Search "Six Organs Of Admittance" 4283 Items

2LP | 2019 | EU | Original (Drumcode)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Limited numbered edition of 1000 copies on colored vinyl!

Ash’s production output is similarly exploratory: his journeys have taken him far and wide, from tunnels under the river Thames to recording local percussionists in the Atlas mountains of Morocco. Inspired by a deep dive of sounds from artists including Duke Ellington, Quincy Jones, King Tubby, Bo Diddley, 4Hero, J Dilla, Pete Rock, Curtis Mayfield, Philip Glass, and Steve Reich; his first two albums, ‘Augmented 7th’ (2015) and ‘Echo Chamber’ (2016) gained attention from the likes of BBC 6 Music DJs Gilles Peterson, Don Letts, Gideon Coe and Clash Maga- zine, XLR8R and MIMS.

‘Aquamarine’ is a projection and culmination of all he’s ab- sorbed. A cosmic explosion of sound and colour, rhythm, shape and patterns. The arrival of an unassuming dreamer now projecting his unique flavour of expression. ‘Aqua- marine’ is the take-off of this audial spaceship, a sound discovered in the grooves of thousands of records, united in one. A meditation designed to inspire good energy, Ash hopes to bring a sense of calm and tranquility to the listener amongst the chaos of life. Recorded at home with the freedom of time and space, it combines analogue with digital, and a fondness for normally unwanted shapes and textures such as fuzz, hiss and crackle.

“My previous albums have felt to me more like ventures on land. This one feels more like a deep sea voyage into the subconscious. Living to dream with visions of gran- deur. Manifesting a beautiful path to walk on. It was inspired by everything around me, from friends and family to art and design, engineering and architecture, move- ment and how we use our five senses. I love to try and push my own boundaries of what I perceive to be right and wrong, seeing mistakes as innovations, and obstacles as inspiration.”

Highlights on the album include ‘Under The Sun’, ‘Time’ and ‘Finishing Touch’, all of which feature the smooth and silky voice of Laville. Themes of metaphysical exploration and transportation re-occur in the cosmic jazz of ‘Brave New World’ and the smoked beats on ‘Come With Us’. Also featured across the album are trumpet and flugel- horn genius Yazz Ahmed, bassist Marc Cyril (Keziah Jones, Jr Walker & The All Stars) and renowned musician and producer Jonathan Shorten.

Having already graced the stages of some of the biggest UK festivals as well as as The Jazz Cafe and Rich Mix, The Ash Walker Experience is a formidable six piece live lineup. Ash has collaborated with Ezra Lloyd-Jackson to turn each performance into a vibrant, multi-sensory experience combining live reactive projections and carefully crafted frequency complimenting fragrances.

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Boxia

A Night In The Life Of

7" | 2019 | US | Original (Colemine)

Release: 2019 / EU – Original

Genre: Electronic & Dance

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Boxia drops his debut album ‘a night in the life of’ on Drumcode. A musical portrait inspired by friends. Each track represents a personal memory.
Since breaking through in 2015, Boxia’s music has quickly progressed him into the upper echelons of underground dance music stardom. Quiet and unassuming by nature, his sound is drenched in transcendental atmosphere and evocative soundscapes; making it a perfect meeting place for the warehouse energy of Techno and the intelligent thoughtfulness of Progressive House.
For all of us, clubbing and nightlife are a myriad of sights, sounds and experiences. With the concept of this album, Boxia has sketched some of the characters he’s met along the way. “I wanted this album to be as much about the people that I’ve met, as it is about me. People I talk to every day; people I only encountered once, and my life long companions.” He says.
“Each track is inspired by my personal interactions with these people. The quiet but dedicated raver who never leaves their spot on the dance floor. The friend who disappears at every party but always turns up hours later with a huge smile on their face and an amazing story. The chance meeting with a complete stranger who shares your entire outlook on the world. Each track on this album sketches an audio portrait of these characters who have inspired me.”
Over the fourteen tracks, these ‘shared experiences’ take the form of warehouse stompers, melodic soundscapes and delicate, personal moments. More than just a collection of club tracks, ‘A Night In The Life Of’ lifts the lid on a producer with startling range and a razor sharp sonic palette, tapping into his own personal memories to create moments of incredible introspection.
Take opener and title track ‘A Night In The Life Of’ for example - which marries pounding beats, sparse percussion and Trance-like synth work to form a detailed picture in the minds of its listeners. Boxia takes you on a unique, ultimately uplifting journey with each track utilising texture, tone and emotion.
After six powerful and musically rich club tracks, the relative calm and broken beat stylings of ‘Give Love Always’ is perfectly placed, showcasing Boxia in melancholy reflection away from the bright lights and buzz of the main stage. Equally, the album’s closing track ‘Last Nightclub’ also benefits from a reflective
stance.
“I have shared experiences with such a diverse and wonderful crowd on both sides of the stage.” Boxia says, “I hope that in listening to this album, people will be able to see themselves, and their friends reflected in the tracks in the same way that I do - as each track aims to build an audio portrait of their identity.”
Wildly entertaining, deeply personal while being equally personable, this is a perfect snapshot of an artist at time in his life where he’s ultimately at ease with himself and the music he currently excels at making.

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True Loves

Famous Last Words

10,99 €*

LP | 2019 | US | Original (VHF)

Release: 2019 / US – Original

Genre: Organic Grooves

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Bringing together undeniable grooves and classic soul sounds, The True Loves are comprised of accomplished musicians who have touched the hearts and souls of music listeners and concert goers all over the Pacific Northwest. The focus of the ensemble is clear: create modern soul music that never loses sight of the originators yet remains steadfast in pursuit of that 'next fiery groove'. We are proud to present our first 45 with these talented folks! Featuring all three members of the Delvon Lamarr Organ Trio!

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Pelt

Pearls From The River

24,99 €*

Inspiration Information / Ah Uh Mi Hed Record Store Day 2019 Edition

Release: 2019 / US – Original

Genre: Rock & Indie

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VHF presents the first time on vinyl for Pearls From The River, the all acoustic epics album from the “classic” Pelt trio lineup of Jack Rose, Mike Gangloff, and Patrick Best. Recorded in a single March 2003 session in Virginia by Mikel Dimmick, this was a superb distillation of their interests at the time (both alone and together—Rose’s first solo records, the emergence of the Black Twigs as a busy working band, etc). “Up the North Fork” is a trio for banjo, baritone banjo, and cello—after the snakey bowed introduction, the fast thwacking of the banjos and forcefully strummed cello take over and whip up a storm. The other two tracks are lengthy ragas (one in C, one in D) with the virtuoso modal guitar of Rose front and center. The title track features Rose on twelve-string, dueling with Mike Gangloff on esraj. Best’s thick, sonorous double-bass bowing anchors the duet between the lightning thrumming / plucking of Rose’s guitar and Gangloff’s arcing, sharply bowed half-time melody. “Road To Catawba” has Rose on six-string, with Gangloff moving to tamboura. Best’s bass is again the foundation, with whistling overtones rising from his bow over the low drone. Liner notes by Byron Coley.

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Shuggie Otis

7" | 2019 | EU | Original (Epic)

12,99 €*

Strawberry Letter 23 / Ice Cold Daydream Record Store Day 2019 Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Two luscious soul/folk/psychedelic funk crossover jams from LA born Shuggie Otis on Epic, reissued and remastered 45 years after their first release.
Shuggie's trademark soul-laden tones marry with dusty organs and strutting funk guitars to give two blissful slices of '70s gold. A collectable 7 Inch, remastered, reissued and finally available at a respectful price.

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Shuggie Otis

7" | 1971 | EU | Reissue (Epic)

12,99 €*

7" | 2019 | EU | Original (Chopped Herring)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Remastered & reissued with original labels as per the '71 press on 7 inch. Famously covered by The Brothers Johnson, which achieved big chart success, Shuggie Otis' 'Strawberry Letter 23' is an instantly recognisable masterpiece of psychedelic soul.
The flip side houses 'Ice Cold Daydream' a funk bomb full of bouncing organs and squelching wah wah guitars with Shuggie's trademark vocal tones laid over the top.
Spine tingling greatness for the LA master.

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Custodian Of Records

Collection Plate Vol 1

Release: 2019 / EU – Original

Genre: Hip Hop

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Six extremely sweet cut n paste instrumentals from the supremely talented beatmaker from NJ, Custodian of Records. Perfect for Chipped Hearing Records mini catalogue of cut n paste gemz. Enjoy!!!

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Audio-Technica

AT-VMN95ML

149,00 €*

LP | 2018 | EU | Original (Discrepant)

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Der AT-VM95ML ist mit einem nackten
Microlinear-Diamanten ausgestattet, der
durch seinen speziellen Schliff und die für
Line-Contact-Nadeln typischen
geringeren Verzerrungen am Plattenende
(innere Rillen) eine doppelt so hohe
Lebensdauer gewährleistet und sich
zugleich durch einen erweiterten
Frequenzgang und eine bessere
Auflösung der mittleren und hohen
Frequenzen auszeichnet

AT-VMN95ML
VM95 SERIES MICROLINEAR REPLACEMENT STYLUS
Aluminium cantilever
Microlinear Stylus
Nude Square Shank

VM95 SERIES - STYLI COMPATIBILITY
Every cartridge diamond stylus becomes worn after a period of play.

Around 500 hours for a conical stylus, 300 hours for an Elliptical stylus, 1000 hours for a Microlinear stylus, and 800 hours for a Shibata stylus.

Our VM95 Series dual moving magnet cartridges can be used almost forever by replacing the interchangeable stylus. It is no longer necessary to purchase a complete cartridge when your diamond is worn out, you can simply buy the matching replacement stylus, but also enjoy the experience of upgrading your cartridge with a different stylus.

The six models of VM95 Series cartridges all use the same electromagnetic engine-body, therefore each of the six replacement styli are perfectly compatible.

MICROLINEAR STYLUS
Microlinear profile diamond stylus offers high frequency response with less wear and distortion than elliptical or conventional linear contact styli.

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Koray Kantarcioglu

Loopworks

20,99 €*

JDDX2RS-A Numark PT01 Scratch Fader

Release: 2018 / EU – Original

Genre: Rock & Indie

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Originally released by Wounded Wolf Press as a limited release (only 100 cassettes were made) back in 2016, "Loopworks" compiles Turkish visual and sound artist Koray Kantarcioglu's (Ankara, 1982) loop based work composed of samples taken from Turkish records released in 60's and 70's as source material. "Loopworks"
impacts almost instantly mainly because it shows some familiarity with the recent work of Leyland Kirby as The Caretaker, particularly with the "haunted ballroom" effect. Koray explores the usage and the dynamic of these sounds as ambient music for different scenarios as well as the importance of a newfound life with the raw
material he used to create these songs. The source material appears as enigmatic as
these new sounds and activate a sense of discovery and constant wonder throughout
"Loopworks". With the vinyl release of "Loopworks" we continue to manifest the
importance of showing how technology and geography create different and original
approaches to the standard western interpretation of field recordings and sound
manipulation. Koray Kantarcioglu's work here is a strong manifestation of that and
how "haunted music" can express a myriad of feelings and sensations. "Loopworks"
has a tremendous vision of the metamorphosis that's been occurring in ambient music
during the last decade. Sometimes it's dreamy and calm as aquarium music is
("500606" or "22 47 91 Take 1"); surprising and infinite as "263 Loop", one of the few
tracks with a voice, in this case a mysterious and transcendental one; or part of a John
Carpenter & David Lynch film yet to be made ("Organ Extract KP 001"). A fantastic
voyage, from earth to space, through time or simply as the most beautiful and peaceful
dive into the ocean. Old music transformed into something new, unique. That's
special.

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Jesse Dean Designs

71,99 €*

Cosmic Temple The Remixes

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The JDDX2RS-A PT01SCRATCH Scratch Fader is a creation of Jesse Dean Designs. This Fader is a
direct replacement for the factory switch. It’s dual rail slide contact-less element gives it durability for an
aggressive environment. This long-lasting fader has no audio bleed thanks to its magnetic sensors
and circuitry. There is virtually no cleaning needed with this contact-less element. Here are the main
features of the JDDX2RS-A Pt01Scratch Fader:
Magnetic Sensor Contact-less Circuitry
Two Side Cut-in Adjustment
Dual Rail Slider for Stability and Smooth Action
Full Size Fader Knob (COOLOR CAPS), Feels Like a Full Size Mixer when Scratching.
Easy Installation with No Soldering Required!
Using highest quality components and relentless testing, we designed this Fader for the Artist that requires
the best from their gear. We feel that this Fader will keep the artist innovating and excelling in their art form.

Installation Video: https://www.youtube.com/watch?v=J5b0QzA9ZxE&feature=youtu.be

PLEASE NOTE:THE WARRANTY FOR YOUR PT01 SCRATCH PORTABLE TURNTABLE IS NO LONGER VALID ONCE INSTALLING THE JDDX2RS.

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Daniele Baldelli

2LP | 2018 | EU | Original (Mondo Groove)

17,99 €*

JDDX2RS-A Numark PT01 Scratch Fader

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Brand new release on Mondo Groove with a Remix double pack of selected tracks from Daniele Baldelli classic “Cosmic Temple” six chapters that were out on the italian label from 2015 to 2017. You can find everything for everyone in these new versions. DJ Tennis and In Flagranti tributing pure Cosmic sound with their interpretations of „Gandharva“ and „Afelio“, DJ Ralf transforming „Kosmaro“ into a house stomper, Tiger & Woods adding their subtle boogie touch and edit science to „Vhanessa“, Clap!Clap! going deep and percussive on „Isotropo Funk“, Alkalino tripping italo-disco with „Inner Light“, Club Paradiso in an afro-balearic clash on „Joka Joka“, Eric Duncan working a deep-techy groove on „Diffrazione“, and Dionigi, often production partner of Baldelli, finishing in glory with a brilliant funky take on „Taxon“. You can’t sleep on this.

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Jesse Dean Designs

71,99 €*

3LP | 2018 | EU | Original (Analog Africa)

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Dur-Dur Band

Dur Dur of Somalia

36,99 €*

12" | 2018 | EU | Original (Sacred Court)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Analog Africa are proud to present the 27th release of their Analog Africa Series. A fantastic, hypnotic and funky compilation from the Dur-Dur Band of Somalia that comes out on a Triple LP.

When Analog Africa founder Samy Ben Redjeb arrived in Mogadishu in November of 2016, he was informed by his host that he would have to be accompanied at all times by an armed escort while in the country. The next morning, a neighbour and former security guard put on a military uniform, borrowed an AK-47 from somewhere and escorted him to Via Roma, an historical street in the heart of Hamar-Weyne, the city’s oldest district. Although previous Analog Africa releases have demonstrated a willingness to go more than the extra air-mile to track down the stories behind the music, the trip to Mogadishu was a musical journey of a different kind. It was the culmination of an odyssey that had started many years earlier.

In 2007 John Beadle, a Milwaukee-based musicologist and owner of the much loved Likembe blog, uploaded a cassette he had been handed twenty years earlier by a Somalian student. The post was titled ‘Mystery Somali Funk’ and it was, in Samy’s own words, “some of the deepest funk ever recorded.” The cassette seemed to credit these dense, sonorous tunes to the legendary Iftin Band. But initial contact with Iftin’s lead singer suggested that the ‘mystery funk’ may have actually been the work of their chief rival, Dur-Dur, a young band from the 80s.

