Search "twit+one" 31495 Items

LP | 1985 | EU | Reissue (Orbeatize)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Skylax Armagnac's darling who released his first EP just a year ago, which had an international resonance with rave reviews from Resident Advisor, Bicep, Chaos in the CBD, Peach or even soul clap. Rightly some saw it as a resurgence, a modernized version of 90s New York house, silky and elegant in the Bobby Konders, Mr Fingers way. For this new EP, with fantastic remixes of the brilliant Simoncino, our French prodigy is inspired by the beginnings of trance on the title song (and title of the ep by the way) "The world as we know it (masterclass mix)", UK dub and rave influences, as on some Nu Groove releases (notably the first joey beltram) - the lead vocal sample comes from a speech in which Noam Chomsky describes the United States as a violent country and hard. According to the author "If this piece says something, I believe it is that the music and the party should not serve to forget the problems of the world, but rather to find the strength, the resources, the inspiration to solve them." On "Oh La Musique" Armagnac used the sound of his neighbors as a voice sample ! Indeed, during this incredibly complicated period that we are living in, confinement due to the devastating effects of covid 19, one of his neighbors played music really loudly and for 20 minutes ignored the other neighbors who were screaming "oh oh, the music" through the window. "Turning this moment of irritation into a sample to the glory of the music strikes me as pretty funny." Still according to the author. On B1, it’s a house masterclass lesson by the phenomenal & ultra prolific Simoncino, but do i need to remind you how much italians are masters in their way of paying homage to all the best house music that has ever been created & produced ? Good taste is often on their side ! The red zone club is a tense and incredibly effective mix that can be enjoyed either on a house or techno dancefloor, it is clearly a banger. B2 saw the italian master offers us a beautiful ambient mix. And to conclude "On My Own" is according to Armagnac "a title that speaks of the trust that one can place in one's fellow human beings and of emancipation." A superb EP that adds to the long list of must-haves from Skylax Records.

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Armando Bertozzi

Fantastic World

12,99 €*

OST La Famiglia Benvenuti

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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Orbeatize first release remastered limited gatefold edition 180g, features one of the biggest italian drummers Armando Bertozzi who has made a significant contribution to the world percussion literature and considered the Polyritmia Maestro for his style of playing different ryhthms at the same time. This Album from 1985 is a true jurney into Jazz and electronic music full of ambient landscapes and atmospheres. Drums and percussions are heavy on all the songs!

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Armando Trovajoli

LP | 1969 | EU | Reissue (Four Flies)

25,99 €*

Release: 1969 / EU – Reissue

Genre: Soundtracks

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Presenting one of the greatest works by maestro Armando Trovajoli; a solid Italian easy listening masterpiece. After its commercial debut in 1968 as an original soundtrack of famous Italian TV-movie, this record gained renewed interest in the 1990s when four tracks were compiled in the immortal Easy Tempo series. From then on, La Famiglia Benvenuti has not only been considered of Trovajoli’s most sought after records, but has achieved the status of being the manifesto of the Roman swinging sixties - a lively addition to the delightfully cool sounds of the late 1960s, made possible by the following key ingredients: the Marc 4 sound (a steady presence for almost every Trovajoli recording); the outstanding I Cantor i Moderni di Alessandroni, with their unmistakable vocal harmonies; and lastly, the eccentric use of the harpsichord (a signature of Trovajol i ' s spaghetti soundtracks of the period). Behold a brilliant cocktail of groovy bossa, terrific shake, catchy tunes, and pop songs, as the amazing La Decisione, sung by Donatella Luttazzi, daughter of the great Lelio.
An absolute must-have for any serious soundtrack collector, and reissued here on vinyl for the very first time!

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2LP | 2021 | EU | Reissue (Music On Vinyl)

76 Black Vinyl Edition

Release: 2021 / EU – Reissue

Genre: Electronic & Dance

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Anthems Ultimate Singles Collected

2LP | 2023 | EU | Original (Music On Vinyl)

37,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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10" | 2024 | EU | Reissue (Music On Vinyl)

Communication 1-3

25,99 €*

Release: 2024 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2015 | EU | Reissue (Music On Vinyl)

Embrace

Release: 2015 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2008 | EU | Reissue (Music On Vinyl)

Imagine

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

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'Imagine' is the critically acclaimed third album of Armin Van Buuren including the fan favourite single 'In And Out Of Love', featuring Sharon den Adel of Within Temptation. This song has been viewed over 230 million times on YouTube alone. Imagine contains some of his most famous songs, like 'Going Wrong' (with DJ Shah and Chris Jones) and 'Unforgivable' (featuring Jaren). More musically adventurous than its predecessor 'Shivers', the Dutch club hero continues to push the boundaries of trance to their limits. The fourth times voted number 1 DJ in the world (Dj Mag Top 100) was awarded many times for his influence in the trance music scene, and this album proves exactly why. Imagine is now available on black vinyl.

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12" | 2011 | EU | Reissue (Music On Vinyl)

In And Out Of Love

Release: 2011 / EU – Reissue

Genre: Electronic & Dance

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Armin van Buuren originally released the track 'In And Out Of Love' in 2008 as the second single from his third studio album Imagine. The track featured vocals by Sharon den Adel, who is best known as the front woman of Within Temptation. It became a major hit and with more than 260 million views, it is one of the most viewed videos on Armada Music's YouTube channel. Due to popular demand, Music On Vinyl, in cooperation with Armada Music and Armin van Buuren present the EP In And Out Of Love. This 12' edition contains the original version, an edit, the 2017 Revision and also remixes by Lost Frequencies, Push, Ilan Bluestone and Maor Levi. In And Out Of Love is available as a limited edition of 3000 individually numbered copies on blue & silver marbled vinyl.

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2LP | 2013 | EU | Reissue (Music On Vinyl)

Intense

Release: 2013 / EU – Reissue

Genre: Electronic & Dance

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2LP | 2010 | EU | Reissue (Music On Vinyl)

Mirage

Release: 2010 / EU – Reissue

Genre: Electronic & Dance

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LP | 2023 | EU | Original (Music On Vinyl)

Old Skool

Release: 2023 / EU – Original

Genre: Electronic & Dance

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12" | 2019 | EU | Original (Vertv)

Armless Kid

Choices

11,99 €*

Seashell Angel Lucky Charm

Release: 2019 / EU – Original

Genre: Electronic & Dance

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After prominent releases on Rekids, Classic or Copie Blanche, one of the most promising french young house music talent Armless Kid is joining the Vertv family for his new EP : Choices.As a Millennial, questioning his own condition of young adult, the 24 years old producer explores the themes that strike his generation like love through the digital age (Internet love), the pursuit of a meaningful life and the need of affirmation through vigorous choices while options are abundant. Melancholia is one of the consequences of this quests (Flirting With Regrets) but it also gives a compelling desire to enjoy life to the fullest (Deep Energy) even if it means eating junk food and watching silly VOD with friends (B3A).This EP is good example of Armless Kid’s music, catchy, fun and elegant with strong roots into the very French tradition of jazz-infused House music as well as bringing his very own twist on 90s influenced deep house thanks to his massive kick drums and sophisticated pads.

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Armlock

LP | 2024 | US | Original (Run For Cover)

26,99 €*

12" | 2024 | EU | Original (Bordello A Parigi)

Release: 2024 / US – Original

Genre: Rock & Indie

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Limited edition "Coke Bottle Cloud" color vinyl with etched b-side. Australian duo Armlock make music for having your head in the clouds. On new album Seashell Angel Lucky Charm, Simon Lam and Hamish Mitchell bring you on a steady ascension throughcompressed and heavenly sonic realms. The band's second properrelease, and first for Run For Cover Records, showcases thesongwriters' experimental electronic roots through an indie rock lens. Free from distortion or overindulgence, Seashell Angel Lucky Charm is a collection of consistent rhythms decorated with clean guitar tones and eccentricities. Through playful layers of vocal harmony and minimal arrangements, Armlock capture the inventive and uncomplicated essence of Pinback or Alex G. Self-described as "indie rock with a touch of spirituality and emo", Armlock's journey into a higher realm is seeped with the looming confusion that comes with exploring the unknown. With an introverted demeanor, Armlock explores the human desire to find guidance in a world much bigger than its people. Every sound on Seashell Angel Lucky Charm feels precise and intentional, making the anthemic choruses on tracks like "Fear" and "El Oh Ve Ee'' feel expertly placed and pop-oriented. These two songs show Armlock's savvy with harmony as they use octaves of angelic sounds to stretch a simple one-word chorus until it soars with meaning. Unlike most indie rockers, Armlock use guitar as a tool in their belt rather than a vessel for songwriting. Where their 2021 EP Trust set foundations in downtempo acoustic guitar, Lam and Mitchell's evolved songwriting is a testament to where an electric guitar can amplify a song's groove, or usher in sonic space.

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Armonics

Future Echoes EP

14,39 €* 15,99 € -10%

12" | 2021 | EU | Original (Bordello A Parigi)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Four years ago, Francesco Strippoli debuted on Bordello A Parigi with Universal Oneness followed by the analogue rich Prison Planet EP. Once again, donning his Armonics alias, the Bari based producer returns with four tracks for Future Echoes. The synthesizer warmth that has characterised past releases is immediately present. At the heart of “Floating High” is Strippoli’s keyboard work. Beats are crisp and understated as waves of melodic murmuration bob and weave to perfectly complement each other. A steady kick introduces the textured title work. Warbling notes give way to bolder chords, chords that are blurred by shimmering arpeggios as layers of harmony expand and unfold. Nostalgia meets the needle on the flip. “Retrospectiva” blends subtle shades with brassy extravagance, the sun and romance of southern Italy radiating in tempered brilliance. The energy of “Music and Lights” closes. Throbbing keys are further fortified by swirling synth stabs, the intensity being ratchetted up to boiling point in this dancefloor delight. Quality through and through.

