Search "record+storage" 33389 Items

Release: UK – Reissue

Genre: Electronic & Dance

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Used Vinyl

Medium: VG, Cover: Generic

Generic label cover. Record is close to VG+.

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Over Shirt

462,95 €*

Back To Rhythm Clear Lime Yellow Vinyl Edition

Available Sizes: L, XL

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The Over Shirt by J EONGL I is a cleverly designed garment that stands out thanks to its minimalist aesthetic and functional details. This J EONGL I jacket embodies modern design and technical sophistication, and is perfect for people who are looking for both style and practicality.

The J EONGL I Over Shirt features a concealed button placket with premium Cobrax buttons at the front, giving it a clean and smooth look. The concealed buttons emphasize the minimalist approach of the design and ensure that the lines of the jacket are not interrupted. The two pockets at the lower front are equipped with concealed YKK zippers, which emphasize the functional side of the overshirt while maintaining a seamless aesthetic. These pockets provide functional storage space for small items and can be easily and securely closed with the concealed zippers.

Additional functionality is provided by the side zipper openings, which not only provide a striking detail but also the option of expanding the J EONGL Is Over Shirt when needed and adapting it to different layers or temperatures. This makes the garment a versatile companion that adapts to a wide range of conditions.

Another functional element is the French cuffs with concealed snap buttons, which offer both comfort and flexibility when worn. The concealed buttons on the cuffs complement the minimalist design and ensure a clean, discreet look.

A clever detail can be found on the back of the J EONGL I Over Shirt: embossed spots have been integrated, which are not only visually appealing but also help to prevent wrinkles. This subtle embossing ensures that this J EONGL I jacket always looks smooth and well-groomed, further enhancing the elegant look of the over shirt.

All in all, the J EONGL I overshirt successfully combines modern, minimalist lines with well-thought-out details that combine functionality and style. With its clean design and functional features, the overshirt is perfect as a between-seasons jacket or as part of a sophisticated casual look. It is a garment for those who value high-quality materials and clever, well-integrated details.

J EONGL I Over Shirt - features:

• turn-down collar
• hidden Cobrax button front closure
• 2 hidden zip pockets at lower front
• zip opening at side seam
• straight bottom hem
• hidden snap button cuffs
• embossed panels at the rear to prevent wrinkles
• regular fit
• Italian fabric made from 60% wool, 40% polyester

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Akira Ishikawa

LP | JP | Original (Nippon Columbia)

36,99 €*

Release: JP – Original

Genre: Organic Grooves

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Japanese jazz, rare groove masterpiece re-released on clear lime yellow color vinyl!

The pleasure of feeling numb all over your body with a single drum beat. Akira Ishikawa, the super funky drummer born in Japan, runs through a wonderland of grooves!

Akira Ishikawa is a super funky drummer born in Japan. His ability to freely explore and fuse jazz, rock, and African music to create a unique musicality has been highly praised in many fields. His career includes masterpieces from jazz rock to rare groove, but this work is especially beloved for its outstanding song selection and exciting musicality. "Let's Start" is a tight cover of Fela Kuti's Afro-funk, "Bongo Rock" is a dynamic song with drum breaks, and "Pick Up The Pieces" is a jazz-funk version of the Average White Band's classic song. It is full of amazing monster tunes that are hard to believe were recorded in 1975. Support from masters such as Kiyoshi Sugimoto, Hiromasa Suzuki, and Takeru Muraoka also shines. text by Yusuke Ogawa (universounds/Deep Jazz Reality)

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Nudie Jeans

Blake Wool Jacket

399,95 €*

Salvia No Hana / Fireplace

Available Sizes: L, XL

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The Blake Wool Jacket by Nudie Jeans is a stylish and sustainable garment that impresses with its classic, boxy cut and well-thought-out details. This Nudie Jeans jacket combines tradition and modern sustainability by being made from high-quality materials while offering a relaxed, timeless look.

The jacket is constructed from an Italian fabric that is made from a blend of recycled wool and polyamide. This combination of materials not only gives the Blake Wool Jacket by Nudie Jeans a pleasantly soft and warming comfort, but also a sturdy structure that ensures durability. The high-quality fabric creates a deep, textured look that is supported by the classic boxy cut.

Functional details such as patch pockets with flaps and buttoned cuffs emphasize the jacket's utilitarian aspect, while adjustable button straps on the waistband allow for a customized fit. These details ensure that the jacket not only looks good, but can also be adapted to different wearing situations and preferences.

Inside the jacket, a lining made from a blend of organic cotton and recycled polyamide keeps both the body and sleeves warm and provides additional comfort. This conscious choice of materials is in line with Nudie Jeans' philosophy of creating sustainable fashion that is not only good for the wearer but also good for the planet. The lining not only feels pleasant against the skin but also contributes to the thermal insulation of the jacket, making it perfect for cool days.

In addition, this Nudie Jeans jacket has two pockets on the inside that provide functional storage space for small personal items. These pockets add a functional element to the jacket's minimalist design that makes everyday life easier.

The Blake Wool Jacket by Nudie Jeans is more than just a fashionable garment – it is a statement of sustainability and craftsmanship. The combination of recycled materials, classic design and thoughtful details makes it a versatile and durable choice for those looking for stylish, responsible fashion.

Nudie Jeans Blake Wool Jacket - features:

• turn-down collar
• semi-hidden metal front zipper with custom pull
• 2 flap pockets with button closure at lower front
• snap button-adjustable straps at bottom band
• button cuffs
• tone on tone lining
• 2 interior pockets
• regular fit
• main fabric: 70% recycled wool, 25% recycled polyamide, 5% other fibers
• body lining: 50% organic cotton, 50% recycled nylon
• sleeve lining: 100% recycled polyester
• made in EU

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Kimigo A.K.A Qimygo

7" | JP (Lawson)

Release: JP

Genre: Pop

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"The A-side of 7inch, which will be released for the first time in two years, is a rocksteady cover of Yoshio Hayakawa's ""Salvia no Hana"".
It was included in Yoshio Hayakawa's solo album ""Kakkoīkoto wa nante kakko waruindarou"" released by URC (label) in November 1969, and is said to have had an influence both in Japan and abroad. In recent years, it has often been used in memorable scenes in the movie ""Anokoro"" written by Mikito Tsurugi, and he sings famous songs that continue to influence Reiwa even now with qimygo's clear voice.
The B-side is an original song ""Fireplace"" with an atmosphere somewhat reminiscent of Fishman's. The electric drum with the impressive sound of the popping snare of Roland's 80's drum machine ""TR-909"" is overlaid with sad lyrical Japanese lyrics, and this song is reminiscent of a solo night. The performance was performed by the MAYONAKA band, which includes Koji Oishi (LITTLE TEMPO) on drums, Takashi Nozuki (Amefurashi Quartet, THE SKAMOTTS) on bass, Takao Suzuki (FRISCO) on guitar, and qimygo on keyboards and vocals. With Naoyuki Uchida as the recording engineer and e-mura (Bim One Production) as the mix and mastering engineer, the album will be released in limited quantities in 7inch as a single cut from the full album released in August."

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7" | JP | Original (Trigger Records / Lawson Entertainment Co., Ltd.)

Release: JP

Genre: Pop

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Creepy Nuts

Joen Danyusho

Uyama Hiroto / Yoshiharu Takeda

Release: JP – Original

Genre: Pop

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After the smash hit of their first mini-album "Tarinai Futari" released in 2016, they were featured in numerous media such as TV, magazines, and radio, and performed at various genres, from clubs and live houses to large rock festivals. Creepy Nuts continues to attract many audiences. From their second mini-album "Joen Danyusho" released in 2017, "Joen Danyusho", which was released during their indie era and is also the lead song of the album, will be released at "hmv record shop Shinsaibashi". The first analog edition as a commemorative limited edition!

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Moon Child / Bliss Of Landing

7" | JP | Original (Insense Music Works)

Evoke / Beat Hopper (The 3rd Session)

Release: JP – Original

Genre: Pop

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■Song selection and supervision = Toru Hashimoto x Artwork = Jiro Fujita, and the first volume of the new compilation series "Incense Music" mastered by Calm, a top Japanese artist of jazz ~ chill out ~ Balearic. "Incense Music for Bed Room" 7 inch single cut from!

■side-a, which contains the latest tracks recorded by Hiroto Uyama for the same compilation, is a wonderful cover of Pharoah Sanders' famous song "Moon Child." Side-aa includes the spiritual and mellow masterpiece "Bliss of Landing" from Yoshiharu Takeda's 2018 first album "Aspiration", an up-and-coming composer/keyboardist who has been praised by many artists!

■The first edition of the ultimate lifestyle compilation that proposes domestic and international ambient - jazz - chill out - Balearica - post-classical - jazzy & mellow beats as music for a comfortable life is the time spent in the Bed Room. A compilation of soothing music perfect for. Two 7-inch vinyl titles including the new recordings included in this album have been released, so please enjoy the wonderful music representing the album on vinyl.

■The 7-inch single (imwvr-1029) released at the same time combines haruka nakamura's newly recorded homage to Bill Evans' masterpiece and Nobuyuki NAKAJIMA's cover of Vinicius de Moraes' masterpiece!

