Search "Stone" 2474 Items

LP+CD | 2021 | EU | Original (Exile On Mainstream)

Release: 2021 / US – Original

Genre: Rock & Indie

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With their new album Culture Shock Treatment, Round Eye, the Shanghai-based band of ex-patriots, turn their demented focus on their own place of residence, The People’s Republic of China, and fire on all cylinders. Physically released by Joey Shithead’s (D.O.A.) Sudden Death Records, Culture Shock Treatment acts as a lysergic, nightmare-drenched punk rock protest record and direct criticism of the Chinese Communist Party, shining a light on the oppression of Hong Kong and the Uygher people, Xi Jin Ping’s growing influence and power on a global scale, the Ministry of Culture and its methods of propaganda and surveillance—not seen since the cult of personality surrounding Mao Zedong during the Culture Revolution, and some comical cultural pitfalls one can experience while living in the “Pearl of the Orient.” The experimental, sax-wielding, freak punk outfit continue to accrue a loud and controversial name for themselves since forming in 2012, and has as of late been a crucial force in bridging a wide gap between the eastern and western hemispheres of DIY punk rock. Along with blazing a trail all over the globe, they’ve played host to visiting western punks and some legends as well. Culture Shock Treatment, the band’s third album and fourth release overall, continues the band’s genre bending acumen through cultural satire with great success, along with some pretty harsh levity, and, being that this release was produced by none other than Mike Watt (Minutemen) and Bill Stevenson (Descendents, Black Flag) to boot, it sounds pretty incredible as well. Captain Beefheart, Dion, Black Flag and The Dickies have got fingerprints all over this thing. Let one hundred punk flowers bloom in the wake of this album.

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Sons Of Alpha Centauri

Push

LP | 2021 | EU | Original (Munster)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Sons Of Alpha Centauri Are The Uk's Original Instrumental Stalwarts. Formed In 2001 They Released Their Atmospheric And Progressive Debut To Acclaim In 2007 And Since Then Proceeded To Develop Their Instrumental Approach Having Been Accepted And Adopted By Instrumental Luminaries Karma To Burn And Yawning Man. Soac Have Released Multiple Split Records, Undertaken Several Collaborations And Toured Extensively With Karma To Burn Since 2009 And Have Also Formed Yawning Sons With Members Of Yawning Man. The Collaboration Heralded Involvement From Scott Reeder (Kyuss), Wendy Rae Fowler (Queens Of The Stone Age) Releasing Several Albums To Critical Acclaim In 2009 And 2021 Both Widely Referred To As Cult Classics.Soac Returned In 2017 With Their Sophomore Continuum Produced And Engineered B...

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Los Mac's

Gg Session

17,99 €*

Post Momentum Clear Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Impossible Rare Album By Chilean Beat Pioneers The Mac's, Recorded In 1967 Under The Influence Of The British Invasion Sound, Including Covers Of The Rolling Stones, Dylan, The Hollies_ And The Outstanding Original "Qué Clase De Sentimiento". First Time Vinyl Reissue.Second Album By Chilean Beat Pioneers Los Mac's, Originally Released In 1967 On Rca Victor. This Record Features Such A Unique Sound That Made Them Stand Out In The Local Scene And Has Become A Milestone In The Development Of Popular Music In Chile.Recorded Under The Influence Of The British Invasion Sound, This Album Includes Covers Of The Rolling Stones, Dylan, The Hollies_ And The Outstanding Original 'Qué Clase De Sentimiento'. "Gg Session" Anticipated The Band's New Sound, Fully Achieved In Their Next Album "Kaleidoscope Men".

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Calibro 35

LP | 2021 | EU | Original (Record Kicks)

To Walk A Middle Course Transparent Back Blue-Fucsia Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Record Kicks is proud to present POST MOMENTUM, the new EP by Italian cult combo Calibro 35 to be released on limited edition 12" vinyl. The extended-play comes 17 months after the acclaimed previous Calibro 35 album MOMENTUM, which – as the band stated: "represented a look at nowadays and a reflection about making music right in the time that we're living". The tour began right after the album release in January 2020, but it was soon interrupted when the whole world suddenly stopped because of the Pandemic. Now "POST MOMENTUM" represents a re-start and the first step towards the future, picking up where they left off.

Among the six tracks of the EP, while "Digi-Tails" and "Stars and Stripes, Chirps and Bleeps" express the unique musicianship of Calibro 35 as we have come to know over the years, "Being a Robot is Awesome" and "Artificial Black Moon" see the participation of a guest from the world to come: Sophia, the humanoid developed by Hanson Robotics capable of interacting autonomously with everything around it, reminding us how being a Robot could prove to be the best strategy to survive sometimes. The opening of the EP is an alternative version of the single "Stan Lee" enriched by two heavyweights of Italian rap: Ensi and Ghemon that don't make us miss Illa J. The EP ends with another alternate version of "Stan Lee", this time in all its instrumental glory.
Active since 2008, Calibro 35 enjoy a worldwide reputation as one of the coolest independent bands around. During their thirteen-year career, they were sampled by Dr. Dre on his Compton album, Jay-Z, The Child of lov & Damon Albarn; they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat and Headhunters and as unique musicians they collaborated with, amongst others, PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine as "the most fascinating, retro-maniac and genuine thing that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide including VIP fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin' Criminals) among others.

The band started back in 2007 when Grammy award winner producer Tommaso Colliva (Muse), invited some of the best musicians from the Italian indie scene - Enrico Gabrielli (PJ Harvey, Mike Patton, John Parish), Massimo Martellotta (Stewart Copeland, Adrian Younge), Luca Cavina (Retox, Zeus!), Fabio Rondanini (John Parish, Daniel Johnston) - to record some Italian golden age soundtracks. What started as a studio b-side project evolved in a full time band able to release 7 heavily acclaimed albums. Their last album MOMENTUM came out on Record Kicks on January 24th 2020. "MOMENTUM" stood out as a new starting point for the project.

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Kylesa

39,99 €*

To Walk A Middle Course Sea Blue Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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To Walk a Middle Course is the second studio album by American band Kylesa, released in 2005. The album incorporates elements of sludge metal, alternative metal and stoner rock. To Walk A Middle Course features a variety of metal and non-metal influences, including doom metal, stoner rock, punk rock and gothic rock.

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Kylesa

31,99 €*

Moon Ride: Uncut Cosmic Disco Diamonds From The T.K. Galaxy

Release: 2021 / EU – Original

Genre: Rock & Indie

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V.A.

2LP | 2021 | EU | Original (T.K. Disco)

Low Budget Environments Striving For Perfection

Release: 2021 / EU – Original

Genre: Organic Grooves

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Presenting a collection of deep spatial gems mined from the ever impressive TK Disco vaults for your playback listening pleasure!

The TK Disco music empire has blessed our ears and minds with an endless stream of music since it's late 1960's inception. Countless soul and funk sides were produced, cut and released by label founder Henry Stone and his associates, in turn changing the face of contemporary black music in the USA and across the world forever. It is true that the TK story originated on America's 'Space Coast', the modern frontier of lunar exploration and galactic travel, the home of NASA and countless missions beyond the stars nestled on the East Coast of the United States.

'Moon Ride' - The compilation you hold in your hands, is merely one strand of the incredible music that was beamed out of Hialeah, FL over the decades. The focus on this collection is the idea of the 'cosmic' from the Disco era. These are records that emit a spacey vibe, either from their lyrical content or equally from their sonic qualities, imbibing synths and electronics to create otherworldly grooves. These records were big hits on underground music scenes such as Daniele Baldelli's cosmic movement in the 70's and 80's in Lake Garda, they were vehicles of escapism and hedonism on the discerning dancefloors of NYC in the hands of progressive DJs like David Mancuso and Nicky Siano and they were also essential building blocks in the creation of House and Techno music in the Midwestern cities of Chicago and Detroit, inspiring legendary artists such as Mr Fingers and Jeff Mills and countless others. An essential collection of music for listening, dancing, loving and travelling!

TK Disco's influence is still felt today and this carefully curated selection of tracks showcases some absolute classics, overlooked nuggets and rarities from the label's huge output. Mastered with love by Optimum Mastering, Bristol UK. Brought to you by TK Disco / Henry Stone Music & Above Board Distribution 2021.

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Stimulator Jones

LP | 2021 | Original (Stones Throw)

Return To The Last Chance Saloon Red Vinyl Edition

Release: 2021 / Original

Genre: Hip Hop

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Neues, instrumentales Beat-Album von Multi-Instrumentalist, Sänger, Produzent und Hip-Hop-DJ Stimulator Jones, kuratiert von Stones Throw-Gründer Peanut Butter Wolf. Low Budget Environments Striving For Perfection ist der Nachfolger zu Exotic Worlds and Masterful Treasures, seinem Debütalbum, das u.a. den Breakout-Hit "Soon Never Comes" enthält.

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The Bluetones

LP | 2021 | UK | Original (Demon)

33,99 €*

Release: 2021 / UK – Original

Genre: Rock & Indie

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Goldie And The Gingerbreads

Thinking About The Good Times 1964-1966

LP | 2021 | UK | Original (Ace)

Dancing Into Oblivion Clear Vinyl Edition

Release: 2021 / UK – Original

Genre: Pop

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In that enticing, enthralling school of 1960s “girls with guitars”, Goldie & the Gingerbreads are top of the class. Self-contained and accomplished as instrumentalists, with an eminently soulful vocal prowess, the Gingerbreads remain true pioneers of women in rock’n’roll, and with a fascinating history to boot.

Born in the discotheques of Gotham, Goldie & the Gingerbreads were a popular club act with a handful of recordings under their belt when an admiring Animals caught them on a NYC visit in late 1964. “Imported” into the UK, the group scored a hit with ‘Can’t You Hear My Heartbeat’ and went on to tour with the Rolling Stones, Kinks and others, as well as maintaining a high visibility in the UK on their own. They made several more worthy if unsuccessful discs with producer Shel Talmy before splitting in 1967.

“Thinking About The Good Times” is the first-ever Goldie & the Gingerbreads collection, and it’s a fine testament to their undoubted abilities. Gathering together their sessions for Scepter, Decca and Atlantic, the versatility of the group is quite apparent on tracks that range from chunky beat and R&B (‘Look For Me Baby’, ‘Think About The Good Times’) through dramatic soul balladry (‘That’s Why I Love You’, ‘Little Boy’) to classic girl group sounds (‘Sailor Boy’, ‘Something Beautiful’).

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White Stones

LP | 2021 | EU | Original (Nuclear Blast)

16,09 €* 22,99 € -30%

Mirrors Yellow / Pink Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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From Martin Mendez, bassist of the ubiquitous Opeth comes White Stones, a solo death metal project. Today, they proudly announce their signing with Nuclear Blast and reveal, that their debut album named “Kuarahy” (pronounced Kwa-Ra-Hee) will be released early next year, on March 20th! Named after his birthplace in Uruguay, the record represents a return to his roots, both familial and musically. By exploring the forgotten paths of his ancestors via the style of music that remains his one true love - death metal.

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DJ Seinfeld

2LP | 2021 | UK | Original (Ninja Tune)

29,99 €*

Mirrors Black Vinyl Edition

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Swedish musician and producer Armand Jakobsson aka DJ Seinfeld has always stood out from his peers. With a special place in the so-called ‘lo-fi house’ scene now developing into something beyond the no-nonsense dance music he pioneered. 2017’s Time Spent Away From U popped with the complex emotive quality of a true club shaker, and Jakobsson’s long-awaited second LP Mirrors shows that he’s an individual carrying that sensitivity in spades.

There’s no doubt that Mirrors is another straight-up belter of a dance record loaded with state-of-the-art 2-step and garage upgrades, but a glance at this track-listing suggests that Seinfeld’s been feeling a particular kind of rave melancholia recently. Far from being the jubilant declaration of its title, ice-cold synths and rainy urban stroll drum programming shake ‘She Loves Me’ into a Burial-esque revery of love lost despite the good times. The gentle hardcore stabs of ‘Walking With Ur Smile’ and the vapour trail textures of ‘These Things Will Come’ have their sights on better days to come, even as their snipped, Four Tet-like diva vocals offer cadences of joy in the now.

Mirrors is precisely the kind of self-reflexive dance record we need to hear in 2021; a striking reminder that brighter days are on the horizon.

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DJ Seinfeld

2LP | 2021 | UK | Original (Ninja Tune)

27,99 €*

Release: 2021 / UK – Original

Genre: Electronic & Dance

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Stones Throw

Tilted Logo T-Shirt

10,79 €* 26,99 € -60%

Available Sizes: S

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The Stones Throw Tilted Logo Tee is equipped with the following features:
• rib crew neck with interior tape
• oversized Stones Throw Tilted Logo printed on front
• regular fit
• 100% cotton single jersey

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Stones Throw

Tilted Logo T-Shirt

Available Sizes: S

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Stones Throw

Tilted Logo T-Shirt

Rock 'N' Roll Glitter Suit

Available Sizes: S

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Velvet Insane

LP | 2021 | EU | Original (Wild Kingdom)

12" | 2021 | EU | Original (Die Orakel)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Swedish rockers go wham bam glam and wring the clock back to 1973! Velvet Insane were formed in 2013 as a four-piece outfit but by the time of their self-titled debut album they were billed as a duo. The first album took them around the world touring Europe, Japan, USA & Australia. Their critically acclaimed debut was a fresh mix between classic rock, pop, inches of folk influences and it also contained traces of early 70's British glam rock. And the band kept walking that glam track and now they're back as a trio and this time it's glam glitter boogie all over. They hired the cult glam rockers Diamond Dogs frontman Sulo as a producer and together they have created a bright shining monster. The 11 track long "Rock 'n' Roll Glitter Suit" album sounds, breathes and swaggers like it was made in London 1973. Smooth pop harmonies pumped up by heavy drums and barbed wire guitars and singer that wear it well. It brings back memories of a time when Slade, Trex, Bowie & Roxy Music we're topping the charts. From the catchy singalong choruses of the pop gems "Velvet Tongue", "Riding the Skyways" & "Sound of Sirens" to the frantic boogie energy in barroom stompers "Driving down the mountain", "Backstreet Liberace" & "Spaceage DJ", it's the real thing. You also get a glimpse of Ziggy Stardust in the acoustic ballad "Midnight sunshine serenade". Velvet Insane are a band that plays with their hearts on their sleeves and it's satisfaction guaranteed. Dregen and Nicke Andersson from The Hellacopters jumps in the backseat in "Backstreet Liberace" and just like Rolling Stones honoured the tradition of Muddy Waters blues Velvet Insane takes on the job to keep rock 'n' roll alive.

