Search "lunice+one+hunned" 29400 Items

Watts 103rd St Rhythm Band / Meters, The

Release: 2022 / US – Original

Genre: Rock & Indie

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Wau Wau Collectif's second album, Mariage, is instilled with a newfound sense of purpose. Expanding upon the inspirational themes of their acclaimed 2021 debut, Yaral Sa Doom (Educate The Young), this long distance collaboration from musicians in Senegal and Sweden's Karl Jonas Winqvist is an even more stylistically expansive affair Joyful children's songs collide with fuzzy guitar solos and thumping hip-hop beats. Shimmering synths lift off from the plunky percussion of the balafon and versatile sounds of the 22-string kora. Familiar voices from the first album return with more explicitly political lyrics, while the music feels both rhythmically dense and sonically weightless, flowing from one spellbinding moment to the next. For Mariage, band members from each country were inspired to include a wider array of instrumental flourishes unique to their cross-continental collaboration. "Yay Balma" revolves around the cycling riffs of Jango Diabaté's xalam guitar, as this song's fuzzy tones and soaring sax solos open side two with a bang. "Pitchi Goubidi" provides a stark contrast, with the kora played like a harp and Gilbert Badji's gravelly lyrics about "the bird of the night" disappearing into dubbed-out chamber pop. Winqvist's omnichord hovers back into focus on "Yonou Natangue," a free-floating jam that maintains the messages of Wau Wau Collectif's debut, promoting youth education to address the social issues facing contemporary Senegal: "Peace is the better wealth / The way to wander."

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Express Yourself / Just Kissed My Baby

7" | 2018 | EU | Original (A’s and Bee's)

Recorded In Miami 1989-1991

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited Edition for Record Store Day 2018! Remastered and resissued double A sider for soul aficionados, B Boys and jazz funk lovers.
Both instantly recognisable across the generations, the A side sees a reissue of one of the most feel good records out there in – ‘Express Yourself’. Most famously sampled by the mighty N.W.A. in '89…. ‘Whatever you do, do it good’.
On flip you get pure funk destruction in the form of The Meters – Just Kissed My Baby. An insatiable, groove laden intro which has been prime sampling material throughout the years - most notably in Public Enemy’s ‘Timebomb’. Here’s a chance to own two gems on one limited green Colored Vinyl, with a large / dinked centre hole.

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Watt

LP | 2023 | US | Original (Palilalia)

37,99 €*

Beanntan A' Bhròin [Mountains Of Sorrow]

Release: 2023 / US – Original

Genre: Rock & Indie

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I was hanging out with Bill Orcutt at the 930 Club nearly 30 years ago, watching a famous post-rock band (who shall remain nameless, but whose moniker contained two-and-a-half times more articles and conjunctions than nouns) when he said: 'This band is like my band in college—all major 7th and 9th chords.' I relate this to emphasize that in the case of Bill Orcutt and Harry Pussy, the seemingly untutored ooze of 'Please Don't Come Back From the Moon' and 'Girl With Frog' had its genesis in something far more Apollonian than is usually understood. It's debatable whether or not Watt, the duo of Orcutt and drummer Tim Koffley featured on Recorded in Miami, is the above referenced grad-school band. Watt is not resplendent with jazz chords, but it's certainly more tutored, offering a mannered link between the contemporaneous Thunders-esque punk of Orcutt's Trash Monkeys and Harry Pussy's mayhem. The continuity with Harry Pussy is more than temporal. Recorded in Miami is Orcutt's first use of the four-string guitar, and Harry Pussy claimed the same amp and drum kit. The resemblance more or less ends there. To further put Recorded in Miami—made on Orcutt's Walkman, Rat Bastard's North Miami studio, and South Miami's Natural Sound (total bill $289)—into context, consider the fecundity of the underground music world as the '80s rolled into the '90s. It's hard to relate to those who missed it, but it was a time when post-hardcore hadn't quite given way to the bloat of grunge, when the Minutemen held sway (for the moment) over Led Zeppelin. The indie world was ruled by an ever-propagating compost heap of jagged guitar bands like Tful282, Truman's Water, and (to crank it back a couple years) Phantom Tollbooth. And in some ways (although Orcutt swears Watt's prime influences were James Blood Ulmer and Fred Frith's Massacre ), this record seems very much cut from that decade-ending cloth, seemingly only one vocal overdub away from a Homestead catalog number. Track after track (mostly titled after episodes of Art Clokey's slyly Buddhist TV masterwork, Gumby), Recorded in Miami 's tracks spill over with right angles, rockist tropes, and verse / chorus structures, from the Minutemen oid funk of 'Band Contest' to the stroked Moore-Ranaldo-isms of 'The Young and the Decoding.' Yet Orcutt's fretboard-spanning angular melodic runs are right up front in the latter, and the final two tracks introduce a bit of the explosive chaos that would follow when Adris finally claimed the drum kit. Consider 'Wattstock,' where Koffley forms the bedrock for an extended Orcutt hotbox of instantly-composed harmolodics. Or 'God Are You There, It's Me, Watt,' where we can hear the spontaneous vocal bursts (the only vocals on the album) that would re-emerge on Orcutt's early solo records. Watt began to crumble when Koffley, as drummers will do, yearned for rhythmic grids of increasing complexity, while Orcutt instead wanted to 'smoke more pot and improvise.' For a few records with Harry Pussy, Orcutt would get his wish (though some of the structuralism of Watt would creep into later records). But we shouldn't regard Recorded in Miami as mere transitional scraps of juvenalia, or stunt-rock delivered for the mere thrill of pulling it off. Rather, it's an early, major piece of the unfolding and complex puzzle of Orcutt's music. A foundation. And without the earth beneath our feet, how can we ever reach the sky?"—Tom Carter

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Watkins Group

Tape | 2024 | UK | Original (Frequency Consortium)

15,99 €*

First Battle Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Watkins Group is a new project from one half of infamous Crust House vagrants Watkins & Almodovar, taking inspiration from the landscapes, myths and legends of ancient Scottish & Celtic culture. The title of this debut album on the newborn Frequency Consortium label, Beanntan a’ Bhròin (Mountains of Sorrow), might already give an indication as to where we’re headed here; evoking Nan Shepard’s meditations on the Cairngorms at their most isolationist & uncompromising as much as it does the creatures that occupy the crags, gullies & glens of old Caledonia. Watkins Group dive deep into fx-drenched grot and expansive somnambulant driftworks over six tracks, as spacious as they claustrophobic, recalling the works of Deathprod, early-90s Lustmord and at times even the stark soundtracks of Mica Levi.

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Waterloo

LP | 1970 | EU | Reissue (Guerssen)

LP | 2024 | EU | Original (Music On Vinyl)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Regarded as one of the best European progressive rock albums from the 70's, the sole release by Belgian group Waterloo was originally released on the Vogue label in 1970. Entirely sung in English, “First Battle” is a blend of progressive rock, psychedelia and heavy prog with top guitar/organ, flute and obvious Jethro Tull influence but with something else really of their own, making of it a very special album. First officially reissued by us in 2017 and long out of print, we present an improved reissue in hard cardboard sleeve + OBI and insert with liner notes and photos.

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Waterboys

Dream Harder

Release: 2024 / EU – Original

Genre: Pop

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Raw Liquid Power Transparent Red Vinyl Edition

Water Machine

7" | 2023 | UK | Original (Upset The Rhythm)

9,99 €*

Structure Colored Vinyl Edition

Release: 2023 / UK – Original

Genre: Rock & Indie

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Water Machine is an office romance between Hando Morice (they/them), Flore de Hoog (she/her), Jimmy Gage (he/him) and Goda Ilgauskaitė (she/her). An unassuming supergroup formed out of Glasgow institutions including Goth GF, Passion Pusher, Brenda and Soursob, their sound careens between punk, country and alt-rock underpinned by the unique quality they call “Raw Liquid Power”.

Following last year’s self-titled demo tape on Gold Mold Records, and fresh off of shows with the likes of Holiday Ghosts, The Cool Greenhouse and The Orielles, as well as a rollicking Viagra Boys afterparty, the four-piece will release their highly-anticipated first studio effort ‘Raw Liquid Power’ on Upset The Rhythm on August 4th.

The EP opens with a menacing, modulating synth melody. Gage’s guitar enters with a mighty bend before breaking into the chugging rhythm of ‘Water Machine Pt. 2’. This timely reminder to refill your water bottle - “don’t be late, hydrate!” less a wellness mantra than a threat - builds to a spacey outro with flashes of the art-punk weirdness of Suburban Lawns. ‘Stilettos’ marches on indignantly with a spiky riff punctuated by Ilgauskaitė’s cowbells. Staccato talk-singing tells a playful tale of stray cats following you home, but belies a darker subtext as the breakdown gives way to paranoid duelling guitars evoking The Fire Engines.

The anti-anthem ‘At the Drive In’ skewers joyless DIY crowds, reminiscent of much-missed Glasgow punks Breakfast Muff. Water Machine’s irrepressible sincerity can’t help but shine through in the final moments though, as jibes about “late night trade potential” give way to plaintive vocal harmonies. Morice tears public transport a new one on closer ‘Bussy’, a First Bus diss track bemoaning precarious employment amidst crumbling infrastructure. “That’s why I’m not on time!” they roar over de Hoog’s frantic, pounding bass, bringing the record to a skidding, screeching halt.

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Water From Your Eyes

LP | 2021 | US | Original (Wharf Cat)

24,99 €*

Structure Black Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Water From Your Eyes' Rachel Brown and Nate Amos are no strangers to contradiction, with Pitchfork making note of their "confidence in splicing different genres and feels from acoustic twee to indie-electronica" in their review of 2019's Somebody Else's Songs. So, upon first listen, Structure - with its tendency to turn on a dime from the buzzsaw synths and string arrangements that sonically bookend tracks like "My Love's," to the subtle, almost Squarepusher-esque rhythms that round out electronic compositions like ""Quotations"" - may just seem like a further refinement of the duo's idiosyncratic approach to making music. However, repeat listens will reveal that, even though the album zigs and zags in a manner consistent with WFYE's prior releases, its line of best fit trends in a very clear direction away from the quaint affectations of their prior work and towards something more deliberate and half a shade darker. Even on ostensibly cheery tracks like album opener "When You're Around," which, with its saccharine melodicism sounds like it could be a lost song from The Apples in Stereo or one of their Elephant 6-era labelmates, there's an underlying eeriness that's not immediately apparent until the song is listened to in the context of the full album. Amos' advice for navigating Structure's sonic terrain is to "remember that this is weed music," while his counterpart Brown offers that that the album is like "solving a puzzle with a ton of different answers." Although these varied descriptions of how to approach listening to Structure may accurately reveal it to be another exercise in contradictions, the clear intent with which the pair approached creating the album can only be appreciated with repeat listens, and is likely what makes it, by far, their most compelling entry to date.

