019 album Scarcity, 2020 EP Songs of a Racehorseand 2021's Malady, the band's new album Hellhole continues the development of the bands destructive chaotic hardcore sound. Hellhole is the culmination of the band's all the previous work. It's a bruising demonstration of the bands core sound: chaotic rhythms, battering drums, screeching vocals, varied guitar melodies and crushing riffswith gritty low frequencies. Characteristic of the band, the album is defined by the twisted song structures and desolate, emotional lyrics which deal with the artificiality of the modern world.Hellhole is the culmination of the band's all the previous work. It's a bruising demonstration of the bands core sound: chaotic rhythms, battering drums, screeching vocals, varied guitar melodies and crushing riffswith gritty low frequencies. Characteristic of the band, the album is defined by the twisted song structures and desolate, emotional lyrics which deal with the artificiality of the modern world.

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Rats Will Feast

Hellhole

Chordial Identikit (Step By Step)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Ratkiller

7" | 2023 | UK | Original (Mida)

LP | 2024 | EU | Original (Hakuna Kulala)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Ratkiller steps into daylight for a brief moment with two tracks of fizzy experimental shenanigans. Let it fry your brain. Step by step. On & on! Ratkiller is one of many projects by Estonia's outsider don Mihkel Kleis.

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Ratigan Era

Era

LP | 2024 | UK | Original (Drowned By Locals)

Release: 2024 / EU – Original

Genre: Organic Grooves

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[FRN]Dancehall might have emerged in Jamaica, but over the last few decades the popular genre's tendrils have stretched out across the globe. In Kampala, Ratigan Era is adding a distinct Ugandan twist to dancehall, fusing it with East African humor and hyper-melodic afrobeats elements imported from Ghana and Nigeria. The versatile MC grew up listening to Jamaican music like Vybz Kartel, Busy Signal and Mavado - in his hometown of Kawempe there was almost no way to avoid it - and it blurred into the background, blending with local church music, US hip-hop and radio pop. He developed this diverse range of influences into a completely unique Afro-dancehall flow that simmers between Luganda, patois, Spanish and English, reflecting the melting pot of cultures and dialects that characterizes contemporary Africa. Ratigan broke out with a memorable feature on Pallaso's Ugandan hit 'Nsaba', a track that echoed throughout the country booming from nightclubs, motorcycle loudspeakers or from convenience stores. Now he's assembled his first album "Era", a furiously inventive interweaving of rubbery vocals and memorable chants backed by futuristic beats from Hakuna Kulala's most boundary-pushing producers. Congolese producer Chrisman takes the reins on 'Gorilla Attack', providing a downtempo groove that echoes recent Jamaican chop deployments from breakthrough artists like Skillibeng and Skeng. For his part, Ratigan ducks and dives between Chrisman's gqom-inspired low end womps and corrosive synths, commanding attention with his smart, dextrous flow and tongue-twisting lyrics.The Modern Institute and Golden Teacher's Richard McMaster handles 'Top Strike Force' leaving space in his wiry, minimal beats for Ratigan to flit between anthemic repetitions and ice-cold AutoTuned wails. On stand-out track 'Badman Style', Ratigan's guttural patois is measured against a dizzy trap-dancehall hybrid beat from HHY & The Kampala Unit's Jonathan Uliel Saldanha, aka Lithium Beats, while on the surreal 'Drop it Down', Japanese mad scient...

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Rathauz

Ciccio Bomba Cannoniere

Ratgrave (Max Graef & Julius Conrad)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

ciccio bomba cannoniere (chunky monkey)
Is the sound weapon of the A-zienda rthz, illustrated by the render called M.E.R.I.C.O.O. (Erect, rechargeable intelligent machine with organic dog) This project of a definitive media A-ssailant presents all the necessary elements for the domination of social hierarchies:
trace of a human face for identification
a stalker server for omnipresence in digital field
a system of locomotion for moving in any field
a genetically modified dog for keeping counterfeiters away
comfy clothes and an M60 around the neck
The name derives from an A-ncestor rthz called Merico. Police officer who in the late 1800s left a tavern and rode on the back of his mule Cina with the objective of stopping a train so that he could light his cigar. And this happened. Merico was then tried and dishonourably discharged.
- rathauz, translated from Italian -
------------------------------------------------
"*warning In my research for this piece I downloaded an app I found buried in the press release, drove around an airfield as a wolfman with a rifle, then unlocked a wrestling concept album on Youtube by jumping towards the light, became a subscriber for 20 Euros a year to get access to exclusive content and almost bought 5 grams of dirt harvested from the area surrounding the Rathauz studio.*

ciccio bomba cannoniere is a gateway drug, a gateway into the cybernetic multimedia cvlt of Rathauz.
And while a physical release might run counter to the insanely futuristic drive of the Rathauz, it's probably the album of the year so buckle up.

For the uninitiated the A side might play out like merely the best goddam side of actually fun techno you've heard in 2020s. Rollicking acidic galompers. Tbh most techno can get in the bin these days but this swinging evil continuum championed by Acidic Male / Giant Swan / Missterspoon is more than right by us. Rathauz add internet dial up noises, reggaeton shuffle, distorted screams and frayed EBM arps into this heady heady mix, showing they're about twice as interesting as the top 10 techno on Bandcamp already. Seriously RA would be creaming themselves to hit the recommend button if they could grow a spine in the office between them.

But Then side B gets rolling with boom baps and distorted guitars in a kinda frat-trap circle pit. This is the sound online Rathauz disciples know and love; electro-punk-trap-pop twisted genius. Their scifi vision and demented humour reminds us most closely of our beloved Kinlaw & Franco Franco if Franco had spent more time living in Milanese squats. Policepunk=S.W.A.T. is classic anarcho scuzz hxc on speed and trap and.....maybe Show Me The Body albums and not enough sleep. Venetia-monitor rips off the riff to Smells Like Teen Spirit in glorious Midi chaos. TLC is the most fun you can have in 2 minutes.

After listening we have only one question: Where ARE THE Techno Punx Making Actual Fucking Punk EH? And why not do it on the same album?

Cos you are never gonna get to crowdsurf at Tresor, kid. The bouncers will make you disappear and you Will miss your flight back to Kansas.

God bless Drowned By Locals.
Vinyl with printed sleeve (with the best art you've probably ever seen)."

- Miles Opland, Rwdfwd -
------------------------------------------------
A-Biography (translated from Italian)
RAT is the surname Hauz is the survival place, we make house music in the municipality of the web like the pharmaceutical industry.

Rathauz is the A-zienda or company that produces perceptible frequencies from its works in reinforced concrete located in a farming plot forever ploughed and fertilised, the whole area surrounded by barbed wire. You can visit the works through A-ndroid A-pplication A-zugo ( play.google.com/store/apps/details?id=com.rthz.Azugo&gl=IT&fbclid=IwAR3VKIQzcLIoipGeeEBpGkE6vJg0NXC6MGe9_Ev6X5aRFi_W2gp8xN_n7iE ). Its workers have been embedded into the factory's walls and their names disappear absorbed in the structure. When they A-ppear they always wear their A-gro wear; wrestler shirts (emblems of expository hyperreality). In their productions they insert their singular individuality and relativistic abilities merging into a single quantum machine. They are the perfect emblem of the band: two brothers who share blood (a-), surname (Rat) and produce frequencies made at home (house music) but are almost always in conflict. Often during the A-ssembling of the frequencies they A-ttack each other as was reconstructed in WRESTLA-live, each product is then a derivation of a complex human skimming. Rathauz is focused A-utonomously on the primary sector, secondary, tertiary everything in the quaternary. They sow, grow, distil, peddle and often are the first consumers of the complexity of the material, creating their own A-utarchic world. They compete with other international labels but while those are associations made of many identities with different styles (the many Artists), Rathauz is the assembly of any frequential style recast by a single unique A-rtistic individualism, which has to overcome such role becoming the inhumane machine that produces and exports. The A-zienda only exists in relation to the A-utoproduction of the media, everything is developed only by the two laboratories. Both have productive activities in full with their identifiable subjective relativisms and these are not secondary but coexistent with the A-zienda A-ctivity. While the single A-'s (both laboratories with their own identities) work in a global context, Rathauz is simultaneously and exclusively dedicated to the cultural, media and technological development of the Italian state. This doesn't mean productions are inferior or superior but of a certain quality that differs from the products of individuals. The themes of both representatives in their individualistic projects are the visions of two Europeans squashed by imported capitalism and globalisation while Rathauz gathers the traditions and cultural movements of a particular region of Italy, Veneto, under the influence and the techniques of an imported capitalism and globalisation. Either when displaying their individual identities and when they act as the A-zienda, they confront a global context, but if they happen to emerge with their individualism of relative beings on the sea of international connection, the A-zienda is always the maker of a locally defined product, precise and calculated, which does not deny the inspiration but refines it to the limits of incomprehensible complexity. The A-zienda is a company that produces product (a metaphor for the identity of any artist under a label) but ultimately being the A-rtist as well, there are no thematic links or expressive limits, that is within the view of Italian cultural implantation in many demographic A-spects. The name Rathauz is the union of two concepts rat and hauz as A-forementioned, and yet the Anglosaxon A-nti-Italian sound that emerges recalls the great capitalist Corporations. Before launching the project Rathauz we had to clear the road as Rat-truppen. We fought club after club, we broke moulds with too-powerful basses, moshing where it was previously culturally inadmissible (only white shirts). With our dj-sets we imported the sound textures that later became the culture that "A-cquired value". Rathauz and many like it. As we moved from record to record many evenings a week we continued to produce a sound material yet to be emitted and which later contributed to lay the groundwork for the stable A-zienda. The first A-bsolute A-lbum we produced was in *2003 "Music Fear" (both laboratories had 8 and 12 years respectively) and this was the real starting point seeped in electronic textures, house and Drum'nBass and you can hear a first example of modern Base Trap, where we created a rap beat with a horror sample and used a distorted kick.
P.S.:
Usually as in the case of track 3030 (which deserves pages of in-depth A-nalysis), the sound is not only the basis but it is linked to the themes of production and later happened to become a sound standard as in the case of hdma where the distorted bass we came up with was an emulation of the stereo system at maximum volume of A- friend's car.