Back then, Mogadishu had been a very different place. On the bustling Via Roma, people from all corners of society would gather at the Bar Novecento and Cafe Cappucino, watch movies at the famous Supercinema, and eat at the numerous pasta hang-outs or the traditional restaurants that served Bariis Maraq, a somali Beef Stew mixed with delicious spiced rice. The same street was also home to Iftinphone and Shankarphone, two of the city’s best known music shop. Located opposite each other, they were the centre of Somalia’s burgeoning cassette distribution network. Both shops, run by members of the legendary Iftin Band, would become first-hand witnesses to the meteoric rise of Dur- Dur, a rise that climaxed in April of 1987 with the release of Volume 2, their second album.

The first single ‘Diinleya’ had taken Somalian airwaves by storm in a way rarely seen before or since. The next single, ‘Dab,’ had an even greater impact, and the two hits had turned them into the hottest band in town. In addition to their main gig as house band at the legendary Jubba Hotel, Dur-Dur had also been asked to perform the music for the play “Jascyl Laba Ruux Mid Ha Too Rido” (May one of us fall in love) at Mogadishu’s national theatre. The play was so successful that the management had been forced to extend the run by a month, throwing the theatre’s already packed schedule into complete disarray, and each night, as soon as the play had finished, Dur-Dur had to pack their instruments into a Volkswagen T1 tour bus that would shuttle them across town in time for their hotel performance.

The secrets to Dur-Dur’s rapid success is inextricably linked to the vision of Isse Dahir, founder and keyboard player of the band. Isse´s plan was to locate some of the most forward-thinking musicians of Mogadishu´s buzzing scene and lure them into Dur-Dur. Ujeeri, the band’s mercurial bass player was recruited from Somali Jazz and drummer extraordinaire Handal previously played in Bakaka Band. These two formed the backbone of Dur-Dur and would become one of Somalia’s most extraordinary rhythm sections.

Isse also added his two younger brothers to the line-up: Abukar Dahir Qassin was brought in to play lead guitar, and Ahmed Dahir Qassin was hired as a permanent sound engineer, a first in Somalia and one of the reasons that Dur-Dur became known as the best-sounding band in the country.

On their first two albums, Volume 1 and Volume 2, three different singers traded lead-vocal duties back and forth. Shimaali, formerly of Bakaka Band, handled the Daantho songs, a Somalian rhythm from the northern part of the country that bears a striking resemblance to reggae, Sahra Dawo, a young female singer, had been recruited from Somalia’s national orchestra, the Waaberi Band. Their third singer, the legendary Baastow, whose nickname came from the italian word ‘pasta’ due to the spaghetti-like shape of his body, had also been a vocalist with the Waaberi Band, and had been brought into Dur-Dur due to his deep knowledge of traditional Somali music, particularly Saar, a type of music intended to summon the spirits during religious rituals. These traditional elements of Dur-Dur’s repertoire sometimes put them at odds with the manager of the Jubba Hotel who once told Baastow “I am not going to risk having Italian tourists possessed by Somali spirits. Stick to disco and reggae.”

Yet from the very beginning, Dur-Dur’s doctrine was the fusion of traditional Somali music with whatever rhythms would make people dance: Funk, Reggae, Soul, Disco and New Wave were mixed effortlessly with Banaadiri beats, Daantho and spiritual Saar music. The concoction was explosive and when they stormed the Mogadishu music scene in 1986 with their very first hit single, ‘Yabaal,’ featuring vocals from Sahra Dawo, it was clear that a new meteorite had crash-landed in Somalia. As Abdulahi Ahmed, author of Somali Folk Dances explains: “Yabaal is a traditional song, but the way it was played and recorded was like nothing else we had heard before, it was new to us.” ‘Yabaal’ was one of the songs that resurfaced on the Likembe blog, and it became the symbolic starting point of this project.

It initially seemed that Dur-Dur’s music had only been preserved as a series of murky tape dubs and YouTube videos, but after Samy arrived in Mogadishu he eventually got to the heart of Mogadishu’s tape-copying network – an analogue forerunner of the internet file-sharing that helped to keep the flame of this music alive through the darkest days of Somalia’s civil strife – and ended up finding some of the band’s fabled master tapes, long thought to have disappeared.

This triple LP / double CD reissue of the band’s first two albums – the first installment in a three-part series dedicated to Dur-Dur Band – represents the first fruit of Analog Africa’s long labours to bring this extraordinary music to the wider world. Remastered from the best available audio sources, these songs have never sounded better. Some thirty years after they first made such a splash in the Mogadishu scene, they have been freed from the wobble and tape-hiss of second and third generation cassette dubs, to reveal a glorious mix of polychromatic organs, nightclub-ready rhythms and hauntingly soulful vocals.

In addition to two previously unreleased tracks, the music is accompanied by extensive liner notes, featuring interviews with original band members, documenting a forgotten chapter of Somalia’s cultural history. Before the upheaval in the 1990s that turned Somalia into a war-zone, Mogadishu, the white pearl of the Indian Ocean, had been one of the jewels of eastern Africa, a modern paradise of culture and commerce. In the music of the Dur-Dur band – now widely available outside of Somalia – we can still catch a fleeting glimpse of that golden age.
Listen & Enjoy!

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Restive Plaggona

Unready To Exist

LP | 2018 | EU | Original (Mannequin)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Restive Plaggona debuts in SNTS' label Sacred Court with a six-track EP.

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Doris Norton

Artificial Intelligence

CD | 2018 | US | Original (King Mag Music)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Mannequin Records is proud to present a trilogy of reissues from the avantgarde Italian-born producer Doris Norton, "Norton Computer For Peace" (1983), "Personal Computer" (1984), "Artificial Intellingence" (1985).
Apple's first music "endorsement" (later IBM consultant) and early Roland affiliate, Doris Norton is one of the most important women pioneer in the use of synths and in the early electro / computer music.
While the beat-oriented style of Norton’s music aligns her with such global fellow-travelers as Yellow Magic Orchestra and Kraftwerk, her championing of the personal computer as a tool for self-sufficient musical creativity also connects her to more artsy musicians such as Pietro Grossi, Laurie Spiegel, and the League of Automatic Music Composers. Norton’s predilection for the bright, glossy timbres of early digital instruments also recalls Hubert Bognermayr and Harald Zuschrader’s bizarre 1982 one-off Erdenklang.
1 year after "Personal Computer", Doris Norton released 'Artificial Intelligence' (previous title: 'From Art-Physiol to Artificial Intelligence', changed before publishing) in 1985, setting a step up in her deep electronic music research and innovation.
"The whole album was composed and programmed only with the alfanumerical keyboard of the computer. The total of the notes and coded events takes to the number 124.648: of these 123.827 were coded with 'step time' procedure and the rest with real time procedure.
Having done reduced the keyboard Doris Norton used only an hexaphonic JX.8P with memory processed by her and interfaced to the computer.
No drums were used, neither electronic nor much less acoustic. All the rhythmics were obtained by A.D.A. conversions and processing of wave ranges and with the use of expanders with a very special handling of envelopes, frequency, resonance, noise
Doris Norton fed the computer the parameters of vowels and consonants of her own voice, like A, O, U, E, D, N, through an A.D.A conversion card; by processing these values and assembling them in phoneme in hundreds of different combination, various compressed resolutions she was able to make the computer sing a complete song in a totally human way (with the voice of Doris).
Many other yxith sounds resulting from A.D.A. conversions are present in this new album 'Artificial Intelligence', amongst these: pipe organ, plate, electric discharge, iron beat, birds, dog, harp, woods ...... all sampled and handled by the computer.
'Artificial Intelligence' is a perfect example of how human intelligence can bend the coded 'artificial intelligence' to hits own will. ....."
(Source: ComputerMusik -1985)

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King Magnetic

Back In The Trap

Bill Brown & The Soul Injection

Release: 2018 / US – Original

Genre: Hip Hop

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At 6’9” and 400+ pounds, rapper/producer KING MAGNETIC is arguably
the “biggest rapper alive.” Fans of the underground phenom know that
his massive size is a complement to his larger-than-life personality – a
maddening mash-up of creativity, sensitivity, and a strong dose of “I just
don’t give a fuck.”
A native of Allentown, PA - King Magnetic began his career producing and
featuring on various projects while crafting his own mix tape series
"Everything's A Gamble". His debut solo LP, "Timing Is Everything" was
delivered July 10, 2015 and followed by "Everything Happens 4 A Reason"
on March 31, 2017. He has worked with heavyweights such as Sean Price,
Masta Ace, Smif N Wessun, Marco Polo, Prodigy, Edo G, Conway, DJ
Premier, 9th Wonder, Cappadonna, Atmosphere, Jedi Mind Tricks,
Immortal Technique, Jadakiss, Rapsody and more.
While recording his third solo LP, Magnetic teamed up Winnipeg's
docwillrob for "Back In The Trap". The album showcases Magnetic's lyrical
flow over the most modern soundscape in his catalog. This combination
also highlights the production talents of the rookie Canadian producer.
Songs like, "Where I Be", "Everybody" and "The Problems" have eerie, yet
infectious club rhythms while "That's What It Is" takes a smoother
approach. "We Want It All", "Help Me" and "Targets" are darker street
records with signature Magnetic bars. Features include GQ Nothin Pretty,
Recognize Ali, Born, Cassidy and Benny The Butcher for this epic visit to
trap houses throughout North America.

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Time After Time / Instrumental

7" | 2018 | UK | Original (Super Disco Edits)

13,99 €*

Geraldo Pino & The Heartbeats

Release: 2018 / UK – Original

Genre: Organic Grooves

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Limited edition vinyl!
Bill Brown and Al Hall jr. met around 1971, they were both in south central L.A and shared the same apartment building, also in the same building was Doug Carn and brownstone singer Billy Wilson.
These studio sessions were don't at Paramount studios Hollywood where Al Hall jr. was working for producer Art Smith A&C music.
The main distributor for A&C was Accent records. So, the Soul Injections very first single "Stay Off The Moon" was released via Accent, as was Bill Browns "Bip Bam". The group wasn't that pleased with how Accent handled the releases so Bill took it upon himself to set up his own label called Brownstone records. Many musicians were called in for studio sessions these included Doug Carn (organ), Kirk Lightsey (keyboards) Mel Bolton (guitars), Mel Lee (drums), Al Hall jr. (trombones), Willaim 'Bill'Henderson (strings).
The label was met with some confrontation from other Hollywood labels and many of the Brownstone releases were told not to hit the shops by Mafia run labels. Later around 1975 Brownstone released a track by Everyday People feat Alexis "World Full Of People", a now cult soul 45. But wait, Super disco edits have unearthed the original tapes with the very first incarnation of that song and music, different lyric content and sung by Bill Brown. Not just this you get the instrumental on the B-side!! TIP!!

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Afro Soco Soul Live

LP | 1972 | EU | Reissue (Oom Dooby Dochas)

LP | 1971 | EU | Reissue (Sevenmen)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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He was born in Sierra Leone in the 1930s. Fact is that Gerald Pine was son to a lawyer working in Nigeria, lost his mother and sister at a very young age and found relief in music. He played social clubs by the early 60s with his newly founded band THE HEARTBEATS delivering cover-versions of American hits and Congolese rumba tunes that were then utterly popular in the West Africa area. Due to the influence of Congolese popular musicians Franco and Dr. Nico he adopted the more exotic sounding stage name of Geraldo Pino and he moved on from there. THE HEARTBEATS literally played until their fingers bled in popular night clubs in Sierra Leone, became one of the highest earning bands of Western Africa and were even able to put up their own television show after television had been introduced in Sierra Leone in 1962. All those developments put Geraldo Pino and his band in the position as leading figures in the African popular music that even a legend such as Nigerian cult musician Fela Kuti, who is often credited with originally creating the so called “Afro Beat” style stated Geraldo Pino and THE HEARTBEATS as major influence which even made him setting sail to the USA to introduce his musical vision over there for he could not match with Geraldo Pino concerning popularity in Africa. This of course is a whole different story. Geraldo Pino lived and played in his area, Sierra Leone, Ghana, Nigeria and created some of the hottest funky sounds with sophisticated sound gear, outstanding clothing and songs that made your blood boil. After a few 7” releases throughout the 1960s the first real album of GERALDO PINO & THE HEARTBEATS hit the scene in 1972. “Afro soco soul live” is as the title suggests an album that has been recorded at a concert and Geraldo Pino often communicates with the utterly enthusiastic audience, gives longer announcements between the songs or introduces his lead guitarist before he starts a simmering solo. All songs here have an average length of six minutes and despite their composed parts they show this free jammy flow. The basic style is funk with soulful vocals which gets mixed up with traditional African percussion grooves. This album swallows you with its mesmerizing rhythms. It's afro funk at best with a frantic atmosphere whirling up from the ever flashing percussive arrangements. The funky Hammond B – 3 organ is omnipresent on all the tracks and duels with the wild and completely unleashed lead guitar from time to time. Repetative chord progressions and harmonies decorate the solid rhythmmical base and deprive you of your senses while you get deeper and deeper into a trance like state moving and floating along on the dancefloor. Due to the crisp and clear sound this record gives you the feeling of being right at the scene, everything sounds and feels so vivid, even after more than four decades. So it is no wonder that this record is a popular gem in Western Africa but how is the reception from the European and American fans of furious funk music? Well, Geraldo Pino has become a legend in his home area but just a short time before his death in 2008 people from the Western World really discovered him and his amazing band. Original copies of this album go for several hundred USD if they ever turn up. So a reissue of this sacred gem of African funk music from the early 70s has been long overdue. A record that is made to let dancefloors smoke and tremble and the musicianship is sheer amazing!

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I Marc 4

Welcome To Paradise: Italian Dream House 90-94 Volume 3

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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This rather mysterious Jazz recording, which dates back to 1971, was quickly put together in a studio session sandwiched between RAI orchestra rehearsals, film soundtrack recordings and various other projects that make up this incredible musical library, all recorded in that period by our best musicians. The unique particulars of this record are that the musicians are not named, except for a mythical “Plakoti” but also the rights and the tapes seemed tohave strangely disappeared. After a period of accurate research, thanks to Maurizio Majorana (bass player for the Marc 4) we have been able to find the original recordings and also the musicians that played on it. Even though this recording was accredited to the Marc 4, by semi-official sources of the time, strangely enough only two of them are effectively present on this record Antonello Vannucchi on the Hammond Organ, Vibraphone and Piano and Roberto Podio on the Drums. The other two musicians are Giovanni Tommaso playing his mythical “Pedrazzini” (ndr) double bass who already played together with Vannucchi as part of the famous “Lucca Quartet” and then as the bass player of the group “Perigeo” and Enzo Grillini, part of the Rai orchestra and a favorite guitar player of both Armando Trovajoli and Gianni Ferrio who, at the time, was considered one of the best Italian Jazz guitar player and who rarely recorded music outside of the RAI orchestra. The style of this record, thanks to this very particular group of musicians, contrary to many other Library recordings, is very jazzy and the very special sound reminds us of the Jazz organ of the Verve/Blue Note labels made in the Sixties. The Seven Men Label, another characteristic of this new edition, born from a partnership of 7 mysterious producers and musicians in order to produce background music, in fact, only produced four recordings and they are : “1” that you are already listening to, 2, AKA “Il Cinghialetto” directed by Gianni Ferrio and played by the very best popular and classical musicians of the day, as the soundtrack of a theatre piece written by Grazia Deledda and to conclude there are two recordings made in the 1970’s written by Bruno Canfora: “Musiche di scena n°1” and “Musiche di scena n°2”. To have been able to bring this recording out again, knowing about its ups and downs and how it was made, is even more important now, as we have been able to add yet another gem to the numerous reeditions of the “Italian Library Music“ over these past years.

