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Barnas 16 Favoritter (Røde Kors Platen)

LP | 1979 | NO | Original (Polydor)

Boogie Legs Yellow Vinyl Edition

Release: 1979 / NO – Original

Genre: Childrens

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Used Vinyl

Medium: G+, Cover: Generic

Vinyl with scratches. Cover is missing

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Jake Sollo

LP | 1980 | US | Reissue (Tidal Waves Music)

24,29 €* 26,99 € -10%

LP | 1980 | EU | Reissue (Wah Wah)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies.

Shake your ya-ya! Jake Sollo (Born in Nigeria as Nkem Okonkwo) started his career in the 1960s as a member of The Hykkers, a popular band that drew large audiences across the country (even during the turmoil of the Biafra civil war). After The Hykkers disbanded, Jake joined the Aba-based super-group The Funkees…a musical outfit turned into instant superstars due to the State Broadcasting Service's heavy rotation of their demo tracks. The Funkees became a phenomenon that spread across the country fast (and eventually to England where they were championed by the legendary John Peel). By 1976, due to creative and personal tensions, The Funkees slowly started disintegrating. Jake Sollo was soon offered the golden opportunity to join the ‘crème de la crème’ of Afro-rock groups: Osibisa. Jake’s distinctive rhythm guitar graced their hits, but his tenure with them was short-lived…in 1977, Sollo and two other members left the band because of financial disagreements.

Jake Sollo quickly moved on and did just fine after his experiences with said bands…he got steady work as a session musician and became a hot producer in the London scene. Eventually, that chapter came to a close as well (with budgets and visas to record in the UK becoming increasingly scarce at this point). Jake returned to Nigeria where he started recording and producing albums, during this period he became the MOST in-demand producer in Nigeria.

Sollo’s specialty was bouncy ‘high-gloss’ boogie (though he occasionally produced artists in other genres as well). Regardless of which style he was working in, a ‘Jake Sollo production’ was always instantly recognizable and his records’ main sonic signature was probably the distinct sound of the Prophet "V" synthesizer (a hot piece of hardware that was transforming music in Europe and America). Rumor has it that Sollo owned one of the two only Prophet synthesizers present on the African continent (the other one belonging to William Onyeabor). Without exaggeration and according to his peers…Jake was the hottest and most prolific music producer in Nigeria between the late 1970s and mid 1980s.

Next to his productions for other artists and major labels like EMI & Polydor, Jake Sollo would go on to record a total of three astonishing albums: ‘Coming Home’ (1977), ‘Show Me How’ (1979) and ‘Boogie Legs’ (1980). Boogie Legs would be Sollo’s final album, his career was cut short when he tragically died in a car accident in 1985…depriving the world of what no doubt would have been decades of more innovative and creative music.

On Boogie Legs, the listener is treated to Jake Sollo’s trademark sound with touches of pop, plenty of African groove disco, moments of psychedelic reggae, chattering guitars, mad synth skills and fat angular basslines … all bound together with Jakes distinctive guitar playing and smooth production. A triumphant album that combined the raw power from his roots with the slick tricks he learned in London. Also featured on these recordings are some ‘all-star’ guest appearances by musicians from the likes of Trevor Murrell (Kim Wilde, Sade) and Ray Carless (Maxi Priest, Adele).

Boogie Legs is a sexy monster of an album that shows off Jake Sollo as the multi-instrumentalist extraordinaire and Apostle of Nigerian music he was…the sound of an artist at the height of his power, with a career that came to an untimely end…but leaving us with a BIG legacy.

Tidal Waves Music now proudly presents the first ever vinyl reissue of Jake Sollo’s ‘Boogie Legs’ album (originally released in 1980 on Taretone). This rare Nigerian record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition (500 copies) complete with the original artwork. Limited to 100 copies 180g YELLOW VINYL (available exclusively from HHV RECORDS).

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Cultural Noise

Aphorisms Insane

20,99 €*

Release: 1980 / EU – Reissue

Genre: Electronic & Dance

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The only album by Austrian trio Cultural Noise is a an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar. With these weapons and a strong influence from the Berlin school Cultural Noise created a rich electronic tapestry which expanded through the two pieces of this record, one per side, being compared by reviewers to works by Zanov or Anna Själv Tredge. Mentions of Tangerine Dream are also present on reviews, although Cultural Noise have a pretty unique personality on their own and besides sharing the use of Mellotron, sequencers and analog synths we have a totally personal concept here which sets them aside from all TD impersonators of the era.

The album was originally released in 1980 on CBS and later repressed in 1981 which came in a B&W version of the sleeve that some sources list as a self release private pressing done by the band themselves - this has been denied by members of Cultural Noise.

We are proud to offer a 500 copies only reissue, housed in its original full colour version artwork.

