Search "we are rewind" 29320 Items

Tribute To Jake Stephenson

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Senoid returns with a new EP with 4 powerful cuts.Kike Pravda and Tensal join forces to make a strong release.

In the A side, Tensal opens the record remixing the original "Dimensional", with more energy and an extended version adding a pair of sequences that holds the tension of the track till the end playng with the sequences to make it more dynamic.A bomb for the dancefloor. The second cut "Altair" is cosmical, spacey and an atemporal track.

In the B side the original version of ¨Dimensional" gives the tittle to the EP, and we find again the unique style by Kike Pravda, dense, deep, hypnotc and solid sound with only a few elements well processed with a strong sub in the background. Ending with ¨Protone" , Kike delivers an energetic and raw synth sequence with a reverb layer in the background to add more depth to the sound.

4 solid cuts for your sets.

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Optica & Optic Eye

12" | 2023 | EU | Original (Re:Discovery)

15,99 €*

12" | 2023 | EU | Original (Planet Tapes)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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re:discovery records is happy and proud to honor a beloved and missed amazing electronic producer Jake Stephenson. Sadly, Jake passed away in 2005 but his music lives on with us forever. A prolific producer with hundreds of credits under many names and many styles. On the record insert inside this EP, his brother Silas and fellow producer and friend Brian Trower share some special stories of Jake as a person and a musician. An eccentric hippie of sorts, music historian and audio savant certainly, Jake was truly a unique, talented and special person. While a 5 track EP hardly scratches the surface, we at re:discovery wanted to honor an artist who impacted the label owner and the history of chill out music more than maybe some know. 50% of the proceeds to go the charity Silas picked to honor his late brother.

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Two Opposites

Astro Collector EP

13,99 €*

12" | 2023 | EU | Original (Subject To Restrictions Discs)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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The fourth Planet Tapes record has a very deep meaning for us to which we are emotionally linked. It will belong to the hosts Two Opposites. "Astro Collector EP" can be interpreted as a mixture of raw and emotional sounds. Let's try to go into details about each track. Make Contact; sets the tone with its dark groovy lines and reverberated vocals that transport you to a world of pulsating energy and endless possibilities. Reversal Motion; you hear deep synth bass melodies and infectious rhythm. Starslalom; a fusion of classic electronic sounds and contemporary sensations that create an atmosphere of future nostalgia. Mirror Dreams; you enter a world full of groove, harmony and caressed by a bleep synth with sparkling rhythm. Siana Vision; the romantic note of this record which with its emotional sound will make you explore the boundaries of imagination.

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Anna Vs. June

Ersi EP

15,99 €*

12" | 2023 | EU | Original (Underdog)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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“As I walk between the shadows I can see my full light” is the mantra and story Anna Vs June tells on “Ersi”, her debut on Subject To Restrictions Discs. It is about personal thoughts and experiences on topics like faith and motherhood. Beginning with “As I Walk” as the clumsy state of any beginning, it continues with “Between The Shadows” where Anna relives her years as a teenager. Continuing the narrative with “I Can See”, we listen to what it was like to grow up, finally ending with the yearning acceptance of the unknown on “My Full Light”. Anna Vs June’s musical language is based on her exploration of traditional Greek music, which she learns and whose characteristics she reinterprets in her own production. This album was produced in Anna’s studio in Athens during the months of lockdown.

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DJ Jedi

The Prophecy EP

14,24 €* 14,99 € -5%

12" | 2023 | EU | Original (Interdimensional Transmissions)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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When Underdog Recordings started back in 1993, the first 2 releases, Mad Dog 1 & 2 were what would now be considered as hardcore jungle techno.

From Udr003 onwards the hardcore techno elements were abandoned as the scene and label evolved into straight up jungle and drum & bass. 29 years later, DJ Jedi's first outing on Underdog Recordings is a very welcome return to our Hardcore Jungle Techno roots as he delivers "Prophecy E.P". on the label.

The Prophecy and The Cube take us on a journey through the Jungle Techno and then on the flip "Dance with The Speaker" and "Can't Stop the Feeling" we go even further back in time to the more '92, heavy amen sound. 4 brand new tracks from the Old Skool Don that is Dj Jedi

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Pervocet

Acid Series Volume 6

14,99 €*

12" | 2023 | EU | Original (Kr3 Records)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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This is the final dose of Pervocet. Pervocet is the brand name of the psychedelic music project from Patrick Russell and Jasen Loveland and is used to induce moderate to severe psychosis. The short-term effects of Pervocet last approximately 5-7 minutes and include Neighbor, Rawlo, L0v3 S1r3n, Phazy Susan and -- in some people -- a pleasant euphoria. This is one of many projects featuring Jasen Loveland aka Andrew Smith aka ? that IT will continue to release in honor and memory of him and his incredible and prophetic musical vision, showcasing his many Infinite Refractions. This project had begun years ago, and was finished with such care and precision by Patrick Russell that we are proud to release Pervocet 2 in sync with our annual No Way Back gathering in Detroit on May 29, 2023. Pressed at Archer Records, Detroit. Distributed by Clone.

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Huren

Blood Fire Debt

10,19 €* 16,99 € -40%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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TEN. KR3 marks the double-figure release, starring David Foster: the man behind the Huren project, which has been churning out influential tracks for the past three decades. Blood Fire Debt – has been described by David with one word: ‘survival’. Indeed, in this tenth release we rediscover an already legendary artist of the power electronics scene, in his most honest and consistent form. Expressing himself through cinematic-noise, harmonised by dark drones and slo-mo rhythms. Still navigating through the chaos, this ride will take us back to the 90s, thanks to the presence of a track (B2. Mytologinen) produced in those years. There will be a unique insert with the Huren portrayed under one of the twin towers. Written & Produced by David Foster Mastered and Vinyl Cutting by: Tim Xavier at Manmade Mastering Berlin

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adidas

Ozmillen W

32,98 €* 109,95 € -70%

LP | 1962 | EU (Destination Moon)

Available Sizes: EU 36⅔

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We've got something really nice for you: The adidas Ozmillen pays homage to the wild Y2K era and is an absolute must-have for all the new generation sneaker enthusiasts. With its futuristic style, the adidas Ozmillen adds a relaxed touch to any outfit, and the iconic 3 Stripes make the look truly timeless.

What makes this sneaker even cooler is that it's a part of the brand's efforts to combat plastic waste. It's made from various recycled materials, and the upper material contains at least 50% recycled content.

adidas Ozmillen W - features:

• mesh and synthetic upper
• soft and breathable fabric lining
• foam-padded insole
• 3 Stripes appliqués at side walls
• adiPLUS foam midsole for lightweight cushioning
• durable outsole made from abrasion-resistent rubber
• adidas Trefoil label at ongue

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Charlie Mingus

Town Hall Concert

17,99 €*

Butcher Brown Ft. Tennishu Ft. R4nd4

Release: 1962 / EU

Genre: Organic Grooves

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Charles Mingus brought together an amazing lineup spanning the totality of the nation's jazz scene with such luminaries as Eric Dolphy, Buddy Collette, Clark Terry, Zoot Sims, Pepper Adams, Jaki Byard, Grady Tate, and more. Brought together to perform new Mingus compositions for the first time in public, the recording was initially considered weak due to limited rehearsal time but the years have been kind to this recording and it's a fantastic set of Mingus compositions, including the powerful "Freedom" which rivals the works on Mingus Ah-Um (1959) for its strength of purpose and message, in a similar vein to Max Roach's legendary We Insist! album (1960). Mingus is one of the most important figures in 20th century music and this live recording documents his compositional and arranging process as well as sheer swinging joy.

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Presents: Triple Trey Ultra Blue Indie Exclusive Vinyl Edition

2LP | 2022 | US | Original (Concord)

38,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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Renaud Capucon / Francois-Xavier Roth / Lso

Violinkonzerte 1 & 2

LP | 2018 | EU | Original (Erato)

22,99 €*

Release: 2018 / EU – Original

Genre: Classical Music

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LP | 1976 | JP | Original (Columbia)

Melvin "Wah Wah" Watson

Elementary

54,99 €*

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing, without OBI, with insert

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Ortofon

VNL

99,00 €*

LP | 2020 | Original (Tapete)

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In ViNyL we trust
Even before the launch of the Concorde MkII, we have always studied the feedback of our customers and how they utilize our products.

Skilled DJs demand specialized tools that can help them push their creativity to the edge – consistently testing the boundaries in the realm of performance.

Understanding this and reflecting our extensive experience in industrial design and technological know-how, we present the new Ortofon VNL cartridge – a model tailored uniquely to the unrelenting demands of modern turntablists and portablists.

Contains 1x Stylus VNL II!

The new VNL features and improvements
• Extra resistance to hardcore scratching and back spinning
• High tracking performance for both DVS usage and real vinyl
• Optimal balance of output and of sound quality

Technological improvements have been applied for the benefits of all users:
- Ultrasonic welding of the components ensures high rigidity and freedom from resonances.
- Robotic assembly of stylus assembly offers high precision and uniformity of industrial production.

DJs can easily identify which stylus type best suits their individual DJ style and enables their absolute best performance capability.

VNL technical data

Stylus Type: Sperical
Tracking Force: 4,0 g
Output Voltage: 6mV
Frequency Range: 20-20.000 Hz

Output voltage at 1000Hz, 5cm/sec. - 6 mV
Channel separation at 1kHz - 20 dB
Frequency response 20 Hz - 20 kHz -2/+4 dB
Tracking ability at 315 Hz at recommmended tracking force:

VNL I 100 μm
VNL II 90 μm
VNL III 90 μm
Compliance, dynamic lateral:

VNL I 16 μm/m N
VNL II 15 μm/m N
VNL III 14 μm/m N

Tracking force range - 3 - 5 g
Tracking force recommended - 4 g
Antiskating - for best backcueing performance use “0”
Internal impedance, DC resistance - 750 Ohm
Internal inductance - 450 mH
Recommended load resistance - 47 kOhm
Recommended load capacitance - 200-600 pF
Cartridge weight - 6,5 g
Replacement stylus units: VNL I, VNL II, VNL III

Exclusive features
The VNL features a spherical stylus which is perfect for tough groove handling. Furthermore, it reduces record wear when scratching and back-cueing to an absolute minimum.

The broad stance of the VNL features solid and robust design elements characteristic to Ortofon, with colors meticulously selected to emphasize sturdiness and DJ aesthetics: the cartridge body has been designed to provide easy mounting and alignment on a variety of headshells.

The VNL provides excellent compatibility when used in an assortment of playback systems, ensuring it stays in the groove under the most demanding conditions.

VNL Userguide: https://www.ortofon.com/media/151234/5-800161-12_vnl_userguide_08_20_web.pdf

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Urlaub In Polen

All

27,99 €*

Release: 2020 / Original

Genre: Rock & Indie

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LP | 2018 | US | Original (Warner Bros / WEA)

Cher

Believe 2018 Remaster

32,99 €*

Release: 2018 / US – Original

Genre: Pop

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12" | 2024 | EU | Original (Way To France)

Lauer

Centurio EP

15,99 €*

Bayè / Russ D In Front Room Studio

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Lauer makes a glorious return to Way to France Records with another varied mix of typical Lauer hits (“Centurio”), breaks (“I Dont Know”), fast - in the 2016 sense - dancefloor stompers (“Trig Out”) and Ibiza-esque deep house (“Longo”) on his “Centurio EP”. Piano-filled tracks for beginners and advanced listeners.

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Dawchy

7" | 2023 | EU | Original (Dig This Way)

8,39 €* 11,99 € -30%

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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2LP | 2020 | CA | Original (Warner Bros / WEA)

Mac Miller

Circles

41,99 €*

12" | 2023 | EU | Original (Dig This Way)

Release: 2020 / CA – Original

Genre: Hip Hop

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New pressing made in Canada

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Clive Matthews

Mama Afrika

8,39 €* 11,99 € -30%

Helen Nkume & Here Young Timers Band

Release: 2023 / EU – Original

Genre: Reggae & Dancehall

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Back in 2014 Caio linked up with the legendary singer Clive Matthews in Jamaica as he was interested in recording some specials for his Dub Foundation Sound System. Talking about it came out the idea to play the Apology rhythm from scratch, one of Clive's biggest hits from back in the days.

It took around one year to organize everything and by the end of 2015 Clive Matthews was able to get in touch and gather all the original musicians who played the riddim back in 1973 : Bagga at the Bassline , Leroy “Horsemouth” Wallace on drums , Norman Vessel on lead guitar & rhythm and Jah D on Keyboard. Music was then recorded at Anchor Studio, Jamaica, with Garfield McDonald's as Engineer.

“Mama Afrika” has been since 2015 one of the Anthem of Black Foundation Sound System and we at Dig This Way Records were lucky enough to cooperate with Caio to work on this release with a new mix of the vocal.

Mixed and dubbed by Michael Exodus at Dub Basement Studio in Rome and mastered by Matt at Pressure Mastering in Uk.

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Helen Nkune & Here Young Timers Band

LP | 1978 | UK | Reissue (Dig This Way)

Release: 1978 / UK – Reissue

Genre: Organic Grooves

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The Trend Is In Yellow Vinyl Edition

The Trend

LP | 1982 | US | Reissue (One Way Ticket)

12" | 2006 | FR | Original (Nord-Way Productions)

Release: 1982 / US – Reissue

Genre: Pop

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* Ultra rare U.S Powerpop album from 1982 reissued for the first time ever * A U.S. powerpop killer & D.I.Y-nugget – Original album is rare and highly in demand * Deluxe reissue housed in gatefold sleeve * Expanded with bonus tracks * Printed inner sleeve filled with rare photos * Extensive liner notes by Kieron Tyler (Mojo) * Carefully restored and remastered sound * Colored vinyl (yellow)

The Trend is high explosive, hyperactive teenage powerpop. The Trend hailed from Kennett, Missouri and was formed back in 1979. Aged fifteen to sixteen at the time, and armed with guitars, striped t-shirts, skinny ties, tambourines and colorful drainpipe trousers. The Trend (Is In) was a full on powerpop and bubblegum-explosion.

One self-released (and nowadays mega-rare) album in 1982 and a just-as-hard-to-find 7-inch single from the previous year was all that The Trend unleashed on record during their short lifespan. Since then, appearances on compilations like Yellow Pills and Numero’s Buttons have made sure The Trend is in high demand amongst powerpop aficionados all over the world.

