Search "figure" 1719 Items

Release: 2023 / US

Genre: Electronic & Dance

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Brainwave research center is a new project from NYC-based house/techno producer, Chase Smith (W.T. Records, Apartment, is/Was), & documentary filmmaker, Christa Majoras (School of Visual Arts).

Conceived together over two years as musical thought experiments, brainwave research center’s debut album, figure 1, contains a genre-bending distillation of influences from experimental music (Steve Reich, Laurie Spiegel, Black Dice), 1990s ambient techno (The Orb, Pete Namlook/Fax Records), and Motorik/Kosmiche/Krautrock (Kraftwerk, Suicide, Manual Gottsching).

The songs embrace a raw, naive approach to sound design, instrumentation, and technical production to capture the feeling of experimentation of the works they are inspired by. Described by listeners as a mixture of Electronic, ambient, and kosmische/krautrock.

Recorded and produced in Greenpoint, Brooklyn in the back of Smith’s synthesizer/electronic repair shop, Specs Sales & Repair, Figure 1 is the first in a sequence of 4 works to be released.

Made primarily with Tr-606, OB8, Sh-101, Ms-20, Fizmo, H3000, Sde-3000

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The Battle Of Disco HHV Summer Of Jazz Exclusive Clear Yellow Vinyl Edition

LP | 1977 | EU | Reissue (Afrodelic)

23,39 €* 25,99 € -10%

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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Limited edition of 100 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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The Battle Of Disco Black Vinyl Edition

LP | 1977 | EU | Reissue (Afrodelic)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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With one foot planted in jazz and the other in the township groove of Mbaqanga, saxophonist Sello Mmutung was a powerful crossover figure in the history of popular music in South Africa. Using the stage name Bra Sello, meaning “brother” and used as a term of affection and respect in the jazz community, he came up in the era of shellac 78s as an exponent of the 1960s sax jive sound that brought the swinging rhythm of kwela into the domain of South African jazz. Despite the injection of American rhythm and blues into South African pop in the late-1960s, Bra Sello’s first releases on vinyl on the
CBS label saw him backed by the group Abafana Bentuthuko and holding down an unapologetic township sound.
Joining the independent Soweto label under producer Cambridge Matiwane in the mid-1970s, Bra Sello recorded two records in the hit-making bump jive style popularised by serious jazz musician Dollar Brand on the one hand and prolific studio group The Movers, operating in funk and soul territory, on the other. Blending modern American and traditional African elements into joyful hip-swinging rhythms, Butterfly (1975) and The Battle of Disco (1977) reflect the vivacity of urban life in South Africa and document an era when dance music was performed by bands as extended jams laced with jawdropping solos. With music trends shifting dramatically in the late-1970s, the title of The Battle of Disco was an ironic call to arms in response to the territory that group musicians were beginning to cede to synthesisers and DJs.
For enthusiasts of African music from the 1970s, a full appreciation of the continent’s output is incomplete without South Africa’s pop-jazz sound providing a regional counterpoint to the funk experimentation of West Africa. Reissued for the very first time, Bra Sello returns in 2023 with limited replica editions from Afrodelic using master tape sources from the As Shams / The Sun collection. Afrodelic’s unique edition of Butterfly features a previously unreleased track on Side B.

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Butterfly HHV Summer Of Jazz Exclusive Clear Vinyl Edition

LP | 1975 | EU | Reissue (Afrodelic)

23,39 €* 25,99 € -10%

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Butterfly Black Vinyl Edition

LP | 1975 | EU | Reissue (Afrodelic)

23,99 €*

LP | 2021 | EU | Original (Nude Club)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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Boy Harsher

OST The Runner

12" | 2024 | EU | Original (Maledetta Discoteca)

Release: 2021 / EU – Original

Genre: Soundtracks

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Augustus Muller and Jae Matthews’ fifth release entitled ‘The Runner (Original Soundtrack)’ is not a traditional album. Rather, it is the soundtrack to a short film, also entitled ‘The Runner’. The film, written, produced, and directed by the duo, is a searching horror film, attached to a meta-style “documentary” about Boy Harsher’s recording process. The album includes several distinct components: cinematic arrangements, vocal features, and of course classic Boy Harsher dark pop. Both the album and short film will be released in January 2022.

The album opens with “Tower”. The only track on ‘The Runner (Original Soundtrack)’ that Boy Harsher has previously played live, but never recorded. The song is an incantation, with its pulsing synth and Jae’s begging vocals. A spell about desire and impending destruction. Jae asks 'But are you honest? Do you trust? You trust in me?' Questions answered by her desperate yells. It starts both the film and the soundtrack with a heavy presence.

Two songs on ‘The Runner (Original Soundtrack)’ feature vocalists other than Jae Matthews. He allows a distinct sound for both vocalists and really leans into the possibility of divergent genres. “Machina”, is a Hi-nrg homage, performed by Mariana Saldaña of Boan, and “Autonomy” a new wave tribute, performed by Cooper B. Handy of Lucy. Augustus Muller fully embraces the soundtrack ethos, by creating fictional ‘bands’ to generate additional content.

‘The Runner (Original Soundtrack)’ is exactly what’s in the name: a soundtrack. At first the shape of the release was nebulous - yet once realized the album is dynamic. It serves as the story of the running figure and her musical accompaniment. Those expecting a traditional release will be surprised, but not disappointed.

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Bottazz!

Volume 1

22,99 €*

We Are The Romans Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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There is a parallel, submerged dimension in which musicians meet when they improvise. Sound microcosms emerge in those moments, and this is precisely the magic that Bottazz! wanted to photograph in their first album: Bottazz! VOL.1. A "live" album, capable of transmitting spontaneity, sonic truths, empathy, feelings; ingredients that are difficult to transmit by recording the instruments individually or with other techniques. Recorded in the historic "Auditorium 900" studios, a true time machine, as well as an institution for music in Naples. Auditorium 900 took up the challenge in the figure of sound engineer Fabrizio Piccolo and from here the sound of Bottazz was born! A sound made up of lysergic Funk trips, 70's influences in all possible nuances: from progressive funk to Santana's Hispanic rock, up to touching its darkest and most hidden latitudes; audio waves influenced by the soundtracks of the cinematography linked to those times, organs, synths, percussion and wah wah guitars, which generate a melting pot in which nothing is taken for granted. Bottazz! VOL.1 is a ship's diary, a journey into which each sailor has inserted its own emotions accumulated over the years, thus giving us a sincere and genuine record. Happy navigation.

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Botch

2LP | 1999 | CZ | Reissue (Sargent House)

41,99 €*

We Are The Romans Black Vinyl Edition

Release: 1999 / CZ – Reissue

Genre: Rock & Indie

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Influencial cult classic reissued plus new Botch song! Legendary Tacoma, Washington mathcore/hardcore/metal band Botch's second and final full-length album We Are the Romans was originally released in 1999, eventually becoming one of the most ground-breaking records during a pivotal shift in heavy music. Now, the band's seminal album is set to be re-issued and will include Botch's first new song in over 20 years, "One Twenty Two". There was never any intention for the band to release anything else, but when guitarist David Knudson went to write his debut solo LP, it made sense. He explains: "During Covid, I was writing my debut solo LP, and mentally, I was sick of everything in quarantine. Lots of frustration had set in at home, and I figured the best way to deal with it was to write something heavy. I had no intention of writing anything for Botch, but when I was thinking of a singer to collaborate with, I thought, "Hey, I know the best hardcore singer ever to do it," so I hit up Dave V. He was super excited and so it just kind of snowballed from there. There was never any intent or conversation about getting back together or writing. It just happened so naturally and was a great release for all of us to make it happen without any of the traditional pressure an "active" band faces." Bassist Brian Cook, guitarist David Knudson, drummer Tim Latona, and vocalist Dave Verellen formed Botch in 1993, eventually becoming one of the most significant bands of their time. Their final show was June 15, 2002, the same day as the release of their final EP, An Anthology of Dead Ends. The members would go on to play in These Arms Are Snakes, Minus the Bear, and Russian Circles, among others, with acclaim for the band coming mostly post-breakup. We Are the Romans went on to become one of the most influential albums ever for the genre garnering posthumous acclaim across the board.

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Botch

2LP | 1999 | US | Reissue (Sargent House)

40,99 €*

12" | 2020 | UK | Reissue (SK_Eleven)

Release: 1999 / US – Reissue

Genre: Rock & Indie

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Border One

Restless Ep 2022 Repress

Bootsy Collins (Black And Gold) - ReAction Figure

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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- 2022 repress -

Third transmission of the Sk11x series off-shoot helmed by Setaoc Mass comes via rising Belgian protege Border One. A staple figure of the respected Voltage Festival in his own country, Border One's raw, insistent sound has seen him release on Key Vinyl, Form & Function, and his own self-titled imprint whilst also featuring on DVS1's revered fabric mix. On the Restless EP however he hits his stride, steadily building intensity through restrained repetition and droning, hypnotic sound design on the opening pairing of "Crude". On the B-side, "Derail" clashes harsher hi-hats to a looping, angst-riddled groove, whilst "Restless" releases the tension with its bouncier pummel and high-pressure torque.

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Bootsy Collins

Bon Scott - ReAction Figure

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Next Stop, Funktropolis, to visit the Ministry of Rhythm and its Czar of Bass Guitar, Bootsy Collins! Super7 is keeping the groove going with the new Bootsy Collins Black & Gold ReAction Figure! This 3.75” scale figure depicts the legendary bass guitarist in a deep-V jumpsuit in blinding metallic gold and comes with a star-shaped bass guitar accessory, with cardback packaging that can be cut out to make your very own pair of funktastic Bootsy glasses! Give into your bass-er instincts and add the Bootsy Collins Black & Gold ReAction Figure to your collection!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Star bass guitar
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Bon Scott

Bodeler / Nicola Brusegan & Camilo Gil

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The raspy vocals and ingenious lyrics of Bon Scott helped AC/DC explode to the top of the hard rock scene like a ton of TNT! This articulated, 3.75” scale Bon Scott ReAction Figure features the late AC/DC frontman looking high voltage with long hair and tattoos, and includes a microphone accessory. Let there be rock in your collection with the Bon Scott ReAction Figure!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Microphone
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Mbk002

12" | 2024 | EU | Original (Minimal Brooklyn)

LP | 2022 | EU | Original (Cult Legends)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A1. Renowned producer, Bodeler, showcases his mastery in the minimal genre with his first contribution to the MBK collection. Combining intricate rhythms with subtle variations, he crafts a hypnotic sonic journey that expresses his signature techie groove while still capturing the essence of minimalism.

A2. Franco Cinelli, another accomplished Argentinian DJ and producer, lends his unique touch to Bodeler’s minimal masterpiece in an exceptional remix. Cinelli’s interpretation provides us with an immersive experience, with every beat and sound thoughtfully placed to convey a distinct musical narrative. With this submission, Side A displays the seamless synergy between two influential figures in the global minimal scene.

B1. Flip to the B-side and you will find an incredibly soulful composition from Nicola Brusegan and Camilo Gil. These two join forces to create a sublime deep house track that transcends boundaries, featuring a familiar sample of an iconic hip hop group from Brooklyn’s past. Lush chords, pulsating basslines, and ethereal textures create the ideal dance floor tune.

B2. ’Take A Groove’ is paired with a remix that has quickly worked its way through clubs around the world. Jorge Caiado shares his perspective of dance floor atmospheres, demonstrating his ability to craft a remix that stands as an artistic statement in its own right. When the acid hits, you’ll know why this track is creating such a buzz!

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Bob Marley & The Wailers

Oakland Fm 1979

Live At The Record Plant 73 Green Vinyl Edtion

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Bob Marley was a Jamaican singer and songwriter. He is considered to beone of the pioneers of reggae. Marley began his professional musical career in 1963, after forming Bob Marley & The Wailers. The group attained international success in 1973. Reggae’s most transcendent and iconic figure, Bob Marley was the first Jamaican artist to achieve international superstardom. Including the hits “I Shot The Sheriff”, “No Woman No Cry”, “Is This Love” and more.

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Bob Marley & The Wailers

LP | 2024 | EU (The Vinyl Champ)

18,99 €*

12" | 2022 | EU | Original (Minor Notes)

Release: 2024 / EU

Genre: Reggae & Dancehall

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Bob Marley is considered one of the pioneers of reggae. The Jamaican singer and songwriter formed Bob Marley & The Wailers in the sixties, with worldwide success following in the 70’s. By 1973, Marley was a superstar. Reggae's most transcendent and iconic figure, Bob Marley was the first Jamaican artist to achieve this international level of superstardom. This live studio recording is the peak of his career and features hits like ‘Get Up Stand Up’ and ‘Lively Up Yourself’.

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BMB Space Kid

Taste Booster

12,99 €*

Everything Is Always A Process

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Wooohaaa! The figure 8 always meant more to us than just a symbol on your screen. For this very reason on our eighth vinyl release from Minor Notes Recordings we’re featuring non other than the legendary producer BMB SpaceKid. Stemming from St. Petersburg and from an early age, BMB proved himself to be an extraordinary musician. Able produces top quality compositions with ease, and in any style, but all with his unique twist.

To date BMB is best known in hip-hop circles as he made album beats for many key underground rap artists. He also went international and produced joint tracks with Dj Premier, Anderson Paak, Raekwon, GoldLink and many others. BMB has also performed at the Fabric Club in London, the Outlook Origins festival, live on Boiler Room and BBC Radio 1. He also participated in the Red Bull Bass Camp and the Hip-Hop Academy.

On the record "Taste Booster" BMB SpaceKid showcases his taste and skills in the production of house style dance music. A tribute to the traditions of African-American music, the virtuoso mastery of MPC and sampling techniques, and an outstanding approach to melodic rhythms. We are convinced that this record will appeal to everyone who loves true house music, acting as a breath of fresh air. To enhance the overall effect we invited one of our favorite French producers Art Of Tones, who for a long time, and just like us, has been promoting the organic sound of electronic music 4x4.

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Bluestaeb

LP | 2018 | EU | Original (Jakarta)

18,99 €*

CD | 2011 | US | Original (Nature Sounds)

Release: 2018 / EU – Original

Genre: Hip Hop

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Bluestaeb's evolution from a beatmaker to a producer is his sophmore album “Everything is Always a Process”.

He is one of the key figures of a new generation of up and coming HipHop beatmakers, who have emancipated from genre thinking and instead merge old school aesthetics with a new school attitude and organic instrumentation.

Everything Is Always A Process re-iterates Bluestaeb's overall approach to life (and thinking), but also has direct reference to the making of the album itself, which began with moving from Berlin to Paris in 2015 in the search of new influences and a new creative environment.
Created between 2015 and early 2018, EIAAP embodies the process of this transition - as well as collaboration with instrumentalists and vocalists from all over the world and recording in different studios in Paris, London & Berlin.

"Meeting all those musicians and trying out new ways of producing by using real analogue synths, Rhodes, drums and percussion etc. made it possible to overcome the creative boundaries of a home studio with just a midi keyboard" / Bluestaeb

Influenced by Madlib's "Shades Of Blue" and trained in African drum techniques such as Djembé and Daruka, Bluestaeb had been crafting his own beats since his teenage years and gradually found his sound identity through experimenting with HipHop and Jazz – first to be heard by a broader music community in 2013, when he released his debut album "1991 Extraterrestrial" (Radio Juicy). Since then the prolific young artist has released numerous solo and collaboration projects ("B.L.U.E. Friday" in 2015 and „Sidekicks“ with S. Fidelity in 2016). In 2016, he produced collaborative album "LIT - Lost In Translation“ with rapper JuJu Rogers, a keen manifesto against racism, xenophobia and the rise of anti-heroes such as Donald Trump.
Today, Bluestaeb lives and works in Paris and Berlin and is set to release his third solo album “Everything Is Always a Process”, a smooth Neo Soul-induced epic featuring artists such as Noah Slee, Harleighblu and Melodiesinfonie.