Original text by rathauz:
ciccio bomba cannoniere
È l'arma sonora dell'A-zienda rthz, illustrata con il render di M.E.R.I.C.C.O. (Macchina, eretta, ricaricabile, intelligente con cane organico). Questo progetto di definitivo A-ssaltatore mediatico presenta tutti gli elementi necessari alla dominazione delle gerarchie sociali:

parvenza di viso umano per l'identificazione

Uno stalker server per l'onnipresenza su campo digitale

Un sitema di locomozione per muoversi su ogni campo

Un cane geneticamente modificato per non lasciare avvicinare alteratori

Abiti comodi e al collo un M60

Il nome deriva da un A-ntenato rthz chiamato Merico. Carabiniere che a fine '800 uscì dall'osteria e salì in groppa della sua cavalla Cina con l'obbiettivo di fermare un treno per farsi accendere un sigaro. E ciò avvenne. Merico fu poi processato e congedato con disonore.

A-biography
"Ing: RAT is the surname Hauz is the survival place, we make house music in the municipio della rete like the industrie farmaceutiche."
Rathauz è l'A-zienda che produce frequenze percepibili dal suo stabilimento in cemento armato situato in un campo agricolo perennemente arato e concimato, tutta l'area è circondata da filo
spinato. E' possibile visitare lo stabilimento tramite l'A-pplicazione per Android A-zugo (https://play.google.com/store/apps/details?id=com.rthz.Azugo&gl=IT&fbclid=IwAR3VKIQzcLIoipGeeEBpGkE6vJg0NXC6MGe9_Ev6X5aRFi_W2gp8xN_n7iE). I lavoratori sono stati inglobati
nelle pareti della fabbrica e i loro nomi singoli scompaiono assorbiti dalla struttura. QuandoA-ppaiono indossano sempre la loro divisaAziendale; maglie di wrestler (emblema dell'iperrealtà espositiva). Nelle produzioni inseriscono le loro singole individualità e le loro relativistiche abilità fondendosi in un unica macchina quantica. Sono l'emblema perfetto della band: due fratelli che condividono sangue (a-), cognome (Rat) e producono frequenze fatte in casa (house music) ma sono quasi sempre in contrasto. Spesso durante l'A-ssemblamento frequenziale fannoA-botte come è stato ricostruito in WRESTLA-live, ogni prodotto è quindi derivazione di una complessa scrematura umana. Rathauz si occupa in modoA-utonomo del settore primario, secondario, terziario tutto nel quaternario. Coltivano, lavorano, raffinano, smerciano e spesso ne sono i primi fruitori data la complessità del materiale, creando il loro mondoA-parte. Competono con le altre etichette internazionali ma mentre esse sono associazioni con all'interno più identità con diversi stili separati tra loro ( i vari Artisti), Rathauz è l'assemblamento di qualsiasi stile frequenziale rielaborato da un solo ed unico individualismoA-rtista, che deve superare tale ruolo diventando anche l'inumana macchina che produce ed esporta. L'A-zienda esiste solo in base all'A-utoproduzione dei media, tutto viene svolto solo dai due lavoratori. Essi hanno entrambi attività produttive in proprio con i i loro relativismi soggettivi identificabili e tali non sono secondarie ma coesistenti all'A-ttività A-ziendale. Mentre i singoliA-( i due lavoratori con le proprie identità) lavorano in contesto globale, rathauz è parallelamente e prettamente dedito allo sviluppo culturale, mediatico e tecnologico dello stato Italiano. Ciò non significa che le produzioni siano inferiori o superiori ma di un certo tipo di qualità che risulta differente dai prodotti dei singoli. Le tematiche dei due esponenti nei loro individualistici progetti sono la visione di due europei pressati da un capitalismo e un globalizzazione importata mentre Rathauz raccoglie le tradizioni i movimenti culturali di una determinata regione d'Italia, Veneto, sotto l'influsso e le tecniche di un capitalismo e una globalizzazione importata. Sia quando hanno le loro identità singole che quando sono l'A-zienda si confrontano con un contesto globale ma se in un caso emergono con il loro individualismo di essere relativo a galla nel mare della connessione internazionale, l'A-zienda è sempre fautrice di un prodotto localmente definito, preciso e calcolato che non nega l'ispirazione ma la raffina a limiti di incomprensibile complessità. L'Azienda è un'azienda che produce prodotti (metafora dell'identità di qualsiasi artista in una etichetta) ma essendo comunque direttamente anche l'A-rtista non vi sono vincoli di tematiche o limiti espressivi, sempre però nell'ottica dell'implentazione culturale italiana in variAspetti demografici. Il nome Rathauz é unione di due concetti rat e hauz come giàA-ffermato prima, tuttavia il suono AnglosassoneA-ntItaliano che emerge richiama le grandi Corporation capitalistiche. Prima di avviare il progetto Rathauz Abbiamo dovuto spianare la strada come Rattruppen. Abbiamo combattuto club per club, rotto impianti per via di bassi troppo potenti, pogato in luoghi dove prima era culturalmente inammissibile (solo camicie bianche). Con i nostri dj-set abbiamo importato le sonorità che poi sono divenute la cultura che ha potuto "Apprezzare" Rathauz e vari simili. Mentre ci muovevamo di disco in disco facendo varie serate ogni settimana continuavamo a produrre materiale sonoro tutt'ora non rilasciato che ha contribuito poi a fornire le fondamenta dallo stabileA-ziendale. Il primoA-lbum inA-ssoluto che abbiamo prodotto è stato nel *2003 "Music Fear" (i due lavoratori avevano rispettivamente 8 e 12 anni) ed è stato il primo vero punto di partenza in quanto in mezzo a sonorità elettroniche, house e Drum'nBass si può ascoltare un primo esempio di Base Trap moderna, dove abbiamo creato un beat rap con un campionamento horror e usato kick distorti.
P.S:
Spesso come nel caso della traccia 3030 (che meriterebbe pagine diApprofondimento), il suono non è solo base ma legato alle tematiche della produzione e poi casualmente diviene culturalmente uno standard sonoro come nel caso hdma dove il basso distorto che abbiamo ideato era un'emulazione delle stereo a volume estremo dell'auto di un nostroA-mico.

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Rock

LP | 2020 | UK | Original (Black Focus)

30,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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U Can See Alex Park From Ere / Picky Eater

Rat Heart

7" | 2024 | UK | Original (Modern Love)

14,24 €* 18,99 € -25%

Suburbia Calling Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Tom Boogizm’s Rat Heart has already given us AOTY-worthy excursions into fizzing ambience, fritzed Arthur Russel-esque scuzz, flipped neo-soul and bleary-eyed bangers, always with those timeless hooks and wild-but-insular production. Never one to care much about fitting in with any one thing or another, Rat Heart evokes that golden stretch in the mid-late 80’s when heads got past the shine of new technology and started getting deep into the thing - you know the stuff - Thomas Dolby, Prince, Prefab, Scritti. In other words, Rat Heart is supremely well suited to the 45, giving sharp focus to his pop instincts, tightening the screws in a way that echoes contemporary work by Dean Blunt or Vegyn, you can imagine his thing properly going off too. In fact, you don’t really need to stretch the imagination too much with this one, the A side guided by the spirit of Sade via Prince in a slow love mode, Ben Vince’s Saxophone providing an added layer of moody romance. On the flip, it’s all Spanish guitar and broken (heart|)strings, just a solitary synth and that gutted vocal for company.