Trend’s debut 45 “She’s Hi-Fi” b/w “Lucky Day” is blistering class AAA powerpop that will most likely make anyone with the slightest interest in the genre strip off all clothes and do the helicopter. “The Girl At The Holiday In” shows that The Trend had moved on since the single. So much so that “The Girl I Used To Know” could have been recorded by one of the then contemporary Paisley Underground bands from Los Angeles. “Real Cheap Thrill” is raging Merseybeat-pop-mayhem bordering to killed by death-punk. “Two Plus Two” is suffused with the spirit of late 1960s Paul McCartney. Above all, The Trend is about direct, driving upbeat pop. “Go For Broke” could have clicked as a single, while “Southsiders (Waiting To Go Northside)” caught The Trend’s outlook in a nutshell: “power pop, bubblegum, punk rock, here we come.”

Housed in a deluxe gatefold sleeve that comes with a printed inner sleeve richly illustrated with rare and previously unpublished photos. In the extensive liner notes The Trend’s main man and song writer John McMullan tells the full story to Kieron Tyler (Mojo Magazine).

The Trend is finally in!

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Mikado Punchers

Babycore

3,99 €*

Release: 2006 / FR – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

2LP | 2022 | EU | Original (V I S)

String

Last Index Of

28,99 €*

7" | 2022 | EU | Original (Dig This Way)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Nothing is explained in the mysteries around us, but some art touches their soul: last year, Justin Tripp, one half of the US-American impro electronic duo Georgia and London-based electronic artist Zaheer Gulamhusein man behind projects like Waswaas and Xvarr -joined forces as String. Together they went on a virtual vacation and never came back. As the virtual is fully real due to its virtuality, they created a truly authentic aural hardware journey, hauntingly adventurous, calm, and surprising.

Without defining the scope, String tumbled through a dark musical zone that stretched to the horizon, letting the sound shape itself while falling discreet into an appealing abstract space. Hovering clockwise shortly above the ground, they formed impossible geometric musical figures - weightless, fluid clouds, made up of relations between asymmetrical elements. Like in nature, their collaborative work avoids identical characteristics. In an expression of respectful admiration, they softly celebrate the irregularities between their specific genetic musical fingerprints, creating eight light binding clouds of dawn. A meditative musical voyage that transports cosmic particles of idealistic Berlin school ambient right into the heart of their electronic machines. All tunes swing calm but constitutive, dancing around synthesized surfaces that form obsessed flaming orbs of fear and hope, of matter and antimatter.

A shared love for hardware and the ethos of improvisation guided String into an experimentation, in which each party aligns closely to the core ideas of co-operative, in-the-moment electronic music, tied across the eight tracks in a sequence.

Finding a home with the highly esteemed Hamburg based label V I S, String’s debut “Last Index Of...“ will enter the earth in double vinyl and cassette format, plus tripping on at the digital platforms.

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Abeng

Run Come Rally

11,99 €*

You Know What They'll Say

Release: 2022 / EU – Original

Genre: Reggae & Dancehall

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Following the inspiration of the great 70's Roots, Abeng drop this brand new Heavy Weight Roots track " Run Come Rally " spreading Gathering and Unity Vibes. After a long time of de-socialization "locked in Babylon, it's time to gather and be free" he sangs.

Abeng, the multi-instrumentalist "roots-head" arranges, plays and sings the whole track. This project signs a new co-operation for our label in order to follow our ideal of worldwide connections!!! Flip side "No Botha Dub" is the dub version coming from our friend Michael Exodus at the Dub Basement Studio in Rome.

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Spliffs

7" | 1986 | EU | Reissue (One Way Ticket)

18,99 €*

Calabash Rock / Calabash Dub

Release: 1986 / EU – Reissue

Genre: Rock & Indie

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1980’s Australia were a blistering inferno of totally great powerpop, garage- and punkrock bands. Hoodoo Gurus, Stems and Lime Spiders were on top of their game and labels like Waterfront and Citadel put out albums and 45’s that any serious music aficionado would die for.

The Spliffs formed in Townsville, a small city on the northeastern coast of Queensland in Australia. In 1986 they unleashed their debut 45. Recorded all by themselves and released DIY style they got some rave reviews and got to play Sidney, Melbourne and Brisbane opening for The Saints and Hoodoo Gurus. Their debut single is fab jangly 80’s powerpop right up there with Plimsouls or The Nerves.

Housed in a deluxe picture sleeve that comes with a printed inner sleeve filled with many rare and previously unpublished photos plus an interview with Spliffs main man and guitar-slinger Jamie Forsberg conducted by power pop guru Ric Menck. Orange color vinyl.

File under: ”beyond essential to any serious rock’n’roll, powerpop, garage and punk fan”.

Sweden’s One Way Ticket Records is a sister label to On The Dole Records who gave you “Jobcentre Rejects” (and more) and to Sweet Mental Revenge Records who gave you Rodger Wilhoit. OWT is also a sub-division of Stora Skivmässan – Scandinavia’s biggest record fairs

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The Rockers Disciples

7" | 2021 | EU | Original (Dig This Way)

8,99 €* 9,99 € -10%

Ditterich Von Euler-Donnersperg

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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Released in 2012 as the opening song of the CD album " Far Eye " featuring Daba Makourejah, Calabash Rock have remained unknown for most rockers reggae aficionados. And that was a shame. The Rockers Disciples and Dig This Way Records decided then to strengthen their collaboration by releasing this wonderful instrumental piece of music, deeply influenced by Aswad’s « Warrior Charge '' and Rico Rodriguez’s vibrant music. A 7 ‘’ record, including a vertiginous dub version on the flip. Enjoy the Calabash style!

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Klein:Rot Red Vinyl Edition Damaged Cover

LP | 2021 | EU | Original (V I S)

27,99 €*

12" | 2021 | UK | Original (Way Back Wednesday)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Thorny, brittle, but shatterproof electronic brilliance by a near-mythical Hamburg enigma, Ulrich Rehberg aka Ditterich von Euler-Donnersperg, playing closer to home for Nina’s V I S alongside a killer new one for A Colourful Storm Since the early ’80s Uli’s label Walter Ulbricht Schallfolien have hosted the curdled creme of industrial and post-industrial music such as Throbbing Gristle, S.P.K., Laibach, Asmus Tietchens, and The Hafler Trio, beside prized projects such as Werkbund and Mechthildt von Leusch - which may or may not be Rehberg’a aliases. For Nina and Good News’ reliably wayward V I S label, Rehberg slips into his occasional guise Ditterich von Euler-Donnerperg for a fractured mosaic of concrète shrapnel and electro-acoustic abstraction that speaks to the inimitable breadth and free-hand unpredictability of his aesthetic. Working crisply detailed and persistently amorphous, allusive sounds with a sort of GRM-adjacent quality factored by a more playful, punkish freedom that’s rooted in Hamburg’s renowned counterculture, the 21 tracks on ‘Klein : Rot’ are among the most distinctive on V I S, resonating their elusive style with hallucinatory appeal from every inch of its chimeric, shapeshifting mass. They mostly say their piece succinctly and uncompromisingly, with only a few parts lasting over 3 minutes, and only one, the immersive ‘An Gott vertex’ taking up to five minutes to work its mind-warping magick. It’s the sort of rarified electronic music that reaches places left untouched or unrealised by most of the contemporary field, utilising hardware and secretive tekkers in a way best compared with Gerald Donald at his most inventive, the maziest Bernard Parmegiani gear, or the proprioceptive concrète scapes of Marina Rosenfeld.

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Twson / Ron Bacardi

Way Back Wednesday 004

13,99 €*

LP | 2020 | DE | Original (Walk This Way)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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The return of the Way Back Wednesday label sees Twson (Pop Shop Edits) join the team and deliver two sleazy disco reworks, plus label boss Ron Bacardi drop a tight edit of a fiery funkin’ fave.

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Argonautiks

Trauben Über Gold

77,99 €*

No Bad Intention / Intention In Dub

Release: 2020 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened with hype sticker. Limited edition. Vinyl is close to NM.

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Abeng /Russ D

7" | 2021 | EU | Original (Dig This Way)

11,99 €*

Black Uhuru / Impact All Star

Release: 2021 / EU – Original

Genre: Reggae & Dancehall

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For us is a big pleasure to work together with Claudio AKA Abeng , other than a long time friend is a great musician with a deep Ska, Rocksteady & Roots Knowledge First side Abeng - Poor Man is an Old-Fashioned Bluesy-Rocksteady lovers track talking about the pains of love. Flip side Abeng - Together Soul Rockin' is a different cut to the riddim , a celebration of the feelings that reggae music carries on "Come everybody a come ya , rock together in this sorrow"

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Going To Zion / Dub

7" (One Way Sounds)

9,09 €* 12,99 € -30%

Genre: Reggae & Dancehall

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12" | 2020 | EU | Original (Who Am I)

Sim Simma

Fela Edits

14,99 €*

Alice Cooper's Greatest Hits

Release: 2020 / EU – Original

Genre: Electronic & Dance

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These dancefloor-inspired edits have been approved by BMG, Partisan Records and Fela estate, with all profits going to the UN World Food Programme in Yemen. In Fela’s own words: Music is a weapon of the future, music is the weapon of the progressives, music is the weapon of the givers of life. Supported by All City Records, Partisan Records, BMG France, NTS Radio, Dublin Digital Radio and Worldwide FM. Very limited stock first come first served. 12 inch black vinyl, white disco bag in brown card outer sleeves. Hand numbered.

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Alice Cooper

LP | 2020 | EU | Original (Warner Bros / WEA)

32,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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LP | 2020 | EU | Original (Walk This Way)

Tamas

Hysterie

Release: 2020 / EU – Original

Genre: Hip Hop

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LP | 2020 | US | Original (Warner Bros / WEA)

V.A.

OST Matrix Revolutions

42,99 €*

Release: 2020 / US – Original

Genre: Soundtracks

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2LP | 2020 | US | Original (Warner Bros / WEA)

Avenged Sevenfold

Diamonds In The Rough

42,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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CD | 2020 | EU | Original (Warner Bros / WEA)

Mac Miller

Circles

17,84 €* 20,99 € -15%

Release: 2020 / EU – Original

Genre: Hip Hop

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Trauben Über Gold Limited CD & Slowed Down Tape Bundle

Argonautiks

CD+Tape | 2020 | EU | Original (Walk This Way)

27,99 €*

Release: 2020 / EU – Original

Genre: Hip Hop

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2LP | 2019 | EU | Original (Warner Bros / WEA)

Rüfüs Du Sol

Solace Remixed

42,99 €*

Release: 2019 / EU – Original

Genre: Rock & Indie

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LP | 2019 | US | Original (Warner Bros / WEA)

Green Day

Father Of All

32,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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LP | 1984 | EU | Reissue (Dig This Way)

Peter Abdul

Get Down With Me

19,99 €*

Bunch Of Kunst Documentary /Live At So36

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Dig this way records is proud to present its first official reissue: a marvelous Nigerian disco boogie album by Peter Abdul - Get Down With Me.
Impossible to find on the original EMI press is now finally back into the market for everybody to enjoy it and make the hips move!
Originally released in 1984 it’s an outstanding experimentation of Nigerian disco boogie - heavily influenced by western artists –
played by talented musician that follows with their monster cosmic sounds the tiny and strong voice of Peter Abdul in his only officially released LP.
The luck of this work came from the collaboration with Nkono Teles at keyboards ; Sole at bass guitar; Ganiyu Bello , Emmanuel Akoko Jr. and Tolu Gayas as backup vocalists –
arranged and produced by Odion Iruoje and assisted by some good engineers like Bayo Aro, Monday Oki and Edward Jatto. All together they created this insane disco- boogie LP.
For the 2018 reissue, the audio was carefully restored by Colin Young - Liner notes that come with a interview and some unseen and raw original pictures of Peter Abdul back in the days-
these photos are printed separately on tick quality paper insert (from a small studio of Milano called Legno).
As Peter Abdul said:
“Music to me it's a pure natural instinct, a natural gift which i grew to love so much” -
I was lucky and pleased to collaborate with great artists like Nkono Teles, a Cameroon born multi-instrumentalist and producer based in Nigeria;
Ganiyu Bello, who came for a visit from London and joined me as a backup vocalist along with Emmanuel Akoko Jr.;
and Tolu Gay – the woman vocalist and romantic flavor on “Baby I Love You”.
Some great musicians played on the tracks, interested in making music with a talented teenager with a tiny voice – but one that sang to the beat and with a good sense of tonality.
It was like a great adventure, and from that symbiosis, “Get Down With Me” was born.
And fun: people started calling me the Michael Jackson of Nigeria at live shows, especially at the University of Ibadan, the Alfa Club and others.
So many pretty girls wanting to win my heart.

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Sleaford Mods

CD+DVD | 2018 | EU | Original (F&F Production)

Release: 2018 / EU – Original

Genre: Hip Hop, Rock & Indie

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12" | 2016 | PL | Original (THE OTHER WAY)

Adam Michalak

Decay

5,99 €*

Release: 2016 / PL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

very close to NM.

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Wu-Tang Clan

White Mask T-Shirt

14,99 €* 19,99 € -25%

12" | 2015 | NL | Original (Fa>Ie Records)

Available Sizes: S

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The Wu-Tang Clan White Mask Tee is equipped with the following features:

• rib crew neck with interior tape
• White Mask artwork printed on front
• relaxed fit
• 100% cotton single jersey

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V.A.

FA>IE Records VA001

10,99 €*

12" | 1990 | UK | Original (WAU! Mr. Modo)

Release: 2015 / NL – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Generic

Vinyl with a couple of light scuffs

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Mystic Knights

The Wrath Of Khan

3,99 €*

Release: 1990 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: VG

97 Firebound / Dranzer Beatin

Laner Fax

12" | 2020 | UK | Reissue (A F L)

16,99 €*

Release: 2020 / UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Generic

CD+Tape | 2020 | DE | Original (Walk This Way)

Argonautiks

Trauben Über Gold

16,99 €*

LP | 2024 | UK | Original (V I S)

Release: 2020 / DE – Original

Genre: Hip Hop

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Used Vinyl

Medium: Sealed, Cover: Sealed

CD ONLY (tape is missing)

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Nika Son

Aslope

LP | 2014 | EU | Original (One Way Static)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Nika Son stitches together spoken word, concrète and extracts from various installations into a hazed ode to the nocturnal world on this highly intoxicating new album, landing somewhere between the surrealist sound poetry of Nozomu Matsumoto, Arthur Lipsett’s abstracted film works and Michèle Bokanowski’s acclaimed scores for her husband Patrick.

