Search "monokle+saints" 5376 Items

Impact Pink Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Real House fans rejoice! The King of Swing, Frits Wentink is back on Wolf Music. Following on from last years ‘Remember That Feeling’ the prolific Frits steps up again with ‘Club Land Special’ for the second in the Frits x Wolf series. Doing exactly what it says on the tin, four special club ready cuts guaranteed to make you move.

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Bodeler Manu Desrets

12" | 2024 | UK | Original (Revival New York)

15,99 €*

LP | 2024 | UK | Original (Hell Yeah)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Bodeler and Manu Desrets unite to deliver ‘Impact’ on Revival New York, with Romanian favourites Sepp and Nu Zau linking up on remix duties for a special vinyl drop. Two artists whose reputations are now elevating beyond South America and onto the wider global scene, Argentinian DJ/producer Bodeler and fellow countryman Manu Desrets have both been on a roll across recent years, with releases landing via the likes of Solid Grooves, tINI’s Part Of The Gang Records, Sanity and more between them. Linking up together for the very first time, the two now bring their combined talents to US shores as they make their debut appearance on Revival New York for the label’s second vinyl release, with Uvar head honchos Sepp and Nu Zau also joining proceedings on remix duties. A trippy cut fusing wistful melodies, hazy chords and hypnotic vocals before erupting into a punchy dancefloor driven anthem, ‘Impact’ does exactly what it says on the tin to serve up a track crafted for the late night hours. Offering their own take on the production, Sepp and Nu Zau go to work to weave a web of slinking percussion, glitchy grooves and heady arrangements across their ‘Epau Remix’, providing yet another killer cut from the Romanian maestros.

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Dawn Again

Every Dog's Hotel

19,99 €*

Hironobu Kageyama & Broadway - Saint Seiya

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Hell Yeah kicks off 2024 in fine style with a new album from Australian producer Dawn Again. Every Dog's Hotel is a dreamy and breaks-driven downtempo excursion the artist has dubbed "pubwave."

Melbourne-based Nick Verwey has been crafting solo and collaborative cuts for the best part of a decade on labels like Houseworx and Enjoyment Division. He operates in a world where danceable grooves are paired with laid-back moods. His lo-fi sound is both sunlit and sunset-ready and is for grown-up crowds who like to get down on rooftops, sandy enclaves, or laidback living rooms. This new album, however, he describes as "pubwave" and was conveyed during lockdown when Nick and his friends were missing their favourite communal drinking spots.

"My friends and I were missing the pub, missing dance floors, missing being able to hang out and have fun," he says before explaining that, at the time, he was listening to a lot of 90s and 00s downtempo chill out by the likes of Heights of Abraham, Pork Recordings, Baby Mammoth and Bullitnuts. He came up with the idea of creating something similar but in his own way, initially with spoken word poetry from his friend over the top, though when it came to recording that never quite worked so it was shelved until later when Nick?tried again without the vocals. "The whole project has been more than years in the making. I'm super proud of the end result. I think it still nails the dreamy, Balearic "pubwave" vibe and comes with a gorgeous cover painting by my mate Holly Hunt. It's an old English haunt called the Old Neptune, and what nails the brief more than a pub that is literally on the beach?"

The title track is a welcome opening with leggy breaks and soft shakers encouraging you to sway while gazing up at the melodic stars before 'Foam Party' gets more zoned out with its vaporous chords and gentle drum tumbles. 'Journey Through The Schoonerverse' is a suspensory trip to the clouds with effortlessly loose breaks and painterly synth smears, 'Wonky Friends' has a more weighty but still dubbed out and slow motion house kick and 'Kneverending Knockoffs' keeps the energy rising with raw percussion and acidic twitches that journey through a heat haze on a warm afternoon. Closer 'Backyard Paradiso' is the horizontal finish that washes over you like rays of sun and gently breaking waves to leave you relaxed from head to toe and digital bonus 'Hard Earned Thirst' is an extra chance to luxuriate in Dawn Again's richly layered synths and leisurely breaks.

The superbly welcoming Every Dog's Hotel is a place to pull up, sink a drink, and soak into some lavish and escapist downtempo sounds.

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Saint Shinwa -Soldier Dream- / Yumetabibito

7" | 1988 | JP | Reissue (Nippon Columbia)

27,19 €* 33,99 € -20%

Pefasus Fantasy / Blue Forever

Release: 1988 / JP – Reissue

Genre: Soundtracks

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Analog disc containing the 2nd opening theme and ending theme to be released! An analog disc (7inch) containing the 2nd opening theme "Saint Myth - Soldier Dream" and the ending theme "Dream Traveler" of the TV anime "Saint Seiya" which started airing in 1986 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the theme song EP released on May 1, 1988.

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Make-Up - Saint Seiya

7" | 1986 | JP | Reissue (Nippon Columbia)

27,19 €* 33,99 € -20%

Release: 1986 / JP – Reissue

Genre: Soundtracks

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Analog Vinyl Edition Containing the First Opening Theme and Ending Theme to be Released! An analog (7inch) disc containing the first opening theme "Pegasus Illusion" and the ending theme "Eternal Blue" of the TV anime "Saint Seiya" that started airing in 1986 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the theme song EP released on October 21, 1986.

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HOKA

WMNS Clifton 9

149,95 €*

12" | 2011 | UK | Original (True Panther Sounds)

Available Sizes: EU 37⅓

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The latest generation of the game-changing HOKA Clifton joins the award-winning Clifton family. Building on the runner’s lovely qualities, the HOKA Clifton 9 continues to deliver the perfect blend of soft and lightweight. Crafted with an updated midsole that helps to save 15% of its weight, the HOKA Clifton 9 is equipped with a streamlined silhouette and updated mesh upper for superior breathability. Outfitted with a plush collar that eases Achilles pressure, the HOKA Clifton 9 is one of our favorite shoes for daily use. The HOKA Clifton 9 is equipped with a symmetrical bed of cushion without additional prescriptive technologies. The HOKA Clifton 9 also features a higher bed of soft cushion, designed to provide a forgiving impact and ride so it's no exaggeration to say that these running shoes are designed to provide the support you always dreamed of.

HOKA WMNS Clifton 9 - features/specs:

• 82% textile, 18% synthetic knit upper for ultimate breathability (vegan construction, partially recycled)
• lightweight mesh gusset prevents tongue migration
• reinforced eyestays for increased durability
• contoured EVA foam insole
• extended heel tab for easy entry
• Early Meta-Rocker offers a comfortable ride all day
• compression-molded EVA midsole for lightweight cushioning
• Durabrasion rubber outsole
• strategic high-abrasion rubber zones reduce weight
• heel-to-toe drop: 5 mm

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King Krule

41,99 €*

Release: 2011 / UK – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Iron Horse Red Vinyl Edition

Allen Youth / Ginsberg

2LP | 2024 | Original (Cadiz Music/Youth Sounds)

45,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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LP | 2024 | UK | Original (Vlf)

Saint Saviour

Sunseeker

What's For Breakfast Pink Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Saint Saviour, the alt-pop solo act from singer-songwriter Becky Jones, has released her much anticipated fourth album, Sunseeker via VLF Records. Produced again by Bill Ryder-Jones, Sunseeker is an experiment in challenging dourness; eleven tracks of warm, light, baroque pop that swim in light. It features collaborations with the aforementioned Bill Ryder-Jones as well as indie-pysch duo Jadu Heart and The Maccabees frontman Orlando Weeks.

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Dent May

LP | 2024 | US | Original (Carpark)

25,99 €*

12" | 2024 | EU | Original (Wesa Studio & Few Sounds)

Release: 2024 / US – Original

Genre: Rock & Indie

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Every morning when Dent May wakes up, the first thing he says is, »What’s for breakfast?« For the Los Angeles-based songwriter and pop auteur, this question is part inside joke with his girlfriend, part sitcom-style catchphrase, and part mantra about getting up every day and persevering in the face of good or bad is happening around you in your life. It’s also the title of his sixth album. »What’s For Breakfast?« is May’s most immediate, nostalgic, and rollicking LP yet, one that’s concerned with breaking daily routines and rediscovering the joys of songwriting.

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Instant Noodles

Fractured Frequencies

12,34 €* 12,99 € -5%

Wandering Echoes White Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Instant Noodles for WeSA Studio & Few Sounds.

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Poison Point

LP | 2024 | EU | Original (Avant!)

19,49 €* 25,99 € -25%

Echo Dancing Gold Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Poison Point is the trancey body music solo project operated by Paris-based producer and live artist, Timothée Gainet.

Started off in 2016, he shared the stage with bands such as Drab Majesty, Xeno & Oaklander, Adult, Rendez-Vous and Silent Servant, shared remixes with Qual, Sydney Valette, Blind Delon, all this while running his other industrial techno outfit IV Horsemen. You can tell Timothée is a busy guy and yet he managed to grow Poison Point since his debut album on Third Coming, getting releases out on Aufnahme + Wiedergabe and Young And Cold.

Over the years, his sound gradually shifted from the motorik post-punk of the early recordings to one much more dancefloor-oriented dark electronics with some sort of nice military pop Je ne sais quoi.

If one could see this coming with 2022’s album Poisoned Gloves, his new full-length is a major step-up in Poison Point game. Skilfully produced by Gainet himself and mastered once again by Mr Baggio for the best groove, Wandering Echoes drops nine new floor fillers for the romantic and the nostalgic at heart.

Just click Play on the first track Blue Idol and you will be hurled into a crystal world of imaginary memories while floating on the scales drawn by the synth arpeggios. Rude awake to the lead single Mysteries In Fire and his intoxicating body music and start wandering the room around you. Keep up the pace with further bangers loaded with electricity, romance and angularity like Flowers & Surrender, Echoes Of Dreams, Slow Kill, Fast Love. Get sweaty as you reach the end of this music journey: final track Les Meurtrières de LʼAube, properly sung in Timothée’s native tongue French, will show you the way to the rest of the just.

If your favourite vibes dwell somewhere between Phase Fatale and Lust For Youth, Wandering Echoes is the record for you.

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Alejandro Escovedo

2LP | 2024 | US | Original (Yep Roc)

37,99 €*

It's True What They Say? Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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“This record breathes a second life into these songs,” says Alejandro Escovedo of Echo Dancing, the Americana pioneer’s new album where he reconceptualizes the songs of his storied career. The variety of songs range from his short-lived rock quartet Buick MacKane, rarities from his ‘80s alt-country outfit The True Believers, to the celebrated songs of his solo discography from his debut album all the way to his most recent sprawling masterpiece, The Crossing. Highlights include a reimagined trip-hop-funk hybrid of Escovedo’s “Castanets” (retitled here as “Castañuelas''), a blistering version of “Bury Me” that finds that songwriter now older than the characters he was singing about, as well as songs co-written with trailblazers such as Chuck Prophet, Peter Buck, Scott McCaughey and J. Steven Soles. At age 73, Escovedo continues to reshape his ever-changing sound and experiment with the boundaries of Americana music. The 2xLP vinyl edition of Echo Dancing is pressed on gold vinyl and arrives in a gatefold jacket.

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Sarah/Shaun

12" | 2024 | UK | Original (Hobbes Music)

LP | 2024 (Sounds Of Subterrania)

Release: 2024 / UK – Original

Genre: Pop

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Preorder shipping from 2024-11-08

It’s True What They Say is the debut EP from Edinburgh-based, husband-and-wife duo Sarah/Shaun (pronounced simply Sarah Shaun), aka Sarah and Shaun McLachlan (pronounced “McLochlin”).

“Sarah and I both have a love for nostalgia,” explains Shaun. “We watched that amazing old 80’s Sci-Fi, (John) Carpenter movie, Starman, a few months back. Myself and my brother David used to watch it all the time. We must have been, roughly, 5-7 at the time. I remember loving the movie but the end, you know, with the beautiful, atmospheric, synth ending, I love that particular moment the most - best part of the movie, you know, when he goes home… It’s heartbreaking but stunning, all the same. It’s the music that moves you most… It did when I was 5 and it still does to this day. It must have had some form of a (much deeper) impact on me.”

The duo narrates stories across themes of love, hope, family, friends, dreams and sadness - the good that comes with the bad in everyday life, not just on a personal scale but within a community as well.