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Rat Boy

LP | 2024 | EU | Original (Hellcat)

LP | 2024 | EU | Original (Batov)

Release: 2024 / EU – Original

Genre: Rock & Indie

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RAT BOY have recorded in Los Angeles with T im Armstrong of Rancid, played festivals as far afield as Japan and China, and touredNorth America with The Interrupters. Yet for all those globe-trotting adventures, there"s no place you know quite as well as home.That"s the central topic that R AT BOY explore on their upcoming third album "SUBURBIA CALLING", which will be released onOctober 4th via Hellcat."SUBURBIA CALLING" sees RAT BOY exploring stories from their roots in Essex. It"s the land of wheeler -dealers and dodgy geezers,and home to nosey neighbours, rowdy clubs and Joey Essex. For readers outside of the UK, it"s the land of Blur, Depeche Modeand The Prodigy: a place not so far outside of east London, but in other ways it"s a world away. And it"s not only an immense fontof inspiration for RAT BOY, but the place where ever ything happens for them.. Just outside of Chelmsford sits a converted barnwhere the band can jump in and be creative whenever the mood takes them - a HQ that is a recording studio, a rehearsal space, anart studio, a storage space and a hangout spot all-in-one.Frontman Jordan Cardy says, "I wanted to sing about Essex. Essex is where we live and when you"ve grown up somewhere younotice things about it. There"s so much to draw on. Essex is really close to London but it"s different in a lot of ways. We"ve got alot of freedom here, we built a place where we can record and rehearse and hang out, somewhere you wouldn"t be able to have inLondon."RAT BOY - completed by Liam Haygarth (bass), Harr y Todd (guitar) and Noah Booth (dr ums) - approached the making of the al -bum in unorthodox fashion. They recorded a home demo and a live performance of each song, which were then sent to producerStephen Street (The Smiths, Blur) to edit together like a tapestry puzzle.

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Rasco (Band)

Dmaot

25,99 €*

Ras Hassen Ti, Mad Professor / Peter Youthman, My Providub Bass

Release: 2024 / EU – Original

Genre: Pop

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Sun, sea, and surf rock converge with dreamy hypnagogic pop on 'Dmaot,' the enchanting sophomore album by the guitar-wielding, vocal-harmonising trio, Rasco.

Named after Charlie Megira's acclaimed track "At the Rasco" and influenced by iconic artists like The Cramps, Beach Boys, Elvis, April March, and others, Rasco carefully extracts the essence and distinctive sound of sixties surf and garage bands and distils them into a modern and distinctly Mediterranean context. Blending ethereal vocal harmonies with irresistible guitar riffs, Rasco skillfully creates a one-of-a-kind sonic blueprint that sounds like something you dreamed of hearing at Twin Peaks infamous Roadhouse.

Electric guitarist Eden Atiya and bass guitar Gaya Wajsman first crossed paths in a smoky cave in Jerusalem, eventually teaming up with drummer Itay Hamudi to form Rasco. Their self-titled debut album, characterised by catchy guitar riffs entwined with mysterious, ethereal vocals, sung in Hebrew, garnered attention and playlistings from the likes of acclaimed pianist, singer, and composer Hania Rani, and Spotify’s editorial team.

Rasco’s hypnotic guitar and vocal-heavy sound have earned the group coveted opportunities to share the spotlight on stage alongside global psych bands such as Altin Gun, Boom Pam, and Messer Chups. The trio’s musical journey has taken them on tour in Germany and led to their billing on Cologne's famed c/o pop Festival, solidifying their place in the contemporary psych and surf rock scene.

'Dmaot' (Tears) represents a significant evolution from Rasco's debut, showcasing a darker, and denser side with a shift towards the shoegazing sounds of the '80s. The album, produced by multi-instrumentalist Uri Brauner Kinrot, leader of Boom Pam, pioneers of today’s resurgence in Middle Eastern surf rock and now labelmates on Batov Records, packs a heavier punch while maintaining Rasco's signature hypnotising power.

The album delves into dreamlike landscapes, capturing the essence of different scenarios. "Layla" conjures hazy night-drives into the mountains, whilst "Nahar/Rau" reflects prophecies in rivers, birds, and sand. "Suzi Suzuki" is an ode to Japan, and "Louisa" pays homage to Hamudi's Grandma. According to Eden, there's a prevalent theme of "nostalgia for something you've never experienced." Similarly, “Sleeping Sea”, hints at the omnipresent power of the sea, even at its stillest, with its brooding hammond chords and almost C&W guitar, paints memories of Chris Isaak’s “Wicked Games”.

'Dmaot' also explores the dichotomy between life in the city and life in the countryside. Eden notes, "It's definitely something to define our songwriting by - the mix between electric heavier sounds and mystical, nature-inspired lyrics”.

Commencing with a chime-like guitar motif before the first heavy wave of shoegaze-like tremolo hits, “Layla” alternates with an almost Lynchian pre-chorus, whilst the song earworms its way to your brain. “Nahur Rau” almost screams “garage rock anthem” with it’s clap-accompanied beat group rhythm, and fuzz guitar riffs, but the energetic delivery is balanced by Rasco’s laidback style. It would be remiss to omit mention of the group’s incredible cover of Tears For Fears’ “Head Over Heels”, that seamlessly connects The Smiths, Julee Cruise and the B-52s, in the group’s own haunting style.

Rasco is a genre-defying trio that transcends the boundaries of surf rock and psych, creating a mesmerising blend of sound and emotion. 'Dmaot' is a testament to their evolution as artists and their ability to weave a tapestry of sonic landscapes into their own world.

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My Provider, Mad Providub / Jah Jah Mi Provider, My Providub Bass

12" (Spear Hit Music)

8,24 €* 10,99 € -25%

Genre: Reggae & Dancehall

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12" | 1977 | UK | Reissue (A's And Bees)

Rare Pleasure

Superfine Feeling

Let Me Down Easy Red Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Proudly presenting the inaugural release on A’s and Bees, a new label of heavyweight 12 inch pressings highlighting double sided delights, with 50% of the profits from each release being donated towards the British Beekeepers Association. First up, Rare Pleasure’s ‘Superfine Feeling’. Only ever pressed as an almost unattainable acetate that’s rarely traded hands and when it does we’re talking £400 upwards. A 1977, modern-soul-tinged disco number from the New York troupe with soaring vocal harmonies, jamming guitars and big band section galore. Who better to take on the Bee side than Ashley Beedle himself, offering up a signature NSW rejig - retweaking, dubbing and straight buzzin this cut out across those summer thermals for maximum dancefloor bedlam. Buzz for life!

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Rare Pleasure

7" | 1976 | EU | Reissue (South Street Disco)

LP | 1981 | EU | Reissue (Mad About)

Release: 1976 / EU – Reissue

Genre: Organic Grooves

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The instantly recognisable, Northern / Modern Soul crossover, Rare Pleasure – Let Me Down Easy, featuring the entrancing Sandy Barber on lead vocals, gets a much-welcomed official reissue on 7 Inch. A classic in it’s own right, alongside being expertly sampled by David Morales for the house anthem ‘Needin’ U’, original’s trade hands for £100+ so an official reissue is long overdue. Limited Red Vinyl version in a tasty South Street Disco Sleeve.

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Raposa Velha

23,74 €* 24,99 € -5%

LP | 2021 | PT | Reissue (Mad About)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Raposa Velha was a notable Jazz group from Brazil, which was part of the wave of great musicians and bands in Bahia during the 1980s, such as Sexteto do Beco, Saul Barbosa and Andréa Daltro.

Thus, Raposa Velha only released this album, independently in 1981. Lined between Jazz-Fusion and Avant-Garde Jazz, this LP has become a very obscure piece within the Brazilian Jazz universe and one of the rarest of Brazilian Jazz.

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Raposa Velha

24,99 €*

Raphael Wressnig & Igor Prado

Release: 2021 / PT – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

180g pressing

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Groove & Good Times

LP | 2021 | EU | Original (Pepper Cake)

17,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2023 | Original (Misfit Melodies)

Raphael Schön

Fiesta Forever

L.E.D. There Be Light & Remixes Vinyl

Release: 2023 / Original

Genre: Electronic & Dance

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Even a pandemic can have its upsides. Fiesta 2000 proves this debatable statement. Conceived by Raphael Schön during a Covid-19 lockdown and originally released in 2021 as part of I’ll Be The Energy on Freeride Millenium (*thanks, guys! Ed.), it is one of those godsend tracks that cannot be duplicated, recreated or planned. The prohibition of any kind of hedonism, the yearning for collective pleasure, post-teenage-angst and rave romanticism all make up this delicious cocktail. Now served again on the Running Back subsidiary Misfit Melodies and freshly remastered, it is a hard one to put down.

Especially, since it has been supplemented with the just as charming tearjerker Hitter Mane: melancholic, hopeful and motivating in equal parts. The original of Fiesta 2000 is also backed up by remixes from Matisa respectively Sally C (who directed Gerd Janson’s attention to the track in the first place). Both brilliant in their own right, Matisa shifts the track into turbo-mode that will please the ruff necks amongst you, while Sally C brings off the feat of uniting pumping house, breakbeats and balearic piano moments in one go. Fiesta forever and ever ever!