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Armonics

Prison Planet EP

12,99 €*

What To Do When You Are Dead

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Armonics made quite an impression with the stellar “Universal Oneness” on Diamonds in the Night Vol.1. Now the Italian synth magician returns to the Bordello with Prison Planet, an EP sizzling with the same sensational sounds that graced his first appearance. Dark nights and rising cities are conjured in the soundtrack grandeur of “Mind Guardians” before the solar synthwork of “Prison Planet.” Elements of the otherworldly course through the four tracker, fantastical images and the splendour of space being captured for the floor. The B-side maintains the magic with the crusading crescendos and swashbuckling lines of “The Awakening.” BPMs rise for the finale. Chords dance and twirl with spritely charm in “Spiritual Gate”, neon flecked percussion racing to the finish line.

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Armor For Sleep

2LP | 2005 | US | Reissue (Equal Vision)

44,99 €*

7" | 2018 | UK | Original (La Vida Es Un Mus)

Release: 2005 / US – Reissue

Genre: Rock & Indie

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Lead singer Ben Jorgensen shares: “We are very excited to include some previously unreleased B-sides on the deluxe, 15-year anniversary vinyl pressing of What To Do When You Are Dead. The B-sides we chose to include were demos written and recorded around the same time as the album that we never got to formally polish and fully produce for one reason or another. After a certain amount of time we shelved the songs from this particular era in our history, but over the years we’ve listened back to some of them and thought that one day it would be cool to share them with the people who were fans of the album. We think these extra songs might share some of the same DNA as the songs on the album itself, and we hope they might evoke a similar sense of nostalgia in listeners who might be listening back to the album. We also chose to include some early demos of songs that we wound up re-recording for our first two albums for any of our fans who are interested in rough/early recordings.”

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Arms Race

The Beast

10,99 €*

Arnd Schallenkammer, Gess One

Release: 2018 / UK – Original

Genre: Rock & Indie

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A furious 4-track EP by the UK hc outfit.

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Graffiti Characters For Beginners

Dokument

8,99 €*

LP | 2022 | EU | Original (Exile On Mainstream)

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Graffiti Characters for Beginners presents you with a simple and straightforward introduction to the basics behind graffiti characters. Easy-to-follow instructions of how to draw a classic b-boy or a fly girl, flying eyeballs, angry spray cans, happy Uni-markers and much more. Learn the the basic composition of the characters, and give them emotions, attitude and purpose. Graffiti Characters for Beginners is the fundamental guide for you to learn how to master drawing funky cartoonish figures with style and finesse. Step by step, until you are able to put together complicated sceneries with interacting characters of your own choice. Graffiti Characters for Beginners suits all ages and is as great for kids and creative adults as it is for advertisers, home stylers and school teachers. Learning graffiti has never been easier or more fun! Also available in Dokument Press’ ”beginners” series is the popular Graffiti for Beginners: An

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Arne Heesch

Demons Are Scared

17,99 €* 19,99 € -10%

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2022 | UK | Original (Oscuro)

Arnic

Exposed Memory EP

LP | 2022 | EU | Original ([Pias] Le Label)

Release: 2022 / UK – Original

Genre: Electronic & Dance

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With releases already under their belt from Bilal and Deyayu and a split 12" from Alex Dima and Cristian Sarde, London's Obscura is shaping up to be one of those destined to take up position towards the top of tech house shopping lists everywhere. That said, the four tracks from Arnic have a cheekier, mor sprightly vibe than a lot of tech-house, the likes of 'Night Children' and their tribute to the Glasgow clubbing institution that is the 'Sub Club' drawing on disco and early Chicago house influences, all within the economic and stripped down framework that put a big smile on a DJ's face when they're in the mix.

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Arno

Opex

26,99 €*

2LP | 2023 | EU | Original (Rue Du Docteur Fontaines)

Release: 2022 / EU – Original

Genre: Pop

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It all begins and ends with the blues. That's where Arno Charles Ernest Hintjens started his musical journey in 1970, and that's where it ends more than fifty years later. The rough-voiced knight has left for eternal hunting grounds, but he offers us one last cry. The new album is bathed in a semi-tragic, swampy atmosphere that combines sadness and hope. The drums shine, the guitars resonate and Arno honestly shows how his soul fought a great battle until the end. Opex brings together 10 great new songs with Arno's unique and legendary songwriting. Includes a duet with Mireille Mathieu and a piano-vocal with Sofiane Pamart.

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Arnold Turboust

Sur La Photo

32,99 €*

LP | 2025 | EU | Original (One Little Independent)

Release: 2023 / EU – Original

Genre: Pop

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Arnold Turboust made his first steps in the French rock world in 1980 with the band "Marquis de Sade", contributing to the keyboard parts of their first album "Danzig Twis". He was then part of the local Nantes band "Private Jokes" in 1981. In 1982, he met singer-songwriter Etienne Daho and the two men began a fruitful collaboration that would last into the 90s and beyond. Their first single together was "Le Grand Sommeil", followed by the album "La Notte" in 1984. In 1985 comes the huge success "Tombé pour la France", followed in 1986 by the classic album "Pop Satori". This was also the year Arnold had his own success with the single "Adelaide" in collaboration with Zabou Breitmann. Arnold's first solo album was "Let's Go to Goa" in 1988, produced with his Pop Satori colleague Rico Conning. He has released four more albums over the years, "My Friends and I" (1995), "Any Exit is Final" (2007), "Demodé" (2011), and reunited with Rico for the UNAC award-winning album "Arnold Turboust" (2016). Arnold has composed for artists as diverse as Sylvie Vartan, Brigitte Fontaine, Astrud Gilberto, Enzo Enzo, Barbara Carlotti, Lio, Plastic Bertrand and Jacno. None other than Françoise Sagan has described his special "je ne sais quoi" perfectly: "There is in Arnold Turboust something of Trenet's fluidity, Gainsbourg's detachment, a kind of tender indulgence for others, demanding for himself; a humor without cynicism and a most pleasing musical diversity." Arnold's new album, "Sur la Photo," will be released in February 2023, and the first single "Rue de la Croix-Nivert" has been available since October.

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Arny Margret

I Miss You I Do

29,99 €*

Release: 2025 / EU – Original

Genre: Pop

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Preorder shipping from 2025-03-07

LP | 2021 | EU | Original (One Little Independent)

Arny Margret

Intertwined

20,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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They Only Talk About The Weather

Arny Margret

LP | 2022 | EU | Original (One Little Independent)

29,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 1985 | EU | Reissue (Onderstroom)

De Sfeer Van Grote Dagen

Release: 1985 / EU – Reissue

Genre: Rock & Indie

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Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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LP | 1986 | EU | Reissue (Onderstroom)

Harde Feiten

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Onderstroom)

Koude Oorlog

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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LP | 1987 | EU | Reissue (Onderstroom)

Koudvuur

Release: 1987 / EU – Reissue

Genre: Rock & Indie

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12" | 1984 | EU | Reissue (Onderstroom)

Voor De Dood

Release: 1984 / EU – Reissue

Genre: Rock & Indie

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12" | 1986 | EU | Reissue (Onderstroom)

Zonder Omzien

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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Box Set | 2022 | EU | Original (Onderstroom)

Zwarte Doos

144,99 €*

12" | 2024 | UK | Original (PIV)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Comprehensive box-set of 6 LPs / EPs and their first rare 7inch.

Aroma Di Amore is/was Belgian’s premier cult band. Since the early eighties ADA innovatively combined electronics with rock. With a mix of razor-sharp Flemish lyrics and unconventional song structures the group earned a cult status in Belgium and abroad. 40 years later they conclude their career with a few last concerts and a vinyl box set spanning the years 1983-1987.

At the notorious Rock Rally of 1982 Aroma Di Amore stands out with their wonderful handling of the Flemish language, a deep bass, typical cold new wave drums, biting guitar riffs with the occasional flavor of absolute madness. Frontman Jos Verlooy adopts the stage name Elvis Peeters. The explanation for this remarkable pseudonym choice: in 1977 – the period of the singer's musical awakening – one of the two famous rocking Elvises (not Costello, but Presley) succumbs to his pill addiction. So, dixit Verlooy, there is an Elvis vacant. A banal surname belongs next to that exotic first name. A combination that breathes rock 'n' roll, according to the singer.

His companion Gerry Vergult – who very much determines the sound with his metallic riffs, somewhat indebted to Jean-Marie Aerts – adopts the stage name Fred Angst. Completely in line with the depressing zeitgeist of the 1980s. Gerry eats and breathes music. Besides composing most of ADA’s songs, he records & self-produces a few fantastic dark en loner solo minimal wave tracks as Fred Angst. He is still musically active, more towards the electronic leftfield nowadays under the moniker Zool.

It is clear from an early age that companion Elvis Peeters possesses the gift of the word. As an adolescent he published the punkzine “Dus”. The punk spirit stimulates Peeters. He begins to transform the poetry that he has been entrusting to paper for some time into song lyrics. It is on a whim and without any stage experience that punk friends Peeters and Angst register for the Rock Rally as Aroma di Amore. On a bed of post-punk and cold wave (Joy Division, Wire and Sisters of Mercy are the main influences), they initially let out playful, minimalist and nonsensical slogans such as "Doe De Mafia" (1982) and "Gorilla Dans De Samba" (1983). Later on, the tone becomes more serious, although Peeters' choice of words continues to show a penchant for absurdism and sarcasm. No one in Dutch songwriting imitates this verbal elasticity, certainly at that time.

The numerous songs about war are downright horrifying. In the 1980s, an arms race is underway. When the Belgian government decides to install nuclear missiles in 1981, Aroma di Amore asks for one minute of silence in the hall during performances. In "Lauwe Oorlog" (1983), Peeters exposes the core of his unrest: “paraat voor de parade / de vrede wordt begraven / met militaire eer”. To this day, the frontman of AdA still proudly wears his at least 30 year old 'atomic energy, no thanks!' button.

In 1984 Aroma releases Koude Oorlog on the new and independent Brussels label Play It Again Sam. The traditional press and radio ignore the record, but in the alternative circuits the mini-album does not go unnoticed, and the group starts to build a solid fan base, resulting in more and more offers for gigs. There's also interest in the Netherlands, and due to the international contacts of PIAS, the record also ends up in France, Switzerland, Spain and Canada.

