Search "re:st" 9481 Items

#3: Underschön Turquoise Marble Vinyl Edition

Release: 1959 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dave Brubeck's defining masterpiece, Time Out is one of the most rhythmically innovative albums in jazz history, the first to consciously explore time signatures outside of the standard 4/4 beat or 3/4 waltz time. It was a risky move -- Brubeck's record company wasn't keen on releasing such an arty project, and many critics initially roasted him for tampering with jazz's rhythmic foundation. But for once, public taste was more advanced than that of the critics. Buoyed by a hit single in altoist Paul Desmond's ubiquitous "Take Five," Time Out became an unexpectedly huge success, and still ranks as one of the most popular jazz albums ever. That's a testament to Brubeck and Desmond's abilities as composers, because Time Out is full of challenges both subtle and overt -- it's just that they're not jarring. Brubeck's classic "Blue Rondo à la Turk" blends jazz with classical form and Turkish folk rhythms, while "Take Five," despite its overexposure, really is a masterpiece; listen to how well Desmond's solo phrasing fits the 5/4 meter, and how much Joe Morello's drum solo bends time without getting lost. The other selections are richly melodic as well, and even when the meters are even, the group sets up shifting polyrhythmic counterpoints that nod to African and Eastern musics. Some have come to disdain Time Out as its become increasingly synonymous with upscale coffeehouse ambience, but as someone once said of Shakespeare, it's really very good in spite of the people who like it. It doesn't just sound sophisticated -- it really is sophisticated music, which lends itself to cerebral appreciation, yet never stops swinging. Countless other musicians built on its pioneering experiments, yet it's amazingly accessible for all its advanced thinking, a rare feat in any art form. This belongs in even the most rudimentary jazz collection. - allmusic.com

Go to Item

The Danny Cannon Show

LP | 2022 | UK | Original (Apollon)

26,39 €* 32,99 € -20%

All That Is Left Of The Blue Sky

Release: 2022 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Indie purists The Danny Cannon Show from Bergen, Norway, returns after a 10 years hiatus with an album recorded by with the help of producer Robert Jønnum (Ai Phoenix, St.Thomas etc) at his Underschön studios hence the album title.

Go to Item

The Dangerous Summer

LP | 2023 | EU | Original (Rude)

29,99 €*

Tape | 1979 | UK | Reissue (Chiswick)

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Dangerous Summer reimagined version of "Come Along" is the secod installment of a series of re-worked, remixed, alternate versions of the band's recent discography. Media support on Alternative Press, Rock Sound, Kerrang!, SiriusXM, BBC Radio 1, MTV & more. Cross platform digital marketing strategy to drive traffic to the track from social media, $3k overall budget. Marquee campaign starting on release week. 7,65M+ Listeners, 99,4M+ Streams, 78,8k+ Followers to date.

Go to Item

The Damned

Machine Gun Etiquette

2CD+Blu-Ray | 2024 | EU | Original (Polydor)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in 1976, the Damned were Britain's first punk rock band.

By 1979 they had managed to disintegrate and re-assemble, way before it was fashionable.

By then punk rock and its neater sibling, new wave, were regularly producing real hits in the UK and the Damned were no exception, with three hit singles drawn from the “Machine Gun Etiquette” LP released that year.

Go to Item

The Cure

Songs Of A Lost World

22,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-01

It's Gonna Be Alright Part - 2

The Crowdpleasers

12" | 2023 | UK | Original (B.I.T. Productions)

12" | 2023 | UK | Original (B.I.T. Productions)

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Remixes: Miguel Sanchez & Carlos Garcia Remix is a pumping affair with an OldSkool Techno sample. Pianohead Remix is an uplifting Piano Oldskool style remix, similar to the Original 1996 Mix. Discode Club Remix is a Vocal House monster and the 8th Day Remix banging Trance with uplifting melodic synth breaks. Both Discode and 8th Day Remixes are by Kenny Hayes.

B.I.T. Productions was set up in 1995 with the first release being the white label monster, The Crowdpleasers “I Want You To Know” which sampled Quench “Dreams”.

Over the next 5 years, the label produced tracks of varying styles: Da Fool “Meet Him At The Blue Oyster Bar” (licenced to ffrr), Quintessential “A Day To Remember”, 2 Smashing Blokes “M.F.” etc and some of the more popular tracks received DJ support from the likes of Pete Tong, Graham Gold, Stu Allan, Rob Tissera, Colin Tevendale, James Bradley, Steve Lawler, Lisa Pin-Up, Andy Farley, Lisa Lashes etc.

Following on from the 25th Anniversary release of Sarasota “We’re Gettin’ Hot”, the next to receive the Anniversary treatment is another Northwest piano anthem, The Crowdpleasers “It’s Gonna Be Alright” which was first released in 1996 on single track white label. Now with Remixes by Miguel Sanchez & Carlos Garcia, Pianohead, Discode & 8th Day plus The Crowdpleasers vs Lockout Bootleg Mix, The Crowdpleasers Anniversary Mix as well as the Original 1996 Mix, spread across two 12”s.

Go to Item

The Crowdpleasers

It's Gonna Be Alright

LP+CD | 2018 | EU | Original (Overground)

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

3 mixes including The Crowdpleasers 25th Anniversary Mix which are on the uplifting House vibe, the Original 1996 Mix is an Old Skool style piano track, plus The Crowdpleasers vs Lockout Bootleg Mix which is a trance monster with massive synth breaks. Lockout is Kenny Hayes.

B.I.T. Productions was set up in 1995 with the first release being the white label monster, The Crowdpleasers “I Want You To Know” which sampled Quench “Dreams”.

Over the next 5 years, the label produced tracks of varying styles: Da Fool “Meet Him At The Blue Oyster Bar” (licenced to ffrr), Quintessential “A Day To Remember”, 2 Smashing Blokes “M.F.” etc and some of the more popular tracks received DJ support from the likes of Pete Tong, Graham Gold, Stu Allan, Rob Tissera, Colin Tevendale, James Bradley, Steve Lawler, Lisa Pin-Up, Andy Farley, Lisa Lashes etc.

Following on from the 25th Anniversary release of Sarasota “We’re Gettin’ Hot”, the next to receive the Anniversary treatment is another Northwest piano anthem, The Crowdpleasers “It’s Gonna Be Alright” which was first released in 1996 on single track white label. Now with Remixes by Miguel Sanchez & Carlos Garcia, Pianohead, Discode & 8th Day plus The Crowdpleasers vs Lockout Bootleg Mix, The Crowdpleasers Anniversary Mix as well as the Original 1996 Mix, spread across two 12”s.

Go to Item

The Cravats

Dustbin Of Sound

LP | 2024 | EU (ROCKIN' GYROS)

Release: 2018 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Press releases are rubbish! The band who wrote the music don't write them, so some oik who didn't write the music is wheeled in and then, with a Thesaurus propped open on their lap, they attempt to describe sounds with words. As I said, rubbish! So I asked co-founder and frontman of The Cravats, The Shend, to describe 'Dustbin of Sound', their first new LP in 37 years. "As always, it's unique" he said enigmatically. The Thesaurus gave me, 'distinctive', 'individual', 'idiosyncratic', 'different', 'eccentric' and 'unusual' for unique (flipping writing itself this).
The Cravats have indeed always been all of those things, but 'unique' sums it up just fine. Okay, you may prefer to be dragged along the motorway under a rusty Land Rover than have to listen to that sax-riddled, bass-laden Dadaist weirdness again but you can't deny they're unique. And with 13 brand new slabs of peculiarity from these particularly peculiar people (even oscillator overlord, Simeon Coxe of Silver Apples pops up for a few seconds on 'Motorcycle Man'), DoS is still the Cravats that John Peel loved (4 sessions) back in 1978, but with an extra 35 years of life on Earth soaked into their bones.
The two critically acclaimed singles from last year, Blurred and Jingo Bells which Marc Riley, Gideon Coe and Henry Rollins amongst others, played a wad on the wireless are here, as well as songs involving buried cattle, hatcheting Toyotas, death ray vapourisation, the mud-soaked sibling of Neptune and, of course, atheist yacht-owning crocodiles. Er, help me out here, Shend. "Music should always be passionate, preposterous, atmospheric and above all entertaining. We fulfill the remit." They do. It's like watching 13 magnificent mini-movies at your local multiplex but you're eyeballing them with your ears. And talking of Thesauruses, who the hell uses words like, 'maliloquent' and 'predilection' in Pop songs? If Shakespeare, Max Ernst and Beefheart had a radio show, this LP would probably be on heavy rotation.

Go to Item

The Cramps

Live At Pukkelpop 1990

21,99 €*

The Soul Of... The Fabulous Courettes White Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A few years back someone released a 10″ boxset comprising of a box, badge, poster and a 10″ lathe cut EP with just 6 tracks taken from the set played at Pukkelpop Festival in Belgium (Aug 26th 1990).

You didn’t get much in the way of music for your hard earned €’s, £’s or $’s….And it was claimed that there were only 10 (?) set’s made.

What you get here is basically the full gig with a great sound pressed on 200 grm coloured vinyl and housed in a high quality, heavy guage sleeve with a beautiful glossy finish. No hand numbering, you can put your own number in up to 100 although it seems 200 have been pressed and what’s more it comes with a fab poster, identical to the poster in the box set !

We’re told only 200 of these were pressed (although a bunch in black no doubt) and we have a couple of boxes coming…As usual it’s a case of 1st come, 1st served.

Go to Item

The Courettes

LP | 2024 | Original (Damaged Goods)

The Soul Of... The Fabulous Courettes

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gatefold white vinyl LP!A rock'n'roll sensation from the word go, Danish-Brazilian The Courettes are back with their fourth and best album to date: "The Soul Of_ The Fabulous Courettes". And this time, they're bigger, wider and deeper than ever before as they add more to the blistering ramalama that's seen them cause pandemonium across the venues, festivals and airwaves of the UK, Europe, USA and Japan. Hitting the sweet spot that straddles garage rock, girl groups, doo-wop harmonies, heartache and all points in between, here The Courettes build on the momentum of predecessor 'Back In Mono' with a collection of songs that opens up their sonic scope while confronting dark, emotional matter to reveal 'The Soul Of The Fabulous Courettes'."We didn't want to do Back In Mono 2'," stresses drummer Martin Couri.Having evolved with each album release, "The Soul Of_ The Fabulous Courettes" draws inspiration from many of the duo's numerous idols that have only previously been hinted at."We wanted to show our love of the Spector Wall Of Sound and Motown," reveals Flavia. "It was a clear mission and we've absolutely nailed it."From the glorious opening beats and stabbing fuzz honks of 'You Woo Me' to the closing emotional tugs of 'For Your Love' via 'SHAKE!''s fuzzed-up urgency and 'California''s celebratory warmth, The Courettes have broadened their sound with an increased musical instrumentation and overall sophistication that's evident in both their sound and songwriting. And crucially, they've achieved this without sacrificing any of the rock'n'roll grit that's been scraped from Flavia's guitar strings and Martin's battered and pummelled drums. And aiding them in their quest for sonic perfection are a few guest musicians and back-room wizards playing some very specific roles.While the music has opened up to include acoustic and 12-string guitars, bass, E-bows, castanets and timpani, so have the kind of emotions that might not ordinarily be associated with The Courettes.The Soul Of_ The Fabulous...

