Search "danny+brown" 6298 Items

Retrospective: Selected Recordings 1973-2023 Clear Vinyl Edition

2LP | 2024 | EU | Original (BMG)

42,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 2022 | EU | Original (BMG Rights Management)

Taxi

Release: 2022 / EU – Original

Genre: Pop

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LP | 1978 | EU | Reissue (Virgin)

The Bride Stripped Bare

Release: 1978 / EU – Reissue

Genre: Pop

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The Right Stuff Record Store Day 2024 Blue Vinyl Edition

12" | EU | Reissue (BMG)

34,19 €* 37,99 € -10%

Release: EU – Reissue

Genre: Pop

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Originally chosen as the first single to be taken from Bryan Ferry’s 1987 album ‘Bête Noire’, the groove laden ‘The Right Stuff’ evolved from a collaboration with guitarist, Johnny Marr. Based on Marr’s ‘Money Changes Everything’, written for The Smiths, the track evolved into a slice of sophisticated dancefloor action and, for the clubs, spawned 12”, dub and ‘Brooklyn’ mixes of the track. ‘The Right Stuff’ E.P. brings together the Bête Noire original, plus its ’87 mixes, and a previously unreleased new mix by Johnson Somerset, whose previous credits include remixes for The Temper Trap, alt-J, Duran Duran, Blondie, Katy Perry and Bryan Ferry himself in the shape of his startling reworkings of ‘Song To The Siren’ and ‘Avonmore’. Whilst staying true to the original’s spirit of uptown cool, the slow-burning Johnson Somerset Remix unravels and extends ‘The Right Stuff’ into a smouldering, atmospheric triumph. Blue vinyl.

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LP | 1973 | EU | Reissue (Virgin)

These Foolish Things

28,99 €*

Release: 1973 / EU – Reissue

Genre: Pop

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CD | 1973 | EU | Reissue (Virgin)

These Foolish Things

7,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2021 | EU | Original (Born Bad)

Bryan Magic Tears

Vacuum Sealed

17,59 €* 21,99 € -20%

LP | 2024 | EU | Original (Born Bad)

Release: 2021 / EU – Original

Genre: Rock & Indie

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French Shoegazers Bryan's Magic Tears Are Back Again: `Vaacum Sealed' See The Light Of Day October 15th Via Born Bad Records.The Lp Opens With A Screaming Introduction (Greeting From The Space Boys, A Middle Finger Raised By The Whole Band From The Stratosphere - Or Lauriane Petit On Bass And Vocals, Raphael Berrichon And Medhi Briand On Guitars, Paul Ramon On Drums). The Band Goes From One Breathtaking Track To Another (Excuses Sung By Lauriane Like A Kim Deal Composition, Sad Toys Or The Paroxysm Of Dancing Melancholia, Pictures Of You Or The Best Guitar Riff Ever Played With A Vibrato) Before Hanging By A Thread. At This Point Of The Record, One Could Believe That Bryan's Magic Tears Is The Gifted Son Of The Jesus & Mary Chain, My Bloody Valentine And Primal Scream. In 1991, This Side Of The Album Would Have Been Recorded By A British Band And Released By Creation.Now On The Flip Side Of The Record. "I Don't Want To Be This 33-Year-Old Guy Playing Teenage Rock." After Showing Off The Muscles On One Album Side, Benjamin Dupont Digs A Little Deeper Into His Own Veins And Gives A Different View Of His Band's Music. They've Been Mistaken For Drugged-Out Wankers, A Band That Makes Big Noise Because They Have Three Guitars On Stage, Slackers Singing Nonsense In English. The B-Side Of `Vacuum Sealed' Features Three Autobiographical Pop Songs With Absolutely Impeccable Lyrics And Melodies. In Tuesday - "A Song About When It's Tuesday And You've Got Zero Serotonin In Your Blood Because You've Been Taking Pills All Weekend" - Isolation And Always, Despite The Drum Machines And The False Air Of Lightness, It's The Smiths' Fan Who Speaks. The Great Melody Maker. "I Think The Biggest Difference Between Bryan's Magic Tears And Other Bands In Our Genre Is That A Lot Of Them Forget That They're Going To Sing Over Their Music.".That Year, The Night Lasted Five Months In A Row. Every Day, When Benjamin Dupont Woke Up, The Sun Had Been Below The Horizon For Hours. Between 10pm And 4am, Locked Up Secretly...

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Bryan's Magic Tears

Smoke & Mirrors

Flight Of The Knife Blue Vinyl Edition

Release: 2024 / EU – Original

Genre: Rock & Indie

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French Bryan's Magic Tears are now shoegaze/baggy at it's best!Summer of love: they weren't around for the first, they've studied the second, and they're planning the next. Bryan's Magic Tears release their next album, Smoke and Mirrors, on Born Bad. Still a thing on previous records, 4AM and Vacuum Sealed, their garage/ noise legacy fades away, not denied though. This confusing specimen will rave about fashionable shoegaze oldies...

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Bryan Scary

LP | 2020 | US | Original (Needlejuice)

29,99 €*

Flight Of The Knife Green/Yellow Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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The recorded debut of Scary's touring band, The Shredding Tears, crafted with producer Brian McTear in Philadelphia. Inspired by Pynchon's "Against the Day," the album tells tall tales of airships and innocence lost, bookended by the legend of Airship Valentine. 'Twas released on Black & Greene Records in 2008. "Find your own way to The Knife."

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Bryan Scary

LP | 2020 | US | Original (Needlejuice)

29,99 €*

12" | 2023 | EU | Original (Sonic Groove)

Release: 2020 / US – Original

Genre: Rock & Indie

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Bryan Zentz

Barada Trax Volume 6

17,09 €* 17,99 € -5%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Below Dawn Black Vinyl Edition

Bryony Jarman-Pinto

2LP | 2024 | UK | Original (Tru Thoughts)

Release: 2024 / UK – Original

Genre: Organic Grooves

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LP | 2019 | US | Original (Ropeadope)

BT ALC Big Band

The Search For Peace

37,99 €*

7" | 2021 | EU | Original (All-Town Sound)

Release: 2019 / US – Original

Genre: Organic Grooves

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Since the group's formation in 2011, the BT ALC Big Band, led by trombonist Brian Thomas and trumpeter Alex Lee-Clark, has gained a reputation for hard grooving original compositions featuring the most talented jazz and funk musicians in Boston. The BT ALC Big Band draws from the big band traditions of Duke Ellington, Count Basie, and Thad Jones and infuses music from funk legends like James Brown, Parliament Funkadelic, and The Meters, creating an undeniably unique sound, Big Band Funk. The BT ALC Big Band will be releasing their 4th album, The Search For Peace, on Ropeadope Records in May of 2019. The Search For Peace was recorded live by Alan Evans (Soulive, Iron Wax Studios). Evans research of the recording process, paired with his creativity has yielded an organic, old school sound. Each horn section played into one omnidirectional mic, with the rhythm section in the same room, essentially capturing a live performance. The Search For Peace follows the BT ALC Big Band’s previous 3 albums; Superhero Dance Party (2013), The Herd Sessions Vol. 1 (2016), and The Herd Sessions Vol. 2 (2016). In addition to performances at clubs and festivals, the BT ALC Big Band demonstrates their commitment to education through clinics, workshops and performances with students throughout New England. Their compositions are available for purchase at btalc.com, and have been performed by college and high school jazz ensembles including West Virginia University, UMASS Amherst, Ithaca College, and honor bands in Massachusetts, Rhode Island and Maryland. The BT ALC Big Band continues to push the art of the big band forward by utilizing a process that’s been followed by musicians for years: play the music you love, just in your own way.