★Artists Profile ■Uyama Hiroto https://roph.net/ He became familiar with music from an early age due to the influence of his uncle, who was also a jazz guitarist. Since ``Letter From Yokosuka'' he has been involved in many nujabes works and has performed with them on numerous live shows. In 2008, he released his first album, ``A Son Of The Sun''. After Nujabes passed away in 2010, he became involved in the production of works such as the ``Luv (sic) series'' and ``spiritual state'', and also participated as an artist. After that, in 2013, he launched roph recordings in order to aim for even more pure music. In 2014, he released his second album ``Freedom of the Son'', which was his first in 6 years since his previous album. In addition to featuring Cise Star, Pase Rock, and Fat Jon, who he has been friends with since his days at hydeout productions, the song is a sequel to his first album. In addition, in 2016, they released their third album "Freeform Jazz", two years after their second album. The content strongly emphasizes the Japanese identity and stands out from previous works as a proposal for a new Japanese Free Jazz, and its originality has attracted not only Japanese but also overseas listeners, such as being featured on Hypebeast overseas. It also received many excellent reviews. He is currently working on music for his new album. (From the official website)

■Yoshiharu Takeda Fantastic music that expresses fluctuations, flows, and contours. Yoshiharu Takeda lives in Tokyo and is an up-and-coming composer/arranger/keyboard player and music selector. Around 2000, he studied music theory on his own and started producing music by composing and arranging on the piano and keyboard. His first album “Aspiration” released in 2018 received praise from Calm and Kaoru Inoue, and after listening to the album, Soichiro Suzuki (World Standard) fell in love with his talent and released his second album “Before The Blessing” in 2022 from the label . It beautifully expresses the wildness hidden within sophistication and the movement contained in stillness, further deepening the sound world that only Yoshiharu Takeda can create. It has been highly praised by many music lovers.

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Jazztronik

7" | JP | Original (Lawson Entertainment Co., Ltd.)

2LP | JP | Original (Commons)

Release: JP – Original

Genre: Pop

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Ryota Nozaki, also known as Jazztronik, has decided to make a long-awaited 7” record from his distribution single Excursions series, in which he releases a wide variety of music individually, without being bound by a sense of unity or concept.

Side A is the first song "evoke" that decorates the opening of the Excursions series. A mid-tempo instrumental song that opens with the nostalgic sound of a tape deck button. The song is composed of a minimal composition centered on the keyboard and rhythm section, with a somewhat nostalgic melody, a muffled piano sound, and a rhythm with an impressive solid and rough feel that continues the nostalgic mood at the beginning. You can enjoy the lingering feeling as if you were looking back on your travel memories in a snapshot.

Side B is the third installment of the Excursions series, "Beat Hopper (The 3rd Session)." A funky dance track that is completely different from Side A, with inspiration from techno and house everywhere. This work, which was created in a virtual session that was made possible by overcoming the various restrictions of the coronavirus pandemic, changes the flavor from the previous mid-tempo songs and adds a new dimension to the Excursions series with an uplifting arrangement. .

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Kuchiroro

Everyday Is A Symphony

44,99 €*

Futari No Natsu Monogatari / Ame No Wednesday

Release: JP – Original

Genre: Pop

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The 6th album with Seiko Ito joining as an official member will be released as an analog record! Sweet and sour pop sense and startling lyrics. Furthermore, the significance of this masterpiece, which made full use of field recordings, to be reissued in 2024 is huge!

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Yuri Tanaka

7" | JP | Original (Insence Music Works / Lawson Entertainment Inc.)

LP | US | Reissue (Columbia)

Release: JP – Original

Genre: Pop

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A cover single by Yuri Tanaka, a singer who continues to sing city pop, is now available on double A-side/7-inch vinyl! Double A-side covers of two city pop summer masterpieces! Side-a "Futari no Natsu Monogatari" is a blockbuster single composed by Tetsuji Hayashi, a hit maker in the 80's known for "Mayonaka no Door", by Kiyotaka Sugiyama and Omega Tribe. Recorded cover for April release CD "honey meets Island Cafe –Sea of Lov 7-"! Side-aA "Ame no Wednesday" is a well-known song from Eiichi Otaki's album "A Long Vacation". The long-awaited 7-inch vinyl version of the smooth cover recorded in 2020 HONEY's "Sea of Love 5"!

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Dreams

14,99 €*

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+.

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Genre: Electronic & Dance

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It has been over 2 years since Kellon (Spillway) ceased trading. He makes his return as Viewfinder, with a new label and a new approach. ‘The Second Phase’ is the first release on Rescan Records – it features 4 club-ready tunes, littered with analogue synths.

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Salomon

XA Pro 3D Gore-Tex

159,95 €*

Available Sizes: EU 41⅓, 42, 42⅔, 43⅓, 44, 44⅔, 45⅓, 46⅔, 48

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The Salomon XA Pro 3D Gore-Tex is a stable trail running shoe design that offers optimal support and excellent cushioning while performing your daily run, while it combines stability, cushioning, grip and lightweight as well as waterproof, breathable comfort, thanks to the Gore-Tex liner liner. Helping the cause is an upper made from highly breathable 3D Open Mesh with a welded TPU overlays, making the shoe lighter and less bulky while the Gore-Tex membrane makes sure the shoe is waterproof and breathable. Salomon's Absolute Premium Wet Traction Grip outsole is grippy on almost any terrain, while the aggressive lug design provides maximum step resistance, and the 3D Advanced Chassis™ system ensures excellent stability over any distance.

Salomon XA Pro 3D Gore-Tex - features:

• upper: 3D Open Mesh for maximum breathability with synthetic overlays for high protection and abrasion-resistant TPU elements for durability.
• Gore-Tex membrane to keep your feet dry
• soft, breathable inner lining for superior comfort.
• Stability: 3D Advanced Chassis™ construction provides a stable ride even on very bumpy terrain. Confidence is everything.
• Durable protection thanks to a reinforced toe cap and carefully placed protection zones.
• Quicklace™: Minimalist lacing system that can be tightened in one pull.
• lace pocket for easy storage of the Quicklace™ lacing system.
• SensiFit™ wraps the foot from the midsole to the lacing system for a secure, close-to-the-foot and just-right custom fit all over the foot.
• cushioning insole made from molded OrthoLite® that conforms to the contours of the foot.
• EnergyCell: High-performance EVA foam that provides shock absorption.
• 3D Advanced Chassis™: Low chassis between the outsole and midsole optimizes motion control and energy management and provides protection for a precise, stable and responsive running experience.
• Absolute Premium Wet Traction Grip is more than just a technology, it embodies a mindset: you can simply ignore wet surfaces and charge forward.
• weight: approx. 760 g (pair)

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Technical Wool Trouser

562,95 €*

Available Sizes: L, XL

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The J EONGL I Technical Wool Trousers are a functional take on the classic cargo pants, stripped down to the essentials while meeting the highest standards of material and design. These J EONGL I trousers have been designed for people who value both style and functionality and are looking for a garment that performs in a wide range of environments and activities.

Made from the innovative functional material Cobrax Zero, the J EONGL I Technical Wool Trousers are exceptionally durable, lightweight and comfortable to wear. Cobrax Zero is a specially developed material known for its sturdy nature and ability to repel moisture and light dirt. It also ensures improved freedom of movement and is particularly easy to care for, making the trousers perfect for active everyday life.

The J EONGL I Technical Wool Trousers have a simple design that incorporates classic elements of cargo trousers but dispenses with superfluous details. The minimalist design gives the trousers a modern, almost urban aesthetic that can be easily combined with different looks – be it casual or functional. The well-placed, discreet cargo pockets offer functional storage space and fit seamlessly into the overall design, without disturbing the clear look of these J EONGL I trousers.

Thanks to their minimalist style and high-quality materials, the J EONGL I Technical Wool Trousers are more than just outdoor trousers; they represent a well-thought-out balance of elegance and technical function. Whether traveling, engaging in outdoor activities or in an urban environment, these cargo trousers meet all the requirements of a modern, versatile garment, always remaining comfortable and stylish.

J EONGL I Technical Wool Trousers - features:

• seam-sealed construction with clear tapes
• hidden front center snap button
• YKK zip fly
• 2 side-entry front pockets with hidden zip closure
• 2 large cargo pockets with hidden zippers at upper outseams
• 2 flap pockets with hook and loop fasteners at the rear
• regular waist, regular fit, straight legs
• Italian water-repellent, breathable Cobrax Zero made from 60% wool, 40% polyester
• made in Japan

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Technical Trouser

474,95 €*

Available Sizes: L, XL

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The J EONGL I Technical Trousers are a functional take on the classic cargo pants, stripped down to the essentials while meeting the highest standards of material and design. These J EONGL I trousers have been designed for people who value both style and functionality and are looking for a garment that performs in a wide range of environments and activities.

Made from the innovative functional material Cobrax Zero, the J EONGL I Technical Trousers are exceptionally durable, lightweight and comfortable to wear. Cobrax Zero is a specially developed material known for its sturdy nature and ability to repel moisture and light dirt. It also ensures improved freedom of movement and is particularly easy to care for, making the trousers perfect for active everyday life.

The J EONGL I Technical Trousers have a simple design that incorporates classic elements of cargo trousers but dispenses with superfluous details. The minimalist design gives the trousers a modern, almost urban aesthetic that can be easily combined with different looks – be it casual or functional. The well-placed, discreet cargo pockets offer functional storage space and fit seamlessly into the overall design, without disturbing the clear look of these J EONGL I trousers.

Thanks to their minimalist style and high-quality materials, the J EONGL I Technical Trousers are more than just outdoor trousers; they represent a well-thought-out balance of elegance and technical function. Whether traveling, engaging in outdoor activities or in an urban environment, these cargo trousers meet all the requirements of a modern, versatile garment, always remaining comfortable and stylish.

J EONGL I Technical Trousers - features:

• seam-sealed construction with clear tapes
• hidden front center snap button
• YKK zip fly
• 2 side-entry front pockets with hidden zip closure
• 2 large cargo pockets with hook and loop fasteners at upper outseams
• 2 flap pockets with hook and loop fasteners at the rear
• regular waist, regular fit, straight legs
• Japanese water-repellent, breathable 2L Cobrax Zero made from 88% nylon, 12% polyurethane
• made in Japan

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Softshell Jacket

524,95 €*

2LP | DE | Reissue (Track)

Available Sizes: L, XL

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The softshell jacket by J EONGL I is a high-performance, stylish outdoor garment that impresses with maximum functionality and a clean, modern aesthetic. This jacket is specially designed for demanding conditions and offers optimal protection and comfort thanks to its high-quality materials and well-thought-out details.

Made from a water-repellent, 4-way stretch softshell material developed in Japan, this J EONGL I jacket flexibly adapts to every movement and is perfect for activities that require freedom of movement and protection from the elements. The material not only offers excellent waterproofing, but is also particularly breathable and durable, making the jacket the perfect choice for a wide range of outdoor activities.