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Decline Of Western Civilization

LP | 1980 | EU (Survival Research)

16,99 €*

LP | 1980 | US | Reissue (We Are Busy Bodies)

Release: 1980 / EU

Genre: Rock & Indie, Soundtracks

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Penelope Spheeris’ ground-breaking documentary The Decline Of Western Civilization captured the agony and the ecstasy of the Los Angeles punk scene of the late 1970s and its excellent soundtrack is required listening for all west coast Punk fans. The raw, jagged live sets by icons such as Black Flag, the Circle Jerks, the Germs, and Fear must be heard to be believed and the numbers by X point to their later commercial breakthrough; Catholic Discipline, with Claude Bessy of Slash magazine, provide another nugget. Totally essential!

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Lionel Pillay

Deeper In Black

33,99 €*

Klark Kent Record Store Day 2023 Reen Vinyl Edition

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Lionel Pillay’s broad list of associations is a testament to how widely respected he was in South Africa’s diverse jazz scene. In addition to his work with Mankunku, he played with Hugh Masekela in the early 1960s, produced the exquisite long-form recordings “Shrimp Boats” and “Cherry” with Basil Coetzee in the 1970s and collaborated with trumpeter Murray Campbell and saxophonist Bez Martin in the 1980s. However, is it with his 1980 album Deeper in Black, backed by core members of the jazz-fusion supergroup Spirits Rejoice, that his legacy was cemented.Deeper in Black was inspired by the 1969 Blue Note recording of American trumpeter Blue Mitchell entitled Collision in Black and took its name from Pillay’s cover of the album’s Peggy Grayson composition. Pillay’s album featured another two compositions from Collision in Black by way of the Monk Higgins track “Keep Your Soul,” with distinct arrangements straddling Side A and Side B, and Vee Pea’s “Jo Ju Ja” closing out the set. Although the source material was over a decade old when Pillay recorded his album, Collision in Black had struck a chord in South Africa with its first pressing in 1969 and even seen a local repressing in 1978. Blue Mitchell owed much of his popularity in South Africa to a six-week tour with saxophonist Harold Land in 1976. It was during this time that As-Shams/The Sun producer Rashid Vally seized the opportunity to record the Dollar Brand album Blues for a Hip King with Mitchell and Land backing Abdullah Ibrahim. Although the recording and release of Pillay’s Deeper in Black coincides with Blue Mitchell’s death in May 1979, the album was not explicitly promoted as a tribute but did certainly offer a respectful nod to the esteemed trumpeter who was among the few American jazz heavyweights who managed to connect with the South African scene during the Apartheid era.

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Stewart Copeland

LP | 1980 | Reissue (BMG)

26,99 €*

Release: 1980 / Reissue

Genre: Rock & Indie

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The 1980 debut from Stewart Copeland of The Police as Klark Kent. The first solo release by any member of The Police, all instruments were played by Stewart Copeland. Initially released as a 10” on green vinyl, BMG is reissuing as an RSD Exclusive on 12” green vinyl – the first repressing since the 1980’s. Lacquers cut at Bernie Grundman Mastering from a 192khz/24bit tape transfer of an original A&M Safety Master. Includes the UK Top 50 single “Don’t Care”.

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LP | 1980 | EU | Original (ZYX)

OST Star Trek

17,99 €*

Release: 1980 / EU – Original

Genre: Soundtracks

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Time Is The Answer HHV Exclusive Black Ice Vinyl Edition

Wildfire

LP | 1980 | US | Reissue (Tidal Waves Music)

24,29 €* 26,99 € -10%

LP | 1980 | US | Original (Cotillion)

Release: 1980 / US – Reissue

Genre: Organic Grooves

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Limited to 100 copies

Wildfire was a household name in Tropical Island music circles due to their excellent albums and performances throughout Trinidad, Tobago, the Caribbean & US Virgin Islands and French Guadeloupe. In 1962, they started off as ‘The Sparks’ (a well-respected Calypso outfit who released a bunch of successful singles) but with the release of their hit single ‘Come On Down’ from 1975, they exploded into Wildfire.

Wildfire had a very fruitful career and released four top full-length albums and a vast amount of singles before calling it quits. Led by bandleader Oliver Chapman (bass & guitar player, vocalist, arranger, producer and co-writer for the majority of the bands’ songs) and comprised out of high talented musicians, Wildfire was out there with the big boys in the niche they carved out for themselves.

On the album we are presenting you today (Time Is The Answer from 1980) you’ll find the perfect mix of funk, soul and disco, basically the popular sounds of the day, and all tracks are originals. The album is Funky and the production quality can rival with any of their peers and records produced/recorded in the US. The performance of Wildfire on this album is beyond excellent. This release was also the first time the group took control over production and getting their album out in the world. Also included is the hit single ‘Say A Little Prayer For The Children’ which is just one of those songs that will be stuck in your head forever.