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Bubaza

Battlestar

11,99 €*

LP | 1961 | US | Reissue (Impex)

Release: 2021 / EU – Original

Genre: Organic Grooves

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"Battlestar" smacks you in the face immediately in the intro and refuses to let up for the duration of the tune. It's a synth heavy afrobeat burner that will ignite the dancefloor. The brainchild of Steve Haney (Jungle Fire) and Tim Felten (Sure Fire Soul Ensemble), the band explores new sonic territory for both of them. Aided by master musicians JakeNajor and Omar Lopez (SFSE) and Michael Duffy and Pat Bailey(Jungle Fire) they have truly crafted a unique sound within the diaspora of modern funk music. The B side "Countdown Dub" is a synth and sub-bass heavy dub exploration into what is possible within the style. Did they go too far? With some dubbing help from Seiji Komo (Boostive), the tune is a bold mixture of experimental and classic dub stylings.

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Bud Shank

Barefoot Adbenture

49,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

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LP | 2020 | US | Original (King Tone)

Budamunk & Tsuggs

Thank And Gro

29,99 €*

LP | 1993 | EU | Reissue (Music On Vinyl)

Release: 2020 / US – Original

Genre: Hip Hop

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On the heels of his installment of the Baker's Dozen, Budamunk has combined his talents with Tony Suggs, provider of the keys to Roy Hargrove's 'RH Factor' as well as the Count Basie Orchestra. T. Suggs has also collaborated with the Manhattan Transfer, Patti Austin, and Marlena Shaw among others. 'Thank and Gro' realizes a robust yet soothing sonic environment distilling elements transcending time, location, and genre. Instrumental additions provided by Ameen Saleem, Satoshi Yoshida, Kenji 'Jino' Hino, and Patriq Moody. Phonetic accompaniments courtesy of Iman Omari and T.I.V.E. DJ Yuze on the cuts. A peace to surly peek interest of connoisseurs throughout the many audible hemispheres.

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Buddy Guy

Feels Like Rain

28,99 €*

3LP | 2023 | EU | Original (New Dawn)

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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American blues guitarist Buddy Guy released his eighth studio album Feels Like Rain in 1993. It was produced by John Porter, whom had previously worked with The Smiths, Bryan Ferry and Killing Joke. The album features Guy’s take on songs written by the likes of John Hiatt, John Fogerty, James Brown, Ray Charles and Guy’s frequent collaborator Junior Wells. He also collaborated with some renowned musicians: John Mayall, Bonnie Raitt, Paul Rodgers and Travis Tritt can all be heard on this album.

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Build An Ark

Revision - An Anthology

47,99 €*

Buju Banton / Tony Rebel / Terry Ganzie

Release: 2023 / EU – Original

Genre: Organic Grooves

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Triple edition, packaged in thick PVC cover with a foldable double sided poster and download card.

Celebrating the 20 year anniversary of highly revered Jazz collective, Build An Ark from Los Angeles, California. Formed in 2003 and releasing albums between 2004 and 2010, the Carlos Niño co-ordinated project included contributions from luminaries such Phil Ranelin, Big Black, Miguel Atwood-Ferguson, Adam Rudolph, Derf Reklaw, Dexter Story, Dwight Trible, Gaby Hernandez, Mia Doi Todd, Munyungo Jackson, Nate Morgan (R.I.P.), Peter Jacobson & many more.

This set was compiled by band leader Carlos Niño with recordings from 2001 to 2008 that have previously been released on Kindred Spirits.

Gilles Peterson says "It's a beauty!"

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Tribal War

7" | JM | Original (Penthouse Vintage)

3,99 €*

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

Tape | 2020 | UK | Original (The Get Down)

Bull.83 & F.F.B.

Keep It Simple! EP

Release: 2020 / UK – Original

Genre: Hip Hop

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Tape | 2019 | UK | Original (The Get Down)

Bull.83 & F.F.B.

Out Of Reach EP

12" | 1978 | US | Reissue (Get On Down)

Release: 2019 / UK – Original

Genre: Hip Hop

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Bull83 is a rap artist from the Moscow, suburb of Ramenskoye, a participant and one of the founders of the group called "8 East". F.F.B is a beat maker widely known in narrow Hip Hop circles around the world, emphasising the classic sound straight from the 90's golden era. Both are representatives of the Mob of Drummers collective. Those individuals united and together recorded an EP "Out of reach", which should appeal to all fans of boom-bap with sharp lyrics and music production included in this project. Can you feel it y'all? Peace!

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Bumblebee Unlimited

Lady Bug

I Can Remember / Standing On The Outside Black Vinyl Edition

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Originally released in 1978 on Greg Charmichael's Red Greg Records, "Lady Bug" and ""Love Bug"" are probably Bumblebee Unlimited's most recognizable hits. Much like Cloud One, Universal Robot Band and Inner Life, Bumblebee Unlimited was a studio-based disco unit
conducted by Patrick Adams and Gregory Carmichael. Their only album "Sting Like a Bee" was released by RCA in 1979 with contributions from longtime Adams & Carmichael collaborators Leroy Burgess (vocals), Norbert Sloley (bass), and Richard Taninbaum (drums). With an undeniable groove, signature keys and arrangements by Patrick Adams in addition
to the comically sped-up vocals, Lady Bug is considered by many to be one of the most important underground tracks of the Disco era. As with the original "Lady Bug" 12" Single, the John Morales and Frank Trimarco "Sunshine Sound" mix takes the A-side of the RCA release. A true Disco version in every sense of the word, this almost 10 minute mix brings out the Latin percussions to the front making
it a true dance floor classic and establishing John Morales as one of the best remixers in the industry.
The B-Side belongs to one of New York City's hottest DJs at the time: Larry Levan. Despite being a very early remix by the Legendary Paradise Garage DJ, the talent was evident and his understanding of a club mix in wide display. It’s no wonder Larry Levan would go to become one of the most respected and revered remixers of his generation. Similarly to the Morales/Trimarco version, the percussions are accented throughout the
mix making it ready for the discotheque. However the two mixes are undoubtely different with Levan’s bringing out more funk out of the Adams composition
focusing more on the keys and the infectious bass lines. No real point in arguing which is better, so let’s just be glad we have both.

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Bump & The Soul Stompers

7" | 2024 | US | Original (Numero Group)

I Can Remember / Standing On The Outside Colored Vinyl Edition

Release: 2024 / US – Original

Genre: Organic Grooves

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Black Vinyl.A trio of Kansas City soul sweepers, fromthe sprawling midwest burg's storied Cavern, Damon, and Forte concerns. Bumpand the Soul Stompers' 1970 sweet souldouble sider "I Can Remember" was atail pipe-dragging, low rider classic in themaking, had it ever been released. A fewyears later Jerald "Bump" Scott took hisnew group to Cavern's subterranean confines to cut the group harmony masterpiece "Living In The Past," but remainedunissued prior to Numero's discovery ofthe Cavern tapes. As disco was cresting atthe top of the next decade, Sharon Revoaltracked her James Brown meets JamesBond stepper "Reaching For Our Star"_the last 45 released on Marva Whitney'speerless Forte label.