This J EONGL I jacket has a high-closing hood with elastic cords and sturdy eyelets that can be individually adjusted using toggles. The hood provides optimal protection against wind and weather, while the adjustable stoppers ensure that it always sits firmly and securely. The sleeve ends are also equipped with drawstring hems and toggles so that they can be worn close-fitting if necessary to prevent cold and moisture from penetrating. The additional cuffs offer even more protection and comfort.

The pockets of the JEONGLI Softshell Jacket are another highlight: with two chest and sleeve pockets each, and high-quality YKK zippers, they offer plenty of storage space for important items that need to be quickly accessible when you're on the go. The reflective tapes on the zippers not only provide a modern look, but also increase visibility in twilight or low light conditions. Two additional front pockets with concealed YKK zippers complete the storage space. The sealed lining in the pockets ensures that the contents stay dry and are optimally protected, while the seam-sealed construction of the jacket offers greater overall durability and protection.

The Softshell Jacket by J EONGL I combines high-performance materials with a minimalist aesthetic and prioritizes functionality down to the smallest detail. Whether for outdoor adventures or active everyday life in the city, this jacket offers maximum comfort, protection and a modern design that is both sophisticated and stylish.

Regular fit; water-repellent 4way stretch softshell fabric developed in Japan, 88% nylon, 12% polyurethane.

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The Who

Quadrophenia

Boogie Chillen' 75th Anniversary 45 Edition

Release: DE – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+. Cover has shelf and ring wear, no seam splits.

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John Lee Hooker

7" | 1948 | UK | Reissue (Ace)

13,99 €*

LP | 1950 | EU | Reissue (Overdrive Jazz Classics)

Release: 1948 / UK – Reissue

Genre: Organic Grooves

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This year marks the 75th anniversary of the release of John Lee Hooker’s ‘Boogie Chillen’. Recorded in Detroit in September 1948 by Bernard Besman – who had his own Sensation label – it was licensed to Modern Records in Los Angeles and released on 3rd November. The flip side was ‘Sally May’.

To say that the single caught fire is an understatement. It is believed that ‘Boogie Chillen’’ shifted in the region of a million copies in 1949 placing Hooker on the map as a blues guitarist and singer of the first rank – where he stayed until his death in 2001.

The original was, of course, released as a 78rpm single. In 2020 we issued ‘Boogie Chillen’ with ‘Boogie Chillen’ #2 on the flip as a limited edition of 500 copies that played at 78rpm.

We now present ‘Boogie Chillen’’ and ‘Boogie Chillen’ #2’ as a limited edition 7” single that plays at 45rpm. Despite being 75 years old, this classic recording still sounds so fresh and rhythmically propulsive it is hard to believe that you are listening to one man and his guitar playing live and stomping his feet in a room. Besman caught lightening as it flashed, just like Sam Philips did some years later with Elvis Presley in Sun Studios.

There are classics. There are stone cold classics. And there is ‘Boogie Chillen’’.

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Charlie Parker

Charlie Parker Sextet

Sing And Dance With Frank Sinatra

Release: 1950 / EU – Reissue

Genre: Organic Grooves

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Charlie Parker represents the maximum authority to be claimed one of the most popular and influencial bebop jazz's godfathers. This records is an academic vademecum of what must be done to track the path in the jazz history. Parker runned this music adventure together with the beloved friends: Miles Davis (Trumpet), Tommy Potter (Bass), Max Roach (Drums), Duke Jordan (Piano), J. J. Johnson (Trombone). In sinthesys: the record you want to listen to when back home.

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Frank Sinatra

LP | 1950 | US | Reissue (Impex)

49,99 €*

Release: 1950 / US – Reissue

Genre: Organic Grooves

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Masterpieces By Ellington 200g Vinyl Edition

Duke Ellington

LP | 1951 | US | Reissue (Analogue Productions)

Duke Ellington & His Orchestra

Release: 1951 / US – Reissue

Genre: Organic Grooves

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“Masterpieces By Ellington“ shines from an astonishingly brief period of history that gave the recording industry two of its greatest achievements — the introduction of magnetic tape recording and the 33 1/3 LP, or long-playing record.
Four years. That's all it took to go from the discovery by Americans, of German advancements in the field of sound recording, to the marketing of tape decks in the U.S. by the Ampex company, to Columbia's unveiling of its 12” LP, and the first long-playing record to be sold to consumers.
The four selections contained here catapulted the Maestro Ellington into the LP era, as the great composer/arranger/pianist and his matchless orchestra took full advantage of the possibilities afforded by magnetic tape recording and the still-new 33 1/3 RPM LP to, for the first time, capture uncut concert arrangements of their signature songs.
Suddenly, for the first time in his career, Ellington was able to forgo the 3 minutes-and-change restrictions afforded by the short running time of the 78 RPM disc. He and his band rose to the occasion with extended (11-minute plus) 'uncut concert arrangements' of three of his signature songs — “Mood Indigo”, “Sophisticated Lady”, with evocative vocals by Yvonne Lanauze, as well as “Solitude”. “Masterpieces“ was also notable for the debut of the full-bodied, surprise-laden “The Tattooed Bride”, and for the swansongs of three Ellintonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown and alto saxist Johnny Hodges (the latter two would eventually return to the fold).
“Masterpieces“ is a revelation and a throwback to a golden recording age. So much history and so much luck combined make this album truly special.

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Masterpieces

LP | 1951 | UK | Reissue (Pure Pleasure)

Boogie Blues / In the Dark

Release: 1951 / UK – Reissue

Genre: Organic Grooves

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When Ellington went into the studio in 1950 to record the longer tracks on this LP, his orchestra was a bridge between its late-1940's configuration (the 5-man trumpet section) and its mid-1950's personnel. The sax section had settled into the form it would have for most of the ensuing two decades (old-timers Hodges and Carney and newcomers Procope, Hamilton and Gonsalves); the trombone section had long-timer Lawrence Brown as well as Tyree Glenn and newcomer Quentin Jackson; and the drummer was still Sonny Greer, who had anchored the rhythm section since the beginning.
The arrangements and orchestrations all bear the hallmarks of Ellington's collaboration with Billy Strayhorn in the late 1940's: they are lush, symphonic, impressionistic, and densely (and adventurously) harmonic. "Mood Indigo", in particular, is a 15-minute tone-poem with shifting colors and key relationships as Ellington and Strayhorn bring the melody through a wide variety of guises, from Glenn's wah-wah trombone solo to Shorty Baker's lyrical waltz to orchestral and piano passages which do homage to the influence which Ravel and Stravinsky had on both of them.
"The Tattooed Bride" is the only new piece from the original "Masterpieces by Ellington" LP, and it is a beauty. The others of the original tracks -- "Sophistocated Lady" and "Solitude" -- are not laid out as inventively in their harmonics or structure. Of the group, "Solitude" is perhaps the weakest, but this is a relative term. Ellington would go on to pen many more extended, symphonic works, but none would have quite the multicolored, impressionistic tone-pallate that these do. And Strayhorn's presence would not be as pronounced in those future works as it is here: the orchestration and harmonies in particular bear his mark. These are masterpieces indeed: great works of art by two of our greatest composers/orchestrators, and played by one of the greatest orchestras in Afro-American music. Andrew R. Weiss

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Earl Peterson

7" | 1954 | US | Reissue (Third Man)

12,99 €*

LP | 1954 | Reissue (Celson And Music)

Release: 1954 / US – Reissue

Genre: Rock & Indie

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The label on this single hits the nail on the head - Michigan's singing cowboy! Despite a very long 45-year career in country music as a promoter, radio station operator, artist and label owner, very little is known about Earl Peterson. In late 1952, he formed Nugget Records with his mother, basically as a means of self-releasing his music.
While shopping his music down South, he met Sam Phillips and agreed to release his song on Sun Records in the spring of 1954. This bouncing, twangy single would prove to be a cult hit and original pressings still command a lofty price. As the first remotely contemporary country single on the label, Peterson's single paved the way for Sun to later pivot into the country genre.
From there, Peterson's story becomes a bit murkier. He recorded the same song for Columbia in the fall of 1954, strangely disregarding his contractual agreements with Sun. He went on to release a couple more singles with Columbia and by the '60s, was holed up in rural central Michigan to run a radio station (WPLB) with his family.

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Miles Davis

Bag's Groove

29,99 €*

Lee Konitz With Warne Marsh

Release: 1954 / Reissue

Genre: Organic Grooves

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* Recorded in 1954 * Pressed on Black Vinyl * Featuring Thelonious Monk / There are a multitude of reasons why Bags’ Groove remains a cornerstone of the post-bop genre. Of course, says All Music Guide, there will always be the lure of the urban myth surrounding the Christmas Eve 1954 session — featuring Thelonious Monk — which is documented on the two takes of the title track. There are obviously more tangible elements, such as Davis’ practically telepathic runs with Sonny Rollins (tenor sax). Or Horace Silver’s (piano) uncanny ability to provide a stream of chord progressions that supply a second inconspicuous lead without ever overpowering. Indeed, Davis’ choice of former Dizzy Gillespie Orchestra and concurrent Modern Jazz Quartet members Milt Jackson (vibes), Kenny Clarke (drums), and Percy Heath (bass) is obviously well-informed. This combo became synonymous with the ability to tastefully improvise and provide bluesy bop lines in varied settings. The up-tempo and Latin-infused syncopation featured during the opening of Airegin flows into lines and minor-chord phrasings that would reappear several years later throughout Davis’ Sketches of Spain epic. The fun and slightly maniacally toned Oleo features one of Heath’s most impressive displays on Bags’ Groove. His staccato accompaniment exhibits the effortless nature with which these jazz giants are able to incorporate round after round of solos onto the larger unit. Bags’ Groove belongs as a cornerstone of all jazz collections.

