Search "tim+hecker" 20943 Items

Nested Russian Dolls Of Paranoia

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After the release of his critically acclaimed debut album last year, Regal is back on his own imprint Involve Records with reworks of two timeless legendary techno anthems along with the remasters of the originals: Acid War by D.O.M. and Benozal by Umek

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Prophetas

Tape | 2022 | EU | Original (Sucata Tapes)

Tape | 2022 | US | Original (Jagjaguwar)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Third and probably last volume from Gonçalo F. Cardoso’s most disillusioned moniker, Prophetas.

Where the first tape, Reveal, Accept, Remember, Forget, revived mid 50’s ideas of weird hope (ufo sightings, suburbia, space race) and the second, Maury Island Reverie, explored early 90’s disillusionment through a sound world of mall culture, late night cable TV and rampant consumerism, this new work concludes de unplanned trilogy with a more randomised yet no hope approach to the sentiments and concepts explored previously.

Produced over what we call now the pandemic years, and pressed just before the outbreak of yet another war, the feeling here is schizophrenic to say the least : full channel surfing, all tabs open, zero attention span and out of control consumerism has settled into the music (and our lives), the new normal, no time to think, no time for much really, keep going, feel sorry, carry on and die.

The Fake prophets have now established their claws firmly in every corner of our societies, ripping all of our planet benefits whilst leaving nothing in return, the world is now a gigantic cash dispenser, a credit card landfill, everything is up for grabs as long as it can turn a quick profit. Technology? Science? Art? Who needs it when we can just use it to exploit, to make a other quick buck whilst keeping tabs on the population. All this whilst appearing as humanity saviours? I’ve got a plan, it’s ok, let's all go to Mars.

Secret and not so secret wars have been raging since this work was completed. The old present has finally cancelled any possible future, thank god we have the past to look at and wonder… like this tape does, all hail the ubiquitous fake prophets of the 21st century, it’s us!

‘Bring to the storehouse a full tenth of what you earn…I will open the windows of heaven for you and pour out all the blessings you need’ – Malachi 3:10

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Okay Kaya

Sap

12" | 2021 | EU | Original (Miniman)

Release: 2022 / US – Original

Genre: Rock & Indie

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"Even my subconscious is self-conscious," Okay Kaya sings on "Inside Of A Plum", giving us a sense of the mental state she entered while making SAP, an album she wrote, performed, engineered, and produced alone, sometimes spending weeks at a time without social interaction. This is a concept album about consciousness in which Okay Kaya focuses her trademark combination of abstraction and wit on what happens to her mind unaccompanied, on her tendency to feel less like a human and more like the sticky secretion of a tree. After releasing her Spellemann Award winning album Watch This Liquid Pour Itself in January of 2020, Kaya left her home in New York and moved to Europe to create and show her various interdisciplinary exhibitions. Among others, she made an installation that amplified music made underwater and an interactive sculpture based on Jungian sandplay therapy for children. Between her exhibits, Kaya recorded through lockdowns by herself in the loaned studios of generous friends. SAP first grew from the first single "Spinal Tap" about Kaya wandering in Berlin, tree-touching. "Sap reminds me of the bodily functions I need to remember to do, like sleep. One might say it `resinates.'" The album was further inspired by Ketamine Therapy which is discussed in "The Inside Of A Plum." Kaya explains, "The doctor said this treatment grows literal physical branches in your brain." As she experimented with ego death, the subject of her song "Jazzercise", Kaya found herself writing in the voices of fictional characters she'd encountered in other people's stories. In `Jolene From Her Own Perspective,' she imagines Dolly Parton's nemesis responding to her song. In `Origin Story,' Kaya writes as a mythical goddess frustrated with her creation myth. In `I've Spent Forever Planning A Crisis,' Kaya responds to Cassavetes' film A Woman Under The Influence writing from the perspective of the story's children. Okay Kaya's investigations of mind-body come along with sexy dance beats, unpredictable interlocking synths, delicate soft guitars, and close-to-the-mike R&B whispering. But Kaya likes her falsettos cracking and her soul-inspired hooks careening wildly, a beautiful chaos that somehow fits together. When she returned to New York, Kaya was excited to collaborate again, to get friends to "bless the record." She invited friends to Gaia Studios in Greenpoint, Brooklyn to sing or play an instrument. Most songs on the album unfold with guest performances from artists as varied as deem spencer, Taja Cheek of L'Rain and Adam Green of The Moldy Peaches. Just as the recording process began with isolation and ended with friends, SAP starts with the internal and leads outside to romance, to lovers who serve as funhouse mirrors, reflecting Kaya back to herself from different angles. In "Pearl Gurl" Kaya harmonizes with her multi-tracked second self and sings her uncertain conclusion: "If love is not the answer, it's one hell of a question."

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Niall Power

The Bends

7" | 2022 | UK | Original (Disco Fruit)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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The first EP in a series of Sci-Fi Influenced Electro and Techno cuts on the newfound label, 'MiniMan Records' Focusing on the warped and twisted sonic sounds. The Bends EP, carves its way through Dark rumbling bass lines, atmospheric arpeggios, analogue synth textures, pulsating and hypnotic high energy percussive drums. Tracks ranging from purest Electro of Atmospheres to peak time Electro/Techno of the track Submerged.

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Loshmi

Dark Night

12" | 2022 | EU | Original (Program Earth)

Release: 2022 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Serbia's Disco Fruit crew has been putting out lush sounds that take in funk, breaks and soul influences on top of their bread and butter disco grooves for years now. This time they welcome back a label regular, Loshmi, who has put out plenty of edits here before now. His new one 'Dark Night' is a 60s-tinged high speed spy theme with funky brass and bristling drums all overlaid with rock-styled vocal yelps. The instrumental on the flip is a more paired back but just as hustling groove.

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DJ Life & Reflex Blue

Meganeura

12" | 1997 | EU | Reissue (Into The Deep)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Welcome the debut offering from Program Earth. 5 Wonky club tracks from label heads DJ Life & Reflex Blue that will send you spinning back in time. 'Tripped out resonance and turbulent bass push us into the danger zone as we scoot across our perilous surroundings. The lava thickens with various peak time moments as we slow our descent into safer grounds. Blissed out pads and soaring vocals guide us the way as we continue our journey into uncharted territories. With grazes, cuts and a few close calls, we finally reach the dig site.

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Genuine

Nu Ambient Grooves

LP | 2022 | EU | Original (Naked Lunch)

Release: 1997 / EU – Reissue

Genre: Electronic & Dance

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"For the very first time, Itdr spaceship travels back in time to unearth 4 tracks from 'Genuine' (aka Chris Zippel) finest productions originally released on Ninetysix sounds in 1997. Celebrating the 25th anniversary of this project, 'Nu Ambient Grooves' is the ultimate mindtrip experience for downtempo, IDM and Tb-303 lovers."

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Dorival Caymmi

Brazilian Classics

12" | 2022 | UK | Original (TLFT)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Dorival Caymmi was a Brazilian singer, songwriter, actor, and painter active for more than 70 years beginning in 1933. He contributed to the birth of Brazil's bossa nova movement, and several of his samba pieces, such as "Samba da Minha Terra", "Doralice" and "Saudade da Bahia", have become staples of música popular brasileira. Equally notable are his ballads celebrating the fishermen and women of Bahia, including "Promessa de Pescador", "O Que É Que a Baiana Tem?", and "Milagre". Caymmi composed about 100 songs in his lifetime, and many of his works are now considered to be Brazilian classics. Both Brazilian and non-Brazilian musicians have covered his songs. Ben Ratliff of The New York Times wrote that Caymmi was "perhaps second only to Antônio Carlos Jobim in 'establishing a songbook of [the 20th] century's Brazilian identity. This anthology is truly a majestic entry into his own influential lifetime.

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Telfort

Basic Trajectory

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Telfort makes a return with a fifth stellar EP via Tlft, comprising three potent and sophisticated deep house cuts. ‘Phantasmata’ provides that wholesome rhodes deepness of Telfort’s, placing itself firmly in the middle of the floor with its driving grooves and tight bass stabbery, while it’s sprinkled with elegantly phrased euphoric plucks, unfolding into earworm territory. On the flip, the machine-heavy ‘Instruction Through Metaphor’ elevates you into the stratosphere with its astral textures and discordant rhythmic slap. Classy as ever, deft dusty sample cutting and alluring melodic warmth radiates for the journey. Title track ‘Basic Trajectory’ pulls no punches and closes out the EP with a reduced and self-assured sound. It’s a fast-acting dose of stomping house that evolves into a blissful and uplifting trip—a restorative place you will want to return to enough times that you might consider it a classic in time. Since 2015 and with an ostensible sense of precision, Telfort continues to subtly modify the house music blueprint with this sporadic yet impactful emblem.

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Sascha Funke

Treets

Greg Wilson Presents XXXO & ICA Beats

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The long-running Kompakt imprint will release an EP by German DJ and producer Sascha Funke in September. Sharing five tracks that traverse quirky house and techno, Treets marks Funke’s monumental return to Kompakt since his Zug um Zug two-tracker in 2014.

Speaking about Treets, Funke says he is "very happy to be back on the mothership Kompakt" after an eight-year break. As one would expect with Funke, the EP fits the cosmic world of Kompakt to a tee. The title track conveys a weird, tripped-out atmosphere as an alien-like vocal burbles between an acid bassline and squeaky percussion. It's a tantalising glimpse of Funke's freaky underworld. E_Plus follows a similar wonked-out vein, only this time, the vibe is ominous. Funke pairs an orchestral vocal with bleepy pads and signature acid-drenched melody — a solid offering oddball of energy. On Alles Paletti, a 2-step drum pattern and string of bright claps create a sunny soundscape, complemented by a robust bassline and ethereal synth notes. It's fairytale house music, the kind only Funke can produce. The penultimate track Haus More is subdued, as chugging drums slither between a wobbly melody. The Other Version feels futuristic, as Funke goes full-force electro. Extra-terrestrial vocals return, but the pace is cranked up by strident sound FX and thudding drums. An eccentric end to an eccentric EP.

Sascha Funke is a Berlin-based producer and DJ with two decades' worth of releases building his back catalogue. BPitch Control, Turbo Recordings, Endless Flight, Running Back, and several more esteemed imprints have released his work. Today, he continues to create sleek sounds that weave various genres from house, techno, disco, Krautrock, wave, electro and unclassified anomalies. As a DJ, Funke is just as free-wheeling as his productions. He's played E1 in London, Caos in São Paulo and Renate in Berlin, amongst others, displaying his sweeping sound to a worldwide audience. Having been exposed to euro-dance pop as a youngster, you can hear flashes from the genre stitched throughout his work but blended in a way that's quintessential to Funke. Never one to change his sound according to the latest trend, Funke stays true to his creative vision — one of the most significant challenges for producers today.

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Equip

12" | 2022 | EU | Original (Running Back Super Sound Singles)

12" | 2022 | EU | Original (Eudemonia)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A central theme in the life and work of the British DJ pioneer Greg Wilson, UK electro is a page turner. With the seminal Street Sounds compilation from 1984 (please see Greg’s blog for the whole story) being the beacon, there are still a few overlooked corners. Xxxo by Equip is one of them. Originally intended to be part of said release and produced by Greg Wilson, Martin Jackson and Andy Connell (like most of the comp), it was turned down at the time. Sounding like a like a proto -house template with a dash of Klein & MBO, it wasn’t considered strong enough at the time, but found it’s way to the public as a one-sided 12“ in 2006, it felt like a brand-new track as it perfectly correlated with the electro influenced underground dance music mainstream at the time (Chicken Lips et al.). Here it is again: remastered, rekindled and unreduced cut to 45rpm. For full disclosure please see the liner notes on the back cover. Pressed and released for the first time on this planet though are the ICA Beats Pt 1 & Pt 2. Intended to be backing tracks for a UK Electro live appearance in August ´84, they haven’t seen the light of day until now. Both Restored and re-edited with some help of label owner Gerd Janson, they are fierce examples of the sound at the time. Sitting between rhythm tracks and experimental drum machine compositions (and a short greeting from their creators’ other project Syncbeat), it makes you wonder how one could have lived for so long without them. The history of the past enables you to dream of the future.

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Konerytmi

Muotiviesti

12" | 2022 | EU | Original (Sofia)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Konerytmi aka Kirill Jonolainen has been around the electronic music scene for quite some time. Even though he didn't see his first vinyl release as Konerytmi until 2020, he was already able to make a name for himself with a lot of EPs under various other aliases like JLM Werx or Dr. Floyd. For eudemonia Kirill created a unique 6-track EP tingling between Electro and Italo showing what an outstanding producer he is.

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Kink

Hyper Epic

Brazilian Boys / Rubinho E Mauro Assumpcao

Release: 2022 / EU – Original

Genre: Electronic & Dance

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KiNK's first release on Sofia Records this year lives up to its title and its creator's reputation. The relentless energy, love of musical adventure and undamped enthusiasm of a KiNK live set can be found here in all its glory.