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Ike

Stone Diviner

12,99 €*

The Long And Short Of It Forest Green Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Further on the trail of 90s sonic specters, Die Orakel releases Ike‘s Stone Diviner EP, an affiliate with Index Records. The titular track amalgamates the momentum of sparse yet heavy weight breakbeats with the warmth of lush pads, and literally reverberating 90s trance or IDM elements along granular rave signals. The beauty of its subsequent tracks lies in their well-tempered, fresh exploration of past sonic phenomenons, devoid of today’s retromania.

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Quickly, Quickly

LP | 2021 | US | Original (Ghostly International)

The Long And Short Of It Black Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Debut full length from Portland-based DIY multi-instrumentalist; for Fans of King Krule, Unknown Mortal Orchestra, Thundercat, Shigeto, Mild High Club, Crumb. Portland, Oregon-based musician Graham Jonson started early: playing piano as a toddler, finding the music of J Dilla in fifth grade, and self-releasing singles by age 16. First appearing under the name quickly, quickly in 2017, his project's profile has since grown fervently with fans in the beats-oriented corners of SoundCloud, YouTube, and Reddit. Some of his early tracks tally north of 10 million plays on Spotify. The figure isn't meant to flex as much as it is to point out that Jonson's work has resonated without the traditional industry levers; he is a wunderkind DIY internet success story, but, by his own assessment at the present age of 20, he's only now getting serious. With The Long and Short of It, his Ghostly International debut, Jonson reinvents his project as a full-fledged songwriter, vocalist, and arranger, playing nearly everything from drums to keys and guitar. The resulting sound straddles jazz, hip hop, R&B, and psych-pop while suggesting a wholly genre-less path forward. Recorded during and after a short-lived move to Los Angeles, songs find Jonson cool and comfortable, navigating the planes between anxiety and apathy, distance and desire with lyrical vulnerability and introspection. A student of the Stones Throw catalog (his favorite is Madlib's Quasimoto), Jonson remains rhythm-driven at heart, trusting his instincts in this new palette of organic instrumentation and verse-chorus structure. Tracks glide and bump with tasteful care to tempo as his scene-building and storytelling knack comes into focus. Jonson's past material often suited passive listenership, the kind of bedroom-produced beat music that offers secondary utility and function as a companion to primary activities. The Long and Short of It showcases an evolutionary step into a style that uses chops cultivated in that niche that demand a more active listenership. That attention is rewarded with earworms, dazzling production flare, and earnest, genre-spanning songwriting. Opener "Phases" launches on the radical wisdom of the album's sole vocal feature, courtesy of renowned poet and activist, Sharrif Simmons, who contributes a psychedelic poem spanning cosmic existentialism _ something he wrote off the cuff during a session. As the fiery spoken word unfolds, a frenzy of drum grooves from Micah Hummel and strings from Elliot Cleverdon rise higher into the mix, all setting the stage for Jonson's debut at the mic and keys. The back half of "Phases" shifts into a hypnotic instrumental, the drums interlocking on guitar lines, pausing for a spacious break before reassembling twice as potent, riding into a blissful, cathartic saxophone solo by Haily Naiswanger. "Shee" was written on his girlfriend's guitar and every line glows with uncomplicated adoration. He is captivated in this daydream, which drifts off into a haze of strums and hums. We wake to the looping drums of "Leave It." Above the pattern, layering piano and guitar, Jonson pokes holes in himself _ his "cognitive dissonance," being "too jaded" to see what's right in front of him - the notions blurring back into that haze on an outro of sublime ambient psych-jazz. Jonson returns to the piano for "I Am Close To The River," the place he goes to break a creative rut, as he was the morning this bittersweet melody entered his mind. He says the song is loosely based on a psychonautic experience he had along the Willamette River. Once home, he put the song to paper, over time arranging a bucolic mix of shimmering chimes, saturated percussion, and orchestral strings from Elliot Cleverdon. A highlight on the record's b-side, "Everything is Different (To Me)" features all the traits of the new quickly, quickly in one ambitious suite: a catchy guitar loop, a classic hip-hop drum break, a swell of strings, and sly chord progression changes, all in clever contrast to Jonson's lyrics detailing bouts with lethargy. The album ends on a series of questions in the poignant "Wy," a delightful resignation. Jonson, lonely in LA, spins the hypochondriac wheel and checks off concerns that seem to plague internet dwellers; his neck hurts, his hands are shaky, his stomach feels off. He dismisses his need to self-diagnose and opts to lean into the moment through music. A billowing outro builds on airy synths, his contemplative guitar strums, and a soothing water droplet sound. The comedown is "Otto's Dance," a brief instrumental reverie nodding to one of his favorite Brazilian albums, Milton Nascimento and Lô Borges' Clube Da Esquina. That's The Long and Short of It, a summary of transition, self-validation, and a great leap forward in a young artist's life.

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Quickly, Quickly

LP | 2021 | US | Original (Ghostly International)

Stoned Giant Marbled Stone Grey Vinyl Edition

Release: 2021 / US – Original

Genre: Electronic & Dance

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Qwazaar & Batsauce

LP | 2021 | US | Original (Full Plate)

Necronaut Neon Pink Vinyl Edition

Release: 2021 / US – Original

Genre: Hip Hop

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Longtime stalwarts of the indie hip hop scene, Qwazaar (of Typical Cats) & Batsauce (The Smile Rays) have once again emerged with a project that is sure to cause an avalanche – Stoned Giant. Qwazaar's unorthodox approach as a lyricist finds the quintessential canvases in Batsauce's moodier, dustier brand of Boom Bap beats. The duo is flanked by Qwazaar's partners in rhyme, Hellsent (Chicago), as well as Typical Cats bandmates Qwel & Denizen Kane who form like Voltron for a triumphant reunion track. Not to mention, the album boasts guest verses from the impossibly funky, Willie Evans Jr. (Asamov) and Dillon (full Plate) who is also performs turntablist duties throughout the release. At its core, Stoned Giant is an eccentric exploration into the inner-workings of mankind's potential greatness, with convenient reminders along the way that the bigger we are, the harder we fall. Life gets rocky sometimes, so just drop the needle and let the dust settle.

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Crypt Monarch

LP | 2021 | EU | Original (Electric Valley)

17,09 €* 18,99 € -10%

Necronaut Neon Green Splatter Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Crypt Monarch is a Necromantik Stoner Doom band that delivers malevolent riffs in crushing intensity, groove-oozing atmosphere and psychedelic pathways. The eerie lair has been disturbed, the doomed ruler invoked, and chained for slaughter. The Costa Rican based act formed by Jose Pablo Rodríguez (Guitars), JC Zuniga (Drums/Vocals) and Christopher de Haan (Bass/Vocals), built a 36 minute, 3 song monolith of séance infused riffage and fuzz fueled grooves. Crypt Monarch was formed mid 2020, featuring members of Age of the Wolf and VoidOath. Their debut album, The Necronaut, was recorded and produced by the band in a cabin in the woods during March/April 2021. The album has a concept around the voyage of a dishonored King brought back from the dead to destroy it’s warlock’s enemies.

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Crypt Monarch

LP | 2021 | EU | Original (Electric Valley)

18,99 €*

There's No Light Without Darkness Red Marbled Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Dixie Goat

LP | 2021 | EU | Original (Electric Valley)

18,99 €*

Psa Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Dixie Goat was born in Santiago, Chile in 2012, founded by guitarist/singer Nikk Beer & drummer Seb Martinez. The power trio describes their music as a doomy hard rock with Stoner vibes. Since July 2013, the band has shared the stage with Mondo Generator (usa), Ancestro (Perú), Montaña Eléctrica (Argentina) and including some greats from the local scene. Aside from being constantly playing live shows Dixie Goat released one LP, an EP and a Split plus a single: “Black Sun Child” (2015), "Even Demons Have Demons“(2016), “huérfanos Salvajes Split”(2017), What’s Goin’ On (2019). Their new record "There’s No Light Without Darkness” was released on November 6th, 2020 and it will be released on vinyl in 2021 via Electric Valley Records.We are happy to present the second studio album from Santiago Hard-Rockers Dixie Goat. On "There’s No Light Without Darkness”, the power-trio put its musical influences into a bowl and mixed them hard enough. It took five years and finally the Goat is back louder, heavier and slower. "There’s No Light Without Darkness" is a record that will moreover delight fans of Black Sabbath, Corrosion Of Conformity, Down and Soundgarden. The album was recorded and mixed by NES (Wild Parade, The Ganjas drummer) at BYM Records, Mastered by Jack Endino and produced by Dixie Goat. Album artwork by chilean artist José “kat” Canales.

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Peyton

LP | 2021 | US | Original (Stones Throw)

LP | 2021 | US | Original (Stones Throw)

Release: 2021 / US – Original

Genre: Organic Grooves

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In 2019, she released her debut Stones Throw EP Reach Out. Now, she is ready to

make her PSA to the world. Across the album’s 12 tracks, Peyton collaborated with several producers to bring her vision to life.

Peyton previously collaborated with Steve Lacy of The Internet for the single “Verbs”. Peyton’s track “Sweet Honey” was featured on Issa Rae’s hit HBO series Insecure.

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Peyton

Psa Black Vinyl Edition

15,39 €* 21,99 € -30%

Graphic As A Star Record Store Day 2021 Edition

Release: 2021 / US – Original

Genre: Organic Grooves

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Josephine Foster

LP | 2012 | Reissue (Fire)

31,99 €*

Sunless Splattered Record Store Day 2021 Edition

Release: 2012 / Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release. 1000 copies pressed on Black vinyl & DL card. First time on vinyl for 10 years .The poems of iconic 19th century American writer Emily Dickinson crafted into the esoteric sounds of Josephine Foster. Originally released in 2009, this highly collectable record is now back on vinyl for the first time in over a decade.

Tracklisting: 01. Trust IN THE Unexpected 02. HOW Happy IS THE Little Stone 03. SHE Sweeps With Many-colored Brooms 04. AH Teneriffe! 05. WHO IS THE East? 06. They Called ME TO THE Window 07. This IS THE Land THE Sunset Washes 08. Like Mighty Foot Lights 09. Exultation IS THE Going 10. IN Falling Timbers Buried 11. With Thee IN THE Desert 12. I SEE Thee Better IN THE Dark 13. Your Thoughts Don't Have Words Every DAY 14. MY Life HAD Stood A Loaded GUN 15. Eden IS That Old-fashioned House 16. Beauty Crowds ME Till I DIE 17. I Could Bring YOU Jewels 18. Wild Nights - Wild Nights! 19. Only A Shrine, BUT Mine 20. Tho' MY Destiny BE Fustian 21. What Shall I DO - IT Whimpers SO 22. Heart! WE Will Forget HIM 23. Strong Draughts OF Their Refreshing Minds 24. Tell AS A Marksman 25. THE Spider Holds A Silver Ball 26. Whoever Disenchants 27. Touch Lightly Nature's Sweet Guitar

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Naplava

LP | 2021 (Blind Rope)

21,99 €*

Chapter III: Wizzerd Vs Merlin

Release: 2021

Genre: Rock & Indie

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Record Store Day 2021 Release.

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Turned To Stone

LP | 2021 | EU | Original (Ripple)

18,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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Pete Bones And The Stones Of Convention

Wild Moose Chase

LP | 2021 | EU | Original (Red Ant)

22,99 €*

The Shape Of Jazz To Come

Release: 2021 / EU – Original

Genre: Electronic & Dance

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I Love It When A Band Comes Together…The one thing that has kept most artists sane during the pandemic is writing and creating. In an attempt to apply this logic Red Ant Records maestro Pete Bones decided to recruit the talents of a bunch of cool cats he had met whilst traveling the globe and put a band together. Having often wondered after 30 odd years as a DJ/Producer how the band would sound had he not been swept up by Acid House in the late 80s, six months later, plenty of file bouncing and numerous edits, and The Stones Of Convention are ready to wreak havoc; with Jeff Ward on electric guitar, Jeff Richey on saxophone, Pierre Davis on drums, Scott Anderson on slide guitar, Duncan Gray on bass and electric guitar, Sean Q6 on acoustic guitar, and featuring the effervescent vocals of Laura Clarke. Hailing from Galway, Orlando, Pittsburg, St Petersburg, Slough, San Francisco and Glastonbury respectively, band practice might be problematic. The album features 7 original tracks, 2 full vocal cuts, and a cover of the Talking Heads classic Pull Up The Roots

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Ornette Coleman

LP | 1959 | EU | Reissue (Speakers Corner)

34,99 €*

12" | 1989 | EU | Reissue (Stroom)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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It was John Lewis, pianist of the Modern Jazz Quartet, who brought Ornette Coleman to the renowned Atlantic label, having heard him play in Los Angeles. »Ornette Coleman is doing the only really new thing in jazz …« he reportedly said. The present initial Atlantic album was released just in time to coincide with the New York debut of the Coleman Quartet in November 1959. Lewis was sure that Coleman would open up new paths for jazz, and his opinion is reflected in the title of the album – "The Shape Of Jazz To Come". After the rather worn-out hard bop routine of the past years, this music was like a breath of fresh air. The fast numbers ("Eventuality", "Chronology") remind one of wildly hyped-up bebop. Other numbers ("Congeniality", "Focus On Sanity") juggle with catchy, almost folk like short motifs. This album contains two of Coleman’s most beautiful compositions: "Peace" and "Lonely Woman", which was later given lyrics and often heard in its vocal version. The Mulligan-Baker Quartet provided the model for the pianoless quartet – and when the band swings along once in a while with a moderato tempo, it is truly reminiscent of cool jazz. Be that as it may, the two wind instrumentalists just love the frenetic 'cry' and the intentionally 'imprecise' interplay. Clearly defined stanzas or traditional harmonic forms were not for them. The jazz musicologist Peter N. Wilson wrote: »A record, which is not unjustifiably so entitled« about this LP which was given 5 stars by the magazine Rolling Stone.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: May 1959 at Radio Recorders, Hollywood, CA, by Bones Howe Production: Nesuhi Ertegun

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MKS

Musical Keyboard System

LP | 2021 | EU | Original (Blank Mind)

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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"Naive overlooked New Beat / New Age project from 1989"

Sometimes in life, a certain incentive is needed to convert talent into productivity. As for the case of MKS, the enigmatic and musical disguise of Nicolas Aubard, it was a merely coincidental encounter at the end of the 80s that set the stone rolling. For Nico, it all began in his hometown of Saint-Quentin in Northern France. At a young age, he got obsessed with Japanese and American cartoon culture. Being a devoted collector of cartoon-related toys and widgets, he spent hours watching anime series on TV and creating scale models of science fiction and horror-related sceneries. Growing up in a musical household, young Nico took on stringent training in classical and jazz piano. But, frustrated with the fact of not being the technical virtuoso he wanted to be, he turned away from his training at the age of 16. “I had no choice, as I felt as if my creativity got limited by my piano. That’s when I got drawn into the world of synthesizers.” Not long after, Nico put together a home studio and started to experiment with ambience and sound-inserts. Despite years of experimentation and music making, all Nico’s productions stayed between the 4 walls of his modest home studio. Something that would change in 1988, when Nico bumped into Emmanuel “Manu” Prevost.