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Water From Your Eyes

LP | 2021 | US | Original (Wharf Cat)

21,99 €*

Somebody Else's Song Green With Black & Purple Splatter Vinyl Edition

Release: 2021 / US – Original

Genre: Rock & Indie

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Water From Your Eyes

LP | 2024 | US | Original (Exploding In Sound)

LP | 2023 | US | Original (12XU)

Release: 2024 / US – Original

Genre: Rock & Indie

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In the years since the release of Water From Your Eyes’ groundbreaking effort, “Somebody Else’s Song,” the duo have taken the world by storm, becoming one of the most consistent and beloved experimental pop bands of the era. They’ve toured with Interpol, Squid, Palm, Real Estate, and Pavement, earning a reputation as critically acclaimed songwriters and a stellar live act with a boisterous presence. This October marks five years since the release and Exploding In Sound Records are celebrating with a limited edition reissue on green vinyl with purple and black splatter!

Back in 2019, Brooklyn’s Water From Your Eyes had been evolving and experimenting with their sound. With “Somebody Else’s Song,” the band felt that they had found their place, the album an amalgamation of their past releases, honing in previously explored aesthetics but combining and rearranging ideas to capture feelings of self-reflection and personal growth. At their core, the duo of Nate Amos and Rachel Brown make experimental pop music, songs you can dance to, songs that will stick in your head long after you’ve heard them. The sound of Water From Your Eyes is far more expansive however, and “Somebody Else’s Song” is blissfully unclassifiable.

The lines of genre have blurred beyond recognition. The landscape flickers between haunting ambiance and noisy immersion, electronic and acoustic elements expressing emotional and mental states that are ever changing. “Somebody Else’s Song” was their first true “New York album” since the band’s relocation from Chicago, and much of the weight comes from the personal change inherent from living in a new place as life continues to whir around us. The duo took their time, the ideas coming into formation over the course of two years. That patience is apparent as the album unfolds, a balance between vulnerability and enormous shapeshifting rhythms.

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Water Damage

Two Songs

Trial & Error EP 2023 Repress

Release: 2023 / US – Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-22

More Water! More Damage! The second proper LP by this Texan juggernaut is even more biggerer than the first, a head-drowning pair of new 'reels' (every Water Damage tracks generally take up a reel of tape, hence the 'reel ____' song titles) that makes you feel like you’re swimming in a sun-drenched river of sound. Two drummers, two bassists, and tons of vibrating strings are once again a recipe for massive rocking-drone fires.

Two Songs has two songs, and they’re kind of the yin/yang of Water Damage: one toned very low, growling and roaring, groaning over a beat, while the other hums high, troubling the treble clef and ringing like a bunch of church bells that don’t want to be in church. They’re more alike than different though, divining momentum from repetition, flying forward by staying in place, climbing a mountain that they’re building as they go.

Enough ink has already been spilled about the previous-band pedigrees of the players in this hurtling collective, and by this point, the past seems way less relevant than the present when it comes to Water Damage’s present-pounding sound. These people know what they’re doing, sure. You don’t need a resume in front of you to figure that out. It’s there in every second of this gigantic, eternal music—in all the strings being bowed, the skins being slammed, the rumbles being rumbled.

You might notice that this time around, Water Damage haven’t just given their tracks reel numbers. They're also called 'Fuck This' and 'Fuck That.' I take that as instructional. Whatever you’re doing, whatever you’re fretting about, whatever someone’s trying to use to occupy your attention so you’ll buy something or vote for something or ignore something: Fuck This. Fuck That. Listen to Water Damage."—Marc Masters

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Watch Patrol

12" | 2022 | EU | Reissue (Telomere Plastic)

The Wild Hunt Oxblood Red Vinyl Edition

Release: 2022 / EU – Reissue

Genre: Electronic & Dance

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Regardless of where you’re from, it’s where you at. These wise words are some that the Watch Patrol wants you to remember as we all trying to find and stay on our path. These wise words start off the A side and prepare us for a funky and synth fueled, cow bell-ing journey.
Next we head into Trial & Error, a bouncing tech which has already been proven to bring some big energy on the dance floor.
The B side contains the breaks you’ve been waiting for. Two big tunes that have been deliciously dialed in to spread groove and funk on the dancefloors. Trance, breaks, arpeggios, chopped up vocals, and special effects that will get you to keep this one in the bag at all times.
Limited copies as always, be quick!

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Watain

2LP | 2013 | UK | Reissue (Versity Rights)

Release: 2013 / UK – Reissue

Genre: Rock & Indie

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12" | 2019 | EU | Original (Raw Soul)

Washerman

Svizzera Analogica EP

Improved Means To Deteriorated Ends

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Being somewhat part of the Raw Soul Family from the very beginning, be it as part of our record collections or as guest DJ at our very first party, a record was just the natural thing do. Therefore we are super stoked to announce that no one less then Washerman, a man we admire both artistically and personally, will be responsible for the next contribution to our imprint.
Stay underground. Stay raw.

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Washer

LP | 2023 | EU | Original (Exploding In Sound)

33,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2017 | US | Original (Exploding In Sound)

Washer

All Aboard

19,99 €*

LP | 2020 | US | Original (Sub Pop)

Release: 2017 / US – Original

Genre: Rock & Indie

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All Aboard, Washers sophomore album out via Exploding In Sound, is a record that finds the duo reaching new heights, blending aggressive pop music together with off-kilter structures, earnest lyrics, and minimalist garage rock.

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Washed Out

Purple Noon

23,99 €*

Noted From A Quiet Life Yellowy Green Vinyl Edition

Release: 2020 / US – Original

Genre: Electronic & Dance, Pop

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Washed Out is Atlanta-based producer/songwriter/multi-instrumentalist Ernest Greene. Over three enchanting, critically-lauded albums and an EP, his music has proved both transportive and visual, each release inviting listeners into immersive, self-contained universes. With Purple Noon, his fourth album, and his return to Sub Pop, he delivers the most accessible Washed Out creation to date. Life of Leisure, Washed Out's 2009 debut EP, set the bar for the Chillwave era, shimmering in a warm haze of off-the-cuff Polaroids and pre-IG filters. Within and Without, his 2011 full-length debut on Sub Pop, morphed into nocturnal, icy synth-pop and embraced provocative imagery. 2013's Paracosm was Greene's take on psychedelia, with a full live band and kaleidoscopic light show, and saw him playing to the largest audiences of his career. The sample-heavy Mister Mellow (2017, Stone's Throw) delivered a 360 audio/visual experience, with cut-n-paste and hand-drawn animation to match the hip-hop influences throughout the album. With each release, Greene has approached his evolving project with meticulous detail and a steadfast vision. For Purple Noon, Greene again wrote, recorded, and produced the entirety of the album, with mixing handled by frequent collaborator Ben H. Allen (Paracosm, Within and Without). Production of the album followed a brief stint of writing for other artists (most notably Sudan Archives) which enabled Greene to explore genres like R&B and modern pop. These brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Greene as a producer and songwriter. The vocals are front and center, tempos are slower, beats bolder, and there's a more comprehensive depth of dynamics. One can hear the luxuriousness of Sade, the sonic bombast of Phil Collins, and the lush atmosphere of the great Balearic beat classics. Mediterranean coastlines inspired Purple Noon, and Greene pays tribute to the region's distinct island culture - all rugged elegance and old-world charm - and uses it as a backdrop to tell stories of passion, love, and loss (Purple Noon's title comes from the 1960 film directed by Rene Clement and based on the novel The Talented Mister Ripley by Patricia Highsmith). Much like romantic Hollywood epics, the melodrama throughout is strong: a serendipitous first meeting in "Too Late"; a passionate love affair in "Paralyzed"; disintegration of a relationship in "Time to Walk Away"; a reunion with a lost love in "Game of Chance." Purple Noon adds a layer of emotional intensity to the escapism of Washed Out's oeuvre, taking the music to dazzling new heights.

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Washed Out

LP | 2024 | US | Original (Sub Pop)

Mister Mellow Yellow Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Initial LP pressing on Yellowy Green Vinyl. The music of Washed Out has always levitated over a timeless frontier. You can sense it in his immersive, amorphous vocals, the expansive soundscapes, the wistful storytelling. It's a sweet spot where, says its creative force, Ernest Greene, "any sort of association or memory from the past can transport you instantly. I love that." Greene's transcendent output has earned him the moniker of "Godfather of Chillwave" by Pitchfork and a co-sign from Portlandia, which borrowed his track, "Feel It All Around," for its utopian theme song. His latest, Notes From a Quiet Life arrives after delivering more than a decade of distinct and disparate creative re-imaginations at a remarkably high level (five albums, two EPs). Notes is bold in its intuitiveness: Greene has left the treadmill of music-as-a-business, instead letting his artistic interests lead the way. "Each album," says Green, who also paints and sculpts, "is a world-building exercise." The Georgia native left Atlanta in 2021 to move back to the countryside he knew growing up. Where escapism once flooded his thoughts, today he is preoccupied with the universe of wonder in the reality around him. He named the former horse farm he moved to "Endymion" (after the pastoral John Keats poem about a lovesick shepherd - its opening line: "A thing of beauty is a joy for ever"), and it has shaped all that he's created there, from his music to his albums' creative direction to his planned large scale visual-art experiments. "I've read that every five, maybe 10, years, you're practically a different person - like literally, on a cellular level," Greene explains. "The things that you're going through will end up changing you, and you're kind of a different person. This album is a reflection of that. Experimenting with painting and sculpture helps my music. They influence each other. That was a kind of realization for me. I don't want to look back on my life one day, and be like, 'Oh, it was all about maximizing productivity,'" he says. "I want to enjoy this." That purity of vision is what makes Notes From a Quiet Life so potent. It's the first album Greene wholly self-produced, with some mixing assistance from Nathan Boddy (James Blake, Mura Masa) and David Wrench (Caribou, Florence + the Machine). "Early in my career, I had a lack of technical skill, and there were some things I wasn't 100% enthusiastic about," he says, noting Jean-Michel Basquiat's distinct, self-driven method as an inspiration. "Something that I was looking for was...I didn't want any illusion of anyone else's influences. I wanted to see this through to the end. And honestly, that was a big challenge. Illustrating that, Greene's list of influences for Notes From a Quiet Life are mostly sculpture icons: minimalist legend Donald Judd, abstract expressionist Cy Twombly, and modernists Barbara Hepworth and Henry Moore. Of the latter, he observes, "The majority of his working life was spent on his country estate, and he wasn't living a cosmopolitan lifestyle. He was focused on just making good work, you know?" Notes from a Quiet Life is Washed Out's fifth album.

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Washed Out

LP | 2017 | US | Original (Stones Throw)

21,99 €*

Open Your Eyes Yellow Vinyl Edition

Release: 2017 / US – Original

Genre: Electronic & Dance

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Mister Mellow moves further away from the synthesizer-heavy sounds of the recent Washed Out releases and more band-driven sound of his work on iconic labels Sub Pop in America, and Domino in Europe. On Mister Mellow, Greene draws from the experimental collage techniques of musique concrète and plunderphonics artists such as The Residents. Combining styles as diverse as free jazz, house, hip-hop and psych together with interlude-esque voiceover samples, often pulled from anonymous YouTube vlogs, he creates a busy, chaotic, and caricaturish mix that mirrors the claustrophobic, hyper-stimulated psyche so familiar to young adults.

As he continues to carve out his innovative sonic identity, influenced by the world around him but unafraid to buck trends, it’s fitting that Greene has partnered with legendary hip hop label Stones Throw Records, long a home for beat-loving musical rebels. His approach to releasing music is every bit as individual, too: in an environment where compiling singles into an album format or working with a single video director are the norm, Greene has chosen to commission eleven different artists to bring the visual aspect of his fully-realised album project to life.