Wake Up is not only an instruction and a hidden compliment to Laurent Garnier, it's also evidence of the Bulgarians uncanny ability to deliver steamrollers with various twists and turns, while hitting the peak effortlessly. Beep Beep adds a certain element of mania to the menu. For the lack of a better description, please imagine Mr. Oizo and Steve Poindexter making a record together. Not for the faint at heart. That can be said for the rest of the EP as well. Featuring Redeye, Room To Jack is on the same level of Beep Beep. Traditional topics of Chicago House get a bench test on a speed farm. Dancing to Scrambler one would probably need the same room to jack. Swapping the Windy City with British raving fields, KiNK and Raredub deliver a take on the early sound of UK that might miss breakbeats, but manage to re-use all the other ingredients to a hair: fine-tuned and updated. Quotation without modern misinterpretation. Hyper and epic at the same time. And always remember the future!

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Super Herois / Tudo Ai

7" | 2022 | UK | Original (Mr Bongo)

Tape | 2022 | US | Original (Topshelf)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Sometimes the best things take time to come into fruition, and here we are, ready to finally unleash Brazil45 number 88 - the missing 7"! Featuring two Mr Bongo favourites that we have been longing to share with the world.

First up is a lesser-known Brazilian Boys track titled 'Super Herois’. This slightly trippy and quirky funk-rock groove is taken off an obscure 7" on CID records and was originally released in 1975. 'Super Herois' is super catchy, addictive and a guaranteed complete earworm. It’s a muti genre, crossover nugget that will branch scenes and tick all sorts of boxes.

On the flip is the driving, jazz-rock-samba dancefloor joint 'Tudo Ai’, a cut taken from Rubinho E Mauro Assumpção's highly sought after 1972 album 'Perfeitamente, Justamente Quando Cheguei’. Originally released on Tapecar Records, this short in stature track packs a real punch!

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Supernowhere

Skinless Takes A Flight

Release: 2022 / US – Original

Genre: Rock & Indie

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The majority of the nine slithery songs that comprise supernowhere’s Skinless Takes A Flight were originally cuts that didn’t make their debut Gestalt. But after collectively moving across the country from Burlington, VT to Seattle, WA, the scrapped tracks transformed substantially into florid, at times entrancing compositions. The pulsating “Circles” opens the album with lilted reflections on empathy, breathing in midtempo syncopation with subdued guitar tip-toeing around melodic drumming. supernowhere’s cast of Meredith Davey (bass, vocals), Kurt Pacing (guitar, vocals), and Matt Anderson (drums) share a collective ambition for maximum interplay and collaborative writing, materializing cleanly knotted compositions that evoke vivid dreamscapes and the profound epiphanies drawn from them (“The Hand”, “Ecdysis”). On upbeat “Dirty Tangle” Davey’s voice glides through Pacing’s angular arpeggiations, carving her own rhythmic lane with her distinctive, descanting singing style. "Skinless Takes A Flight" notably would not have come to fruition without the help of engineer Dylan Hanwright (mix. Gulfer, mem. Great Grandpa, I Kill Giants), whom the band met shortly after relocating to Seattle. Hanwright offered up the studio where the album was recorded as a temporary rehearsal and writing space during the pandemic, which in turn gave him intimate familiarity with the music, resulting in an album that was recorded as intimately as it was written. Hanwright helped make the little moments shine too, as heard in the fleeting vocal harmonies on "Augury", or the spiraling chaos in "Basement Window," a further testament to the collaborative, everyone’s-input-matters nature that characterizes supernowhere’s dizzying yet meditative sophomore record.

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Jonathan Kaspar

Umfang EP

12" | 2022 | EU | Original (Pleasure Zone)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Renowned German artist Jonathan Kaspar will make an eagerly-awaited return to Kompakt next month via his Umfang EP, with the four-track offering acting as his first full-length solo release on the label since March 2021. “My third Kompakt EP feels particularly special as it is the first time I’m releasing on my home label with dancefloors being open again. The result is four different tracks producing four different vibes, each of which transport my pandemic desires into today’s world.” - Jonathan Kaspar.

The title track leads the way, taking the form of a retro-leaning cut that features whirring synth stabs throughout. Kupfer comes next, a track packed full of emotive chords and a delicate underlying bassline, before Am Raster leads us to the dancefloor and beyond courtesy of minimal-laced kick patterns. Gemach, Gemach Herr Rabe ends proceedings on an incandescent note, as symphonic keys combine with intermittent crow samples to form a slice of wholesome, nature-inspired musical bliss.

Hailing from Bonn, Germany, Jonathan Kaspar is an integral part of the scene in Cologne. He is a resident at the city’s renowned Gewölbe club and also one of the current main figures at the legendary Kompakt label. His discography boasts releases on some of contemporary dance music’s most esteemed labels, including Innervisions, Cocoon Recordings and Crosstown Rebels to name a few, whilst performances at Watergate (Berlin), Ndsm (Amsterdam) and Extrema Festival (Hasselt) have brought his sound to global audiences. The Umfang EP proves exactly why he has become one of Germany’s most exciting prospects in recent times and with a highlight year ahead, the future certainly shines bright for Jonathan.

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Reboot

Bombons

12" | 2022 | EU | Original (Eskimo)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Second release from Reboot on Pleasure Zone comes right in time for the open air season. "Bombons" is a melodic beauty, not to be missed! Highly recommended!

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Satin Jackets

Hidden Treasures EP

Lose Yourself EP Feat. Rose Eluize & M.Pagliara Remix

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Having established himself as one of the biggest names on the Nu-Disco scene, Tim Bernhardt AKA Satin Jackets returns to his instrumental roots, the lessons learnt from the past few years applied to the dreamy, laid back electronic music that he first made his name with and which can now be heard on the 'Hidden Treasures' EP. 4 tracks that are 100% undiluted and unfiltered Satin Jackets, a producer who is at the top of his game.

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Tom

12" | 2022 | EU | Original (Paloma)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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We would like to present Paloma's seventh release: Tom feat. Rose - Lose Yourself EP Throughout club music history, the combination of vocals and groove remains a vital element. Countless anthems have prompted singing on the floor, and have raised arms in the air. There might have been times where vocals mattered less, but right now they are probably more needed than ever. Tom & Rose are well aware of all that, and they were willing to place themselves and their music in a tradition of dancefloor euphoria, universal messages and also a bit of bittersweetness. Tom is a DJ, producer and mix engineer, and also a booker and resident at Paloma. Rose is an Irish singer and producer. Together they created these tunes, a testament to better times gone and ahead."How Wrong" is the sound of heartbreak, albeit locked in a UKG tinged sureshot that swings back and forth with ease between jubilant piano bliss and monolithic bass weight, and it kicks like a mule. "Lose Yourself" is both an ageless acid slam and a joyful paean dedicated to all nights that should never end. There is a pumping dub too, equally designed to be the soundtrack to blowing a nocturnal kiss to everyday sorrows. Also included: complementary remixes by Eluize and Massimiliano Pagliara that come up with a different take, but a similar vision. Enjoy the music, and stay safe!

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12" | 2022 | EU | Original (Hypnohouse)

Fingerprints

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Hypnohouse strikes back! After a short delay due to the (ongoing) war in Ukraine - the label’s 4th release is finally available for sale. This time around, Hypnohouse offers four solid tunes from four Ukrainian musicians of various backgrounds. The A side jumpstarts the dance engine with two wicked earth shakers from Yaroslav M. (a.k.a Ac130) & Victor B. (a.k.a Vybukhivka). These two locals share a distinct flair and style that will leave listeners pumping from side to side for a strong while. The B side demonstrates an after-hour, alternate reality excursion through hypnosis with two warping grooves from Vlad S. (a.k.a Hopper Field) and Count Orlok (DJ 69 & Ac130). Both artists are highly capable of inducing their listeners into an uncanny state of consciousness through music - don’t miss!

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12" | 2022 | EU | Original (Casa Voyager)

Casa Sports Volume 3

12" | 2022 | EU | Original (Nighttripper)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The third volume of this modern classic, moroccan only compilation, blends peak-time heavy-hitters and more subtle moments. it gathers bergsonist kosh ocb malik jalil and viewtiful joe. OG soundtrack from the motion city, casablanca.

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Patty Pat

Voyager EP

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Detroit influenced 4 tracker by Patty Pat on Nighttripper! Heavy grooving fast-paced classic techno tracks on this versatile release. From stripped-down dubby techno to fierce peak time techno tools.

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12" | 2022 | EU | Original (Saisei)

Sounds Of Transonic

demon time Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Saisei founder Junki Inoue continues his vital archival work uncovering the riches of Japan’s distinctive electronic music scene and bringing them to new audiences around the world. The Sounds Of Transonic compiles six tracks recorded in Tokyo between 1991 and 1995 and released by the pioneering Transonic label, founded in 1994 by Kazunao Nagata and active until 2004. Transonic’s catalogue is a glittering roll call of the scene’s major players, whose inventive and genre-blending work established forward-thinking house and techno in Japan in a way that would shape the country’s electronic sound for years to come. Transonic was instrumental in giving exposure to the work of these artists with its emblematic series of CD compilations, released over a short couple of years in the mid 90s. Beginning with 970-1450km/h, Feedback and Range, the series also included The Roots Of Transonic, featuring music from parent label Trigger. Alongside these compilations came much sought-after solo albums each packaged with striking cover art that makes the discs a visual treat for collectors to this day. The Sounds Of Transonic brings together six tracks from the catalogue into one breath-taking package. The influence of hi-tech jazz and machine funk from Detroit is undeniable in ‘Dream Trance’ (Mind Design) and ‘Blasting Soul’ (Interferon), while ‘Under The Ground’ (Palomatic) and ‘Chelsea’ (Suzukiski) are permeated by the artificial intelligence and trip hop emanating from the UK at the time. The compilation is bookended by two tracks by Nagata himself (as Organization): ‘Space Ball’, a Model 500-worthy chase through the cosmos, and ‘Call’, an eerie echo of Kraftwerk’s telephone, transmitting expectantly out into the void and, finally, receiving its celestial answer. With The Sounds Of Transonic these formative pieces of music will now be available internationally and, for the first time, on vinyl. Saisei is a Japanese word which translates to ‘reproduction’ and ‘to play’ (as in playing records). Japanese culture is widely known for its traditional nature just as much as it is for being forward into the future and this label’s concept does justice to exactly that. Having started digging for records as early as 16 years old, Inoue delved into productions from 1990s Japan to uncover these native gems. Saisei’s core concept is to recapture and reintroduce unique pieces of Japanese electronic music onto vinyl, to an audience it never reached before as most of this music was only released in Japan.

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Mura Masa

LP | 2022 | EU | Original (Polydor)

Can I Hear The Sound Of A Falling Branch

Release: 2022 / EU – Original

Genre: Hip Hop

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Alex The Fairy

Tape | 2022 | UK | Original (The Tapeworm)

Tape | 2022 | UK | Original (The Tapeworm)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Alex the Fairy is an artist based in Berlin producing music with an emphasis on electronic and concrete methods. Alex the Fairy is also part of the 3Ddancer trio, a live act focusing on improvisation and expression using electronics.

Alex The Fairy writes: "I had sent The Tapeworm tracks before, but I was being difficult so was asked to send a new bunch, with a deadline. I sent the new bunch, a fairly odd collection expecting perhaps some of them to be combined with the older stuff but not seeing any coherence in them. I figured The Tapeworm would find at least something. To my surprise the suggestion that came back was exclusively the tracks I had sent the second time, and, re-listening through the tracks in this new order after returning from a Christmas dinner lying on the floor of my nephews bedroom gave them a completely new context. Despite them being quite varied in terms of age (one had been flung together a few days earlier on the train while another was approaching Schulreife) they seemed to meld together in such a way that I hardly recognised them…

Last year my grandmother died. My last grandparent. I had put off seeing her during corona, as I thought it best not to put her at risk and had almost left to visit her days before her death but had delayed my departure because of a medical appointment. My failure to her weighs heavy on my mind - fates grimacing grin: too little, too late. The approaching march of death, one generation closer was a confrontation I wasn't prepared for.

While clearing out her flat in the following weeks I had kept some of my grandfathers cassettes, live recordings of jazz greats, Pink Floyd, Sade and some classical among them, none originals, several presumably from the radio e.g. a church organ rendition of Bach. At the time I wasn't sure why I was hanging on to them, other than the urge to hoard, and that it felt wrong not at least to keep some. Half a year later, half way through mixing this cassette, suffering from my first bout of Covid, I had the insatiable urge to hook up the cassette player I had received from my grandfather after his death around nineteen years earlier and had been dragging along with me since. I stuck a cassette in only to immediately return to the safety of my covers. I began to work my way into what I had saved, hearing the fruits of my grandfathers labour decades before. It felt like quite an intimate interaction with someone I had long lost contact to/was long gone. Quite a wonderful thing, these time traveling cassettes.