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LP | 1955 | EU | Reissue (Speakers Corner)

The Legend Of The Sun Virgin

Release: 1955 / EU – Reissue

Genre: Organic Grooves

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What a great rhythm group! A dream comes true: Oscar Pettiford and Kenny Clarke – and then Billy Bauer on the guitar and alternately Ronnie Ball (UK) or Sal Mosca (USA) on the piano. No wonder that things really take off when these masters of improvisation from the Lennie Tristano school get going.
In June 1955, in the Atlantic studio, standards provided the starting base for the long and wonderfully sophisticated improvisations by Lee Konitz and Wayne Marsh, who were at that time pupils of the great Chicago maestro. Although the numbers are declared as own compositions, such as "Background Music" and "Ronnie’s Line", they are actually none other than adaptations of "All Of Me" or "That Old Feeling" – but at the very highest level. Lee Konitz always called this 'The Twelfth Step'. The repertoire is enriched by seldom-heard compositions by the great Oscar Pettiford. 'Time-keeping' – a neologism of prime importance for jazz musicians – is the most important element in "Donna Lee" and "There Will Never Be Another You" – and there is no better drummer for this music than Kenny 'Klook' Clarke, who lived in those days in the USA before moving to Paris in 1956 where there was no racial discrimination.
Of course, you can buy these recordings on various digital discs. But that can’t be compared to a superb black disc and a cover with lines notes by the famous Barry Ulanov.

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Yma Sumac

LP | 1955 | EU | Reissue (Ellas Rugen)

29,99 €*

Amazing Bud Powell Volume 1

Release: 1955 / EU – Reissue

Genre: Organic Grooves

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With the intention of celebrating the music of Yma Sumac and continuing to spread her legacy, Ellas Rugen Records reissues on vinyl one of the highest points of her career: "Legend of the Sun Virgin", recorded in 1952 in the United States by Capital Records. The production, which she signed with her husband and close collaborator, the composer Moisés Vivanco, reflects the exotic proposal of Sumac, a pioneer in World Music and a true ambassador of Peruvian culture in the world. True to the spirit of this new record company, the vinyl has been carefully edited and it includes unpublished photos from Sumac's personal archive, an informative text written by renowned historian Carmen McEvoy and a state-of-the-art sound remastering. In addition, through the pre-sale, which has already started through BandCamp, collectors will be able to access a limited edition that includes a colored vinyl. With this, Ellas Rugen Records begins its journey with the aim of reclaiming and giving a new life to the great Latin American artists of the second half of the 20th century. In addition to Sumac’s reissue, the label already has its next releases in process, which will focus on iconic singers from Venezuela and Mexico. “Due to the lack of cultural preservation policies and the negligence of small record labels from the 60s, 70s and 80s, a lot of our musical legacy is being lost. The current low profitability of these projects means that large companies forget productions that still have a lot to contribute. This is why this label aims to honor these artists by reissuing, revaluing and bringing their best productions to new generations”, says Jalo Nuñez del Prado, music producer, founder and director of Ellas Rugen Records.

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Bud Powell

LP | 1955 | EU | Reissue (Blue Note)

Sidney Bechet, Humphrey Lyttelton And His Band

Release: 1955 / EU – Reissue

Genre: Organic Grooves

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The amazing bebop piano genius Bud Powell made his most enduring recordings as a leader for Blue Note. Powell’s 1949 and 1951 quintet and trio sessions were compiled on the 12” LP The Amazing Bud Powell, Vol. 1 (blp 1503) in 1955 featuring the pianist with the likes of Sonny Rollins, Fats Navarro, Roy Haynes and Max Roach on bebop classics including ‘Un Poco Loco’ and ‘Bouncing with Bud’.

This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray, and pressed on 180g vinyl at Optimal.

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Sidney Bechet with Humphrey Lyttelton And His Band

7" | 1955 | UK | Original (Melodisc)

3,99 €*

Chamber Music Of The New Jazz

Release: 1955 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Cover slightly yellowed.
Record has some hairlines and a few superficial scratches.

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Ahmad Jamal Trio

LP | 1955 | EU | Reissue (Honeypie)

Charlie Parker Memorial Vol. 2

Release: 1955 / EU – Reissue

Genre: Organic Grooves

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Often taken as inspiration by the likes of Miles Davis and Gil Evans, Ahmad Jamal is definitely one of the greatest artists in jazz history. Recorded in 1955 and originally released on the short-lived Parrot label, "Chamber Music of the New Jazz" is a stunning example of the creative, elegant, and precious music played by Ahmad Jamal's early trio. The fruit of the magical interplay between Jamal’s sophisticated pianism, Ray Crawford’s highly rhythmic guitar playing, and Israel Cosby’s fine double bass. Three musicians whose individual roles are fully expressed through the collective approach to a new form of "chamber" Jazz. Highly Recommended!!!

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Charlie Parker

LP | 1955 | US | Original (Savoy)

14,99 €*

For Those In Love Vinyl Me, Please Edition

Release: 1955 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

US original.
Record has some hairlines and a few superficial scratches.

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Dinah Washington

LP | 1955 | US | Reissue (Vinyl Me, Please)

35,99 €*

Mobley's 2nd Message 200g Vinyl Edition

Release: 1955 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
“Dubbed the Queen of the Blues and the Queen of the Jukeboxes — titles Dinah Washington used herself — she nevertheless resisted genre orthodoxy, and was clearly resentful whenever she was asked to explain or categorize her vast catalog.
And yet, her omnivorousness has made consolidating her legacy a knottier task than most are willing to take on. Compared to Billie and Ella — inarguably her peers — Washington’s reach was broader, more challenging to sort into canons and best-of lists. Pop and blues and big band singles were recorded and released without an easily traced chronology or progressive narrative. The Queen could do it all, so why wouldn’t she?”

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Hank Mobley

LP | 1956 | US | Reissue (Analogue Productions)

The Boss Of The Blues Sings Kansas City Jazz

Release: 1956 / US – Reissue

Genre: Organic Grooves

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The session for "Mobley’s 2nd Message" was recorded in July 1956, just one week after "Mobley’s Message" was recorded. The album features performances by Mobley, Kenny Dorham, Walter Bishop, Doug Watkins, and Art Taylo

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Big Joe Turner

LP | 1956 | UK | Reissue (Pure Pleasure)

38,99 €*

LP | 1956 | UK | Reissue (Pure Pleasure)

Release: 1956 / UK – Reissue

Genre: Organic Grooves

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Besides helping to invent rock 'n roll with his hit "Shake, Rattle and Roll", Big Joe Turner was one of the most soulful blues shouters of all time. His best albums married the boogie-woogie piano stylings of the great Pete Johnson with a jazzy jumpin' horn section. "Boss Of The Blues" is arguably Joe's best recording, in part because he sang with particular gusto during these 1956 sessions. At the time, "Boss Of The Blues" marked a nostalgic return to the jump-blues style that Turner helped pioneer in the '40s. Besides Johnson, Boss featured some of Kansas City's finest ever jazzmen and various members of Count Basie's band, including Joe Newman (trumpet), Pete Brown (alto sax), Lawrence Brown (trombone), Frank Wess (tenor sax) and Freddie Green (guitar). The bawdy "Cherry Red" and the rollicking "Roll 'Em Pete" are my favorite Turner-Johnson collaborations. Both feature some incredible playing by the piano master. Turner's versions of "I Want A Little Girl", "Low Down Dog", "You're Driving Me Crazy", and "Morning Glories" are definitive. If I had to compile a list of my 10 favorite albums, "Boss Of The Blues" would be there.

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Cab Calloway

LP | 1956 | EU | Reissue (Speakers Corner)

Release: 1956 / UK – Reissue

Genre: Organic Grooves

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From 1932 to the late 1940’s the period covered by this set, Cab had an orchestra that was about as swinging a band of solid senders as you’d find on the big-band circuit.
Cab projects, in his singing on records, something of the vital magic of his stage presence, a boundless exuberance and enthusiasm. His orchestral backing during the Thirties and Forties included many well-known names in jazz. At various times, Milt Hinton, Danny Barker and Cozy Cole were in his rhythm section.The reeds included the late, great Chu Berry as well as Ben Webster. Dizzy Gillespie was in the band, some members of which, at odd moments, served as a laboratory for the style to be called Bop. »This whole new chord structure idea was interesting to me,« Milt Hinton recalled, »and I would walk the new chords behind his playing.« Cab wasn’t the least enthusiastic. Danny Barker quoted him as saying, »I don’t want you playing that Chinese music in my band.«
The main attraction, however, was always Cab—showman, singer, entertainer. Most audiences didn’t even know that some of his sidemen were candidates for the jazz hall of fame. And that was as it should be. The musicians’ first function was to provide musical backing and a musical setting for the man who was being called 'King of the Hipsters', and this they did, wonderfully well. It was as Barry Ulanov noted in Metronome (January, 1943) a band extraordinary in every respect, hailed for its »clean musicianship, its jazz kicks, its brilliant showmanship«.

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Mit Jackson

Ballads & Blues

LP | 1956 | EU | Reissue (Jazz Workshop)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Whenever Milt Jackson could free himself from the 'bondage' of the Modern Jazz Quartet and its assertive leader John Lewis, he dedicated himself to his two great passions: ballads and the blues. That was precisely the case when he entered the famous Rudy van Gelder Studio in Hackensack, New Jersey, USA in 1956. He was free to choose his sidemen, and money was no object, which is why various formations gathered in the studio for the three recording sessions. With Lucky Thompson on the tenor sax (unfortunately for only three numbers), Barry Galbraith, Barney Kessel or Skeeter Best on the guitar, Oscar Pettiford or Percy Heath on the bass, together with Kenny Clarke or Lawrence Marable on the drums, he set off on a journey through the history of jazz. John Lewis stayed unobtrusively in the background and offered 'Bags' (as Milt was known) plenty of opportunities to glory in soloistic freedom.
The themes were soon found: the musical composers Cole Porter, Irving Berlin and Jerome Kern, as well as a work from The Duke Ellington Songbook, formed a basis upon which all the musicians could perform with confidence. Three compositions by Milt Jackson himself proved that he too was full of imagination.
If you don’t possess this LP – or maybe none by Milt Jackson – here is an opportunity to remedy this shortcoming. The present author would award this recording 5 out of 5 possible stars!