On Mister Mellow, Washed Out steers clear of emotion to empathise with the minutiae of the world around him. “I’ve been much less interested in sentimentality and emotion for the past couple of years,” says Greene, “In some ways, I think its a reaction against getting older and having more responsibilities. Maybe I’m just nostalgic for a time in my life where I could just relax and block out the world for a moment.” Though Mister Mellow is an intensely personal album, its ideas and observations speak to the lived experience of so many young adults, an experience that we come to see as both funny and sad.

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Warzone

LP | 1988 | US | Reissue (Revelation)

33,99 €*

A Huge Black Cloud Clear Vinyl Edition

Release: 1988 / US – Reissue

Genre: Rock & Indie

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There is no doubt Warzone is one of the most crucial and influential bands coming from the New York Hardcore scene. Fronted by the charismatic Ray “Raybeez” Barbieri, Warzone preached vehemently for scene unity and against racism while buzzsaw guitar riffs and wailing solos over speedy drums churned out a soundtrack found at Cbgb Sunday Matinees, The Pyramid, The Anthrax and the rest of the legendary clubs of the era. Their landmark debut LP Don’t Forget The Struggle, Don’t Forget The Streets is heralded as one of the most important Nyhc records of all time, with its 2016 reissue on Revelation Records selling thousands of copies and filling gaps in record collections all over the world. Two years later, Revelation Records proudly presents the reissue of Warzone’s second LP Open Your Eyes. This oft-overlooked record continues the sound from Don’t Forget The Struggle,... the last purely hardcore record before the band’s more metal third LP. This record featured Jerry Williams behind the board who was previously known for his work with Bad Brains, The Beastie Boys, and Reagan Youth among others, with production help from none other than Dr. Know, guitarist of Bad Brains!

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Warwound

LP | 2021 | EU | Original (Back On Black)

10,99 €*

LP+7" | 1977 | EU | Original (Munster)

Release: 2021 / EU – Original

Genre: Rock & Indie

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Dormant for nearly a third of a century, originally formed in 1982 by (then) bassist Damian Thompson & drummer Andy Baker (joined by Freaky Freeman on vox & Anarchy Mole on guitar).Warwound spat & cursed out three demos of 'fast, no bullshit, hardcore punk' through late 82/early 83.Heavily influenced by the sounds of the time (Discharge, Crass, Rudimentary Peni, Motorhead, Bad Brains etc) the band played a handful of gigs around the midlands area of the U.K. before in the autumn of 1983 Damian & Andy were enlisted to join the Varukers. Warwound as it was, ceased to be. During their time in the Varukers, the pair recorded two Warwound numbers which were to be featured on the classic Varukers album 'Another Religion, Another War'. Since that time some thirty years ago, the original Warwound demo tapes have been copied and circulated many times through underground circles of D-beat noise enthusiasts. The emergence of Sacrilege in 1984 also added to keep interest alive in the old Warwound material. These hugely influential recordings (25 tracks, 15 songs in various versions) are made commercially available for the first time, and with a brand new version of the band (featuring original member Damian Thompson alongside past and present members of Varukers, Discharge, Stamping Ground, Decadence Within , Sacrilege and others)

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Warsaw Pakt

Needle Time

19,99 €*

Release: 1977 / EU – Original

Genre: Rock & Indie

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Record Store Day 2020 Release.

Real high-energy rock'n'roll in its most potent form is best captured live and in the moment. Maximum thrills, minimum frills. In 1977, London's Warsaw Pakt took that premise one step further, recording their album live, straight through, direct to the cutting lathe. More than forty years later, "Needle Time" stands as one of the most authentic documents of the lean, visceral sound of London punk rock in its banner year. LP + 7" single pack reissued here on vinyl for the first time. Includes insert with extensive liner notes by Mike Stax (Ugly Things Magazine) and individually hand customized record cover. Exclusive RSD 2020 release.

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Warrior Kids

A La Gloire Des Losers

LP | 2022 | EU (Randale)

Warrington-Runcorn New Town Development Plan'

Release: 2022 / EU

Genre: Rock & Indie

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French Warrior Kids' third album contains varied punk with elements of both ska and Irish. A really good record from one of France's best punk bands.

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Your Community Hub Purple Vinyl Ediiton

LP | 2024 | UK | Original (Castles In Space)

Warrington-Runcorn New Town Development Plan

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Warrington-Runcorn New Town Development Plan's new album, Your Community Hub, compellingly continues his sonic exploration of the New Towns movement. The issues the councillors, planners, and architects set out to solve still resound and echo throughout society.

For the latest instalment in this unique project, Gordon Chapman-Fox turns his laser eye to focus on Community and the Community Centres that populated Warrington and Runcorn in order to provide all the facilities people needed within a five minute walk from their home. These planning ideas predated the current discussions of fifteen minute cities by fifty years.

Those 50 years have seen a decline in our community centres and services: handy access to a GP or dentist, Post Offices, youth clubs, local shops, banking and much more. Successive governments have undermined and eroded those basic services. The decline in community services has also been matched with a decline in community and shared experiences with a knock-on effect on the population's health and well-being. The disastrous austerity policies imposed over the last 15 years have exacerbated this long, slow reduction in available spaces for people to meet and communicate, with seemingly no recognition of the societal impact that causes. Short-termism at the expense of the community and how we live our lives.

Margaret Thatcher's statement that "there is no such thing as society" has been taken as a mission statement by successive Conservative governments who have aimed to remove as much support and communality from the citizens as possible. It continues now, the wrong-headed idea that everyone can be left to fend for themselves.

Chapman-Fox's latest album decries the cruelty of where we find ourselves in 2024 and his quiet incandescence about the loss of optimism for what communities should be and could be. It's his most powerful work, and as always, it will deeply resonate with those who tune in to his unique vision and unparalleled productions.

All four Wrntdp albums to date have had increasing critical and commercial success. Your Community Hub will resonate with anyone with a social conscience, anyone who feels how badly the state has let us down, and anyone who loves the best synthesiser music currently produced.

As ever, beautifully packaged and designed by Gordon, the album artwork features photographs from the archive of the architect Peter Garvin, which was kindly provided by his son Richard Garvin. The photographs show Peter's work on the Castlefield Community Centre, a sleek modernist structure clad in white ceramic tiles.

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Interim Report, March 1979 & The Nation's Most Central Location White Vinyl Edition

LP | 2021 | UK | Reissue (Castles In Space)

Release: 2021 / UK – Reissue

Genre: Electronic & Dance

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Warrington-Runcorn New Town Development Plan'

A Shared Sense Of Purpose

12" | 2024 | UK | Original (Castles In Space)

LP | 1980 | EU | Reissue (Speakers Corner)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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The first track on the album, A Shared Sense Of Purpose, reflects this optimism, and is the lead single from the album. This will be released in 7” and 12” vinyl versions. Both versions will be accompanied by an exclusive remix from the Godfather of New Town Synthology, Vince Clarke. To say that we’re excited about this, would be an understatement!

The 12" edition is out now, with the 7" following up in the next few weeks. The truth being that we overwhelmed the pressing plant ever so slightly. The 7" is the only place that you will find the radio edit.

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Warren Zevon

Stand In The Fire

LP | 1978 | EU | Reissue (Music On Vinyl)

Release: 1980 / EU – Reissue

Genre: Rock & Indie

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Warren Zevon had toured for quite some time as a songwriter in the rock scene, released a few singles and landed a flop with his debut LP in 1969 before the tide finally turned. Roughly ten years later, his live album – put together from a five-day residency at the Roxy Theater in West Hollywood – entered the annals of vinyl history as one of the best live albums of all time and was awarded four stars by the magazine Rolling Stone. Ambiguously entitled by the comprehensively educated Zevon, who had been confronted with the tough side of show business, "Stand In The Fire" delivers genial simple pure and straightforward rock right from the start, which hit the public with a vengeance. Full of vim and elation, the band pours out the significant, biting verses with fire ("Jeannie Needs A Shooter") and fuels the emotional inferno with high-speed bursts of rock ("Excitable Boy"). Zevon proves his skills as a singer and songwriter in the ballad-like yet powerful "Mohammed’s Radio". In a direct comparison to this number we have the forthright, no-nonsense hit "Werewolves Of London" with its close harmonies. Just how Zevon manages to succeed in getting his delicate voice and lyrics over to the public is shown in the powerful mix of heavy and honky-tonk ("I’ll Sleep When I’m Dead") and finally in the thunderous final number – "Bo Didley’s A Gunslinger" – with its percussive and metrically complicated antiphony.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: August 1980 live at The Roxy Theatre in West Hollywood, CA., by Billy Youdelman and Greg Ladanyi
Production: Greg Ladanyi & Warren Zevon

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Warren Zevon

Excitable Boy

Warren Raye & The Infernal Blues Machine

Release: 1978 / EU – Reissue

Genre: Rock & Indie

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Excitable Boy is the third album by Warren Zevon, released in 1978. It includes the top 40 success "Werewolves of London", featuring Mick Fleetwood on drums and John McVie on bass. The album brought Warren to commercial attention and remains the best-selling album of his career.

180g vinyl.

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It's The Feeling I Get / I Can't Turn You Down

7" | 2023 | UK | Original (Kent Dance)

12,99 €*

7" | 2019 | EU (Street Knowledge)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Yet again a new 100 Club Anniversary 45 has been instantly acclaimed and has become highly sought-after on release. Warren Raye’s ‘It’s The Feeling I Get’ is now available on a commercial pressing and this superb crossover number will be one of the biggest sellers of the year.

Warren Raye delivers the definitive version and his singing is equally masterful on the flip side - ‘I Can’t Turn You Down’ - a song that recently featured on a Kent Masterpieces CD by Melanie Burke. Both recordings are discoveries from Mickey Stevenson’s unissued tapes cache.

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Warren G / Luniz

Regulate / I Got 5 On It

13,99 €*

Warren Clarke Presents TBC

Release: 2019 / EU

Genre: Hip Hop

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Coming through with that street knowledge. Two stone cold ‘90s hip hop classics take either side of this 45, Warren G - Regulate featuring Nate Dogg on one and Luniz - I Got 5 On It on the other. Immortal rhythms and rhymes that took the world by storm.

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Movin' Out

12" | 2003 | UK | Original (OnePhatDeeva)

4,99 €*

Dirty Rotten Filthy Stinking Rich

Release: 2003 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG+

Writing on label sticker.

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Warrant

LP | 2023 | EU | Original (Music On Vinyl)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Reissue (Music On Vinyl)

Warrant

Cherry Pie

Release: 2018 / EU – Reissue

Genre: Rock & Indie

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The Fool Andrew Weatherall Mixes Record Store Day 2021 Edition

Warpaint

LP | 2021 | EU | Original (Rough Trade)

33,99 €*

Zou's Journey Feat. Zouratié Koné

Release: 2021 / EU – Original

Genre: Rock & Indie

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Record Store Day 2021 Release.
Limitation: 1500 copies.