“Starbed is the first song I have ever written and just came out of the blue really, with Shaun playing a melody and me singing along,” says Sarah. “It’s simple and just about two people in love. Love songs are always the best songs, after all… Music has been a big part of my life from a young age. I was unwillingly dragged to piano and violin lessons, which I’m thankful for now! I’d say the first band I really became obsessed with growing up were the Beatles, and on the back of that a lot of 60s music and fashion. From then on, I had a love for music.”

“Shaun definitely opened my ears to a lot of sounds and got me thinking about soundtracks and all the noises that can be made,” she goes on. “We love just spending time experimenting in the house with instruments, pedals etc and Ali is a real magician to work with, too…”

The recordings took place over the summers of 2022 and 2023, with fellow Delta Mainline member Ali Chisholm (aka Jaguar Eyes) plus long-term friend and collaborator Gavin King. Further collaboration then came via the ‘net from the (international) likes of Chris Dixie Darley (Father John Misty), Darren Coghill (Neon Waltz) and Daniel Land (The Modern Painters), among others (see a full list of credits below).

Both Sarah and Shaun have a love for uber-soundtrack producers such as Hanz Zimmer, Max Richter, Cliff Martinez plus live acts such as Beach House, Spiritualized, M83, Suicide, Moby and OMD (to name a few). Shaun also credits the work of Kyle Dixon & Michael Stein (from Survive) on the Stranger Things score… “Even a moment in a movie, whether it be just 30 seconds during a particular scene, it grips you,” he says. But there’s something much deeper at play as well. “Music is a healer,” he goes on, “and I write from my own perspective but more so for others. Once I've done my bit, it doesn't belong to me any longer. It belongs to whoever wants it or needs it.”

The result is a cinematic, synth-wavey, dream poppy and downright beguilingly beautiful body of work. And they’re just getting started…

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The Pill

Hollywood Smile

3LP | 2023 | US | Original (Epic)

Release: 2024

Genre: Rock & Indie

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Gimme, Gimme, Gimme

Desire, an everlasting grip of that youthful energy, that fire and fury you felt playing a style of music that gives you a lifelong addiction and appreciation. If you’ve once been part of that certain something, that became part of your identity, it never lets you go. Drummer Sascha, bassist Jan, guitarists Philipp and Tobias know how it is getting older but still feeling the fire. The four friends shook up the scenes out of Frankfurt in the 90s and 00s. They played in different bands, they toured Europe and the US of A, they were mods, punks, hardcore kids. And they never lost their connection and love for their music. That’s why they

got together some years back, rehearsing and writing songs just for the heck of it. Out of pure desperation the four of them were thinking about staying a goddamn instrumental band, maybe working with projections and shit to fog the fact that there was something initial missing: a singer. The road was calling their names, and they wanted to play shows and let you and you and you know what they got... So, they gave it one last try to find somebody to fill the void behind the mic. What helped was a platform – basically Tinder for musicians – to find that certain somebody. They kept it simple and only dropped one thing: #blackflag.

On the other side of the screen there is Sam, a mystical, ghostly punkrock fairy. Sam shares that same hashtag, and she wants to sing. So, why not give it a try? Sam takes the offer, shows up in the rehearsal space, and the rest is history. Sam owns it. Sam is prepared. Sam can sing, scream, kick ass and has the lyrics to back it all up!

On different occasions they now set stages on fire. They played a sweaty show in a packed Molotow cellar at Reeperbahn Festival, they joined the “Female Fronted Is Not A Genre” festival at legendary SO36 in Berlin and took the place by storm. They are ready. They were born ready. And they have that record to prove it. As any classic hardcore/punk LP it’s almost over before it started. Ten songs in twenty minutes. That’s the way.

I Am A God sets the tone: “You think that I’m a girl?”, Sam asks, “Let me tell you I am a god/And you know that I’m heaven sent.” What else would Sam be? The legendary hashtagged Californian hardcore icons drip out of every note here. This is old-school knowledge, played today. Fast, furious, and packed with energy. But it’s way more than just a bland tribute. It’s a middle-finger that finds its own direction. Salary Man allows itself a certain amount of melody – also carried by Sam who obviously can do more than bellow. Or Somewhere that shows that The Pill is a more dimensional band that can even Hüsker Dü things up if they are willing to.

The Bitter Pill presents itself surprisingly angular and kind of melancholic. And What’s New almost makes its way into post-hardcore territory. Inbetween Switch and Off give you all the Greg Ginn vs. Dez Cadena your damaged souls were desperately striving for.

The debut album Hollywood Smile will be released on April 5th, 2024 by Hamburg’s Sounds Of Subterrania.

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Andre 3000

New Blue Sun

84,99 €*

LP | 2003 | EU | Reissue (Keplar)

Release: 2023 / US – Original

Genre: Organic Grooves

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INCLUDES:
3 DISCS PRESSED ON 180g BLACK VINYL
PRINTED INNER SLEEVES
24" x 24" FOLDOUT POSTER
(8) 4" x 6" POSTCARDS WITH ORIGINAL DRAWINGS FROM THE ARTIST
8.5" x 11" LETTER FROM THE ARTIST

"New Blue Sun represents a continuation of adventure and discovery for me. Even inherent in the meaning of my name André 3000, there is a wonder or looking forward to the new or what is next. This discovery has happened many times in my life and career and it’s very exciting to witness. I say 'witness' because I am also watching it happen along with you all and I never really know what will come or how I will respond or interpret the inspiration. We all have aspirations, ideas or plans but isn’t it the most awesome when life surprises us in a way that becomes greater than anything we could have imagined? New Blue Sun and the process in which it was recorded is that discovery and witnessing being played out in real time, alive, breathing, and improvised. It’s much more than 'Andre’s flute album'. Ha." — André 3000

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Tujiko Noriko

From Tokyo To Naiagara

LP | 2024 | EU | Original (Sam)

Release: 2003 / EU – Reissue

Genre: Electronic & Dance

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Keplar presents the first-ever vinyl edition of the 2003 album »From Tokyo to Naiagara« by Tujiko Noriko. This reissue with new artwork by Joji Koyama is an abridged version of the album as Tomlab label owner Tom Steinle and producer Aki Onda had originally intended to publish it alongside the original CD version. Written by the France-based Tujiko while she still lived in Japan, »From Tokyo to Naiagara« followed up on her two seminal Mego albums and marked a turning point in both the artist’s career and personal life: While she was preparing to leave Japan behind, she succinctly connected the dots between her experiments in pop music and her interest for more abstract sounds. Tujiko worked primarily with a Yamaha synthesizer and an MPC sampler while also incorporating contributions by other musicians such as Onda, Riow Arai and Sakana Hosomi into the pieces. Sometimes approaching an IDM and clicks’n’cuts-style production or working with trip-hop and hip-hop beats while using conventional song structures in the most unconventional of ways, the album showcases her multifaceted influences and skills as a singer and musician to full effect. Tujiko fondly remembers the time when she made the album. »I had a lot of time for myself back then and I didn’t even feel like I was very busy,« she says today. She describes producing it in close collaboration with Onda, who would relocate to New York City shortly after, as »quite Tokyo and very local.« They explored parts of the city that they hadn’t yet been to for a photography project (finding, among other things, a coin laundry called Naiagara—a transliteration of Niagara). This left its mark on a record that mixes melancholia with joy. The driving opener »Narita Made,« named after one of Tokyo’s airports, already makes this clear: Tujiko’s wistful vocals and lyrics like »I miss you terribly« emphasises the sense of bittersweetness that forms the common thread for a sonically diverse and stylistically open-ended album—this music is looking back while moving forward. It is probably no surprise that its reissue too evokes tender memories of Onda and Steinle in Tujiko, while also reminding her of what lies ahead. »I have so much more to do and not enough time for that,« she muses, before quickly adding: »But I also feel less alone having that album again.« Influenced in equal parts by the experience of strolling through previously unknown Tokyoite back alleys and thinking about the paths not (yet) taken, »From Tokyo to Naiagara« is precisely that: the perfect travel companion for a journey that leads its listeners from past to future.

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Barney Wilen Quintet

Guilde du Jazz

37,99 €*

Crimeapple & Big Ghost Ltd

Release: 2024 / EU – Original

Genre: Organic Grooves

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Recorded in 1957, Paris.
Original LP issue: Guilde du Jazz J-1239.
When Miles Davis heard Barney Wilen for the first time during a jam session at the Club Saint-Germain in Paris, he exclaimed: “This is the best tenor saxophone I’ve heard in Europe, he plays tenor in an authentic way, much better than many current stars in the States.”

Barney Wilen’s mother was French, his father a successful American dentist-turned-inventor. He grew up mostly on the French Riviera; the family left during World War II but returned upon its conclusion. According to Wilen himself, he was convinced to become a musician by his mother’s friend, the poet Blaise Cendrars. As a teenager he started a youth jazz club in Nice, where he played often.

He moved to Paris in the mid-’50s and worked with such American musicians as Bud Powell, Benny Golson, Miles Davis, and J.J. Johnson at the Club St. Germain. His emerging reputation received a boost in 1957 when he played with Davis on the soundtrack to the Louis Malle film Lift to the Scaffold. Two years later, he performed with Art Blakey and Thelonious Monk on the soundtrack to Roger Vadim’s Les Liaisons Dangereuses (1960). He’s probably the first non-US musician to play at the Newport Jazz Festival – it was in 1959.

In 1957 he made his very first album as leader, The Barney Wilen Quintet for the US label Guilde du Jazz / Jazztone at the age of 20. Unfortunately, this record was not widely distributed in France because Barney was under contract with the French label Vogue. This album reflects joy and sadness on an emotional level by the subtletly of Wilen’s musical imagination and physical releasing the essential siprit of jazz swing. On this so rare record, Barney plays with : on alto Hubert Fol, who recorded couple of times with Django Reinhardt. On Piano Nico Buninck, born in Amsterdam, is considered one of the best Young pianist in his country. Lloyd Thompson is a Young talented bassist who played with Lester Young, Dizzy Gillespie and Kenny Clarke. On drums Al Levitt, 25, has already toured in the USA with Charles Mingus, Lennie Tristano, Stan Getz and Lee Konitz.

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Aguardiente

CD | 2018 | EU | Reissue (Rrc Music)

19,99 €*

LP | 1997 | US | Reissue (Sonic Youth)

Release: 2018 / EU – Reissue

Genre: Hip Hop

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This year marks the 5th anniversary of this classic collaboration by Crimeapple and BIG Ghost LTD and we couldn't let this go unnoticed! Aguardiente is undeniably one of the top 5 records of the last decade as well as a pivotal moment for both artists, a groundbreaking collaboration to say the least, featuring guest appearances by the likes of Benny The Butcher, Vic Spencer, Daniel Son, Lil Eto and Milano Constantine. We have teamed up with them to bring this back on all physical formats for this occasion, with the album being available with a brand new artwork, a new icy pendant cover as well as a revisited version of the OG artwork by Dom Dirtee, and featuring the classic Aguardiente Season Freestyle that started it all. Classic material right here!