Encouraged by this modest success, the group returns to the studio for a 12" single. With new group member Frits De Cauter on sax, they record "Voor De Dood". To this day, Voor De Dood remains the most popular AdA song, as evidenced by the countless compilations on which the song has appeared.

AdA goes to the Netherlands to record their next album “De Sfeer Van Grote Dagen”. The people from Nasmak have built a new studio in Eindhoven and one of the members, Theo Van Eenbergen (later Henry Rollins), will be the producer. “De Sfeer Van Grote Dagen” is the group's most adventurous album, and the reviews are again unanimously favorable. However, sales are disappointing and PIAS proposes to recruit Chris Reed of Red Lorry Yellow Lorry and record a new single with him. "Zonder Omzien" is recorded at the prestigious Pyramid Studio. However, PIAS is waiting to release the album and in the meantime AdA is recording a number of extra tracks with producer Ludo Camberlin, including "Koekoek In De Stad". Towards the end of the year, Lo and Elvis travel to Africa for a few months and as a result the group comes to a standstill. In this period, Zonder Omzien is released.

At the beginning of 1986, Peeters and Meulen return, and Andrea Smits leaves the group. Luc Pillards is hired as a replacement, and when Ludo Camberlin presents himself as a new label boss and producer (Anything But Records), they start recording their first full album for the label. “Harde Feiten" kicks in immediately, and the group is back up to cruising speed. In the first week of release, the record even appears in the bestseller list of the record stores.

At the beginning of 1987 the recordings for the second album start, this time in a production by Peeters and Angst themselves. Shortly after the shooting, AdA goes to Switzerland for a short but successful tour, with Men 2nd and Cas & Organized Crime as support act. "Koudvuur" is published in the autumn and considered to be their strongest record so far by the group, the reactions are rather low. Both the reviews in the press and the sales are disappointing and put a damper on the joy. Nevertheless, the group is invited to perform in Valencia, Spain, where they have an unexpected success.

MUTANT SOUNDS BLOG

Aroma Di Amore have always been outsiders, even within the confinement of the alternative rock circuit. Their peculiar blend of raw guitars, electronics, Dutch lyrics and unconventional song structures was too hybrid for many. Those howewer who, without prejudice, would lend an ear to the band's music, discovered an energetic, authentic and uncompromising collective that stood above all trends. While so many Belgian "connaisseurs" had their doubts about the possibilities of international recognition for a band singing in Dutch, Aroma Di Amore toured France, Switzerland and Spain; their records figured in alternative charts from Poland to Canada.

From beginning to end the nucleus of Aroma Di Amore consisted of Elvis PEETERS, who in a inimitable, possessed way delivered his highly original lyrics, and Fred ANGST, guitarist mastering the heaviest riffs as well as refined tapestries of sound. Furthermore, the line-up varied throughout the band's carreer with:- H.K. (Guitarist from 1982 until 1983)- Andrea SMITS (Organ from 1982 until 1985)- Luc PILLARDS (Synthsizer in 1986)- Jan WANDELAAR (Guitar and synthesizer in 1986)- Pulcherie (Saxophone in 1983)- Wout DOCKX (Bass from 1987 until 1988)and especially- Lo MEULEN (Bass from 1983 until 1987)and the late Frits DE CAUTER (Saxophone from 1984 until 1986)contributing to the music.

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Aron Volta

Get On Down EP

14,99 €*

12" | 2024 | UK | Original (Freerange)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Aron Volta, one of the first in-house artists of PIV returns to the label with his long awaited 'Get On Down' EP. The track has been doing damage on dance floors around the world for almost two years already. Finally, the moment is here to show this future classic the light of day.

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Aroop Roy

Re Bulele EP

16,99 €*

LP | 2019 | JP | Original (Think!)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Aroop Roy’s star is deservedly in the ascendancy! As one of London’s most exciting selectors, he’s managed to position himself in the sweet spot of being the DJ’s DJ and causing wild scenes wherever he plays, with headline grabbing sets at Defected Croatia, We Out Here, Gilles Peterson’s Worldwide and many more.

As a producer, musician and label owner, he continues to excel, armed with a vast knowledge of outernational sounds, from rare African disco, jazz, funk, to house, UKG and seemingly everything in-between. His open-minded approach has led to brilliant releases and remixes for labels as diverse as Soundway, Heavenly Sweetness, Permanent Vacation, Club Bad, Delusions of Grandeur, Atjazz Recordings and his own Vive La Musique imprint.

Having played a few gigs together, it was only a matter of time before Jimpster convinced Aroop to get an EP together for Freerange and the resulting Re Bulele EP couldn’t be any more satisfying!

Leading the charge, 'Mama Mwana' captivates with entrancing thumb piano loops and a traditional African vocal all propped up by a subtle yet chunky house beat to lock the dancers in.

'Re Bulele' features the hypnotic vocals of Botswana native Fox Meropa. Aroop masterfully combines a deep, techy Afro House groove with glassy synth pads to form a stripped back instrumental with the vocals front and centre. Seemingly disparate elements shine on this wonderful alternative to the deluge of maximal Afro House tracks being released these days.

Moroccan producer FNX Omar delivers the goods with a sublime remix of Re Bulele. Creating tension with layers of looping vocals along with a rolling, percussive groove. Like the original, this remix transcends genres and will create special moments on the dancefloor, whether it be in a dark, sweaty basement or daytime festival in the sunshine.

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Arosa

2LP | 2002 | EU | Reissue (Keplar)

Release: 2019 / JP – Original

Genre: Organic Grooves

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Brazilian composer, producer and multi-instrumentalist, Rafael Arosa produces a pop dance sound without giving up sophistication in harmonies, arrangements and melodies.
Admitting to have one foot in the present and one foot in the past, Arosa has a strong influence on the synth disco and AOR / westcoast styles that were striking in the early 1980s.
In his debut album, Arosa features the participation of experienced musicians from Rio de Janeiro. A prominent partnership was the participation of Donatinho, who in 2017 released the album "Sintetizamor" with his father, João Donato (one of the big names in Brazilian music). Donatinho co-produces 3 tracks with Arosa and has built layers of synthesizers on various tracks.
Another prominent partnership was with Pedro Guinu, a talented keyboardist who co-produced 2 tracks and sings on the "Vertigem" track.
Among the experienced musicians who participated in the recording are also André Vasconcellos (Ed Motta, Djavan), Alberto Continentino (Ed Motta, Gilberto Gil), Pedro Mamede (Natiruts), Adam Nitti (Kenny Loggins) and Leo Mucuri (Anitta, Jorge Vercilo).
The album was mixed by Latin Grammy winner Fabricio Matos and mastered at Metropolis Studio London by Stuart Hawkes. Mastering of the track Stellar Smile was performed at Sterling Sound Studio by Chris Gehringer.
Besides musician, Rafael Arosa is a geography teacher and this activity is somehow reflected in some lyrics.

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Arovane

Icol Diston

31,99 €*

Tape | 2023 | EU | Original (Dauw)

Release: 2002 / EU – Reissue

Genre: Electronic & Dance

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The »Icol Diston« compilation, released in 2002 on DIN, comprised the three first EPs released by Uwe Zahn under his Arovane moniker. Following up on vinyl reissues of his path-breaking debut album »Atol Scrap« as well as 2000’s »Tides,« the German Keplar label finally makes »Icol Diston« available in its entirety on vinyl for the first time in a remastered version with new artwork. This expansive reissue sheds a new light on Zahn’s first two outings as a producer on the »I.O.« and »Icol Diston« EPs on Torsten ›t++‹ Pröfrock’s legendary label as well as highlighting his radical inventiveness as a remixer with the two renditions of Pröfrock-produced material offered on »AMX.« Taken together, these musically complex and emotionally rich electronic compositions form the prologue to an artistic story like none other while also documenting a very specific era in cultural history. The energy running through Berlin and its boundaryless electronic music scene at the end of the 1990s is reflected by and refined through these eleven tracks. »There was an overwhelming dynamic of liberation reverberating through the city—through the clubs, the arts, the people,« says Zahn today. At this early stage in his career, he had a head full of ideas and slowly started filling up his studio with samplers, synthesizers, and sequencers to put them into practice. »I would compose percussive structures in my mind during long metro rides and record them once I was back at the studio as well as composing melodies spontaneously on my sequencer.« The Yamaha Qy700 would become his sketchbook that allowed him to experiment with different patterns, creating polymetric figures out of discrete musical elements. Zahn’s sessions, recorded live in stereo and straight to DAT, resulted in two very different EPs of original material. His debut »I.O.« showcases a playful and gentle, albeit dubby and at times moody aesthetic. The four tracks are exercises in sonic worldbuilding, creating vast spaces and filling them with a plethora of intertwining melodies and rhythms. Its successor »Icol Diston« drew on similar parameters, but painted a very different picture in terms of atmosphere and mood. »Berlin’s history felt still so tangible and yet somewhat ghostly during the 1990s, and it is a reflection of all that,« explains Zahn. »The weight of its past, starting with World War II up to the end of the GDR, clashed with an atmosphere of departure, a new zest for life among the people in the city.« It is perhaps no surprise then that the five tracks put a firmer focus on beats, at times even approximating techno or electro grooves despite never eschewing the complexity that is so central to Zahn’s work. The »amx« EP features two remixes of tracks originally produced by Pröfrock under two different guises. »Außen vor« had been released under his Dynamo moniker and was reworked by Zahn after having been introduced to his label owner’s Studio 440 sampler, sequencer and drum machine. By leaving the groove at the core of the original track mostly intact but infusing it with more dub as well as anthemic synth drones, Zahn gave it more depth both sonically and emotionally. With his remix of »No. 8,« released under Pröfrock’s tongue-in-cheek pseudonym Various Artists, Zahn followed a more radical approach which led him even deeper into dub territory. »I used a relatively short sample as the tonal foundation and then added an incredibly deep bass and percussive elements,« he explains. Widely different from the original version, it perfectly translated the spirit of this singular masterpiece into another stylistic idiom. The »Icol Diston« compilation is imbued with a forward-thinking spirit that remains exhilarating until today. It captures the sound of one unique artist, but also electronic music during that time more broadly. This is the sound of opening a new chapter, the willingness to venture into the unknown.