Besides virtuoso Oliver Chapman: the talent that was featured on ‘Time Is The Answer’ is exceptional. Anstey Hamilton carries around a rich, noticeable tenor voice. Arthur Byron, who also did vocals on the album, has a beautiful rasping tone that can knock you out anytime he gets into his act. Fitzroy Isaac on keyboards and Donald Leid on drums are the guys that were responsible for keeping the groove tight. Clifford Wilson, like Oliver, had been with the band since the start. He is calm in his approach, he played the bass guitar and sung background vocals, he also chipped in with Oliver whenever they wrote songs together. Finally, we have Cyllan Charles, who was known as the Wildfire voice. Cyllan had been doing most of the lead vocals since he joined the group in 1972, he was the most experienced of all the members, and can really take you to higher heights anytime he gets into doing his thing both on stage and on wax.

“Time is the Answer” by Wildfire is a scarce and increasingly sought-after LP. Filled with hit-bound songs, it comes as no surprise that the album has now become a much-wanted item due to its addictive and original-sounding nature. This is a must-have for any self-respecting record digger!

Tidal Waves Music now proudly presents the first ever reissue of this fantastic Island Funk-Soul classic (originally self-released in 1980 on Wild Fire Records) & this is also the first time the album is getting a release outside of Trinidad & Tobago. This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition. Limited to 100 copies 180g Black ICE Color Vinyl Exclusively FOR HHV

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Wee Gee

Hold On (To Your Dreams)

5,19 €* 7,99 € -35%

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Coast To Coast (Music From The Motion Picture Soundtrack)

LP | 1980 | US | Original (Full Moon)

3,74 €* 4,99 € -25%

Release: 1980 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1980 | JP | Original (RCA)

Yesterday

Release: 1980 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing.

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Sharp Cuts - アメリカンロックンロール80’s の発火点

LP | 1980 | JP | Original (Warner-Pioneer Corporation)

11,99 €* 15,99 € -25%

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl with a couple of light scuffs

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Sitting On The Edge Of The Ocean-Ay, Ay, Sailor

LP | 1980 | JP | Original (RCA)

16,14 €* 16,99 € -5%

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG, Cover: VG

Urban Cowboy (Original Motion Picture Soundtrack)

2LP | 1980 | JP | Original (Asylum)

Release: 1980 / JP – Original

Genre: Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Slow (Motion And Movement)

LP | 1980 | Reissue (Be With)

27,99 €*

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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LP | 1980 | DE | Original (L+R)

Blues Meeting

Release: 1980 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

12" | 1980 | DE | Original (Woolfe Recs)

Just A Gift - Vol. 1

Release: 1980 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | US | Original (Audio Encores)

Total Soul

12,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | NL | Original (Frizz Bee)

Darker Skratcher

Release: 1980 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: F

Record has scuffs and hairlines.
Front cover is badly torn.

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LP | 1980 | GDR | Original (AMIGA)

Gimme, Gimme, Gimme...

Release: 1980 / GDR – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG

LP | 1980 | US (Bfd Records)

Pebbles Vol. 7

29,99 €*

Release: 1980 / US

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 1980 | US | Original (Cotillion)

Wee Gee

Hold On (To Your Dreams)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

LP | 1980 | JP | Original (Atlantic)

Atlantic Doo Wop 60's

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Foxing on cover. Vinyl seems unplayed.

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One Way Featuring Al Hudson

LP | 1980 | US | Original (MCA)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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LP | 1980 | DE | Original (EMI)

What's All This, John?

Release: 1980 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Record is close to NM. Cover is close to VG+.

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Music With 58 Musicians, Volume One

2LP | 1980 | US | Original (ECM)

Release: 1980 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

US original

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LP | 1980 | GDR | Original (AMIGA)

Kinderfest

4,99 €*

LP | 1980 | NL | Reissue (Records We Release Records)

Release: 1980 / GDR – Original

Genre: Pop, Soundtracks

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Used Vinyl

Medium: VG, Cover: G+

Cover with seam splits.

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Piry Reis

Release: 1980 / NL – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM. 2020 reissue. Deluxe edition.

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Musik Aktuell Klangbeispiele / Filmmusik

2LP | 1980 | DE | Original (Musicaphon)

12,99 €*

Release: 1980 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | UK | Original (Music For Pleasure)

20 All Time Junior Hits

Release: 1980 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

2LP | 1980 | JP | Original (United Artists)

Action Themes Best 36

29,99 €*

LP | 1980 | JP | Original (F-Beat)

Release: 1980 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Rockpile

Seconds Of Pleasure

23,99 €*

Release: 1980 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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2LP | 1980 | JP | Original (RSO)

OST Times Square

Release: 1980 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Summer In The City - 20 Brandheisse Top-Hits

LP | 1980 | DE | Original (CBS)

Release: 1980 / DE – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1980 | JP | Original (RCA)

OST Yesterday

Release: 1980 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi. Slightest foxing on obi and cover.

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American Hit Parade 1963-1972 Vol. 3

LP | 1980 | JP | Original (MCA)

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

close to NM. Japanese pressing. OBI is missing, With insert

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American Hit Parade 1963-1972 Vol. 2

LP | 1980 | JP | Original (MCA)

4,99 €*

Release: 1980 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. close to NM.