Go to Item

The Courettes

Tape | 2024 | Original (Damaged Goods)

The Courettes Feat. La La Brookes

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A rock'n'roll sensation from the word go, Danish-Brazilian The Courettes are back with their fourth and best album to date: "The Soul Of_ The Fabulous Courettes". And this time, they're bigger, wider and deeper than ever before as they add more to the blistering ramalama that's seen them cause pandemonium across the venues, festivals and airwaves of the UK, Europe, USA and Japan. Hitting the sweet spot that straddles garage rock, girl groups, doo-wop harmonies, heartache and all points in between, here The Courettes build on the momentum of predecessor 'Back In Mono' with a collection of songs that opens up their sonic scope while confronting dark, emotional matter to reveal 'The Soul Of The Fabulous Courettes'."We didn't want to do Back In Mono 2'," stresses drummer Martin Couri.Having evolved with each album release, "The Soul Of_ The Fabulous Courettes" draws inspiration from many of the duo's numerous idols that have only previously been hinted at."We wanted to show our love of the Spector Wall Of Sound and Motown," reveals Flavia. "It was a clear mission and we've absolutely nailed it."From the glorious opening beats and stabbing fuzz honks of 'You Woo Me' to the closing emotional tugs of 'For Your Love' via 'SHAKE!''s fuzzed-up urgency and 'California''s celebratory warmth, The Courettes have broadened their sound with an increased musical instrumentation and overall sophistication that's evident in both their sound and songwriting. And crucially, they've achieved this without sacrificing any of the rock'n'roll grit that's been scraped from Flavia's guitar strings and Martin's battered and pummelled drums. And aiding them in their quest for sonic perfection are a few guest musicians and back-room wizards playing some very specific roles.While the music has opened up to include acoustic and 12-string guitars, bass, E-bows, castanets and timpani, so have the kind of emotions that might not ordinarily be associated with The Courettes.The Soul Of_ The Fabulous Courettes is an album aime...

Go to Item

California

7" | 2024 | EU | Original (Damaged Goods)

10,99 €*

Back In Mono (B-Sides & Outtakes)

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Two brand new tracks by The Courettes on RED Colored Vinyl. The A-side will also feature on the band's next album! The B-side exclusive to this release! Both tracks feature guest vocals by La La Brooks of The Crystals! 'California' is a song we wrote on our first tour in California last year. We wanted to bring all the sunshine and some psychedelic vibes from The Byrds, the Laurel Canyon, and tons of 12-string guitars to our songwriting. But somehow the lyrics kept some black clouds. It talks about traveling and leaving your loved ones behind. Any musician on the road can relate to this. Although you can have a great time around the world, you're always missing someone. Home is really where your love is. We are very proud of this track, and on top of it we have a guest vocalist. The legendary singer La La Brooks - yes, from The Crystals, the lead voice on the classic 'Da Doo Ron Ron', one of our favourite Phil Spector produced songs of all time. To have La La singing with us is an absolute delight and honour. It's so surreal that we haven't even realised it has really happened! For the mixing our producer Soren Christensen has teamed up with the fantastic Darian Sahanaja (who produced and mixed no less than Brian Wilson's SMiLE album) to enlighten even more the Californian good vibrations. So open up your windows, let the sunshine in and play this one to the max!

Go to Item

The Courettes

EP | 2022 | EU | Original (Damaged Goods)

The Count Bishops Black Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

10" Mini LP featuring outtakes and re-recorded B-sides from the 'Back In Mono' sessions! Back in Mono, The Courettes' third album, was critically acclaimed worldwide and made it onto numerous best -of -the-year lists in 2021. If, like us, you can't get enough of Back in Mono, here's some good news! Back in Mono - B-sides & Outtakes is bringing some more "spit 'n' snarl garage-meets-Phil Spector pop" (Mojo) in three brand new unreleased tracks. Look forward to hearing the three new smash tunes 'Daydream', 'Tough Like That' and 'Talking About My Baby', all wrapped in a new mix by Wall of Sound aficionado Seiki Sato (Japan) and produced by the hit wizards Soren Christensen & C.T. Levine. Also included are the three non-album B-sides from the band's most recent singles. These B-sides have been newly spruced up with extra instrumentation. Making up the eight tracks is the inclusion of a Courettes rarity - 'So What' was previously only available on a split single with The Jackets released on Chaputa Records.

Go to Item

The Count Bishops

LP | 1977 | UK | Reissue (Chiswick)

12" | 2023 | UK | Original (Under The Influence)

Release: 1977 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Punk rock was all the rage in 1977, but that didn’t bother the Count Bishops: five unashamedly blokes, emerging from the bars and clubs of London, with a solid rock’n’rollin’ sound that some thought retrograde and others timeless. At the very least, they could claim to be the finest Polish, Australian, American, English band in town.

This was the debut of singer Dave Tice, who joined the original line-up of Zennon De Fleur (rhythm guitar and haulage), Johnny Guitar (guitar), Steve Lewins (bass) and Paul Balbi on drums. As tight a unit as you could wish for, they produced a driving, raucous rhythm and blues.

The LP is a mix of originals, blues tunes and classic 60s covers, all played with plenty of meat on the bone. Julian Holland is credited as piano on ‘Down The Road Apiece’, and I wonder whatever happened to him. Vic Maile, one of the country’s finest engineers, pushed faders and worked magic on the audio. Two originals, ‘Baby You’re Wrong’ / ‘Stay Free’ became the single off the album and the band hit the road with Motörhead. If you remember being on that tour, you weren’t.

It’s a record that has stood the test of time, when some of their punkier contemporaries now sound of their time.

The sleeve of the first issue was printed on the reverse of the board, giving it a suitable gritty, rough-cut look that we have reproduced here as best possible 45 years later. The blurred photograph on the front lends them an air of menace, a bunch of long hairs in a time of short cuts.

They went on to one more studio album before Zenon died as a result of a crash in his Aston Martin, which he had lovingly restored. The four remaining members reformed in 2005 for the Ace 30th anniversary party at Dingwalls Dancehall in Camden Town and they still rocked the house.

Go to Item

The Cosmologist

Cosmology Volume 5

Groovy Things Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In the unobservable reaches of the universe sits the Cosmologist, surrounded by 12-inch vinyl artifacts found on a tiny planet in another galaxy. Earth, they called it. Sci-fi sonic scalpel in hand, he gets to work on two gems from a bygone era. The A side, a rare 1980’s UK new wave whirlwind, given a drum-focused reconstruction aimed directly at the dancefloor, and the B an afrobeat masterpiece gets an expert interplanetary rework.

Dusting off the original promo sheet, it states that the A side entered Balearic folklore as a much-loved Rampling secret weapon at Shoom. Unlike any other record of that era, it features LSD-soaked drums, a barnstorming bassline and a piano riff that wouldn’t be out of place on a Severed Heads cut, finetuned and re-crafted with that space age touch.

On the B, a magical afrobeat rhythm steeped in history whose spirit and style has traversed decades, dancefloors and galaxies. An exploration of a great, reworked and recalibrated with extra-terrestrial resonations

Go to Item

The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

Groovy Things Black Vinyl Edition

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Cosmic Dropouts was formed in 1988 by Arne Thelin (vocals) and Morten Henriksen (guitar), and was together with The Willy B Review in the forefront of Norwegian garage rock. In addition to Arne and Morten, the band consisted of Pål Andreassen on organ, Carsten Johansen on bass (later replaced by Lars Albrecht and Stig Jøraholmen) and Elvin Sjursen on drums (later replaced by Rune Johnsen). This line-up recorded the band’s first release that year, a four-track vinyl 7“ EP titled Crashed Cadillac and Broken Hearts. It got good reviews in Norway and landed the band their first gigs. Their next release, an 8-track mini-album titled Groovy Things released in 1989, got raving reviews in Norway and abroad, and paved way for gigs at bigger venues and landed them their first and only gigs outside Norway with this line-up. They played at the New Music Seminar in New York that year in addition to a gig at The Khyber Pass pub in Philadelphia. Previous remotely started discussions with Skyclad Records continued in New York and resulted in this album’s original release. The mini-album and the EP together with their first single Let’s Go To The Beach (also released in 1989), plus a handful of songs recorded separately, were released as a full length album with the title Groovy Things by Skyclad Records in the US in 1990. By that time Arne had left the band (September 1989) and started The Lust-O-Rama, but the band continued with a new singer (Morten Karlsen) and released another two albums after that - Hoolabaloo on That’s Entertainment Records (1991) and Sonic Circus on Kicksville Records (1993). This re-issue was remastered December 2021.

Go to Item

The Cosmic Dropouts

LP | 1989 | EU | Reissue (Apollon)

LP | 2012 | UK | Reissue (Rebellion)

Release: 1989 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Corps

Know The Code

7" | 2024 | US | Original (Fat Wreck Chords)

Release: 2012 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

10 years after the release of Know THE Code, which was the 3rd and final studio album of THE Corps, the band is back in the studio working on a brandnew album! To accompany the upcoming album and celebrate the rise of THE Corps, Rebellion Records is doing an ultra limited and deluxe vinyl repress of Know THE Code with courtesy of Contra Records (who released the album originally in 2012). Rebellion Records recently made the album available again on spotify and the songs got thousands and thousands of immediate plays right away, indicating the band is far from forgotten. The scene is ready and eager for a brandnew THE Corps album, but first let’s warm up a bit with this special and limited re-issue of Know THE Code!

Go to Item

The Copyrights

New Ghosts

10,99 €*

12" | 2016 | EU | Reissue (Viewlexx)

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Copyrights have been a driving force in the pop-punk scene for over two decades. With their infectious melodies and high- energy performances, they've cultivated a dedicated fanbase and become a beloved part of the music community. Their journey began in Carbondale, Illinois, where a group of friends with a shared love for punk rock decided to start a band. They quickly gained a reputation for their dynamic live shows and tight musicianship. By the time Fat Wreck Chords got in the mix, The Copyrights had established themselves as one of the genre's most reliable and beloved acts. Their sound had matured, but they never lost the energy and attitude that made them stand out in the first place. Their Fat Wreck debut full- length Alone in a Dome in 2021 further cemented their status in the pop-punk world, showcasing a band that could evolve without losing its identity. With New Ghosts, they're poised to add another bold chapter to their story. The new material not only reflects their growth as musicians but also their ability to stay relevant in a constantly changing musical landscape. Catch The Copyrights live this October at The Fest in Gainesville, Florida, with more tour dates on the horizon. As they gear up to release New Ghosts, they are proving once again why they're a beloved mainstay in the punk scene, and their journey is far from over.

Go to Item

The Conservatives

Loneliness 2023 Repress

13,99 €*

Tape | 2023 | UK | Original (U-Trax)

Release: 2016 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-release of Ts008 (Top Secret/Test Series) by The Conservatives (I-f & Intergalactic gary) from 2003, with the live version as a bonus on the b-side.

Go to Item

The Connection Machine

Blackhole+

13,99 €*

2LP | 2023 | UK | Original (U-Trax)

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Downtempo techno stars The Connection Machine return with stunning re-release, featuring unreleased tracks and Legowelt remix of classic Echoes From Tau Ceti. Four years after the re-release of their debut The Dream Tec Album on U-trax, the Dutch downtempo techno duo The Connection Machine returns with a second highly anticipated re-release. BlackHole+ contains remastered versions of most of the tracks on their original The Black Hole EP, released on U-trax in 1995, plus five tracks from their highly sought-after EPs on Tabernacle Records: Lost Connection and Lost Machine (with electro outfit Lost Trax on the flipside). The original Black Hole EP had black labels and all details of the release were added as a computer-spoken track on the b-side. For this re-release, this track was removed and a Legowelt remix was added of the still immensely popular track Echoes From Tau Ceti. The CD, cassette and digital versions will bring even more goodness in the form of two brand new tracks (Theorems, Theorems and Together), bringing the total number of tracks to eleven. As usual with U-trax releases, the cassette version boast yet another previously unreleased bonus track, Thinking Machine 23, plus the original 13 minute version of 8 Minutes.

Go to Item

The Connection Machine

Blackhole+

28,99 €*

LP | 2024 | UK | Original (Up In Her Room)

Release: 2023 / UK – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Confederate Dead

Flamingo

LP | 2017 | US | Original (Daptone)

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Available on ltd edition Eco mix vinyl, with only 250 copies pressed. Includes download.

We’re delighted to bring you the latest full length from London psych heads The Confederate Dead.

‘As an artist, one of the most extraordinary gifts is the ability to convert life's experiences and emotions into music, transmuting pain into beauty, tragedy into art. With our latest album, 'Flamingo', we embarked on this creative journey. The inception of this project dates back to 2022, a year marked by a period of separation that was both challenging and transformative. 'Flamingo' is not just an album; it is a voyage through the labyrinth of heartache and healing. Each track resonates with the overarching theme of the album, yet each presents a unique interpretation of it. Every song echoes the same meaning, the same core narrative, but from a different emotional lens.’ Butchy Davy (The Confederate Dead)

‘“Flamingo by London’s psychedelic indie band The Confederate Dead flows by like a strange dream. Each song flows differently, shifting the dreamy images into another direction. Thoughts of The Black Angels, the Fuzz Club catalogue and genres from shoegaze to garage pop and back to good old psych rock fight a confusing fight for my attention. In the end it appears that this struggle will never truly be decided. The Confederate Dead is their own beast, and a great one at that.