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Arovane

Seismograf

17,99 €*

CD | 2021 | EU | Original (Colorful World)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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In line with his recent body of work, Uwe Zahn bundled minimal compositions telling narratives situating in the melodic realm of ambient music. On first sight, it seems common that one can enter or construct such stories through the melodies these compositions offer. However, melodies never stand on their own – maybe only theoretically – but in fact truly reveal their magic through the sonical context they’re embedded in. To Zahn, a crucial part of his practice is all about this latter notion. Finding the sweet – and sometimes hidden – spots in sound-design that allow him to express the narratives he wants to share. »Seismograf« could be seen as an ode to this exploration and devoted to the practice of listening - to hear sounds that are otherwise inaudible.

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Arp Frique

The Seed

2LP | 2021 | EU | Original (Colorful World)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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“A seed is the basis of life: a tree, food, a baby, conception, a thought, an album, a band,” says Arp Frique around the title and narrative theme of his latest album. “A seed is growth from almost nothing to everything.”

It’s also linked to a track by Stevie Wonder that he often covers with the band live - 'A Seed's a Star/Tree Medley.' Arp Frique has an inherent understanding of funk and a flush-tight connection to the groove. This was apparent on his debut Welcome To The Colorful World of Arp Frique, via its fusion of disco and funk interwoven with Caribbean and Cape Verdean sounds, and it continues even more so here. If anything, the album plunges deeper into Arp Frique’s love of rhythm and groove. “I went deeper into my love for synths and drum machines from a dance floor perspective,” he says of the album. “This one has more of an electronic vibe.”

The result is an album that feels potently alive, sonically exploring the globe via a concoction of sounds that takes in disco, synth boogie, funk and the sounds of the Caribbean, West and East Africa. The album radiates the feeling of a lost gem, the kind that a crate digging aficionado may find in some far flung place that ends up with a re-release. Whilst Arp Frique expresses a real fondness for such classic sounds - “honestly I wouldn’t even know how to make modern stuff, I am stuck in the 70-80-90s and I love it there” - a tired exercise in retro nostalgia this isn’t. Instead, the album feels more like a fresh take on sounds that once ignited dance floors across the world.

On top of having the dance floor in mind, the album is also a deeply personal one. “I wanted to make this one even more personal and have the lyrics go deeper,” he says. “The lyrics on the album reflect the times we live in: the confusion, hope, despair, rebellion, unity, upgrading consciousness and divinity.” The creative process - despite benefiting hugely from guests that include Americo Brito, Mariseya, Orlando Julius and The Scorpios - is also a personal and intense one for Arp Frique. “I always think in terms of sound and emotion, the two most important aspects of music,” he says. “Every layer that I add needs to add emotion and amplify the sonic palette. It’s a very deep process that I need to do on my own - there is no other way for me. I connect to a higher level of consciousness during these sessions and all external influences need to be cut off in order for this to have maximum effect.”

The theme of the seed that runs through this album, and the connotations of a life cycle, is linked to parenthood. “My daughter, now 5 years old, is my everything and the main drive for everything I do,” he says. “I dedicated this album to her and because this album means so much to me and reflects so much, I also have a full movie almost ready to be released together with the album.” Much like the album itself, the accompanying video will touch upon the tones and styles of bygone decades. “It’s a mixture of a road movie of me and the live band, mixed with a semi-fictional autobiographical story with the album as a soundtrack, all in VHS. Think Holy Mountain meets Sun Ra movies meets Purple Rain but on a low budget with a VHS-cult vibe to it.”

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Arp Frique

The Seed

22,99 €*

LP | 2021 | EU | Original (Jazz Room)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Arpeggio Jazz Ensemble

Le Le

17,99 €*

2LP | 2022 | EU | Original (Boomland)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals,Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off Spiritual Soul-Jazz outing with Avant Garde touches and more than a hint of Afro-Cuban Orientalism.
The percussion drenched title track has that special Worldwide Sound and the Cool Jazz Get Down Groove of "Wet Walnuts and Whipped Cream" is a DJ's delight, whether played over the Airwaves or to a crowded Dancefloor.
An adventurous jazz outfit that has been playing around Philadelphia since its formation in 1979. The Ensemble was founded by Warren Oree, an acoustic bassist, producer and composer who continues to lead the band. Eclectic and far from predictable, on this album the Ensemble has embraced a variety of acoustic and electric jazz styles combining them with African and Middle Eastern influences and mixed together with the "New Thing" have managed to make a timeless underground classic.

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Arpia

De Lusioni

24,19 €* 43,99 € -45%

12" | 2004 | FR | Original (Not On Label (Arrache Self-released))

Release: 2022 / EU – Original

Genre: Rock & Indie

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One the most sought after Italian progressive metal band, Arpia were formed in Rome in 1984. First demo tape reissued on double LP on black vinyl, housed in gatefold sleeve with matte lamination, limited to 300 copies.

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Arrache

Kidnap 04

4,99 €*

Release: 2004 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Don't Fight Your Demons Red & Black Vinyl Edition

Arrested Development

LP | 2023 | US | Original (Ruffnation)

35,99 €*

LP | 2021 | EU | Original (Improved Sequence)

Release: 2023 / US – Original

Genre: Hip Hop

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Before last years's comeback with FOR THE FKN LOVE they came back with DONT'T FIGHT YOUR DEMONS.Ruffnation Entertainment is proud to present the Grammy-winning Hip Hop Legends Arrested Development 2022 album, Don't Fight Your Demons reissued on vinyl!Arrested Development, the 2x Grammy Award Winning, groundbreaking iconic music group, and Hip Hop pioneers continue their forward march of curating conscious, revolutionary music formulated to bring societal issues to the forefront and ignite change. Their 2020 album, 'Don't Fight Your Demons', which originally saw only a limited release, is no exception. The 16-track album features a selection of eclectic musicians including Kuf Knotz, Skyy High, Christine Elise, O'hene Savant, Rambo, Let The Dirt Say Amen, Fro Magnum Man, MRK SX, and is executively produced by Speech for Vagabond Productions and Configa for Configaration Records.The group assures fans and listeners this is no hit or miss album. Each track is distinct in style, flow, and vibe, with influential wordplay and infectious soundscapes. They breakdown and take apart worldly injustices, the current state of racism, grueling masks of politics, and on the flip side offer empowering gems on how to overcome and rise through.The production throughout the entire album channels a continuous kaleidoscope of invigorating bass, soul, funk, worldly tones, and even innovative cadences ear-pleasing to a younger generation of music connoisseurs. Don't Fight Your Demons' ideally serves as a "how-to" handbook brimming with incomparable lyricism, storytelling, and cognizant awareness delivereFFO Fugees, Dream Warriors, Roots, Speech, Del a Soul, Black Eyed Peas - pressed on one red colored and one classic black vinyl record.

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Arrington De Dionyso

Bobcat Flamethroat

S.A.D. Limited Blue Black Marble Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Originally released on cassette in 1993 and now for the first time on vinyl, this is an incredible document from a teenage Arrington de Dionyso. All the seeds of his 30+ career are engrained on these fully formed Tascam recordings. "Bobcatflamethroat" was originally released as "Pine Cone Alley Cassette #9" in August of 1993. The songs were recorded on a Tascam Porta-One 4 Track cassette studio inside a secret area in the basement of the College Activities Building at the Evergreen State College, known as "Happyland". This album has never before seen a digital release of any kind, however there is one song "Everything is Broken" which later became part of the original "canon" of Old Time Relijun after that band was formed in 1995. That song was re-recorded on the first Old Time Relijun album "Songbook Vol. I" released in 1997. I still dig most of the tunes on this one- these were all written and recorded while preparing to welcome a new young life into the world (my daughter Lucinda, born August 22, 1993). So while not specifically "Children's Music" per se, the tunes are wild, hopeful, optimistic yawps of playful abandon for all ages. There are a number of "inside jokes" that only would have made sense to the very tight knit inner circle hat I considered my "core" group of friends at that point in my life. I also think there are more than a few "hits" on here. I was 18 years old! Anyone who has followed the last thirty years of my musical career should find something of interest and delight on this album. For some reason I chose to record most of the guitar and bass parts "direct" without an amplifier- I'm not sure why I did that but it's a unique sound in retrospect. There's a decent dose of throatsinging and other odd vocal techniques, proving that I dove deep into this territory of vocal exploration at a very young age. Also plenty of mouth harps, flutes, kazoos, and clarinet, although this was just BEFORE I bought my first bass clarinet. The song "Kite Dragon Hypnosis" showcases the very first ti...

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Arrow Minds

LP | 2024 | EU | Original (Dead Serious)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Worrier Turquoise / Black Marble Vinyl Edition

Arrow Minds

LP | 2022 | EU | Original (Dead Serious)

22,94 €* 26,99 € -15%

Sunshine & Shadows Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

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ARROW MINDS are a melodic Metalcore / Hardcore band from Rostock, Germany. They were formed in a cold winter night back in 2016. The same year they released the digital EP "Big Kahuna Jams". In 2018 those guys released their first full length record "Alcatraz Affairs".If you love bands like Strike Anywhere, Avail or Architects this band will turn your world upside down. Their new album is a major step up from their last one and you can tell this band has found their musical stride. Arrow Minds are maybe the next big thing and are ready to pave their way for future glories. Their power- and meaningful songs represent everything a moderrn melodic metalcore band should stand for - fast positively aggressive tunes leading to catchy hooks; with lyrics that do not try to be empty paroles, but rather raise necessary questions about today's absurd ideals, ideas, and issues.The band brings a high-energy live-set wherever they are put on the bill, and have already shared the stage with Wisdom In Chains, Terror, All For Nothing, Evergreen Terrace and many more all around Germany during their first couple of years.