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American Hit Parade 1963-1972 Vol.1

LP | 1980 | JP | Original (MCA)

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Japanese pressing. Tiny wear.

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LP | 1980 | JP | Original (Epic)

Going Steady

Release: 1980 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing, comes with Obi and inserts.

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LP | 1980 | JP | Original (Epic)

Growing Up

Release: 1980 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

No Obi, with insert.

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Top Rankin DJ Session Vol 2

LP | 1980 | EU | Reissue (Joe Gibbs Music)

15,99 €*

Release: 1980 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1980 | DE | Original (Trojan)

Reggae Festival

5,99 €*

Release: 1980 / DE – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: VG

Slightly warped vinyl, but still enjoyable. Cover close to VG+

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Pop It / I'm In Love With Lovin' You

12" | 1980 | US | Original (MCA)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Generic

One Way Featuring Al Hudson

LP | 1980 | NL | Original (MCA)

Release: 1980 / NL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

All That Jazz - Music From The Original Motion Picture Soundtrack

LP | 1980 | JP | Reissue (Casablanca)

Made In Nigeria HHV Exclusive Coloured Vinyl Edition

Release: 1980 / JP – Reissue

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI!

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Kio Amachree

12" | 1980 | EU | Reissue (Mondo Groove)

25,99 €*

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

HHV Exclusive Coloured Vinyl Edition limited to 100 copies.

The second album by Kio Amachree in Afro Boogie Funk style recorded in Lagos Nigerian in early 80s. Limited Edition.

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One Way Featuring Al Hudson

LP | 1980 | US | Original (MCA)

LP | 1981 | EU | Reissue (Wah Wah)

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Cover has storage wear, seam splits, yellowing and sticker residue!
Vinyl has scuffs and hairlines.

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Hardy Kukuk

Atemnot

21,99 €*

Starship Commander Wooooo Wooooo

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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One of the biggest rarities from the cosmische kraut underground scene has to be Hardy Kukuk’s lost 1981 top Berlin School electronic masterpiece Atemnot. Kukuk’s synth explorations take the adventures of masters of the genre like Tangerine Dream or Klaus Schulze one step further into the early eighties. Kukuk is joined on these recordings by Andreas Schneider on guitar and congas and Klaus Bloch (of A La Ping Pong fame) on guitar and tape effects.

After Atemnot Kukuk recorded a second LP, Timeless, before joining forces with Matthias Culmey in the early 2000’s to form the electronic duo Beatboys 2000.

The Wah Wah reissue comes with remastered sound and housed in a faithful reproduction of original private pressing sleeve. It also includes an insert with cool photos and liner notes.

First ever vinyl reissue limited to 500 copies only!

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Mastership

LP | 1981 | AU | Reissue (Left Ear)

21,99 €*

Release: 1981 / AU – Reissue

Genre: Organic Grooves

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Born and raised in Kansas City, Omer J. Coleman was musically inclined from an early age. His parents couldn’t afford to buy him a real drum set, so he took up electrical wiring and wood shop instead, which fed his muse in a different direction. The future Commanderbegan working at the Armco Steel Mill when he was 18, and itwas while he was working at the mill that Coleman came up with Starship Commander Wooooo Wooooo. His coworkers built all of his equipment, from lighting and fog machines to big steel eyeglasses. Coleman’s sister, a seamstress, created his outfits. Self-released in1981,“Mastership” isa lost electronic funk classic. Coleman performs in an alien voice that comes not from electronic filtering but from his own natural vocal distortions.It’s an endearing and very personal space-age funk that blends George Clinton and Kraftwerk in a vision of a better and happier world.

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Very Special Stash: Best Of Reefer Songs

LP | 1981 | US | Reissue (Stash)

A Historical Glimpse Of The Future Record Store Day 2019 Edition

Release: 1981 / US – Reissue

Genre: Organic Grooves

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Originally released in 1981, now available again on vinyl, this is a very stoned collection of jazz tunes about - or dedicated to - grass, weed, marihuana, Marie-Jane or whatever you call it in your neighborhood.

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The Magnetics

LP | 1981 | EU | Reissue (Strange Disc)

16,99 €*

Venus HHV Exclusive Splattered Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Pop

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* Record Store Day Europe / UK 2019 Exclusive Release!
* First ever vinyl reissue since 1981
* Limited to 1,000 copies
* Includes insert with extensive liner notes + obi strip