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V.A.

2LP | 2018 | EU | Original (Safe Trip)

LP | 2018 | EU | Original (Mannequin)

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Safe Trip is taking one final deep dive into the warm waters of Italian dream house with Welcome To Paradise Volume 3, the concluding chapter in the label’s journey through the previously overlooked world of one of dance music’s most vibrant and influential underground movements.
While the influence of dream house continues to echo through the ages, the style was at its peak between 1989 and ’94, when producers across Italy delivered a high volume of loved-up, wavy and occasionally blissful productions that fused contemporary deep house tropes – most notably from Chicago, New York and New Jersey – with elements borrowed from ambient, jazz and Balearica.
It’s this six-year period that provides the focus for Welcome To Paradise Volume 3, which draws together a spine-tingling mixture of sought-after classics, unheralded gems and little-known delights from the original Italian dream house movement.
Thrillingly, Welcome to Paradise Volume 3 co-curator Young Marco has managed to source two previously unreleased tracks during the dream house period: the gently unfurling, sunrise-friendly bliss of Jacy’s “Resounding Seashell” and a special “Longer Edit” of Neurostate’s brilliant “Dance To The House”, a track that – somewhat surprisingly – has never previously been issued on vinyl before.
Elsewhere, there are plenty of treats to set the pulse racing, from the must-have deep house brilliance of Leo Anibaldi’s “Universe” – a rare foray into dream house territory from the Italian techno pioneer – and the Afro-bleep-goes-dream-house trip of Golem’s “Sun City”, to the cowbell-driven, New Jersey garage-influenced warmth of Deep Choice’s “Children Trip” and Cosmic Galaxy’s “Walkin’ On The Moon”, a Detroit techno-influenced outing with a deliciously saucer-eyed, extended ambient intro. You’ll also struggle to find a more inspired house record than Green Baize’s “Tramp Heart”, which mixes familiar dream house elements with spacey electronics and tribal chants that recall Italy’s early ‘80s Afro-cosmic scene.
It all adds up to another essential selection of rich, glassy-eyed dream house treats tailor-made for sound-tracking drawn-out Adriatic sunsets, Mediterranean sunrises and loved-up parties the world over.

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Nexda

Words & Numbers

Pat Thomas Introduces Marijata

Release: 2018 / EU – Original

Genre: Rock & Indie

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Mannequin, Emotional Rescue and Blowpipe come together to release the music of Dutch post-punk, industrial outsiders Nexda, by releasing a collection of music drawn from all their single and EP vinyl releases, to offer a compelling album.
Taken from two 12” EPs, a split 7” and a flexi 7”, all released in 1982, the music within Word & Numbers captures striking compositions, part of, but some way removed from their contemporary post-punk bands coming out of the Dutch “Ultra” scene of the time.
Developing out of a series of concerts in Amsterdam, Ultra expanded to Eindhoven, Nijmegen and Haarlem, with artists and musicians creating their own work spaces and studios. Driven by the DIY mentality of the punk movement, this uniquely Dutch take on the post-punk ethos embraced avant-garde thinking and experimentation that disseminated in ideas and from that, sound.
Coming from Haarlem, Nexda – consisting of Ivo Schalkx, Karin Hueting, Martienden Nijs – played music on handmade drums, metal, organ, saxophone and voice. Releasing a series of cassettes on their and Wim Dekker (Smalts, Minny Pops) Studio 12 label, the latter’s link with Wally Van Middendorp’s Plurex label, resulted in the release of Nexda’s two EP – 246, 121 and 657 (PLUREX 0026) and Second (PLUREX 0031) - with artwork of Ivo Schalkx, are included here, both in their entirety.
Capturing the bands’ heavy percussive backdrop, raw, dub baselines contrast with questioning, mainly spoken word lyrical poetics, saxophone underplay and occasional Pablo-style melodica. The avant nature of the music is apparent and enticing, where experimentalism and artistic expression was sought over commercial success and technique and song form were less important than the process of exploring ideas.
The none-descriptive titles match song structures that jettison the traditional verse, chorus, verse; weaving across the 8 songs so that they can be heard as one, as much asshort bursts of individual statements.

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Marijata

LP | 2018 | EU | Original (Mr Bongo)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Limited Edition for Record Store Day 2018! ‘Pat Thomas Introduces Marijata’ is a seminal Ghanian album that fuses highlife, reggae, folk, funk and soul, from legendary vocalist Pat Thomas. Originally released in 1976 on Gapophone Records.
‘Marijata’ was a group made up of three members – Kofi ‘Electric’ Addison on drums, Bob Fischlan on organ and Nat Osmanu on guitar, hailing from Ghana. Pat Thomas career began in 1969 with the ‘Broadway Dance Band’, leaving a year later to join the ‘Uhuru Dance Band’. He then played with Ebo Taylor’s ‘Blue Monks’ and finally formed the ‘Sweet Beans’ in 1973 where he really made his name. The group released ‘False Lover’ in 1974, split and then reformed as Marijata, releasing ‘Marijata’ (also available on Mr Bongo) and this album, ‘Pat Thomas Introduces Marijata’. Thomas career spans more than 50 years and he still tours regularly across the world. Replica original artwork, official Mr Bongo reissue. Licensed from Gapophone Records courtesy of George Prah.

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Audio-Technica

AT-XP7

159,00 €*

Tranquility Base Hotel & Casino Black Vinyl Edition

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Preorder shipping from 2024-11-01

AT-XP7
DUAL MOVING MAGNET STEREO CARTRIDGE

• Excellent Tracking ability
• Superior sound without compromise
• Durable robust design for high-quality DJ playback
• Great visibility of stylus tip for instant positioning
• VM dual magnet cartridge with elliptical bonded stylus

The AT-XP7 is specially designed for the needs of DJs. This cartridge features a highly-rigid polyphenylene sulfide (PPS)/glass fiber body and a tracking force of 2 to 4 grams. It also offers a powerful output level of 6.0 mV, and its 0.3 x 0.7 mil elliptical bonded stylus tracks the record groove with high accuracy for outstanding audio reproduction. Plus, the cartridge is specifically designed to provide maximum visibility of the stylus tip.

• Durable robust design for high-quality specialist DJ playback
• Cartridges designed for DJ venue applications for their Hi Fi audio Performance
• Great visibility of stylus tip for instant positioning in dark environments
• Audiophile experience associated with DJ’ing environment with the signal output level and output impedance characteristics adapted to DJ professional mixing boards
• VM dual magnet cartridge with 0.3 x 0.7 mil elliptical bonded stylus
• Tapered aluminium cantilever
• Stainless wire suspension enables expressive higher frequency for clearer sound
• High-rigidity and Low-resonance cartridge housing
• Replacement Stylus: ATN-XP7

Specifications:
• Type: VM Dual Magnet
• Frequency Response: 20 - 20,000 Hz
• Channel Separation: 22 dB at 1kHz
• Vertical Tracking Angle: 20°
• Vertical Tracking Force: 2.0 to 4.0 g (standard 3g)
• Stylus Construction: Bonded Round Shank
• Recommended Load Impedance: 47,000 ohms
• Coil Inductance: 1.0 H (1 kHz)
• Output Voltage: 6.0 mV (mV at 1 kHz, 5 cm/sec)
• Output Channel Balance: Output Channel Balance
• Stylus Shape: Elliptical
• Cantilever: Aluminium tapered Pipe
• Static Compliance: 20 x 10-6 cm/dyne
• Dynamic Compliance: 8.0x10-6cm/dyne (100Hz)
• Mounting: Half-inch
• Dimensions: H17.2×W17.8×D28.3mm
• Accessories Included: Cartridge installation slotted screws 11.0 mm (0.43”) x 2 and 8.0 mm (0.31”) x 2, Washer x 2, Round nut x 2, Non-magnetic screwdriver x 1
• Recommended Load Capacitance: 100-200 pF
• Replacement Stylus: ATN-XP7
• Stylus Size: 0.3 x 0.7 mil
• Weight: 6.2g

User Manual: https://eu.audio-technica.com/resources/AT-XP7_UM_112301360_V1_11L_web_171018.pdf

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Arctic Monkeys

LP | 2018 | UK | Original (Domino)

Calling Out Feat. Dames Brown & Floorplan Remixes

Release: 2018 / UK – Original

Genre: Rock & Indie

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Arctic Monkeys deliver fans and critics from years of wating and anticipation with album number six which is "a bold and brilliant album reflecting Turner’s ever more comprehensive creative vision.”

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Sophie Lloyd

12" | 2018 | EU | Original (Classic)

13,99 €*

Reverend Beat-Man & The New Wave

Release: 2018 / EU – Original

Genre: Electronic & Dance

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Sophie Lloyd produced ‘Calling Out’ in a dreary January as an antidote to the pervading doom and gloom of the news, summoning the power of the most joy-filled sound of all, gospel. The track radiates all the live atmosphere of gospel worship in mid flow, with soul trio Dames Brown bringing the authenticity. Following the 7” release, which sold out due to huge demand, comes the 12” complete with the original version plus two brand new mixes from Floorplan. The duo of Detroit techno pioneer Robert Hood and his daughter Lyric Hood are well known for their gospel-infused sound with Hood’s hometown influences always apparent. Their Club Mix opens with a heavily swinging groove which breaks down into pure 4/4 indulgence, while the Revival Mix singles out the looped piano and organ riffs. Putting their assertive spin on this new Classic anthem, Floorplan turn up the levels on ‘Calling Out’, bathing it in further glory.

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Blues Trash

LP+CD | 2018 | EU | Original (Voodoo Rhythm)

LP | 1977 | EU | Reissue (Mental Experience)

Release: 2018 / EU – Original

Genre: Rock & Indie

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Former wrestling rock'n'roll one man band activist Lightning Beat-Man (1992-1999) turned into a primitive rock'n'roll blues preacher during the millennium change and released countless recordings on several labels. In 2017 he had a hand full of songs to record this album, and the idea was to record it with several musicians and not showing them the songs. They went to the studio and Reverend Beat-Man played the songs on the guitar one time, then the musicians had two takes for recording without rehearsal to keep it fresh. The result is a mix of blues trash, new wave folk and dark no wave garage punk and rock'n'roll. Featuring Nicole Izobel Garcia (vocals, organ, percussion), Mario Batkovic (accordion), Julian Sartorius (drums) and Resli Burri (Dead Brothers multi-instrumentalist).

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Wild Havana

Record Revirginizer (500ml)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Obscure Dutch private pressing from 1977. Laid-back instrumental psychedelic / progressive sounds with jazz-funk-groove and abstract / experimental / Latin-indigenous touches. Stoned homemade atmosphere with treated / distorted electric & acoustic guitars, flute, electric piano, primitive drum machines / homemade electronics...Much in the vein of the experimental-underground scene of France & Germany during the early 70s but actually recorded and released in Holland.
Wild Havana was the project of guitar player Johan Smith, helped by his brother Cor on flute. Influenced by artists like Zappa and Herbie Hancock, Johan recorded the “Wild Havana” album at his home studio on a 4-track, using effect devices developed by himself, like a modified proto-drum machine taken from a Hammond organ. He also used effects like phase shifter, chorus, etc and experimented with putting wool on the guitar strings and electric effects on the mandolin. The result sounded like nothing else at the time.
Buried for many years, we’re excited to bring to life this unique album.

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Record Revirginizer

Red Goddess (Of This Men Shall Know Nothing)

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At last, a way to clean and restore your precious vinyl records without the use of expensive mechanical record cleaners, three step washing processes or dangerous petrochemicals. The university Award Winning RECORD REViRGiNiZER is the only product that can clean your vinyl records thoroughly and remove the pops and crackles from your valuable record collection.

"I am now sampling with the cleanest sound possible. Nothing fixes your records like Record Revirginizer!" - RZA, Grammy Award Winning Musician, Producer and Film Director.

Contains 500ml.

RECORD REViRGiNiZER isn't just a record cleaner, it actually restores your vinyl records close to their original condition by using a revolutionary anti-static polymer that works like a facemask on the grooves of your record. It's the closest thing to a miracle for vinyl record cleaning and restoration ever invented!

How it Works and More!

RECORD REViRGiNiZER is a viscous, non-toxic liquid that is poured onto a vinyl record. It is then massaged into the records surface and left to set. After setting it is easily peeled from the records surface, at the same time taking all the microscopic contaminants with it; it's a bit like a facemask...but for vinyl records!

REViRGiNiZER is formulated with just the right elasticity to remove all the embedded material, but at the same time it does not leave any residue, nor does it damage your vinyl in any way. The anti-static properties of the formula ensure that once the film is pealed off your vinyl will be static free. You can clean and restore your records close to their original condition and in some cases (due to residue left behind from the manufacturing mould release compounds) it can actually improve the sound of a brand new record as well.

With a REViRGiNiZER treatment your music will have a superior depth and clarity; this is another reason vinyl is enjoyed by audiophiles worldwide.

With a REViRGiNiZER treatment you can now sit back and enjoy your precious vinyl recordings just like they were new. We guarantee REViRGiNiZER is the best vinyl record treatment you can buy, or your money back!

We promise you that you will be amazed by the results. (Too bad we didn't think of it before the advent of CD's!)

How To Use:

1. Gently shake the bottle of REViRGiNiZER for 30 seconds before use.
2. Lay your vinyl record on a flat even surface, preferably on a clean record sleeve, and then wash hands.
3. Measure 20 ml / 0.65 fl.oz of REViRGiNiZER for a 30cm /12 inch record and pour evenly over one side of the record, avoiding the label. After you have used REViRGiNiZER a few times try reducing the amount to 15ml/ 0.5 fl.oz for a 30cm/12 inch record. Use 10ml / 0.3 fl.oz. for a 7 inch record.
4. Massage the REViRGiNiZER solution into the record’s grooves in a circular motion using one or two clean fingers.
5. Place a paper tab 5mm / 1/4 inch in from the outside edge of the record and over an area where the solution has already been applied. See illustration on bottle for approximate tab size.
6. Leave the REViRGiNiZER solution to dry completely. Drying time will normally take between 4 and 12 hours*. Drying time varies depending on humidity, evaporation and ambient temperature.
*Drying time can be significantly reduced by drying the record under a fan or in an air-conditioned room.
7. AVOID USING REViRGiNiZER ON RAINY OR HUMID DAYS unless records can be dried in an air-conditioned or dehumidified room or under a fan.
8. Once dry, use the paper tab to carefully peel the film from the record. DO NOT leave the film on the record longer than 3 hours hours after it has dried.
9. Remove any film that may still remain on the record by gently rubbing the remaining film with the dried film that has already been peeled off.
10. Repeat steps 1 to 9 on the other side of the record
11. Your record has now been restored with RECORD REViRGiNiZER.
12. If possible replace the old record sleeve with a new sleeve to avoid

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Hawthonn

LP | 2018 | US | Original (Ba Da Bing)

Close But No Cigar Black Vinyl Edition

Release: 2018 / US – Original

Genre: Electronic & Dance

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The music of Hawthonn is dense and atmospheric, but not inaccessible. Experimental electronic techniques fuse with doom-laden organ riffs, crystalline piano, elemental drones and haunting vocals. Largely guided by their own unconscious muse, the band’s chief inspirations lie outside of music, in Romantic poetry, dreams and reveries, esoteric symbolism, the history of magic and witchcraft, folklore and the English landscape.