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

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Art Pepper

The Return Of Art Pepper

23,99 €*

Ella Fitzgerald & Louis Armstrong

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Originally recorded for Herb Kimmel's Jazz West label in August 1956. These were titled The Return of Art Pepper, since they were recorded shortly after he completed a jail sentence in 1956. As a result, Pepper's chops are a little rusty, but you can hear that he still has a passion for playing, and he does improve over the course of these tracks. For serious Pepper fans, it's worth a listen." Scott Yanow -All Music Guide

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Ella And Louis

LP | 1956 | EU | Reissue (Verve)

20,99 €*

Perez Prado & His Orchestra

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Vinyl LP repressing of this collaborative album between to of Jazz's greatest starts. The evening before Louis Armstrong recorded this album, both he and Miss Fitzgerald were appearing in an all-star concert also featuring Art Tatum and Oscar Peterson that was recorded for an album entitled Live at the Hollywood Bowl (1956). The following day the two singers, along with the Oscar Peterson Trio, were in a Los Angeles studio to record this gem of an album. With no time for rehearsals the songs were all set in Louis' key to make it easier, but this in no way inhibits Ella's performance. Another challenge for Pops was the fact that the material was not his normal repertoire, meaning he had to learn things on the fly in the studio. Again there's no hint of any issues, which all goes to highlight Armstrong's innate musical ability.

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Havana, 3 A.M. Record Store Day 2023 Red Vinyl Edition

LP | 1956 | US | Reissue (Poppydisc)

29,99 €*

Detroit-New York Junction Black Vinyl Edition

Release: 1956 / US – Reissue

Genre: Organic Grooves

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1956 album from the "King of Mambo". Red Opaque colour vinyl.

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Thad Jones

LP | 1956 | US | Reissue (Blue Note / Third Man)

42,99 €*

Release: 1956 / US – Reissue

Genre: Organic Grooves

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Detroit-New York Junction Opaque White Vinyl Edition

Thad Jones

LP | 1956 | US | Reissue (Blue Note / Third Man)

48,99 €*

Release: 1956 / US – Reissue

Genre: Organic Grooves

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Gerry Mulligan Quartet Featuring Chet Baker Splatter Edition

Gerry Mulligan Quartet

LP | 1956 | EU | Reissue (Second)

LP | 1956 | EU | Reissue (Blue Note)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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180 Gram Vinyl / Light Red w/ white Splatter Vinyl. Handnumbered Edition limited to 400 UnitsGery Mulligan Quartet Featuring Chet Baker - also referred as `The pianoless quartet'. Recordings of various sessions. With Bob Whitlock and Carson Smith on Bass, Chico Hamilton and Larry Bunker on Drums.

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Clifford Brown

Memorial Album

LP | 1956 | US | Reissue (Prestige)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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The incomparable trumpeter Clifford Brown recorded two leader sessions for Blue Note in 1953—a co-led quintet date with Lou Donaldson and his own sextet date—that were compiled on the 12" LP Memorial Album (blp 1526) shortly after his tragic death in 1956. Brownie’s star burns bright from the blistering ‘Cherokee’ to the stunning ballad ‘Easy Living’.

This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Hank Mobley

Mobley's 2nd Message

11,99 €*

LP | 1956 | US | Original (Riverside)

Release: 1956 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Record is warped but still enjoyable!

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Kenny Drew

I Love Jerome Kern

19,99 €*

Gene Krupa ･ Lionel Hampton ･ Teddy Wilson

Release: 1956 / US – Original

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: G+, Cover: G+

Record shows a bunch of scratches! Plays with crackles and background sounds!
Cover with strong wear, yellowing, writings on the back, sticker residue and beginning seam split!

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Playing Some Of The Selections They Played In The Benny Goodman Movie

LP | 1956 | US | Original (Clef)

7,99 €*

Hank Mobley With Donald Byrd And Lee Morgan

Release: 1956 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Record has many hairlines and surface marks. Small punch hole in cover.

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With Donald Byrd And Lee Morgan Clear Vinyl Edtion

LP | 1956 | EU | Reissue (Sowing)

23,74 €* 24,99 € -5%

The Magnificent Thad Jones Blue Note Classic Vinyl Series

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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Hank Mobley with Donald Byrd and Lee Morgan, also known as Hank Mobley Sextet, is an album by American jazz saxophonist Hank Mobley recorded on November 25, 1956 and released on Blue Note the following year. The sextet features trumpeters Donald Byrd and Lee Morgan, backed by rhythm section Horace Silver, Paul Chambers, and Charli Persip.

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Thad Jones

LP | 1956 | EU | Reissue (Blue Note)

7" | 1956 | JP | Reissue (P-Vine)

Release: 1956 / EU – Reissue

Genre: Organic Grooves

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) "The Magnificent Thad Jones" is widely regarded as the greatest small group recording of the trumpeter and composer’s career. Following his Blue Note debut "Detroit – New York Junction" in March 1956, Jones returned to the studio in July to record this supremely swinging date with Billy Mitchell on tenor saxophone, Barry Harris on piano, Percy Heath on bass, and Max Roach on drums. The album opens with an iconic performance of “April In Paris,” a reprise of the famous version featuring Jones that the Count Basie Orchestra had cut the previous year, complete with the trumpeter’s sly “Pop Goes The Weasel” quote. Other highlights of the set include two Jones originals—the laid-back “Billie-Doo” and lightly swinging “Thedia”—as well as the stunning ballad “If Someone Had Told Me.” This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Single Sleeve.

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Otis Rush

I Can't Quit You Baby

21,99 €*

Lea In Love Vinyl Me, Please Edition

Release: 1956 / JP – Reissue

Genre: Organic Grooves

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Preorder shipping from 2025-01-31

It's hardly necessary to say at this point, but Otis Rush holds a very special place for modern blues fans. The period when he recorded for Chicago's Cobra Records from 1956 to 1958 can be seen as the birth of a new era of urban blues following B.B. King. From these timeless blues treasures, the first single from his Cobra Records era and Rush's signature song, "I Can't Quit You Baby," is being reissued on a 7-inch vinyl. The A-side features the original version, where Willie Dixon's craftsmanship boldly cuts the intro, starting with Rush's powerful roar for a striking impact. The B-side includes an alternate take, featured on the British Blue Horizon compilation This One’s A Good ‘Un, which gained attention when the Rolling Stones covered it in 2016. This will be a special record that allows listeners to savor the essence of Otis Rush and the blues.

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Barbara Lea

LP | 1956 | US | Reissue (Vinyl Me, Please)

33,99 €*

It's Magic Vinyl Me, Please Edition

Release: 1956 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Lea In Love is a timeless, effortless album from undersung jazz vocalist Barbara Lea and the VMP Classics Record of the Month for January 2022. It’s here on 180g black vinyl, remastered AAA from the original analog tapes by Ryan...

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Abbey Lincoln

LP | 1956 | US | Reissue (Vinyl Me, Please)

33,99 €*

LP | 1957 | EU | Reissue (Doxy)

Release: 1956 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
Though Abbey Lincoln’s life was full of starts and stops — great joys and many sacrifices — Lincoln never stopped the search for herself, ultimately writing compositions that offered just a mere yet telling glimpse of who she was and why what she had to say mattered. Hearing her on early recordings like It’s Magic, right at the cusp of her brilliant and prolific career, at long last, it feels like finally getting to meet her.

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John Jenkins

With Kenny Burrell

21,59 €* 26,99 € -20%

LP | 1957 | EU | Reissue (Speakers Corner)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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180 gram LP. In the late fifties the Chicago-born John Jenkins was an up and coming young alto saxophone player on the New York jazz scene, playing with top jazzmen like Charles Mingus, Donald Byrd, and Hank Mobley, among others.

It looked like he was going to have a long and promising career, when suddenly in the mid-sixties he gave up music altogether and disappeared from the jazz world.

Thankfully, before doing so he recorded several sessions, including two as leader for Blue Note in 1957.

This quintet session (recorded with the all-star rhythm section of Kenny Burrell, Sonny Clark, Paul Chambers, and Danny Richmond) is considered to be the better of the two.

Here Jenkins also gets an opportunity to show off his flair for composition as well, contributing three of the six pieces found on the album ("Motif", "Sharon" and "Chalumeau").

After such a competent start, jazz fans can only mourn the fact that Jenkins didn't continue recording!

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Charles Mingus

The Clown

LP | 1957 | US | Reissue (Analogue Productions)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Who hasn't got an ancient, worn-out copy of "The Clown" on his shelf, with a tatty cover and torn inner sleeve? Or maybe one of the rare re-releases made of cheap, thin vinyl with dreadful graphic art? And if you haven't heard this gem for a long time, despite the flood of Mingus LPs, CDs and downloads on the market, then you really should seize this opportunity to do so. "The Clown" was, and still is, an absolute must-have for every jazz collector. The small ensemble, only five musicians, came into the New York Atlantic Records studio in March 1957 to record music exclusively composed by the double bassist. Over the next 15 years, three of them were to be heard in numerous concerts with other ensembles. But the original recordings on this LP were the most deeply concentrated, the most versatile, and quite simply the best of all. The more so because the label attached great importance to optimal studio conditions and allowed the instrumentalists plenty of time to make the recordings.
In the present new release, "The Clown" can be enjoyed to the full from the very first note of "Haitian Fight Song" up until the words »William Morris Sends Regrets« in the title work.

Recording: Februay and March 1957 in New York City by Tom Dowd and Larry Hiller in mono
Production: Nesuhi Ertegün

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Gil Evans

Gil Evans & Ten

LP | 1957 | EU | Reissue (Not Now)

Release: 1957 / US – Reissue

Genre: Organic Grooves

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In 1957, Miles Davis, high on the success of his recent collaborations with his old friend Gil Evans, persuaded Prestige Records to give Evans his own record date. Evans packed the resulting album with the brilliance that music insiders had recognized since his days as an arranger for Claude Thornhill in the 1940s and his work on Davis’ "Birth Of The Cool" recordings. Writing for only 11 instruments, Evans used his wizardry with dynamics, motion and harmonic voicings to create orchestral effects suggesting a substantially larger orchestra. His settings stimulated his musicians to inspired improvisation. Among the soloists are trombonist Jimmy Cleveland, saxophonists Steve Lacy and Lee Konitz, and Evans himself, making his first recorded appearance as a pianist.
This reissue marks the first time ever that the stereo master tapes of this landmark title have been used.