“We met on a night out in Lille”, Nico recalls. “I usually just stood by the dj booth, as I wasn’t a good dancer. So instead of throwing shapes at the dancefloor, I started a conversation with the dj, who happened to be Manu. By the end of the night, I handed him a demo tape of the album I was wanting to do.” Propelled by good fate, a fruitful collab happened between Nico and this dj. For Manu, everything also fell in place: “At the time, I was looking for a composer to work on producing a new beat record. As a dj, I often crossed the Belgian border for gigs and this new style was in full explosion over there. I heard Nico’s songs and naively told him: “Let’s make an album”, without knowing how.” Despite the high hopes for the new alliance, the project turned out to be a shot in the dark. “I assumed Manu already had some experience, as he proposed to do the mastering himself. But funnily he only told me after the release of the record that it was his first time too. But you know, we managed.” Not willing to release under his own name, Nico came up with Musical Keyboard System, abbreviated as MKS. The alias was born and the journey ready to take off.

The album finally released in September 1989. After the release, Nico went on a low-key promo tour together with Manu in Northern France. “We aired a video clip on FR3 for two songs, together with a short interview. In their studio, we created a scrimpy décor with some green plants to resemble the Vietnam jungle (as for the track Nam Revelation) and we shot the clip. Manu even lay down behind a screen operating the fog machine.” As a live act, Mks’ career was rather short-lived, with a first and final gig in the Theatre of Saint-Quentin a few months after the release. “In France, we would remain illustrious strangers. Yet in the meantime, our music got played on new age radios in the USA.” After the end of MKS, Nico moved to Paris and Manu took on his military duty. In the army, Manu met movie animator Jacques Rouxel (the man behind French cult series Les Shadoks) and got him in touch with Nico. The duo collaborated with Rouxel on some compositions, before they went their separate ways at last. Nico went on to pursue his childhood dream, as a pioneer in France for integrating 3D animations into classical cartoons. Manu in turn became a producer for feature films.

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V.A.

Comme De Loin

LP | 2021 | US | Original (Tompkins Square)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Put together during the first lockdown of 2020, this record explores the eerie and the dreamlike - a moment in time when reality felt like fiction; a figurative void in real life. Translating as ‘from afar’ or ‘from a distance’, ‘Comme de Loin’ is derived from Clara de Asís’ recording; exploring the ambiguity between ‘the concrete space and the imaginary space’. This collection of music unites a diverse range of artists interconnected through an aesthetic quality, a freedom in exploring the void. It’s 4am and I’m standing on some grass. There’s a small stone at my feet - a perfect circle on all sides - so I pick it up and walk over to the canal. He steps out from the bushes and I throw the stone into the air with as much height and backspin as I can. His shiny eyeballs roll up to watch it spinning in the black. It slows, stops, then falls to earth. When the stone hits the water there is no splash, just a short, dull thud. He doesn’t reply and skulks back into the bushes on his toes. - Jacob Dwyer Mastered by Marco Pellegrino @ Analog Cut First run of 200

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Russell Potter

Neither Here Nor There

LP | 2021 | US | Original (Tompkins Square)

Release: 2021 / US – Original

Genre: Rock & Indie

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“The two latest reissues to spin off from our acclaimed Imaginational Anthem Volume 8: The Private Press feature the solo guitar compositions of Russell Potter, recorded in the last waning days of the initial American Primitive explosion. A then obsessed teenaged devotee of John Fahey, Robbie Basho, and Leo Kottke at a time when Punk and New Wave were ascendant, Potter harnessed a similar DIY ethos to his own ends by starting his own label & self-publishing his first record, 'A Stone’s Throw’, while a freshman enrolled at Goddard College in Vermont in 1979. Assembled at the legendary Boddie Records in Potter’s hometown of Cleveland, Ohio, and sprinkled liberally with references to his heroes, from the initial record label name of Fonytone (which more than a little recalls Fahey’s earliest record label, Fonotone), to the arcane song titles and references to obscure rags. Even as he looks to his elders, Potter’s debut release nimbly evinces a complete mastery of his form and is all the more remarkable for one of such tender years, as only the chutzpah of youth can account for such moves as successfully grafting one of your own composition to one of John Fahey’s, as he does here. There’s a very immediate, lovely, and real homespun quality to Potter’s chiming twelve-string compositions that puts it in the realm of those classic records that seem to simply exist outside of time. Shortly after ‘A Stones Throw’, Potter produced & released a 45rpm single by an Ohio bluegrass band featuring the cult singer songwriter Bob Frank performing a cover of Devo’s ‘Mongoloid’, before moving on to his second (and sadly final) album the following year, ‘Neither Here Nor There’. Following an independent study with a Goddard College ethnomusicologist, Potter’s compositions and performance only deepened on his second release — the recording quality steps up a little but loses none of the immediacy, the playing gets more exuberantly virtuosic —but then more reflective too, particularly on the tunes that are influenced by the gorgeous traditional Irish slow airs. He’s still tipping his hat to Fahey occasionally as well, this time with an audacious electric guitar setting of the classic “Dance of the Inhabitant of the Palace of King Philip XIV of Spain.” Though these albums landed at a time when American Primitive guitar music’s 1960s & 1970s heyday was in the rear view mirror, they absolutely look ahead to the genre’s eventual 21st Century resurrection, anticipating both in form & content many of the same concerns you find in the great contemporary work of the last two decades by Jack Rose, Glenn Jones, Daniel Bachman, et al., and as such provide about as fine a stepping stone between these two eras as you’re likely to find.”—Michael Klausman

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Russell Potter

A Stone's Throw

LP | 2021 | US | Original (Rad Girlfirend)

Release: 2021 / US – Original

Genre: Rock & Indie

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Raging Nathans

Waste My Heart

Hardcore From The Heart Gold Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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The Raging Nathans Are Back With A Brand New Lp And They Have Stepped It Up In Every Way: Punk-Er, Catchier, Better.The Raging Nathans Are Back With A Brand New Lp Less Than A Year After Their Last Full Length Album And They Have Stepped It Up In Every Way. "Waste My Heart" Is The Bands 4th Studio Album And It Sees A Major Development In The Bands Songwriting. Their Ability To Write 1 Minute And 30 Second Punk Rock Rippers With Anthemic Choruses Is Now Highlighted By Their Penchant For Writing Slightly Longer And More Complex Songs That Blend Intricate Guitar Work With The Honest And Introspective Lyrics That They Have Come To Be Known For, All While Making It Look Easy. New Themes For The Band Collide With Familiar Ones Including Poverty, Politics, Love And Hate. The Drumming Is Tight, The Bass Is Always In Your Face, The Music Is Relatable, And Clearly Having A Solid Line Up For Several Years Has Done The Band Good. Drawing On Influences From Everyone From The Buzzcocks To H20, The Evolution Of The Raging Nathans Is On Full Display On This Record. The Bands Longtime Songwriters Josh Goldman And Nick Hamby Collaborative Efforts Really Shine On "Waste My Heart". Tireless In Their Work And Efforts, They Have Proved Their Importance As A Band To Their Peers And To Themselves Every Step Of The Way. They Are Prolific, Unapologetic And "Waste My Heart" Cements Their Legacy In Stone As The Worlds Last Great Punk Band. Every Record They Have Released Topped The One Before It And "Waste My Heart" Is No Exception. The Record Was Recorded By Luke Mcneil (The Copyrights, Hospital Job) And Was Mastered By Stephen Egerton (All, Descendents). Ffo: Early Propaghandi, Bad Religion, The Ramones

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Joana Serrat

LP | 2021 | UK | Original (Loose Music)

Release: 2021 / UK – Original

Genre: Rock & Indie

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Sidney Bechet With Eddie Condon And His All-Stars

At Eddie Condon's Floor Show

LP | 1977 | IT | Original (Queen-Disc)

6,74 €* 8,99 € -25%

The Rarest Sidney Bechet Vol. 1

Release: 1977 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Back cover shows some foxing.

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Sidney Bechet

LP | US | Original (After Hours)

7,49 €* 9,99 € -25%

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

2LP | 2021 | UK | Original (Hell Yeah)

The Vendetta Suite

The Kempe Stone Portal

22,99 €*

Mint - Das Magazin Für Vinylkultur

Release: 2021 / UK – Original

Genre: Electronic & Dance

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The Kempe Stone Portal is the long awaited debut album from long time musical adventurer The Vendetta Suite. It arrives on Hell Yeah Recordings on June 18th, and spans over 20 years of diverse musical experiments. In the words of label boss Marco, 'it's a nice ride.' Gary Irwin started dancing in 1990, when he was drawn to the dubbed out and psychedelic sounds of Andrew Weatherall and The Orb, at the same time falling for the forward looking house and techno played by David Holmes and Iain McCready at their regular nights at Belfast's Art College. After studying music technology and performing arts, Irwin gave Holmes a cassette of bedroom produced techno and it started a long and fruitful relationship that has continued to this day. In the intervening years, Irwin has been the in-house engineer at Holmes' Exploding Plastic Inevitable studio and label, has engineered and remixed with him, released on his labels and written music for his Holy Pictures album, all while picking up credits on labels like NovaMute, Sabrettes, 13Amp and many more. As time passed, Irwin explored non-dance sounds such as krautrock, library music, synth and 80s b-sides before more recently circling back to acid house, downtempo and Balearic. All of this and more informs this panoramic 12 track album, which is a testament to a life spent submerged in many different sound worlds. The Kempe Stone Portal opens on the ‘Neon Secrets’, which along with tracks like ‘Morning Star’ and ‘I Am The Ghost In My House’ betray Irwin’s love of wonky, shimmering experimental synth-pop musik. They are glistening tracks with heavenly harmonies that are truly life-affirming in their richness. Elsewhere, ‘Purple Haze, Yellow Sunrise’ is an homage to his early experiences of Balearic acid house music from the late eighties and early nineties with a not too subtle reference to the narcotics of the time. ‘Who Do You Love’ was Irwin’s first non-dance music production in 1998, a cover of The Jesus and Mary Chain's version of the Bo Diddly classic, with guitar feedback and distortion drawing you into a murky world of fuzzy sonics. 'Della Notte’ came 10 years after, with rumbling toms, bubbling synths and phased Rhodes making for a psyched-out post punk dub. Seasonal sleigh bells and obvious krautrock influences abound on ‘Christmas in Cologne’ while ‘Maybe Tomorrow’ is Air meets Phil Spector on a beach at sunset. ‘Warehouse Rock’ is a dubby acid track that follows on from where 2017 track ‘Shut Up Ya Dub!’ left off, but with a more experimental approach that found the artist limiting himself to a 303, drum machine, dub effects and samples. If King Tubby were to release on Acid Trax, this is how it would sound. Shorter tracks ‘Spring Blues’ and ‘The Adult Section’ were originally made for a modern library music side project and are brilliantly suspensory pieces of lush electronics, yawning chords and gentle rhythms that empty your mind of any tension. This is a storied album that traverses different musical worlds with style and skill. Some are old, some are new, but they add up to a long player that is both fascinating and timeless.

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Ausgabe 44 - Mai 2021

Mint

7,90 €*

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Weedsconsin Transparent Neon Yellow And Green Vinyl Edition

Bongzilla

39,99 €*

LP | 2021 | EU | Original (Ekleroshock)

Release: 2021 / EU – Original

Genre: Rock & Indie

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On the fringe of chaos, in the Year of the Pandemic, the Cannabeast has awoken!! Bongzilla is back with a new full length album, 16 years since their last record. These Pioneers of Weed Metal would like to present “weedsconsin” to the universe. An album written by the three long standing original members of Bongzilla - Muleboy (bass, vocals), Spanky (guitar), and Magma (drums). Recorded and mixed by the late John Hopkins at Future Apple Tree Studios in Rock Island, Illinois in October 2020. The six brand new tracks will blow your mind! In a single instant you are contaminated by the classic Weed-Infected sounds the band is known for, while also finding new elements mixed into the bowl. In the unique piece that is Weedsconsin, Bongzilla delivers heavy doses of Crushing Stoner Doom and Psychedelic Space Rock that sets it apart from earlier material. (That’s why HPS Records is the perfect label to release this stuff). This record travels down a path of heavy riffs, mind-expanding jams, sonic tones, and stomping beats in the band's first release as a thunderous three piece, with Muleboy moving from guitar to bass. Approaching these songs as a three piece has created more space musically and allowed the band to showcase their musicianship in a different way. It results in a sound that is very heavy, along the lines of Gateway tone-wise, but sonically more clear. The album is mastered by Carl Saff at Saff Mastering in Chicago, Illinois, and Eli Quinn (Madison, Wisconsin) is the artist behind the astounding new cover art. Weedsconsin is dedicated to the memory of John Hopkins.