Coloured double gatefold Vinyl with gold foil text on the sleeve. On the completion of the recording of The Fool, Andrew Weatherall was given access to the album's master tapes to work on mixes for the finished record. The track Baby, along with Warpaint's iconic single Undertow, were both mixed by the Guv'nor and appeared on the finished album that was released in 2010. For the first time ever, this Record Store Day edition brings together all the mixes Weatherall created while working on the project, including a never released before, finished version of Jubilee. "I remember that one of the main reasons why we wanted Andrew Weatherall to mix the Warpaint album was because we loved his brilliant work on the Primal Scream remix of "Higher Than The Sun". I know that we discussed this particular track with Emily and she knew it of course and also loved it. I think it was a key reason they agreed to let Andrew do the mix." - Geoff Travis - Rough Trade

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Warodjah

12" | 2024 | EU | Original (Warodjah)

13,99 €*

The Strength To Dream Green Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Warodjah is the musical collaboration between Andrea Rausa (A.K.A. Afreak) and Massimiliano Troiani. The two Italian DJs and producers crossed paths in Rome, where they started sharing the mixing console and co-hosting parties in the Italian capital. They soon found a deep connection through their mutual passion for African music and electronic dance music.

On the A side, the title track, presented in both full-length and radio edit versions, pays homage to the rich heritage of African music and the storytelling tradition of African griots. Special guest Zouratié Koné, hailing from a Griot family in Burkina Faso, takes us on a sonic journey. With his masterful handling of a self-crafted Kora, he weaves dreamy melodies that dance freely above a progressing tapestry of drum patterns and ethereal piano chords.

On the flipside, a sumptuous house remix by DJ Fett Burger. Renowned for his diverse and eclectic productions with a lot of personality, delivers here 14 minutes of pure joy and bliss. Playing around with the original theme, and adds full of surpassing and groovy elements that draws you to the dancefloor and keeps you there! A fusion of hypnotic euphoric rhythm play, delightful melodies and a touch of house music as a feeling. A remix dedicated to the true era of the art of remixing! Original, creative and groovy!

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Warning

2LP | 1999 | EU | Reissue (Svart)

Demo Tapes Red Vinyl Edition

Release: 1999 / EU – Reissue

Genre: Rock & Indie

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Green vinyl, limited to 500 copies. Prepared in co-operation with the band, this is part of Svart’s definitive editions of Warning on vinyl. The band’s 1999 debut full length after two successful demo tapes caused big waves in the then-small underground Doom Metal scene. A harbinger of things to come further down the road, this album sees the masters of slow contemplation start to craft and hone their unique melancholic style. A pre-cursor to their masterpiece “Watching From A Distance, Sputnikmmusic.com calls this record “the building blocks of one of the greatest doom metal albums ever”. The Svart vinyl edition includes the original Stephen O’Malley artwork. The Audio is specially mastered for vinyl at Orgone Studios and lathe cutting is done at Timmion Cutting.

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Warning

LP | 2006 | EU | Reissue (Svart)

24,99 €*

LP | 2023 | EU (Endless Happiness)

Release: 2006 / EU – Reissue

Genre: Rock & Indie

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Before Warning became one of the most important and genre-shattering doom metal bands of the last decade with their albums “Strength to Dream” and “Watching from a Distance”, they gained cult fame in the global tape-trading underground community with their demos Revelation Looms and Blessed By The Sabbath. Long out of print and difficult to obtain on any format, with the reissues even becoming sought-after gems, Svart have now repressed this definitive edition of Warning’s demos on vinyl. This fully authorised edition includes a selection of vintage photos, all lyrics plus liner notes by Patrick Walker and Stu Springthorpe, as well as a foreword by Peter Vicar.

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Warne Marsch

Ne Plus Ultra

20,99 €*

2LP | 2019 | EU | Original (Leaf)

Release: 2023 / EU

Genre: Rock & Indie

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It’s hard to understand why Warne Marsh was so neglected during his lifetime. It’s harder still to substantiate the charges with which his music was branded – cerebral, cold, unemotional, uninvolving. This album alone, one of his best, should have been enough to put such absurd slurs to rest. The music on Ne Plus Ultra is intimate, warm, passionate, risky. There is much beauty to be shared.

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Warmduscher

Tainted Lunch

21,99 €*

Hamartia Crystal Clear Vinyl Edition

Release: 2019 / EU – Original

Genre: Rock & Indie

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Warmduscher return.Heavy metals. Disco Peanuts. CCTV in the break room. A little something to get you through the week. There's enough to go around. Revenge is a dish best served bold. Melt in the mouth disco basslines on a fragrant bed of feedback. Try it with the boom bap tapenade. Here for a good time, not a long time. If you made your way out of Whale City with your faculties intact, this one's for you. Clams Baker, Lightnin' Jack Everett, Mr Salt Fingers Lovecraft and The Witherer have been joined by Quicksand on cutting board and cheese wire and commis chef Cheeks on vibes. They've been cooking. Michelin stars. The finest ingredients money can buy: Kool Keith and Iggy Pop. Funk, punk, hip-hop and lounge rock. Love is real. If you can't stand the heat, get out of the kitchen.

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Warm Human

LP | 2024 | US | Original (Sooper)

Release: 2024 / US – Original

Genre: Pop

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Crystal Clear Vinyl.Hamartia is the fatal flaw leading to the downfall of a tragic hero or heroine. A narrative tool often determining a character's arc (or fate) underpinning many of our favorite stories in film, literature, and music. Meredith Johnston, the singer-songwriter-producer at the heart of indie project Warm Human, borrowed the term for the title of her latest LP, and her first for Sooper Records. Hamartia finds Johnston probing the depths of her fatal flaw, self-hatred, without skimping on the catchy hooks and bracingly frank lyricism. "This whole album is pop music for deranged people" she says.Johnston wrote and produced the album with Chicago composer and producer Conor Mackey (Lynyn, Monobody, NNAMDI). Together, the pair crafted an album that draws liberally from its diverse influences, incorporating down-tempo electronics, drum n' bass, indie rock, synth pop, and elegant, unstructured soundscapes. Hamartia finds humanity in electronic music, with warm synths, guitars, and shape-shifting vocal stacks frequently creating a one-woman choir. Hamartia is buoyed by the best music of Warm Human's career, from the probing "Father Father" to the insightful "My Moods!!" and the musical dish session "Love 2 Hate." Inspired by Portishead, Sheryl Crow, Frou Frou and others, the LP can be both wryly funny and incisive in the span of a single couplet ("I asked for space and you gave me the moon," she sings on "My Moods!!" adding, "I'm riding shotgun with my shit attitude"). Hamartia is a perfect pop soundtrack for our current moment because its irresistible hooks and quotable lyrics are the opposite of empty escapism-they're an invitation to acknowledge your own struggles and flaws. To get in touch with your hamartia.Recommended if you like: Imogen Heap, Sylvan Esso, Madonna, Portishead, Frou Frou, Sophie, Postal Service, Sheryl Crow.

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Free Spirit Soar Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Free Spirit Soar Marbled Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Free Spirit Soar Galaxy Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Free Spirit Soar Black Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1970 | EU | Reissue (Wiseraven)

Warhorse

LP | 1988 | EU | Reissue (Back On Black)

Release: 1970 / EU – Reissue

Genre: Rock & Indie

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Formed in early 1970 by Deep Purple bassist Nick Simper, Warhorse began as a backing band for singer Marsha Hunt. The group initially also featured Rick Wakeman, but he departed the band in April 1970 to join Strawbs. The band’s self-titled debut album was released on Vertigo in November 1970 and is a fine example of progressive hard rock of the era. With a heavy Hammond organ touch the group was in fact leading a new way of thinking, fusing neoclassical elements with heavy blues. Compared to label mates Black Sabbath, Warhorse were in the end much closer to Atomic Rooster and Quatermass. A truly welcomed re-issue in gatefold vinyl !

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Warfare

A Conflict Of Hatred

Release: 1988 / EU – Reissue

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Wewantsounds)

Warda

Khalik Hena

7" | 2005 | JM | Original (Big Yard Music Group Ltd.)

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Cult Classic BY Often-sampled Arabic Diva Warda Recorded IN 1973 With Full Egyptian Orchestra ON THE Label Soutelphan. Reissued ON Vinyl FOR THE First Time, With Remastered Audio, Original Artwork AND TWO Page Insert With NEW Introduction

Wewantsounds is delighted to reissue 'Khalik Hena' recorded 1973 by legendary Arabic Diva Warda who has been sampled by Jay Z and J Dilla. The album recorded in public mixes traditional Arabic music with a tinge of 70s grooves. Here Warda delivers a hypnotic performance backed by her full-size orchestra featuring those unparalleled Arabic strings that made recordings by Oum Khalthoum, Farid El Atrache and Abdel Halim Hafez so famous. 'Khalik Hena' is one of her all-time classics, written by legendary composer Baligh Hamdi and the audio has been newly remastered. This release features the LP original artwork with a 2 page insert featuring a new introduction by Mario Choueiry from Institut du Monde Arabe who curates Wewantsounds' Arabic series of reissues.

Warda is one of the undisputed divas of the Arab world. Born in the Paris suburb from an Algerian Father and a Lebanese mother, she was discovered at 11 by Ahmed Hachlaf, Pathe Marconi's heads of A&R specialising in Arabic music. having honed her singing skills at her father's cabaret in the Latin Quarter, the Tam-Tam (for Tunisia - Algeria - Morocco) she quickly found recognition in the Arabic music circles.

The family relocated to Beirut in the late 50s after the police found arms in her father's cabaret destined to the political group fighting for Algeria's independence and was swiftly discovered there by an Egyptian film producer who brought her to Cairo to record and play in his films. From there, her career took a meteoric rise and she became a star working with Egyptian such stars as Abdel Halim Hafez and composer Mohammed Abdel Wahab.

However, in the early 60s a traditional marriage in Algeria stopped her career for a decade to be a housewife until Algerian President Boumediene asked her to perform for the 10th anniversary of the Nation's independence in 1972. This was an epiphany and after a divorce she was back to Egypt for a triumphant comeback.

'Khalik Hena' recorded in public in 1973 dates back to these glory days. Teaming up with her new husband, legendary composer Baligh Hamdi, she recorded a string of classic albums - hypnotic tour-de-forces stretching over two sides in an almost trance-like mode, enhancing Warda's powerful vocal and ability to mesmerise audiences. Blending traditional and modern instrumentations (electric guitar, organ), the music is both complex and groovy, 'Khalik Hena' is one of her best LPs, sought after by Arabic diggers and collectors alike. An undisputed classic of Arabic Music, which Wewantsounds is glad to reissue on vinyl for the first time since the 70s.

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Ward 21 & Wayne Marshall

We Got The Flavor

3,99 €*

Release: 2005 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG+, Cover: Generic

Never Leave Your Guns At Home

Ward 21 / Wayne Marshall

7" | 2002 | JM | Original (CJ)

3,99 €*

IV: Empires Collapse Blue / Green Colored Vinyl Editoin

Release: 2002 / JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: Generic

Original Jamaican pressing, play with background crackles.