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Paul Chambers

Bass On Top

21,99 €*

Exotica (Mono) Black Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Paul Chambers came to New York in the latter part of 1955 and since then has devoted the majority of his time to working with Miles Davis. Miles the perfectionist, did well in choosing Paul as his regular bassist. Paul's exciting bowed and pizzicato solos and his solid rhythmic line helped spark Miles' quintet to the lofty heights it achieved in clubs and on records. Paul too has benefitted greatly from his association with Miles. No musician with any degree of sensitivity can work night after night behind the "Great Man" without absorbing some of his profound musical wisdom and the results of Paul's exposure to Miles can be heard in his music. He is a complete musician now with a deep and expansive conception that, combined with his always brilliant technical prowess marks him as the bass player to watch, or rather the bass player to listen to.

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Martin Denny

LP | 1957 | EU | Reissue (Jackpot)

LP | 1957 | EU | Reissue (Jazz Workshop)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Martin Denny’s Debut #1 Album Originally Released in 1957. Original Mono recording preferred by Martin Denny and featuring Arthur Lyman & Augie Colon. “Exotica” spawned an entire genre and the birth of the Tiki/cocktail movement starts here.

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Hazel Scott

'Round Midnight

22,99 €*

LP | 1957 | JP | Reissue (P-Vine)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Recorded IN NEW York City December 27, 1956 AND January 11, 1957

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B.B. King

Singin' The Blues

36,99 €*

LP | 1957 | UK | Reissue (Public Domain)

Release: 1957 / JP – Reissue

Genre: Organic Grooves

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This is where it all began for the legend of blues BB King. Originally released in 1957, Singin’ The Blues only takes a few bars to establish King as the domineering electric guitarist, the incomparable music architect, the foothold on blues to come. These hits were recorded between 1951 and 1956, and include unforgettable tracks such as “Woke Up This Morning,” “Please Love Me” and “You Upset Me Baby”. P-vine is delighted to be revisiting this essential album for a limited pressing on 180g heavyweight vinyl paired with an iconic Japanese obi strip.

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Blossom Dearie

22,99 €*

Blue Train Tone Poet Mono Edition

Release: 1957 / UK – Reissue

Genre: Organic Grooves

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Blossom Dearie was part of the NYC beboppers scene that often gathered at Gil Evans’ apartment, was in the social circle that began developing “Birth of the Cool” and at the same time was a fixture in the Jazz clubs of the 1940’s.

The legendary jazz producer and founder of Verve, Norman Granz, heard Blossom singing in Paris and offered her a contract. She returned to New York to record her debut album produced by Norman Granz in 1956. The LP spotlights Blossom as a chanteuse and pianist.

Miles Davis once said, “she was the only white woman who had soul”, while Bill Evans noted her playing really “knocked him out”.

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John Coltrane

LP | 1957 | EU | Reissue (Blue Note)

41,99 €*

Ella Fitzgerald & Louis Armstrong

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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MONO
To mark the 65th anniversary of the album’s recording, Blue Train will be released in two special editions on September 16 as part of Blue Note’s acclaimed Tone Poet Audiophile Vinyl Reissue Series. A 1-lp mono pressing of the original album will be presented in a deluxe gatefold tip-on jacket, while the 2-lp stereo collection Blue Train: The Complete Masters will include a second disc featuring seven alternate and incomplete takes, none of which have been released previously on vinyl, and four of which have never been released before on any format. The Complete Masters comes with a booklet featuring never-before-seen session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn. Both Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, and pressed on 180g vinyl at RTI. Blue Train: The Complete Masters will also be released as a 2-cd set and digital collection.

“Few studio experiences I’ve had can compare with the thrill of listening to the original master tapes—mono, stereo and alternate takes—of Blue Train,” says Harley. “I consider these two new versions the definitive editions of this masterpiece performance by John Coltrane.”

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Ella & Louis Again (Acoustic Sounds)

2LP | 1957 | EU | Reissue (Verve)

42,99 €*

Blue Train The Complete Masters Tone Poet Stereo Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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After the smash success of “Ella and Louis” in 1956, an album sequel was quickly set up by Verve Records. And what a sequel it was: “Ella and Louis Again”, released following year, was a double LP this time, and just as wonderful as its predecessor. In contrast to the previous collaboration, this album features seven solo vocal tracks by either Armstrong or Fitzgerald amongst its dozen duet tracks. The fantastic Oscar Peterson Trio returns as the duo's backing, this time along with drummer Louie Bellson.

VERVE ACOUSTIC SOUNDS SERIES: Stereo, mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve

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John Coltrane

2LP | 1957 | EU | Reissue (Blue Note)

66,49 €* 69,99 € -5%

West Side Story Translucent Red Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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STEREO
To mark the 65th anniversary of the album’s recording, Blue Train will be released in two special editions on September 16 as part of Blue Note’s acclaimed Tone Poet Audiophile Vinyl Reissue Series. A 1-lp mono pressing of the original album will be presented in a deluxe gatefold tip-on jacket, while the 2-lp stereo collection Blue Train: The Complete Masters will include a second disc featuring seven alternate and incomplete takes, none of which have been released previously on vinyl, and four of which have never been released before on any format. The Complete Masters comes with a booklet featuring never-before-seen session photos by Francis Wolff and an essay by Coltrane expert Ashley Kahn. Both Tone Poet Vinyl Editions were produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, and pressed on 180g vinyl at RTI. Blue Train: The Complete Masters will also be released as a 2-cd set and digital collection.

“Few studio experiences I’ve had can compare with the thrill of listening to the original master tapes—mono, stereo and alternate takes—of Blue Train,” says Harley. “I consider these two new versions the definitive editions of this masterpiece performance by John Coltrane.”

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Original Broadway Cast

2LP | 1957 | EU | Reissue (Music On Vinyl)

33,99 €*

With His Hot And Blue Guitar Clear Vinyl Edtion

Release: 1957 / EU – Reissue

Genre: Soundtracks

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West Side Story is the recording of the 1957 Broadway production of the same-titled musical. All music is composed by Leonard Bernstein and lyrics written by Stephen Sondheim. The musical premiered in 1957 and was performed 732 times before the cast went on tour. West Side Story was nominated for six Tony Awards, including Best Musical in 1958. In 1961, the film West Side Story was released, which was based on the same-titled musical. The success of the movie (winning multiple Grammy Awards) bolstered the popularity of the musical even more. West Side Story is available as a 65th anniversary edition on translucent red coloured vinyl, housed in a gatefold sleeve.

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Johnny Cash

LP | 1957 | EU (Destination Moon)

LP | 1957 | EU | Reissue (Honeypie)

Release: 1957 / EU

Genre: Rock & Indie

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The iconic baritone country singer Johnny Cash sold over 90 million records, an incredible achievement for one who endured terrible hardship in the Great Depression, picking cotton with his sharecropper family from the age of five. After a spell in the Air Force, Cash settled in Memphis and with guitarist Luther Perkins and bassist Marshall Grant, known as the ‘Tennessee Two,’ Cash pitched up at Sun Records just as Carl Perkins and Elvis were trying their luck, Cash’s brilliant debut With His Hot And Blue Guitar containing all-time anthems like ‘Folsom Prison Blues’ and his perky cut of ‘Rock Island Line’. A must for all Cash fans.

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Duke Ellington

A Drum Is A Woman

13,99 €*

Gil Evans & Ten Mono Black Friday Record Store Day 2023 Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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A Drum Is a Woman is a musical allegory by American pianist, composer, and bandleader Duke Ellington and his long-time musical collaborator Billy Strayhorn. It tells the story of Madam Zajj, the personification of African rhythm, and Carribee Joe, who has his roots firmly in the jungle with his drums. Zajj travels out into the world seeking fame and sophistication and melds with the influences of cultures she weaves through the story, which gives a brief history of the rise of jazz and bebop. Originally recorded for the Columbia label in 1956, it was produced for television on the US Steel hour on May 8, 1957

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Gil Evans

LP | 1957 | US | Reissue (Concord)

33,14 €* 38,99 € -15%

Now's The Time: The Genius Of Charlie Parker Volume 3 Verve By Request Vinyl Edition

Release: 1957 / US – Reissue

Genre: Organic Grooves

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The rare Mono version of Gil Evans’ classic album on Prestige Records, featuring lacquers cut from the original tapes (aaa) by Kevin Gray, pressed on 180-gram vinyl at RTI and housed in a tip-on jacket

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Charlie Parker Quartet

LP | 1957 | EU | Reissue (Verve)

35,99 €*

Elvis' Christmas Album Black Vinyl Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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This 1957 release, the third in a series of albums expanding on Bird’s 10” Clef releases from the early 1950’s, Now’s The Time boasts some of Parker’s purest recordings and strongest playing, featuring two different quartets. His lyrical and fluid improvisations on cuts like “The Song Is You” and “Laird Baird” are on full display, prime examples of his unmatched genius.

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

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Elvis Presley

LP | 1957 | EU | Reissue (Second)

Soulville Acoustic Sounds Edition

Release: 1957 / EU – Reissue

Genre: Rock & Indie

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LP - 180 Gram Vinyl / Limited to 500 Units12 festive songs recorded by The King in 1957 - a few even with the famous vocal quartet The Jordanaires. This LP full of Rock`n`Roll christmas hits takes you back into another time.

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Ben Webster

LP | 1957 | UK | Reissue (Verve)

43,99 €*

LP | 1957 | US | Original (Columbia)

Release: 1957 / UK – Reissue

Genre: Organic Grooves

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"Soulville" is quintessential Ben Webster: intimate, tender, endlessly expressive. Webster was internationally recognized as one of jazz's elder statesman when he recorded this album in 1957. Leading a stellar combo through a program consisting mostly of vintage pop tunes, the great tenor saxophonist is at his peak.