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Sonic Youth

Anagrama

Live Laugh Love Cloudy Vinyl Edition

Release: 1997 / US – Reissue

Genre: Rock & Indie

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While 1995's Washing Machine LP moniker was a thinly-veiled jab at the corporate aesthetic ("no, you cannot turn Sonic Youth into a household appliance brand", the band even considered changing its name to Washing Machine but settled on the album title instead), their major label relationship was indeed a curious buzzpoint of talk on the street after their intake to DGC in 1990. It wouldn't be fair to say that this state of existence propelled the band to reinforce its independent mindset by releasing a series of opaque-looking, French-language-dipping, highbrow-looking releases on their own that focused on the more abstract improv/compositional side of the band; in all truths they had been heavily steeped in self-releasing spillover material prior to that. But after a pressure pot of the early 90's indoctrination into a new operational mode for the band and its visibility, and the forces around it attempting to shape their direction, it seemed like a good time to create a strong show of radical concept. The Anagrama EP became the first in a series of the SYR label's Perspective Musicales releases seemingly cementing Sonic Youth's connectivity to an increasing public awareness in experimental composers of the 20th century (French or otherwise). The irony was that many of those original avant composers being rediscovered by the indie audience (Partch, Neuhaus, Reich, Messaien) often found themselves on major labels anyway! So, perhaps this reverse approach was a necessary concept/comment given the music biz climate of the 90's. Regardless of how apples and oranges fell in Xenakian probability/theory, it was clear that both Sonic Youth's stature in progressive music, aided by now unlimited taperoll time thanks to a home base studio downtown established after their Lollapalooza stint, gave the band plenty of trailblazing time for their self examination of untraveled avenues. "Anagrama" unfolds into nine minutes of delicate textures, starting with thick drone segueing into moments reminiscent of the post-crescendo flutter/comedown of "Marquee Moon's" trail-out; Thurston, Lee and Kim's guitars all circling round each other taking delicate pokes and stabs before drifting into some post-rock rhythmic moves tapered with complementary percussive guidance from Steve Shelley. "Improvisation Ajoutée" reaches further out into dissolve with whirring oscillations, guitars hissing and clanking radiator-style in a short blast format that continues into "Tremens" and a spooked-out landscape of gelatinous notes snaking up slowly. The sparseness of attack is colorful, textures emit and linger, silent spots shine, all flanked by tasteful drumming that provides the thread to all the abstraction. Shelley's approach here is interestingly sideways to any kind of usual rock action, it's tempered, mutant and metronomic simultaneously. The finale track "Mieux: De Corrosion" is a real pedal-palatte showcase. Here, Plutonian guitar wash flanges upwards to buoy a myriad of colorful eruptions of amp-spuzz, chopped up tone blasts and general confusion. Out of the blue, some metallic one-note choogle kicks in and threatens to explode into some Judas Priestly motion, before it all sputters into aural glass showers, clang, and finally a ferocious wave of more flange hiss that crashes down on a dime. This initial foray into SY's Perspectives Musicales series continued onward with releases featuring other co-conspirators, peaking with the ambitious 2CD Goodbye 20th Century that finally connects the band into full-on interpretations of other composers' pieces (as well as displaying their own new ones). The whole series is not so much an outlet for another "side" of the band, but a run that went hand in hand building new approaches of songcraft onto their own, more overground direction which included Jim O'Rourke (who hopped on during Syr3), adding additional density to A Thousand Leaves and other LPs of his era. Fans of the '86 Spinhead Sessions as well as the recently-exhumed later jams of In/Out/In will take in the sounds of Syr1 with glee. - Brian Turner

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Chastity Belt

LP | 2024 | US | Original (Suicide Squeeze)

LP | 2024 | EU | Original (Soulbeats)

Release: 2024 / US – Original

Genre: Rock & Indie

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The four-piece - Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals) - have created a resonant body of work. Live Laugh Love is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years (January 2020, November 2021 and 2022), the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Once completed, they returned to renowned engineer Heba Kadry who mastered the album. Album opener "Hollow" sets the tone with a gently driving rhythm while guitar layers stream like sun rays through an open car window. A warmth radiates through Shapiro's voice, even while grappling with feeling lost and stuck. "The older I get," Shapiro says of the lyrics, "the more I realize that I might just always feel this way, and it's more about sitting with the feeling and accepting it, rather than trying to fight it." That wisdom seems to anchor Live Laugh Love . Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there's a sense of quiet confidence and self-assurance that comes with being less numb and more present. Facing discomfort takes more fortitude, after all. Live Laugh Love finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there's room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song. It's never been more apparent that they are creative siblings, cut from the same belt. "We've been playing music with each other for over a decade," says Shapiro, "so it really does feel like we're all fluent in the same language, and a lot of it just happens naturally." "Laugh" seeks in the balm of friendship, aware of the anticipatory nostalgia that hits during a good time that you're already missing before it's gone; the heavier guitar tones on "Chemtrails" streak ominous chord progressions over Grimm's precision timekeeping, lamenting memories that won't fade easily. During a transitional time, Truscott came across a note in their phone that read, "it's not hard all day, just sometimes," which inspired a poignant line in the chorus of "Kool-Aid," their first song as lead vocalist on a Chastity Belt recording. Another standout, "1-90 Bridge" shines with a silvery melody that soars as Lund belts one of the most resounding moments on the album: "Tell your girlfriend she's got nothing to fear/I'm set in my head/My body's a different story." The track "Blue" saunters nonchalantly with a wink; you can almost hear Shapiro's smile as she sings "Faking it big time/So I can hit my stride/Man, it feels good to be alive," channeling early Chastity Belt channeling early '90s before channeling the late Elliott Smith in a spiral of distortion and insight: "Don't get upset about it/It's gonna pass/Tell all your friends about it/They're gonna laugh." "We have such a strong sense of each other's musical inclinations" says Lund. "I think this allows for a lot of playfulness...we can kinda surprise each other, like a good punchline would."

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Eliasse

Zangoma

Ballads UHQR (Ultra High Quality Record) 2LP 200g 45rpm Vinyl Deluxe Limited Edition Box Set

Release: 2024 / EU – Original

Genre: Organic Grooves

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Say no more Comorian blues or Indian Ocean rock: Eliasse is Zangoma!

This musical concept, created by Baco, the famous Comorian musician, brings together Western music and Comorian and Indo-Oceanic music. Eliasse creates his zangoma rock by mixing rock, blues and folk with typical Comorian and African rhythms. From twarab to mgodro, maloya to afrobeat, zangoma rock reveals its plural face. Its foundation is the drum (ngoma), and Eliasse's percussive rock lays claim to this common, hybrid banner!

With his third album, eponymously entitled Zangoma, due out in early 2024 (Soulbeats Music), Eliasse and his power trio once again promise to deliver groove: Fred Girard's powerful drums, Eliasse's roaring guitar, Jérémy Ortal's swaying bass and a thousand nuances of voice... In short: the Indian Ocean is dancing Zangoma Rock!

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John Coltrane

2LP | 1963 | US | Reissue (Analogue Productions)

201,99 €*

LP | 2015 | US | Reissue (Sahel Sounds)

Release: 1963 / US – Reissue

Genre: Organic Grooves

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John Coltrane Quartet — Ballads
Analogue Productions' UHQR, the pinnacle of high-quality vinyl!
45 RPM Ultra High Quality Record release limited to 5,000 copies
Mastered from the original tape by Ryan K. Smith at Sterling Sound
Pressed at Quality Record Pressings using Clarity Vinyl®
Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). Ballads is an album that will never go out of style and never be unwelcome on any jazz lover's turntable.

You're about to experience Ballads at its peak of vinyl perfection — in UHQR format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each UHQR will be packaged in a deluxe box and will include a booklet detailing the entire process of making a UHQR along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a !2" x 12" 12-page booklet featuring liner notes by Ashley Kahn and recording session images by Jim Marshall.

The intense passionate Coltrane interpretation of standards such as "All Or Nothing At All," "What's New," "It's Easy To Remember" and the Sinatra classic "Nancy (With The Laughing Face)" are the essence of Ballads. When asked why attempt such an undertaking, Coltrane replied "Variety."

While it may have been a short detour by Trane before he exploded off into the nether regions of jazz music a few years later, it is still a fantastic document of one of the premier jazz groups of the 1960s.

Recorded December 21, 1961 and September 18 & November 13, 1962 at Rudy Van Gelder Studios.

"It's impossible to sleepwalk through tracks like "You Don't Know What Love Is" and "I Wish I Knew" and impart them with even a fraction of the emotional heft that the Quartet achieves. This is the type of jazz album in which the music just washes over the listener with it's restrained grace and beauty, and while it may not have the adventurousness that some listeners think Trane should have had each and every time he recorded, I'd say it shows off a side of him that only makes us appreciate his more bold and daring albums even more." — The Jazz Record

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Abba Gargando

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Y-Otis Tre Orange Vinyl Edition

Otis Sandsjö

LP | 2024 | EU | Original (We Jazz)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Y-Otis Tre Black Vinyl Edition

Otis Sandsjö

LP | 2024 | EU | Original (We Jazz)

28,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Ario Lalli & The Rubber Snake Charmers

Folklore From Other Desert Cities Tri Colored Vinyl Edition

27,74 €* 36,99 € -25%

Ario Lalli & The Rubber Snake Charmers

Release: 2024 / EU – Original

Genre: Rock & Indie

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New super-band featuring desert rock legends Mario Lalli, Brant Bjork, Sean Wheeler and Ryan Güt !!! The first release from this band of pioneering Desert rock musicians captures the band and its purest form exercising the desert born ethic and approach of rock improvisation, psychedelic and flowing, heavy and explorative. The foundation of Mario Lalli’s grooving heavy bass lines and meditative themes with a intuitive guitar work with Brant Bjork and percussion of Ryan Güt set the scene for Sean Wheeler’s poems and songs capturing the dark and beautiful stories and images of life in the Mojave desert of Southern California. This is a representation of desert rock in its purest form. A very special live performance in Gold Coast Australia. Mario Lalli & The Rubber Snake Charmers began in 2010 with a focus on live psychedelic rock improvisation and sonic experimentation curated by desert rock pioneer Mario Lalli, featuring likeminded musicians from all walks of the musical spectrum. Some of the past Snake Charmers include, Dino Lalli, Brant Bjork, Gary Arce, Tony Tornay, Sean Wheeler, JOE Baiza, Vince Meghrouni, Mathias Schneeberger, Bill Stinson, Ryan GUT, Nick Oliveri, Janet Housden, Michael Glass, Alain Johaness, Jason Simon, Dave Travis, John Ramirez, Herb Lienau to name a few. Anchored by Lalli’s heavy grooving and morphing bass lines, a heavy meditation on rhythms, drones, grooves and riffs. Sonically becoming a canvas where each participant is encouraged to create fine lines or splatter and explode into chaos…wherever it goes it goes. Adding to the vision is the dark beautiful words and otherworldly vocal energies of the deserts own Sean Wheeler. Mario Lalli and the Rubber Snake Charmers takes us on a shamans journey through the desert landscape of imagination.

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Folklore From Other Desert Cities Black Vinyl Edition

En La Conquista Del Mundo Latino

Release: 2024 / EU – Original

Genre: Rock & Indie

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Salsa Suprema

LP | 1979 | EU | Reissue (Elpalmas Music)

Duane Eddy Does Bob Dylan Black Vinyl Edition

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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El Palmas Music rescues a hidden gem of Venezuelan salsa

With the vinyl reissue of En La Conquista del Mundo Latino (1979), by the Salsa Suprema Orchestra, it pays a fair tribute to Larry Francia.

“Larry Francia's work deserves nothing less than transcendence,” says Miguel Álvarez, the Venezuelan musical collector and archaeologist who one day came across with this Salsa legend from his country without planning it and knew it was fair and necessary to spread this magnificent work.

Born in Barlovento, an Afro area of Venezuela where the drum rules, Larry Francia grew up in San Agustín del Sur, a Caracas neighborhood that is salsa territory par excellence. When he was barely 12 years old, Víctor Piñero, one of the most popular orchestra singers in Venezuela in the 60s, summoned him to record choirs. An early initiation that marked Larry forever and at the same time revealed his indisputable talent.

“His driving force is singing. If you're talking to him, he often stops talking to sing" says Álvarez. “He was a man who never stopped being a musician, even though his living conditions were never the best. And the legacy of Salsa Suprema is key to Venezuelan popular music.”

When that orchestra stopped working (there were no producers who supported their tours, their records were pirated in Spain in the 80s), Larry suffered an emotional breakdown and even gave up devoting himself to music for a few years. He was someone who undoubtedly lived for and through music.

Larry Francia left this world in 2023, but we are left with a fabulous album like En La Conquista del Mundo Latino, recovered from the chest of memories by Álvarez and the Suicide Diggerz collective, specialists in rescuing hidden gems. “It’s a collector's item of the most exquisite and least known Venezuelan salsa” he defines.

The El Palmas Music label - created by musician, DJ, designer and cultural agitator Maurice Aymard, whose base of operations is in Barcelona - has been committed since 2020 to making known the best and least visible of the rich heritage of the popular music from Venezuela. Now he is pleased to present the reissue of this fundamental album as a posthumous tribute to an artist with capital letters: the great Larry Francia.

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Duane Eddy

LP | 1965 | US | Reissue (Sundazed)

12" | 2024 | UK | Original (Melodic)

Release: 1965 / US – Reissue

Genre: Rock & Indie

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Legend On Legend!

Eddy’s superb reverb-drenched renditions of Dylan’s biggest hits gives your ears a fresh take on these familiar favorites. Full of twang and gut bucket harmonica, this collection of 12 songs encapsulates the ‘60s in a way only Duane Eddy could.

Originally released in 1965, the album has remained one of the rarest and hard-to-get collectibles for Duane Eddy fans everywhere. Produced by Lee Hazelwood, the album is completely instrumental and showcases Eddy’s individual stylings of the 1960s.