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Blu

Jesus

14,99 €*

LP | 2022 | EU | Original (Aguirre)

Release: 2011 / US – Original

Genre: Hip Hop

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Recently, a mysterious album titled Jesus turned up on the popular music site Bandcamp, uploaded by an artist calling himself “b”. Soon, the LP was discovered to be the latest work from enigmatic L.A. rapper Blu, and within hours, it was the talk of the blogosphere. The album was soon removed, but now it’s back, this time in physical form. New World Color is proud to present the latest lo-fi masterpiece from one of hip-hop’s most intriguing figures. Officially the debut for alter-ego “b”, Jesus is sure to satisfy the cult-like fanbase that’s been steadily growing around the artist most famously known as Blu ... feat. Madlib, Planet Asia, Alchemist, Hezekiah!

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Blod

Knutna Nävar

23,99 €*

Don't You Think You've Had Enough Colored Vinyl Edition

Release: 2022 / EU – Original

Genre: Rock & Indie, Electronic & Dance

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Edition of 500 includes insert & large poster.

Swedish progg is not to be confused with "prog" as in progressive rock music. When we are talking about progg, we are refering to the Swedish music movement influenced by the political climate of the late 60's, to some extent the hippie movement and in many cases also Swedish folk music. Music highly driven by an political agenda. Blod's Knutna Nävar, originally released in an edition of 150 copies on Förlag För Fri Musik in 2018 and later a small cassette run, is pretty much a lost progg classic from the 70's. This is not a case of copying a certain sound though, far from it, neither are ideas really rehashed nor does the album feel nostalgic in that sense. Rather it feels like if someone has read about the progg movement and all the records but never actually heard it, yet decided to do an album and somehow managed to succeed big time.

Further developing the sound palette and ambience initiated with parts of the Leendet Från Helvetet recording, the music feels slightly louder and more in your face. It's like it's more of everything. The melodies are immediate and it's quite impossible to resist the brash catchiness of it all. Albeit mentioning progg music and it's importance for this recording, the actual musical side of Knutna Nävar has in reality more in common with soundtrack/library music and Swedish composers like the late Björn Isfält when you attempt to break it down. The crude DIY approach and anything-goes mentality just adds an extra dimension to it all and ultimately places the music somewhere else. There's a rather blunt use of samples throughout the record (sources probably best to leave out, though you don't have to be a Einstein to figure these out), but then again this is made by the same guy that gave the world the Abba album. Those samples have managed to become an integral part of the music through the few years that has passed and though well familiar with the records those snippets are now to me genuinely Blod and nothing else.

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Bleached

LP | 2019 | EU | Original (Dead Oceans)

26,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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Bound / Cured Flexi Disc Edition

Bleach Everything

7" | 2021 | US | Original (Dark Operative)

7,99 €*

12" | 2024 | UK | Original (Slip N Slide)

Release: 2021 / US – Original

Genre: Rock & Indie

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Bound/Cured are two brand-new songs from the Richmond, Virginia/Asheville, North Carolina/San Diego, California, quartet Bleach Everything. Their first new recordings since 2019’s split LP with Integrity, Bound/Cured goes even further into both the pure violence put forth on 2018’s So We Gnaw LP and the melodic components introduced on the aforementioned Rftcc recording. Clocking at 1:29 and 1:08 respectively, both songs get in, get to the point, and then get out with razorlike precision, cutting exactly as intended. Thematically, “Bound” explores the uncertainty of luck and life and never truly knowing how it can, will, and can still shake out. “Cured” addresses the notion of figuring out how one must come to terms with the truth before death takes care of the task. It took you longer to read to this point than to experience both songs in their entirety.

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Blaze

Blaze Remixed

15,99 €*

In Ferneaux Magenta Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Four of the freshest Blaze remixes come together on wax for the first time on Slip ‘N’ Slide, ‘Blaze Remixed’. The West London label is home to some of the best house music that crossed the Atlantic from the 90s onwards, and today the imprint continues to refresh Blaze’s legendary catalogue with remixes from leading industry figures. Up first, British producer Atjazz takes the cool feel of ‘So In Love’ from the minds of Kevin Hedge & Josh Milan as Black Rascals, adding his signature genre-crossing style. Jimpster’s take on ‘Wonderland’, featuring Josh Milan on vocals as Alexander Hope, stabilises the track while allowing the free-flowing feel of the OG to shine through. Brooklyn native DJ Spinna’s remix of ‘How Deep Is Your Love’ capitalises on Hope’s powerful vocals, supported by impeccable synth-laden production, before vinyl aficiando Natasha Diggs closes out this Blaze collection with her remix of ‘Breathe’; Diggs stays faithful to the original’s iconic saxophone and trumpet-led sound, sprinkling in her tasteful flair for smooth grooves and delicious synthwork at every turn.

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Blanck Mass

LP | 2021 | US | Original (Sacred Bones)

In Ferneaux Black Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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What is the utility of pain? Can it do anything but fester? In Ferneaux explores pain in motion, building audio-spatial chambers of experience and memory. Using an archive of field recordings from a decade of global travels, isolation gave Blanck Mass an opportunity to make connections in a moment when being together is impossible. The record is divided into two long-form journeys that gather the memories of being with now-distant others through the composition of a nostalgic travelogue. The journeys are haunted with the vestiges of voices, places, and sensations. These scenes alternate with the building up and releasing of great aural tension, intensities that emerge from the trauma of a personal grieving process which has perhaps embraced its rage moment. An encounter with a prophetic figure on the streets of San Francisco presented the question of "how to handle the misery on the way to the blessing." This is the quandary of the impasse we now all find ourselves in, trapped in our little caves, grappling with the unease of the self at rest - without movement, without the consumerist agenda of "new experiences." The possibility of growth, always defined by our connections with others, held in limbo. Sartre said that "Hell is other people," but perhaps this is the Inferno of the present: the space of sitting with the self. A blessing is often thought of as a future reward, above and beyond the material plane. With In Ferneaux, Blanck Mass wrangles the immanent materials of the here-and-now to build a sense of transcendence. Here, the uncanny angelic hymn sits comfortably beside the dirge. The misery and blessing are one.

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Blanck Mass

LP | 2021 | US | Original (Sacred Bones)

16,79 €* 23,99 € -30%

III: Sacrifice Tonite Black Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Black Totem

LP | 2024 | EU | Original (Svart)

28,99 €*

7" | 1991 | EU | Reissue (Mr Bongo)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Black vinyl, insert. Limited to 300 copies.

Imagine the scene: you've passed out in a graveyard because you had one too many shots of bourbon last night, and you wake up to a world where every day is literally Halloween... Do those slow-moving figures in the corner of your eye remind you a bit of the fiends from that black-and-white Romero movie you've watched too many times?

Under the light of a full moon, you head back home only to realize your old friendly neighborhood is now swarming with witches, and there’s a sacrifice going on behind every window. Finally, back in your own bed, you can't sleep because the flapping sounds of batwings keep you awake, and you still can’t get rid of that image of the totem in the shadows that wasn't there yesterday…

For some, this could be the most nightmarish scenario to witness, but to the death rockers of Black Totem, it's the very (un)life they live and breathe every single day with their third full-length album, "iii: Sacrifice Tonite."

Take a horrific trip through the ten tracks of pure vintage audio horror, guaranteed 100% free from modern-day CGI and cheap jump scares. "iii: Sacrifice Tonite" brings back the good old days of rocking and catchy as hell blues punk, where Screamin’ Jay Hawkins shakes hands with old-school doom metal, and Samhain and The Misfits. Guitarist and vocalist Spit Poison and bassist Vera Wolf preach these unholy sermons together, never forgetting just the right amount of "WOOOO’OS," while Tony Cash assaults the drums with human bones and lead guitarist Sam Hate channels the very best of John Christ's rocking solos.

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Black Sheep

Try Counting Sheep

15,99 €*

Bizz Od / Fit Siegel / Jared Wilson

Release: 1991 / EU – Reissue

Genre: Hip Hop

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‘Try Counting Sheep’ was always a bit of a curio. For reasons best left in the dark, distant days of record label meetings of the early 1990’s, it only ever saw a UK and Europe release, our US cousins having to do without it. A strange decision because, while it doesn’t have the headnod hummability of ‘The Choice is Yours’, the group’s biggest hit, it perfectly captures their ramshackle charm coupled with a catchy hook. While Dres was a characterful and idiosyncratic MC, one thing that often goes uncelebrated about Black Sheep was their production nous. As on their other singles, they mine some familiar tracks but use the samples in original and creative ways. The Original Sheep LP Mix is a likeably meandering track that borrows bass from Jimi Hendrix and different bits of Rare Earth’s ‘(I Know) I’m Losing You’, with a real lightness of touch. As this was a UK release – the original 7” of which now fetches around three figures – the label rafted in UK producer The Principle for a remix. Best known for his work with Profile Records crew Caveman, he brings the same kind of propulsive organ track to the remix that underpins much of their best work. He adds in an instantly familiar drum break from ‘Impeach the President’ to drive a fine re-imagining that is very much of its time. It’s a record that can still summon the fun of a hip-hop club in 1991, and one that’s no longer impossible to find on 7”.

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Collection V1

12" | 2023 | US | Original (Fit Sound)

Biz Markie (Just A Friend) - ReAction Figure

Release: 2023 / US – Original

Genre: Electronic & Dance

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Collection V1" marks FIT SOUND's first compilation, showcasing tracks from renowned artists Jared Wilson, Bizz O.D., and FIT Siegel. Detroit’s own Jared Wilson is a true master of the Tb-303, delivering jacking and melodic acid for over a decade. 'Mind Travel' is a mesmerizing 10-minute journey that intertwines melodic acid lines with ethereal strings. Bizz O.D., an enigmatic figure known for her jackin' acid techno tracks released between '93 and '98, emerges once again with the previously unreleased floor-killing acid stomper, 'One Two,' which, despite being recorded in the mid-'90s, remains as fresh as ever. FIT Siegel's contribution, 'No Feedback,' originated as a sampling exercise in the studio and transformed into an experimental yet functional piece that would find its home in the crates of adventurous DJs."

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Biz Markie

2LP | 2022 | UK | Original (Biophon)

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Biz Markie has given the timeless, heart-wrenching tale of lost love and betrayal a modern, Hip-Hop twist, with some classical flair as only he can! The latest 3.75” scale, articulated Biz Markie ReAction Figure is inspired by the iconic music video “Just a Friend”, and features the the “Clown Prince of Hip-Hop” in a powdered wig and classical suit attire, comes with a candelabra accessory, and is packaged on grand piano-shaped cardback. Whether you too have suffered the pangs of a love or just appreciate Biz’s unique contribution to the Hip-Hop pantheon, this Biz Markie ReAction Figure is calling out for a place in your collection!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: Candelabra
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Biosphere

Shortwave Memories

25,99 €*

Bill Mackay And Nathan Bowles

Release: 2022 / UK – Original

Genre: Electronic & Dance

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Iconic Norwegian producer and composer Biosphere follows up his evocative 'Angel's Flight' release with a new album set for release early in 2022. Shortwave Memories is an album inspired by the post-punk electronic music of the late 70's and early 80's, especially the productions of figures like Martin Hannett and Daniel Miller.

"The last few Biosphere albums have all been made using samples and software, but Shortwave Memories is a return to vintage analog hardware from the late 70s and early 80s. Most of these instruments do not have any presets or memory storage, so all the sounds were programmed from scratch. The idea was not so much to make music that sounds like it was written in the same period. It's more like what would happen if I had the chance to use the same instruments, and applied the same meticulous attention to detail as the producers mentioned above."

Presented as a continuous sonic journey, this stunning record unequivocally manifests a world of it's own and already feels like a timeless addition to the rest of the Biosphere catalogue.

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Keys

LP | 2021 | US | Original (Drag City)

19,19 €* 31,99 € -40%

Release: 2021 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Drag City)

Bill Callahan

Gold Record

28,99 €*

12" | 2023 | UK | Original (Blank Mind)

Release: 2020 / US – Original

Genre: Rock & Indie

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For his first record in….uh, well, just a little over a year (!), Bill Callahan Bill Callahan’s given us his first Gold Record Gold Record . They can’t all be gold, and they’re not all six years apart either — all good! You could probably call the album “ Gold Records Gold Records ,” too: all the songs have a standalone feel, like singles, meant for you to have a deep encounter with all of a sudden, from the start of the song to the finish. And what do you got when you have a record full of singles — and let’s face it, hit singles, at that? That’s a Gold Record Gold Record for you. From the top, it’s clear this is music with an affection for people, as Bill Bill immediately slips easily and deeply into his characters. Among them: a limo driver, a watcher of television, a suitor, a man in a broken-down car, a reader of books, a Ry Cooder Ry Cooder superfan, and in the closing number, a wanderer who “notices when people notice things”. The voices of the people, with their ups and downs, their loss and laughter. You can feel the love. For Bill Bill, preparing to tour for Shepherd In a Shepherd In a Sheepskin Vest Sheepskin Vest meant considering being away from home for long stretches of time — maybe up to a year, who knew? Feeling his oats, Bill Bill pulled out a few sketches from over the years and touched them up. Before he knew it, he was recording them, and in the shuffle, newer songs started popping up. It happened fast. Basics were recorded live with Matt Kinsey Matt Kinsey playing guitars, guitars, guitars and Jaime Zurverza Jaime Zurverza holding it down “and then letting it go” on bass. Drums and horns were brought in for a couple songs. Spirits were high! Six out of the ten were done first take; overdubs, when needed, came equally quickly. Listening, one hears their intuitive cohesion coming together richly behind Bill Bill’s titanic voice spread across the stereo spectrum: the gentle conversation of Bill Bill and Matt Matt’s guitars, the subtle percussion of the bass and drums, and odd appearances of trumpet, woodwind and synth, striking notes both decorous and discordant, sounding for all the world like the naturally occurring sound meant to accompany and express lives lived everywhere. These are in fact songs meant for other people to sing — but until they do, Bill Bill’s got this. He’s got a secret on this one, and before we go, we don’t mind sharing it with you: he’s figured out how to perfectly place his voice in proximity to your ear. It’s based on the distance from your heart to your brain. Simple! Why don’t more people think like this?

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Big Hands

A Square, A Circle

15,99 €*

LP | 2022 | EU | Original (Wewantsounds)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Big Hands marks Blank Mind's twentieth release on ‘A square, a circle’. A product of “the loopy miserable life in the big city which we are forced to live; and the need for metaphysical meaning, deep feelings and the tribalistic aspects of early folk music”.

In other words, this EP is a contemporary urban blues that echoes in the austere realism of London. The recursive patterns and melodies haunting the sound groove like a spirit, and twist inside an echo chamber and tape machines. The ‘square’ and ‘circle’ in the title are symbols of simple abstraction that can generate multiple figures in nature and culture, as well as in the gyration of geometric play. As maintained here, his minimal sound palette shapes the elegant freedom of unexpected behaviours of the machinic ensemble. ‘A Square, a circle’ is an invitation to experience the geometrical liberation of sounds.