Theirs is a sound that oozes confidence and grandeur, presented like a big name would. and there is no reason why The Confederate Dead would not dream big, they have the chops, the songs, the looks, the only thing standing in the way of moving up might be their dark brooding undertones and their refusal to do a cool thing twice.

Because the most powerful thing about Flamingo is its versatility. The album is like a box of assorted chocolates, the one you can’t get enough of because each song is delicious and sweet in its own way. So, indulge yourself, have a chocolate, or ten…before you know it the album is over, and you’ll press play again.

Go to Item

The Como Mamas

Move Upstairs

LP | 2012 | EU | Original (Shogun)

Release: 2017 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With their first two Daptone albums – Get an Understanding, and as featured singers on Como Now – The Como Mamas established themselves as three of the strongest voices in gospel music today.

In December of 2015, they cemented that reputation by taking their first trip from their home in Como, MS up to Harlem, NY to crush the Apollo Theater as part of the Daptone Super Soul Revue. Taking full advantage of their presence in town, the Daptone crew brought Ester Mae Wilbourn, Della Daniels, and Angelia Taylor into the House of Soul the week after the show to join forces for the first time with the musicians and studio that has defined their label’s sound. Jimmy Hill, Thomas Brenneck, Homer Steinweiss, and Bosco Mann, all stalwarts of the Daptone stable, came together as “The Glorifiers Band,” to put down a churning musical foundation for these amazing singers. The results are some of the heaviest tracks that Daptone has cut to date. If you don’t like raw, soulful gospel music, you’re really gonna hate this one. Move Upstairs is a real mother!

Go to Item

The Coltranes

Visions/Chris Benoit

9,99 €*

LP | 2012 | EU | Original (Shogun)

Release: 2012 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1st press

Go to Item

The Coltranes

I've Got Heaven

9,99 €*

LP | 2021 | UK | Original (Athens Of The North)

Release: 2012 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

1st press

Go to Item

The Coast To Coast Band

Coast To Coast

The Cloaks (Awol One & Gel Roc)

Release: 2021 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Our second LP this month is an unreleased magical modern soul LP from the band Coast To Coast, the full story below by band leader Mark Beiner...

I met Ben iverson in 1976 when I was 17 years old. I was a junior at Newtown High School in Elmhurst, Queens. At that time, I took a part time job as a Produce Clerk at Walbaum's Supermarket on Northern Boulevard in Jackson Heights, Queens, where I met Ben Iverson who was the "Frozen Food Manager." In between the music, this job was steady income, and he and his Wife, Diane, started a family and raised two Daughters, Tonia and Cytherea, whom I am still in contact with today.

Back then, I remember going to work early just to talk to him about his musical background and his time spent in the 50's and 60's with the Ohio Doo Wop Group, "The Hornets", or better known as, "Ben Iverson and The Hornets." However, Ben was somewhat quiet and at a loss for words when I questioned him with regard to "Ben Iverson and the Nue Dey Express", as well as his short career as Manager and Songwriter for Brooklyn's own, "Crown Heights Affair" in the early 70's.

Between the 50's and 60's, "Ben Iverson and The Hornets" shared billing at music events with recording artists such as, The Drifter's, Bill Haley and The Comets, Pat Boone, Etta James, Mary Wells, Nancy Wilson, Jackie Wilson, Sam Cooke, Aretha Franklin, Lloyd Price and Al Green. Many of these names got their start in the 50's, which Ben met at music concert events hosted by Radio Disc Jockey, Alan Freed. Alan was truly the first Concert Promoter for Doo Wop, Rhythm & Blues, and early Rock & Roll.

In 1978 after Ben and I discussed getting together and composing music, I started writing poetry and expressing in writing my break up with my college girl friend, Paula Vasta. Paula's middle name was Marie, so in kidding around, I would call her "Paula Marie." Ben thought my lyrics were "powerful" and wanted to put them in music. Thus our first recorded 45 rpm record called "Paula Marie", backed with "I Want You Dear." This launched our musical partnership and within a year, the Coast to Coast Band was formed. Ben and I went on to writing two albums worth of material, which in turn gave us a lot of time and presence on stage at our live gigs.

The regular Coast to Coast Band members consisted of Ben Iverson on Lead Vocals, Rhythm Guitarist and Co-Executive Producer, Joe Crowley, who is known today as "New York Congressman Joe Crowley." Carl (Woody Wood) Morton on Bass Guitar, Jimmy Johnson on Keyboards. Woody and Jimmy used to hang and play rap in its early days with "Run Dmc" in St. Albans, Queens. Lead Guitarist, Lou Jimenez, currently owns his own recording studio, Music Labs in Elmont, Long Island. On Drums, Eddie Byam, on Alto Sax, Jay Cohen, who in the 70's used to record for "Gary U.S. Bonds." Gary Pevols on Trumpet. On Bone, Scott Burrows, Trumpet player, Steve Becker, whom we lost to Testicular Cancer at the age of 25, along side Neil Levine, Stan Stockley, Tom Russo and additional members that came and went that we used for live gigs and studio recordings.

In addition, special recognition goes out to our Producer, Recording Engineer and Multi-sound Recording Studio, Owner, Dave Weiner and staff. Dave and I launched Multi-Sound Records under the Multi-Sound label in 1980.

Last, of course myself, Mark Beiner, where I served as Executive Producer, Songwriter, Business/Marketing Manager, and background vocals.

Unfortunately, Ben Iverson passed away on March 21, 2008, and cannot be here to share this with us, but his music and voice still lives on!

Go to Item

A Cloak Rework Orange

2LP | 2023 | US | Original (Oooohh! That's Heavy / Audio Recon)

59,99 €*

LP | 2023 | EU | Original (Detour)

Release: 2023 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A Cloak ReWork Orange is the remix album for A Cloak Work Orange.

This is a limited run of 2xLP, double gatefold with matte finish, and foil stamped numbered sleeves.

Raps by The Cloaks, Awol One and Gel Roc

Artwork by Awkward Logo by Propr Beer Tape Layout by Awol One credits released December 1, 2023

Intro by

Circus 2Mex Fat Jack Dante Ross Open Mike Eagle Charlie Tuna Fat Mike

The Cloaks, Awol One and Gel Roc

Guest Appearances by

Dose One and Mestizo as A7pha, Aceyalone, Megabusive, Quaesar, Brevi, Demrick, and Pawz 1

Remixes by

Controller 7 D-Styles Aceyalone Awol One Megabusive Paris Zax Fono Awkward Kenny Segal OG Calmer Factor Chandelier

Scratches by

Sir Beans D-Styles Roach The DJ

Go to Item

The Clerks

Live In London

28,99 €*

The City Of Prague Philharmonic Orchestra

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After releasing Three singles already this year, THE Clerks are now set to release their album! Only 150 Copies Pressed! From their beginnings in late '76 The Clerks had been gigging the pubs, clubs and halls of Birmingham and London and places in between. By the start of 1980 they'd built a reputation for delivering a lean 45 minute set of their own three-minute songs with a 6o's sensibility and a pop punk energy. They had a loyal following and had supported the likes of Spizz and Tenpole Tudor. The Hope & Anchor in London had become a regular haunt where the small room would overflow with fans, pub rockers, punks and mods plus the odd record company A&R guy. The twelve songs on this LP were recorded by a friend and fan of The Clerks as they played a live set. Consequently, the recording is not of studio quality; it's been transferred, restored and edited but has no overdubs nor any other musical enhancements and is now available for the first time on Detour Records. All of the songs are written by The Clerks apart from 'I'm Down' written by a certain Lennon-McCartney. Lead guitarist Paul Day takes lead vocal on ten of the songs; rhythm guitarist Martin Booth sings lead on 'Cold About Love' and ' It Doesn't Mean That Much To Me'. Martin Poole is on bass and vocals and Paul Cuthbert plays drums. Despite the growing reputation and record company interest, by the end of the year the band had split up and gone their separate ways. So, turn the lights down low, turn the volume up and imagine you're in the steamy basement of a north London pub on a mid-winters evening in 1980. This is the authentic sound of The Clerks as you would have seen and heard them 'Live in London'.

Go to Item

The Indiana Jones Trilogy

2LP | 2022 | EU (Diggers Factory)

40,99 €*

F.R.I.E.N.D.S. Paul Johnson Remix

Release: 2022 / EU

Genre: Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Immerse yourself in the world of Indiana Jones as you re-listen to epic orchestrations composed by John Williams and order your exclusive, limited-edition gatefold vinyl now! You will find in this vinyl the famous theme of the timeless American cinematographic saga created by Georges Lucas and directed by Steven Spielberg. In this edition, the soundtrack is recorded and recorded by the fabulous Prague Philharmonic Orchestra.

Go to Item

The Church Of Love

12" | 2022 | EU | Original (All That Jelly)

11,99 €*

Somewhere Beyond The Rainbow

Release: 2022 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In our church we're celebrating Love, Peace and Harmony.
House music is our bible, our god has no gender, and everybody is welcome, as long as
they can feel the groove.
Lift your soul up to the beat of faith.
And let The Church Of Love be your House.

Go to Item

The Chords

EP | 2023 | UK | Original (Guns Of Brixton)

7" | 2022 | US | Original (Beach Impediment)

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The second incarnation of the mythical band of the eighties mod revival, active since 2013 under the leadership of Chris Pope. The English band offers us 4 tracks full of power-pop, punk 77 rage and classic melodies. The Chords UK are back in action with a new EP that keeps the bar high when it comes to punk-influenced power pop. The title track of the EP was originally composed and worked on in 1985 for the Arista label, with the collaboration in production of Tony James (Generation X, Chelsea...). It finally remained unreleased and is now, at last, seeing the light of day once re-imagined, re-arranged and re-recorded in April 2023. It's a fearsome shock of rock'n'roll rhythm and sharp, angular guitars with more than a nod to late 70's The Clash, all wrapped up in infectious vocal harmonies and anthemic choruses. "Veronica Jones" is a new mix of the celebrated cut from the band's 2022 album "Big City Dreams". This track was born as a punchy modern folk song, as it tells the story of a girl who is clearly out to have a good time, but this version is elevated with a garage rock approach, ably assisted by the keyboard talents of Mick Talbot, formerly of The Style Council and Merton Parkas. "Before Elvis" has its origins in a 2014 demo that eventually remained unreleased and is a raging rock track with a Stones-style beat and amps pushed to the limit. The EP closes with "All I Want is Everything" a high-tempo rock'n'roll reworking of the song that previously appeared on their 2018 album "Nowhere Land", with the bass-driven beat rising several notches as the guitar screams and wails.

Go to Item

The Chisel / Mess

Split

LP | 2013 | UK | Reissue (Fire)

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-15

Bloody fucking hell! Two of modern Oi's finest together on a slab, you say?! You bet your ass! THE Chisel (London, England) and Mess (Guadalajara, Mexico) have teamed up to deliver quite the sonic melee of a split 7" featuring two new ones from each group that showcase the balance of proficient songwriting and brute force that both bands have gained a well deserved reputation for over the past couple years. And as the The Chisel Boys' reiterative chorus resounds through the speakers while you're spinning this platter, you'll know that it's true—you truly ain't seen nothing yet as this is but a taste of what's to come from both of these stalwarts of the genre. Featuring art and layout by the great Nicky RAT, this record is a one time pressing so snag it while ya can or don't!

Go to Item

The Children's Hour

Sos Jfk

Are You My Woman (Tell Me So) / Stoned Out Of My Mind

Release: 2013 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fire Records will be reissuing SOS JFK , the one and only album from folk two-piece The Children's Hour, which featured Josephine Foster and Andy Bar. Initially released in 2003, the album introduced audiences to Foster's enchanting vocals and poetic folk, which would be developed to staggering effect in her later solo recordings, such as the recently released critically acclaimed album Blood Rushing (Fire Records).The Children's Hour were an acoustic duo comprised of members Andy Bar and Josephine Foster. The two friends first connected in 2000 in a short-lived rock trio called Golden Egg, and then on a lark formed the pop song-writing duo oriented toward more naïve themes. Foster was a rec...