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Bump & The Soul Stompers

7" | 2024 | US | Original (Numero Group)

Release: 2024 / US – Original

Genre: Organic Grooves

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Coke Bottle Clear vinyl.A trio of Kansas City soul sweepers, fromthe sprawling midwest burg's storied Cavern, Damon, and Forte concerns. Bumpand the Soul Stompers' 1970 sweet souldouble sider "I Can Remember" was atail pipe-dragging, low rider classic in themaking, had it ever been released. A fewyears later Jerald "Bump" Scott took hisnew group to Cavern's subterranean confines to cut the group harmony masterpiece "Living In The Past," but remainedunissued prior to Numero's discovery ofthe Cavern tapes. As disco was cresting atthe top of the next decade, Sharon Revoaltracked her James Brown meets JamesBond stepper "Reaching For Our Star"_the last 45 released on Marva Whitney'speerless Forte label.

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Bunk Johnson

1944

LP | JP | Original (DAN)

Bunk Johnson And His New Orleans Band

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI! Gatefold cover with yellowing, especially inside!

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Bunk Johnson 1944 Vol. 3

LP | 1978 | JP | Original (DAN)

Bunk Johnson And His New Orleans Band

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

OBI is missing!

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Bunk Johnson 1944 Vol. 3

LP | 1973 | JP | Original (DAN)

4,99 €*

Bunk Johnson And His New Orleans Band

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

Strong yellowing and seam split!

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Bunk Johnson 1944 Vol. 3

LP | 1973 | JP | Original (DAN)

Bunk Johnson, Ollie "Dink" Johnson

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Strong yellowing inside the gatefold sleeve!

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American Music By

LP | 1974 | JP | Original (DAN)

Bunk Johnson's Brass Band

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Promo copy. OBI is missing.

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Brass Band

LP | JP | Original (DAN)

7" | JM | Original (Studio One)

Release: JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI! Gatefold cover with yellowing, especially inside!

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Bunny Brown

Weh Yuh Deh So Long

Release: JM – Original

Genre: Reggae & Dancehall

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Used Vinyl

Medium: VG, Cover: Generic

7" | 2011 | US | Reissue (Revelation)

Burn

LP | 2017 | EU | Original (Deathwish)

Release: 2011 / US – Reissue

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Yellow vinyl. Cover with bumped corner

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Burn

Do Or Die

25,99 €*

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 2018 | EU | Original (7hard)

Burn Down Eden

Ruins Of Oblivion

Release: 2018 / EU – Original

Genre: Rock & Indie

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7" | 2002 | US | Original (Revelation)

Burn

Last Great Sea

Release: 2002 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

2LP | 2020 | US | Original (Atlantic)

Burna Boy

African Giant

Release: 2020 / US – Original

Genre: Hip Hop

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LP | 2023 | EU | Original (Atlantic)

Burna Boy

I Told Them ...

28,99 €*

2LP | 2023 | US | Original (Atlantic)

Release: 2023 / EU – Original

Genre: Pop

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On the 25th August, Burna Boy will release his brand-new album ‘I Told Them…’. It will be available to stream everywhere as well as on CD & Vinyl. The Pre-order will go live alongside the album announce on the 28th July. ‘I Told Them…’ features Burna’s newest hit singles ‘Sittin’ On Top Of The World (feat. 21 Savage)’, ‘Talibans II’ & ‘Big 7’ as well as a whole host of album features.

Burna Boy was born Damini Ogulu in Port Harcourt, Rivers State, Nigeria, in 1991 and began making music at just ten years old. As a teenager he honed his craft on Nigeria’s southern coast, delving into dancehall, reggae and Afrobeat’s. In the early 2010s Burna Boy emerged as one of Nigeria’s fastest-rising stars, combining influences from his Nigerian heritage with hook-filled pop stylings to create unforgettable tracks. His 2012 single ‘Like to Party’ broke into the global mainstream and paved the way for his full-length debut L.I.F.E, a year later.

Over the next five years, Burna Boy released two more albums and collaborated with a long list of high-profile artists including J Hus, Skales, Fall Out Boy and Lily Allen. African Giant was released in 2019 followed by his fifth album Twice as Tall in 2020 (which featured collabs with Chris Martin and Youssou N'Dour), both charted in several countries across the globe andgarnered worldwide acclamation, with the latter winning a Grammy Award for ‘Best Global Music Album’. Breaking cultural boundaries, he became the first Nigerian to headline a show at New York’s Madison Square Garden, he released his sixth album, Love, Damini, last year (featuring collabs with the likes of Ed Sheeran and Khalid). It deservedly became the highest-charting Nigerian album in history and currently holds the record for the only African artist to earn a no. 1 on iTunes in 16 countries worldwide.

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Burna Boy

Love, Damini

44,99 €*

Release: 2023 / US – Original

Genre: Pop

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LP | 1974 | EU | Reissue (Mr Bongo)

Burnier & Cartier

22,99 €*

LP | 1977 | EU | Reissue (Lantern)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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Sought-after Brazilian LP from 1974 that touches on MPB, soul, jazz, disco and boogie. Official Mr Bongo reissue. Replica original artwork. Extremely expensive theses days, this one has been on our list for a while. As
sampled by Andres on his ‘Sing About It’ collaboration with Kenny Dixon Junior aka Moodymann and on Kaytranada’s Janet Jackson flip, ‘Alright’. Championed by the likes of Jazzanova, Floating Points, Hunnee and co.
The record features Arthur Verocai and Luis Bonfa (composer Octavio Burnier’s uncle) on production/arrangement.

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Bushrangers

Stuntman

27,54 €* 28,99 € -5%

Busta Rhymes Vs James Brown

Release: 1977 / EU – Reissue

Genre: Reggae & Dancehall

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First official re-issue for this roots reggae masterpiece, originally recorded in 1977. The Bushrangers, also known as Clem Bushay All Stars is the house band of producer Clem Bushay. They recorded the ''Stuntman'' album with musicians like Barry McVicker, Bunny McKenzie, Candy McKenzie, Carl Lewis, Dennis Bovell, Desmond Charles, Hughie, Janet Kay, Jimmy Haynes, Jimmy Mack, Jimmy Stratdan, Joseph Charles, Junior Bailey, Junior English, Michael Charles, Stanley, Suzy Browne, Moon Rocks and Zabandis...The album was also produced by Bushay.

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I Feel Good

7" | 2020 | US | Original

Release: 2020 / US – Original

Genre: Hip Hop, Organic Grooves

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LP | 2023 | EU | Original (Providencial)

Buster Brown Band

Popsicle Toes

Release: 2023 / EU – Original

Genre: Organic Grooves

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For its second release, Providenciales Records was able to unearth a previously unreleased album from the Buster Brown Band, featuring Kelly McNulty (from the Tagg/McNulty Band), Roger Burton (from the Bee's Knees), Jim Casey, Gregg Bissonnette (Ringo Starr's drummer), among others ... Inspired by some of the best Soul, AOR and Funk artists, the band recorded these demos in studio in 1982 thanks to their local success in Dallas, TX, at the popular Popsicle Toes venue (the album title). “Baby Don’t Lie” starts the album with a beautiful and mellow Soul / AOR introduction, while the following tracks, “Day Or Night”, “Endless Possibilities”, “Shock Proof” and “Say It” complete the LP with their Soul / Funk touch. There is even the first version of "Baby Don't Lie" as closing track, which was recorded 5 years before, in 1977. Band members have collaborated with artists such as Lee Ritenour, Ringo Starr, Harvey Mason, The Isley Brothers, Smokey Robinson, Kenny Pore, Eric Tagg, and much more… Liner notes (including exclusive pictures) and full story of the band by the one and only Grammy awarded David Ritz (coauthor of "Sexual Healing" with Marvin Gaye)! Limited edition of 500 copies, fully remastered