Strange Disc Records proudly presents the first ever vinyl reissue of a landmark Icelandic minimal Synth album: The Magnetics ‘A Historical Glimpse Of The Future’ (1981). The Magnetics were Jakob Magnússon and Alan Howarth, an intriguing international & iconic duo. Keyboard player Magnússon was an Icelander who already had an impressive jazz resume, while Howarth was making a name for himself as a Hollywood composer – in 1981, the same year that A Historical Glimpse of the Future was released, he also was involved in the soundtracks for two hit John Carpenter movies, Escape from New York and Halloween II. Both have been quite successful in their post-Magentics careers, Howarth with more soundtrack work (They Live, Big Trouble In Little China, Christine etc. ) and Magnússon with various jazz outfits. Jakob would end up working as the Icelandic ambassador to the UK during the 90’s. Throughout the fantastic A Historical Glimpse of the Future album you can hear the soundscapes people came to associate with the 1980s films scored by Carpenter/Howarth. Dark and moody material but with a strange twist as you can hear on the synth cover of “The Lion Sleeps Tonight” & the old-timey cabaret-styled “I’m Getting Married Today”, two truly bizarre pieces that doesn’t seem to fit at all… and somehow by not fitting actually fits perfectly, which is the real story of A Historical Glimpse of the Future. Originally released in 1981 on WRT (and going for hefty amounts on the second hand market), Strange Disc Records proudly presents a deluxe vinyl reissue (1000 copies) containing an insert with extensive & exclusive liner notes from Jakob Magnússon himself. Released exclusively for Record Store Day (UK & Europe) 2019, available in participating stores on April 13.

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Logic System

LP | 1981 | EU | Reissue (Wewantsounds)

32,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Limited Edition of 100 copies of clear vinyl with pink & sea blue splatters. Only at HHV!

His name may not be instantly familiar, but Hideki Matsutake has had a huge influence over Electronic music. Starting his career as the assistant of Japanese Electronic Music master Isao Tomita in the early 70s, he went on to work with Ryuichi Sakamoto and then Yellow Magic Orchestra as their keyboard programmer and unofficial fourth member. In 1981 he started his own Logic System project recording "Venus" that year in Los Angeles with Don Grusin, Nathan East and Michael Boddicker, brilliantly mixing Synth Funk, Ambient and Boogie with a touch of Fusion Jazz predating Vaporwave by a mere 30 years. Wewantsounds is delighted to reissue this visionary album, which
comes remastered from the original tapes and features Pater Sato stunning artwork including the rare beautiful 8-page insert with an exclusive interview of Hideki Matsutake by Hashim Kotaro Bharoocha.
The early 80s were prolific for Hideki Matsutake. As the go-to keyboard programmer for the tokyo music scene, he worked on Akiko Yano's "Gohan Ga Dekitayo", YMO's "BGM", Ryuichi Sakamoto's "B-2 Unit", Mkwaju Ensemble's "Mkwaju" and found time to record two Logic System albums in 1981. While the first album, "Logic" had a harder techno feel, the second one "Venus" was different affair. Recorded in Los Angeles at the new state of the art Yamaha Studio, it was loosely themed on the Greek goddess Venus and had a funkier more organic sound. For the album Matsutake had asked a handful of American musicians to provide songs he would then add his synth magic touch to. Michael Boddicker, Don Grusin, Nathan East and Roger Powell duly complied and also played on the album.

The updated sound was achieved by switching from the Moog III to the E-mu modular System (which Matsutake brought over to LA) and other synths like the Prophet 5, the Roland MC-8 and TR 808 and the Yamaha GS-1, a forerunner of the DX7.

The result is an amazing futuristic mix of electronic music and early 80s funk, announcing many genres to come, from techno and house to French electro and Vaporwave. From the breezy ambient synth of "I Love You" to the city pop edge of "Be Yourself" (originally written by Nathan East for Debra Laws) and the vocoder-led Daft Punk-ish "Take A Chance", Venus is a fascinating album that both pushes the boundaries of electronic music and is yet strangely accessible and beautiful.

The other key elements of Venus is the artwork designed by Japanese legendary illustrator Pater Sato. Sato had started in Japan in the early 70s doing many album covers for Japanese artists including Tatsuro Yamashita's cult Spacy LP before moving to New York in 1979 to pursue a career in fashion and advertising. His airbrush style became hugely influential over the years and in 2018, Stella McCartney dedicated a whole Men’s collection based on his Venus. Star make up artist Pat McGrath also regularly posts his artwork to her 3 million fans on her instagram.

The original album came with a beautiful 8-panel insert illustrated by Sato which Wewantsounds has reproduced on this deluxe reissue also featuring remastered sound, OBI strip and a second insert featuring credits and line up plus liner notes by Hashim Bharoocha. The notes will feature an exclusive interview with Hideki Matsutake reminiscing about the making of this visionary album which Wewantsounds is delighted to reissue.

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The Best Of Philadelphia International Records

LP | 1981 | EU | Reissue (Sony Music Catalog)

26,99 €*

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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I Don't Know / This Is A Blessing

Fay

7" | 1981 | EU | Reissue (P-Vine)

LP | 1981 | JP | Reissue (P-Vine)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Fay's only work "This Is A Blessing" Originally released in 1981 has never been reissued in history but it was the finest and overlooked masterpiece of 80's city soul …p-vine would like to present 2 tracks from that album as 7inch EP! These tracks are edited by Michael Orr, who well known by "Spread Love" which has inpressive front cover, for just this release!