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Biensure

33,99 €*

LP | 2023 | UK | Original (Hegoa)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Combining disco pulse with Turkish/Kurdish music and the energy of Marseille"s multi-cultural hipness, Biensüre brings a cool edge to the musical landscape of the mediterranean city and the dancefloors of the world. The group"s music, inspired by the personal stories of its singer, Kurdish Hakan Toprak, speaks of impossible loves, friendship and exile and is wraped up in an unmistakable groove. The eponymous album is the group"s first release, written, composed and produced by the four musicians and it is composed of seven groove-infused tracks that will please all global music lovers.Marseille in one of the coolest cities in France: The cafés, the terraces, the clubs, the Mediterranean sea and the mountains not far, make for a perfect setting for the wildly creative rebellious youth to express their art in a world of perpetual change. This is the setting in which Biensüre was born. Biensüre"s influences are varied and transcend generations and borders. Ranging from the Anatolian pop scene of the 70s and 80s with key figures like Erkin Koray and Baris Manço to 70s Jazz, Disco and early electro, their music is at the intersection of several musical continents.

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Bidai

Biarrezgaur

Triptych White Vinyl Edition

Release: 2023 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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“Biarrezgaur” (not tomorrow, today) is a blissful and misty set of guitar tones entangled with effects and reverberation. Dreamy and reflective proto-blues-folk sketches that suggest a sense of matured serenity that only comes with years of practice. Spontaneous, gentle and free-flowing in equal parts, Biarrezgaur is a perfect autumnal recipe for those looking in the direction of Six Organs of Admittance, Loren Connors with Alan Licht, or even Robbie Basho or Albert Gimenez if you listen to the closing track Itzulera.

Bidai (Trip) is the new collaborative project between two emblematic figures of the rich Basque musical heritage, Xabi Strubell & Mikel Vega. It took more than 30 years for their paths to cross, but we are very pleased they finally did in 2022. Entirely improvised with two guitars and effects, it was recorded at Bonberenea, the independent and self-funded cultural hub housed in an abandoned warehouse in Tolosa (in the valley of the river Oria).

Xabi is a writer, poet and musician from Hondarribia, a fishing village on the border with France. He started his career as a member of Dut, the seminal Post Hardcore band that any Basque kid growing in the 90’s and interested in feedback and distorted guitars will sorely remember, still a cult these days. He formed Zura in 2005, a solo mature project focusing on acoustic guitar.

Mikel is an accomplished musician and all-around cultural activist from Bilbao. Has collaborated in numerous projects (Conteiner, Killerkume, Loan, Orbain Unit) and more recently with Miguel A. Garcia (also a member of Dopelganger, Heg008) and Joseba Agirrezabalaga (Lepok, Urpa i Musell beginning of 2023). Limited edition of 300 black vinyl LP’s housed in a coloured matt laminated cover designed between Xabi Strubell, Mikel Vega & Mikel Acosta.

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Bevis Frond

2LP | 2017 | US | Original (Fire America)

27,99 €*

Mémoire Magnétique Volume 2 1966-1993

Release: 2017 / US – Original

Genre: Rock & Indie

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Limited edition for Record Store Day 2017!

The heavy third offering from Nick Saloman bursts with 60s-psych and includes epic track "Tangerine Infringement Beak" clocking in at nearly 20 minutes, ‘Into The Cryptic Mist’ and ‘Lights Are Changing’ a song that went on to be covered by Mary Lou Lord.
A labor of love and fiercely independent, his prolific output has seen as many releases in as many years and an uncompromising vision under his own label Woronzow. Hailed as “a Hendrix devotee every bit as tough and contemporary as the serrated guitar chorales of Sonic Youth and Pixies” by Rolling Stone’s David Fricke, his immense psych-stoner-rock has seen him become a cult figure in his own right. The Bevis Frond’s legion of loyal fans includes Teenage Fanclub, Dinosaur Jr and Mary Lou Lord, who have all covered his music.

Finally, this album gets reissued on 12-inch white vinyl for Record Store Day 2017 alongside ‘Bevis Through The Looking Glass’ and ‘The Auntie Winnie Album’ as part of the band's 30th anniversary.

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Bernard Parmegiani

LP | 2021 | EU | Original (Transversales Disques)

27,99 €*

Memoire Magnetique Volume 1

Release: 2021 / EU – Original

Genre: Electronic & Dance, Soundtracks

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Transversales is very glad to announce the release of Mémoire Magnétique Vol. 2 spanning 1966-1993, revelatory collection of short and secret music by electronic music pioneer Bernard Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some eighty two concerts music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also musical pieces for dance, stage or television. If many of his pieces are landmarks in the history of electroacoustic music (De Natura Sonorum, La Roue Ferris…), his application music compositions are strongly embedded in the subconscious landscape of the French public (Stade 2, Roissy Paris Airport…). The second volume of this compilation allows us to discover some of unreleased rarities from Bernard Parmegiani’s personal archives and unpublished recordings which were composed for the screen or the performing arts.

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Bernard Parmegiani

LP | 2018 | EU | Original (Transversales Disques)

2LP | 2021 | US | Original (Mondo)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Transversales is very glad to announce the release of Mémoire Magnétique Vol.1 spanning 1966-1990, revelatory collection of commercial and secret music by electronic music pionneer Bernard Parmegiani. Since the late 50's, Bernard Parmegiani, a major figure of electroacoustic music and a founding member of GRM has created some sixty concert music. From the start, Parmegiani’s work was closely linked to the screen, with dozens of documentaries, films, long features, animation films but also musical pieces for dance, stage or TV. The first volume of this compilation allows us to discover some of these lost tapes and unpublished recordings which were composed for the screen or the performing arts.

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Benjamin Wallfisch

OST Shazam!

Release: 2021 / US – Original

Genre: Soundtracks

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Benjamin Lew / Steven Brown

Douzième Journée: Le Verbe, La Parure, L'amour Remastered Edition

LP | 2021 | EU | Original (Crammed)

19,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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12" | 2020 | EU | Original (Figure)

Benjamin Damage

Algorithm

12" | 2023 | EU | Original (Camisole)

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Benjamin Damage reports back for a fresh slice of his singular strain of modern-day Techno.

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BeNe GeSSeRiT

Best Of

26,99 €*

A Single Point Of Light Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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Underground prominent figures of the Belgian 80's scene, Alain Neffe and Nadine Bal have released and produced dozens of tapes under different monikers. Bene Gesserit is probably their most famous and iconic one due to its multiple facets.

Originally a tape released in 1981 on their own Insane Music label, "Best Of" encaptures all the DIY and creative freedom of the band. From the yagé vapors of "Erg Habbiana" to synth madness of "Gloria" or "Gppm" this album summarizes the full spectrum of their ethos : Insane music without borders.

This reissue additionally includes four unreleased tracks from Alain Neffe vault.

Remastered by Krikor Kouchain and limited to 300 copies.

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Ben Shemie Of Suuns

LP | 2020 | EU | Original (Hands In The Dark)

16,19 €* 17,99 € -10%

12" | 2015 | US | Original (Sector 7G)

Release: 2020 / EU – Original

Genre: Rock & Indie

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‘A Single Point of Light’ is Ben Shemie’s second solo LP and the follow up to ‘A Skeleton’, which was released with Hands in the Dark in early 2019. While the frontman of Canadian band Suuns gave us a cold, experimental sort of pop with his first album, centered around the idea of a genderless, raceless character, this record focuses on the perception of light, both figuratively and literally. The way it is created, moves and breaks apart, how we can all see the same thing but perceive it differently. Overall, the new theme encourages a broader musical universe, both in the songwriting and the production. Whilst the songs are longer and warmer, the psychedelic, dreamy tunes on this album are undoubtedly still cloaked by a certain dark atmosphere. A Single Point of Light is still very much a performance oriented recording, using the same techniques as the previous opus. It was all recorded in one day, all live off the floor, with no overdubs. Shemie comes up once again with an original and personal approach to music, creating simple, uninhibited, catchy songs with only a few electronic elements and his voice. We couldn’t be happier to work with a such fresh and avant-garde vision.

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Ben Christensen

Inouno

3,99 €* 7,99 € -50%

LP | 2024 | EU | Original (Marionette)

Release: 2015 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Ben Christensen is a multi dimensional figure in Detroit's musical landscape. For years Christensen has played with a number of acts and has collaborated with many different artists in the city from a variety of different musical backgrounds. "Inouno" is Christensen's debut 12" on his newly found imprint Sector 7G. "Inouno" is 7 minute house groover that nods to the classic house sound of the 90s, while keeping it modern, soulful and funky!! Definitely a new producer to watch out for!

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Belfi & Reidy

Dessus Oben Alto Up

12" | 2021 | EU | Original (HPTY)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Marionette presents 'dessus oben alto up', the first collaborative recording by Andrea Belfi and Jules Reidy. Hailing from different ends of the globe (Australia and Italy) but both longtime residents of Berlin, Reidy and Belfi’s approaches have much in common, bringing together compositional precision and electroacoustic rigour with improvisation freedom, the immediate gratifications of rhythmic pulse, and an overtly lyrical sensibility. Working together during a residency at the sound studio of Berlin’s Callie’s, an arts institution housed in a 19th century machine factory, the pair (with Marco Anulli manning the desk) have conjured up four expansive pieces where the beautifully recorded percussive clarity of Belfi’s drums threads through a sparkling haze of guitars and electronics.

Opener ‘dessus’ begins with Reidy’s distinctive just-intoned guitar figures, shimmering over a delicate substratum of Befli’s brushwork and bass drum accents. As in all of Reidy’s recent work, the guitar is twisted out of cliché by the unfamiliar tuning and electronic processing. Hanging almost inaudibly in the background for much of the piece, a rush of synthetic tones surges into the foreground to end it. ‘oben’ is built from kinetic patterns of picked guitar arpeggios, locking into irregular grooves with Belfi’s drums, which move from elegant rolls and cymbal patter to driving closed hi-hats and explosive rock interjections. Around the traditional instruments and across the stereo field, electronic sounds swarm and swirl, fizzing and popping in a sun-drenched soundscape that at points suggests both vintage analogue synth destruction and glitching harmonies. ‘alto’ begins in similar territory but turned up a notch, eventually settling into a propulsive 6/8 groove of shifting drum accents, manically strummed 12 string acoustic, and burbling synth chords.

The B side is dedicated to the fifteen-minute ‘up’, where the strategies adopted on the other pieces are put in the service of a more relaxed, slowly unfolding epic. Anchored by a steady pulse throughout, the piece combines chiming guitars, dubbed-out bass lines and constantly adjusted percussive details into a complex flux of sound. Change is at once so subtle and so ever-present that, at any given moment, the listener can never be entirely sure quite how they got there.

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Behind The Trees

Behind The Trees EP

7" | 2020 | EU | Original (Music With Soul)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Finnish band Behind The Trees releases their self titled debut ep. Curiosity towards world music, shamanistic approach to rhythms and cosmic levels in life made it happen. There are five different kind of tracks in the ep. The intro track "Haiku" is a mood setter for the whole journey. Inspired by the mid eastern mystical soundscapes. Second track "Bonefire" follows the path, painting a picture of desert campfire, where travellers psychedelic guitar will trip you out as your body follows the rhythm. Third track "Acid Yerli" is the climax on the ep. Turkish disco and acid house combined, you don ́t have to be scientist to figure out the forecast. On the flip side "x4" is a different kind of expedition. Hear the waves hitting the rocks and balearic breese corressing your cheek bones. Track "x4" is a kind of balearic homage to eighties AOR, seasoned with chanting soft voice of Finnish singer Suva. Last track "Gentle" relaxes your mind and body. The piece has a grounding vibe, with healing resonances that will restore your energy. Dare to see Behind the Trees, the obscure adventure of life.

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Bechan & Alex Figueira

Moerarie Morei Atjara

Bebo Valdes Y Su Gran Orquesta

Release: 2020 / EU – Original

Genre: Organic Grooves

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Music With Soul returns with another genre-defying instant classic, expanding the limits of the Tropical Dance music universe.
Staying true to the label's essence, founder Alex Figueira places a high bet with this new release, introducing a brand new breed of traditional “Hindoestan” (Indian diaspora in Surinam) music and Cumbia. Taking the music of underground Surinam musician and empresario A. Bechan for an explorative excursion into the depths of the Colombian caribbean coast, this explosive combination raises the bar unquestionably. Equally weird, groovy and trippy, this 45 will turn any party upside down, regardless of any factors. The only problem you will encounter is what to play after. The solution is right on the other side. Just flip the record and give them the Instrumental version, featuring electric guitar, an alternative percussion set up and the beloved classic Juno-60 synthesizer in the leading role for another 4 minutes of dancefloor catharsis.

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LP | 2024 | EU (Shellac Disc)

26,99 €*

The Great Cornholio - ReAction Figure

Release: 2024 / EU

Genre: Organic Grooves

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Dionisio Ramon Emilio Valdés Amaro, better known as Bebo Valdés, was born in Cuba in 1918. He is considered one of the pivotal figures in Cuban music. Trained as a pianist, he also became a master arranged and conductor and worked with figures like Olga Guillot, Celia Cruz or Elena Burke. A trip to Haiti in the 1940s arised his interest in African rooted music, and on his return in La Havana, performing at the legendary Tropicana cabaret under the direction of Armando Romeu, he started including these rhythms in his sound becoming a prominent figure in Afro-Cuban jazz. He worked with big names like Joséphine Baker and Nat King Cole. He had been playing for ten years at the Tropicana when a bomb exploded very near his piano in the middle of his performance, he nearly died. He quit the Tropicana and benefited of the rising of television broadcast in the 1950s, getting even more fame in several Cuban TV shows until 1958, when he emigrated to Mexico first to finally set in Sweden, were he has Paramount in establishing a world taste for Afro-Cuban jazz. His career saw a big rebirth when in 1994 he teamed with saxophonist Paquito d’Rivera and, in a more mainstream way, with Fernando Trueba’s Calle 54 movie. He had kept busy since then until his passing in 2013. he is acknowledged as one of the originators of Latin Jazz and Afro-Cuban music.

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Beavis & Butt-Head

19,99 €*

Cornholio (with TP) - ReAction Figure

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"I am the Great Cornholio!"
The Great Cornholio stands 5-inches tall on a cardback that will take your right back to your couch watching MTV in the 90's.

Note: Even at 5" Cornholio is in scale with other ReAction Figures that are 3.75".

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Beavis & Butt-Head

Too Cute Pink Colored Vinyl Edition

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ARE YOU THREATENING ME? This Beavis and Butt-Head ReAction Figure box set includes a 3.75” articulated figure of Beavis as Cornholio and comes packaged with a full roll of toilet paper that features an image of The Great Cornholio as well as some of his most memorable quotes! Wipe away any stench of doubt that you’re a true fan with the Beavis and Butt-Head ReAction Great Cornholio box set!