Constructed out of the kind ephemeral building blocks conjured in liminal space, Nika Son (Golden Pudel Club, Entr'acte) collages moonlit organ vamps, stifled voices and disembodied, robotic poems on this deliriously slippery album. Heaving from smeary abstraction to penetrable drama, featherlight rhythms are cut short by uncanny voices: "stop, turning, a page," like some rogue navigation assistant, slicing into ticking clocks and xerox noise.

Like listening to a film without access to its visuals, all the foley sounds remain (windscreen wipers, trains passing, conversations) but we're left puzzling over what any of it means. The only context provided is from Son herself, who says that although the album doesn't have a consistent theme, each piece is inspired by the night's capability to shift our perception and memory. It comes off like a crepuscular sketchbook of ideas and themes that coalesce into an opaque sonic landscape.

It's music that defies simple categorisation; Son doesn't tie herself to any identifiable mode of expression, and there are no knowing nods to early electronic innovators either. Rather, she follow her own nose, drawing us into an elusive personal space. On 'It's just a cucumber', environmental recordings are edited just enough to enhance the illusion, before voices curl and decompress into rousing bass womps and unmetered rhythms prickle around punkish shouts. The use of voice is omnipresent throughout, even when not there, they appear on the periphery: on 'La nuit tombe', they're muffled behind echoing footsteps and creepy synth wails, on 'Gelbes Feld', incomprehensible chatter envelopes cricket chirps and b-movie arpeggios.

Many artists have tried to map out the dreamworld using sound, but Nika Son takes us to a place that genuinely feels in-between worlds, capturing those moments before vivid memories slip away from the mind's eye forever.

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Shooting Guns

OST Wolfcop

Release: 2014 / EU – Original

Genre: Soundtracks

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Used Vinyl

Medium: Sealed, Cover: Sealed

OST The Phantom Of The Opera

The Laze

LP | 2014 | US | Original (One Way Static)

22,99 €*

LP | 2019 | EU | Original (I Love You)

Release: 2014 / US – Original

Genre: Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Black and clear split vinyl.

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Penny & Sparrow

Finch

21,99 €*

Release: 2019 / EU – Original

Genre: Pop

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2LP | 2023 | EU | Original (Jay-Vee Inc)

Bettye LaVette

Lavette!

36,99 €*

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Will Of The People Black Vinyl Edition

Muse

LP | 2022 | EU | Original (Warner)

LP | 2024 | EU | Original (Svart)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Grammy Award winning English rock band Muse will release their long-awaited ninth studio album Will Of The People on August 26th via Warner Records. Of the album, Muse frontman Matt Bellamy says, “Will Of The People was created in Los Angeles and London and is influenced by the increasing uncertainty and instability in the world. A pandemic, new wars in Europe, massive protests & riots, an attempted insurrection, Western democracy wavering, rising authoritarianism, wildfires and natural disasters and the destabilization of the global order all informed Will Of The People. It has been a worrying and scary time for all of us as the Western empire and the natural world, which have cradled us for so long are genuinely threatened. This album is a personal navigation through those fears and preparation for what comes next.”

With Muse being Muse, there is NO bowing to any singular genre. The album’s title track “Will Of The People” brings playful provocation to a dystopian glam-rocker while there is an innocence and a purity to the nostalgic electronic textures of “Verona.” From the visceral thrill of “Won’t Stand Down,” to the industrial-tinged, granite heavy riffs of “Kill Or Be Killed,” or the lightning-bolt rush of “Euphoria,” the album concludes with the frenetic finale of the brutally honest “We Are Fucking Fucked.”

On the band’s new single “Compliance,” Bellamy says, “‘Compliance’ is about submission to authoritarian rules and reassuring untruths to be accepted to an in-group. Gangs, governments, demagogues, social media algorithms & religions seduce us during times of vulnerability, creating arbitrary rules and distorted ideas for us to comply with. They sell us comforting myths, telling us only they can explain reality while simultaneously diminishing our freedom, autonomy and independent thought. We are not just coerced, we are herded, frightened and corralled to produce a daily ‘2 minutes of hate’ against an out-group of their choosing and to turn a blind eye to our own internal voice of reason & compassion. They just need our Compliance.”

“Compliance” is immediately addictive, embellished with sleek synths and elements of off-kilter alt-pop. As Bellamy sings, “We just need your compliance / You will feel no pain anymore / No more defiance / Just give us your compliance,” the crashing of the drums and intermittent bass cause the song to swell with power. The accompanying video (directed by Jeremi Durand and shot in Poland) was inspired by the film ‘Looper’ and follows three children wearing masks destroying their future selves in order to escape a dystopian and oppressive world. Watch HERE.

Will Of The People was produced by Muse. Key collaborators include mixing on eight tracks by the multiple Grammy Award winner Serban Ghenea; mixing from Dan Lancaster on “Won’t Stand Down,” and additional mixing on “Kill Or Be Killed” from Aleks von Korff;

Will Of The People is now available to pre-order HERE, with “Compliance” and “Won’t Stand Down” provided as instant downloads. It will be released on digital, black vinyl and CD, as well as a selection of collectible formats. These include a marbled double-vinyl which is available exclusively from the band’s official store.

About Muse

Muse is Matt Bellamy, Dominic Howard and Chris Wolstenholme. Their last album, Simulation Theory, debuted at #1 in multiple territories and marked the band’s sixth straight album to debut in the U.K top spot. Their previous studio album, Drones, went on to win a Grammy Award for Best Rock Album, the band’s second.. Since forming in 1994, Muse have released eight studio albums, selling over 20 million units worldwide.

Widely recognized as one of the best live bands in the world, Muse have won numerous music awards including two Grammy Awards, an American Music Award, five MTV Europe Music Awards, two Brit Awards, eleven NME Awards and seven Q Awards, amongst others.

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Haunted Plasma

I Black Vinyl Edition

LP | 2024 | US | Original (Sophomore Lounge)

Release: 2024 / EU – Original

Genre: Rock & Indie

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Haunted Plasma, powerhouse of futuristic synth in symbiosis with the super violence of kosmische black metal, release their debut album in May 2024

The phenomenal three-piece band includes members of Oranssi Pazuzu, K-x-p, Grave Pleasures and Aavikko

Svart Records is proud to release the debut album, I, from Haunted Plasma, a powerhouse of futuristic synth in symbiosis with the super violent atmospherics of kosmische Black Metal. Haunted Plasma is “man meets machine” in a cybernetic wasteland, set to a conceptual backdrop of William Gibson and Phillip K. Dick style mind-melt. The highly evolved creatives at the heart of Haunted Plasma’s sound, cite Terry Riley, Massive Attack, a contemporary take on Krautrock hypnosis, psychedelic Black Metal and 90s Techno, resulting in an orgy of mutant sound.

The phantoms at the beating nucleus of this unearthly machine are Juho Vanhanen (Oranssi Pazuzu, Grave Pleasures), Timo Kaukolampi (K-x-p, Op:l Bastards) and Tomi Leppänen (Circle, Aavikko, K-x-p), transmitting a music form evolved from a life of redefining sonic boundaries in their respective projects. Also featuring guest vocals from Mat McNerney (Hexvessel, Carpenter Brut, Grave Pleasures/Beastmilk), Pauliina Lindell (Vuono, Dust Mountain) and Ringa Manner (Ruusut, The Hearing). Haunted Plasma promises an extraterrestrial experience from some of the foremost contemporary musicians at the heart of the Finnish heavy and avant-garde musical underworld.

Haunted Plasma reveals:

“We are liberated futurists, embracing free-form and natural composition, mirroring the merciless forces of cosmic creation. We have a motto to stay true to our feelings, to spawn a sound that’s never been heard before. Servants of music. Energizing, radical and pure”

The first single from Haunted Plasma’s cascading debut, Reverse Engineer, is a creepy, slowly erupting, synthetic nightmare, of a downloaded being waking up in the wrong future. Ghostly vocals demand the listener to “give us what we want” in an Orwellian glimpse into the current dystopia we live in, where information is controlled, and thoughts are bought and sold. As McNerney intones the words “technology of power” he describes the threat of a malevolent and omnipresent artificial intelligence, as much as describing the oppressive and electromagnetic sonar pulse of Haunted Plasma’s sound itself. Psychedelic guitar hypnosis from Vanhanen snakes around Kaukolampi’s molten and morphing synths, while Leppänen’s uncanny man/machine rhythms pull our strings and animate their other-worldly mechanisms. Have a look at the official visualiser of "Reverse Engineer" on the Svart YouTube channel here

Culminating in the full-blown fast Krautrock of the final self-titled track, oozing with blistering noise elements and enigmatic vocals from Ringa Manner, the album's journey reaches its zenith, taking you to unknown territories on a Kubrikian space trip. I is a rare record of talented musicians coming together to create a completely new sound, which is entirely their own, boldly glowing, where no light has shone before. From the dreamy psychedelia of Echoes to the discombobulated Spectral Embrace, Haunted Plasma is a willful force of deliberate sound contortion.

Whether you want to give in to Haunted Plasma’s sound or not, you are being watched, you are being recorded and your every move is monitored. Haunted Plasma will enter your system on the 31st of May 2024. Turn on your phantom circuits and be prepared for an interdimensional excursion into Haunted Plasma’s alien dreams.

The debut album from Haunted Plasma will be packaged in a beautiful tip-on sleeve, swirling fog artwork, complete with 12” booklet and pressed on 3 exclusive vinyl colours: 300 copies on Standard Black Wax, 200 copies in Amber + Black Smoke and 500 copies of Svart exclusive Turquoise/Black Marble. The album will also be available on CD and digital platforms.

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Styrofoam Winos

Real Time

33,99 €*

LP | 2024 | EU | Original (Alien Transistor)

Release: 2024 / US – Original

Genre: Rock & Indie

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"The Styrofoam Winos are that band that we love to have in our lives because they transcend the language of music, not by their individual parts, but by their oneness. On Real Time, Styrofoam Winos 2nd full length of originals for the Sophomore Lounge label, you imagine—and firmly believe—that their relationship extends beyond studios and stages. You believe they not only play music together, but eat meals together, live down the street from one another, practice three days a week because it’s fun, read the same books, and that they’ve agreed in some wordless, musical bond that this is who they are. As a listener, and inevitable fan, you wonder if they found each other by a stroke of luck or the hand of destiny. You believe that they can probably read each other’s minds and that their music is as joyous to them as it is to you. After all, this is what we love about early R.E.M. records, the brainier grooves of Pavement, and the discographies of Yo La Tengo and The Breeders. The Springwater Supper Club and Lounge in Nashville has been a dive bar since before a dive bar was a brand; a place where, in the early 2000’s, everyone would wonder if David and Dave (Berman and Cloud) would be sitting at the bar and a write-up in a weekly paper could fill the room. It seemed like everyone that bought you a beer was either in Lambchop or The Cherry Blossoms. This wasn’t a world that wanted to keep great music a secret. This was a world where great music was born and championed, when a community didn’t have metrics or boardrooms. The members of Styrofoam Winos were in elementary school back then, but they carry on this scene’s shaggy-dog torch that deserves a bigger audience. Real Time was cut live to tape at The Bomb Shelter studio by Andrija Tokic (Alabama Shakes, The Ettes, Margo Price) with few overdubs and over just 5 days, whenever the band had enough money to record. The members – Lou Turner, Trevor Nikrant, Joe Kenkel – all make wonderful solo albums on labels like Dear Life, Earth Libraries, and Spinster, as well as excellent self-releases. But unlike most bands where members compose alone before bringing a song to the table, the Winos write the music and lyrics together. Their van life, which has included tours with MJ Lenderman, has solidified this chemistry. They switch instruments in the studio, too, and allow the friend who found the seed of the song to sing the lead. Between the 3 of them (and a couple visits from pedal steel buddy, Will Ellis Johnson), Styrofoam Winos trade off on guitars, drums, bass, synths, vibraphone, percussion, and all the lovely vocals, like they’re on a cross-country road trip, taking turns behind the wheel, and singing along with each other because they all know the words. And Real Time is just that: a celebration of the present-tense and its ever-shifting moments of living. They’re going down the road, not feeling bad, but feeling. On the opener, “Angel Flies Over,” it sounds like the Styrofoam Winos wind-up a melodic memory from their 2020 all Michael Hurley covers album for their own tuneage. And then, a left turn, and the road trip detours into a feel-good head-trip with the Feelies-ish “Magic Mind.” And on “Don’t Mind Me,” the Winos crib a riff from Little Feat to indulge the tempo-shifting storm clouds mid-song. Over the course of the record, the Winos continue to step on the gas and tap the brakes until “Found Round,” an improvisational finale, where they each take turns singing us the summary, “these are the things that we found,” like they forgot we’ve been listening the whole time. And, yes: I’m wearing my bright yellow, size medium, Styrofoam Winos tee shirt as I type this."—Jerry David DeCicca, Bulverde, Texas

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o'summer vacation

Electronic Eye

Live Laugh Love Cloudy Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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Readers of encyclopedic tomes are obviously familiar with exploding animals – there are numerous reports of torn-apart toads (even in Hamburg, Germany!), actual ants exploding altruistically – but humans that decide to jointly detonate, and with no harm done, that’s rare: Kobe’s own o'summer vacation are unique (and volatile) like that, and they’re back to light the fuse for the second time, presenting 13 more musical quarter sticks that have already blown up venues in Europe and Japan.

“Keep it lean, keep it mean,” they say, and that’s what this band loves to take to the extreme: breakneck concision and collective combustion meet freeform noise punk hazards on o'summer vacation's second (not quite) full-length – as the Kobe-based three-piece’s “Electronic Eye” is set to arrive on October 11, 2024. Following a bunch of trips to Berlin, Munich etc., the Japanese fire starters have found a new home with Alien Transistor, and it’s the perfect launch pad for their latest set of guitarless pyrotechnics. Going right for max q (maximum dynamic pressure), “Electronic Eye” is (unlike those Starships) actually supposed to explode right after lift-off ;)

Even though there have been some line-up changes since the group recorded its sophomore album, the energy caught by producer Shinji Masuko (dmbq, Boredoms) is still unmatched: a very physical and hard-knocking barrage of mosh-inducing madness that leaves you speechless + inevitably twitching towards the pit. Mastering was done by Masaki Oshima aka Watchman (Melt-Banana).