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V.A.

Jazz Omnibus

7,99 €*

Cookin' Black Vinyl Edition

Release: 1957 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Columbia 6 eye. Deep groove.

Only signs of storage wear on close to VG+ copy, cover is quite dirty and has damaged seam.

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Miles Davis

LP | 1957 | EU | Reissue (SAAR)

25,99 €*

Mobley's Message Black Vinyl Editoin

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Cookin’ is the first of four albums derived from the Miles Davis Quintet’s fabled extended recording session on Octobre 26, 1956; the concept being that the band would document its vast live-performance catalog in a studio environment, rather than preparing all new tracks for its upcoming long-player. The bounty of material in the band’s live sets– as well as the overwhelming conviction in the quintet’s studio sides– would produce the lion’s share of the Cookin’, Relaxin’, Workin’ and Steamin’ albums. As these recordings demonstrate, there is an undeniable telepathic cohesion that allows this band– consisting of Miles Davis (trumpet), John Coltrane (tenor saxophone), Red Garland (piano), Paul Chambers (bass) and Philly Joe Jones (drums)– to work so efficiently both on the stage and the studio. This same unifying force is also undoubtedly responsible for the extrasensory dimensions scattered throughout these recordings. The immediate yet somewhat understated ability of each musician to react with ingenuity and precision is expressed in the consistency and singularity of each solo as it is maintained from one musician to the next without the slightest deviation. « Blues by Five » reveals the exceptional symmetry between Davis and Coltrane that allows them to complete each others’ thoughts musically. Cookin’ features the pairing of « Tune Up / When the Lights Are Low » which is, without a doubt, a highlight no only of this mammoth session, but also the entire tenure of Miles Davis mid-‘50’s quintet. All the éléments converge upon this fundamentally swinging medley. Davis’s pure-toned soloes and the conversational banter that occurs with Coltrane, and later Garland during « When the Lights Are Low », resound as some of these musicians’ finest moments.

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Hank Mobley

LP | 1957 | EU | Reissue (SAAR)

25,99 €*

LP | 1957 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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This is tenor saxophonist Hank Mobley’s first release on the Prestige label, after one previous Blue Note release. Here he is joined by Donald Byrd (trumpet), Barry Harris (piano), Doug Watkins (bass) and Art Taylor (drum) with a guest appearance from Jackie McLean (alto saxophone) on one track.

As one might expected, the program is quite « beboppy », with the band running through bop standards like Bud Powell « Bouncing with Bud », Monk’s « 52nd Street » and Parker’s « Au Privave ».

Mobley’s supremely confident solos are highlights of these tracks and he swings through the rather plain arrangements of « Bouncing with Bud » and « Au Privave » , with exceptional phrasing and melodic finesse, through Byrd’s and Harris’s solos as satisfying as well.

« 52nd Street » is taken at a very quick tempo and has a short horn interlude between the solos.

It’s a small detail but it’s enough to elevate the piece beyond being just a blowing tune. Donald Byrd seems to struggle a little with the tempo, but Mobley and Harris excel. Jackie McLean takes a nice guest solo on « Au Privave » through for the first half of his solo a recording malfunction gives his sax an odd, muted sound.

Byrd sits out for a lovely ballad version of Rodgers’ and Hart’s « Little Girl Blue ». Mobley’s affecting read of the melody manages to recall the sentimentality of the old tenor ballad masters, while maintaining his own tone and distinctive melodic flair. Two Mobley’s originals round out the record with more bebop attitude. « Minor Disturbance » has a catchy melody and somewhat interesting changes but « Alternating Current » has no written melody and instead jumps right into solos and trading from the band.

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Ruth Brown

Rock & Roll

47,99 €*

Release: 1957 / US – Reissue

Genre: Organic Grooves

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LP | 1957 | EU | Reissue (Waxtime)

Little Richard

Here's Little Richard

17,99 €* 19,99 € -10%

Release: 1957 / EU – Reissue

Genre: Rock & Indie

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LP | 1957 | EU | Reissue (Honeypie)

Tito Puente

Afro-Cuban Percussion

23,74 €* 24,99 € -5%

Here's Little Richard Vinyl Me, Please Edition

Release: 1957 / EU – Reissue

Genre: Organic Grooves

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Timbalero and vibraphonist Ernesto Antonio "Tito" Puente (1923–2000) is known for his Latin albums, their convoluted but accessible and feisty percussion segues and the introduction of the Mambo subgenre to North American ears. There is, however, only one album where he truly concentrates on the Latinized percussion side of things, and it may be both his most experimental or reduced and his best exotic work at the same time. This 1957 recordings - originally by the name of Top Percussion - brought together Tito, Mongo Santamaria, Willie Bobo, Aguabella and Julito Collazo on percussion with vocalists that included Mercedita Valdez, in seven wonderful cuts of traditional and (then) contemporary Afro-Cuban skin-on-skin. Then as an unexpected gift, there is a seven-minute Latin-jazz suite featuring Puente's considerable jazz-arranger head and a powerful band with Doc Severinson on lead trumpet.

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Little Richard

LP | 1957 | US | Reissue (Vinyl Me, Please)

35,99 €*

Lord Composer With The Calypso Champions

Release: 1957 / US – Reissue

Genre: Rock & Indie

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Why you'll love it...
We call Little Richard “the architect of rock ’n’ roll” largely because of his very first album — the wild, frenetic, and fun Here’s Little Richard, 12 tracks of something no one had ever played before and no one had ever heard before from any recording artist, Black or white. Accompanying his own orgasmic wails and raspy coos by pounding on the piano, he invented an eight-note pattern that we now take for granted as what so much contemporary music sounds like.

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Songs From The Caribbean

LP | 1957 | US | Reissue (Art Records)

17,99 €*

Alexander Gibson & The New Symphony Orchestre Of London

Release: 1957 / US – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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Used Vinyl

Medium: G+, Cover: G+

Record has many hairlines and surface marks. label missing on b-side.

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Witches' Brew 200g Vinyl Edition

LP | 1958 | US | Reissue (Analogue Productions)

Ascenseur Pour L'Echafaud

Release: 1958 / US – Reissue

Genre: Organic Grooves, Classical Music

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This famous Alexander Gibson/New Symphony Orchestra of London collection from 1958 debuted at the dawn of the RCA Living Stereo era. It became one of the most sought-after Living Stereos with music by Arnold, Liszt and Mussorgsky amongst others, all with a spooky, witchy theme. The performances remain today as characterful and incisive as they were then.
We've taken this classic and given it the full Analogue Productions reissue treatment, featuring a remaster by Germany's Willem Makkee from the original analog tapes, and plating and 200-gram pressing by Quality Record Pressings. Toping it off is a thick cardboard Stoughton Printing tip-on jacket.
If such music didn't cast the right sort of spell, so many listeners wouldn't be returning to it on so many occasions, somehow feeling constantly refreshed.

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Miles Davis

10" | 1958 | EU | Reissue (Sam)

26,99 €*

Hip Harp On A Minor Groove

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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In 1957, Miles Davis is in Paris for an engagement at the Club Saint-Germain and a wonderful concert at the Olympia Theatre. Once in Paris, Miles came into contact with many members of the modern existentialist cultural environment in the neighborhood of Saint-Germain-des-Près. These include the director Louis Malle who had just finished his first movie : "Ascenseur Pour L'échafaud". Jean-Paul Rappeneau, a Jazz fan and Louis Malle's assistant at the time, suggested asking Miles Davis to create the film's soundtrack. A private sceening has been organized.
On December 4 1957, Miles Davis brought three French Jazzmen - Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and his american compatriot Kenny Clarke on drums - to the recording studio Le Poste Parisien without having them prepare anything. Miles Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. This recording was made at night in a most informal atmosphere.
The soundtrack was not released on it's own in the USA but ten songs from this soundtrack were released as one side of the album "Jazz Track" which received a 1960 Grammy nomination for Best Jazz Performance, Solo or Small Group.
"Ascenseur Pour L'échafaud" has become a great achievement of artistic excellence.

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Dorothy Ashby

2LP | 1958 | EU | Reissue (Doxy)

32,99 €*

LP | 1958 | EU | Reissue (Fantome Phonographique)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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This LP brings together for the first time, HIP HARP and IN A MINOR GROOVE, the two albums recorded in 1958 by the legendary jazz harpist and polistrumentist Dorothy Ashby. Dorothy Ashby had a unique soul jazz harp sound, and although the instrument she used is probably more thought of in terms of bedtime lullabies, she actually makes it swing nicely, and with a soulful sound that draws back to traditions of African stringed instruments. Ashby was part of the same scene as Yusef Lateef, and like Lateef, she managed to use odd instrumentation in new contexts, to get a very unique jazz sound.
“In HIP HARP in addition to the interpretations of standards like Moonlight In Vermont, Dancing In The Dark, Charmaine and There’s A Small Hotel, Dorothy and Frank work out on three Ashby tunes: Pawky, a minor-key blues, Back Talk, major-key blues and Jollity, a medium-up original. Dorothy Ashby has added to the basic territory that the harp previously occupied. In fusing her sometimes guitar-like, swinging line to the expected harp effects, she has added another step to the instrument-scope of jazz(...) (from the original liner notes)

“IN A MINOR GROOVE is so named because all of the tunes are set in that particular mode. They represent a mixture of standards, jazz originals and one fairly recent pop song. Like the first set featuring Dorothy Ashby and Frank Wess (Hip Harp), this is not rock ‘em, sock ‘em jazz; it is far from the cloying effects of the kind of performances often associated with jazz of a low decibel nature” (from the original liner notes)

Numbered first press of 500 copies.