• Product Material/Process: Injected Plastic & Paint
• Package Dimensions (in): 9"x6"x1"
• Weight (oz): 3 oz

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Beatfoøt

LP | 2024 | Original (Life And Death)

Sabotage 3-Pack - ReAction Figures

Release: 2024 / Original

Genre: Electronic & Dance

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In a world of division, BEÃTFÓØT’s delayed second album is as an invitation to unite at a utopian celebration of life. Originally scheduled for release in October 2023 but postponed due to the ongoing Israel/Palestine war, the intrinsically-political ‘TOO CUTE’ has taken on more prominence than the Tel Aviv duo of Udi Naor and Adi Bronicki could have imagined.
“It's more urgent than ever for us to share this now, even though the album has been ready for a while,” says producer Naor. “BEÃTFÓØT are against any war, and believe that people should talk and not use violence - never,” he adds vehemently. “We feel the pain of Palestinians and Israeli loss of life, and are devastated by it. We hope the war will be finished soon and that peace and prosperity will come soon for both sides.”
While both Naor and vocalist Bronicki have been active in protests, charity work and community efforts over the past year - explicitly against the current government in Israel - such values of peace, acceptance, coexistence, inclusiveness and anti-hate from all sides are further instilled in the songs that form ‘TOO CUTE’.
“We're really trying to highlight that there are people here working tirelessly for a brighter future for our ill kids and our neighbour’s kids,” adds Naor, who is also co-founder of techno duo Red Axes. Having had to flee the country with his family, it’s through music that Naor and Bronicki have found hope.
In light of such conflict, the multi-layered yet sonically-bonkers record also enables escapism, which is needed more now than ever. Following their self-titled 2021 debut (released on DJ Tennis’ label Life and Death), ‘TOO CUTE’ is a refreshingly-ridiculous dark-rave rollercoaster which careers between hard-dance, big-beat, post-punk, techno, hyperpop, country and everything in between.
Things blast off at breakneck speed with the chaotic title track’s hyperpop snares, instantly-catchy lyrics (which feel ominously striking considering the war) and a stadium-ready chorus that erupts into rolling breakbeats, punishing EDM and even a nod to The Bloodhound Gang’s ‘The Magic Touch’. Somehow, we’re just three minutes into the record.
The tongue-in-cheek ‘HEART OF LEAD (TAKE IT OFF)’ still bangs despite its silliness, like if Kero Kero Bonito got in the studio with will.i.am. Later, ‘LEO’S SONG (THE SOCIAL MEDIA GUY)’s wittily satirical one-liners - “I just wanna get high with AI” - come thick and fast amid a barrage of glitches and guitars. ‘SUKC MY DIKC !!!’, meanwhile, pairs flute with pulsing hardstyle beats.
While their first record’s experimental explosion captured the pure carnage and energy of the BEÃTFÓØT universe in a conceptual fashion (though remaining polished in its own way), album two is primed to connect with a bigger audience thanks to its pop melodies, structures and songwriting.

Much of ‘TOO CUTE’ was written while the duo toured Europe for the first time, with rough sketches of tracks created in the moment during their incendiary live shows, and then recorded in planes and cars.
If their first record was a case of testing the vibes, album two is more assured and confident within their sonic world. “In the first album, we stepped into the club, metaphorically, and started making eye contact with everyone to figure out the energy,” Bronicki says. “But, this time round, I already had an idea of the story that I wanted to tell to these random people.”
And what is that story? “Radical silliness, or radical fun – that’s the essence of BEÃTFÓØT,” Naor confirms. “What we really want to do is goof around and have fun, and that brings out something very profound and honest,” he explains. A sense of nostalgic freedom is also at the album’s core, thanks to the removal of adult predetermined social constructs that decide how people should behave or look. “There’s a very honest and positive energy in holding onto your childlike wonder and trying to explore that with others,” Bronicki suggests, adding that “the adult world can be so wrong and angering”.
She feels this relates to both the album’s lyrics and the artistic state of mind that the duo always work to: “the goal is to feed a really thought-out and profound idea, but through a playful spoon,” she says. With this in mind, the recurring theme of ‘TOO CUTE’ stems from the duo’s “radical and lived experience of existing in a place that holds a lot of guilt and fear – because death is so imminent and prevalent in a very confronting way”. This is clearly represented on ‘FOOTYLICIOU$’, on which Bronicki screams “someone’s gonna die tonight!” before emphatically shouting “NOT ME!”
The album title is BEÃTFÓØT’s response to that: “We want to be a celebration of life, and that applies to all lives, of all backgrounds, including animals… that’s our guiding light,” Bronicki says.
“We create in the context of living in a country where the current government’s anti-democratic measures are limiting who is included in the celebration of life. Because different people are always being pushed out and excluded: whether it’s queers, Palestinians or people from different religions.”
BEÃTFÓØT - who have found a home among the LGBTQIA+ community - are fighting back against oppression. “We want everybody to come to the party and celebrate life together,” says Naor, setting out his and Bronicki’s mission… “and our goal is to widen that party as wide as it can go.”

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Beastie Boys

61,74 €* 64,99 € -5%

Dream Riff Carl Finlow Remix

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Straight out of the action-packed “Sabotage” music video comes Super7’s Beastie Boys ReAction Figure set! The tough-as-nails crime-fighting trio of Nathan Wind (Cochise), Alasandro Alegre (The Chief), and Vic Colfari (Bobby, “The Rookie”) are reuniting for one last mission to save you from the crime of having a lame collection! This 3-pack of 3.75” scale, articulated ReAction Figures come packaged in a dramatic-big-explosion-walkaway diorama box and includes a 18”x24” movie-style “Sabotage” poster. Don't’ miss your chance to add this iconic trio of figures to your collection of hip-hop legends!

• Product Material/Process: Injected Plastic & Paint
• Product Accessories: 2 Bananas, Walkie-talkie, Donut, 18”x24” movie-style “Sabotage” poster
• Weight: 0.4 lb

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Beartrax

12" | 2020 | EU | Original (Melodize)

Blue Hours White Vinyl Edition

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Beartrax is back on his own taste-making electronic label Melodize with a pair of fantastic new singles that get fine remix treatment by the cult underground figure that is Carl Finlow. American Beartrax has been experimenting with electronic music for 10 years now, and has built up a fine reputation and discography that often leads to Beatport chart toppers and gets big support from high profile DJs. Up first is Dream Riff, a low key roller with nice melancholic pads and crisp, crunchy hi hats as well as killer bass. It's a melodic musing that really carries your mind away from this world while keeping your body locked to the drums. Remixing is Carl Finlow, who has been an electro mainstay for decades. His version is haunting and minimal, with spooky bass notes and clacking hits that makes for a deep and atmospheric jam. Repentance closes out with nagging bass and a lead melody that is cautiously optimistic. This is another classy EP from all involved.

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Bear's Den

LP | 2022 | UK | Original (Communion)

Blue Hours Black Vinyl Edition

Release: 2022 / UK – Original

Genre: Rock & Indie

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Bear’s Den have today announced the release of their eagerly anticipated fourth studio album, Blue Hours.

Set for release on May 13th via Communion Records, the album sees the much-loved folk-rock duo – made up of Andrew Davie and Kevin Jones – once again team up with producer Ian Grimble on what is one of their most personal records to date.

Speaking about the new album, Davie says: “Blue Hours is a kind of imaginary space you get into at night, a place where you process difficult things or where you try to figure everything out.”

Themes on the album include both self-reflection and mental health after both struggled with the latter in recent years. “It’s the main over-arching theme with this record,” Davie explains. The group, who have worked with mental health charity CALM (Campaign Against Living Miserably) previously added: “It probably speaks to our struggles and hopefully many other people’s too. Men are not very good at talking. We’re not really taught how to – men have no idea how to talk about this stuff, certainly to each other.”

The pair describe the conceptual blue hours headspace that gives the new album its title as being “somewhere between a hotel, a mental health hospital, a bar that stays open later than anywhere else, a paradise, a dream, a nightmare and an endless sea of corridors and staircases leading you to rooms that represent memories – good, bad, happy or difficult.”

Despite the album’s challenging themes, it’s an album drenched in hope too. “We wanted this to be a celebration of music,” Jones continues. “I think that informed some of the bolder decision making on this record. At a time when music was so distant, it felt important to make an album that sounded hopeful, celebratory, ambitious and beautiful in spite of the heavy subject matter in some of the songs.” Jones adds: “It was almost like we needed to shout louder than before because we felt that there were more barriers between the audience and us. We needed something to transcend that.”

Following on from the album’s lead single, ‘All That You Are’, which was released late last year, the group have also given a further taster of what to expect from the new album with the release today of their bold, electronic-driven latest single, ‘Spiders’. Stream the new single here.

Speaking about the song, Davie says: “I started writing ‘Spiders’ around the time we left London. In my head, I thought moving would solve lots of problems, like everything will be better – almost like this Neverland vibe,” he laughs. “‘Spiders’ is a song dealing with the fact that this absolutely wasn’t the case. I had this vision in my head that I’d be at one with nature, that I’d be calmer – but all the things that were rattling around in my brain before were still there after the move. The song is about the fact you can’t run away from the things that are bothering you.”

Adding, “While making the record we wanted to get across a kind of simmering intensity with the song and the idea of someone trying to keep their shit together while wrestling with these darker thoughts and feelings. We wanted to get across a sense of bravery & triumph in saying, “sometimes I can’t pull myself out” of these difficult situations. To celebrate the difficult moments because we all have them. They are a universally shared experience even if it feels sometimes like they’re not and you’re the only one who feels them.”

Melodically, the song is a gentle Wurlitzer and guitar-driven track filled with hope thanks to the electronic elements added by long-term producer, Ian Grimble. “This song maybe sparked a lot of detail that ended up coming out on other songs on the album,” Davie says. “The sound of this felt exciting to us both,” Jones adds.

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Bear's Den

LP | 2022 | UK | Original (Communion)

Baze.DJunkiii & The D3vi7 Present

Release: 2022 / UK – Original

Genre: Rock & Indie

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Diurnal Tides: First Wave

Tape | 2022 | EU | Original (Carsharing Tapes)

17,99 €*

LP | 1974 | UK | Reissue (Matsuli Music)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Welcome to Carsharing Tapes. Welcome to the future.

With "diurnal Tides: First Wave" we're proud to present not only the first release of our new imprint for classic electronic music mixtape culture but also the first ever official gathering of two long standing figures which both have been relentlessly and continuously contributing to the German underground scene for more than two decades now.

And these two are: baze.djunkiii and THE D3vi7.

baze.djunkiii, Hamburg-born and based, officially entered the electronic music scene as a DJ back in 1997 from an angle of being an enthusiastic raver, launched his very own label Intrauterin Recordings in 1999 and - apart from becoming an 24/7 networker, knowledge hub, music blogger etc. - evolved into one of the most versatile underground DJs and purveyor of original DJ culture around whose journey on the decks has taken him all over Germany as well as to Greece and the United States and to countless hours of air time on a plethora of underground radio stations as well.

THE D3vi7, on the other hand, remains an elusive figure. Deeply rooted in electronic music production and the hell'ish jungle of circuit board wiring as well as DAW madness THE D3vi7 is a moniker created by one of the most active, yet probably most underrated figures on the release circuit, a nom de guerre which serves the sole purpose of being able to operate anonymously without any confirmation bias being attached to other musical guises which might, or might have not, been used previously and in earlier stages of a long lasting involvement in music. And btw - this is the first time ever THE D3vi7 agreed to provide an official DJ mix for a mixtape release.

With baze.djunkiii's mix opening the roughly hour long journey of "diurnal Tides: First Wave" on the A-side we're getting a prime example of what original DJ culture is all about as he's taking us on a fascinating journey from deepest underground Electro to screaming, spiralling Acid madness and beyond, digging up most underground vinyl cuts and making proper use of his extensive collection of rare 7" releases - a format that has been criminally overlooked by many DJs but provides a treasure trove of goodness as this mix easily proves.

Turning the tape THE D3vi7 does what THE D3vi7 does best on the flip: Being a force. A dark one. Forging a pounding, most relentless stream of hammering Techno tunes to take out unsuspecting punters on heaving dancefloors one by one THE D3vi7 provides a high octane selection of peak time excess that either thrills or kills - an ode to the power of raw and unpolished Techno madness in its purest form. A power that cannot be contested. Ever.

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Batsumi

LP | 2023 | EU | Original (Jazzaggression)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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BATSUMI’s 1974 classic. Repressed at Pallas in Germany on 180g black vinyl. Cover printed on reverse board and includes printed inner sleeve with liner notes from Francis Gooding. Initial copies shipped with exclusive 30cm x 30cm print of Batsumi performing in 1974. Batsumi is a masterpiece of spiritualised afro-jazz, and a prodigious singularity in the South African jazz canon. There is nothing else on record from the period that has the deep, resonant urgency of the Batsumi sound, a reverb-drenched, formidably focused pulse, underpinned by the tight-locked interplay of traditional and trap drums, and pushed on by the throb of Zulu Bidi’s mesmeric bass figures. The warm notes of Johnny Mothopeng’s guitar complete a soundscape that is at once closely packed with sonic texture and simultaneously vibrating with open space, and in whose shimmer and haze Themba Koyana and Tom Masemola soar. A sonorous echo emanating from an ancient well, reverberant with jazz ghosts and warmed by the heat of soul and pop, Batsumi is nothing short of revelatory. Many groups from this period did not issue recordings at all, and Batsumi are unusual in even having left an official recorded legacy. Out of print since the 1970s, and never issued outside of South African in its entirety, Batsumi is a landmark South African jazz recording, and a key musical document of its time.'

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Bash

Live At Club7 1973

17,09 €* 17,99 € -5%

LP | 2022 | EU | Original (Monotreme)

Release: 2023 / EU – Original

Genre: Organic Grooves

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After the dissolution of the Norwegian Psych rock outfit DREAM by the end of the 1960s, Christian Reim embarked on a new musical venture with the group BASH. Following his time with Dream, where he had already begun to experiment with pop and rock, Christian found himself exploring further creative depths with BASH.

As The DREAM disbanded, pivotal figures like Hans-Marius Stormoen and Terje Rypdal embarked on separate musical journeys. Collaborations with luminaries like Jan Garbarek and Jon Christensen became defining moments. By 1971, however, The Dream's curtain had closed. Undeterred, Christian, armed with his modified Hammond B3 organ, continued to play bass using foot-pedals. Amidst these transformations, the unwavering partnership of his longtime collaborator, drummer Tom Karlsen, remained steadfast.

BASH's presence was initially marked by a single release in 1971, with tracks "Quiquenita" and "Kokosnøtter" on the Nor-Disc imprint. While featuring an impressive line-up of jazz musicians, this studio session was a one-time endeavour. BASH continued to make waves, performing as an Organ Trio led by Christian and Tom. Various Oslo-based guitarists, including notable names like Freddy Dahl and Freddy Lindquist, joined the lineup throughout 1972 and 1973.

However, this live recording encapsulates a pivotal phase in BASH's evolution. The winter of '73 marked a significant shift with the addition of Richard Rolf from the illustrious Swedish band November. Richard's entrance added another layer of prowess and experience to the trio's sonic landscape.

Diving into the performance is akin to reliving the Wednesday concert in April '73. Every essence of the atmosphere is captured, even down to the engineer adjusting the reel-to-reel machine's volume knob whenever the band's intensity peaked. The recording boasts surprising elements, such as moments when Christian halts the performance to reset the rhythm with the drummer. Amidst the live renditions, a standout is Christian's unique interpretation of Arild Wikstrøm’s "Indianersangen," serving as a compelling opener. Its gradually unfolding theme resonates deeply and stands as a highlight, adding a significant dimension to the album's value.

This live recording not only captures the essence of BASH's performance, but it also transports listeners to a specific moment in time at the legendary CLUB 7 in Oslo.

This LP is a limited edition of only 250 copies, each hand-stamped and numbered. With a nod to the seventies, it also includes a replica of the original promotion sheet from the group's heyday.