Opening with sizzling hi-hats and heavy ripples of breathless bass, singer Ami presents a non-sequitur kind of lullaby over the math rock-style interlocutions of “宿痾 (Shuku - A)” – which at 6+ minutes makes up more than a quarter of the album. A shapeshifting frenzy of voice (Ami), unbridled, pedal-powered bassline insanity (Mikkki, formerly Mikiiiii), and hot-blooded drums (Manu, meanwhile replaced by Karry), the album features mosh-inducing blows (previously released “Luna,” “Anti Christ 大体 Super Star”), 30-sec mini noise punk anthems (“竦(shou)”, “Days Go By Fast”), and continues to surf at breakneck pace up and down scales (“@ The”), which often feels like catharsis served with a hammer (“Ultra”). Whereas some tracks are bigger more song-y than others (“Song#2,” that full-throttle “Poodle”), “Vs I” is on time like Tierra Whack (exactly 60 seconds of pick-grinding action), and “Rage” indeed feels like Zack is about to join the party – only to see Ami wipe the floor with pure onomatopoetic fire. Finally, “Aloooooone” and “Humming” (that opening lilt!) are sure going to be live favorites, shifting up and down via hardcore speeds and various break-downs.

Quite hotheaded and terminating things on a high note, o'summer vacation point out that the quick-fire lyrics of their “songs have no meaning. It’s called onomatopoeia in English. Ami, our vocalist, does not like to communicate her thoughts through her music.” Although she considers her contribution “a part of the instrumentation,” they still have strong messages and concerns (unrest, discontent, willingness to shake, wake up, enliven anyone near the audible bomb crater): “That doesn’t mean we don’t have a point of view, but we choose to express ourselves through sound rather than words. Generally, but not exclusively, we are anti-racism, anti-war, gender-free, angry at the companies we work for and their bosses, etc., which are very common sentiments held by so-called rock bands.”

It’s only three ingredients, just like sonic gunpowder: bass, drums, voice – but they tend to explode a few bars into each new track. In a perfect world, there’d be giant colorful clouds of dust gracing the sky over each venue they descend upon.

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Chastity Belt

LP | 2024 | US | Original (Suicide Squeeze)

Gabi Garbutt & The Illuminations

Release: 2024 / US – Original

Genre: Rock & Indie

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The four-piece - Julia Shapiro (guitar, vocals), Lydia Lund (guitar, vocals), Gretchen Grimm (drums, vocals), and Annie Truscott (bass, vocals) - have created a resonant body of work. Live Laugh Love is a natural continuation. Against the bizarre backdrop of the past few years, Chastity Belt remained a supportive space for the members to grow and experiment, drawing on the ingredients most essential to their process since the beginning: authenticity and levity. Recorded over three sessions in as many years (January 2020, November 2021 and 2022), the focus became more about enjoying their time together in the studio than making it feel like work. Their ease and familiarity with engineer Samur Khouja in LA, who also recorded their last album, made for a particularly enjoyable process. Once completed, they returned to renowned engineer Heba Kadry who mastered the album. Album opener "Hollow" sets the tone with a gently driving rhythm while guitar layers stream like sun rays through an open car window. A warmth radiates through Shapiro's voice, even while grappling with feeling lost and stuck. "The older I get," Shapiro says of the lyrics, "the more I realize that I might just always feel this way, and it's more about sitting with the feeling and accepting it, rather than trying to fight it." That wisdom seems to anchor Live Laugh Love . Chastity Belt has never shied from navigating the spectrum of difficult emotions, and an existential thread weaves throughout the subject matter. And yet the songs feel more grounded than ever; there's a sense of quiet confidence and self-assurance that comes with being less numb and more present. Facing discomfort takes more fortitude, after all. Live Laugh Love finds the members in their prime as musicians. Their parts trace intricate patterns over one another, but there's room to breathe between the layers. Everyone contributes to the writing, sometimes switching instruments, and for the first time, all four members sing a song. It's never been more apparent that they are creative siblings, cut from the same belt. "We've been playing music with each other for over a decade," says Shapiro, "so it really does feel like we're all fluent in the same language, and a lot of it just happens naturally." "Laugh" seeks in the balm of friendship, aware of the anticipatory nostalgia that hits during a good time that you're already missing before it's gone; the heavier guitar tones on "Chemtrails" streak ominous chord progressions over Grimm's precision timekeeping, lamenting memories that won't fade easily. During a transitional time, Truscott came across a note in their phone that read, "it's not hard all day, just sometimes," which inspired a poignant line in the chorus of "Kool-Aid," their first song as lead vocalist on a Chastity Belt recording. Another standout, "1-90 Bridge" shines with a silvery melody that soars as Lund belts one of the most resounding moments on the album: "Tell your girlfriend she's got nothing to fear/I'm set in my head/My body's a different story." The track "Blue" saunters nonchalantly with a wink; you can almost hear Shapiro's smile as she sings "Faking it big time/So I can hit my stride/Man, it feels good to be alive," channeling early Chastity Belt channeling early '90s before channeling the late Elliott Smith in a spiral of distortion and insight: "Don't get upset about it/It's gonna pass/Tell all your friends about it/They're gonna laugh." "We have such a strong sense of each other's musical inclinations" says Lund. "I think this allows for a lot of playfulness...we can kinda surprise each other, like a good punchline would."

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Cockerel Blue Vinyl Edition

LP | 2022 | EU | Original (Trapped Animal)

LP | 2022 | EU | Original (Underdog)

Release: 2022 / EU – Original

Genre: Rock & Indie

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Following Gabi Garbutt's brilliant 2019 debut album, `The Discredited Language of Angels,' which saw Gabi and her band performing live sessions for BBC 6Music's Cerys Matthews and Radio X's John Kennedy, and scoring plays on Steve Lamacq and Chris Hawkins, Gabi Garbutt and Trapped Animal are proud to announce `Cockerel' out on very limited 12" Blue Sky 180gsm vinyl and limited Trad Black, CD DigiPak and Digitals on May 20th 2022. Gabi and her band toured with The Libertines and Edwyn Collins in 2019, and were all set for a year of touring when the pandemic hit in 2020. Retreating into her songwriting, Gabi started sketching out songs about escape and exploring vulnerability. Demoing the arrangements at home then honing the songs with her band The Illuminations as soon as rehearsal studios opened up, they created an explosive album of indie pop bangers that have lyrical and musical depth. As the opening song 'Bad Boy Bird' announces "I am no human, I am the promise of dynamite", Gabi and her band summon up a volcanic concoction of sounds, from the poetic punk sensibilities of Ezra Furman and Patti Smith, the soaring alt pop of The Voidz and The Flaming Lips, to Motown inspired soul stompers, the record conjures up a range of atmospheres to occupy the listeners mind over many, many replays, as they fall deeper into the universe that is Cockerel. Connecting again with multiinstrumentalist and producer Sean Read (Beth Orton, Edwyn Collins, The Pretenders) at his Famous Times Studio Gabi set to work bringing their songs to life on record. Upcoming single 'Subterranean Stars', one of the most representative songs on the album, catchy guitar licks flutter around trippy lyrical musings, brass refrains and a soaring string arrangement played by Basia Bartz. Following this slice of shimmering pop is 'Genet's Journey.' We meet for the first time the baritone sax of Sean Read that provides a gorgeous guttural intro that wouldn't feel out of place on a Bowie track. Next we find the first single from this album, 'Never Never' Gabi draws inspiration from Van Gogh and guitarist for Lou Reed and Richard Hell, Robert Quine. Gabi says, "Van Gogh & Robert Quine are both people that I admire artistically and who sadly took their own life.Side A of the 12" ends on a more intimate note with 'Your Blues', a song about looking out for one another and set in a dive bar suspended somewhere between heaven and hell. Opening Side B we get the sure fire single, "I Can't Win." In this darkly intense yet euphoric track, Gabi broaches the topic of mental health. The song draws on her own experiences, 'that if you lean into the mania and try to draw creativity from the manic energy, it can be a destructive path.' In Habit of Sadness, Gabi explores the merciless nature of depression and calls it 'a song of solidarity, an awareness that a lot of people are going through a hard time and that we need to remember this and be gentle with each other.' Sea Organ is inspired by a trip to Zadar in Croatia where there's an organ carved into the rocks, so as the waves come in and crash around in the organ, an ethereal melancholy melody rings out. Angel of Third Avenue is a Springsteen-esque rock n roll odyssey. Our Dying World closes the album. A song that started out as being about the discrete suffering of animals and birds in the city, Gabi soon realised she was writing a song about climate change // 'This will be amongst the best new tunes you hear all day, all week, maybe even ever.' Chris Hawkins, Bbc6 Music // "Lyrically, it's at a level you rarely hear [_] consistently brilliant and unpredictable lyrics" Cerys Matthews, Bbc6 music // "A damn fine pop record" Steve Lamacq, Bbc6 Music

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Dowdelin

Lanmou Lanmou

21,99 €*

LP | 1983 | US (Elevation)

Release: 2022 / EU – Original

Genre: Organic Grooves

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UK only
UK promo by Ballantyne Communications; tour by Earth Agency.
No spot in music is immovable. No music can sit still but it's hardly ever as true as it is for Dowdelin, a band that can't be tied down to a single geography and genealogy. The creole language, Caribbean rhythms, urban energies, dazzling virtuosity, sensual electro: The group evolves in a unique place where genres and colors, heritage and audacity can merge.

Lanmou lanmou, Dowdelin's second album, muddies the waters, blurs the lines, bewilders. It does everything to assuage naysayers such as the conservatives and the lazies, the defenders of an official form of reggae, the right kind of zouk, the trademarked version of jazz or the historically validated biguine. As with the languages, culture and nations of the Caribbean which are never quite European nor completely African, it would be daunting to try and define where exactly Dowdelin is located on the official landscape of music in a Creole afro-futurism, at the crossroads of the black Atlantic...
The Dowdelin experiment finds its roots in a blend of encounters and loyalties: David Kiledjian AKA Dawatile, producer and multi-instrumentalist composer met Lyon-born singer from Martinique, Olivya. Together, they would jam and write songs in English. But, nothing felt right, until she started singing in Creole. Then everything made sense : the language of the French Antilles in the West Indies deployed its revolutionary universality.

David then got back in touch with Raphaël Philibert, a percussionist, saxophonist and singer who has always been involved in developing the field of gwo ka, the heavily percussion-based traditional music of Guadeloupe, of which his relative, Georges Troupé, is a pioneering defender. All this gave birth to Dowdelin and the obvious is striking.
We're reminded that when the poet and theoretician Édouard Glissant speaks of Creoleness as a whirlwind of unpredictability, he speaks of an adventure that couldn't be foretold in the world's istory : From Europeans and Africans forced into a third continent with an insane dream to build a New World, languages, cultures, music in other words mixed heritages, catharsis, diziness, resiliance were born through the mass crimes of slavery and the dispoilment of Native American populations.

Dowdelin released their debut album, Carnival Odyssey, in 2018.Connoisseurs took an appetite for that music with constantly shifting boundaries and countless relatives. This is confirmation that purity activists will always have problems with mixed identities saying things such as "This isn't jazzy enough for my festival", "It's too much for mine" ... But many concerts were performed mostly in Great Britain and France and quite a buzz among those who love unbound music.
The band then expands with the arrival of Greg Boudras, a drummer who has worked with David on other projects such as Vaudou Game, Fowatile, The Bongo Hop to name a few, in order to bring reinforcement to Dowdelin and he70 craft this second album.
What's the blueprint for it ? "We're not trying to pile up experiences or willfully make a collection of experiences," David sums up. It's more about feelings, about combinations that occur subconsciously. So sometimes we come up with things that surprise even us, like a fragment of an English synth pop hit, that only we recognize. The same recipe's never used twice: it can be a song I made at home with my instruments and my daughter's toys or sound designs to which Raphaël and Greg add rhythmic elements that change everything, or even more collective compositions… "

Then the verses emerge, written in Creole, English or French by David and Raphaël, who also happens to be a trained linguist and knowledgeable in the miscellaneous varieties of Creole. Messages of love and struggle, of brotherhood and memory ... And, from one track to the other, the generous burst of creolization is still at work, biguine blending with hip hop, contemporary jazz mixing with reggae, Creole expressing itself through the vast array of musics to which it is related...

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Gombloh

Live Gila

40,99 €*

Spark Vinyl Me, Please Edition

Release: 1983 / US

Genre: Rock & Indie

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* Fully-licensed * From original master tape * Remastered at Abbey Road Studio * Long out of print after first pressing in 1983 * New and improved artwork * Folk-rock composition a la Bob Dylan’s Blood on Tracks

Most of Gen X-ers who grew up in the mid-1980s Indonesia must have seen Soedjarwoto Soemarsono, known with his nom de guerre “Gombloh” performing on a state-run television station, playing some of his biggest hits from that era, pop gems like “Kugadaikan Cintaku (I Pawn Off My Love)”, “Setengah Gila (Half-Crazy).”

But of course, it is not fair to judge Gombloh only from these hits. Dig deeper and you will find buried treasure in his early stuff from Indra Records, and there are many of them.

His album with the band Lemon Tree’s Anno ‘69 (yes, that’s the name of the band) is all remarkable, but what he did for Chandra Records was no less spectacular. How can you go wrong with songs like “Kebyar-Kebyar”, the unofficial national anthem for Indonesia, dan “Berita Cuaca” one of the better epic songs in a catalogue full of epochal songs? These were all long out of print and in our journey to source the original master for these albums we met Bob Djumara of Nirwana Records, the Surabaya, East Java-based label which broke Gombloh into the mainstream in the mid-1980s. Almost all albums Gombloh recorded for his early labels, Indra Records and Chandra Records were critically acclaimed, but commercially they bombed, big time. Nirwana Records came up with an ingenious plan. What if they recorded Gombloh performing live and release it as is. After all, the first song in Gombloh debut record Nadia & Atmospheer is him strumming on his guitar backed by the cheering of a crowd, who could be heard going wild when he hurled that epithet “bastard” at the end of the song.

The end result is a brilliant recording which despite being recorded live the sound quality so pristine leading many to doubt the claim of being live. Regardless, Nirwana shipped a decent number of units and Gombloh could buy his first car, a Katana Jeep, with money from the royalty.