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Warbringer

LP | 2013 | EU | Reissue (M-Theory Audio)

21,44 €* 32,99 € -35%

El Inca Black Vinyl Edition

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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We’re pleased to present the third of three classic Century Media vinyl reissues from Warbringer. The next generation’s thrash metal force Warbringer have built a commendable reputation for themselves with heralded albums and consistent touring supporting some of the biggest names in metal. We’re pleased to present a limited 500 copy run of this blue/green vinyl version with loads of extras in an expanded package 2013’s Warbringer IV: Empires Collapse showcased the band aiming to diversify their sound and taking chances by expanding boundaries by continuing to bring in more influences from black metal to punk to industrial in a overall more experimental and free effort that was initially met with mixed reactions but has become a favorite amongst many in the band’s fanbase. Continuing to work with producer Steve Evetts (Sepultura, Hatebreed, Symphony X) the band opted for a different mix and enlisted Brett Eliason (Pearl Jam, Avenged Sevenfold) who brought a cleaner and different approach to the traditional thrash band. Staples include “The Turning of the Gears,” “Hunter-Seeker,” “Black Sun, Black Moon” and the epic “Towers of the Serpent.” The reissue adds the band’s take on the Led Zeppelin classic “Communication Breakdown.” Touring continued with notable supports to Overkill and Kreator in the US and Iced Earth in Europe.

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Wara

LP | 1973 | EU | Reissue (Guerssen)

LP | 2020 | US | Original (Bridge Nine)

Release: 1973 / EU – Reissue

Genre: Rock & Indie

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One the Holy Grails of South American heavy progressive rock, originally released in 1973 by this Bolivian band. Influenced by hard-rock giants like Uriah Heep or Deep Purple, Wara (whose name translates to Light of the Star in the Aymara language) also added touches of their own Bolivian heritage to the mix, resulting in a pioneering work of fusion between prog/psych rock and Andean folklore. Raw fuzz-wah guitar, organ, occasional violin & flute, heavy drumming, passionate Spanish vocals a la Ian Gilan…

"El Inca" was originally pressed on black vinyl with very few copies on transparent green vinyl. Both editions are virtually impossible to find now.

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War On Women

Wonderful Hell

LP | 2018 | US | Original (Bridge Nine)

Release: 2020 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

White vinyl

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War On Women

Capture The Flag

More Gyal / Dance And Show Me

Release: 2018 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Clear withTeal Splatter vinyl

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Wanskie / Square One

7" | 2002 | US | Original (Waist Line Muzik)

5,99 €*

Release: 2002 / US – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Passport: International Split Series V.5

Wanna-Bes/The Mugwumps

7" | 2023 | US | Original (Mom's Base)

Release: 2023 / US – Original

Genre: Rock & Indie

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Painful Clown & Ninja Tiger Orange Vinyl Edition

Wang Wen

2LP | 2023 | EU | Original (Pelagic)

37,99 €*

100.000 Whys Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Rock & Indie

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China's leading post rock band Wang Wen are releasing their 12th album on March 10th, the follow-up to much acclaimed 2021's "100.000 Whys" "Wang Wen's new album Painful Clown & Ninja Tiger is named after the traditional Chinese method of chronology year name < Xin-Chou & Ren-Yin >(dedf & DEDD).The two years just passed by. The sexagenarian cycle of the Chinese calendar is like the FE- against-FD polyrhythm in music. Two separate paths that travel six times through the Heavenly Stems and five times through the Earthly Branches and then reunite. However, this is just a superficial interpretation. The reality is the dark side has been approaching and countless miserable accidents occurred in front of us. All the savage and dictatorship come back, repeating itself over and over again in a dead loop in the history, which becomes less distant and fuzzy nowadays. They are not just "years","people" or "places" that we read in books. They jump out suddenly in front of us, turning into vivid and bare details that we are confronted with every day. To put it simply: this album was composed and recorded in those two years, and it records the life experience of the band in those two years, hence the name. For fans of Radiohead, Mono, 1099, Radare, Condor Gruppe, Godspeed YOU! Black Emperor, Caspian, IF These Trees Could Talk

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Wang Wen

2LP | 2021 | EU | Original (Pelagic)

31,99 €*

Wat Gebeurde Er Met Sergeant Massuro?

Release: 2021 / EU – Original

Genre: Rock & Indie

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Eleventh full-length from WANG WEN - 100,000 Whys!
Over their 22 year-long career, WANG WEN have reached a profoundness of intention in their music that reflects in the massive soundscapes that they bring on record and from the stage. It comes as no surprise that in these dire times, the band delivers a record that speaks to humanity on a universal scale. “100,000 Whys” arguably presents the band at their most accessible since the release of 2012’s 0.7, but also at the height of their ability to create moments of high tension and exhilarating release.
Between the recording and the release of 100,000 Whys, Wang Wen shared a documentary titled “Seven Thousand Hows” with the world, chronicling a three day trip to Nepal, where the band participated in a benefit concert for the victims of the 2015 Gorkha earthquake. ‘When people are talking about music, and people are talking about peace and love. We play music as a reminder that you are a human being, not a beast. You are different from the beast,’ declares band leader Xie Yugang from the stage of Purple Haze Rock Bar in Kathmandu.
Isolation and togetherness, collective and individual. These have been themes that pervaded the work of Wang Wen over the course of their career. The album title, inspired by a line from Rudyard Kipling’s poem “I Keep Six Honest Serving Men” reflects the collective confusion felt at the outbreak of the global COVID-19 pandemic and the ensuing restrictions that governments instated to deal with this crisis.
Around the time of the outbreak, Wang Wen, having just finished composing material for their eleventh full-length, found themselves locked in their hometown of Dalian, a large port-city in the north of China. Instead of recording their album in St. Petersburg, Russia, as planned, they decided to put 100,000 Whys to tape in their own rehearsal space in the Dalian Urban Music Center. Again Wang Wen requested the services of producer Wouter Vlaminck.
Drenched in heavily filtered synthesizers and fuzzed out bass sounds, 100,000 Whys carries a vintage feel that hearkens back to the late 60s and early 70s. Meanwhile the scratches and glitches around the edges of the music reveal a distinctly contemporary attitude.

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Wanderwelle

LP | 2024 | EU | Original (Maalstrom)

21,59 €* 23,99 € -10%

12" | 2020 | EU | Original (Aus Music)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Wanderwelle is the Amsterdam-based ambient duo of Phil van Dulm & Alexander Bartels, who mint their Maalstrom label with Wat Gebeurde Er Met Sergeant Massuro?, a concept album based around Harry Mulisch's 1957 story of the same name (What Happened To Seagent Massuro?). The story weaves anti-colonial concepts with mythical realist elements, and is sonically brought to life here through atmospheric electronics and prepared instruments. A moody, resonant and ultimately deep groundswell of an album, one that compels the listener to venture ever further into the a spine-tingling heart of darkness.

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Wanderist

2R2T

10,99 €*

The Capitol Years 1956-1963 Clear Vinyl Edtion

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Searching for new ways to express himself, Maarten Smeets (one half of Detroit Swindle) has found a new perspective on music in his alter ego “Wanderist”. Here, he shares his unique view on contemporary electronic music with strong influences from dub, electro, techno and ambient in tempo’s that match the intensity, funk and drive of his sound. As Wanderist, he has been writing some of his more abstract work of recent times. His sound is melancholic yet euphoric, using powerful loops and dreamlike melodies to create a dense flow in his compositions. His debut release is signed to Aus music later in 2020 and he has also launched his own label titled ‘Transient Nature’ where his own work will be released along with the work of like-minded artists. With a large catalog of music ready to release and collaborations with various labels planned for 2021, the future is bright for Wanderist.

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Wanda Jackson

LP | 2023 | EU (Destination Moon)

17,99 €*

Tape | 2024 | US | Original (Drag City)

Release: 2023 / EU

Genre: Rock & Indie

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Wanda Jackson is a true pioneer of American popular music. One of the first women in history to record country and western music, as well as rock ‘n’ roll, and a brief romantic liaison with Elvis.This collection reminds of the greatness of her peak years at Capitol Records. From the mournful twists of “Sinful Heart,” to the hard-rocking thrills of “Let’s Have A Party” and “Riot In Cell Block Number Nine,” Wanda Jackson attacks the material in her distinctive way, with a wry glance at innocence left somewhere behind. All hail the Queen, and long may she reign!

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Wand

Vertigo

12" | 2022 | EU | Original (Sneaker Social Club)

Release: 2024 / US – Original

Genre: Rock & Indie

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Sliding between the bodies in the street, cutting across the contrails that bisect our sky, Wand find melody and the anxiety beats as they hum the soundtrack for a new gravitational center. Seeking connections against the plan of niche interest and anonymity, Vertigo is the sound of slippage, rocks of contradiction (in soft focus); feet lost, regained, lost again, a multi-chromatic swaying, more automatic, associative, directed, in time.Determining to work backwards (or at least insideout) this time, Wand recorded everything in their own studio; pieces cut from improvisations and reshaped, writing from within the performance, without the woodshed. Unconsciously, in the shadow of themselves, and turning round and round (and round), they kept finding that empty space and playing what it implied. Everybody took on a new position in addition to the old one. It was intuitive, strangely ego-less . . . going somewhere they"d never been and not knowing what they were doing, but committing and recommitting, unafraid to eject in a constant positive forward momentum.

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Walton

Rush

12,99 €*

Cold Turkey / Instant Karma! Record Store Day 2021 Edition

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Throwing hi-def sounds into three-dimensional space and rendering bass in increasingly uncharted waters, Walton arrives on Sneaker Social Club with a future-leaning EP of dance wreckers for the tough crowd.

Even his earliest releases were pushing things forwards as the weightless grime thing gathered momentum, but Walton always swerved the rest of the pack and simply approached grime-rooted club music with his own experimental instincts. His mammoth body of work takes in totemic labels like Tectonic, Hyperdub and Ilian Tape, and as time has passed and music has moved on from micro scenes to a generically fluid individuality, so Walton has grown as an artist. Recent drops including his Maisie By The Sea album have started to embrace more experimental spaces alongside his familiar twist on grime, and this mini-LP for Sneaker continues that level of progression.

On the A side, long time Walton fans will be more than happy with the intensity of ‘pjd’, which is as fierce as we’ve heard Walton go to date. As ever, his beats are never a simple matter, with every hit embellished with needlepoint sound design. The sound zips around the stereo field, but never at the expense of the track’s impact. Still, there’s space for other vibes too, as on the deep, sweeping pads and electronica twitch of ‘Quasar’.

By and large, Walton keeps the pressure up. ‘Rush’ is a bludgeoning instrument and ‘Dread’ teases with a jerky, stop-start demeanour which lands heavy blows when it kicks in. But shorter cuts ‘Detach’ and ‘Shots Fired’ also allow space for other aspects of Walton’s craft to come through. It’s these cuts which add to the overall listening experience and show just how much he ahs to offer as a producer.