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Ars Nova

LP | 1969 | US | Reissue (Sundazed)

Sunshine & Shadows Pink Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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Ars Nova

LP | 1969 | US | Reissue (Sundazed)

The Lurking Shadow Of Death

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Ars Veneficium

LP | 2024 | EU | Original (Immortal Frost Productions)

37,99 €*

Arsene Obscene & The Loozers

Release: 2024 / EU – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

Ars Veneficium, one of Belgium’s most prominent black metal acts is back with their 3rd full length album “The Lurking Shadow of Death”, 4 years after the release of their 2nd full length album “Usurpation of the Seven”. With their new album The Lurking Shadow of Death it is clear that Ars Veneficium has not taken the song writing for granted and managed to overthrow their previous work once more with delivering only the best of their best on this record. From the compositions to the production to the artwork, one can undoubtedly say that this is their best work thus so far. The lead guitars by Ronarg deliver some amazing melodies variated with some aggressive chords where the bass guitar (once again) plays some beautiful underlaying solo notes to create that extra atmosphere which is more or less the Ars Veneficium signature by now. The drum work has been delivered by no one else than Flo Musil (Theotoxin) who blasts his way throughout the album with some outstanding, highly skilled details giving the extra punch that this album absolutely deserves. The vocals by S. are more furious than before and deliver a much wider range and diversity which lifts the whole album to a new level. With The Lurking Shadow of Death, Ars Veneficium has delivered an absolute beast of a black metal album that every fan of old school, satanic or melodic black metal would appreciate! Raging black metal filled with atmosphere, melodies and pumping energy! A must have! 1. Death is Light2. Eye to Eye with the Devil 3. De Glorie van Dood 4. One with the Cosmos5. Into the Void 6. My Tomb Under the Stars7. Pale Image of I

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Don't Pay The Price!

LP | 2022 | EU | Original (Mono-Tone)

26,99 €*

As The World Burns & Lost In The Fire

Release: 2022 / EU – Original

Genre: Rock & Indie

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Fast as the Ramones, raw as the early Saints, poppy as the Nerves, brief as The Briefs, and with that inimitable " French punk " touch! Fourteen songs, all except one under the two minutes tag, fourteen instant hits! Melodic and crude at the same time, ultra-energic and full of catchy hooks, Arsene Obscene's songs are the kind you sing under the shower AND on the terraces! With previous members of famous French garage and punk bands such as the Electric Mormons, Flaschen, Motarlozer and Veines.

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Arsonists

2CD | 2018 | EU | Original (Below System)

2LP | 2016 | EU | Original (Studio Barnhus)

Release: 2018 / EU – Original

Genre: Hip Hop

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2018 will mark the return of the original Bushwick Bomb Squad! Legendary emcee crew, the Arsonists have announced a double-album release via Below System Records.
This will include a deluxe edition of the group’s classic debut album “As The World Burns” (released in 1999) which yielded such underground anthems as “Blaze”, “Halloween” and the “Session.”

It will also include “Lost In The Fire”, which will include many unreleased gems including tracks with J-Live, High & Mighty and Mass Influence as well as six new tracks from the group (the first in over fifteen years!) with guest appearances from Vinnie Paz (Jedi Mind Tricks) and Ill Bill (La Coka Nostra, Non-Phixion).

Composed of D-Stroy, Q-Unique, Freestyle, Jise and Swel these Brooklyn spitters were among the most creative wordsmiths and energetic live performers during an extremely fertile period of boom-bap that included the Lyricist Lounge, Rawkus Records, Fat Beats Records and the Stretch & Bobbito show. On the group’s motivation, D-Stroy revealed “we were focused so much on our love of hip-hop that it kept us off the streets, away from drugs, all of us in my parent’s house rhyming and recording.”

After appearing on the Stretch & Bobbito Show, Bobbito Garcia was so impressed as to sign the group to his Fondle ‘Em Records to release several classic singles on wax. The results allowed the crew to hit the road through North America and Europe, many of them leaving New York and the United States for the first time ever. The group toured with such notables as Public Enemy, The Roots and the Wu-Tang Clan.

Top taste-making Indie rock label Matador Records who developed such groups as Guided By Voices, Pavement and Mogwai wanted the Arsonists to be the first hip-hop group on the label. “As The World Burns” was the result of this partnership. Critically acclaimed and well respected, speaking on the enduring legacy of the album, D-Stroy said “I think it’s one of the last albums to champion the four elements of hip-hop, it’s basically our love letter to the culture and a lot of heads identify with that love.”

Though the group dissolved by 2002, the members have kept heads ringing in the entertainment industry including solo releases and forays into film, TV and radio. Summing it up D recalls “I was hosting an event for Nike and one of the executives came up to me and spit one of Q-Unique’s verses verbatim to me. It’s like a whole generation of young heads and college students grew up on our music and are doing something for the movement as well.”

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Art Alfie

Reveries Of

Art Blakey And The Jazz Messengers Big Band

Release: 2016 / EU – Original

Genre: Electronic & Dance

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The reveries begin with a simple electrical hum – a starting signal for the appearance of a vibrant array of sound, shifting before us in seemingly random motion. Before we know it, all those pulsating melodies, razor-cut hifi-house beats and drunken robot jazz ensembles start forming into patterns, secretly & perfectly designed by one Art Alfie. A long time operator in Stockholm's small but insistent underground music scene, Oscar Wedrén broke through internationally in 2012 with the Karlovak project, founded with on-off studio and dj partner Rudolf Nordström, a.k.a. Mr. Tophat. The duo's inexplicably fresh takes on classic dance music tropes is as much a result of a brilliantly odd pairing of personalities as of a defined concept and a precise method in searching for the perfect house groove. While writing Reveries Of, released early spring 2017 through Studio Barnhus, Art Alfie freed himself of all conceptual footholds, delving instead deep into his archives of old and new memories and feels, working with improptu field recordings and emotionally-guided sampling processes. He came back with an intricate and personal debut album and he didn't lose his groove on the way.

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Live At Montreux And North Sea

LP | 2024 | EU | Original (Music On Vinyl)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Art Blakey And The Jazz Messengers

Moanin' Transparent Red Vinyl Edition

LP | 2018 | EU | Original (Waxtime In Color)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Blakey And His Jazz Messengers Verve By Request

Art Blakey

LP | 1961 | EU | Reissue (Impulse)

Blakey In Paris Feat. Bud Powell And Lee Morgan Clear Vinyl Edtion

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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1961 Art Blakey and his Jazz Messengers made their only recording for the label Impulse! Records. It marked a turning point for the popular hard bop formation as it was their first appearance as a sextet with trombonist Curtis Fuller, and secondly their last recording with pianist Bobby Timmons. Also unusual is the fact that only one piece by a band member was on the program and otherwise only standards were played.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.

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Art Blakey

LP | 1961 | EU | Reissue (Sowing)

22,99 €*

Art Blakey & The Jazz Messengers

Release: 1961 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! This is Art Blakey and his Jazz Messengers, with guests Bud Powell - piano and Barney Wilen - alto sax, caught live at the Théâtre des Champs-Élysées in Paris in1959. At that time Blakey's Messengers were no less than Lee Morgan – trumpet, Wayne Shorter – tenor sax, Walter Davis Jr. – piano and Jymmy Meritt – bass. In other words one of the greatest Hard Bop combos ever, a pool of great young individuals under the direction of one of the most influential drummers and band leaders in the history of Jazz. No need to add that "Paris Jam Session" is regarded as an essential release in Blakey's extensive discography.

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A Night In Tunisia

LP | 2022 | EU | Original (Music On Vinyl)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Art Blakey & The Jazz Messengers

A Night In Tunisia Blue Note Classic Vinyl Series

LP | 1960 | EU | Reissue (Blue Note)

Art Blakey & The New Jazz Men

Release: 1960 / EU – Reissue

Genre: Organic Grooves

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One of the great line-ups of Art Blakey & The Jazz Messengers coalesced when saxophonist Wayne Shorter joined trumpeter Lee Morgan, pianist Bobby Timmons, and bassist Jymie Merritt, as heard on the 1960 album "A Night In Tunisia". Opening with a fiery version of Dizzy Gillespie’s famous piece, the rest of the set showcased new bandmember originals.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Live In Paris '65

LP | 1965 | UK | Reissue (Sam)

32,99 €*

Art Farmer, Donald Byrd & Idrees Sulieman

Release: 1965 / UK – Reissue

Genre: Organic Grooves

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Art Blakey's "Live In '65" boasts an exceptional one-hour concert from Paris in 1965. This performance showcases one of the few undocumented Blakey bands, the New Jazzmen, featuring Freddie Hubbard on trumpet, Jaki Byard on piano, Reggie Workman on bass, Nathan Davis on sax, and, of course, Blakey on drums.

Freddie Hubbard's incendiary playing on "Blue Moon" and the blistering 24-minute version of his own "Crisis" shows that he was one of the most innovative trumpeters in jazz history.

On this live session, the audiences seem to have been enthusiastic and appreciative. »Everywhere we’d go people would say, this is the best Jazz Messengers we’ve heard!«, according to Davis. »And because of the way Jaki would play and Reggie would go, it was like a semi-freedom thing – with Messengers heads, you know, but when we got to soloing...! And Blakey was ridin’ and oatin’ the time ... but he would always be loose enough to follow, to keep it going. He’s one helluva musician.«

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Three Trumpets

LP | 2024 | EU (Honeypie)

Big Blues 45 RPM Vinyl Edition

Release: 2024 / EU

Genre: Organic Grooves

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Three Trumpets is an album by the Prestige All Stars nominally led by trumpeters Art Farmer, Donald Byrd and Idrees Sulieman, recorded in 1957 and released on the New Jazz label. With a fine rhythm section (comprised of pianist Hod O'Brien, bassist Addison Farmer, and drummer Ed Thigpen), the brassmen perform five originals (one apiece from Farmer, Byrd, and O'Brien, and two from Sulieman). Although none of the songs caught on ("Palm Court Alley" is actually a blues), there are some fireworks during these performances.