One of the best things about Live Gila is its perfect sequencing, beginning with Gombloh’s social commentary on the rich’s debauched lifestyle of preying on young boys and girls, one of the most popular subjects allowed by the censoring machine of the New Order authoritarian government. The second song “Untuk Persada” is a soaring ode to the nation. For this song, Gombloh could be heard drawing his inspiration from The Police, which was undoubtedly popular in the early 1980s, even in a faraway port city like Surabaya.

Listening to this record as a whole (we omitted the last song from the original master tape “Bagimu Negeri” which sounds too jingoistic), we could not help but point to some of similarities it has with Bob Dylan’s Blood on the Tracks. Not a single composition in this record sound indigenous (the Malay-influenced rock of Panbers or Koes Plus come to mind); they all sound modern and effortlessly catchy, and had it not been for the language, this album could be mistaken for a musical output from someone growing up in Laurel Canyon or Southern France.

There are only limited copies of vinyl records in the second-hand market today available for Gombloh music, if at all. For his ardent fans, they have to scavenge for old cassettes to continue to be able to enjoy his music and have to pay top dollar for that. In Indonesia, where he was a superstar in the early 1980s, Gombloh was largely forgotten. With this project, we can only hope that the time is ripe for Gombloh to reemerge and now, more than ever, his music could speak to a bigger audience.

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Whitney

LP | 2022 | US | Original (Vinyl Me, Please)

33,99 €*

LP | 2024 | CA | Original (Constellation)

Release: 2022 / US – Original

Genre: Rock & Indie

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Why you'll love it...
Julien Ehrlich and Max Kakacek could hear the staggering differences in the songs they were writing for their third album as Whitney, SPARK—the buoyant drum loops, the effortless falsetto hooks, the coruscant keyboard lines. They suddenly sounded like a band reimagined, their once-ramshackle folk-pop now brimming with unprecedented gusto and sheen. But could they see it, too?

So in the ad hoc studio the Chicago duo built in the living room of their rented Portland bungalow, a shared 2020 escape hatch amid breakups and lockdowns, Julien and Max decided to find out. Somewhere between midnight and dawn every night, their brains refracted by the late hour and light psychedelics, they’d play their latest creations while a hardware store disco ball spun overhead and slowed-down music videos from megastars spooled silently on YouTube. Did their own pop songs—so much more immediate and modern than their hazy origins—fit such big-budget reels? “We’d come to the conclusion we weren’t going to be filming Super 8 videos to this stuff anymore,” Julien remembers with a grin. “How about something more hi-fi, cinematic?” When the footage and the tunes linked, Julien and Max knew they had done it, that they’d finally found Whitney’s sound.

SPARK reintroduces Whitney as a contemporary syndicate of classic pop, its dozen imaginative and endearing tracks wrapping fetching melodies around paisley-print Dilla beats and luxuriant electronics. What’s more, Whitney reduces three years of extreme emotional highs and lows into 38 brisk but deep minutes, each of these 12 tracks a singable lesson in what it is they (and, really, we) have all survived. The recalcitrant ennui of opener “NOTHING REMAINS,” the devastating loss of “TERMINAL,” the sun-streaked renewal of “REAL LOVE”: However surprising it may sound, SPARK is less a radical reinvention for Whitney than an honest accounting of how it feels when you move out of your past and into your present, when you take the next steps of your lives and careers at once and without apology. SPARK maintains the warmth and ease of Whitney’s early work; these songs glow with the newness of now.

Listen closely, and you’ll notice frequent references to smoke and fire throughout SPARK, itself a double entendre for inspiring something new or burning down the old. Max and Julien were indeed in Portland for the Fall of 2020, when smoke from nearby fires choked the city at record levels. It was terrifying and tragic, but they pressed on. “We found a way to live while the world was burning/Real life was caving in,” Julien sings almost merrily during “BACK THEN,” an anthem for finding out what’s on the other side of hardship.

In these dire days, scientists speak increasingly of serotiny, an evolutionary miracle that causes some trees to release seeds only amid a season of fire. That is how SPARK often feels—Whitney’s circumstances were so fraught on so many levels that they hung “the past…out to dry” and began again, finding a fresh version of themselves, their relationship, and their band after the blaze. Max and Julien are back in Chicago now, sharing a cozy walkup with a little studio, where they’re already building songs for the next Whitney album. They’re both in happy romances, too. Now that they let the past burn, everything is new for Max and Julien. SPARK is not only Whitney’s best album; it is an inspiring testament to perseverance and renewal, to best friends trusting each another enough to carry one another to the other side of this season of woe.

Limited to 1,000 copies, the VMP exclusive edition of Whitney's SPARK is available on Cloudy Clear & Purple Cornetto vinyl. The record is pressed at GZ Vinyl and will arrive in a single direct-to-board, foil stamped and hand-numbered jacket.

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Kee Avil

Spine

Ross Tregenza / Wes Keltner & Jim Bonney

Release: 2024 / CA – Original

Genre: Rock & Indie, Electronic & Dance

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The follow-up to Kee Avil's acclaimed 2022 debut Crease: "A stunning debut" (The Quietus); "A whiplash style of uninhibited exploration" (The Wire); "Kee Avil's debut is a force" (Foxy Digitalis); "A work of Frankensteinian wonder" (Electronic Sound); "A tightly coiled, finely wrought vision of avant-pop" (Exclaim); "A debut of fiendish creativity" (Bandcamp Album Of The Day / Albums Of The Year) Kee Avil's music is both adventurous and intimate, intellectually challenging and emotionally resonant. The Montréal guitarist and producer's 2022 debut LP Crease garnered plaudits from outlets like The Wire, The Quietus, Mojo and Foxy Digitalis, picking up a Canadian Juno Award nomination and Bandcamp Album Of The Day and Albums Of The Year along the way. Its intricate construction, unnerving atmospheres, and knife-edge take on avant-pop prompted comparisons to early PJ Harvey, This Heat, and Gazelle Twin. A remix EP with work by claire rousay, Ami Dang, Cecile Believe, and Pelada brought collaborative perspectives to four Crease tracks, offering new pathways within those songs. With Spine, Kee Avil strips back her heavily textured compositions, opening up a much rawer sound. She calls it folk… and while traditionalists might scoff, this is urgent music that reflects the precarity of modern life, as well as the jarring mixture of electronic and real-world interactions that have become the fabric of our day-to-day experiences. There's a hypnotic post-punk somnambulance to it all, using the repetition and fracturing of melodic phrases interwoven with delicate electronics to create curious and persistent hooks. While not a concept album, themes of time's passage, remembrance, and decay crop up across multiple tracks. Each track intentionally only has four elements - guitar, electronics, and two other instruments, with Kee's voice and guitar pushed to the front. Within this minimalist framework, the juxtaposition of beauty and discomfort that is key to the Kee Avil sound stands out in skin-prickling relief. "We're shaped by many versions of ourselves," says Avil. "I was looking back at these versions of myself and what could have been, what didn't end up being and what did end up being, and going back like that through time. Seeing the future, the past." Spine was written in Kee Avil's home studio after a lapse in writing while touring Crease and working on other projects. She is a well-known and respected member of the Montréal experimental scene, and formerly ran Concrete Sound Studio with Zach Scholes, who continues to work with her as a producer on Spine. Compared to the three years that went into making her debut, Spine emerged in a matter of months - a process that may also be a factor in its intensity and sharpness: "This record was much harder, like it was really discovering everything from scratch." In her desire to not simply replicate or extend the sound of Crease, she felt she had to rip up the rule book, write in a different way, and pare back songs against her usual instincts. Sometimes, when we work against our ingrained habits, we get to the core of who we really are. Spine is an exercise in that process. Without over-intellectualizing or being didactic, it hits immediately and emotionally, especially if you are a person who has spent much time in the process of self-examination. Kee's voice hisses, whispers, and chants; her guitar bends and rings; electronics skitter and crackle; violin creaks like a door in the wind. There is something so evocative about the atmospheres she creates that it's easy to overlay one's own feelings onto her work, but to do that wholly would be to overlook one of the most important things about Spine: Kee Avil's clear and thoughtful vision. This isn't just the next step forward in her artistic trajectory; it's a stunner of a record that stands on its own, a bracing and thrilling listen that has much to reveal about the contradictions inherent in being human. - jj skolnik

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OST The Texas Chain Saw Massacre / Remains Bundle

2LP | 2023 | US | Original (Waxwork)

55,99 €*

Tsutsumikomu Youni / R308

Release: 2023 / US – Original

Genre: Soundtracks

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Waxwork Records is thrilled to release THE Texas Chain SAW Massacre Original Game Soundtrack LP by Ross Tregenza and Remains Additional Game Music LP from THE Texas Chain SAW Massacre by Wes Keltner and Jim Bonney!

From Gun Interactive, creators of the global hit Friday THE 13th The Game, comes a terrifying follow up that has been developed by horror fans for horror fans. Take on the role of one of the notorious Slaughter family, or their victims, in The Texas Chain Saw Massacre®, a third-person asymmetrical horror experience based on the groundbreaking and iconic 1974 horror film. Experience the mad and macabre for yourself in The Texas Chain Saw Massacre®.

This very special double album bundle features the complete video game soundtrack music to The Texas Chain Saw Massacre pressed to "Chain Saw Motor Green & Rust" colored vinyl, housed in deluxe heavyweight gatefold packaging with matte satin coating, composer liner notes, and all new artwork. The composers of the game music all have a dedicated love for the original 1974 film. Recordings of sheet metal, spoons, tuning forks, furniture, and the instrument, the Apprehension Engine, were mangled, manipulated, and ran through several vintage reverbs, distortions, tape delays, and other effects to create a haunting, sonic cacophony that envelopes the listener and transports them directly to a killing floor in the sweltering Texas summer heat.

Ross Tregenza Bio: Ross Tregenza is a Bafta nominated Cornish composer, known for his work on video games including The Texas Chain Saw Massacre, Deathloop, Forza Horizon 5, Cyberpunk 2077, Wolfenstein: Youngblood, Wolfenstein: Cyberpilot, Team Sonic Racing, Timesplitters 2 & 3, Crysis 1-3, Hotshot Racing, Homefront: The Revolution, Star Citizen, Gears of War, Haze, Star Wars, Aliens Vs Predator and BBC Online.

Jim Bonney Bio: Jim Bonney is a Bafta award-winning composer/music director specializing in interactive music, credited in numerous video games including titles from the Mortal Kombat, Mafia, and BioShock series. Along with his game credits, Jim has also created music for everything from Burger King children's toys, to collaborations with Nasa; and has also scored numerous trailers, short films, documentaries, commercials, and television programs, including Buffy the Vampire Slayer, Chicago Hope, and The Weekenders. His concert works have been performed in over 25 countries, with ensembles as large as 1,400 musicians, located in venues ranging from New York City's Carnegie Hall to the Great Wall of China.

Wes Keltner Bio: Wes Keltner is the CEO and Studio Director at Gun Interactive. He has been a part of the video game industry since 2005 and consulted on video games including Doom, Splinter Cell, Star Wars, Madden, Skyrim, Ghost Recon and several others. With an inclination towards marketing and advertising his work has appeared in Fast Company, Forbes, The NY Times, Wall Street Journal, and Ad Age. During the pandemic he took it upon himself to learn a new musical instrument that could deliver the sound of Texas Chain Saw Massacre. He found this sound within the Apprehension Engine and he spent countless hours discovering and recording horrifying sounds that ultimately became the soundbed of the game.

The Texas Chain Saw Massacre The Game Original Soundtrack Features:

The Complete Soundtrack Game Music by Ross Tregenza Remains LP: Additional Soundtrack Game Music by Wes Keltner & Jim Bonney "Chain Saw Motor Green" Colored Vinyl (tcsm LP) "Rust" Colored Vinyl (Remains LP) Artwork by Jake Kontou Heavyweight Gatefold Jackets with Matte Coating Composer Liner Notes

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Wa Yo Set

7" | 2024 | JP | Original (Urban Discos)

20,99 €*

LP | 2024 | JP | Original (Urban Discos)

Release: 2024 / JP – Original

Genre: Organic Grooves

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"Wa Yo Set," a leading jazz-funk band from Osaka, Japan. A 7inch single will be released as a prelude to their new project in 2024. Included on A-side is a jazzy, acoustic, and danceable instrumental cover of MISIA's "Tsutsumikomu Youni" in full Wa Yo Set style! On the flip side, the superb original summer-breezy "r308" is included. You will be able to experience where they are now, as they continue to evolve and deepen on both sides of the record. Until the release of their new album, please keep your expectations high while listening to this 7-inch!

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Wa Yo Set

Night Cruise

33,99 €*

Don't Let Me Down Konyawa Boogie Back Nice Vocal

Release: 2024 / JP – Original

Genre: Organic Grooves

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Preorder shipping from 2024-12-27

Osaka's proud jazz-funk band “Wa Yo Set” releases its long-awaited third album. Simultaneous Lp/cd release! This is the birth of a masterpiece that embodies the urban folk music “adm (=Acoustic Dance Music)” that is synonymous with the group, a crossover of Jazz~hiphop~r&b in every direction.

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Wa Yo Set

7" | 2024 | JP | Original (Urban Discos)

30,99 €*

Release: 2024 / JP – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

LP | 2023 | Original (Stereofox Ltd)

V I V

Tear Dance 10in

35,99 €*

Release: 2023 / Original

Genre: Electronic & Dance

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OST Persona 3 Reload Broken Glass Colored Vinyl Edition

Atlus Sound Team

4LP | 2024 | US | Original (Iam8bit)

138,99 €*

Harvest Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Soundtracks

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Preorder shipping from 2024-11-15

- 4xLP on Holographic Broken Glass Vinyl - Premium Box Set - Music by Atlus Sound Team - Album Art by Drew Wise Persona 3 Reload is a full reimagining of a pivotal entry in Atlus’ flagship roleplaying series, boasting cutting-edge graphics, retuned gameplay, updated character designs, and of course, Brand-new Music. The Persona 3 Reload soundtrack pays tribute to the distinctive late-2000s style of the original game while still providing a decidedly modern sound. Its suite of “Reloaded” tracks playfully evoke themes and melodies from their original tunes while bringing in unexpected elements that enhance the experience and create something wholly original. At the same time, that unmistakable Persona swagger is still there by the bucketful, as Atlus Sound Team deftly weaves across genres and influences spanning opera, hip-hop, house, and more.