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Walter Verdin

7" | 2021 | EU | Original (Pas De Disx)

12,99 €*

Three Of Us Are From Houston And Rueben Is Not

Release: 2021 / EU – Original

Genre: Rock & Indie

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Record Store Day 2021 release on photoluminescent vinyl. In 1981 Walter Verdin recorded the demos for two songs of Lennon's Plastic Ono Band before he formed the group Pas De Deux, the Belgian entry for the Eurovision Song Contest 1983.The artwork of this 7" is inspired by the artwork of the original record sleeves. Walter Verdin is the Belgian chameleon changing constantly between different musical styles and audiovisual art. At the end of the seventies, he released 'Storingen', a Flemish reggae single with some musical friends under the name of Specimen & The Rizikoos. In 1980 he had a number one hit in Flanders with 'Er is iets', taken from the album 'Cinema'. In the same year he started to work as a video director in the studios of the Audiovisual Services at the KULeuven. At night he experimented with video and sound. For the next 20 years, the studios became the cradle for his video art and musical experiments. In 1981, before he formed the group Pas De Deux (the Belgian entry for the Eurovision Song Contest 1983), he recorded the demos for two songs of Lennon's Plastic Ono Band. These songs ended on the B side of their mini-LP 'Des Tailles'. On this 7" vinyl: the demo versions of 'Cold Turkey' and 'Instant Karma!'. They are recorded ping-ponging between two stereo tape recorders. All the instruments were programmed and played by Walter Verdin without the possibility of mixing or 'picking in'. Adding an instrument or a voice meant another copy from beginning to end. The roughness and the spontaneity of these recordings are remarkable, especially when you compare the tracks with the professional recordings that were made later at the famous ICP studios in Brussels with Pas De Deux, where the cheap Boss rhythm box was replaced by a Linn Drum and other instruments were added. Walter Verdin is a big fan of Lennon's music and social engagement. These demos were made only a couple of months after his passing in December 1980. The choice for the specific songs is not accidental: they are the songs with which John Lennon started a new musical adventure. Also, for Walter Verdin it was the start for a new way of music making, after a very short career as a 'Flemish singer songwriter'. The text -the message- of both songs is more topical in 2021 than it was at the beginning of the eighties, when they were recorded.

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Walter Smith III

LP | 2024 | DE | Original (Blue Note)

Walter Smetak & Conjunto De Microtons

Release: 2024 / DE – Original

Genre: Organic Grooves

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Saxophonist Walter Smith III pays homage to his hometown of Houston, Texas on his sophomore Blue Note album, “three of us are from Houston and Reuben is not”, the follow-up to 2023’s “return to casual”. The album’s wry title signifies the lineup, which includes fellow Houston natives – pianist Jason Moran and drummer Eric Harland – while bassist Reuben Rogers, who hails from the Virgin Islands, rounds out the quartet. Together they enliven 10 compelling Smith originals and an imaginative rendering of a Sam Rivers composition – all of which speaks to Smith’s ascending status as one of modern jazz’s most engaging talents of his generation.

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Interregno

LP | 2021 | EU | Original (Buh)

King Of Calypso Limonense - Legendary Tape Recordings Volume 2

Release: 2021 / EU – Original

Genre: Rock & Indie

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Highlightswith "Interregno" (1980), The Swiss Composer And Inventor Of Instruments, Based In Brazil, Walter Smetak, Opened A New Field Of Exploration Within His Own Musical Universe, Which Combines Afro-Brazilian Ritual Traditions, Theosophy, Microtonal Studies, Collective Improvisation And The Use Of Unconventional Musical Instruments. In This Second Album By Smetak, Microtonal Guitars Take Center Stage In Combination With An Electric Organ, Supplemented By Instruments Created By The Artist. This Reissue Reproduces The Much Sought After 1980 Edition Published By Discos Marcus Pereira. It Includes The Catalog Of Instruments Used And Presents The Remastered Audio.Description The Second Album By The Legendary Swiss Artist And Composer, Based In Brazil, Walter Smetak, Opened A New Field Of Exploration Within His Own Musical Horizon. With The Publication Of "Smetak" (1974), A Musical Universe Had Been Defined Where Afro-Brazilian Ritual Traditions, Studies Of Microtonality And Open Processes Of Collective Improvisation Converged, Always Under The Influence Of Theosophy, Which Allowed Him To Generate A Personal Mythology, A Religious-Esoteric Worldview That Served As A Framework For The Creation Of A Musical Symbolic Universe Embodied In The Construction Of More Than 150 Instruments Of His Own Invention That He Called Plásticas Sonoras. In "Interregno" (1980), Smetak Will Radicalize Some Of These Processes. Produced By Carlos Pita, This Album Features Microtonal Guitars, Performed Collectively -Another Step In The Use Of Unconventional Tunings That Smetak Had Been Exploring-, In Permanent Dialogue With A Yamaha Electric Organ That Assured Him The Possibility Of Prolonged Sounds. Walter Smetak Was A Crucial Figure In The Brazilian Avant-Garde And A Key Part Of The Cultural Climate That Made The Rise Of Tropicália Possible. Caetano Veloso, Gilberto Gil And Tom Zé Were His Enthusiastic Followers.The Author Of One Of The Most Important Studies On Smetak, Marco Scarassatti, Has Written On The...

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Walter Gavitt Ferguson

LP | 2019 | CH | Original (Les Disques Bongo Joe)

When The Band Breaks Up Again

Release: 2019 / CH – Original

Genre: Organic Grooves

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100-year-old Walter Gavitt Ferguson from Costa Rica is a living legend, a Calypsonian of mythical proportions. Rooted like an old tree on the caribbean shore, he has never left his home town to look for fame, instead fame came looking for him. Throughout eight decades his musical gifts have attracted people from near and far, contesting Calypsonians, travellers, musicologists, musicians, pilgrims and the president of the Republic. They once even moved a recording studio to his house, as he refused to go to the city. But many years before that, Ferguson used to sell his legendary self recorded cassettes to travellers and music lovers from all around the globe. He never kept a copy and with age startet to forget many of old compositions. A recently started, international "Tape Hunt" was able to locate more than 25 such tapes in Canada, Costa Rica and the United States and rescued 60 of his forgotten songs. Vol. 2 of this tropical treasure is now available, resurrected directly from original cassettes of the Calypso King.

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Walter Etc.

LP | 2023 | EU | Original (SideOneDummy)

Release: 2023 / EU – Original

Genre: Rock & Indie

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LP | 1975 | UK | Reissue (Mr Bongo)

Waltel Branco

Meu Balanco

23,99 €*

CD | 2023 | UK | Original (Mr Bongo)

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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This one takes us back! We originally reissued Waltel Branco's 'Meu Balanço' in 1995, it was one of the first releases to come out on Mr Bongo. It is a much-requested title with original copies becoming ever more-scarce and the price tag increasingly rising, so it feels fitting to present this stunning record once again for all to enjoy.

Waltel Branco was born in Paranaguá, Brazil in 1929 and died in Rio de Janeiro in 2018. During his triumphant career he accumulated an impressive musical portfolio. A true maestro who from the 1950s onwards appeared on productions as a guitarist, writer, conductor, composer, and arranger. He worked with some of the greats of Brazilian music including Elis Regina, Dom Um Romao, Bossa Três, Marcos Valle and Tony Bizarro to name just a few.

'Meu Balanço' was originally released on CBS Records Brazil in 1975. It is Brazilian big band, orchestrated jazz-funk at its finest. Echoing the library and film productions created in Europe and the USA at the time, it also displays the hallmarks of Waltel’s heritage with distinct threads of Brazilian flavour running throughout. The musicians on the record include under-the-radar players that were the backbone of the Brazilian music industry in the 1970s including Luizão Maia on bass, Edmundo Maciel on trombone and Paulinho Braga on drums.

The album flirts between jazz-funk, cinematic library excursions, breaks and beats, easy-listening, and 70s cop show instrumentals. It is a breezy ride into Waltel's world, wonderfully nostalgic and of another time and place, yet snippets of the production echo the beats of contemporary hip-hop iconic artists such as Madlib, knxwledge and The Alchemist.

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Waltel Branco

Meu Balanco

2LP | 2024 | EU | Original (Music On Vinyl)

Release: 2023 / UK – Original

Genre: Organic Grooves

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Waltari

So Fine!

32,29 €* 37,99 € -15%

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Nothing But Net)

Waltaa aka Walter Mecca

Lose Control

17,99 €*

Release: 2019 / US – Original

Genre: Electronic & Dance

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For their second release, NBN Records select Walter Mecca, the enigmatic character out of Paris' suburbs, who built an extensive catalogue over the last decade under various aliases on his own imprint Weirdata. He steps up here to deliver his first vocal opus "Lose Control" under the moniker of Waltaa as we discover another side of the multi-faceted artist. The result is a truly unique hybrid R&B project spiced up with touches of Jazz fusion.

Blending contemporary vibes and early Timbaland productions on the hit single "Ready Or Not" , his song writing and arrangements are further illustrated on the smoothed-out low funk of the two-part title track - "Lose Control". An alien in the music industry, Waltaa reaffirms his eccentric character, staying out of step with current trends while maintaining a timeless quality, rooted one foot in the next.

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One Week Record #2 White Vinyl Edition

LP | 2018 | US | Reissue (1332)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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One Week Record #2 Black Vinyl Edition

LP | 2018 | US | Reissue (1332)

Release: 2018 / US – Reissue

Genre: Rock & Indie

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One Week Record #1 Half / Half Vinyl Edition

LP | 2015 | US | Reissue (1332)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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One Week Record #1 Black Vinyl Edition

LP | 2015 | US | Reissue (1332)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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LP | 2001 | EU | Reissue (Be With)

Wally Badarou

Colors Of Silence

Less Than A Kilometer Away

Release: 2001 / EU – Reissue

Genre: Electronic & Dance

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Synth pioneer and musical polymath, Wally Badarou is a genius. But you know that already. A vinyl version of his majestic Colors Of Silence has been craved by the Balearic cognoscenti ever since its low-key 2001 release. Indeed, when we first started work on Be With, we asked some pals with exquisite taste what their dream release would be. We asked Balearic legend Moonboots and, without hesitation, he said Colors Of Silence by Wally Badarou. We didn't know Wally had made this album. And most still don't. But that's about to change.

Colors Of Silence is ostensibly a new age album. As ever though, Wally's sophisticated synth textures and expressive keyboard runs are so full of character, so full of life, that this work of art transcends any easy genre categorisation. It's simply stunning, throughout. It sounds like A.r.t. Wilson or Suzanne Kraft, with traces of Cfcf and Jonny Nash. But it was made a good decade earlier than the work of these modern giants. Sometimes, it doesn't seem far from some Larry Heard albums.

Island Records founder Chris Blackwell's friend Nathalie Delon asked Wally to provide music for the yoga DVD she was to release. Lack of time on both sides made them agree on using "quality demos" Wally had in his ideas bank. It's understandable why Colors Of Silence remains somewhat of a lost gem. As Wally explains: "Total lack of promotion made it an 'intimate' release, which was exactly what I was looking for: just a buzz-maker and time-buyer that would allow me to concentrate on the real thing as soon as I'd have time, which could also turn into a rare collecting item later, once the final versions made their way to success. You never know."

Over the years, Colors Of Silence has become a true cult record for the ambient/Balearic heads.

The beguiling but brief "Dance In The Dust" is the shuffling, hyper-percussive, hypnotic opener. It gives way to the deep serenity of "Amber Whispers". It's a gliding, divine, mini melodic masterpiece. It'll make you swoon in its extreme beauty. The bright and breezy "Where Were We" follows, a tropical, reggae-tinged bounce through the islands.

The uptempo groove is maintained on the keys-drizzled soca-funk of "The Lights Of Kinshasa" before Side A is rounded out with "Pictures Of You". It starts with stately, melancholic, unadorned piano and this alone would make for a beautiful song. But Wally always gives us that bit extra and he effortlessly introduces warm, dreamy pads and minimal, slo-mo percussion to augment a frankly stunning piece of work.