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Andrea Laszlo De Simone

Uomo Donna

Live At Bronson Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Andrea has his roots in the independent musical scene in the first decade of the 2000s. In addition to his compositional and live experience as the first Nadàr Solo drummer, he is one half of the Turin duo Anthony Laszlo with Anthony Sasso, ex guitarist and singer of Milena Lovesick. Andrea Laszlo De Simone made his debut in 2012 when he released his first homemade album, Ecce Homo. Recorded at home by makeshift means and accompanied by the following videos: Solo un uomo, 11:43, I nostri piccoli occhi, Perdutamente.

At the beginning of 2014, he met some experienced musicians from Turin’s underground scene that later, after a few months in a rehearsal room, became his band: Damir Nefat (guitar/backing vocals), Dani C (bass guitar/backing vocals), Filippo Cornaglia (drums/backing vocals), Zevi Bordovach (keyboards/backing vocals) and Anthony Sasso (keyboards/backing vocals/percussions).

Anticipated by the individual tracks Uomo Donna, Vieni a salvarmi and La guerra dei baci on June 9, 2017 - for 42Records - Uomo Donna came out. It’s Andrea Laszlo De Simone’s first real album, a well received work by both audience and critics. It also was pointed as one of the best albums of 2017 by several national music magazines.

Uomo Donna is a complex, articulate and vital album that lives in its own time - where past, present and future coexist. It’s a time in which a sonic world takes shape blending classic and modern, Italian songs with psychedelia, Battisti and Radiohead, Modugno and Verdena, the Beatles and Tame Impala, the magical flight of Claudio Rocchi and the earthly flight of Iosonouncane.

The album was self-produced and then post-produced by Andrea in collaboration with Giuseppe Lo Bue, a sound engineer from Bologna. The recordings were made between October 2014 and the end of 2016 with experimental techniques straddling digital and analogic.

After playing in some important Italian festivals as Siren Festival and TOdays -- that earned him a special mention in the live scores by Rolling Stones -- on October 28, 2017 the first Uomo Donna album tour started in the clubs of the major Italian cities.

On November 30th 2017, Andrea Laszlo De Simone presented his video, Sogno l'amore, during the Torino Film Festival as a short film, shot in Sicily and directed by Francesca Noto and Andrea Laszlo De Simone.

On March 15th 2018 the music video of Gli uomini hanno fame was released, the most political song of the album, an overlook through ferocious human emotions, an eleven and fifty minutes trip within human nature portrayed even in its most ferocious instincts. The music video was directed by Andrea Laszlo De Simone and the mysterious duo Sans. The official cycle of Uomo Donna ends on 31 December 2018 with the music video of Sparite Tutti created by the creative collective Irene&Irene.

2019 was a year of new goals for Andrea, in fact, the album Uomo Donna leaves national borders and got a special mention on social media by the famous American band The Lumineers which included Andrea Laszlo De Simone and Uomo Donna among the most interesting discoveries of the international musical underground and inserts Solo un Uomo in the Spotify playlist “Inspirations”. A few days later, Solo un Uomo was broadcasted by Kexp Radio. On November 4th Andrea and his band were chosen to open for The Lumineers’ only Italian show at Alcatraz, in Milan.

On November 8th Andrea released a brand new work, digitally and on vinyl for 42Records, Immensità, a ‘suite’ of four singles: Immensità, Conchiglie, Mistero and La Nostra Fine. Turned into a medium-length film using Immensità as the soundtrack.

Immensità was presented with four special sold out concerts in Rome, Turin, Padua and Milan. For these shows Andrea Laszlo De Simone was accompanied on stage by a mixed orchestra composed of synths, electronics, choirs, strings and woodwinds. Classic and modern instruments that are intertwined in a nine elements formation: an immersive concert, a contemporary version of chamber music.

In March 2020 Immensità was released also in France, UK, Canada, Belgium and the United States with Ekleroshock/ Hamburger Records (Roster: Benjamin Clementine, Polo & Pan, Limousine and many others). The response of the transalpine press and media, sector and not, was unexpected: major French newspapers and magazines - from Le Monde to Liberation, Vanity Fair and Les Inrockuptibles - dedicated entire pages and rave reviews to Immensità and Andrea Laszlo De Simone. The track Immensità entered, after a few days, at the fourteenth rank of Spotify’s Top viral 50 playlist and broadcasted on France Inter and Radio Nova.

“Immensità” is a complex cross media work of music and images. A project divided into four chapters (the songs) for nine tracks (each chapter has a prologue or a conclusion). A true suite, using the classic term that best describes an instrumental composition in several stages, that can be enjoyed in its entirety only by listening to vinyl or digitally in the innovative single track format, without pauses: a single symphony of 25 minutes and 6 seconds.

In September 2020, Dal giorno in cui sei nato tu was released on all italian platforms, a song dedicated to Andrea’s children, a real love letter in the form of a small speech, where he tries to give them the three keys to approaching life: fantasy, music and irony. Martino, 8 years old, replies to his father’s love letter by making the video accompanying the song, created in Super 8. It's the story of the world through the eyes of the child. It is also an homage to the new little girl in family, Lucia.

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Mondo Generator

22,99 €*

LP | 1967 | UK | Reissue (Island)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Mondo Generator live at Bronson – one of the last shows before pandemic exploded !! One incredible band from the West Coast recorded in a very good quality in the mighty italian club on the East Coast, the Bronson. An awesome performance featuring Mondo Generator hits and a bunch of Queens Of The Stone Age and Kyuss songs !!!

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Traffic

Mr Fantasy

Essential Aliens Clear Vinyl Edition

Release: 1967 / UK – Reissue

Genre: Rock & Indie

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After Steve Winwood jumped ship from chart toppers The Spencer Davis Group and quit the bright lights in favour of the countryside and jam sessions with Jim Capaldi, Dave Mason and Chris Wood, in wake of these events Traffic were formed, it was Birmingham, April ,1967. Traffic began as a psychedelic rock group and diversified their sound through the use of instruments such as keyboards like the Mellotron and harpsichord, sitar, and various reed instruments, and by incorporating jazz and improvisational techniques in their music. Soon after in December 1967 Traffic would release Mr. Fantasy their debut Album on Island records. Rolling Stone called the album “one of the best from any contemporary group” and has become a staple on almost any best album poll from the 20th and 21st centuries!

Re-Issued individually from the phenomenal 2019 Traffic – The Studio Albums 1967-74 Boxset. Remastered from the original tapes, pressed on 180g heavy weight vinyl and artwork caringly overseen and interpreted, this album is a must for any newcomer or indeed, seasoned Traffic fan.

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Helvetia

LP | 2021 | US | Original (Joyful Noise)

27,99 €*

People And Things Orange Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Essential Aliensis the 10th Helvetia album. Helvetia is the solo project of Jason Albertini from Duster. Helvetia resides in Portland, Oregon but was formed in Seattle, Washington in 2005 after Duster first went on hiatus. The songs onEssential Aliens were recorded over the last year, in Jason's basement. Since the band's inception, Jason has continued to employ a rotating cast of band members and collaborators, which now includes Steve Gere and Samantha Stidham. Steve and Jason also played in Built To Spill together from 2012 until 2018. In 2019 Duster started playing shows and recording again. During this time Jason started writing what would becomeThis Devastating Map. Released at the beginning of August last year, Post-Trash called it"a constantly shifting project that takes experimental lo-fi into brilliantly colored psych directions with a concise glow."Then the pandemic took hold. With normal life at a standstill and unable to hang with his bandmates, Jason focused his energy on his daughter's homeschooling schedule, and recording. He focused on finishing one song a day and was soon honing in on a new album. Essential Aliensdistills and simplifies the Helvetia sound. Reverb and delay are absent, replaced by warm fuzz and intimate room sounds. Progressions morph with stoner repetition and end in head scratch. Drums distort, muted bass lines prop up acoustic guitars blown out on a cassette four-track. Cheap electric guitars are barely in tune and recorded direct, almost painfully in your face. The songs are short blasts of psychedelic chill, unrooted by genre, a rummage around an alien radio dial. These are simple songs about keeping yourself from falling apart, to remind you that you can be strong. The visual elements for the album come from a recurring dream, which centers around a period in Jason's childhood when he lived in Basel, Switzerland, and believed that he lived with a ghost. In the dream, Jason's life becomes turned upside down because of a series of unexplainable events that turn out to be orchestrated by the ghost, and he wakes up convinced that he is a ghost as well. These are simple songs about keeping yourself from falling apart. To remind you that you can be strong. This is a weird blues.

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Jack's Mannequin

LP | 2011 | EU | Reissue (Music On Vinyl)

21,74 €* 28,99 € -25%

Ripe EP Orange & Green Splatter Vinyl Edition

Release: 2011 / EU – Reissue

Genre: Rock & Indie

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Jack’s Mannequin is the side project of Andrew McMahon from pop punk band Something Corporate. They recorded three albums during their existence. McMahon crafted some incredible pop songs for the band. Their final album, People and Things, was released in 2011. For People and Things, the band worked with some notable guest musicians, including Jamie Muhoberac, Chris Chaney of Jane’s Addiction, and Patrick Warren. Rob Cavallo (Green Day, Linkin Park, My Chemical Romance, Eric Clapton a.o.) and Jim Scott (The Rolling Stones, Red Hot Chili Peppers, Sting, Wilco a.o.) served as coproducers. Two singles were released: “My Racing Thoughts” and “Release Me”. People and Things received favourable reviews, with critics particularly praising McMahon’s songwriting.

The album is released as a limited edition of 3000 individually numbered copies on orange coloured vinyl, and includes an insert.

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Brainstory

LP | 2021 | US | Original (Big Crown)

Between The Silence Remixes

Release: 2021 / US – Original

Genre: Organic Grooves

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Recorded during the thick of the Covid lockdown, Kevin, Tony, & Eric hunkered down in their studio and turned their energy inward. With all live shows and future tours canceled, Brainstory had no other outlet besides their rehearsal space which had been converted into a makeshift studio. Stepping up to the obstacles of the moment, they recorded and produced an EP of brand new music. They were already highly skilled musicians two years ago, but time in the studio with Leon Michels producing Buck and playing alongside bands like Holy Hive and Chicano Batman had a profound effect on them. Their ears have developed, their ethos and their drive has matured, their musicianship is full-blown; hence the name of the EP, Ripe. Ripe is a seven song journey into who Brainstory are as people and as a band. They are lighthearted and fun but never anything less than dead serious about their artistry. In choosing to record a mostly instrumental record, they have departed from their 2019 debut Buck and are showing more of their Jazz roots. Ripe pulls from Jazz, Hip Hop, 70s Funk, 60s Soul, and life in Southern California in the year 2021. Kev's intro to the EP is a testament to their thing, his goofy and charming "let's go baby_.less go baby" is welcoming and fun and then "Scissors" drops - serious as can be. The first vocal number we hear is "Seasons", a song about maintaining through the challenges of 2020 that would make Roy Ayers proud. "Long Day" and "Rogers" are drenched in reefer and psychedelia and promise a moment away from reality if listened to in headphones. "Bye Bye" is another stone cold ballad from the group that is destined to be a staple in sweet soul sets around the globe. Ripe is a welcome ray of sunshine as we all shake off the darkness of 2020 and will hold fans over while they finish recording their full length sophomore album due out in 2022.

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Lost Few

12" | 2021 | EU | Original (Southern Lights)

12,99 €*

Antisocial Skills / Rules

Release: 2021 / EU – Original

Genre: Electronic & Dance

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In 2019, Southern Lights released the debut album of audio-visual artist Lost Few, fusing his relationship with the physical form including found sounds from the Australian wilderness and disturbed electronics, processed instrumentation and sub-bass experiments. Those sonic experiments have been given the remix treatment by a handful of contemporary artists working within the fringes of techno. Manchester’s Karim Maas provides his dark, ritual touch to “Indecision”, Vohkinne dials up the velocity on “Quietly We Wish For Silence” with his Extended Thrust Mix, Years of Denial deliver a stunning interpretation of “Expectations Are The Devil” straddling industrial and EBM, while Dino Sabatini closes the release with a serene and introspective remake of “Many An Idle Stone”.

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Split

LP | 2021 | EU | Original (No Spirit)

15,99 €*

12" | 2021 | EU | Original (Aura Expansion)

Release: 2021 / EU – Original

Genre: Rock & Indie

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After their last EP "...was it six or five shots?" in summer 2019, RULES from Zagreb now put out 4 more brandnew songs on this split release! They stick with their dirty rocking HC/Punks-sound, though this time the songs are slightly more influenced by stoner and noise-rock. Recorded and mixed on a 4-track recorder by Goran Lautar of NEON LIES and MODERN DELUSION who also helped bands such as DEATH ROW GROUPIES, INDIKATOR B and CELETOIDS to sound amazing on their records.

ANTISOCIAL SKILLS from Prague released their first self-titled 7" in 2017. Their sound is more in the vein of 80ies influenced midtempo HC/Punk with somewhat rocking elements. They added 10 songs to this record whose lyrics reflect on the solitude and hopelessness in modern society.

The Split LP is limited to 300 copies on black vinyl

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Judd Stone & Jayde Lee

Magic Spells

12" | 2011 | DE | Original (Sudden Drop)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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New release by Boston-based songwriter and instrumentalist Judd Stone and vocalist Jayde Lee.

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Bleak

Landscape / Fall

11,99 €*

12" | 2021 | UK | Original (Red Baron)

Release: 2011 / DE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl is close to NM.

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Red Baron

Fascinate

Took A Chance On Love / I Don't Want To Lose Your Love

Release: 2021 / UK – Original

Genre: Electronic & Dance

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The only question we should be asking about Ron Basejam and Red Rack’em getting in a studio together is ‘why did it take them so long?’ The Crazy P multi-instrumentalist brings a melodic sheen and strict work ethic to Berman's idiosyncratic, off kilter sample chops. We’re very excited to be bringing the first in a series of killer twelves from two artists who bring a huge amount of passion, soul and singularity to their music.