Go to Item

The Chi-Lites

7" | 2019 | EU | Original

12,99 €*

LP | 2024 | EU | Original (Wicked Cool)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Serious ‘70s Chi-lites business, remastered officially from the Brunswick back catalogue.
Infamously sampled by Beyonce for her ‘Crazy In Love’ hit, ‘Are You My Woman (Tell Me So)’ is a huge slice of soulful, funk gold. Marrying Eugene Record’s falsetto alongside Creadel "Red" Jones' animated bass tones it screams flash, feel-good, funk - none more so than when the collective combine for those delectable vocal harmonies. Woven in behind - a heavy bassline, masterful drumming and that crazed horn section, creating a certified recipe for deep-seated desire.
The flip see’s the sumptuous ‘Stoned Out Of My Mind’ demonstrating, once again, Record’s magical falsetto, delivered in such a personal way you’ll leave thinking you’re the one who’s gone messed up his mind. Enhanced even further by the dazzling string and horn sections and those choice group harmonies, it’s got a psychedelic tinge to it that serves its namesake all too well.

Go to Item

The Chesterfield Kings

We're Still All The Same

Release: 2024 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-01

Records & Tea: The Best Of The Chefs & Lost 2nd Album

The Chefs

2LP | 2024 | Original (Damaged Goods)

29,99 €*

The Charlatans Yellow Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

From the ashes of the thriving underground punk scene in Brighton in 1979, a band of songwriters called The Smartees emerged. They never made any records but after their demise one of the guitarists, Carl Evans, approached bass player Helen McCookerybook to ask her if she'd like to write some songs with him. He'd already set one of her poems, Food, to music, and they played their first gig with just three songs, each of which lasted just over two minutes: you can hear Food, Sweetie and Boasting on this compilation. The Chefs original drummer, Rod Bloor, contributed the seeds of the song Records and Tea before returning to his native Manchester. Soon, augmented by James McCallum on additional guitar and Russell Greenwood on drums, the songwriting duo started recording for local label Attrix records, firstly two tracks on their Vaultage 79 album, followed by the Sweetie EP and then 24Hours which was championed by BBC Radio 1's John Peel, who invited them to do a session. A residency at The Moonlight Club in West Hampstead, London, tempted them all to relocate to the big city, and a move to Graduate Records saw the re-release of 24 Hours. Graduate also commissioned the album tracks included here, which were languishing in the band attic and have not been released until now. The band split up in 1982, heading in different musical directions: Helen switched to guitar and formed Helen and the Horns, Carl formed Yip Yip Coyote, Russell joined John Hegley's Popticians, and James left the music industry. In our short three years we'd spent hundreds of hours writing and rehearsing our songs, recorded three sessions for the BBC, appeared on two compilations, piqued the interest of top pop producer Pete Waterman, and played countless gigs around the UK. We thought we'd been together for thousands of years! We hope you enjoy our music.

Go to Item

The Charlatans

LP | 2021 | UK | Original (Beggars Banquet)

Release: 2021 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Charlatans Uk V. The Chemical Brothers Record Store Day 2020 Edition

The Charlatans

LP | 1995 | EU | Reissue (Beggars Banquet)

27,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Record Store Day 2020 Limited Run.
Regional Focus Release.
Limitation: 500 copies.

Originally pressed as a four track promo 12” in 1995, and again as a five track CD for the US market in 2000, this is the first time all five Charlatans’ Chemical Brothers remixes have been available together on vinyl. The remix of Patrol was originally released as a b-side of the Jesus Hairdo in 1994, whilst Nine Acre Dust and Chemical Risk Dub appeared on the Just When You’re Thinking Things Over single in 1995. Available for Record Store 2020 on translucent yellow.

Go to Item

Why Call It Anything Colored Vinyl Edition

LP | 2001 | EU | Reissue (Blue Apple Music)

47,99 €*

Release: 2001 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Chameleons fourth and final studio album on 2 x heavyweight coloured discs presented in a gatefold sleeve. 'Why Call It Anything' was produced by David M Allen (Strange Times) and was the band's first full studio recordings after a fifteen year break. Featuring the rich guitars and powerful vocals associated with previous Chameleons albums; WCIA is enriched by members solo pursuits throughout the 1990's, with some of the songs having an acoustic, almost folky feel. But fans of The Chameleons rockier side won't be disappointed with tracks such as Shades and Indiana packing an almighty punch. The album has been re-mastered for vinyl and cut at Abbey Road by engineer Geoff Pesche whose impressive CV includes cutting the lacquer for the best-selling 12" of all time, New Order's Blue Monday.

Go to Item

What Does Anything Mean? Basically Clear Vinyl Edition

LP | 1985 | EU | Reissue (Blue Apple Music)

47,99 €*

Release: 1985 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Chameleons second studio album 'What Does Anything Mean? Basically' re-mastered for vinyl in Spring 2018. 180g, clear vinyl.The album is presented on heavyweight clear vinyl in a gatefold sleeve with printed inner bag. The iconic cover art has been re-worked and updated by guitarist Reg Smithies.

Go to Item

Tony Fletcher Walked On Water E.P. Purple Vinyl Edition

12" | 1990 | EU | Reissue (Blue Apple Music)

41,99 €*

Release: 1990 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A re-mastered version of The Chameleons ultra-rare 'Tony Fletcher Walked on Water" EP on purple heavyweight vinyl.The 4 tracks were recorded in 1987 shortly before the band split and were originally intended as a follow-up to the Geffen album Strange Times. Considered by many to be among The Chameleons' finest songs, the EP was originally released (and then quickly withdrawn from sale) more than thirty years ago. The new version is released with the full co-operation of the band.

Go to Item

Strange Times Re-Mastered Colored Vinyl Edition

3LP | 1986 | UK | Reissue (Blue Apple Music)

58,99 €*

Release: 1986 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Live From London Clear Vinyl Edition

2LP | 2004 | UK | Reissue (Audio Platter)

Release: 2004 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-issue of classic punk band The Chameleon's - Live From London on Clear Vinyl! Forerunners of the 'Madchester' scene of the late 1980, The Chameleons laid the early foundations of what was to become a music revolution. The band consisted of Mark Burgess, Guitarists Dave Fielding and Reg Smithies and Drummer John Lever. Live from Camden Palace, 1984 as part of the 'Live From London' series, this concert features the hits 'In Shreds', 'Paper Tigers' and 'Here Today'.

Go to Item

Dali's Picture / Aufführung In Berlin

2LP | 1993 | EU | Reissue (Blue Apple Music)

47,99 €*

Howling...It Grows And Grows

Release: 1993 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Available on vinyl for the first time in thirty years this double LP showcases The Chameleons in the early stages of their career, bursting with unbridled passion and raw energy as they explore and develop their distinctive sound. A sound that influenced a generation of musicians and still reverberates across the globe today with fans old and new. The LP is presented on 2 x heavyweight Colored Vinyl discs in a wide spine sleeve featuring a brand new cover drawing by guitarist Reg Smithies. All tracks have been expertly re-mastered for this release. Disc 1 - Dali's Picture - is a collection of early studio recordings that pre-date Script of the Bridge and features early versions of well-known songs such as 'Monkeyland', 'Nostalgia' and 'Less Than Human' as well as 'Dreams in Celluloid', an early take on 'Second Skin' with entirely alternative lyrics. Disc 2 - Auffuhrung in Berlin - is a live concert from 1983 showing the band on full throttle belting out songs from Script of the Bridge and showcasing early versions of songs that would later appear on the band's second studio album - tracks such as 'Singing Rule Britannia', 'One Flesh'; and 'Perfume Garden' performed here with many interesting lyrical differences.

Go to Item

The Catheters

LP | 2004 | US | Reissue (Sub Pop)

LP | 2021 | EU | Original (Skep Wax)

Release: 2004 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Catheters are a scourge on pretty boy rock 'n' roll, a festering wound in the ear of all things delicate, a hot razor blade slashing through tight knots of control. You grew up on the Germs and The Pagans, took a left turn into Pere Ubu, Electric Eels, and Pussy Galore, and injected '60s garage-psyche like The Yardbirds, Blue Cheer, and Love into your veins at a young age. The Catheters are your catharsis for maniacal living. This is the Seattle band's third full-length of pent-up brawlers, and they're still radiating the same dark, perilous edge - working once again with respected producer John Goodmanson (Sleater-Kinney, Unwound, Blonde Redhead) - only now they've coaxed out new textures to coarsen the mix. Howling_ is alive, feral and twitching with energy.

Go to Item

The Catenary Wires

Birling Gap

27,99 €*

Skipping Stones: The Cassette Years '92-'93

Release: 2021 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lp, First Pressing On White Vinyl (1000 Copies Ww).Indie Pop Comes Of Age! Amelia Fletcher And Rob Pursey Love Pop Songs, But Pop Songs With An Edge. With Their Early Bands Talulah Gosh And Heavenly, They Were Often Dismissed By Critics Of The Time As Fey Or 'Twee', But This Prejudice Has Since Been Revised: Some Of Those Sweet Fizzy Songs Were About Date-Rape, And The Band Were An Influential Part Of The Movement That Became Riot Grrrl. On Their New Album As The Catenary Wires, The Songs Are As Strong As Ever, Full Of Sweet Melody And Rich With Vocal Harmonies. But The Tunes Are Now Vehicles For Startlingly Honest Adult Concerns: The Fractured Relationships, Anxieties, Passions And Politics Of People Who Live On An Island That's Turning In On Itself. Like The Go-Betweens And Xtc Before Them, The Catenary Wires Know That Pop Music Can Convey Dark, Sardonic, Complex Emotions, Just As Well As It Can Celebrate Teenage Angst. The Album Depicts England, Not Just In Its Lyrics, But In Its Music. The Catenary Wires Have Listened To The Songs And Stories England Has Comforted Itself With Over The Decades, And Re-Imagined Them. Canterbury Lanes Presents A Duetting Couple, Old Now And Worn Down, But Still Aspiring To Put Their Folk Band Back Together, Hoping To Rekindle The Idealistic Flames Of The Early 1970s. Mirrorball, Fizzy With Syn-Drums And Casio, Presents Another Couple - Middle-Aged And Unattached, Who Find Unexpected Love At A Retro 80s Disco. In The 70s-Flavoured Pop Of Always On My Mind, Love Appears Again, Almost By Surprise, Conjured Up By An Old Photo In A Pile Of Memorabilia. The Opening Track, Face On The Rail Line, Is A Love Song Set In The Now, Full Of Emotion, But Shot Through With The Paranoia That We All Feel, Living At A Time When We Are Constantly In Contact, But Rarely Communicate The Truth. The Last Two Songs On The Album, Like The Rain, And The Overview Effect, Are Anxious Romances, Set In A Fragile World. The Catenary Wires Are Now A Five-Piece Band. The Other Members Have Imp...

Go to Item

The Cat's Miaow

2LP | 2024 | UK | Original (World Of Echo)

27,99 €*

LP | 2023 | US | Original (In The Red)

Release: 2024 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Cat’s Miaow return to World Of Echo with Skipping Stones: The Cassette Years ’92-’93, their second compilation for the imprint, and the fourth in a loosely defined series of reissues associated with the group (also including The Shapiros’ Gone By Fall: The Collected Works of The Shapiros and Hydroplane’s Selected Songs 1997-2003). It’s a smart selection of songs by one of Australia’s finest independent pop music groups, whose initial run, across the nineties, was as mysterious as it was bewitching. A generous double album featuring thirty-five songs drawn from The Cat’s Miaow’s history, Skipping Stones lets listeners in on a bunch more secrets.

An even deeper pass through the archives of The Cat’s Miaow, Skipping Stones is a welcome follow-up to 2022’s Songs ’94-’98, which pulled together material from seven-inch singles and compilations. Diving into the four cassettes that the group released over a two-year period, Skipping Stones is full of surprises, rich with unexpected and inspired detours, while reminding everyone just how clear and distinct The Cat’s Miaow’s music was from the very start. Looking in from the outside, they always felt like a group that knew just what they were doing, but intuitive as they are, they weren’t forcing anything: these songs always sound exactly what they need to be, rough edges, playful moments and all.