Ushering in Side B, Wally's mesmeric piano playing is to the fore again, in the intro to uber-chilled "Serendipity For Two". The playing becomes more mellifluous as the track progresses and adds warmth through exotic percussion, woodwind, sweeping synths and digi-drums. It has echoes of, er, Echoes. It segues seamlessly into the more propulsive, wavy "Smiles By The Millions". If you're not nodding and grinning along widely to the gently throbbing bassline underpinning this, we can't help you. The meditative "Higher Still" follows, cinematic in feel and ever so slightly sinister with the strings. It sounds particularly Badalamenti-esque, if you ask us.

That unmistakable, almost peculiar Badarou funk - so lyrical, so texturally rich and so rhythmically spacious - is all over "Oriental". Next up, "Days To Wonder" brings the serenity back, insistent yet melodic keys, as if played in a place of worship, coupled with birdsong, conjure a kind of instant nostalgia for halcyon days of youth. The contemplative "Dawn Of Europa" is a sombre, beatless, ambient journey whilst the glorious, too-brief "Crystal Falls" features soft percussion and sparkle before fully glistening with some gentle head-nod beats. Wally brings this incredible collection to a mellow, tender close with the graceful "Purple Lines".

There can be few artists more under-appreciated given their vast influence than Wally Badarou. His solo work practically defined the sound of the Balearic DJs of the 1980s, and thus the more sophisticated sound of dance culture thereafter. A synth specialist, Badarou was the long-time associate of Level 42. He was one of the Compass Point All Stars (with Sly and Robbie, Barry Reynolds, Mikey Chung and Uziah "Sticky" Thompson), the in-house recording team of Compass Point Studios responsible for a series of albums in the 1980s recorded by Grace Jones, Tom Tom Club, Mick Jagger, Black Uhuru, Gwen Guthrie, Jimmy Cliff and Gregory Isaacs. Badarou's keyboard playing could also be heard on albums by Robert Palmer, Marianne Faithfull, Herbie Hancock, M (Pop Muzik), Talking Heads, Manu Dibango and Miriam Makeba. He also produced Fela Kuti. Phew!

Meticulously remastered and cut by both Simon Francis and Cicely Balston respectively, it has been pressed to the highest possibly quality at Record Industry in Holland. Special thanks must go to Apiento from Test Pressing who first introduced us to Wally and facilitated all those early zoom meetings. It couldn't have happened without his help. Not least on pulling the art together, too, which features striking original photography by Mads Perch. Benji Roebuck of Roebuck Press did his thing brilliantly in art working the whole package to completion. All in all: essential.

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Walls & Birds

7" | 2023 | UK | Original (Beatbude)

10,99 €*

Protect Me From My Friends

Release: 2023 / UK – Original

Genre: Electronic & Dance, Pop

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Walls & Birds‘ debut on the Berlin label Beatbude! Recorded with the aid of “The Whitest Boy Alive” keyboarder Daniel Nentwig at the local Butterama Recording Center, the vinyl is accompanied by a fold-out poster and a digital bonus track. Much like their previous releases, “Less than a kilometer away” is Walls & Birds’ new take on popular music today. The first song “Wearing a Dress” touches on the theme of modern clothing habits, while questioning relationship patterns still widespread in popular music lyrics. The surprising element of new found love is also one of the themes of the B-side “Heads & Tales”, telling the story of a late night after work taxi ride with the chorus contemplating about the eternal either or question, plainly answered with: love. The cheerful upbeat digital bonus track “Summer 2002” is as meaningless as most nice pop songs these days.

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Wallis

12" | 2024 | EU | Original (Boudica)

14,99 €*

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Boudica is proud to present their first record of 2024, featuring an artist who holds a special place within the platform - none other than DJ and producer Wallis. DJ, live-act and former mastering engineer, Wallis speaks for a generation searching for novelty and emotion in the electronic music realm. Sharp engineering skills coupled with a unique approach to sound design allowed her to develop a trademark sound. Using an array of synthesisers, effects units, and experimental studio techniques, Wallis produces melancholic electronic music rapidly shifting between different patterns and atmospheres. She tours as a DJ and Live Act around the world, having played large festivals such as Dgtl or renowned clubs like Berghain, and will happily play at a large stage one day but at a small intimate sweaty basement the next. In 2024, she started producing music for fashion shows and debuted that project by creating the music for the entire Natasha Zinko runway show at London Fashion Week February 2024. The EP's opening track, "Hell is a Girl from Before (Rainy Summer Mix)," introduces a stirring blend of emotions. Starting with an emotional melody, accompanied by synths and a plucked instrument, it swiftly transitions into energetic segments driven by the drums. Vocals emerge, their words almost imperceptible, adding an intimate layer to the experience. The track maintains a steady pace, evoking the ambience of a rainy summer day. This creates a melancholic yet hopeful mood, transporting listeners through a journey of introspection. As "Protect Me From My Friends" unfolds, it feels like being whisked away to a new dimension, greeted by otherworldly, robotic sounds. The introspective journey of the previous track mutates into raw emotions, driven forward by a relentless bassline. Clear vocals take the forefront, guiding the listener through the sonic landscape, only to be interrupted by the commanding presence of the bassline, which assumes the main character role.

In "Sleeping Pills Are Gone," an atmospheric and gloomy introduction is abruptly interrupted by an acid and hefty bassline that dynamically evolves throughout the track, plunging the listener into an eyes-open dream born of a sleepless night. The vocals echo the track's title, creating a haunting repetition. Wallis strategically grants brief breaks, constructing a powerful crescendo that heightens the experience. These are momentary escapes before immersing the listener once more into the hypnotic trance induced by the solid four-to-the-floor march. Closing the EP with a striking finale, "Teenage Apocalypse" introduces a clunky melody that encapsulates the signature sound of the record. Characteristic vocals weave throughout, guiding the listener towards the track's crescendo. Driven by a flawless fusion of drums, the song transitions seamlessly into a powerful breakbeat moment, accompanied by yet another impeccable bassline. True to its title, it evokes the intensity of a day of judgment, leaving a lasting impact as the EP draws to a close. This EP is a testament to Wallis's growth as a producer and her fantastic storytelling ability through sound. In the artist's words: "Sometimes life takes a weird turn. Angry, confused and dealing with moral: this EP targets the pain and absurdity of attachment and strongly themes Gregg Araki's teenage apocalypse trilogy. The artwork poem plastered on the wall was written by wallis." Order Bou004 now unsubscribe from this list update subscription preferences distribution.triplevision.nl Triple Vision Record Distribution BV · Achterhaven 160 · Rotterdam, Zuid-Holland 3024 RC · Netherlands

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12" | 2023 | UK | Original (CWPT)

Willow EP

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Having initially forecast his production energy into his own Tartan imprint, Wallace’s music quickly developed a cultish following among record collectors and influential DJs including Gilles Peterson, Optimo, Hunee and Ryan Elliott. Another supporter has been CWPT’s founder Palms Trax, who, following releases on Studio Barnhus and Rhythm Section, snatches four highly sought-after tracks for the seventh release on the label, each showcasing Wallace’s inimitable and enviable skills as an engineer and a willingness to stoke the sort of organic euphoria that DJs dream of igniting.

Amongst the curios, rarities and other finds that have peppered Palms Trax’s sets this past summer, it’s title track ‘Willow’ that has levitated entire club and festival dance floors like few others. Escalating from a disco percussion loop, ‘Willow’ soon brings on high-energy melodies and a captivating sense of something more ethereal, seemingly reinvigorating old tricks with exciting new flavours: if you only raise your hands to one climactic snare roll this year, we ask you to make it this one.

This refreshing intersection between flourish and function is felt even more heavily on ‘Breathe’, a contemporary electronic battle weapon whose breaks-and-bassline arrangement fluctuates between weightless wonder and heavy business. Frontloaded with the detail and atmosphere of a vintage Chems or Leftfield cut, 'Breathe' exhales then explodes all the skill and reverie of the most memorable 90s techno.

Wallace appears to dip into the chillout room for the swampy rhythm of ‘Masada’, before proving his slow-motion mettle, a Sergeant Peppering of psychedelia creating true hedonistic density and groove. In conclusion and on the contrary, ‘River Dancers’ maintains subtle hypnosis at a similar pace with much less, employing simple timbres and a stuttering, innocent vocal inflection to conjure wide-eyed whimsy far downstream from the EP’s earlier, maximal wonders.

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12" | 2024 | UK | Original (On Loop)

Tanzanite EP

15,99 €*

Release: 2024 / UK – Original

Genre: Electronic & Dance

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It’s fair to say Wallace is one of those rare producers that has already amassed quite the reputable back catalog in a very short space of time. Let alone in 2023 having already released two albums and a handful of Eps with labels such as Rhythm Section, Mule Musiq and Cwpt, he’s become a go-to producer for many DJs. To some it may seem like he’s at the beginning of his career but Wallace has been producing for over 10 years refining his sound.

On Loop label boss Moxie has been an early supporter of his, not only championing him in her DJ sets but also having him feature heavily on her NTS show. The pair are thrilled to be finally putting this release out into the world, showcasing why Wallace really is, the real deal.

The whole EP is filled with tons of percussion and rhythm, pulling the listener in. Tanzanite & M’bira in particular are undeniable groovers. Red Velvet on the other hand is something you might expect to hear played at 5am Fabric room 1, whilst Violet is a treat only for the vinyl heads and shows off how versatile Wallace really is as a producer, offering something on a slower tip.

Speaking of the release, Wallace says:

The A-side of Tanzanite is inspired by time spent in Africa when I was young. My dad used to make animal programmes & one time I tagged along for his jaunt around South Africa and Namibia. The 'M'bira' track uses the instrument of the same name which he picked up, when out there & the title track is inspired by a gem stone park we visited in Cape Town. The B-side takes inspiration from recent clubbing experiences. In this way, the EP is juxtaposed from the joyous, open air, playfulness of the A to the moodier, darker feel of the B.

*Early support coming in from Liv Wutang, Yu Su, Erol Alkan, Dr Banana, Kamma, Bradley Zero, Richard Sen, Axel Boman, Tom Ravenscoft, Dar Disku & more..

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12" | 2023 | UK | Original (Rhythm Section International)

Ripples

14,99 €*

Release: 2023 / UK – Original

Genre: Electronic & Dance

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Wallace has been something of a behind the scenes phenomenon. Having just two official releases at the time of writing, alongside a few white-labels on his own ‘Tartan’ imprint - The man known as Wallace has somehow worked his way into the record bags of the worlds biggest DJ’s: Gilles Peterson, Hunee, Moxie, Ruf Dug, Gideon and beyond.

It’s only a matter of time before the wider dance music community catches on - and I wouldn’t be surprised if - by the time this record hits the shelves - Wallace- Mania is in full effect. An artist like this only comes along once in a blue moon.

Wallace has been quietly perfecting his craft for the last decade, and has a deep understanding of club dynamics that can’t be taught. Bradley Zero himself has been playing 4/5 Wallace tracks per set within the last year alone! Luckily for you, the secret is out, and we, for one - cannot wait!