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Art Farmer / Jim Hall

2LP | 2015 | US | Original (ORG Music)

38,99 €*

LP | 2022 | EU | Original (Anti)

Release: 2015 / US – Original

Genre: Organic Grooves

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Recorded at Electric Lady Studios in February 1978 and issued on the CTI label in 1979, "Big Blues" finds flugelhornist Art Farmer and guitarist Jim Hall pairing up for one of their first sessions together since their collaborations in the mid-60s and they literally don't miss a beat. The unique quintet project is rounded out by Mike Mainieri (vibraphone), Michael Moore (bass) and Steve Gadd (drums) and the results are as relaxed as they are lyrical.
The rich 4-track affair opens with a textured take on Benny Golson’s “Whisper Not” and then waltzes through Thad Jones' “A Child Is Born” before running down Jim Hall's own cool/bop title cut "Big Blues" and concluding with a first-rate jazz adaptation of Maurice Ravel's classical standard "Pavane For A Dead Princess."
Now this classic recording gets ORG Music’s audiophile treatment with this 180gram double LP 45 rpm reissue, mastered from the original analog tapes by Bernie Grundman Mastering and pressed at Pallas Group in Germany. Each copy of this limited edition release of 1500 copies will be individually numbered with a gold foil-stamp.

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Art Moore

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2016 | EU | Original (House Of Disco)

Art Of Tones

Devil The Difference EP

12" | 2019 | EU | Original (Wewillalwaysbealovesong)

Release: 2016 / EU – Original

Genre: Electronic & Dance

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Art Of Tones aka Ludovic Llorca who has had releases for Local Talk / Futureboogie, delivers 3 killer Tracks for House Of Disco's 15th release.

Pressed on 12 Inch vinyl with a One off Printed Sleeve.

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Art Of Tones

The Reworks EP

Art P / Die Synthetische Republik

Release: 2019 / EU – Original

Genre: Electronic & Dance

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To playing with the guy and releasing his music there is only one short step and that’s the one we took right here by signing those 3 brilliant Art Of Tones Edits!

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Genscher Pull N Push / Der Böse Osten

12" | 2023 | EU | Original (The Outer Edge)

14,99 €*

12" | 2023 | Original (The Outer Edge)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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We're thrilled to release two exciting electro tracks by Art P, as well as the classic minimal synthwave tune 'Der böse Osten' by related band project Die Synthetische Republik on this limited split 12".

The single kicks off with 'Genscher Pull and Push', an incredible and previously unreleased electro/wave/proto-techno tune from the P.A.P. archives, recorded in October 1982 with a political background. The song was only available on a demo cassette for a radio show and had been forgotten since then. Genscher was a long-time Federal Minister for Foreign Affairs and Vice Chancellor of Germany, who played a key role in a coalition change in September/October 1982, leading his party, the FDP, to leave the Helmut Schmidt cabinet with the SPD and continue with the opposition, the CDU/CSU. As a result, the German lyrics of the song shout 'bitte geh nach links / bitte geh nach rechts' ('please go to the left' - meaning the left-leaning SPD, and 'please go to the right' - meaning the right-leaning CDU), and so on.

Unfortunately, this track was never released, as the topic of the coalition change quickly became uninteresting and outdated. If it had been issued on vinyl in late 1982, it would probably be considered one of the first proto-techno tracks ever. With its driving and heavily-punching 808 rhythms, and the bending synth bass leads played on the Jupiter 4 synthesizer, it gives you a groove that owes as much to Kraftwerk's 'Computerwelt' album as it may rhythmically pre-date the sound of Detroit's Juan Atkins. The energetic German vocals are giving the track a unique Neue Deutsche Welle touch. They are heavily left/right panned to fit the political topic.

Next up on the Art P side is a remix of 'Polaroid', originally found on the No Message LP that we re-released last year. The track was recorded in 1985, and at that time, the duo of Frank Grotelüschen and Jens-Markus Wegener had become bored with the sound of the Roland 808 drum machine, so they made the track with a DrumTraks by Sequential Circuits. However, for this remix, DJ Scientist, the curator of this 12", wanted to recreate the typical electro-funk sound of the era and added 808 bass drums and claps. The track was also shortened to a more DJ-friendly arrangement. The result is a dancefloor delight for all lovers of classic electro and SVC-350 vocoder sounds!

Die Synthetische Republik was a project by Wegener of Art P and Olav Neander. The track 'Der böse Osten' can originally be found on the cassette album 'Faktor D', recorded in just two weeks on a Tascam Portastudio 245. The original recording sessions were pure fun but also rushed. Hence, none of the tracks was perfectly mixed. With digital technologies, we remastered 'Der böse Osten' to achieve the best possible result and are pleased to release this serious synth wave gem on a loud 12" for the first time as an exclusive extended mix.

The split 12" is released in a picture sleeve with a unique artwork on each side. It is limited to 500 copies.

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Art Programming

2LP | 2003 | JP | Reissue (Monchént)

Release: 2023 / Original

Genre: Electronic & Dance

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Our label is thrilled to share yet another mind-blowing electro/proto-techno track by Art Programming (Art P),
following the release of "Genscher Pull N Push". This track was originally the final piece on their self-titled album,
released on cassette in 1983 under the P.A.P. label from Bremen.
To this day, the track remains almost completely unknown within collector's circles. However, let's take a moment to
imagine what might have happened had the recording been released as a vinyl 12" back in 1983. Could it have been
a game changer? We will never know for sure. Nevertheless, one thing is certain: with its punchy Roland 808
rhythms, and catchy synth lines and vocoder, it undoubtedly qualifies as a classic German electro track, and one of
the earliest techno/proto-techno recordings.
At almost 8 minutes in length, this track includes one of the most exhilarating breaks in electro music of that era,
showcasing extensive drum editing and effects. It strongly resembles the sound that Detroit would become famous
for in the years to come, but make no mistake - this record was produced straight out of Bremen, a relatively small
city in Northern Germany.
For the flip side of the single, we enlisted Alexander Arpeggio, the owner of Mond Musik und Eine Welt label, to edit
the track while preserving its original spirit. As a member of the acid techno project Aufgang B and the synth-pop
minimal duo OTTO, he not only has a deep understanding for this kind of music but also possesses the ability to give
the song a different feel with greater dancefloor appeal. He has slightly reduced the tempo of the track and
emphasized the instrumental and break parts, resulting in an exciting remix that is DJ-friendly and has everything
you could ask for.
The 12" release comes with the original Art Programming logo in a vintage style, packaged in a generic black sleeve
with hype sticker. It is limited to only 200 copies. This is a serious gem that you won't want to miss out on, so act fast!

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Art-School

Love/Hate

67,99 €*

Release: 2003 / JP – Reissue

Genre: Rock & Indie

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The first LP release of Art-school's classic albums, which continue to lead Japan's alternative music scene, is being reissued for the first time in their career to celebrate the 20th anniversary of their release! The two albums will be released simultaneously as "Record Day 2023" limited editions! The band's sound textures are post-grunge and shoegazing, with a slow and steady progression of roaring guitars and beautiful melodies. The second album by Art-school, which confirms their position as a one-of-a-kind band through the fragile and dangerous worldview of vocalist Riki Kinoshita, is now being released on LP for the first time in their career, as a double-vinyl!!

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Arte Antwerp

Logo Patch Beannie

64,95 €*

Available Sizes: One Size

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The Arte Antwerp Logo Patch Beanie combines minimalist style with high-quality craftsmanship. Made from a premium wool blend, it features a flat-stitched Arte logo on the front, reflecting the designs of the current collection. The beanie is soft and comfortable, perfect for everyday wear and keeping you warm during colder days.

Arte Antwerp Logo Patch Beanie - Features:

• Soft premium wool blend
• Flat-stitched Arte logo on the front
• One size fits all
• Made in Portugal
• Material: 80% wool, 20% polyamide

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Arte Antwerp

Striped Blazer

299,95 €*

Available Sizes: S, M, L, XL, 2XL

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Arte centers nature as a muse. The brand new Arte Antwerp collection reflects the movements of florals and their vibrant shades. By reimagining their textures and patterns into graphical designs and techniques, the AW24 designs by Arte Antwerp elevate the essence of nature beyond mere graphic prints.

The Striped Blazer by Arte Antwerp is an elegant jacket with notch lapels, a double-breasted button placket at the front, a welt pocket at the left chest, two further inset front pockets one level lower, a back vent, short 4-button plackets at the sleeve ends, inside pockets on both sides as well as yarn-dyed pinstripes. Regular fit; 100% cotton. Made in Portugal.

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Arte Antwerp

Wool Technical Jacket

384,95 €*

Artec, Dark Male, Rob Bellfield, The Vast Profound

Available Sizes: S, M, L, XL, 2XL

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Arte Antwerp centers nature as a muse. The current collection reflects the movements of florals and their vibrant shades. By reimagining their textures and patterns into graphical designs and techniques, the Arte Antwerp AW24 collection elevates the essence of nature beyond mere prints.

The Arte Antwerp Wool Technical Jacket's design consists of contrasting nylon and wool panels. It comes in a sleek black colorway and features two front pockets as well as a full-length water-repellent zipper. The Arte Antwerp Wool Technical Jacket is finished with a tonal metal logo on one of the pockets while its adjustable drawstring hem ensures the desired fit. Relaxed fit; 100% nylon.

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Ftvwl002

12" | 2023 | EU | Original (Fourier Transform)

14,99 €*

12" | 2023 | EU | Original (Slash)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The second instalment of the Fourier Transform White Label Series sees a similar format of having to search for those artists on a wordsearch, use your expert ears (or even the help of Google if you are really stuck it might help for a couple) and pair them up with the tracks on the info sheet included with the release. You are looking for tracks by the following artists which are more geared towards the deep & techier end of the dance music spectrum a-z: Artec â€“ Is the duo of Bruce Bickerton and Stuart Nisbet, who gained the attention of Tom Middleton and Mark Pritchard with their track being included on the Global Communication Fabric compilation. Find an exclusive mix by Bruce (under his Alucidnation guise) of their never-released-on-vinyl track here from that compilation. Dark Male (Mark Dale) â€“ previously released on the legendary Eukahouse label, amongst others and has a rich family history in techno scene. His track is deep, dark and throbbing with atmosphere. Expect a release from him and his brother Colin remixing on FT sometime soon. Rob Van Beek â€“ needs no introduction, as one of Hollands finest exports he records here as Rob Bellfield, and also releases as Elusan and Rob Belleville. His contribution to this EP finds him settling for a deep techy groove. The Vast Profound â€“ Is Wil Russell, co label owner and supporter of underground house and all things deep. With a long-standing background in music production, find here bass driven loops, and deep pad melodies.