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Busty Brown / Upsetters

My Girl / My Girl

7" (Upsetter)

10,99 €*

Genre: Reggae & Dancehall

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Reggae Music Dubbing Again

Busy Signal

LP | 2012 | US | Original (VP)

Release: 2012 / US – Original

Genre: Reggae & Dancehall

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Butchamana & Big Bang Brothers Band

Indian Dream

LP | 2023 | US | Original (Don Giovanni)

30,99 €*

Release: 2023 / US – Original

Genre: Rock & Indie

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LP | 2021 | UK | Reissue (Gearbox)

Butcher Brown

Camden Session

25,99 €*

Release: 2021 / UK – Reissue

Genre: Organic Grooves

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LP | 2018 | UK | Original (Gearbox)

Butcher Brown

Camden Session

74,99 €*

Butcher Brown Ft. Tennishu Ft. R4nd4

Release: 2018 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover with slightly bent corner!

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Presents: Triple Trey Ultra Blue Indie Exclusive Vinyl Edition

2LP | 2022 | US | Original (Concord)

38,99 €*

Release: 2022 / US – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (Concord)

Butcher Brown

#Kingbutch

Release: 2020 / US – Original

Genre: Organic Grooves

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7" | 2013 | US | Original (Topshelf)

By Surprise

Criteria

4,99 €*

CD | 2024 | EU | Original (Souffle Continu)

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Brown vinyl

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Byard Lancaster

Funny Funky Rib Crib

The Complete Palm Recordings 1973-1974

Release: 2024 / EU – Original

Genre: Organic Grooves

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At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul.

If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)...

Funny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib

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Byard Lancaster

Box Set | 2024 | EU | Original (Souffle Continu)

169,99 €*

Byrne & Barnes / Robert Byrne

Release: 2024 / EU – Original

Genre: Organic Grooves

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5lp+12"+7".

Souffle Continu records presents Byard Lancaster – The Complete Palm Recordings 1973-1974, the definitive package of Philadelphia-born jazz wizard Byard Lancaster including his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s, Us, Mother Africa, Exactement and Funny Funky Rib Crib, along with the first ever standalone edition of Love Always, a fifteen minute modal jazz beauty plus a 20 page booklet with rare photos and in-depth article about Byard Lancaster’s Parisian years by Pierre Crépon.

At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums.

On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is Great Black Music! A few months after recording “Us”, Lancaster recorded “Mother Africa” along with Clint Jackson III, a trumpeter, partner of Khan Jamal or Noah Howard on other recordings.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions. When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today!

The recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa.

Two names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow.

It is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities.

Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note... ends up by playing exactement the note he had to play.

“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul. If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)...

Funny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib!

The magnificent “Love Always” was originally released on the fourth (and last) volume of the Jef Gilson Anthology series released in 1975. Recorded on 8th March 1974, it is a beautiful 15-minute-long modal jazz piece. Four notes from the bass (the relentless Jean-François Catoire, who makes up the rhythm section alongside drummer Jonathan Dickinson and percussionist Keno Speller), and the group is up and running! On piano, Gilson shows the subtle tact of a sideman, leaving the lions’ share of the place to the horns. This allows us to hear the trumpet of Clint Jackson III and the alto (which sometimes sounds almost flute-like) of Byard Lancaster each staking their claim in a long hallucinatory march which moves from moments of direct exaltation to profoundly sensitive collective playing. And if further proof was required of the confidence that Byard Lancaster and Jef Gilson inspire, “Love Always” provides it on this one sided release exclusive to the box set.

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Love You Out Of My Mind / Do You Wanna Make Some Love

7" | 2024 | EU | Original (Favorite)

Byron Asher's Skronch Music

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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8 years after the official reissue of the LP “An Eye For An Eye” by Byrne & Barnes, Favorite Recordings proudly presents this new single release. The 7inch first includes the classic “Love You Out Of Your Mind”, extracted from the WestCoast classic LP, which was a one-stop collaboration between Robert Byrne and Brendan Barnes, however both display incredible music career and went on to produce for famous artists such as Pointer Sisters, Patti Austin, Earth Wind & Fire, or Phil Collins to name just a few. The song parades all the elements of the AOR style: a jazzy sometimes fusion approach, with modern soul and groove flavors. The other side features an exclusive and unreleased track by Robert Byrne, dug by the original executive producer up in his archives for our great pleasure. “Do You Wanna Make Some Love” is also nurtured with Westcoast and AOR vibes, while leering to Boogie and Disco influences. We have no doubt it will delight all the Byrne & Barnes music lovers and many more.

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Byron Asher

LP | 2019 | US | Original (Sinking City)

Byron Asher Skrontch Music

Release: 2019 / US – Original

Genre: Organic Grooves

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Skrontch Music is the ambitious debut recording by award-winning New Orleans-based composer and clarinetist/saxophonist Byron Asher. This five-movement, research-based suite for ten-piece ensemble explores the intertwined histories of New Orleans jazz and anti-Jim Crow activism during the early twentieth century. Skrontch Music juxtaposes contemporary composition with collective improvisation, archival recording sound collage, and excerpts from the 1896 Plessy v. Ferguson U.S. Supreme Court ruling. A contemporary investigation into the early jazz tradition, Skrontch Music highlights that the development of the music was itself a form of resistance to the racist Jim Crow regime. Packaged in paste on sleeve with risograph print

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Lord, When You Send The Rain

LP | 2024 | US | Original (Sinking City)

As Seen In Your Wildest Dream

Release: 2024 / US – Original

Genre: Organic Grooves

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Second LP from this 11-piece large ensemble based in New Orleans, led by Byron Asher. Considered by the composer to be a single long-form work, the album is a meditation on the blues, looking to the history of that music tradition as a socio-political cultural production rooted in the Mississippi Delta with central ties to the formation of jazz in New Orleans.

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Byron Coley & Ted Lee

LP | 2022 | US | Original (Lost Treasures Of The Underworld / Feeding Tube)

22,99 €*

7" | 2020 | EU | Original (Six Nine)

Release: 2022 / US – Original

Genre: Electronic & Dance

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If Coley can do anything and, I assure you, he can do a few things, some very well indeed—cooking, drinking, smoking, chortling, collecting, dissecting, inspecting, sniffing, gassing, pranking—to name but a few, he can, without a beat gone by, make you wanna listen to the goddam records he's criteeking whether it be in old ishes of Forced Exposure, Boston Rock, New York Rocker, or the LA Weekly or his nugget column in Wire. For many his obscurant references to what is already an obscure contempo side can be so layered—as if the review is some kind of lit cuz to Jodorowsky's spiraling labyrinthian masterpiece of surrealist Espanola 'huh?' cinema, The Holy Mountain—that the narco-eclectic desire to actually hear what the fuk this accredited gourmandizer is—in various temperaments—jazzed about, that you actually find yrself hunting the lathe cut edition of minus three and sending all yr rent money to grip it—'Coley wrote about this—s'posed to be 'insane'. He and TED LEE have been manning the formidable and replete Feeding Tube emporium for a few years now in the wilds of Western Mass and what at first appeared to be an unlikely pair have become quite a prolific bastion of bonkerism rock and experimental otherness like a water tap stuck on unthreaded gush. Open heads recognize and learn/teach from each other without too many questions being asked (look, listen, have a cold one, step out for a smoke) They play sax? Good toot? sign em up! Music is an exchange, a gift, has nothing to do with making money only in making friends and neighbors ('that's where we meet!'—Ornette). Putting out cool records is—a well worn trope I know, but it's true as trout—a Labor OF Love. Ted Lee gleans sound art music in organic intrigue obviously from the day he was released from the chute of procreation and it stands to cosmic reason that he can hang tuff and throw down smooth licks with Coley's verbacious loquacity. These readings with sound spoo are just a taste of the cream dream epiphanies these gents collude so instantaneously on. Time is of the essence and music is time, so are thoughts and words like diamond juice dripping from the corners of Don Cherry's pocket trumpet maw—at least that's what I hear when I hear these cats yowling half past the end of nowhere on a fence behind our collective houses full of records, books, and nudie mags. Life is fuckin sweet."—Thurston Moore, London 2022