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Rank 1

12" | 2024 | EU | Original (Be Yourself)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Sacrificium Orange / Black Vinyl Edition

Randy Rose

LP | 2024 | EU | Original (Amplified Media Services)

47,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Healing Colored Vinyl Edition

Randy Rose

LP | 2024 | EU | Original (Amplified Media Services / Llc)

47,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Sony)

Randy Edelman

OST Ghostbusters II

Release: 2021 / EU – Original

Genre: Soundtracks

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12" | 2022 | EU | Original (Space Echo)

Randomized Coffee

Mariama Feat Kora Hero

10" | 2009 | Original (Med School)

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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The meeting of Alieu and Randomized Coffee gives light to this new project, in which the Roman duo tackles a production that skillfully links Mediterranean influence to ancestral Africa in a patchwork woven of typical African ethnic elements to those of house and electronica in a "groovy" body that enhances the classical side of the African country in a modern musical mood and rhythm. The story tells about the day before an arranged marriage ceremony. Masanneh is a handsome and well-known man in his village of the Mandinka Tribe, born and raised in the village of Kudang, near the river that flows through the entire country; the Gambia. Many in the village believe him to be charismatic and generous, others believe him to be a venal materialist devoted to money. Masanneh decides to consult Cherno Jallow, a wise Marabout, to figure out how to deal with his future. He therefore moves westward to the village of Bondali, in Foni, where before practicing his work as a skilled trader he talks to Landing Sawo, the district chief, from there he hears the sound of a Kora played by Jali, while across the road he sees a beautiful woman Mariama Gomez passing by.

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Randomer

Scapegoat

Release: 2009 / Original

Genre: Electronic & Dance

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10" | 2008 | Reissue (Med School)

Randomer

Blind

Release: 2008 / Reissue

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Mecanica)

Randolph & Mortimer

The Incomplete Truth

Manifesto For A Modern World

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Second full-length album by Sheffield-based project Randolph & Mortimer. An 8-track 40-minute-long sonic and emotional journey heavily influenced by 80’s propaganda and the parallels we face today involving politics, religion & conspiracy theories. Created half by machines and half by the mind of Sam Evans, “The Incomplete Truth” clings to the same roots that catapulted R&M to the forefront of the techno-EBM-industrial scene with their debut album “Manifesto for A Modern World” (2019) but takes this new work to a higher level in terms of composition and production. Born in the wake of depression resulting from a terrifying near-death experience in the workplace, Sam conceived this album as a live setlist from some alternate reality free of everyday working. Every track is a potential success and includes collaborations with artists like Andi, Neu-Romancer, Black Dahlia and Dominique Slva. All killer, zero filler.

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Randolph & Mortimer

2LP | 2020 | EU | Original (Mecanica)

LP | 2023 | EU | Original (Wewantsounds)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Limited edition of 400 copies with folded poster/insert and sticker. What is Randolph & Mortimer? A folk duo, a pair of accountants, a techno act…a law firm? What started off as an ‘art project’, influenced by 80s Industrial, 90s rave music and inspired by the documentaries of Adam Curtis, has morphed into a full on New Beat / Body Music dance-floor moving machine. Their studio releases have gained support from some of the biggest underground DJ’s in the world like Ancient Methods and gone on to top various genre sales charts on Bandcamp. Whilst the R&M live shows have seen them share bills with Godflesh, Youth Code, PIG and 3Teeth. In 2019 it was time for R&M to throw a marker down and so came “Manifesto For A Modern World”, the debut album comprised of tracks from the “$ocial £utures”, “Hope Tragedy Myths” and “Citizens” EP’s plus some additional songs. This album is basically a greatest hits of Randolph & Mortimer. A statement of intent. All killer and no filler. The original limited edition CDs and tapes sold out and it had some incredible reviews. A Model Of Control called it “An absolutely outstanding release” and super cool New York DJ Andi Harriman (Synthicide) made it one her of top 10 albums of 2019 on Post-Punk.com. So here we are in 2020 and the Randolph & Mortimer story has seriously stepped up a gear with this double vinyl version of the album featuring all Manifesto tracks plus the acid styled dance-floor favourite “Apply Yourself” and four brand new tracks (“Crystal Peaks”, “Stateless”, “What Are You?”, “Fantasy Land”) which make up a whole new EP.

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Ramuntcho Matta

33,99 €*

LP | 2019 | EU | Original (Akuphone)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Wewantsounds is delighted to announce the vinyl reissue of Ramuntcho Matta"s rare first self titled album from 1985, mixing funk, no wave and ambient soundscapes. The album released on tiny French label Mosquito was conceived as the soundtrack for French choreographer Régine Chopinot"s play "VIA" with costumes by fashion rising star Jean-Paul Gaultier. It was recorded at a buoyant time in Paris when Matta - who had just spent a few years in New York following the death of his brother Gordon Matta-Clark - immersed himself in Paris" underground scene. Consisting of 19 tracks alternating between funk and ambient soundscapes, the album has been remastered for vinyl from Ramuntcho"s masters and features a 4-page booklet with liner notes (Eng/Fr) by Jacques Denis in conversation with Ramuntcho and a 2p insert featuring the original poster for the VIA show by famed illustrator Marc Caro (Delicatessen).

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Ramuntcho Matta

21,99 €*

LP | 2020 | UK | Original (High Focus)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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The poet, producer and visual artist Ramuntcho Matta is coming back to music with 96. 96 - as 96 hours were needed to record this new album. Ramuntcho points out that behind this dazzling recording, years of experience enabled him to achieve the mix of spontaneity and intimacy of the album. He was the man behind the success of Eli Medeiros' Toi mon toit. As a matter of fact, Ramuntcho Matta likes to put artists in the spotlight, as he has done with Brion Gysin, Don Cherry and many others. However this time he decided to put himself in the spotlight, with this record which sounds very 90s - with a wink to Bill Laswell for the bass - but still very contemporary. The album unveils a dark atmosphere, as if Bashung had lost himself in a Lynch film.

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Ramson Badbonez

Death Mask

12" | 2023 | UK | Original (Orphic Apparition)

Release: 2020 / UK – Original

Genre: Hip Hop

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There are very few Mc’s in the UK rap game as engrained into the culture as Ramson Badbonez. Rising through the ranks as one of the most cut throat MC’s London had ever seen at 14, it wasn’t long before people started to take notice of the young talent, gathering London wide respect as well as getting recognition from UK Hip Hop godfathers Task Force. The rhyming machine has been a living and breathing embodiment of the culture ever since. By far one of the most prolific creators in the scene, Ramson Badbonez employs one of the strictest work ethics ever seen with over 12 full length albums to his name and showing no signs of slowing down.

On the 28th February, Badbonez will present his latest work, a brand new album, with producer & long time collaborator Mark Fear, entitled ‘Death Mask’.

Following his previous ‘Jason Bonez’ & ‘Mic Day The 13th’ releases, Badbonez has removed the hockey mask to don the Egyptian Death Mask, as he leaves the Jason Bonez moniker behind to focus on a much broader palette of concepts and inspiration.

With topics ranging from the mysteries of the afterlife, the energy crisis to the lasting effects of colonialism to the failings of modern language - Badbonez has left no stone unturned. Fearlessly launching himself into the deep end, covering new ground and constructing incredibly dense prose perfectly matched by Mark Fear’s diverse yet crisp sound.

Perhaps Ramson Badbonez’ most solid release to date, we expect ‘Death Mask’ to make a serious impact in 2020.

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Ramjac Corporation

Press 1 To Repeat

9,59 €* 15,99 € -40%

Nobody Loves Me (Like You Do)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Orphic Apparition follow up their inaugural release by Rafram, the collaborative project of Toronto's Raf Reza aka Raf Rizzla and UK acid house luminary Ramjac Corporation, with a new two-tracker from the transatlantic bass warriors. Where the Rafram 12" gifted us five variations on the same live jam cut from Grow Tottenham, here we have a spontaneous track written by Paul (Ramjac) on the A-side and a fully warped dancehall mix from Raf on the B. (short) 'Press 1 to Repeat' began as an on-the-spot demonstration of the musical self, a natural response to being asked 'What is it that you do?'. Within a few minutes Ramjac had his laptop out and was bashing out a quintessentially English sort of kitchen tabletop version of Kraftwerk - Numbers, the tongue in cheek automated voice on the other end of the line querying his account balance in tow. Proudly showing his friend Ryoko his improvisatory skills, a £10 hifi from a Japanese 2nd hand shop served as the portable monitors whilst the track waited to be brought back to his studio in London. The track is anchored by a bouncy, Irdial-reminiscent percussive workout which punches above its weight for its humble beginnings. Add the dubbed out synth pads and sort of electrical static FX in the background and everything syncs together in cosmic harmony. Hopefully Ryoko now gets the gist! Raf Rizzla takes the stems and channels some inspiration from the Jamaican movie “Third World Cop” by turning the track on its head with a double-time baseline and half-time melody to craft a big dancehall version with a bit of a modern day On-U twist. Here Raf shows yet another side to his truly versatile production chops which have seen him release house, trance, breaks and downtempo cuts on a variety of Canadian labels prior to starting Orphic Apparition.