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Artemis

Emerald

16,99 €*

One Afternoon In A Hot Air Baloon

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Ki/ki's slash label takes a deep dive into the history of hard trance and proudly presents a first re-issue of a true classic and personal favorite 'Emerald' by Swiss production group Artemis. Originally released back in 1995 on the Swiss label Atoom Records, it's one of the most sought after gems from this era. At its fast pace of 180 bpm it's impressive how subtle and dreamy the 9 minute journey is, a truly unique piece of hard trance history. Remixes come from Sansibar, Alpha Tracks and label owner herself Ki/ki.

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Artery

LP | 1983 | EU | Reissue (Spittle)

21,99 €*

Missing You Feat Terri Walker Record Store Day 2023 Blue Vinyl Edtion

Release: 1983 / EU – Reissue

Genre: Rock & Indie

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Brilliant second album from the wholly original cult Sheffield post punk band. Released in 1983 on Red Flame ‘One Afternoon In A Hot Air Balloon’ is an adventure on its own. Artery somehow replaced the somber post-punk of the debut with a stream of melancholic pop paeans influenced by british folk and certain ballroom dances, with a spectral keyboard sound worth killing for. The secret weapon - when compared to the rest of their discography - is largely explained by the presence of keyboard player and (by now) main composer Christopher Hendrick. The band was in fact reduced to a trio with former members Mark Gouldthorpe (guitar) and Garry Wilson (drums) now supported by the singular effort of Hendrick (also on bass and xylophone). At the same time Garry Wilson was playing in an early incarnation of Pulp. Despite the early Joy Division influence - which the band firmly dismissed – Artery is moving forward into the so-called new romantic era. A vaudeville scenario light years ahead from the streets and the aggro-culture, a way to some pleasant and revealing experience.

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Artful & Ridney

12" | 2023 | UK | Original (SosureMusic)

7" | 2021 | UK | Original (Izipho Soul)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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SoSure come correct shining a light on a certified club classic from Artful & Ridney featuring Terri Walker – Missing You for RSD 2023. Four versions of this anthemic cut, with a brand new, signature Michael Gray remix up first, alongside a magical synth-laden Opolopo remix that has never before been released on vinyl following that – all housed in a freshly designed full colour sleeve.

On the B side a reissue of two of the most sought-after remixes of ‘Missing You’, with original copies of the remix 12” trading hands for £45+. Eric Kupper’s tribute to his Director’s Cut partner in crime Frankie Knuckles, who sadly passed away before they had a chance to work on it together, takes the B1. Soulful brilliance done with class and respect. Finally, Ridney’s Re-work completes the package with a bumping groover that works every time. Picture sleeve, black vinyl.

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Arthur Foy

Love Dreams / Love Storm

Arthur Miles Lp Sampler One

Release: 2021 / UK – Original

Genre: Organic Grooves

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Izipho Soul are thrilled to announce our forthcoming 45!

Alabama born, Mississippi raised and Louisiana transplanted native, Arthur Foy was a must see entertainer with his own band and show. In 1980 he recorded the absolute masterpiece: ‘Love Dreams’. Rich soulful vocals, expert instrumentation, production and ‘never enough Rhodes’ are everything that a gifted ear craves for.

The original MCS 45 is owned by only a select bunch of DJs and discerning collectors; a proven rarity with only seven copies documented on Popsike.

On the flip we present the southern strutter - ‘Love Storm’ - a song that builds as the title suggests. Co-produced and written with the legendary Carl Marshall adds to the credentials and charm. Sadly Arthur passed away in 2018, his music and performing meant everything to him; we are therefore proud to play our part in his musical legacy and dedicate this record to his memory.

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Arthur Miles

12" | 2016 | AU | Original (Untzz Twelve Inch)

9,99 €*

Release: 2016 / AU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

LP | 2023 | EU | Original (Metaphon)

Arthur Petronio

23,99 €*

12" | 2022 | EU | Original (Figure)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Arthur Petronio: Born Switzerland 1897. French-Italian musician, poet and painter. Lived in Belgium and The Netherlands between 1910 and 1924 and since then in France. Young violin virtuoso studying with Belgian master violinist Eugène Ysaÿe. Played solo violin for Belgian King Leopold II, at the age of 9. Attracted to the avant-garde and visionary ideas of Gesamtkunstwerk. Develops and presents his “Verbophonie” in 1919, integrating sound poetry into regular music scores. Friend with Kandinsky, Mondrian, Cocteau and Picasso. Published several avant-garde journals and poetry books with participation of like minded artists. Wrote many scores for solo instruments, small ensembles, orchestral works, opera,… Met Henri Chopin in 1950 and extended his musical ideas with new possibilities of tape composition. His one and only LP, now reissued by Metaphon, was originally published by the Belgian Igloo label in 1979. An extravagant DIY montage of musique concrète and sound poetry. In addition to Petronio’s voice several female readers/performers contribute to this theatre of voices as guest vocalists. An album as unusual as his lifecycle.

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Arthur Robert

Metamorphosis Part 1

12" | 2022 | EU | Original (Figure)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A year from his latest release on Figure, Arthur Robert clocks back in with two full EPs. The first one is a jam-packed 5-tracker, sporting full-on peak time thrill rides such as electrifying elated opener Mastermind or its more brawny brother, the bellowing beast that is stab-driven roller Relentless. But x31 features also Robert’s more introspective side, be it the glowing experimental excursion of What We Do With Our Time or the dreamy half-time stepper Cosmic Traveler. Fans of his more hypnotic techno productions will find joy in the modular magic of Rising, hinting at what’s to come on x32.

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Arthur Robert

Metamorphosis Part 2

12" | 2024 | EU | Original (The Third Room)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Part two of Arthur Robert’s most recent EP package showcases his atmospheric style of dubby, strong rhythms and rich, detailed sound design. On this EP Robert explores his mastery of mesmerizing machines, looping bleepy signals into trance-inducing patterns on Abundance, Watchful and Homecoming. A welcome brief respite from the madness, delicate ambient interlude You Cannot Hurt Me twinkles soothingly, as does the warmth offered by subdued hazy chords on the almost housy Tunnelvision. Such versatility not only further establishes Arthur Robert as one of current Techno’s most promising producers but also makes this EP package a strong contender for one of the year’s defining releases.

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Arthur Robert

Particle Accelerator EP

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Breaking new ground at The Third Room, we are introducing our first full EP by a guest artist, setting the stage for more to come. Since quantum mechanics arose from classical physics' failure to explain microscopic phenomena, Berlin's exceptional creative mind Arthur Robert pays tribute to the interaction of little entities that can result in the release of colossal power and provide answers for questions older than the universe itself with his Particle Accelerator EP on The Third Room. Genuine, dynamic techno that defines itself through crisp sound design, memorable textures, and highly compressed, sometimes distorted drum arrangements makes this piece of music a profoundly soundscaped lecture in four classes that gets its final, emotional touch from either melodic compositions or disruptive beeps. Creating those fascinating pieces within fast-paced and hard-hitting club sounds is one of Robert's trademarks, making him a hugely exciting producer. Out from September 6th and available on all platforms and always remember - the whole is more than the accumulation of its units.

2024 The Third Room Mastering by Ahmet Sisman (The Third Room Studios) Artwork by Daniel Bornmann & Lennard Makosch (STUEDIO.XYZ) Distribution by Triple Vision Pressing by Matter Of Fact

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LP | 2004 | UK | Reissue (Rough Trade)

Calling Out Of Context

Release: 2004 / UK – Reissue

Genre: Pop

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2LP | 2004 | US | Reissue (Audika)

Calling Out Of Context

48,99 €*

Release: 2004 / US – Reissue

Genre: Electronic & Dance

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When Arthur Russell died in 1992 he left an overwhelming archive of over a 1000 tapes that reveal the sublime genius of one of the most important musicians of the last 25 years. As a cellist, songwriter, composer, and disco visionary Arthur Russell consistently blurred the lines of our expectations of what pop music could be. Originally from Iowa, Arthur travelled west in 1970 to study Indian classical composition with Ali Akbar Khan, befriended Allen Ginsberg, performed with Alice Coltrane, and then moved to New York in 1973 to study at the Manhattan School of Music. Quickly gravitating to the then burgeoning downtown scene, Arthur wrote and performed his minimal compositions (captured on Instrumentals and Tower Of Meaning. Both to be re-issued by Audika) and collaborated with a who’s who of some of New York’s most influential artists including Rhy’s Chatham, Ernie Brooks, David Byrne, Phillip Glass, Laurie Anderson, Jon Gibson, Robert Wilson, Christian Wolff, John Cage, Arnold Dreyblatt, and Phill Niblock.

It then changed by a mere accident. Simply, he went to a disco. Inspired by the sonic repetition and sense of community, Arthur wrote and recorded some of the most important records of the disco era including ‘Kiss Me Again’, ‘Is It All Over My Face’, and co-founded Sleeping Bag Records with partner Will Socolov releasing ‘Go Bang’ and the album 24-24 Music. In 2002 Audika Records entered into an exclusive licensing agreement with the estate of Arthur Russell to issue previously unreleased and out of print material from Arthur’s vast archive. The first album Calling Out Of Context , features 12 previously unreleased tracks recorded during Arthur’s prime years 1985-90. The material is drawn from Corn, an album that was completed in 1985 but never released, and an abandoned album recorded for Rough Trade as Arthur had become ill. Many of these tracks show hidden sides of Arthur’s talent and underline the loss of his great potential. Contrary by nature, Arthur’s spontaneous reaction and altered perception to his environment produced music that remains challenging and contemporary. Arthur’s open hearted attitude to music was far ahead of it’s time, and now that time is ours.”

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LP | 2017 | UK | Reissue (Rough Trade)

Instrumentals

Release: 2017 / UK – Reissue

Genre: Pop

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2LP | 2017 | US | Original (Audika)

Instrumentals

41,99 €*

Release: 2017 / US – Original

Genre: Electronic & Dance

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Before Disco, and before the transcendent echoes, Arthur wanted to be a composer.