Hawthonn is Leeds-based duo Layla Legard and Phil Legard. Having previously collaborated in music, as well as text and photography, they officially formed in 2014 to deepen their uniquely imaginative approach to music-making. Often developing from obsessive explorations of a particular theme, their work precipitates dreams and imaginative journeys, which inform the direction of their music. Their earliest music explored the afterlife mythos of Coil’s Jhonn Balance through the image of the Hawthorn tree and Cumbrian landscape where his ashes were scattered. Their approach draws lyricism from the psychoacoustic phenomena of “phantom words”—sonic textures translated from geographical space into droning sound spectra, and verbalized dream imagery.

The prime symbol of Red Goddess (Of This Men Shall Know Nothing), is mugwort. An herb associated with dreaming, travel and menstruation, mugwort particularly favors edgelands: those abandoned, untended places, part man-made, part rural, where nature begins to reclaim what humanity has left behind. The music here unfolds a mandala of symbolism from these liminal spaces, drawn from a web of fascinations which unfolded during the recording process.

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Delvon Lamarr Organ Trio

LP | 2018 | US | Original (Colemine)

As The World Burns & Lost In The Fire

Release: 2018 / US – Original

Genre: Organic Grooves

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The debut album from Seattle's Delvon Lamarr Organ Trio. The group channels old-school organ combos like The Meters and Booker T & The MGs, but are making it fresh and feel new again! This LP is just killer from beginning to end and this is just the beginning for this group. We couldn't be more happy to be involved with such talented musicians.

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Arsonists

2CD | 2018 | EU | Original (Below System)

Overdrive – Rock/Jazz - Party

Release: 2018 / EU – Original

Genre: Hip Hop

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2018 will mark the return of the original Bushwick Bomb Squad! Legendary emcee crew, the Arsonists have announced a double-album release via Below System Records.
This will include a deluxe edition of the group’s classic debut album “As The World Burns” (released in 1999) which yielded such underground anthems as “Blaze”, “Halloween” and the “Session.”

It will also include “Lost In The Fire”, which will include many unreleased gems including tracks with J-Live, High & Mighty and Mass Influence as well as six new tracks from the group (the first in over fifteen years!) with guest appearances from Vinnie Paz (Jedi Mind Tricks) and Ill Bill (La Coka Nostra, Non-Phixion).

Composed of D-Stroy, Q-Unique, Freestyle, Jise and Swel these Brooklyn spitters were among the most creative wordsmiths and energetic live performers during an extremely fertile period of boom-bap that included the Lyricist Lounge, Rawkus Records, Fat Beats Records and the Stretch & Bobbito show. On the group’s motivation, D-Stroy revealed “we were focused so much on our love of hip-hop that it kept us off the streets, away from drugs, all of us in my parent’s house rhyming and recording.”

After appearing on the Stretch & Bobbito Show, Bobbito Garcia was so impressed as to sign the group to his Fondle ‘Em Records to release several classic singles on wax. The results allowed the crew to hit the road through North America and Europe, many of them leaving New York and the United States for the first time ever. The group toured with such notables as Public Enemy, The Roots and the Wu-Tang Clan.

Top taste-making Indie rock label Matador Records who developed such groups as Guided By Voices, Pavement and Mogwai wanted the Arsonists to be the first hip-hop group on the label. “As The World Burns” was the result of this partnership. Critically acclaimed and well respected, speaking on the enduring legacy of the album, D-Stroy said “I think it’s one of the last albums to champion the four elements of hip-hop, it’s basically our love letter to the culture and a lot of heads identify with that love.”

Though the group dissolved by 2002, the members have kept heads ringing in the entertainment industry including solo releases and forays into film, TV and radio. Summing it up D recalls “I was hosting an event for Nike and one of the executives came up to me and spit one of Q-Unique’s verses verbatim to me. It’s like a whole generation of young heads and college students grew up on our music and are doing something for the movement as well.”

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The Bridge

LP | 1972 | EU | Reissue (Sommor)

LP | 2017 | US | Original (Mesh-Key)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First ever vinyl reissue of this fabulous kraut, jazz-funk / fusion / rare grove / library album from 1972, originally released on the budget Tempo label from Germany. Lots of fuzzy distorted organ & Fender Rhodes courtesy of Kristian Schultze (pre-Passport) plus the mighty Pawel Jazerbski on bass and Joe Nay (Tete Montoliu, Roland Kirk, Blue Note Club…) on drums.
Master tape sound, original artwork and insert with liner notes.

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Phew

Voice Hardcore

12" | 2017 | EU | Original (Dolly)

Release: 2017 / US – Original

Genre: Electronic & Dance

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Living legend Phew follows up her brilliant Light Sleep album with another masterwork - Voice Hardcore - comprised entirely of her iconic, instantly recognizable voice, twisted, folded and layered over six mesmerizing tracks.

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Coni

Caligula EP

10,99 €*

12" | 2017 | UK | Original (Young Turks)

Release: 2017 / EU – Original

Genre: Electronic & Dance

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Dolly is proud to welcome Parisian wunderkind Coni to the label. Operating on the brink of meditative house and (Detroit) techno, Nicolas Olier's particularly hypnotic offering will certainly stand out in any set. The title track "Caligula" is a slowly developing, climactic techno burner with icey, Imperial strings hovering over it. A2 "Electroflash" is a more warm, lush, deep-into-Sunday-afternoon bubbler with a distinct French feel, topping breezy chords with a sharp hook to give it edge. With fellow Parisian Bambounou joining Coni on the flip side, "Medusa" goes deeper into percussive territory with a pulsating bongo riddim embraced by haunting organ pads perfect for those all-lights-off moments. A beast with many heads!

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Kamasi Washington

Harmony Of Difference

17,99 €*

LP | EU | Reissue (Mr Bongo)

Release: 2017 / UK – Original

Genre: Organic Grooves

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Harmony of Difference will mark Washington’s first collection of new music since his 2015 debut, The Epic. The six-movement piece was premiered as part of this year’s Whitney Biennial alongside a film by A.G. Rojas which also featured artwork by Washington’s sister, Amani Washington. The vinyl version of the record will come with a concertina booklet that includes some of Amani’s artwork and stills from Rojas’ film. The last track of this fantastic EP runs 13 minutes!!

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Marijata

This Is Marijata

Tom Petty & The Heartbreakers

Release: EU – Reissue

Genre: Organic Grooves

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Marijata was a group made up of three members – Kofi 'Electric' Addison on drums, Bob Fischlan on organ and Nat Osmanu on guitar, hailing from Ghana.
‘This Is Marijata’ is the groups first LP; released originally on the Gapophone label – it is pure, rootsy, raw, driving African funk music of the highest order, now highly sought-after in both its original and previously reissued forms.
Addison, Osmanu and Fischlan formed a band called the Sweet Beans with a young singer and guitarist, namely the legendary Pat Thomas. They released ‘False Lover’ [GAPO LP 02] in 1974 on Gapophone Records before recording ‘This Is Marijata’ [GAPO LP 012] and then ‘Pat Thomas Introduces Marijata’ [GAPO LP 013] shortly afterwards.
‘This Is Marijata’ is summed up perfectly by the text on the back cover: “Three young musicians of the Sweet Beans believe that in music and entertainment business, there is no room for mediocrity if one’s music is to win over a bigger audience and fame.
How could they give the public a taste of the talent they had so meticulously nurtured since they began their musical careers without upsetting the current musical inclination in the country?
Simple, Gapahone Records, quick to spot talent listened to the music of Kofi “Electric” Addison (Drummer) Bob Fischlan (Organist) and Nat Osmanu (Guitarist), liked it and the result, after month of hard work is what you have on this album – THIS IS MARIJATA.

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Into The Great Wide Open

LP | 1991 | EU | Reissue (Geffen)

28,99 €*

LP | 1967 | EU | Reissue (Speakers Corner)

Release: 1991 / EU – Reissue

Genre: Rock & Indie

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“Into the Great Wide Open” is the eighth studio album by American rock band Tom Petty and the Heartbreakers, first released in 1991 (see 1991 in music). The album was the band's last with MCA Records. The album was the second Petty produced with Jeff Lynne after the success of Full Moon Fever.

The first single, "Learning to Fly", became his joint longest-running number one single (along with "The Waiting" from 1981's Hard Promises) on Billboard's Mainstream Rock Tracks chart, spending six weeks at the top spot. The second single, "Out in the Cold", also made number 1 on the Mainstream Rock chart, albeit only for two weeks.

The music video for the title song starred Johnny Depp, who had moved to Los Angeles as a teenager to seek rock stardom, along with Gabrielle Anwar, Faye Dunaway, Matt LeBlanc, Terence Trent D'Arby and Chynna Phillips.

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Freddie Hubbard

Backlash

34,99 €*

Israel Suite / Dominante En Bleu

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

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Rupture

LP | 1973 | EU | Reissue (Sommor)

LP | 1978 | EU | Reissue (ECM)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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Impossible to find Spiritual Jazz / Funk / Groove / Psych rarity from France, 1973.

Rupture was born when famous French songwriter Boris Bergman (France Gall, Dalida, etc) decided to record a conceptual album about the history of Israel. He approached ace drummer and singer Sylvain Krief (Airto Fogo, Michel Fugain, Aznavour, Clark Terry, Bud Powell, etc) and soon, other musicians joined: Jean-François Jenny-Clark (Don Cherry, Steve Lacy, etc) on bass, Georges Locatelli (Total Issue) on guitar, Jean-Pierre Mas (piano, organ, guitar, vocals…) In resume, Rupture was a kind of super-group featuring some of the best musicians from the Euro jazz / progressive / fusion scene. It also included collaborations by Michel Fugain and Nicole Croisille.

The album was recorded over a period of three months and the result was released as a very limited private pressing with help from the Futura label. Arranged by Sylvain Krief and Jean-Pierre Mas, “Israel Suite” included a side-long suite on side A and shorter songs on Side B. An incredible mix of vocal / spiritual jazz, funk, progressive, jazz-pop, psych…

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Jan Garbarek

Places

OST The Bob's Burgers Music Album

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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“Places” is an important album for the Norwegian saxophonist with its stellar transatlantic line-up.

“Places” brings together another congregation of musicians that could only come from ECM. Drummer Jack DeJohnette lassoes his scurrying loops to the acoustic hooks of guitarist Bill Connors, while John Taylor supplements most of the cargo with organ. At the helm of this vessel is Jan Garbarek, whose saxophonism starts high and goes only higher. With cumulative notecraft and a heartfelt commitment to atmosphere, he and Taylor unwrap a lush nexus in the stunning opener. The occasional harmonic falls like a dandelion seed onto this pool of night as cymbals splash all around us. Taylor weaves a fine spread, anchoring us with sustained bass lines and attentive chording, leaving Garbarek to seal every crack with his sonic caulk. Connors seeks to light his surroundings, striking at the flint with his percussive gesticulations in hopes that one spark might show the way. Garbarek sharpens himself with arid flavor and carves out a miniature oasis in the crumbling image of exotic desire. The organ weaves in and out like a halo circumscribing us with subtle urgency until it pulls us beyond the point of no return, where dwells only silence in these “Reflections.” We then find the organ “Entering” into an electric guitar embrace. Bass and drums give us footholds where we might not expect to find them. Thus, what began as an elegy turns into a far-reaching journey that is over too soon. But in the next track we’re still “Going Places,” spurred by DeJohnette’s steady pulse and Garbarek’s hidden thermals. The energy comes in waves, subsiding here for a guitar solo and swelling there at Garbarek’s call. “Passing” ends where the album began, in a fluid ostinato of organ over which Connors looses his wavering song. Garbarek draws an ascendant pattern between those quiet strings, lifting us to an arena in which age curls into a semblance of time.

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Bob's Burgers

3LP+7" | 2017 | US | Original (Sub Pop)

39,99 €*

LP | 2017 | EU | Original (Mental Experience)

Release: 2017 / US – Original

Genre: Soundtracks

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Bob’s Burgers premiered on the Fox network January 2011, and quickly became one of the most watched series on television. After enjoying the highest-rated new season premiere of the 2010-11 season, Bob’s Burgers quickly settled into an average viewership of over 4 million per episode. The show has won an Emmy award and been nominated five times, including a current nomination for Outstanding Animated Program. It has inspired many popular spinoff items, including a recent, best-selling cookbook. With the seventh season currently in progress and airing through May 2017, Bob’s Burgers’ cultural influence only grows.

Now comes The Bob’s Burgers Music Album, featuring 107 songs from the first 107 episodes (all six existing seasons), plus five special cover versions of songs from the show. Originally broadcast within the episodes – and often in abbreviated form – these songs appear here in their freestanding glory for the first time. The Bob’s Burgers Music Album – in both its affordable standard editions and its impressive deluxe edition – is sure to be a must-have for any fan of the show (and, really, any sentient life-form).

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Cozmic Corridors

Shackleton & Vengeance Tenfold

Release: 2017 / EU – Original

Genre: Rock & Indie

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Underground Kraut-Kosmische monster, recorded / produced circa 1972-73 in Cologne by Toby “The Mad Twiddler” Robinson for his Pyramid label. Apparently released as an ultra-limited handmade edition back at the time, but no original copies have ever surfaced.

Featuring Mythos drummer Hans-Jürgen Pütz on percussion & effects, alongside synth / keyboard freak Alex Meyer, poet / vocalist Pauline Fund and mysterious guitarist Peter Förster.

Tripped out electronic ambient soundscapes, dark atmosphere, drones, plenty of MiniMoog, gothic Hammond organ, Rhodes, electric & 12-string acoustic guitars, ritual chants, effects, horror cinematic vibe…

WARNING: DON’T LISTEN TO THIS ALONE IN THE DARK!!

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Sferic Ghost Transmits

2LP | 2017 | UK | Original (Honest Jons)

Mark Ernestus' Ndagga Rhythm Force

Release: 2017 / UK – Original

Genre: Electronic & Dance

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No-one else makes music like this: devilishly complex but warm and intuitive, stirring together a dizzying assembly of outernational and outerspace influences, whilst retaining the subby funk-and-hot-breath pressure of Shackleton’s soundboy, club roots.
The result is an evolutionary, truly alchemical music — great shifting tides of dub, minimalist composition and choral song (“Five Demiurgic Options”); ritual spells to ward off the darkness (“Before The Dam Broke”, “The Prophet Sequence”); radiophonia and zoned-out guitar improv (“Seven Virgins”); even the febrile, freeform psychedelia of eighties noise rock (“Sferic Ghost Transmits” / “Fear The Crown”).
Over the five years since “Music For The Quiet Hour”, Vengeance’s vocal and lyrical range has rolled out across this new terrain. Throughout these six transmissions he’s hoarse preacher, sage scholar and ravaged bluesman; blind man marching off to war, and exhausted time-traveller warning of impending socio-ecological catastrophe.
Six dialogic accounts of our conflicted times, then, expanding beyond the treacly unease of the duo’s early collaborative work into something subtler and more emotionally shattering — its shades of brightness more dazzling, and its darkness even murkier.