I returned to the tracks to mix them shortly before my corona/cassette experience, with a new mixing console at hand. I had been looking for one for several years, but nothing had ever clicked, until I found this old broadcast desk 30 minutes from my place (it also coincided with a payment from a job the sum of which matched the price identically… fates return). Installing became a massive hassle and I doubted my decision continuously, but the further it was implemented the more it made sense. The first track I recorded with the mixer is on this cassette. Shortly before the mixing I was introduced to an Effektgerät by a friend, Rapha. Another good friend Art lent me their one, and I ended up using copious amounts of it throughout mixing, alongside my usual space creators. All the tracks on this release were mixed again on this mixer and are in a sense all a bit of a dub of the originals. I wouldn't have worked this way without the mixer, and the effect gave me a dimension I hadn't had before, so, from a technical perspective, the mixer and this effect define this release, giving it a coherence, at least for me. Emotionally of course the chaos and turbulence of the preceding year and my newfound appreciation for the medium give it a meaning I will struggle to formulate." – Alex The Fairy, Berlin, 9 May 2022

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The Howling

All Hail Mega Force

7" | 2022 | EU | Original (Optic Nerve)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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The Howling is a collaborative project started by writer Ken Hollings and sound artist Howlround devoted exclusively to their shared love of text, audiotape and trash aesthetics. An intense collision of spoken word and analogue tape effects, the Howling's first performance took place at the Iklectik in September 2019 as part of a special programme to celebrate The Tapeworm's 10th anniversary.
Despite the pandemic, they have managed to continue working and conferring together since then, sharing sound files, texts and mixes online, which has resulted in All Hail Mega Force, their first full-length release for The Tapeworm. The two extended tracks contained on this audiocassette reflect their shared interest in Fluxus and how informal rules and permutations can be set up to work themselves out through loops and repetitions. A straight line connects Terry Riley's tape experiments in Paris from the early 60s with their experimental recordings in the Wimpy Bar on Streatham High Road, one of their favourite meeting places. 'The idea of instant, disposable one-off creations appealed to us a lot at the time,' The Howling explain, 'particularly as both pieces were conceived and developed during different phases of Covid lockdown in the UK.'
The title and source material are derived from the kid's adventure movie MegaForce, starring Barry Bostwik and Michael Beck. Designed to sell a range of Mattel hi-tech action toys, MegaForce tanked at the box office but lives on in the collective consciousness of those who share with The Howling a special love for Trash and Trash Aesthetics.
The two tracks also share similarities in approach and realization.
'All Hail Mega Force' was created by reading combinations of the words 'All Hail Mega Force' into a voice memo recorder, transferring it to tape, cutting the whole thing as a single long loop and then stretching it across three reel-to-reel machines simultaneously, using two pencils and a pint glass full of loose change to try and maintain sufficient playback tension. Over time the loop started to degrade, which accounts for the increasingly slurry and unpredictable playback, plus frequent ruptures caused by the tape becoming jammed and having to be tugged through the machine workings by hand. Twenty-four minutes later and the result was a completed new work and a slight backache.
The text for 'Are You Man Enough For Mega Force?' was recorded live in the Wimpy Bar on Streatham High Road, 28 November 2021. It was cut to tape and looped on 3 December 2021 at Warrior Studios, Loughborough Junction. Dragged by motor and then by hand across two tape machines with copious amounts of closed input feedback provided by a third rushing in to fill the gaps. One take with no effects or overdubs, but one tiny edit in the middle when something fell over.

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East Village

Back Between Places

12" | 2022 | EU | Original (Brutaz)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Originally released on the Sub Aqua label in 1988. It appears here on 7” for the first time. This is a previously unreleased version of Back Between Places. The band were never really happy with the original single release and having discovered the master tape of a superior version, it is to be mixed and released here for the very first time.

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Mazewski

Trans For Mate

Roy Ellis Aka Mr. Symarip

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Somewhere between a fever dream and dancefloor. Between the sinister rhythms of the depths and gasping for breath barely above the surface. Stilness, covered with waves of dub and slowly emerging, yet full-fledged harmonies. Mazewski's sophomore record on Warsaw's Brutaż is about something profoundly human and oh how that feature mutates! This EP is dedicated to all the people struggling with addictions and those who help them to see their inner light. Mastered and cut by Tim Xavier at Manmade Mastering. Design and cover by Aleksandra Grünholz (Studio Chaotyczne)

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Shine Your Light On Me

7" | 2022 | US | Original (Liquidator)

12" | 2022 | UK | Original (Balkan Vinyl)

Release: 2022 / US – Original

Genre: Reggae & Dancehall

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Roy Ellis releases this new single featuring his Swiss backing band, Cosmic Shuffling, one of the best traditional Ska and Rock Steady acts from central Europe. Jamaican artist Roy Ellis has toured with Cosmic Shuffling during the last years and from the good experiences and vibes resulting from the gigs together, they decided going to the studio for recording this single entitled ‘Shine Your Light On Me’ which is a great reggae stomper to hit the dancefloors. Roy Ellis doesn’t need much introduction nowadays, his first compositions were recorded in 1964 with the top of the cream from Jamaican artists at that time. Up to date, has released over 60 records and sold millions of copies, specially with his album on Trojan Records from 1969 ‘Skinhead Moonstomp’ which has sold over 7 million copies and still is one of the label’s best sellers. This brand new single is released on vinyl 7”.

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Wtchcrft

Drugs Here

12" | 2022 | UK | Original (Evar)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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After his sought-after debut 12” on I Love Acid last year, which sold out in less than an hour, notorious Brooklyn DJ & producer Wtchcrft returns with a full EP on Posthuman’s Balkan Vinyl imprint. Four tracks of hyper-energetic acid & jack, direct gear for the dancefloor and already heavily club tested. Title track “Drugs Here” sets the pace for the whole EP, with “No Time To Lose” bringing Wtchcrft’s signature vocal edit style. B side banger “Uhmm” recently featured on TSHA’s Fabric mix compilation. Hand numbered edition of 666 copies, randomly assigned to either red or blue marbled heavyweight 180g wax.

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Liza Aikin & Monolog

Until There Was Nothing

Tape | 2022 | US | Original (Secretly Canadian)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Two Berlin techno stalwarts join forces for the first time.

Liza Aikin & Monolog present their debut collaborative EP, Until There Was Nothing on LA's Evar Records. After sharing a studio together for five years, the two accomplished producers fuse their contrasting approaches to create a collection of biting percussive loops and muscular electronics. This collaboration sees the pair explore new territories in sound design, composition and delivery.

Monolog, an alias of Mads Lindgren since 1999, is famed for intense, densely layered noise-based experiments that push technological limits and fuse his diverse experiences in metal, noise, jazz and DnB. Collaborating with Aikin was a process of slimming his production style down, harnessing the mesmeric power of rhythmic repetition. For Aikin on the other hand, a seasoned DJ whose subtly cinematic productions have appeared on labels like Mord and Gegen Berlin, this collaboration was about reaching for new extremes. Given full creative control by Evar, the result is raw and unrestrained. In Aikin's own words: "I'd consider this record one of my most savage, but also thanks to that, the most technically accomplished."

"Remnant" is a highly textured techno workout, mixing blunted percussion with delicate gliding pads to make something at once caressing, and brutally unyielding. "Siam" is an exercise in noise, complexity and control, its tough, obstinate beats mask a tightly wound, intricate core. "Formed By Impact" is fine-tuned for huge, echoey spaces - menacing, pulse-raising and hypnotic throughout except for brief, cathartic moments where the smoke clears. Finally, "Datawerk" closes the EP, a propulsive basement weapon for introverted dancers late into the night.

Hot on the heels of releases from C.Z., Wheez-ie, Speed Dealer Moms and more, Aikin and Monolog close out a prolific second year of operations for Evar. Showcasing two accomplished producers engaged in a mutual learning process, this is explosive music for unwavering dancefloors.

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Stella Donnelly

Flood

12" | 2022 | UK | Original (Robot 84)

Release: 2022 / US – Original

Genre: Rock & Indie

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Like the many Banded Stilts that spread across the cover of her newest album Flood, Stella Donnelly is wading into uncharted territory. Here, she finds herself discovering who she is as an artist among the flock, and how abundant one individual can be. Flood is Donnelly's record of this rediscovery: the product of months of risky experimentation, hard moments of introspection, and a lot of moving around. Donnelly's early reflections on the relationship between the individual and the many can be traced back to her time in the rainforests of Bellingen, where she took to birdwatching as both a hobby and an escape in a borderrestricted world. By paying closer attention to the natural world around her, Donnelly recalls "I was able to lose that feeling of anyone's reaction to me. I forgot who I was as a musician, which was a humbling experience of just being; being my small self." Reconnecting with this `small self' allowed Donnelly to tap into creative wells she didn't know existed. Soon songs were coming to her in a way she could not control and over the coming months, Donnelly accumulated 43 tracks as she moved out of Bellingen and around the country, often finding herself displaced due to border restrictions and a tough rental market. Though the writing of Flood was an intensely personal undertaking, Donnelly still saw the recording process as one of her most collaborative projects yet. Along with her band members, co-producing the record beside Anna Laverty and Methyl Ethyl's Jake Webb helped to foster an important spontaneity in the studio. With Webb, Donnelly could "dig in" and discover a "forward-leaning sound" she'd been searching for, while Laverty's ability to "capture the piano" and discern the "perfect take" allowed the songwriter to take risks, many of which have clearly paid off. Looking back at the Banded Stilt, Donnelly ultimately appreciates how when "seen in a crowd they create an optical illusion, but on its own it's this singular piece of art." While each song in Flood is a singular artwork unto itself, the collective shares all of Stella Donnelly in abundance: her inner child, her nurturing self, her nightmare self; all of herself has gone into the making of this record, and although it would take an ocean to fathom everything she feels, it's well worth diving in.

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Robot84

Robot84 vs Tama

12" | 2022 | EU | Original (Next Door)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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London producer Scott Ferguson, aka Robot84, continues his superlative run through 80s speckled gear on his own label. This time he's cooked up a killer slice of proto house with an Afro vocal boost from Tama. From the slick reverse edits to the warm thrum of the bassline, the classic drum machines patter to the spangled arps, this is feel good business rendered with reverence and love for the roots of dance music as we know it today. Stick on the A side for the vocal version, flip it over for the dub, or better still bag two copies and get creative in the mix.

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Snuff Crew

Still Doin It EP

12" | 2022 | EU | Original (Pathway Traxx)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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And they are doing it again! The Snuff Crew is back! With two crispy floor bangers the Snuff Crew is back after a longer creative break. Soundtechnically in the known percussive influenced acidstyle. On "Midnight Peepin" striking vocal samples enter the sound and fire into the crowd _ no time for Sadnes!!! So it chirps drifting through night. Agn1 on the other hand comes with the classic 303 line and lots of oldschool drums, a track that would also have had a place on my "Post Acid Crash" compilation in 1991!!! Acid party stuff from the Snuff. On the B side Tccm present their remixes of the A side tracks in typical style, dirty and without compromise! While "Midnight Peepin Rmx" clearly shows and celebrates the elements of the original track, Agn1 RMX is a complete reinterpretation of the track structure and sounds, made and mangled from the original drums. A record with an extremely varied soundscape from original oldschool to dirty interpretation. This disc is a must for acid fans!

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Carebears

Peesini EP

12" | 2022 | EU | Original (Sneaker Social Club)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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For Pt21 we welcome the mysterious duo, Carebears. After making an initial debut on our sister label OFFPath a few years back we knew it was only a matter of time before we welcomed them to the parent label with a full EP. Known for their raw analog sound this EP delivers exactly that. Punchy kicks, snappy claps and crisp hi hats are a staple throughout, interwoven with distinctive synth lines and infectious percussion elements. Label owner Niko Maxen rounds things off with a slick remix.

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Walton

Rush

Nelson Dialect & Mr Slipz

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Throwing hi-def sounds into three-dimensional space and rendering bass in increasingly uncharted waters, Walton arrives on Sneaker Social Club with a future-leaning EP of dance wreckers for the tough crowd.

Even his earliest releases were pushing things forwards as the weightless grime thing gathered momentum, but Walton always swerved the rest of the pack and simply approached grime-rooted club music with his own experimental instincts. His mammoth body of work takes in totemic labels like Tectonic, Hyperdub and Ilian Tape, and as time has passed and music has moved on from micro scenes to a generically fluid individuality, so Walton has grown as an artist. Recent drops including his Maisie By The Sea album have started to embrace more experimental spaces alongside his familiar twist on grime, and this mini-LP for Sneaker continues that level of progression.