Make no mistake: This is a new Persona soundtrack that stands firmly on its own two legs. And as such, it deserves the full iam8bit treatment. We were all too happy to oblige. The Persona 3 Reload 4xLP features the “Reloaded” soundtrack, pressed on wax across 4 beautiful Holographic Broken Glass Vinyl discs. Enjoy upbeat head-bobbers like “When the Moon’s Reaching Out” as well as slow, moving melodies like “Aria of the Soul” again & again, given the premium mastering treatment they deserve.

How’s it presented? C’mon – this is a Persona x iam8bit release. You know the sturdy box set packaging is going to be premium, featuring stellar album art by Drew Wise that, dare we say, Reloads the distinctive aesthetic of the game itself. It all comes together to create a S.E.E.S-worthy release that you’ll no doubt spin again & again.

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BALTHVS

LP | 2024 | US | Original (Mixto Music)

30,99 €*

Imaginal Disk Black Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Harvest is the first Balthvs album composed by all three band members and the name reflects where the band is currently. After 4 years of the industry grind they have seen massive growth in the digital sphere with over 15 million streams; as well as gracing theaters and festivals across North America and Europe. It is truly Harvest time. Recorded in a villa amidst lush tropical hills in Colombia, Harvest is optimistic, groovy, and relaxing. The trio spent a month-long sojourn at a tropical summer house in La Mesa, Colombia to record. As the band recalls, “More than a studio we wanted to be inspired by nature. So we brought our recording equipment there and started working.” The tropical landscape served as more than just a backdrop; it was the wellspring of inspiration for Balthvs. Unlike their previous albums, where Balthazar Aguirre took the lead in recording, composing, producing, and arranging, this time around, the music emerged as a collective effort, with all three members contributing equally to the creation of every song. It is a sonic testament to a period of profound artistic and personal growth. The band comments, “It defines our closure with this beautiful stage of our life and career as friends and musicians.” The full album features vocals that harmonize like instruments, weaving lyrical poetry into a tranquil groove. Most evident in songs like “Like Coconut Water,” an effervescent song that captures the essence of a tropical escape. “Anouk” is a gorgeous groove dedicated to the house cat at La Mesa, the sphinx-like guardian who set watch during the recording sessions. “Mango Season,” a laid-back, funky, and soulful instrumental groove perfect for relaxing, skateboarding, and looking at clouds. “Aguacero” is one of the few compositions with lyrics and sung in Spanish by bassist, vocalist Johanna Mercuriana. “Lovin’” and “Sun & Moon” were released during the band's first North American tour where they were greeted by sold-out shows and critical accolades from their Sxsw sets.

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Magdalena Bay

2LP | 2024 | US | Original (Mom+Pop)

40,99 €*

Love In A Black Dimension

Release: 2024 / US – Original

Genre: Rock & Indie

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Magdalena Bay, the Los Angeles-based duo of Mica Tenenbaum and Matthew Lewin, create magical pop music that floats in the ether of our collective social cosmos. While they call California home, their essence lies in the clouds, emitting unique yet familiar frequencies of synthesized nostalgia, kitschy catchiness, and warped neo-hooks. Suited for the times, Magdalena Bay blends the known and felt with innovative sonic landscapes.

Tenenbaum and Lewin met as teenagers in a Miami high school music program. Tenenbaum, who moved from Buenos Aires to Florida at age one, and Lewin, a guitar shredder influenced by his dad’s prog and concept rock records, quickly recognized their kindred spirits. They formed a prog band called Tabula Rasa and began a romance. Both were skilled musicians; Tenenbaum a pianist and singer, and Lewin self-taught in production and music theory. Despite attending different colleges, they maintained their band, traveling hours to rehearse before realizing two things: their relationship was undeniable, and prog rock wasn’t resonating with young audiences.

Shifting their focus to pop, they explored its craft, leading to the creation of Magdalena Bay. They learned the complexities of pop writing and production, striving to create something interesting within the genre. Describing their music broadly as "pop," they released several EPs and singles before debuting their album, "Mercurial World," in 2021. Praised for its melodic hooks and meticulous production, it was often labeled as "synth-pop."

Their success is reflected in streaming numbers, social media followers, and festival appearances. Magdalena Bay's stylized online aesthetic complements their music, creating a cohesive artistic vision. Tenenbaum says, “We love extending the world of our music past sound into videos or graphics.” Lewin adds, “We’re trying to create an atmosphere or an emotional quality with it.” This integrated approach, termed "world-building," is central to their artis

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Jestofunk

2LP | 1995 | EU | Reissue (Irma)

28,99 €*

Charles Tolliver / Music Inc

Release: 1995 / EU – Reissue

Genre: Electronic & Dance

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Love In A Black Dimension was Jestofunk first album originally released in 1994 and Is still their most successful album ever.
After the excellent worldwide results achieved by the first two singles, I'm Gonna Love You' and 'Say It Again' the formidable production team (Claudio Moz-Art Rispoli, Alessandro 'Blade' Staderini and Francesco Farias) decided to produce their first
full Album and thinking about a great singer that could feature and give voice to their songs decided to get in touch with one of the most important House Music vocalist of that period, Mr CeCe Rogers.
The Single that was first released to launch the album was 'Can We Live', sung by Cece, and immediately became a hit in all the clubs around the world and at the same time establish itself as a classic of the genre.
Jestofunk moved in directions unprecedentedly experimented, styles like the fusion between Funk And House Music, contaminated with Acid Jazz, a genre that was going very strong during those in years.
Acid Jazz became very Popular, thanks to artists such as Incognito and Jamiroquai.
In the album, besides the three singles mentioned, other big dancefloor tracks featured, like that splendid version of Donny Hathaway's The Ghetto, with Fred Wesley and his magic trombone solo, which is still one of the cult songs of the Worldwide
Acid Jazz scene.
Love in a Black Dimension has surely been a source of inspiration for many artists that cam out later in the international dance scene and more and still today the Tracks contained in the Album are a must in DJ's playlists all over the world.
The Re-release will be available in both formats, double vinyl and CD digipack, just as came out originally in 1994, 15 years later history repeats!
Therefore, its with great pleasure that we announce this new reissue will be available on general release as from June 2017, distributed by Self Distribuzioni Italy!

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Live At The Captain's Cabin Black Friday Record Store Day 2024 Edition

2LP | 2024 | Reissue (Reel To Real)

45,99 €*

12" | 2024 | EU | Original (Trance Atlantyk)

Release: 2024 / Reissue

Genre: Organic Grooves

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Coming Soon 2024-11-29, 12:00 CET

RSD Exclusive, Limitation: 1500

Charles Tolliver was born in Jacksonville, Florida, in 1942 and moved with his family to New York City when he was 10. During his childhood, his grandmother gave him his first horn, a cornet he had coveted. Tolliver was attending Howard University in the early 1960s as a pharmacy major when he decided to pursue music as a career and returned home to New York City. He came to prominence in 1964, playing and recording on Jackie McLean's Blue Note albums. In 1971, Tolliver and Stanley Cowell founded Strata-East Records, and Tolliver released many albums and collaborations on Strata-East.
Live at Captain's Cabin is a newly discovered gem from Edmonton, Alberta, Canada that finds Music Inc in fine form at a club called the Captain's Cabin. Playing mostly original music from Tolliver, the band lets loose in the live setting. In his words "The players I had--John Hicks, Clint Houston and Cliff Barbaro --I just let them go do their thing and I didn't rein them in, so we could have some pretty wild renditions of things, which if I were to do it now with a different rhythm section, it would sound different. It would be different. But I think that fifty-something years ago that we were just expressing the exuberance of playing together and being on the road and the songs that I composed at that time, a few of them I still play, are completely different."
This recording is an incredible document from an amazing band that was continually pushing boundaries. A previously unissued live recording from 1973, mastered by Kevin Gray of Cohearent Audio with audio transferred from the original tape reels. This 180g double LP comes with an extensive booklet of rare photos, an interview with Charles Tolliver by Jeremy Pelt, an essay by renowned writer Angelika Beener and more.

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Pankoff & DJ Varius Trax

Early Zeros

14,99 €*

LP | 2024 | US | Original (Rvng Intl.)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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TRANCE ATLANTYK is dropping some serious heat with the upcoming release of EARLY ZEROS, the latest EP from label founders PANKOFF & DJ VARIUS TRAX. After experimenting with some polish vocals on their “Sound of Poldon” debut EP, the duo serves us this time a modern high-energy tribute to the early 2000s—an era when progressive house and trance ruled the dance floors.

The EP kicks off with "Early Zeros," a track that’s pure nostalgia wrapped in a slick, modern package. Think of it as a sonic time machine, zooming you back to those legendary nights when the bass was thumping, and the vibe was electric. It’s got that uplifting, feel-good energy that’s impossible to resist.

Next up is "Schemes," a track that’s as deep as it is groovy. This one’s all about the journey, with layered beats and hypnotic rhythms that build and evolve, taking you on a ride through the trippy side of progressive house and early trance music. It’s got that classic, boundary-pushing vibe that’ll have you lost in the music.

On the B side the duo slows down the tempo with the track “We Can Rebuild Him” that pays homage to the 6 Million Dolar Man, one of Pankoffs favourite TV series. Piercing cascading synths, a driving bass line and some breakbeat percussion thrown into the mix make this one a great choice for the eclectic dj’a out there.

And just when you think it couldn’t get any better, Bliss inc steps in with a remix of "We Can Rebuild Him" that flips the script in all the right ways. This remix increases the tempo of the chuggy original and transfoms the track into a stomping peak time banger that some might label as furious progressive tech trance.

EARLY ZEROS isn’t just an EP—it’s a party, a flashback, and a forward leap all rolled into one

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Dialect

Atlas Of Green

OST Five Nights At Freddy's Coloured Vinyl Edition

Release: 2024 / US – Original

Genre: Electronic & Dance

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Ever-evolving the mythologies and magic of Dialect's sonic sphere, Andrew PM Hunt returns with Atlas of Green, elegantly molding unexacting details of memory and mistranslation into the framework of the British musician and composer's creative pursuit. The album imagines a young musician named Green working in a future dawning era where lost signals and enduring impulses are unearthed from the sediments of technology and time. Across twelve compositions, Green becomes the compass in an epoch of transition; one shaded with pastoral patinas and studded with the fragments of allegorical ruin. As tattered as it is tender, Atlas of Green is a patchwork of scavenged relics and bygone hues, cast through the iridescent shimmers of a mid-future in flux.Growing up on the Wirral Peninsula in North West England, Hunt was surrounded by stone age landmarks and rock carvings that infused the landscape with legend. It was beside those carvings on a residency at Bidston Artistic Research Center where he began the journey of Atlas of Green, experimenting with tape loops and exploring the center's library of sci-fi. Here Hunt also encountered the work of Italian philosopher Federico Campagna, a writer who believes we're at the end of our current world. This encouraged Hunt's exploration of how the fabric and fantasies of our current era might endure into the future of Green, as they try to make sense of the riddles of the past, utilizing broken electronics and simple acoustic instruments to create new mythic forms.This question of endurance led Hunt to inscribe Atlas of Green with its own lucid markings - sometimes almost anthemic adornments - which unfurl through the album's melancholic air as possible new metaphors for how the human spirit might persist through dark days and regain lost wisdom. As Hunt reflects, "We're not just on an endless procession through constantly better worlds. Our lack of action (on climate and inequality) feels hopeless at times. I find some comfort in the idea that maybe the world needs a new so...

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The Newton Brothers

LP | 2024 | US | Original (Iam8bit)

46,99 €*

Capital Punishment 25th Anniversary Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Soundtracks

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Soundtrack on Pizza Party Red Single Vinyl
One (1) of Four (4) Randomly-Selected Collectible Character Covers
Includes Removable Obi Strip
Album Design by Scott Saslow
NOTE: Artwork is not final
DESCRIPTION

The premise for Five Nights at Freddy’s is inspired by and tinged with familiar nostalgia from our collective childhoods — pizza parties at the family amusement center in Anytown, USA, presided over by archaic animatronic creatures who fancy themselves a rock band.

We always knew there was a darkness there, amongst the dusty game cabinets and wobbly tables — something lurking, something… off kilter. It’s a plot that jettisoned Freddy Fazbear and pals into the retrosphere of megastardom — a franchise of countless games, books, and merch drenched in depths of lore, with the feature film from director Emma Tammi (and our pals at Blumhouse and Universal) as the culmination of it all.

However, an effective horror experience is nothing without its accompanying sound, and The Newton Brothers certainly showed up for this score. From the opening title track, they hypnotize us with the haunting vocals of a children’s choir, cut with the melodies of nursery rhyme horrorshow. It’s a chilling hors d'oeuvre, leading into a pulsing, synthy moody main course that is both a 90s throwback and freshly sinister. How could we expect any less from the boys behind the maniacal music of Midnight Mass, The Haunting of Hill House and Doctor Sleep?

Like all iam8bit releases, the unboxing is part of the fun, too, with four collectible character jackets featuring everyone’s favorite funtime gang — Freddy, Chica, Foxy and Bonnie — adorned with glow-in-the-dark eyes, ensuring even while listening in total darkness, you’ll have company. Minted on delicious Pizza Party Red vinyl, it’s an absolute feast for fans.

It’s a killer soundtrack, but be careful. You never know what other surprises could be waiting inside…

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Big Pun

2LP | 1998 | US | Reissue (Get On Down)

36,99 €*

LP | 1968 | UK | Reissue (Mr Bongo)

Release: 1998 / US – Reissue

Genre: Hip Hop

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Limited to 2000 copies worldwide.

Pressed on Double colored vinyl in a gatefold jacket with 25 Year Anniversary commemorative OBI limited TO 2000 Copies Big Pun remains on the best rappers ever list to this day. Reasons for this weigh largely on his debut Capital Punishment which was released 25 years ago on April 28, 1998. His commanding voice and rapid fire delivery make it clear there will never be another Big Pun. Pun was New York. His confidence on the mic made him stand out among his contemporaries. Similarly, the production -- by a cast of many – remains ever so New York loyal. The close cousins "Im Not a Player" and "Still Not a Player", may have been the hits off this album but it is packed with so many more that show Pun's true abilities.

"Beware" and "Dream Shatterer" are great examples of Big Pun at his best, dark cinematic production with just enough room to let him breathe fire. On "Twinz (Deep Cover)" Big Pun is trading bars with his mentor Fat Joe over a remake of Dr. Dre's classic beat. Here Pun delivers one of his most quoted verses that contains among others "Dead in the middle of Little Italy little did we know that we riddled some middlemen who didn't do diddly." There are numerous guest appearances, the best of which include aforementioned Fat Joe (on several tracks), Black Thought of The Roots on the MC showcase "Super Lyrical", Prodigy and Inspectah Deck on "Tres Leches (Triboro Trilogy)", and an extra-insane Busta Rhymes on "Parental Discretion".