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Phew

31,99 €*

LP | 1981 | JP | Reissue (P-Vine)

Release: 1981 / JP – Reissue

Genre: Rock & Indie

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Undoubtedly this album is one of the important discs of Japanese new wave and German krautrock history. "Phew" is Japanese female vocalist who is well known as a member of legendary punk band "Aunt Sally". She has been active in a wide range of projects and collaborated with Ryuichi Sakamoto, Seiichi Yamamoto, DAF, and Neubauten etc. This was originally released in 1981 as her solo debut album, made in legendary Conny's Studio with Conny Plank, Holger Czukay and Jaki Liebezeit from CAN. Not only highly demanded by vinyl collectors worldwide, but also this album is outstanding in the dimension of the music. By Plank's engineering, their never fading sound-making is still innovative and no one can stand next. Now we present it as reissued LP with OBI, you can listen to the monumental work of her career in vinyl after more than 30 years since the last time it was reissued for the first time.

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Fay

This Is A Blessing

31,99 €*

Finardi 40th Anniversary Edition Clear Vinyl Edition

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Fay Hill has been based in LA since the 1980s and is best known for her 2nd album "Island In My Mind" which was released in 1987 with a rich selection professional musicians and engineers from LA. This, her debut album "This Is A Blessing", released six years earlier in 1981, is by comparison a much more raw and spontaneous affair which in turn spotlights her powerful gospel vocals, and the bustling funk and soul scene of LA in the early 80s.

"I Don't Know You" (m5) is an album highlight produced by Michael ORR who will be familiar to Rare Groove followers along with its wonderful cutting guitar line. "I Know Who You Should See" (m2) and "Any Load You Can Handle" (m7) were also released as single-cut 7 inches at the time and are still in high demand.It's an album truly full of killer tunes, and finally seeing its first reissue in the world!

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Eugenio Finardi

LP | 1981 | EU | Reissue (WEA)

33,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie

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2LP | 1981 | EU | Reissue (Mecanica)

Carlos Peron

Impersonator

29,99 €*

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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40th anniversary edition of the debut album by the multi-talented musician Carlos Perón. “Impersonator” was originally released in 1981 when he was still a member of Yello. This first solo work represents a desire to conduct daring electronic experiments, to achieve stylistic variety and musical intensity while at the same time it is an example of Mr. Perón’s bizarre sense of humour. Since the beginning of his career he pushed experimentation beyond limits with noise atmospheres, loops and complex textures which he has long used since before the introduction of sampling technology. With the arrival of sound sampling, he was among the first to experiment with equipment such as the Fairlight, Emulator and Mirage. During his time with Yello, Carlos may well have been one of the world’s first sampling masters. This new re-issue of “Impersonator” includes all original tracks with some bonus including the whole Frigorex EP from 1984 and six previously unreleased cuts recorded between 1982 and 1983. Limited edition of 500 copies with gatefold sleeve and an exclusive postcard.

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Wild Paarty Sound Record Store Day 2022 Vinyl Edition

LP | 1981 | EU | Reissue (Lantern)

28,99 €*

Release: 1981 / EU – Reissue

Genre: Rock & Indie, Reggae & Dancehall

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LP | 1981 | EU | Reissue (Mad About)

The Group Nsi

Roger A Ti Wawa

Stop And Smell The Roses Record Store Day 2023 Red & White Vinyl Edition

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Fantastic Proto-Zouk from Georges and Pierre-Edouard Decimus NSI (New sound From the Islands) is a concept launched by the Decimus family, and the album was released at the end of 1981, at the same time as Kassav's Album "n'4" with the singer Jocelyn Moka.

Under exclusive license George Decimus

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Ringo Starr

2LP | 1981 | US | Reissue (Culture Factory)

41,99 €*

First Fruit Record Store Day 2023 Edition

Release: 1981 / US – Reissue

Genre: Rock & Indie

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Limited to 2500 copies worldwide. RSD Exclusive Release.
Ringo Starr achieved international fame as the drummer for THE BEATLES. Stop and Smell the Roses is a studio album originally released in 1981 which includes contributions from Paul McCartney, Ronnie Wood and Stephen Stills. The six bonus tracks have never before been released on vinyl. This double LP set, has deluxe packaging that will include an OBI side strip, gatefold album jacket with two pockets, printed inner sleeves, original record labels and specialty color vinyl. This is a MUST for all fans/collectors of THE BEATLES. st Lava lamp effect clear Red/White & 2nd Lava lamp effect clear Red/Pink Color Vinyl

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Sonseed

LP | 1981 | Reissue (Arena Rock)