On the A side, long time Walton fans will be more than happy with the intensity of ‘pjd’, which is as fierce as we’ve heard Walton go to date. As ever, his beats are never a simple matter, with every hit embellished with needlepoint sound design. The sound zips around the stereo field, but never at the expense of the track’s impact. Still, there’s space for other vibes too, as on the deep, sweeping pads and electronica twitch of ‘Quasar’.

By and large, Walton keeps the pressure up. ‘Rush’ is a bludgeoning instrument and ‘Dread’ teases with a jerky, stop-start demeanour which lands heavy blows when it kicks in. But shorter cuts ‘Detach’ and ‘Shots Fired’ also allow space for other aspects of Walton’s craft to come through. It’s these cuts which add to the overall listening experience and show just how much he ahs to offer as a producer.

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Ever Since

CD | 2022 | UK | Original (High Focus)

The Otherside / Make Me Belive

Release: 2022 / UK – Original

Genre: Hip Hop

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High Focus Records are excited to present 'Ever Since', the brand new album from prolific Brighton-based producer Mr Slipz and the newest member of the HF family, Australian rapper Nelson Dialect - A landmark release and signing for High Focus with Nelson being the first international signing on the label.

UK listeners might have first heard Nelson collaborating with Verbz & Mr Slipz on the song ‘Hope’ from their acclaimed LP ‘Radio Waves’ released on High Focus in 2020. Nelson has a cult following in his own right in Australia, and previously released music on the legendary U.S label Fat Beats to great acclaim.

Now teaming up with one of the most exciting and respected UK producers, Nelson & Mr Slipz deliver ‘Ever Since’. A statement piece by two artists with well over a decade spent on their craft which sounds as urgent and refreshing as if it were their first time releasing music. The album’s title is a reference to the endless quest for a timeless sound, reflecting the creative partnerships which spark from a seemingly forever existing thread of music.

The album features a slew of impressive guest verses including label mates Vitamin G & Verbz on the emphatic ‘Oxford Scholars’. Two legends Jehst & Confucius MC combine on ‘Smooth Ride’. Bronx pioneer & D.I.T.C legend A.G delivers a show stopping verse on ‘Trembling the Marrow’. There are hypnotic singing performances by Indira May on ‘First Date’ & ‘Open Book’ as well as Hiatus Kaiyote back up vocalist Jace XL on the soul stirring anthem “Figure Out What’s Right”. U.S rappers SickInTheHead & Cazeaux O.S.L.O round out the impressive guest list on the album with their inspired verses.

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Bobby Oroza

7" | 2022 | US | Original (Big Crwon)

7" | 2022 | EU | Original (Emotional Response)

Release: 2022 / US – Original

Genre: Organic Grooves

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While Bobby Oroza puts the finishing touches on his next album, he treats us to this killer two-sider to end out 2021 and hold us over until the new record is finished. Bobby's debut album "This Love" made big waves around the world and amassed him a cult following from the US to Japan and everywhere in between. He found big love in the sweet soul scene early, but has since made fans in a myriad of circles and subcultures globally. It has by now become clear that his music is not just one thing, analog soul textured for sure, but also with an array of influences that span far beyond the soul ballad world. It is that inability to really nail down his sound that has become the biggest charm, an esoteric and profound passion permeate the lyrics and vibe of everything about Mr. Oroza. This new 7" shows off two sides of Bobby's song writing, an upbeat number on the "plug" side and a heavy duty ballad on the flip. The A side "The Otherside" is an optimistic tune that Bobby humbly shares his story about the troubles we can create for ourselves and the possibility of having a change of mind that frees us from them. The track is equally encouraging with its sunny energy that carries an important message from Bobby to anyone who is struggling and can't see a way out. The B side "Make Me Believe" is another instant classic for the slowie enthusiasts. A moody, soul bearing, cry for help that comes off with a sweet- ness. The vulnerability makes it romantic while the heavy backing track brings it that unique energy that classic B sides have where they are heart- breaking and gorgeous at the same time.

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Lande Hekt

Romantic

Release: 2022 / EU – Original

Genre: Rock & Indie

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Queer introspective, political catchy, guitar-driven indie rock. RIYL The Sundays, Wedding Present, Replacements, Sleeper, Sharon Von Etten.The new 7" features the single, 'Romantic' which is a song about struggling to fit in, feeling down and finding comfort in romance. Connecting with someone because you both feel like you don't belong. "I gravitate towards things that bring me down, I always have, at least I know that now. Never forward, I thought all I had was the past. I used to think each birthday would be my last." "I sat inside on the brightest, warmest days. Everything I loved would always run away. Misery taught me everything I knew and then there was you." The B-Side is a cover of the Wedding Present song 'Octopussy" from their 1991 album Seamonsters. David Gedge himself said about the cover "Thanks... nice. Always interesting to hear different interpretations!" "God knows I've always had to fear the worst, but not that time. You brought me home and then you kissed me first. You were all mine." "A celebration of personal freedom" - DIY Magazine "Hekt's solo debut is part self-interrogation and part community offering, serving up tiny bursts of joy and doubt as refuge for anyone navigating a similar path." - Pitchfork "A first-person directness and grunge-schooled contrasting of melody" - Mojo

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12" | 2022 | EU | Original (eMBi Music)

Frnkfrt Affairs Volume 3

Release: 2022 / EU – Original

Genre: Electronic & Dance

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After the difficult time known to us, embi Music from Frankfurt would like to leave some things behind and continue the musical journey. We close the circle of our Various Artist series with the third volume. Label Boss Daniele Casa presents one of his musical highlights with Faden Colours in this collaboration with Tosz. Also back on board is his old friend Marco Cassanelli with an inspiration from 1997. Also in the remix Daniele does not deviate from his inspiration.

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Orlando Voorn

So Deep

12" | 2022 | EU | Original (Etui)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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For over 3 decades, Orlando Voorn has been a force in dance music like few others. One of the first Dutch producers to establish a connection between Detroit and Amsterdam (check “Game One” his collaboration with Juan Atkins for Metroplex). He has recorded under a trove of alias that include Fix, Frequency, Format to name a few. He maintains a relentless release schedule, and we are very grateful that he found the time to make his return to Kompakt after his well received 2021 “Internal Destination” EP.

The track “So Deep” lives up to the title. A soulful vocal and sincere house beat simmer through an eerie soundscape loop. “Deeper Shades” keeps the vibe of the A Side and makes for a serene and moody deep house journey of epic proportions. Last but not least, “March Of Freedom” brings out the best of Orlando’s visionary production. Sweeping synths and sounds cascade into a momentous track that fits the peak time or in those eternal late night sets.

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Tim Kossmann

Lockdown Loops

12" | 2022 | EU | Original (Bunker)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Etui welcomes Tim Kossmann. With Lockdown Loops the Westfalia dub techno mastermind presents a very personal EP with 3 deep, loop based tunes recorded in extreme isolation during lockdown. The situation created a feeling of lonesome remoteness and uncertainty, transcended by putting in more man hours in the studio.

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Rivers Area Juke Squad

Bunker 4020

12" | 2022 | EU | Original (Chat Noir Tools)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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R.A.J.S. i.e. 'Rivers Area Juke Squad', though this one's this time not really from Chicago, but from The Hague/La Haia. Bouncin' and droppin' 'Juke'-style ghetto-tech bass music with some really authentic 'Latino' edge, surrounded by the sounds of the city streets...'The Squad' contains 2 Mc's: Mc Ravelo & Mc Electronic B, while their producer Kipkillah takes care of both the 'man-beating' and the 'beating-tracks'.

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Saunter

Lost-Mind Logic EP

12" | 2022 | EU | Original (Minor Notes)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Cape Town based DJ & producer Saunter is up next on Chat Noir Tools ! His debut EP is comprised of four bleepy house tunes blending nostalgic feels, peak-time euphoria, spacey and ravey sounds. This toasty four-tracker is unashamedly and sturdily grooved-out, packed with warm depth, and a playful attitude.

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BMB Space Kid

Taste Booster

Solid Gold Playaz & Dark Matrix

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Wooohaaa! The figure 8 always meant more to us than just a symbol on your screen. For this very reason on our eighth vinyl release from Minor Notes Recordings we’re featuring non other than the legendary producer BMB SpaceKid. Stemming from St. Petersburg and from an early age, BMB proved himself to be an extraordinary musician. Able produces top quality compositions with ease, and in any style, but all with his unique twist.

To date BMB is best known in hip-hop circles as he made album beats for many key underground rap artists. He also went international and produced joint tracks with Dj Premier, Anderson Paak, Raekwon, GoldLink and many others. BMB has also performed at the Fabric Club in London, the Outlook Origins festival, live on Boiler Room and BBC Radio 1. He also participated in the Red Bull Bass Camp and the Hip-Hop Academy.

On the record "Taste Booster" BMB SpaceKid showcases his taste and skills in the production of house style dance music. A tribute to the traditions of African-American music, the virtuoso mastery of MPC and sampling techniques, and an outstanding approach to melodic rhythms. We are convinced that this record will appeal to everyone who loves true house music, acting as a breath of fresh air. To enhance the overall effect we invited one of our favorite French producers Art Of Tones, who for a long time, and just like us, has been promoting the organic sound of electronic music 4x4.

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Theories Of The Ghetto Volume Three: Black Futurism

12" | 2022 | EU | Original (Losonofono)

We've Been Going About This All Wrong

Release: 2022 / EU – Original

Genre: Electronic & Dance

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As with most other releases from the underground-at-all-costs Chicago based Mindinfluence Musicworks family, "Theories...Vol. 3 was for the most part only available over the weekend of Movement in Detroit in the spring of 2018. This record was released as the interest in SGP/Dark Matrix had reached a fever over the years since their most prolific output on losonofono, Kanzleramt, Soul Furic, DNH and countless others between the 90's and late 00's, and was intended as a message to let the world know that MiM still existed, and that more was to come.

Always under the surface, this release served as a placeholder to express some of the works left unheard in the years between their peak and resurfacing. with losonofono being their original home it seemed the most fitting, and with the label and artists' connection to the city of Detroit it seemed best to unveil the offering on the sneak tip as part of a losonofono label showcase event, along with a small amount being offered and quickly snatched up at pop up stores in Submerge and the usual hallowed haunts of Hello Records, Detroit Threads, and People's records. None of the copies dropped around survived the weekend on store shelves, with each making their way into crates of locals or visitors for the annual pilgrimage to the mecca of House and Techno.

After that, the records were stored, future plans were made, but time was limited. After a while releases from SGP/Dark Matrix emerged on Childhood intelligence, Freerange, Moods and Grooves and others. Then the main proponent of the group suddenly passed on. With that even more of a renewed interest in him and his works has developed, most recently with compilation appearances courtesy of Shante Celeste, more releases on Freerange and a slew of others yet to come. Time will tell on that. Until then, this is the last volume of the "Theories" series on losonofono. Hand Stamped, Numbered and embossed.

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Sharon Van Etten

Tape | 2022 | US | Original (Jagjaguwar)

12" | 2022 | EU | Original (Siamese)

Release: 2022 / US – Original

Genre: Rock & Indie

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Sharon Van Etten has always been the kind of artist who helps people make sense of the world around them, and her sixth album, We've Been Going About This All Wrong, concerns itself with how we feel, mourn, and reclaim our agency when we think the world - or at least, our world - might be falling apart. How do we protect the things most precious to us from destructive forces beyond our control? How do we salvage something worthwhile when it seems all is lost? And if we can't, or we don't, have we loved as well as we could in the meantime? Did we try hard enough? In considering these questions and her own vulnerability in the face of them, Van Etten creates a stunning meditation on how life's changes can be both terrifying and transformative. We've Been Going About This All Wrong articulates the beauty and power that can be rescued from our wreckages. We've Been Going About This All Wrong is as much a reflection on how we manage the ending of metaphorical worlds as we do the ending of actual ones: the twin flames of terror and unrelenting love that light up with motherhood; navigating the demands of partnership when your responsibilities have changed; the loss of center and safety that can come with leaving home; how the ghosts of our past can appear without warning in our present; feeling helpless with the violence and racism in the world; and yes, what it means when a global viral outbreak forces us to relinquish control of the things that have always made us feel so human, and seek new forms of connection to replace them. We've Been Going About This All Wrong is intensely personal, exploring themes like motherhood, love, fear, what we can and can't control, and what it means to be human in a world that is wracked by so much trauma. The track "Home To Me," written about Van Etten's son, uses the trademark "dark drums" of her previous work to invoke the sonic impression of a heartbeat. Synths grow in intensity, evoking the passing of time and the terror of what it means to have your child move inevitably toward independence, wanting to hold on to them tightly enough to protect them forever. In contrast, "Come Back" reflects on the desire to reconnect with a partner. Recalling all the optimism of love felt in its infancy, Van Etten begins with the plain beauty of just her voice and a guitar, building the arrangement alongside the call to "come back" to anyone who has lost their way, be it from another person or from themselves. Hovering between darkness and light, "Born" is an exploration of the self that exists when all other labels - mother, partner, friend - are stripped back. Unlike Van Etten's previous albums, there will be no songs off the album released prior to the record coming out. The ten tracks on We've Been Going About This All Wrong are designed to be listened to in order, all at once, so that a much larger story of hope, loss, longing and resilience can be told. This is, in itself, a subtle act of control, but in sharing these songs it remains an optimistic and generous one. There is darkness here but there is light too, and all of it is held together by Van Etten's uncanny ability to both pierce the hearts of her listeners and make them whole again. Things are not dark, she reminds us, only darkish.