It's also a fascinating snapshot of one arm of the ‘international pop underground’. While they were clearly listening to music from the US, UK and elsewhere – there are glimpses of Galaxie 500, Spacemen 3, Beat Happening, and The Pastels in some of the songs here – The Cat’s Miaow also feel, consciously or not, part of a continuum of Australian underground pop that takes in The Particles, The Lighthouse Keepers, The Cannanes, The Honeys, Even As We Speak, and The Sugargliders (who they would cover several times). Like those before them, The Cat’s Miaow balanced opposing forces in their music: naivete and knowingness; fragility and strength; worldliness and world-weariness; play and seriousness; heartache and pleasure.

The four cassettes that Skipping Stones draws from – Little Baby Sour Puss, Pet Sounds (both 1992), From My Window, and How Did Everything Get So Fucked Up (both 1993) – were released or assisted by Toytown, a Melbourne cassette label of rare taste, savvy and intelligence, run by Wayne Davidson. Toytown felt like the perfect early home for The Cat’s Miaow, their cassettes rubbing shoulders in the label’s catalogue with brilliant groups like Sukpatch, The Ah Club, Kitty Craft, and Land Of The Loops. The local context is just as important, too, with The Cat’s Miaow sharing their time and creative vision with friends in The Ampersands, Stinky Fire Engine, Girl Of The World, Super Falling Star, Pencil Tin and The Sugargliders. And cassettes were an important form of exchange – cheap, easy to reproduce, not too expensive to send interstate or overseas, they were the most accessible DIY format for any group starting to spread the word about their noise.

All of this is to say, the thirty-five songs here landed in several different contexts, national and international, which goes part-way to explaining the group’s curious cosmopolitanism, the style and spirit in their sound. The Cat’s Miaow may have been bedroom dreamers, but their songs were richly informed, with the sweetest of girl-pop moves sashaying into walls of tremolo-d and distorted guitar, jangling six strings tangling with melodic bass that’s pure Peter Hook/Naomi Yang, while the gentle trickle of a drum machine or the earthy twitch of brushes on drum skins provided the spine for Kerrie’s and Bart’s lovely, unforced singing.

There are a clutch of gorgeous songs here that would reappear in a different form on later releases, classics like “The Phoebe I Know”, “Third Floor Fire Escape View”, “Not Like I Was Doing Anything” and “You Left A Note On The Table”, but plenty of other magic too, all of it finding its way to vinyl for the first time (some tracks appeared on compact disc via the compilations A Kiss and A Cuddle [Bus Stop, 1996] and Songs For Girls to Sing [Drive-In, 1997]). Remarkably, The Cat’s Miaow have also recently released a split single with Rocketship featuring newly recorded material and returned to the stage for their second-ever gig.

But this double LP on World Of Echo feels like the very core of the thing – some of the most heartbreakingly beautiful, effortlessly lush and deeply moving pop music you’re likely to hear.

Go to Item

The C.I.A.

Surgery Channel

Smash The Discos Red Vinyl Edtion

Release: 2023 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Step into a sick rhythm. And I mean sickly. Surgery Channel is a constructed world where everything is piercing and pinpointed. Every single word brings confrontation. With an intro as intimate and uncomfortable as this, The C.I.A. make you question what could be happening here…or what they’re after. Denée Segall (vocals, lyrics) is both haunting and seducing us at once with her voice. Something unhinged might be about to happen and they’re calmly dangling it over your head. Is it the possibility of dismemberment? Revenge? “There is something about Surgery Channel that is sterile and covered in dirt at the same time. Maybe it’s the feeling of simultaneous anger and defeat. Maybe it’s what comes after. Or maybe it’s about the ever-so-brief silent spaces between notes and words. Rhythm would be nothing without empty space. Words are rhythm at The C.I.A. “There’s nothing wishy washy about The C.I.A. or the way they sound. It’s all about precision and aim But really, it’s a warning... amplified by the suspense of tick-tocking drum machine beats that resemble a hospital room. Ty Segall (bass, percussion, back up vocals) and Emmett Kelly (bass, synth, back up vocals) have painted a jarring and dissonant landscape behind Denée’s story. Their basses could easily be swapped for bone drills and you might not be able to tell the difference. Emmett’s modular synth envisions an environment reminiscent of the instrument itself, a mess of wires and pulsing red lights. Ty’s subtle use of electronic and analog percussion fluctuates between the sound of a metal tray hitting the floor (“The Wait”), and the swish of an ultrasound scan (“Bubble”). “Both Surgery Channel and The C.I.A’s first self-titled record are ripe with straightforward conviction. However this most recent installment reveals a new side of their personality. Now The C.I.A. is communicating from an electrified, pulsating, metallic playpen that wants you to strut. Surgery Channel shows punks a new way to move while remaining loyal to the traditions of catharsis and social commentary. “This record is an astute observation and blunt critique. Both inward and outward. It is an exploration into how harshly intimate that process can be. It was written in 2021 by Denée Segall, Ty Segall, and Emmett Kelly. It was recorded at Harmonizer Studios and mixed at Golden Beat by Mike Kriebel.” —Sofia Arreguin

Go to Item

The Business

LP | 2017 | UK | Original (Step 1 Music)

Garbage Island Eco Vinyl Edition

Release: 2017 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2024 re-release of the one of the original and biggest Oi!/Punk bands best selling LPs. All of the bands most popular early tracks included.
Pressing details: 200 copies transparent blood red 160g vinyl. Semi-Translucent Microtene Poly-Innersleeves. Vinyl placed behind jacket in clear outer re-usable poly bags.

Go to Item

The Burning Hell

LP | 2022 | EU | Original (BB*Island)

Frontier's Edge Opaque Lime Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Whatever aspect you might like about these DIY Indie Pop Superheros, you'll find it here, just a little bit more. Garbage Island, The Burning Hell's newest album, is a danceable romp through a fractured landscape of apocalypses near and far, celebrations of failure and escape, a dense medley of pop culture references, and plenty of birdlife. It will be released on June 24 2022 on BB*ISLAND and the band will spend much of the autumn and winter touring itthrough Europe, North America and Australia.Along the way, the album narrates both the need for action and the joys of refusing the hustle, imagines a futuristic nostalgia for the days of post-apocalyptic touring life, celebrates escape and solitude, and concludes with the hesitantsuggestion that the end of the world can't last forever. The songs feature the omnivorous genre-bending and rapid-fire surrealist lyricism the band has been known for in the past, but while there is humour and playfulness inabundance, there are few jokes. It's either the darkest record The Burning Hell has made, the most reassuring, or the most fun. It might be all three."Making a record about a future world of disintegration and renewal while the real world seemed to be collapsing around us felt right." say Mathias Kom.The Burning Hell is the ongoing musical project of songwriter Mathias Kom and multi-instrumentalists Ariel Sharratt and Jake Nicoll, often including additional comrades and collaborators. Their densely populated genre-shifting songs are packed with an abundance of literary, historical, cultural, and pop-cultural forebears, heroes and villains, subjects and objects, stories and hooks. They move with heavy rhyme and a light step, incorporating a frequent fixation on apocalypse and ruin into work that celebrates participation in a surprising, delightful, and even occasionally beautiful world. Which is to say they're good dance partners and they want to dance with you. The Burning Hell are DIY in the best possible sense-underlining the "Do"- affirming a co...

Go to Item

The Budos Band

LP | 2023 | US | Original (Diamond West)

CD | 2023 | US | Original (Diamond West)

Release: 2023 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Frontier's Edge is the new EP by the fiery, energetic and genre-defying group The Budos Band. After a two-decade run with the legendary Daptone Records, Frontier’s Edge is the first new music from the group on the new label, Diamond West Records — run by The Budos' saxophonist Jared Tankel and guitarist Tom Brenneck. The Budos Band’s departure from Daptone was on good terms; the split from their long-time home base was an organic result of the band’s evolution. “It’s just a natural growth,” Brenneck says, admitting: “We’re going further away from the sound of Daptone and into territory they probably wanted to stay away from.” As a result, Frontier's Edge finds the group hungry, passionate and primed to charge into their next epoch newfound sense autonomy within the collective. “We’re a powerhouse in the studio; we can produce ourselves,” Brenneck says proudly of a long process of self-containment. “I take the helm, but the band, they know what they want.” As expected from The Budos Band, Frontier’s Edge resists analysis; it represents the band as they are: a contained explosion. You don’t pick apart Frontier’s Edge; you feel it all at once. “Somehow, we wrote six songs in two days,” says The Budos’ drummer, Brian Profilio. “Tom was able to take what we were doing and put it together in a cohesive manner” Whether this is your first rodeo with The Budos Band or you’ve been following them throughout their two-decade run, Frontier’s Edge contains their musical universe — Afrobeat, Ethiopian music, proto-metal, any number of other streams — in microcosm.

Go to Item

The Budos Band

Frontier's Edge

LP | 1978 | JP | Reissue (Royal Roost)

Release: 2023 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Bud Powell Trio

9,99 €*

The Brian Jonestown Massacre

Release: 1978 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

Go to Item

Spacegirl & Other Favorites

LP | 2008 | Reissue (A)

The Brian Jonestown Massacre

Release: 2008 / Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 1996 now reissued on "a records" Anton Newcombe's own record label Released on 180 g Green vinyl limited to 1,000 copies Taken from the original vinyl release with the original tracks & re cut at Abbey Road The Brian Jonestown Massacre is a psychedelic rock band originally from San Francisco, California, led by guitarist/singer Anton Newcombe. Since 1995 The Brian Jonestown Massacre has released numerous albums, first for Bomp! Records, the label which gave them their start, and later for TVT and Tee Pee. BJM has been essential in the development of the modern U.S. garage scene, and many LA and SF musicians got their start playing with Newcombe, including Peter Hayes of The Black Rebel Motorcycle Club. Originally Newcombe was heavily influenced by The Rolling Stones' psychedelic phase - the name comes from Stones guitarist Brian Jones combined with a reference to cult leader Jim Jones, but his work in the 2000s has expanded into aesthetic dimensions approximating the UK Shoegazing genre of the 1990s and incorporating influences from world music, especially Middle Eastern and Brazilian music. With The Dandy Warhols, The Brian Jonestow...

Go to Item

Bravery Repetition And Noise

LP | 2008 | EU | Reissue (A)

Land Of My Other Sea Blue Vinyl Edition

Release: 2008 / EU – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally released in 2001 now reissued on "a records" Anton Newcombe's own record label Bravery, Repetition and Noise is a dark dreamy album, rich in atmosphere, layered in waves of sound. The album's antecedents are clear, inspired by psychedelia as they were by punk's nihilism, pulling both strands into a doom-laden, experimental sound quite distinct from anything that had come before or since. BJM uses this as their touchstone, lovingly re-creating the moods and atmospheres of the past.

Go to Item

The Breath

LP | 2023 | EU | Original (Real World)

31,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Original Flava White Vinyl Edition

The Brand New Heavies

LP | 1994 | UK | Reissue (Acid Jazz)

28,99 €*

Release: 1994 / UK – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2020 | UK | Original (Acid Jazz)

The Brand New Heavies

Beautiful / Getaway

13,99 €*

LP | 1977 | UK | Reissue (Call Of The Void)

Release: 2020 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

May 1990 The Brand New Heavies released ‘that blue album’ and with it came a winning formula which would go on to earn them 16 top 40 hits and three million worldwide album sales not to mention two UK Platinum albums. Emerging at the heart of the Acid Jazz scene, their self-titled 1990 debut made an instant impact with audiences on both sides of the Atlantic and over the last three decades the band have not let up releasing enduring classics such as You Are The Universe, Midnight At The Oasis & Dream Come True to name but a few. To celebrate these thirty years we’re releasing a limited edition 7-inch vinyl, the first 7-inch release since Stay This Way came out in 1992. The 7-inch will contain the vocal performances of both Beverley Knight and N’Dea Davenport on Beautiful and Getaway respectively.