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Ralph Weeks

7" | 2023 | UK | Original (Names You Can Trust)

18,99 €*

12" | 2021 | EU | Original (Kryptox)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Names You Can Trust continues its years-long revival work with one of Panama's most gifted and legendary soul artists, Ralph Weeks, returning the singer to the studio for another brand new recording that highlights the now 80-year old's still silky vocals and masterful songwriting. Up for the challenge with their own studio savoir-faire is a most fitting and genuine purveyor of modern day soul themselves, Ben Pirani and The Means of Production, whose output on Palmetto Street Recording and Colemine Records has already achieved high praise and collectible status in just a few years. The mission, record two unreleased home studio demos that were penned and tracked in the early 1980's and recently excavated from Ralph's extensive archive of personal songs. These original compositions were faithfully given the full treatment and arrangement they never received, but always deserved. The A-Side, "Nobody Loves Me (Like You Do)", a quintessential Ralph testimonial of love, now shines alive and energized against the backdrop of a funky Latin soul dancer. The B-Side, "Got To Keep On Trying" is one of Ralph's many unpublished monster ballads, a deep and heartfelt tear jerker reminiscent of his classic hits from yesteryear. Now, forty plus years later, both songs can finally be released into the world, and ultimately serve as another testament to Ralph's prolific yet private musical career and legacy.

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Ralph Heidel

Relief

14,99 €*

Progressions Album Sampler I

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Ralph Heidel is one of the young musicians that represent the spirit of Berlin’s new musical ecleticism better than others. He is part of the avantgarde circles that mix modern jazz and contemporary classical music with elements of new electronica and experimental ambient music.

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Ralf Gum

12" | 2019 | EU | Original (Gogo Music)

8,99 €*

12" | 2023 | UK | Original (M.A.D Edits)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Gogo Music proudly presents the “Progressions Album Sampler Vol. I", a limited edition vinyl which contains 4 songs from German born, South Africa residing House Music star Ralf GUM’s highly celebrated fourth studio long-player. This 12Inch includes “Back To Love” a firm favourite within the modern soul as much as the House scene, which features Joseph Junior and Ayanda Jiya, the hit song “Claudette” featuring Monique Bingham in an exclusive, unreleased remix version by UK deep House Don Jimpster, the outstanding collaboration with South African superstars Mafikizolo titled “Uyakhala” and “After Midnight” with songstress Portia Monique on vocals, which proved to be a favourite amongst worldwide Soulful dancefloors.

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Rakim Under

Rakim Redun Volume 1

Desquamation (Fire, Burn. Nobody)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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After an outstanding debut on M.A.D Records earlier this year Rakim Under is back with the first in his edits series 'Rakim Redun Vol.1'. 5 edits set to move any dance floor. Rakim Under really is one to watch.

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Rainy Miller

LP | 2022 | UK | Original (Head Ii)

24,99 €*

Rainforest Spiritual Ensalvement

Release: 2022 / UK – Original

Genre: Hip Hop, Electronic & Dance

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Ambitious, complex and hooky breakthru opus by NW english rapper/producer/songwriter Rainy Miller, issued by The White Hotel’s Head II label and featuring contributions from Space Afrika, Blackhaine, Maxwell Sterling, Jam City, Georgia Ellery, Henzo and more. Highly emotive and bruised gear, it’s essential listening if yr into Future, Chief Keef, Drake, more eaze, Rabit, Wayne Phoenix, Iceboy Violet, Kanye, Burial…

No doubt it’s the most cinematic depiction of what makes Rainy tick, with a choral prologue that sounds like a Burial vignette, precipitating a downpour of emotions that veer from tender to seething bass-boosted drill blowouts. The slippery combo of self-skewering and tearful Autotuned vocals and brittle, barely-present electronics immediately and inarguably recall Kanye’s 808s & Heartbreak, but here refracted into greyscale tales of Northern introspection, confidently torched 'n bleary-eyed industrial experiments.

Miller's best known at this point for his work with his college compatriot Tom Heyes (aka Blackhaine), whose ragged drill/power electronic subversions loom large over "Desquamation". But where Heyes zeroes in on viscera, isolation and substance-fueled rage, Miller's compositions are more pensive, melancholy and emotionally fluid, finding hopefulness in supposedly grim terrain on tracks like 'There's A Fiesta MkII On Fire'. "A Fiesta burns bright," he sings, accenting the last word as it collapses into chattering electronics and snatched Rhodes piano loops. It's a glorious amalgamation of influences, folding grime and ambient signals into something altogether new. From here, Miller pushes even further into the abyss, enlisting Space Afrika and Maxwell Sterling to assist on 'Breath, Sigh', a powerful symphony of sheet noise, ice-cold pads and soulful electric piano weaving around Miller's vulnerable voice.

On 'July Iii', the beats are reduced to pinpricks, heaving listlessly between stolen breaths and punctuated kick blasts, ‘while Misery is as Misery Does' revels in negative space, allowing overdriven pads to evoke an anxious tenor for Rainy’s melancholia. 'is 2 Die' grazes the same mood before erupting into a wrecking-ball roll of distorted kick drums and elegiac synths, and Blackhaine shows up on 'Way Out', the pair following 2020's breakout "Armour" with a corrosive back-and-forth, playing to each others' strengths.

Benefiting massively from repeat listens, ‘Desquamation' is an absorbing, deliriously atmospheric re-definition of drill, ambient and rap modes with bare north west soul; an arresting portrait of an ascendant artist attempting to find comfort in their artistic skin, and effectively broadcasting the malaise, uncertainty and future shock of the British working class thru this f*cking grim time of ours.

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Ambient Black Magic

3LP | 2017 | UK | Reissue (Hospital Productions)

81,99 €*

7" | 2023 | EU | Original (45Seven)

Release: 2017 / UK – Reissue

Genre: Electronic & Dance

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Official reissue of the modern cult classic - this time on 3xLP with side F snake etching. Focusing on slow paced bass studies and and synthetic dub textures, surrounded by collaged and looped field recording environments, RSE shrouds sound over image to target the sector of brain where fear supersedes rationality - the imagination.

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Rainforest

Bullet Riddim

Live In The Dark / Radio Broadcast White Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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When it is about art and music we are fascinated by unexpected sweet spot combinations: When traditional concepts meet new ideas, when darkness meets light, when rough meets the smooth. Here at 45Seven Unlimited we enjoy our sweet and salty popcorn and we are always looking for exciting new blends that inject modern beats and basses into a half century of Dub history. This next incarnation of our bubbling melting dub tank hits right in this very honey pot with this double A side by Rainforest.

Bullet Riddim sets the pace for this plate with a nicely syncopated yet rolling groove with deep skanks, playful bass and some delicious drum switching. "My selectah is here to suit your heart desire ... and set your soul on fire" proclaims the vocal chop throughout the intro. And he is not wrong: Bullet is a rollercoaster of Jungle breaks, dubbed out Reggae horns, skanks and FX. Truly a "riddim so nice you gotta play it twice". [...]

Rainforest is transmitting from Mexico, has got a strong graffiti background and releases Drum & Bass music on labels like Shoot, Omni, Absys, Syhda, Monochrome and his own Breakbeat Rebelz. Known for the brilliant Jungle Is Our Dub 7" on 45Seven in 2016 which was almost label defining already, this new plate is even about to run them all out again. "Pull it up"!

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Rainbow

LP | 2024 | EU | Original (Laser Media)

30,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Tonproduction)

Rainald Grebe

Popmusik

Release: 2021 / EU – Original

Genre: Pop

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LP | 2022 | EU | Original (Elmir)

Raina Rai

Hagda

25,99 €*

2LP | 2013 | EU | Original (Project: Mooncircle)

Release: 2022 / EU – Original

Genre: Organic Grooves

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As the first item in its catalog and on the occasion of the fortieth anniversary of the release of the album Hagda by Raïna Raï, the legendary band from Sidi Bel Abbès (Algeria), Elmir Records is happy to present the vinyl reissue of this multi-faceted pop-raï masterpiece. This mythical album recorded and self-produced in 1982, which cover of Ya Zina became an international hit, still sounds very modern thanks to the avant-garde guitar of Lotfi Attar. These eight electrified and electrifying raï tracks are ready to be (re)discovered! This new edition was remastered by Josh Stevenson in Canada and enriched with notes in French and English by the specialist Rabah Mezouane.