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Byron Jamez

Time Machine

Byron Lee And The Dragonaries

Release: 2020 / EU – Original

Genre: Organic Grooves

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Soul/Disco/Funk single here for the first time ever on vinyl! The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents Byron Jamez who now makes his debut on the label! Born and raised in Detroit, Michigan, Mr. Jamez has been living and breathing soul music all his life (his mother was an active musician already during the 1970s). Byron Jamez is a multi-talented man; an artist in the music business, an established actor and a master of advanced media skills. What we cherish the most right now is his pillow clenching voice and fantastic music, which definitely make this world much more beautiful. This release contains the brand new and stunning groover “Let’s Get Together” backed with the stepper-esque “Time Machine” on the flipside. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

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Dance The Ska

LP | 1964 | EU (Kids Of Yesterday)

12" | 2022 | UK | Original (Club Chi'Ll)

Release: 1964 / EU

Genre: Reggae & Dancehall

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Long-awaited reissue of this rare Jamaican ska record, originally released in 1964. In 1961 Byron Lee And The Dragonaries took a huge break when they were part of the first James Bond film - Dr. No - as the hotel band . In 1964, the band was also featured in a broadcast called "This is Ska!" alongside Jimmy Cliff, Prince Buster, and Toots and the Maytals. Amazing back cover illustrations: how to learn classic ska dance in 12 easy steps !

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Byron Stingily

Can't Help It

Byron Stingily / Teddy Douglas

Release: 2022 / UK – Original

Genre: Electronic & Dance

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House royalty right here. An unmistakable voice over the decades, from the late ‘80s till the present day, Byron Stingily’s falsetto tones are some of the purest around. Whether hitting the high notes as part of Ten City or in his solo songs, his gospel-tinged, uplifting voice has soundtracked countless euphoric moments.

Club Chi’ll Records welcome Byron to the label as he delivers a signature, piano-laden, hands in the air vocal house gem in the form of ‘Can’t Help It’. Not stopping there, they enlist the expertise of Wade Teo, Spaces Between and Soul Clap to add their trademark flavour to proceedings with four distinctive remixes.

Early support Louie Vega & Smokin Jo.

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We Belong Together

12" | 2021 | UK | Original (Basement Boys)

12" | 2000 | UK | Original (Manifesto)

Release: 2021 / UK – Original

Genre: Electronic & Dance

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It is with extreme pleasure that we, Basement Boys Records proudly announce our 100th single release and 30th year in the music business as an active recording label! Holding down our 100th release is the legendary multi-faceted singer/songwriter/producer Byron Stingily. As one third of the Chicago-bred, world renown trio, Ten City and as its primary lead vocalist, Byron’s velvety falsetto graced such House Music staples as “Devotion”, “That’s the Way Love Is”, “My Piece of Heaven” along with scores of other classic House music favourites. As a solo artist, Byron went on to create such memorable House jewels as “Get Up” & “It’s Over” a classic collaboration with the Basement Boys for his project on Nervous Records. “We Belong Together” contains four mixes. The Monday Night Vocal Dub and Instrumental are up first, with percolating congas and swinging violins that accentuate the well-paced drums and percussion of this delectable mix. The brassy horns sing in tandem with Byron as he tugs on the heartstrings with his romantic, chromatic vocal adlibs and signature riffs. The sugar-laden strings and sparkling pianos brings to mind the 90's Ten City production of Marshall Jefferson. DJ/songwriter/musician/producer, Maurice Fulton is one of House music’s true originals, back where he started. Maurice had the first release on Basement Boys Records with Sticky People "Kong". A man with a mind-blowing complexity behind all that is deep, dark and funky. Fulton’s mix takes a more soulful tech approach employing a host of electro sounds. A fervent polyrhythmic vortex of percussive wind chime effects, married with classic snares, tom toms & hi-hats, deep sub bass and a meaty kick all define this masterful alignment of electro and acoustic elements. At the midway point, Maurice turns the suspense-filled symphonic intro from the previous mixes into this electro breakdown groove fest sure to drive dancers into a frenzy complete with Byron’s heartfelt lyric. Closing it out the Main Mix in all its glory, hi-powered, dense bottoms and percussive elements, sweet R&B “boogie” style chords, neatly placed horn accents with Byron slaying the lyric as he always does in his exquisite, soulful pleading falsetto telling the object of his affection, “We Belong Together”.

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Byron Stingily

That's The Way Love Is

4,99 €*

Release: 2000 / UK – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2022 | EU | Original (Heist)

Akira EP

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Heist Recordings has been pushing the envelope for house music since day one and we’re always on the lookout for artists that represent our vision on electronic music. Our next guest on the label fits that profile and more. He is the embodiment of modern-day electronic funk and a true wizard on the keys: Atlanta raised cool guy Byron the Aquarius.

Byron has a solid history on the label: He remixed Parker Madicine back in 2017 and did a mad solo on the 2019 released Dam Swindle track ‘The life behind things’. We’ve done some shows together and stayed in touch while Byron was working together with Jeff Mills on his 2020 jazz crossover record ‘Ambrosia’ on Axis. Now, after a solid string of releases on labels like Shall not Fade and Purveyor Underground, Byron is making his solo appearance on Heist. His ‘Akira’ EP goes from dark basement grooves to dreamy broken beats and features a remix by New York dance music wizard Kush Jones.

The Akira EP kicks off with ‘I love yo’. In this track, Byron decides to leave his keys at home and goes in deep with a moody club workout. ‘I love yo’ is a track that juxtaposes dreamy samples with rough percussion and vocal chops with a clear nod to the work of Mr. G. The melody is mellow, but don’t be deceived; clever drum programming and plenty of sub take this track into the club vibe just the way Byron likes it: warm, hazy and sexy AF.

Byron is not known for delivering straightforward house tunes, but when he does deliver them, he does it in style. Enter ‘Get up’; the A2 of the EP. There’s everything we love about house music: smart vocal chops, driving percussion, classic house keys and a booming sub to get you bumping to this beat.

The B-side sees Byron up the tempo and take a deep dive into bass territory with ‘Love’. In this track, there’s lush pads running over a percussive broken beat and chopped R ’n B vocals to add some serious sex appeal. It’s deceptively simple and clean but ever so catchy, which clearly shows Byron’s prowess as an electronic music producer.

Going back to classic house mode, we’ve got ‘Success’: A spoken word house track that fits right in with the classics. Byron sets the mood with some bumpy key-and synth work while brainstorming about originality and blackness throughout the track. Even though the message underneath might be a serious one, Byron succeeds in delivering this in a fun, uplifting way that never gets pretentious or divisive.