Eddy’s guitar romps and soars through Dylan’s brain waves – translated in this album into notes which build and explode into bar lines of enjoyable melodies. By instrumentally interpreting 12 of the significant songs of the 60’s, Eddy proves there is quality and richness in popular music, too often knocked down for its tendency toward shrillness and over-amplification.

What Bob Dylan is capable of saying with his magical way with words, Duane Eddy is capable of saying instrumentally. As you will undoubtedly hear, it’s a happy marriage.

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Formal Sppeedwear

Formal Sppeedwear EP

Liberation 2 Instrumentals

Release: 2024 / UK – Original

Genre: Rock & Indie

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From the furnaces of Stoke-On-Trent comes the super-limited debut EP from Formal Sppeedwear, a wonky new wave teacup ready to be sipped.

Taking creative cues from Brian Eno’s Oblique Strategies and Conny Plank’s experimental recording techniques to flesh out synthpop-oriented melodies, the EP stomps along with Scary Monsters-era Bowie guitar lines, early 80s Numan basslines and surreal lyrics - “Ready, set on my mark: Tesco Extra, Marks and Sparks” cries Clewlow on 6 Lofty Ash. There’s a versatility to the tracks; with the jolting staccato of The Line counter punched by EP closer and highlight Dismount’s soaring synth slow burn.

Defying the seas of young musicians moving to London and Manchester to find their path, Beck Clewlow (Bass, Vocals, Synthesisers) Charlie Ball (Guitar, synthesisers), and Connor Wells (Drums, Guitar, Synthesisers) stuck it out in Stoke, using the city as a blank canvas - devoting their spare time to writing and experimenting, building their own studio out of charity shop finds and cash-converter synths and recording equipment.

Out in the creative wilderness of Staffordshire there’s a healthy DIY scene brewing with bands waiting to make their mark; fly posting their own shows, making one-off merch for each gig, sharing lineups with one another. “There is no sense of geographical confinement here, there’s a wealth of talent who act indifferently to their surroundings. It’s particularly nice that some of our friends from here are starting to receive attention from elsewhere” say the band. As fellow locals University and Christian Music start to garner attention from the rest of the UK, it’s time for Formal Sppeedwear to follow suit.

Stoke-on-Trent might not be the first place you’d look to find your favourite new band - The Bootleg Beatles are one of its finest exports if you ask Google - but Formal Sppeedwear are here to show you the kilns are alright.

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Madlib

2LP | 2024 | US | Original (Nature Sounds)

23,24 €* 30,99 € -25%

12" | 2024 | EU | Original (Blueprint)

Release: 2024 / US – Original

Genre: Hip Hop

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Known for classic collaborative albums with artists like J Dilla, MF Doom, and Freddie Gibbs, widely celebrated producer Madlib is a sampling savant who has crafted beats for the likes of Erykah Badu, Anderson .Paak, Tyler The Creator, Logic, De La Soul, and many more. The California artist’s latest project is Liberation 2, his second collaboration with hip-hop icon Talib Kweli. A global call for unity through space and time, the acclaimed album features appearances by Q-Tip, Westside Gunn, Roc Marciano, Roy Ayers, Goapele, Wildchild, Pink Siifu, and more. Now, the remarkable jazz-inflected Madlib instrumentals from Liberation 2 are receiving a proper vinyl release. Following in the footsteps of past Madlib instrumental classics, this limited-edition collection features 14 compelling tracks from one of the most gifted musical minds in hip-hop history.

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Dustin Zahn

Temporary Vandalism EP

13,99 €*

LP | 2024 | US | Original (Nature Sounds)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Since 1998, Dustin Zahn's work has put his career on a steady ascent. Along the way, he has gained years of experience and unrivalled musical diversity as both a producer and performer, earning him respect among techno and house legends, purists, and contemporary DJs. He performs regularly around the world and his DJ sets are much like his releases. "I like it dark enough for the boys, but groovy enough for the girls", says Zahn. With a preference for marathon sets and his laid-back approach to life and music, heseamlessly traverses through various genres to create a unique, hypnotic vibe. As a producer, his releases on labels such as Drumcode, Rekids, CLR and his own Enemy Records have brought him international success. And his remixes for the likes of Adam Beyer, Chris Liebing, Green Velvet, Dubfire, Nic Fancuilli, Mark Broom, Joel Mull and more have helped catapult him into the collections of DJs everywhere.

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Tha God Fahim & Oh No

Berserko

LP | 2024 | EU | Original (#14)

Release: 2024 / US – Original

Genre: Hip Hop

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Tha God Fahim has earned his spot at the forefront of hip-hop’s modern underground movement, crafting immersive musical experiences rooted in raw instrumentation and elevated by razor-sharp lyricism. A frequent collaborator of enigmatic rap god Mach-Hommy, Fahim has steadily bolstered his mystique with a wealth of acclaimed releases, embodying the themes of self-empowerment and continual expansion contained in his verses. Two decades after the release of his classic debut "The Disrupt", renowned California artist Oh No has become an undeniable creative force, balancing rap success with production work for Mos Def, Action Bronson, Prodigy, Dilated Peoples, Aesop Rock, Rapsody, Elzhi, and many more. Tha God Fahim recently recruited Oh No to produce the new album "Berserko", and now this stellar collaboration is receiving a vinyl release for the first time ever. The collection finds Fahim in peak form, with Oh No’s hypnotic sonic textures sparking some of the Atlanta emcee’s most complex rhymes to date. With guest appearances by Your Old Droog and Jay NiCE, "Berserko" is a wild ride showcasing the unbridled creativity of two remarkable artists.

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Grand March

Back To The Wall

12" | 2024 | EU | Original (Carpathian Sounds)

Release: 2024 / EU – Original

Genre: Rock & Indie

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To have your back to the wall is to make a statement. It is the end of a cycle, with no way out unless you climb the wall and see what's on the other side. Having your back to the wall is also a reminder, an echo of a time when, with hammers and will, an entire generation showed the world that division only lasts for so long - the time of a record, says Grand March."

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Veruh

Adventure EP

11,39 €* 11,99 € -5%

12" | 2024 | EU | Original (What Robot Says)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Veruh's vision for "Adventure" was born out of a desire to push the boundaries of sound experimentation. This vinyl masterpiece showcases a minimal, percussion-driven club sound that seamlessly weaves together a diverse array of elements â€“ from ethereal voices and intricate percussions to skillfully incorporated instruments and synth layers that add a mesmerizing depth to the tracks. Live touches of the bass line contribute to the creation of a captivating melody that resonates throughout the EP. Veruh, known for consistently challenging the norms of electronic music, brings his signature microhouse sound to the forefront in this EP. The tracks are a fusion of tight rhythms, deep basslines, and emotive melodies, offering listeners a truly immersive and unforgettable sonic experience. As an exciting addition to the Adventure EP, Enzo Leep's remix infuses a smooth minimal house, a fresh and thrilling dimension to the original tracks. Closing the vinyl with finesse, Enzo Leep's remix infuses a smooth deep house vibe while maintaining the essence of the original elements. The tempo is elevated, and a mellow yet powerful bassline adds an extra layer of intensity, leaving an indelible mark on the overall journey.

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Federsen

Robot Says R EP

14,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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San Francisco dub techno magician is in the game, but wait a minute.. Does anybody know What Robot Says? Vinyl Only Introducing the debut EP from the visionary electronic artist Federsen, What Robot Says Records proudly presents a mesmerizing journey into the depths of dub-infused electronic music. Hailing from the vibrant city of San Francisco, Federsen, also known as Chris Kelly, brings forth a sonic landscape rich with the influence of dub reggae recording techniques. Within this inaugural release, Federsen masterfully melds vintage tape delays and analog equipment to craft a sonic experience unlike any other. Each track within the EP is a testament to Federsen's meticulous attention to detail and his ability to weave intricate melodies with hypnotic rhythms. Opening the EP is "High Pressure," a seamless blend of precise minimalistic percussion and ethereal melodies, effortlessly drawing listeners into a world of hazy dub textures. Following suit is "Sono," where deeper melodic layers intertwine with Federsen's signature sophistication, creating a timeless elegance that permeates every note. As the EP unfolds, "Fazed" emerges as a standout track, delivering a powerful groove destined to ignite dancefloors while still maintaining the immersive simplicity of dub soundscapes. Finally, "Quadrata" serves as the perfect conclusion to the journey, offering a sublime fusion of atmospheric elements that evoke a sense of introspection and tranquility. With this EP, Federsen invites listeners to immerse themselves in a sonic tapestry where tradition meets innovation, where every beat pulses with intention, and where the boundaries between genres blur into oblivion. What Robot Says Records proudly presents Federsen's debut EP, a testament to the boundless creativity and artistry of one of electronic music's most promising talents.

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2LP | 2024 | EU | Original (Sunny Bastards)

Punk'n'roll

Release: 2024 / EU – Original

Genre: Rock & Indie

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Punk'n'roll Splatter On Babyblue Vinyl Edition

2LP | 2024 | EU | Original (Sunny Bastards)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Kicking Ass For The Working Class

LP | 2024 | EU | Original (Sunny Bastards)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Kicking Ass For The Working Class Red-Black Marble Vinyl Edition

LP | 2024 | EU | Original (Sunny Bastards)

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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Dabbing Live Rosin In Europe Black Vinyl Edition

Bongzilla

23,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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It's Over Black Ice Vinyl Edition

Tatyana

LP | 2024 | US | Original (Sinderlyn)

Tigers Blood Black Vinyl Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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For Fans of Robyn, Tirzah, Charli XCX, Mica Levi, Jessy Lanza, Maurice Fulton."Don't come closer, because I might hurt you boy / You don't deserve it, I treat you like a toy." So sings 28-year-old South East London musician Tatyana on "It's Over", the sad and squelchy electro-leaning title track to her second album. Primarily written and produced over the summer of `23, It's Over follows the loose trajectory of a not-quite-relationship from the year before. But, more than that, it's an album about modern dating, alienation and the confines of existing online.If you've heard Tatyana's name before, it's probably because she released a debut album back in 2022, Treat Me Right, co-produced with Metronomy's Joe Mount, a record she describes as more of a collaboration. For It's Over, Tatyana took control of every aspect of the album's creation, from the production (she co-produced it alongside Mikko Gordon) to the artwork and the technology she used throughout. "This record made me technically proficient because I really pushed myself," says Tatyana. "I figured out a lot of things that I didn't know before. In the past, I allowed others to lead the charge and I'm not doing that any more."Born in London, before moving to Russia, Holland and Singapore in her teens, before eventually studying music at Berklee College in the USA - which she attained on full scholarship - and then back to London, Tatyana imbues her music with both haywire technical proficiency and encyclopaedic, far-flung tastes. Mostly, though, her sound originates from a pure love of the dancefloor: Robyn, Tirzah, Mica Levi, Jessy Lanza, The Knife. You can hear these dance-pop influences everywhere, from the colourful synth shapes of "Control (ft. Dave Okumu)" to the crackling analogue hiss of "Nothing is True, Everything is Possible". Lean in a little closer, too, and you might catch the shimmer of a harp on every song (she's played harp since she was a little girl, and toured extensively as a professional session harpist). "I write about love,...

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Waxahatchee

LP | 2024 | EU | Original (Anti)

Coffee Talk Ep. 2: Hibiscus & Butterfly Pink Cassette Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she"s never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers"s Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen. And after years of being sober and stable in Kansas City-after years of sacrificing herself to her work and the road-Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse-an ethnologist of the self-forever dedicated to revisiting her wins and losses But now she"s arriving at revelations and she ain"t holding them back.

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Andrew Jeremy

Tape | 2024 | EU | Original (Black Screen)

Coffee Talk Ep. 2: Hibiscus & Butterfly Blue Cassette Edition

Release: 2024 / EU – Original

Genre: Soundtracks

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Dust off your coffee machine and prepare your warmest smile to meet your customers again in the second episode of the much-loved coffee brewing and heart-to-heart talking simulator - "Coffee Talk Episode 2: Hibiscus & Butterfly". You are a barista and your customers aren't always humans. Listen to their stories and influence their hearts with a warm cup of coffee or two.Introducing "Coffee Talk Episode 2" on tape. Dive into the soothing rhythms of this atmospheric lo-fi soundtrack, which captures the very essence of the Coffee Talk universe. Each groove transports you to that familiar coffee shop corner, where the patter of rain, heart-warming chatter and captivating melodies intertwine flawlessly. Presented in a stunning analogue format, the cover is drawn by Junkipatchi, Episode 2's lead writer and narrative designer. The tracks themselves have been handpicked by Andrew Jeremy, game producer and music composer, who has this to say: "The world is so chaotic that it can break you down. Just take your time to rest and re-energize with relaxing and chill music, before you start each day conquering the world once again." So, settle down with your favourite brew and let Coffee Talk Ep. 2 on tape guide you on a melancholic yet tranquil journey, evoking the Seattle from a parallel universe that you've come to know and love. Secure your auditory escape today and immerse yourself in an unmatched coffee shop ambiance.