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Yermande

LP | 2016 | UK | Original (Ndagga)

24,99 €*

LP | 2016 | EU | Original (Epitaph)

Release: 2016 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Five years into the project, with two acclaimed albums and dozens of triumphant international performances to its name, “Yermande” announces a thrilling new phase for this Dakar-Berlin collaboration: emphatically a giant step forward.
The group of players is boiled down to twelve for recordings, eight for shows; sessions in Dakar become steeply more focussed. ‘This time around I was better able to specify what I wanted right from the initial recording sessions in Dakar,’ says Ernestus; 'and further in the production process I took more freedom in reducing and editing audio tracks, changing MIDI data, replacing synth sounds and introducing electronic drum samples.’
Right away you hear music-making which has come startlingly into its own. Rather than submitting to the routine, discrete gradations of recording, producing and mixing, the music is tangibly permeated with deadly intent from the off. Lethally it plays a coiled, clipped, percussive venom and thumping bass against the soaring, open-throated spirituality of Mbene Seck’s singing. Plainly expert, drilled and rooted, the drumming is unpredictable, exclamatory, zinging with life. Likewise the production: intuitive and fresh but utterly attentive; limber but hefty; vividly sculpted against a backdrop of cavernous silence.
Six chunks of stunning, next-level mbalax, then, funky as anything.

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Touche Amore

Stage Four

7" | 2016 | UK | Original (Ace)

Release: 2016 / EU – Original

Genre: Rock & Indie

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Los Angeles artful indie post hardcore band Touché Amoré new album.

Formed in Burbank, California, across 2007 and 2008, the band’s urgent sound, with its melodic sonic assault and impassioned vocals, has grown tighter and more refined through a trio of full-length albums and a series of EP’s and releases. Since those early days, lead singer Jeremy Bolm, guitarists Nick Steinhardt and Clayton Stevens, bassist Tyler Kirby, and drummer Elliot Babin have created a trajectory for themselves through hard work and dedication. And now with Stage Four, their fourth and biggest album to date, they are cementing their status as one of rock music’s most talented, relatable, and visceral acts. Over the years the band rose to prominence with 2009’s …To the Beat of a Dead Horse and 2011’s Parting the Sea Between Brightness and Me. Touché Amoré crossed into new territory with the 2013 art-punk masterpiece Is Survived By. Having earned early cred, critical favor, and legions of fans by playing lengthy tours of all shapes and sizes—in every basement, youth center, and house show—the band enjoyed a bigger following which only grew along with their talents.

“I don’t open up to people too much in regular life, but when I’m writing songs, I want to be as open and as honest as possible,” Bolm confesses. Touché albums have always served as an emotional outlet for Bolm. So when the time came to write Stage Four there was no question that it would be about passing of Bolm’s mother in late 2014. Stage Four was recorded in early 2016 in Studio City, CA with producer Brad Wood. Cathartic in delivery, highly sentimental, and sonically triumphant, Stage Four is an emblem of a band both living its dream and marred by loss. And with Stage Four, Touché Amoré has unmistakably made the biggest, boldest, and most artistic statement of their career.

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Billy Hawks

O'Baby!

Shackleton With Ernesto Tomasini

Release: 2016 / UK – Original

Genre: Organic Grooves

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Billy Hawks’ second album "Heavy Soul" is an organ-heavy mod R&B masterpiece. It included club classic ‘O'Baby (I Believe I'm Losing You)’, as well as three other floor-fillers; ‘You've Been A Bad Girl’, ‘Whip It On Me’' and ‘What More Can I Do?’.

The beautifully packaged EP is designed in the London Records / Decca style and showcases the two known photographs of Billy. These were provided by the organ-playing singer's brother Leroy in 2014. Until this point almost nothing was known about Billy.

A native of Richmond, Virginia, he based himself in Philadelphia and his trio worked up and down the Eastern seaboard. He was discovered playing in one of the endless clubs and lounges that existed at the time and made his first album for Prestige, “The New Genius Of The Blues”, in 1966; “Heavy Soul” followed a year later.

Produced by Cal Lampley at Rudy Van Gelder's studio in Englewood Cliffs, both ‘You've Been A Bad Girl’ and ‘What More Can I Do’ are appearing on 7- inch for the first time.

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Devotional Songs

2x12" | 2016 | UK | Original (Honest Jons)

16,99 €*

Impressions On Reading Aldous Huxley

Release: 2016 / UK – Original

Genre: Electronic & Dance

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Shackleton's most expansive, ecstatic and hallucinatory music to date. Four long form pieces developing the free-flowing compositional aesthetic of his recent Deliverance series and Powerplant performances: fiery rhythmic-melodic turbulence channeling Congotronics way to the east - with an aura of restrained mania reminiscent of the feral pomp and gallows humour of Coil's Moon-Musick phase - all earthed by dub wise bass. The pairing with Tomasini - the cult singer, performer and artist whose history spans experimental theatre, cabaret and collaborations with (among many others) Othon, Marc Almond, Sleazy, Julia Kent and David Tibet - is a match made in heaven. With his four-octave voice swooping from deep growl to piercing falsetto, Tomasini's presence both heightens the taste for the theatrical that’s always been integral to Shackleton’s music, and makes explicit the latter’s kinship to the occult energies of the UK’s post-industrial underground. As the record's title suggests, these are shadowy songs rich with allusions to bodily ritual and psychic exploration, with Tomasini’s lyrics framed by luminous whirls of hand-struck drums and synthetic gamelan, bells and tumbling organ melodies. You Are The One escalates from delicate choral chant to full-bore psychedelic organ freak out; Rinse Out All Contaminants is a slow incantation, to purge all negative thoughts; the melodies of Father You Have Left Me are smudged like early Steve Reich, then burned out by snarling subs; and the magnificent Twelve Shared Addictions balances elliptical melodies like spinning plates, gradually unfurling into a breakneck storm of voice and hammered keys. A remarkable collaboration that also, crucially, hints towards new emerging futures in the work of one of this decade’s pioneers in electronic sound and rhythm.

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Brave New World

LP | 1972 | EU | Reissue (Wah Wah)

20,99 €*

LP | 2016 | UK | Original (Mr Bongo)

Release: 1972 / EU – Reissue

Genre: Rock & Indie

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Conceived as a studio project and conceptually inspired by the world of sci-fi novelist Aldous Huxley, Brave New World was created by Reinhart Firchow (recorders, flutes, ocarina, Stylophone, percussion, vocals), John O'Brien-Docker (guitars, organ, percussion, vocals, wind chimes) and Herb Geller (flutes, cor anglais, saxophones, organ). They where aided by Dicky Tarrach (drums, percussion), Lucas Lindholm (bass, bass fiddle, organ, piano) and Esther Daniels (voice). Irishman John O'Brien-Docker had previously played on Die City Preachers and Marcel, and also recorded as Inga & John - Inga was, of course, Inga Rumpf of Frumpy fame. He also played with Dagmar Krause and Anthony Moore, who would later be known as Slap Happy. Reinhart Firchow had also been around for a while and would later form Kaarst. Herb Geller was an accomplished jazz musician who had been playing and recording in several jazz outfits since 1954. Their album, originally released on Vertigo in 1972, featured an eclectic mixture of styles, blending medieval music, folk, electronics, jazz and rock in pure krautrock eclectic lore in the line of Annexus Quam, Achim Reichel or Tomorrow's Gift.

First ever reissue, housed in a glossy laminated gatefold cover reproducing the phenomenal original artwork and an insert with notes, and it's limited to only 500 copies!

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Hareton Salvanini

SP73

LP | 2016 | FR | Original (Greensleeves)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Brazilian arranger and composer Hareton Salvanini was born in Bauru and grew up in Campinas. S.P 73 is his first LP – he worked tirelessly with his right man and brother, Ayrton, was a theatre director. The 'Hareton + Meta' EP was written and recorded for one of Ayrton’s productions – Hareton wrote the music, Ayrton the lyrics – which was given out at performances.

S.P 73 was recorded with the full Campinas Teatro Municipal Orchestra, the same orchestra that that featured on ‘Hareton + Meta’ EP. It is a wonderful, deep soundscape of filmic MPB melodies, strings, organ, woodwind, drums and vocals. A record that sits alongside Verocai’s self-titled LP perfectly.

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Alborosie

Freedom & Fyah

LP | 2016 | EU | Original (BBE Music)

Release: 2016 / FR – Original

Genre: Reggae & Dancehall

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The new album! One of reggae's emerging masters of Reggae / Dancehall & Dubwise production, Alborosie has honed his craft through the creaton of six studio albums (five for Greensleeves). Along the way, he has become the biggest selling European roots reggae artist. His latest album, "Freedom & Fyah" demonstrates his production skill and depth of feel with strong contemporary and authentic reggae jams. All tracks are produced by Alborosie, with most of the songs mixed by the high renown James "Bonzai" Caruso. Featured guests include Ky-Mani Marley on the ballad and first single/video "Life To Me" and Protoje, who have been just voted as best international artist by the Riddim magazine readers, on the track "Strolling" and reggae legends, the Roots Radics band with Flabba Holt on the track "Everything" feat. Pupa Avril. Stand out tracks include "Poser" (which has chalked up already over 1 million YouTube views) and "Rocky Road" which is up to 500K views.

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The People's Workshop

Houston Talent Expo 82

LP+CD | 2016 | EU | Original (Schema)

Release: 2016 / EU – Original

Genre: Organic Grooves

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We are both proud and excited to present this highly sought after early 80's gem, originally created as a showcase project for young artists and composers by a community music organisation in Texas.

Originally referred to as the 'Pop Music Lab', the Peoples' Workshop was formed in 1976 at Texas Southern University as a space for students to compose and perform, free from the constrains of Western classical music education.

Swiftly gathering momentum, in 1980 the organisation was granted non-profit status and in 1983, moved off the TSU campus. The Workshop has since grown in size and scope, becoming the first Black-founded organisation to present shows in major performance venues around the Greater Houston area.

Houston Talent Expo '82 features original compositions by members of The Peoples' Workshop, performed exclusively by musicians from Houston. The songs vary in style, but remain centered around gospel, funk and soul; music and lyrics with a powerful positive message. Many of the artists featured remain active today around the world, working with such acts as Alice Coltrane and The Charles Mingus Band among others.

Houston Talent Expo '82 comprises a truly special collection of songs born from the struggle, true to the spirit of togetherness that underpins The Peoples' Workshop, written and performed by astonishing young talents.

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Alex Puddu

In The Eye Of The Cat

Luiz Carlos Vinhas / Golden Boys

Release: 2016 / EU – Original

Genre: Organic Grooves

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A groovy vibrant jazz / soul / funk soundtrack for an imaginary hard-boiled movie from the 70s!
The varied selection of instruments (organ, flute, moog, bongos, cello, violin, drums, bass, acoustic
and electric guitars etc.) blend flawlessly into each other and make this album an intense and
inspired trip... in fact it may turn into a movie in front of your very eyes! Featuring the legendary
Edda Dell’Orso on vocals and her husband Giacomo on string arrangements!!!

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Ye Me Le / Berimbau

7" | 2015 | UK | Original (Mr Bongo)

LP | 2015 | EU | Original (Garden Of Delights)

Release: 2015 / UK – Original

Genre: Organic Grooves

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‘Ye Mele’ is a very firm Mr Bongo favourite, and always a contender for end/start of the night track. A true classic.

Opens with a distinctive vocal harmony/chant and claps before dropping into bossa piano, organ and drums, which calms for a moment before reaching the chorus… and then building more into a horn section, that plays until the end. Immense.

Taken from Vinhas’ now relatively expensive and very excellent ‘O Som Psicodelico’ LP from 1968.

‘Berimbau’. And again - another favourite. Awe inspiring arrangement, of the highest order.

Opens with what is very reminiscent of a Brazilian Western soundtrack, before soaring into vocals, strings and horns. And then THAT end section…!

Golden Boys were a male vocal group, of brothers. ‘Berimbau’ is taken from their self-titled 1969 LP.

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Gäa

Auf Der Bahn Zum Uranus

Release: 2015 / EU – Original

Genre: Rock & Indie

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The classic 1974 album by this highly rated German progressive band, reissued as a beautiful picture disc LP! This is an edition of 1.000 hand-numbered copies, presented with a coloured 4-page LP-size insert.

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Ortofon

Stylus 2M Blue

149,00 €*

Durand Jones & The Indications

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The 2M Series of cartridges is designed for precise and accurate retrieval of the information in the record groove. Our philosophy is to play the record sound as accurate as possible, without coloring the sound

The name 2M was selected from several ideas. We wanted a modern name that would be easy to pronounce and remember, and therefore an alphanumerical name was chosen. 2M means MM, which is the abbreviation for moving magnet.
The 2M series of cartridges features Ortofon’s trademark split pole pins, an invention that enables moving magnet cartridges to have a flat frequency response, as with a moving coil cartridge. Split pole pins were invented by Ortofon, and were originally presented in the 500 series and Super OM series.
We have optimized the design for ease of mounting the cartridge, and the weight and size to fit the most common turntables on the market today. The 2M Series provides excellent compatibility when used in an assortment of playback systems and with a wide variety of phono preamps.

The 2M Blue Series features:

an improved engine, which provides an increased output of 5.5mV
Nude Elliptical diamond and split pole pins with a copper wire

Technical data:
• Frequency range 20-25.000 Hz
• Frequency response 20-20.000 Hz + 2 / - 1 dB
• Tracking ability at 315Hz at recommended tracking force *) 80 µm
• Compliance, dynamic, lateral 20 µm/mN
• Stylus type Nude Elliptical
• Stylus tip radius r/R 8/18 µm
• Equivalent stylus tip mass 0,5 mg
• Tracking force range 1,6-2,0 g (16-20 mN)
• Tracking force, recommended 1,8 g (18 mN)
• Tracking angle 20°
• Stylus colour Blue

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Smile / Tuck 'N' Roll

7" | 2015 | US | Original (Colemine)

9,99 €*

LP | 1982 | EU | Reissue (Pharaway Sounds)

Release: 2015 / US – Original

Genre: Organic Grooves

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Bayou-born soul sensation, Durand Jones, is bringing his raw
energy to Colemine Records with his debut 45. Jones brings you
two fiery sides of original soul music, pairing soaring vocal work
with dusty drums, slinking guitars and screaming organs.
With a stellar background in gospel, Jones got his start in the
church, singing in the choir of his hometown in rural Louisiana.
When his music career took him to Bloomington, Indiana, he was
selected to join the legendary Indiana University Soul Revue,
and it was through his involvement that he met writer/producer
duo Aaron Frazer and Blake Rhein. The three began writing
original soul music, recording themselves straight to tape in the
basements of Bloomington- a process which brings you the gritty
sounds available on Ohio-based Colemine Records CLM-130.
The A-side features “Smile,” a frenetic dance floor single that
darts between post-disco groove and breakneck soul. The flip
side is the heavy hitting instrumental strut “Tuck n Roll,” a single-
take recording featuring the fuzzed out organ of Indications
keyboard player Justin Hubler.

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Osiris

12" | 2015 | EU | Original (Pampa)

Release: 1982 / EU – Reissue

Genre: Rock & Indie

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The first ever vinyl reissue of this 1982 Arabian prog/psych masterpiece by cult band Osiris, hailing from Bahrein. A killer blend of '70s sounding hard progressive/psychedelic sounds with long ripping Mini-Moog and analogue synth attacks and hard lead guitar, but also mellow vibes, Arabian folky touches, exotic percussion and a floating -at times funky- rhythm section. The vocals are in English. The core of this six-piece existed of brothers Mohamed and Nabil Alsadeqi, who had already been making western orientated music since 1969. The LP coms with sound from the master tapes and includes an insert with photos and liners.