The EP finishes with a remix by New Yorker Kush Jones. This is an artist who understands how to build a groove. He could take you anywhere from house to juke, footwork and techno, which is exactly why he’s been getting so much love for his music recently. Kush is an artist who sees no boundaries in his music and still manages to create his own sonic universe. His remix of ‘I love yo’ takes a dreamy approach with soft chords running over an electronic groove with a pure and improvised feel. All elements fit together perfectly and it’s the clever ad-hoc programming and arrangement that suck you into his unbounded world from the first beat.

As always, enjoy the music and play it loud.

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LP | 2020 | EU | Original (Apron)

Apron EP

19,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Finally! “Byron The Aquarius” debut on Apron.

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LP | 2020 | EU | Original (Apron)

Apron EP

17,99 €*

Release: 2020 / EU – Original

Genre: Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

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12" | 2024 | US | Original (Toucan)

Baddest Behavior

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-01

6 track EP feat. Brandon Markell Homes w/ mixes from DAM Swindle & Robert PM, as well as a vinyl exclusive collab w/ Coto Loco & Rasheeda ALI. Lush chords and smooth vocals fuse into a 90s earworm house jam on the title track, while Swindle infuse their remix with modern 2-step vibe.

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12" | 2024 | EU | Original (House Of Underground)

Dark Brown & Handsome

Byron The Aquarius / Deenamic

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-11

Atlanta's finest producer Byron The Aquarius returns to the source and on House Of Underground records with a breathtaking deep-house EP of 5 tracks coming out on 11th Of November 2024. ''Dark Black & Handsome'' for the lovers !

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Yellow Jackets Volume 6

12" | 2023 | EU | Original (Yellow Jackets)

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Yellow Jackets number 6 pushes things forward with two exceptional pieces by Byron The Aquarius and Deenamic. The modern jazz funk of the american keyboard wizard meets the relentless electronic futuristic programming of the elusive Deenamic! Like Yin and Yang meeting this release fuses the best of both worlds, keeping Yellow Jackets’ now notorious boundaries pushing edge on a phat loud vinyl, only 12’ inch!

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12" | 2024 | EU | Original (Phonogramme)

Dey Know Volume 1

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Dey Know Volume 2 Green Vinyl Edtion

12" | 2024 | EU | Original (Phonogramme)

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Highly Anticipated Second Volume of Byron the Aquarius 'Dey Know vol. 2' on Phonogramme ! 4 Serious Grooves on a Green Colored Vinyl....

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12" | 2023 | EU | Original (Clone Jack For Daze)

Ep1

11,89 €* 13,99 € -15%

Release: 2023 / EU – Original

Genre: Electronic & Dance

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Classic jacking tracks by Byron the Aquarius on Clone Jack for Daze. A 6 track ep that will make you dance till your numb. A big booming sound system in a dark room filled with big artifical clouds from the smoke machine, rattling drum machine with pulsating basslines, the hypnotizing lights from the strobe and you've entered the Land Of Confusion! Thats all we need to have a good time. Byron hits exactly that sweet spot with his take on the classic stripped down jack tracks.

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12" | 2024 | EU | Original (Departure Lounge)

Fantasies

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

Following a series of acclaimed releases, Byron The Aquarius continues to cement himself as a prominent figure in the house scene. Showcasing foremost as an adept keys player, Byron's productions incorporate an eclectic mix in stylistic influences, leading to a truly appreciable scope. Departure Lounge Records is proud to release his latest EP, Fantasies, reflecting a deeply purist style, synonymous with the nostalgic appeal of yesteryear.

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Gone Today Here Tomorrow Orange Vinyl Edtion

12" | 2024 | US | Original (Wild Oats)

33,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-08

Wild Oats proudly presents a new record by Byron the Aquarius, Gone Today Here Tomorrow. The 6-track EP explores the nature of reality and being, the pursuit of ecstasy and bliss, and embracing the ephemeral.

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12" | 2024 | US | Original (LOW)

Love 4 Music

23,99 €*

Release: 2024 / US – Original

Genre: Electronic & Dance

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Byron's musical prowess takes center stage in "Love 4 Music," our second vinyl release on the Low Recordings label, marking his entrée into our musical family. The 4-track EP is a love-infused journey, with Side A delivering compelling club hits and Side B enveloping us in a soulful/R&B/deep house vibe. "Creepin' With U" kicks off Side A, immersing us in haunting chords that lead to a thumping club-certified kick drum. Nostalgia from lo-fi days creeps in, complemented by eerie vocal samples, creating a captivating track for warehouse dance floors. Following suit is "Work That Girl (Tribal Mix)," a heavyweight crafted for the club/warehouse scene. Byron's vocals intertwine with clicking hats and snares, driving lyrics tailored for a sweaty night of dancing. The track builds energy with trademark chords and acid-sounding notes, making it a solid club anthem. Flipping to Side B, "Inner Visions" slows the tempo, offering a classic synth line and smooth kick. Byron's soulful vocals add warmth, gradually introducing dissonance as the track progresses, setting the stage for the EP's closure. "Make Me Feel" wraps up the EP, guided by Byron's vision for a fun night. With a touch of R&B, the track exudes warmth and invites us to feel good with the one who got us through the night. Byron's sultry voice, playful nature, and guiding basslines ensure a light and enjoyable conclusion to this musical journey.

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Shroomz Guns And Roses Volume 1

12" | 2022 | EU | Original (Talknoise)

LP | 2021 | EU | Original (Hands In The Dark)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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The story behind Shroomz, Guns and Roses came from the pandemic, it was a time I felt deep in nature and studying of zen, I felt like the pandemic brought out a darkness in me, and I combatted these negative thoughts with nature and mushrooms to create a balance in my life spending time in the mountains of Alabama and Asheville, North Carolina. I chose "guns" and "roses" as a way to juxtapose the violence we're experiencing in the USA with the peace of mind a rose can bring as a balance in life. Music makes its way through these tough times we're all facing, and to me, music is that rose. I paint a canvas of my emotions through synthesizers and drum machines to show the world balance can be found through even the toughest of times.

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Byron Westbrook

Distortion Hue

CD | 2024 | UK | Original (Shelter Press)

Release: 2021 / EU – Original

Genre: Electronic & Dance

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Limited to 300 copies.

Where 2017's Body Consonance focused on gesture and movement, Distortion Hue is grounded in catharsis and gut emotion. Its ten tracks of tape-manipulated electronics present a more raw side of Westbrook’s work, with grainy and damaged textures, walls of feedback and non-metered pulses. The album shows a wide range of expressiveness, capturing at times the deep anxiety of the present moment while also presenting flashes of hope amidst chaos.

With a nod to rock minimalism as well as to his mentor Phill Niblock’s sonic material approach, Distortion Hue is heavy in weight; a complex and layered deep listening experience.