27,99 €*

Release: 1981 / Reissue

Genre: Rock & Indie

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Limited Edition of 1000 copies worldwide. RSD Limited Run / Regional Focus Release.
14 million streams ago...God, where to start? We formed in the late-70s to play a special Mass for the Bishop at Our Lady of Perpetual Help Church in Brooklyn. Most of us met for the first time while rehearsing for that Mass and decided to keep in touch. We realized that Catholics (we were all Roman Catholics at the time) had nowhere to go to hear fun, inspirational music, so we began playing church halls and schools doing "rocked-up" versions of songs we pulled out of hymnals. Eventually some of us wrote our own stuff. We played hundreds of shows over the next 4 years, passing the hat for donations to pay for necessities that we needed to keep the group going (microphones, wires, gas for the van, and eventually, the "First Fruit" album, which we sold at concerts for just about cost). It was never about the money; it was all about spreading the Good News and having fun doing it. We consistently lost members through the years and gave our last concert in December 1983. Doug Prinzivalli, who owned a video copy of our appearance on a local TV show sometime in 1982, had been running "where are they now" (or more specifically, "who are they") contests on his California blog for years. It wasn't until he got his hands on a copy of the album (which is amazing considering we only printed 1,000 or so) that he found my name and tracked me down. That video was originally put on YouTube not by Doug, but by some visitor to his blog who thought it was too good not to share. --Sal Polichetti (Sonseed) (This is an exclusive 2023 Record Store Day release.)

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Junjo Presents The Evil Curse Of The Vampires

2LP | 1981 | EU | Reissue (Greensleeves)

38,99 €*

Release: 1981 / EU – Reissue

Genre: Reggae & Dancehall

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LP | 1981 | JP | Original (CBS)

Golden Popular Hits

9,49 €* 9,99 € -5%

Release: 1981 / JP – Original

Genre: Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Includes OBI and insert.

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The Best Of Acoustic Steel String Guitar Solos

LP | 1981 | DE | Original (Pastels)

12,99 €*

Release: 1981 / DE – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | DE | Original (WEA)

Hi Fi

Sing Song

Release: 1981 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | JP | Reissue (Vee Jay)

Wynton Kelly

Wynton Kelly!

Release: 1981 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Aurex Jazz Festival '81 Fusion Super Jam

LP | 1981 | JP | Original (Eastworld)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Private Lessons - Music From The Motion Picture Soundtrack

LP | 1981 | JP | Original (WEA)

Release: 1981 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

With OBI and insert.

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Santa Maria / Boat On The River / Woman In Love / Xanadu

7" | 1981 | GDR | Original (AMIGA)

Release: 1981 / GDR – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: G

Sleeve has taped edges, stickers, handwriting

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LP | 1981 | CU | Original (Areito)

Tambor Yuka

Release: 1981 / CU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Some ringwear and small stains on cover.

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2LP | 1981 | US | Original (Florida Folklife Program)

Drop On Down In Florida

27,99 €*

Lach Nach! Treff Mit O.F.

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with sticker residue and creasing.

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O. F. Weidling

LP | 1981 | GDR | Original (LITERA)

Release: 1981 / GDR – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG

Cover with seam splits on top and bottom spine,

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LP | 1981 | JP | Reissue (RSO)

Peter And The Wolf

16,99 €*

Release: 1981 / JP – Reissue

Genre: Rock & Indie, Comics, Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI!

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World Famous Great Jazz Singers - Jazz Vocal Collection

LP | 1981 | JP | Original (CBS/Sony)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1981 | US | Original (Book-Of-The-Month)

The Blues Tenor Sax

5,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

One Night Stand: A Keyboard Event

2LP | 1981 | US | Original (Columbia)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Royal Wedding Of H.R.H. The Prince Of Wales And The Lady Diana Spencer - The BBC Recording From St. Paul's Cathedral On 29th July 1981

LP | 1981 | UK | Original (BBC)

Release: 1981 / UK – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: VG+

Traditional Jazz-Studio Nr. 1

LP | 1981 | GDR | Reissue (AMIGA)

Release: 1981 / GDR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Helen Schneider With The Kick

Schneider With The Kick

LP | 1981 | DE | Original (WEA)

Release: 1981 / DE – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG, Cover: VG

Die BildKiller: GegenBILDlieder

LP | 1981 | Original (Eigelstein Musikproduktion)

11,99 €*

Release: 1981 / Original

Genre: Rock & Indie

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Used Vinyl

Medium: Mint, Cover: VG+

Cover has one corner bend.

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On The Road Again Rocks New Frontiers: 1966-1970

LP | 1981 | JP | Original (Capitol)

Release: 1981 / JP – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing, comes with Obi and inserts. Record has light foxing.

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Surfin' & Hot Rod Best 20

LP | 1981 | JP | Original (Capitol)

Release: 1981 / JP – Original

Genre: Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | JP | Original (Mercury)

OST Endless Love

5,99 €*

Release: 1981 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing, no Obi.