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DJ Koze

XTC

13,99 €*

LP | 1981 | EU | Reissue (Bureau B)

Release: 2015 / EU – Original

Genre: Electronic & Dance

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DJ Koze’s 2013 album opus Amygdala has continued to bewitch all who encounter it since its release. Tipped as his own personal Sgt. Pepper, the sublime long-player revealed a fully-realised and personal body of work, complete with a classic songwriting at its core, House in its heart, and veins coursing with psychedelic color. “La Duquesa” was the album’s dreamy single standout, a journey into deep, tropical ecstasy. “XTC” begins in the same spirit, and captures the all the blissful allusions of its name, but its initial gentility belies the deep intensity to come. Floating pads glow with celestial ambience as a kick drum is gradually coaxed into solid form, and the introduction of spoken text begins the second act. “Many people are experimenting with the drug Ecstasy,” it says, “…is the drug like the lie and meditation the truth? Or am I missing something that could really help me?". “XTC” then transforms: sweetly imploring tones become demanding, gentle gradients between chords turn hard-edged, and sharp hi-hats cut through the haze. Complete with Koze’s signature percussive quirks, it drives towards the track’s final pay off: an undeniable, all-consuming, irresistible high. “Knee On Belly” recalls Koze at his most tongue-in-cheek and overt; it is bright, bold and literally brassy, using cut-up horns of all shapes and sizes to patchwork together his own unique arrangement. With the highs and mid ranges accounted for, Koze adds in a swollen, thrumming bass line to mix to bring this floor-filler to life. “Knee on Belly” recalls a raw, filtered and funky approach to groove, with a nod to disco house and the art of artful sampling, as it orbits between its own neon highs and simmering lows.

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Deutsche Wertarbeit

Deathconsciousness Black Vinyl Edition with Booklet

Release: 1981 / EU – Reissue

Genre: Pop

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"Deutsche Wertarbeit" (= quality German workmanship) is a long forgotten jewel of German electronic music. Released in 1981, it is the only solo album made by the Düsseldorf keyboard player and composer Dorothea Raukes. One of the founders of the rock band Streetmark and a member until its end, Raukes collected six synthesizer treasures for "Deutsche Wertarbeit", artfully unifying the so-called Düsseldorf School (Kraftwerk etc.), the Berliner School (Tangerine Dream etc.) and elements of Jean Michel Jarre's music with sounds of the inceptive 1980s—from the hypnotic to the hymnal, at times "cosmic".

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Have A Nice Life

2LP+Book | 2008 | US | Reissue (The Flenser)

40,99 €*

12" | 1984 | US | Reissue (Dark Entries)

Release: 2008 / US – Reissue

Genre: Rock & Indie

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In 2008, Have A Nice Life released their now cult classic Deathconsciousness LP to a whimper and critical non-interest. Six years after its release the band followed up with 2014's stunner The Unnatural World, Deathconsciousness has become a force of influence and fanatic obsession. Seamlessly blending, with unparalleled depth and weight, shoegaze, post punk, new wave, industrial and noise. The album was originally released by Enemies List Home Recordings founded by HANL members Dan and Tim. The album has since floated in and out of production, with the last instantly out of print vinyl pressing occurring in 2009. Now, longtime HANL collaborator The Flenser will re-issue Deathconsciousness with deluxe packaging, including a lengthy accompanying zine. Have A Nice Life commented, “Working with Flenser lets us keep things comfortable on our end, while also pressing enough copies to actually meet the need and not creating an artificially-inflated collector’s market, as happened with some of our past releases.”

The Flenser's reissue of Deathconsciousness will be accompanied by a 75-page booklet detailing the dark and forgotten history of the Antiochean cult. Blurring the lines between novella, liner notes, and academic text, the zine itself presents an engrossing narrative. The album is rhythmic, primal and expansive and is a gloomy-post-punk masterpiece; a mediation on death, loss and unrequited love. Deathconsciousness feels more fresh and engaging with every listen and has held up as a remarkable piece of art. Fans of Have A Nice Life exhibit both cultic thought and action for good reason. It is perhaps a fanbase as dark and mysterious as the Antiochean’s, the album itself revolves around. Now The Flenser is honored to rerelease Deathconsciousness a gorgeous and disarming contribution to the modern lexicon for a larger audience.

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Opera Multi Steel

London Is The Place For Me

Release: 1984 / US – Reissue

Genre: Pop

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Opera Multi Steel was born during the winter of 1983 in Bourges, a city in the center of France. The band started off as a trio with Franck Lopez (Vocals, Keyboards,Recorder, Guitars), his brother Patrick L. Robin (Vocals, Percussion) and Catherine M. Marie (Keyboards, Vocals). They began to record demos utilizing a Elex Keyboard, Casio VL-Tone, Roland TR-606 drum machine, guitars and bass pedals. Layering organ-like keyboards over drum machine snares and a woodwind recorder, they created a unique style of Medieval or Baroque synth pop.

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Volume 5: Latin, Jazz, Calypso & Highlife From Young Black London

2LP | 2013 | UK | Original (Honest Jon's)

12" | 2012 | EU | Original (Trelik)

Release: 2013 / UK – Original

Genre: Organic Grooves

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As then, calypso carries the swing. There are four more Lord Kitchener songs — in consideration of his wife leaving him for a GI, cricket umpires, a fling onboard an ocean-liner and West Indian poultry — besides a hot mambo cash-in, cross-bred under his supervision, and an uproarious, teasing Ghanaian tribute to him in Fanti by London visitors The Quavers.
Other calypsos range compellingly from the devaluation of the pound through jiu jitsu, big rubbery instruments, football fans, heavyweight champ Joe Louis and the sexual allure of English women police. The Mighty Terror contributes the woe-begotten, cautionary tale of his beloved Patricia's change of heart: 'I cannot believe, not for one moment / She gone with Millicent... / You may think I am jocular / But this really happened in Manchester / I felt so ashamed, my friends laughed at me / I had to take a train for London city.'
Ambrose Campbell is back, with six more shots of prodigal, limber, melancholic, visionary West African highlife. Also the Rolling Stones' favourite Ginger Johnson, with a percussive Latin scorcher; and Mona Baptiste, with some wonderful, soulful exotica.
Jamaican mento makes its first entry in the series, with a brace by Tony Johnson: a drily witty drinking-song, and a love-letter to Marilyn Monroe. Also finally getting some dues, the path-breaking Latin-African-jazz experiments of Ghanaian drummer and percussionist Buddy Pipp, with spine-tingling playing by the great Jamaican saxophonist Joe Harriott.
Expert jazz idioms course sophisticatedly through all the selections, which include a straight-up, South London version of Duke Jordan's Jordhu, something from Dizzy Reece's soundtrack — brokered by Kenneth Tynan — to the British crime film Nowhere To Go, and a trio of magnificently hybrid, hard-swinging instrumentals led in turn by master-guitarist Fitzroy Coleman, Kitch's innovative arranger Rupert Nurse, and trumpeter Shake Keane — named after Shakespeare because of his love of poetry — from St. Vincent.

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Soul Capsule

Overcome

18,99 €*

Mark Ernestus presents Jeri-Jeri with Mbene Diatta Seck

Release: 2012 / EU – Original

Genre: Electronic & Dance

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Back in! Trelik returns with a repackaged edition of one of the catalogue's most treasured releases. "Overcome" and "Lady Science (NYC Sunrise)" need little introduction, and now come sporting the new TR11:11 matrix number. Written and produced by Thomas Melchior and Baby Ford aka Soul Capsule. These tracks came from one of the many sessions recorded at the West London Ifach Studio in 1999. On the A Side "Overcome" is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. The intermittent vocal samples and the release's signature organ set you up for the flip, "Lady Science (NYC Sunrise)". Possibly one of house music's most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. The understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. Remastered by Rashad at D & M.

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Xale

12" | 2012 | UK | Original (Ndagga)

LP | 2011 | US | Original (Weathermaker Music)

Release: 2012 / UK – Original

Genre: Organic Grooves

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A sophomore three-tracker: singer Mbene Diatta Seck in sombre consideration of street-kids and parental neglect, buoyed by propulsive drumming and trenchant bass; a second version without vocals, laying bare the poly-rhythmic interplay between marimba and percussion; and a mesmeric six-minute instrumental, with bassist Thierno Sarr grooving out on the top string of his instrument, bringing an elusive Manding flavor to the deep Mbalax mix.

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Clutch

Blast Tyrant

36,99 €*

Nausyqa Orange Marbled Vinyl Edtion

Release: 2011 / US – Original

Genre: Rock & Indie

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Nausyqa

LP | 2024 | EU | Original (Wicked Wax)

Release: 2024 / EU – Original

Genre: Organic Grooves

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The Amsterdam-based group Nausyqa consists of six musicians from Portugal, Spain, Italy, and the Netherlands. They are influenced by movie soundtracks (such as Hayao Miyazaki's _'Nausicaa of the Valley of the Wind_'), electronic music, post-rock, drum&bass, flamenco and contemporary jazz. Engaging grooves, evocative melodies and visceral improvisation, this young band brings you to visual places with their music.

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Technics

EAH-AZ80

299,00 €*

12" | 2024 | EU | Original (Dischi Spranti)

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True Wireless Noise Cancelling Earphones with Multipoint Bluetooth®

Crystal Clear Sound. Now Wireless.

AZ80's large 10mm drivers, special acoustic structure and category-leading noise cancellation give you exceptional Technics sound – wherever your day takes you. With beautifully crafted comfortable design, seamless device switching and crystal-clear call clarity – you won't miss a beat.

Signature Technics Clear Sound
Experience detailed Technics hi-fi sound with powerful bass. An enhanced low-distortion bass response is achieved with large 10mm free-edge aluminium alloy diaphragms.*

Natural Concha Fit
Low-profile design with natural concha fit – to stay comfortable and in-place throughout even your most active days. AZ80 earbuds are carefully shaped to fit the concha groove just above the ear opening – for a comfortable and secure fit.

Multipoint Connection to 3 Devices
Seamless switching for up to 3 devices* (e.g. PC, smartphone & tablet).
*No LDAC playback with 3 devices.

Pure Listening with Noise Cancelling
Dual Hybrid Active Noise Cancelling tech using feedforward and feedback mics, plus analogue and digital processing – for uninterrupted category-leading hi-fi sound performance.
*Technics research using JEITA guidelines for true wireless noise cancelling headphones as of March 2023.

Never miss a beat.

Superior Uninterrupted Sound & Smart Features

JustMyVoice™ Technology
8 separate mics plus advanced wind noise reduction, to isolate and amplify speech while minimising background noise.
*Performance may be affected by external factors.

Long Battery Life
Up to 7 hours* playback with ANC on, 24 hours back-up with the case. Quick charge for 15 minutes will give you 70 minutes of playback.
*After a full charge, subject to playback volume and other factors.

Control the Sound Around You
Natural Ambient Mode lets you select how much background sound to hear, while Attention Mode focusses on speech.

Convenient Single Earphone Use
Keep one ear open, or charge one earphone while using the other. Customise touch sensors through the Technics app.

Premium Look and Feel
Sleek aluminium trim, with engraved Technics logos, for a reassuringly crafted and tactile experience.

100% Plastic-Free Packaging
New plastic-free packaging. The plant-based bioplastic DURABIO™ is used in the earphones and charging case.

Easy Qi Wireless Charging
Simple fast wireless charging by placing the earphone case on a compatible charger.

Technics Audio Connect App
Easy set-up, battery level check, select EQ sound modes, adjust noise cancelling levels and customise touch-sensors with this intuitive app*.
*Requires Android™ 6.0 or higher with Google Play,™ iOS12 or higher.

IPX4 Water Resistance
With IPX4* water resistance for the real-world – with no worries about rain or intensive workouts in the gym.
*IPX4 compatibility for earphones, not charging case.

Choose the best earphones for you
For high-quality listening, you need earphones that can keep up with your pace. Designed with your comfort in mind, Technics True Wireless earphones give you superior sound wherever you are, whatever you’re doing. Use smart features to switch seamlessly from listening to music to taking a call.

Specs:
• Enhanced low-distortion bass response with is achieved with the large 10mm free-edge aluminium alloy diaphragm structure.
• Featuring an acoustic control chamber for natural mid-range with powerful bass. Plus a harmoniser for low-distortion expansive sound.
• Dual Hybrid Noise Cancelling with feedforward & feedback mics, plus analogue & digital processing – a hi-fi experience.
• Seamless switching for up to 3 devices (e.g. PC, smartphone & tablet).
• JustMyVoice™ Technology with 8 mics & advanced wind suppression, to isolate speech from background noise for clearer calls.

Technical Data:
GENERAL
• Driver Unit (mm): 10 mm (3/8 in)
• Frequency Response: 20 Hz - 40 kHz (LDAC 96 kHz/990 kbps)
• Mic: Monaural, MEMS Mic

• Playback Time with Battery (LDAC):
Earphones:
- Approx. 4.5 hours (NC ON)
- Approx. 5.0 hours (NC OFF)
Earphones with Charging case:
- Approx. 16 hours (NC ON)
- Approx. 17 hours (NC OFF)

• Playback Time with Battery (AAC):
Earphones:
- Approx. 7.0 hours (NC ON)
- Approx. 7.5 hours (NC OFF)
Earphones with Charging case:
- Approx. 24 hours (NC ON)
- Approx. 25 hours (NC OFF)

• Charging Time (25°C/ 77°F)
- Earphones: Approx. 2.0 hours
- Charging case / USB: Approx. 2.5 hours
- Charging case / Qi *With certified Qi charger: Approx. 3.5 hours
- Earphones with Charging case: Approx. 3.0 hours
- Earphones with Charging case / Qi *With certified Qi charger: Approx. 3.5 hours

• Quick Charge (15 minutes, AAC):
- Earphones: Approx. 70 minutes (NC ON)
• Standby Time:
Earphones
- Approx. 9 hours (NC ON),
- Approx. 15 hours (NC OFF, Auto power off does not work)

• Dimensions (W x H x D):
Earphones *with Earpiece M size
- Approx. 22 mm x 27 mm x 24 mm
- Approx. 7/8 inch x 1-1/16 inch x 15/16 inch
Charging case
- Approx. 69 mm x 36 mm x 29 mm
- Approx. 2-11/16 inch x 1-7/16 inch x 1-1/8 inch

• Weight:
- Earphones (one side only: L and R are the same): Approx. 7 g (0.25 oz)
- Charging case: Approx. 50 g (1.8 oz)

• Supplied Accessory:
- USB charging cord: Approx. 0.2 m (0.66 ft) (Input Plug : USB Type-C Shape, Output Plug : USB Type-C Shape)
- Earpieces set : XS1, XS2, S1, S2, M, L, XL (M attached)

Advanced Function
• Bluetooth® Wireless Technology:
- Version: 5.3
- Supported Profiles: A2DP, AVRCP, HSP, HFP
- Codec: SBC, AAC, LDAC
- Operating Distance: Up to 10 m (33 ft)
- Multi-point: Yes(Connect up to 3 devices at a time.)
- Multi-pairing: Yes(Connect up to 10 devices.)
• Water Resistance: IPX4 Equivalent (Earphones only)
• Dual Hybrid Noise Cancelling: Yes

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Dischi Spranti

Dischi Spranti Volume 2

2LP | 2024 | EU | Original (Hardspace)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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”Dischi Spranti - vol. 2" is the second official release for the independent label Dischi Spranti. After the first volume with some of the best producers of electronic music in Salento, "vol. 2" continues its research into the local groove, by collecting six tracks mainly dedicated to the dancefloor. The watchword is 4/4, no matter if it is house, techno, acid, tribal or deep, with an ambient finale that appeases bodies and sweat. Marco Santoro, Buck, Giorgio Luceri, Mhadan aka Daniele Marzano and the two founders Max Nocco and Marco Erroi invite you to follow their disjointed dances and, as always, to get lost in Massimo Pasca’s amazing artwork. All you have to do is turn up the volume and argue with your neighbor.