Go to Item

The Boys

22,99 €*

Boobey Road Pink In Pink Vinyl Edition

Release: 1977 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Classic Black vinyl, 1000 pressed. Arguably one of the best punk albums of the 70s, The Boys self-titled debut (produced by Dangerfield & Steel) is a cult UK classic. The album is filled with the pop punk gems, the kind of immediate salvos that would elevate Buzzcocks into the charts. In the intervening years, the history of punk rock has been written and re-written and a whole heap of bands have been sidelined. The Boys’ debut album, re-mastered here still sounds as fresh and immediate as it did back then and it also includes two classic punk rock singles in ‘I Don’t Care’ and ‘First Time’ (the latter, along with The Undertones "Teenage Kicks", the ultimate punk anthem of teenage romance and adolescent angst). Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’.

Go to Item

The Boobles

2LP | 2021 | US | Original (Needlejuice)

35,99 €* 39,99 € -10%

Tape | 2021 | US | Original (Needlejuice)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"From Dimension 36D comes comedy music's most ambitious, most ill-advised, most charitable album Ever! Comprised of a collective of the most talented tribute-band artists in Texas and some of the most cacophonic creators of comedy music in the 21st century, "Boobey Road" is the crowning achievement BY boobs FOR boobs!

"Boobey Road" is: Irreverent. Reverent. Smart. Stupid. Funny. Serious. (No, not really... "Serious"... as if!)

The final double-album by The Fab Two-Pair is many things all squished together, bunched up, and cinched tight... and, in the end, it's up to you to decide where "Boobey Road" leads you! But one thing is for sure, we love boobs so much that we donate ALL profits to The Breast Cancer Research Foundation for a cure!

Love us or hate us, laugh or loathe, bounce along or want us bounced, "Boobey Road" is just what it is: an album of parody songs about boobs! No political or sociological agenda, no over-raunchiness to merely shock and offend, just 100% Beatles parody songs about boobs!

Don't take this seriously, because obviously we didn't... except for the excellent contributions by Many ridiculously talented people who also want to eradicate breast cancer once and for all!"

Go to Item

The Boobles

Boobey Road

CD | 2021 | US | Original (Needlejuice)

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Boobles

Boobey Road

Release: 2021 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Crying Out Of Things Coke Bottle Clear Vinyl Edition

LP | 2024 | US | Original (Thrill Jockey)

34,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-08

Known for the monolithic force of their music and their inventive production techniques, The Body"s albums are benchmarks in the expansion and evolution of heavy music. Tightly packed with deceptively nuanced arrangements and exhilarating, challenging distortion, their compositions are possessed of an unmistakably singular sound. The Crying Out of Things is no exception; a culmination of all that The Body have done before, highlighting their mastery of dynamic and monumental music that pushes toward the unmistakable sound of oblivion. The Body have produced a wealth of groundbreaking collaborations with the likes of Full of Hell, Thou, Uniform, BIG|BRAVE, OAA, and Dis Fig. The duo"s benchmark albums have, over the past 2 decades, changed the perceptions and directions of heavy music. The Crying Out of Things" embrace of noise is a comprehensive display of the multitude of expressions possible with abrasive sound, a skill that The Body have pioneered and refined. "I think for us the key to the way we use noise is, it"s not the only element," says Buford. "You"ve gotta really listen if you"re into noise. But it also has to have dynamics. Where, say, BIG|BRAVE (who have a similar ethos) expresses it in this more intellectual, minimalist way, The Body comes from an instinctual, maximalist way. We"re trying to cover it ALL." The Body stand alone in their ability to connect disparate influences and collaborators into a wholly original, potent and singular work. Alongside producer/engineer Seth Manchester, the duo"s voracious and omnivorous musical appetites have pushed the studio as an instrument into new avenues to conjure profound feelings from the music. The Crying Out of Things cements The Body"s place as a leader of heavy new music, their boundless creativity, their defining ability to convey anguish, created with a visceral clarity to devastating impact.

Go to Item

The Crying Out Of Things Black Vinyl Edition

LP | 2024 | US | Original (Thrill Jockey)

31,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-08

Go to Item

I Shall Die Here / Earth Triumphant White Vinyl Edition

2LP | 2014 | US | Reissue (Rvng Intl.)

37,99 €*

Release: 2014 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

I Shall Die Here / Earth Triumphant is an expanded edition of the fourth full-length album by The Body, first released to widespread acclaim, and terror, in 2014. Sharing their moribund vision with Bobby Krlic, aka The Haxan Cloak, the tried and true sound of The Body is shred to pieces on I Shall Die Here, mutilated by process and re-animated in a spectral state by the collaboration. This double album set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body's brutality in its most primal form. With both albums revisited by The Body and Seth Manchester at Machines With Magnets and remastered by Matt Colton at Metropolis Studios, this is the definitive edition of a shocking classic of unbridled bleakness and innovation. Formed by drummer Lee Buford and guitarist Chip King in Little Rock, Arkansas in 1999, The Body soon relocated to Providence, Rhode Island. The duo remained in Providence for a decade before moving west to their current home of Portland, Oregon. Their debut self-titled album (Moganano, 2003) and on the widely-acclaimed, classification curtailing of All the Waters of the Earth Turn to Blood (At A Loss, 2011) readied the band for even more experimentations. The employment of the Assembly of Light Choir's classical chorales on All the Waters, alongside more industrial music techniques such as vocal sampling and drum programming, prompted RVNG to inquire with King and Buford which darker corners of the electronic universe they were presumably interested in exploring. The undertaking of I Shall Die Here was aided by Seth Manchester and Keith Souza, The Body's long standing engineer and creative collaborator, and noted producer Bobby Krlic. Krlic's own work as The Haxan Cloak struck a similarly despairing chord to The Body with the celebrated Excavation (Tri Angle, 2013), itself a minimalist evocation of the afterlife. I Shall Die Here shares similar nether space with the morbidly deviating darkness of Excavation, but remains sculpturally frozen in a sort of earthen purgatory. The Body's musical approach, engraved by Buford's colossal beats and King's mad howl and bass-bladed guitar dirge, became something even more terrifying with Krlic's post-mortem ambiences serving as both baseline and outer limit. I Shall Die Here sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. This expanded edition gives us a window into the creation of a classic with the inclusion of its in utero twin, Earth Triumphant. Recorded as a nearly finished album by Buford and King before The Haxan Cloak's transformation, it stands as a raw statement of intent, the original DNA for what would soon mutate into something wholly new. Fans of I Shall Die Here will find familiar sonic fragments in a more primitive state - like seeing an out-of-context photograph of a family member taken well before you knew them - but the album stands on its own in its minimalist brutality, a natural bridge to what The Body was soon to become. The Body's I Shall Die Here / Earth Triumphant will be released in digital and vinyl formats on June 30, 2023. On behalf of The Body, The Haxan Cloak, and RVNG Intl., a portion of the proceeds from this release will benefit Intransitive, an organization that works to advance the cause of Trans liberation in Arkansas through art, education, advocacy, organizing and culture in order to create effective systemic change and on-the-ground impact.

Go to Item

I Shall Die Here / Earth Triumphant Black Vinyl Edition

2LP | 2014 | US | Reissue (Rvng Intl.)

33,99 €*

LP | 2023 | UK | Original (Ohm Resistance)

Release: 2014 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Blood Of Heroes

Nine Cities

39,99 €*

2LP | 2023 | EU | Original (Ohm Resistance)

Release: 2023 / UK – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Industrial Dancehall, Metal Dubstep, Ambient Drum n Bass - TBOH is still the crossover of crossovers!The Blood of Heroes is an amalgamation of artists re-envisioning worlds first created in the Rutger Hauer film by the same name. In "Nine Cities", the trilogy is completed. The first self-titled album depicted the PRESENT post-apocalypse as depicted in the film. The second album, The Waking Nightmare, showed the world during the actual apocalypse in the PAST that led to the times in the film. This third album is the FUTURE - further past even post-apocalypse - "Nine Cities buried deep underground" - what had survived, and how did these cities evolve beyond the world-ending criteria of their creation and burial? Past the film inspired storyline, we have for the first time in many years, 2 members of the original Napalm Death collaborating with each other: guitarist Justin K. Broadrick is joined by Scorn beat master Mick Harris. With Submeged on bass, and Enduser on keyboards, the frame is set. Joined by all the artists depicted below, including returning vocalist Dr. Israel, and Fear Factory's Burton C. Bell, this cast is full of surprising interactions, all masterfully mixed by Dadub's Daniele Antezza. Original artwork is an extended booklet by Khomatech; these Nine Cities are a world of their own, illustrated by one of the masters of fantasial art. For Fans Of Drum'n' Bass, Godflesh, Dom & Roland, Fear Factory, EBM, Scorn, Dr. Israel, Hardcore Rap, Industrial, Submerge, Squarepusher...

Go to Item

The Blood Of Heroes

Nine Cities

False Gestures For A Devious Public

Release: 2023 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Blood of Heroes is a amalgamation of artists re-envisioning worlds first created in the Rutger Hauer film by the same name. In “Nine Cities”, the trilogy is completed. The first self-titled album depicted the Present post-apocalypse as depicted in the film. The second album,The Waking Nightmare, showed the world during the actual apocalypse in the Past that led to the times in the film. This third album is the Future – further past even post-apocalypse – “Nine Cities buried deep underground” – what had survived, and how did these cities evolve beyond the world-ending criteria of their creation and burial? Past the film inspired storyline, we have for the first time in many years, 2 members of the original Napalm Death collaborating with each other: guitarist Justin K. Broadrick is joined by Scorn beat master Mick Harris. With Submeged on bass, and Enduser on keyboards, the frame is set. Joined by all the artists depicted below, including returning vocalist Dr. Israel, and Fear Factory’s Burton C. Bell, this cast is full of surprising interactions, all masterfully mixed by Dadub’s Daniele Antezza. Original artwork is an extended booklet by Khomatech; these Nine Cities are a world of their own, illustrated by one of the masters of fantasial art.

Go to Item

The Blood

LP | 1983 | UK | Reissue (Audio Platter)

The Blackstones Feat. Alvin Davis

Release: 1983 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-issue of the Blood’s legendary debut LP which reached No 5 in the Indie Charts when originally released in 1983.
The Blood were one of the first to merge punk with metal.

Go to Item

Selection Train

7" | 2024 | UK | Original (Iron Sound)

10,49 €* 13,99 € -25%

LP | 2019 | EU | Original (Vee-Tone)

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Blackstones were formed by Leon Leiffer in 1974. Since the initial group formation, there have been several line up changes, currently the group consists of: Leon Leiffer, Tony Mahoney, Jr. Bailey, and they have recently been joined by A.J. Franklin (Chosen Few, Federals). On tours they have supported Curtis Mayfield and the Impressions, Rufus Thomas, Dennis Brown, Owen Grey, John Holt, Alton Ellis and many more Soul / Reggae greats.

Over the years they have worked with many notable Jamaican producers, Count Shelly, Fatman, Phill Pratt, Lloyd Charmers, Lindel Lewis, Tony “Ruff Cut” Phillips, Winston Curtis, Jah Larry, Tony Owens, and the late great Bunny ‘Striker’ Lee and the legendary, Clement "Sir Coxsone" Dodd, at Studio One in JA.

This release features two rootical vocal sides of their consistent repertoire. The 4 track EP features a re-work of “Selection Train” (Orig,”Selected Few”-JA) and “Hell & Heaven” (Orig-Lloyd Clarke-JA). The vocal tracks are replete with Instrumental Versions from Alvin Davis (Horns / Steven 'Marley' Wright (Guitar) / Asha B (Perc/Congos)..

Go to Item

The Blackjacks

Elvis Presley Posters

13,19 €* 21,99 € -40%

Sleep Deprivation Blue Colored Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Vee-Tone Records are delighted to release ‘Elvis Presley Posters’ the debut album from The Blackjacks, one of the most exciting new talents on the ‘roots’ music scene today. If you’ve caught these young lads live, then you’ll know exactly why they’re causing such a stir.