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OST Hot Bubblegum (Lemon Popsicle III)

LP | 1981 | JP | Original (Polydor)

11,99 €*

LP | 1981 | DE | Original (Ariola)

Release: 1981 / JP – Original

Genre: Soundtracks

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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One Way

Fancy Dancer

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | DE | Original (Ariola)

One Way

Fancy Dancer

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1981 | DE | Original (MCA)

One Way

Love Is... One Way

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

The Night The Lights Went Out In Georgia: An Original Soundtrack Recording

LP | 1981 | JP | Original (Mirage)

Release: 1981 / JP – Original

Genre: Rock & Indie, Soundtracks

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with insert and OBI

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Jazz Vocal Best 14 By Request

LP | 1981 | JP | Original (Mercury)

13,99 €*

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert.. Vinyl with a couple of light scuffs

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It's Christmas Time Again

LP | 1982 | US | Reissue (Stax)

Release: 1982 / US – Reissue

Genre: Organic Grooves, Christmas

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All I Want Black Vinyl Edition

The Armed Gang

12" | 1982 | EU | Reissue (Espacial Discos)

17,99 €*

My Part Of Town / Mountains World Record Store Day 2022 Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Organic Grooves

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Exclusive edition on golden vinyl limited to 100 copies worldwide. Only available through hhv.de

Killer disco-boogie-funk from 1982! Featuring Italo-Disco legend SANGY (Firefly) and co-produced by Tony Valor.
Originally released in the US on the Chaz Ro label with generic sleeve, here’s the first ever vinyl reissue with new artwork.

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Tuff Crew

7" | 1982 | UK | Reissue (Warlock)

13,99 €*

LP | 1982 | UK | Reissue (Shadow World Archive)

Release: 1982 / UK – Reissue

Genre: Hip Hop

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True club dancefloor Hip Hop from '89 that inspired many a hit there after. Legendary double hitter from the cult Philly crew that have never been on 45 together before. Black Vinyl in Picture sleeve Exclusive for RSD 22.

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Lining Time

Strike

19,19 €* 31,99 € -40%

Salvation Army Black Friday Record Store Day 2022 Orange Vinyl Edition

Release: 1982 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Here I AM is the first thing. A powerful incantation sung in full choral style at Dartington College of Arts in 1982 and captured on tape, now in 1s and 0s for all eternity. It’s a bold phrase, this assertion of existence, this permanent claiming of space in time; these three words we were made to sing in church, that we used to recite one after another at the beginning of class. Doing so might seem mundane, or easy, but it’s not. What’s easy is not. Not declaring one’s presence, not showing up at all. Claire Bushe, Cathy Frost, Lisa Halse, Cathy Josefowitz, and Mara de Wit showed up, took a side. They called themselves Lining Time. They were here. ANY Woman CAN SAY I’M A Witch, they said. Strike is the album Lining Time made. It plays out like a freedom spell, like liberatory healing magic. Reveling in the power of the voice, Lining Time sing. Not at us, but for us. As if by putting voice to the traumas inflicted by the patriarchy and capital, they could be made right. As if the whole world might join in and sing along, might join in and take action - might join in and strike.There’s nothing exclusive about the music Lining Time made. Like many of the best and weirdest records of the post-punk era, Strike wears its amateurism as a badge of honour, flies it like a flag to rally around. It is inclusive to the extreme. Which isn’t to say anyone could’ve made Strike. That’s the thing. The music preserved here is too weirdly spare and idiosyncratic - and wildly overconfident in the way that only the young and young at heart can be. Sometimes it’s almost protest folk, acappella or accompanied by a single acoustic guitar, as on ‘It’s Possible’. Sometimes schoolroom auxiliary percussion clunks out a cyclical, ritual rhythm, as on the title track. At no point does it feel less than singular. Still, this is music about and for universal sisterhood. It invites solidarity. Take up an instrument for the cause and sing your own song. Time Passes Time Passes Time Passes Time Recorded music often functions like a time capsule. It’s not rare that an album is “lost”. Rather, it’s rare that a work is heard widely at the time it was made. Often, it’s barely heard at all. It just exists somewhere, a cave painting or an ancient piece of graffiti, waiting to be stumbled upon for whatever reason. The reason, in Strike’s case, is a wonderful posthumous exhibition of Cathy Josefowitz’s artwork, The Thinking Body, a cooperative effort between Kunsthaus Langenthal, Centre Culturel Suisse, Paris, Macro Roma, Les Amis de Cathy Josefowitz, and Elise Lammer. It’s possible that some might be tempted to think of Lining Time as a sideshow curiosity to the main event, but that’d be foolish. Strike, nearly forty years old, is as alive and relevant as it was when it was recorded in the wake of the Reclaim the Night march. If anything, it’s shocking how potent and necessary its message remains today.

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Salvation Army

LP | 1982 | EU | Reissue (Yep Roc)

26,99 €*

Everybody Black Friday Record Store Day 2022 Vinyl Edition

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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Black Friday Record Store Day 2022 Exclusive. Color: Orange. Limitation: 1100.

Before The Three O'Clock, Michael Quercio was the lead singer/bassist of The Salvation Army, who released their self-titled album just six-months after releasing their debut, a 45, on D. Boon's (Minutemen) New Alliance label. In honor of it's 40th anniversary, this album is being released for the first time under its original title, since it was originally released in 1982, exclusively for Record Store Day Black Friday. In celebration of the album's 40th anniversary, it's being pressed on orange vinyl.

Status

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Madonna

12" | 1982 | EU | Reissue (Warner)