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Byron Westbrook

Translucents

12" | EU | Original (Brain Distortion)

Release: 2024 / UK – Original

Genre: Electronic & Dance

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Inquiring after the ephemeral experiences of sound phenomena, Shelter Press presents Translucents , its first collaboration with American artist and composer Byron Westbrook. Comprising a single, 41 minute work divided into a series of interconnected vignettes that explore sonority’s relationship to time and memory, Translucents represents arguably the most definitive statement to date by one of the most singular voices working in the contemporary landscape of electroacoustic music. First emerging within New York’s rigorous context of experimental music over the course of the last decade and a half and now based in Los Angeles, Byron Westbrook has woven progressively intricate tapestries of sonority that bridge the worlds of sound art, installation, avant-garde electronic music, and synthesis. Working thoughtfully at an almost glacial pace - allowing the meaning and relationships within his sonic material to evolve and emerge over long durations before a piece reaches its final form - Westbrook’s practice is centred in the creation of hyper-specific sound environments that pursue a questioning or deconstruction of presumed or imposed understanding, subsequently appearing across a series of highly acclaimed full-lengths on imprints like Root Strata, Hands In The Dark, Umor Rex, and Ash International, as well as being staged at the Walker Art Center, ICA London, Moca Los Angeles, MoMA PS1, MaerzMusik, Rewire and Akousma Festivals among numerous other venues. Translucents , Westbrook’s first release with Shelter Press, was begun in 2016 at Elektronmusikstudion (ems) in Stockholm, Sweden, on Buchla 200 and Serge modular synthesiser systems. Those initial recordings, in conjunction with a broad palette of field recordings, were then edited and composed into the resulting 41 minute piece over the course of the following seven years before being completed in 2023 at Black Hole immersive audio studio in Los Angeles. Similar to Thomas Mann’s 1924 novel, The Magic Mountain , Translucents is rooted in the experiential phenomena of time; more specifically the cohabitation of multiple temporalities within a single piece. Partially drawing upon an encounter with the works of the artist Blinky Palermo, during which Westbrook observed the retinal ghost of one painting transpose itself over another - imposing itself outside of its own time and presumed perimeters of experience - like his environmental and context-based installation work, Translucents stages sound as a sculptural form, setting up theatrical situations, played out as a series of interconnected vignettes that are designed to provoke unique and wholly subjective experiences through the act of listening. Incorporating complex harmonic relationships, durational tones, a heady cast of rhythmical elements, and the bristling textures of electronics and unprocessed environmental recording drawn from the natural and industrial world, Translucents is a gesture of structural virtuosity; knots of tense, sonic density unfurled before being released as trace phenomena into spacious, pastoral plains of near silence, microscopic detail, and floating ambiences. As each counterpoint of contrast indicates its own experience and representation of time - provoking an imagism that borders on synesthesia - Westbrook threads a striking balance between psychoacoustic phenomena and a reorientation of relational sound: what is perceived physically vs observationally. Conceptually rich and deeply engaging on creative terms, while remarkable beautiful and captivating, Byron Westbrook’s Translucents is a singular statement of contemporary electroacoustic practice, issued by Shelter press on CD, accompanied by a 16 pages booklet comprising a suite of photographs and an essay by the composer

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C.T.O.

T.S.O.

18,99 €*

Release: EU – Original

Genre: Electronic & Dance

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LP | 1956 | UK | Reissue (Pure Pleasure)

Cab Calloway

34,99 €*

Micro-Phonies Colored Vinyl Edition

Release: 1956 / UK – Reissue

Genre: Organic Grooves

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From 1932 to the late 1940’s the period covered by this set, Cab had an orchestra that was about as swinging a band of solid senders as you’d find on the big-band circuit.
Cab projects, in his singing on records, something of the vital magic of his stage presence, a boundless exuberance and enthusiasm. His orchestral backing during the Thirties and Forties included many well-known names in jazz. At various times, Milt Hinton, Danny Barker and Cozy Cole were in his rhythm section.The reeds included the late, great Chu Berry as well as Ben Webster. Dizzy Gillespie was in the band, some members of which, at odd moments, served as a laboratory for the style to be called Bop. »This whole new chord structure idea was interesting to me,« Milt Hinton recalled, »and I would walk the new chords behind his playing.« Cab wasn’t the least enthusiastic. Danny Barker quoted him as saying, »I don’t want you playing that Chinese music in my band.«
The main attraction, however, was always Cab—showman, singer, entertainer. Most audiences didn’t even know that some of his sidemen were candidates for the jazz hall of fame. And that was as it should be. The musicians’ first function was to provide musical backing and a musical setting for the man who was being called 'King of the Hipsters', and this they did, wonderfully well. It was as Barry Ulanov noted in Metronome (January, 1943) a band extraordinary in every respect, hailed for its »clean musicianship, its jazz kicks, its brilliant showmanship«.

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Cabaret Voltaire

LP | 1984 | UK | Reissue (Mute)

27,99 €*

Release: 1984 / UK – Reissue

Genre: Electronic & Dance, Pop

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All Her Plans Black Vinyl Edition

Cable Ties

LP | 2023 | US | Original (Merge)

All Her Plans Metalic Blue Ice Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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All Her Plans, the third album from Melbourne, Australia's Cable Ties, finds the trio of Jenny McKechnie, Shauna Boyle, and Nick Brown at their punchiest and most assured. The ferocious, kraut-influenced blend of post-punk and garage rock of Merge debut Far Enough remains, but McKechnie's lyrics invite the listener closer than ever before. The urgency and fury that have marked Cable Ties' output thus far is more nuanced on All Her Plans. The unfettered rage of their calls to action endures tackling subjects like broken mental healthcare systems and the burden of familial care that is largely placed on women…while holding space for gratitude, love, and acceptance. All Her Plans is a breakthrough moment for Cable Ties. It is the sound of a group that is exhilarated to be making music together again, both a celebration of their resilience and a massive step forward into a future they can finally claim as their own.

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Cable Ties

LP | 2023 | US | Original (Merge)

Far Enough Colored Vinyl Edition

Release: 2023 / US – Original

Genre: Rock & Indie

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Cable Ties

LP | 2020 | US | Original (Merge)

23,99 €*

Release: 2020 / US – Original

Genre: Rock & Indie

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Caetano Veloso Remastered Mono Edition

Caetano Veloso

LP | 2019 | US | Original (Third Man)

30,99 €*

LP | 2022 | EU | Original (Darker Than Wax)

Release: 2019 / US – Original

Genre: Organic Grooves

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The Tropicália art movement of the late 1960s, with flourishes in visual art, poetry, theatre and music, is one of Brazil’s most adored cultural concoctions. It was a movement which began out of necessity, shortly after a repressive military dictatorship seized power after 20 years of peaceful democracy. The term Tropicália first came from the mind of Brazilian visual artist Hélio Oiticica, whose eponymous piece consisted of a sandy maze bordered by tropical Brazilian flora and, at the end, a television set.

Through satirizing symbols of their homeland and rejecting a pre-established national culture, the Tropicalists constructed a new form of “aggressive nationalism” outside of an innately anti-imperialist Left and an unthinkingly patriotic Right. By refusing to accept underdevelopment as their identity and excitedly “devouring” disparate culture (low and high brow, domestic and foreign, etc.), the Tropicalists carved out a unifying creative space, a universal sound, different from the older, bourgeois bossa nova movement and the newer, undiscerning rock movement.

Caetano Veloso’s self-titled debut solo album is one of the most important and influential Brazilian (and, dare we say, South American) albums of all time. With the release of this seminal album, Veloso would become the leading voice of Tropicália.

The songs on this album immediately connected with people. Alegria, Algeria was his breakout hit that gained traction as a hymn for liberty advocates, juxtaposing images of Coca Cola, guerrilla groups, bombs and Brigitte Bardot as part of the everyday experience. The album’s first song Tropicália was an anthem for the whole movement; it’s a fragmented allegory, a structure borrowed from friends

in the concrete poetry scene, touching on divergent cultural symbols, events, allusions and idioms, nimbly representing and critiquing the many contradictions in the new Brazilian dictatorship.