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Johannes Brecht

Live And Love EP

12" | 2022 | EU | Original (Houseworx)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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We are both very pleased to introduce Johannes Brecht to the Siamese family! A highly talented, trained and decorated musician is a fair description of Johannes and we’re proud to call him a friend and sometimes even a mentor. This record has been in the works for a long time and since all of us wanted to have this EP out on vinyl too it took some time to get everything in place. As expected the three originals show a wide array of Johannes Brecht's world of electronic music. It's about creating something with love and passion rather than staying on safe ground.

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Reale & Vincent XXI

New Traxx EP

12" | 2022 | UK | Original (TC4)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Houseworx welcomes Reale & Vincent XXI to the family! We are very happy to have this great duo from Bari on our label. Their very strong debut will be released in May (unfortunately the pressing times are crazy long du the fact that majors are pressing every shit on vinyl again)..

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TC4

TC4 One

12" | 2022 | EU | Original (Sounds Benefit)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Wolves-based duo TC4 have been working it for some time now, dropping their first 12" back in 2013 and continuing to push a sprightly speed garage sound that spells instant good times. This self-titled label sees them back on the case with four good time joints that make great use of RnB samples, chirpy piano chords and beats with all the bump. 'Feels' has more of a deep house vibe, 'Gold Teeth' takes it straight to classic UKG territory, but without fail all these jams swing tuff and bring enough heat to set a pool party on fire

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Tom Joyce

Le Club

12" | 2022 | EU | Original (Within Reason)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Sounds Benefit label head Tom Joyce comes back on his own imprint with “Le Club EP”, a collection of four cuts made with the dancefloor in mind.

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Hugh Mane

Resonant Moods

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Within Reason Records welcomes Hugh Mane to the fold with a four track EP that is his most polished work to date. Veering away from his usual club ready sound, Hugh takes a much more relaxed approach on 'Resonant Moods', choosing to focus on meticulous production techniques and textural layering to create an EP that transcends both time and space. Often the case with Hugh's music, you can be 6 minutes into a track and not know that any time has passed at all. 'Resonant Moods' is a wonderfully crafted EP that encapsulates emotive tonality and playful rhythms, whilst oozing spacious sub frequencies.

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Icho Candy / Jah Life

These Eyes / Hold On Dub

7" (Jah Life Time)

Barrington Levy / Jah Life

Genre: Reggae & Dancehall

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Hold On Steady / Hold On Dub

7" (Jah Life Time)

12" | 2022 | EU | Original (Ldi Records)

Genre: Reggae & Dancehall

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Martin Matiske

Nocturnal Interference EP

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Martin Matiske's superb new six-track EP Circle Of Enlightenment on LDI Records is based around the concept of one-mindedness and togetherness. This German artist was fascinated with mixing records as early as his 10th birthday and had his first release on the legendary International Deejay Gigolo Records aged just 15. In the 20 years since he has released a selection of records on labels like Moustache Records and Bordello A Parigi. His timeless sound comes with a vintage touch and always fuses electro, italo and techno in fresh new ways. This new EP aims to describe the direct connection between human beings and the universe. Martin says: "Human beings are aliens always looking for answers to questions like why are we here and what life is about? We know the answer but won't accept it. We are made up of the elements of space and are directly connected to the universe. Each person contains the energy of the universe and is connected with everything that surrounds it. We are one! We are here because we are here! Our mission is to be!" The EP opens with 'Memory', and Martin explains that "Remembering is the ability to do things right but most of the time it causes pain." The track is a slick and icy electro workout with gorgeous retro-future pads bringing a cosmic sense of soul while the corrugated bass keeps busy below. 'Breakout' describes breaking out of normal thought and reaching a state of "no-mind." It is a playful and dynamic electro cut with characterful bass and synth stabs like shooting stars as shimmering arps ride up and down the scale. 'Lost In Space' deals with the idea that human beings on earth are just as lost in space as aliens. It's an interplanetary electro trip with glistening synths shining bright next to more twisted, tortured bass. 'Microbot' is about miniature robots that make our lives easier and ride on a punchy bassline, with neck-snapping snares and pads that circle around like spacecraft during battle. It is another lush electro workout that leads into 'Stars' and pays homage to the importance of these twinkling rays of light. It's a widescreen track with withering leads, cyborg vocals, and a real sense of hope as the snappy drums march into an unknown future. Last of all, 'Solaris' pays tribute to the life-giving force of the sun with another super crisp electro groove, slithering arps and conversational pads that make both a physical and emotional impact. Circle Of Enlightenment is a brilliantly adventurous and storytelling new EP from the ever-excellent Martin Matiske.

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Vaust

12" | 2022 | EU | Original (Inch By Inch)

7" | 2022 | UK | Original (Athens Of The North)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The ufo has landed for another time to bring you the rawest electro sounds to earth. Vaust is the name of our alien brother from cologne. A real 'Tausendsassa' when it's about music. Three breakdance/subway party banger to make windmills on and on. Includes a geniusly produced IDM remix by Dust Control. The perfect record to bring celestial vibes into your dancefloor.

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The Sounds Of Soul

So Much Love

Doctor T & Presley Strong

Release: 2022 / UK – Original

Genre: Organic Grooves

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The insanely rare first 45 from the band that became Brief Encounter, so rare in fact most people are not aware of existence. Two covers, The Van McCoy and Cobb penned 'So Much Love' flipped with (My Favourite) Barbara Mason track 'Yes I'm Ready', a true deep soul classic. The sticking point in doing this 45 was waiting years to find a clean copy as the tapes were long gone, the band finally turned up a minter after a long time looking so big love to Gary and Montie Bailey.

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Love Is A Heartbreaker

7" | 2022 | UK | Original (Athens Of The North)

12" | 2022 | EU | Original (Intrepid Skin)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Selma's own Doctor T, a.k.a. Lenoah Presley Strong, a.k.a. Rick Strong, was a fierce Selma talent, he could pick up any instrument and play it and was always playing local clubs. Lenoah came from a large musical family, his Dad, a professional gospel singer, would mentor him and his brother, who ended up recording on Malaco Records and has an underground classic - "Doing It Cause It Feels Good.

Lenoah split his time between the historic community of Selma, AL, where he was born, Beverly Hills, CA where he worked as an auto body hand alongside his older brother, Chuck Strong, a musical force in his own right. In California, T impressed the great Willie Hutch with his playing, rubbed elbows with soul icons such as Leon Haywood and Carl Carlton.

Athens of The North is proud to present a compilation of Doctor T's 7" Recording, all have been difficult to find on original vinyl even to the most avid collectors, most notably "Love Is A Heartbreaker," which is one of the best ballads and grittiest recordings ever laid to wax.

T recorded all of the instruments himself and had an ear like no other, always listening to music and drawing inspiration from his surrounding artists and musicians. Sadly, T passed away in 2021 at the age of 68 but leaves us some timeless Funk & soul that will endure

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Marcus L

Kimchi Slap

12" | 2022 | EU | Original (Magnetron Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Spfdj's Intrepid Skin imprint returns for an outlandish and typically heavy-hitting fourth release, fresh from the somewhat outrageous underground of the current South Korean electronic music scene. Marcus L is resident at Faust in Seoul, and first met Spfdj when she played the city in 2018. In the time since, the two have shared bills in both London and Mumbai, where Marcus's distinct taste and technical dexterity became more than obvious to the Intrepid Skin founder, who dares to exclusively reveal that Marcus is "a really fun guy."

This sense of playfulness is immediately apparent throughout "Kimchi Slap", which takes inspiration from the beloved and fermented cabbage, reinterpreting this staple of Korean food culture as pure techno of the saltiest kind. So indebted to kimchi is Marcus's vision, he even sourced a microscope in order to photograph it in scintillating close-up on the cover. Those inspired by previous Intrepid Skin transmissions from the scene-defining trilogy of Nene H, Schacke and Vtss will find much more to love in this blistering introduction to Marcus L. Reflecting his sets, Kimchi Slap smashes ML's love of industrial, trance and nineties techno classics into formidable rave paste. Already a local rap legend and "irreplaceable character" Kill.gone provides culinary verse and unfuckwithable attitude to the elasticated techno landscape of the title track. On "P For Phycho", Marcus redeems his blatant disregard for correct spelling with a masterful slice of burst drums and quivering acid, beckoning all ravers down a rabbit hole of warehouse-friendly lunacy. "Hardcore Reality" is just as instantaneous, a tunneling carnival ride of militant bass and ecstatic atmosphere, while Parisian DJ and producer Hadone's remix of the intimidating "Kimchi Slap" transforms Marcus's original dish into a dense, tense and surprisingly groovy kiss-off, positioning Kill.gone as a trance-like God, ascending to head of the table on a twin wave of ecstasy and melancholy.

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Figi

2099

12" | 2022 | EU | Original (Groovence)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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2099 is the debut EP of the talented Figi who is on a mission to bring Boogie back to the 21st century. The EP is a clash of time. Taking sounds from the 70's/80's on a trip through space, traveling through wormholes, ending up with bass-driven disco tracks with a strong eighties feel inspired by proto-house. '2099' is recorded using sessions of musicians playing the ideas of the young producer. The entire album has been recorded in separate takes: layer by layer. And as a special guest you'll find San Proper on both vocals and guitar.

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Moonee

Wabi Sabi

12" | 2022 | EU | Original (Orson)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Moonee’s New Effort Wabi Sabi on Groovence Discs

Throughout his relatively short career in solo (His contribution to house duet Twice Movement started in 2015) , Groovence’s Head Moonee (real name François Lefevre) has delivered some top shelf contributions over the last years, appearances like his debut track on Groovence last year « Faith & Sorrow » and an official remix for Sweely’s banger « Gotta Keep On » in 2020.

This debut EP was composed at home between 2019 and 2020, as time was flying during the first covid lockdown.
With most daily constraints gone, Moonee had time to plug in his MPCs and finish this batch of tracks. Blending contemporary and classic deep house, the EP draws inspiration from artists such as Mr.G, Dj Q, Linkwood or Theo Parrish.

Wabi-sabi is a Japanese ancient aesthetic and spiritual concept that celebrates the imperfection of things. Focused on the notion of beauty and the passage of time"

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Daniel Savio & Mesak

Härdsmälta EP

Nicola Conte / Gianluca Petrella

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Orson Bramley calls for the return of old friend Mesak to his label for his 3rd release. This time Mesak teams up with Daniel Savio and the results are quite simply amazing! This 4 track Ep delivers tough yet melodic Drexciyan sounding electro cuts that are set to cuase devistation on dancefloors around the globe.

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Inner Light Joe Claussell Sacred Rhythms Version

12" | 2022 | EU | Original (Schema)

I Don't Want To Take A Chance

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Inner Light - Joe Claussell Sacred Rhythms Versions (2022) Nicola Conte & Gianluca Petrella’s 2021 brilliant collaborative jazz dance album “People Need People” channeled a vision of togetherness and used the universal language of music to elevate our spirit during these trying times. This vision can’t be more relevant today and the album’s legacy is kept alive with the same spirit of collaboration that distinguished the project. “Inner Light” - featuring Raashan Ahmad on vocals - is the first song from the album chosen for a series of reinterpretations of the project that will be released throughout 2022. Joaquin Joe Claussell needs no introduction, the Body & Soul founder and Sacred Rhythm label honcho is a true legend and purveyor of spirituality – a cosmic messenger that brings us two versions of “Inner Light”, featuring Raashan Ahmad on vocals is the first song from “People Need People” (sclp/cd 491) chosen for a series of reinterpretations that will be released throughout 2022 - this EP being the first one in a trilogy of 12”. Joaquin Joe Claussell needs no introduction: Body & Soul founder and Sacred Rhythm label honcho, a true legend and purveyor of spirituality – a cosmic messenger that brings us two new proper versions of “Inner Light”. Further releases in this series will feature none less than Anthony Nicholson, DJ Spinna and Tall Black Guy!“Inner Light”; his work here is not to be solely intended as a remix but, as the title suggests, delivers two new proper versions of the original song. This EP is the first in a trilogy of 12” releases that will also feature further reinterpretations of tracks taken from the “People Need People” album, by none less than Anthony Nicholson, DJ Spinna and Tall Black Guy!