The infamous Crazy P studio in Nottingham, the scene of many a lost braincell for the pair became a different kind of playground with an arsenal of synths and the Basejam sample library proving fruitful. Several mammoth studio sessions were fitted in pre-lockown with both taking turns to lead when the other flagged. You can hear the grit in these tracks. Studio chiz, red wine and Alfreton Road kebabs fuelled these sessions. Buckle up for the Red Baron ride.

'Fascinate' is a foot stomping house banger hoedown which distils their collective years of sample voyaging into a taut yet jumpy floor wrecker. Uptight, urgent popped guitar licks and a face squinting bassline are mixed upfront with the track devolving at every chance with many a detour including the most warm uplifting middle eighth. A monster arpeggiated synth bass closes proceedings with a dark, knowing edge to the distant hardcore pads fading in.

'She Makes It Work' fuses stoner hippy tabla with a deviant tinged vocal benignly muttering missives while the second pill begins to kick in. Uplifting mangled chords meld with an ever building mood towards a deliriously melting peak moment. As with the A side, the track ends in a questioning manner taking the listener to another plane. This is a cosmic spiritual loft party 7am burner. A late '70s community group going off piste at a Wednesday night drumming circle by serving up the wrong punch.

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Satin Finish

7" | 2021 | UK | Reissue (Fantasy Love)

Cro Memory Grin Clear Vinyl Edition

Release: 2021 / UK – Reissue

Genre: Organic Grooves

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Originally released on Greenback Records, a label from New Jersey consisting of George Greene & Gary D. Jackson, two producers who scouted local talent to record at George's home studio and independently distribute. The duo had a string of releases before Jackson relocated to Goldsboro, NC in the late 70s to establish a string of non-musical related business', when he met recent high school graduate, Karen Scott. Jackson enabled the potential of Scott's talent by searching for a group to write & record with. Satin Finish started out as a trio of Goldsboro musicians, Donald Oliver (keys), Joe Exum (drums) & Dennis Kornegay (bass) who came together for the recording project. Scott didn't write music so the group were tasked with coming up with an albums worth of material to take to the studio. Jackson had hired additional musicians for the session, three horn players & a guitarist, which would take place at Greene's home studio in Durham, NC. Three tracks were laid down for the purpose of a 7" single, the A side being Scott's calling card 'I Don't Want To Lose Your Love', written by Oliver, arranged by Kornegay & sang by Scott. Penned for the flip was 'I Didn't Know Funk Felt So Good', a song dropped due to being beyond 6 minutes in length, which made way for 'Took A Chance On Love', a song written & sang by Kornegay. The single had local success, however shortly after the release of the single Scott went to college to pursue her education whilst the group engaged new members and continued for another couple of years before disbanding. Another slice in time that we're proud to present to you. Shout out Kool Hersh for introducing us to Dennis & making this happen.

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Oily Boys

LP | 2021 | EU | Original (Static Shock)

7" | 2021 | EU | Original (Drunkensailor)

Release: 2021 / EU – Original

Genre: Rock & Indie

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When Sydney's Oily Boys Dropped Their Long Awaited Debut Lp On Cool Death Over The Summer We Were Caught Unawares, And Quickly Fell In Love With It. Static Shock Is Now Very Pleased To Be Releasing This Across The Pond For The Uninitiated. Here's What The Cool Death Originally Said About This Record, As We Couldn't Agree More: "Chthonic, Catatonic, Chronic... Cro Memory Grin Is A Masterpiece. Thirteen Turbocharged Tracks Indebted To The Pleasures And Pitfalls Of Their Lives In The Modern City Of Sydney And To The The First And Second Waves Of International Extreme Music Freaks And Loonies: Pure Fucking Aggression. The Oily Boys Have Graced Us With A Beast Of An Album That Swells Between Direct, Gripping, Tangible Hardcore Punk And Near Nauseating Psychedelia And Throb Which At Moments Feels Like Either Ritual Trance Or A Nervous Breakdown. Cro Memory Grin Contains Near Equal Measures Of Tension And Release; An Exercise In High Catharsis. It's Rare That A Punk Record Can Give The Listener Anywhere Near The Same Intoxicating Feel Of An "Everything Louder Than Everything Else" Live Show, But That's What Oily Boys Have Done. That Lightning In A Bottle Feeling Of Excitement, Chaotic Energy, Delirium, Presence In A Moment And Frenzied Flight Into A Mind State Both Frightening And Ecstatic. The Stone Has Been Carved, The Fire Has Been Lit, And This Is It... Cro. Memory. Grin. The Lp Is Clear Vinyl And Comes Packaged In A Slightly Different Sleeve To The Cool Death Pressing. Features Members Of Low Life.

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The Stools

Feelin' Fine

11,99 €*

Directions To See A Ghost

Release: 2021 / EU – Original

Genre: Rock & Indie

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(((Killer Rock N Roll From Detroit, Scuzzed Up Punk Following On From Their Debut Records On Jack Whites 'Third Man Records))) - We're All Familiar With Seven Minutes In Heaven, Right? It's Some Sort Of Weird Kissing Game That Cinema Informs Me Was Played By The Cool Kids At Parties. You Know, The Sort Of Normie Party You Weren't Invited To, Leaving You To Sit At Home, Listening To The Misfits And Scrawling Dead Kennedys Logos Over Any And Every Available Surface. Where Are Those Kids Now? Dunno, Doing Some Boring Job, I Guess. Whatever. 'Seven Minutes In Heaven' Is Also A Pretty Apt Description Of The New Ep By Detroit Punx The Stools - The Four Songs That Make Up 'Feelin' Fine' Are Over Before You've Had Chance To Blink, But Hot Damn, They're Good. They Call Themselves A 'Bluesy Punk Trio', And Fair Enough - Like Their Hometown Forebears The Mc5, They Take The Raw Tools Of Rock'n'roll And Dial Up The Speed, The Intensity And The Fury, Resulting In A Record That Commands Your Attention, Your Adrenaline And Your Utter Devotion. Like Their 2018 Album 'Q-Nails', 'Feelin' Fine' Sashays In With A Loose-Hipped Swagger And An Audible Commitment To Getting Your Feet Flying Every Which Way, But This Time They've Had A Relatively Hi-Fi Makeover - Opener 'Can't Feel Good' Is Yer Classic Show-Opener, Going From A Flurry Of Chords And Cymbal Wash Into An Ear-Catching Riff And Bone-Crunching Rhythm Section. Like X's 'Los Angeles' As Played By Speed-Addled 20-Stone Wrestlers, It Mesmerises As Much As It Pulverises, While The Joyously Dumb 'Rockpile' Might Well Be The Most Aggressive Tribute To Nick Lowe's Old Band. Or Maybe Not; It's Hard To Make Out The Lyrics While I'm Bouncing Off The Walls. Punkest Use Of Slide Guitar Since The Gun Club? Sure, Why Not? It Slays, I Can Tell You That Much. All You Really Need To Know Is That The Stools Rule, And You Need This Record. Will Fitzpatrick

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The Black Angels

3LP | 2008 | US | Reissue (Light In The Attic)

57,99 €*

Release: 2008 / US – Reissue

Genre: Rock & Indie

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Goody Goody Gum Drop - The Savoy Collection

Nappy Brown

LP+7" | UK | Reissue (Sleazy)

20,29 €* 28,99 € -30%

Tiny Music...Songs From The Vatican Gift Shop

Release: UK – Reissue

Genre: Organic Grooves

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On October 12, 1929, Kathryn Culp and Sammie Lee Brown had the idea to name their first-born baby Napoleon. With such a vital beginning, little Nappy was already predestined to hit the mark, so from a very young age he stood out for his vocal qualities, well cultivated in gospel, which he practiced assiduously in The First Mount Zion Baptist Church run by his father.

To Mr. Brown's chagrin, after his first forays into religious music participating in vocal gospel groups such as The Golden Crowns, Golden Bell Quintet and The Heavenly Lights, with whom he recorded his first single for Savoy in 1954, the young Napoleon decided to try his hand at secular music, convinced by Herman Lubinsky, the big boss man of the New Jersey label.

In this way, between 1954 and 1962, Napoleon recorded a total of 28 singles at Savoy, clearly marking the transition from Rhythm & Blues to Rock’n’Roll, and also his subsequent jump to Soul, being the natural link between the late 40s southerners like Wynonie Harris or Big Joe Turner and artists like Jackie Wilson or James Brown, who cemented the black sounds of the 60s.

This LP includes a compilation of some of his best songs at Savoy, high class rock'n'roll, with a lot of dancefloor favourites like Don't BE Angry, compiled in its two versions, or Just A Little Lovin ', but also his more Bluesy sides, with songs like the fabulous Down IN THE Alley, which would be recorded years later by that certain singer born in Tupelo, Mississippi, that many times declared how much he dug Nappy Brown’s Rhythm & Blues.

In the same bluesy way Nappy wrote the iconic THE Right Time, one of the first stones of the Soul cathedral, originally recorded by Nappy on 1957, and revised one year before by Ray Charles. Ray’s version, renamed Night Time Is The Right Time, would be included as the main theme of the award-winning film IN THE Heat OF THE Night. We´ve also included Nappy’s own answer to this song, recorded in 1961 and titled as ANY Time IS THE Right Time.

Finally can´t avoid to name some of the backing musicians you´ll hear in these tracks, Sam ‘The Man’ Taylor, Mickey Baker, Panama Francis… have a look on notes bellow, oh boy! the A-Team of the mid-century New York Rhythm & Blues!

Nappy disappeared from the music scene in 1962, remaining anonymous until 1969, when he would return to Rhythm & Blues on Elephant Records with an LP whose title could not be more eloquent: Thank YOU FOR Nothing.

Since then, Nappy was very active until his death in 2008, alternating his love for gospel and Rhythm & Blues, touring the United States and Europe and releasing no less than a dozen LPs.

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Stone Temple Pilots

LP | 2021 | EU | Original (Rhino)

64,99 €*

Release: 2021 / EU – Original

Genre: Rock & Indie

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T.I.R. Clear Vinyl Edition

Loredana Berte

LP | 2021 | EU | Original (Nar)

12" | 2021 | EU | Original (Mord)

Release: 2021 / EU – Original

Genre: Pop

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T.I.R. is the third album by Loredana Bertè, originally released in 1977 by CGD. The album had a huge success and it can be considered as a synthesis of the artistic path undertaken by Bertè up to now. There is a feminist and provocative vein, a painful and introspective interpretation, her style can be defined as "screamed", but there are also conventional songs with which she takes up the issues related to the couple relationship and loneliness. The famous duo Pace and Avogadro signs most of the lyrics, whereas Mario Lavezzi (in addition to compose the music for four songs) has the role of producer and arranger (with Vince Tempera). Among the credits there is also Fausto Leali who signs "Sono donna" and takes part with Lavezzi in an original reinterpretation of the battistiana "Le tre verità". The presence of her sister Mia Martini and Milena Cantù at the choirs should also be emphasized. A unique, unmissable record, with an iconic cover that winks at the legendary Sticky Fingers of the Rolling Stones and where it is already possible to glimpse those reggae sounds that will become predominant in the next album "Bandabertè". T.I.R. is back on the market today for the "70Bertè Vinyl Collection" in an unreleased collector's edition: LP 180 GR. Limited Edition Crystal Clear Vinyl (1000 pcs. Limited).

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Lewis Fautzi

Controlled Processes EP

16,99 €*

Pink Noise Pink Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Gold, Stones, End.
Five, Stares, Friends.
Defect, Patience, Send.
Fiend, Find, Planned.

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Laura Mvula

2LP | 2021 | EU | Original (Warner Music International)

Mood Valiant Red / Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Pop

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Laura Mvula’s new album ‘Pink Noise’ is set for release on July 2nd. ‘Pink Noise’ explores a side of Laura previously uncharted. As triumphant as ever, the album is a battle cry and stark reminder of the sheer talent of the critically acclaimed artist. This is Laura in a new found light - still reflecting her distinctive signature sound but showing the progression of an artist who has come into her own.

Contrasting confessional lyricism with compelling and infectious synth pop, ‘Pink Noise’ feels completely and uniquely Laura. Her artistic prowess knows no limits - take the neo-soul meets art pop of ‘Remedy’ for example, or the darker, pulsating ‘Conditional’ that injects bombastic funk into indietronica. She feels rejuvenated too, especially on electro pop stunners ‘Magical’ and ‘Before The Dawn’. This is Laura Mvula at her most ambitious to date, leaving no stone left unturned in this cosmic new realm.

As one of the most exciting musical talents to come out of the UK, Laura has previously won an Ivor Novello Award for Best Album, has been nominated for the Mercury Prize (not once but twice), BBC Sound Poll, the BRITs Critics Choice Award, two BRIT Awards in 2014 (British Female Solo Artist and British Breakthrough Act) and won an incredible two MOBO’s in 2013 (Best Female and Best R&B/Soul).

Having caught the attention of her musical hero Prince while performing for the first of two times on the Pyramid Stage at Glastonbury, Laura has gone on to travel the world, selling out shows and captivating crowds at every destination. Crowned “Queen of the Prom” and given a five star review from the Evening Standard for her Proms 2014 Late Night performance at the Royal Albert Hall, Laura’s critically acclaimed career has led her to work with real-life inspirations Nile Rodgers and touring with David Byrne.