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Hardspace

Hardspace Volume Four

30,99 €*

Houdini And The Sucker Punch Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Arriving on transparent blue vinyl, the fourth installation of Figure’s Hardspace series brings six new re-interpretations of Len Faki’s favorites via his Hardspace alias.

Starting with a true classic, the gem that is Josh Wink’s Sixth Sense picks up on the original’s tight plastic groove and creates some serious low end rumble.
A less obvious choice, Aoki Takamasa’s minimalist dub from Japan, gets a complete makeover in the Hardspace edit, using driving percussion to morph the pensive blueprint into an upbeat peaktime slammer.
One of the most iconic basslines of the last decade, DJ Yoav B’s Energize is a standout on its own but paired with the relentless groove of the high-energy Hardspace remix it unlocks new levels of rave potential.
Huxley’s Weapon 3 was maybe one of the darkest tunes ever released on the otherwise house-centric catalogue of UK label Aus, which Len Faki already played back when it was first released. The Hardspace Mix merges a feeling explosive force with the originals sultry ambiance, catapulting the track back onto today’s dancefloors.
Colourful, dubby synth stabs are what keeps the momentum on peak time roller Funktion by French producer Tuttle, which in its Hardspace version packs even more heat, as Faki employs his signature claps and tunes up the original’s enervating siren sound, squeezing out every last drop of energy.
Originally released in the 90ies, Mike Parker’s Shakuhachi Two is as techno as it gets. Only now sounding even more powerful and dynamic, as the Harspace Mix keeps all of the original goodness while stacking additional propulsive percussion for a sweaty floor workout.

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Peter Bruntnell

LP | 2024 | Original (Cadiz -Domestico)

36,99 €*

LP | 2024 | EU | Original (Moloton)

Release: 2024 / Original

Genre: Rock & Indie

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In an uncertain number of years time, it will be acceptably cool to say that you first got into non-Grammy-winning artist Peter Bruntnell through his classic 2024 album 'Houdini And The Sucker Punch', before then going back and discovering his back catalogue of yet more classics. And you were there! You saw him live. You were one of those 10 people who saw him play in that modestly-sized room, almost 30 years into his career.So here we are again. Three years on, another album into Peter's 13 or 14 album catalogue and shouldering the burden of even more sublime reviews. Every possible positive adjective has been called into play, although it must be noted that the word 'sublime' can never be used enough. Not even 2021's primarily solo, slightly synthy lockdown album succeeded in putting an end to his non-success, despite Mojo echoing the plea that, 'Somehow, some way, this cult and infinitely class songwriter must get his due wider recognition'. The Scottish Daily Express with its 5 star review, slightly frustrated, said, or perhaps yelled, 'I’m getting tired of saying this: He’s brilliant'. The Irish Times thoughtfully combined two quotes into one, saving us the trouble of going back and getting crushed under the sheer weight of Peter's archive of press quotes: 'With 'Journey To The Sun', the man whose songs NME once noted should be placed on school curriculums has done it again.' 'Houdini And The Sucker Punch' sees Peter re-employing his long-term band members Mick Clews (drums), Dave Little (electric guitar) and Peter Noone (bass), along with a number of his favourite musicians. Cameos include pedal steel virtuoso Eric Heywood adding magic to 'Houdini', 'The Flying Monk' and 'Stamps Of The World', Son Volt / Uncle Tupelo's Jay Farrar playing piano on 'Sharks', Peter's old partner in crime (we suspect quite literally), James Walbourne of The Pretenders tearing up 'Yellow Gold', cellist Laura Anstee on 'Sharks' and 'Jimmy Mac', Son Volt's Mark Spencer's Hammond organ and piano on 'Let There Be A Scar' and mastering man Peter Linnane touching up the album with some added Hammond organ and synth. Side A:1. Houdini And The Sucker Punch2. The Flying Monk3. Yellow Gold4. Sharks5. Out Of The PinesSide B:1. Let There Be A Scar2. Head-Smashed-In Buffalo Jump3. Stamps Of The World4. No Place Like Home5. Jimmy Mac

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Theodor Kentros

Trystereo

30,99 €*

7" | 2019 | US | Original (Daptone)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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This debut full-length album by Stockholm-based composer and electroacoustic experimentalist Theodor Kentros, could easily be interpreted as 'just' an assemblage of pieces written between 2021-2024. Named after the paranoid hallucination (or, if said hallucination is real, the underground secret mail system) figuring in the 1966 Thomas Pynchon novel ‘The Crying of Lot 49’, it should rather be perceived as a very distinct, coherent stream running through his output during these years.

The six tracks – ranging in sound and disposition from serialised organ drones constructed to reach screeching and beautiful culminations, to minimalist, repetitive studies in tape loops and string synthesis – were composed and recorded in Stockholm and Visby at different occasions during down-time from his many other projects, which include a myriad of other commissions, co-running labels XKatedral and Kalkatraz Cassettes and touring with punk groups and solo shows.

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Scone Cash Players

Canned Champagne

10,99 €*

Mellowmaniac Burgundy Vinyl Edition

Release: 2019 / US – Original

Genre: Organic Grooves

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Moo Latte

LP | 2024 | UK | Original (U Know Me)

37,99 €*

Mellowmaniac Black Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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The 180g vinyl is available in two colors: Classic Black and a Limited Burgundy Edition, with the outer cover hand-colored and numbered (100 copies) by Moo Latte himself.

Mellomaniac, the seventh full-length album by Moo Latte, is different. These 28 compositions, written and recorded in 2021/22, were initially created for Moo's personal use, serving as a life soundtrack during many weeks and months spent away from home while touring with the band. Most of the tracks were recorded in hotel rooms and even backstage areas, fully embracing the lo-fi mindset and philsophy. Comparing to his previous works, this one holds a special significance and it's the most personal of them all.

What's Mellomaniac? The wordplay combines "melomania"—defined as an excessive and abnormal attraction to music—with the "mello" vibe that reflects both Moo Latte's personality and the nature of the music itself. The album leans toward a mellow sound, designed more for an intimate, individual listening experience where each spin of the record leads to new discoveries.

Why is this album different? Each of these pieces was created without any predetermined goal, which is why the tracklist is so eclectic—much like Moo Latte's palette of inspirations. These influences stretch back to when he was just four years old, singing in front of others for the first time or listening to his sister practice the violin. These early memories and instincts are blended with more deliberate musical choices, refined over two decades of music education. Each song is dedicated to a person, place, or situation that shaped him both as a musician and as an individual, reflecting the journey he has been on so far.

After six previous albums rooted in beat-making culture, this is the first one that is 95% drumless and free from sampling of any kind. Although the stories in these songs are told without words, Moo Latte incorporates his voice alongside a wide array of instruments, using it more expressively than ever before. The album's sonic quality is both raw and lush. The grit comes from the way it was recorded, using gear and microphones that, while not top-tier, were simply what was available. Everything was mixed in Moo Latte's bedroom and mastered on analog tape, resulting in a personal, intimate, and dynamic listening experience.

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Moo Latte

LP | 2024 | UK | Original (U Know Me)

28,99 €*

LP | 2024 | EU | Original (Caf?)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Vrvn

Storia

Murder In A Foreign Place 40th Anniversary Red Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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After more than ten years, four albums and countless shows, Swiss artist Joell Nicolas takes a turn and releases her last album as Vrvn. Despite being an ending, Storia is also a place for beginnings. For the first time, Vrvn brings together her semi-modular synth with an acoustic instrument, but not just any: a church organ. Filled with air like a dragon, it becomes both emancipating and dangerous, weaving its sounds with synthetic ones, together with voices and lyrics: in English and –also for the first time– in French. Three years of musical research condensed in ten tracks, sometimes structured as songs, sometimes as sensitive soundscapes. Stemming from an exploration of textures over structure, Storia meanders through intimate topics, such as childhood, silence, risk, healing and transformation. With the support of Ville de Lausanne and Canton de Vaud.

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M.I.A. (US)

LP | 2024 | US | Original (Alternative Tentacles)

...Into A Real Thing Vinyl Me, Please Edition

Release: 2024 / US – Original

Genre: Rock & Indie

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Formed in Las Vegas in 1980,M.I.A.moved to Orange County in 1981 and started playing shows at the infamous Cuckoo’s Nest. They first appeared on the classicLast Rites for Genocide and M.I.A.split LP (Smoke Seven) in 1982. After a short break, the band got back together in 1983 and recorded a six-song demo at Greencarton studios in November.They quickly became known for their energetic live shows, blending fast, guitar-driven hardcore with singer Mike Conley’s unique melodic voice and the trademark Southern Californian punk sound.After a show with theDead Kennedys, Jello Biafra offered to release their next album,Murder In a Foreign Placeon his Alternative Tentacles label in the summer of 1984.

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David Porter

LP | 1971 | US | Reissue (Vinyl Me, Please)

33,99 €*

U.F.O. Vinyl Me, Please Edition

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
…Into a Real Thing is the first record David Porter produced by himself, and it sounds like an important checkpoint in the invention of progressive R&B as a genre, an album that bent the space-time continuum around R&B and willed it into something new altogether. It’s in conversation with Isaac Hayes’ own output of the era — Hot Buttered Soul especially — but where Hayes blew up the R&B form by throwing a bomb into it, helping create funk in the process, Porter worked more firmly in R&B’s space to build something new from within. …Into a Real Thing is a six-song powerhouse that manages to cram an 11-minute cover of a garage rock hit by the guy who’d later write Hulk Hogan’s entrance song alongside gut-bucket ballads with intricate string arrangements, and metaphorical tracks that compare grocery delivery to lovemaking. Its 33 minutes feel more like a fever dream than most other collections of 33 minutes.

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Jim Sullivan

LP | 1969 | US | Reissue (Vinyl Me, Please)

33,99 €*

Weekend At Raymond's Place

Release: 1969 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
No one knows what happened to Jim Sullivan, but there have been various rumors floated involving the mob, police foul play, and, due to his closeness to Roswell, alien abduction. Because of the mystery of his disappearance, the lyrics on U.F.O. took on an otherworldly quality; the songs about aliens, and being in the sky, and disappearing seem like they were written to explain his disappearance, just written six years early.

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John Manhard

12" | 2024 | EU | Original (Butter Side Up)

Tape | 2024 | US | Original (Not Not Fun)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Butter Side Up’s 12th release, Weekend at Raymond’s Place’ comes from San Diego’s hotly tipped John Manhard. A densely textured and unpredictable six-track EP whose languid groove and swing will sound equally sweet warming up a dancefloor or late into the following day.

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Frunk29

Drifting Horses

LP | 2024 | US | Original (Sophomore Lounge)

Release: 2024 / US – Original

Genre: Electronic & Dance

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Marat Shainsky aka Frunk29’s third album of cyclical six-string fugues for NNF further threads his needle of treated guitar, metronomic rhythm, and slipstream electronics into a 12-track suite inspired by “the free energy of nature:” Drifting Horses. Recorded across 2023 at home, the songs conjure moods of open plains, big skies, and endless journeys, plucked and strummed through webs of kaleidoscopic FX. Patterns ripple and reverberate, lifting into liberated wind swells of melody, gold dust, and drift.

There’s an unhurried ease to Shainsky’s style, born of discovery and daily playing, limber navigations with familiar tools, echoing in his head on long forest walks with his dog. Music of vignettes and vistas, glimpses and memories, spilling from the source to somewhere beyond tomorrow.

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Styrofoam Winos

Real Time

33,99 €*

LP | 1973 | US | Reissue (Riding Easy)

Release: 2024 / US – Original

Genre: Rock & Indie

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"The Styrofoam Winos are that band that we love to have in our lives because they transcend the language of music, not by their individual parts, but by their oneness. On Real Time, Styrofoam Winos 2nd full length of originals for the Sophomore Lounge label, you imagine—and firmly believe—that their relationship extends beyond studios and stages. You believe they not only play music together, but eat meals together, live down the street from one another, practice three days a week because it’s fun, read the same books, and that they’ve agreed in some wordless, musical bond that this is who they are. As a listener, and inevitable fan, you wonder if they found each other by a stroke of luck or the hand of destiny. You believe that they can probably read each other’s minds and that their music is as joyous to them as it is to you. After all, this is what we love about early R.E.M. records, the brainier grooves of Pavement, and the discographies of Yo La Tengo and The Breeders. The Springwater Supper Club and Lounge in Nashville has been a dive bar since before a dive bar was a brand; a place where, in the early 2000’s, everyone would wonder if David and Dave (Berman and Cloud) would be sitting at the bar and a write-up in a weekly paper could fill the room. It seemed like everyone that bought you a beer was either in Lambchop or The Cherry Blossoms. This wasn’t a world that wanted to keep great music a secret. This was a world where great music was born and championed, when a community didn’t have metrics or boardrooms. The members of Styrofoam Winos were in elementary school back then, but they carry on this scene’s shaggy-dog torch that deserves a bigger audience. Real Time was cut live to tape at The Bomb Shelter studio by Andrija Tokic (Alabama Shakes, The Ettes, Margo Price) with few overdubs and over just 5 days, whenever the band had enough money to record. The members – Lou Turner, Trevor Nikrant, Joe Kenkel – all make wonderful solo albums on labels like Dear Life, Earth Libraries, and Spinster, as well as excellent self-releases. But unlike most bands where members compose alone before bringing a song to the table, the Winos write the music and lyrics together. Their van life, which has included tours with MJ Lenderman, has solidified this chemistry. They switch instruments in the studio, too, and allow the friend who found the seed of the song to sing the lead. Between the 3 of them (and a couple visits from pedal steel buddy, Will Ellis Johnson), Styrofoam Winos trade off on guitars, drums, bass, synths, vibraphone, percussion, and all the lovely vocals, like they’re on a cross-country road trip, taking turns behind the wheel, and singing along with each other because they all know the words. And Real Time is just that: a celebration of the present-tense and its ever-shifting moments of living. They’re going down the road, not feeling bad, but feeling. On the opener, “Angel Flies Over,” it sounds like the Styrofoam Winos wind-up a melodic memory from their 2020 all Michael Hurley covers album for their own tuneage. And then, a left turn, and the road trip detours into a feel-good head-trip with the Feelies-ish “Magic Mind.” And on “Don’t Mind Me,” the Winos crib a riff from Little Feat to indulge the tempo-shifting storm clouds mid-song. Over the course of the record, the Winos continue to step on the gas and tap the brakes until “Found Round,” an improvisational finale, where they each take turns singing us the summary, “these are the things that we found,” like they forgot we’ve been listening the whole time. And, yes: I’m wearing my bright yellow, size medium, Styrofoam Winos tee shirt as I type this."—Jerry David DeCicca, Bulverde, Texas

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ODA

31,99 €*

7" | 2024 | US | Original (Artifix)

Release: 1973 / US – Reissue

Genre: Rock & Indie

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Of the plethora of touted "private press hard rock monsters'' out there, very few live up to the swaggering riff-fury of west coast blasters ODA. Commonly known as the "Black Album," the first clobbering platter by the quartet was released on their own tiny Loud Phonograph Records imprint and now commands large sums—but is actually worth the heavy hype. The band naturally centered around Randy Oda, a multi-talented ax shredder and keyboardist, and the lineup was filled out by his brother Kevin on drum assault, Art Pantoja on lead bellows and rhythm guitar, and galloping bassist Kyle Schneider.