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Andrew Jeremy

Tape | 2024 | EU | Original (Black Screen)

Something In The Room She Moves Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Soundtracks

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Julia Holter

2LP | 2024 | UK | Original (Domino)

30,99 €*

LP | 2020 | EU | Original (Light Sounds Dark)

Release: 2024 / UK – Original

Genre: Rock & Indie

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While the work of the Los Angeles-based singer-songwriter and composer has often explored memory and dreamlike futures in the past, her latest album is more grounded in the present. Her production and arrangements form a continuum of fretless electric bass tones in counterpoint to gliding vocal melodies, while glissading Yamaha CS-60 lines play around the reeds like warm winds. "I've tried to create a world that sounds fluid and water-like, reminiscent of the inner sound world of the body," says Holter about her flowing harmonic universe.

The last few years have brought an existential focus on human connection for Julia Holter, amidst the shattering changes that have come with the deaths of loved ones (including her young nephew, to whom the album is dedicated) and the birth of her daughter. On Something in the Room She Moves, Holter vividly processes the complexity, gravity and awe of this confluence of experiences.

After a string of dream-pop albums - from her breakthrough Ekstasis (2012) to Loud City Song and Have You in My Wilderness - Holter released the sprawling and thrillingly experimental Aviary in 2018. Since then, she has scored films such as Never Rarely Sometimes Always, performed a commissioned piece for The Passion of Joan of Arc with the Chorus of Opera North and collaborated with her partner, musician Tashi Wada, who plays synthesizer and bagpipes on her new album. Something in the Room She Moves is a remarkable step forward in Holter's work, combining her free improvisational energy with her characteristic eloquence.

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V.A.

Lsd029

Release: 2020 / EU – Original

Genre: Electronic & Dance

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LP | 2024 | EU | Original (Zam Zam Sounds)

C_s

Six Crossings

17,24 €* 22,99 € -25%

Sledgehammer Dub In The Street Of Jamaica

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Édouard Ribouillault (c_c) is known for his unique mix of bass and break distortions, his love for dub music, as well as his hypnotic one-hour performance with a table brimming with various gadgets and electronics.

Six Crossings is c_c’s ultimate recording with the electronic setup he has honed for nearly 10 years of live performances: several drum machines and a sampler interconnected to a mixing system and feedback effects, analog and digital hybrid.

Knots in the head, knots in the legs, Six Crossings is also how rhythms and textures intermingle to create autonomous forms with complex structures, which we observe evolve in time organically.

Between basic writing and improvisation, all the songs were recorded in a single take during the same day, at ZZLand, while he was back from the ZAD of Notre Dame Des Landes, charged with the good vibes of a huge party in support of Les Soulèvement de la Terre. The party was the first to be sonorised with the DistoMobile, a homemade XXL sound system inspired by dub sound system, but dedicated to atypical music.

"The album is also a humble tribute to the great Jah Shaka, Jamaican-English operator of a legendary sound system, but also producer and singer, who died in April 2023. The obsession with the physical effects of sound, from skin quivering to frantic dancing, was partly conveyed to me in his sessions where he guided the audience through a very powerful yet gentle introspective bubble.

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Niney The Observer

LP | 2024 | UK | Original (Burning Sounds)

30,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2017 | EU | Original (Psychonaut Sounds)

Rails

Other People

25,99 €*

Release: 2017 / EU – Original

Genre: Pop

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London Symphony Orchestra

Tommy

2LP | 2015 | UK | Original (Ode Sounds)

Release: 2015 / UK – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Weird Sounds)

Der Butterwegge

Butterbande

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2024 | UK (Further)

Yeti Mind Tricks

We Ain't Like Them

13,59 €* 16,99 € -20%

7" | 2024 | EU | Original (R2)

Release: 2024 / UK

Genre: Electronic & Dance

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The king is dead, long live the king, as they say - except in this case the late king is DJ Bone's legendary Subject Detroit label, which has now been shuttered after 25 years, and the newly anointed king is his new outlet Further, taken from his Amsterdam parties of the same name. It kicks off with a pair of new EPs on the same day and this is the first from Yeti Mind Tricks. 'We Ain't Like Them' is a hammering Motor City techno cut for the peak time which Bone remixes into a more stripped-back but no less edgy and potent cut. On the flip are 'Bimini Road' and 'Vandelay,' both of which bring stylish techno drenched in machine soul.

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Piscean Group

Finger It Out

12,99 €*

Deer Jade / David Hasert / Niconé

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

Saint Louis based Piscean Group return with a 45 showcasing their future funk jazz sound

Led and produced as always by Osunlade (Yoruba Records), this ever evolving group provide two new tracks; the first “Finger It Out” a driving groove punctuated by explosive horns and an irresistible drop, backed with “Kushti”, a beautiful downtempo meditative jam with loping beat and spaced out guitar licks that transports you to a new time and space.

Limited to 200 copies.

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Jukurpa / Wasting My Time With You

12" | 2024 | EU | Original (Kompakt)

12,99 €*

Non Stop Rhythms 2024 Repress

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Tired of grey skies and long faces? We’ve got a serious dose of musical vitamin D for you! This 12" is the inauguration of a new split EP format on Kompakt. More hits on one record. Less environmental impact. Everybody wins.

Deer Jade – Jukurpa

Deer Jade is hailing from the picturesque Lake of Geneva, an area about which the late Jean Paul Belmondo had to say a thing or two. Her infectious smile and uplifting energy behind the decks already made her a household name in clubs and festivals around the globe. This solo debut is an expression of her strong self confidence and in-syncness with the world surrounding her. “Jukurpa” might be just one of the most flamboyant house tunes you’ll come across this year, readymade for swaying to on an early summer morning dancefloor. “Cosmic Dream” is of a more introspective nature, putting gentle psychedelic synth movements to good use. There’s a lot of heart in Deer Jade’s music. We’re happy to give it a home.

David Hasert & Niconé – Wasting My Time With You

This Cologne – Berlin joint venture is shedding rays of sun galore with this lost in reverie deep house jam. Built around a catchy as hell soul vocal and occasional piano outbursts “Wasting My Time With You” will certainly be one of our favorite tunes to waste our time to in 2024.

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Tom Carruthers

2LP | 2022 | US | Original (L.I.E.S.)

28,49 €* 29,99 € -5%

My Shadow Was A Nun Colored Vinyl Edition

Release: 2022 / US – Original

Genre: Electronic & Dance

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Blinding double pack of heavily old school influenced bleep, direct from the depths of England by prolific young producer, Tom Carruthers. These are heavily sample based mpc productions that harken to the carefree days when the pills were pure and the music was fresh and never stopped. When house was techno and techno was house, this long player takes the best elements from say Chill Records, early-Warp and the best Nu-Groove creating timeless dance tracks made for the warehouse dj. Essential stuff here. TIP!

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Maj Rachel

12" | 2024 | EU | Original (Redrum)

16,89 €* 25,99 € -35%

Her Skin Colored Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Redrum Recordz and Fremdtunes present: Maj Rachel - 'My Shadow Was a Nun' With her debut "My Shadow Was a Nun", Maj Rachel creates anamalgam of soul, musique concrete, sound design experimentsand classical. She employs objects as percussion, fieldrecordings, piano, guitar, synths, violin and effects incompositions that are rich in color and contrast. Her music isabstract, paradoxical, full of emotion. At times, her voicesubmerges into a tumultuous sea of reverb and distortion, onlyto emerge in soft, bittersweet melodies. She sounds dark andeerie. She sounds romantic and whimsical. In short, it's apowerful debut album that engages the mind, heart, and gut. This is what Maj herself says about "My Shadow Was a Nun": "So sensitive yet so immune. Light beams shine through millionsof holes. The sun makes the black thick wall seem light grey.The light pulls apart to colors. Love feels painful yet beautiful.You are around even though you're not. A brain doesn't like tothink it's alone. Arranged sound into personal stories, all self-recorded. Because sound creates deep emotion."

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Ant Mill

LP | 2024 | EU | Original (Bright Sounds)

12,74 €* 16,99 € -25%

It's Soul That Counts 12 Page Booklet Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Remarkable warm IDM mini-album by Shlomo, Peligre and Katu.

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Principles Of Joy

2LP | 2024 | EU | Original (Q-Sounds)

Release: 2024 / EU – Original

Genre: Organic Grooves

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2LP | 2022 | EU | Original (Brilljant Sounds)

Hydden

Epic Anesthetic

32,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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Aufstand Am Noerdlichen Ende Der Couch

Go Go Gazelle

10" | 2019 | EU | Original (Brilljant Sounds)

17,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (Weird Sounds)

Andre Sinner

Jung Und Unerfahren

21,99 €*

Release: 2022 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Chalky Sounds)

Teddy Thompson

Heartbreaker Please

21,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Psychonaut Sounds)

The Rails

Cancel The Sun

21,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Birgit Jones And The Desperate Cry For Fame

Birgit Jones

LP | 2023 | US | Original (Duchess Box)

20,39 €* 23,99 € -15%

Purple Disco Machine / Asdis

Release: 2023 / US – Original

Genre: Rock & Indie

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Birgit Jones release their new album "Birgit Jones And The Desperate Cry For Fame" on 30th June,, Birgit Jones the all girl rock trio from Berlin offers gives us some tongue-in-cheek lyrics, bombastic basses and rocky riffs that break the chains of alternative rock and mark the birth of post-glam doom.

While namesake Bridget Jones - Helen Fielding's clumsy novel heroine - prefers chocolate for breakfast, Birgit Jones prefers to enjoy a strong whiskey sour late at night.

The band was formed in 2018 when musicians Kristin (bass), Rike (vocals) and Nathalie (drums) gave their common alter-ego a name. Birgit Jones was born: a woman who doesn't mince words and demands uncompromisingly what is due to her.

"In general our sound is inspired mostly by Royal Blood because without them we would have never thought that we could have a band without a guitarist" Says Kristin

After several singles that laid the foundation for her discography, Birgit Jones is now about to release her first studio album Birgit Jones and the Desperate Cry for Fame - recorded and produced in the Tonbrauerei in Berlin, included in this, is the new single "Room For Rent".

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Beat Of Your Heart

12" | 2024 | UK | Original (Sweat It Out)

15,99 €*

Omar Santis, Niklas Andersson

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Grammy award-winning DJ and producer Purple Disco Machine has shared his latest single ‘Beat of Your Heart’ in collaboration with Icelandic artist Ásdís.

Combining Purple Disco Machine’s trademark disco infused sound with Ásdís’s magnetic vocals, the high-energy track is laden with danceable grooves, big synths and catchy melodies. The accompanying music video, directed by Ndvd, brings all of the joy of the dancefloor to life intertwining love, freedom and fantasy.

Speaking about the track, Purple Disco Machine says: “I was sent the vocals by Ásdís and I immediately fell in love with her voice. I wanted to release the track as a single and we later re-recorded it together in my studio in Dresden, which was really great.”

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W&LL 001

12" | 2013 | SE | Original (Woodsmen & Lady Log)

Phill Niblock / Anna Clementi / Thomas Stern

Release: 2013 / SE – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Limited edition hand numbered copy.