His journey began in 1972, leaving home in Oskaloosa, Iowa. Heading west to Northern California, Arthur studied Indian classical composition at the Ali Akbar Khan College of Music followed by western orchestral music at the San Francisco Conservatory of Music, before ending two years later in New York at the Manhattan School of Music.

Traversing the popular and the serious, Arthur composed “Instrumentals” in 1974, inspired by the photography of his Buddhist teacher, Yuko Nonomura, as Arthur described, “I was awakened, or re-awakened to the bright-sound and magical qualities of the bubblegum and easy-listening currents in American popular music”.

Initially intended to be performed in one 48 hour cycle, “Instrumentals” was in fact only performed in excerpts a handful of times as a work in progress.

The legendary performances captured live in New York at The Kitchen (1975 and 1978) and Franklin St. Arts Center (1977) feature the cream of that eras downtown new music scene including Ernie Brooks, Rhys Chatham, Julius Eastman, Jon Gibson, Peter Gordon, Garrett List, Andy Paley, Bill Ruyle, Dave Van Tieghem, and Peter Zummo.

Pitchfork lauded “Instrumentals” Vol. 1 as a masterpiece and one of Arthur’s “greatest achievements”. Americana touching on Copeland, Ives, and maybe even Brian Wilson. “Instrumentals” Vol. 2 is a moving, deeply pastoral work performed by the CETA Orchestra and conducted by Julius Eastman.

Also included are two of Arthur’s most elusive compositions, Reach One, and Sketch For “Face Of Helen”. Recorded live in 1975 at Phill Niblock’s Experimental Intermedia Foundation, Reach One is a minimal, hypnotic ambient soundscape written and performed for two Fender Rhodes pianos. Sketch For “Face Of Helen” was inspired by Arthur’s work with friend and composer Arnold Dreyblatt, recorded with an electronic tone generator, keyboard and ambient recordings of a rumbling tugboat from the Hudson River.

For this remastered vinyl edition, a key part of Arthur’s musical life has been restored. The sparkling, multidimensional results take the listener closer to Arthur’s coast-to-coast journey: his iconoclastic determination to combine pop and art music; and his desire to make music that would resonate in the present and, ultimately, across time.

The remastered double LP comes with a 12-page booklet including liner notes by Tim Lawrence, Ernie Brooks and Arthur Russell.

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2LP | 2019 | US | Original (Audika)

Iowa Dream

48,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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Over the past decade, the visionary musician ARTHUR RUSSELL has entered something close to the mainstream. Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he’s ever been. Thanks to Russell’s partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell’s vast archive of unfinished and unreleased work, the world now hears many versions of Arthur Russell. There’s the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him. Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell’s dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell’s utterly distinct songwriting. Features contributions from downtown NYC musicians ERNIE BROOKS, RHYS CHATHAM, HENRY FLYNT, JON GIBSON, PETER GORDON, STEVEN HALL, JACKSON MAC LOW, LARRY SALTZMAN and DAVID VAN TIEGHEM, along with PETER BRODERICK, who makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing. At once kaleidoscopic and intimate, Iowa Dream bears some of Russell’s most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s.

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LP | 2023 | UK | Original (Rough Trade)

Picture Of Bunny Rabbit

27,99 €*

Release: 2023 / UK – Original

Genre: Pop

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Picture of Bunny Rabbit features nine previously unreleased performances from the World of Echo era, compiled from completed masters culled from two unique test pressings, including one, dated 9/15/85 by Arthur, provided by his mother and sister. A further four tracks were discovered in his tape archive. The track listing includes an exceptional and dramatic solo recording of In The Light of a Miracle and the enigmatic title instrumental Picture of Bunny Rabbit, written especially for a friends pet rabbit. The bulk of the material was recorded with engineer Eric Liljestrand at Battery Sound Studios, New York, which was located directly opposite the World Trade Center and at Arthur"s apartment studio in the East Village.

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Picture Of Bunny Rabbit (Code Only Faster: Crossing The Line From Vocal To Instrumental And Back)

LP | 2023 | US | Original (Audika)

30,59 €* 35,99 € -15%

Release: 2023 / US – Original

Genre: Organic Grooves, Pop

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In 1986 Arthur Russell was diagnosed with HIV, that same year he released his career-defining masterpiece World of Echo, the first and only solo album issued during his lifeltime. Arthur had found his voice and a fresh direction with a set of new, transformative material, unlike anything he or anyone else had previously released. His illness ensured that the artistic growth and sense of exploration encapsulated in World of Echo would be tragically curtailed. Within six short years Arthur was gone. Arthur's final years were filled with a renewed commitment to creativity and unceasing live and recording work. He regularly performed the World of Echo material and incorporated several of its compositions in collaborations with choreographers active in New York's innovative dance community. Arthur worked closely with Diane Madden, Allison Salzinger, Stephanie Woodard, and John Bernd, usually playing his cello and effects boxes off stage as the choreographers’ pieces were performed. In 1993 Arthur posthumously received a prestigious Bessie Composer Award for his work in the dance world. Picture of Bunny Rabbit features nine previously unreleased performances from this era compiled from completed masters culled from two unique test pressings, including one, dated 9/15/85 by Arthur, provided by his mother and sister. A further four tracks were discovered in his tape archive. The track listing includes an exceptional and dramatic solo recording of “In The Light of a Miracle” and the enigmatic title instrumental “Picture of Bunny Rabbit,” written especially for a friend's pet rabbit. The bulk of the material was recorded with engineer Eric Liljestrand at Battery Sound Studios, New York, which was located directly opposite the World Trade Center and at Arthur’s apartment studio in the East Village. “Music is a very personal thing. How you deal with your music is very closely linked with how you deal with your life. If you misuse your capacities as a musician, you’re misusing your capacities as a human being and you’re taking humanity in the wrong direction”—Arthur Russell (03/17/77 Soho Weekly News) “In outer space you can’t take your drums—you take your mind”—Arthur Russell

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LP | 1986 | UK | Reissue (Rough Trade)

World Of Echo

Release: 1986 / UK – Reissue

Genre: Pop

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CD | 2016 | UK | Original (Mr Bongo)

Arthur Verocai

11,99 €*

Arthur Verocai 2024 Repress

Release: 2016 / UK – Original

Genre: Organic Grooves

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For a very long time, we have been trying to re-issue this record; a true and complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre. Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai. Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form. The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly. The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others. The original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision.

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Arthur Verocai

LP | 1972 | UK | Reissue (Mr Bongo)

Arthur Verocai 50 Years Gold/Black Marbled Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Arthur Verocai

LP | 1972 | UK | Reissue (Mr Bongo)

37,99 €*

Woof Woof One-Sided Purple Vinyl Edition

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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A complete album masterpiece in every sense of the word, considered by many people to be one of the greatest ever made, regardless of genre. Recorded at Studio Somil, Rio De Janeiro in 1972, the album was produced, arranged, directed by the self-taught, Arthur Verocai.

Previously he had worked on many records in various capacities, with artists including Jorge Ben, Ivan Lins and Celia, but this album gave him the chance to do his thing in it’s most pure form.

The 29 minute masterpiece, perfect in it’s arrangement and fusion of sonics, epitomises the sound of Brazil at the time; strings, guitars, pianos, break beats, bass lines, synthesizers, vocals from the wonderful Célia, Carlos Dafe and Oberdan (Banda Black Rio), plus percussion from Pedro Santos and Paulo Moura on sax. Bossa nova, samba, jazz, MPB, psychedelics and funk sit side by side effortlessly.

The album transcends the genre of Brazilian music, and infact all genres. Highlighted in part by the number of artists that have sampled from it; MF Doom, Ludacris & Common, Little Brother, Jneiro Jarel aka Dr Who Dat?, Dibiase and Action Bronson amongst others.

The original Continental version of the album now fetch around $2000. Our definitive re-issue is an exact replica of the gatefold original LP and the source master is taken from the Continental tapes, re-mastered in 2012 under Arthur’s supervision

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Arthur

LP | 2018 | UK | Reissue (PLZ Make It Ruins)

29,99 €*

Release: 2018 / UK – Reissue

Genre: Electronic & Dance

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Event To Come Red Vinyl Edition

Article 58

7" | 1981 | EU | Reissue (Optic Nerve)

12,99 €*

Between A Rock And A Hard Place Gold Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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Limited to 750 copies. Pressed on Red Vinyl. Includes postcard and poster. Article 58, named after the Soviet classification for counter-revolutionaries, were formed in Scotland by Gerri McLaughlin (vocals), Douglas MacIntyre (guitars) and Ewan MacLennan (bass), with Stephen Lironi (drums) on these recordings. The group existed for a short period of time, burning brightly before burning out. A single, ‘Event To Come’, was produced by Postcard Records’ Alan Horne and Malcolm Ross and released on Josef K manager Allan Campbell’s Rational label. Article 58 were the opening group on many bills in Scotland, including support slots circa 1981 with A Certain Ratio, Scars, Josef K, Delmontes, Bauhaus, Restricted Code, among others. Josef K invited Article 58 to support them on some dates in England to promote their only album, ’The Only Fun In Town’, after which Article 58 recorded tracks for an as-yet unreleased album. One track, ‘Reflection’, did surface on a cassette/ zine product (‘Irrational’) released by Rational Records. However the teenage tension and strain of all that accompanies being in a group proved too much and Article 58 split up at the end of 1981. ‘Event To Come’ was to be the only single released by Article 58. The B side, ‘Icon’, is a previously unreleased recording. Both tracks are presented in a brand new sleeve designed by The Creeping Bent Organisation for release on the Optic Nerve label.

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Artifacts

2LP | 1994 | EU | Reissue (Music On Vinyl)

38,99 €*

That's Them: Lost Files 1989-1992

Release: 1994 / EU – Reissue

Genre: Hip Hop

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Limited edition of 1500 copies.

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Artifacts

CD | 2018 | EU | Original (Smoke On)

17,99 €*