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Barzin

Voyeurs In The Dark

33,99 €*

LP | 1969 | EU | Reissue (Eargong)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Four years in making, Voyeurs In the Dark is Toronto artist Barzin's fifth studio album. That the album is more cinematic in its scope and conceptual in feel than his previous studio albums can be attributed to the time he spent over the past several years composing the soundtrack for the independent film, Viewfinder. Voyeurs In the Dark retains that cinematic quality, and at the same time infuses the music with elements taken from Jazz, electronica, rock and pop. Having primarily explored the quiet side pop and folk in his previous four albums, Barzin has expanded his musical palate, broadening his sound towards a more an experimental direction, while still retaining his preoccupation with exploring the internal landscape. The uniformity of sound that characterized the previous albums has been abandoned for the expression of differing aspects of the self that at times hold opposing views and desires. This is best represented in the image chosen for the cover of the album, which depicts three figures in one body. The album seems to be the expression of not one unified self, but the various aspects of the self. Voyeurs In the Dark sees the artist plot a seductive, contemplative route through city haze, shuttling between graceful glimmering interludes, with wonderfully atmospheric songs at every stop. From opener Voyeurs In the Dark's first guitar strums and the fizz of its drum machine, the record envelopes itself in a glorious shadow, as shown in the slow waltz of I Don't Want To Sober Up, dancing around its own swirling guitar chords. On Watching, Barzin plunges himself deeper into a wash of cyclic bass, guitar and synth riffs, as the gloom grooves into light. It's Never Too Late To Lose Your Life has a much more affirming and urgent tone, shade turning into shapes and motion, while To Be Missed In the End builds its own smoke in a cloud of saxophone and sparse guitar notes, closing out a record full to the brim with scatterbrain beauty and eclectic dusk. Voyeurs In the Dark will be released worldwide on Monotreme Records on May 6th on CD and limited edition180 g black vinyl LP with printed inner discobag and digital download card.

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Barre Phillips

Unaccompanied Barre

LP | 2017 | EU | Original (Türküola)

Release: 1969 / EU – Reissue

Genre: Organic Grooves

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Recorded in St. James Norlands church in London in November 1968 and first released in the following year, this work stands as the first solo bass album in the history of Jazz and improvised music. Born in 1934 in San Francisco, Barre Phillips is one the most influential bassists of his generation. In his long career Phillips has played and recorded with almost everyone in the world of Jazz and beyond, a long list of forward thinking music icons including Don Ellis, Bobby Hutcherson, Dave Holland, Archie Shepp, Marion Brown, John Surman, Paul Bley, Evan Parker just to name a few! Originally recorded as part of a 3 hours session this solo tour-de force expresses the true essence of a genius. A multifaceted, kaleidoscopic journey through a myriad of melodic, rhythmic, fretted and bowed lines. In other words: a true master class and a seminal statement from one of the greatest figures in creative music! ‘...Not just an improviser of the highest order; but a true sound sculptor capable of drawing from his instrument such a vast array of shapes and colours that his creation is almost a form of visual art for the ears.’ Jazzwise

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Baris Manco

Mega Manco

LP | 2022 | US | Original (Love Injection)

Release: 2017 / EU – Original

Genre: Rock & Indie

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Mega Manço is Barış Manço’s third album which was recorded without Kurtalan Ekspres. The arrangements are by Garo Mafyan the veteran keyboardist of “Turkish Chicago” called İstanbul Gelişim. The album is first time on vinyl. While some songs reflect the modern synthe pop age of Manço, some songs have strong references from his Anatolian rock group music period. Süleyman reflects his singles period with Moğollar such as İşte Hendek İşte Deve. Diral Dedenin Düdüğü reminds us of 1981-83 era of Manço which reflects an Anatolian Rock attitude with Arabic influences. Hemşerim Memleket Nire has also important references to the legendary 2023 album, as the song is based on the critical bass lines of the electronic music hit, 2023. The album also contains an instrumental track called Rüya which is a composition of Manço in a Yanni style new age based on piano and strings. In the album you can also hear a significant electro pop hit of Manço named Ayı which had a great popularity among children at that time period when Manço was a fabulous figure for children because of his TV shows. Türküola is once again in place to make such an important album available on vinyl for the first time.

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Barbie Bertisch

Prelude

37,99 €*

LP | 2024 | EU | Original (An'archives)

Release: 2022 / US – Original

Genre: Electronic & Dance

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“I’m closing a chapter in my life,” Barbie Bertisch says to me from a park bench in Greenpoint, “I spent the last four years working towards gaining confidence around my ideas and my creative perspective. This feels like a culmination of that process” The “this,” in question is Bertisch’s debut record Prelude, a collection of eleven songs that chronicle 5 years of Bertisch’s life. The legendary musician Anna Domino describes the record best: “[Prelude is a record of] layers and depths. The melting phases and soaring distances.”

Raised in Buenos Aires and Miami, Bertisch has called New York home for most of her adult life. When she started piecing together Prelude, she was in her Brooklyn kitchen. It was early quarantine. Stuck at home instead of DJing at clubs, she found the space to parse through the archives. What she previously considered unworthy of attention in the era of distractions, finally made sense as a whole once all the noise was turned down. Compiling a list of songs in various states of completion, Bertisch dreamed up an album, a chronicle in growth and healing frustrations of the past, an honest account of someone trying to find her own voice. That in and of itself was a journey. It took years for Bertisch to accept that she was an artist. “I felt like I was surrounded by men who ruled every space. I constantly felt like I had to ask permission to enter, always around bands but never the girl in the band” she says.

Prelude is an introspective record. It explores all of the valences of being and feeling. Some songs are chaotic and choppy. Others are soft and searching. There is rage and innocence, and moments of forced stillness, like capturing the aftermath of panic attacks, as in “After The Storm”. Bertisch also focuses on rhythm, bass guitar being her main instrument, and no stranger to the power of the beat. The record also draws on influences as varied as Kaitlyn Aurelia Smith, Cocteau Twins, Berlin School, and pioneering producer François Kevorkian. Both sonically and conceptually, Prelude is a portrait of who Bertisch is as a person.“Is This What You Wanted?” is fiery, a pointed provocation to domineering figures from her past. It’s full of strobing, strident synths, and heady lines of bass. It gives off the same vibe as a fire alarm, as a big room dance track that subverts your expectations of what it means to dance in a sea of bodies. “28,” the record’s opening track is more peaceful. It’s all languid keyboard arpeggios with the occasional flourish of a cascading synth effect.

Since most of the songs already existed in some form or another, Bertisch’s job on Prelude was to refine and reimagine music that had previously been private. She spent time rearranging, rewriting, adding elements newly available to her, such as the saxophone, and pushing the limits of the rough mixes to mold the universe she envisioned. Along the way, Bertisch grew more excited about her abilities as a musician. The resulting record is one that is inherently confident.

Prelude is also a homespun release. It’s coming out on Bertisch’s own label, Love Injection Records, which she runs with her partner Paul Raffaele. The two also DJ and make zines under the name, which started in 2015. Love Injection is a love letter to New York. Prelude is a word of encouragement to those struggling with self-actualization. The record was mixed by Justin Van Der Volgen and mastered by Walter Coelho. Love Injection Records holds the remix tradition in high regard, and they’ve enlisted reworks by some of Barbie’s favorite producers. It’s all a labor of love for Bertisch. Prelude is her: Barbie the musician.

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Banetoriko

Kata No Wadachi

32,29 €* 37,99 € -15%

Love On My Mind Green Vinyl Editoin

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Kata No Wadachi is the latest album by Banetoriko, the solo noise project of Tamaki Ueda. Her first release both on An’archives and on vinyl, it follows several albums for the Neurec imprint – 2017’s Beside the Sluice and 2022’s Yorioto Hogiokuri – and several other cassettes and CD-Rs. With Kata No Wadachi, the Banetoriko world, inspired by the Yokai (“strange apparitions” – supernatural figures, ghosts, spirits) of Japanese folklore, is at its most resonant yet.

Recorded across 2022 and 2023, the three tracks on Kata No Wadachi have Ueda performing in a particularly elevated manner. Her sound is highly tactile and grittily sensuous, the better to capture the ritualistic repetitions, and hypnotic methodologies, core to Banetoriko. The scrape and scratch of Ueda’s self-made metal instrument, the Banetek, gives these improvisations a unique throb, even as their mood, of introverted focus and elaboration of minutiae, gestures towards broader histories of noise and abstract art. Kata No Wadachi evokes, to some degree, the urban ritual noise of the likes of The New Blockaders, Organum, or Ferial Confine; elsewhere, the abraded, rough-housing textures bring to mind the eighties tape works of Hands To and John Hudak.

Ueda embraces the dream evocation that’s possible when loops of blurred texture collide with the gnaw and groan of energised metal, while mantric, dissociated vocals, and the oppressive weight of deep breath, gather around these compositions like a ghost’s shroud. While she’s been making noise for some time, since the nineties, Banetoriko was formalised as a project in 2011, while Ueda lived in Los Angeles. Relocating to Osaka in 2021, she’s carved out an utterly unique space for herself in Japanese noise, and her music contains an absolutely elemental vibration. Framed beautifully with poetic liner notes by Aurélien Rossanino, Kata No Wadachi is an oppressive, yet quixotically blissful trip.

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Bambara

LP | 2022 | US | Original (Wharf Cat)

23,99 €*

Love On My Mind Black Vinyl Editoin

Release: 2022 / US – Original

Genre: Rock & Indie

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With Love on My Mind - the six song mini-album, mixed by Claudius Mittendorfer (Tennis, Parquet Courts, Johnny Marr) - Bambara condense all the energy and darkness that have made them so compelling and rearrange it into something defiantly new. Opening track, "Slither in the Rain," all hissing high-hat and spectral synthlines, is a true statement of intent. It's minimal and atmospheric, foregrounding Bateh's raw vocals as he introduces one of Love On My Mind's main characters years after the events of the album are over, a lonely man who throws bottles at airplanes and dances a two-step in the pattern of a figure-8. While Bateh has always been adept at character sketches, tracks lke "Slither" introduce a newfound vulnerability that runs true through the entire album and cause the songs to hit on a more human level. Similarly, "Point And Shoot" - in which each stanza describes the louche, lawless scenes of "rooftop girls / standing shoulder-to-shoulder, naked figures with their hips / cocked," busted up jaws, and couches full of burn-holes captured by the snapshots of Love on My Mind's female lead - displays an autobiographical intimacy that is not as apparent in Bambara's previous releases. This tenderness is echoed on "Birds," a rare love song (from which the EP's title is derived), and album closer "Little Wars," a gripping finale of loneliness and isolation. But while these songs may display a softer side of Bambara, it's important to note that they haven't lost the thrill of what attracted so many people to them in the first place. "Mythic Love" (featuring vocals from Bria Salmena), with its driving bassline and ricocheting guitar lines, brings to mind past rave-ups like "Serafina" and "Sunbleached Skulls" but obliterates them in the process, while "Feelin' Like A Funeral" - a dangerously oscillating tale of a city knifing - is probably the most thrillingly anthemic song the band have ever recorded. Taken together, Love on My Mind amounts to another massive step forward for Bambara - the boldest thing they've ever done - and the sound of yet another breakthrough.

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Bambara

LP | 2022 | US | Original (Wharf Cat)

19,99 €*

Shee Punk 01 White Vinyl Edition

Release: 2022 / US – Original

Genre: Rock & Indie

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Baby T

12" | 2023 | EU | Original (Banshee)

12,74 €* 16,99 € -25%

Shee Punk 01 Orange Splatter Vinyl Edition

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Banshee is the new record label from internationally renowned DJ/producer Brianna Price (B.Traits/Baby T). Drawing “esoteric aggressive feminine energy” from the folkloric figure that gives Banshee its name, the imprint will focus on the output of Price’s Baby T alias.

Brianna knows her way around a dance. Years spent producing, DJing, and touring under the B.Traits alias have given Price a vast knowledge of rave culture. Now, all of that experience has been put to good use as part of Baby T’s “hardcore junglist shit only” approach. Anyone who has encountered a Baby T tune in a dark basement over the years should know that there will be no messing around with Banshee’s output. Baby T specialises in hardcore rave tackle schooled by junglism, electro and darkside techno, the project’s sound was honed via releases on labels like Samurai Music and Central Processing Unit. It’s a style at once wild yet focused, untamed yet laser-precise - This is music that will make the hairs on the back of your neck stand up – not unlike a banshee’s shriek, in fact…

The first Banshee release is not a collection for the faint of heart. Each of these four cuts is primed for deployment at the point of the party when things really kick into overdrive. Fiercely danceable, and unapologetically abrasive, Baby T’s productions here can school any challenger in the electro, techno, and jungle fields yet also carry themselves with a punkish spirit that sets them apart from the pack.

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Baby T

12" | 2023 | UK | Original (Banshee)

Release: 2023 / UK – Original

Genre: Electronic & Dance

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BABY-G x Kuromi

BGD-10K-7ER

79,95 €*

Available Sizes: One Size

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Kuromi becomes brand ambassador for BABY-G on the brand's 30th birthday. The BGD-10K, a compact digital watch and case holder set, comes with bezel and band that can easily be detached — no need for any special tools. Wear the BABY-G x Kuromi BGD-10K as a wristwatch or place the center case into the holder, turning the watch into a unique time-telling charm. Hang it from your waist or bag — enjoy the freedom of mixing and matching to suit your mood and outfit each day.

Pop-casual color variations are inspired by the trendy Y2K fashion hues that are back in style. Add stickers to the silicone holder; decorate it your way to really make it your own. Decorate the top and sides of the silicone holder’s acrylic panels to really make it your own.

The LCD on the upper right rotates at 30-second intervals through five retro-style pixel-art animations featuring a cast of characters that includes a dog and cat for an added touch of fun. Or press the Light button in Time Mode for a random pixel-art animation (surfer, dancer, dolphin, blowfish, dog, cat). Their charming moves add a touch of fun to the watch’s face and a bit of BABY-G whimsy to the easy-to-read digital LCD.

BABY-G x Kuromi BGD-10K-7ER - Features/Specifications:

• Resin case & band
Resin is made of synthetic resin and is the perfect material for watches due to its extreme durability and flexibility.
• Shock-resistant
Shock-resistant construction protects against impact and vibration.
World time
29 time zones (30 cities), summer/winter time changeover on/off
• Stopwatch
1/100 second stopwatch
• Measuring capacity: 23:59'59,99''
Measuring modes: Elapsed time, split time, 1st - 2nd place times
• Timer
Countdown timer
• Unit of measurement: 1 second
• Countdown range: 24 hours
Countdown start time input range: 1 minute to 24 hours (steps of 1 minute and 1 hour)
• Alarm/hourly time signal
5 daily alarms
• Hourly time signal
• LED backlight (Super Illuminator)
Illumination duration (2 seconds), afterglow
• Light color - LED: White
• Fully automatic calendar (up to 2099)
• Mute function
Key operation tones on/off
• Accuracy: ±30 seconds per month
• 12/24 hour format
• Regular time recording: hours, minutes, seconds, 24 hours (am/pm), month, date, day
• Water resistance classification (10 bar)
Perfect for swimming and snorkelling: the watch is water resistant to 10 bar according to ISO 22810.
• Dimensions (H x W x D): 42.8 × 39 × 14.7 mm
• Weight: approx. 33 g

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BABY-G x Kuromi

BGD-10K-6ER

79,95 €*

Available Sizes: One Size

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Kuromi becomes brand ambassador for BABY-G on the brand's 30th birthday. The BGD-10K, a compact digital watch and case holder set, comes with bezel and band that can easily be detached — no need for any special tools. Wear the BABY-G x Kuromi BGD-10K as a wristwatch or place the center case into the holder, turning the watch into a unique time-telling charm. Hang it from your waist or bag — enjoy the freedom of mixing and matching to suit your mood and outfit each day.

Pop-casual color variations are inspired by the trendy Y2K fashion hues that are back in style. Add stickers to the silicone holder; decorate it your way to really make it your own. Decorate the top and sides of the silicone holder’s acrylic panels to really make it your own.