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Wee Willie Walker

7" | 2022 | UK | Original (Kent)

12" | 2022 | EU | Original (Same Mind)

Release: 2022 / UK – Original

Genre: Organic Grooves

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These are two of the finest, previously unheard tracks to come out of the Goldwax vaults. Though they have been around in this complete form, with the horn section, since 2004, it is the first time they have been commercially available on a prestigious 45. The Kent 100 Club anniversary promo of ‘Chance’, with its Northern Soul flip, will now set you back up to £300; this pairing makes musical and economic sense.

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Yaroslav Kinsky

Alt EP

12" | 2022 | EU | Original (Recut Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The story of Same Mind begins with the first release by Yaroslav Kinsky, who brings us an atmospheric audio journey formed by 3 original tracks and a remix by Pablo Bolivar. In recent years, Yaroslav has been exploring synthesizers and other electronic music hardware, focusing more on recording than releasing. Now it's time to bring ideas to life. The A-side starts with the title track 'alt' which stands for 'After Long Time'. The mysterious synth sounds over a groovy bassline make the listener sail above the clouds and get a bird's eye view of the beauty of nature. 'Enduro' continues the storyline with a dreamy atmosphere, warm synths and enigmatic vocals. The B-side starts with trippy 'Moons' and definitely sounds and feels more dancefloor-oriented and while listening you could easily find yourself dancing in the middle of your room. The release ends with a dubby remix of 'Moons' by one half of Pulshar duo, Seven Villas founder and AvantRoots co-founder Pablo Bolivar, which goes in a more hypnotic but equally mysterious direction. Do you also believe that quality is above trends? Then we are of the Same Mind.

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Recut

Disco Chicago

12" | 2022 | EU | Original (Synapsis)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Relative newcomer Recut Music wasted no time generating serious measures of heat with their three previous Disco-fuelled releases. On the controls once again is the talented old school DJ producer who returns on his own Vinyl only imprint with 4 House, Disco & Acid-tinged tracks inspired by the early sounds of Chicago. For the first cut in this project Recut dusts off his shelves and diggs deep into his collection to Re-Edit forgotten warehouse banger 'It's All In Your Mind', he effortlessly refreshes and transports this gem into 2022. Next up 'House Intensity' does exactly what it says on the tin with its warm and percussive bassline & hypnotic arpeggios which will take you to a cosmic dimension. 'Disco Chicago' is the track that gives the project its name, it has an ensemble of drum sounds from the 808 and 303 to create this authentic Acid House gem that will fill any dancefloor. 'Mickey On Acid' closes the EP with a fun fusion of Latin, Tropical and Acid of course. Recut Music, Fun for Djing ! Limited stock available. So be quick!

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Dream Scoring

Cinematic Panoramas

12" | 2022 | EU | Original (Modular Expansion)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Another collaboration is on deck as 017 from Hakim Murphy and Hear. Dream Scoring is up with a three track 12” titled Cinematic Panoramas. These tunes create different feels; two that are more straight up dance tunes and one with a flipped out disco vibe. This is the second 12”, following up the psychedelic Image of a Myth on Naissance Music as they continue with their moments of time scoring theme.

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Emex & Studio416

Cluster Of Time

12" | 2022 | EU | Original (Dom Trojga)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Emex & studio416 is a collaboration between Athens and Berlin underground electronic scene. The release 'Cluster of Time' includes four tracks with hypnotic minimal atmospheres and deep chords, which progresses into darker territories and transfer you in universe of Pandora, Typhon, Tethys and Eudora galactic complexes. With the financial support and under the auspices of the Hellenic Ministry of Culture and Sports.

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Poly Chain

Dogtooth EP

In My Own Time 50th Anniversary Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Synth enchantress Poly Chain returns to Dom Trojga for a smashing full EP release! Hailing from Kiev, she first made a name for herself during the years she spent in Warsaw, releasing her debut LP and becoming a fixture on Poland's underground scene. After returning to Ukraine, she spread her wings further, with exciting releases and regular international appearances only briefly thwarted by the pan-demic. Her long-anticipated EP for Dom Trojga is a treat in her signature style - filled to the brim with incessant, psychedelic arpeggios racing over raw and direct beats. The opener "Kie?" is an unfor-giving electro tune with a huge snare (we like) and tight, unsettling synthwork. "Visa" offers some much-needed hypnotic comfort, and on the flipside, "Acid Regular" hits the floor again with a serious groove, while "Visa Reprise" closes off in a deep, echo-laden fashion. The cover is a drawing by the inimitable Bartosz Zaskórski - an illustrator, sculptor and sound artist, whose uncanny, twisted bio-mechanical visions have been haunting us for years. Take a bite of Dom Trojga!

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Karen Dalton

Tape | 1972 | US | Reissue (Light In The Attic)

Almost Mythical Ep Pit Spector Remix

Release: 1972 / US – Reissue

Genre: Rock & Indie

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Karen Dalton’s 1971 album, In My Own Time, stands as a true masterpiece by one of music’s most mysterious, enigmatic, and enduringly influential artists. Celebrating the album’s 50th anniversary, Light in the Attic is honored to present a newly remastered (2021) edition of the album on LP, CD, cassette, and 8-Track.

Both the CD and cassette editions feature 9 bonus tracks, including 3 alternate takes from the In My Own Time album sessions, along with 6 previously unreleased tracks captured during Karen’s 1971 European tour, including live at The Montreux Golden Rose Pop Festival and Germany’s Beat Club.

All audio has been newly remastered by Dave Cooley, while lacquers were cut by Phil Rodriguez at Elysian Masters.

The Oklahoma-raised Karen Dalton (1937-1993) brought a range of influences to her work. As Lenny Kaye writes in the liner notes, one can hear “the jazz of Ella Fitzgerald and Billie Holiday, the immersion of Nina Simone, the Appalachian keen of Jean Ritchie, [and] the R&B and country that had to seep in as she made her way to New York."

Armed with a long-necked banjo and a 12-stringed guitar, Dalton set herself apart from her peers with her distinctive, world-weary vocals. In the early ‘60s, she became a fixture in the Greenwich Village folk scene, interpreting traditional material, blues standards, and the songs of her contemporaries, including Tim Hardin, Fred Neil, and Richard Tucker, whom she later married. Bob Dylan, meanwhile, was instantly taken with her artistry. “My favorite singer in the place was Karen Dalton,” he recalled in Chronicles: Volume One (Simon & Schuster, 2004). “Karen had a voice like Billie Holiday and played the guitar like Jimmy Reed.”

Those who knew Dalton understood that she was not interested in bowing to the whims of the record industry. On stage, she rarely interacted with audience members. In the studio, she was equally as uncomfortable with the recording process. Her 1969 debut, It’s So Hard to Tell Who’s Going To Love You The Best, reissued by Light in the Attic in 2009, was captured on the sly when Dalton assumed that she was rehearsing songs. When Woodstock co-promoter Michael Lang approached Dalton about recording a follow-up for his new imprint, Just Sunshine, she was dubious, to say the least. The album would have to be made on her own terms, in her own time. That turned out to be a six-month period at Bearsville Studios in Woodstock, NY.

Producing the album was bassist Harvey Brooks, who played alongside Dalton on It’s So Hard to Tell Who’s Going To Love You The Best. Brooks, who prided himself on being “simple, solid and supportive,” understood Dalton’s process, but was also willing to offer gentle encouragement, and challenge the artist to push her creative bounds. “I tried to present her with a flexible situation,” he told Kaye. “I left the decisions to her, to determine the tempo, feel. She was very quiet, and I brought all of it to her; if she needed more, I’d present options. Everyone was sensitive to her. She was the leader.”

Dalton, who rarely performed her own compositions, selected a range of material to interpret—from traditionals like “Katie Cruel” and “Same Old Man” to Paul Butterfield’s “In My Own Dream” and Richard Tucker’s “Are You Leaving For The Country.” She also expanded upon her typical repertoire, peppering in such R&B hits as “When a Man Loves a Woman” and “How Sweet It Is.” In a departure from her previous LP, Dalton’s new recording offered fuller, more pop-forward arrangements, featuring a slew of talented studio musicians.

While ‘70s audiences may not have been ready for Dalton’s music, a new generation was about to discover her work. In the decades following her death, a slew of artists would name Karen Dalton as an influence, including Lucinda Williams, Joanna Newsom, Nick Cave, Angel Olsen, Devendra Banhart, Sharon Van Etten, Courtney Barnett, and Adele. In the recent acclaimed film documentary Karen Dalton: In My Own Time, Cave muses on Dalton’s unique appeal: “There’s a sort of demand made upon the listener,” he explains. “Whether you like it or not, you have to enter her world. And it’s a despairing world.” Peter Walker, who also appears in the film, elaborates on this idea: “If she can feel a certain way in her music and play it in such a way that you feel that way, then that’s really the most magical thing [one] can do.” He adds, “She had a deep and profound and loving soul…you can hear it in her music.”

1–10: Originally released as Just Sunshine – PAS 6008, 1971 11–13: Alternate Takes from album sessions, 1970/71 14–15: Recorded live at Beat Club, Germany, April 21, 1971 16–19: Recorded live at The Montreux Golden Rose Pop Festival, May 1, 1972

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Tom Ellis

12" | 2020 | EU | Original (Birds)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Chilean label Birds first release gives some fresh sounds from Tom Ellis and a mystical remix by Pit Spector. On A side “Das” brings some serious groove straight to the dance floor, second track “Almost Mythical” goes around sweet melodies and celestial vocals. On B side “Emblems” takes us to a mysterious journey through a musical landscape introducing to the “Almost Mystical” remix by Pit Spector giving an eerie and other-worldly vibe. Art and illustration by Bako

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Reinhard Voigt

Cha Cha Club

12" | 2022 | EU | Original (Free Voyage)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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It’s time for a new Reinhard Voigt EP on Kompakt? It doesn’t feel like it was that long ago since we last heard from him but then again, time is running! His latest release on Kompakt "Was wir spüren" (kom 402) was released in May 2019. From there we encountered Reinhard's musical work mainly in the form of various digital reissues or in union with his brother Wolfgang together as Voigt & Voigt. Then in August of 2021, a glimmer of musical life from Reinhard reached his loyal fans in the form of a continuation of his RV ultra-minimalist concept series as "RV 05 / RV 06" via our KX imprint.

So that brings us to the present. Two new tracks that preach and spin on the classic Reinhard Voigt sound. Tracks that are as relentless as they are consistent to his signature stoic, radical, minimal techno. "Cha Cha Club" creaks and stomps along so mercilessly that they leave us impatient for the reopening of a dark, foggy club room and to have the bitter taste of gin and chemicals on our palates. Bass drum in, bass drum out - sometimes that's all it takes to be happy.

With "Die Frau, die nach Deutz ging" Reinhard discloses a small tale in the title...that this is the continuation of "Der Mann, der nie nach Deutz kam", a track from “Was wir spüren”. Elements recall Reinhard Voigt's Speicher tracks; sovereign, modern techno, monotonous in principle, but here and there interrupted and structured by unexpected signals and sounds in such a way that the track will also work on larger dance floors.

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Bladymore Galaxy

Far From Galaxia

10" | 2022 | EU | Original (Anus)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following several reported sightings, a time travelling biplane from Galaxia has arrived on planet earth. The pilot on board was transporting a USB stick containing cryptic code from an artist by the name “Bladymore Galaxy”. Having received the data in Italy, Free Voyage owner Sms(it) got straight to work decoding the data. Inside he found a selection of timeless melodic music, with clear influence taken from travels to the past and future. Now converted to vinyl format, the music is ready for release on Earth.

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Whistle & Klont

Double Knee EP

12" | 2022 | UK | Original (First Word)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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From the deep depths of Noord Brabant (nl), high school friends and long term collaborators Klont and Whistle aka Wessel and Luuk join forces once again. Growing up a mere few towns away from each other and even appearing in the same punk band albeit at different times, the meeting of minds occurred over their shared persuasion for absurdist humour and a fairly unconventional music taste.

They knew they had something special in their pursuit of gnarly breaks, textures and all things on the curveball spectrum, as Klont the ultra music nerd approached with a desire to sculpt sound whilst the breaks disrupter and club-goer-outer Whistle brought his all-around disruptive energy to the table. Separated by the pandemic they practiced their musical efforts away from each other with lots of late night video call jam sessions fiddling with ableton to produce a certified booty shaking masterpiece for Anus Records.

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[ K S R ]

Peace + Harmony

A Time For Us (A Time For Love) / Everybody's Got A Song To Sing

Release: 2022 / UK – Original

Genre: Organic Grooves

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Hailing from Moss Side, Manchester, this young talent has been steadily building a rep for himself over the past few years as one of the UK's most exciting soul vocalists, with his releases encompassing an eclectic assortment of alternative R&B, future soul, hip hop and D&B. Influenced by an array of neo-soul artists, such as D'Angelo and Anderson .Paak, his own soulful style has already seen him tour and collaborate with a number of UK peers; working on projects with label-mates Children of Zeus & Australia's REMi, and supporting the likes of Etta Bond & The Mouse Outfit, as well as performing sell-out headline solo shows in Manchester and London, and playing various festivals across Europe, including the We Out Here festival very recently.