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Rain Dog

Two Words

Raheem Devaughn & Apollo Brown

Release: 2013 / EU – Original

Genre: Electronic & Dance

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For Samuel Evans, or Rain Dog, creating this album was a vast experiment to combine different attempts of blending more traditional elements of song writing and composition with the more contemporary influences of modern electronic dance and bass music, all within the confines of his computer and chair…

Being compelled by melody and variation, Rain Dog, by his own admission, never had much talent for songwriting in terms of lyrics. To circumvent this, however, he focuses on creating a narrative within the music through the combination of synth work and samples. He starts with anything that sparks an interest or emotion in him – Tom Waits, Joni Mitchel, Ella Fitzgerald, Portico Quartet and moments from movies, samples like these usually work as a foundation for the tracks. He then adds layers of unique and organic synth sounds (a notion he finds quite interesting when working entirely from a digital platform) before eventually completing the production with the beat. He likes his music like a nice pie – warm, hearty, and crusty.

Artwork by Felicia Simion. Guests: Robot Koch, BigsonTomika & Sam Rogers.

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Lovesick HHV Exclusive Teal Colored Vinyl Edition

LP | 2021 | US | Original (Mello Music Group)

27,99 €*

People Of The Sun Clear Vinyl Edition

Release: 2021 / US – Original

Genre: Hip Hop

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HHV Records Exclusive colored edition limited to 300 copies.

Soul is more than a sound. It is a timeless idea and an immortal condition. It can’t be borrowed or traded, bequeathed or imitated (no matter how much they try). Soul isn’t the blues, but the best blues has soul. Hip-Hop isn’t soul, but it’s the most fundamental component of its DNA. R&B is the genre, but soul is the yearning, the lust, the regret. Without soul, love is merely sex. With it, you get something like Lovesick. Lovesick is a collaboration between the 3x Grammy-nominated singer Raheem DeVaughn and the legendary hip-hop producer, Apollo Brown, best known for making hip-hop so grimy that it permanently lodges in your lungs and underneath your fingernails. It is a work of startling beauty, a blend of modern R&B, classic soul, and guttural funk that recalls Smokey Robinson, Al Green, and Marvin Gaye. Yet it doesn’t sound out of step alongside DeVaughn’s peers The-Dream, Anderson.Paak, and Miguel. It is an album that bears the echoes of Jodeci and James Brown, but it is ultimately the clarion vision of two masters of their respective forms.
Released on Mello Music, Lovesick is a stylistic departure from Apollo Brown’s coldblooded 21st century boom-bap, but it shouldn’t come as a shock considering his historical skill at soulful sample chopping. Still, it’s testament to the Michigan native’s versatility and emotional depth; he has turned a sonic left turn into an eternal groove -- an expansion that feels reminiscent of DJ Premier producing for D’Angelo, Salaam Remi collaborating with Amy Winehouse, J Dilla’s bible material with Erykah Badu, or more recently, Knxlwdge’s NxWorries project with .Paak.
Credit DeVaughn for making the extraordinary feel effortless. In Lovesick, the Love King has built a vessel to transport you to a different, better time. It is a tribute to the artists who came before him: all those aforementioned names, plus Parliament and Prince. Listening to the lead single, “When a Man,” you intuit the sweat and soulful anguish of the hardest working man in show business, but also float from Apollo’s head nod to A Tribe Called Quest’s “Luck of Lucien.” The post-modern commentary seductively fused into a warm-hearted nostalgia. “If I Made Love to You” finds DeVaughn telling his lover that he’ll play all the slow jams and quiet storm ballads for them, before unleashing a falsetto that can stop space and time. If you play this at the proper volume on the right system, the aromatic candles and incense will light themselves, and the sheets will turn to 10,000 thread count silk. A form of bedroom gospel. On “Just Fall in Love,” DeVaughn grapples with the carnal double standards that apply to men and women. For the third act, Compton’s Westside Boogie, unleashes a hyper-melodic rap lamentation, in search of loyalty, healing, and love. Elsewhere, on the album, Skyzoo and 3D Na’Tee contribute impressive lyrical 16s that are seamlessly interwoven into its satin tapestry.

For the legendary DeVaughn, it further cements his stature as one of the finest crooners of his generation. The DMV raised singer has sold hundreds of thousands of records, won BET Awards and been nominated for three Grammys, but this stands among his finest work. He has conjured the perfect record for the Sunday backyard BBQ and for riding in the car with the object of your affections, the ideal nocturnal soundtrack for when it’s time to lower the lights. For Brown, this is a panoramic expansion that shows the full range of his gifts. It is the home cooked meal, the perfectly rolled joint, soft lighting, a pledge to love and fidelity, and all the struggles with temptation. It is soul, as smooth and supernatural as it gets.

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Rage Against The Machine

10" | 1996 | US | Reissue (Revelation)

12" | 2022 | UK | Original (Orphic Apparition)

Release: 1996 / US – Reissue

Genre: Rock & Indie

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If you’ve followed modern music, Rage needs no introduction. If you’re wondering how we got to release a record by a band this big, you must not know that Zack was in Inside OUT before he started Rage Against THE Machine. This is a Revelation exclusive 10” vinyl record featuring the track “People Of The Sun” along with some unreleased tracks (including a live version of Public ENEMY’s “Black Steel In The Hour Of Chaos” with Chuck D helping out on vocals).

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Rafram

In The Grow

Peripeteia Clear Vinyl Edition

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Orphic Apparition is a new label born out of a transatlantic meeting of minds. Facilitated by a long, hedonistic party in one of present-day London’s ‘meanwhile use’ venues Grow Tottenham, Canadian producer Raf Reza and British acid house luminary Paul Chivers spent a precious day in the studio to record a 3 hour straight to DAT session before Reza's return to Canada. The result of this spontaneous yet intuitive collaboration blurs the lines between Chiver’s long-standing Ramjac Corporation alias and Reza’s genre-spanning approach to dub, breaks and house styles. Part of the early 90s rave scene and an important member of the blueprint-setting Irdial label, Ramjac locks heads with the self-professed ‘lazy music guy from Toronto’ to adapt their studio session into five separate mixdowns. ‘In The Grow’ begins with a bouncy, cut-up sounding Errorsmith-esque rhythm, the recurring fright night melody that distinguishes the record coming in all quick and powerful. The A2 ‘Rotten Mix’ offers a more traditional house approach in its composition, with dub FX and a nice DJ friendly outro. On the final uptempo choice the pair opt for a head-scrambling electro take. Choose your fighter! The ‘Swampy Dub’ on the flip really dismantles everything we’ve heard prior, slo-mo drums allowing a much different DJ experience and altering the freaky synthetic propulsion into an almost modern classical sound. A little like Paul Dresher’s eternal ‘Channels Passing’ (tip). Combined with the other edits this version almost becomes a totally different track. The final ‘Rootless Dub’ gives its clues in the title, removing all the tough drum sounds and allowing for an ambient decompression. Orphic Apparition will return soon.

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Rafael Anton Irisarri

LP | 2020 | US | Original (Dais)

23,99 €*

Rafa Santos / Franck Roger

Release: 2020 / US – Original

Genre: Rock & Indie

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Over The Years, American Composer Rafael Anton Irisarri Has Become Ubiquitous Within The Spheres Of Ambient, Drone And Electronic Music. Whether It's Through Irisarri's Celestial Long-Form Albums Or His Lauded Audio Engineering Credentialsfor Countless Artists And Labels, Irisarri's Consistent Dedication To His Craft Never Wavers From The Forefront. While Irisarri's Compositions Typically Field An Array Of Modern Ambient Overtones Threaded Through Oceanic Symphonies With Tape Loops, Bowed Electric Guitar And Vast Washes Of Overdriven Sound, His Recent Debut Album For Dais Records, Peripeteia, Portrays These Common Themes Giving Way To Metal And Classicalinfluences That Emphasizes Irisarri's Melancholic Tendencies. These Unique Overtures, Coupled With His Signature Layering Of Distortion And Bleached-Out Textures, Fabricate An Audible Environment That Would Seemingly Be At Odds With,Yet Gracefully Complement Each Other. In Irisarri's Own Words, "My Previous Works Internalize Any Exterior Forces Or Circumstances, While Trying To Make Sense Of The World. Peripeteia Reverses That Approach, Focusing On The Personal In Order To Tell A Wider Human Story." The Emotional Depth Found Throughout Peripeteia Is Impeccably On Display Withthe Track, Mellified. A Collaboration With Spanish Composer Yamila, The Choral Arrangements Bring To Mind The Sacred Music Of Arvo Pärt, While Her Voice Combines The Andalusian "Cante Jondo" Style With Medieval Modes, Almost Drowning In Layers Of Octave Fuzz Distortion And Dystopian Synths Patterns. Onarduous Clarity, The Bright Arpeggiating Melody That Churns Throughout, Offers The Initial Glimmer Of Optimism In An Otherwise Decaying Tale Of Personal Turmoil. This Encouraging Glimpse Is Short Lived However, As The Song Refuge/Refuseseemingly Plummets Into The Mourning Depths Of Somber Despair. A Chorus Of Voices Steadily Crawls From Its Desolate Terrain - A Sea Of Broken Spirits, Eternally Resigned To Strain And Bellow Their Final Lament. Fright And Control, A Piece Whichis E...