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Hiatus Kaiyote

LP | 2021 | UK | Original (Brainfeeder)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Mood Valiant Black Vinyl Edition

Hiatus Kaiyote

LP | 2021 | UK | Original (Brainfeeder)

Release: 2021 / UK – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Unseen Worlds)

Carl Stone

Stolen Car

33,99 €*

LP | 2021 | EU | Original (Munster)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Over The Past Several Years, The Recorded Output Of Carl Stone Has Been Turned On Its Head. In Previous Decades, Stone Perennially Toured New Work But Kept A Harboring Gulf Of Time Between The Live Performances And Their Recorded Release. This Not Only Reflected The Careful Consideration Of The Pieces And Technical Innovations That Went Into The Music But Also The Largely Academic-Minded Audience That Was Themselves Invested In The History And Context Of The Work. The Time Span Of Stone's Recorded Output In Both Sheer Musical Duration And Year Range Was Generously Expansive. Following Multiple Historical Overviews Of Stone's Work On Unseen Worlds And A Re-Connection With A Wider Audience, The Time Between Stone's New Work In Concert And On Record Has Grown Shorter And Shorter Until There Is Now Almost No Distance At All. Stone's Work Has Often At Its Core Explored New Potential Within Popular Cultural Musics, Simultaneously Unspooling And Satisfying A Pop Craving. On Stol En Car, The Forms Of Carl Stone's Pieces Have Also Become More Compact, Making For A Progressive New Stage In Stone's Career Where He Is Not Only Creating Out Of Pop Forms But Challenging Them.Stolen Car Is The Gleeful, Heart Racing Sound Of Hijack, Hotwire, And Escape. Stone Carries The Easy Smirk And Confidence Of A Car Thief Just Out Of The Can, A Magician In A New Town Setting Up A Game Of Balls And Cups. With Each Track He Reaches Under The Steering Wheel And Yanks A Fistful Of Wires. Boom, The Engine Roars To Life, The Car Speeds Off Into The Sunset, The Cups Are Tipped Over, The Balls, Like The Car, Are Gone."These Tracks Were All Made In Late 2019 And 2020, Much Of When I Was In Pandemic Isolation About 5000 Miles From My Home Base Of Tokyo. All Are Made Using My Favorite Programming Language Max. However Distinct These Two Groupings Might Be They Share Some Common And Long-Held Musical Concerns. I Seek To Explore The Inner Workings Of The Music We Listen To Using Techniques Of Magnification, Dissection, Granulation,, Anagrami...

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The Ampex

LP | 2021 | UK | Original (Hyperdub)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Highlights:No South American 60s Rock Collection Can Be Completed Without This Classic And Scarce 1967 Colombian Garage Nugget, Part Of The Lesser Known Rock Catalogue Of Discos Fuentes. This Is The Second And Final Album Of The Band, Comprising Skillful Cover Versions Of Songs By International Artists Like The Yardbirds, The Raiders, The Rolling Stones, The Byrds, The Hunters, The Easybeats... Description:The Ampex Quickly Built A Large Fanbase In Their Native Colombia After Releasing A 4-Song Ep And A Full Album On The Label Estudio 15. They Were Also In-Demand Musicians That Local Pop Stars Would Hire For Both Live Shows And Recording Sessions. Although It May Look Like These Young Rockers Had A Promising Future Ahead, The Beat Sound Went Out Of Fashion In Colombia And The Members Of The Band Realized Their Project Had Come To An End. Before Disbanded (And Two Of Their Members Would Join The Time Machine), The Ampex Recorded A Self-Titled Album That Was Released On Discos Fuentes. Although The Label Was Mostly Focused On Tropical Sounds, Fuentes Also Welcomed The Emerging Rock'n Roll Sounds Of The Time And Had Already Released A Rock Compilation In 1966, Obtaining Substantial Sales Figures. This Elusive Gem Of Colombian Garage Contains Some Raw And Powerful Takes On The Repertoire Of Their Beloved The Rolling Stones, The Byrds, The Hunters, The Easybeats, The Yardbirds, The Executives, The Lovin' Spoonful And The Wailers, Often Sung In A Shameless Attempt To Translate The Original Lyrics To Spanish_ With The Copies Of The Original 1967 Release Being Almost Impossible To Find In Any Condition, We Are Happy To Present The Ampex Reissued Here For The First Time.

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Loraine James

Reflection

McCartney III Imagined Black Vinyl Edition

Release: 2021 / UK – Original

Genre: Organic Grooves

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Made During Summer 2020, Loraine James' Second Hyperdub Album, `Reflection', Is A Turbulent Expression Of Inner-Space, Laid Out In Unflinching Honesty, Offering Gentle Empathy And Bitter-Sweet Hope. `Reflection' Further Develops A Unique Pop Sensibility Realised On Last Year's `Nothing Ep', While Tones Of Drill And R&B Seep Through Into This Collection Too. In Contrast To The Brash Splashes Of 2019's `For You And I' Lp And The Grimey Anger Of `Nothing', `Reflection' Is Pared-Down And Confident, Taking The Listener Through How Last Year Felt As A Young Black Queer Woman In A World That Has Suddenly Stopped Moving, The Arc Of The Album Peppered With Loraine's Diaristic Confessions. Starting Positively With The Gentle Pop-Trap Of `Built To Last' Ft Xzavier Stone, Into The Bumpy Instrumental Of `Let's Go', The Album Switches Tone With `Simple Stuff', Followed By Regular Collaborator Le3 Black Amplifying Loraine's Vulnerability On The Downcast Drill Of `Black Ting', Then `Insecure Behaviour And Fuckery' Is A Techno Glide Which Pairs Nova's Confrontational Plea For Respect, Delivered In Monotone Autotune, Against Deep Drexciyan Chords. With Baths On Vocals, The Weightlessness Of `On The Lake Outside' Soothes Numb Feelings, And Eden Samara Explores The Shadow World Of Anxious Dreams On The Airy R&B Of `Running Like That'. Closing Track `We're Building Something New' With Manchester Rapper Iceboy Violet Brings The Album Together, Confidently Suggesting A New World Is In Reach. `Reflection' Is A Brave Step Forward For A Unique And Creative 21st Century Musician.

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Paul McCartney

2LP | 2021 | US | Original (Capitol US)

40,99 €*

LP | 2011 | US | Reissue (Carpark)

Release: 2021 / US – Original

Genre: Pop

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McCartney III Imagined wurde von Paul persönlich kuratiert. Es beeindruckt mit einer hochkarätigen Gästeliste von Freunden, Fans und neuen Bekanntschaften, die jeweils ihren Lieblingsmoment von McCartney III in ihrem eigenen, unverwechselbaren Stil covern und/oder neu interpretieren. Das Ergebnis ist ein musikalisches Kaleidoskop und eine spannende Neuinterpretation des Albums, das der Rolling Stone zurecht als “eine Inspiration für uns alle” beschrieben hat. Es ist eine Erweiterung des von Tag Eins an sehr beliebten McCartney III. Gleichzeitig steht es auch für sich selbst: als genialer und spannender Meilenstein in der Diskographie von Paul McCartney.

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Toro Y Moi

Underneath The Pine

LP | 2021 | EU | Original (Born Bad)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Columbia, South Carolina’s Chaz Bundick (aka Toro y Moi) rose to the fore of the music blogosphere in summer 2009 when he and a few peers made their hazy bedroom recordings the most talked-about sound of the season. Critics across the board took notice of the range of his compositions, and his debut album, Causers of This, showcased his ability to make elements of Brian Wilson’s pop, 80s R&B, and Stone’s Throw hip hop coalesce into a distinct sound that’s as suitable for a dancefloor as it is a pair of headphones.

When Chaz first signed to Carpark Records, the plan was to release two records in 2010 — one electronic and one with live instrumentation — and although it didn’t quite fit into the same calendar year as his debut, Underneath the Pine is that latter offering. This release sees him following the same creative urges to completely different ends. Having spent the year listening to film composers like Ennio Morricone and François de Roubaix, Bundick returned to his home in Columbia, the birthplace of many Toro tracks of yore, to bring his new ideas to fruition. The result of these sessions is an album evocative of R. Stevie Moore’s homespun ruminations, David Axelrod’s sonic scope, Steve Reich-ian piano phrasing, and the pervasive funk of his first record. Underneath the Pine announces a new phase for an artist whose talent defies classification.

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Music On Hold

30 Minutes Of

18,69 €* 21,99 € -15%

Dynam'hit Europop Version Française 1990-1995

Release: 2021 / EU – Original

Genre: Rock & Indie

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Music on Hold – 30 Minutes of When you decide to get a degree at university, like chief songwriter Emile Cartron-Eldin Music goes on hold. When you don’t have enough dollars for that overpriced repressed LP the record store puts it on hold behind the counter. this is: Music To Hold Onto! To cherish and adore, right here right now. After little shining stars of self-released cassette classics showing great promise of solid SF song writing Music on Hold deliver an LP with strictly “only the hits” in updated graphics and soundbite studio wizardry..and amen! It’s the shinning neon-colour video game classic you never played in your youth in the arcades. You only dreamed about it after too many bong hits. You think you’ve heard these songs before? Ha! You’ve never heard them better brother. Gary Wilson called, and sung you a melody and the Human League stole the synth lines.. then The Spits put lead guitar in slow-motion. HEY! Superior Viaduct just found another lost Record by Departmentstore Santas.. Hold on. No they didn’t.. our trusted Born Bad just stumbled upon a collection of stone-cold classics laying behind the wall of VHS’s and sent them to be remastered for the best Sunday drive of your life. This is a record for all four seasons in all TV Colours and black and white nouvelle vague romance. The punk generation doesn’t take shame in playing Grand Theft Auto: Vice City, they know all the cheats. This LP is the first baseball bat you take you A Ferrari parked outside a strip club. This is the flock of seagulls that exploded in the sky In multicoloured fireworks and came raining down Into the ears of the youth in these troubled times before cocaine became boring.. This isn’t your ironic Japanese obi-tape cassette vapourwave sally, Music On Hold is you, me and everyone else in the same bathtub giving each other sensual back rubs before slipping into silk dragon kimonos. It is sincere. It’s real. It’s an all filler-no killer instant classic of a nostalgia you can’t even begin to unravel. The project once a solo affair is now a power-trio featuring funky starship troopers Guillaume Mobstaire and beloved cult-hero Mathis (Police Control, Skategang) in the shuttle. And as they blast off into cyberspace They toss this their first greatest hits out of the cockpit and into your hands. Nathan Roche

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V.A.

LP | 2021 | EU | Original (Born Bad)