Since he began developing his music in 2017, [ K S R ] has had support from the likes of 1Xtra, BBC Radio 1, BBC Introducing, Mixmag, NTS, Reprezent, Unity & Soho Radio, in addition to featuring on a slew of D&B tracks with artists like Lenzman, BCee, Emba & Redeyes. The collab with Emba was recently named a 'Kiss FM Future Selection' courtesy of Hybrid Minds and features have been supported on Spotify's 'New Music Friday' and 'Mandem - Kings' amongst others. His debut release 'Unfiltered' appeared on Polarface Records in 2019, which was followed by single 'Flex With Me' (also produced by Tyler Daley from Children of Zeus) then an independent second EP, 'Take Control', followed in late 2020 (during the pandemic) which amassed over 500k streams. Additionally to the releases, he was recently recruited by Manchester United as part of their 21/22 season kit announcements, as well as working with Nike and Size? on a special MCR-themed Air Force 1 release.

It's now time for a new extended project from Roosevelt Kazaula Sigsbert - better known as [ K S R ]. 'Peace + Harmony' is a solid set of alternative R&B, produced by Dom Porter and mixed by Eric Lau. Six tracks in all, including the single, 'Harmless' (which received support from the likes of Mr. Scruff (Worldwide FM), BBC Manchester and Victoria Jane (bbc Radio 1), was 'Track Of The Week' on 1Xtra/BBC Introducing, and saw the video racking up several thousand plays in its first weekend) and follow-up 'cgwy' featuring Children of Zeus on a brand new interpretation of their classic track 'Get What's Yours'. From the intro track 'I Wonder', to the downlow future soul of 'Lily Apart', to the autobiographical vibes of 'Born In '98', to the closing track 'Given Summer', also featuring the vocals of Ayeisha Raquel, each track on the EP is of course laced with Roosevelt's unmistakable silky smooth vocals, and is set to join his already impressive catalogue of underground soul classics such as 'Alien Boo', 'Stylin' and 'New Love'.

[ K S R ] says "my third EP, [ P E A C E + H A R M O N Y ] is a collection of my thoughts and experiences from my journey throughout the last two years of my life. Lots of aspects of my life changed over 24 months, along with everyone around the globe. When we were thrown into the unknown at the start of 2020, I stepped away from music for a while as I couldn't find any peace in my creativity and needed to evolve. I finally started to feel cohesive with my songwriting and music, and I could feel harmony between myself and my art once again."

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Mirror

7" | 2022 | EU | Original (Super Disco Edits)

The Dream / Say What's On Your Mind

Release: 2022 / EU – Original

Genre: Organic Grooves

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In February of 1976 Eddie Carmichael left the group “The Voshays” after catching the bandleader/manager stealing from the band. Derry Shepherd and Duncan Bethel left at that time also. About a week later I asked Derry if he would be interested in starting another band and he said sure. At that point Duncan Bethel agreed to participate and he recruited his friend Flynn Emanuel to play trombone. Derry was the manager of the cafeteria at Sears Department Stores in The Pompano Fashion Square Mall and he met Sandy Ficca who was the manager at Chess King Men’s Clothing Store in the same mall. Sandy also agreed to join the group and we auditioned bass players and chose Dave Segal and only one keyboard player auditioned and that was Bob Groszer. We now had all of the personnel for the group and we commenced rehearsing in the recreation center in Pompano Beach, FL at Westside Park. We did a few “Chitlin’ Circuit“ gigs to fine tune the band and music and then moved over to the beach circuit. While there we would perform spring and summer months at “The Ocean Mist” on the Strip in Fort Lauderdale, FL and for the fall and winter months the Big Daddy’s 8600 Club on Miami Beach. After 18 months of constant gigging I suggested that the band go into the studio and record some original music. Now all we needed was some serious financial support and songs. I met a man by the name of Jerry Bullard and convinced him to back the project. We formed our own independent label “Get Off Records” and publishing company “Situated Music”. At that point Dave Segal and Sandy Ficca left the group and Bruce Saddler who was the drummer for The Voshays joined us on the drums for the first two recordings. Sandy Ficca returned as drummer and brought in his old friend and bandmate Daryl Walker to play Bass on five of the six remaining songs. We recorded the entire album in five days at SRS Studios and Triad Studios both in Fort Lauderdale, FL in August of 1977. The first single “Give It Up (Let Yo Funk Fly Free) was a winner released only in the New York tri state area where in two weeks it reached number 16 in the top 100 and was poised to go number one nationwide on the R&B charts in the next two weeks. Henry Stone, owner of TK Records in Hialeah, FL wanted to sign the group as did many other major record labels including Maurice White of Earth, Wind & Fire. But the usual problems of the music business reared its ugly head and the record was pulled from all radio airplay and the group who became disenfranchised with the business of the industry decided to call it quits. Derry Shephard went into Gospel Music production, Sandy Ficca went on to become the drummer for the Pop/Rock recording artists “Firefall”. Daryl Walker is a session player and music teacher, I did studio sessions and played in several cover bands and toured internationally. Bob Groszer toured with Sly Stone and other legendary recording artists. Dave Segal went on to start New York Bass Works in New York. Flynn Manuel became a music teacher in The Broward County School District and Bruce Saddler and Duncan Bethel left the Music industry completely. We were young and not good business people at that time and did not understand the rules of do’s and don’ts of the music industry. But we had three talented songwriters, a great arranger, a killer band and all the financial support that we needed. Looking back if we only had an experienced manager I truly believe Mirror would have gone on to create some great music over the years that followed. Peace and love all the time,

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Rikki Aaron

7" | 2021 | EU | Original (Cordial)

12" | 2022 | EU | Original (Dreamscape Music)

Release: 2021 / EU – Original

Genre: Organic Grooves

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We have both rare and in-demand songs by Rikki Aaron together in one piece of vinyl with 'The Dream' and the original version of 'Say What's On Your Mind.' RAC Records released 'The Dream' on a 7" single in 1985. We decided to edit out the introduction and go direct to the best part of the song with it's boogie on down groove. On the B Side we have the original version of the holy grail from Rikki Aaron with 'Say What's On Your Mind.' This is the first time on vinyl since the original release in 1981. There will be no repress of this release.

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Tim Tama

Heavy Rain, Dark Lights

12" | 2022 | EU | Original (Saint & Don't Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Heavy Rain, Dark Lights is the third release by Tim Tama on his own imprint Dreamscape Music. The tracks were featured in Tim's sets and podcasts over the last year(s), and will now finally be released. The release features four dance floor oriented tracks showcasing razor-sharp sound design in combination with Tim's signature melodic work.

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He Did

El Cielo En La Tierra EP

Tape | 2022 | US | Original (Secretly Canadian)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Saint & Don't is back with its's 6 vinyl release, this time by one of our founders, "He Did" with Lizz & Vinyl Speed Adjust on remix duties.

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Hatchie

Giving The World Away

12" | 2022 | EU | Original (Distrakt Audio)

Release: 2022 / US – Original

Genre: Rock & Indie

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Giving the World Away, the sophomore album from Hatchie, is the truest introduction to the songwriter/bassist at the helm of the project, Harriette Pilbeam. Produced by Jorge Elbrecht, Giving the World Away is Hatchie's most thunderous, sprawling work yet. Featuring input from longtime Hatchie collaborator Joe Agius, it takes the celestial, shimmering shoegaze and pop sensibilities of her earlier releases, but with the volume knob cranked up tenfold. Built out with percussion from Beach House drummer James Barone, it's synthed-out, sonic opulence, a more structured and ornate musicality with traces of `90s trip-hop and acid house influences. Pilbeam initially intended for these songs to go in a higher-energy direction. She had the distinct vision of a Hatchie show turned dance party, inviting more movement and vibrancy into her live shows. But then, between Covid and the lockdowns in Australia, Pilbeam retreated more into herself, and that introspection and self-discovery served as the true inspiration for the record. Again and again across Giving the World Away, she returns to that same theme of dismantling internalized shame and finding gratitude and steadiness, and finally being able to trust herself. Giving the World Away is an album about self-confidence, about the strange time in young adulthood where you begin to finally be able to see yourself clearly. Incisive and probing, Giving the World Away is the clearest look at Pilbeam yet, and a relic of the power and bravery that spring forth from embracing vulnerability and putting your heart on the line.

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Dani Labb & Ali Demir

42/66

12" | 2022 | EU | Original (Jong Nederland)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Following his maiden collaboration project with the immensely talented Furz, Ali Demir is not looking to slow things down any time soon with his record label. The Iceland-based label is not only carrying the aesthetic set in this debut but delving further into it. Distrakt Audio proudly presents the secret ingredient, the multi-talented Patagonian soul and Pryma Records co-owner, Dani Labb!

Up first is Dani Labb's mind-bending, bass-driven groove, "Atemporal" that builds through signature drums and dystopic pads. It's an absolute club cut. Followed by a darker one, "Adori Vita Vis" is a perfect sound for that meditative, hazy, late morning mood.

Much like the previous release, Ali provides the pleasure of his calm and refreshing, yet unique take of dancefloor heaters. "Rewind the Mind" is a hypnotic bass jam, tightened with deeply atmospheric pads and sparkled with floating synth lines. It's a must-have opener. "Trip to Andes" is a subtle club cut offering a juicy sub bassline that propels the track forward and balances it with dreamy melodic elements. This post-pandemic masterpiece is a surefire filled with instant all-timer dancefloor hitters.

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Tom Trago

Tide Will Turn

12" | 2022 | EU | Original (Evar)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Fresh material from the most talented Mr Trago. Locked in during 2020/21, Tom Trago kept himself busy by increasing his daily music-making activities. As he had done pre-pandemic, Trago set aside time each day to improvise and record tracks in the studio attached to his home in Bergen on the Netherlands’ North-West coast. Tide Will Turn, Trago’s third release on the Jong Nederlands label he established to share his work, showcases three such outings. As with previous EPs on Jong Nederlands, each of the tracks was created using a small selection of electronic instruments, drumcomputers and effects units. EP opener ‘Number Own’ is typically emotive and quietly colourful, with chiming lead lines, sustained synthesizer chords, stirring riffs and fluid electronic motifs rising above bustling, body-popping beats and a smooth, jazzy bassline. Bubbly and ear-pleasing, it’s the aural equivalent of watching sunlight bounce off the waves that wash up on the beach just a few hundred metres from Trago’s studio. Title track ‘Tide Will Turn’ is an altogether more relaxed and becalmed affair. Its drowsy chords and gentle, undulating melodies slowly sashay their way between clicking drum machine percussion and slow-motion beats. Trago picks things up again on ‘Understood’, wrapping attractive synth stabs, cascading lead lines and fizzing electronics around a pulsating bassline and breathless, all-action, electro-influenced beats. It provides a fittingly attractive and emotion-rich conclusion to another fine batch of straight-to-tape improvisations.

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Wheez-ie

Horizons Remixes

The Computer Controlled Minds

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Wheez-ie's uncompromising rave anthems get a wild ride of remixes from Tim Reaper, Vtss, DJ Stingray 313, Aura T-09 & Cardopusher

An of-the-moment remix EP full of bold, dark, and relentless warehouse thrillers. On January 14, L.A.-based producer Matt "Wheez-ie" Mauldin follows up October 2021's Horizons release on Evar Records with an of-the-moment remix EP that's cathartic, riveting, uncompromising and altogether powerful. Wheez-ie gathers together an all-star cast of dancefloor iconoclasts who reinterpret his singular '90s-referential rave visions to thrilling affect â€“ this is all killer, no filler warehouse music for those who are brave enough to take the ride.

London's jungle modernist Tim Reaper reworks "Horizons" â€“ a Summer of Love-ready breakbeat epic with cinematic, near gothic overtones â€“ into an homage of sorts to early LTJ Bukem, cutting up Wheezie's melancholy synths into a twinkling fairyland that dances atop a weighty ton of chopped amens and classic jungle subs. Detroit icon DJ Stingray 313 trades in the punishing techno vibes of the original "Anon" for something equally fierce â€“ a versatile 139 bpm slab of expertly-machined industrial electro that pairs perfectly with the sample "You think you know me, you don't," which could well be a rallying cry for Wheez-ie's unexpected musical stylings.