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Where Is The Clubbing?

12" | 2024 | UK | Original (Mate)

16,14 €* 16,99 € -5%

LP | 2022 | EU | Original (Gooiland Elektro)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Spanish label Mate welcomes a couple of heavyweights in Rafa Santos and Franck Roger for a new deep house EP that shows the kids how it's done. It is Santos who serves up the originals starting with 'Where Is The Clubbing?' which has depth but also drive - rich pads swirl about over the supple kicks and clipped vocals bring the soulful little hooks. French maestro Franck Roger remixes with a little more swing and a stripped-back, late-night feel that is sprinkled with cosmic dust. On the flip, 'Smooth Jazz' is just that over cuddly beats as star-gazing piano tinkles and sombre sax notes bring real class. 'Don't Fool Me' shuts down with plenty of Chez Damier-style weight in the kicks and steaminess in the female vocals.

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Radko

The Dirt On Caligula

LP | 2024 | EU | Original (Wicked Wax)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Radko – The Dirt On Caligula (LP, edition of 250 copies, risograph printed artwork (100 x teal paper, 75 x red paper and 75 yellow paper)) It took quite some time to realize this album by Radko… back in 2018 their debut single was released and then there was silence… so it seemed… but dedicated and devoted Radko continued to compose tracks and while doing this expanded their sound… what they came up with is an adventures contemporary/post-wave sound with lots of complexity in it is sounds and structures… but still these pieces are songs… meaning these tracks are daring but will never loose themselves in experimentation or becoming soundscapes… more or less gone (or just more hidden?) are the cold wave and shoegaze elements… these have been replaced with elektro, techno and industrial influences… and instead of dreamy and melancholy the sound is now much more haunting and dark… on the other hand this is very much Radko like on their debut 7”… but this album is just “next level”… despite this record is more complex the music is still addictive… it is asking for more and more plays all the time… and while their first record was already impressive this one is even more… How to define the music of Radko on “The Dirt On Caligula”? Maybe like a mix between the modern wave sound of Hord versus the complexity of the EBM/industrial music by Skinny Puppy? Possibly a bit like the debut album by Distel with a touch of the versatility and scope of the Nine Inch Nails remix releases “Fixed” and “Futher Down The Spiral”? These are at least some references that pop up and give an idea… But… in the end this is simply an amazing album with daring electronic beats and sounds… verry clearly rooted in the new wave / post-punk / industrial tradition but mostly a contemporary electronic music exercise which could (should?) appeal to everybody with an open mind and interested in dark beats…

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Radiohop

All We Do

21,99 €*

2LP | 1997 | UK | Reissue (XL)

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Although life is hyper-individualised, you rarely go about it alone. This rings especially for Radiohop, the 4-man band drawing in everything that derives from Jazz. Aptly titled, ‘All We Do’ sees the band culminating each member’s journey through life as a performer and music head, into one entity. It is a collection of various musical feelings; drawn from all of the widely diverse musical environments they are surrounded by. Their early explorations in Hip-Hop laid the foundation Radiohop jetted from. All We Do ventures into Soul, Funk, Jazz, Broken Beat, Brazilian harmony, Fusion and other genres that they see connections with. It engenders a journey through the peaks and troughs of a modern musical spectrum and is an undeniable act of successfully approaching a contemporary Jazz album.

Together, they drew on Jazz as a concept existing outside the walls of formality. In addition to sessions and gigs with like-minded musicians, they explored the Amsterdam nightlife and genre-bending concerts for inspiration. This 3.5-year exploration brought them unconventional writing, producing and performing experiences resulting in All We Do being as much a presentation of the people accompanying them on this exploration, as it is about the journey itself.

Radiohop are constantly surrounded by other musicians and creatives from all different genres, disciplines, and spaces. The album is a celebration of the creative, and the ecosystem they operate in. The band likes to root that in the philosophy of Hip-Hop: spoken word, rap, vocals, lyrics, flute solos, photography, digital art, graphic design, tagging and poetry all congregate on the limited vinyl, as they truly believe art should not see any material boundaries. All We Do appreciates the art and the artist's creative endeavour. Radiohop gladly shares that with others in a holistic creation that is this album."

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Radiohead

Ok Computer

30,99 €*

Release: 1997 / UK – Reissue

Genre: Rock & Indie

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Using the textured soundscapes of The Bends as a launching pad, Radiohead delivered another startlingly accomplished set of modern guitar rock with OK Computer. The anthemic guitar heroics present on Pablo Honey and even The Bends are nowhere to be heard here. Radiohead have stripped away many of the obvious elements of guitar rock, creating music that is subtle and textured yet still has the feeling of rock & roll. Even at its most adventurous -- such as the complex, multi-segmented "Paranoid Android" -- the band is tight, melodic, and muscular, and Thom Yorke's voice effortlessly shifts from a sweet falsetto to vicious snarls. It's a thoroughly astonishing demonstration of musical virtuosity and becomes even more impressive with repeated listens, which reveal subtleties like electronica rhythms, eerie keyboards, odd time signatures, and complex syncopations. Yet all of this would simply be showmanship if the songs weren't strong in themselves, and OK Computer is filled with moody masterpieces, from the shimmering "Subterranean Homesick Alien" and the sighing "Karma Police" to the gothic crawl of "Exit Music (For a Film)." OK Computer is the album that establishes Radiohead as one of the most inventive and rewarding guitar rock bands of the '90s. - allmusic.com

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12" | 2023 | UK | Original (Rekids)

Wild Life

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Radio Slave drops ‘Wild Life’ on Rekids this May

Following the recently dropped ‘Strobe Queen’, which picked up support from Honey Dijon, Sean Johnston, Laurent Garnier, BBC Radio 1’s Pete Tong and Danny Howard amongst many more, Radio Slave returns with another standout House cut ‘Wild Life’, turning in two exceptional Disco and Dub mixes.

“I’ve always adored the “Wildpitch” era of DJ Pierre, Roy Davis Jnr, DJ Duke and labels like Power Music It’s definitely influenced my work as Radio Slave and “Wild Life” started out as a nod to that early nighties sound. Conceived during the pandemic, I had the track mapped out and then with help of a good friend I decided to add live bass, loads of analogue keyboards and record the whole thing live and it became this super funky disco jam.” - Radio Slave

Radio Slave aka Matt Edwards is one of dance music’s undisputed heavyweights. Having made his name as a DJ in the 90s, he went on to become the king of edits, twisting pop, R&B and indie cuts into essential versions that consistently set clubs alight. Since the mid-2000s, Edwards’ originals have helped define modern dance music, tackling techno, house, breakbeat, minimal and disco whilst exploring dub, balearic sounds and ambient across the myriad of other aliases and projects.

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2x12" | 2024 | UK | Original (Rekids)

Venti

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Radio Slave's 'Venti' is released on Rekids on May 17th and is a twelve-track celebration of Matt Edward's most prominent alias' history. Starting life as a series of singles that began in 2023, 'Venti' sees Edwards explore lower tempos, House, Disco, and the Pop reinterpretations that birthed the moniker back in 2001.

From Venti’s opening track onwards, a glistening piece of piano-led house that's become an anthem at Sean Johnston and the late Andrew Weatherall's lauded Alfos parties, it is clear that Edwards is keen to celebrate the past but through the lens of now. A Radio Slave favourite, 'Wait A Minute', is updated to include a powerful vocal from Nez. Kylie's 'Can't Get You Out of My Head' - a track that kicked Radio Slave into the modern dance music consciousness is reinvented as an Italo-inspired cover featuring Michael Love Michael delivering glorious vocals. 'Wild Life' and 'Wake Up', another two tracks that, as singles, dominated house and disco sets of the great and good in 2023, feel simultaneously fresh while paying homage to the origins of House - message-heavy vocals and all. A cover of Audion's 'Mouth to Mouth' and Edwards' tribute to Terry Hall, the Fun Boy Three reimagining 'The Lunatics' are keen displays of Radio Slave's knack for taking on beloved tracks and making them his own. The lasers-set-to-stun cut-and-paste nu-disco of Radio Slave’s 'Jaws' is a muscular and timely reminder that the punch of a track lies in its feel rather than tempo, while Edward's command of dub aesthetics and unmatched ability to stretch grooves into a tension-filled journey shines through on 'New Balance' and the epic closer, 'Thirty-Six'. Never one to entirely give into the throes of the 4:4, the cinematic electro of 'Stranger In The Night' and Balearic Cagedbaby collab 'Amnesia' round out 'Venti' as the whole Radio Slave experience - as intense as it is subtle.

One of the most prolific and critically lauded electronic music artists of the past two and half decades, Matt Edwards was born in Catford, London, in the early 1970s. When acid house hit the city, Edwards was deep in the scene, and he's remained there since. Residencies at the groundbreaking Ministry of Sound and an 'unofficial' residency that has seen him become one of Panorama Bar's most booked DJs during his 15-year stint living in Berlin have provided the grounding for an enviable tour diary that continues today.