The LCD on the upper right rotates at 30-second intervals through five retro-style pixel-art animations featuring a cast of characters that includes a dog and cat for an added touch of fun. Or press the Light button in Time Mode for a random pixel-art animation (surfer, dancer, dolphin, blowfish, dog, cat). Their charming moves add a touch of fun to the watch’s face and a bit of BABY-G whimsy to the easy-to-read digital LCD.

BABY-G x Kuromi BGD-10K-6ER - Features/Specifications:

• Resin case & band
Resin is made of synthetic resin and is the perfect material for watches due to its extreme durability and flexibility.
• Shock-resistant
Shock-resistant construction protects against impact and vibration.
World time
29 time zones (30 cities), summer/winter time changeover on/off
• Stopwatch
1/100 second stopwatch
• Measuring capacity: 23:59'59,99''
Measuring modes: Elapsed time, split time, 1st - 2nd place times
• Timer
Countdown timer
• Unit of measurement: 1 second
• Countdown range: 24 hours
Countdown start time input range: 1 minute to 24 hours (steps of 1 minute and 1 hour)
• Alarm/hourly time signal
5 daily alarms
• Hourly time signal
• LED backlight (Super Illuminator)
Illumination duration (2 seconds), afterglow
• Light color - LED: White
• Fully automatic calendar (up to 2099)
• Mute function
Key operation tones on/off
• Accuracy: ±30 seconds per month
• 12/24 hour format
• Regular time recording: hours, minutes, seconds, 24 hours (am/pm), month, date, day
• Water resistance classification (10 bar)
Perfect for swimming and snorkelling: the watch is water resistant to 10 bar according to ISO 22810.
• Dimensions (H x W x D): 42.8 × 39 × 14.7 mm
• Weight: approx. 33 g

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BABY-G x Kuromi

BGD-10K-4ER

79,95 €*

Tape | 2023 | US | Original (Sahel Sounds)

Available Sizes: One Size

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Kuromi becomes brand ambassador for BABY-G on the brand's 30th birthday. The BGD-10K, a compact digital watch and case holder set, comes with bezel and band that can easily be detached — no need for any special tools. Wear the BABY-G x Kuromi BGD-10K as a wristwatch or place the center case into the holder, turning the watch into a unique time-telling charm. Hang it from your waist or bag — enjoy the freedom of mixing and matching to suit your mood and outfit each day.

Pop-casual color variations are inspired by the trendy Y2K fashion hues that are back in style. Add stickers to the silicone holder; decorate it your way to really make it your own. Decorate the top and sides of the silicone holder’s acrylic panels to really make it your own.

The LCD on the upper right rotates at 30-second intervals through five retro-style pixel-art animations featuring a cast of characters that includes a dog and cat for an added touch of fun. Or press the Light button in Time Mode for a random pixel-art animation (surfer, dancer, dolphin, blowfish, dog, cat). Their charming moves add a touch of fun to the watch’s face and a bit of BABY-G whimsy to the easy-to-read digital LCD.

BABY-G x Kuromi BGD-10K-4ER - Features/Specifications:

• Resin case & band
Resin is made of synthetic resin and is the perfect material for watches due to its extreme durability and flexibility.
• Shock-resistant
Shock-resistant construction protects against impact and vibration.
World time
29 time zones (30 cities), summer/winter time changeover on/off
• Stopwatch
1/100 second stopwatch
• Measuring capacity: 23:59'59,99''
Measuring modes: Elapsed time, split time, 1st - 2nd place times
• Timer
Countdown timer
• Unit of measurement: 1 second
• Countdown range: 24 hours
Countdown start time input range: 1 minute to 24 hours (steps of 1 minute and 1 hour)
• Alarm/hourly time signal
5 daily alarms
• Hourly time signal
• LED backlight (Super Illuminator)
Illumination duration (2 seconds), afterglow
• Light color - LED: White
• Fully automatic calendar (up to 2099)
• Mute function
Key operation tones on/off
• Accuracy: ±30 seconds per month
• 12/24 hour format
• Regular time recording: hours, minutes, seconds, 24 hours (am/pm), month, date, day
• Water resistance classification (10 bar)
Perfect for swimming and snorkelling: the watch is water resistant to 10 bar according to ISO 22810.
• Dimensions (H x W x D): 42.8 × 39 × 14.7 mm
• Weight: approx. 33 g

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Babsy Konate

Tounga

Babs Robert & The Love Planet

Release: 2023 / US – Original

Genre: Organic Grooves

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Coming from the city of Gao, on the edge of the Saharan desert,Malian producer Baba `'Babsy'' Konate is one of the key figures in thedevelopment of "Gao Rap", a regional genre of modern autotunedSonghoi music.Tounga is Babsy Konate's debut mixtape, collecting a decade oftracks that merge sweet autotuned vocals, crunchy drum loops andplucked digital harpsichord, in a playful testament to 2000s PC music,with the sample packs of a modest FruityLoops project. The result isfamiliar yet otherworldly, drawing from an abundance of distinctcultural expression: folkloric takamba from the Songhai, Hausa filmsoundtracks from Northern Nigeria, Hip Hop from Bamako andRagga from Niamey.

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LP | 1970 | EU | Reissue (Alpha)

44,99 €*

7" | 2020 | EU | Original (Jamwax)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Folks, this is a must have for any Spiritual Jazz fan! Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

Whereas the post-war modern jazz scene produced a few notable successes, trad and New Orleans style jazz remained popular and bebop and swing were still played during the peak post-bop and free jazz years of the late-60s and early-70s. Despite the overwhelming popularity of ‘historic’ forms, there were a few worthy exceptions who pointed the way to the future: composer and pianist Marc Moulin formed his first trio in 1961 as a backing band for expatriate American musicians such as Johnny Griffin and Don Byas. He later collaborated with Philip Catherine to form Placebo, a group that mixed jazz, funk, rock and electronic sounds. Their influences ranged from Jimi Hendrix to James Brown, via Herbie Hancock and Soft Machine, and they experimented with the Moog and early synthesizers. Between 1971 and 1975 Placebo released three albums that have become much sought after by DJs and producers for beats and grooves to sample.

Moulin also contributed sleeve notes to one of the most sought after European deep jazz recordings of the late 1960s and early 1970s, and it’s a Belgian recording no less: ‘Babs Robert and the Love Planet’ (Alpha 7003, 1970) is one of the few examples of Belgium avant-garde jazz and was originally released on the Alpha label, a tiny enterprise based in Jette, Belgium. Alpha released renaissance / baroque music and the Babs Robert album is a wonderful aberration that is such an outlier as to be seemingly from another planet – the very Love Planet name-checked in the title perhaps?

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (drums). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion.

This is the first official re-release of the ‘Babs Robert and the Love Planet’. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resonates some forty years later.

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B.B. Seaton

Voice Of The People

LP | 2022 | EU | Original (Squirrel)

Release: 2020 / EU – Original

Genre: Reggae & Dancehall

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Roots reggae stepper released on B.B. Seaton's album Reggae Land. Strong actual lyrics, heavy dub "The People's Dub". Previously unreleased on 7inch. "B.B. Seaton is a musical veteran, having begun his career in the 60s as one of the Gaylads – finding himself harmonizing with the likes of Ken Boothe and Delroy Wilson – while this track is lifted from his 2005 long-player, Reggae Land. Bottom-end booming, it`s an impassioned Jah Shaka-esque steppers. A warning of revolution, which calls out the rich, the greedy, the heartless and callous – as a plaintive guitar figure unwinds in the distance. It`s flipped by a version, suitable for disciples and bush chemists, that shifts between banging and ethereal. A flute floating in amongst the righteous thunder." (by Ban Ban Ton Ton)

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Axids

Kids With An Axe

12,09 €* 21,99 € -45%

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2023 | US | Reissue (Nature Sounds)

Augustus Pablo

Roots, Rockers & Dub

31,99 €*

LP | 1988 | EU (Radiation Roots)

Release: 2023 / US – Reissue

Genre: Reggae & Dancehall

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Visionary artist Augustus Pablo is among the most important figures in reggae history. Widely credited with popularizing the use of the melodica in reggae, Pablo was a talented musician and an innovative producer who became an early dub pioneer. Now regarded as classics, his memorable 1970s recordings were part of the remarkable creative surge that vaulted the Jamaican music scene to international prominence. Much of this material was released by Rockers, an independent record label founded by Pablo and named after his popular Kingston sound system. Now, Nature Sounds is proud to present Roots, Rockers, & Dub, a new Augustus Pablo vinyl collection celebrating the 50th anniversary of Rockers. Featuring classic dubs along with rare and out-of-print tracks, the album captures Pabloís immense contribution to roots reggae by highlighting a wealth of material spanning his entire career, all released on Rockers. Fully remastered and released in partnership with the Pablo family, Roots, Rockers, & Dub is a fitting tribute to an artist whose music still reverberates heavily more than two decades after his passing.

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Audrey Scott

Step By Step

Release: 1988 / EU

Genre: Reggae & Dancehall

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Willie Williams is one of those outstanding reggae individualists who has carved out his own musical niche, making a lasting impact as a beloved roots vocalist and lyricist. His unusual vocal tone is distinctive and affecting, and he has taken a singular approach to music production which parallels his uncommon spiritual beliefs; like his friend and collaborator, Yabby You, Williams is one of a select coterie of reggae figures who wear dreadlocks and celebrate the culture of rastafari, but who reject the notion of Haile Selassie’s divinity, standing firm in their belief in Jesus Christ. He will always be best remembered for his landmark Studio One recording “Armagideon Time,” which was memorably covered by The Clash, but Williams’ career has been long and varied, his story taking in many different twists and turns. Another truly original reggae great.

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ATH-TWX9

279,00 €*

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Wireless Earbuds

The ATH-TWX9 truly wireless earbuds offer the freedom to customize your sound space for an advanced audio experience. These headphones create an immersive audio experience and feature digital hybrid noise canceling technology. With unique features including deep-UV sterilization, 360 Reality Audio for a realistic 3D sound stage, and Snapdragon Sound™ platform for higher quality music, video, and calls, the ATH-TWX9 set themselves above the rest as the best truly wireless headphones.

Designed to connect people through sound, these hybrid headphones are equipped with advanced features making the ATH-TWX9 optimal workout headphones or commuter headphones. The splashproof headphone design (IPX4®-equivalent) makes these perfect for rain, water, and sweat. Choose from five preset noise-cancelling modes or optimize noise cancellation for your current environment simply by pressing the touch sensor on the left earbud. These non-slip, compact and ergonomic headphones are designed to ensure a secure, comfortable fit. Customize your experience with twelve different fitting eartip designs (4 diameter sizes, 3 stem lengths) for the most comfortable noise cancelling headphones.

With approximately 6 hours of continuous playback with up to 18.5 hours of extended use, these in-ear Bluetooth headphones are newly designed with 5.8 mm high-resolution drivers to deliver an extended high-frequency range and improved sound detail. Experience crystal clear call quality thanks to the Qualcomm® cVc™ Generation 8.0 technology. Minimize sound delay while playing games or watching videos with Low Latency mode. Compatible with Google Fast Pair , Sony’s 360 Reality Audio, multipoint pairing, and the A-T connect app, these headphones provide a customizable and seamless experience across devices.

Included Accessories: 30 cm (1.0’) USB-A/USB-C charging cable

Your Sound Space - A Premium Listening Experience
Combining innovative acoustic technology with a snug, comfortable fit and convenient controls, the ATH-TWX9 lets you create an intimate sound space that’s all your own.

Ambience Control - Customize Your Noise Cancellation
With five preset noise-cancelling modes to choose from, plus options for adapting noise cancellation to your current environment or for hearing the people around you, the ATH-TWX9 puts you in control of ambient noise.

Advanced Audio - Designed for Premium Sound
Newly designed 5.8 mm high-resolution drivers deliver an extended high-frequency range and improved sound detail – perfect for use with the advanced Qualcomm® Snapdragon Sound™, Qualcomm® aptX™ Adaptive audio, and Sony 360 Reality Audio technologies.

Features:
• Truly wireless in-ear headphones with digital hybrid noise-cancelling technology
• Ambience control (noise-cancelling and hear-through) can be employed for music playback and calls
• Use the touch sensor to choose from five preset noise-cancelling modes or optimized noise cancelling that adapts to your current environment
• Hear-through function allows you to hear ambient sounds (plus your own, unmuffled voice) so you can talk to others around you without removing your earbuds
• Newly designed 5.8 mm high-resolution drivers deliver an extended high-frequency range and improved sound detail
• Compatible with Qualcomm® Snapdragon Sound™, Qualcomm® aptX™ Adaptive audio, and Sony’s 360 Reality Audio to deliver an advanced listening experience
• Eartips feature a hybrid structure of hard and soft silicone for best fit and sound performance, and come in three different lengths for each size (XS/S/M/L)
• Dual high-performance MEMS (micro-electromechanical system) mics, beamforming technology, and Qualcomm® cVc™ Generation 8.0 technology ensure crystal-clear call quality
• Sidetone circuitry improves conversations by letting you hear your voice in the headphones when making calls on most smartphones
• Qualcomm® TrueWireless Mirroring enables independent transmission to the left and right earbuds, reducing sound interruptions and delays for videos
• Multipoint pairing function allows you to stay connected to two Bluetooth devices at once
• Approximately 6 hours of continuous playback with up to 18.5 hours of extended use
• Charging case’s deep-UV LED sterilization system (with unique mirror processing) eliminates bacteria and viruses from the surface of the headphones**
• A-T Connect app gives you additional control: activate low latency mode, personalize noise-cancelling system, adjust and save EQ to the headphones, change L/R volume balance, select desired voice assistant (such as Amazon Alexa Built-in or Google Assistant), change codecs, and more
• Rain and water splashproof design (IPX4*-equivalent)
• Flexible dual- or single-ear usability
• Includes 30 cm (1.0') USB-A/USB-C charging cable

* IPX4 equivalent means that there is no harmful effect even if water is splashed from all directions. It cannot be used in hot and humid places such as baths. It is not completely waterproof.
** The system is more than 99% effective against E. coli and bacteriophage viruses, and more than 90% effective against Staphylococcus aureus, but it is not effective against all bacteria and viruses. The effectiveness against the novel coronavirus has not been verified.

Specifications Headphones:
• Type Dynamic
• Driver Diameter 5.8 mm
• Frequency Response 10 to 40,000 Hz
• Sensitivity 102 dB/mW
• Impedance 16 ohms
• Weight Headphone: Approx. 5.4 g (0.19 oz) (L side), approx. 5.4 g (0.19 oz) (R side); Charging case: Approx. 55.9 g (2.0 oz)
• Charging Time Headphones: Approx. 2.5 hours *3
• Charging case: Approx. 3.5 hours (USB charging) *3; Approx. 5.0 hours (wireless charging) *3
• Operating Temperature 5 °C to 40 °C (41 °F to 104 °F)
• Operating Time Continuous transmission time (music playback): Max. approx. 6.0 hours *3 (headphones), Max. approx. 18.5 hours *3 (if charging case is used in combination)
• Microphone Type MEMS type
• Microphone Sensitivity -38 dB (1 V/Pa, at 1 kHz)
• Microphone Frequency Response 100 to 16,000 Hz
• Microphone Polar Pattern Omnidirectional
• Power Supply Headphones: DC 3.85 V lithium ion battery
• Charging case: DC 3.85 V lithium polymer battery
• Water-Resistant (drip-proof) Performance IPX4*4
• Accessories Included • USB charging cable (30 cm (12"), USB Type-A / USB Type-C) • Eartips: Short (XS, S, M, L), Standard (XS, S, M, L), Long (XS, S, M, L)

Notes
*1 When using Qualcomm® Snapdragon Sound.
*2 When using Qualcomm® Snapdragon Sound and Qualcomm® aptX™ Adaptive audio.
*3 The figures above depend on operating conditions.
*4 Headphones only.