21,99 €*

Live At The BBC White Vinyl Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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France, 1990. Fun Radio, NRJ, Skyrock set a new pace, and their crushing hegemony irrevocably marks the end of the free radio utopia. The giants become vital in the hit industry and carry on fuelling France’s greatest invention: la variété. A quintessentially French version of British dance pop with a very specific tang to it, too coy to emulate trendy clubs’ and rave parties’ music, europop cautiously tests the waters of what will soon turn into a tsunami : house music. Is house the soundtrack of the 90s? In Europe, it gave steam to comeback bands just as much as to the most memorable formations of the decade, while in France it paved the way for the global success of French Touch. “Real” house music emerges in early 80’s Chicago (where the Warehouse club, which allegedly gave its name to the genre, closes down in 1983). England’s acid house and Belgium’s new beat, its European offshoots, fed the cravings of tabloids in 1988 and 1989. The house music we’re interested in though, the type bound to soon overwhelm European charts, is already pretty far away from the afro-american music born in Chicago. So far away it inherited a new name: dance music. Just like it had been the case with disco a few years back, house and techno aren’t exactly in the good books – acid house and new beat even less so. And it’s precisely the genre’s mainstream iteration this compilation focuses on; the house en français, which strives to get on board the running train in 1990. The house which sports the all-over jean look, bandana, cap, chewing gum, peugeot 205 complete with snazzy beats on the radio. The big deal big fuss type, miles away from the original, underground house. It might not have been born in the nineties, but that’s clearly when house music became mainstream. What underpins house music might even be what is to define the decade to come: jingles and pin’s, megaclubs and clips. That and the hits. Very soon house is everywhere: on the air of the big radio stations and on TV, creeping in as far as kids’ programs. The French may not even notice, but they’re all listening to it. Meanwhile, music producers smell the gravy and, willy-nilly with the earnest, enlightened amateurs, propose their very own club versions, cross breeding French variété and house. The result: a chart and club ready ersatz that is to quickly seduce young audiences. Hits, that’s what we want – or tubes for the French, like in House Tube, one of the landmarks of this compilation. The tracklist, like the soundtrack to a club night that never happened, fictitiously reconstructs the fleeting moment when house made its arrival in France, bridging the gap between variété and eurodance. House quiproquo House music barges in like a UFO on European land. With the arrival of this repetitive, yet transgressive music, tabloids freak out, while widespread incomprehension over the genre inspires dubious misconceptions. The media are happy to suckle on the music’s popularity, though well hidden behind the veil of decorum: NRJ airs a remake of a famous new beat track, Rock To The Beat, in which, however, “ecstasy” is swapped for “fantasy”. Dechavanne, thoughtful as usual, calls fans junkies and nazis on his tv show, Ciel Mon Mardi – though the show’s theme song is nothing else than a house track. The footage became a classic, and the comments, sampled by producers, provided the vocals for a flagship new beat track (Dr. Smiley – L’Echo Dechavanne). The Dechavanne episode is representative of the general confusion surrounding this barbarian music; skepticism remained high, even (if not more so?) in the musical world. In fact, it’s the subject of the unequivocal House Tube: “House tube, bouse tube ; on n’aime pas vraiment le house tube House soupe, bouse soupe ; on n’aime pas vraiment le house soupe” That is: “House hits, house shit; we don’t really dig house hits House soup, shit soup; we don’t really dig house soup” The success of house music inspired many exasperated reactions, just like House Tube (the B-side of a deodorant ad’s theme). Laurent Castellvi, surprised that the joke-track he composed at the time still sparked interest, told us: “At the beginning of the nineties, house was all over the radio. It annoyed me a little that most tracks were based on the same two chords. House Tube is a joke, it’s me sitting at the piano playing two chords. And that’s what the lyrics say.” On the other hand and following up with the next track, Fred de Fred was clearly in the know. The Frenchman had moved to the epicentre of the English commotion, Sheffield, a few years prior to the arrival of house. That’s where Warp (Autechre, Aphex Twin) originated – and at the time Warp still went by the name FON, Fred already hung around in their studios. Robert Gordon, Fred’s pal and co-founder of the label, signs the remix of one of his 1989 tracks, Sous Sous. In 1991, he composes a record of songs, and when it comes to pairing a suitable club remix single, Fred knows what’s up. Je T’Aime En Amour, sleek rock, mutates into a syncretism of french chanson and nearly rave breakbeat (here provided in its “2020” version). Fred de Fred is exemplary of the variété-club crossover driving this record; his career started within the collective ZNR, he crossed paths with the likes of Alain Bashung and then the Stone Roses, was close to Warp, and ended up signing a record on Barclay. Studio sharks Electronic musicians are often referred to as “producers”. This emanates from the delimitation of roles in the making of recorded music, traditionally assigned as singer, songwriter and producer. The latter takes care of the recording per se; that is, he manages the project, rents the studio, hires the musicians (known as requins de studio – studio sharks – for accumulating studio sessions) and cashes in at the end. The artist in electronic music is the producer alone, who essentially combines all roles at once: totally autonomous in his home studio, he can do without musicians or singers. The moment we’re interested in is this transitory period in which the two types of producers coexist. On the one hand, the new producers, like Fred Rister with Everybody Dancing, who recorded in a shack on a 4-track recorder, according to the sound engineer. On the other, the revival of old brigade producers, always on the lookout for a hot deal. The producer behind Près De Toi is of the latter type – pursuing a long musical career though quick to forget Claire-An (and so did posterity). New beat’s heritage isn’t negligible : its pioneers fashioned the “new generation” producer formula, a one-man-band in his machine-filled home studio. They’re also the first to churn out major hits, hitting the floor of a few Belgian clubs and eventually making it to the European top 50. What seems like mad creative abundance (hundreds of tracks between 1987 and 1989) is in fact the work of a handful of Belgian producers, barely ten, hidden behind multiple aliases. Among them, Marc Neuttiens, Jack Mauer and Fabian Van Messen, who often work as a trio and produce some of the genre’s most iconic tracks. In the midst of which On Se Calme, produced under the name Bassline Boys, sampling none other than Christophe Dechavanne. It’s no coincidence then that Anne Zamberlan should knock on their door with in mind the idea of an antidrug track. She wants to make noise, they know how to make a hit. And the track has it all: proto-acid gimmicks, big beat, house piano, verses rapped with a hiphouse flow… It might have been great, but even a Virgin Megastore ad she appeared in two years later got her more success. À la folie, je danse This tale is also the one of the pioneers who brought house music to France, first on the radio, well before rave parties or Laurent Garnier’s nights in Paris. As soon as the early eighties, Robert Levy Provençal plays the edits of the young Dimitri from Paris on the airwaves of Radio 7. At the time they’re unusual: like one would use samples in hip hop, Dimitri loops soul, funk and disco tracks, creating extended mixes. He breaks down tracks, reducing them to a gimmick or a bass line, thus creating easy-to-mix tools for DJs and bringing them closer to the sounds of house and techno music. He soon becomes resident DJ on NRJ and hosts the popular show Hot Mix. Like his colleague RLP, Dimitri proposes a trailblazing selection, blending together French news and the odd new sound from the States. At the turn of the nineties, when europop wants in at the club, only these influencers master the dance side of things. There’s RLP, Bibi Fricotin, Dom T… And Dimitri, who becomes the assigned variété remixer, adapting dozens of songs that were never meant to make it into a club. The general tendency however is less to official remixes than to bootlegs: a “pirate”, unauthorised and often private remix – just like Jacques Dutronc’s Opium, stretched out into a nearly 7-minute-long mix. The nineties also set the stage for the first TV stars, the ones who become famous without anyone really knowing why. Take, say, Jordy, four years old. The kid, in his diapers, sings along a New York style, house piano production and somehow makes it to the top 50’s number 1. For years, Jordy plays out the role of the child star and demonstrates that dance music is a perfectly profitable affair: it fuels the radios turned juggernauts, and lands on TV, seeping through music programs… In 1989, Vincent Lagaf (a famous french TV host) dives in with Bo Le Lavabo. The pitch is simple: the TV host adapts a track well known overseas, Lil Louis’ French Kiss (without any direct reference), simply adding lyrics taken from a sketch. He’s rather clear on his intentions (“Well, that’s just how you make it to the top 50”) and has no mercy for a musical genre he clearly understands nothing about (“See? Easy.”). Single night stars The club is a democratic place where anyone can be a star for a night (a nineties remix of Andy Warhol’s famous saying, meaning to imply: never has fame been so near, yet so far). The ghost of stardom haunts all of these forgotten tracks… This is particularly true in the case of Techno 90, Fred Rister’s first band. The DJ hailing from Northern France takes part in the short-lived though seminal Maxximum radio and mixes everywhere on both sides of the Belgian border, quickly becoming a local celebrity. At the turn of the century, he starts collaborating with David Guetta – another DJ, slightly better known than Rister and a rising star of the Parisian club scene. Together they eventually co-sign a few global hits: Love Is Gone, When Love Takes Over, I Gotta Feeling. This tale is the story of French variété’s unforeseen encounter with the avant-garde, of DJs who rose to the status of pop stars and others who descended deep into the rave party scene. It’s all of these oddities our compilation seeks to recount, like a wacky TV show featuring anonymous stars, forgotten ghosts of a decade bygone (Jacques Dutronc, Jean-Francois Maurice) or yet to come (David Guetta), inspired though unlucky blokes plus a girl band. And somewhere in the shambles, the tracklist of our compilation, the B-side of dance music’s official story – what could have been France’s alternative hit machine.

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The Pretty Things

3LP | 2003 | EU | Reissue (Repertoire Entertainment)

46,99 €*

Dennis Bovell / Dubblestandart

Release: 2003 / EU – Reissue

Genre: Rock & Indie

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In the golden age of the British R&B revival, few groups created as much excitement and controversy as the Pretty Things. They came up alongside the Rolling Stones in the early 1960s, but were deemed by critics and fans as wilder and bluesier than even Mick Jagger & co. When long-haired Phil May sang and shook his maracas with manic intensity, audiences and record buyers knew they were in for a wild ride.

But the Pretty Things took their music seriously and developed into one of the more innovative rock bands of the 70s, much admired by groups and artists from Led Zeppelin to David Bowie. As well as recording hit singles and albums, the Pretties were also heard live in action on BBC radio shows that captured their dynamic performances with remarkable clarity and presence.

We are fortunate that this audio heritage has been carefully preserved and has now been digitally restored for future generations to enjoy. Repertoire is proud to present this comprehensive 6 CD collection that provides over seven hours of non-stop R&B, original songs and new concepts.

Such seminal BBC shows as Saturday Club presented by DJ Brian Matthew and Top Gear by John Peel, who also hosted his own regular Sunday Concert, welcomed the band to their studios where they’d romp into everything from Pretty Thing favourites like ‘Big Boss Man’, ‘Road Runner’ and ‘Buzz The Jerk’ to the experimental ‘Defecting Grey’. Check out 1968’s ‘SF Sorrow Is Born’, an hypnotic and mysterious ri! that might well have infuenced today’s groups like Kula Shaker.

There is more broadcast material from the 1970s and even into the 2000s with BBC shows hosted by Mark Lamarr and Marc Riley that bring the band’s history up to date with vibrant versions of ‘Belfast Cowboys’, ‘Singapore Silk Torpedo’ and even a revival of their first hit single ‘Rosalyn’.

This superb box set has informative liner notes by Richard Morton Jack, progressive rock historian and editor of Flashback magazine, and includes an interview with Phil May discussing the recordings. Repertoire’s Chris Welch also interviews founder member guitarist Dick Taylor, who reminisces about the early days of the Pretty Things and pays tribute to his old friend Phil May who sadly passed away in 2020.

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@ Repulse "Reggae Classics"

LP | 2021 | EU | Original (Echo Beach)

11,99 €*

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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12" | 2021 | EU | Original (Nehza)

Neida

Slowing

14,99 €*

Plastic Ono Band Deluxe Edition

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Relentless raver and emerging artist from the Rinse France roster of captivating talent, Roni launches her imprint Nehza Records with a five-track EP titled ‘Slowing’ by Bordeaux-based Neida . Marking the debut release on the label, Neida is the first producer to bring Roni’s fantasy-led vision to life. ‘Slowing’ is a cross-pollination of breaks, acid, jungle and bass which nods to the sound of the underground UK rave scene circa 1990. An era that Roni closely aligns with in terms of sound, art and the sense of liberation synonymous with 90s club culture, Neida nails this aesthetic throughout the EP. ‘Bull’ sets a powerful tone as the opening track, packed with punchy drums layered below an orchestral-like vocal before ‘dso’ burbles through with squelchy synthwork over a 4/4 beat — a clear hint of that UK rave sound simmering under the surface. Garnering his appreciation for reggae and Rasta dialect, Neida’s rework of a vocal derived from reggae artist Don Carlos is masterfully blended into this 6-minute churner. Over on the B-side, ‘Guess Who’ burns slowly with downtempo breaks and mesmerising chords; you can almost smell an imaginary forest as the track unravels, creating an image of tripping in nature. ‘wht’ rumbles through with a mellow introduction before going full-whack into barreling drums and clap-heavy percussion, illustrating Neida’s ability to dip into experimental textures that nod to complex rhythm patterns rather than club-cut melodies. ‘For All The Time Sake’ closes the EP with an acid bassline and bright, crisp percussion ending the EP on a significantly vibrant note to mark the first stepping stone of Roni’s record label. ‘Slowing’ is a spiralling myriad of bright atmospheres and escapism, likely to be one of many sonic trademarks on Nehza Records.

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John Lennon

2LP | 1970 | EU | Reissue (Universal)

42,99 €*

Finding Wildflowers Alternate Versions Indie Exclusive Gold Vinyl Edition

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Plastic Ono Band was the debut solo album by John Lennon. Released on December 11th 1970, John and Yoko had started writing and demoing at Abbey Road (emi Studios) in the summer, with recording sessions during September/October

After the break-up of The Beatles that year, John and Yoko embarked on a period of self-reflection and experimentation, with the results that the songs and sessions for Plastic Ono Band were heavily influenced by his immersion in Arthur Janov’s primal therapy. John was able to find emotional depth and honesty within himself that few artists had ever done before, with John saying to Rolling Stone “now I write all about me and that’s why I like it. It’s me.” . The result is perhaps the most honest and emotionally raw album that anyone has ever released, let alone someone who was one of the four most famous musicians on the planet. With a small core band comprised of just Ringo Starr on drums and old friend Klaus Voorman on bass, co-produced by Phil Spector, the album peaked at 8 in the UK charts and 6 in the USA. It has come to be regarded by many as John’s finest solo work and has continued to grow in stature and reverence and has often featured in various Best Of lists through the years since. Not only does this album feature some of John’s best-loved and most impactful songs – Mother, Working Class Hero, Isolation, God – but this new set also includes the singles Give Peace A Chance, Cold Turkey and the classic Instant Karma! (We All Shine On).

Released on the same day was Yoko Ono’s Plastic Ono Band album, the couple regarding the release as a pair of albums rather than two entirely separate projects, albeit of course it not achieving the same sort of coverage or chart success as John’s.

Coming as this does hot on the heels of last year’s much loved and well-reviewed “Gimme Some Truth” set and “Imagine” before that, the audio has been completely remixed from the original studio tapes as part of the ongoing John Lennon Ultimate Mix series. The aim for this mix process is to achieve three things: to remain faithful and respectful to the original recordings; to ensure that the sound is sonically clearer overall and to increase the clarity of John’s vocals. As Yoko says, “it’s about John” and this new mix shows that it is his voice that brings the biggest emotional impact of the album.

This multi-format release included a Cd/bd Super Deluxe Box with 130 page book featuring many exclusive and new photos, track-by-track notes in the words of John and Yoko, lots of tape boxes and full breakdown and descriptions of the audio content. As well as the new Ultimate Mix, we have 5 further CD discs, each focusing on different and new aspects ,including: original outtakes, demos, Elements Mixes (focusing on individual aspects of the songs to reveal unheard elements), Evolution Mixes (the story of each song from demo to complete recording), Raw Mixes (unadorned studio takes that place you inside the room almost sitting alongside the band) and a further disc of studio Jams. There are two Blu-ray Audio discs that feature hi-res stereo (192/24) versions of all the above as well as surround mixes in 5.1 and Dolby Atmos. Further material only available on BD includes the Yoko Ono Band/Plastic Ono Band Live Sessions from the original recording sessions and featuring Ringo Starr and Klaus Voorman.

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Tom Petty

2LP | 2021 | EU | Original (Warner)

34,99 €*

Daddy's Home Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Finding Wildflowers (Alternate Versions) - the latest offering of Tom Petty music, curated with help from his loving family, bandmates and collaborators - will be released on April 16 via Warner Records. The tracks, which were previously released on the limited-edition Super Deluxe version of 2020’s Wildflowers & All The Rest, will now be available on standalone CD & vinyl and digitally for the first time.

The first track to be released is “You Saw Me Comin’,” a previously unreleased song and recording from 1992 and the final track on the collection, which will be premiering alongside a video directed by Joel Kazuo Knoernschild and Katie Malia. Reflecting upon recording “You Saw Me Comin’” for Wildflowers, Heartbreaker Benmont Tench notes, “There’s this kind of longing in the song, in the way that he wrote the chord structure, the melody and the lyrics. It’s wistful, and it would have been the perfect way to end the disc.”

Finding Wildflowers (Alternate Versions) follows Wildflowers & All The Rest which was hailed by Rolling Stone as “the definitive artistic statement that newly illuminates one of the most fruitful, inspired periods of the American legend’s career,” and by Variety, who called it “the best and most justified boxed set of this kind since the Beatles’ White Album compendium.” In fact, the songs on Finding Wildflowers (Alternate Versions) first initiated the estate’s discovery and curation process for the larger project.

Finding Wildflowers (Alternate Versions) features 16 studio recordings of alternate takes, long cuts and jam versions of Wildflowers songs as Tom, band members and co-producer Rick Rubin worked to finalize the album in 1994. The release offers fans further deep access into the writing and recording of Wildflowers, as well as realizing the full vision of the project as Tom had always intended.

The collection was produced by Tom’s longtime engineer and co-producer Ryan Ulyate who listened to 245 reels of 24-track tape, revealing Tom and his collaborators’ evolutionary process and finding the group willing to do whatever it took to discover the essence and magic in the material.