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Zound Delta 2

LP | 2024 | EU | Original (Karl)

16,99 €* 19,99 € -15%

Fatal Vision Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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A new piece by minimalist / experimental composer PHILL NIBLOCK (1933 - 2024), co-
composed and performed by ANNA CLEMENTI & THOMAS STERN. Intense, menacing
layers of thick drones and alien sounds.
In summer 2022, within just a few weeks and by pure coincidence, 2 proposals regarding PHILL
NIBLOCK albums arrived: one suggesting an overdue vinyl reissue of a CD release (more on that
when the time has come for it), the other email was from ANNA CLEMENTI saying she and
THOMAS STERN were working on new pieces that PHILL NIBLOCK has written for her ...
when „Zound Delta 2“ was complete, PHILL sent photographs for the two artworks,
we met twice to discuss details, but unfortunately he died unexpectedly early january this year so
the album now is, sad as it is, a posthumous release ... an intense goodbye from one of 20
th
century most iconic composers.
Phill Niblock
Phill Niblock (1933-2024, USA) was an artist whose fifty-year career spans minimalist and
experimental music, film and photography. Since 1985, he has served as director of Experimental
Intermedia, a foundation for avant-garde music based in New York with a branch in Ghent, and
curator of the foundation’s record label XI. Known for his thick, loud drones of music, Niblock’s
signature sound is filled with microtones of instrumental timbres that generate many other tones in
the performance space. In 2013, his diverse artistic career was the subject of a retrospective
realised in partnership between Circuit (Contemporary Art Centre Lausanne) and Musée de
l’Elysée. The following year Niblock was honoured with the prestigious Foundation for Contemporary Arts John Cage Award.
https://phillniblock.com/

Anna Clementi
Italian-Swedish singer Anna Clementi grew up in Rome, where she first studied the flute and
completed acting training before moving to Berlin and studying experimental vocal music and
experimental music theater with the composer Dieter Schnebel at Hochschule der Künste (now
UdK Berlin). Anna Clementi sees herself as an “actress of the voice” rather than exclusively as a
singer. In this way she also articulates the diversity of her artistic expression, with which she is
always searching for new connections between voice, gesture, language, dance and theater.
During her decades spanning career, Anna Clementi has performed at the most important festivals,
has premiered numerous works, many of which have been composed especially for her, and
worked with Fast Forward, Michael Hirsch, Rupert Huber, Christian Kesten, Alexander Kolkowski,
Olga Neuwirth, Josef Anton Riedl,
Iris ter Schiphorst, Dieter Schnebel, Laurie Schwartz, Elliott
Sharp, and many others.
A special focus of hers is the work of John Cage, whose pieces she has performed worldwide.
https://www.annaclementi.com/

Thomas Stern
Born in Bremen, Thomas Stern moved to Berlin in 1984 where he joined Mona Mur with Alex
Hacke and F. M. Einheit (both from Einstürzende Neubauten, with which Stern also worked as live
sound engineer for many years). Around 1987 he co-founded the Berlin set up of Crime And The
City Solution (Mick Harvey, Alex Hacke a.o.). Over the years, he has has collaborated with artists
like Ulrike Haage, Phew, Nick Cave, Ton Steine Scherben, Meret Becker, Nina Hagen, Jaki
Liebezeit, Ben Becker, N.U. Unruh, Gry, Iris ter Schiphorst, Automat, Swans, Hans Joacxhim Irmler
and many more, on the road or in his own Sternstaubstudio

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Inculter

LP | 2019 | EU | Reissue (Edged Circle)

39,99 €*

7" | 2009 | EU | Original (Fat Possum)

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Staying true to their sound whilst pushing their own limits, here on Fatal Visions do Inculter exhibit more finesse and flair, more magick and mastery. If Persisting Devolution leaned more on the raw side - understandably so, given the band's youth at the time - then the self-produced Fatal Visions sees the now-quartet getting to the heart of their sound and, with mastering by Enslaved's Herbrand Larsen, leaving a more powerful and timeless document for the ages. That expansion to a four-piece is immediately felt; the attack is tighter and more urgent, the dual-riff interplay dazzling with darkness and ever-twisting memorability. Indeed, these Fatal Visions cut quickly and sharply, their locked-in slash 'n' surge sounding almost criminally accomplished. No more red-eyed and bleeding-raw belligerence here: rather, a spiked landscape of classic heavy metal majesty rendered wild and wondrous. If anything, one could say Inculter are taking cues from cult-institution forebears Aura Noir but accelerating up the evolutionary chain far quicker...or simply that Fatal Visions is THE Now Sound of Inculter.

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Vermillion Sands

In The Wood

10,99 €*

Release: 2009 / EU – Original

Genre: Rock & Indie

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LP | 2003 | US | Reissue (Luv N'Haight)

Don Cunningham

Something For Everyone

35,99 €*

LP | 2024 | US | Original (Backwoodz Studioz)

Release: 2003 / US – Reissue

Genre: Organic Grooves

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Ridiculously rare vinyl, superb musicianship, and a Playboy Club are ingredients that make the Don Cunningham Quartet's Something For Everyone album so tasty. Luv N'Haight is proud to preserve and re-issue one of the most collectible, highly sought-after jazz-dance records.

"Bunnies plus food and drink equals good time."Brad Holiday's original liner notes (featured on the back of this album) tell it like it was. Don Cunningham, Marion Miller, John Mixon, and Manny Quintero formed the Don Cunningham Quartet and played ‘The Living Room’ at Hugh Hefner's St. Louis branch of the Playboy Club between 1965 and 1968. Their music was different from that of the jazz mainstays playing in ‘The Penthouse Room’. It was also different from any act in St. Louis at the time.

"Before forming the Quartet, I traveled to Fiji, Australia, the Caribbean and beyond as part of the Johnny Mathis group," explains Cunningham. "On these tours I discovered the "island sound," which was something I'd never been exposed to before. It was enchanting, mysterious and sexual."

The Quartet's unique blend of exotica, Latin and Brazilian rhythms, jazz and easy listening was a perfect fit for the Playboy Club. "I was influenced by having seen Arthur Lyman, Cal Tjader, Willie Bobo, Mongo Santamaria, and Harry Belafonte play live. Not to mention that I was buying all the Les Baxter I could get!" adds Cunningham. The band's sound caught the attention of Bob Webb, a wealthy local businessman. As a friend of piano player Marion Miller he'd learned of the Quartet’s popularity. "I don't want to work, you work, I'll put up the money," Miller recalls Webb 's words. Webb fronted the funds for Miller to create Exclusive records, releasing three albums and two 45rpm singles, including the Something For Everyone LP.

"The music was only sold locally. We never looked up a distributor and we really didn't have a regular record deal," says Miller. Don Cunningham only remembers selling and giving-away the album at Playboy appearances and to a few friends outside of club hours. Only 500 copies were ever printed, some mono, some stereo, it's not known how many of each format.

Of all the tracks on the album "Tabu" has been the biggest hit with the jazz-dance crowd. That track is the reason many collectors have the album on their wants lists. It remains a tune worthy of heavy DJ play. "Something For Everyone" has been at the top of my wants list for about 10 years now. All my other wants I have managed to track down over the years, but to own an original copy of the Don Cunningham album is as illusionary as driving a Rolls Royce," says producer/DJ Rainer Truby of Compost Records. "Not only is it a rare album it is also a good one. "Tabu" to me is the mother of all jazzdance records! A welcome release! I'm curious to check the rest of the LP, but "Tabu" is more than enough of a reason to stroll down to your local record dealer," he adds.

Miller and Cunningham are surprised but obviously very happy with the current interest in the album. Both are still active musicians and hope that this re-issue may stimulate even more work for them. At time of writing Cunningham was on the road with his wife, appearing as The Cunninghams on tour with the Count Basie band. "It's great that the album is being re-issued. There's truly a quality of music on it that has been missed for so long. In a way it's world music - Polynesian, samba, Brazil, jazz, West Indian. It has the energy of Latin and funk records. It's inspired by - but is not really - easy listening, you couldn't exactly sleep in our "Quiet Village!"" says Cunningham.

Andrew Jervis. Ubiquity, February 2003.

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Jeff Markey

Sports & Leisure

24,04 €* 36,99 € -35%

LP | 1987 | JP | Reissue (Mercury)

Release: 2024 / US – Original

Genre: Hip Hop

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Primarily an instrumental album, Jeff Markey’s Sports & Leisure project also features artists billy woods, PremRock, Fatboi Sharif, Defcee, Skech185, Googie and Shape. Now available on vinyl for the first time, Markey has added some very special bells and whistles: Instrumentals for every rap song on the album (Physically) unreleased Armand Hammer collaborations: Armand Hammer “Native Sun” (Half Measures) “Black Ark” instrumental (Race Music) “Halloween Fell on a Weekend” instrumental (wht Lbl) “Western Education is Forbidden” instrumental (Terror Management) Markey is a longtime Backwoodz collaborator, but while his contributions have always been memorable, they have also been few and far between. The credits tell the tale: There he is producing the very first track - “Native Sun” - on Half Measures, the very first Armand Hammer mixtape (2013). That same year he did “Black Ark” on the duos debut LP, Race Music and then doesn’t pop again on anything Backwoodz related until 2019 when he co-produced billy woods first single for Terror Management, “Western Education is Forbidden” featuring Fielded. In 2022, Markey and Fielded made it 2-for-2 with the slinkily fun “Halloween Fell On A Weekend,” a track on Armand Hammer’s vinyl-exclusive WHT LBL.

While he has put out a few other projects over the years and has an equally long history with Reservoir Sound, the arts collective founded by producer A.M. Breakups, Markey spent most of the past decade on the periphery of the NYC indie scene, as likely to drop heat as he was to disappear for years at a time. Sports & Leisure represents the beginnings of a new era for the Akron, Ohio-born producer who moved to New York City in 2004. The pandemic gave him the time and mental space to re-dedicate himself to music and this project figures to be the tip of the iceberg.

“I wanted to make beats that were rugged yet had really warm textures. Previously, I had been making such complicated and left-field sounding shit that I wanted to make something closer to normal rap beats,” Markey says. “I wanted to make shit that was special because good choices were made within an already existing framework rather than completely changing the framework”

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The Three Sounds

Live At The Living Room

Oscillating Metronomics Ep

Release: 1987 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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V.A.

12" | 2013 | Original (Appian Sounds)

5,99 €*

Spine Chiller / White Widow

Release: 2013 / Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

Copy n° 70/311

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Andy Odysee

12" | 2024 | UK | Original (Something System)

11,99 €* 15,99 € -25%

12" | 2024 | UK | Original (Soundway)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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SSR returns for its fourth 12” release and this time round we are buzzing to have ‘Andy Odysee’ at the controls.

Along with T Mirage, Andy is the driving force behind the seminal DnB imprint ‘Odysee Recordings’ a staple in the scene since 1994. Their label released early works from legendary artists such as Source Direct & Photek to mention but a few!

Not only is Andy an accomplished Drum & Bass artist but he is a fully fledged Jazz musician in his own right! His skill on the Rhodes keys speaks for itself & you will hear these influences on this release.

‘Spine Chiller’ delivers exactly what it says on the tin! A cinematic & tense DnB piece with the kind of excellent drum work will love here at SSR..

‘White Widow’ is a beautiful breakbeat joint running at 145 BPM. Lush keys & amazing drum textures, a real journey!

Andy Odysee has delivered the goods here big time!

We can’t wait to share this music with you.

Lee - SSR

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Sai Galaxy

Okere

LP | 2024 | EU | Original (Parigo)

Release: 2024 / UK – Original

Genre: Organic Grooves

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The star-studded Sai Galaxy project returns, bringing together West African legends Steve Monite and Rob with multi-instrumentalist Simon Durrington, guitar maestro Alfred Bannerman and Egypt 80 trumpet player Bade for a second EP of vital Afro-disco and soul.
The EP follows up 2022’s Get It As You Move EP, blending layers of vocal harmonies and synth washes with a rock-solid disco base. The sound stays faithful to the analogue production techniques of the 70s and 80s, adding a modern touch informed by Durrington’s Digital Afrika project.
Lead single ‘Hold You Tonight’ features Nigerian disco icon Steve Monite (best known for his mega hit ‘Only You’), revisiting his 80s origins with a dancefloor-ready slice of dubbed out boogie. ‘Rich Man Poor Man’ (featuring Ghana’s very own ROB) slows down the tempo and brings the highlife influence to the fore, while ‘Sometimes It Rains’ brings a neo soul bump with the Omar-esque sound of Fijian vocalist Kaivili.

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N'zeng

The Trip

12" | 1996 | US | Original (Sounds.)