Superbacana (translated as “Supergroovy”) follows a hyperbolic superhero’s use of technology to fight a gang of cowboys led by the money-hungry Uncle Scrooge, serving as allusions to American imperialism and greed felt in their country, all in the rapid-fire structure of a comic book. The subtext in all these songs, which the dictatorship would not immediately catch, were that these repressed but glaring contradictions, not the bountiful sunny paradise that the military regime was pushing, were the true national identity.

Unfortunately, these cleverly veiled jabs in Veloso and his contemporaries’ bodies of work gained greater and greater exposure as the movement became more and more popular, leading to the arrest, imprisonment and forced exile of Veloso and many of his cohort. Despite these difficulties, the Tropicalists continued creating in exile, strongly influencing artists both at home and abroad.

This is the first authorized North American vinyl issue of Caetano Veloso. Whether you’re a longtime fan or first-time listener, Third Man Records could not be more proud to spread the compelling story of this album, this artist and the Tropicália movement.

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Cain

Sarissa

23,99 €*

LP | 2013 | US | Original (Don Giovanni)

Release: 2022 / EU – Original

Genre: Electronic & Dance

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Known for crafting infectious rhythms infused with an otherworldly strangeness, UK-based producer Cain makes his debut on Darker Than Wax with Sarissa - a seven- tracker driven by his signature percussive style.

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California X

8,99 €*

Release: 2013 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2015 | US | Original (Don Giovanni)

California X

Nights In The Dark

Cambodia / Phnom Penh Reggae

Release: 2015 / US – Original

Genre: Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover is close to NM.

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Dub Addiction / Vibratone

7" | UK (DNA)

11,99 €*

Release: UK

Genre: Reggae & Dancehall

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7" | 2016 | UK | Original (BGP)

Camille "Lil" Bob

Stop! / Brother Brown

Black Nostaljack (Aka Come On)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Louisiana-based singer Camille “Lil” Bob was one of the most successful R&B stars of southern Louisiana. His recordings for Goldband, La Louisianne and ANLA are the highest quality soul and funk.
These sides have caused a storm on discerning dancefloors. ‘Stop’ is an incendiary cover of the Howard Tate number, whilst our flip is a 100 miles-per-hour slice of hardcore funk.

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Camp Lo

7" | 1997 | US | Reissue (Get On Down)

7" | 1996 | US | Reissue (Get On Down)

Release: 1997 / US – Reissue

Genre: Hip Hop

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To celebrate the 25 year anniversary of Camp Lo's classic debut album Uptown Saturday Night Get On Down presents a brand new 7-inch single for "Black Nostaljack (aka Come On)" with a Kid Capri produced remix on the B-Side featuring Rev Run of RUN DMC.

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Camp Lo

Luchini Aka This Is It

Live In Brighton 1975 Brown Vinyl Edition

Release: 1996 / US – Reissue

Genre: Hip Hop

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Camp Lo’s late-‘90s hip-hop classic “Luchini aka (This Is it)” is, to put it simply, a sure-shot head-nodder. Upon making its way through any public-facing speaker system, then and now, it drives revelers to one of two important places – the dancefloor or the bar. It’s a feel-good rap track of the highest order, and sounds as good today as when it hit two decades ago. Featuring Bronx MCs Sonny Cheeba and Geechi Suede and produced by then up-and-comer Ski Beatz (who, during the same era, helped a young Jay-Z begin his steady and triumphant ascent), the cut oozes warmth and MC bravado. Sonny and Geechi are both technically top-shelf, but not backpacker stiff. Riding over an inventive chop of Dynasty’s electro-soul groover, “Adventures In The World Of Music,” they made it look very easy. The song would go on to create a stir on the Billboard charts in 1997, not only on the expected “Hot Rap Singles” list, but also well up the pop rankings of the “Hot 100” (peaking at #50). As with a few tracks from the era, it stretched beyond the rap world, as the group and their peers helped push hip-hop to the no-turning-back point, making the music into a true global phenomenon. The hit we know and love on the A-Side is complemented here with the 12-inch’s original B-side, “Swing”: a pimp-strutting, stuttering groove (also produced by Ski Beatz), with faster, more aggressive flows from both MCs. If “Luchini” was for popping bottles at the club, “Swing” was meant for the late night afterparty cipher. It even features a cameo by one of the crew’s lyrical idols: Butterfly of Digable Planets.

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Can

LP | 2021 | Reissue (Mute)

Release: 2021 / Reissue

Genre: Rock & Indie

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12" | 2024 | EU | Original (Kaskadeur)

Candi & Diana

Kaskadeur 08

Slicc White & Brown Vinyl Edition

Release: 2024 / EU – Original

Genre: Electronic & Dance

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Preorder shipping from 2024-11-22

Limited „vinyl only“ edition of two new cuts/edits on Kaskadeur Records.

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Canibus

LP | 2024 | US | Original (1332)

32,99 €*

Release: 2024 / US – Original

Genre: Hip Hop

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LP | 2022 | EU | Original (Born Bad)

Cannibale

Life Is Dead

21,99 €*

LP | 2018 | EU | Original (Born Bad)

Release: 2022 / EU – Original

Genre: Rock & Indie

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"...for the first time, achieve the non-blend between Nouvelle Vague and Caribbean music."We'll have to look into the matter seriously one day. Publish an anthropo-ethno-socio-musicological study, maybe. At any rate, try to understand how Cannibale, from some living room in the Northern France town of L'Aigle, managed to perfect a sound somewhere between the Caribbeans, 1960s West Coast garage scene and Tropicalia's Brazil. CANNIBALE got into "doing nothing" lately. And while doing so, they've put together their third album, Life is Dead. No doubt here: the influence, sound and hallmark are clearly Cannibale's, once again leaving their instantaneous imprint. In our post-all era though, this Life is Dead could sound like post-Cannibale. Simmered, gnawed to the bone; everything in that record feels more precise and simmered at length, Frustration's singer Fabrice Gilbert happily guests on track Kings of the Attics. Welcomed as rookies in Born Bad's laps for its tenth anniversary, Cannibale now sits - comfortably so - at the big table of the label's leading bands. Authors of totally adulterated shows, the Normans are set, with their new tracks, to keep firing up stages around the continent. In the future, for sure, this Life is Dead will have its own chapter in their dedicated anthropo-ethno-socio-musicological study - a somewhat post-mortem moment, in the full flow of creation. Vinyl in printed undersleeve + download code!

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Cannibale

Not Easy To Cook

18,99 €*

7" | 2023 | UK | Original (Dune Castle)

Release: 2018 / EU – Original

Genre: Organic Grooves

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If Cannibale's members brought their breakfast back up when talking about 'Not Easy To Cook', their listeners would be surprised. There's a world of difference between the beginning of Cannibale's success story and this second album. The most surprising thing about 'Not Easy To Cook' is the sultriness that emerges. It's hard to sum it up other than by comparing these 10 songs with some pressure cooker in which bits of dancehall, London ska and Hawaiian dub would have cooked together. Here's the small miracle achieved by this LP recorded by the band in its remote French village: sounding French, but Polynesian French. A very psychedelic mixture of cumbia, African rhythms and garage music. Or, if you will, a kind of missing link between Fela Kuti, The Doors and The Seeds!

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Cantrips

For Private Use Only

10,99 €*