Search "mobb deep" 9 Items

Label cover.

Following the epic and potent album 'Blood' recently released on Infinite Machine; Shanghai-based producer Laughing Ears alights on Hemlock with a killer three track EP. Losing Track Dense with pin-sharp atmospherics and gentle intertwined melodies, this lush piece evokes 90's IDM breakbeat and trance and propels them into far away realms. Bite the Bullet Bleeps and homespun breakbeats dance into the night on this quirky workout, keeping us on our toes with unhinged edits and a twisted breakdown. Breakaway The rudest cut on the EP, Breakaway lamps up the pressure for a full sub bass rinse out riding on loose but fully loaded drums.
File under: IDM, grime, breakbeat Riyl: rRoxymore, Autechre, Dj Crystl, Bruce, Musical Mob

James 'Bursnki' Burnham aka Constant Sound label boss and garage head Instinct is showing no signs of running out of ideas despite having put out such a high amount of high-class club weaponry in the last few years. He goes big once more with this latest 12" which subtly features the iconic vocal cries from Moby's 'Go' but repackaged in a shuffling and banging garage groove with dark synths and wonky bass. On the flip is pure grade bassline track, 'Bassline Track.' It'll take you back to the days when this northern take on garage was all the rage, and why not?

Deep, reticulated club-wired whitelabel from Felix Hall’s Chrome label, featuring Rat Heart’s first-ever remix and a strong swinger by Mad Rey, huge tip for the Actress, Aaron-Carl, Terrence Dixon, DJ Rush freaks!

Stepping on your expectations with big boned swivel, Heron Fischer’s follow-up to a 2019 debut on Promesses delivers a peak club anthem in-the-making. Following a string of exceptional mixtapes and compilations on the label, ‘Wish That You Would’ is only the 2nd original release on Chrome after Mobbs’ standout album, keeping one eye firmly on the ‘floor with coordinates wide open on its spaced-out set of remixes.

The OG banger ‘Wish That You Would’ comes on like a ruder answer to that ‘bota’ tune, swirling similar elements - organ vamp, bugged-out vocal, infectious garage-house swang - with a sicker, hands-on feel, road-ready foley and pitching drop guaranteed to get dancers in a lather, rather than line-dancing.

The remixes are the ones though. For his first ever flip, Rat Heart dresses down ‘Wish That You Would’ to the skeletal fundamentals of an empty warehouse beat track, headless rave vox and dubbed out dial tones with a sublime tension that echoes classic Actress in that simmering Terrence Dixon mode. Mad Rey rounds things off with a simmered down but still robust take, flexing like a clipped DJ Rush or Sneak butterfly rhythm.

Introducing Niff’s new imprint, the first Fuori Orario Ep “Non Solo Moda” is by Dean Denali, an alias of Italian producer Filippo Bena, with four tracks blending Techno, House and Breakbeat.

Introducing the latest release on Phunkation records - a funky techno banger record that will get you up and dancing! Drawing influences from classic techno and funk, this release is sure to be a hit on the dance floor. Featuring a pumping bass line, a catchy synth hook and a groovy beat, it's destined to keep you moving all night long. This one-of-a-kind release is sure to get you into the groove with its dirty drums and infectious energy, perfect for a peak time occasion. Whether you're hitting the club or just having a dance party at home, this is the record to get you in to the mood. Don't miss out on this must-have release from Chris Chambers & Homma Honganji - get it now and get ready to dance!

Hailing from Seoul, South Korea, Ahraam of Abrx releases first debut studio LP of its kind: >Human, All Too Human<. Totaling 65 minutes of pure and depthful dramatic musical experience, Ahraams first studio LP includes 10 original tracks that binds his distinctive dramatism and sound-design knowledge.

Adam Beyer and Green Velvet’s behemoth co-production ’Simulator’ gets a trio of fresh remixes.

Something special happens with Beyer collaborates with Curtis Jones aka Green Velvet, with last year’s ‘Simulator’ a timely reminder of their musical synergy, following the 2019 classic ‘Space Date’ with Layton Giordani.
A year on from its release, Drumcode treats us to three contrasting interpretations that epitomise the sonic breadth of the label in 2024.

Mha Iri is first up having established herself as one of Drumcode’s most vital go-to producers in recent times. The Scottish artist turns in a blazing masterclass, taking the nasty bass stabs of the original and utilising them as thunderous motifs throughout her remix, as she brings intensity in spades with plenty of thrilling builds and drops along the way.

Emerging Australian artist Odd Mobb is next, whose music has been championed by the likes of Fred Everything and Skrillex. He brings the energy throughout the four-minute rework, amplifying all the low-end elements, while adding fresh bursts of colour. It’s a dynamic reinterpretation that will keep listeners on their feet.

Chris Avantgarde, whose contributions to Drumcode have so far comprised an outstanding collab with Kevin de Vries ‘Mind Control’ and an A-Sides contribution ‘The Last Time’, returns with the goods and lives up to his boundary-pushing pseudonym. This has more sides than a rubix cube and shows the German’s sound design class, encompassing elements of breaks, bass, electronica and techno, yet still manages not to sound like anything else out there.

Pressed on Limited Edition Neon Green Ripple Effect vinyl in the DC House bag.