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Jean-Jacques Perrey

Prelude Au Sommeil

21,99 €*

Dorothy Ashby With Frank Wess

Release: 1958 / EU – Reissue

Genre: Electronic & Dance

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One of the pioneers of musique concrète and electronic tape manipulation, 'Prélude Au Sommeil' is Perrey's debut recording but shows a composer already at maturity. Originally released at the end of the fifties, as a private press under the fake institutional name "Institut Dormiphone", it consisted of 2 side-long tracks played on the Ondioline (a vacuum-tube based, spring-loaded electronic instrument). The music contained in this mysterious vinyl is like something between dreamy church organ hymns and the keyboard-based minimalism that Philip Glass and Terry Riley developed a decade later. It was intended as sleep-inducing and tranquilizing for use in mental hospitals. It is unclear if the copies pressed actually had been distributed to mental hospitals or if the whole story was just a fantastical joke on the part of Mr. Perrey. Essential. Limited to 500 copies.

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Hip Harp Clear Vinyl Edition

LP | 1958 | EU (Sowing)

LP | 1958 | EU | Reissue (Blue Note)

Release: 1958 / EU

Genre: Organic Grooves

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Limited Clear Vinyl edition, 300 copies! Born in Detroit in 1932 Dorothy Ashby can be easily recognized as the woman who gave the harp a Jazz voice. In her hands, the harp, an originally classical instrument which seemed to just scare people, became a highly versatile swinging voice able to drive a whole jazz rhythm section. Recorded in 1958 by master Rudy Van Gelder and originally released on the Prestige label, Hip Harp is a perfect example of Ashby’s artistry. At the head of a fine quartet featuring the great Frank Wess on flute, Herman Wright on Bass and master Art Taylor on drums, Ashby creates a unique combination of deeply Jazz elements expressed through a totally new sound.

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Sonny Clark

Cool Struttin'

LP | 1958 | EU | Reissue (Blue Note)

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Conrad Yeatis Clark, otherwise known as Sonny Clark, was in many ways the quintessential hard bop pianist. Possessed of an enviable lyrical flow and a wealth of inventive melodic ideas that unfurled with clarity and without fuss, Clark had a deeply rooted feeling for the blues.

After moving from his hometown of Pittsburgh to New York, Clark emerged as a ubiquitous presence on Blue Note starting in 1957. It was on his fifth Blue Note date as a leader that Clark arrived at his masterwork, Cool Struttin’, recorded in January 1958 with a top-shelf quintet featuring Art Farmer on trumpet, Jackie McLean on alto saxophone, Paul Chambers on bass, and ‘Philly’ Joe Jones on drums. The album has only grown in stature as a timeless hard bop classic since Clark’s premature death at age 31 in 1963.

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Art Blakey

Moanin'

23,99 €*

Primitiva Colored Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time.

Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

This Blue Note Classic Vinyl Edition is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

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Martin Denny

LP | 1958 | EU | Reissue (Jackpot)

Ray Draper Quintet Feat. John Coltrane Clear Vinyl Edtion

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Originally released in 1958, Primitiva is a rhythmically rich and inimitably exotic Martin Denny experience. Reissued by Jackpot Records on limited edition ocean blue color vinyl, Primitiva highlights the burgeoning sound of ’50s exotica music, with Denny’s diverse soundscape ranging from vibraphones and marimbas, to Burmese gongs and Buddhist prayer bowls. This third outing from the father of exotica shines in style with stand-out tracks like “Burma Train”, “M'Gambo Mambo”, and “Jamaica Farewell” spanning from the Caribbean coast, to the South Pacific islands, and beyond. Pairing perfectly with beachside Mai Tais and ornamental umbrellas, Primitiva is a hallmark of the mid-century’s lounge music fascination, and is replete with animal cries, pulsing percussion, and enough groovy goodness to keep it a mainstay of your rotation.

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Ray Draper Quintet

LP | 1958 | EU | Reissue (Sowing)

22,99 €*

Lateef At Cranbrook Clear Vinyl Edition

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Recorded in 1957 by Rudy Van Gelder and released in the same year on the New Jazz label, this was a major statement from Ray Draper, who besides working with the likes of Max Roach, Jackie Mclean and Donald Byrd, he has been one of the few tuba players who have made a name as band leader. In particular this quintet date was a courageous step with Draper sharing the frontline with John Coltrane. In fact the two gave voice to a very unusual combination of tuba and tenor sax. An unprecedented instrumental choice backed here by a tight dynamic rhythm section featuring Gil Coggins – piano, Spanky DeBrest – bass and Larry Ritchie – drums.

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Yusef Lateef

LP | 1958 | EU | Reissue (Sowing)

A Sure Thing - David Allen Sings Jerome Kern

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Limited Clear Vinyl edition, 500 copies! Lateef at Cranbrook (also reissued as Yusef Lateef) is a. live album by multi-instrumentalist Yusef Lateef recorded in 1958 at the Cranbrook Academy of Art and originally released on the Argo label. Saxophonist, flautist, oboist and all-round reeds maestro Yusef Lateef was a renowned cross-pollinator of Eastern modes with the more traditional harmonic repertoire of American jazz. During the course of his covetable career he worked side-by-side with Dizzy Gillespie, Charles Mingus and Miles Davis among others.

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David Allyn

LP | 1958 | US | Original (World Pacific)

7,59 €* 7,99 € -5%

Milestones Numbered Limited Edition 180G LP SuperVinyl

Release: 1958 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Record is close to VG+.
Cover with seam split.

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Miled Davis

LP | 1958 | US | Reissue (Mobile Fidelity Sound Lab)

74,99 €*

This Is The Moment: Sings And Plays Record Store Day 2024 Edition

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Miles Davis created just one studio album with his original sextet: Milestones. And he made every moment count. Pairing with Cannonball Adderley, John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones, Davis not only laid the groundwork for the modalism that immediately followed but tailored a genuine modern-jazz masterwork laden with performances among the most explosive of his distinguished career. Sandwiched between the more famous 'Round About Midnight and the epochal Kind of Blue, Milestones remains a seminal work of art.

Sourced from the original master tapes and pressed on dead-quiet SuperVinyl, Mobile Fidelity's numbered-edition 180g LP grants each musician their own space amid broad soundstages. Afforded the benefits of a nearly non-existent noise floor and supreme groove definition, this vinyl reissue doubles as a time machine back to the February-March 1958 recording sessions.

Colors, shapes, and dimensions appear in the manner that resembles what you'd glean from behind a studio control room's window. Davis' burnished trumpet is rendered in three-dimensional perspective and seemingly coaxes the band to play with unburdened zest. Coltrane's trademark saxophone teems with lifelike tonality and images with specificity; his solos work in tandem with and against the driving rhythms. Garland's swaggering piano lines? Visualize the keys as he hits full stride, the chords and fills slithering around skeletal frameworks.

Inducted into the Grammy Hall of Fame and selected as a "Core Collection" record by the Penguin Guide to Jazz, Milestones is as famous for its title track – widely considered ground zero for modalism and bolstered by Jones' hallmark "Philly Lick" rim shot – as the players that produced it. The launching pad for many of Davis' improvisational flights, the album teases the explorations Coltrane would soon chase. Davis' own solo work broaches territories that far exceed what he had done in his bop-rooted past. Every song is a highlight.

Take the bravado "Dr. Jackle," featuring a hot-foot pace and bebop strains, or "Sid's Ahead," which continues the album's blues theme while juggling edgy harmonics and inside-out structures. On "Billy Boy," distinguished with an arco bass solo from Chambers, Garland gets a turn in the spotlight and channels the openness practised by one of his heroes, Ahmad Jamal. Even more instructive is the band's reading of Dizzy Gillespie's "Two Bass Hit." Three years removed from the version Davis and company recorded for the trumpeter's Columbia debut, this interpretation demonstrates the extent to which the group had jelled in a relatively short amount of time.

Then there's "Straight, No Chaser," the definitive rendition of Thelonious Monk's signature piece. Coltrane's marbled playing pulls at the tune's borders, Adderley takes liberty with solos, and Davis dances around his mates, at one point quoting "When the Saints Go Marching In" while demonstrating his knowledge of tradition and casting an eye towards the future.

About that future. Garland already had one foot out the door during the Milestones sessions to the extent Davis spells him on "Sid's Ahead." Jones would stick around for a bit longer but soon plot his exit. History proves Davis navigated the changes with visionary aplomb. Yet the chemistry, excitement, and beauty the sextet achieves on Milestones cannot be overstated. This reissue helps put the album in proper perspective – and presents the music the fidelity it deserves.

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Kenny Dorham

LP | 1958 | EU | Reissue (New Land)

39,99 €*

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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Art Blakey & The Jazz Messengers

Moanin' Blue Vinyl Edition

LP | 1958 | EU | Reissue (Blue Note)

Forbidden Island Dark Lava Colored Vinyl Edtion

Release: 1958 / EU – Reissue

Genre: Organic Grooves

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More than any other album in the canon of Art Blakey & The Jazz Messengers, 1958’s Moanin’ — featuring the great drummer with trumpeter Lee Morgan, tenor saxophonist Benny Golson, pianist Bobby Timmons, and bassist Jymie Merritt —was the perfect crystallization of the band’s bluesy, soulful sound, and it still stands today as perhaps the most quintessential hard bop recording of all-time. Originally self-titled, the album was later renamed Moanin’ due to the popularity of Timmons’ unforgettable opening track. The album also introduced several indelible Golson compositions that would become standards of the jazz songbook including “Along Came Betty” and “Blues March.”

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Martin Denny

LP | 1958 | US | Reissue (Jackpot)

25,99 €*

LP | 1958 | US | Original (Verve)

Release: 1958 / US – Reissue

Genre: Organic Grooves

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Sourced From The Original Master Tapes, Martin Denny's Third Release; 4 1/2 stars (Billboard Magazine);

There’s a reason why Martin Denny remains a cultural touchstone—his records are as earthly as they are from outer space. Forbidden Island was Denny’s third record, recorded after a nine-month residency in Hawaii.

This era finds Denny just on the cusp of being a household name, a period where his records would shortly become certified Gold. Forbidden Island is a solidification of Denny being the King of the Exotica sound, where his recordings could illuminate just enough darkness across the Tiki Bar to let a few of us slowly dance the night away.

These reissues also include the original iconic album artwork featuring model/actor Sandy Warner (which was often the gateway into these albums before we ever heard the music in these grooves).

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Sarah Vaughan

Sassy Acoustic Sounds

38,99 €*