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St. Vincent

LP | 2021 | EU | Original (Virgin Music)

21,99 €*

Genya Ravan & Nile Rodgers / The Shang Hi Los

Release: 2021 / EU – Original

Genre: Pop

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"I was inspired by the classic records of the 70's. Stevie. Sly. Stones. Steely Dan. Chords. Groove. The days when sophisticated harmony and rhythm didn't sound heady - they just sounded, and felt, good. Lots of guitar. But warm sounds, not distortion and chaos. Hopefully a turn nobody will see coming." – Annie Clark

The imagery for this campaign will be heavily influenced by the 70’s – think Super Fly, vintage cars, hotel voyeur. Annie’s new persona for this album is called Candy Darling.

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Sway Little Player/I Who Have Nothing White Vinyl Edition

7" | 2021 | EU | Original (Rum Bar)

20,99 €*

Live In The Mojave Desert Volume 4 Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Available On White (This) Aad Clear Vinyl! Very Limited Edition 7" Release From A Trailblazing Icon, Genya Ravan Featuring Nile Rodgers On Guitar And One Of Genya's Favorite New Bands The Shang Hi Lo's Fronted By Vocalist Jenny Dee. 7" Features A Download Card To Both Tracks, Plus A Bonus Track From Genya Ravan And The Shang Hi Los' Debut Ep Release Kick It Like A Wicked Bad Habit // "While Recording 'I Who Have Nothing'_..I Thought Who Better Than Nile Rodgers To Give Me The Genuine R&B Groove This Song Needed_i Knew The Guitar Player For Me Had Be 'Nile Rodgers! I Sent Him An Email And He Called Me Right Back! I Sent Him The Basic Tracks And Without Hesitation, His Reply Was "Yes" He Would Play The Rhythm Tracks. Did He Ever!!!!!I I Admire Him And All Music He Has Ever Played On. Example: Diana Ross -Madonna -David Bowie Joss Stone-Mick Jagger The List Is Too Long To Continue. If Any One Can ' Rock And Chug' Its Nile The Proof Is In This Recording." Genya Ravan // "First Of All, Your Version Of "I Who Have Nothing" Is Nothing Short Of A Masterpiece. You Have Given The Song A New Life, Especially The Line "What A Bitch! What A Bitch!" Your Voice Has A Different Timbre To It, And It Resonates Like Never Before. Congratulations!" Richard Perry // "I'm More Than A Casual Fan. I've Seen Jen D'angora(The Dents,The Downbeat 5, Jenny Dee And The Deelinquents), Dan Kopko(Watts), And Lee Harrington (The Neighborhoods), Play Live More Times Than I Can Count. I Have All Their Records,They Are Among The Best Bands To Come Out Of Boston !! So It Comes As No Surprise To Me That When Dan, Jen, Lee And Chuck Ferreira Formed The Shang Hi-Los...Great Thing Would Happen. It's A Slightly Different Sound Than Anything They've Done Before But Still Fantastic !! The Single Sway Little Player Is Just The Start, Get On Board." Skybar, Rising-Wmfo // Tracks : 1. The Shang Hi Los - Sway Little Player - 2. Genya Ravan Featuring Nile Rodgers - I Who Have Nothing

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Stoner

Rite Of Ascension Oxblood Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Live In The Mojave Desert Is A Livestream Concert Film Series Created Deep In The Deep Sand And Huge Boulders Of Some Insanely Beautiful California Wilderness, With Performances From Earthless, Nebula, Spirit Mother, Mountain Tamer, And Stoner (A New Band By Brant Bjork And Nick Oliveri). Each Concert Film Is Presented In A World-Premiere, 1080p Hd Livestream Event And Will Become A Live Album. Rad Music, Good Times, Psychedelic Positive Vibez In The Desert.Live In The Mojave Desert Was Inspired By Pink Floyd's Live At Pompeii. A Few Of Our Favorite Bands - New And Legendary Artists - With The Mad Alchemy Liquid Light Show To Light Up A Huge Double Pyramid Of Boulders. Recorded In 24 Track Protools.

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Mammoth Storm

LP | 2014 | EU | Reissue (Argonauta)

LP | 2021 | EU | Original (Argonauta)

Release: 2014 / EU – Reissue

Genre: Rock & Indie

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Very sought after debut for the Swedish band, brand new re-issue for this cast in stone doom album, originally released on Napalm Records back in 2014. New cover artwork with A3 insert.

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Huanastone

Third Stone From The Sun

LP | 2016 | EU | Reissue (Warner)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Finally available on vinyl ! Malmö, Sweden, based stoner and fuzz rock unit, Huanastone, are back with their already critically acclaimed new album! Each of Huanastone‘s records tells a new story and opens up new opportunities for exploration, while the band is creating an authentic, heartfelt and ominous sound backed up by steady riffs, big fuzz and heavy grooves.

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Biffy Clyro

Only Revolutions

Release: 2016 / EU – Reissue

Genre: Rock & Indie

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LP | 1995 | EU | Reissue (Matador)

Pavement

Wowee Zowee

30,99 €*

Release: 1995 / EU – Reissue

Genre: Rock & Indie

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LP | 1999 | EU | Reissue (Matador)

Pavement

Terror Twilight

27,99 €*

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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LP | 2021 | EU | Original (APF)

Indica Blues

We Are Doomed

29,99 €*

LP | 1973 | EU (Trading Places)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Format: Solid Orange 12" Vinyl - Indica Blues Are A Four-Piece Psychedelic Doom Band From Oxford, U.K. Once Described As "Bong Filling Rock That Is Platinum Heavy,But Blessed With A Melodic Sensibility Underneath It All", The Band's Unique Sound Has Garnered Fans Across The World Since Their Formation In 2014. They Have Gigged With Stoner Rock Luminaries Such As Elder, Samsara Blues Experiment And Mars Red Sky. Indica Blues Began Life With The Four Track Ep 'Towers Rising,' Released By Guitarist And Vocalist Tom Pilsworth. Tom Joined Forces With John Slaymaker (Previously Of U.K Stoner Underground Legends Caravan Of Whores) And The Pair Recruited Andrew Haines-Vilalta And Ed Glenn On Drums, Releasing The 'Ruins On The Shore' Ep In 2016. Featuring Eye Popping Artwork From Brazilian Graphic Artist Cristiano Suarez, The Record Was In The Top 5 Bandcamp Bestsellers In The Categories Of Doom And Stoner, And No.1 In Desert Rock. It Was Picked Up And Played By Alternative Radio Stations Across The World And Listed Within 2016's Doom Charts. Rich Walker Replaced Ed Glenn On Drums, And A Debut Album 'Hymns For A Dying Realm,' Was Released In 2018 To Further Underground Acclaim. In 2020 The Band Announced They Had Signed To Apf Records And Will Release A Second Album, 'We Are Doomed' In 2021, With Cristiano Suarez Once Again Lending His Unique Artwork. Apf Records Stated: "Let Us Tell You Now, It's Huge. Recorded By Steve "Geezer" Watkins At Woodworm Studios And Mastered By Tim Turan At Turan Audio, It Delivers On The Promise Of Being Their Most Massive Sounding Release To Date, With Chunkier Riffs, Groovier Hooks, Wider Ranging Vocal Stylings And More Ethereal Melodic Deviations Than Have Come Before."

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Tucky Buzzard

Buzzard

15,99 €*

Live At Rocket Club Clear Vinyl Edition

Release: 1973 / EU

Genre: Rock & Indie

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The roots of hard rock act Tucky Buzzard lie in psychedelic group, The End, who supported The Rolling Stones on an early tour, leading Bill Wyman to produce their sole LP. The band then morphed into Tucky Buzzard, now with scorching lead guitar licks and Hammond organ parts to the fore, and Wyman still on board as producer and manager. For their final album, Buzzard, released on Deep Purple’s Purple imprint in 1973, there is a mix of hard-edged blues rock, with a fine interpretation of perennial classic, “Who Do You Love,” and wistful originals like “Hanging On In There.” As ever, Wyman’s sterling production and presence on acoustic and electric piano makes this one a must for all Stones fans.

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OJM

LP | 2021 | EU | Original (Go Down)

Same Old Things Feat. Cazeaux Oslo

Release: 2021 / EU – Original

Genre: Rock & Indie

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OJM has been one of the first Italian bands dedicated to stoner-rock, so much that its first EP goes back to 20 years ago. The band from Treviso (north of Italy) has been able to evolve and improve. Both, musicians and style changed over the years and moved to the seventies garage and the heavy-psych, which are superbly represented in the last album Volcano dated 2010. Ten years passed since then and the band never officially split up. We can talk about a long hibernation which is alternated to awakenings heated by terrific live performances: the best way to enjoy its music! All the different formations that have followed over the years, turn around the two founding members, the drummer Max Ear and the vocalist David Martin, who are the beating hearts of a creature able to give us truly unforgettable emotions! Live At Rocket Club captures the band in one of the best ever moment of its artistic life. It is the tour that promoted the aforementioned Volcano which reached fame and success thanks to the production and mixing of Dave Catching (qotsa, Desert Sessions, Eagles of Death Metal). The line-up is embellished by the presence of guitarist Andrew Pozzi (bassist in the previous formation) and Stefano Pasky on the organ. The new band realised a personal groove marked by The Hellacopters’ guitar sound and characterized by sixties atmospheres reminding The Doors’ Fender Rhodes Piano Bass. Live At Rocket Club will be printed in 300 copies (only vinyl) thanks to the cooperation between Go Down Records and Vincebus Eruptum Recordings and it is a summa of the great show of OJM at the Rocket Club in Landshut, Germany. Most of the 10 tracks recorded during the performance are taken from Volcano, but there are also iconic pieces such as the brilliant cover “Hush”, which was made famous already by Deep Purple’s Mark I in 1968. Waiting for the band waking up in the strongest way ever as soon as possible, we have just to enjoy these historical testaments. Long live rock’n’roll!

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Tervete Collective

12" | 2021 | EU | Original (Inner Tribe)

14,24 €* 18,99 € -25%

7" | 2021 | EU | Original (Munster)

Release: 2021 / EU – Original

Genre: Hip Hop

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Ban vibes ala Kamaal Williams/ Baker Brown.. with raps from Cazeaux Oslo who is on the Stones throw quakers release, comes with Inkswel mix Cut from live jams at teverte collective’s own studio located in forest range, south australia, same old things is the collective’s first offering to the outside world. Featuring good friend and frequent collaborator, cazeaux oslo (so.Crates). Featuring a line up of 4 core members and a handful of frequent collaborators, tervete collective are a hip-hop and groove collective inspired by hip-hop greats like the soulquarians, j dilla, a tribe called quest and robert glasper, as well as the recent revival of the uk jazz scene.

Song credits: Drums - hamish scanlon Bass - cianan lee Guitar - jay fowkes Trumpet - dan isler Keys - andrew casey Vocals - cazeaux oslo

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Los Saicos

Demolicion

Weedsconsin Splattered Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Los Saicos Created A Raw, Wild And Visceral Sound, The Southern Hemisphere Equivalent Of The Garage Rock That Was Coming Out Of The Us And Their Anthem 'Demolición' Is One Of The Most Insane '60s Punk Songs Of All Time. Unavailable On A 45 For Over A Decade, Here It Is Again! The Archaeology Of Rock'n'roll Is Much Like Any Other Form Of Digging. Significant Finds Demand The Re-Addressing Of Previously Considered Certainty. You Can Hear Direct Links To Both The Stooges And The Cramps Here And Several More Equally Enthralling Combos. The Latter Spawned Several Generations Of Individuals Who Would Dig Deep To Previously (Mostly) Unheard Seams Of Music And Other Forms Of Culture That Have Since Become Part Of The Mainstream Fabric. When Los Saicos' Front Man Erwin Flores Was Asked How Aware He And His Friends Were Of What Was Happening In Britain And The Us At The Time, Here's What He Had To Say: "We Knew The Beatles, They Were Our Idols. We Heard The Rolling Stones After Recording 'Demolición' And Also Bob Dylan And Others. The Primitive Nature Of Our Songs Is Something That Came Spontaneously Out Of My Head. The Band Had No Problem With Assimilating And Arranging It. We Thought Of Ourselves As Bad Boys And That Must Have Been A Driving Force." "Primitive To The Point Of Primordial, Los Saicos Are An Important Benchmark. Not Were. Who Ever Thought There Could Be A Combo Out There In Peru That Would Make The Sonics Sound Like Simon And Bloody Garfunkel? There Is Quite Possibly Some Other Music Out There, Someplace, That Could Well Make Us Re-Address This Consideration, But Until Then, Cherish This Short Course Of Saicotherapy."

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Bongzilla

28,79 €* 31,99 € -10%

Weedsconsin Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Bongzilla

Live In The Mojave Desert Volume 5 Rosa Fluo Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Mountain Tamer

23,99 €* 29,99 € -20%

Live In The Mojave Desert Volume 5 Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Inspired by Pink Floyd’s ‘Live At Pompeii’ the live in the Mojave desert series will showcase some of desert rock’s best in the middle of the California wilderness. Live IN THE Mojave Desert is a livestream concert film series created deep in the deep sand and huge boulders of some insanely beautiful California wilderness, with performances from Earthless, Nebula, Spirit Mother, Mountain Tamer, and Stoner (a new band by Brant Bjork and Nick Oliveri). Each concert film is presented in a world-premiere, 1080p HD livestream event and will become a Live Album. Rad music, good times, psychedelic positive vibez in the desert. Live in the Mojave Desert was inspired by Pink Floyd’s Live at Pompeii. A few of our favorite bands - new and legendary artists – with the Mad Alchemy Liquid Light Show to light up a huge double pyramid of boulders. Recorded in 24 track ProTools.

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Mountain Tamer

Live In The Mojave Desert Volume 2 Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Nebula

Circles - The Ultimate Fleur De Lys Colored Vinyl Edition

Release: 2021 / EU – Original

Genre: Rock & Indie

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Fleur De Lys

2LP | 2021 | UK | Original (Acid Jazz)

31,99 €*