Specifications Bluetooth®:
• Bluetooth® Version Bluetooth version 5.2
• Operating Range Line of sight - approx. 10 m (33')
• Maximum RF Output 10 mW EIRP
• Frequency Band 2.402 GHz to 2.480 GHz
• Modulation Method GFSK, Pi/4DQPSK, 8DPSK
• Spread Spectrum Method FHSS
• Compatible Bluetooth Profiles A2DP, AVRCP, HFP
• Support Codec Qualcomm® aptX™ Adaptive audio, Qualcomm® aptX™ audio, AAC, SBC
• Supported Content Protection Method SCMS-T
• Supported Sample Rates 44.1 kHz, 48 kHz, 96 kHz *1
• Supported Bit Rates 16 bit, 24 bit *2
• Transmission Band 10 Hz to 47,000 Hz; (when Qualcomm® Snapdragon Sound 96kHz sampling) 20 Hz to 20,000 Hz

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ATH-S300BT

119,00 €*

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Wireless Noise Cancelling Headphones

Your Style, Your Stance.
The ATH-S300BT wireless noise cancelling headphones not only provide high-quality audio reproduction and the freedom to enjoy it anywhere, but best-in-class battery life, as well. With up to 90 hours of continuous use on full charge, you never need to worry about charging on the go. And when the battery runs low, a mere three minutes of charging will give you up to 2.5 hours of new battery life.

The ATH-S300BT wireless headphones boast advanced features like digital hybrid noise-cancelling, to let you enjoy a private, high-quality sound space, a hear-through function so you can remain aware of your surroundings when you wish, and a multipoint pairing function, allowing you to seamlessly switch between two connected Bluetooth devices.

The neutrally coloured wireless headphones feature fold-flat housings with a distinctive terrazzo marbled pattern and ergonomic earpads that fit comfortably over the ears for a sleek, attractive look. But there’s more to these headphones than just a pretty face. The headphones are also equipped with 40 mm drivers for powerful, full-spectrum sound.

In addition, the headphones are equipped with a built-in microphone for crystal-clear communication on calls, easy-touch buttons in the earcup for convenient control of volume, playback and more, and a low latency mode to minimise sound delay when gaming or watching videos. The ATH-S300BT wireless headphones are compatible with Siri and Google Assistant, and come with a 1.2 m (3.9") cable (with in-line mic and control) to give you the option of using a standard wired connection.

Power That Lasts - 90-Hr Battery Life
With the ATH-S300BT, the music – or videos or games or calls – never has to stop. The best-in-class battery life gives you up to 90 hours of playback. And when the battery’s low, a quick three-minute charge provides you with an additional 2.5 hours.

Your Sound Space - Digital Hybrid Noise Cancellation
Small MEMS microphones are built into the housings to pick up and cancel ambient noise. When selected, the system deploys both feedforward and feedback processes to give you the best active noise cancellation you can get.

Complete Your Look - Comfort and Style
We designed the ATH-S300BT wireless headphones to look and feel as good as they sound. With versatile neutral colouring, a distinctive terrazzo marbled pattern trim, and ergonomic earpads, you can count on these headphones to keep you in comfort and style. Plus, the housings fold flat for easy storage and transport.

Convenient Features - You're In Control
Select the noise-cancelling function to block outside noise and keep things quiet, or select the hear-through function to stay in touch with your surroundings and engage in conversations. As an added convenience, the headphones are equipped with a multipoint pairing function that lets you switch seamlessly between two connected Bluetooth devices.

Features:
• Wireless over-ear headphones with digital hybrid noise-cancelling technology let you enjoy a private, high-quality sound space
• Class-leading battery life with up to 90 hours of continuous use on a full charge with ANC off and 60 hours with ANC on
• Get 2.5 hours of use on a 3-minute rapid charge (via USB-C connection)
• Hear-through function allows you to hear ambient sounds (plus your own unmuffled voice) so you can talk to others around you without removing your headphones
• Multipoint pairing function allows you to stay connected to two Bluetooth devices at once
• 40 mm drivers provide powerful audio reproduction from a Bluetooth wireless signal
• Low latency mode improves synchronicity between audio and video for smooth streaming and gaming
• High-quality, built-in microphone ensures crystal-clear calls
• Easy-touch buttons in the earcup provide intuitive control of volume, music/video playback, and calls, and give you access to Siri and Google Assistant
• Sleek design with versatile, neutral colouring, distinctive terrazzo marbled pattern on the housings, and ergonomic earpads for a comfortable fit
• Includes 1.2 m (3.9") cable with in-line mic and control for optional wired connection

Specifications:
Headphones
• Type Closed-back dynamic
• Driver Diameter 40 mm
• Frequency Response 20 to 20,000 Hz
• Sensitivity 103 dB/mW
• Impedance 44.5 ohms
• Weight Approx. 258 g (9.1 oz)
• Charging Time Approx. 2.5 hours
• Operating Temperature 5 °C to 40 °C (41 °F to 104 °F)
• Operating Time Continuous transmission time (music playback): Max. approx. 60 hours(when Bluetooth on, noise cancelling on) / Max. approx. 90 hours(when Bluetooth on, noise cancelling off)
• Microphone Type Headphones: MEMS type; Cable: Electret Condenser
• Microphone Sensitivity Headphones: -38 dB (1 V/Pa, at 1 kHz); Cable: -42 dB (1 V/Pa, at 1 kHz)
• Microphone Frequency Response Headphones: 50 to 10,000 Hz; Cable: 100 to 10,000 Hz
• Microphone Polar Pattern Headphones: Omnidirectional; Cable: Omnidirectional
• Power Supply DC 3.85 V lithium polymer battery
• Accessories Included: USB charging cable (30 cm (12"), USB Type-A / USB Type-C) & Cable with inline mic and control (1.2 m (3.9')/3.5 mm (1/8") gold-plated stereo mini-plug (4 pole / L-shaped))

Bluetooth®
• Bluetooth® Version Bluetooth version 5.1
• Operating Range Line of sight - approx. 10 m (33')
• Maximum RF Output 12 mW EIRP
• Frequency Band 2.402 GHz to 2.480 GHz
• Modulation Method GFSK, Pi/4DQPSK, 8DPSK
• Spread Spectrum Method FHSS
• Compatible Bluetooth Profiles A2DP, AVRCP, HFP, HSP
• Support Codec AAC, SBC
• Supported Content Protection Method SCMS-T
• Transmission Band 20 to 20,000 Hz

* The above figures depend on operating conditions.

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ATH-M20xBT

89,00 €*

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Wireless Over-Ear Headphones

The ATH-M20xBT over-ear wireless headphones include all the features you want and the audio quality you demand. Inspired by our #1 selling ATH-M20x wired professional studio headphones and featuring powerful 40 mm drivers for enhanced low-frequency performance, the ATH-M20xBT Bluetooth headphones deliver an incredible listening experience with full-range, high-fidelity audio and enhanced bass.

Enjoy a sonic signature tuned to reflect our wired studio monitor headphones wherever you go. The ATH-M20xBT has a multipoint pairing capability that lets you connect wirelessly to two devices, optimal for multimedia use. The wireless headphones are also equipped with a low latency mode that improves the synchronicity between audio and video for smooth streaming and gaming.

Audio-Technica over-ear headphones provide excellent sound isolation in loud environments. Combining modern design and high-quality materials, the ATH-M20xBT delivers an ideal listening experience for those that put audio first.

The ATH-M20xBT headphones have a long battery life, providing up to 60 hours of continuous use on a full charge and up to 3 hours of use on a 10-minute rapid charge (via USB-C connection). The microphone and buttons built into the left earcup let you easily control calls, music playback, and volume. Constructed with professional-grade ear pad and headband material, the ATH-M20xBT was built for long-lasting durability and comfort.

Included Accessories: The ATH-M20xBT comes with a 1.2 m (3.9') cable for an optional wired connection.

The Features You Expect - The Studio Sound You Demand
Enjoy all the convenience, comfort and sound of a wireless design. The classic, high-fidelity M20x studio sound with enhanced bass is now yours to take with you wherever you go.

To Keep You Going - 60-Hr Battery Life
With the ATH-M20xBT headphones your music is always there for you. A full charge gives you up to 60 hours of playback, a 10-minute rapid charge provides up to 3 hours.

Best of Both Worlds - Wired or Wireless
The ATH-M20xBT comes with a detachable audio cable so you can use the headphones with a standard wired connection whenever you want or need to.

Features:
• Wireless, on-the-go design delivers the same sonic signature as the wired ATH-M20x professional studio headphones
• 40 mm drivers with rare earth magnets and copper-clad aluminum wire voice coils are tuned for enhanced low-frequency performance
• Low latency mode improves synchronicity between audio and video for smooth streaming and gaming
• Multipoint pairing function allows you to stay connected to two Bluetooth devices at once
• Up to 60 hours of continuous use on a full charge and up to 3 hours of use on a 10-minute rapid charge (via USB-C connection)
• Microphone and buttons built into the left earcup let you easily control calls, music playback, and volume
• Over-ear design for excellent sound isolation in loud environments
• Professional-grade earpad and headband material for long-lasting durability and comfort
• Includes 1.2 m (3.9') cable for optional wired connection

Specifications Headphones:
• Type: Closed-back dynamic
• Driver Diameter: 40 mm
• Frequency Response: 5 to 32,000 Hz
• Sensitivity: 100 dB/mW
• Impedance: 36 ohms
• Weight: Approx. 216 g (7.6 oz)
• Charging Time: Approx. 4 hours*
• Operating Temperature: 5 °C to 40 °C (41 °F to 104 °F)
• Operating Time: Continuous transmission time (music playback): Max. approx. 60 hours*
• Microphone Sensitivity: -42 dB (1 V/Pa, at 1 kHz)
• Microphone Frequency Response: 50 to 20,000 Hz
• Microphone Polar Pattern: Omnidirectional
• Power Supply: DC 3.7 V lithium polymer battery
• Accessories Included: USB charging cable (30 cm (12”), USB Type-A / USB Type-C). Audio cable (1.2 m (3.9’) /3.5 mm (1/8”) gold-plated stereo mini-plug (3 pole/L-shaped))
(Notes: For product improvement, the product is subject to modification without notice.)

Specifications Bluetooth®:
• Bluetooth® Version: Bluetooth version 5.0
• Operating Range: Line of sight - approx. 10 m (33')
• Maximum RF Output: 10 mW EIRP
• Frequency Band: 2.402 GHz to 2.480 GHz
• Modulation Method: GFSK, Pi/4DQPSK, 8DPSK
• Spread Spectrum Method: FHSS
• Compatible Bluetooth Profiles: A2DP, AVRCP, HFP, HSP
• Support Codec: AAC, SBC
• Supported Content Protection Method: SCMS-T
• Transmission Band: 20 to 20,000 Hz

* The above figures depend on operating conditions.

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ATH-CKS50TW

159,00 €*

12" | 2024 | EU | Original (Sinxergy)

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ATH-CKS50TW
ATH-CKS50TW truly wireless headphones combine advanced acoustic technology for stunning bass with a comfortable and secure fit, while a high-capacity battery provides up to 20 hours of powerful, continuous audio (up to 50 hours with the charging case). All you have to do is let the music take control.

The newly developed large-diameter drivers (9mm Solid Bass HD TWS drivers) deliver deep bass while the CKS50TW shape provides a snug fit - an important factor for truly wireless headphones as the airtight fit prevents the bass from escaping to deliver a unique and intimate music experience.

Make your voice heard with Qualcomm® cVc™ Generation 8.0
Enjoy improved microphone performance in calls, whether in the office, working from home or in an online class. The sidetone function of the CKS50TW also allows you to hear your own voice during calls for more natural-sounding conversations, feeling almost as if you weren’t wearing headphones at all.

Built-in button design for on-the-go operation
Audio-Technica’s ATH-CKS50TW wireless earbuds are designed for reliable, stress-free operation for a more enjoyable truly wireless listening experience. The left button adjusts the volume and switches between hear-through and noise-cancelling functions, while the right button lets you easily start/stop playback, skip between songs, or enable quick hear-through.

Rain and splash-proof design
The CKS50TW wireless earbuds boast an IPX4*-equivalent JIS protection rating. The splash-proof design means you never have to worry about keeping your truly wireless earbuds dry in sudden rain showers or when exercising.

*An IPX4-equivalent rating signifies the product will not be adversely affected by water splashing from any direction. This rating does not ensure protection in hot and humid locations such as baths and showers. The product is not completely waterproof.

Greater customization
Personalize the operation of your Audio-Technica earbuds via Audio-Technica’s Connect app, available from both Apple and Google Play. Take full control of your sound, switching between codecs, experimenting with equalizer pre-sets or adjusting your volume levels. You can even use the app to help locate your earbuds, so you’ll always have a stunning soundscape to accompany your day to day.

Interruption-free listening

Packed full of useful functions, the CKS50TW earbuds are compact, with a unique antenna structure designed to ensure stable connectivity while fitting in limited space. This helps prevent sound from being interrupted even in train stations or other crowded locations.

The ATH-CKS50TW earbuds also feature Qualcomm® TrueWireless Mirroring.

Independent transmission to the left and right sides reduces sound interruptions and delays for videos on all devices, including Android and iOS smartphones.

Automatic power-on and fast pair convenience

Once paired with your device, Audio-Technica’s CKS50TW wireless headphones automatically turn on and connect to your Android or Google device** when they are removed from the case for quick usability. When the truly wireless earbuds are put back in the case, they power down and begin charging. The power can also be turned on/off directly from the headphones.

** Only one Android device can be paired by using Fast Pair. Google and Android are trademarks of Google LLC.

Check up on your charge with LED indicators

The CKS50TW’s four LED indicators light up or flash whenever the charging case is opened or closed, so the user can see the charging status or remaining charging case battery power at a glance.

Sony’s 360 Reality Audio certified

The combination of 360 Reality Audio and Audio-Technica’s long-cultivated acoustic technology allows listeners to fully experience the world of sound envisioned by the creators.

Features
Bluetooth® 5.2
50 hour battery (20 hours in the earbuds + 30 hours in the charging case)
Fast charging support - 10 minutes = 90 minutes of power (approx)
Multi-point pairing function for registering multiple devices
9mm Solid Bass HD TWS drivers
Noise-cancelling mode
Hear-through function
Built-in mic and controls
IPX4
Qualcomm® cVc™ Generation 8.0
Qualcomm® TrueWireless Mirroring
SCMS-T protected content and 1seg broadcasting support
Voice guidance function*1
Compatible with Sony’s 360 Reality Audio*2
*1 Voice guidance can be used for notifications, including power and pairing statuses as well as remaining battery level (High, Medium, or Low).
*2 Requires use of subscription to compatible online music service – subscription fees may apply. Compatible services may not be available in certain countries/regions. Please visit https://www.sony.net/360RA to check compatibility of the service. "SONY'' is a registered trademark of Sony Group Corporation.