The surprises continue on the remix of "Pressure," tackled by Evar Records label head Aura T-09 with the wildly eclectic Barcelona-based Cardopusher. The duo transform Wheez-ie's aggressive free-festival hard trance into a cheeky and modern riff on early Paul Van Dyk/TiÃ«sto/Love Parade anthems. Gossamer layers of Aura T-09's angelic vocals and tunneling Acperience arpeggios are offset by a wildfire of hacked breakbeats and Dominator synth stabs, revealing Cardopusher's rich breakcore past. Rounding out this fully mental and totally unexpected remix pack is a nasty, naughty fingerblast from the Berghain dark room via Polish-born, Berlin-based Vtss. Where other remixes add the breaks, the fast-techno goddess strips back the early '90s breakbeat hardcore onslaught of the original and replaces it with an equally relentless industrial 4/4 beat â€“ the entire tune is a masterclass in the intensity for which she's known. Uncompromising and utterly of-the-moment, the Horizons Remix EP explores new shades of the themes that infuse Wheez-ie's original: dystopian futurism, uncertainty, dark beauty and rave catharsis. Don't sleep!

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Line Up Into Horizon EP

12" | 2022 | EU | Original (Next Door)

Harold Alexander / Pretty Purdie

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Roadmap through the night! On side A our travel starts with a driving track, find out for yourself where your travel leads you. The atmosphere is full of energy, that calls out for serious dancing! The second track is a classic track that goes in the direction of Acid. We love Acid – the whole night long! On side B Tccm proves that robots can be funky! Shaped by the late 70s and Disco-Funk, a totally new corpus has been created. That’s what we expect from Tccm – always something different. The last track of this EP points towards dawn. It’s time to wrap up, to turn night into day and to relax before Afterhours starts again! “Computer Controlled Minds” show a braid spectrum of electronic beats and an incredibly fantastic roadmap through the night, from dancefloor to dancefloor with different styles!

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Mama Soul / Heavy Soul Slinger

7" | 2022 | UK | Original (BGP)

Event To Come Red Vinyl Edition

Release: 2022 / UK – Original

Genre: Organic Grooves

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Two break beat gems from the Flying Dutchman catalogue. First-time reissue of the 7-inch edit of ‘Mama Soul’, whilst Pretty Purdie’s ‘Heavy Soul Slinger’ gets its 7-inch debut.

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Article 58

7" | 1981 | EU | Reissue (Optic Nerve)

A Strangely Isolated Place 2021

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.

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Todos / Various

CD | 2021 | US | Original (A Strangely Isolated Place)

The Golden Age EP Semi-Clear Silver Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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A showcase of individual tracks from A Strangely Isolated Place's 2021 label releases and a special continuous DJ mix by todos. For last year's label compilation, I mentioned how I hoped to invite a guest DJ to compile the next edition, and here we are. Of course, it just had to be our long-term musical companion, a good friend of mine, and well-respected DJ, todos. I was first introduced to todos through his well-respected Kilchurn Mix series. I've said it before, and I'll say it again, they remain some of my favorite mixes of all time (listen to them all on the Asip site when you get a chance). His ability to craft a narrative, manipulate samples and respect the grey area between ambient and electronic music, is second-to-none.

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The Unknown Artist

12" | 2022 | EU | Original (The Orphanage)

CD | 2021 | UK | Original (Polytechnic Youth)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The Orphanage continues their journey with four heavy, senses tickling tracks from an artist yet unknown. Ranging in styles from dark and pounding to more peak time material, these are all ready for the dancefloor.

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Lone Bison

Transistor Memory

12" | 2021 | EU | Original (We Must Protect This House)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Polytechnic Youth’s enforced, quickfire pre-Christmas release schedule continues apace here with the wonderful debut full length from Lone Bison. As many small labels are discovering just now, one of the only viable alternatives to the current nightmarish world of vinyl pressing, is wandering back into yesteryear and -armed with a call from the PY devotees to ‘just keep getting the music out’- turning to the previously scorned upon compact disc. With ticks alongside the ‘cramming more music onto it’, having it look cool and charging £9.99 tops, we present this fabulous first Lone Bison full length. An incredible 13 track, electronic project for Ramsgate UK based Nick Bonell. Inspired by a love for ‘70s German electronic music and the current golden age of synthesizer based film soundtracks, it’s key theme as Nick says is “Repetition. I just like to lose myself in interlocking arpeggios which transport me away from the stresses of the day job. The tunes came out of me moving increasingly away from guitar and towards using hardware synths like the Korg Ms20, and, having made music as part of a band or a duo- I fancied something solo this time. The album was recreated very quickly, often with single takes and carefully choosing times when the family and neighbours were out!” Hugely recommended to fans of Tangerine Dream / Klaus Schulze or Edgar Froeses’ solo work as well as Cluster and lots on (label favourite) Sky records’ output. Musically, the album is wonderful but the sleeve is pretty neat too; Nick adds “I will be forever grateful for the amazing linocut cover art by Ieuan Edwards aka The Black Gold Press. I originally asked if I could use an existing print, but he insisted on a bespoke piece and chiselled lino all night to turn around the print in 24 hours. Then Jules Bigg (one of the original team behind the launch of Ramsgate Music Hall) did the photography and graphic design, the man is a wizard. I am truly lucky to live in an area where, if you chuck a rock in the air, it will land on an artist or musician. I had pretty much given up on making original music, after the untimely death of my songwriting partner some years ago. However, living in an area where new venues have mushroomed and great gigs are so plentiful, has inspired me to dig out the synths and fx pedals again”. Released in a one time pressing only of 500 with insert cards carrying more of Ieuan and Jules’ work, the album is released by Polytechnic Youth in December.

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HDSN

Low End Therapy

7" | 2022 | US | Original (Park The Van)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Hdsn is one of the most diverse young artists in recent times, and every new production that hits the shelves is proof of his endless exploration of the electronic music universe. “Low End Therapy” is the follow up to his first release on NBAST´s sister label “ We Must Protect This House” , which kicked off a new era of sound on his second home label earlier this year. Now that the dust has settled Wmpth002 is here: straight to the point, pounding and euphoric, its a modern reimagined dream of an illegal 1992 warehouse anthem full of energy but also incredibly catchy and instantly recognisable. Grab your copy while it´s hot!

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Nile Marr

How We Drift

CD | 2021 | UK | Original (Polytechnuc Youth)

Release: 2022 / US – Original

Genre: Rock & Indie

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Nile Marr is the son of former Smiths guitarist and current solo artist Johnny Marr and his wife Angela. He was named for one of his father's musical heroes, Chic's Nile Rodgers.

Marr started out as a solo artist, then as a duo with American singer-songwriter Meredith Sheldon, and then in the trio Man Made, alongside drummer Scott Griffiths and bassist Callum Rogers, with future tour manager for Blossoms, Dan Woolfie, as their sound engineer. They released their debut album TV Broke My Brain in 2016, although its constituent songs were written over a period of eight years.

Marr released a debut solo album in 2020, titled Are You Happy Now? 'Part Time Girl' was released as its first single in 2019. 'Are You Happy Now?' followed in June 2020.

An EP, Still Hearts, was released on 24 April, 2020. 'Still Hearts' was its first single. Aside from the title track, there are two other tracks: 'Hush' and 'The Pusher'.

Marr added acoustic guitar and backing vocals on 7 Worlds Collide's 2009 album The Sun Came Out. He has also appeared on two of his father's albums: on 2013"s The Messenger he plays as a soloist, while on 2014"s Playland he adds backing vocals.

Marr has toured extensively with German film score composer and record producer Hans Zimmer.

His influences include John Martyn, Fugazi and Elliott Smith.

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Prison Of Winners

Vols. I & II

12" | 2021 | EU | Original (Let Me Understand)

Release: 2021 / UK – Original

Genre: Rock & Indie, Electronic & Dance

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Octobers’ other new Polytechnic Youth release represents something of a curveball for the label’s fanbase. To release any album exclusively on CD wouldn’t ordinarily place high in PY head Dom’s thought processes. But, such is the current grave situation within the vinyl pressing world, that when the opportunity arose to get out not just one, but two LPs- and package them together for a tenner in a fraction of the time and price it takes to do one vinyl instalment, of course he leapt at it; and when the music is this good- it begs to be unleashed earlier rather than later…. ‘The Prison of Winners’ is a brand new project consisting of David Mason of Listening Center and Martin Jensen of The Home Current. Between them, they have issued a range of acclaimed releases for labels such as Polytechnic Youth, Castles In Space, Ghost Box, Deep Distance and Woodford Halse, to name but a few. The collaboration’s two volume set contains a selection of music that came to life through a long-distance work routine back and forth across the Atlantic (David resides in New York and Martin is based in Luxembourg) between 2020 and 2021. Having been fans of each others’ work for years, it was only natural that they should eventually pool resources. “Volume 1” had long been earmarked for a vinyl release with PY, but with the aforementioned problems of world vinyl production currently being on its knees, and with a boom in lockdown recording seeing “Volume 2” quickly materialize; all parties quickly realized that a super value-for-money, lavish 2 x CD set might just come together perfectly. Thus, the double disc set is released late October in a beautiful sleeve featuring artwork from acclaimed photographer Geneviève Cygan and David Mason. Both volumes lean heavy on the pairs’ previous wonderful electronic experiments, minimal DIY pieces intercross with more uptempo synth workouts, which the artists themselves reckon “inhabit a space somewhere in between feeling lost in car parks and hazy memories of nights out clubbing, in what feels like a lifetime ago.”

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Santos

Half Past Century EP

LP | 2021 | US | Original (Wild Honey)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Established in 2018, Let Me Understand Records is the imprint run by Santos, an Italian producer & DJ based in Frosinone that requires very little introduction, especially considering his excellent career in the business since 1995. Lmurwax is the logical stepping stone for Let Me Understand, catapulting the label to the vinyl market with both style and substance.

Highly desired on wax amongst minimal house DJs, 'Suburban Cult' is finally pressed on wax and presented in a glorious package that couples the original Santos club weapon with Ricardo Villalobos and Tripmastaz on the remix duties as tRicMast. Exquisite production values and a superb showcase of modern club music minimalism and how it should be crafted.

'Infinite' is the hypnotically marching banger alternative of the record. Here Santos chooses to drive bouncing basslines and minimal (but finely detailed) drum arrangements through clouds of warm pads and haunting vocals. It is a true mood-setter for the proper setting and the right time, especially when dusk becomes dawn and people dance where the waves take them — "infinite.. the waves where you will take me."

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Doug Tuttle

Pinecone

12" | 2021 | EU | Original (Insane Code)

Release: 2021 / US – Original

Genre: Rock & Indie

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Wild Honey Records Is Proud To Announce The Release Of "Pinecone" A New Ep By American Songwriter Doug Tuttle. Throughout The Harrowed Edges Of The 2020 Pandemic, Doug Tuttle's Pinecone Ep Was Born From Hours Spent Whiling Uncertain Landscape Outside Frayed And Unraveled, Tuttle Turned His Task Towards Songwriting Constructed Around Stripped-Down Melodies And Simple, Self-Soothing Repetition. Like A Half-Recalled Tune That Sticks In Your Head Or A Mantra Meant To Focus The Mind, Each Of These Five Songs Is Steeped In The Nostalgic Remembrance Of Better Times Set Against A Wobbling, Unreliable Reality. At Times Adrift In Cyclical Jangly Pop As On "Lead Mask," Shimmering, Affected Piano And Sun-Blistered Guitar As On The Hook-Y "Weak Ends," Or Thoroughly Steeped In Wavering, Grief-Laden Guitar Slide As On "Darkness Under Blight," Pinecone Ep Feels Comfortably Well-Worn From Back And Forth Pacing, Or Rubbed Smooth Like A Worry-Stone Carried In The Pocket. Guitarist, Vocalist, Producer, And Songwriter Doug Tuttle's First Band, Mmoss, Was A Deeply Psychedelic Project And When It Split, Tuttle Shifted Musical Gears. Recording In A Home Studio, Tuttle Made Records Using Various Folk/Rock, Psych, And Classic Rock Elements; His First Two Were Lo-Fi Takes On Melancholy Psych Pop That Featured His Buzzing Guitar And Mournful Vocals. By The Time Of 2017's Peace Potato Though, He'd Switched Gears And Began Crafting Mid-Fi Versions Of Mainstream '70s Rock That Wouldn't Sound Out Of Place Next To Tom Petty On A Playlist.

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Steve Parker

Space Vortex

Prometal Fan Decor Only Product

Release: 2021 / EU – Original

Genre: Electronic & Dance

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ICR is back on track! This time we are racing towards the top of the World techno rankings. To participate in the race there are illustrious names of high-level international fame. We welcome Steve Parker (Ovun. Cocoon, Planet Rhythm, Muted Records) with two original thrilling tracks. After his collaborations with Joel Mull, Ben Sims and Mark Broom, it is M.R.E.U.X with his fresh-of-the-day Remix, which will take you inside the mind with psychedelic and cutting edge. The last remix is by Manuel Di Martino with a Remix of quality and unmistakable positive energy.

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