Release: 2024 / EU – Original

Genre: Rock & Indie

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The Trip is the first solo album by N'Zeng, better known as Sébastien Blanchon. It has to be said that he hid behind his (hollow) nose to sniff out the right projects (ex Le Peuple de l'Herbe, member of Entourloop). His nose is hollow, but not for the trumpet, and yet it's with this instrument that he started out. And he reinvents it, giving it a subtle place on this musical road trip we call The Trip. A journey open to all, with no tolls and no filters, apart from the cinematic filter of this lover of original soundtracks and trip hop. Beautiful images flash before our eyes, and in our ears, the smooth voice of Charlotte Savary (Wax Tailor). An album, a very good trip for lovers of Portishead, Gorillaz, and well-felt scratches in the form of controlled skids. He's making a name for himself as N'Zeng, with his smooth arrangements.

N'Zeng's father played trumpet with his grandfather in the Feurs brass band in the Loire department. When he arrived in Saint Etienne, young Sébastien started out with a cornet à pistons at the Conservatoire. His teacher at the time, Marcel Heyte, had won a prize in Paris at the same time as a certain Maurice André.

His father took lessons in orchestral conducting, accompanying the offspring's budding musical career, which included a course at the Festival de Cuivre in Monastier-sur-Gazeille, where he met the soloists of the Radio France orchestra. A new awareness, a new confidence: off to Lyon, not for a soccer derby, but to "beef up his game". In 1997, he was awarded a gold medal for trumpet by a unanimous jury at the Conservatoire National de Lyon.

Lyon, capital of the Gauls, was the starting point for N'Zeng, who went on to become a member of the group Le Peuple de l'Herbe. 15 years later, with several successful records to his credit, a concert in 2003 at the Transmusicales with Beth Gibbons (Portishead), and a Victoire de la Musique award, it was time for N'Zeng to move on to other things.

Arrival in the City of Light, the place where dreams come true. Nzeng's dreams are not only sonic, but also visual, for Sébastien is not only a friendly presence and a talented musician, but also a cinephile. His knowledge of music theory, acquired during his years at the conservatory, enables him to tackle music for pictures.

He created a soundtrack for the cult film Alien - The 8th Passenger, and worked with musician Rone (collaborating with Baxter Dury) and his bandmates from Le Peuple de l'Herbe, composing 2 tracks for the soundtrack of Virginie Despentes's hard-hitting film "Baise-moi". On the album "Hollywood Hustlers", with the group "Mustang Force", he pays tribute to the soundtracks of Lalo Shiffrin, Ennio Morricone... The album is also well received by the critics. He conducts the arrangements and orchestrations for the Degiheuga Orchestra, and composes the original music for the Hôtel Bellevue dance show, another success!

2019 sees the birth of "The Trip" project. On this record, no masks, but a female voice, that of Charlotte Savary (Wax Taylor), laid on a carpet of strings. With this musical voyage, trip hop takes pride of place, with a balance between the body of the instruments and the mechanics of beatmaking.

There's no getting off track on this well-balanced record, with its silky orchestrations. N'Zeng accompanies us elegantly, with his trusty trumpet as GPS, here used subtly. The album cover is a photograph taken by Sébastien Blanchon's mother, in 1973, a year when Saint Etienne was about to become French champion for the 7th time.

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Wamdue Kids

Ocean Between Us

40,99 €*

12" | 2013 | US | Original (Sublevel Sounds)

Release: 1996 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: G+, Cover: Generic

Close to VG. Original pressing!

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DJ Spider

Remix Project 2.0

6,99 €*

Release: 2013 / US – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

12" | 2024 | US | Original (Sheik 'N' Beik)

IVVY

YVVI

9,74 €* 14,99 € -35%

Boeckner! Orange Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Ivvy, aka Madi Levine, makes music for heady dance floors. They layer in squelching synths to disfigured techno rhythms influenced by a youth spent at renegade warehouse parties in the Midwest. They have been on constant tour for a while now and left their mark everywhere, from Hot Mass (pgh) to On Earth (Toronto), while also teaching production and studio management workshops at events such as Kremfest 2019. Madi also organises the experimental ambient music festival Ground Hum at home in Seattle and says the songs on this EP are a means of emotional processing. Violence, oppression, drugs, sex, growth, hope, and deep magic are explored through futurist techno tracks. "This EP represents a new era of healing for me, tracks created through a need to reflect on the way trauma has shaped my creative work. For me these tracks are musical building blocks to a better version of myself." The compelling 'Top Me' opens up with pulsing deep techno drums, bass, and loopy vocal fragments that bring plenty of edge. '2 Balloons for 15' is more clanking and textured, with percussion ripping up the minimal rhythm and synths growing in intensity next to warped vocal mutterings. 'On Some ‘Rear Window’ Shit' is another deliciously dark and driving take on mutant techno with twisted metal and whirring machine sounds, and 'It Only Takes One Brick' is powered by distorted bass rumbles straight from a sleazy warehouse and peppered with twitchy stabs and menacing voices. Remixer Bergsonist is Morocco-born but NYC-based. She explores notions of identity, memory, and social politics in her work. She is the founder of the community resource Pick Up The Flow and the Bizaarbazaar label, and hosts monthly shows on NTS Radio. Her first take on 'It Only Takes One Brick' is gloopy and off-balance - a perfectly heavyweight house cut with vast kicks and tripped-out details. The second one is just as thumping, but this time with a broken beat pattern and more sci-fi synth details. A trio of digital-only cuts then closes out the EP - the stripped-back but booming techno-paranoia of 'Eric’s House 3am', the glitchy and industrial textures of lineal banger 'Gives Me Hope For Us' and the spooky synths and eerie energy of the urgent 'Witchcraft.' This most direct yet detailed EP explores plenty of fresh techno ground.

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Boeckner

LP | 2024 | EU | Original (Sub Pop)

Peter Golding & Barry Miles

Release: 2024 / EU – Original

Genre: Rock & Indie

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Daniel Boeckner understands the grit and gravel that accumulates in the heart and that it takes an unwavering courage to crack through that clutter and burrow to the other side. And in Boeckner's hands, that quest comes via post-apocalyptic synth and guitar heroism, a rallying cry for those always coming home through the scorched clouds. Throughout his work with Wolf Parade, Handsome Furs, Divine Fits, Operators, Atlas Strategic, and more, the iconic Canadian indie rocker recognizes that few feelings are more gratifying-more memorable, more generative, more abundant-than hope. But it takes getting the hell out of your own way. A culmination of that deep library of musical reference, Boeckner is set to release his first album under his own name: Boeckner! No matter where his genre exploration has taken him, there's something about growing up in punk and DIY spaces that puts collaboration in Boeckner's blood. Composed of a collection of intimately familiar elements, Boeckner! elicits the same thrill of young passion and discovery. It's a jet-powered chase through a tech-noir cityscape-fueled by a dream and that special someone in the passenger seat. That urgency and passion have always been a trademark of Boeckner's, and writing on his own pushes those feelings further into the center of the scope. But while Boeckner may be the clear driving force behind the album, he's not without collaborators for his solo debut. After meeting producer Randall Dunn while contributing to the soundtrack to the Nicolas Cage-starring psychedelic horror film Mandy, Boeckner knew he'd found the perfect counterpart for his solo debut. "I'd been a fan of his forever, especially the Sunn0))) records he produced," Boeckner says. "Working with Randall really unlocked some suppressed musical urges, things that I enjoy in my private life but don't normally weave into what I'm releasing-like occult synth, pseudo-metal, krautrock, and heavy psych influences." That base allows Boeckner to thoughtfully weave between emotional imagism and more grounded storytelling. Throughout the record, his imagery delves into science fiction, but it's charged first and foremost by experience. The trio of Boeckner, Dunn, and drummer Matt Chamberlain (Pearl Jam, David Bowie, Fiona Apple) formed a sort of dark engine for the album, and Chamberlain's ingenious approach of triggering a vintage Arp synthesizer simultaneously with each drum track helped Boeckner shape the record's atmosphere. That tense futurism was influenced by Boeckner's time staying in Dunn's Circular Ruin studio, a dusky, electronic aura burned into every track. By the end of the album, Boeckner! eases from sci-fi epic into something more akin to a torched VHS copy of a John Cassevetes film, the chemtrails and nuclear fallout fading long in the distance. Like all good sci-fi, the emotion and pain hits home for the author and listener alike, and the genre flourishes bolster the human experience. In revealing more than ever before, Boeckner! ratchets up the musical intensity to unforeseen levels and hopes to find some peace at the end of the journey.

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Rock Graphic Originals: Revolutions In Sonic Art From Plate To Print '55 - '88

Thames & Hudson

33,99 €*

LP | 2024 | EU | Original (YNFND)

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A unique insight into, and record of, the 20th century’s most exciting and productive period of rock poster art and graphic design.

Rock Graphic Originals: Revolutions in Sonic Art from Plate to Print ‘55–’88 presents counterculture’s psychedelic poster art from its beat origins to its stadium rock zenith. Portfolios of 30+ poster artists – Rick Griffin, Victor Moscoso, Mouse Kelley and Hapshash amont them – are laid bare for all to see. For the first time, the sketchbooks and paste-ups, the printing plates and colour separations are unveiled to reveal the layers of process integral to the design of each poster.

Rock Graphic Originals is packed with more than 750 examples of posters, artworks and logos, created for the bands that epitomise their era, their sound and their scene – in San Francisco and the west coast, Detroit and New York, Swinging London and revolutionary Paris. Rock legends promoted in the posters include Big Brother and the Holding Company, Grateful Dead, Quicksilver Messenger Service, Moby Grape, Frank Zappa & the Mothers of Invention, Captain Beefheart, the Doors, the Velvet Underground, Jimi Hendrix, Tim Buckley, the Yardbirds, Cream, Led Zeppelin and many more.

Barry Miles – cultural commentator and founder of International Times – contextualizes the exquisitely curated pages. Punctuated with special features on the socio-political phenomena that permeated the music and artwork of each period – underground clubs, head shops, obscenity trials, legalize pot rallies, acid tests and violent protest – the story is completed by personal insights from the artists themselves.

'Gig posters, magazine covers and band visuals from the golden age of rock' The Herald, Music Books of the Year

About the Author: Peter Golding, musician and creator of the world’s first ‘designer jean,’ began collecting rock ’n’ roll art in 1967, naming his collection ‘Inspirational Times.’ As part of the sixties and seventies fashion movement, Peter Golding’s famous ACE boutique in London’s Chelsea brought him into regular contact with the biggest names in rock ’n’ roll, and he went on to create one of the most comprehensive collections of rock ’n’ roll graphics. He curated the first exhibition for ‘Inspirational Times’ in London in 2003, was a major lender to the Tate Liverpool exhibition ‘Summer of Love’ in 2005, and more recently contributed to the V&A’s 2016–17 exhibition ‘You Say You Want a Revolution.’

Barry Miles is the bestselling author of numerous biographies and countercultural histories. He was a founding contributor to International Times, a regular contributor to NME from 1975 to 1978, and editor of Time Out from 1978 to 1979.

Format:Paperback Size:31.5 x 21.8 cm Extent:224 pp Illustrations:750 Publication date:25 October 2018 ISBN:9780500293539

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M.Rux

Rekorder

20,99 €*

Burn To The Moon Blood Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Rekorder is "a kind of retrospective of myself", says M.RUX about his second, long-awaited solo album. For over 10 years, Marten Rux aka M.RUX appears as a DJ, producer, editor, remixer and multi-instrumentalist all over the world and has developed an idiosyncratic sound that opens up subtle fields of tension: M.RUX mixes a sound between experimental sound design and hooklines that stay in your ears forever. Between wild percussion and contemplative harmonies, between ecstasy and meditative calm. In his DJ and live sets, M.RUX usually steps up to the controls with a smile, discreetly bobbing his head, while the audience goes wild. He circumnavigates clichés with trustworthy certainty and develops his very own guiding threads in his selection beyond BPM or genre straitjackets. One constant is his warm, often stoically slow kick drum, which holds all that playfulness together. Rekorder is a manifestation of this typical M.RUX sound. Similar to his concept album "Vermonische Melodien" from 2020 (on the Pingipung label), the artist's curiosity is directed towards the musical visions of the past. When new music technology projected great visions of the future and when new sounds had not yet solidi ed into clichés. Rekorder refers to the recording device, spelled in a German way, because most of the recordings were made in Germany (and in England as well). Phonography is a miracle that has only been around for 150 years: Technology gifts upon us prosthetics for remembering sound. Every recording is a process, and every playback a new performative act. Recordari (Latin) is a beautiful word. It literally means to take something to heart (cor) once again (re-). This doesn't just refer to remembering, but also to a ponderous, loving, sometimes doubtful contemplation. It is a perfect headline for M.RUX’ approach to processing sound. Rekorder draws deeply from its own archive, which has ourished quite splendidly during the pandemic. Multi-instrumentalist M.RUX mixes his own recordings of banjo, guitar, auto-harp, synths, percussion and jews harp with fragments from sessions with friends that have accumulated since 2020. They unfold in the process of re-listening in the mix and transform into a solid musical tapestry. A typical gesture for this album? M.RUX bows deeply to the history of pop music - especially the blues and its melancholy, coolness and shuf ing groove. The harmonic framework of the album is based on blues scales throughout. Instead of conveying blue emotions via lyrics or the tone of the voice, as the original genre does, the synthesizer takes on this role on Rekorder. With his sound design, M.RUX achieves an ecstatic sorrow in his melodies, this gurgling portamento that is reminiscent of R&B (or even the ingenious title melody of the series "Bojack Horseman”). If voices are heard on Rekorder, then as hypnotic fragments that guide us through the groove as conjunctions: "Because...", says the voice in the track of the same name. That's enough. There are no lyrics, no literal weariness, no love-songs or storytelling, Rekorder processes all of this into timbres and groove as vessels for the album’s individual, contemplative melancholy. Never forgetting, with a gentle smile, to swing a leg.