Specifications
Headphones
Type Dynamic
Driver Diameter 9 mm
Frequency Response 5 to 20,000 Hz
Sensitivity 110 dB/mW
Impedance 20 ohms
Weight Headphones: Approx. 8 g (0.28 oz) (L side), approx. 8 g (0.28 oz) (R side); Charging case: Approx. 60 g (2.1 oz)
Charging Time Headphones: Approx. 3 hours
Charging case: Approx. 3 hours
The figures above depend on operating conditions.
Operating Temperature 5 °C to 40 °C (41 °F to 104 °F)
Operating Time Continuous transmission time (music playback): Max. approx. 20 hours (headphones), Max. approx. 50 hours (if charging case is used in combination)
The figures above depend on operating conditions.
Microphone Type MEMS type
Microphone Sensitivity -38 dB (1 V/Pa, at 1 kHz)
Microphone Frequency Response 100 to 8,000 Hz
Microphone Polar Pattern Omnidirectional
Power Supply Headphones: DC 3.7 V lithium ion battery
Charging case: DC 3.7 V lithium ion battery
Water-Resistant (drip-proof) Performance IPX4
Headphones only
Accessories Included USB charging cable (30 cm (12"), USB Type-A / USB Type-C), Eartips (XS, S, M, L)
Notes For product improvement, the product is subject to modification without notice.
Bluetooth®
Bluetooth® Version Bluetooth version 5.2
Operating Range Line of sight - approx. 10 m (33')
Maximum RF Output 10 mW EIRP
Frequency Band 2.402 GHz to 2.480 GHz
Modulation Method GFSK, Pi/4DQPSK, 8DPSK
Spread Spectrum Method FHSS
Compatible Bluetooth Profiles A2DP, AVRCP, HFP
Support Codec Qualcomm® aptX™ Adaptive audio, Qualcomm® aptX™ audio, AAC, SBC
Supported Content Protection Method SCMS-T
Supported Sample Rates 44.1 kHz, 48 kHz
Supported Bit Rates 16 bit, 24 bit
When using Qualcomm® aptX™ Adaptive audio.
Transmission Band 20 to 20,000 Hz

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Atonism

Reactions EP

14,99 €*

LP | 2019 | Reissue (Now-Again)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Berlin label Sinxergy returns with four distinct approaches from Spain's Manuel Ibanez, aka Atonism. Known for his notable releases on Freddy K's Key vinyl, Atonism plunges us into a universe of four sharp interpretation, tailored for the dancefloor again.

"2020" is a skillful blend of athmospheric sound design and perfectly measured percussion. Atonism demonstrates his expertise, particularly in drum and bass, through a masterful arrangement evident in "Enigma."

He also collaborates with Tehotu, an international Berlin techno figure and the head of Sinxergy, on "Action et Reaction". Those track finds the perfect balance between the power of a 4-4 techno beat and an airy, surprising sound design, supported by a vocal capable of shaking a warehouse.

This collaboration simply brings together two incredible talents for an exceptional release.

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Atomic Forest

Disco Roar

25,99 €*

Asymetrik 001 White Vinyl Edition

Release: 2019 / Reissue

Genre: Rock & Indie

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The re-discovered third album by India’s best known psychedelic-rock ensemble, presented in its entirety. The companion piece our Atomic Forest anthology Obsession (NA 5087) Covers of Deodato, Stevie Wonder and “Spectrum,” the heaviest Indian psych-funk jam unearthed to date.
Over the course of four years, culminating in 2011, we at Now-Again Records assembled the Atomic Forest anthology
Obsession, which delved into and told the story of India’s 70s rock underground and this psychedelic ensemble’s story.
At the time we issued Obsession, we were not aware of the third album that the Atomic Forest had recorded, issued under Kanga’s name as Disco Roar. When it came to our attention, we figured that we owed it to anyone entranced by this hard-to-believe, underground, Indian rock scene to issue this, the first album that the Atomic Forest recorded.
“That Disco Roar album was the first time we were doing anything like that. It was the first thing we did. It progressed into the Hit Film Themes album. Then these guys came with more commercial potential songs (which became Obsession ’77). But originally it was just a band, the live performances that we did, that made us very popular, these simple songs,” guitarist Abraham Mammen recalls. Atomic Forest’s story stands in for the untold stories of many of India’s underground bands, bands remembered vividly by those who witnessed their performances, bands that often homemade, cassette recordings – that have been lost to time. Mammen, now a traveling preacher splitting his time between India and the United States, reflects on the unlikely reissue of the Atomic Forest’s recordings: “What’s left of the Atomic Forest? It’s just like smoke: smoke on the water.’ With the release of Disco Roar, that smoke keeps rising.

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Asymetrik

12" | 2019 | EU | Original (Planet Rhythm)

12,99 €*

7" | 2022 | CH | Original (Ish)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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AsymetriK is the bold and experimental alias of Arjun Vagale, an artist who's been a leading figure in the Indian electronic music landscape for over two decades. The debut release of his self-titled label wends through the chaotic landscape of what we broadly call "electronic music". As AsymetriK seizes a free and open platform to explore his versatility, the EP delves deep into uncharted territory, spanning varying tempos and creative musical paths.

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Astronauts, Etc.

Cherry Plum / Nature 45

2LP | 2020 | EU | Original (X-Ray)

Release: 2022 / CH – Original

Genre: Rock & Indie

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Both of the songs found here were released digitally by Tony in 2021 in a loosey goosey fashion, "while the music industry figures itself out" - he wrote. Stepping away from the broader band format, Tony recorded and mixed everything himself on these two songs, and the result feels very intimate and warm. Unconsciously or not, the added retro sound aesthetic of the two songs are instantly charming and the warm tones are transporting us back a little - think Bill Withers goes George Franklin Smallwood. The way he poured Soul into the Pop makes these two outstanding songs a perfect fit for a 45 drop.

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Asian Dub Foundation

Access Denied

25,99 €*

12" | 2024 | EU | Original (ASEC)

Release: 2020 / EU – Original

Genre: Electronic & Dance, Reggae & Dancehall

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It was a busy 2019 for Asian Dub Foundation with the long-awaited reissue of their Mercury Prize-nominated 1998 classic Rafi’s Revenge. The reissue garnered ecstatic reviews, all of which agreed that the sound and the message that ADF threw down in 1998 is as relevant now as it was then-perhaps even more so. So it’s timely that in 2020 the band are set to release their 9th album “Access Denied” which finds them as uncompromising as ever. The album showcases ADF in full spectrum mode from the tough Jungle Punk sound of “Stealing The Future” and “Mind-lock” through to the orchestral meditation of “Realignment” and the reggae lament of the title track. With guestspots from Greta Thunberg, incendiary Palestinian shamstep warriors 47 Soul, Chilean revolt’s rap main figure Ana Tijoux and radical UK comedian Stewart Lee, Asian Dub Foundation continue their sonic opposition to the powers that be and “Access Denied” kicks harder and higher than ever.

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ASEC

Group Dynamics

14,99 €*

LP | 2021 | EU | Original (Apparel Tronic)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Asec reveals the 'Group Dynamics' record, two hypnotic techno tracks and remixes from Inland and Kaiser.

"'Group Dynamics' is inspired by this kind of captivating energy you feel in a crowd--think sports fans, a packed dance floor, a mass of humans--people aren't themselves in crowds. I was interested in capturing that invisible social group dynamic that makes many people move as one." - Asec

On the A-side of Asec's 'Group Dynamics' EP, dropping via his eponymous imprint this February and following up a series of releases supported by the likes of Rodhad and Tommy Four Seven, as well as output on BPitch and Mord. The title track enters the fray with a mystifying energy, percussion clicking and shifting while cavernous synth hits echo across its evolving soundscape. 'Scala Naturae' then continues with rolling drums shot through with bleeps and squelch, the steady beat of weighty kicks footing its looming psychedelic sequences.

Side B invites Counterchange Recordings founder Inland and KSR boss Kaiser to remix the original tracks. First up, Ostgut Ton, Figure, and Nonplus+'s Inland remixes 'Group Dynamics' by adding scratchy textures and the thrum of long-forgotten machines before Kaiser reimagines 'Scala Naturae'. The Key Vinyl and Soma artist turns the track into a prime-time, tripped-out dancefloor cut.

Lastly, Inland provides a dub techno version of his contribution as a digital bonus, with Asec dropping the excellent 'Enough Is Enough' on online platforms. In this track, typewriter-like hats skitter over imposing drums while warped melodics twist and turn on top, closing out yet another mind-melting techno offering from the Berlin producer. Asec 'Group Dynamics' releases via Asec February 2024

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Artizhan

Breaks From The V.

LP | 2004 | UK | Reissue (Rough Trade)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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With this album, Apparel Tronic revamps its image once again, launching a special packaging for vinyl lovers, designed for the occasion in the attempt of giving the best quality product to the listeners. Our vinyl packaging is designed to be dismountable: a framed front cover will contain the extractable cover picture, printed on cardboard. Apparel Tronic is proud to present you the new album by Artizhan called Breaks From The V. The DJ and producer from Naples, who’s been a pivotal figure of the Italian Electronic music scene since a very young age, is not new to the Tronic catalogues with his newest moniker but this one is surely his most complete, heartfelt and anticipated work to date. Having been in the scene for more than 25 years allowed Franky B to experiment, improving his creative techniques with ninja-like dedication and always testing himself along the rapids of music production, DJing and scratching. Now he’s ready to emerge once again from the shadows with his new LP: a groundbreaking, powerful, cutting-edge work we’re all extremely proud to finally release and, most importantly, his most profound sonic confession so far. With ‘Breaks From The V’ (the title of which is a tribute to his homeland, where ‘V’ stands for Vesuvius), Artizhan narrates his life through his music and embodies the best version of himself displaying, through ten stunning tracks

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Arthur Russell

Calling Out Of Context

30,99 €*

Release: 2004 / UK – Reissue

Genre: Pop

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12" | 2022 | EU | Original (Figure)

Arthur Robert

Metamorphosis Part 2

12" | 2022 | EU | Original (Figure)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Part two of Arthur Robert’s most recent EP package showcases his atmospheric style of dubby, strong rhythms and rich, detailed sound design. On this EP Robert explores his mastery of mesmerizing machines, looping bleepy signals into trance-inducing patterns on Abundance, Watchful and Homecoming. A welcome brief respite from the madness, delicate ambient interlude You Cannot Hurt Me twinkles soothingly, as does the warmth offered by subdued hazy chords on the almost housy Tunnelvision. Such versatility not only further establishes Arthur Robert as one of current Techno’s most promising producers but also makes this EP package a strong contender for one of the year’s defining releases.

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Arthur Robert

Metamorphosis Part 1

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A year from his latest release on Figure, Arthur Robert clocks back in with two full EPs. The first one is a jam-packed 5-tracker, sporting full-on peak time thrill rides such as electrifying elated opener Mastermind or its more brawny brother, the bellowing beast that is stab-driven roller Relentless. But x31 features also Robert’s more introspective side, be it the glowing experimental excursion of What We Do With Our Time or the dreamy half-time stepper Cosmic Traveler. Fans of his more hypnotic techno productions will find joy in the modular magic of Rising, hinting at what’s to come on x32.

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Football Knit

204,95 €*

Available Sizes: S, M, L

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The Football Knit from Arte Antwerp offers you not only a minimalist, stylish design but also relaxed comfort. Perfect for casual outfits and easy looks that make a good impression in any situation. Arte Antwerp combines classic elements with modern accents, creating a unique style.

Arte Antwerp Football Knit - Features:

• Knitted polo collar with hidden button placket
• Timeless design with subtle aesthetics
• High-quality craftsmanship for durability
• Relaxed comfort for everyday wear
• 80% cotton, 20% polyamide
• Made in Portugal

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Football Knit

204,95 €*

Available Sizes: S, M, L, XL, 2XL

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Go to Item

Embroidered Flower Knit

199,96 €* 249,95 € -20%

Available Sizes: L, XL, 2XL

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The Embroidered Flower Knit Sweater by Arte Antwerp is an excellent example of the creative and high-quality craftsmanship for which the brand is known. This knitted sweater is made from high-quality cotton, which is prized for its softness and durability. Made in Portugal, this sweater stands for European quality and thoughtful design.

A special highlight of the Arte Antwerp Embroidered Flower Knit Sweater is the embroidered floral pattern that adorns the entire surface. This detailed and artistic pattern gives the sweater a unique and stylish touch that sets it apart from other knit sweaters. The floral design is not only visually appealing, but also testifies to the high level of craftsmanship that goes into each piece.

The sweater is characterized by a relaxed fit that ensures maximum comfort. The silhouette of this Arte Antwerp knitted sweater offers plenty of freedom of movement and gives the wearer a comfortable feel, perfect for everyday wear or relaxed weekends. The rib-knit cuffs on the sleeves and body ensure a secure fit and keep the warmth close to the body without constricting.

Another detail that makes the Embroidered Flower Knit Sweater stand out is the woven Arte label on the waistband. This small but subtle detail adds a subtle brand signature and underlines the authenticity and high standards of the Arte Antwerp brand. The label stands for the quality and modern design that characterize the brand.

The choice of cotton knit yarn for the Embroidered Flower Knit Sweater not only guarantees comfort and breathability, but also easy care. Cotton is known for its skin-friendliness and its ability to absorb moisture well, which makes this sweater particularly comfortable to wear.

Manufacturing in Portugal also ensures high quality workmanship and fair production conditions. Portugal is known for its textile industry and the production of high-quality knitwear, which is reflected in the perfection and attention to detail of this sweater.

In summary, the Embroidered Flower Knit Sweater by Arte Antwerp is a stylish and high-quality garment that impresses with its unique design and excellent workmanship. The sweater combines artistic elements with functional details and offers a perfect blend of comfort, style and quality. It is the perfect choice for anyone looking for a special and versatile knitted sweater that cuts a fine figure in any situation. With its floral pattern and loose fit, this Arte Antwerp design is a real eye-catcher and a must-have for any well-stocked wardrobe.

The yarn is made from 100% cotton and the Embroidered Flower Knit Sweater by Arte Antwerp was made in Portugal.

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Embroidered Flower Knit

199,96 €* 249,95 € -20%

Sunshine & Shadows Pink Vinyl Edition

Available Sizes: S, L, XL, 2XL

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Ars Nova

LP | 1969 | US | Reissue (Sundazed)

30,99 €*

Sunshine & Shadows Black Vinyl Edition

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Touted as the “new Doors,” Ars Nova’s second release shows the band genre-bending jazz and heavy psychedelia in a style that’s their own. Shifting from a largely classical centric sound, this was the group’s last album before going their separate ways. Pressed on pink vinyl!

Sunshine & Shadows takes the baroque-meets-psych sound of the debut and turns a bit more to the psych side. The stately brass interludes are gone, but horns still figure prominently in the mix. There’s some jazzy New Orleans flavor to a couple of the tunes, albeit twisted into a 7/4 vamp on “You Had Better Listen.”

The instrumentalists in the band, featuring trumpet and trombone, really give the music a unique flavor, setting them apart from the multitudes of other American psych bands. Ars Nova might be likened to Ultimate Spinach (but without the overly serious, pretentious lyrics) or later Zombies (though with less emphasis on the keyboards).

It’s all very well written and nicely played, and when they do a tender ballad like “Temporary Serenade,” the acoustic guitar is very lute-like, much more along the lines of classical than folk (like the later work of Jan Akkerman with Focus), and the trumpet descant adds a lovely spice.

“Well, Well, Well” is the heaviest rock tune in their repertoire, with a great electric guitar riff and hot organ playing, again set apart by trombone and trumpet. This one is definitely worth seeking out for baroque pop fans.

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Ars Nova

LP | 1969 | US | Reissue (Sundazed)

30,99 €*

2LP | 2002 | EU | Reissue (Keplar)

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Arovane

Icol Diston

31,99 €*