Go to Item

The Black Dog

2LP | 2024 | EU | Original (Dust Science)

CD | 2024 | EU | Original (Dust Science)

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-01

“Sleep Deprivation” began in 2006, during a time when our sleep patterns were drastically altered by constant travel and late-night gigs. This relentless cycle of broken sleep became a persistent part of our lives, and over time, we noticed something remarkable: our music became more emotional, raw, and vulnerable. Sleep, or the lack of it, affects every aspect of life, and its influence on our creative process was undeniable. For this album, we chose to embrace that emotional intensity, allowing it to take centre stage over traditional arrangements. Sleep deprivation blurs the lines of logic, and the part of the brain that usually handles structure and order begins to falter. In that haze, deeper feelings rise to the surface, unfiltered and honest. With this album, we surrendered to that experience, letting the emotional chaos shape the music, and the result is an exploration of what happens when you’re pushed to your limits, both physically and creatively.

Go to Item

The Black Dog

Sleep Deprivation

12,99 €*

Radio Scarecrow (2023 Remastered)

Release: 2024 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-11-01

Go to Item

The Black Dog

CD | 2008 | EU | Reissue (Dust Science)

Directions To See A Ghost Metallic Silver Vinyl Edition

Release: 2008 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Black Dog's highly regarded album, Radio Scarecrow, is now remastered and re-issued on Dust Science, 15 years after its original release on Soma Records.

Two years of constant development culminated in a masterpiece that flows delightfully and hits hard. Marking a true progression from the band's previous album, Silenced, the trio are keen to note:

"The beats are faster and the bass is much heavier - so much so, that it was making us ill, working with the low frequencies for hours on end. We could only do 3 hours at a time on some parts."

Tracks like Floods v3.9 and Beep are a testament to this. With throbbing basslines strong enough to make an impact on the Richter scale, these tracks are best played out on big sound systems.

Radio Scarecrow unfolds gracefully, barely skipping a beat between tracks. The act have created an album that demands to be listened to in its entirety. With elements blending between tracks (the same kick drum being used to very different means in Short Wave Lies and Siiiipher for example) and with constant references to conspiracy theories and the supernatural, The Black Dog present more than a collection of tracks. Influenced heavily by their interest in Magick, Numbers Stations and Electronic Voice Phenomenon (evp), the act have hidden examples of these within their work.

"These transmissions and recordings (and people's interpretations of them) had a strong influence on many of the final concepts and compositions, to the point where we've been embedding coded messages and curses deep inside the tracks".

Go to Item

The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

52,69 €* 61,99 € -15%

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Directions To See A Ghost

The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

57,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Jump Rope Gazers Lemon / Lime Vinyl Edition

The Beths

LP | 2023 | UK | Reissue (Carpark)

Expert In A Dying Field Yellow Vinyl Edition

Release: 2023 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Everything changed for The Beths when they released their debut album, Future Me Hates Me, in 2018. The indie rock band had long been nurtured within Auckland, New Zealand’s tight-knit music scene, working full-time during the day and playing music with friends after hours. Full of uptempo pop rock songs with bright, indelible hooks, the LP garnered them critical acclaim from outlets like Pitchfork and Rolling Stone, and they set out for their first string of shows overseas. They quit their jobs, said goodbye to their home town, and devoted themselves entirely to performing across North America and Europe. They found themselves playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie. Almost instantly, The Beths turned from a passion project into a full-time career in music. Songwriter and lead vocalist Elizabeth Stokes worked on what would become The Beths’ second LP, Jump Rope Gazers, in between these intense periods of touring. Like the group’s earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home. "If you're at a certain age, all your friends scatter to the four winds,” Stokes says. “We did the same thing. When you're home, you miss everybody, and when you're away, you miss everybody. We were just missing people all the time.” With songs like the rambunctious “Dying To Believe” and the tender, shoegazey “Out of Sight,” The Beths reckon with the distance that life necessarily drives between people over time. People who love each other inevitably fail each other. “I’m sorry for the way that I can’t hold conversations/They’re such a fragile thing to try to support the weight of,” Stokes sings on “Dying to Believe.” The best way to repair that failure, in The Beths’ view, is with abundant and unconditional love, no matter how far it has to travel. On “Out of Sight,” she pledges devotion to a dearly missed friend: “If your world collapses/I’ll be down in the rubble/I’d build you another,” she sings. “It was a rough year in general, and I found myself saying the words, 'wish you were here, wish I was there,’ over and over again,” she says of the time period in which the album was written. Touring far from home, The Beths committed themselves to taking care of each other as they were trying at the same time to take care of friends living thousands of miles away. They encouraged each other to communicate whenever things got hard, and to pay forward acts of kindness whenever they could. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it -- a sentiment we need now more than ever.

Go to Item

The Beths

LP | 2022 | US | Original (Carpark)

27,89 €* 30,99 € -10%

The Beta Band Deluxe Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On The Beths’ new album Expert In A Dying Field, Elizabeth Stokes’ songwriting positions her somewhere between being a novelist and a documentarian. The songs collected here are autobiographical, but they’re also character sketches of relationships – platonic, familial, romantic – and more importantly, their aftermaths. The shapes and ghosts left in absences. The question that hangs in the air: what do you do with how intimately versed you’ve become in a person, once they’re gone from your life?

The third LP from the New Zealand quartet houses 12 jewels of tight, guitar-heavy songs that worm their way into your head, an incandescent collision of power-pop and skuzz. With Expert, The Beths wanted to make an album meant to be experienced live, for both the listeners and themselves. They wanted it to be fun -- to hear, to play -- in spite of the prickling anxiety throughout the lyrics, the fear of change and struggle to cope.

Most of Expert was recorded at guitarist Jonathan Pearce’s studio on Karangahape Road in Tāmaki Makaurau, Aotearoa (Auckland, New Zealand) -- and sometimes in the building's cavernous stairwell at 1am -- toward the end of 2021, until they were interrupted by a four-month national lockdown. They traded notes remotely for months, songwriting from afar and fleshing out the arrangements alone, the first time they’d written together in such a way. The following February, The Beths left the country for the first time in more than two years to tour across the US, and simultaneously finish mixing the album on the road. That latter half felt more collaborative, with everyone on-hand to trade notes in real time, until it all culminated in a chaotic three-day studio mad-dash in Los Angeles. There, Expert finally became the record they were hearing in their heads.

Expert is an extension of the same skuzzy palette the band has built across their catalog, pop hooks embedded in incisive indie rock. The album’s title track “Expert In A Dying Field” introduces the thesis for the record: “How does it feel to be an expert in a dying field? How do you know it’s over when you can’t let go?” Stokes asks. “Love is learned over time ‘til you’re an expert in a dying field.”

The rest is a capsule of The Beths’ most electrifying and exciting output, a sonic spectrum: “Your Side” is a forlorn and sincere love song, emotive; while “Silence is Golden,” with its propulsive drum line and stop-start staccato of a guitar line winding up and down, is one of the band’s sharpest and most driving. “When You Know You Know” skews a bit groovier, pure pop and a natural addition to the band’s live set. “Knees Deep” was written last minute, but yields one of the best guitar lines on Expert. There’s a certain chaos across the 12 tracks, the palpable joy of playing music with long-time friends colliding with the raw nerves of pain.

Stokes strings it all together through her singular songwriting lens, earnest and self-effacing, zeroing in on the granules of doubt and how they snowball. Did I do the wrong thing? Or did you? And are we still good people at the end of it? She isn’t interested in villains, but instead interested in just telling the story. That insecurity and thoughtfulness, translated into universality and understanding, has been the guiding light of The Beths’ output since 2016. In the face of pain, there’s no dwelling on internal anguish - instead, through The Beths’ music, our shortcomings are met with acceptance. And Expert In A Dying Field is the most tactile that tenderness has been.

Go to Item

The Beta Band

3LP | 2018 | EU | Original (Because Music)

21,99 €*

2LP+CD | 2018 | EU | Original (Because Music)

Release: 2018 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is a Deluxe 3LP+2CD edition with double black vinyl album in gatefold sleeve with printed inner-sleeves and CD included, plus a single black bonus EP vinyl in single sleeve with 3mm spine, printed inner-sleeve and CD included. Both vinyl sleeves are held together with an obi stripe. Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation. After acquiring the Beta Band’s catalogue last year, Because Music will reissue their releases, starting on September 14th with a deluxe vinyl edition gathering in a slipcase the EPs ‘Champion Versions’, ‘The Patty Patty Sound’ and ‘Los Amigos Del Beta Bandidos’ with remastered tracks and Colored Vinyls, to celebrate the 20th anniversary of the 1998 compilation. Because Music will release at the same time a double CD Best-Of compiling all their best hits and a live show recorded at the Shepherd’s Bush Empire (London) in 2004.

Go to Item

The Beta Band

LP+CD | 2004 | EU | Reissue (Because Music)

Release: 2018 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Arguably one of the most acclaimed and loved bands of the past 20 years, by both fans and their musical peers alike, The Beta Band formed in St. Andrews, Scotland, in 1996. Innovative and singular, their unique musical and aesthetic approach to everything they did set them far apart from their musical contemporaries. Together for a relatively short period of time, the three albums and three EPs they released between 1996 and 2004 would nonetheless help define them as one of the most exciting and cherished bands of their generation. Released in 1999, the album “The Beta Band” followed the critically acclaimed compilation “The Three E.P.’s” (1998). With high anticipation for The Beta Band, the band originally planned to record the album in four separate continents, but financial constraints slimmed the recording locations down; however, the album was still recorded in a variety of locations and pulling inspiration from sources as diverse as Jamaican reggae, Disney’s movie “The Black Hole” and Bonnie Tyler’s “Total Eclipse of the Heart".

Go to Item

The Beta Band

Heroes To Zeros

12" | 2007 | US | Reissue (Jagjaguwar)

Release: 2004 / EU – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

The Besnard Lakes

Casino Nanaimo

2LP | 2020 | EU | Original (New State Music)

Release: 2007 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In early 2007, THE BESNARD LAKES released a full-length album on JAGJAGUWAR that quickly made it onto numerous and budding best-albums-of-the-year short-lists by a whole range of music-listening pedigree. Now these inspired Montrealers continue what they've started, re-stoking the flames and releasing two additional tracks. Side A is "Casino Nanaimo", a place where repetitive sound and lights engulf addicted gamblers all vying for space on the eternal wheel of fortune. And then there is side B, "Devastation (alternate version)", the unedited and original straight-to-two-track nine-minute version, recorded live-off-the-floor at Breakglass Studios.

Go to Item

The Beloved

Happiness

22,99 €*

7" | 2023 | EU | Original (Munster)

Release: 2020 / EU – Original

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Happiness LP reissue - Double 180g Heavyweight Vinyl. After this January’s reissue of their 1987 indie – facing compilation of early singles – ‘Where It Is’, The Beloved are back with a 30th Anniversary Reissue of this 1st album proper - Happiness. Available as a 180g heavyweight double vinyl package for the first time, ‘Happiness’ has been remastered from the original analogue studio masters (by John Davis at Metropolis Studios) and has a significantly louder and clearer audio than the original release.

Go to Item

The Beggers

Metamorfose EP

15,99 €*

Sunshine Dub Me Black Friday Record Store Day 2023 Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Amazing garage punk cult band featured on the "Brazilian Nuggets" Vol 1 and Vol 2 compilations. Recorded in 1968, this EP is almost impossible to find and has never been sold on Discogs. It comes with a 12-page booklet with liner notes, photos and memorabilia. This release is a collaboration between Discos Nada, Fatiado and Munster Records. The Beggers were formed in the industrial ABC Paulista region, the birthplace of the Brazilian punk rock scene. But many years before that, The Beggers were already a kind of proto-punk act, as can be heard on the first track of this 7" record, 'Estes Homens Farrapos', a rather unusual social commentary song in those flower power days. Considered a protest song, it ended up being censored. However, the most psychedelic and experimental track is 'We're Going, to Aid You', a song about a fictional alien invasion. The creepy effects created by the group in the studio can be compared to those by the greatest international bands of the time. The Beggers only had three original compositions and a fourth one was missing to complete the EP. This was how 'We're Going, to Aid You' was eventually created as an experiment in the studio, just to complete the record. With "Metamorfose" banned from the shops, the members of The Beggers were running out of money, and without any gigs they had no other choice but to break up the band shortly after the release of their mighty EP. Bento Araujo (author of the book series Lindo Sonho Delirante) An amazing example of genuine teenage garage rock from 60s Brazil reissued for the first time, as result of a collaboration between Discos Nada, Fatiado and Munster Records.