The Oda brothers were born in Alameda County, California, attending Kennedy High School in Richmond, and started the band while still teenagers at the beginning of the '70s. ODA was influenced by hard UK rockers like Deep Purple, Zep, Free, and the Who, and they gigged all over the Bay Area, with Randy garnering comparisons to Jeff Beck's molten six-string mastery. This 1971 self-titled LP (aka the Black Album) fully displays their blistering talents, but despite some local airplay on Ksan radio, the band packed it in by '73.

This would not be the end of the Oda story, as Randy joined CCR's Tom Fogerty in the outfit Ruby afterwards, laying down his licks on two LPs that flirted with the mainstream, while staying true to his highly electric guitar muse. In 1983, ODA actually reformed for one more LP on Loud Phonograph, entitled Power Of Love. The comeback album delves a little deeper into radio friendly power pop, which makes sense, as in '82 Oda co-wrote "Think I'm In Love" with Eddie Money (which, let's face it, is Money's best song by like a mile). Randy would also collaborate with Fogerty as a duo, and the posthumous Sidekicks album (released after Fogerty passed) listed the clearly-integral Randy Oda as "arranger, composer, guitar (acoustic), guitar (electric), keyboards, primary artist, and producer.” In the 2000s, Randy would start another band with his brother called OPO which means "to lay a foundation" in Hawaiian, and ODA would reform to play a benefit in 2015 along with other obscure and heady/heavy Bay Area rockers like Savage Resurrection and Country Weather (some live footage of the event shows the band still rocking hard).

At last, Riding Easy is legitimately reissuing ODA's first smoking, gargantuan LP with bonus tracks, so crank this one up in the '70s Camaro with the windows open, and some dirt weed joints a-blazin'.

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The Latin Dogs

Warning!

15,99 €*

Magic Moment 1000 Piece Puzzle

Release: 2024 / US – Original

Genre: Rock & Indie

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Warning! was the only studio recorded document from the amazing hardcore band, The Latin Dogs, from Battle Creek, Michigan. This EP was released in 1982 and has never had a legitimate reissue until now. This remastered record is a perfect time capsule of punk becoming hardcore and original copies sell for several hundred dollars. This self-produced effort easily compares to the early hardcore punk released on Dischord Records or Touch and Go Records. From the ashes of some very seminal undiscovered punk bands such as the Brain Police, The Lips are Back, and The Itch, came The Latin Dogs. The band’s sole record was a DIY project paid for by the earnings of live performances. In those days it took many shows to get enough cash to pay for a pressing of a 7" record. It was recorded on a 4 track reel to reel and the sleeves were printed by a shady print shop that went out of business during the pressing, and the band had to break into the building to pick up the half-finished printed sleeves. This record put their early Political stance at attention. The power of a Marshall stack and Gibson SG backed by a Fender P bass with Ampegs at full volume, driven by a thin, wiry straight ahead drummer, fueled by a Jack Daniels drenched rebellious singer, gave this band a unique hardcore sound that was still reminiscent of an earlier punk sound. This powerful band, with two 6-foot guitarists, sandwiched a cocky, political, savvy singer who was not afraid of bold and precise statements. The Latin Dogs were deflected and rejected from popular punk circles, yet remained influential enough to carve out their own fan base in Grand Rapids, Detroit, Battle Creek, Kalamazoo and east Lansing. They played on shows with bands like: Big Boys, Die Kreuzen, Negative Approach, Tar Babies, Channel 3, Violent Apathy, Destroy All Monsters, and others. The Latin Dogs were ahead of their time, but also a bit ignored by their peers. Six song EP with double-sided insert, limited to 550 copies.

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Piecework Puzzles

37,95 €*

Tutti-Frutti 500 Piece Puzzle

Available Sizes: One Size

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Strange and beautiful. Ephemeral and enduring. Piecework Puzzles' collaboration with Mushroom People — a magazine for mycophiles — is an exploration of fungi in all its wonderful forms.

Piecework Puzzles Magic Moment 1000 Piece Puzzle - details:

• 1000 piece jigsaw puzzle
• zufällig geschnittene Stücke
• completed puzzle's size: 49 x 67.5 cm
• box size: approx. 20.5 x 25.5 x 4.5 cm
• thick stock and high-quality art paper
• not suitable for children
• puzzle board crafted with recycled paper

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Piecework Puzzles

31,95 €*

Available Sizes: One Size

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What happens when a still life goes on holiday and comes back with a new, tropical personality? Tutti-frutti! This is the puzzle for anyone looking for a mini mind vacation. All aboard: we’re checking into paradise.

Piecework Puzzles Tutti-Frutti 500 Piece Puzzle - details:

• 500-piece jigsaw puzzle
• completed puzzle is 49 x 67.5 cm
• box size: approx. 20.5 x 20.5 x 5 cm
• thick stock and high-quality art paper
• not suitable for children
• puzzle board crafted with recycled paper

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Alessi

Blip Löffelhalter

25,95 €*

LP | 2024 | US | Original

Available Sizes: One Size

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With its curved shape, the Alessi Blip spoon holder offers a stylish place for spoons and ladles of different sizes. The name 'Blip' refers to the sound made when a drop of water hits a surface, reflecting the gentle wave shape of the design. Ideal for use during cooking or on the table, the spoon holder is not only useful but also an aesthetic highlight in the kitchen.

Alessi Blip spoon holder - Features:

• Height: 3.4 cm
• Length: 15 cm
• Width: 9 cm
• Dishwasher safe
• Design by Laura Polinoro & Paolo Gerosa
• Material: stainless steel

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Woody & Jeremy

Hold Up, Look Back

39,99 €*

12" | 2024 | EU | Original (Nerve Collect)

Release: 2024 / US – Original

Genre: Organic Grooves

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Longtime friends and part time bandmates Woody and Jeremy return with their new album Hold Up, Look Back. Their junior effort turns out to be their most cohesive, tasteful and mature work yet. It’s also goofy, silly, often dryly funny and pretty much always funky. Or in other words it could be considered a classic Woody and Jeremy record.

It’s got that low-key “Hey folks are over, let’s put on some vinyl and rev up the turntable” kind of energy to it. It’s a break up record but it’s also a get together record. It’s a thinking about the past kind of record but it’s also a moving into the future kind of record. It’s a record about learning from your mistakes and moving towards emotional resolution, but it’s also about enjoying life, being horny, stupid and having fun.

The tracks move from yacht rock to full on dance funk vibes. Woody and company are operating at an all time high in the rhythm and grooves department.

A usual cast of characters returns to flesh out the sound, including Joe Dart and Andrew Vogt trading off bass duties, Packy Lundholm handling guitar and percussion and Reuben Garza on drums. A few special guests appear as well, including percussionist Brijean Murphy, saxophonist Ted Taforo, multi-instrumentalist David Celia and vocalists Jess Best and Taylor Harvey.

The album was recorded at Rax Trax and Sound Vault Studios in Chicago and in living rooms and backyard sheds all across Los Angeles. Paul Cherry mixed the record and added a guitar lick or two as well for good measure.

The tracks “Love Letter” and “In My Cessna 206” have become band favorites but there’s also two incredible six minute plus jammers on the B-side that aren’t to be missed - “Just A Little Bit” a Bowie-esque dance number and “End Of The Line” which might be the boys at their most Steely Dan yet. But whatever might be your standout track, hopefully this fun and groovy album finds a place in your heart and on your record shelf.

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Hassan Abou Alam

Mesh Mathoorn

Loose Tapered Ridge Pants

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Hassan Abou Alam is next to step up to the unconventional Nerve Collect label with six tracks of futuristic club-ready chaos. The finely crafted EP arrives in August and comes on 12" vinyl and via all digital platforms.

Hassan Abou Alam has established himself as one of Egypt's most innovative underground musicians over the last 10+ years. His music is a meeting of disparate worlds - organic and synthetic designs, digital and analogue tools, the traditional and the futuristic, and it has come on the likes of Yuku, Rhythm Section, Banoffee Pies and Casa Voyager. His versatile sound pulls apart existing genres and reconstructs them as something entirely new.

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Gramicci

119,95 €*

Brack Patchwork Tartan Scarf

Available Sizes: XS, S, M, L, XL

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The Gramicci Loose Tapered Ridge Pants are equipped with a loose silhouette that suits modern lifestyles, while maintaining the functionality during climbing that serves as the brand's roots. These are classic pants that stand out for having a bit of extra room around the hips and thighs, a shape that gradually gets slimmer from the knees to the leg openings, a cropped length that is on the short side, and large pockets on the left and right. The Gramicci Loose Tapered Ridge Pants are made from organic cotton twill with high durability, tension, and stiffness that can even withstand strenuous movement and dyed to give character to their appearance.

Gramicci Loose Tapered Ridge Pants - features:

• elastic, adjustable waistband with built-in nylon belt including branded buckle
• branded front center button
• zip fly
• reinforced waistband with self-fabric lining
• 2 self-fabric patch pockets at front
• 2 self-fabric patch pockets at the rear
• Gramicci woven label at right back pocket
• loose fit, lower waist, tapered legs
• 100% cotton twill

ATTENTION: All sizes are US sizes and are converted as follows:

S = 30 inches (waist) / 29 inches (inseam)
M = 32 inches (waist) / 30 inches (inseam)
L = 34 inches (waist) / 30 inches (inseam)
XL = 36 inches (waist) / 31 inches (inseam)

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Barbour

69,95 €*

12" | 2024 | Original (Tough Love)

Available Sizes: One Size

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The Brack Patchwork Tartan Scarf by Barbour is a smart scarf made from fine lambswool that provides warmth on the coldest winter days. Thanks to its size, the Barbour scarf can be worn in a variety of ways, and the seasonal tartan pattern makes the Brack Patchwork Tartan Scarf perfect for versatile matching. Dimensions: approx. 50 x 180 cm; Material: 100% lambswool.

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Cindy

Swan Lake EP

LP | 2024 | UK | Original (12th Isle)

Release: 2024 / Original

Genre: Rock & Indie

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Cindy is to release a new six song EP called Swan Lake on 4th October via Tough Love. The title isn't a nod to the folktale or ballet in any real way, but to the fact that it all has ended up in the collective imagination as an object, vaguely recognizable, a little suggestive, and mostly blank. Karina Gill, Cindy's songwriter, likes to make use of that kind of resonance to connect sound and experience.The six songs on this EP continue the stripped-down habits of previous Cindy releases, while adding a few departures and left-turns. Cindy likes to work at the essentials and the elements here say exactly what's needed. In other ways, these songs present a soft filigree that's unusual for their recordings. Oli Lipton (Now, Violent Change) on guitar and Will Smith (Now) on bass play counterpoint melodies to Gill's structures. Staizsh Rodrigues (Children Maybe Later, Almond Joy, Peace Frog) sings vocal harmonies that both offset and deepen Gill's voice and delivery. There are playful drums by Mike Ramos (Tony Jay, Sad Eyed Beatniks) and coolly elaborate guitar lines from Stanley Martinez (Famous Mammals, Violent Change, Non Plus Temps).Gill's songs strike this balance too: almost nonchalant reporting tied up in unexpected knots. A ride in an elevator connects up with questions about peace and/or the nature of things; the title track wonders about associative thinking and associative feeling; The Bell is an account of one of those times when everything makes sense but you can't explain it; and there's the scene of a party viewed with admiration for how friends can love each other. As Gill herself says: "People have told me that they can't quite identify my influences. Me neither. The foundational layers of music of the past and my past have been metabolized like breakfast and turned into more me, sorry to say. But I experience the music of people I'm connected with and it impacts me in the moment. There's the music I'm around - April Magazine, Sad Eyed Beatniks, Violent Change, Katsy Pline, collabo...

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V.A.

Orsova

Release: 2024 / UK – Original

Genre: Electronic & Dance

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12th Isle revisit the various artist compilation format first explored with 2019’s ‘Inkosi’ and assemble a veritable mixtape of sorts unfolding across six tracks aimed with the club in mind. Echo Party get things started with a dub heavy, studio alchemy excercise in discipline that appears in an extended mix to the original form on Murray Collier (Dip Friso) & Hannan Jones’s self-released Cd-r. Italian newcomer Guizzi features with a thunderous downtempo excursion with tight conga percussion in a DK/RAMZi vein that feels very at home on the label. Der Opium Queen pulls off a propulsive, video game OST style dancefloor hit that brings to mind that Les Aeroplanes project on Jamal Moss’s Mathematics label from way back when whilst on the Side B a freak-folk skit from Memotone sits next to heads-down motorik from Lo Kindre and a bleep-infused dub techno piece by Toronto via Bangladesh real one Raf Reza. More V/A's to come.

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Filson

Alaskan Guide Shirt

169,95 €*

7" | 2024 | JP | Original (Parking Lot Sounds)

Available Sizes: S, M, L, XL

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ATTENTION: Filson tops come off larger than regular sizes!

Filson Alaskan Guide Shirt - Features:
• turn-down collar
• button front closure
• dual chest pockets with button closure at flaps
• curved bottom hem
• button cuffs
• back yoke with centered loop
• centered knife pleat beneath back yoke
• relaxed fit
• 100% cotton flannel, 8 oz

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Mighty Caskets

Green Eyes / The Cat

20,99 €*

Release: 2024 / JP – Original

Genre: Reggae & Dancehall

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In 2024, a 7-inch that will bring tears to the eyes of all ska fans has been delivered! A cover of Jimmy Smith's "The Cat" with organ and tenor intertwined is also included. The first single by Mighty Caskets, formed around Ichimura of EX. Cool Wise MAN, is "green EYES," a bluesy, superb instrumental ska with a melancholy tenor saxophone melody and shuffle beat that hits the heart. In addition, the B-side features a garage-inspired cover of Jimmy Smith's "The Cat," which takes one's breath away with its thrilling and sensational organ tones. Recorded and mixed & mastered by E-mura (bim ONE Production).

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Anonymous Ism

Silk Tweed Specdyed Q

49,95 €*

Tuck Cuff Stripes Crew Socks

Available Sizes: L

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Just like any Anonymous Ism product, the Silk Tweed Specdyed Q socks have been woven by the vintage machines, assembled in 1970s, from the best natural materials as well as unique and high-quality yarns. Those vintage knitting-machines may not be very efficient but they are responsible for the beautiful patterns and distinct colors of these Anonymous Ism socks as well as the look and feel which reminds us of hand-made unique items. The Anonymous Ism Silk Tweed Specdyed Q socks are equipped with a traditional knit pattern as well as ribbed cuffs, the yarn is made from 94% silk, 4% polyester, 1% spandex; made in Japan.

Size conversion:

M: UK 4-7 / EU 37-40
L: UK 8-11 / EU 42-45

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Anonymous Ism

29,95 €*