His Rekids imprint, a label that has platformed some of dance music's biggest names, has been regarded as a high benchmark for two decades with Matt as sole A&R. Collaborations with legendary artists such as DJ Hell and Robert Hood, releases for Running Back, R&S, Innervisions, Figure and more, and a remixography that simply couldn't be repeated in modern music show just how important Radio Slave is.

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12" | 2023 | UK | Original (Rekids)

Strobe Queen

Wait A Minute (Dixon Extension) / Don't You Know Clear Transparent Vinyl Edition

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Radio Slave drops ‘Strobe Queen’ this June, complete with Eric Kupper and Kirk Degiorgio Remixes

Following a string of massive singles over the course of 2022 and 2023, in tandem with the continued success of his acclaimed Rekids and Rspx imprints, Radio Slave prepares his latest single ‘Strobe Queen’, a 12-minute, slow-burning house epic landing this March.

Eric Kupper and Kirk Degiorgio remix Radio Slave’s ‘Strobe Queen’ this June. Heard in clubs courtesy of Honey Dijon, Laurent Garnier, and Sean Johnston, amongst others, and on the airwaves via the likes of BBC Radio 1, Radio Slave now recruits two legendary remixers for thw remixes of ‘Strobe Queen’. Requiring little introduction, Eric Kupper and Kirk Degiorgio both turn in exceptional versions of the original, while Radio Slave contributes a stunning reprise of his own, continuing to explore his love of slower tempos and long arrangements of golden era NYC, as seen in subsequent singles ‘Wild Life’ and ‘Wake Up’.

Radio Slave aka Matt Edwards is one of dance music’s undisputed heavyweights. Having made his name as a DJ in the 90s, he went on to become the king of edits, twisting pop, R&B and indie cuts into essential versions that consistently set clubs alight. Since the mid-2000s, Edwards’ originals have helped define modern dance music, tackling techno, house, breakbeat, minimal and disco whilst exploring dub, balearic sounds and ambient across the myriad of other aliases and projects.

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Radio Slave, Nez

12" | 2023 | UK | Original (Rekids)

18,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Radio Slave double header with the A side featuring Dixon’s anthemic edit of Radio Slave ft. Nez ‘Wait A Minute’ and the monstrous ‘You Don’t Know’ on the flip!

Innervisions boss Dixon was the only artist to receive a super upfront copy of the track in early Summer 2022 and went on to hammer the release across countless festivals and club shows over the season. Dixon being Dixon, he didn’t stop there and went on to edit the track into a six and half minute groover that draws out Radio Slave’s production and NEZ’s raucous vocals perfectly. Now, this ‘Track ID’ favourite, which in its original vocal form has already been championed by Jennifer Cardini, Roman Flugel, Kolsch, I. Jordan and more.

On the flip ‘You Don’t Know’, Radio Slave enters House mode, employing hooky vocal snippets, chunky drum hits, and filtered synths to hypnotic effect across the deep 9-minute track. Championed by Honey Dijon, Gerd Janson, Paul Woolford, Ame and Laurent Garnier amongst others.

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12" | 2021 | EU | Original (Rekids)

Acid Dip

New Beginnings Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Radio Slave returns to his Rekids imprint this October with the perfectly balanced ‘Acid Dip’ single. The titular track on ‘Acid Dip’ sees Matt ‘Radio Slave’ Edwards in particularly strident form. Riding a broken, stuttered-kick rhythm, ‘Acid Dip’ is a jabbing, insistent slice of UK techno shot through with hardcore and, whilst not skimping on raw power, still maintains the hypnotic nature that inhabits much of Edwards’ work. On the flip, ‘Armani’ takes off down a dubbed-out, futuristic Italo-infused house workout that, throughout its eleven minutes 28-second span, shows a more dense, layered side to Radio Slave production. Another triumph of a single from one of modern electronic music’s most consistent talents, Radio Slave’s ‘Acid Dip’, is released 15th October via Rekids.

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Radio Moscow

LP | 2017 | EU | Reissue (Svart)

Tape | 2023 | UK | Original (Victory March)

Release: 2017 / EU – Reissue

Genre: Rock & Indie

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Formed in 2003, the power trio led by Stratocaster genius Parker Griggs carved their own sonic niche fusing crunching, heavy Black Sabbath -style chords with fiery "Hendrixian" solos and a raw intensity that is addictive and captivating. From the self-titled debut back in 2007, which was produced by Black Keys' Dan Auerbach, over to "Live! In California" from 2016, Radio Moscow proved to be not just a cheap time machine but a direct descendant from the golden age of rock 'n' roll.

"New Beginnings", originally released by Century Media in 2017, is a bong-sparking blowout, packed to the brim with blazing tempos, cartwheeling jams and the wild-eyed shredding of frontman Parker Griggs. Expertly channelling the kaleidoscopic intersection of electric blues and cosmic psychedelia in the late 60s, tracks like Last To Know and Deceiver richly evoke the sense of freewheeling indulgence and improvisational showmanship of that era. Jams build upon jams without any regard for brevity and restraint, in sharp contrast to modern conventions.

Radio Moscow is:

Parker Griggs (vocals, guitar) Anthony Meier (bass) Paul Marrone (drums)

"The band actively evokes all that was great about hard-rock trios of the ‘60s, the Blue Cheers, the Creams, etc., but does it with such gleeful abandon you’ve got to admire both their spirit and whatever time capsule they rode in on. Great fun." – Dave Dimartino / Rolling Stone

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R.D Thomas

What Circus Is This ?

19,99 €*

12" | 2006 | US | Original (Super Bro)

Release: 2023 / UK – Original

Genre: Rock & Indie

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What Circus Is This? is the debut LP from Cornish songwriter/producer R. D. Thomas. Produced remotely in 2021 between home studios in London, Cornwall and Sweden.

The record features collaborations with Mickey Smith & Nat Wason (Ben Howard, A Blaze Of Feather) and Rob Hall (Catfish And The Bottlemen) on drum duties. For fans of Bon Iver, Fleet Foxes, Phosphorescent. What Circus.. skirts the dreaded singer-songwriter genre, with a mixture of sincerity and self-deprecation whilst making room for a playful dose of irony.

‘Paint By Numbers You’ takes a wry smile at modern concerns. ‘Sugar Coated Brain’ rattles through a 60’s style strum, with tongue in cheek to balance more trademark vulnerabilities of moments such as ‘This Bloom’ and ‘Salt’.

The penultimate track ‘And I’m Gone’ would have made for an obvious bookmark to the LP, but it is perhaps more telling that ‘Numbers Game’ should be the lingering sentiment ; a musing over the contradiction of modern meritocracy, suggesting ‘a sense of humour’ as a suitable tonic.

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Qwel & Meaty Ogre

Saved

7,99 €*

Release: 2006 / US – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Quinteto Ternura / Trio Ternura

Baby / Filho De Zambi

7" | 2016 | UK | Reissue (Mr Bongo)

11,99 €*

LP | 1981 | EU | Reissue (Mad About)

Release: 2016 / UK – Reissue

Genre: Organic Grooves

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We’ve taken a selection of the most in-demand and asked-for titles in our Brazil 45’s catalogue and given them a loving remaster and repress.

This edition takes two hugely sought-after tracks from Quinteto Ternura, and their original outfit Trio Ternura, and cuts them loud and proud on either side of a seven inch.

First up, a hit of pure sunshine from Quinteto Ternura. Trio Ternura, who were made up of two sisters, Jussara, Jurema and their brother Robson, also formed Quinteto Ternura by joining forces with Léo and Zé Roberto. ‘Baby’ is an absolutely killer, blissful Brazilian modern soul jam written by Caetano Veloso, arranged by Arthur Verocai, covering Gal Costa. Once a real rarity in Brazil, this beauty is now accessible for all to enjoy and is one that rarely leaves our record bags. Taken from the Quinteto Ternura self-titled LP from 1974.

On the flip side, ‘Filhos De Zambi’ is an exquisite, uptempo samba-funk cut from the same year, but released as the siblings original Trio Ternura lineup. Infectious, feel-good fire from the trio, co-written by their father Umberto Silva and José Ribamar. Contains a brilliant, harmonised chorus and wondrous key change that is sure to light up any dancefloor.

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Quintessence

Seim Colored Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Mad About Records officially reissues super rare private press Quintessence’s 1981 LP. With every famous jazz recording, many others remained on the shelf of oblivion without ever receiving the recognition they deserved, and this is the case of Quintessence.

Led by Ron Ancrum, with George Sovak, David Gaedeke, Winston Johnson and Steve Muse recorded an exceptional and fundamental album of 80's jazz.

If you are into Fender Rhodes, this is an LP to be collected.

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Quinquis

LP | 2022 | UK | Original (Mute)

19,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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12" | 2023 | UK | Original (Sähkö)

Quiet Voices

Hantologies

21,99 €*