Go to Item

The Bees

12" | 2023 | UK | Original (Pias Recordings Catalogue)

Release: 2023 / UK – Original

Genre: Rock & Indie, Reggae & Dancehall

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sgt.Pepper's Lonely Hearts Club Band Limited Super Deluxe CD Box

Box | 2017 | EU (Universal)

141,99 €*

Release: 2017 / EU

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Let It Be Limited 50th Anniversary Box Edition

Box | 1970 | UK | Reissue (Apple)

151,99 €*

Release: 1970 / UK – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Following on from the global success of ‘Abbey Road’, Apple Corps and USM are proud to present the next multi-format Beatles album reissue of ‘Let It Be’.

January 1969 – The Beatles planned to return to live performance, setting up in Twickenham Film Studios, London, for 21 days of rehearsals. They then decamped to their new studio in their Apple office building in Saville Row and on January 30th performed their last ever live group performance on the rooftop. All of this was filmed for a proposed documentary (eventually released in 1970). During the rehearsal process, they asked Glyn Johns, who had been hired to help with the live sound, to attempt a mix to create an album. This was never released, becoming known as one of the great ‘lost’ albums in rock history and is now included in this Super Deluxe Set. The album was delayed further and in fact became their 12th and final official album release on 8th May 1970 following additional production by American producer Phil Spector.

The Beatles iconic final studio album being released to coincide with the worldwide release of Peter Jackson’s 3 part documentary ‘The Beatles: Get Back’
New stereo mix of the original album by Giles Martin
Additional discs featuring a selection of outtakes from the recording sessions
Blu-ray contains Dolby Atmos mix, 5.1 surround mix, plus high-res stereo mix of the original album

Go to Item

I Wanna Hold Your Hand / I Saw Her Standing There Black Friday Record Store Day 2024 Edition

7" | 1964 | US | Reissue (Capitol)

21,99 €*

Release: 1964 / US – Reissue

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Coming Soon 2024-11-29, 12:00 CET

RSD First, Limitation: 10000

With a million orders for “I Want To Hold Your Hand” in the UK, the single shot to #1 in December 1963 knocking The Beatles’ own “She Loves You” from the top spot. This was to be the first official single for The Beatles on Capitol records and was backed by an extraordinary marketing campaign. With “I Saw Her Standing There” replacing “This Boy” for the other side, the single was rush-released in the USA in January 1964, climbing to #1 on the Hot 100 by February 1st. Remaining on the chart for 15 weeks, it went on to sell more than 12 million copies worldwide, and with that, an unstoppable force was unleashed and Beatlemania had truly arrived. This RSD Black Friday reissue single was cut from the original US version of the master tapes –- the same masters as used for the albums in the 1964 box set -- by Kevin Reeves in Nashville, using an all-analog cutting process and on the same 1970 lathe that was in Capitol and has been used on many classic album cuts over the years.

Go to Item

I Told You Before: Unreleased Get Back Sessions

LP | EU (Israeli Fan Club)

20,99 €*

Release: EU

Genre: Rock & Indie, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

For the first time ever on vinyl here are four original Lennon/McCartney compositions which not many people have heard before. All the performaces here were recorded during the January 1969 sessions and were concidered not good enough for the 'Let It Be' and the 'Abbey Road' albums. 1st generation tapes. The first track which spreads all over side 1 is a fine example of how the Beatles could work together, exploring new ideas as this Lennon original devolpes into a jam session around the line of 'I told you before, get out of my door'. In the middle of this track you can hear John discussing accord changes with George while Paul sings this line as a rugh guide. Ringo is in his best form here, you've never heard him using sticks before like that! It's imortant to indicate that this song is NOT 'I found Out' from Lennon's Plastic Ono Band" album of 1970. The opener of side 2, is a also a Lennon track, the longest version ever to appear, a track that could do well along 'Mean Mr. Mustared' and such. Closing the album are two long McCartney Tracks. Fast rockers in the 'Helter Skelter'/I'm Down' tradition. The last one could not appear on any Beatles album as the Feminist Mafia would ban it!

Go to Item

Abbey Road 50th Anniversary Edition

3CD | 2019 | UK | Original (Apple)

103,99 €*

LP | 2003 | EU | Reissue (Dancing Bear)

Release: 2019 / UK – Original

Genre: Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Housed in a sturdy LP-sized full-color cardboard slip-case and includes a hardback full-color book with discs in papersleeves

Blue sticker affixed to the shrinkwrap: 'The Beatles Anniversary EDITION..."

Blu-ray audio: Dolby Atmos - 96kHz/24bit DTS HD Master Audio 5.1 - 96kHz/24bit High Res Stereo, 1080p23.98 - Aspect Ratio 16:9 - All Regions

Hidden video on blu-ray: Navigate to track # 2 ”Something” on disc menu, press navigation arrow to the right and select the appearing video link.

Go to Item

The Bambi Molesters

Dumb Loud Hollow Twang

The Baker Gurvitz Army Record Store Day 2023 Yellow & Orange Vinyl Edition

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180 gram vinyl

Not many acts who continue for a few albums get a chance to go back and take care of what they might see in retrospect as mistakes or tentative starts — but there are always glorious exceptions. Thus the course of events that led to the Croatian surf-rock quartet The Bambi Molesters rerecording their 1997 debut Dumb Loud Hollow Twang in a ‘deluxe’ edition, with special guests, bonus tracks and more besides.

What might have seemed a quixotic exercise gets explained in the liner notes — the album’s original run, though popular in surf-rock obsessive circles, had not resulted in a reprint, while the group’s growing popularity resulted in further demand and attention for the start. The band themselves felt the debut was far too rushed — it was literally recorded in three hours as a one-take rip with instrument leakage and bad mixing ruining the impact — so with more time to spare and a chance to flesh out the sound, the result was 2003’s Deluxe.

The quartet’s command of the surf vernacular is unparalleled — guitarists Dalibor Pavicić and Dinko Tomljanović have the reverb down and rhythm section Lada and Hrvoje Zaborac shift between mania and moodout with ease. The guest musicians add just the right touches — keep an ear out for Neven Franges’s piano on the late-night menace of “Pearl Divin’”, as well as on the smoky Eurospy vibe of “Sun Stroke” and a trumpet/sax duo on a variety of songs adding some further sting.

If the overall effect is pleasantly reverential rather than a striking new reworking of surf and garage roots, it’s still a solid result that works beyond mere genre exercise. The bonus tracks are all covers, and winners they are — the Molesters collaborator in the Strange project, Chris Eckman, adds whispering menace to “Restless”, the album’s sole vocal track. Best song title of the bunch — “Beach Murder Mystery.” (Ned Ragget, All Music Guide, 2005)

Nothin’ dumb about this one! The Bambi Molesters hail from Sisak, Croatia, and they play a slightly dark brand of traditional instrumental surf music. They’re all about subtlety. Lead guitarist Dalibor Pavicić lays back in the mix, painting the sound with dreamy apparitions of melody and tone. How much of this was always part of their formula, and how much producer Phil Dirt created at the console, I don’t know, but either way they’re onto something good here.

All fifteen tunes were written by Pavicić and guitarist Dinko Tomljanović, and that’s surprising enough for such a young band, but on top of that, all fifteen are exquisitely crafted and fully realized. “Sun Stroke” is one of the most beautiful surf tunes of the year, filled with passion and power and delivered with a delicate touch. If you fancy a twist of spy in your surf, “Beach Murder Mystery” is the bomb. By the way, if you’re voting for great titles of the year, you may want to consider “Standing on the Nose in a Stylish Manner”, which also happens to be a killer surf tune. So add Croatia to your surf scene map and keep an eye on The Bambi Molesters, because they’ve officially taken their place in the book of who’s who. (DJ Johnson, Cosmik Debris, 1998)

A stunningly good set of tracks from the only surf band in Croatia. Their writing is melodic, pristine, well structured, and unique. I find their slower material to be the best, with its stellar beauty and delicate balance between lead and rhythm. I’ve been communicating with the band for about a year, and earlier this year, they asked me to produce their album. I was honored. They laid down 16 track ADAT in Croatia, and mailed them to me in the US. I mixed them here, and mastered them as well. Based on the DAT I’d received late last year, I was expecting good tracks. I was not prepared for just how good they’d turn out to be. This will be a classic of the future. (Phil Dirt, DJ KFJC)

Dancing Bear Band Information (from 2005)

Formed in 1995 under the influence of 60’s garage and surf classics, the Croatia based band The Bambi Molesters won sympathies of rock critics and underground rock audience with their first album “Dumb Loud Hollow Twang” which was released in 1997. Since then they have been playing regularly in Croatia and all over Europe and their fiery and energetic live performances have helped to build their reputation as one of the finest and most original contemporary instrumental bands.

In 1999 the band signed the record deal with Dancing Bear. They released their second album called “Intensity”. The same LP was also released in Germany on Kamikaze Records. Both “Intensity” and “Dumb Loud Hollow Twang” gained positive reviews in the music press and were nominated in various categories of the Croatian music award.

In December 2001 The Bambi Molesters released their 3rd CD “Sonic Bullets: 13 from the Hip” (the LP version is from 2003) with the following guests: Peter Buck (REM), Scott McCaughey (Minus Five, REM touring band), Chris Eckman (The Walkabouts), Terry Lee Hale and Eduardo “Speedo” Martinez (The Flaming Sideburns). Just like the previous one, the new The Bambi Molesters album was published by the Croatian record label Dancing Bear. The CD got excellent reviews in various magazines (Mojo, Uncut, Pitchfork, ...) and received the Croatian journalist award for the best album of the year 2001.

In June 2002 “Sonic Bullets: 13 from the Hip” was licensed by ACE Records and was released on their Big Beat label.

The Bambi Molesters’ songs are regularly played on American (KFJC, KFAI, KXLU, WREK, WHUS) and British (BBC RADIO 1 in London) radio stations. The song “C Alpha E” was included in the movie called “The Treat” by Jonathan Gems (screenwriter for “Mars Attacks” and “1984”). Their music can also be heard in videos (“Cross Cuts” for Tonix Pictures and Dragonfly BMX video). Three songs from the first LP are included in the movie “Barabe” (Viba film, Slovenia). During the last couple of years the band has played more than 100 gigs and supported well known acts including The Cramps, REM, Chrome Cranks, Man or Astroman,...

In July 2003 the band played as a support at the R.E.M. European tour. The Bambi Molesters played at three gigs in front of 50000 people altogether.

In June 2004, together with The Walkabouts singer Chris Eckman they formed The Strange. Their debut album “Nights of Forgotten Films” is out on Dancing Bear.

Go to Item

The Baker Gurvitz Army

LP | 1995 | US | Reissue (Culture Factory)

LP | 2019 | EU | Original (Edition)

Release: 1995 / US – Reissue

Genre: Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

4 - 1st Studio Album, Top 25 US Billboard Chart, Includes their signature song “Mad Jack". This was the English Prog-Rock group most successful album. This deluxe package will include an OBI strip, gatefold album jacket, printed inner sleeve, original record labels and specialty color vinyl. Lava Lamp effect cleear Yellow/Orange Color Vinyl

Go to Item

The Bad Plus

CD | 2023 | US | Original (The Spitslam)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

21 years after their landmark first appearance as a genre exploding piano-bass-drums trio,
the ever adventurous The Bad Plus have reinvented themselves as a dynamic quartet with
the addition of guitarist Ben Monder and saxophonist Chris Speed. This new iteration of the
group makes its vital eponymous debut now, as always, challenging convention by pushing
their inimitable approach to jazz in boundary-breaking new directions. Though the
components may have changed, what remains is The Bad Plus’s unique musical language
and their undeniable drive and intent.
Having re-contextualized their own chemistry, 'The Bad Plus' not only affirms the band’s
continuing relevance and longevity, it burns bright on its own terms as an extraordinarily
powerful debut from an all-new creative force to be reckoned with.

Go to Item

The B Boys

We're The 2 Emcees

Release: 2023 / US – Original

Genre: Hip Hop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Gettin' All The Attention

The Attention!

LP | 2012 | Reissue (Screaming Apple)

18,99 €*