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Lie Heavy

Release: 2024 / EU – Original

Genre: Rock & Indie

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LIE HEAVY brings together notable rockers, Karl Agell, JD Dennis, TR Gwynne and Graham Fry. You may know them from some of their musical forays with Corrosion of Conformity, Leadfoot,The Skull/Legions of Doom, Confessor, Patriarchs in Black, The Point, Deltoid and The Backsliders. LIE HEAVY draws on the original hard 'n groovy jams of Sabbath, Mountain, Lizzy and Purple, fused with their own massive experience. So, it is not difficult to fathom why LIE HEAVY sounds like a well-oiled, hard working band of 30 years rather than a new entity. Their pedigree does not belie their power. Collectively, they have spent tens of thousands of hours in practice spaces, studios and on stages around the world, honing their vast skills, to find one another in this moment being among the top guardian practitioners at the gates of transcendently HEAVY music.

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Paraboot

Athenes

139,97 €* 279,95 € -50%

Burn To The Moon Green White & Orange Vinyl Edition

Available Sizes: EU 41

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The Athens by Paraboot is a new rendition of the Adriatic mule and has been equipped with a welded sports sole, also known as a "wedge and cramp" sole. The upper is glued directly onto the sole. Advanced assembly processes make it possible to produce lighter and visually sleeker shoes. Together with a suede upper, this results in a very soft and comfortable sandal.

Paraboot insoles, heels and soles are still produced and vulcanized with the same composition as in the past. Therefore, the rubber achieves the best material and mechanical properties in terms of comfort, adaptability and wear resistance. Paraboot's rubber compounds originate in France and are vulcanized in the company's own factory in Saint Jean de Moirans on its own presses.

The Paraboot factories are located in Saint Jean de Moirans, in the heart of the French Alps. Long before "Made in France" became a trend, Paraboot was a traditional company committed to social and ethical responsibility. For more than 100 years, Paraboot has been dedicated to preserving its artisanal production equipment and know-how. Richard-Pontvert has been awarded the "Entreprise du Patrimoine Vivant" (Living Heritage Company) label.

Made in France.

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Lie Heavy

33,29 €* 36,99 € -10%

Release: 2024 / EU – Original

Genre: Rock & Indie

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Raleigh, North Carolina's Lie Heavy is one of the few, true throwbacks to another era. They feature the vocals of Karl Agell, best known for Corrosion of Conformity's BLiND album and Leadfoot. Heavy, heavy-ass blues that would have fit on the Man's Ruin label back in the 90s, around the time that Orange Goblin was making waves. This is primal stuff: not quite Stoner, not quite Metal, and not quite giving a shit. Biography LIE Heavy brings together notable rockers, Karl Agell, JD Dennis, TR Gwynne and Graham Fry. You may know them from some of their musical forays with Corrosion of Conformity, Leadfoot,The Skull/Legions of Doom, Confessor, Patriarchs in Black, The Point, Deltoid and The Backsliders !!! LIE Heavy draws on the original hard 'n groovy jams of Sabbath, Mountain, Lizzy and Purple, fused with their own massive experience. So, it is not difficult to fathom why LIE Heavy sounds like a well-oiled, hard working band of 30 years rather than a new entity. Their pedigree does not belie their power. Collectively, they have spent tens of thousands of hours in practice spaces, studios and on stages around the world, honing their vast skills, to find one another in this moment being among the top guardian practitioners at the gates of transcendently Heavy music.

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Lie Heavy

Burn To The Moon

Tape | 2024 | EU (Phobia)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Exploatör

Blind Elit

10,99 €*

Infinite Peaks Black Vinyl Edition

Release: 2024 / EU

Genre: Rock & Indie

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New album - what we can say? I believe everyone will love it! 3rd album from project featuring original Totalitär members

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The Cosmic Dead

Release: 2024 / EU – Original

Genre: Rock & Indie

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Infinite Peaks is the long awaited ninth full length album from tumultuous Glaswegian astral travellers The Cosmic Dead, the album features two extended incantations recorded and mixed at Glasgow's 16 Ohm Recording Studio.

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Paraboot

Michael

237,47 €* 474,95 € -50%

Available Sizes: EU 41

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Inspired by the birth of Michel Richard-Pontverts in 1945, the Paraboot Michael is a legendary casual design developed by the second generation of the Richard-Pontvert company. Proven worldwide, the model has traversed the ages, adapting to all generations and all styles. Significant details of the elegant Paraboot Michael are the derby leaf insert with beaded stitching, the short two-hole lacing and the Norwegian stitched rubber sole.

Norwegian stitching was developed mainly for mountain and work boots, and the principle can be described as follows: The shaft is sewn to the sole by a welt. Two seams are visible: the so-called Norwegian seam, which connects the frame with the upper and the first stitch, while a seam created by small stitches connects the frame with the sole. However, it's also possible to do it without a frame - in this particular case, both threads are sewn directly on the leather of the underside of the upper. The advantages of the Norwegian seam are the rock-solid and flexible assembly technique, which makes the shoe waterproof and resoleable. From a technical standpoint, the advantages of Norwegian stitching are comparable to those of Goodyear stitching.

Paraboot insoles, heels and soles are still manufactured and vulcanized with the same composition as in the past. As a result, the rubber achieves the best material and mechanical properties in terms of comfort, adaptability and wear resistance. Paraboot's rubber compounds come from France and are vulcanized on their own presses in the company's workshop in Saint Jean de Moirans.

Paraboot Michael - features:

• upper: even leather, pressed with the help of a smooth hot plate
• leather lining
• Norwegian stitching
• homemade vulcanized rubber sole
• handmade in France
• re-sole option: Goodyear and the Norwegian style offer the option of re-soling

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Paraboot

Reims

379,96 €* 474,95 € -20%

Ario Lalli & The Rubber Snake Charmers

Available Sizes: EU 41, 44

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The Reims moccasin is one of the legendary Paraboot designs and was inspired by the timeless Michael. The uniqueness of the Paraboot Reims is based on its tough features, which give the shoe a masculine touch with a well-defined character. Significant details of the Paraboot Reims are the moccasin leaf insert with beaded stitching as well as the Norwegian stitched rubber sole.

Norwegian stitching was developed mainly for mountain and work boots, and the principle can be described as follows: The shaft is sewn to the sole by a welt. Two seams are visible: the so-called Norwegian seam, which connects the frame with the upper and the first stitch, while a seam created by small stitches connects the frame with the sole. However, it's also possible to do it without a frame - in this particular case, both threads are sewn directly on the leather of the underside of the upper. The advantages of the Norwegian seam are the rock-solid and flexible assembly technique, which makes the shoe waterproof and resoleable. From a technical standpoint, the advantages of Norwegian stitching are comparable to those of Goodyear stitching.

Paraboot insoles, heels and soles are still manufactured and vulcanized with the same composition as in the past. As a result, the rubber achieves the best material and mechanical properties in terms of comfort, adaptability and wear resistance. Paraboot's rubber compounds come from France and are vulcanized on their own presses in the company's workshop in Saint Jean de Moirans.

Paraboot Reims - Features:

• upper: even leather, pressed with the help of a smooth hot plate
• leather lining
• Norwegian stitching
• homemade vulcanized rubber sole
• handmade in France
• re-sole option: Goodyear and the Norwegian style offer the option of re-soling

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Folklore From Other Desert Cities Violet Vinyl Edition

12" | 2024 | EU | Original (Heist)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Makez

Midnight Time EP

13,99 €*

12" | 2024 | UK | Original (333)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Makèz deliver the perfect follow up to their hit ‘Downstream’ with L.A. artist Life on Planets.

Dutch Duo Makèz had their big break when we released their first record on Heist in 2019, but it’s safe to say that ‘Downstream’ (on No Art records) has taken things to the next level for the talented Amsterdam duo. With support from pretty much the whole of Radio 1 (Pete Tong, Jaguar, Sarah Story, Danny Howard and more), and club DJ’s across the board ranging from ANOTR to Louie Vega, their fall 2023 release has really been a dream collab with vocalist and producer Life on Planets. It’s only fitting that the duo comes home to Heist with their follow up EP: ‘Midnight time’.

This new EP is a perfect blend of the intricate, soulful songs and punchy club tracks we’ve come to love from Makèz, On the A-side, we’ve got the jazz cut ‘Closer’ with AVA LAVÁ, who fans will remember from their Holy Sun EP on Heist. ‘Closer’ is equally laidback, full of textures and rich musical elements and a perfect mood-setter for the EP.

Next is ‘Running from the noise’ with Life on Planets on vocals. This is the follow up to Downstream that simply had to happen. It’s just as breezy and effortless as the duo’s biggest hit to date, but goes even deeper and minimalistic, taking you on a vibe that resembles the sound of that classic 100% Galcher mixtape/album from 2013. There’s definitely something in the air when these artists get together in the studio; The music is warm, fuzzy, and inviting, but most importantly, just about as sexy as can be.

‘Midnight time’ is another collaboration with AVA LAVÁ, and takes the EP into the club realm, while still keeping things jazzy. Lush Rhodes chords and a rolling live bass form the basis, while the young vocalist seems to freestyle her way through the track, much in a way an MC would do to get the crowd going. Everything about this track is infectious and you can just feel this go off in a club.

That club is exactly where we end up on the B-side, with ‘The Answer’ and ‘Gratitude’. Both have their own direction; ‘The Answer’ is a Chicago-inspired jam with acid licks, a powerful male vocal and clean 909 drums, where ‘Gratitude’ goes deeper with its haunting strings, clever vocal chops and loops and synths that somehow resemble static noise from an old radio. With their ‘Midnight Time’ EP, Makèz treat us to a gorgeous journey through their sonic world, a place we’re happy to hang out for a long, long time.

As always, enjoy the music and play it loud!

Lars & Maarten

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Cooly

Freedom

17,99 €*

Even God Has A Sense Of Humor Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Reggae & Dancehall

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Rare as hen's teeth digital dancehall from out of late 80s/early 90s NYC, via Cooly aka Koolindian aka Super Cat's cousin Andrew Maragh, originally released on his own Mad Indian Records - reissued here for Death Is Not The End sub-label 333.

Maragh sang in church choirs and on soundsystems in Jamaica before moving to New York in the 1980s where he quickly became involved on the underground music circuit, taking inspiration from his cousin the legendary Super Cat. "Freedom" was penned while he was incarcerated, and details the unfairness of the judicial system at that time, alongside the heartfelt need to "hustle everyday to make ends meet, whether that's picking up scrap metal or cutting lawns or voicing dubplates, whatever you do to make a dollar", says Maragh.

Having bought an Ampex tape in Manhattan, Maragh headed over to the legendary Philip Smart's Hc&f studio on Long Island with the intention of laying down his lyrics on the version to Dennis Brown's "Children of Israel". After hearing the song however, Smart went ahead and built this one-away "Freedom" rhythm on the spot. The track was then carried to Count Shelly's Super Power Records where it was then pressed & distributed as the first and only release on the Mad Indian label around the turn of 1989/1990.

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Maxo

LP | 2024 | EU | Original (Rrc Music)

34,99 €*