To commemorate the 25th Anniversary Get On Down is proud to present this limited edition that contains a new colored 2xLP presing in a brand new gatefold package with a double sided OBI that folds out into a mini poster. Available for preorder now and shipping in October.

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Pedro Santos

Krishnanda

22,99 €*

LP | 1975 | UK | Reissue (Mr Bongo)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

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Krishnanda is an album in the truest sense of the word – a spiritual, psychedelic Brazilian masterpiece from start to finish – celebrated by everyone from Seu Jorge and Kassin to Floating Points, Madlib and DJ Nuts. These days, originals change hands for thousands of dollars.

Pedro dos Santos, born in Rio in 1919, was a percussionist virtuoso, composer and inventor of instruments that apparently included oddities such as the ‘Tamba’ (electrified bamboo drum) and the mouth berimbau whistle. Nicknamed Perdo ‘Sorongo’ after the rhythm he invented, that features throughout ‘Krishnanda’. A highly spiritual man who was regarded as a philosopher by many.

He worked with greats including Baden Powell, Elis Regina, Maria Bethany, Elza Soares, Sebastião Tapajós, Roberto Ribeiro, Milton Nascimento, Clara Nunes, Paul Simon and Arthur Verocai, playing on his legendary self-titled LP. In the same vein as Verocai and his self-titled LP, ‘Krishnanda’ was Pedro’s chance to shine with his own, and only, solo recording.

Krishnanda was produced by Hélcio Milito, the drummer of Tamba Trio, and arranged by conductor Joppa Lins, and originally released in 1968 on CBS (Brasil). Musically, the album touches folk, samba, afro-brazilian and psychedelia plus added effects, with a lyrical depth and diversity to match; themes including morality, perception, existence and ego.

Despite the genius of the record and the influence that it had on musicians at the time of release, it disappeared into obscurity. We first discovered the record around 2003, through a friend Julio Dui. Around that time Brazilian funk and bossa was the flavour of the day, so didn’t catch our ear immediately, however it continued improve with age and now we consider it to be one of the best albums ever made, regardless of genre or origin.

The Mr Bongo reissue is produced as a replica original LP / audio master by Ricardo Garcier at Magic Master (Rio de Janeiro) / artwork restored by Andrew Edwards, from the original copy borrowed from Julio Dui – thank you, sir!

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Los Reyes 73

Harvest Black Vinyl Edition

Release: 1975 / UK – Reissue

Genre: Organic Grooves

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Continuing the Mr Bongo Cuban Classics Series, we shine a light on Los Reyes 73 and their sensational debut LP from 1975. The album had multiple different pressings under various titles and artworks, but the music stayed the same and speaks for itself. The group set the bar high with this fiery Afro-Cuban-funk gem, letting loose a vibrant Latin workout combining psych rock trippiness with a heavy dose of deep funk. Elements that fuse to firmly cement this album as a ‘70s Cuban masterpiece and one of our favourites here at Mr Bongo HQ.

Releasing just two albums and a handful of 7-inch singles, the band were a popular and influential group in Cuba at the time. Since then, they have featured on several compilation albums across the 2000s that have helped raise their profile amongst new audiences worldwide.

Produced by the magical Raúl Gómez, the album featured a list of heavyweight Cuban musicians. Directed by Santiago Reyes and Ovidio Guerra, with orchestration from greats including Ricardo Eddy Martinez who also released the much-loved album 'Expreso Ritmico' in 1978 alongside Ignacio Herrera, Mario Valdes and Gilberto García. The album also features the writing prowess of Los Van Van’s Miguel Ángel Rasalps.

Blending traditional Cuban Son aesthetics with funk influences and psychedelic touches, the music housed within showcases a cosmic fusion that stands up on any modern dancefloor. The scintillating opener ‘Grandes Amigos’, the tripped out ‘Adeoey’ and the grooving ‘Un Lamento Hecho Cancion’ are just a handful of examples that exhibit the sheer musical melting pot of this album.

For this reissue, we have chosen to use the artwork from a Mexican version of the album released on Pentagrama Records that features the beautiful bird illustration cover art. The Cuban edition was released on the state-run Areito.

An outstanding and wondrous Latin record that has long been calling out for an official reissue.

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BALTHVS

LP | 2024 | EU | Original (Mixto)

28,99 €*

Phantom Horse / Innercity

Release: 2024 / EU – Original

Genre: Organic Grooves

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Harvest is the first Balthvs album composed by all three band members and the name reflects where the band is currently. After 4 years of the industry grind they have seen massive growth in the digital sphere with over 15 million streams; as well as gracing theaters and festivals across North America and Europe. It is truly Harvest time.

Recorded in a villa amidst lush tropical hills in Colombia, Harvest is optimistic, groovy, and relaxing. The trio spent a month-long sojourn at a tropical summer house in La Mesa, Colombia to record. As the band recalls, “More than a studio we wanted to be inspired by nature. So we brought our recording equipment there and started working.”

The tropical landscape served as more than just a backdrop; it was the wellspring of inspiration for Balthvs. Unlike their previous albums, where Balthazar Aguirre took the lead in recording, composing, producing, and arranging, this time around, the music emerged as a collective effort, with all three members contributing equally to the creation of every song. It is a sonic testament to a period of profound artistic and personal growth. The band comments, “It defines our closure with this beautiful stage of our life and career as friends and musicians.”

The full album features vocals that harmonize like instruments, weaving lyrical poetry into a tranquil groove. Most evident in songs like “Like Coconut Water,” an effervescent song that captures the essence of a tropical escape. “Anouk” is a gorgeous groove dedicated to the house cat at La Mesa, the sphinx-like guardian who set watch during the recording sessions. “Mango Season,” a laid-back, funky, and soulful instrumental groove perfect for relaxing, skateboarding, and looking at clouds. “Aguacero” is one of the few compositions with lyrics and sung in Spanish by bassist, vocalist Johanna Mercuriana. “Lovin’” and “Sun & Moon” were released during the band's first North American tour where they were greeted by sold-out shows and critical accolades from their Sxsw sets.

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Split

LP | 2024 | UK | Original (Feral Child)

16,14 €* 16,99 € -5%

LP | 2024 | UK | Original (Rocket)

Release: 2024 / UK – Original

Genre: Rock & Indie

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Following the label’s 9 minute sell out of it’s recent Mark E. Smith BBC “football results” lathe cut, Feral Child return with a cracker. A split LP featuring two of mainland Europe’s finest experimental electronic artists, Germans Phantom Horse and Belgiums’ Innercity. 2 side long epics of rich exploratory, kraut tinged Electronica. Phantom Horse offer up “Pink Star”, a side long slowburner (with production by Kohn’s Jurgen de Blonde) built around opening drones and sporadic kosmische themed synth flourishes. We’ll mention Cluster again in a moment, but this has its head pointed firmly towards the legendary work of Moebius and Roedelius. A lovely track, kinda cleaner and more sonically polished than it’s flip, but that juxtaposition increases the records’ appeal here. For these ears, it’s Innercity’s epic “Ali” that steals the show here and is easily worth the proverbial price of admission on this one. A monumental, moody, side long piece of lo-fi drum machine enthused electronica recalling some imaginary dream collision of the very finest Conrad Schnitzler flavoured K/Cluster or first 2 LP Kraftwerk with latter day industrial, electronic pioneers of our own, early Cabs, Clock DVA, Throbbing Gristle, Robert Rental et al. Just magnificent and we don’t say “hike it right up” lightly…. Label head Dom has long had Hans Dens -and his Innercity project- pencilled in for releases on his previous labels Deep Distance and Polytechnic Youth which -for one reason or other- never materialized but their coming together here is exquisite and the track is a monster, my “new” track of the year thus far; talk about it being worth the wait…. A lovely record, in a limited one time pressing on vinyl through North London’s homespun Feral Child label.

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Ex-Easter Island Head

Norther

2LP | 2024 | Original (Night School)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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In meteorology, the word Norther refers to a cold wind that blows down from the north. For Liverpool’s Ex-Easter Island Head, it’s also an apt title for the strange and multi-faceted sound of their new album that now descends upon the world at large: ever shifting, a multiplicity of sounds both acoustic and manipulated, and yet one that still moves as part of a single mighty breeze. At times it might recall the experiments of Rhys Chatham and Glenn Branca, the widescreen beauty of The Necks, the relentless experimentation of Arnold Dreyblatt or the boundary-pushing roster of Kompakt Records, yet ultimately this is music that has no direct compare. Each of its six pieces demonstrates a different creative process. On blossoming opener ‘Weather’, whirring motors dance fairy-like atop strings and drums; on the dizzying ‘Magnetic Language’ voices are played back through phones and amplified through pickups made of magnets wrapped in copper wire; the title of ‘Golden Bridges’ refers to the brass rods the band shift beneath the strings of their guitar. All, however, tap to one degree or another into that abiding theme of the weather. Norther is Ex-Easter Island Head’s first studio album since 2016, a time spent on collaborations and one-off performances with everyone from classical musicians and fellow experimentalists to schoolchildren. “All of the projects we were involved in between 2016 and 2024 have expanded the boundaries of what we do by exposing us to a huge variety of instruments, personalities and ways of working. It's really allowed us to see the purity of making music with a four-piece group,” says the band’s Benjamin D. Duvall. That status as a quartet is a new one, with the addition of longstanding friend and collaborator Andrew PM Hunt. Having a member of the band handling recording and mixing helped them push further and further into sonic territory that until Norther remained entirely unexplored – not just by Ex-Easter Island Head, but by any other band on earth.

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Mope Grooves

Box Of Dark Roses

35,99 €*

LP | 2024 | EU | Original (Avenue 66)

Release: 2024 / Original

Genre: Rock & Indie

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Preorder shipping from 2024-11-15

The final album from stevie’s Mope Grooves,
the seminal Portland collective. A 2 hour, 27
track masterpiece of touching, warped music
that transcends genre into a realm of pure
inspiration.
All profits from this release will be donated to
Survived and Punished charity.

Through the fog of our grief in the wake of the earth-shattering loss of our beloved angel Stevie, on this
day which would have been her 35th birthday, we announce the release of Mope Groove’s final album; Box
of Dark Roses. A 27 song, 2XLP of songs that Stevie prepared for release before she left. In addition to the
music, Stevie provided extensive liner notes to accompany the album. These are included with the album in
the form of a zine, or as a digital PDF, respectively.
"If i'm ever hard to get a hold of u can find my whole heart in here."
-Stevie (from her liner notes)
Rest in peace sweet angel. We love you forever.
Stevie provided the following statement on the album before her departure:
"all artist profits and digital proceeds will be redistributed in perpetuity to incarcerated or formerly
incarcerated survivors of sexual assault and domestic violence, especially the many women and other
gender marginalized ppl incarcerated for defending themselves against their attackers. funds will be
allocated to the Survived and Punished NY Mutual Aid Fund, a comparable organization, or directly into
commissary funds or fundraisers of incarcerated survivors.
"box of dark roses is a 27 song LP where the same images repeat and repeat until you might have some
idea of what roses have to do with armed struggle, trans autonomy, losing your house (again), angels,
women political prisoners, violence returned to sender, suicided poets, refusing to recant, insisting on life,
& how the revenge of twenty billion screaming ghost women could unmake the worst of all possible
worlds”

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SW.

Mindset

21,99 €*

LP | 2022 | US | Original (Hozac)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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mindSET is the ninth album from enigmatic producer SW., directly following this summer’s excursion into his trademark techno, IDM and bleep soundscapes, on the myDEFINITIONS Vol II album. But with his mindSET album SW. takes a left turn, as pioneers often do, and we find ourselves on the lesser traveled side roads of electronic music history. Or in SW.’s own words: “the more abstract leftfield elements.”
It’s in these less-defined areas that SW. finds his sweet spot, building dancefloor soundtracks that defied definition. And with mindSET the sounds and the machines might have changed, the methodology remains the same.
“It draws from what was more generally seen in leftfield as a term for the slightly off-kilter house and broken beats that didn’t fit neatly into classic genres, whether that was Chicago house, French garage, drum and bass, or broken beat. It’s more about those in-between sounds that never really took off, only appearing briefly in the early to mid-90s and then quickly disappearing. There was a certain magic in that moment, which I wanted to capture. Also, the entire album was produced using classic analog equipment, with old machines that were used during that era. That’s the approach I’ve taken.”
The eight tracks on mindSET are shaped out of de-tuned techno pop synths and heavy, syncopated drums, grooving along chopped-up polymeters to create an eerie mood, as if orbiting an undiscovered planet for the first time. The harmonic movements are often bent out of shape, sometimes veering towards Gherkin Jerks or Cristian Vogel territory. But in the end, the sounds are less important than the atmosphere, and the tracks represent an attitude or an approach - to creating the music as well as experiencing it. mindSET is a nod to those dancers sharing an oddball moment, and for those of us on the same wavelength, it's a vibe we can all get inside.

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The Revelons

1977-82

25,99 €*

LP | 2021 | EU | Original (Office Home)

Release: 2022 / US – Original

Genre: Rock & Indie

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Available on vinyl for the first time anywhere, THE Revelons are known to punk prevaricators one of best “lost bands” of the Cbgb era who simply released one earth-moving 7” single on Ork Records in 1979, didn’t get signed to a major, and shuffled back into the shadows of an ever-growing scene. Fronted by Gregory LEE Pickard, the band dug into the trenches of New York City’s seedy Bowery life and were frequent players alongside most of the top-tier punk bands of the time, becoming mainstays at not only Cbgb but Mudd Club, Danceteria, Hurrah’s and Max’s as well as incorporating a rotating cast of members that, at times featured Richard Lloyd of Television and JAY DEE Dougherty of THE Patti Smith Group in the lineup. Incorporating a brash and aggressive pop sound with a vicious edge, The Revelons teetered between Television-like sparkling minimal artistic flourishes, but with more raw & primitive delivery. To which, they solidified their street-level prowess with a tenderized toughness not many other bands could match. The Revelons also were pretty hard to pigeonhole sound-wise then as they are now, with Talking Heads comparisons generally falling short, but there were some genuine Doo Wop moments that sneak in as well, showing their deeper roots to the NYC of days long past. But the real crime here is that this previously unreleased collection of recordings has never appeared in the vinyl LP format, as it surely would have escalated The Revelons’ profile much higher in the timeline of New York Punk, and in the minds of rock’n roll historians across the globe. Its a fully-realized album overloaded with massive cuts that’s sadly been forgotten for far too long, so of course, we felt like it was our responsibility to make that happen, and we hope you enjoy this instant-classic album of 1977-82 material from one of New York City’s overlooked gems.