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2LP | 2023 | EU | Original (Mule Musiq)

Red, Yellow, Black

Release: 2023 / EU – Original

Genre: Electronic & Dance

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mule musiq welcomes british producer jimmy wallace, presenting his debut album “red, yellow, black” - a nine track strong record that partly leaves the dancefloor behind.

since childhood, music has been a strong influence on the 33-year-old artist. his mother, a music teacher, exposed him to classical sounds from an early age.

but it was hearing the electronic tones of the french touch movement, which really ignited his mu-sical journey. a year later he started to dj, acting out his love for four-to-the-floor grooves in local clubs. today you'll find him on the bill with artists like ruf dug, mr scruff, or bradley zero, heating up the dance floors.

as a producer he has already released a handful of stunning eps, including one for sweden’s finest house label studio barnhus, and one for london’s revered rhythm section international imprint.

both feature house tunes with an edge, house tunes with a love for the roots of the genre along-side more reflective, ambient moments. he also runs the label tartan records, where he publishes dancefloor focused white labels.

his music has been championed by titans of the scene such as palms trax, ryan elliott, dj tennis, gilles peterson, dixon, and hunee. axel boman even coined his debut ep as “one of the very best demo emails ever received at label studio barhnus hq”.

an advance praise, that wallace now acknowledges with an album full of deeply crafted music. some tracks lean towards the dancefloor, like the swung sounds of “bubbles”, the hypnotic mael-strom of “good morning”, or the epic, jazzy moments of “labyrinth”.

the theme of nature is evident throughout, with field recordings and environmental sounds he rec-orded on the road, being fused with his own musical ideas.

tracks like “waterfall” and “tokyo street”, draw influence on time spent in asia, whereas "dhq", "by the river", and "by the lake" are inspired by his childhood and hometown in the shropshire country-side. “i’ve been writing ambient and more nature focused material for a few years now without really having a plan for it.

finally, this year after writing the tune “labyrinth” i felt i had a body of work which was both diverse and cohesive enough to bring together on a record. so, the album represents moments of time i have spent in various outdoor spaces around the world, using sound to try and turn these experi-ences into musical format.” wallace discloses.

the result is a mesmerizing long player featuring an evocative, emotional story arc that avoids ste-reotypes and straight party orientated narration. “having written plenty of club music for the past few years, i wanted to show a different side to my sound.

something more intimate, private, experimental which can be listened to away from the party.” he reveals on the meditative, blissful “red, yellow, black” - an album, which has the power to transport listeners to places and spaces new – for inspiration, relaxation, and dancefloor moments off the beaten path

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12" | 2022 | EU | Original (Studio Barnhus)

Lemon Dreams

18,99 €*

2LP | 2020 | EU | Original (Carry On)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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A Lemon Dream fuelled night out at the Chicken's Head ends, seven friends Welcome themselves back to the studio, a sense of anticipation fills the AIR, no-one wants to go Home. Tracks already danced to by thousands across the globe on this EP – as played by Dixon, Hunee, Axel Boman, DJ Tennis, Butch, Ruf Dug, Mano Le Tough, Jimi Jules the list goes on... Studio Barnhus is proud to present UK producer Wallace & his Lemon Dreams, the result of one of the very best demo emails ever received at label HQ!

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Walking Papers

Light Below

31,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2016 | Reissue (Arising Empire)

Walking Dead On Broadway

Slaves Green

20,99 €*

Release: 2016 / Reissue

Genre: Rock & Indie

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LP | 2018 | EU | Original (Long Branch)

Walking Dead On Broadway

Dead Era Ltd.Box Set

49,99 €*

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2023 | EU | Original (Guerssen)

Walker Phillips

God's Eye

LP | 2024 | US | Original (Lucky Hound Music)

Release: 2023 / EU – Original

Genre: Rock & Indie

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‘God's Eye’ is the second album by San Francisco based psych-folk musician Walker Phillips. It was recorded in the best 60s-70s tradition using only analogue tape and vintage instruments. According to Walker, “it contains some of the best songs I’ve written”. The first side is a suite of pleasant, delicate songs of pure psychedelic-folk bliss that recall Arthur Lee Harper or Donovan at times, while side two is a full blown psychedelic / jazz / experimental single track inspired by Miles Davis’ ‘Bitches Brew’, meticulously tape-spliced from about one hour of improvisation. It wanders somewhere between Stockhausen, Pink Floyd and The Grateful Dead. Stunning!

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Walker Lukens

Accessible Beauty

22,99 €*

Release: 2024 / US – Original

Genre: Rock & Indie

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Tape | EU | Original (Relax-In)

Walid Toufik

Release: EU – Original

Genre: Rock & Indie

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More About Nothing Black & White Vinyl Edition

Wale

2LP | 2022 | US | Reissue (Empire)

More About Nothing Black In Red Vinyl Edition

Release: 2022 / US – Reissue

Genre: Hip Hop

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YELLOW COVER: 2xLP, Widespine Jacket, Black & White Cookie SplitVinyl, Alternate Yellow FrontCover, Marketing Sticker. Ltd to 50 copies.

With help from Jerry Seinfeld himself, one of the classics from the mixtape era, Wale’s More About Nothing sees its first official release on CD & Vinyl. Originally released in 2008, the album is nothing short of a masterpiece in his celebrated catalog, and features appearances from then-budding artists Wiz Khalifa & Fat Trel, among others. True fans of the musician will undoubtedly know how crucial this project is to the culture; a Jerry Seinfeld collaboration with Wale finally available for all.

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Wale

2LP | 2022 | US | Reissue (Empire)

2LP | 2022 | US | Original (Empire)

Release: 2022 / US – Reissue

Genre: Hip Hop

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RED COVER: 2xLP, Widespine Jacket, Black in Red Color In ColorVinyl, Alternate Red FrontCover, Marketing Sticker. Ltd to 100 copies.

With help from Jerry Seinfeld himself, one of the classics from the mixtape era, Wale’s More About Nothing sees its first official release on CD & Vinyl. Originally released in 2008, the album is nothing short of a masterpiece in his celebrated catalog, and features appearances from then-budding artists Wiz Khalifa & Fat Trel, among others. True fans of the musician will undoubtedly know how crucial this project is to the culture; a Jerry Seinfeld collaboration with Wale finally available for all.

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Wale

More About Nothing

36,99 €*

Airport Love Theme / Afro Som 2024 Repress

Release: 2022 / US – Original

Genre: Hip Hop

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With help from Jerry Seinfeld himself, one of the classics from the mixtape era, Wale’s More About Nothing sees its first official release on CD & Vinyl. Originally released in 2008, the album is nothing short of a masterpiece in his celebrated catalog, and features appearances from then-budding artists Wiz Khalifa & Fat Trel, among others. True fans of the musician will undoubtedly know how crucial this project is to the culture; a Jerry Seinfeld collaboration with Wale finally available for all.

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Waldir Calmon

7" | 2024 | UK | Original (Mr Bongo)

Pretalus 25th Anniversary Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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You know it's going to be a heavy record when DJ / collector Mr Thing asks you to keep a look out for a copy on your next digging trip to Brazil. Add on top of that, being sampled by Madlib on the track 'Curls’ on his Madvillain album!

Taken from Waldir Calmon's 'Waldir Calmon E Seus Multisons' album on Copacabana (1970), from looking at this unassuming record cover featuring a middle-aged man sporting an impressive pair of glasses you wouldn't expect it to become the fabric to one of the songs from the iconic 'Madvillain’ album. But… like many things in life, you shouldn’t judge a book by its cover. 'Airport Love Theme’, like its name suggests, falls into full-on lounge territory. It is feel-good music made to be the soundtrack for a utopian world that never really was. Yet behind the silky-smooth groove is an addictive earworm waiting to be heard.

'Afro Som' taken from the same album, pushes things in a different direction towards a sound that is more firmly rooted in the Brazilian tradition. This quirky 60's-breakbeat-funk groove is reminiscent of French artist Jean Jacques Perrey's 'E.V.A.', also from 1970, in its melody and backbeat, where the Moog synthesizer of Perrey is replaced with a more orchestrated sound by Calmon. This track is magical, cinematic and breakbeat-laden with a hidden unknown exoticism.

Waldir Calmon had an active career in music working from the '50s right up until his passing in 1982. His career started early, forming his first ensemble at the age of fourteen, originally working in bands in nightclubs and writing jingles. He progressed in the early '50s to a long-running career working in television. In addition to his television work, he had success with his recording vocation, mixing in the same musical circles as greats such as Tom Jobi, João Gilberto and Doris Monteiro.

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Waldemar Bastos

LP | 2023 | US | Original (Luaka Bop)

12" | 2018 | EU | Original (Dope Noir)

Release: 2023 / US – Original

Genre: Organic Grooves

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Hailed as "one of the great, overlooked records of 1998," by the new york times, this worldwide debut of the angolan artist waldemar bastos was recorded and produced by arto lindsay and david byrne in new york. Its title, which means "blacklight" in portuguese, is a hint to the powerful sorrow the music holds: pretaluz is an elegiac response to the angolan civil war, drawing on influences near and far like the fado, semba, zouk, and morna, to create indelible songs. "with his dramatic pauses and dynamic vibrato rising above subtle rhythms picked out on nylon-string guitars, everything mr. bastos sings emerges as a lament of enormous sadness," wrote the times. now on vinyl for the very first time, this limited 25th anniversary edition of pretaluz is a contender for the best-sounding record on luaka bop.

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Waldeck

Stay Put EP

LP | 2022 | EU | Original (Touch Your Life)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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It is hard to believe, but Waldeck´s signature album “Ballroom Stories” is 10 years old. The people at Dope Noir Records feel that this marks the perfect occasion to celebrate its anniversary with the release of a legitimate successor going by the name of “Atlantic Ballroom” - due later in 2018.
For those curious what the new album might sound like the wait will be sweetened by this very “Stay Put” EP available on 150 gr vinyl & digital formats.
Four brilliant downtempo tracks, all of them featuring Waldeck´s new chief-chanteuse Patrizia Ferrara whose extraordinary vocal performance will give you goose bumps right from the beginning all the way through.
Ferrara, being half Sicilian & half Austrian spent the better part of her musical career in Brooklyn, NYC. Asked for a comment Waldeck simply smirks:
“She is a real million-dollar baby”
As with previous releases this one once again hits the spot and highlights Waldeck´s ability to create a whole new sound universe. “Electro-Blues” meets “James Bond- in Casablanca”.
The first track “Stay Put” is quite obviously inspired by the legendary blues & swing icon Fats Waller and captures the mood of the early days of swing, when Al Capone allegedly hi-jacked Waller for a couple of days to play exclusively on one of his private mob parties.
Followed by “So it shall be” – a real beast - that lures with a snake charming seductive Ethiopian groove.
With “Rough Landing” Waldeck then time travels to the 21st century. It could well serve as a title song to the yet to be finished Bond movie “James Bond in Casablanca” (2024).
The last song “Je t´aime beaucoup” is a super slow downtempo blues that haunts you with a longingly whisper for love. A late night in Paris…. no questions asked.
Waldeck dwells on smokey Jazz riffs & bluesy piano lines. He likes to keep the overall electronic feeling subtle, but yet present.

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Waking Dreams

Askew

18,99 €*