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Roforofo Jazz

Fire Eater

Clean Ultra Clear With Purple And Black Splatter Vinyl Edition

Release: 2021 / EU – Original

Genre: Hip Hop

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Paris based Roforofo Jazz is a 7-piece liveband fronted by Chicago born MC Days (aka RacecaR), with a certain taste for adventurous blends, mixing hip hop, afrobeat and jazz into their very own style. After more than 15 years slashing the afrobeat of Les Freres Smith with his guitar cuts, Martin Smith digged into the musical sediments and silts in a swamp of hip hop, funk groove, afro power, jazz freedom radicality, with a certain taste for adventurous blends. This wax solid 5 tracks Vinyl was recorded live in Montreuil (France) at Studios La Peche, in November 2019, just a few weeks after the band toured in Nigeria and played at the mythical New Afrika Shrine on the occasion of Felabration 2019, where they got invited to perform by the Fela Kuti family for a series of concerts in Lagos. The 5 titles include the single “Fire Eater”, a raw afro hip hop tune mixing rhythms in the tradition of polyrhythm afrofunk tunes, while also alternating in between jazzy mood and burning hip hop anthem. “Dump It” is a dark, mid tempo beat, borrowing the groove signature of ethiopian soul, and coated with hip hop sharp drops, while horns bring the jazzyness through their themes. “Helelyos” is a cover/extrapolation of Iranian singer Zia’s hit, to which Days vocals bring an heavy old school hip hop vibe. “2Kick1” is a relentless afrobeat oriented tune, though with a languorous spacy chorus that breaks with the traditional afrobeat routine. And “What We Think We Saw” ends the EP with an opening to more psychedelic visions, in which a Gil Scott-Heron spoken word style meets jazzy space echoes, flutes under massive reverbs in a global vibe that could remind old analog recordings of Mandrill, Cymande or LKJ.

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Whores.

LP | 2013 | EU | Reissue (Pelagic)

20,99 €*

LP | 2024 | EU | Original (Lapsus)

Release: 2013 / EU – Reissue

Genre: Rock & Indie

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Ultra clear vinyl with purple and black splatter!Since their inception in 2010, Whores. has laid waste to both presumption and audial functioning.Natives of Atlanta, Georgia, members Christian Lembach (vocals/guitars), Donnie Adkinson (drums), and Casey Maxwell (bass) have spent the last six years establishing Whores. as one of heavy music's most distinctive acts thanks to the formidable combination of the group's punk ethos and the ferocity of their sound.Beginning with 2011's Ruiner EP, Whores. brought a welcomed new vision to the often-tired "extreme music" scene. Two years later saw the release of the Clean. EP, a six-track musical display of visceral rancor and songwriting brilliance. Highly anticipated by critics and fans alike, Clean. sold out within a month, prompting the group to release a second pressing. Touted by Spin as one of 2013's best Metal Albums', Clean. simply reaffirmed what listeners had suspected all along. Whores. isn't here to fuck around.For Whores., the cavalcade of anticipation provides no pressure or expectation as Lembach states: "We don't just want to fill in the blanks." The only pressure here is to maintain authenticity, and to that end, Whores. are the quintessential example of genuine malice. "You have to bring a sense of realness to [the music], otherwise it's fake, and it sounds fake. You have to be honest about it, and it's about getting to the really ugly stuff inside of you, and that's what we do." Whores. has eagerly shared that ugliness with their audience having crisscrossed the US four times on separate tours, including headlining shows and stops at festivals like Sxsw, Spillover Fest, Fun Fun Fun Fest, as well as a tour supporting Cult OF Luna. To that end, the band's tireless dedication to the road is simply a mirrored image of their music's relentless power, an attribute that has undoubtedly resulted in their most unforgiving effort yet, proof that good and heavy things come to those who wait.

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Seph

Septimo Sentido

Jazz-Funk From Luxembourg 1981-1986

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Wonderful and intriguing quality Ambient experiments from Argentina on the Lapsus label! There are albums that tap into the very heartbeats of rhythm, melody and intricate sound design, pulsating with every musical note. This is the case of "Septimo Sentido", the new album by Buenos Aires-based producer Seph. Sebastian Galante aka Seph is no stranger to these realms; with almost two decades of experience under his belt, he has established himself as one of the leading talents in the Argentina techno scene and as one of the most intriguing minds in alternative Latin American electronic music. His productions have found a home in cutting edge labels such as Insurgentes -a platform led by the DJ and producer from Medellin (Colombia) Verraco, and sister label of TraTraTrax, which has reduced gaps between the Latin electronic scene and the rest of the globe- or his own label Aula Magna Records. He has also fostered collaborations, among which stands out his project Oscean alongside Andres Zacco, a project that was recently released on the legendary Berlin label Tresor. In his new album "Septimo Sentido", Seph exhibits superlative production skills and masterfully showcases the widest palette of the braindance sound, that intersection where countless genres and sub-styles can coexist. Here we hear echoes from the mid-90s that revive undeniable references of early IDM; but with a renewed form, under a fiercely contemporary new skin. At the core of this intriguing album, we find an artist whose devotion to experimentation takes his rhythmic and melodic obsessions through vibrant magical-techno-urban landscapes, where radiant colors and mutating forms collide in a bold and imaginative sonic journey. "Septimo Sentido" hails from the prism of perception, beyond the five senses and a step further than instinct, hunting for mysterious resonances with the cosmos; like a space portal inviting us to float a handspan above the ground. Colored Vinyl LP.

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Atmosphere

LP | 2024 | EU | Original (Editions De Lux)

25,99 €*

LP | 2024 | EU | Original (Hammerheart)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Tucked away in a corner of northwestern Europe and so small you could drive through it in minutes without noticing you were ever there, Luxembourg is often overlooked. This is also true for Luxembourg’s music scene, and even more so in the early 1980s. Aside from a string of victories at the annual Eurovision song contest or the mighty Radio Luxembourg that had for decades been blasting jazz, rock and other modern music into stolid Western European ears, very little else seemed to be going on. But even in a country of barely 350,000 people, musical adventurers had picked up on the spaced-out jazz-funk of bands like Return to Forever, Herbie Hancock’s Mwandishi, Weather Report, George Duke, and the electric Miles Davis. Under the leadership of trumpet player Gast Waltzing, a handful of them put together a band called “Atmosphere” and used the sound of their inspirations as a launchpad for their own musical exploration.

What you hold in your hands is a “best of” the Atmosphere band, which released two albums and a 7” single between 1981 and 1986. Privately pressed and long out of print, with original copies very hard to come by even in their country of origin, these records have for years been unheard by anyone outside hardcore collector circles. With no master tapes available, it was a real labor of love to track down the best quality vinyl copies and to reissue a selection of our favorite tracks in professionally remastered form.

Editions de Lux is a new label dedicated to unearthing and releasing records we love and believe deserve more attention, with a focus on Luxembourg and the surrounding countries. We are just the latest in a long line of immigrants who have come to work in Luxembourg and who are trying to find our own path into the heart of this mysterious little country that has much more to it than dark forests, medieval castles, rusting steel mills, and shadowy banks.

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Master

Saints Dispelled

LP | 2023 | EU | Original (Faitiche)

Release: 2024 / EU – Original

Genre: Rock & Indie

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When it says Master, you get Master. The new album “Saints Dispelled” is 100% Master! Now kneel before the Master! One of Death Metal’s founding bands, Czech Republic-based Death/Thrashers Master have been at the forefront of the style from the very beginning, being one of the first bands to ever adopt to this style back in the genre’s infancy. Now forty years on from the start and reaching album number fourteen (!), the titans offer forth this crushing new release “Saints Dispelled”. Master, a.k.a. the Motorhead of Death Metal, give us another viscous Death Metal offering in 2024. They have mastered what it means to produce high octane, ear drum bursting, unrelenting Death Metal once again. With a discography one can not count on two hands, they have rarely skipped a beat in producing the fast paced brutality we all so love and enjoy, and “Saints Dispelled is no exception, maybe we would rate it among their better albums (time will tell). This clearly is not the kind of album you can listen to listen to while reading a nice book and drinking some warm tea. Between the pounding drums, merciless riffing, and, of course, Speckmann’s wonderfully hideous vocals, “Saints Dispelled” does nothing short of furiously, punishing your mind. Start to finish, the album consistently splits your spine and breaks your neck with the mightiness of Master ‘s perfect idea of what old school Death Metal means. To elaborate: “Saints Dispelled” will, figuratively and literally, rip your face off, sew it back on, and rip it off again. As this is clearly a competent and highly professional act that knows what they’re doing, this is nicely displayed here with an album that has a lot to like about it, which makes this a wholehearted recommendation not only for fans of the band but all those who enjoy this ravenous style of old-school Death/Thrash metal.

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Jan Jelinek

OST Seascape - Polyptych

Everything Harmony Black Vinyl Edition

Release: 2023 / EU – Original

Genre: Soundtracks

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One of the most notorious hatemongers in movie history is Captain Ahab from John Huston’s 1956 classic Moby Dick. His manic monologues cast a spell on generations of viewers. Berlin based musician and sound artist Jan Jelinek has now turned the voice of Ahab into a musical instrument. Faitiche presents Jan Jelinek's soundtrack for Seascape – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden in 2022. Seascape – polyptych is based on image and acoustic source material from Moby Dick. While Holden works on manipulating film sequences, the voice of Ahab plays a central role in Jan Jelinek’s soundtrack. The dynamic volume and tone of the captain's speech control a synthesizer system that turns Ahabs voice into ten abstract soundscapes. In this production the voice gives the impulse and controls things but is not the sound of spoken word itself that we hear. Only occasionally can snippets of speech be heard so that syllables or sounds are recognisable. Instead we hear compositions made of hissing, soundscapes and eruptive sounds. The atmosphere is dark and sinister. Still every piece has a clear sonic structure and follows an understandable dramatic composition. This music is abstract but not overwhelming. Quite the opposite, Seascape – polyptych is an invitation to listeners to let themselves be carried by the stream of sonic events. Although part of a media art work, the soundtrack can be enjoyed without any of this connecting superstructure. It works with no previous knowledge. But what happens when one does know that it’s the sonic waves of a human voice that is controlling a network of synthesizers? If you want to hear Ahab, you will hear a choir of Ahabs in every piece of sound. The subliminal threatening as well as the conjuring Ahab. Finally the Ahab who whips up his crew and tears them with him into their downfall. The majestic „on the quay now, waiting and watching“, the oppressive “drawn towards the whirlpools center” - they are all music as well as sonic discourse.

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The Lemon Twigs

LP | 2023 | US | Original (Captured Tracks)

Reflections Vol.1: Let The Moon Be A Planet

Release: 2023 / US – Original

Genre: Rock & Indie

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On Everything Harmony, the fourth full-length studio release from New York's The Lemon Twigs, the prodigiously talented brothers Brian and Michael D'Addario offer 13 original servings of beauty that showcase an emotional depth and musical sophistication far beyond their years as a band, let alone as young men. Everything Harmony successfully blends the brothers' distinct personalities while giving voice to their eclectic influences. Opening the album with the unassuming acoustic folk of plaintive "When Winter Comes Around," which echoes the sophisticated grandeur of classic Simon & Garfunkel recordings, they immediately switch things up to the sunny classic pop motif of "In MyHead." "Corner of My Eye" channels an Art Garfunkel-like vocal melody over a moody, vibraphone-tinged backing track suggesting the chamber pop of Brian Wilson. While they had no grand concept for Everything Harmony, both the D'Addarios felt a "palpable mood of defeat" prevailed while writing and recording it. "New To Me" was inspired by their shared experience with loved ones suffering from Alzheimer's, "What You Were Doing" is dressed in the tortured jangle of vintage Big Star, while "Born To Be Lonely," written after watching John Cassavetes' Opening Night, deals with what Brian calls "the fragility that often comes with age." Everything Harmony is a unified song cycle born of shared blood andcommon purpose. With two musical heads being better than one, there's no shortage of ideas to draw on. Their only impediments are time and the challenge of keeping up with their own prolific musical inspiration. "We share an intuition and tend to be influenced by one another," says Brian, "so the lyrical ideas on this record tend to complement each other. Writing has never been the issue for us. It's completing, editing and compiling that takes the time. We're trapped in a web of songs!"

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Steve Gunn & David Moore

LP | 2023 | EU | Original (Rvng Intl.)

CD | 2023 | US | Original (Dead Oceans)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Steve Gunn and David Moore's Let the Moon be a Planet is a volume of improvisatory exchanges between classical guitar and piano, and a meeting place where two artists become acquainted through instrumental dialogue without a single expectation distracting them from the joy and open field possibility of collaboration.A project enveloped by an aura of reciprocity, Let the Moon Be a Planet unfolded from an invitation to connect between two New York-based musicians who admired each other's work but had never intersected: guitarist and songwriter Steve Gunn, whose solo, duo, and ensemble recordings represent milestones of contemporary guitar-guided material, and pianist and composer David Moore, acclaimed for his minimalist ensemble music as the leader of Bing & Ruth.The exchange began remotely as Gunn and Moore responded to one another's solo improvisations, embarking on a synergistic progression of deep listening and connection through musical conversation. "We were both fans of each other's music and this was a chance to try a different process which was much more open," says Moore. "It felt like something I needed personally as an artist, to not be so controlling over the final output, and to truly collaborate with somebody else."Similarly for Gunn, who was exploring new pastures and passages in classical guitar when the dialogue began, the project was an invitation for pure conversation and exchange, creating space for him to revisit foundational forms with his playing: "I was trying to break out of what I was doing, to have something that just pulled away all the elements of usual structured things."Let the Moon Be a Planet intertwines the trajectories of two musicians acclaimed for pushing the boundaries of their instruments, unified by a shift away from what they recall as more "detail-oriented" approaches to composition. Fueled by the magnetism of their call and response exercise, Gunn and Moore set out on a nomadic songwriting venture without an intended destination."We didn't know it was going...

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Shame

Food For Worms

16,99 €*